{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1967\u0026page=435","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1967\u0026page=434","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1967\u0026page=436","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1967\u0026page=453"},"meta":{"pages":{"current_page":435,"next_page":436,"prev_page":434,"total_pages":453,"limit_value":10,"offset_value":4340,"total_count":4528,"first_page?":false,"last_page?":false}},"data":[{"id":"aad5758208f542118d1ad118_aspace_cfe75044a13b6389408f86956626e832","type":"File","attributes":{"title":"Vol. 2 - Publicity Scrapbook, 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County, Inc.is a nonpartisan organization that encourages informed and active participation in government, works to increase understanding of major public policy issues, and influences public policy through education and advocacy.","(https://my.lwv.org/florida/lee-county)"],"names_ssim":["Florida Gulf Coast University Special Collections","City of Fort Myers"],"corpname_ssim":["Florida Gulf Coast University Special Collections","City of Fort Myers"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":21,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1874829750044721152,"_root_":"aad5758208f542118d1ad118","timestamp":"2026-08-29T04:16:20.252Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/aad5758208f542118d1ad118_aspace_cfe75044a13b6389408f86956626e832"}},{"id":"34e1c2c7c431f5206e979541_aspace_17315","type":"File","attributes":{"title":"Vol. 45 nos. 9-24, 1966-1967","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/34e1c2c7c431f5206e979541_aspace_17315#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_17315","ref_ssm":["aspace_17315","aspace_17315"],"id":"34e1c2c7c431f5206e979541_aspace_17315","title_filing_ssi":"Vol. 45 nos. 9-24","title_ssm":["Vol. 45 nos. 9-24"],"title_tesim":["Vol. 45 nos. 9-24"],"unitdate_inclusive_ssm":["1966-1967"],"normalized_date_ssm":["1966-1967"],"normalized_title_ssm":["Vol. 45 nos. 9-24, 1966-1967"],"text":["Vol. 45 nos. 9-24, 1966-1967","Henry Nehrling Papers, 1886-1970","Writings, 1894-1970.","American Eagle, 1923-1970.","Newspapers, 1922-1970","Folder 6","/repositories/4/archival_objects/37678","box 5","folder 6"],"component_level_isim":[4],"parent_ids_ssim":["34e1c2c7c431f5206e979541","34e1c2c7c431f5206e979541_aspace_17265","34e1c2c7c431f5206e979541_aspace_17295","34e1c2c7c431f5206e979541_aspace_17297"],"parent_unittitles_ssm":["Henry Nehrling Papers, 1886-1970","Writings, 1894-1970.","American Eagle, 1923-1970.","Newspapers, 1922-1970"],"parent_unittitles_tesim":["Henry Nehrling Papers, 1886-1970","Writings, 1894-1970.","American Eagle, 1923-1970.","Newspapers, 1922-1970"],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["Folder 6","/repositories/4/archival_objects/37678"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Henry Nehrling Papers, 1886-1970"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":38,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1966,1967],"containers_ssim":["box 5","folder 6"],"_nest_path_":"/components#0/components#5/components#0/components#17","_nest_parent_":"34e1c2c7c431f5206e979541_aspace_17297","_root_":"34e1c2c7c431f5206e979541","timestamp":"2026-07-09T03:02:47.938Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"34e1c2c7c431f5206e979541","title_ssm":["Henry Nehrling Papers"],"title_tesim":["Henry Nehrling Papers"],"ead_ssi":"34e1c2c7c431f5206e979541","unitdate_ssm":["1886-1970"],"unitdate_inclusive_ssm":["1886-1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.029","/repositories/4/resources/158"],"text":["SC.029","/repositories/4/resources/158","Henry Nehrling Papers, 1886-1970","Naples (Fla.)","Birds -- North America","Horticulture -- Florida","Plants, Ornamental -- Florida","Gardens -- Florida","Gardening -- Florida","Tropical Plants","Botany -- Florida","Botany","Bromeliaceae","Plant hybridization","Photographic prints","botanical illustrations","The entire collection is open for research.","Henry Nehrling, an ornithologist and horticulturist, was born on 9 May 1853 in Herman, Wisconsin, to Carl Nehrling and Elizabeth Ruge. His walks to and from a Lutheran parochial school several miles from his home gave him an opportunity to develop a passionate interest in birds and plants. He completed a teacher education program at the Lutheran Teacher's Seminary in Addison, Illinois and taught in Illinois, Missouri and Texas. Nehrling married Sophia Schoff of Oak Park, Illinois on July 20, 1874 and they had nine children. Their eldest son, Walter, became a professor of Botany at Illinois State Normal School. Henry Nehrling was an original member of the American Ornithologist's Union formed in 1883.","\nWhile living in Houston, Texas from 1879, Nehrling first had the opportunity of growing tropical plants. In 1887, he was appointed deputy collector and inspector of customs at the port of Milwaukee where he remained for three years until he accepted the post of Custodian of the Public Museum in Milwaukee where he collected plant specimens for their greenhouse. He purchased land in Gotha, Florida in 1884, but did not visit the property until 1886. Slowly, as his finances allowed, he developed the property into an ornamental garden. At the Columbian Exposition of 1893, Nehrling had the opportunity of examining many tropical plants and trees and became fascinated with the fancy-leafed caladium. Through a South American horticulturist, Adolph Lietz, Nehrling acquired hundreds of Brazilian caladium specimens. These were first housed in his greenhouse in Milwaukee but were later moved to Gotha. Nehrling created new hybrid caladiums which he named in honor of his wife, the \"Mrs. Sophie Nehrling,\" his son the \"Arno Nehrling\" and his daughter-in-law \"Mrs. Arno Nehrling.\"","\nNehrling lost his position with the Public Museum of Milwaukee and permanently settled in Gotha in 1904. where he also began to experiment with the colorful annual flowering Amaryllis. He grew, hybridized, and popularized many unusual and exotic plants for the general public. Caladiums, palms, bamboo, and amaryllis were all introduced to the United States by way of his Palm Cottage Gardens. Nehrling collaborated with the Office of Foreign Seed and Plant Introduction, which was part of what was then called the Bureau of Plant Industry. Through this connection, Nehrling was able to expand his international contacts and gather information, plants and seeds from tropical horticulturists around the world. Nehrling's garden became so well known that people like John Burroughs, Thomas Edison, and Theodore Roosevelt came to visit and learn gardening tips. Nehrling's wife, Sophia, died on November 11, 1911, and on June 7, 1916 he married Betty P. Mitchell. A freeze in 1917 killed many of his most valuable plants; to avoid a recurrence, he purchased property in Naples, Florida where he could safely grow tropical species. He settled there in 1922 and by 1925, Nehrling had over three thousand species of tropical plants. Financial problems forced him to return to Gotha where he died on November 22, 1929 and was buried in Woodlawn cemetery near Gotha. His garden in Naples was preserved as the Jungle Larry's Caribbean Gardens and some efforts have been made to preserve his Palm Cottage Gardens in Gotha.","\nNehrling always wrote about his interests; he wrote articles on birds for the Nuttall Ornithological Club in Texas. In 1922, he began writing columns for The American Eagle, a weekly newspaper published in Estero, Florida. His first book Orchids in South Florida was published in 1890 and was followed a year later by Die Nordamerikanische Vogelwelt (North American Bird Life). Two volumes of Our Native Birds of Song and Beauty were published in 1893 and 1896 respectively. His next work, Die Amaryllis oder Rittersterne (Hippeastrum) (The Amaryllis), was published in 1908.","Collection processed by Judith Beale; finding aid prepared by Judith Beale, Dannie Helm, and Blair Jackson.\t ","Materials were arranged in pH neutral folders and boxes. Damaged, fragile and high use items were placed in polyester sleeves. Some materials have water damage and were freeze dried in August 2006.","Other materials about Henry Nehrling are held in repositories at  Rollins College ,  Winter Park Public Library ,  Fairchild Tropical Botanic Garden Library ,  Orange County Regional History Center  and the Koreshan Collection. Nehrling wrote several books that may be found by searching the library catalog. Michael A. Spencer also donated collections on Henry Nehrling to University of Central Florida Libraries, Special Collections \u0026 University Archives. The finding aid can be found  here .","These papers are divided into three series by type of document.","Series I: Writings, 1894-1970 holds manuscripts, newspaper articles and clippings, outlines, research notes, outgoing correspondence and reviews written by Henry Nehrling.","\nSeries II: Gardening Information, 1886-1930 contains photographs, plant lists, order forms and other information about plants that interested Nehrling.","\nSeries III: Business and Personal Documents, 1887-1932 consists of incoming correspondence, financial papers, photographs, news clippings, a short biography and other materials from the Nehrling household.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Henry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature.","UCF Special Collections","Nehrling, Henry, 1853-1929","English"],"unitid_tesim":["SC.029","/repositories/4/resources/158"],"normalized_date_ssm":["1886-1970"],"normalized_title_ssm":["Henry Nehrling Papers, 1886-1970"],"collection_title_tesim":["Henry Nehrling Papers, 1886-1970"],"collection_ssim":["Henry Nehrling Papers, 1886-1970"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Naples (Fla.)"],"geogname_ssim":["Naples (Fla.)"],"creator_ssm":["Nehrling, Henry, 1853-1929"],"creator_ssim":["Nehrling, Henry, 1853-1929"],"creator_persname_ssim":["Nehrling, Henry, 1853-1929"],"creators_ssim":["Nehrling, Henry, 1853-1929"],"places_ssim":["Naples (Fla.)"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The University of Central Florida Libraries, Special Collections and University Archives Department purchased these materials from the Mickler estate in 1999 (CFM1999_03). Some copies of the American Eagle were donated by the Florida Audubon Society."],"access_subjects_ssim":["Birds -- North America","Horticulture -- Florida","Plants, Ornamental -- Florida","Gardens -- Florida","Gardening -- Florida","Tropical Plants","Botany -- Florida","Botany","Bromeliaceae","Plant hybridization","Photographic prints","botanical illustrations"],"access_subjects_ssm":["Birds -- North America","Horticulture -- Florida","Plants, Ornamental -- Florida","Gardens -- Florida","Gardening -- Florida","Tropical Plants","Botany -- Florida","Botany","Bromeliaceae","Plant hybridization","Photographic prints","botanical illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 5 Boxes"],"extent_tesim":["3.25 Linear Feet 5 Boxes"],"genreform_ssim":["Photographic prints","botanical illustrations"],"date_range_isim":[1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eHenry Nehrling, an ornithologist and horticulturist, was born on 9 May 1853 in Herman, Wisconsin, to Carl Nehrling and Elizabeth Ruge. His walks to and from a Lutheran parochial school several miles from his home gave him an opportunity to develop a passionate interest in birds and plants. He completed a teacher education program at the Lutheran Teacher's Seminary in Addison, Illinois and taught in Illinois, Missouri and Texas. Nehrling married Sophia Schoff of Oak Park, Illinois on July 20, 1874 and they had nine children. Their eldest son, Walter, became a professor of Botany at Illinois State Normal School. Henry Nehrling was an original member of the American Ornithologist's Union formed in 1883.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Houston, Texas from 1879, Nehrling first had the opportunity of growing tropical plants. In 1887, he was appointed deputy collector and inspector of customs at the port of Milwaukee where he remained for three years until he accepted the post of Custodian of the Public Museum in Milwaukee where he collected plant specimens for their greenhouse. He purchased land in Gotha, Florida in 1884, but did not visit the property until 1886. Slowly, as his finances allowed, he developed the property into an ornamental garden. At the Columbian Exposition of 1893, Nehrling had the opportunity of examining many tropical plants and trees and became fascinated with the fancy-leafed caladium. Through a South American horticulturist, Adolph Lietz, Nehrling acquired hundreds of Brazilian caladium specimens. These were first housed in his greenhouse in Milwaukee but were later moved to Gotha. Nehrling created new hybrid caladiums which he named in honor of his wife, the \"Mrs. Sophie Nehrling,\" his son the \"Arno Nehrling\" and his daughter-in-law \"Mrs. Arno Nehrling.