{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1966\u0026page=82","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1966\u0026page=81","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1966\u0026page=83","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1966\u0026page=443"},"meta":{"pages":{"current_page":82,"next_page":83,"prev_page":81,"total_pages":443,"limit_value":10,"offset_value":810,"total_count":4430,"first_page?":false,"last_page?":false}},"data":[{"id":"9969cb1a3236e6e65db9102f_aspace_c6e0355e577d422bc0a8b967cf75bbe3","type":"File","attributes":{"title":"Common Stock Certificates, Circa 1952-1970","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9969cb1a3236e6e65db9102f_aspace_c6e0355e577d422bc0a8b967cf75bbe3#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c6e0355e577d422bc0a8b967cf75bbe3","ref_ssm":["aspace_c6e0355e577d422bc0a8b967cf75bbe3","aspace_c6e0355e577d422bc0a8b967cf75bbe3"],"id":"9969cb1a3236e6e65db9102f_aspace_c6e0355e577d422bc0a8b967cf75bbe3","title_filing_ssi":"Common Stock Certificates","title_ssm":["Common Stock Certificates"],"title_tesim":["Common Stock Certificates"],"unitdate_inclusive_ssm":["Circa 1952-1970"],"normalized_date_ssm":["Circa 1952-1970"],"normalized_title_ssm":["Common Stock Certificates, Circa 1952-1970"],"text":["Common Stock Certificates, Circa 1952-1970","Jay Krochmalny Collection, Circa 1952-1980","Professional Papers, 1970","/repositories/4/archival_objects/8293","box 1","folder 13"],"component_level_isim":[2],"parent_ids_ssim":["9969cb1a3236e6e65db9102f","9969cb1a3236e6e65db9102f_aspace_4a6a31ab638a91928f749cdb5747ee79"],"parent_unittitles_ssm":["Jay Krochmalny Collection, Circa 1952-1980","Professional Papers, 1970"],"parent_unittitles_tesim":["Jay Krochmalny Collection, Circa 1952-1980","Professional Papers, 1970"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/4/archival_objects/8293"],"repository_ssim":["Broward County Historical Archives"],"collection_ssim":["Jay Krochmalny Collection, Circa 1952-1980"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":15,"parent_access_restrict_tesm":["The Jay Krochmalny Collection is open for research."],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"containers_ssim":["box 1","folder 13"],"_nest_path_":"/components#1/components#2","_nest_parent_":"9969cb1a3236e6e65db9102f_aspace_4a6a31ab638a91928f749cdb5747ee79","_root_":"9969cb1a3236e6e65db9102f","_version_":1873196197774098432,"timestamp":"2026-08-11T03:31:43.406Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9969cb1a3236e6e65db9102f","title_filing_ssi":"Krochmalny, Jay Collection","title_ssm":["Jay Krochmalny Collection"],"title_tesim":["Jay Krochmalny Collection"],"ead_ssi":"9969cb1a3236e6e65db9102f","unitdate_ssm":["Circa 1952-1980"],"unitdate_inclusive_ssm":["Circa 1952-1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.2002.8","/repositories/4/resources/85"],"text":["BCHA.2002.8","/repositories/4/resources/85","Jay Krochmalny Collection, Circa 1952-1980","The Jay Krochmalny Collection is open for research.","Julius Jay, known as Jay,was born in New York City on March 31, 1908. He lived in Toledo, Ohio and worked as a bartender. He served in Corporal in the US Army during the Second World War. He and his wife, Virginia, had four daughters: Mary, Jane, Julia and Violet. The family moved to Broward County, but Jay and Virginia divorced in May 1963. According to Violet, Jay was a first generation Ukranian-American. He became the working partner in the Par-3 Golf Course of Fort Lauderdale, Florida (1952-1973) with Cy Foster. The Golf Course was built into the River Bend Park by the Broward County Parks and Recreation Division, currently where the Reverend Samuel Delevoe Park is situated next to the African American Research Library and Cultural Center. There were three other investment partners in the Par-3 Golf Course. Other notable staff included Bill Rutledge, of Cherokee descent, who was the Greens Keeper for 15 years and Alonzie Solomon, of African American descent, who helped build the golf course and the club house. The Par-3 Golf Course consisted of 18 holes and was open to the public every day of the year except for Election Day, as on that day the Bartenders Association had their annual picnic. In 1975 the course was built into the River Bend Park by the Broward County Parks and Recreation Division. In 1979, the park was renamed Delevoe Park after Reverend Samuel Delevoe, the city's first black police officerwho was fatally shot in 1977. Jay Krochmalny died on May 26, 1997 at the age of 89 and is buried in the Florida National Cemetery in Bushnell, Sumter County, Florida. In 1975 the course was built into the River Bend Park by the Broward County Parks and Recreation Division. In 1979, the park was renamed Delevoe Park after Reverend Samuel Delevoe, the city's first black police officerwho was fatally shot in 1977.","The Jay Krochmalny Collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Jay Krochmalny Collection contains correspondence, ephemera, photographs ledgers, and and stock certificates documenting the Par-3 Golf Course."," Broward County Historical Archives","English"],"unitid_tesim":["BCHA.2002.8","/repositories/4/resources/85"],"normalized_date_ssm":["Circa 1952-1980"],"normalized_title_ssm":["Jay Krochmalny Collection, Circa 1952-1980"],"collection_title_tesim":["Jay Krochmalny Collection, Circa 1952-1980"],"collection_ssim":["Jay Krochmalny Collection, Circa 1952-1980"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"has_online_content_ssim":["false"],"extent_ssm":["1 Hollinger Box"],"extent_tesim":["1 Hollinger Box"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"accessrestrict_html_tesm":["\u003cp\u003eThe Jay Krochmalny Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Jay Krochmalny Collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJulius Jay, known as Jay,was born in New York City on March 31, 1908. He lived in Toledo, Ohio and worked as a bartender. He served in Corporal in the US Army during the Second World War. He and his wife, Virginia, had four daughters: Mary, Jane, Julia and Violet. The family moved to Broward County, but Jay and Virginia divorced in May 1963. According to Violet, Jay was a first generation Ukranian-American. He became the working partner in the Par-3 Golf Course of Fort Lauderdale, Florida (1952-1973) with Cy Foster. The Golf Course was built into the River Bend Park by the Broward County Parks and Recreation Division, currently where the Reverend Samuel Delevoe Park is situated next to the African American Research Library and Cultural Center. There were three other investment partners in the Par-3 Golf Course. Other notable staff included Bill Rutledge, of Cherokee descent, who was the Greens Keeper for 15 years and Alonzie Solomon, of African American descent, who helped build the golf course and the club house. The Par-3 Golf Course consisted of 18 holes and was open to the public every day of the year except for Election Day, as on that day the Bartenders Association had their annual picnic. In 1975 the course was built into the River Bend Park by the Broward County Parks and Recreation Division. In 1979, the park was renamed Delevoe Park after Reverend Samuel Delevoe, the city's first black police officerwho was fatally shot in 1977. Jay Krochmalny died on May 26, 1997 at the age of 89 and is buried in the Florida National Cemetery in Bushnell, Sumter County, Florida. In 1975 the course was built into the River Bend Park by the Broward County Parks and Recreation Division. In 1979, the park was renamed Delevoe Park after Reverend Samuel Delevoe, the city's first black police officerwho was fatally shot in 1977.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Julius Jay, known as Jay,was born in New York City on March 31, 1908. He lived in Toledo, Ohio and worked as a bartender. He served in Corporal in the US Army during the Second World War. He and his wife, Virginia, had four daughters: Mary, Jane, Julia and Violet. The family moved to Broward County, but Jay and Virginia divorced in May 1963. According to Violet, Jay was a first generation Ukranian-American. He became the working partner in the Par-3 Golf Course of Fort Lauderdale, Florida (1952-1973) with Cy Foster. The Golf Course was built into the River Bend Park by the Broward County Parks and Recreation Division, currently where the Reverend Samuel Delevoe Park is situated next to the African American Research Library and Cultural Center. There were three other investment partners in the Par-3 Golf Course. Other notable staff included Bill Rutledge, of Cherokee descent, who was the Greens Keeper for 15 years and Alonzie Solomon, of African American descent, who helped build the golf course and the club house. The Par-3 Golf Course consisted of 18 holes and was open to the public every day of the year except for Election Day, as on that day the Bartenders Association had their annual picnic. In 1975 the course was built into the River Bend Park by the Broward County Parks and Recreation Division. In 1979, the park was renamed Delevoe Park after Reverend Samuel Delevoe, the city's first black police officerwho was fatally shot in 1977. Jay Krochmalny died on May 26, 1997 at the age of 89 and is buried in the Florida National Cemetery in Bushnell, Sumter County, Florida. In 1975 the course was built into the River Bend Park by the Broward County Parks and Recreation Division. In 1979, the park was renamed Delevoe Park after Reverend Samuel Delevoe, the city's first black police officerwho was fatally shot in 1977."],"prefercite_html_tesm":["\u003cp\u003eJay Krochmalny Collection, Broward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Jay Krochmalny Collection, Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Jay Krochmalny Collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Jay Krochmalny Collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Jay Krochmalny Collection contains correspondence, ephemera, photographs ledgers, and and stock certificates documenting the Par-3 Golf Course.