{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1966\u0026page=184","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1966\u0026page=183","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1966\u0026page=185","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1966\u0026page=443"},"meta":{"pages":{"current_page":184,"next_page":185,"prev_page":183,"total_pages":443,"limit_value":10,"offset_value":1830,"total_count":4430,"first_page?":false,"last_page?":false}},"data":[{"id":"5c664f35ba84cce3023f6a62_aspace_09f3f4a53133b2b67da3a3c3834b0ac3","type":"File","attributes":{"title":"Graham, Richard, 1966","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_09f3f4a53133b2b67da3a3c3834b0ac3#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_09f3f4a53133b2b67da3a3c3834b0ac3","ref_ssm":["aspace_09f3f4a53133b2b67da3a3c3834b0ac3","aspace_09f3f4a53133b2b67da3a3c3834b0ac3"],"id":"5c664f35ba84cce3023f6a62_aspace_09f3f4a53133b2b67da3a3c3834b0ac3","title_filing_ssi":"Graham, Richard","title_ssm":["Graham, Richard"],"title_tesim":["Graham, Richard"],"unitdate_inclusive_ssm":["1966"],"normalized_date_ssm":["1966"],"normalized_title_ssm":["Graham, Richard, 1966"],"text":["Graham, Richard, 1966","Niara Sudarkasa Collection, 1934-2006","Writings by others","/repositories/2/archival_objects/29402","Box 56","folder 9"],"component_level_isim":[2],"parent_ids_ssim":["5c664f35ba84cce3023f6a62","5c664f35ba84cce3023f6a62_aspace_60421e776c845bf7cd0dc7e916c56d99"],"parent_unittitles_ssm":["Niara Sudarkasa Collection, 1934-2006","Writings by others"],"parent_unittitles_tesim":["Niara Sudarkasa Collection, 1934-2006","Writings by others"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/29402"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1385,"parent_access_restrict_tesm":["The Niara Sudarkasa Collection is open for research."],"date_range_isim":[1966],"containers_ssim":["Box 56","folder 9"],"_nest_path_":"/components#4/components#534","_nest_parent_":"5c664f35ba84cce3023f6a62_aspace_60421e776c845bf7cd0dc7e916c56d99","_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5c664f35ba84cce3023f6a62","title_filing_ssi":"Sudarkasa, Niara Collection","title_ssm":["Niara Sudarkasa Collection"],"title_tesim":["Niara Sudarkasa Collection"],"ead_ssi":"5c664f35ba84cce3023f6a62","unitdate_ssm":["1934-2006"],"unitdate_inclusive_ssm":["1934-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2006.4","/repositories/2/resources/51"],"text":["AARLCC.2006.4","/repositories/2/resources/51","Niara Sudarkasa Collection, 1934-2006","Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals","The Niara Sudarkasa Collection is open for research.","View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.","Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.","The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.","The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.","Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".","AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara","English"],"unitid_tesim":["AARLCC.2006.4","/repositories/2/resources/51"],"normalized_date_ssm":["1934-2006"],"normalized_title_ssm":["Niara Sudarkasa Collection, 1934-2006"],"collection_title_tesim":["Niara Sudarkasa Collection, 1934-2006"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"creator_ssm":["Sudarkasa, Niara"],"creator_ssim":["Sudarkasa, Niara"],"creator_persname_ssim":["Sudarkasa, Niara"],"creators_ssim":["Sudarkasa, Niara"],"acqinfo_ssim":["Dr. Niara Sudarkasa donated the materials to the AARLCC Special Collections on October 17, 2006 (Accession AARLCC-2006.4)."],"access_subjects_ssim":["Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals"],"access_subjects_ssm":["Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals"],"has_online_content_ssim":["false"],"extent_ssm":["400 Hollinger Boxes","410 Linear Feet"],"extent_tesim":["400 Hollinger Boxes","410 Linear Feet"],"genreform_ssim":["Correspondence","Photographs","plaques (flat objects)","Periodicals"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Niara Sudarkasa Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/nsb\" target=\"_blank\"\u003eView a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives."],"bioghist_html_tesm":["\u003cp\u003eNiara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.\u003c/p\u003e\n","\u003cp\u003eGloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. \u003c/p\u003e\n","\u003cp\u003eGloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.\u003c/p\u003e\n","\u003cp\u003eIn 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Al\u0026#xE1;y\u0026#xE9;l\u0026#xFA;w\u0026#xE0; \u0026#x1ECC;ba \u0026#x1ECC;k\u0026#xFA;nad\u0026#xE9; Sijuwade Ol\u0026#xFA;b\u0026#xF9;s\u0026#x1EB9; II of the Royal Court of If\u0026#x1EB9;\u0026#x301; conferred upon her the chieftaincy title Y\u0026#xE8;y\u0026#xE9; Ol\u0026#xF3;kun \u0026#xCC;gb\u0026#xE0;d\u0026#xE9;r\u0026#xF2;. She was the first African American to receive this honor from the If\u0026#x1EB9;\u0026#x301; Kingdom.\u003c/p\u003e\n","\u003cp\u003eFollowing her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship."],"prefercite_html_tesm":["\u003cp\u003eNiara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Niara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. \u003c/p\u003e","\u003cp\u003eParts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant."],"scopecontent_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=SUD\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\"."],"names_coll_ssim":["University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"names_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara"],"corpname_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"persname_ssim":["Sudarkasa, Niara"],"language_ssim":["English"],"total_component_count_is":2760,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_09f3f4a53133b2b67da3a3c3834b0ac3"}},{"id":"a33cb88ff8cc6c0b350c22be","type":"collection","attributes":{"title":"Grant Groves Collection on Mulford B. Foster Collection, Circa 1920's-1979","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/a33cb88ff8cc6c0b350c22be#creator","type":"document_value","attributes":{"value":["Groves, Grant"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a33cb88ff8cc6c0b350c22be#abstract_or_scope","type":"document_value","attributes":{"value":["Grant Groves, owner of Color Zone Tropicals, Inc. in Winter Garden Florida, collected materials on Mulford B. Foster. He was a botanist, horticulturist, and a lifelong naturalist, also known as \"Father of the Bromeliad\", born in 1888 in Elmer, New Jersey and passed away at the age of 89 in Orange County, Florida. Collection includes Foster's black \u0026amp; white sketches, color drawings, oil paintings, three-fold screen art work, news clippings, publications, photographs, slides, negatives, correspondence, and blueprints of Foster's house called \"Bromel - La.\""],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a33cb88ff8cc6c0b350c22be#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"a33cb88ff8cc6c0b350c22be","title_ssm":["Grant Groves Collection on Mulford B. Foster Collection"],"title_tesim":["Grant Groves Collection on Mulford B. Foster Collection"],"ead_ssi":"a33cb88ff8cc6c0b350c22be","unitdate_ssm":["Circa 1920's-1979"],"unitdate_inclusive_ssm":["Circa 1920's-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.103","/repositories/4/resources/192"],"text":["SC.103","/repositories/4/resources/192","Grant Groves Collection on Mulford B. Foster Collection, Circa 1920's-1979","Architecture -- Design and plans -- Florida","Botany -- Florida","Drawing","botanical illustrations","The entire collection is open for research.","Collection is arranged in three parts: Personal files, arts, and photographs:","Mulford Bateman Foster, \"the father of Bromeliads\", was born on December 25, 1888 in Elmer, New Jersey. His interest in botany began at early ages by exploring wild plants in New Jersey. With the help of his mother, Fannie Bateman, he set up his first garden around the family home. In 1905, he graduated from Elmer High School and attended Philadelphia business school. Upon graduation in 1910, he started working as an Associate Editor for Elmer Times. In the early 1920's Foster moved from New Jersey to Florida to work as a landscape architect. He got married to Racine Foster who was also interested in tropical plants and traveled multiple times to Brazil with him in search of rare plants. Following years, he established his own business called the Tropical Arts Nursery. Mr. Foster considered to be Orlando's first landscape architect. As a naturalist explorer, botanist, hybridizer, and plant collector, he traveled most of the United States, as well as other countries in the Americas and discovered over two hundred new species such as cacti, palms, aroids, amaryllis, and bromeliads.","\nMulford wrote a book called \"Brazil - Orchid of the Tropics\" and account his plant-collecting travels in Brazil. He also published articles in the Journal of the Bromeliad Society, the Smithsonian Annual Report, and the National Geographic Magazine. He was also heavily involved in the International Bromeliad Society edited bi-monthly bulletin for twelve years. He received the Herbert Medal for work in promoting amaryllis in 1951. He also received the Reasoner Trophy for outstanding contributions to the ornamental horticulture industry. He was a great artist worked mainly in oil paintings. His work has been exhibited in Orlando, Miami, New York, Baltimore, Philadelphia and Pittsburgh. He passed away at the age of 89 at his house on Lakeville Road in northwest Orange County, Florida on August 28, 1978. His home was surrounded over four hundred varieties of rare plants which includes the largest collection of living bromeliads in the world.","Processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten.","Archival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn, 1855-1934","The Bromeliad Society International (BSI) Archive, 1942-2012","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Series I: Personal Files, Circa 1920's-1979, Undated, includes three pages of blueprints of a house Mulford and Racine Foster built in the late 1950's in Orange County, Florida on a 12 acres of land close to Lake Apopka. The house also known as \"Bromel - La\" had two greenhouses used to hybrid bromeliads during the twenty years that they owned the land; correspondence between June F. Fry \u0026 Bernard N. and Mulford \u0026 Racine Foster regarding to fulfill the orders before the freeze. Another letter describes June's doctors and hospital visits in regard to her infections in sinuses and throat. On another occasion, June talks about selling her house and moving from Maryland to California; news clippings from Elmer News where Mulford's father, Samuel P. Foster, contributed articles on a weekly basis; brief plant notes for Tillandsia Dasylirifolia, Tillandsia Grandis, and Tillandsia Butzii; a book called \"Catalogue, 3rd International Exhibition of Botanical Art \u0026 Illustration, 12 November 1972 to 30 March 1973\" contains Mulford Foster's short biography and a painting \"Bromelia balansae\"; a little booklet called \"Color Mediums\" published by Talens \u0026 Sons, Ltd., provides information on artists' oil colours and identifies most durable binding materials; and two \"Royal Portraits \u0026 Testimony\" blue folders which lacks materials inside.","\nSeries II: Arts, 1935-1966, Undated, Mulford B. Foster created various art pieces over the course of his long career as a botanist including black and white sketches, miniature canvas art pieces, christmas card designs, color sketches, oil paintings (framed) and (unframed), and portfolio folders. Collection also includes portable three-panel wood folding screen hand painted by Mulford B. Foster. The large screen is made of solid wood with walnut-color finish with floral design on each panel.","\nSeries III: Photographs, 1946-1970, Undated, Mulford B. Foster and other members of the Bromeliad Society gathered during a banquet on June 6, 1970 in Los Angeles, California to celebrate the 20th year of the Bromeliad Society and took pictures to document the event. Series also includes several notable photographs such as Bert Foster's house during the Christmas 1958; Mulford B. Foster discovers \"Dyckia Fosteriana\" in habitat rocky ledge of Brazil in 1939 on his stops around South America; Foster's visit to Putumayo, Colombia documenting various plants \"Welfia regia – Wendly\", \"Bellarista\", \"Wettinia aff. Maynensis\", and \"Attalea funifera—Mart\"; and three slides taken by Oather Van Hyning during Pineapple dinner at Bromel - La in 1970 together with Althea Van Hyning, Julian Nally, Maggie Nally, Mulford B. Foster, and Racine Foster. Also significant is a collection of photographs of upper class society homes in Florida during the 19th and 20th century. Both small and large photographic images have not been identified. Images are documenting architectural interior and exterior designs of various homes including landscape, gardens, front and rear entrance, interior furnishing, patio fountain, pool, porch, living room, and library room. A few photographs are hand-colored by Mulford B. Foster.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Grant Groves, owner of Color Zone Tropicals, Inc. in Winter Garden Florida, collected materials on Mulford B. Foster. He was a botanist, horticulturist, and a lifelong naturalist, also known as \"Father of the Bromeliad\", born in 1888 in Elmer, New Jersey and passed away at the age of 89 in Orange County, Florida. Collection includes Foster's black \u0026 white sketches, color drawings, oil paintings, three-fold screen art work, news clippings, publications, photographs, slides, negatives, correspondence, and blueprints of Foster's house called \"Bromel - La.