\"\u003c/p\u003e\n","\u003cp\u003e\nNehrling lost his position with the Public Museum of Milwaukee and permanently settled in Gotha in 1904. where he also began to experiment with the colorful annual flowering Amaryllis. He grew, hybridized, and popularized many unusual and exotic plants for the general public. Caladiums, palms, bamboo, and amaryllis were all introduced to the United States by way of his Palm Cottage Gardens. Nehrling collaborated with the Office of Foreign Seed and Plant Introduction, which was part of what was then called the Bureau of Plant Industry. Through this connection, Nehrling was able to expand his international contacts and gather information, plants and seeds from tropical horticulturists around the world. Nehrling's garden became so well known that people like John Burroughs, Thomas Edison, and Theodore Roosevelt came to visit and learn gardening tips. Nehrling's wife, Sophia, died on November 11, 1911, and on June 7, 1916 he married Betty P. Mitchell. A freeze in 1917 killed many of his most valuable plants; to avoid a recurrence, he purchased property in Naples, Florida where he could safely grow tropical species. He settled there in 1922 and by 1925, Nehrling had over three thousand species of tropical plants. Financial problems forced him to return to Gotha where he died on November 22, 1929 and was buried in Woodlawn cemetery near Gotha. His garden in Naples was preserved as the Jungle Larry's Caribbean Gardens and some efforts have been made to preserve his Palm Cottage Gardens in Gotha.\u003c/p\u003e\n","\u003cp\u003e\nNehrling always wrote about his interests; he wrote articles on birds for the Nuttall Ornithological Club in Texas. In 1922, he began writing columns for The American Eagle, a weekly newspaper published in Estero, Florida. His first book Orchids in South Florida was published in 1890 and was followed a year later by Die Nordamerikanische Vogelwelt (North American Bird Life). Two volumes of Our Native Birds of Song and Beauty were published in 1893 and 1896 respectively. His next work, Die Amaryllis oder Rittersterne (Hippeastrum) (The Amaryllis), was published in 1908.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Henry Nehrling, an ornithologist and horticulturist, was born on 9 May 1853 in Herman, Wisconsin, to Carl Nehrling and Elizabeth Ruge. His walks to and from a Lutheran parochial school several miles from his home gave him an opportunity to develop a passionate interest in birds and plants. He completed a teacher education program at the Lutheran Teacher's Seminary in Addison, Illinois and taught in Illinois, Missouri and Texas. Nehrling married Sophia Schoff of Oak Park, Illinois on July 20, 1874 and they had nine children. Their eldest son, Walter, became a professor of Botany at Illinois State Normal School. Henry Nehrling was an original member of the American Ornithologist's Union formed in 1883.","\nWhile living in Houston, Texas from 1879, Nehrling first had the opportunity of growing tropical plants. In 1887, he was appointed deputy collector and inspector of customs at the port of Milwaukee where he remained for three years until he accepted the post of Custodian of the Public Museum in Milwaukee where he collected plant specimens for their greenhouse. He purchased land in Gotha, Florida in 1884, but did not visit the property until 1886. Slowly, as his finances allowed, he developed the property into an ornamental garden. At the Columbian Exposition of 1893, Nehrling had the opportunity of examining many tropical plants and trees and became fascinated with the fancy-leafed caladium. Through a South American horticulturist, Adolph Lietz, Nehrling acquired hundreds of Brazilian caladium specimens. These were first housed in his greenhouse in Milwaukee but were later moved to Gotha. Nehrling created new hybrid caladiums which he named in honor of his wife, the \"Mrs. Sophie Nehrling,\" his son the \"Arno Nehrling\" and his daughter-in-law \"Mrs. Arno Nehrling.\"","\nNehrling lost his position with the Public Museum of Milwaukee and permanently settled in Gotha in 1904. where he also began to experiment with the colorful annual flowering Amaryllis. He grew, hybridized, and popularized many unusual and exotic plants for the general public. Caladiums, palms, bamboo, and amaryllis were all introduced to the United States by way of his Palm Cottage Gardens. Nehrling collaborated with the Office of Foreign Seed and Plant Introduction, which was part of what was then called the Bureau of Plant Industry. Through this connection, Nehrling was able to expand his international contacts and gather information, plants and seeds from tropical horticulturists around the world. Nehrling's garden became so well known that people like John Burroughs, Thomas Edison, and Theodore Roosevelt came to visit and learn gardening tips. Nehrling's wife, Sophia, died on November 11, 1911, and on June 7, 1916 he married Betty P. Mitchell. A freeze in 1917 killed many of his most valuable plants; to avoid a recurrence, he purchased property in Naples, Florida where he could safely grow tropical species. He settled there in 1922 and by 1925, Nehrling had over three thousand species of tropical plants. Financial problems forced him to return to Gotha where he died on November 22, 1929 and was buried in Woodlawn cemetery near Gotha. His garden in Naples was preserved as the Jungle Larry's Caribbean Gardens and some efforts have been made to preserve his Palm Cottage Gardens in Gotha.","\nNehrling always wrote about his interests; he wrote articles on birds for the Nuttall Ornithological Club in Texas. In 1922, he began writing columns for The American Eagle, a weekly newspaper published in Estero, Florida. His first book Orchids in South Florida was published in 1890 and was followed a year later by Die Nordamerikanische Vogelwelt (North American Bird Life). Two volumes of Our Native Birds of Song and Beauty were published in 1893 and 1896 respectively. His next work, Die Amaryllis oder Rittersterne (Hippeastrum) (The Amaryllis), was published in 1908."],"prefercite_html_tesm":["\u003cp\u003eHenry Nehrling Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Henry Nehrling Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Judith Beale; finding aid prepared by Judith Beale, Dannie Helm, and Blair Jackson.\t \u003c/p\u003e","\u003cp\u003eMaterials were arranged in pH neutral folders and boxes. Damaged, fragile and high use items were placed in polyester sleeves. Some materials have water damage and were freeze dried in August 2006.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Judith Beale; finding aid prepared by Judith Beale, Dannie Helm, and Blair Jackson.\t ","Materials were arranged in pH neutral folders and boxes. Damaged, fragile and high use items were placed in polyester sleeves. Some materials have water damage and were freeze dried in August 2006."],"relatedmaterial_html_tesm":["\u003cp\u003eOther materials about Henry Nehrling are held in repositories at \u003cextref href=\"http://www.rollins.edu/olin/archives/index.html\"\u003eRollins College\u003c/extref\u003e, \u003cextref href=\"https://omeka.wppl.librarymarket.com/\"\u003eWinter Park Public Library\u003c/extref\u003e, \u003cextref href=\"http://www.fairchildgarden.org/research/SmithCollection.html\"\u003eFairchild Tropical Botanic Garden Library\u003c/extref\u003e, \u003cextref href=\"https://www.thehistorycenter.org/collections/research-center/\"\u003eOrange County Regional History Center\u003c/extref\u003e and the Koreshan Collection. Nehrling wrote several books that may be found by searching the library catalog. Michael A. Spencer also donated collections on Henry Nehrling to University of Central Florida Libraries, Special Collections \u0026amp; University Archives. The finding aid can be found \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08a\"\u003ehere\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other materials about Henry Nehrling are held in repositories at  Rollins College ,  Winter Park Public Library ,  Fairchild Tropical Botanic Garden Library ,  Orange County Regional History Center  and the Koreshan Collection. Nehrling wrote several books that may be found by searching the library catalog. Michael A. Spencer also donated collections on Henry Nehrling to University of Central Florida Libraries, Special Collections \u0026 University Archives. The finding aid can be found  here ."],"scopecontent_html_tesm":["\u003cp\u003eThese papers are divided into three series by type of document.\u003c/p\u003e\n","\u003cp\u003eSeries I: Writings, 1894-1970 holds manuscripts, newspaper articles and clippings, outlines, research notes, outgoing correspondence and reviews written by Henry Nehrling.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Gardening Information, 1886-1930 contains photographs, plant lists, order forms and other information about plants that interested Nehrling.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Business and Personal Documents, 1887-1932 consists of incoming correspondence, financial papers, photographs, news clippings, a short biography and other materials from the Nehrling household.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["These papers are divided into three series by type of document.","Series I: Writings, 1894-1970 holds manuscripts, newspaper articles and clippings, outlines, research notes, outgoing correspondence and reviews written by Henry Nehrling.","\nSeries II: Gardening Information, 1886-1930 contains photographs, plant lists, order forms and other information about plants that interested Nehrling.","\nSeries III: Business and Personal Documents, 1887-1932 consists of incoming correspondence, financial papers, photographs, news clippings, a short biography and other materials from the Nehrling household."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_53b53e589e16583d7a6d8277baa2fa23\" label=\"Abstract\"\u003eHenry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature.\u003c/abstract\u003e"],"abstract_tesim":["Henry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature."],"names_ssim":["UCF Special Collections","Nehrling, Henry, 1853-1929"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Nehrling, Henry, 1853-1929"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":341,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"34e1c2c7c431f5206e979541","timestamp":"2026-07-09T03:02:47.938Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/34e1c2c7c431f5206e979541_aspace_17315"}},{"id":"34e1c2c7c431f5206e979541_aspace_17316","type":"File","attributes":{"title":"Vol. 46 nos. 25-27, 29-30, 32-36, 1967-1968","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/34e1c2c7c431f5206e979541_aspace_17316#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_17316","ref_ssm":["aspace_17316","aspace_17316"],"id":"34e1c2c7c431f5206e979541_aspace_17316","title_filing_ssi":"Vol. 46 nos. 25-27, 29-30, 32-36","title_ssm":["Vol. 46 nos. 25-27, 29-30, 32-36"],"title_tesim":["Vol. 46 nos. 25-27, 29-30, 32-36"],"unitdate_inclusive_ssm":["1967-1968"],"normalized_date_ssm":["1967-1968"],"normalized_title_ssm":["Vol. 46 nos. 25-27, 29-30, 32-36, 1967-1968"],"text":["Vol. 46 nos. 25-27, 29-30, 32-36, 1967-1968","Henry Nehrling Papers, 1886-1970","Writings, 1894-1970.","American Eagle, 1923-1970.","Newspapers, 1922-1970","Folder 7","/repositories/4/archival_objects/37679","box 5","folder 7"],"component_level_isim":[4],"parent_ids_ssim":["34e1c2c7c431f5206e979541","34e1c2c7c431f5206e979541_aspace_17265","34e1c2c7c431f5206e979541_aspace_17295","34e1c2c7c431f5206e979541_aspace_17297"],"parent_unittitles_ssm":["Henry Nehrling Papers, 1886-1970","Writings, 1894-1970.","American Eagle, 1923-1970.","Newspapers, 1922-1970"],"parent_unittitles_tesim":["Henry Nehrling Papers, 1886-1970","Writings, 1894-1970.","American Eagle, 1923-1970.","Newspapers, 1922-1970"],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["Folder 7","/repositories/4/archival_objects/37679"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Henry Nehrling Papers, 1886-1970"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":39,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1967,1968],"containers_ssim":["box 5","folder 7"],"_nest_path_":"/components#0/components#5/components#0/components#18","_nest_parent_":"34e1c2c7c431f5206e979541_aspace_17297","_root_":"34e1c2c7c431f5206e979541","timestamp":"2026-07-09T03:02:47.938Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"34e1c2c7c431f5206e979541","title_ssm":["Henry Nehrling Papers"],"title_tesim":["Henry Nehrling Papers"],"ead_ssi":"34e1c2c7c431f5206e979541","unitdate_ssm":["1886-1970"],"unitdate_inclusive_ssm":["1886-1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.029","/repositories/4/resources/158"],"text":["SC.029","/repositories/4/resources/158","Henry Nehrling Papers, 1886-1970","Naples (Fla.)","Birds -- North America","Horticulture -- Florida","Plants, Ornamental -- Florida","Gardens -- Florida","Gardening -- Florida","Tropical Plants","Botany -- Florida","Botany","Bromeliaceae","Plant hybridization","Photographic prints","botanical illustrations","The entire collection is open for research.","Henry Nehrling, an ornithologist and horticulturist, was born on 9 May 1853 in Herman, Wisconsin, to Carl Nehrling and Elizabeth Ruge. His walks to and from a Lutheran parochial school several miles from his home gave him an opportunity to develop a passionate interest in birds and plants. He completed a teacher education program at the Lutheran Teacher's Seminary in Addison, Illinois and taught in Illinois, Missouri and Texas. Nehrling married Sophia Schoff of Oak Park, Illinois on July 20, 1874 and they had nine children. Their eldest son, Walter, became a professor of Botany at Illinois State Normal School. Henry Nehrling was an original member of the American Ornithologist's Union formed in 1883.","\nWhile living in Houston, Texas from 1879, Nehrling first had the opportunity of growing tropical plants. In 1887, he was appointed deputy collector and inspector of customs at the port of Milwaukee where he remained for three years until he accepted the post of Custodian of the Public Museum in Milwaukee where he collected plant specimens for their greenhouse. He purchased land in Gotha, Florida in 1884, but did not visit the property until 1886. Slowly, as his finances allowed, he developed the property into an ornamental garden. At the Columbian Exposition of 1893, Nehrling had the opportunity of examining many tropical plants and trees and became fascinated with the fancy-leafed caladium. Through a South American horticulturist, Adolph Lietz, Nehrling acquired hundreds of Brazilian caladium specimens. These were first housed in his greenhouse in Milwaukee but were later moved to Gotha. Nehrling created new hybrid caladiums which he named in honor of his wife, the \"Mrs. Sophie Nehrling,\" his son the \"Arno Nehrling\" and his daughter-in-law \"Mrs. Arno Nehrling.