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Jay Krochmalny Collection contains correspondence, ephemera, photographs ledgers, and and stock certificates documenting the Par-3 Golf Course."],"names_ssim":[" Broward County Historical Archives"],"corpname_ssim":[" Broward County Historical Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":28,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1873196197774098432,"_root_":"9969cb1a3236e6e65db9102f","timestamp":"2026-08-11T03:31:43.406Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9969cb1a3236e6e65db9102f_aspace_c6e0355e577d422bc0a8b967cf75bbe3"}},{"id":"30ac6318a4b4d45f23587ceb_aspace_67ab020899c2d8e24b4c4bad6728a33f","type":"File","attributes":{"title":"Communications, letters, correspondence, with librarians and libraries in Latin  America, including Brazil, Argentina, Cuba, Venezuela, Mexico, Guatemala, Panama. Correspondence with librarians such as Fermin Pereza Sarauza, Josefa Sabor, Carlos Victor Pena, 1959-1966","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/30ac6318a4b4d45f23587ceb_aspace_67ab020899c2d8e24b4c4bad6728a33f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_67ab020899c2d8e24b4c4bad6728a33f","ref_ssm":["aspace_67ab020899c2d8e24b4c4bad6728a33f","aspace_67ab020899c2d8e24b4c4bad6728a33f"],"id":"30ac6318a4b4d45f23587ceb_aspace_67ab020899c2d8e24b4c4bad6728a33f","title_filing_ssi":"Communications, letters, correspondence, with librarians and libraries in Latin  America, including Brazil, Argentina, Cuba, Venezuela, Mexico, Guatemala, Panama. Correspondence with librarians such as Fermin Pereza Sarauza, Josefa Sabor, Carlos Victor Pena ","title_ssm":["Communications, letters, correspondence, with librarians and libraries in Latin  America, including Brazil, Argentina, Cuba, Venezuela, Mexico, Guatemala, Panama. Correspondence with librarians such as Fermin Pereza Sarauza, Josefa Sabor, Carlos Victor Pena "],"title_tesim":["Communications, letters, correspondence, with librarians and libraries in Latin  America, including Brazil, Argentina, Cuba, Venezuela, Mexico, Guatemala, Panama. Correspondence with librarians such as Fermin Pereza Sarauza, Josefa Sabor, Carlos Victor Pena "],"unitdate_inclusive_ssm":["1959-1966"],"normalized_date_ssm":["1959-1966"],"normalized_title_ssm":["Communications, letters, correspondence, with librarians and libraries in Latin  America, including Brazil, Argentina, Cuba, Venezuela, Mexico, Guatemala, Panama. Correspondence with librarians such as Fermin Pereza Sarauza, Josefa Sabor, Carlos Victor Pena, 1959-1966"],"text":["Communications, letters, correspondence, with librarians and libraries in Latin  America, including Brazil, Argentina, Cuba, Venezuela, Mexico, Guatemala, Panama. Correspondence with librarians such as Fermin Pereza Sarauza, Josefa Sabor, Carlos Victor Pena, 1959-1966","Luis Floren Lozano Collection, 1939-1973","The Inter-American School of Library Science (EIB), Medellin, Colombia - Communications, Letters and Other Documents from 1959 -1973","Folder 20A","/repositories/2/archival_objects/85322","box 2","folder 20A"],"component_level_isim":[2],"parent_ids_ssim":["30ac6318a4b4d45f23587ceb","30ac6318a4b4d45f23587ceb_aspace_3ba0d713cf9cf8acf883b0985df48dad"],"parent_unittitles_ssm":["Luis Floren Lozano Collection, 1939-1973","The Inter-American School of Library Science (EIB), Medellin, Colombia - Communications, Letters and Other Documents from 1959 -1973"],"parent_unittitles_tesim":["Luis Floren Lozano Collection, 1939-1973","The Inter-American School of Library Science (EIB), Medellin, Colombia - Communications, Letters and Other Documents from 1959 -1973"],"parent_levels_ssm":["collection","Item"],"unitid_ssm":["Folder 20A","/repositories/2/archival_objects/85322"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Luis Floren Lozano Collection, 1939-1973"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":23,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights. The Luis Floren Lozano Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use of research, study, and scholarship. The collection is subjected to all copyright laws."],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966],"containers_ssim":["box 2","folder 20A"],"_nest_path_":"/components#1/components#11","_nest_parent_":"30ac6318a4b4d45f23587ceb_aspace_3ba0d713cf9cf8acf883b0985df48dad","_root_":"30ac6318a4b4d45f23587ceb","timestamp":"2026-07-11T02:08:24.530Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"30ac6318a4b4d45f23587ceb","title_ssm":["Luis Floren Lozano Collection"],"title_tesim":["Luis Floren Lozano Collection"],"ead_ssi":"30ac6318a4b4d45f23587ceb","unitdate_ssm":["1939-1973"],"unitdate_inclusive_ssm":["1939-1973"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["SPC6020","/repositories/2/resources/129"],"text":["SPC6020","/repositories/2/resources/129","Luis Floren Lozano Collection, 1939-1973","Archives","Archivos","Dominican Republic","Republica Dominicana","Colombia","Latin America","America Latina","Corespondencia","postcards","Letters","Cartas","Manuscripts","Manuscritos","Correspondence","Photographs","Tarjetas postales","Fotografias","The collection is open for research.","Luis Florén Lozano (1913–1973) was a pioneering bibliographer, librarian, and educator whose career shaped library science in Latin America. Beginning as the director of the University of Santo Domingo Library (1940–1953), he modernized library practices in the Dominican Republic. In 1953, he became the head of the Scientific Exchange Service at the Inter-American Center for Housing and Urban Planning (CINVA) in Bogotá, Colombia, where he collaborated with notable figures in librarianship, such as Rubén Pérez Ortiz, and played a key role in organizing the First Library Conferences. In 1959, Florén took on the role of Director at the Inter-American Library School (EIB) in Medellín, Colombia, leading initiatives like the establishment of the Colombian Agricultural Librarians Association (BAC) and the Latin American Association of Schools of Library and Information Sciences (ALEBCI). Throughout his career, he represented Colombia in international forums, advised on the creation of the Dominican Republic's National Library in 1969, and authored numerous articles, essays, and bibliographies.","The Luis Florén Lozano Collection (1912–1973) document his extensive contributions to librarianship and education across Latin America. This collection comprises 23 archival boxes and 204 folders, detailing his professional roles and personal pursuits. It includes communications, letters, documents, photographs, drawings, manuscripts, news clippings, publications, and postcards. These materials chronicle his work as director of the library at the University of Santo Domingo, his tenure at CINVA in Bogotá, and his leadership at EIB in Medellín. The collection also reflects Florén's deep intellectual and personal interests, including a personal library of approximately 6,000 volumes on Spanish, Dominican, and Colombian history, literature, art, and library science. His books often bear his custom exlibris, illustrating the lasting impact of the Spanish Civil War on his life and exile.","Significant components of the collection highlight his efforts to modernize library systems, foster regional collaboration, and elevate the status of library science in Colombia and Latin America. The archive also underscores his role in founding professional associations, organizing landmark conferences, and advancing the profession internationally. Portions of his personal library are housed at the Instituto Tecnológico de Santo Domingo (INTEC) in the Dominican Republic and Florida International University (FIU).","The materials within the collection provide researchers with a detailed view of Florén's professional legacy and the development of librarianship in Latin America. They also serve as a testament to his philosophical and artistic reflections, particularly in the context of the Spanish Civil War and its influence on his scholarly pursuits.","Luis Florén Lozano (1913–1973) fue un pionero bibliógrafo, bibliotecario y educador cuya carrera transformó la bibliotecología en América Latina. Comenzó como director de la Biblioteca de la Universidad de Santo Domingo (1940–1953), donde modernizó las prácticas bibliotecarias en la República Dominicana. En 1953, asumió el cargo de jefe del Servicio de Intercambio Científico en el Centro Interamericano de Vivienda y Planeamiento Urbano (CINVA) en Bogotá, Colombia, donde colaboró con figuras notables de la bibliotecología, como Rubén Pérez Ortiz, y desempeñó un papel clave en la organización de las Primeras Jornadas Bibliotecarias. En 1959, Florén asumió el cargo de director de la Escuela Interamericana de Bibliotecología (EIB) en Medellín, Colombia, liderando iniciativas como la creación de la Asociación Colombiana de Bibliotecarios Agrícolas (BAC) y la Asociación Latinoamericana de