\"","UCF Special Collections","Groves, Grant","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991","English"],"unitid_tesim":["SC.103","/repositories/4/resources/192"],"normalized_date_ssm":["Circa 1920's-1979"],"normalized_title_ssm":["Grant Groves Collection on Mulford B. Foster Collection, Circa 1920's-1979"],"collection_title_tesim":["Grant Groves Collection on Mulford B. Foster Collection, Circa 1920's-1979"],"collection_ssim":["Grant Groves Collection on Mulford B. Foster Collection, Circa 1920's-1979"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Groves, Grant"],"creator_ssim":["Groves, Grant"],"creator_persname_ssim":["Groves, Grant"],"creators_ssim":["Groves, Grant"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Grant Groves donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2016 (CFM2016_07). Additional Materials were donated in 2018 (CFM2018_04)."],"access_subjects_ssim":["Architecture -- Design and plans -- Florida","Botany -- Florida","Drawing","botanical illustrations"],"access_subjects_ssm":["Architecture -- Design and plans -- Florida","Botany -- Florida","Drawing","botanical illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["2.50 Linear Feet 4 Boxes, 1 Flat File"],"extent_tesim":["2.50 Linear Feet 4 Boxes, 1 Flat File"],"genreform_ssim":["botanical illustrations"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged in three parts: Personal files, arts, and photographs:\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Collection is arranged in three parts: Personal files, arts, and photographs:"],"bioghist_html_tesm":["\u003cp\u003eMulford Bateman Foster, \"the father of Bromeliads\", was born on December 25, 1888 in Elmer, New Jersey. His interest in botany began at early ages by exploring wild plants in New Jersey. With the help of his mother, Fannie Bateman, he set up his first garden around the family home. In 1905, he graduated from Elmer High School and attended Philadelphia business school. Upon graduation in 1910, he started working as an Associate Editor for Elmer Times. In the early 1920's Foster moved from New Jersey to Florida to work as a landscape architect. He got married to Racine Foster who was also interested in tropical plants and traveled multiple times to Brazil with him in search of rare plants. Following years, he established his own business called the Tropical Arts Nursery. Mr. Foster considered to be Orlando's first landscape architect. As a naturalist explorer, botanist, hybridizer, and plant collector, he traveled most of the United States, as well as other countries in the Americas and discovered over two hundred new species such as cacti, palms, aroids, amaryllis, and bromeliads.\u003c/p\u003e\n","\u003cp\u003e\nMulford wrote a book called \"Brazil - Orchid of the Tropics\" and account his plant-collecting travels in Brazil. He also published articles in the Journal of the Bromeliad Society, the Smithsonian Annual Report, and the National Geographic Magazine. He was also heavily involved in the International Bromeliad Society edited bi-monthly bulletin for twelve years. He received the Herbert Medal for work in promoting amaryllis in 1951. He also received the Reasoner Trophy for outstanding contributions to the ornamental horticulture industry. He was a great artist worked mainly in oil paintings. His work has been exhibited in Orlando, Miami, New York, Baltimore, Philadelphia and Pittsburgh. He passed away at the age of 89 at his house on Lakeville Road in northwest Orange County, Florida on August 28, 1978. His home was surrounded over four hundred varieties of rare plants which includes the largest collection of living bromeliads in the world.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Mulford Bateman Foster, \"the father of Bromeliads\", was born on December 25, 1888 in Elmer, New Jersey. His interest in botany began at early ages by exploring wild plants in New Jersey. With the help of his mother, Fannie Bateman, he set up his first garden around the family home. In 1905, he graduated from Elmer High School and attended Philadelphia business school. Upon graduation in 1910, he started working as an Associate Editor for Elmer Times. In the early 1920's Foster moved from New Jersey to Florida to work as a landscape architect. He got married to Racine Foster who was also interested in tropical plants and traveled multiple times to Brazil with him in search of rare plants. Following years, he established his own business called the Tropical Arts Nursery. Mr. Foster considered to be Orlando's first landscape architect. As a naturalist explorer, botanist, hybridizer, and plant collector, he traveled most of the United States, as well as other countries in the Americas and discovered over two hundred new species such as cacti, palms, aroids, amaryllis, and bromeliads.","\nMulford wrote a book called \"Brazil - Orchid of the Tropics\" and account his plant-collecting travels in Brazil. He also published articles in the Journal of the Bromeliad Society, the Smithsonian Annual Report, and the National Geographic Magazine. He was also heavily involved in the International Bromeliad Society edited bi-monthly bulletin for twelve years. He received the Herbert Medal for work in promoting amaryllis in 1951. He also received the Reasoner Trophy for outstanding contributions to the ornamental horticulture industry. He was a great artist worked mainly in oil paintings. His work has been exhibited in Orlando, Miami, New York, Baltimore, Philadelphia and Pittsburgh. He passed away at the age of 89 at his house on Lakeville Road in northwest Orange County, Florida on August 28, 1978. His home was surrounded over four hundred varieties of rare plants which includes the largest collection of living bromeliads in the world."],"prefercite_html_tesm":["\u003cp\u003eGrant Groves Collection on Mulford B. Foster Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Grant Groves Collection on Mulford B. Foster Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2014-09\"\u003eArchival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn, 1855-1934\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2014-04\"\u003eThe Bromeliad Society International (BSI) Archive, 1942-2012\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-09\"\u003eMichael A. Spencer Bromeliad Research Collection, 1754-2014\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Archival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn, 1855-1934","The Bromeliad Society International (BSI) Archive, 1942-2012","Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Personal Files, Circa 1920's-1979, Undated, includes three pages of blueprints of a house Mulford and Racine Foster built in the late 1950's in Orange County, Florida on a 12 acres of land close to Lake Apopka. The house also known as \"Bromel - La\" had two greenhouses used to hybrid bromeliads during the twenty years that they owned the land; correspondence between June F. Fry \u0026amp; Bernard N. and Mulford \u0026amp; Racine Foster regarding to fulfill the orders before the freeze. Another letter describes June's doctors and hospital visits in regard to her infections in sinuses and throat. On another occasion, June talks about selling her house and moving from Maryland to California; news clippings from Elmer News where Mulford's father, Samuel P. Foster, contributed articles on a weekly basis; brief plant notes for Tillandsia Dasylirifolia, Tillandsia Grandis, and Tillandsia Butzii; a book called \"Catalogue, 3rd International Exhibition of Botanical Art \u0026amp; Illustration, 12 November 1972 to 30 March 1973\" contains Mulford Foster's short biography and a painting \"Bromelia balansae\"; a little booklet called \"Color Mediums\" published by Talens \u0026amp; Sons, Ltd., provides information on artists' oil colours and identifies most durable binding materials; and two \"Royal Portraits \u0026amp; Testimony\" blue folders which lacks materials inside.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Arts, 1935-1966, Undated, Mulford B. Foster created various art pieces over the course of his long career as a botanist including black and white sketches, miniature canvas art pieces, christmas card designs, color sketches, oil paintings (framed) and (unframed), and portfolio folders. Collection also includes portable three-panel wood folding screen hand painted by Mulford B. Foster. The large screen is made of solid wood with walnut-color finish with floral design on each panel.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Photographs, 1946-1970, Undated, Mulford B. Foster and other members of the Bromeliad Society gathered during a banquet on June 6, 1970 in Los Angeles, California to celebrate the 20th year of the Bromeliad Society and took pictures to document the event. Series also includes several notable photographs such as Bert Foster's house during the Christmas 1958; Mulford B. Foster discovers \"Dyckia Fosteriana\" in habitat rocky ledge of Brazil in 1939 on his stops around South America; Foster's visit to Putumayo, Colombia documenting various plants \"Welfia regia \u0026#x96; Wendly\", \"Bellarista\", \"Wettinia aff. Maynensis\", and \"Attalea funifera\u0026#x97;Mart\"; and three slides taken by Oather Van Hyning during Pineapple dinner at Bromel - La in 1970 together with Althea Van Hyning, Julian Nally, Maggie Nally, Mulford B. Foster, and Racine Foster. Also significant is a collection of photographs of upper class society homes in Florida during the 19th and 20th century. Both small and large photographic images have not been identified. Images are documenting architectural interior and exterior designs of various homes including landscape, gardens, front and rear entrance, interior furnishing, patio fountain, pool, porch, living room, and library room. A few photographs are hand-colored by Mulford B. Foster.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Personal Files, Circa 1920's-1979, Undated, includes three pages of blueprints of a house Mulford and Racine Foster built in the late 1950's in Orange County, Florida on a 12 acres of land close to Lake Apopka. The house also known as \"Bromel - La\" had two greenhouses used to hybrid bromeliads during the twenty years that they owned the land; correspondence between June F. Fry \u0026 Bernard N. and Mulford \u0026 Racine Foster regarding to fulfill the orders before the freeze. Another letter describes June's doctors and hospital visits in regard to her infections in sinuses and throat. On another occasion, June talks about selling her house and moving from Maryland to California; news clippings from Elmer News where Mulford's father, Samuel P. Foster, contributed articles on a weekly basis; brief plant notes for Tillandsia Dasylirifolia, Tillandsia Grandis, and Tillandsia Butzii; a book called \"Catalogue, 3rd International Exhibition of Botanical Art \u0026 Illustration, 12 November 1972 to 30 March 1973\" contains Mulford Foster's short biography and a painting \"Bromelia balansae\"; a little booklet called \"Color Mediums\" published by Talens \u0026 Sons, Ltd., provides information on artists' oil colours and identifies most durable binding materials; and two \"Royal Portraits \u0026 Testimony\" blue folders which lacks materials inside.","\nSeries II: Arts, 1935-1966, Undated, Mulford B. Foster created various art pieces over the course of his long career as a botanist including black and white sketches, miniature canvas art pieces, christmas card designs, color sketches, oil paintings (framed) and (unframed), and portfolio folders. Collection also includes portable three-panel wood folding screen hand painted by Mulford B. Foster. The large screen is made of solid wood with walnut-color finish with floral design on each panel.","\nSeries III: Photographs, 1946-1970, Undated, Mulford B. Foster and other members of the Bromeliad Society gathered during a banquet on June 6, 1970 in Los Angeles, California to celebrate the 20th year of the Bromeliad Society and took pictures to document the event. Series also includes several notable photographs such as Bert Foster's house during the Christmas 1958; Mulford B. Foster discovers \"Dyckia Fosteriana\" in habitat rocky ledge of Brazil in 1939 on his stops around South America; Foster's visit to Putumayo, Colombia documenting various plants \"Welfia regia – Wendly\", \"Bellarista\", \"Wettinia aff. Maynensis\", and \"Attalea funifera—Mart\"; and three slides taken by Oather Van Hyning during Pineapple dinner at Bromel - La in 1970 together with Althea Van Hyning, Julian Nally, Maggie Nally, Mulford B. Foster, and Racine Foster. Also significant is a collection of photographs of upper class society homes in Florida during the 19th and 20th century. Both small and large photographic images have not been identified. Images are documenting architectural interior and exterior designs of various homes including landscape, gardens, front and rear entrance, interior furnishing, patio fountain, pool, porch, living room, and library room. A few photographs are hand-colored by Mulford B. Foster."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_548f80ce4014d98f8905382f700e1008\" label=\"Abstract\"\u003eGrant Groves, owner of Color Zone Tropicals, Inc. in Winter Garden Florida, collected materials on Mulford B. Foster. He was a botanist, horticulturist, and a lifelong naturalist, also known as \"Father of the Bromeliad\", born in 1888 in Elmer, New Jersey and passed away at the age of 89 in Orange County, Florida. Collection includes Foster's black \u0026amp; white sketches, color drawings, oil paintings, three-fold screen art work, news clippings, publications, photographs, slides, negatives, correspondence, and blueprints of Foster's house called \"Bromel - La.\"\u003c/abstract\u003e"],"abstract_tesim":["Grant Groves, owner of Color Zone Tropicals, Inc. in Winter Garden Florida, collected materials on Mulford B. Foster. He was a botanist, horticulturist, and a lifelong naturalist, also known as \"Father of the Bromeliad\", born in 1888 in Elmer, New Jersey and passed away at the age of 89 in Orange County, Florida. Collection includes Foster's black \u0026 white sketches, color drawings, oil paintings, three-fold screen art work, news clippings, publications, photographs, slides, negatives, correspondence, and blueprints of Foster's house called \"Bromel - La.