\"","\nNehrling lost his position with the Public Museum of Milwaukee and permanently settled in Gotha in 1904. where he also began to experiment with the colorful annual flowering Amaryllis. He grew, hybridized, and popularized many unusual and exotic plants for the general public. Caladiums, palms, bamboo, and amaryllis were all introduced to the United States by way of his Palm Cottage Gardens. Nehrling collaborated with the Office of Foreign Seed and Plant Introduction, which was part of what was then called the Bureau of Plant Industry. Through this connection, Nehrling was able to expand his international contacts and gather information, plants and seeds from tropical horticulturists around the world. Nehrling's garden became so well known that people like John Burroughs, Thomas Edison, and Theodore Roosevelt came to visit and learn gardening tips. Nehrling's wife, Sophia, died on November 11, 1911, and on June 7, 1916 he married Betty P. Mitchell. A freeze in 1917 killed many of his most valuable plants; to avoid a recurrence, he purchased property in Naples, Florida where he could safely grow tropical species. He settled there in 1922 and by 1925, Nehrling had over three thousand species of tropical plants. Financial problems forced him to return to Gotha where he died on November 22, 1929 and was buried in Woodlawn cemetery near Gotha. His garden in Naples was preserved as the Jungle Larry's Caribbean Gardens and some efforts have been made to preserve his Palm Cottage Gardens in Gotha.","\nNehrling always wrote about his interests; he wrote articles on birds for the Nuttall Ornithological Club in Texas. In 1922, he began writing columns for The American Eagle, a weekly newspaper published in Estero, Florida. His first book Orchids in South Florida was published in 1890 and was followed a year later by Die Nordamerikanische Vogelwelt (North American Bird Life). Two volumes of Our Native Birds of Song and Beauty were published in 1893 and 1896 respectively. His next work, Die Amaryllis oder Rittersterne (Hippeastrum) (The Amaryllis), was published in 1908.","Collection processed by Judith Beale; finding aid prepared by Judith Beale, Dannie Helm, and Blair Jackson.\t ","Materials were arranged in pH neutral folders and boxes. Damaged, fragile and high use items were placed in polyester sleeves. Some materials have water damage and were freeze dried in August 2006.","Other materials about Henry Nehrling are held in repositories at  Rollins College ,  Winter Park Public Library ,  Fairchild Tropical Botanic Garden Library ,  Orange County Regional History Center  and the Koreshan Collection. Nehrling wrote several books that may be found by searching the library catalog. Michael A. Spencer also donated collections on Henry Nehrling to University of Central Florida Libraries, Special Collections \u0026 University Archives. The finding aid can be found  here .","These papers are divided into three series by type of document.","Series I: Writings, 1894-1970 holds manuscripts, newspaper articles and clippings, outlines, research notes, outgoing correspondence and reviews written by Henry Nehrling.","\nSeries II: Gardening Information, 1886-1930 contains photographs, plant lists, order forms and other information about plants that interested Nehrling.","\nSeries III: Business and Personal Documents, 1887-1932 consists of incoming correspondence, financial papers, photographs, news clippings, a short biography and other materials from the Nehrling household.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Henry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature.","UCF Special Collections","Nehrling, Henry, 1853-1929","English"],"unitid_tesim":["SC.029","/repositories/4/resources/158"],"normalized_date_ssm":["1886-1970"],"normalized_title_ssm":["Henry Nehrling Papers, 1886-1970"],"collection_title_tesim":["Henry Nehrling Papers, 1886-1970"],"collection_ssim":["Henry Nehrling Papers, 1886-1970"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Naples (Fla.)"],"geogname_ssim":["Naples (Fla.)"],"creator_ssm":["Nehrling, Henry, 1853-1929"],"creator_ssim":["Nehrling, Henry, 1853-1929"],"creator_persname_ssim":["Nehrling, Henry, 1853-1929"],"creators_ssim":["Nehrling, Henry, 1853-1929"],"places_ssim":["Naples (Fla.)"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The University of Central Florida Libraries, Special Collections and University Archives Department purchased these materials from the Mickler estate in 1999 (CFM1999_03). Some copies of the American Eagle were donated by the Florida Audubon Society."],"access_subjects_ssim":["Birds -- North America","Horticulture -- Florida","Plants, Ornamental -- Florida","Gardens -- Florida","Gardening -- Florida","Tropical Plants","Botany -- Florida","Botany","Bromeliaceae","Plant hybridization","Photographic prints","botanical illustrations"],"access_subjects_ssm":["Birds -- North America","Horticulture -- Florida","Plants, Ornamental -- Florida","Gardens -- Florida","Gardening -- Florida","Tropical Plants","Botany -- Florida","Botany","Bromeliaceae","Plant hybridization","Photographic prints","botanical illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 5 Boxes"],"extent_tesim":["3.25 Linear Feet 5 Boxes"],"genreform_ssim":["Photographic prints","botanical illustrations"],"date_range_isim":[1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eHenry Nehrling, an ornithologist and horticulturist, was born on 9 May 1853 in Herman, Wisconsin, to Carl Nehrling and Elizabeth Ruge. His walks to and from a Lutheran parochial school several miles from his home gave him an opportunity to develop a passionate interest in birds and plants. He completed a teacher education program at the Lutheran Teacher's Seminary in Addison, Illinois and taught in Illinois, Missouri and Texas. Nehrling married Sophia Schoff of Oak Park, Illinois on July 20, 1874 and they had nine children. Their eldest son, Walter, became a professor of Botany at Illinois State Normal School. Henry Nehrling was an original member of the American Ornithologist's Union formed in 1883.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Houston, Texas from 1879, Nehrling first had the opportunity of growing tropical plants. In 1887, he was appointed deputy collector and inspector of customs at the port of Milwaukee where he remained for three years until he accepted the post of Custodian of the Public Museum in Milwaukee where he collected plant specimens for their greenhouse. He purchased land in Gotha, Florida in 1884, but did not visit the property until 1886. Slowly, as his finances allowed, he developed the property into an ornamental garden. At the Columbian Exposition of 1893, Nehrling had the opportunity of examining many tropical plants and trees and became fascinated with the fancy-leafed caladium. Through a South American horticulturist, Adolph Lietz, Nehrling acquired hundreds of Brazilian caladium specimens. These were first housed in his greenhouse in Milwaukee but were later moved to Gotha. Nehrling created new hybrid caladiums which he named in honor of his wife, the \"Mrs. Sophie Nehrling,\" his son the \"Arno Nehrling\" and his daughter-in-law \"Mrs. Arno Nehrling.\"\u003c/p\u003e\n","\u003cp\u003e\nNehrling lost his position with the Public Museum of Milwaukee and permanently settled in Gotha in 1904. where he also began to experiment with the colorful annual flowering Amaryllis. He grew, hybridized, and popularized many unusual and exotic plants for the general public. Caladiums, palms, bamboo, and amaryllis were all introduced to the United States by way of his Palm Cottage Gardens. Nehrling collaborated with the Office of Foreign Seed and Plant Introduction, which was part of what was then called the Bureau of Plant Industry. Through this connection, Nehrling was able to expand his international contacts and gather information, plants and seeds from tropical horticulturists around the world. Nehrling's garden became so well known that people like John Burroughs, Thomas Edison, and Theodore Roosevelt came to visit and learn gardening tips. Nehrling's wife, Sophia, died on November 11, 1911, and on June 7, 1916 he married Betty P. Mitchell. A freeze in 1917 killed many of his most valuable plants; to avoid a recurrence, he purchased property in Naples, Florida where he could safely grow tropical species. He settled there in 1922 and by 1925, Nehrling had over three thousand species of tropical plants. Financial problems forced him to return to Gotha where he died on November 22, 1929 and was buried in Woodlawn cemetery near Gotha. His garden in Naples was preserved as the Jungle Larry's Caribbean Gardens and some efforts have been made to preserve his Palm Cottage Gardens in Gotha.\u003c/p\u003e\n","\u003cp\u003e\nNehrling always wrote about his interests; he wrote articles on birds for the Nuttall Ornithological Club in Texas. In 1922, he began writing columns for The American Eagle, a weekly newspaper published in Estero, Florida. His first book Orchids in South Florida was published in 1890 and was followed a year later by Die Nordamerikanische Vogelwelt (North American Bird Life). Two volumes of Our Native Birds of Song and Beauty were published in 1893 and 1896 respectively. His next work, Die Amaryllis oder Rittersterne (Hippeastrum) (The Amaryllis), was published in 1908.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Henry Nehrling, an ornithologist and horticulturist, was born on 9 May 1853 in Herman, Wisconsin, to Carl Nehrling and Elizabeth Ruge. His walks to and from a Lutheran parochial school several miles from his home gave him an opportunity to develop a passionate interest in birds and plants. He completed a teacher education program at the Lutheran Teacher's Seminary in Addison, Illinois and taught in Illinois, Missouri and Texas. Nehrling married Sophia Schoff of Oak Park, Illinois on July 20, 1874 and they had nine children. Their eldest son, Walter, became a professor of Botany at Illinois State Normal School. Henry Nehrling was an original member of the American Ornithologist's Union formed in 1883.","\nWhile living in Houston, Texas from 1879, Nehrling first had the opportunity of growing tropical plants. In 1887, he was appointed deputy collector and inspector of customs at the port of Milwaukee where he remained for three years until he accepted the post of Custodian of the Public Museum in Milwaukee where he collected plant specimens for their greenhouse. He purchased land in Gotha, Florida in 1884, but did not visit the property until 1886. Slowly, as his finances allowed, he developed the property into an ornamental garden. At the Columbian Exposition of 1893, Nehrling had the opportunity of examining many tropical plants and trees and became fascinated with the fancy-leafed caladium. Through a South American horticulturist, Adolph Lietz, Nehrling acquired hundreds of Brazilian caladium specimens. These were first housed in his greenhouse in Milwaukee but were later moved to Gotha. Nehrling created new hybrid caladiums which he named in honor of his wife, the \"Mrs. Sophie Nehrling,\" his son the \"Arno Nehrling\" and his daughter-in-law \"Mrs. Arno Nehrling.\"","\nNehrling lost his position with the Public Museum of Milwaukee and permanently settled in Gotha in 1904. where he also began to experiment with the colorful annual flowering Amaryllis. He grew, hybridized, and popularized many unusual and exotic plants for the general public. Caladiums, palms, bamboo, and amaryllis were all introduced to the United States by way of his Palm Cottage Gardens. Nehrling collaborated with the Office of Foreign Seed and Plant Introduction, which was part of what was then called the Bureau of Plant Industry. Through this connection, Nehrling was able to expand his international contacts and gather information, plants and seeds from tropical horticulturists around the world. Nehrling's garden became so well known that people like John Burroughs, Thomas Edison, and Theodore Roosevelt came to visit and learn gardening tips. Nehrling's wife, Sophia, died on November 11, 1911, and on June 7, 1916 he married Betty P. Mitchell. A freeze in 1917 killed many of his most valuable plants; to avoid a recurrence, he purchased property in Naples, Florida where he could safely grow tropical species. He settled there in 1922 and by 1925, Nehrling had over three thousand species of tropical plants. Financial problems forced him to return to Gotha where he died on November 22, 1929 and was buried in Woodlawn cemetery near Gotha. His garden in Naples was preserved as the Jungle Larry's Caribbean Gardens and some efforts have been made to preserve his Palm Cottage Gardens in Gotha.","\nNehrling always wrote about his interests; he wrote articles on birds for the Nuttall Ornithological Club in Texas. In 1922, he began writing columns for The American Eagle, a weekly newspaper published in Estero, Florida. His first book Orchids in South Florida was published in 1890 and was followed a year later by Die Nordamerikanische Vogelwelt (North American Bird Life). Two volumes of Our Native Birds of Song and Beauty were published in 1893 and 1896 respectively. His next work, Die Amaryllis oder Rittersterne (Hippeastrum) (The Amaryllis), was published in 1908."],"prefercite_html_tesm":["\u003cp\u003eHenry Nehrling Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Henry Nehrling Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Judith Beale; finding aid prepared by Judith Beale, Dannie Helm, and Blair Jackson.