Escuelas de Bibliotecología y Ciencias de la Información (ALEBCI). A lo largo de su carrera, representó a Colombia en foros internacionales, asesoró en la creación de la Biblioteca Nacional de la República Dominicana en 1969 y fue autor de numerosos artículos, ensayos y bibliografías.","Los Colecciones de Luis Florén Lozano (1913–1973) documentan sus extensas contribuciones a la bibliotecología y la educación en América Latina. Esta colección comprende 23 cajas archivísticas y 204 carpetas, detallando sus roles profesionales y sus intereses personales. Incluye comunicaciones, cartas, documentos, fotografías, dibujos, manuscritos, recortes de prensa, publicaciones y postales. Estos materiales relatan su labor como director de la biblioteca de la Universidad de Santo Domingo, su gestión en el CINVA en Bogotá y su liderazgo en la EIB en Medellín. La colección también refleja los profundos intereses intelectuales y personales de Florén, incluyendo una biblioteca personal de aproximadamente 6,000 volúmenes sobre historia, literatura, arte y bibliotecología de España, República Dominicana y Colombia. Muchos de sus libros incluyen un exlibris diseñado por él, que ilustra el impacto duradero de la Guerra Civil Española en su vida y exilio.","Componentes significativos de la colección destacan sus esfuerzos por modernizar los sistemas bibliotecarios, fomentar la colaboración regional y elevar el estatus de la bibliotecología en Colombia y América Latina. El archivo también subraya su papel en la fundación de asociaciones profesionales, la organización de conferencias emblemáticas y el avance de la profesión a nivel internacional. Parte de su biblioteca personal se encuentra alojada en el Instituto Tecnológico de Santo Domingo (INTEC) en la República Dominicana y en la Universidad Internacional de Florida (FIU).","Los materiales de la colección proporcionan a los investigadores una visión detallada del legado profesional de Florén y del desarrollo de la bibliotecología en América Latina. También son un testimonio de sus reflexiones filosóficas y artísticas, particularmente en el contexto de la Guerra Civil Española y su influencia en sus intereses académicos.","Blasco, J. (2016, January 1). Don Luis Florén Lozano. Retrieved from Ateca: Protagonistas de su Historia: https://historiadeateca.wordpress.com/2016/05/15/don-luis-floren-lozano/.","\nEstatales, M. d.-S. (Ed.). (2019). Luis Florén Lozano. Retrieved 2024, from Guía del Exilio Español de 1939 en los Archivos Estatales: Archiveros y Bibliotecarios Exiliados: https://www.cultura.gob.es/cultura/areas/archivos/mc/centros/cida/4-difusion-cooperacion/4-1-guias-de-lectura/guia-exilio-espanol-1939-archivos-estatales/archiveros-bibliotecarios-exiliados/luis-floren.html.","\nHerrera, H. (1974, October 11). Experto Luis Florén fue pionero del desarrollo bibliotecario del país. Listín Diario, pp. 7-A.","\nJimenez, E. G. (1987). Reseña del Desarrollo Historico de la Bibliotecologia en Santo Domingo. Santo Domingo: Biblioteca Nacional.","\nLozano Rivera, U. (2002). La Escuela Interamericana de Bibliotecología: 45 años formando líderes en la getion de la información y el conocimiento para Colombia y América Latina. Revista Interamericana de Bibliotecología, 25(2).","\nLozano Rivera, U. (2007). Escuela Interamericana de Bibliotecología, Universidad de Antioquía: Cinco Décadas Formando Líderes en la Gestión de la Información y el Conocimiento. Medellín, Colombia: Universidad de Antioquía.","\nMorales Campos, E. (2017). La Escuela Interamericana de Bibliotecología y su influencia en América Latina. Revista Interamericana de Bibliotecología, 40(2), 189-2000. doi:10.17533/udea.rib.v40n2a07.","\nMunera-Torres, T. J. (2016, Sept/Dec). La Escuela Interamericana de Bibliotecología, pionera en la formacion de profesionales de la información. Revista Interamericana de Bibliotecología, 39(3). doi:https://doi.org/10.17533/udea.rib.v39n3a03.","\nPaulino Ramos, A. (1997). Historia de la Primera Biblioteca Universitaria de Santo Domingo. Santo Domingo: Editora Universitaria de la UASD.","\nSánchez Toro, S. (2008, October 13). Luis Floren Lozano. Retrieved from Pioneros Bibliotecología: https://pionerosbibliotecologia.blogspot.com/2008/10/luis-floren-lozano.html.","\nSanchez Toro, S. A. (1974). Quien es Quien en la Bibliotecologia Colombiana. Pereira, Colombia: Unversidad Tecnologica, Departamento de Bibliotecas.","The Luis Florén Lozano Collection (1939–1973) document the distinguished career and contributions of Florén as a bibliographer, librarian, and educator in Latin America. The collection consists of 24 archival boxes and 206 folders, covering the period from 1939 to 1973. Materials include communications, letters, documents, photographs, drawings, manuscripts, news clippings, publications, and postcards. These records reflect his work as director of the library at the University of Santo Domingo (1940–1953), head of the Scientific Exchange Service at the Inter-American Center for Housing and Urban Planning (CINVA) in Bogotá, Colombia (1953–1959), and director of the Inter-American Library School (EIB) in Medellín, Colombia (1959–1973).","\nLa Colecction de Luis Florén Lozano (1939–1973) documenta la destacada carrera y contribuciones de Florén como bibliógrafo, bibliotecario y educador en América Latina. Comprende 24 cajas archivísticas y 206 carpetas, que abarcan el período de 1939 a 1973. Los materiales incluyen comunicaciones, cartas, documentos, fotografías, dibujos, manuscritos, recortes de prensa, publicaciones y postales. Estos registros reflejan su labor como director de la biblioteca de la Universidad de Santo Domingo (1940–1953), jefe del Servicio de Intercambio Científico en el Centro Interamericano de Vivienda y Planeamiento Urbano (CINVA) en Bogotá, Colombia (1953–1959), y director de la Escuela Interamericana de Bibliotecología (EIB) en Medellín, Colombia (1959–1973).","Rights. The Luis Floren Lozano Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use of research, study, and scholarship. The collection is subjected to all copyright laws.","Collections of papers, publications, documents, and letters of Luis Floren Lozano from 1912-1973.","FIU Special Collections","Spanish; Castilian"],"unitid_tesim":["SPC6020","/repositories/2/resources/129"],"normalized_date_ssm":["1939-1973"],"normalized_title_ssm":["Luis Floren Lozano Collection, 1939-1973"],"collection_title_tesim":["Luis Floren Lozano Collection, 1939-1973"],"collection_ssim":["Luis Floren Lozano Collection, 1939-1973"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Archives","Archivos","Dominican Republic","Republica Dominicana","Colombia","Latin America","America Latina"],"geogname_ssim":["Archives","Archivos","Dominican Republic","Republica Dominicana","Colombia","Latin America","America Latina"],"places_ssim":["Archives","Archivos","Dominican Republic","Republica Dominicana","Colombia","Latin America","America Latina"],"access_terms_ssm":["Rights. The Luis Floren Lozano Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use of research, study, and scholarship. The collection is subjected to all copyright laws."],"access_subjects_ssim":["Corespondencia","postcards","Letters","Cartas","Manuscripts","Manuscritos","Correspondence","Photographs","Tarjetas postales","Fotografias"],"access_subjects_ssm":["Corespondencia","postcards","Letters","Cartas","Manuscripts","Manuscritos","Correspondence","Photographs","Tarjetas postales","Fotografias"],"has_online_content_ssim":["false"],"extent_ssm":["24 boxes"],"extent_tesim":["24 boxes"],"genreform_ssim":["Letters","Cartas","Manuscripts","Manuscritos","Correspondence","Photographs","Tarjetas postales","Fotografias"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eLuis Flor\u0026#xE9;n Lozano (1913\u0026#x2013;1973) was a pioneering bibliographer, librarian, and educator whose career shaped library science in Latin America. Beginning as the director of the University of Santo Domingo Library (1940\u0026#x2013;1953), he modernized library practices in the Dominican Republic. In 1953, he became the head of the Scientific Exchange Service at the Inter-American Center for Housing and Urban Planning (CINVA) in Bogot\u0026#xE1;, Colombia, where he collaborated with notable figures in librarianship, such as Rub\u0026#xE9;n P\u0026#xE9;rez Ortiz, and played a key role in organizing the First Library Conferences. In 1959, Flor\u0026#xE9;n took on the role of Director at the Inter-American Library School (EIB) in Medell\u0026#xED;n, Colombia, leading initiatives like the establishment of the Colombian Agricultural Librarians Association (BAC) and the Latin American Association of Schools of Library and Information Sciences (ALEBCI). Throughout his career, he represented Colombia in international forums, advised on the creation of the Dominican Republic's National Library in 1969, and authored numerous articles, essays, and bibliographies.\u003c/p\u003e\n","\u003cp\u003eThe Luis Flor\u0026#xE9;n Lozano Collection (1912\u0026#x2013;1973) document his extensive contributions to librarianship and education across Latin America. This collection comprises 23 archival boxes and 204 folders, detailing his professional roles and personal pursuits. It includes communications, letters, documents, photographs, drawings, manuscripts, news clippings, publications, and postcards. These materials chronicle his work as director of the library at the University of Santo Domingo, his tenure at CINVA in Bogot\u0026#xE1;, and his leadership at EIB in Medell\u0026#xED;n. The collection also reflects Flor\u0026#xE9;n's deep intellectual and personal interests, including a personal library of approximately 6,000 volumes on Spanish, Dominican, and Colombian history, literature, art, and library science. His books often bear his custom exlibris, illustrating the lasting impact of the Spanish Civil War on his life and exile.