\""],"names_ssim":["UCF Special Collections","Groves, Grant","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"persname_ssim":["Groves, Grant","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":88,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"a33cb88ff8cc6c0b350c22be","timestamp":"2026-07-11T02:57:48.935Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a33cb88ff8cc6c0b350c22be","title_ssm":["Grant Groves Collection on Mulford B. Foster Collection"],"title_tesim":["Grant Groves Collection on Mulford B. Foster Collection"],"ead_ssi":"a33cb88ff8cc6c0b350c22be","unitdate_ssm":["Circa 1920's-1979"],"unitdate_inclusive_ssm":["Circa 1920's-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.103","/repositories/4/resources/192"],"text":["SC.103","/repositories/4/resources/192","Grant Groves Collection on Mulford B. Foster Collection, Circa 1920's-1979","Architecture -- Design and plans -- Florida","Botany -- Florida","Drawing","botanical illustrations","The entire collection is open for research.","Collection is arranged in three parts: Personal files, arts, and photographs:","Mulford Bateman Foster, \"the father of Bromeliads\", was born on December 25, 1888 in Elmer, New Jersey. His interest in botany began at early ages by exploring wild plants in New Jersey. With the help of his mother, Fannie Bateman, he set up his first garden around the family home. In 1905, he graduated from Elmer High School and attended Philadelphia business school. Upon graduation in 1910, he started working as an Associate Editor for Elmer Times. In the early 1920's Foster moved from New Jersey to Florida to work as a landscape architect. He got married to Racine Foster who was also interested in tropical plants and traveled multiple times to Brazil with him in search of rare plants. Following years, he established his own business called the Tropical Arts Nursery. Mr. Foster considered to be Orlando's first landscape architect. As a naturalist explorer, botanist, hybridizer, and plant collector, he traveled most of the United States, as well as other countries in the Americas and discovered over two hundred new species such as cacti, palms, aroids, amaryllis, and bromeliads.","\nMulford wrote a book called \"Brazil - Orchid of the Tropics\" and account his plant-collecting travels in Brazil. He also published articles in the Journal of the Bromeliad Society, the Smithsonian Annual Report, and the National Geographic Magazine. He was also heavily involved in the International Bromeliad Society edited bi-monthly bulletin for twelve years. He received the Herbert Medal for work in promoting amaryllis in 1951. He also received the Reasoner Trophy for outstanding contributions to the ornamental horticulture industry. He was a great artist worked mainly in oil paintings. His work has been exhibited in Orlando, Miami, New York, Baltimore, Philadelphia and Pittsburgh. He passed away at the age of 89 at his house on Lakeville Road in northwest Orange County, Florida on August 28, 1978. His home was surrounded over four hundred varieties of rare plants which includes the largest collection of living bromeliads in the world.","Processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten.","Archival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn, 1855-1934","The Bromeliad Society International (BSI) Archive, 1942-2012","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Series I: Personal Files, Circa 1920's-1979, Undated, includes three pages of blueprints of a house Mulford and Racine Foster built in the late 1950's in Orange County, Florida on a 12 acres of land close to Lake Apopka. The house also known as \"Bromel - La\" had two greenhouses used to hybrid bromeliads during the twenty years that they owned the land; correspondence between June F. Fry \u0026 Bernard N. and Mulford \u0026 Racine Foster regarding to fulfill the orders before the freeze. Another letter describes June's doctors and hospital visits in regard to her infections in sinuses and throat. On another occasion, June talks about selling her house and moving from Maryland to California; news clippings from Elmer News where Mulford's father, Samuel P. Foster, contributed articles on a weekly basis; brief plant notes for Tillandsia Dasylirifolia, Tillandsia Grandis, and Tillandsia Butzii; a book called \"Catalogue, 3rd International Exhibition of Botanical Art \u0026 Illustration, 12 November 1972 to 30 March 1973\" contains Mulford Foster's short biography and a painting \"Bromelia balansae\"; a little booklet called \"Color Mediums\" published by Talens \u0026 Sons, Ltd., provides information on artists' oil colours and identifies most durable binding materials; and two \"Royal Portraits \u0026 Testimony\" blue folders which lacks materials inside.","\nSeries II: Arts, 1935-1966, Undated, Mulford B. Foster created various art pieces over the course of his long career as a botanist including black and white sketches, miniature canvas art pieces, christmas card designs, color sketches, oil paintings (framed) and (unframed), and portfolio folders. Collection also includes portable three-panel wood folding screen hand painted by Mulford B. Foster. The large screen is made of solid wood with walnut-color finish with floral design on each panel.","\nSeries III: Photographs, 1946-1970, Undated, Mulford B. Foster and other members of the Bromeliad Society gathered during a banquet on June 6, 1970 in Los Angeles, California to celebrate the 20th year of the Bromeliad Society and took pictures to document the event. Series also includes several notable photographs such as Bert Foster's house during the Christmas 1958; Mulford B. Foster discovers \"Dyckia Fosteriana\" in habitat rocky ledge of Brazil in 1939 on his stops around South America; Foster's visit to Putumayo, Colombia documenting various plants \"Welfia regia – Wendly\", \"Bellarista\", \"Wettinia aff. Maynensis\", and \"Attalea funifera—Mart\"; and three slides taken by Oather Van Hyning during Pineapple dinner at Bromel - La in 1970 together with Althea Van Hyning, Julian Nally, Maggie Nally, Mulford B. Foster, and Racine Foster. Also significant is a collection of photographs of upper class society homes in Florida during the 19th and 20th century. Both small and large photographic images have not been identified. Images are documenting architectural interior and exterior designs of various homes including landscape, gardens, front and rear entrance, interior furnishing, patio fountain, pool, porch, living room, and library room. A few photographs are hand-colored by Mulford B. Foster.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Grant Groves, owner of Color Zone Tropicals, Inc. in Winter Garden Florida, collected materials on Mulford B. Foster. He was a botanist, horticulturist, and a lifelong naturalist, also known as \"Father of the Bromeliad\", born in 1888 in Elmer, New Jersey and passed away at the age of 89 in Orange County, Florida. Collection includes Foster's black \u0026 white sketches, color drawings, oil paintings, three-fold screen art work, news clippings, publications, photographs, slides, negatives, correspondence, and blueprints of Foster's house called \"Bromel - La.\"","UCF Special Collections","Groves, Grant","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991","English"],"unitid_tesim":["SC.103","/repositories/4/resources/192"],"normalized_date_ssm":["Circa 1920's-1979"],"normalized_title_ssm":["Grant Groves Collection on Mulford B. Foster Collection, Circa 1920's-1979"],"collection_title_tesim":["Grant Groves Collection on Mulford B. Foster Collection, Circa 1920's-1979"],"collection_ssim":["Grant Groves Collection on Mulford B. Foster Collection, Circa 1920's-1979"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Groves, Grant"],"creator_ssim":["Groves, Grant"],"creator_persname_ssim":["Groves, Grant"],"creators_ssim":["Groves, Grant"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Grant Groves donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2016 (CFM2016_07). Additional Materials were donated in 2018 (CFM2018_04)."],"access_subjects_ssim":["Architecture -- Design and plans -- Florida","Botany -- Florida","Drawing","botanical illustrations"],"access_subjects_ssm":["Architecture -- Design and plans -- Florida","Botany -- Florida","Drawing","botanical illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["2.50 Linear Feet 4 Boxes, 1 Flat File"],"extent_tesim":["2.50 Linear Feet 4 Boxes, 1 Flat File"],"genreform_ssim":["botanical illustrations"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged in three parts: Personal files, arts, and photographs:\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Collection is arranged in three parts: Personal files, arts, and photographs:"],"bioghist_html_tesm":["\u003cp\u003eMulford Bateman Foster, \"the father of Bromeliads\", was born on December 25, 1888 in Elmer, New Jersey. His interest in botany began at early ages by exploring wild plants in New Jersey. With the help of his mother, Fannie Bateman, he set up his first garden around the family home. In 1905, he graduated from Elmer High School and attended Philadelphia business school. Upon graduation in 1910, he started working as an Associate Editor for Elmer Times. In the early 1920's Foster moved from New Jersey to Florida to work as a landscape architect. He got married to Racine Foster who was also interested in tropical plants and traveled multiple times to Brazil with him in search of rare plants. Following years, he established his own business called the Tropical Arts Nursery. Mr. Foster considered to be Orlando's first landscape architect. As a naturalist explorer, botanist, hybridizer, and plant collector, he traveled most of the United States, as well as other countries in the Americas and discovered over two hundred new species such as cacti, palms, aroids, amaryllis, and bromeliads.\u003c/p\u003e\n","\u003cp\u003e\nMulford wrote a book called \"Brazil - Orchid of the Tropics\" and account his plant-collecting travels in Brazil. He also published articles in the Journal of the Bromeliad Society, the Smithsonian Annual Report, and the National Geographic Magazine. He was also heavily involved in the International Bromeliad Society edited bi-monthly bulletin for twelve years. He received the Herbert Medal for work in promoting amaryllis in 1951. He also received the Reasoner Trophy for outstanding contributions to the ornamental horticulture industry. He was a great artist worked mainly in oil paintings. His work has been exhibited in Orlando, Miami, New York, Baltimore, Philadelphia and Pittsburgh. He passed away at the age of 89 at his house on Lakeville Road in northwest Orange County, Florida on August 28, 1978. His home was surrounded over four hundred varieties of rare plants which includes the largest collection of living bromeliads in the world.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Mulford Bateman Foster, \"the father of Bromeliads\", was born on December 25, 1888 in Elmer, New Jersey. His interest in botany began at early ages by exploring wild plants in New Jersey. With the help of his mother, Fannie Bateman, he set up his first garden around the family home. In 1905, he graduated from Elmer High School and attended Philadelphia business school. Upon graduation in 1910, he started working as an Associate Editor for Elmer Times. In the early 1920's Foster moved from New Jersey to Florida to work as a landscape architect. He got married to Racine Foster who was also interested in tropical plants and traveled multiple times to Brazil with him in search of rare plants. Following years, he established his own business called the Tropical Arts Nursery. Mr. Foster considered to be Orlando's first landscape architect. As a naturalist explorer, botanist, hybridizer, and plant collector, he traveled most of the United States, as well as other countries in the Americas and discovered over two hundred new species such as cacti, palms, aroids, amaryllis, and bromeliads.","\nMulford wrote a book called \"Brazil - Orchid of the Tropics\" and account his plant-collecting travels in Brazil. He also published articles in the Journal of the Bromeliad Society, the Smithsonian Annual Report, and the National Geographic Magazine. He was also heavily involved in the International Bromeliad Society edited bi-monthly bulletin for twelve years. He received the Herbert Medal for work in promoting amaryllis in 1951. He also received the Reasoner Trophy for outstanding contributions to the ornamental horticulture industry. He was a great artist worked mainly in oil paintings. His work has been exhibited in Orlando, Miami, New York, Baltimore, Philadelphia and Pittsburgh. He passed away at the age of 89 at his house on Lakeville Road in northwest Orange County, Florida on August 28, 1978. His home was surrounded over four hundred varieties of rare plants which includes the largest collection of living bromeliads in the world."],"prefercite_html_tesm":["\u003cp\u003eGrant Groves Collection on Mulford B. Foster Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Grant Groves Collection on Mulford B. Foster Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2014-09\"\u003eArchival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn, 1855-1934\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2014-04\"\u003eThe Bromeliad Society International (BSI) Archive, 1942-2012\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-09\"\u003eMichael A. Spencer Bromeliad Research Collection, 1754-2014\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Archival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn, 1855-1934","The Bromeliad Society International (BSI) Archive, 1942-2012","Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Personal Files, Circa 1920's-1979, Undated, includes three pages of blueprints of a house Mulford and Racine Foster built in the late 1950's in Orange County, Florida on a 12 acres of land close to Lake Apopka. The house also known as \"Bromel - La\" had two greenhouses used to hybrid bromeliads during the twenty years that they owned the land; correspondence between June F. Fry \u0026amp; Bernard N. and Mulford \u0026amp; Racine Foster regarding to fulfill the orders before the freeze. Another letter describes June's doctors and hospital visits in regard to her infections in sinuses and throat. On another occasion, June talks about selling her house and moving from Maryland to California; news clippings from Elmer News where Mulford's father, Samuel P. Foster, contributed articles on a weekly basis; brief plant notes for Tillandsia Dasylirifolia, Tillandsia Grandis, and Tillandsia Butzii; a book called \"Catalogue, 3rd International Exhibition of Botanical Art \u0026amp; Illustration, 12 November 1972 to 30 March 1973\" contains Mulford Foster's short biography and a painting \"Bromelia balansae\"; a little booklet called \"Color Mediums\" published by Talens \u0026amp; Sons, Ltd., provides information on artists' oil colours and identifies most durable binding materials; and two \"Royal Portraits \u0026amp; Testimony\" blue folders which lacks materials inside.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Arts, 1935-1966, Undated, Mulford B. Foster created various art pieces over the course of his long career as a botanist including black and white sketches, miniature canvas art pieces, christmas card designs, color sketches, oil paintings (framed) and (unframed), and portfolio folders. Collection also includes portable three-panel wood folding screen hand painted by Mulford B. Foster. The large screen is made of solid wood with walnut-color finish with floral design on each panel.