\t \u003c/p\u003e","\u003cp\u003eMaterials were arranged in pH neutral folders and boxes. Damaged, fragile and high use items were placed in polyester sleeves. Some materials have water damage and were freeze dried in August 2006.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Judith Beale; finding aid prepared by Judith Beale, Dannie Helm, and Blair Jackson.\t ","Materials were arranged in pH neutral folders and boxes. Damaged, fragile and high use items were placed in polyester sleeves. Some materials have water damage and were freeze dried in August 2006."],"relatedmaterial_html_tesm":["\u003cp\u003eOther materials about Henry Nehrling are held in repositories at \u003cextref href=\"http://www.rollins.edu/olin/archives/index.html\"\u003eRollins College\u003c/extref\u003e, \u003cextref href=\"https://omeka.wppl.librarymarket.com/\"\u003eWinter Park Public Library\u003c/extref\u003e, \u003cextref href=\"http://www.fairchildgarden.org/research/SmithCollection.html\"\u003eFairchild Tropical Botanic Garden Library\u003c/extref\u003e, \u003cextref href=\"https://www.thehistorycenter.org/collections/research-center/\"\u003eOrange County Regional History Center\u003c/extref\u003e and the Koreshan Collection. Nehrling wrote several books that may be found by searching the library catalog. Michael A. Spencer also donated collections on Henry Nehrling to University of Central Florida Libraries, Special Collections \u0026amp; University Archives. The finding aid can be found \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08a\"\u003ehere\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other materials about Henry Nehrling are held in repositories at  Rollins College ,  Winter Park Public Library ,  Fairchild Tropical Botanic Garden Library ,  Orange County Regional History Center  and the Koreshan Collection. Nehrling wrote several books that may be found by searching the library catalog. Michael A. Spencer also donated collections on Henry Nehrling to University of Central Florida Libraries, Special Collections \u0026 University Archives. The finding aid can be found  here ."],"scopecontent_html_tesm":["\u003cp\u003eThese papers are divided into three series by type of document.\u003c/p\u003e\n","\u003cp\u003eSeries I: Writings, 1894-1970 holds manuscripts, newspaper articles and clippings, outlines, research notes, outgoing correspondence and reviews written by Henry Nehrling.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Gardening Information, 1886-1930 contains photographs, plant lists, order forms and other information about plants that interested Nehrling.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Business and Personal Documents, 1887-1932 consists of incoming correspondence, financial papers, photographs, news clippings, a short biography and other materials from the Nehrling household.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["These papers are divided into three series by type of document.","Series I: Writings, 1894-1970 holds manuscripts, newspaper articles and clippings, outlines, research notes, outgoing correspondence and reviews written by Henry Nehrling.","\nSeries II: Gardening Information, 1886-1930 contains photographs, plant lists, order forms and other information about plants that interested Nehrling.","\nSeries III: Business and Personal Documents, 1887-1932 consists of incoming correspondence, financial papers, photographs, news clippings, a short biography and other materials from the Nehrling household."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_53b53e589e16583d7a6d8277baa2fa23\" label=\"Abstract\"\u003eHenry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature.\u003c/abstract\u003e"],"abstract_tesim":["Henry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature."],"names_ssim":["UCF Special Collections","Nehrling, Henry, 1853-1929"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Nehrling, Henry, 1853-1929"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":341,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"34e1c2c7c431f5206e979541","timestamp":"2026-07-09T03:02:47.938Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/34e1c2c7c431f5206e979541_aspace_17316"}},{"id":"b4d8d0d376a6ea3e6898852d_aspace_14268","type":"Item","attributes":{"title":"Volume 2, #96-183, 1964-1967","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b4d8d0d376a6ea3e6898852d_aspace_14268#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_14268","ref_ssm":["aspace_14268","aspace_14268"],"id":"b4d8d0d376a6ea3e6898852d_aspace_14268","title_filing_ssi":"Volume 2, #96-183","title_ssm":["Volume 2, #96-183"],"title_tesim":["Volume 2, #96-183"],"unitdate_inclusive_ssm":["1964-1967"],"normalized_date_ssm":["1964-1967"],"normalized_title_ssm":["Volume 2, #96-183, 1964-1967"],"text":["Volume 2, #96-183, 1964-1967","Doris Leeper Papers, 1951-1999","Scrapbooks, 1951-1999.","Item 2","/repositories/4/archival_objects/30984","Scrapbook 2"],"component_level_isim":[2],"parent_ids_ssim":["b4d8d0d376a6ea3e6898852d","b4d8d0d376a6ea3e6898852d_aspace_14266"],"parent_unittitles_ssm":["Doris Leeper Papers, 1951-1999","Scrapbooks, 1951-1999."],"parent_unittitles_tesim":["Doris Leeper Papers, 1951-1999","Scrapbooks, 1951-1999."],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Item 2","/repositories/4/archival_objects/30984"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Doris Leeper Papers, 1951-1999"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":3,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. 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Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5e032cb26c667a773e2539c5ae66b419\" label=\"Abstract\"\u003eThe Doris Leeper Papers contain scrapbooks and catalogs that chronicle the artistic career of the Florida artist, Doris Leeper. Founder of the Atlantic Center for the Arts in New Smyrna Beach, this collection highlights Leeper's early years as a graphic artist through to her later years as a renowned Florida artist.\u003c/abstract\u003e"],"abstract_tesim":["The Doris Leeper Papers contain scrapbooks and catalogs that chronicle the artistic career of the Florida artist, Doris Leeper. Founder of the Atlantic Center for the Arts in New Smyrna Beach, this collection highlights Leeper's early years as a graphic artist through to her later years as a renowned Florida artist."],"names_ssim":["UCF Special Collections","Leeper, Doris, 1929-2000"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Leeper, Doris, 1929-2000"],"persname_ssim":["Leeper, Doris, 1929-2000"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":122,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876384019800653824,"_root_":"b4d8d0d376a6ea3e6898852d","timestamp":"2026-09-15T08:00:47.398Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b4d8d0d376a6ea3e6898852d_aspace_14268"}},{"id":"b4d8d0d376a6ea3e6898852d_aspace_14269","type":"Item","attributes":{"title":"Volume 3, #184-261, 1967-1969","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b4d8d0d376a6ea3e6898852d_aspace_14269#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_14269","ref_ssm":["aspace_14269","aspace_14269"],"id":"b4d8d0d376a6ea3e6898852d_aspace_14269","title_filing_ssi":"Volume 3, #184-261","title_ssm":["Volume 3, #184-261"],"title_tesim":["Volume 3, #184-261"],"unitdate_inclusive_ssm":["1967-1969"],"normalized_date_ssm":["1967-1969"],"normalized_title_ssm":["Volume 3, #184-261, 1967-1969"],"text":["Volume 3, #184-261, 1967-1969","Doris Leeper Papers, 1951-1999","Scrapbooks, 1951-1999.","Item 3","/repositories/4/archival_objects/30989","Scrapbook 3"],"component_level_isim":[2],"parent_ids_ssim":["b4d8d0d376a6ea3e6898852d","b4d8d0d376a6ea3e6898852d_aspace_14266"],"parent_unittitles_ssm":["Doris Leeper Papers, 1951-1999","Scrapbooks, 1951-1999."],"parent_unittitles_tesim":["Doris Leeper Papers, 1951-1999","Scrapbooks, 1951-1999."],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Item 3","/repositories/4/archival_objects/30989"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Doris Leeper Papers, 1951-1999"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":4,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. 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Leeper was a founder of the Atlantic Center for the Arts in New Smyrna Beach and instrumental in the creation of the Canaveral National Seashore and the Spruce Creek Preserve, renamed the Doris Leeper Spruce Creek Preserve in memoriam. A Florida Alliance for Arts Education Award in named in her honor and in 1999 Leeper was inducted into the Florida Artists Hall of Fame.\u003c/p\u003e\n","\u003cp\u003e\nLeeper was born in Charlotte, North Carolina on April 4, 1929 and died in New Smyrna on April 11, 2000. Leeper graduated Phi Beta Kappa from Duke University with a BA in Art History, 1951. In 1961 Leeper left the commercial graphics field to work in sculpture and painting full-time. Her work is in almost 100 public collections and during her lifetime she widely exhibited in one-person and group exhibitions both nationally and internationally. A 45-year retrospective of her work was held at the Cornell Fine Arts Museum in 1995. Leeper won numerous awards in her lifetime.\u003c/p\u003e\n","\u003cp\u003e\nAfter she moved to New Smyrna Beach in 1958, Leeper became very involved with the protection of the Canaveral Seashore and a leader in environmental protection. In 1982 the Atlantic Center for the Arts, an internationally renowned artists' community that Leeper was instrumental in creating, opened. Leeper was also a founding member and creator of the Alliance of Artists' Communities, a consortium of artists' colonies and residency programs throughout the U.S. Leeper also co-owned a commercial visual arts gallery located in New Smyrna Beach, \"Arts on Douglas\".\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Doris \"Doc\" Leeper was a renowned Florida artist and environmental activist. Leeper was a founder of the Atlantic Center for the Arts in New Smyrna Beach and instrumental in the creation of the Canaveral National Seashore and the Spruce Creek Preserve, renamed the Doris Leeper Spruce Creek Preserve in memoriam. A Florida Alliance for Arts Education Award in named in her honor and in 1999 Leeper was inducted into the Florida Artists Hall of Fame.","\nLeeper was born in Charlotte, North Carolina on April 4, 1929 and died in New Smyrna on April 11, 2000. Leeper graduated Phi Beta Kappa from Duke University with a BA in Art History, 1951. In 1961 Leeper left the commercial graphics field to work in sculpture and painting full-time. Her work is in almost 100 public collections and during her lifetime she widely exhibited in one-person and group exhibitions both nationally and internationally. A 45-year retrospective of her work was held at the Cornell Fine Arts Museum in 1995. Leeper won numerous awards in her lifetime.","\nAfter she moved to New Smyrna Beach in 1958, Leeper became very involved with the protection of the Canaveral Seashore and a leader in environmental protection. In 1982 the Atlantic Center for the Arts, an internationally renowned artists' community that Leeper was instrumental in creating, opened. Leeper was also a founding member and creator of the Alliance of Artists' Communities, a consortium of artists' colonies and residency programs throughout the U.S. Leeper also co-owned a commercial visual arts gallery located in New Smyrna Beach, \"Arts on Douglas\"."],"prefercite_html_tesm":["\u003cp\u003eDoris Leeper Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Doris Leeper Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollecton processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.\u003c/p\u003e","\u003cp\u003eLoose items in the scrapbooks were secured and the books were wrapped in acid-free archival paper. All other materials have been housed in acid-free containers and rusty metal items such as paper clips and staples have been removed so as to stop any further deterioration.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collecton processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.","Loose items in the scrapbooks were secured and the books were wrapped in acid-free archival paper. All other materials have been housed in acid-free containers and rusty metal items such as paper clips and staples have been removed so as to stop any further deterioration."],"relatedmaterial_html_tesm":["\u003cp\u003eApproximately 100 pieces of Doris Leeper's artwork, as well as slides of many of the artist's works, are located in the UCF Art Gallery located in the Visual Arts Building.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-01\"\u003eSol \u0026amp; Sadie Malkoff Papers\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1993-03\"\u003eAlbin Polasek Collection\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2004-01\"\u003eWalter Gaudnek Collection,\u003c/extref\u003e Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Approximately 100 pieces of Doris Leeper's artwork, as well as slides of many of the artist's works, are located in the UCF Art Gallery located in the Visual Arts Building.","Sol \u0026 Sadie Malkoff Papers , Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida.","Albin Polasek Collection , Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida.","Walter Gaudnek Collection,  Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into two series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Scrapbooks, 1951-1999, contains scrapbooks that hold materials pertaining to Leeper's art and activism.