\u003c/p\u003e\n","\u003cp\u003eSignificant components of the collection highlight his efforts to modernize library systems, foster regional collaboration, and elevate the status of library science in Colombia and Latin America. The archive also underscores his role in founding professional associations, organizing landmark conferences, and advancing the profession internationally. Portions of his personal library are housed at the Instituto Tecnol\u0026#xF3;gico de Santo Domingo (INTEC) in the Dominican Republic and Florida International University (FIU).\u003c/p\u003e\n","\u003cp\u003eThe materials within the collection provide researchers with a detailed view of Flor\u0026#xE9;n's professional legacy and the development of librarianship in Latin America. They also serve as a testament to his philosophical and artistic reflections, particularly in the context of the Spanish Civil War and its influence on his scholarly pursuits.\u003c/p\u003e\n","\u003cp\u003eLuis Flor\u0026#xE9;n Lozano (1913\u0026#x2013;1973) fue un pionero bibli\u0026#xF3;grafo, bibliotecario y educador cuya carrera transform\u0026#xF3; la bibliotecolog\u0026#xED;a en Am\u0026#xE9;rica Latina. Comenz\u0026#xF3; como director de la Biblioteca de la Universidad de Santo Domingo (1940\u0026#x2013;1953), donde moderniz\u0026#xF3; las pr\u0026#xE1;cticas bibliotecarias en la Rep\u0026#xFA;blica Dominicana. En 1953, asumi\u0026#xF3; el cargo de jefe del Servicio de Intercambio Cient\u0026#xED;fico en el Centro Interamericano de Vivienda y Planeamiento Urbano (CINVA) en Bogot\u0026#xE1;, Colombia, donde colabor\u0026#xF3; con figuras notables de la bibliotecolog\u0026#xED;a, como Rub\u0026#xE9;n P\u0026#xE9;rez Ortiz, y desempe\u0026#xF1;\u0026#xF3; un papel clave en la organizaci\u0026#xF3;n de las Primeras Jornadas Bibliotecarias. En 1959, Flor\u0026#xE9;n asumi\u0026#xF3; el cargo de director de la Escuela Interamericana de Bibliotecolog\u0026#xED;a (EIB) en Medell\u0026#xED;n, Colombia, liderando iniciativas como la creaci\u0026#xF3;n de la Asociaci\u0026#xF3;n Colombiana de Bibliotecarios Agr\u0026#xED;colas (BAC) y la Asociaci\u0026#xF3;n Latinoamericana de Escuelas de Bibliotecolog\u0026#xED;a y Ciencias de la Informaci\u0026#xF3;n (ALEBCI). A lo largo de su carrera, represent\u0026#xF3; a Colombia en foros internacionales, asesor\u0026#xF3; en la creaci\u0026#xF3;n de la Biblioteca Nacional de la Rep\u0026#xFA;blica Dominicana en 1969 y fue autor de numerosos art\u0026#xED;culos, ensayos y bibliograf\u0026#xED;as.\u003c/p\u003e\n","\u003cp\u003eLos Colecciones de Luis Flor\u0026#xE9;n Lozano (1913\u0026#x2013;1973) documentan sus extensas contribuciones a la bibliotecolog\u0026#xED;a y la educaci\u0026#xF3;n en Am\u0026#xE9;rica Latina. Esta colecci\u0026#xF3;n comprende 23 cajas archiv\u0026#xED;sticas y 204 carpetas, detallando sus roles profesionales y sus intereses personales. Incluye comunicaciones, cartas, documentos, fotograf\u0026#xED;as, dibujos, manuscritos, recortes de prensa, publicaciones y postales. Estos materiales relatan su labor como director de la biblioteca de la Universidad de Santo Domingo, su gesti\u0026#xF3;n en el CINVA en Bogot\u0026#xE1; y su liderazgo en la EIB en Medell\u0026#xED;n. La colecci\u0026#xF3;n tambi\u0026#xE9;n refleja los profundos intereses intelectuales y personales de Flor\u0026#xE9;n, incluyendo una biblioteca personal de aproximadamente 6,000 vol\u0026#xFA;menes sobre historia, literatura, arte y bibliotecolog\u0026#xED;a de Espa\u0026#xF1;a, Rep\u0026#xFA;blica Dominicana y Colombia. Muchos de sus libros incluyen un exlibris dise\u0026#xF1;ado por \u0026#xE9;l, que ilustra el impacto duradero de la Guerra Civil Espa\u0026#xF1;ola en su vida y exilio.\u003c/p\u003e\n","\u003cp\u003eComponentes significativos de la colecci\u0026#xF3;n destacan sus esfuerzos por modernizar los sistemas bibliotecarios, fomentar la colaboraci\u0026#xF3;n regional y elevar el estatus de la bibliotecolog\u0026#xED;a en Colombia y Am\u0026#xE9;rica Latina. El archivo tambi\u0026#xE9;n subraya su papel en la fundaci\u0026#xF3;n de asociaciones profesionales, la organizaci\u0026#xF3;n de conferencias emblem\u0026#xE1;ticas y el avance de la profesi\u0026#xF3;n a nivel internacional. Parte de su biblioteca personal se encuentra alojada en el Instituto Tecnol\u0026#xF3;gico de Santo Domingo (INTEC) en la Rep\u0026#xFA;blica Dominicana y en la Universidad Internacional de Florida (FIU).\u003c/p\u003e\n","\u003cp\u003eLos materiales de la colecci\u0026#xF3;n proporcionan a los investigadores una visi\u0026#xF3;n detallada del legado profesional de Flor\u0026#xE9;n y del desarrollo de la bibliotecolog\u0026#xED;a en Am\u0026#xE9;rica Latina. Tambi\u0026#xE9;n son un testimonio de sus reflexiones filos\u0026#xF3;ficas y art\u0026#xED;sticas, particularmente en el contexto de la Guerra Civil Espa\u0026#xF1;ola y su influencia en sus intereses acad\u0026#xE9;micos.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Luis Florén Lozano (1913–1973) was a pioneering bibliographer, librarian, and educator whose career shaped library science in Latin America. Beginning as the director of the University of Santo Domingo Library (1940–1953), he modernized library practices in the Dominican Republic. In 1953, he became the head of the Scientific Exchange Service at the Inter-American Center for Housing and Urban Planning (CINVA) in Bogotá, Colombia, where he collaborated with notable figures in librarianship, such as Rubén Pérez Ortiz, and played a key role in organizing the First Library Conferences. In 1959, Florén took on the role of Director at the Inter-American Library School (EIB) in Medellín, Colombia, leading initiatives like the establishment of the Colombian Agricultural Librarians Association (BAC) and the Latin American Association of Schools of Library and Information Sciences (ALEBCI). Throughout his career, he represented Colombia in international forums, advised on the creation of the Dominican Republic's National Library in 1969, and authored numerous articles, essays, and bibliographies.","The Luis Florén Lozano Collection (1912–1973) document his extensive contributions to librarianship and education across Latin America. This collection comprises 23 archival boxes and 204 folders, detailing his professional roles and personal pursuits. It includes communications, letters, documents, photographs, drawings, manuscripts, news clippings, publications, and postcards. These materials chronicle his work as director of the library at the University of Santo Domingo, his tenure at CINVA in Bogotá, and his leadership at EIB in Medellín. The collection also reflects Florén's deep intellectual and personal interests, including a personal library of approximately 6,000 volumes on Spanish, Dominican, and Colombian history, literature, art, and library science. His books often bear his custom exlibris, illustrating the lasting impact of the Spanish Civil War on his life and exile.","Significant components of the collection highlight his efforts to modernize library systems, foster regional collaboration, and elevate the status of library science in Colombia and Latin America. The archive also underscores his role in founding professional associations, organizing landmark conferences, and advancing the profession internationally. Portions of his personal library are housed at the Instituto Tecnológico de Santo Domingo (INTEC) in the Dominican Republic and Florida International University (FIU).","The materials within the collection provide researchers with a detailed view of Florén's professional legacy and the development of librarianship in Latin America. They also serve as a testament to his philosophical and artistic reflections, particularly in the context of the Spanish Civil War and its influence on his scholarly pursuits.","Luis Florén Lozano (1913–1973) fue un pionero bibliógrafo, bibliotecario y educador cuya carrera transformó la bibliotecología en América Latina. Comenzó como director de la Biblioteca de la Universidad de Santo Domingo (1940–1953), donde modernizó las prácticas bibliotecarias en la República Dominicana. En 1953, asumió el cargo de jefe del Servicio de Intercambio Científico en el Centro Interamericano de Vivienda y Planeamiento Urbano (CINVA) en Bogotá, Colombia, donde colaboró con figuras notables de la bibliotecología, como Rubén Pérez Ortiz, y desempeñó un papel clave en la organización de las Primeras Jornadas Bibliotecarias. En 1959, Florén asumió el cargo de director de la Escuela Interamericana de Bibliotecología (EIB) en Medellín, Colombia, liderando iniciativas como la creación de la Asociación Colombiana de Bibliotecarios Agrícolas (BAC) y la Asociación Latinoamericana de Escuelas de Bibliotecología y Ciencias de la Información (ALEBCI). A lo largo de su carrera, representó a Colombia en foros internacionales, asesoró en la creación de la Biblioteca Nacional de la República Dominicana en 1969 y fue autor de numerosos artículos, ensayos y bibliografías.","Los Colecciones de Luis Florén Lozano (1913–1973) documentan sus extensas contribuciones a la bibliotecología y la educación en América