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Photographs, 1946-1970, Undated, Mulford B. Foster and other members of the Bromeliad Society gathered during a banquet on June 6, 1970 in Los Angeles, California to celebrate the 20th year of the Bromeliad Society and took pictures to document the event. Series also includes several notable photographs such as Bert Foster's house during the Christmas 1958; Mulford B. Foster discovers \"Dyckia Fosteriana\" in habitat rocky ledge of Brazil in 1939 on his stops around South America; Foster's visit to Putumayo, Colombia documenting various plants \"Welfia regia \u0026#x96; Wendly\", \"Bellarista\", \"Wettinia aff. Maynensis\", and \"Attalea funifera\u0026#x97;Mart\"; and three slides taken by Oather Van Hyning during Pineapple dinner at Bromel - La in 1970 together with Althea Van Hyning, Julian Nally, Maggie Nally, Mulford B. Foster, and Racine Foster. Also significant is a collection of photographs of upper class society homes in Florida during the 19th and 20th century. Both small and large photographic images have not been identified. Images are documenting architectural interior and exterior designs of various homes including landscape, gardens, front and rear entrance, interior furnishing, patio fountain, pool, porch, living room, and library room. A few photographs are hand-colored by Mulford B. Foster.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Personal Files, Circa 1920's-1979, Undated, includes three pages of blueprints of a house Mulford and Racine Foster built in the late 1950's in Orange County, Florida on a 12 acres of land close to Lake Apopka. The house also known as \"Bromel - La\" had two greenhouses used to hybrid bromeliads during the twenty years that they owned the land; correspondence between June F. Fry \u0026 Bernard N. and Mulford \u0026 Racine Foster regarding to fulfill the orders before the freeze. Another letter describes June's doctors and hospital visits in regard to her infections in sinuses and throat. On another occasion, June talks about selling her house and moving from Maryland to California; news clippings from Elmer News where Mulford's father, Samuel P. Foster, contributed articles on a weekly basis; brief plant notes for Tillandsia Dasylirifolia, Tillandsia Grandis, and Tillandsia Butzii; a book called \"Catalogue, 3rd International Exhibition of Botanical Art \u0026 Illustration, 12 November 1972 to 30 March 1973\" contains Mulford Foster's short biography and a painting \"Bromelia balansae\"; a little booklet called \"Color Mediums\" published by Talens \u0026 Sons, Ltd., provides information on artists' oil colours and identifies most durable binding materials; and two \"Royal Portraits \u0026 Testimony\" blue folders which lacks materials inside.","\nSeries II: Arts, 1935-1966, Undated, Mulford B. Foster created various art pieces over the course of his long career as a botanist including black and white sketches, miniature canvas art pieces, christmas card designs, color sketches, oil paintings (framed) and (unframed), and portfolio folders. Collection also includes portable three-panel wood folding screen hand painted by Mulford B. Foster. The large screen is made of solid wood with walnut-color finish with floral design on each panel.","\nSeries III: Photographs, 1946-1970, Undated, Mulford B. Foster and other members of the Bromeliad Society gathered during a banquet on June 6, 1970 in Los Angeles, California to celebrate the 20th year of the Bromeliad Society and took pictures to document the event. Series also includes several notable photographs such as Bert Foster's house during the Christmas 1958; Mulford B. Foster discovers \"Dyckia Fosteriana\" in habitat rocky ledge of Brazil in 1939 on his stops around South America; Foster's visit to Putumayo, Colombia documenting various plants \"Welfia regia – Wendly\", \"Bellarista\", \"Wettinia aff. Maynensis\", and \"Attalea funifera—Mart\"; and three slides taken by Oather Van Hyning during Pineapple dinner at Bromel - La in 1970 together with Althea Van Hyning, Julian Nally, Maggie Nally, Mulford B. Foster, and Racine Foster. Also significant is a collection of photographs of upper class society homes in Florida during the 19th and 20th century. Both small and large photographic images have not been identified. Images are documenting architectural interior and exterior designs of various homes including landscape, gardens, front and rear entrance, interior furnishing, patio fountain, pool, porch, living room, and library room. A few photographs are hand-colored by Mulford B. Foster."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_548f80ce4014d98f8905382f700e1008\" label=\"Abstract\"\u003eGrant Groves, owner of Color Zone Tropicals, Inc. in Winter Garden Florida, collected materials on Mulford B. Foster. He was a botanist, horticulturist, and a lifelong naturalist, also known as \"Father of the Bromeliad\", born in 1888 in Elmer, New Jersey and passed away at the age of 89 in Orange County, Florida. Collection includes Foster's black \u0026amp; white sketches, color drawings, oil paintings, three-fold screen art work, news clippings, publications, photographs, slides, negatives, correspondence, and blueprints of Foster's house called \"Bromel - La.\"\u003c/abstract\u003e"],"abstract_tesim":["Grant Groves, owner of Color Zone Tropicals, Inc. in Winter Garden Florida, collected materials on Mulford B. Foster. He was a botanist, horticulturist, and a lifelong naturalist, also known as \"Father of the Bromeliad\", born in 1888 in Elmer, New Jersey and passed away at the age of 89 in Orange County, Florida. Collection includes Foster's black \u0026 white sketches, color drawings, oil paintings, three-fold screen art work, news clippings, publications, photographs, slides, negatives, correspondence, and blueprints of Foster's house called \"Bromel - La.\""],"names_ssim":["UCF Special Collections","Groves, Grant","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"persname_ssim":["Groves, Grant","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":88,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"a33cb88ff8cc6c0b350c22be","timestamp":"2026-07-11T02:57:48.935Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a33cb88ff8cc6c0b350c22be"}},{"id":"a0b8dca0cc27e719e79a099f_aspace_c0e01471aa1ba4667ce0871c6e040efb","type":"File","attributes":{"title":"Great Egret, 1963-1980","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_c0e01471aa1ba4667ce0871c6e040efb#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFolder includes clippings. \u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_c0e01471aa1ba4667ce0871c6e040efb#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c0e01471aa1ba4667ce0871c6e040efb","ref_ssm":["aspace_c0e01471aa1ba4667ce0871c6e040efb","aspace_c0e01471aa1ba4667ce0871c6e040efb"],"id":"a0b8dca0cc27e719e79a099f_aspace_c0e01471aa1ba4667ce0871c6e040efb","title_filing_ssi":"Great Egret","title_ssm":["Great Egret"],"title_tesim":["Great Egret"],"unitdate_inclusive_ssm":["1963-1980"],"normalized_date_ssm":["1963-1980"],"normalized_title_ssm":["Great Egret, 1963-1980"],"text":["Great Egret, 1963-1980","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Subject Files","Golden Gate Estates- John G. and Susan H. Dupuis Jr., Reserve","/repositories/2/archival_objects/190776","box 35","folder 3","Folder includes clippings. "],"component_level_isim":[3],"parent_ids_ssim":["a0b8dca0cc27e719e79a099f","a0b8dca0cc27e719e79a099f_aspace_4c29981ab2b06aeb8893c7a0e3a6accb","a0b8dca0cc27e719e79a099f_aspace_0ac5584d94bd264292a406f638d4c7ec"],"parent_unittitles_ssm":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Subject Files","Golden Gate Estates- John G. and Susan H. Dupuis Jr., Reserve"],"parent_unittitles_tesim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Subject Files","Golden Gate Estates- John G. and Susan H. Dupuis Jr., Reserve"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["/repositories/2/archival_objects/190776"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":912,"parent_access_restrict_tesm":["Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"containers_ssim":["box 35","folder 3"],"scopecontent_html_tesm":["\u003cp\u003eFolder includes clippings.\u0026#xA0;\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Folder includes clippings. "],"_nest_path_":"/components#1/components#13/components#2","_nest_parent_":"a0b8dca0cc27e719e79a099f_aspace_0ac5584d94bd264292a406f638d4c7ec","_root_":"a0b8dca0cc27e719e79a099f","_version_":1872946110924849152,"timestamp":"2026-08-08T09:16:41.949Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a0b8dca0cc27e719e79a099f","title_ssm":["Audubon Society Corkscrew Swamp Sanctuary records"],"title_tesim":["Audubon Society Corkscrew Swamp Sanctuary records"],"ead_ssi":"a0b8dca0cc27e719e79a099f","unitdate_ssm":["1937-2019"],"unitdate_inclusive_ssm":["1937-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2020-03","/repositories/2/resources/583"],"text":["MS-2020-03","/repositories/2/resources/583","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration","Good.","Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society.","This collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.","Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.","The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.","This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.","Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River.","USF Libraries - Tampa Special Collections","Ed Carlson","English"],"unitid_tesim":["MS-2020-03","/repositories/2/resources/583"],"normalized_date_ssm":["1937-2019"],"normalized_title_ssm":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"collection_title_tesim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"collection_ssim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Ed Carlson"],"creator_ssim":["Ed Carlson"],"creator_persname_ssim":["Ed Carlson"],"creators_ssim":["Ed Carlson"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration"],"access_subjects_ssm":["Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good."],"extent_ssm":["51 Linear Feet","96 boxes"],"extent_tesim":["51 Linear Feet","96 boxes"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eUntil 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eAudubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.\u003c/p\u003e"],"bioghist_heading_ssm":["Content Description"],"bioghist_tesim":["Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns."],"odd_html_tesm":["\u003cp\u003eThe Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.\u003c/p\u003e"],"odd_heading_ssm":["Cataloged Publications"],"odd_tesim":["The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings."],"separatedmaterial_html_tesm":["\u003cp\u003eMaps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bf60a5a83f90c49360b71829ac95b658\"\u003eThe Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River.\u003c/abstract\u003e"],"abstract_tesim":["The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River."],"names_ssim":["USF Libraries - Tampa Special Collections","Ed Carlson"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Ed Carlson"],"language_ssim":["English"],"total_component_count_is":2704,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872946110924849152,"_root_":"a0b8dca0cc27e719e79a099f","timestamp":"2026-08-08T09:16:41.949Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_c0e01471aa1ba4667ce0871c6e040efb"}},{"id":"a45d947c9de6cc8505dce499_aspace_8596","type":"Series","attributes":{"title":"Greater Antilles, 1901-1968, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a45d947c9de6cc8505dce499_aspace_8596#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_8596","ref_ssm":["aspace_8596","aspace_8596"],"id":"a45d947c9de6cc8505dce499_aspace_8596","title_filing_ssi":"Greater Antilles","title_ssm":["Greater Antilles"],"title_tesim":["Greater Antilles"],"unitdate_inclusive_ssm":["1901-1968, Undated"],"normalized_date_ssm":["1901-1968, Undated"],"normalized_title_ssm":["Greater Antilles, 1901-1968, Undated"],"text":["Greater Antilles, 1901-1968, Undated","Bryant West Indies Ephemera Collection, 1682-1968","1","/repositories/4/archival_objects/23871"],"component_level_isim":[1],"parent_ids_ssim":["a45d947c9de6cc8505dce499"],"parent_unittitles_ssm":["Bryant West Indies Ephemera Collection, 1682-1968"],"parent_unittitles_tesim":["Bryant West Indies Ephemera Collection, 1682-1968"],"parent_levels_ssm":["collection"],"unitid_ssm":["1","/repositories/4/archival_objects/23871"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Bryant West Indies Ephemera Collection, 1682-1968"],"has_online_content_ssim":["false"],"child_component_count_isi":13,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"_nest_path_":"/components#0","_nest_parent_":"a45d947c9de6cc8505dce499","_root_":"a45d947c9de6cc8505dce499","_version_":1870857640910782464,"timestamp":"2026-07-16T08:01:21.789Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a45d947c9de6cc8505dce499","title_ssm":["Bryant West Indies Ephemera Collection"],"title_tesim":["Bryant West Indies Ephemera Collection"],"ead_ssi":"a45d947c9de6cc8505dce499","unitdate_ssm":["1682-1968"],"unitdate_inclusive_ssm":["1682-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.005","/repositories/4/resources/103"],"text":["SC.005","/repositories/4/resources/103","Bryant West Indies Ephemera Collection, 1682-1968","Antilles, Greater","Antilles, Lesser","Cuba","Dominican Republic","Haiti","Jamaica","Trinidad and Tobago","West Indies","Windward Islands (West Indies)","The entire collection is open for research.","This collection was arranged according to geographic area. It was divided into three main areas, the Greater Antilles, the Lesser Antilles and the maps of the islands.","William Junior Bryant, or June, as he preferred to be called, was born May 4, 1904 in Springfield Vermont. He attended Springfield High School, Phillips Exeter Academy, and graduated from Dartmouth College in 1925. Bryant worked for Bryant Chucking Grinding Co., a machine tool company founded by his father, William Leroy Bryant, from 1928 to 1946, becoming president in 1946. He started the William L. Bryant Foundation in 1950, named for his father, to begin excavations in Florida, Spain and the Caribbean. The Foundation helped Bryant to pursue his interest in archeology which fueled his passion for collecting works of art, cultural and ethnic items and books.","June Bryant divided the year between properties in Woodstock, VT from May until November, and the