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Exhibition Catalogs, 1964-1997, focus on Leeper's artwork, starting with her work as a graphic artist to her years as a Florida artist.\u003c/p\u003e\n","\u003cp\u003eSeries III: Personal Files, 1952,1974, includes Doris Leeper's identification cards; United States of America passport issued by\nthe Department of State and and international driver license by the American Automobile Association.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is divided into two series:","\nSeries I: Scrapbooks, 1951-1999, contains scrapbooks that hold materials pertaining to Leeper's art and activism.","\nSeries II: Exhibition Catalogs, 1964-1997, focus on Leeper's artwork, starting with her work as a graphic artist to her years as a Florida artist.","Series III: Personal Files, 1952,1974, includes Doris Leeper's identification cards; United States of America passport issued by\nthe Department of State and and international driver license by the American Automobile Association."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5e032cb26c667a773e2539c5ae66b419\" label=\"Abstract\"\u003eThe Doris Leeper Papers contain scrapbooks and catalogs that chronicle the artistic career of the Florida artist, Doris Leeper. Founder of the Atlantic Center for the Arts in New Smyrna Beach, this collection highlights Leeper's early years as a graphic artist through to her later years as a renowned Florida artist.\u003c/abstract\u003e"],"abstract_tesim":["The Doris Leeper Papers contain scrapbooks and catalogs that chronicle the artistic career of the Florida artist, Doris Leeper. Founder of the Atlantic Center for the Arts in New Smyrna Beach, this collection highlights Leeper's early years as a graphic artist through to her later years as a renowned Florida artist."],"names_ssim":["UCF Special Collections","Leeper, Doris, 1929-2000"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Leeper, Doris, 1929-2000"],"persname_ssim":["Leeper, Doris, 1929-2000"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":122,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876384019800653824,"_root_":"b4d8d0d376a6ea3e6898852d","timestamp":"2026-09-15T08:00:47.398Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b4d8d0d376a6ea3e6898852d_aspace_14269"}},{"id":"42e7073fb9b8528341d9f801_aspace_611d6348bd1148f9f9831abe3bb828b1","type":"Sub-sub-series","attributes":{"title":"Volume 6, 1948-01-05-2003-01-24","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/42e7073fb9b8528341d9f801_aspace_611d6348bd1148f9f9831abe3bb828b1#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_611d6348bd1148f9f9831abe3bb828b1","ref_ssm":["aspace_611d6348bd1148f9f9831abe3bb828b1","aspace_611d6348bd1148f9f9831abe3bb828b1"],"id":"42e7073fb9b8528341d9f801_aspace_611d6348bd1148f9f9831abe3bb828b1","title_filing_ssi":"Volume 6","title_ssm":["Volume 6"],"title_tesim":["Volume 6"],"unitdate_inclusive_ssm":["1948-01-05-2003-01-24"],"normalized_date_ssm":["1948-01-05-2003-01-24"],"normalized_title_ssm":["Volume 6, 1948-01-05-2003-01-24"],"text":["Volume 6, 1948-01-05-2003-01-24","Rodney Lawrence Hurst, Sr. Papers, 1957-2015","Stamp Collection, 1978-2020","American Commemoratives, 1948-2016","/repositories/3/archival_objects/7975","box 11"],"component_level_isim":[3],"parent_ids_ssim":["42e7073fb9b8528341d9f801","42e7073fb9b8528341d9f801_aspace_7fca4e9af9c0eb2cabda5af93691a3df","42e7073fb9b8528341d9f801_aspace_761bb2574eac30e17ce4374716e27ee7"],"parent_unittitles_ssm":["Rodney Lawrence Hurst, Sr. Papers, 1957-2015","Stamp Collection, 1978-2020","American Commemoratives, 1948-2016"],"parent_unittitles_tesim":["Rodney Lawrence Hurst, Sr. Papers, 1957-2015","Stamp Collection, 1978-2020","American Commemoratives, 1948-2016"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/3/archival_objects/7975"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Rodney Lawrence Hurst, Sr. Papers, 1957-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":25,"level_ssm":["Sub-sub-series"],"level_ssim":["Sub-sub-series"],"sort_isi":352,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"containers_ssim":["box 11"],"_nest_path_":"/components#5/components#1/components#0","_nest_parent_":"42e7073fb9b8528341d9f801_aspace_761bb2574eac30e17ce4374716e27ee7","_root_":"42e7073fb9b8528341d9f801","timestamp":"2026-05-27T03:06:30.746Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"42e7073fb9b8528341d9f801","title_ssm":["Rodney Lawrence Hurst, Sr. Papers"],"title_tesim":["Rodney Lawrence Hurst, Sr. Papers"],"ead_ssi":"42e7073fb9b8528341d9f801","unitdate_ssm":["1957-2015"],"unitdate_inclusive_ssm":["1957-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":[" 2018.001","/repositories/3/resources/65"],"text":[" 2018.001","/repositories/3/resources/65","Rodney Lawrence Hurst, Sr. Papers, 1957-2015","USPS Black Heritage Stamp Series","Hurst, Rodney L.  -- Stamp collections","African Americans on postage stamps","Civil rights movements","Civil rights demonstrations","African American civil rights workers","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","\tRodney L. Hurst Sr., a long time Jacksonville resident, Civil Rights activist and author was born in 1944. After transferring to Isaiah Blocker Junior High School in 1955, at age eleven, his history teacher Rutledge Henry Pearson encouraged him to join the local NAACP Youth Council. By the time he was fifteen, Mr. Hurst was named president of the youth council chapter.","In 1960, Hurst led the lunch counter sit in demonstrations in downtown Jacksonville's shopping districts. The first one began on August 13, 1960. They targeted the Woolworth's counter. In addition, demonstrations were held at Cohen Bros, WT Grant Department Store, Kness Department Store, and McCrory Department Store. \n    \nIn response, the stores closed their lunch counters and thus fueled the tensions that coalesced on August 27 also known as Ax Handle Saturday when 200 segregationists, armed with ax handles and baseball bats attacked 35 members of the NAACP youth council and other Black Americans who happened to be in the area.\n    \nEventually, the police closed off downtown and the sit ins ceased. Then on December 8, 1960, Rodney Hurst was arrested for his part in the demonstrations and charged with instigating a riot.  The charges were dropped after his hearing and was released. By May 16, 1961, all lunch counters in Jacksonville were integrated due to Mr. Hurst and the Youth Council's efforts.\n    \nIn subsequent years, Mr. Hurst sat on the Jacksonville Civil Council and represented District 8 from 1975-1979 and District 10 from 1979-1983. \n    \nLater in 2008, he authored a semi-autobiographical account of his experiences called \"It Was Never About a Hot Dog and a Coke!\" The book garnered recognition at the Sabrina Awards Best Non Fiction and Top Three Pick On July 31st that same year.","In addition, Mr. Hurst received awards for his participation in the 2009 Writer's Digest 16th Annual Self-Published Book awards, the ENAABLE and Blue Cross Blue Shield of Florida Black History Month Celebration. Due to his efforts in civil rights history, the Durkeeville Historical Society awarded Mr. Hurst a certificate of appreciation.","In 2010, Mr. Hurst participated in the University of Central Florida Book Festival and in 2012, he taught a course about Ax Handle Saturday and the Jacksonville sit ins at the University of North Florida.","Recently, in 2018, the Jacksonville Task Force on Civil Rights History was created. Mr. Hurst served as the co chair of the taskforce's historical timeline subcommittee and created a chronology of civil rights history in Jacksonville from 1838 with the founding of Bethel Baptist Institutional Church to the present. ","The collection consists of papers and memorabilia related to civil rights history in Jacksonville and Hurst's experiences as a member of the NAACP Youth Council in the 1960's. The collection focuses on the NAACP sit-ins of stores in James Weldon Johnson Park, formerly known as Hemming Park or Plaza, and Hurst's book about Ax Handle Saturday.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":[" 2018.001","/repositories/3/resources/65"],"normalized_date_ssm":["1957-2015"],"normalized_title_ssm":["Rodney Lawrence Hurst, Sr. Papers, 1957-2015"],"collection_title_tesim":["Rodney Lawrence Hurst, Sr. Papers, 1957-2015"],"collection_ssim":["Rodney Lawrence Hurst, Sr. Papers, 1957-2015"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Rodney Lawrence Hurst, Sr. in 2018."],"access_subjects_ssim":["USPS Black Heritage Stamp Series","Hurst, Rodney L.  -- Stamp collections","African Americans on postage stamps","Civil rights movements","Civil rights demonstrations","African American civil rights workers"],"access_subjects_ssm":["USPS Black Heritage Stamp Series","Hurst, Rodney L.  -- Stamp collections","African Americans on postage stamps","Civil rights movements","Civil rights demonstrations","African American civil rights workers"],"has_online_content_ssim":["false"],"extent_ssm":["5.00 Linear Feet 2 legal sized archives document boxes, 1 oversized flat box, 3 medium sized flat boxes"],"extent_tesim":["5.00 Linear Feet 2 legal sized archives document boxes, 1 oversized flat box, 3 medium sized flat boxes"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003e\tRodney L. Hurst Sr., a long time Jacksonville resident, Civil Rights activist and author was born in 1944. After transferring to Isaiah Blocker Junior High School in 1955, at age eleven, his history teacher Rutledge Henry Pearson encouraged him to join the local NAACP Youth Council. By the time he was fifteen, Mr. Hurst was named president of the youth council chapter.\u003c/p\u003e\n","\u003cp\u003eIn 1960, Hurst led the lunch counter sit in demonstrations in downtown Jacksonville's shopping districts. The first one began on August 13, 1960. They targeted the Woolworth's counter. In addition, demonstrations were held at Cohen Bros, WT Grant Department Store, Kness Department Store, and McCrory Department Store. \n    \nIn response, the stores closed their lunch counters and thus fueled the tensions that coalesced on August 27 also known as Ax Handle Saturday when 200 segregationists, armed with ax handles and baseball bats attacked 35 members of the NAACP youth council and other Black Americans who happened to be in the area.\n    \nEventually, the police closed off downtown and the sit ins ceased. Then on December 8, 1960, Rodney Hurst was arrested for his part in the demonstrations and charged with instigating a riot.  The charges were dropped after his hearing and was released. By May 16, 1961, all lunch counters in Jacksonville were integrated due to Mr. Hurst and the Youth Council's efforts.\n    \nIn subsequent years, Mr. Hurst sat on the Jacksonville Civil Council and represented District 8 from 1975-1979 and District 10 from 1979-1983. \n    \nLater in 2008, he authored a semi-autobiographical account of his experiences called \"It Was Never About a Hot Dog and a Coke!\" The book garnered recognition at the Sabrina Awards Best Non Fiction and Top Three Pick On July 31st that same year.\u003c/p\u003e\n","\u003cp\u003eIn addition, Mr. Hurst received awards for his participation in the 2009 Writer's Digest 16th Annual Self-Published Book awards, the ENAABLE and Blue Cross Blue Shield of Florida Black History Month Celebration. Due to his efforts in civil rights history, the Durkeeville Historical Society awarded Mr. Hurst a certificate of appreciation.\u003c/p\u003e\n","\u003cp\u003eIn 2010, Mr. Hurst participated in the University of Central Florida Book Festival and in 2012, he taught a course about Ax Handle Saturday and the Jacksonville sit ins at the University of North Florida.\u003c/p\u003e\n","\u003cp\u003eRecently, in 2018, the Jacksonville Task Force on Civil Rights History was created. Mr. Hurst served as the co chair of the taskforce's historical timeline subcommittee and created a chronology of civil rights history in Jacksonville from 1838 with the founding of Bethel Baptist Institutional Church to the present. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\tRodney L. Hurst Sr., a long time Jacksonville resident, Civil Rights activist and author was born in 1944. After transferring to Isaiah Blocker Junior High School in 1955, at age eleven, his history teacher Rutledge Henry Pearson encouraged him to join the local NAACP Youth Council. By the time he was fifteen, Mr. Hurst was named president of the youth council chapter.","In 1960, Hurst led the lunch counter sit in demonstrations in downtown Jacksonville's shopping districts. The first one began on August 13, 1960. They targeted the Woolworth's counter. In addition, demonstrations were held at Cohen Bros, WT Grant Department Store, Kness Department Store, and McCrory Department Store. \n    \nIn response, the stores closed their lunch counters and thus fueled the tensions that coalesced on August 27 also known as Ax Handle Saturday when 200 segregationists, armed with ax handles and baseball bats attacked 35 members of the NAACP youth council and other Black Americans who happened to be in the area.