Latina. Esta colección comprende 23 cajas archivísticas y 204 carpetas, detallando sus roles profesionales y sus intereses personales. Incluye comunicaciones, cartas, documentos, fotografías, dibujos, manuscritos, recortes de prensa, publicaciones y postales. Estos materiales relatan su labor como director de la biblioteca de la Universidad de Santo Domingo, su gestión en el CINVA en Bogotá y su liderazgo en la EIB en Medellín. La colección también refleja los profundos intereses intelectuales y personales de Florén, incluyendo una biblioteca personal de aproximadamente 6,000 volúmenes sobre historia, literatura, arte y bibliotecología de España, República Dominicana y Colombia. Muchos de sus libros incluyen un exlibris diseñado por él, que ilustra el impacto duradero de la Guerra Civil Española en su vida y exilio.","Componentes significativos de la colección destacan sus esfuerzos por modernizar los sistemas bibliotecarios, fomentar la colaboración regional y elevar el estatus de la bibliotecología en Colombia y América Latina. El archivo también subraya su papel en la fundación de asociaciones profesionales, la organización de conferencias emblemáticas y el avance de la profesión a nivel internacional. Parte de su biblioteca personal se encuentra alojada en el Instituto Tecnológico de Santo Domingo (INTEC) en la República Dominicana y en la Universidad Internacional de Florida (FIU).","Los materiales de la colección proporcionan a los investigadores una visión detallada del legado profesional de Florén y del desarrollo de la bibliotecología en América Latina. También son un testimonio de sus reflexiones filosóficas y artísticas, particularmente en el contexto de la Guerra Civil Española y su influencia en sus intereses académicos."],"relatedmaterial_html_tesm":["\u003cp\u003eBlasco, J. (2016, January 1). Don Luis Flor\u0026#xE9;n Lozano. Retrieved from Ateca: Protagonistas de su Historia: https://historiadeateca.wordpress.com/2016/05/15/don-luis-floren-lozano/.\u003c/p\u003e\n","\u003cp\u003e\nEstatales, M. d.-S. (Ed.). (2019). Luis Flor\u0026#xE9;n Lozano. Retrieved 2024, from Gu\u0026#xED;a del Exilio Espa\u0026#xF1;ol de 1939 en los Archivos Estatales: Archiveros y Bibliotecarios Exiliados: https://www.cultura.gob.es/cultura/areas/archivos/mc/centros/cida/4-difusion-cooperacion/4-1-guias-de-lectura/guia-exilio-espanol-1939-archivos-estatales/archiveros-bibliotecarios-exiliados/luis-floren.html.\u003c/p\u003e\n","\u003cp\u003e\nHerrera, H. (1974, October 11). Experto Luis Flor\u0026#xE9;n fue pionero del desarrollo bibliotecario del pa\u0026#xED;s. List\u0026#xED;n Diario, pp. 7-A.\u003c/p\u003e\n","\u003cp\u003e\nJimenez, E. G. (1987). Rese\u0026#xF1;a del Desarrollo Historico de la Bibliotecologia en Santo Domingo. Santo Domingo: Biblioteca Nacional.\u003c/p\u003e\n","\u003cp\u003e\nLozano Rivera, U. (2002). La Escuela Interamericana de Bibliotecolog\u0026#xED;a: 45 a\u0026#xF1;os formando l\u0026#xED;deres en la getion de la informaci\u0026#xF3;n y el conocimiento para Colombia y Am\u0026#xE9;rica Latina. Revista Interamericana de Bibliotecolog\u0026#xED;a, 25(2).\u003c/p\u003e\n","\u003cp\u003e\nLozano Rivera, U. (2007). Escuela Interamericana de Bibliotecolog\u0026#xED;a, Universidad de Antioqu\u0026#xED;a: Cinco D\u0026#xE9;cadas Formando L\u0026#xED;deres en la Gesti\u0026#xF3;n de la Informaci\u0026#xF3;n y el Conocimiento. Medell\u0026#xED;n, Colombia: Universidad de Antioqu\u0026#xED;a.\u003c/p\u003e\n","\u003cp\u003e\nMorales Campos, E. (2017). La Escuela Interamericana de Bibliotecolog\u0026#xED;a y su influencia en Am\u0026#xE9;rica Latina. Revista Interamericana de Bibliotecolog\u0026#xED;a, 40(2), 189-2000. doi:10.17533/udea.rib.v40n2a07.\u003c/p\u003e\n","\u003cp\u003e\nMunera-Torres, T. J. (2016, Sept/Dec). La Escuela Interamericana de Bibliotecolog\u0026#xED;a, pionera en la formacion de profesionales de la informaci\u0026#xF3;n. Revista Interamericana de Bibliotecolog\u0026#xED;a, 39(3). doi:https://doi.org/10.17533/udea.rib.v39n3a03.\u003c/p\u003e\n","\u003cp\u003e\nPaulino Ramos, A. (1997). Historia de la Primera Biblioteca Universitaria de Santo Domingo. Santo Domingo: Editora Universitaria de la UASD.\u003c/p\u003e\n","\u003cp\u003e\nS\u0026#xE1;nchez Toro, S. (2008, October 13). Luis Floren Lozano. Retrieved from Pioneros Bibliotecolog\u0026#xED;a: https://pionerosbibliotecologia.blogspot.com/2008/10/luis-floren-lozano.html.\u003c/p\u003e\n","\u003cp\u003e\nSanchez Toro, S. A. (1974). Quien es Quien en la Bibliotecologia Colombiana. Pereira, Colombia: Unversidad Tecnologica, Departamento de Bibliotecas.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Blasco, J. (2016, January 1). Don Luis Florén Lozano. Retrieved from Ateca: Protagonistas de su Historia: https://historiadeateca.wordpress.com/2016/05/15/don-luis-floren-lozano/.","\nEstatales, M. d.-S. (Ed.). (2019). Luis Florén Lozano. Retrieved 2024, from Guía del Exilio Español de 1939 en los Archivos Estatales: Archiveros y Bibliotecarios Exiliados: https://www.cultura.gob.es/cultura/areas/archivos/mc/centros/cida/4-difusion-cooperacion/4-1-guias-de-lectura/guia-exilio-espanol-1939-archivos-estatales/archiveros-bibliotecarios-exiliados/luis-floren.html.","\nHerrera, H. (1974, October 11). Experto Luis Florén fue pionero del desarrollo bibliotecario del país. Listín Diario, pp. 7-A.","\nJimenez, E. G. (1987). Reseña del Desarrollo Historico de la Bibliotecologia en Santo Domingo. Santo Domingo: Biblioteca Nacional.","\nLozano Rivera, U. (2002). La Escuela Interamericana de Bibliotecología: 45 años formando líderes en la getion de la información y el conocimiento para Colombia y América Latina. Revista Interamericana de Bibliotecología, 25(2).","\nLozano Rivera, U. (2007). Escuela Interamericana de Bibliotecología, Universidad de Antioquía: Cinco Décadas Formando Líderes en la Gestión de la Información y el Conocimiento. Medellín, Colombia: Universidad de Antioquía.","\nMorales Campos, E. (2017). La Escuela Interamericana de Bibliotecología y su influencia en América Latina. Revista Interamericana de Bibliotecología, 40(2), 189-2000. doi:10.17533/udea.rib.v40n2a07.","\nMunera-Torres, T. J. (2016, Sept/Dec). La Escuela Interamericana de Bibliotecología, pionera en la formacion de profesionales de la información. Revista Interamericana de Bibliotecología, 39(3). doi:https://doi.org/10.17533/udea.rib.v39n3a03.","\nPaulino Ramos, A. (1997). Historia de la Primera Biblioteca Universitaria de Santo Domingo. Santo Domingo: Editora Universitaria de la UASD.","\nSánchez Toro, S. (2008, October 13). Luis Floren Lozano. Retrieved from Pioneros Bibliotecología: https://pionerosbibliotecologia.blogspot.com/2008/10/luis-floren-lozano.html.","\nSanchez Toro, S. A. (1974). Quien es Quien en la Bibliotecologia Colombiana. Pereira, Colombia: Unversidad Tecnologica, Departamento de Bibliotecas."],"scopecontent_html_tesm":["\u003cp\u003eThe Luis Flor\u0026#xE9;n Lozano Collection (1939\u0026#x2013;1973) document the distinguished career and contributions of Flor\u0026#xE9;n as a bibliographer, librarian, and educator in Latin America. The collection consists of 24 archival boxes and 206 folders, covering the period from 1939 to 1973. Materials include communications, letters, documents, photographs, drawings, manuscripts, news clippings, publications, and postcards. These records reflect his work as director of the library at the University of Santo Domingo (1940\u0026#x2013;1953), head of the Scientific Exchange Service at the Inter-American Center for Housing and Urban Planning (CINVA) in Bogot\u0026#xE1;, Colombia (1953\u0026#x2013;1959), and director of the Inter-American Library School (EIB) in Medell\u0026#xED;n, Colombia (1959\u0026#x2013;1973).\u003c/p\u003e\n","\u003cp\u003e\nLa Colecction de Luis Flor\u0026#xE9;n Lozano (1939\u0026#x2013;1973) documenta la destacada carrera y contribuciones de Flor\u0026#xE9;n como bibli\u0026#xF3;grafo, bibliotecario y educador en Am\u0026#xE9;rica Latina. Comprende 24 cajas archiv\u0026#xED;sticas y 206 carpetas, que abarcan el per\u0026#xED;odo de 1939 a 1973. Los materiales incluyen comunicaciones, cartas, documentos, fotograf\u0026#xED;as, dibujos, manuscritos, recortes de prensa, publicaciones y postales. Estos registros reflejan su labor como director de la biblioteca de la Universidad de Santo Domingo (1940\u0026#x2013;1953), jefe del Servicio de Intercambio Cient\u0026#xED;fico en el Centro Interamericano de Vivienda y Planeamiento Urbano (CINVA) en Bogot\u0026#xE1;, Colombia (1953\u0026#x2013;1959), y director de la Escuela Interamericana de Bibliotecolog\u0026#xED;a (EIB) en Medell\u0026#xED;n, Colombia (1959\u0026#x2013;1973).