warmer climate of Tangerine, FL from November until May, each year, after retiring from the Bryant Chucking Grinding Co. in 1960. It was in this time that Bryant was able to dedicate more time to his other pursuits. Over the years he had started collecting works of art from areas in Spain, Florida and the Caribbean. These Florida and Caribbean works were collected over a period of twenty years.","Bryant purchased some of the collection himself, through catalogues and an art dealer in New York, but a considerable amount of the purchasing was done by Eleanor Sleight. She was the director of the Central Florida Museum in the late 1960s and later became the representative of the William L. Bryant Foundation. A large part of the collection was gathered in the trips Sleight took to the islands from 1969-1972.","The Bryant West Indies Collection was moved in 1972 from the Central Florida Museum to the library of Florida Technological University, now the University of Central Florida. Bryant thought it was important to keep the collection in Florida where he felt it would be better valued due to the close proximity to the West Indies. Part of the Bryant West Indies Collection is displayed annually.","Collection processed by Jessica Achberger; finding aid prepared by Jessica Achberger.","This collection is related to the William L. Bryant Collection, including audio, slides and parliamentary acts, as well as The Legacy of the Spirit Virtual Exhibit available on the Special Collections website. The Bryant collection of Spanish works can be found at Dartmouth College, where they are housed in the Baker Library. The papers of the William L. Bryant Foundation and the papers of William Junior Bryant and Bryant Family are housed in the Rauner Special Collection Library, also at Dartmouth College.","The Bryant West Indies Ephemera Collection is apart of the larger William L. Bryant West Indies Collection and includes tourism brochures, pamphlets, booklets and newspaper clippings from the islands and nations of the Caribbean and South America.","Series I: Greater Antilles, 1901-1968 contains materials related to the islands in the Western portion of the Caribbean. Islands included in this series are Cuba, the Dominican Republic, Haiti, Jamaica and Puerto Rico.","Series II: Lesser Antilles, 1682-1957, consists of materials related to the islands in the Eastern portion of the Caribbean. Islands included in this series are the Windward Islands, including Barbados, Saint Lucia and Trinadad and Tobago, as well as Dominica.","Series III: Maps, 1965-1980, includes oversize maps of the West Indies, South America, and North America. Some of the maps are reproductions of the originals.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","This collection of tourism brochures, pamphlets, maps and newspaper clippings documents the islands of the West Indies. The collection encompasses the Greater and Lesser Antilles, as well as the islands and nations of South America, and includes Cuba, Jamaica, Trinidad and Tobago and Surinam.","UCF Special Collections","Bryant, William L.","English"],"unitid_tesim":["SC.005","/repositories/4/resources/103"],"normalized_date_ssm":["1682-1968"],"normalized_title_ssm":["Bryant West Indies Ephemera Collection, 1682-1968"],"collection_title_tesim":["Bryant West Indies Ephemera Collection, 1682-1968"],"collection_ssim":["Bryant West Indies Ephemera Collection, 1682-1968"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Antilles, Greater","Antilles, Lesser","Cuba","Dominican Republic","Haiti","Jamaica","Trinidad and Tobago","West Indies","Windward Islands (West Indies)"],"geogname_ssim":["Antilles, Greater","Antilles, Lesser","Cuba","Dominican Republic","Haiti","Jamaica","Trinidad and Tobago","West Indies","Windward Islands (West Indies)"],"places_ssim":["Antilles, Greater","Antilles, Lesser","Cuba","Dominican Republic","Haiti","Jamaica","Trinidad and Tobago","West Indies","Windward Islands (West Indies)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["William L. Bryant. donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 1973 (CFM1973_01)."],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet 1 Box, 1 Flat File"],"extent_tesim":["0.5 Linear Feet 1 Box, 1 Flat File"],"date_range_isim":[1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection was arranged according to geographic area. It was divided into three main areas, the Greater Antilles, the Lesser Antilles and the maps of the islands.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection was arranged according to geographic area. It was divided into three main areas, the Greater Antilles, the Lesser Antilles and the maps of the islands."],"bioghist_html_tesm":["\u003cp\u003eWilliam Junior Bryant, or June, as he preferred to be called, was born May 4, 1904 in Springfield Vermont. He attended Springfield High School, Phillips Exeter Academy, and graduated from Dartmouth College in 1925. Bryant worked for Bryant Chucking Grinding Co., a machine tool company founded by his father, William Leroy Bryant, from 1928 to 1946, becoming president in 1946. He started the William L. Bryant Foundation in 1950, named for his father, to begin excavations in Florida, Spain and the Caribbean. The Foundation helped Bryant to pursue his interest in archeology which fueled his passion for collecting works of art, cultural and ethnic items and books.\u003c/p\u003e\n","\u003cp\u003eJune Bryant divided the year between properties in Woodstock, VT from May until November, and the warmer climate of Tangerine, FL from November until May, each year, after retiring from the Bryant Chucking Grinding Co. in 1960. It was in this time that Bryant was able to dedicate more time to his other pursuits. Over the years he had started collecting works of art from areas in Spain, Florida and the Caribbean. These Florida and Caribbean works were collected over a period of twenty years.\u003c/p\u003e\n","\u003cp\u003eBryant purchased some of the collection himself, through catalogues and an art dealer in New York, but a considerable amount of the purchasing was done by Eleanor Sleight. She was the director of the Central Florida Museum in the late 1960s and later became the representative of the William L. Bryant Foundation. A large part of the collection was gathered in the trips Sleight took to the islands from 1969-1972.\u003c/p\u003e\n","\u003cp\u003eThe Bryant West Indies Collection was moved in 1972 from the Central Florida Museum to the library of Florida Technological University, now the University of Central Florida. Bryant thought it was important to keep the collection in Florida where he felt it would be better valued due to the close proximity to the West Indies. Part of the Bryant West Indies Collection is displayed annually.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["William Junior Bryant, or June, as he preferred to be called, was born May 4, 1904 in Springfield Vermont. He attended Springfield High School, Phillips Exeter Academy, and graduated from Dartmouth College in 1925. Bryant worked for Bryant Chucking Grinding Co., a machine tool company founded by his father, William Leroy Bryant, from 1928 to 1946, becoming president in 1946. He started the William L. Bryant Foundation in 1950, named for his father, to begin excavations in Florida, Spain and the Caribbean. The Foundation helped Bryant to pursue his interest in archeology which fueled his passion for collecting works of art, cultural and ethnic items and books.","June Bryant divided the year between properties in Woodstock, VT from May until November, and the warmer climate of Tangerine, FL from November until May, each year, after retiring from the Bryant Chucking Grinding Co. in 1960. It was in this time that Bryant was able to dedicate more time to his other pursuits. Over the years he had started collecting works of art from areas in Spain, Florida and the Caribbean. These Florida and Caribbean works were collected over a period of twenty years.","Bryant purchased some of the collection himself, through catalogues and an art dealer in New York, but a considerable amount of the purchasing was done by Eleanor Sleight. She was the director of the Central Florida Museum in the late 1960s and later became the representative of the William L. Bryant Foundation. A large part of the collection was gathered in the trips Sleight took to the islands from 1969-1972.","The Bryant West Indies Collection was moved in 1972 from the Central Florida Museum to the library of Florida Technological University, now the University of Central Florida. Bryant thought it was important to keep the collection in Florida where he felt it would be better valued due to the close proximity to the West Indies. Part of the Bryant West Indies Collection is displayed annually."],"prefercite_html_tesm":["\u003cp\u003eBryant West indies Ephemera Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Bryant West indies Ephemera Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Jessica Achberger; finding aid prepared by Jessica Achberger.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Jessica Achberger; finding aid prepared by Jessica Achberger."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection is related to the William L. Bryant Collection, including audio, slides and parliamentary acts, as well as The Legacy of the Spirit Virtual Exhibit available on the Special Collections website. The Bryant collection of Spanish works can be found at Dartmouth College, where they are housed in the Baker Library. The papers of the William L. Bryant Foundation and the papers of William Junior Bryant and Bryant Family are housed in the Rauner Special Collection Library, also at Dartmouth College.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection is related to the William L. Bryant Collection, including audio, slides and parliamentary acts, as well as The Legacy of the Spirit Virtual Exhibit available on the Special Collections website. The Bryant collection of Spanish works can be found at Dartmouth College, where they are housed in the Baker Library. The papers of the William L. Bryant Foundation and the papers of William Junior Bryant and Bryant Family are housed in the Rauner Special Collection Library, also at Dartmouth College."],"scopecontent_html_tesm":["\u003cp\u003eThe Bryant West Indies Ephemera Collection is apart of the larger William L. Bryant West Indies Collection and includes tourism brochures, pamphlets, booklets and newspaper clippings from the islands and nations of the Caribbean and South America.\u003c/p\u003e\n","\u003cp\u003eSeries I: Greater Antilles, 1901-1968 contains materials related to the islands in the Western portion of the Caribbean. Islands included in this series are Cuba, the Dominican Republic, Haiti, Jamaica and Puerto Rico.\u003c/p\u003e\n","\u003cp\u003eSeries II: Lesser Antilles, 1682-1957, consists of materials related to the islands in the Eastern portion of the Caribbean. Islands included in this series are the Windward Islands, including Barbados, Saint Lucia and Trinadad and Tobago, as well as Dominica.\u003c/p\u003e\n","\u003cp\u003eSeries III: Maps, 1965-1980, includes oversize maps of the West Indies, South America, and North America. Some of the maps are reproductions of the originals.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Bryant West Indies Ephemera Collection is apart of the larger William L. Bryant West Indies Collection and includes tourism brochures, pamphlets, booklets and newspaper clippings from the islands and nations of the Caribbean and South America.","Series I: Greater Antilles, 1901-1968 contains materials related to the islands in the Western portion of the Caribbean. Islands included in this series are Cuba, the Dominican Republic, Haiti, Jamaica and Puerto Rico.","Series II: Lesser Antilles, 1682-1957, consists of materials related to the islands in the Eastern portion of the Caribbean. Islands included in this series are the Windward Islands, including Barbados, Saint Lucia and Trinadad and Tobago, as well as Dominica.","Series III: Maps, 1965-1980, includes oversize maps of the West Indies, South America, and North America. Some of the maps are reproductions of the originals."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_96c28917cd01a938a16dc322adbe4578\" label=\"Abstract\"\u003eThis collection of tourism brochures, pamphlets, maps and newspaper clippings documents the islands of the West Indies. The collection encompasses the Greater and Lesser Antilles, as well as the islands and nations of South America, and includes Cuba, Jamaica, Trinidad and Tobago and Surinam.