\n    \nEventually, the police closed off downtown and the sit ins ceased. Then on December 8, 1960, Rodney Hurst was arrested for his part in the demonstrations and charged with instigating a riot.  The charges were dropped after his hearing and was released. By May 16, 1961, all lunch counters in Jacksonville were integrated due to Mr. Hurst and the Youth Council's efforts.\n    \nIn subsequent years, Mr. Hurst sat on the Jacksonville Civil Council and represented District 8 from 1975-1979 and District 10 from 1979-1983. \n    \nLater in 2008, he authored a semi-autobiographical account of his experiences called \"It Was Never About a Hot Dog and a Coke!\" The book garnered recognition at the Sabrina Awards Best Non Fiction and Top Three Pick On July 31st that same year.","In addition, Mr. Hurst received awards for his participation in the 2009 Writer's Digest 16th Annual Self-Published Book awards, the ENAABLE and Blue Cross Blue Shield of Florida Black History Month Celebration. Due to his efforts in civil rights history, the Durkeeville Historical Society awarded Mr. Hurst a certificate of appreciation.","In 2010, Mr. Hurst participated in the University of Central Florida Book Festival and in 2012, he taught a course about Ax Handle Saturday and the Jacksonville sit ins at the University of North Florida.","Recently, in 2018, the Jacksonville Task Force on Civil Rights History was created. Mr. Hurst served as the co chair of the taskforce's historical timeline subcommittee and created a chronology of civil rights history in Jacksonville from 1838 with the founding of Bethel Baptist Institutional Church to the present. "],"prefercite_html_tesm":["\u003cp\u003eRodney Lawrence Hurst, Sr. Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Rodney Lawrence Hurst, Sr. Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of papers and memorabilia related to civil rights history in Jacksonville and Hurst's experiences as a member of the NAACP Youth Council in the 1960's. The collection focuses on the NAACP sit-ins of stores in James Weldon Johnson Park, formerly known as Hemming Park or Plaza, and Hurst's book about Ax Handle Saturday.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of papers and memorabilia related to civil rights history in Jacksonville and Hurst's experiences as a member of the NAACP Youth Council in the 1960's. The collection focuses on the NAACP sit-ins of stores in James Weldon Johnson Park, formerly known as Hemming Park or Plaza, and Hurst's book about Ax Handle Saturday."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":509,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"42e7073fb9b8528341d9f801","timestamp":"2026-05-27T03:06:30.746Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/42e7073fb9b8528341d9f801_aspace_611d6348bd1148f9f9831abe3bb828b1"}},{"id":"aa862cad77720b140698c8fb_aspace_a70ad86405ac225b1752648231eab412","type":"Item","attributes":{"title":"Volume I, bulk 1855-1968","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb_aspace_a70ad86405ac225b1752648231eab412#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_a70ad86405ac225b1752648231eab412","ref_ssm":["aspace_a70ad86405ac225b1752648231eab412","aspace_a70ad86405ac225b1752648231eab412"],"id":"aa862cad77720b140698c8fb_aspace_a70ad86405ac225b1752648231eab412","title_filing_ssi":"Volume I","title_ssm":["Volume I"],"title_tesim":["Volume I"],"unitdate_bulk_ssim":["1855-1968"],"normalized_date_ssm":["bulk 1855-1968"],"normalized_title_ssm":["Volume I, bulk 1855-1968"],"text":["Volume I, bulk 1855-1968","Cuban Stamps Collection, 1855-1968","1","/repositories/2/archival_objects/86394","Spanish; Castilian"],"component_level_isim":[1],"parent_ids_ssim":["aa862cad77720b140698c8fb"],"parent_unittitles_ssm":["Cuban Stamps Collection, 1855-1968"],"parent_unittitles_tesim":["Cuban Stamps Collection, 1855-1968"],"parent_levels_ssm":["collection"],"unitid_ssm":["1","/repositories/2/archival_objects/86394"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"language_ssim":["Spanish; Castilian"],"_nest_path_":"/components#0","_nest_parent_":"aa862cad77720b140698c8fb","_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"aa862cad77720b140698c8fb","title_ssm":["Cuban Stamps Collection"],"title_tesim":["Cuban Stamps Collection"],"ead_ssi":"aa862cad77720b140698c8fb","unitdate_ssm":["1855-1968"],"unitdate_inclusive_ssm":["1855-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9070","/repositories/2/resources/131"],"text":["SPC9070","/repositories/2/resources/131","Cuban Stamps Collection, 1855-1968","The collection is open for research.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana.","Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","Collection of Cuban stamps from the mid-19th century to the mid-20th century.","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9070","/repositories/2/resources/131"],"normalized_date_ssm":["1855-1968"],"normalized_title_ssm":["Cuban Stamps Collection, 1855-1968"],"collection_title_tesim":["Cuban Stamps Collection, 1855-1968"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"has_online_content_ssim":["false"],"extent_ssm":["3 items"],"extent_tesim":["3 items"],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.\u003c/p\u003e\n","\u003cp\u003eAs the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.\u003c/p\u003e\n","\u003cp\u003eThis collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.\u003c/p\u003e\n","\u003cp\u003e\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a trav\u0026#xE9;s de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y pol\u0026#xED;ticos que dieron forma a Cuba durante este per\u0026#xED;odo transformador. Desde el dominio colonial espa\u0026#xF1;ol, pasando por la creaci\u0026#xF3;n de la Rep\u0026#xFA;blica Cubana, hasta el surgimiento de la Revoluci\u0026#xF3;n Cubana, estos eventos hist\u0026#xF3;ricos se reflejan en los sellos mismos. En 1855, Cuba emiti\u0026#xF3; su primer sello postal bajo el dominio espa\u0026#xF1;ol, marcando el comienzo de su servicio postal. Durante este per\u0026#xED;odo, los sellos estuvieron fuertemente influenciados por Espa\u0026#xF1;a e inclu\u0026#xED;an im\u0026#xE1;genes de la monarqu\u0026#xED;a espa\u0026#xF1;ola, reforzando la conexi\u0026#xF3;n entre el Imperio Espa\u0026#xF1;ol y Cuba.\u003c/p\u003e\n","\u003cp\u003eAl final del siglo XIX, la Guerra Hispanoamericana marc\u0026#xF3; un momento clave para Cuba, pasando de ser una colonia a una naci\u0026#xF3;n independiente en 1902. Este per\u0026#xED;odo vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, s\u0026#xED;mbolos de independencia e im\u0026#xE1;genes que celebraban la rica historia y cultura de Cuba. Adem\u0026#xE1;s, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experiment\u0026#xF3; eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresi\u0026#xF3;n. Estos eventos contribuyeron a la inestabilidad pol\u0026#xED;tica y a los frecuentes cambios de gobierno, lo que se\u0026#xF1;al\u0026#xF3; un per\u0026#xED;odo de crisis en la isla. Durante la Guerra Fr\u0026#xED;a, con el auge de la Uni\u0026#xF3;n Sovi\u0026#xE9;tica, la Revoluci\u0026#xF3;n Cubana de 1959 comenz\u0026#xF3; a remodelar la naci\u0026#xF3;n. Los sellos de este per\u0026#xED;odo reflejan la transformaci\u0026#xF3;n del pa\u0026#xED;s, con im\u0026#xE1;genes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revoluci\u0026#xF3;n y su progreso.\u003c/p\u003e\n","\u003cp\u003eEsta colecci\u0026#xF3;n captura la evoluci\u0026#xF3;n de los sellos cubanos como una forma de comunicaci\u0026#xF3;n y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relaci\u0026#xF3;n con las potencias extranjeras. Los sellos presentan im\u0026#xE1;genes de la cultura cubana, el arte, figuras hist\u0026#xF3;ricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colecci\u0026#xF3;n brinda la oportunidad de explorar c\u0026#xF3;mo Cuba se transform\u0026#xF3; a lo largo de un siglo. Los investigadores pueden examinar las ideolog\u0026#xED;as pol\u0026#xED;ticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colecci\u0026#xF3;n de Sellos de Cuba en FIU no es solo un archivo hist\u0026#xF3;rico, sino tambi\u0026#xE9;n un testimonio de los cambios culturales y sociales del siglo XX.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX."],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. \u003c/p\u003e\n","\u003cp\u003e\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilaci\u0026#xF3;n integral de sellos postales que abarca la historia de Cuba durante este per\u0026#xED;odo transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revoluci\u0026#xF3;n Cubana y sus efectos posteriores. Demuestra el cambio social y pol\u0026#xED;tico a trav\u0026#xE9;s de los sellos y c\u0026#xF3;mo se utiliza este medio como propaganda de la revuelta. Tambi\u0026#xE9;n muestra c\u0026#xF3;mo se manejan las relaciones internacionales con otras naciones y c\u0026#xF3;mo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colecci\u0026#xF3;n consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservaci\u0026#xF3;n de estos sellos ofrece a los investigadores la oportunidad de descubrir por s\u0026#xED; mismos c\u0026#xF3;mo evolucionan las im\u0026#xE1;genes y los s\u0026#xED;mbolos a medida que avanza y se desarrolla la Revoluci\u0026#xF3;n Cubana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana."],"userestrict_html_tesm":["\u003cp\u003eRights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4174f2603576483c6691a9df651e17c6\"\u003eCollection of Cuban stamps from the mid-19th century to the mid-20th century.\u003c/abstract\u003e"],"abstract_tesim":["Collection of Cuban stamps from the mid-19th century to the mid-20th century."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb_aspace_a70ad86405ac225b1752648231eab412"}},{"id":"aa862cad77720b140698c8fb_aspace_82a3f7316e92fc3a656228c49b9e6c08","type":"Item","attributes":{"title":"Volume II, bulk 1855-1968","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb_aspace_82a3f7316e92fc3a656228c49b9e6c08#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_82a3f7316e92fc3a656228c49b9e6c08","ref_ssm":["aspace_82a3f7316e92fc3a656228c49b9e6c08","aspace_82a3f7316e92fc3a656228c49b9e6c08"],"id":"aa862cad77720b140698c8fb_aspace_82a3f7316e92fc3a656228c49b9e6c08","title_filing_ssi":"Volume II","title_ssm":["Volume II"],"title_tesim":["Volume II"],"unitdate_bulk_ssim":["1855-1968"],"normalized_date_ssm":["bulk 1855-1968"],"normalized_title_ssm":["Volume II, bulk 1855-1968"],"text":["Volume II, bulk 1855-1968","Cuban Stamps Collection, 1855-1968","2","/repositories/2/archival_objects/86396","Spanish; Castilian"],"component_level_isim":[1],"parent_ids_ssim":["aa862cad77720b140698c8fb"],"parent_unittitles_ssm":["Cuban Stamps Collection, 1855-1968"],"parent_unittitles_tesim":["Cuban Stamps Collection, 1855-1968"],"parent_levels_ssm":["collection"],"unitid_ssm":["2","/repositories/2/archival_objects/86396"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"language_ssim":["Spanish; Castilian"],"_nest_path_":"/components#1","_nest_parent_":"aa862cad77720b140698c8fb","_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"aa862cad77720b140698c8fb","title_ssm":["Cuban Stamps Collection"],"title_tesim":["Cuban Stamps Collection"],"ead_ssi":"aa862cad77720b140698c8fb","unitdate_ssm":["1855-1968"],"unitdate_inclusive_ssm":["1855-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9070","/repositories/2/resources/131"],"text":["SPC9070","/repositories/2/resources/131","Cuban Stamps Collection, 1855-1968","The collection is open for research.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana.","Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","Collection of Cuban stamps from the mid-19th century to the mid-20th century.","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9070","/repositories/2/resources/131"],"normalized_date_ssm":["1855-1968"],"normalized_title_ssm":["Cuban Stamps Collection, 1855-1968"],"collection_title_tesim":["Cuban Stamps Collection, 1855-1968"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"has_online_content_ssim":["false"],"extent_ssm":["3 items"],"extent_tesim":["3 items"],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.\u003c/p\u003e\n","\u003cp\u003eAs the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.\u003c/p\u003e\n","\u003cp\u003eThis collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.\u003c/p\u003e\n","\u003cp\u003e\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a trav\u0026#xE9;s de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y pol\u0026#xED;ticos que dieron forma a Cuba durante este per\u0026#xED;odo transformador. Desde el dominio colonial espa\u0026#xF1;ol, pasando por la creaci\u0026#xF3;n de la Rep\u0026#xFA;blica Cubana, hasta el surgimiento de la Revoluci\u0026#xF3;n Cubana, estos eventos hist\u0026#xF3;ricos se reflejan en los sellos mismos. En 1855, Cuba emiti\u0026#xF3; su primer sello postal bajo el dominio espa\u0026#xF1;ol, marcando el comienzo de su servicio postal. Durante este per\u0026#xED;odo, los sellos estuvieron fuertemente influenciados por Espa\u0026#xF1;a e inclu\u0026#xED;an im\u0026#xE1;genes de la monarqu\u0026#xED;a espa\u0026#xF1;ola, reforzando la conexi\u0026#xF3;n entre el Imperio Espa\u0026#xF1;ol y Cuba.