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Luis Florén Lozano Collection (1939–1973) document the distinguished career and contributions of Florén as a bibliographer, librarian, and educator in Latin America. The collection consists of 24 archival boxes and 206 folders, covering the period from 1939 to 1973. Materials include communications, letters, documents, photographs, drawings, manuscripts, news clippings, publications, and postcards. These records reflect his work as director of the library at the University of Santo Domingo (1940–1953), head of the Scientific Exchange Service at the Inter-American Center for Housing and Urban Planning (CINVA) in Bogotá, Colombia (1953–1959), and director of the Inter-American Library School (EIB) in Medellín, Colombia (1959–1973).","\nLa Colecction de Luis Florén Lozano (1939–1973) documenta la destacada carrera y contribuciones de Florén como bibliógrafo, bibliotecario y educador en América Latina. Comprende 24 cajas archivísticas y 206 carpetas, que abarcan el período de 1939 a 1973. Los materiales incluyen comunicaciones, cartas, documentos, fotografías, dibujos, manuscritos, recortes de prensa, publicaciones y postales. Estos registros reflejan su labor como director de la biblioteca de la Universidad de Santo Domingo (1940–1953), jefe del Servicio de Intercambio Científico en el Centro Interamericano de Vivienda y Planeamiento Urbano (CINVA) en Bogotá, Colombia (1953–1959), y director de la Escuela Interamericana de Bibliotecología (EIB) en Medellín, Colombia (1959–1973)."],"userestrict_html_tesm":["\u003cp\u003eRights. The Luis Floren Lozano Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use of research, study, and scholarship. The collection is subjected to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Luis Floren Lozano Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use of research, study, and scholarship. The collection is subjected to all copyright laws."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fe8b5d0375f02bedbee28ed445cf850b\"\u003eCollections of papers, publications, documents, and letters of Luis Floren Lozano from 1912-1973.\u003c/abstract\u003e"],"abstract_tesim":["Collections of papers, publications, documents, and letters of Luis Floren Lozano from 1912-1973."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["Spanish; Castilian"],"total_component_count_is":236,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"30ac6318a4b4d45f23587ceb","timestamp":"2026-07-11T02:08:24.530Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/30ac6318a4b4d45f23587ceb_aspace_67ab020899c2d8e24b4c4bad6728a33f"}},{"id":"725898a1a41349eb30ec365d_aspace_199cddf21a4a18a91695c5445fee7387","type":"File","attributes":{"title":"Communist Era (1 of 4), 1960-2006, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_199cddf21a4a18a91695c5445fee7387#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_199cddf21a4a18a91695c5445fee7387","ref_ssm":["aspace_199cddf21a4a18a91695c5445fee7387","aspace_199cddf21a4a18a91695c5445fee7387"],"id":"725898a1a41349eb30ec365d_aspace_199cddf21a4a18a91695c5445fee7387","title_filing_ssi":"Communist Era (1 of 4)","title_ssm":["Communist Era (1 of 4)"],"title_tesim":["Communist Era (1 of 4)"],"unitdate_inclusive_ssm":["1960-2006, Undated"],"normalized_date_ssm":["1960-2006, Undated"],"normalized_title_ssm":["Communist Era (1 of 4), 1960-2006, Undated"],"text":["Communist Era (1 of 4), 1960-2006, Undated","José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated","Folder 11","/repositories/4/archival_objects/53980","box 7","folder 11"],"component_level_isim":[2],"parent_ids_ssim":["725898a1a41349eb30ec365d","725898a1a41349eb30ec365d_aspace_e0da8a351e89d497ae16650ae623f50e"],"parent_unittitles_ssm":["José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated"],"parent_unittitles_tesim":["José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 11","/repositories/4/archival_objects/53980"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":102,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"containers_ssim":["box 7","folder 11"],"_nest_path_":"/components#1/components#3","_nest_parent_":"725898a1a41349eb30ec365d_aspace_e0da8a351e89d497ae16650ae623f50e","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_199cddf21a4a18a91695c5445fee7387"}},{"id":"725898a1a41349eb30ec365d_aspace_cad6600c584f2247e8cfe7180e9ff7cb","type":"File","attributes":{"title":"Communist Era (2 of 4), 1939-2004, Undated, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_cad6600c584f2247e8cfe7180e9ff7cb#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_cad6600c584f2247e8cfe7180e9ff7cb","ref_ssm":["aspace_cad6600c584f2247e8cfe7180e9ff7cb","aspace_cad6600c584f2247e8cfe7180e9ff7cb"],"id":"725898a1a41349eb30ec365d_aspace_cad6600c584f2247e8cfe7180e9ff7cb","title_filing_ssi":"Communist Era (2 of 4)","title_ssm":["Communist Era (2 of 4)"],"title_tesim":["Communist Era (2 of 4)"],"unitdate_inclusive_ssm":["1939-2004, Undated, Undated"],"normalized_date_ssm":["1939-2004, Undated, Undated"],"normalized_title_ssm":["Communist Era (2 of 4), 1939-2004, Undated, Undated"],"text":["Communist Era (2 of 4), 1939-2004, Undated, Undated","José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated","Folder 12","/repositories/4/archival_objects/53981","box 7","folder 12"],"component_level_isim":[2],"parent_ids_ssim":["725898a1a41349eb30ec365d","725898a1a41349eb30ec365d_aspace_e0da8a351e89d497ae16650ae623f50e"],"parent_unittitles_ssm":["José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated"],"parent_unittitles_tesim":["José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 12","/repositories/4/archival_objects/53981"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":103,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"containers_ssim":["box 7","folder 12"],"_nest_path_":"/components#1/components#4","_nest_parent_":"725898a1a41349eb30ec365d_aspace_e0da8a351e89d497ae16650ae623f50e","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_cad6600c584f2247e8cfe7180e9ff7cb"}},{"id":"725898a1a41349eb30ec365d_aspace_adc28726cd7a0b8371986f8d2e7938dc","type":"File","attributes":{"title":"Communist Era (4 of 4), 1960-2002, Undated, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_adc28726cd7a0b8371986f8d2e7938dc#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_adc28726cd7a0b8371986f8d2e7938dc","ref_ssm":["aspace_adc28726cd7a0b8371986f8d2e7938dc","aspace_adc28726cd7a0b8371986f8d2e7938dc"],"id":"725898a1a41349eb30ec365d_aspace_adc28726cd7a0b8371986f8d2e7938dc","title_filing_ssi":"Communist Era (4 of 4)","title_ssm":["Communist Era (4 of 4)"],"title_tesim":["Communist Era (4 of 4)"],"unitdate_inclusive_ssm":["1960-2002, Undated, Undated"],"normalized_date_ssm":["1960-2002, Undated, Undated"],"normalized_title_ssm":["Communist Era (4 of 4), 1960-2002, Undated, Undated"],"text":["Communist Era (4 of 4), 1960-2002, Undated, Undated","José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated","Folder 14","/repositories/4/archival_objects/53983","box 7","folder 14"],"component_level_isim":[2],"parent_ids_ssim":["725898a1a41349eb30ec365d","725898a1a41349eb30ec365d_aspace_e0da8a351e89d497ae16650ae623f50e"],"parent_unittitles_ssm":["José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated"],"parent_unittitles_tesim":["José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 14","/repositories/4/archival_objects/53983"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":105,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"containers_ssim":["box 7","folder 14"],"_nest_path_":"/components#1/components#6","_nest_parent_":"725898a1a41349eb30ec365d_aspace_e0da8a351e89d497ae16650ae623f50e","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_adc28726cd7a0b8371986f8d2e7938dc"}},{"id":"7db756b3b540c8b2a995ba4e","type":"collection","attributes":{"title":"Concert Lecture Series, 1964-1970","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/7db756b3b540c8b2a995ba4e#creator","type":"document_value","attributes":{"value":["Florida Southern College"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/7db756b3b540c8b2a995ba4e#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection contains flyers and photographs related to the production of the Concert Lecture Series.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7db756b3b540c8b2a995ba4e#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"7db756b3b540c8b2a995ba4e","title_ssm":["Concert Lecture Series"],"title_tesim":["Concert Lecture Series"],"ead_ssi":"7db756b3b540c8b2a995ba4e","unitdate_ssm":["1964-1970"],"unitdate_inclusive_ssm":["1964-1970"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["CA8010","/repositories/4/resources/50"],"text":["CA8010","/repositories/4/resources/50","Concert Lecture Series, 1964-1970","Concert series—Florida—Lakeland.","Lectures—Florida—Lakeland.","Brochures—Florida—Lakeland.","Von Trapp, Maria, 1905-1987—Archives.","Holbrook, Hal, 1925-2021—Archives.","Concert programs—Florida—Lakeland.","Photographs—Florida—Lakeland.","Brochures.","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials","These materials have been arranged by ascending date","The Concert Lecture Series at Florida Southern College was a predecessor to the Festival of Fine Arts. The Lecture Series invited renowned artists from around the world, such as Baroness Maria von Trapp (of The Sound of Music fame), Hal Holbrook, and The Vienna Choir. The series also featured performences by Florida Southern College students and faculty.","This collection contains flyers and photographs related to the production of the Concert Lecture Series.","The Concert Lecture Series records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","The Florida Southern College Archives","Florida Southern College","English"],"unitid_tesim":["CA8010","/repositories/4/resources/50"],"normalized_date_ssm":["1964-1970"],"normalized_title_ssm":["Concert Lecture Series, 1964-1970"],"collection_title_tesim":["Concert Lecture Series, 1964-1970"],"collection_ssim":["Concert Lecture Series, 1964-1970"],"repository_ssm":["The Florida Southern College Archives"],"repository_ssim":["The Florida Southern College Archives"],"geogname_ssm":["Concert series—Florida—Lakeland.","Lectures—Florida—Lakeland.","Brochures—Florida—Lakeland."],"geogname_ssim":["Concert