\u003c/abstract\u003e"],"abstract_tesim":["This collection of tourism brochures, pamphlets, maps and newspaper clippings documents the islands of the West Indies. The collection encompasses the Greater and Lesser Antilles, as well as the islands and nations of South America, and includes Cuba, Jamaica, Trinidad and Tobago and Surinam."],"names_ssim":["UCF Special Collections","Bryant, William L."],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Bryant, William L."],"persname_ssim":["Bryant, William L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":38,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857640910782464,"_root_":"a45d947c9de6cc8505dce499","timestamp":"2026-07-16T08:01:21.789Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a45d947c9de6cc8505dce499_aspace_8596"}},{"id":"3018d7acc866cce1e2f00be2_aspace_4c2ce8652dd72c62a75945c75070e04e","type":"File","attributes":{"title":"Greater Miami Philharmonic, 1966","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3018d7acc866cce1e2f00be2_aspace_4c2ce8652dd72c62a75945c75070e04e#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_4c2ce8652dd72c62a75945c75070e04e","ref_ssm":["aspace_4c2ce8652dd72c62a75945c75070e04e","aspace_4c2ce8652dd72c62a75945c75070e04e"],"id":"3018d7acc866cce1e2f00be2_aspace_4c2ce8652dd72c62a75945c75070e04e","title_filing_ssi":"Greater Miami Philharmonic","title_ssm":["Greater Miami Philharmonic"],"title_tesim":["Greater Miami Philharmonic"],"unitdate_other_ssim":["1966"],"normalized_date_ssm":["1966"],"normalized_title_ssm":["Greater Miami Philharmonic, 1966"],"text":["Greater Miami Philharmonic, 1966","Mickey Wolfson Theater Collection, 1946-2015","Box 35","U.S. Arts","Arts in Florida","/repositories/2/archival_objects/74986","box 35","folder 11"],"component_level_isim":[4],"parent_ids_ssim":["3018d7acc866cce1e2f00be2","3018d7acc866cce1e2f00be2_aspace_2d406ed6b3a1a9274ff72faf6ad70415","3018d7acc866cce1e2f00be2_aspace_fdb69d8f3dddec1dc409517a697b0ae2","3018d7acc866cce1e2f00be2_aspace_2fdc17b2b1148c42fe811bd5b864c335"],"parent_unittitles_ssm":["Mickey Wolfson Theater Collection, 1946-2015","Box 35","U.S. Arts","Arts in Florida"],"parent_unittitles_tesim":["Mickey Wolfson Theater Collection, 1946-2015","Box 35","U.S. Arts","Arts in Florida"],"parent_levels_ssm":["collection","Other level","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/74986"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Mickey Wolfson Theater Collection, 1946-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1089,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"date_range_isim":[1966],"containers_ssim":["box 35","folder 11"],"_nest_path_":"/components#34/components#0/components#0/components#10","_nest_parent_":"3018d7acc866cce1e2f00be2_aspace_2fdc17b2b1148c42fe811bd5b864c335","_root_":"3018d7acc866cce1e2f00be2","timestamp":"2026-04-29T02:04:07.331Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3018d7acc866cce1e2f00be2","title_ssm":["Mickey Wolfson Theater Collection"],"title_tesim":["Mickey Wolfson Theater Collection"],"ead_ssi":"3018d7acc866cce1e2f00be2","unitdate_ssm":["1946-2015"],"unitdate_inclusive_ssm":["1946-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8095","/repositories/2/resources/80"],"text":["SPC8095","/repositories/2/resources/80","Mickey Wolfson Theater Collection, 1946-2015","Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. ","There is one sub-series under U.S. Arts entitled Arts in Florida.","Materials are in alphabetical and date order.","Mitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906– May 9, 1980) and Mitchell Wolfson (1900–1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963–1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. ","\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts Décoratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. ","\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)","The materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana.","The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","Language of materials is in English unless otherwise noted.","FIU Special Collections","Mitchell \"Mickey\" Wolfson, Jr., b.1939","Afrikaans Arabic Bulgarian Chinese Croatian Czech Danish English Finnish French German Italian Japanese Latin Malay Polish Romanian; Moldavian; Moldovan Russian Slovak Swedish"],"unitid_tesim":["SPC8095","/repositories/2/resources/80"],"normalized_date_ssm":["1946-2015"],"normalized_title_ssm":["Mickey Wolfson Theater Collection, 1946-2015"],"collection_title_tesim":["Mickey Wolfson Theater Collection, 1946-2015"],"collection_ssim":["Mickey Wolfson Theater Collection, 1946-2015"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creator_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creator_persname_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creators_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"access_terms_ssm":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Mickey Wolfson"],"access_subjects_ssim":["Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills"],"access_subjects_ssm":["Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills"],"has_online_content_ssim":["false"],"extent_ssm":["18.33 Linear Feet"],"extent_tesim":["18.33 Linear Feet"],"physfacet_tesim":["44 5\" document cases"],"genreform_ssim":["Playbills"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. \u003c/p\u003e\n","\u003cp\u003eThere is one sub-series under U.S. Arts entitled Arts in Florida.\u003c/p\u003e\n","\u003cp\u003eMaterials are in alphabetical and date order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. ","There is one sub-series under U.S. Arts entitled Arts in Florida.","Materials are in alphabetical and date order."],"bioghist_html_tesm":["\u003cp\u003eMitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906\u0026#x2013; May 9, 1980) and Mitchell Wolfson (1900\u0026#x2013;1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963\u0026#x2013;1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. \u003c/p\u003e\n","\u003cp\u003eCollector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. \u003c/p\u003e\n","\u003cp\u003eIn 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. \u003c/p\u003e\n","\u003cp\u003e\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts D\u0026#xE9;coratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. \u003c/p\u003e\n","\u003cp\u003e\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Mitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906– May 9, 1980) and Mitchell Wolfson (1900–1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963–1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. ","\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts Décoratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. ","\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)"],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana."],"userestrict_html_tesm":["\u003cp\u003eThe Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_7e877df1254b1c8344c609e6bb627e19\"\u003eLanguage of materials is in English unless otherwise noted.\u003c/materialspec\u003e"],"materialspec_tesim":["Language of materials is in English unless otherwise noted."],"names_ssim":["FIU Special Collections","Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"language_ssim":["Afrikaans Arabic Bulgarian Chinese Croatian Czech Danish English Finnish French German Italian Japanese Latin Malay Polish Romanian; Moldavian; Moldovan Russian Slovak Swedish"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1292,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3018d7acc866cce1e2f00be2","timestamp":"2026-04-29T02:04:07.331Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3018d7acc866cce1e2f00be2_aspace_4c2ce8652dd72c62a75945c75070e04e"}},{"id":"8a73df5bac3fcd9650e65378_aspace_40a9fc0d29d21f2d12ab8ec48adb3d9d","type":"File","attributes":{"title":"Greece Postcards, 1960-1999","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378_aspace_40a9fc0d29d21f2d12ab8ec48adb3d9d#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains a binder with postcards collected by members of the Hasterlik-Hine family. The binder is titled \"Greece\" (Item 5632).\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378_aspace_40a9fc0d29d21f2d12ab8ec48adb3d9d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_40a9fc0d29d21f2d12ab8ec48adb3d9d","ref_ssm":["aspace_40a9fc0d29d21f2d12ab8ec48adb3d9d","aspace_40a9fc0d29d21f2d12ab8ec48adb3d9d"],"id":"8a73df5bac3fcd9650e65378_aspace_40a9fc0d29d21f2d12ab8ec48adb3d9d","title_filing_ssi":"Greece Postcards","title_ssm":["Greece Postcards"],"title_tesim":["Greece Postcards"],"unitdate_inclusive_ssm":["1960-1999"],"normalized_date_ssm":["1960-1999"],"normalized_title_ssm":["Greece Postcards, 1960-1999"],"text":["Greece Postcards, 1960-1999","Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04","002","/repositories/10/archival_objects/180862","98.0729 Box 11","folder 002","This folder contains a binder with postcards collected by members of the Hasterlik-Hine family. The binder is titled \"Greece\" (Item 5632)."],"component_level_isim":[1],"parent_ids_ssim":["8a73df5bac3fcd9650e65378"],"parent_unittitles_ssm":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"parent_unittitles_tesim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"parent_levels_ssm":["collection"],"unitid_ssm":["002","/repositories/10/archival_objects/180862"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":124,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"containers_ssim":["98.0729 Box 11","folder 002"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains a binder with postcards collected by members of the Hasterlik-Hine family. The binder is titled \"Greece\" (Item 5632).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains a binder with postcards collected by members of the Hasterlik-Hine family. The binder is titled \"Greece\" (Item 5632)."],"_nest_path_":"/components#123","_nest_parent_":"8a73df5bac3fcd9650e65378","_root_":"8a73df5bac3fcd9650e65378","timestamp":"2026-05-21T02:46:35.829Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8a73df5bac3fcd9650e65378","title_filing_ssi":"Hasterlik-Hine collection","title_ssm":["Hasterlik-Hine collection"],"title_tesim":["Hasterlik-Hine collection"],"ead_ssi":"8a73df5bac3fcd9650e65378","unitdate_ssm":["1700-2000","Date accessioned: 2019-12-04"],"unitdate_inclusive_ssm":["1700-2000"],"unitdate_other_ssim":["Date accessioned: 2019-12-04"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["98.0729","/repositories/10/resources/110"],"text":["98.0729","/repositories/10/resources/110","Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04","World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards.","This collection is open to all researchers.","Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll","The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.","FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul","English German"],"unitid_tesim":["98.0729","/repositories/10/resources/110"],"normalized_date_ssm":["1700-2000, Date accessioned: 2019-12-04"],"normalized_title_ssm":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_title_tesim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_ssim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_ssim":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"creator_famname_ssim":["Christansen"],"creators_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul","Christansen"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"access_subjects_ssim":["World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards."],"access_subjects_ssm":["World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards."],"has_online_content_ssim":["false"],"extent_ssm":["15.5 Linear Feet 18 boxes, 13 1LF boxes and 5 .5LF boxes"],"extent_tesim":["15.5 Linear Feet 18 boxes, 13 1LF boxes and 5 .5LF boxes"],"genreform_ssim":["Personal correspondence","Postcards."],"date_range_isim":[1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_98_0729\"\u003ehttp://purl.fcla.edu/fsu/WWII_98_0729\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_98_0729 ."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\" target=\"_blank\"\u003ehttps://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Link to selected digitized materials from this collection."],"relatedmaterial_tesim":["https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll"],"scopecontent_html_tesm":["\u003cp\u003eThe Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"names_ssim":["FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Christansen","Hasterlik, Paul"],"famname_ssim":["Christansen"],"persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"language_ssim":["English German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":169,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8a73df5bac3fcd9650e65378","timestamp":"2026-05-21T02:46:35.829Z","bioghist_html_tesm":["\u003cp\u003eGiulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado. \u003cbr\u003e\u003cbr\u003e\nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless.\u003cbr\u003e\u003cbr\u003e\nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as \u0026#xC4;ll\u0026#xE4;gg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna.\u003cbr\u003e\u003cbr\u003e\nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life.\u003cbr\u003e\u003cbr\u003e\nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of\u0026#x2026; all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna.\u003cbr\u003e\u003cbr\u003e\nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal.\u003cbr\u003e\u003cbr\u003e\nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you\u0026#x2026; about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things\u0026#x2026;\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378_aspace_40a9fc0d29d21f2d12ab8ec48adb3d9d"}},{"id":"45807c67f367973431520ee3_aspace_79c15be104a7edcc0303f3a7cbf90b2e","type":"Series","attributes":{"title":"Green Cove Springs, Florida, 1900-1980, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/45807c67f367973431520ee3_aspace_79c15be104a7edcc0303f3a7cbf90b2e#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_79c15be104a7edcc0303f3a7cbf90b2e","ref_ssm":["aspace_79c15be104a7edcc0303f3a7cbf90b2e","aspace_79c15be104a7edcc0303f3a7cbf90b2e"],"id":"45807c67f367973431520ee3_aspace_79c15be104a7edcc0303f3a7cbf90b2e","title_filing_ssi":"Green Cove Springs, Florida","title_ssm":["Green Cove Springs, Florida"],"title_tesim":["Green Cove Springs, Florida"],"unitdate_inclusive_ssm":["1900-1980"],"unitdate_other_ssim":["Undated"],"normalized_date_ssm":["1900-1980, Undated"],"normalized_title_ssm":["Green Cove Springs, Florida, 1900-1980, Undated"],"text":["Green Cove Springs, Florida, 1900-1980, Undated","Northeast Florida Regional Postcard Collection, 1858-2019","/repositories/3/archival_objects/9650","box 1","folder 24"],"component_level_isim":[1],"parent_ids_ssim":["45807c67f367973431520ee3"],"parent_unittitles_ssm":["Northeast Florida Regional Postcard Collection, 1858-2019"],"parent_unittitles_tesim":["Northeast Florida Regional Postcard Collection, 1858-2019"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/9650"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Northeast Florida Regional Postcard Collection, 1858-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":24,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"containers_ssim":["box 1","folder 24"],"_nest_path_":"/components#23","_nest_parent_":"45807c67f367973431520ee3","_root_":"45807c67f367973431520ee3","_version_":1872853597225484288,"timestamp":"2026-08-07T08:46:14.061Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"45807c67f367973431520ee3","title_ssm":["Northeast Florida Regional Postcard Collection"],"title_tesim":["Northeast Florida Regional Postcard Collection"],"ead_ssi":"45807c67f367973431520ee3","unitdate_ssm":["1858-2019"],"unitdate_inclusive_ssm":["1858-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2024.001","/repositories/3/resources/82"],"text":["2024.001","/repositories/3/resources/82","Northeast Florida Regional Postcard Collection, 1858-2019","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. ","\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  ","\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. ","\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. ","Sources:\n New York State Library Postcard Collection-Appendix C","Greetings from the Smithsonian: A Postcard History","This collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:","Series 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.","Series 