\u003c/p\u003e\n","\u003cp\u003eAl final del siglo XIX, la Guerra Hispanoamericana marc\u0026#xF3; un momento clave para Cuba, pasando de ser una colonia a una naci\u0026#xF3;n independiente en 1902. Este per\u0026#xED;odo vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, s\u0026#xED;mbolos de independencia e im\u0026#xE1;genes que celebraban la rica historia y cultura de Cuba. Adem\u0026#xE1;s, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experiment\u0026#xF3; eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresi\u0026#xF3;n. Estos eventos contribuyeron a la inestabilidad pol\u0026#xED;tica y a los frecuentes cambios de gobierno, lo que se\u0026#xF1;al\u0026#xF3; un per\u0026#xED;odo de crisis en la isla. Durante la Guerra Fr\u0026#xED;a, con el auge de la Uni\u0026#xF3;n Sovi\u0026#xE9;tica, la Revoluci\u0026#xF3;n Cubana de 1959 comenz\u0026#xF3; a remodelar la naci\u0026#xF3;n. Los sellos de este per\u0026#xED;odo reflejan la transformaci\u0026#xF3;n del pa\u0026#xED;s, con im\u0026#xE1;genes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revoluci\u0026#xF3;n y su progreso.\u003c/p\u003e\n","\u003cp\u003eEsta colecci\u0026#xF3;n captura la evoluci\u0026#xF3;n de los sellos cubanos como una forma de comunicaci\u0026#xF3;n y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relaci\u0026#xF3;n con las potencias extranjeras. Los sellos presentan im\u0026#xE1;genes de la cultura cubana, el arte, figuras hist\u0026#xF3;ricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colecci\u0026#xF3;n brinda la oportunidad de explorar c\u0026#xF3;mo Cuba se transform\u0026#xF3; a lo largo de un siglo. Los investigadores pueden examinar las ideolog\u0026#xED;as pol\u0026#xED;ticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colecci\u0026#xF3;n de Sellos de Cuba en FIU no es solo un archivo hist\u0026#xF3;rico, sino tambi\u0026#xE9;n un testimonio de los cambios culturales y sociales del siglo XX.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX."],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. \u003c/p\u003e\n","\u003cp\u003e\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilaci\u0026#xF3;n integral de sellos postales que abarca la historia de Cuba durante este per\u0026#xED;odo transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revoluci\u0026#xF3;n Cubana y sus efectos posteriores. Demuestra el cambio social y pol\u0026#xED;tico a trav\u0026#xE9;s de los sellos y c\u0026#xF3;mo se utiliza este medio como propaganda de la revuelta. Tambi\u0026#xE9;n muestra c\u0026#xF3;mo se manejan las relaciones internacionales con otras naciones y c\u0026#xF3;mo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colecci\u0026#xF3;n consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservaci\u0026#xF3;n de estos sellos ofrece a los investigadores la oportunidad de descubrir por s\u0026#xED; mismos c\u0026#xF3;mo evolucionan las im\u0026#xE1;genes y los s\u0026#xED;mbolos a medida que avanza y se desarrolla la Revoluci\u0026#xF3;n Cubana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana."],"userestrict_html_tesm":["\u003cp\u003eRights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4174f2603576483c6691a9df651e17c6\"\u003eCollection of Cuban stamps from the mid-19th century to the mid-20th century.\u003c/abstract\u003e"],"abstract_tesim":["Collection of Cuban stamps from the mid-19th century to the mid-20th century."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb_aspace_82a3f7316e92fc3a656228c49b9e6c08"}},{"id":"aa862cad77720b140698c8fb_aspace_620a3f9a12cadc8456710765f96a9581","type":"Item","attributes":{"title":"Volume III, bulk 1855-1968","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb_aspace_620a3f9a12cadc8456710765f96a9581#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_620a3f9a12cadc8456710765f96a9581","ref_ssm":["aspace_620a3f9a12cadc8456710765f96a9581","aspace_620a3f9a12cadc8456710765f96a9581"],"id":"aa862cad77720b140698c8fb_aspace_620a3f9a12cadc8456710765f96a9581","title_filing_ssi":"Volume III","title_ssm":["Volume III"],"title_tesim":["Volume III"],"unitdate_bulk_ssim":["1855-1968"],"normalized_date_ssm":["bulk 1855-1968"],"normalized_title_ssm":["Volume III, bulk 1855-1968"],"text":["Volume III, bulk 1855-1968","Cuban Stamps Collection, 1855-1968","3","/repositories/2/archival_objects/86400","Spanish; Castilian"],"component_level_isim":[1],"parent_ids_ssim":["aa862cad77720b140698c8fb"],"parent_unittitles_ssm":["Cuban Stamps Collection, 1855-1968"],"parent_unittitles_tesim":["Cuban Stamps Collection, 1855-1968"],"parent_levels_ssm":["collection"],"unitid_ssm":["3","/repositories/2/archival_objects/86400"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":3,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"language_ssim":["Spanish; Castilian"],"_nest_path_":"/components#2","_nest_parent_":"aa862cad77720b140698c8fb","_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"aa862cad77720b140698c8fb","title_ssm":["Cuban Stamps Collection"],"title_tesim":["Cuban Stamps Collection"],"ead_ssi":"aa862cad77720b140698c8fb","unitdate_ssm":["1855-1968"],"unitdate_inclusive_ssm":["1855-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9070","/repositories/2/resources/131"],"text":["SPC9070","/repositories/2/resources/131","Cuban Stamps Collection, 1855-1968","The collection is open for research.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana.","Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","Collection of Cuban stamps from the mid-19th century to the mid-20th century.","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9070","/repositories/2/resources/131"],"normalized_date_ssm":["1855-1968"],"normalized_title_ssm":["Cuban Stamps Collection, 1855-1968"],"collection_title_tesim":["Cuban Stamps Collection, 1855-1968"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"has_online_content_ssim":["false"],"extent_ssm":["3 items"],"extent_tesim":["3 items"],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.\u003c/p\u003e\n","\u003cp\u003eAs the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.\u003c/p\u003e\n","\u003cp\u003eThis collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.\u003c/p\u003e\n","\u003cp\u003e\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a trav\u0026#xE9;s de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y pol\u0026#xED;ticos que dieron forma a Cuba durante este per\u0026#xED;odo transformador. Desde el dominio colonial espa\u0026#xF1;ol, pasando por la creaci\u0026#xF3;n de la Rep\u0026#xFA;blica Cubana, hasta el surgimiento de la Revoluci\u0026#xF3;n Cubana, estos eventos hist\u0026#xF3;ricos se reflejan en los sellos mismos. En 1855, Cuba emiti\u0026#xF3; su primer sello postal bajo el dominio espa\u0026#xF1;ol, marcando el comienzo de su servicio postal. Durante este per\u0026#xED;odo, los sellos estuvieron fuertemente influenciados por Espa\u0026#xF1;a e inclu\u0026#xED;an im\u0026#xE1;genes de la monarqu\u0026#xED;a espa\u0026#xF1;ola, reforzando la conexi\u0026#xF3;n entre el Imperio Espa\u0026#xF1;ol y Cuba.\u003c/p\u003e\n","\u003cp\u003eAl final del siglo XIX, la Guerra Hispanoamericana marc\u0026#xF3; un momento clave para Cuba, pasando de ser una colonia a una naci\u0026#xF3;n independiente en 1902. Este per\u0026#xED;odo vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, s\u0026#xED;mbolos de independencia e im\u0026#xE1;genes que celebraban la rica historia y cultura de Cuba. Adem\u0026#xE1;s, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experiment\u0026#xF3; eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresi\u0026#xF3;n. Estos eventos contribuyeron a la inestabilidad pol\u0026#xED;tica y a los frecuentes cambios de gobierno, lo que se\u0026#xF1;al\u0026#xF3; un per\u0026#xED;odo de crisis en la isla. Durante la Guerra Fr\u0026#xED;a, con el auge de la Uni\u0026#xF3;n Sovi\u0026#xE9;tica, la Revoluci\u0026#xF3;n Cubana de 1959 comenz\u0026#xF3; a remodelar la naci\u0026#xF3;n. Los sellos de este per\u0026#xED;odo reflejan la transformaci\u0026#xF3;n del pa\u0026#xED;s, con im\u0026#xE1;genes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revoluci\u0026#xF3;n y su progreso.\u003c/p\u003e\n","\u003cp\u003eEsta colecci\u0026#xF3;n captura la evoluci\u0026#xF3;n de los sellos cubanos como una forma de comunicaci\u0026#xF3;n y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relaci\u0026#xF3;n con las potencias extranjeras. Los sellos presentan im\u0026#xE1;genes de la cultura cubana, el arte, figuras hist\u0026#xF3;ricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colecci\u0026#xF3;n brinda la oportunidad de explorar c\u0026#xF3;mo Cuba se transform\u0026#xF3; a lo largo de un siglo. Los investigadores pueden examinar las ideolog\u0026#xED;as pol\u0026#xED;ticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colecci\u0026#xF3;n de Sellos de Cuba en FIU no es solo un archivo hist\u0026#xF3;rico, sino tambi\u0026#xE9;n un testimonio de los cambios culturales y sociales del siglo XX.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX."],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. \u003c/p\u003e\n","\u003cp\u003e\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilaci\u0026#xF3;n integral de sellos postales que abarca la historia de Cuba durante este per\u0026#xED;odo transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revoluci\u0026#xF3;n Cubana y sus efectos posteriores. Demuestra el cambio social y pol\u0026#xED;tico a trav\u0026#xE9;s de los sellos y c\u0026#xF3;mo se utiliza este medio como propaganda de la revuelta. Tambi\u0026#xE9;n muestra c\u0026#xF3;mo se manejan las relaciones internacionales con otras naciones y c\u0026#xF3;mo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colecci\u0026#xF3;n consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservaci\u0026#xF3;n de estos sellos ofrece a los investigadores la oportunidad de descubrir por s\u0026#xED; mismos c\u0026#xF3;mo evolucionan las im\u0026#xE1;genes y los s\u0026#xED;mbolos a medida que avanza y se desarrolla la Revoluci\u0026#xF3;n Cubana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana."],"userestrict_html_tesm":["\u003cp\u003eRights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4174f2603576483c6691a9df651e17c6\"\u003eCollection of Cuban stamps from the mid-19th century to the mid-20th century.\u003c/abstract\u003e"],"abstract_tesim":["Collection of Cuban stamps from the mid-19th century to the mid-20th century."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb_aspace_620a3f9a12cadc8456710765f96a9581"}},{"id":"a3eabcc4094ea8e02f42af5b_aspace_6043","type":"File","attributes":{"title":"Volusia County, 1900-1967","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a3eabcc4094ea8e02f42af5b_aspace_6043#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_6043","ref_ssm":["aspace_6043","aspace_6043"],"id":"a3eabcc4094ea8e02f42af5b_aspace_6043","title_filing_ssi":"Volusia County","title_ssm":["Volusia County"],"title_tesim":["Volusia County"],"unitdate_inclusive_ssm":["1900-1967"],"normalized_date_ssm":["1900-1967"],"normalized_title_ssm":["Volusia County, 1900-1967"],"text":["Volusia County, 1900-1967","Florida Ephemera collection, circa 1813-2007","Geographic Files, circa 1813-2007","Central Florida, 1887-2007","Box 5, Folder 4-6; Box 6, Folder 1-3; Box 27, Folder 7","/repositories/4/archival_objects/13174","box 5","folder 4-6","box 6","folder 1-3","box 27","folder 7"],"component_level_isim":[3],"parent_ids_ssim":["a3eabcc4094ea8e02f42af5b","a3eabcc4094ea8e02f42af5b_aspace_5649","a3eabcc4094ea8e02f42af5b_aspace_5650"],"parent_unittitles_ssm":["Florida Ephemera collection, circa 1813-2007","Geographic Files, circa 1813-2007","Central Florida, 1887-2007"],"parent_unittitles_tesim":["Florida Ephemera collection, circa 1813-2007","Geographic Files, circa 1813-2007","Central Florida, 1887-2007"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Box 5, Folder 4-6; Box 6, Folder 1-3; Box 27, Folder 7","/repositories/4/archival_objects/13174"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Florida Ephemera collection, circa 1813-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":31,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":373,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967],"containers_ssim":["box 5","folder 4-6","box 6","folder 1-3","box 27","folder 7"],"_nest_path_":"/components#0/components#0/components#9","_nest_parent_":"a3eabcc4094ea8e02f42af5b_aspace_5650","_root_":"a3eabcc4094ea8e02f42af5b","_version_":1876384024848498688,"timestamp":"2026-09-15T08:00:52.198Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a3eabcc4094ea8e02f42af5b","title_ssm":["Florida Ephemera collection"],"title_tesim":["Florida Ephemera collection"],"ead_ssi":"a3eabcc4094ea8e02f42af5b","unitdate_ssm":["circa 1813-2007"],"unitdate_inclusive_ssm":["circa 1813-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.032","/repositories/4/resources/60"],"text":["SC.032","/repositories/4/resources/60","Florida Ephemera collection, circa 1813-2007","Florida","Florida -- Politics and government","Orlando (Fla.)","Agriculture -- Florida","Business -- Florida","Gardening -- Florida","Parks -- Florida","Tourism","The entire collection is open for research.","The collection is divided into three series, Geographic Files, Artifacts and Subject Files. Geographic Files are arranged in three subseries, Central, North and South Florida, with Central Florida organized alphabetically by county. General information about a region begins each subseries, followed by cities and counties that have a high volume of information. Subject Files are arranged alphabetically.","Thomas and Georgine Mickler ran a small publishing company, Mickler House, and a thriving mail-order business, Mickler's Antiquarian Books, out of their Chuluota home for almost 40 years. The Mickler's focused on tracing out-of-print publications about Florida and ultimately collected more than 40,000 books and other historical pieces of paper memorabilia that filled their home. Thomas Mickler was a native Floridian but Georgine was born in Chicago. She moved to Orlando in 1961, and they married