series—Florida—Lakeland.","Lectures—Florida—Lakeland.","Brochures—Florida—Lakeland."],"creator_ssm":["Florida Southern College"],"creator_ssim":["Florida Southern College"],"creator_corpname_ssim":["Florida Southern College"],"creators_ssim":["Florida Southern College"],"places_ssim":["Concert series—Florida—Lakeland.","Lectures—Florida—Lakeland.","Brochures—Florida—Lakeland."],"access_terms_ssm":["The Concert Lecture Series records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["The materials in this collection were transferred to the archives from the college fine arts department."],"access_subjects_ssim":["Von Trapp, Maria, 1905-1987—Archives.","Holbrook, Hal, 1925-2021—Archives.","Concert programs—Florida—Lakeland.","Photographs—Florida—Lakeland.","Brochures."],"access_subjects_ssm":["Von Trapp, Maria, 1905-1987—Archives.","Holbrook, Hal, 1925-2021—Archives.","Concert programs—Florida—Lakeland.","Photographs—Florida—Lakeland.","Brochures."],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet 1 Five Inch Standard Letter Archival Container"],"extent_tesim":["0.5 Linear Feet 1 Five Inch Standard Letter Archival Container"],"genreform_ssim":["Concert programs—Florida—Lakeland.","Photographs—Florida—Lakeland.","Brochures."],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"arrangement_html_tesm":["\u003cp\u003eThese materials have been arranged by ascending date\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["These materials have been arranged by ascending date"],"bioghist_html_tesm":["\u003cp\u003eThe Concert Lecture Series at Florida Southern College was a predecessor to the Festival of Fine Arts. The Lecture Series invited renowned artists from around the world, such as Baroness Maria von Trapp (of The Sound of Music fame), Hal Holbrook, and The Vienna Choir. The series also featured performences by Florida Southern College students and faculty.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Concert Lecture Series at Florida Southern College was a predecessor to the Festival of Fine Arts. The Lecture Series invited renowned artists from around the world, such as Baroness Maria von Trapp (of The Sound of Music fame), Hal Holbrook, and The Vienna Choir. The series also featured performences by Florida Southern College students and faculty."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains flyers and photographs related to the production of the Concert Lecture Series.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains flyers and photographs related to the production of the Concert Lecture Series."],"userestrict_html_tesm":["\u003cp\u003eThe Concert Lecture Series records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Concert Lecture Series records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["The Florida Southern College Archives","Florida Southern College"],"corpname_ssim":["The Florida Southern College Archives","Florida Southern College"],"language_ssim":["English"],"total_component_count_is":46,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"7db756b3b540c8b2a995ba4e","timestamp":"2026-04-21T02:13:56.037Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"7db756b3b540c8b2a995ba4e","title_ssm":["Concert Lecture Series"],"title_tesim":["Concert Lecture Series"],"ead_ssi":"7db756b3b540c8b2a995ba4e","unitdate_ssm":["1964-1970"],"unitdate_inclusive_ssm":["1964-1970"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["CA8010","/repositories/4/resources/50"],"text":["CA8010","/repositories/4/resources/50","Concert Lecture Series, 1964-1970","Concert series—Florida—Lakeland.","Lectures—Florida—Lakeland.","Brochures—Florida—Lakeland.","Von Trapp, Maria, 1905-1987—Archives.","Holbrook, Hal, 1925-2021—Archives.","Concert programs—Florida—Lakeland.","Photographs—Florida—Lakeland.","Brochures.","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials","These materials have been arranged by ascending date","The Concert Lecture Series at Florida Southern College was a predecessor to the Festival of Fine Arts. The Lecture Series invited renowned artists from around the world, such as Baroness Maria von Trapp (of The Sound of Music fame), Hal Holbrook, and The Vienna Choir. The series also featured performences by Florida Southern College students and faculty.","This collection contains flyers and photographs related to the production of the Concert Lecture Series.","The Concert Lecture Series records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","The Florida Southern College Archives","Florida Southern College","English"],"unitid_tesim":["CA8010","/repositories/4/resources/50"],"normalized_date_ssm":["1964-1970"],"normalized_title_ssm":["Concert Lecture Series, 1964-1970"],"collection_title_tesim":["Concert Lecture Series, 1964-1970"],"collection_ssim":["Concert Lecture Series, 1964-1970"],"repository_ssm":["The Florida Southern College Archives"],"repository_ssim":["The Florida Southern College Archives"],"geogname_ssm":["Concert series—Florida—Lakeland.","Lectures—Florida—Lakeland.","Brochures—Florida—Lakeland."],"geogname_ssim":["Concert series—Florida—Lakeland.","Lectures—Florida—Lakeland.","Brochures—Florida—Lakeland."],"creator_ssm":["Florida Southern College"],"creator_ssim":["Florida Southern College"],"creator_corpname_ssim":["Florida Southern College"],"creators_ssim":["Florida Southern College"],"places_ssim":["Concert series—Florida—Lakeland.","Lectures—Florida—Lakeland.","Brochures—Florida—Lakeland."],"access_terms_ssm":["The Concert Lecture Series records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["The materials in this collection were transferred to the archives from the college fine arts department."],"access_subjects_ssim":["Von Trapp, Maria, 1905-1987—Archives.","Holbrook, Hal, 1925-2021—Archives.","Concert programs—Florida—Lakeland.","Photographs—Florida—Lakeland.","Brochures."],"access_subjects_ssm":["Von Trapp, Maria, 1905-1987—Archives.","Holbrook, Hal, 1925-2021—Archives.","Concert programs—Florida—Lakeland.","Photographs—Florida—Lakeland.","Brochures."],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet 1 Five Inch Standard Letter Archival Container"],"extent_tesim":["0.5 Linear Feet 1 Five Inch Standard Letter Archival Container"],"genreform_ssim":["Concert programs—Florida—Lakeland.","Photographs—Florida—Lakeland.","Brochures."],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"arrangement_html_tesm":["\u003cp\u003eThese materials have been arranged by ascending date\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["These materials have been arranged by ascending date"],"bioghist_html_tesm":["\u003cp\u003eThe Concert Lecture Series at Florida Southern College was a predecessor to the Festival of Fine Arts. The Lecture Series invited renowned artists from around the world, such as Baroness Maria von Trapp (of The Sound of Music fame), Hal Holbrook, and The Vienna Choir. The series also featured performences by Florida Southern College students and faculty.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Concert Lecture Series at Florida Southern College was a predecessor to the Festival of Fine Arts. 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For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Concert Lecture Series records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. 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Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"date_range_isim":[1965,1966],"language_ssim":["Italian"],"containers_ssim":["box 3","folder 45"],"_nest_path_":"/components#2/components#0/components#44","_nest_parent_":"3018d7acc866cce1e2f00be2_aspace_85bfd70445dbe1443eb3f00d8e405a1a","_root_":"3018d7acc866cce1e2f00be2","timestamp":"2026-04-29T02:04:07.331Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3018d7acc866cce1e2f00be2","title_ssm":["Mickey Wolfson Theater Collection"],"title_tesim":["Mickey Wolfson Theater Collection"],"ead_ssi":"3018d7acc866cce1e2f00be2","unitdate_ssm":["1946-2015"],"unitdate_inclusive_ssm":["1946-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8095","/repositories/2/resources/80"],"text":["SPC8095","/repositories/2/resources/80","Mickey Wolfson Theater Collection, 1946-2015","Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. ","There is one sub-series under U.S. Arts entitled Arts in Florida.","Materials are in alphabetical and date order.","Mitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906– May 9, 1980) and Mitchell Wolfson (1900–1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963–1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. ","\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts Décoratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. ","\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)","The materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana.","The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","Language of materials is in English unless otherwise noted.","FIU Special Collections","Mitchell \"Mickey\" Wolfson, Jr., b.1939","Afrikaans Arabic Bulgarian Chinese Croatian Czech Danish English Finnish French German Italian Japanese Latin Malay Polish Romanian; Moldavian; Moldovan Russian Slovak Swedish"],"unitid_tesim":["SPC8095","/repositories/2/resources/80"],"normalized_date_ssm":["1946-2015"],"normalized_title_ssm":["Mickey Wolfson Theater Collection, 1946-2015"],"collection_title_tesim":["Mickey Wolfson Theater Collection, 1946-2015"],"collection_ssim":["Mickey Wolfson Theater Collection, 1946-2015"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creator_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creator_persname_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creators_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"access_terms_ssm":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Mickey Wolfson"],"access_subjects_ssim":["Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills"],"access_subjects_ssm":["Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills"],"has_online_content_ssim":["false"],"extent_ssm":["18.33 Linear Feet"],"extent_tesim":["18.33 Linear Feet"],"physfacet_tesim":["44 5\" document cases"],"genreform_ssim":["Playbills"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. \u003c/p\u003e\n","\u003cp\u003eThere is one sub-series under U.S. Arts entitled Arts in Florida.