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida","Series 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.","Series 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.","Series 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.","Series 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.","Series 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.","Series 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.","Series 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.","Series 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.","Series 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.","Series 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. ","Series 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. ","Series 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. ","Series 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. ","Series 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.","Series 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.","Series 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.","Series 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. ","Series 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.","Series 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. ","Series 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. ","Series 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026WB Drew Company, and cards addressed to Jacksonville addresses.","Series 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. ","Series 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. ","Series 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. ","Series 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. ","Series 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. ","Series 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. ","Series 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.","Series 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. ","Series 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. ","Series 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.","Series 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. ","Series 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.","Series 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. ","Series 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.","Series 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.","Series 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. ","Series 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. ","Series 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.","Series 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. ","Series 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.","Series 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. ","Series 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. ","Series 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.","Series 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. ","Series 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. ","Series 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.","Series 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida","Series 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, ","Series 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.","Series 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.","Series 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. ","Series 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.","Series 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. ","Series 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.","Series 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. ","Series 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. ","Series 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.","Series 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.","Series 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. ","Series 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. ","Series 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. ","Series 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. ","Series 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. ","Series 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2024.001","/repositories/3/resources/82"],"normalized_date_ssm":["1858-2019"],"normalized_title_ssm":["Northeast Florida Regional Postcard Collection, 1858-2019"],"collection_title_tesim":["Northeast Florida Regional Postcard Collection, 1858-2019"],"collection_ssim":["Northeast Florida Regional Postcard Collection, 1858-2019"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation."],"has_online_content_ssim":["false"],"extent_ssm":["1.92 Linear Feet"],"extent_tesim":["1.92 Linear Feet"],"date_range_isim":[1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003e\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. \u003c/p\u003e\n","\u003cp\u003e\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  \u003c/p\u003e\n","\u003cp\u003e\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. \u003c/p\u003e\n","\u003cp\u003e\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. \u003c/p\u003e\n","\u003cp\u003eSources:\n\u003cextref href=\"https://www.nysl.nysed.gov/msscfa/qc16510ess.htm\"\u003eNew York State Library Postcard Collection-Appendix C\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://siarchives.si.edu/history/featured-topics/postcard/postcard-history\"\u003eGreetings from the Smithsonian: A Postcard History\u003c/extref\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. ","\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  ","\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. ","\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. ","Sources:\n New York State Library Postcard Collection-Appendix C","Greetings from the Smithsonian: A Postcard History"],"prefercite_html_tesm":["\u003cp\u003eNortheast Florida Regional Postcard Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Northeast Florida Regional Postcard Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.\u003c/p\u003e\n","\u003cp\u003eSeries 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida\u003c/p\u003e\n","\u003cp\u003eSeries 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.\u003c/p\u003e\n","\u003cp\u003eSeries 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.\u003c/p\u003e\n","\u003cp\u003eSeries 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.\u003c/p\u003e\n","\u003cp\u003eSeries 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.\u003c/p\u003e\n","\u003cp\u003eSeries 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.\u003c/p\u003e\n","\u003cp\u003eSeries 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.\u003c/p\u003e\n","\u003cp\u003eSeries 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.\u003c/p\u003e\n","\u003cp\u003eSeries 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. \u003c/p\u003e\n","\u003cp\u003eSeries 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.\u003c/p\u003e\n","\u003cp\u003eSeries 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.\u003c/p\u003e\n","\u003cp\u003eSeries 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. \u003c/p\u003e\n","\u003cp\u003eSeries 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.\u003c/p\u003e\n","\u003cp\u003eSeries 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. \u003c/p\u003e\n","\u003cp\u003eSeries 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. \u003c/p\u003e\n","\u003cp\u003eSeries 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026amp;WB Drew Company, and cards addressed to Jacksonville addresses.\u003c/p\u003e\n","\u003cp\u003eSeries 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. \u003c/p\u003e\n","\u003cp\u003eSeries 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. \u003c/p\u003e\n","\u003cp\u003eSeries 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. \u003c/p\u003e\n","\u003cp\u003eSeries 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. \u003c/p\u003e\n","\u003cp\u003eSeries 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. \u003c/p\u003e\n","\u003cp\u003eSeries 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.\u003c/p\u003e\n","\u003cp\u003eSeries 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. \u003c/p\u003e\n","\u003cp\u003eSeries 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.\u003c/p\u003e\n","\u003cp\u003eSeries 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. \u003c/p\u003e\n","\u003cp\u003eSeries 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.\u003c/p\u003e\n","\u003cp\u003eSeries 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.\u003c/p\u003e\n","\u003cp\u003eSeries 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.\u003c/p\u003e\n","\u003cp\u003eSeries 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. \u003c/p\u003e\n","\u003cp\u003eSeries 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.\u003c/p\u003e\n","\u003cp\u003eSeries 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. \u003c/p\u003e\n","\u003cp\u003eSeries 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.\u003c/p\u003e\n","\u003cp\u003eSeries 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. \u003c/p\u003e\n","\u003cp\u003eSeries 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.\u003c/p\u003e\n","\u003cp\u003eSeries 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.\u003c/p\u003e\n","\u003cp\u003eSeries 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida\u003c/p\u003e\n","\u003cp\u003eSeries 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, \u003c/p\u003e\n","\u003cp\u003eSeries 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.\u003c/p\u003e\n","\u003cp\u003eSeries 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. \u003c/p\u003e\n","\u003cp\u003eSeries 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. \u003c/p\u003e\n","\u003cp\u003eSeries 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.\u003c/p\u003e\n","\u003cp\u003eSeries 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. \u003c/p\u003e\n","\u003cp\u003eSeries 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.\u003c/p\u003e\n","\u003cp\u003eSeries 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. \u003c/p\u003e\n","\u003cp\u003eSeries 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. \u003c/p\u003e\n","\u003cp\u003eSeries 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. \u003c/p\u003e\n","\u003cp\u003eSeries 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. \u003c/p\u003e\n","\u003cp\u003eSeries 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:","Series 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.","Series 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida","Series 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.","Series 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.","Series 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.","Series 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.","Series 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.","Series 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.","Series 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.","Series 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.","Series 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.","Series 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. ","Series 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. ","Series 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. ","Series 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. ","Series 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.","Series 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.","Series 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.","Series 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. ","Series 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.","Series 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. ","Series 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. ","Series 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026WB Drew Company, and cards addressed to Jacksonville addresses.","Series 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. ","Series 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. ","Series 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. ","Series 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. ","Series 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. ","Series 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. ","Series 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.","Series 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. ","Series 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. ","Series 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.","Series 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. ","Series 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.","Series 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. ","Series 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.","Series 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.","Series 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. ","Series 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. ","Series 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.","Series 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. ","Series 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.","Series 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. ","Series 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. ","Series 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.","Series 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. ","Series 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. ","Series 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.","Series 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida","Series 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, ","Series 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.","Series 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.","Series 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. ","Series 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.","Series 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. ","Series 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.","Series 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. ","Series 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. ","Series 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.","Series 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.","Series 