the following year. Both of them lived until they were 84 years old; Thomas died in 1997 and Georgine died a year later.","Collection processed by Jessica Achberger; finding aid prepared by Jessica Achberger and Jeffrey Baumiller.","This collection was processed by both geographic area and subject matter. Materials related to a specific location within Florida were divided out, while materials related to Florida as a whole were separated into specific subject matter. All materials are foldered, with special attention being paid to newspaper clippings and delicate manuscript materials. Sheets of acid free paper were put between clippings, and some materials have been sleeved for preservation.","Other materials collected by the Micklers are held in the University of Central Florida Libraries Special Collections and University Archives, and other collections provide information about Florida. For a complete list of collections please consult the  Special Collections \u0026 University Archives  website.","The Florida Ephemera Collection consists of materials about or produced in Florida collected by Thomas and Georgine Mickler through their mail-order business, Mickler's Antiquarian Books, as well as additional purchases made by the University of Central Florida Libraries Special Collections. These materials are all related in some way to Florida, either geographically or through the subject matter.","\nSeries I: Geographic Files, circa 1813-2007 contain tourism brochures, information on local historical societies, local business advertisements and newspaper clippings related to the different geographic areas of Florida, loosely divided into Central, North and South Florida. Some information may also be found in a Subject file; however, generally the Subject Files consist of information about Florida as a whole.","\nSeries II: Subject Files, 1831-2005 consist of booklets and brochures, newspaper and journal articles, business cards and advertisements, and periodicals related to Florida, arranged by subject alphabetically. Topics include Agricultural Literature, Arts and Humanities, Gardening Literature, History, Politics and Government, Real Estate and Development, State Parks and Historical Markers, Tourism, and Wildlife.","Series III: Artifacts, Undated, 1971, contains larger items that pertain to geographical and subject files \nconcerning Florida. Included thus far are a cork mat depicting Bok Tower and a bottle commemorating \nthe Apollo 14 mission.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Florida Ephemera Collection is a collection of brochures, advertisements and news clippings documenting the history of Florida. Although the collection includes information about Florida as a whole, it focuses on the Central Florida area, and Orlando in particular. The collection contains information about most aspects of life in Florida including business and industry, real estate and development, tourism and wildlife.","UCF Special Collections","Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998","English"],"unitid_tesim":["SC.032","/repositories/4/resources/60"],"normalized_date_ssm":["circa 1813-2007"],"normalized_title_ssm":["Florida Ephemera collection, circa 1813-2007"],"collection_title_tesim":["Florida Ephemera collection, circa 1813-2007"],"collection_ssim":["Florida Ephemera collection, circa 1813-2007"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida","Florida -- Politics and government","Orlando (Fla.)"],"geogname_ssim":["Florida","Florida -- Politics and government","Orlando (Fla.)"],"creator_ssm":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creator_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creator_persname_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creators_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"places_ssim":["Florida","Florida -- Politics and government","Orlando (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The ephemera was mostly collected by Thomas and Georgine Mickler of Micklers Antiquarian Books. These materials were purchased by the University of Central Florida Libraries, Special Collections and University Archives in 1999 (CFM1999_06). Ephemera from a variety of sources will continue to be purchased to create a collection relevant to Florida's history."],"access_subjects_ssim":["Agriculture -- Florida","Business -- Florida","Gardening -- Florida","Parks -- Florida","Tourism"],"access_subjects_ssm":["Agriculture -- Florida","Business -- Florida","Gardening -- Florida","Parks -- Florida","Tourism"],"has_online_content_ssim":["false"],"extent_ssm":["13 Linear Feet 26 Boxes, 1 Flat File"],"extent_tesim":["13 Linear Feet 26 Boxes, 1 Flat File"],"date_range_isim":[1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into three series, Geographic Files, Artifacts and Subject Files. Geographic Files are arranged in three subseries, Central, North and South Florida, with Central Florida organized alphabetically by county. General information about a region begins each subseries, followed by cities and counties that have a high volume of information. Subject Files are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into three series, Geographic Files, Artifacts and Subject Files. Geographic Files are arranged in three subseries, Central, North and South Florida, with Central Florida organized alphabetically by county. General information about a region begins each subseries, followed by cities and counties that have a high volume of information. Subject Files are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eThomas and Georgine Mickler ran a small publishing company, Mickler House, and a thriving mail-order business, Mickler's Antiquarian Books, out of their Chuluota home for almost 40 years. The Mickler's focused on tracing out-of-print publications about Florida and ultimately collected more than 40,000 books and other historical pieces of paper memorabilia that filled their home. Thomas Mickler was a native Floridian but Georgine was born in Chicago. She moved to Orlando in 1961, and they married the following year. Both of them lived until they were 84 years old; Thomas died in 1997 and Georgine died a year later.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Thomas and Georgine Mickler ran a small publishing company, Mickler House, and a thriving mail-order business, Mickler's Antiquarian Books, out of their Chuluota home for almost 40 years. The Mickler's focused on tracing out-of-print publications about Florida and ultimately collected more than 40,000 books and other historical pieces of paper memorabilia that filled their home. Thomas Mickler was a native Floridian but Georgine was born in Chicago. She moved to Orlando in 1961, and they married the following year. Both of them lived until they were 84 years old; Thomas died in 1997 and Georgine died a year later."],"prefercite_html_tesm":["\u003cp\u003eFlorida Ephemera Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Florida Ephemera Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Jessica Achberger; finding aid prepared by Jessica Achberger and Jeffrey Baumiller.\u003c/p\u003e","\u003cp\u003eThis collection was processed by both geographic area and subject matter. Materials related to a specific location within Florida were divided out, while materials related to Florida as a whole were separated into specific subject matter. All materials are foldered, with special attention being paid to newspaper clippings and delicate manuscript materials. Sheets of acid free paper were put between clippings, and some materials have been sleeved for preservation.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Jessica Achberger; finding aid prepared by Jessica Achberger and Jeffrey Baumiller.","This collection was processed by both geographic area and subject matter. Materials related to a specific location within Florida were divided out, while materials related to Florida as a whole were separated into specific subject matter. All materials are foldered, with special attention being paid to newspaper clippings and delicate manuscript materials. Sheets of acid free paper were put between clippings, and some materials have been sleeved for preservation."],"relatedmaterial_html_tesm":["\u003cp\u003eOther materials collected by the Micklers are held in the University of Central Florida Libraries Special Collections and University Archives, and other collections provide information about Florida. For a complete list of collections please consult the \u003cextref href=\"http://library.ucf.edu/about/departments/special-collections-university-archives/\"\u003eSpecial Collections \u0026amp; University Archives\u003c/extref\u003e website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other materials collected by the Micklers are held in the University of Central Florida Libraries Special Collections and University Archives, and other collections provide information about Florida. For a complete list of collections please consult the  Special Collections \u0026 University Archives  website."],"scopecontent_html_tesm":["\u003cp\u003eThe Florida Ephemera Collection consists of materials about or produced in Florida collected by Thomas and Georgine Mickler through their mail-order business, Mickler's Antiquarian Books, as well as additional purchases made by the University of Central Florida Libraries Special Collections. These materials are all related in some way to Florida, either geographically or through the subject matter.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Geographic Files, circa 1813-2007 contain tourism brochures, information on local historical societies, local business advertisements and newspaper clippings related to the different geographic areas of Florida, loosely divided into Central, North and South Florida. Some information may also be found in a Subject file; however, generally the Subject Files consist of information about Florida as a whole.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Subject Files, 1831-2005 consist of booklets and brochures, newspaper and journal articles, business cards and advertisements, and periodicals related to Florida, arranged by subject alphabetically. Topics include Agricultural Literature, Arts and Humanities, Gardening Literature, History, Politics and Government, Real Estate and Development, State Parks and Historical Markers, Tourism, and Wildlife.\u003c/p\u003e\n","\u003cp\u003eSeries III: Artifacts, Undated, 1971, contains larger items that pertain to geographical and subject files \nconcerning Florida. Included thus far are a cork mat depicting Bok Tower and a bottle commemorating \nthe Apollo 14 mission.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Florida Ephemera Collection consists of materials about or produced in Florida collected by Thomas and Georgine Mickler through their mail-order business, Mickler's Antiquarian Books, as well as additional purchases made by the University of Central Florida Libraries Special Collections. These materials are all related in some way to Florida, either geographically or through the subject matter.","\nSeries I: Geographic Files, circa 1813-2007 contain tourism brochures, information on local historical societies, local business advertisements and newspaper clippings related to the different geographic areas of Florida, loosely divided into Central, North and South Florida. Some information may also be found in a Subject file; however, generally the Subject Files consist of information about Florida as a whole.","\nSeries II: Subject Files, 1831-2005 consist of booklets and brochures, newspaper and journal articles, business cards and advertisements, and periodicals related to Florida, arranged by subject alphabetically. Topics include Agricultural Literature, Arts and Humanities, Gardening Literature, History, Politics and Government, Real Estate and Development, State Parks and Historical Markers, Tourism, and Wildlife.","Series III: Artifacts, Undated, 1971, contains larger items that pertain to geographical and subject files \nconcerning Florida. Included thus far are a cork mat depicting Bok Tower and a bottle commemorating \nthe Apollo 14 mission."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_64c3d62675ae88c59d40c8d1db049bf2\" label=\"Abstract\"\u003eThe Florida Ephemera Collection is a collection of brochures, advertisements and news clippings documenting the history of Florida. Although the collection includes information about Florida as a whole, it focuses on the Central Florida area, and Orlando in particular. The collection contains information about most aspects of life in Florida including business and industry, real estate and development, tourism and wildlife.\u003c/abstract\u003e"],"abstract_tesim":["The Florida Ephemera Collection is a collection of brochures, advertisements and news clippings documenting the history of Florida. Although the collection includes information about Florida as a whole, it focuses on the Central Florida area, and Orlando in particular. The collection contains information about most aspects of life in Florida including business and industry, real estate and development, tourism and wildlife."],"names_ssim":["UCF Special Collections","Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876384024848498688,"_root_":"a3eabcc4094ea8e02f42af5b","timestamp":"2026-09-15T08:00:52.198Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a3eabcc4094ea8e02f42af5b_aspace_6043"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Michael A. Spencer Bromeliad Research Collection, 1754-2014","value":"Michael A. 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