\u003c/p\u003e\n","\u003cp\u003eMaterials are in alphabetical and date order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. ","There is one sub-series under U.S. Arts entitled Arts in Florida.","Materials are in alphabetical and date order."],"bioghist_html_tesm":["\u003cp\u003eMitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906\u0026#x2013; May 9, 1980) and Mitchell Wolfson (1900\u0026#x2013;1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963\u0026#x2013;1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. \u003c/p\u003e\n","\u003cp\u003eCollector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. \u003c/p\u003e\n","\u003cp\u003eIn 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. \u003c/p\u003e\n","\u003cp\u003e\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts D\u0026#xE9;coratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. \u003c/p\u003e\n","\u003cp\u003e\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Mitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906– May 9, 1980) and Mitchell Wolfson (1900–1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963–1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. ","\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts Décoratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. ","\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)"],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana."],"userestrict_html_tesm":["\u003cp\u003eThe Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_7e877df1254b1c8344c609e6bb627e19\"\u003eLanguage of materials is in English unless otherwise noted.\u003c/materialspec\u003e"],"materialspec_tesim":["Language of materials is in English unless otherwise noted."],"names_ssim":["FIU Special Collections","Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"language_ssim":["Afrikaans Arabic Bulgarian Chinese Croatian Czech Danish English Finnish French German Italian Japanese Latin Malay Polish Romanian; Moldavian; Moldovan Russian Slovak Swedish"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1292,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3018d7acc866cce1e2f00be2","timestamp":"2026-04-29T02:04:07.331Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3018d7acc866cce1e2f00be2_aspace_b6f015fb73328217ffd2542cbe564d5d"}},{"id":"fcab20b88f8ed86bfbd56dc2_aspace_47dcb607dd2441f0fb5d568b32f0da71","type":"File","attributes":{"title":"Concert Programs, Circa 1960 - 1973","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/fcab20b88f8ed86bfbd56dc2_aspace_47dcb607dd2441f0fb5d568b32f0da71#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_47dcb607dd2441f0fb5d568b32f0da71","ref_ssm":["aspace_47dcb607dd2441f0fb5d568b32f0da71","aspace_47dcb607dd2441f0fb5d568b32f0da71"],"id":"fcab20b88f8ed86bfbd56dc2_aspace_47dcb607dd2441f0fb5d568b32f0da71","title_filing_ssi":"Concert Programs","title_ssm":["Concert Programs"],"title_tesim":["Concert Programs"],"unitdate_inclusive_ssm":["Circa 1960 - 1973"],"normalized_date_ssm":["Circa 1960 - 1973"],"normalized_title_ssm":["Concert Programs, Circa 1960 - 1973"],"text":["Concert Programs, Circa 1960 - 1973","Easter Lily Gates Collection, 1898-1982","Printed Materials, Circa 1920-1981","Programs, Circa 1940-1981","/repositories/4/archival_objects/4155","box 20","folder 404"],"component_level_isim":[3],"parent_ids_ssim":["fcab20b88f8ed86bfbd56dc2","fcab20b88f8ed86bfbd56dc2_aspace_021200e575e98dc61956719ecac93400","fcab20b88f8ed86bfbd56dc2_aspace_37d812f4c9b4c9ffc93e2bdeca0bcf73"],"parent_unittitles_ssm":["Easter Lily Gates Collection, 1898-1982","Printed Materials, Circa 1920-1981","Programs, Circa 1940-1981"],"parent_unittitles_tesim":["Easter Lily Gates Collection, 1898-1982","Printed Materials, Circa 1920-1981","Programs, Circa 1940-1981"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/4155"],"repository_ssim":["Broward County Historical Archives"],"collection_ssim":["Easter Lily Gates Collection, 1898-1982"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":433,"parent_access_terms_tesm":["The Easter Lily Gates Collection is open for research."],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973],"containers_ssim":["box 20","folder 404"],"_nest_path_":"/components#3/components#3/components#6","_nest_parent_":"fcab20b88f8ed86bfbd56dc2_aspace_37d812f4c9b4c9ffc93e2bdeca0bcf73","_root_":"fcab20b88f8ed86bfbd56dc2","_version_":1875370525482549248,"timestamp":"2026-09-04T03:31:43.893Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"fcab20b88f8ed86bfbd56dc2","title_filing_ssi":"Gates, Easter Lily Collection","title_ssm":["Easter Lily Gates Collection"],"title_tesim":["Easter Lily Gates Collection"],"ead_ssi":"fcab20b88f8ed86bfbd56dc2","unitdate_ssm":["1898-1982"],"unitdate_inclusive_ssm":["1898-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.2021.1","/repositories/4/resources/179"],"text":["BCHA.2021.1","/repositories/4/resources/179","Easter Lily Gates Collection, 1898-1982","Broward County (Fla.)","Gates, Easter Lily, 1889-1985 -- Correspondence","Broward County (Fla.). Board of County Commissioners","Voter registration -- Florida -- Broward County","Voting -- Florida -- Broward County","Elections -- Florida -- Broward County","Photographs","Hats","Programs","Maps","Certificates","The collection is arranged into 6 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Printed Materials, Series V. Awards, and Series VI. Ephemera.","Easter Lily Biblo Gates was born on April 21, 1889, in Des Moines, Iowa to parents Elijah and Etta Biblo. Easter Lily Gates travelled west with her family by covered wagon to Utah and Nevada. She made hats as a store clerk at 17 years old. On January 20, 1910, she married George Peter Gates.","Easter and George Gates moved to Fort Lauderdale, Florida in 1918. They had two sons named Robert and Theodore. In 1926, Easter Lily saved her family in a severe hurricane by carrying her husband and two sons to the second floor of their home; they lost everything they owned and two weeks later her husband died from anemia. To provide for her children, Gates became Broward County's first female bus driver. In 1928, she ran for and won the  Supervisor of Elections job.  She maintained this position for 40 years, from 1929 to 1969. Easter Lily Gates registered Broward County's first Seminole and African-American voters.","Easter Lily Gates retired in 1969 at 80 years old. At 92 years old, she moved to Tampa, Florida and Thomasville, Georgia to live with her sons. Easter Lily Gates entered a nursing home in Tampa before her death. She died in February 1985.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Easter Lily Gates Collection in the Broward County Library Digital Archives.","The Easter Lily Gates Collection contains correspondence, photographs, printed materials, maps, prayer books, awards, political and election materials documenting the professional and personal life of Easter Lily Gates.","The Easter Lily Gates Collection is open for research."," Broward County Historical Archives","English"],"unitid_tesim":["BCHA.2021.1","/repositories/4/resources/179"],"normalized_date_ssm":["1898-1982"],"normalized_title_ssm":["Easter Lily Gates Collection, 1898-1982"],"collection_title_tesim":["Easter Lily Gates Collection, 1898-1982"],"collection_ssim":["Easter Lily Gates Collection, 1898-1982"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"geogname_ssm":["Broward County (Fla.)"],"geogname_ssim":["Broward County (Fla.)"],"places_ssim":["Broward County (Fla.)"],"access_terms_ssm":["The Easter Lily Gates Collection is open for research."],"access_subjects_ssim":["Gates, Easter Lily, 1889-1985 -- Correspondence","Broward County (Fla.). 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In 1926, Easter Lily saved her family in a severe hurricane by carrying her husband and two sons to the second floor of their home; they lost everything they owned and two weeks later her husband died from anemia. To provide for her children, Gates became Broward County's first female bus driver. In 1928, she ran for and won the  Supervisor of Elections job.  She maintained this position for 40 years, from 1929 to 1969. Easter Lily Gates registered Broward County's first Seminole and African-American voters.\u003c/p\u003e\n","\u003cp\u003eEaster Lily Gates retired in 1969 at 80 years old. At 92 years old, she moved to Tampa, Florida and Thomasville, Georgia to live with her sons. Easter Lily Gates entered a nursing home in Tampa before her death. She died in February 1985.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Easter Lily Biblo Gates was born on April 21, 1889, in Des Moines, Iowa to parents Elijah and Etta Biblo. 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