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. ","Series 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. ","Series 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. ","Series 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. ","Series 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. ","Series 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":67,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872853597225484288,"_root_":"45807c67f367973431520ee3","timestamp":"2026-08-07T08:46:14.061Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/45807c67f367973431520ee3_aspace_79c15be104a7edcc0303f3a7cbf90b2e"}},{"id":"236a3c88b766327883b2e155_aspace_964ad851efba8daf8a6e728ccc15798d","type":"Item","attributes":{"title":"\"Green Mansions\", 34x44, 1966","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_964ad851efba8daf8a6e728ccc15798d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_964ad851efba8daf8a6e728ccc15798d","ref_ssm":["aspace_964ad851efba8daf8a6e728ccc15798d","aspace_964ad851efba8daf8a6e728ccc15798d"],"id":"236a3c88b766327883b2e155_aspace_964ad851efba8daf8a6e728ccc15798d","title_filing_ssi":"\"Green Mansions\", 34x44","title_ssm":["\"Green Mansions\", 34x44"],"title_tesim":["\"Green Mansions\", 34x44"],"unitdate_inclusive_ssm":["1966"],"normalized_date_ssm":["1966"],"normalized_title_ssm":["\"Green Mansions\", 34x44, 1966"],"text":["\"Green Mansions\", 34x44, 1966","Joy Postle papers, 1910-2015","Art, 1921","Oil Paintings","Landscapes","/repositories/4/archival_objects/87974","/repositories/4/archival_objects/91483","Art Shelf 7"],"component_level_isim":[4],"parent_ids_ssim":["236a3c88b766327883b2e155","236a3c88b766327883b2e155_aspace_5ab8dfb4bc9fc42fe4ab81752f8bfe14","236a3c88b766327883b2e155_aspace_3303cbe5b1b51a02ba6be97aa8f0f912","236a3c88b766327883b2e155_aspace_b5a238643d466812a8c8845dd00221ab"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015","Art, 1921","Oil Paintings","Landscapes"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015","Art, 1921","Oil Paintings","Landscapes"],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/87974","/repositories/4/archival_objects/91483"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":256,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1966],"containers_ssim":["Art Shelf 7"],"_nest_path_":"/components#0/components#4/components#3/components#0","_nest_parent_":"236a3c88b766327883b2e155_aspace_b5a238643d466812a8c8845dd00221ab","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_964ad851efba8daf8a6e728ccc15798d"}},{"id":"5c664f35ba84cce3023f6a62_aspace_c03245234090e4e9f7fc95cca17f869a","type":"File","attributes":{"title":"Gregor, A. James, 1963-1973","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_c03245234090e4e9f7fc95cca17f869a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c03245234090e4e9f7fc95cca17f869a","ref_ssm":["aspace_c03245234090e4e9f7fc95cca17f869a","aspace_c03245234090e4e9f7fc95cca17f869a"],"id":"5c664f35ba84cce3023f6a62_aspace_c03245234090e4e9f7fc95cca17f869a","title_filing_ssi":"Gregor, A. James","title_ssm":["Gregor, A. James"],"title_tesim":["Gregor, A. James"],"unitdate_inclusive_ssm":["1963-1973"],"normalized_date_ssm":["1963-1973"],"normalized_title_ssm":["Gregor, A. James, 1963-1973"],"text":["Gregor, A. James, 1963-1973","Niara Sudarkasa Collection, 1934-2006","Writings by others","/repositories/2/archival_objects/29413","Box 56","folder 20"],"component_level_isim":[2],"parent_ids_ssim":["5c664f35ba84cce3023f6a62","5c664f35ba84cce3023f6a62_aspace_60421e776c845bf7cd0dc7e916c56d99"],"parent_unittitles_ssm":["Niara Sudarkasa Collection, 1934-2006","Writings by others"],"parent_unittitles_tesim":["Niara Sudarkasa Collection, 1934-2006","Writings by others"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/29413"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1396,"parent_access_restrict_tesm":["The Niara Sudarkasa Collection is open for research."],"date_range_isim":[1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973],"containers_ssim":["Box 56","folder 20"],"_nest_path_":"/components#4/components#545","_nest_parent_":"5c664f35ba84cce3023f6a62_aspace_60421e776c845bf7cd0dc7e916c56d99","_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5c664f35ba84cce3023f6a62","title_filing_ssi":"Sudarkasa, Niara Collection","title_ssm":["Niara Sudarkasa Collection"],"title_tesim":["Niara Sudarkasa Collection"],"ead_ssi":"5c664f35ba84cce3023f6a62","unitdate_ssm":["1934-2006"],"unitdate_inclusive_ssm":["1934-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2006.4","/repositories/2/resources/51"],"text":["AARLCC.2006.4","/repositories/2/resources/51","Niara Sudarkasa Collection, 1934-2006","Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals","The Niara Sudarkasa Collection is open for research.","View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.","Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.","The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.","The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.","Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".","AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara","English"],"unitid_tesim":["AARLCC.2006.4","/repositories/2/resources/51"],"normalized_date_ssm":["1934-2006"],"normalized_title_ssm":["Niara Sudarkasa Collection, 1934-2006"],"collection_title_tesim":["Niara Sudarkasa Collection, 1934-2006"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"creator_ssm":["Sudarkasa, Niara"],"creator_ssim":["Sudarkasa, Niara"],"creator_persname_ssim":["Sudarkasa, Niara"],"creators_ssim":["Sudarkasa, Niara"],"acqinfo_ssim":["Dr. Niara Sudarkasa donated the materials to the AARLCC Special Collections on October 17, 2006 (Accession AARLCC-2006.4)."],"access_subjects_ssim":["Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals"],"access_subjects_ssm":["Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals"],"has_online_content_ssim":["false"],"extent_ssm":["400 Hollinger Boxes","410 Linear Feet"],"extent_tesim":["400 Hollinger Boxes","410 Linear Feet"],"genreform_ssim":["Correspondence","Photographs","plaques (flat objects)","Periodicals"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Niara Sudarkasa Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/nsb\" target=\"_blank\"\u003eView a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives."],"bioghist_html_tesm":["\u003cp\u003eNiara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.\u003c/p\u003e\n","\u003cp\u003eGloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. \u003c/p\u003e\n","\u003cp\u003eGloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.\u003c/p\u003e\n","\u003cp\u003eIn 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Al\u0026#xE1;y\u0026#xE9;l\u0026#xFA;w\u0026#xE0; \u0026#x1ECC;ba \u0026#x1ECC;k\u0026#xFA;nad\u0026#xE9; Sijuwade Ol\u0026#xFA;b\u0026#xF9;s\u0026#x1EB9; II of the Royal Court of If\u0026#x1EB9;\u0026#x301; conferred upon her the chieftaincy title Y\u0026#xE8;y\u0026#xE9; Ol\u0026#xF3;kun \u0026#xCC;gb\u0026#xE0;d\u0026#xE9;r\u0026#xF2;. She was the first African American to receive this honor from the If\u0026#x1EB9;\u0026#x301; Kingdom.\u003c/p\u003e\n","\u003cp\u003eFollowing her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship."],"prefercite_html_tesm":["\u003cp\u003eNiara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Niara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. \u003c/p\u003e","\u003cp\u003eParts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant."],"scopecontent_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=SUD\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\"."],"names_coll_ssim":["University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"names_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara"],"corpname_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"persname_ssim":["Sudarkasa, Niara"],"language_ssim":["English"],"total_component_count_is":2760,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_c03245234090e4e9f7fc95cca17f869a"}},{"id":"5ebbefeb2996d060de1a6f76","type":"collection","attributes":{"title":"Gregory B. Wolfe Papers \u0026 Ephemera, 1954-1991","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/5ebbefeb2996d060de1a6f76#creator","type":"document_value","attributes":{"value":["Wolfe, Gregory B."],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/5ebbefeb2996d060de1a6f76#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe materials in this collection represent the subject's career as an academic administrator. Some personal correspondence is present, however, the majority of the collection contains awards, appointment books, and other ephemera. \u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5ebbefeb2996d060de1a6f76#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"5ebbefeb2996d060de1a6f76","title_ssm":["Gregory B. Wolfe Papers \u0026 Ephemera"],"title_tesim":["Gregory B. Wolfe Papers \u0026 Ephemera"],"ead_ssi":"5ebbefeb2996d060de1a6f76","unitdate_ssm":["1954-1991"],"unitdate_inclusive_ssm":["1954-1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC601","/repositories/2/resources/119"],"text":["SPC601","/repositories/2/resources/119","Gregory B. Wolfe Papers \u0026 Ephemera, 1954-1991","Campus Violence ","Universities and Colleges - Security Measures","Colleges and Universities - Administration","Protest Movements","Cambodia","Kent State Shootings, Kent, Ohio, 1970","Florida International University President","Portland State University, Portland Oregon","The Collection is Open for Research","This collection is organized into 4 boxes. The 5\" archival boxes contain documents and awards. The two banker file boxes contain the appointment books and the Japanese schoolhouse.","Gregory Baker Wolfe (January 27, 1922 - December 12, 2015) was the third president of Florida International University. He was born in Los Angeles, California to Russian immigrant parents. He received a Bachelor's degree from Reed College in Oregon, and a Ph.D. from the Fletcher School of Law and Diplomacy, Tufts University, Massachusetts. Dr. Wolfe was a veteran of World War II, where he served as an intelligence analyst for the U.S. State Department and commanded an LST (Landing Ship/Tank) in the Western Pacific Theater of Operations. ","Dr. Wolfe served in the administrations of Presidents John F. Kennedy and Lyndon Johnson. He was responsible for the direction of the Latin American Program of the private Committee for Economic Development. Presidents Kennedy and Johnson asked him to serve as federal negotiator of the Interstate Compact Commission charged with planning, organizing and financing the Washington Area Metropolitan Transit Authority. He concurrently served as the chief of the Department of State's Intelligence Bureau for Latin America.","In 1968 he was appointed president of Portland State University in Oregon, a post he held until 1974. This was an unsettled time in American history, especially on college campuses, and President Wolfe dealt with a few challenges during his tenure. In 1979 he was appointed as the third president of Florida International University in Miami. FIU was a young university, having opened for classes in the fall of 1972, which gave him an opportunity to build a university almost from the ground up. \"Gregory brought a level of cosmopolitan, global vision of things but he was a realist at the same time. He was very good at turning the impossible into the inevitable,\" said former FIU President Mark Rosenberg. \"He was the one who convinced the Legislature and Board of Regents to allow FIU to have a robust graduate program offering. He is the father of a lot of our graduate programs. The Latin American and Caribbean Studies program took off largely because of his presence and his contacts in Washington — he was a Washington insider for a time — and that really helped us.\" ","In addition to his 20 years in university administration, Gregory held teaching appointments on the faculties of Pomona College, the Claremont Graduate School, the Massachusetts Institute of Technology, Portland State University, American University, and Florida International. He was a Fulbright Lecturer in Ecuador and Visiting Scholar at Cambridge University, England. He received the Order of Civil Merit from the King of Spain for his role in creating a national Economic Study Center.","(Biographical information provided by Wikipedia, Reed Magazine (of Reed College) obituary, and the collection)","The materials in this collection represent the subject's career as an academic administrator. Some personal correspondence is present, however, the majority of the collection contains awards, appointment books, and other ephemera. ","Of special note are documents and reports related to campus protests at Portland State University during May of 1970. Strikes and protests were held in opposition to the Invasion of Cambodia and the shooting of student-protesters at Kent State University in Ohio. ","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Florida International University-Faculty.","Wolfe, Gregory B.","English"],"unitid_tesim":["SPC601","/repositories/2/resources/119"],"normalized_date_ssm":["1954-1991"],"normalized_title_ssm":["Gregory B. Wolfe Papers \u0026 Ephemera, 1954-1991"],"collection_title_tesim":["Gregory B. Wolfe Papers \u0026 Ephemera, 1954-1991"],"collection_ssim":["Gregory B. Wolfe Papers \u0026 Ephemera, 1954-1991"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Wolfe, Gregory B."],"creator_ssim":["Wolfe, Gregory B."],"creator_persname_ssim":["Wolfe, Gregory B."],"creators_ssim":["Wolfe, Gregory B."],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Dr. Wolfe"],"access_subjects_ssim":["Campus Violence ","Universities and Colleges - Security Measures","Colleges and Universities - Administration","Protest Movements","Cambodia","Kent State Shootings, Kent, Ohio, 1970","Florida International University President","Portland State University, Portland Oregon"],"access_subjects_ssm":["Campus Violence ","Universities and Colleges - Security Measures","Colleges and Universities - Administration","Protest Movements","Cambodia","Kent State Shootings, Kent, Ohio, 1970","Florida International University President","Portland State University, Portland Oregon"],"has_online_content_ssim":["false"],"extent_ssm":["4 boxes"],"extent_tesim":["4 boxes"],"physfacet_tesim":["2 5\" Legal-Size Archival Document Containers\n2 Banker Style Document Boxes"],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eThe Collection is Open for Research\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Collection is Open for Research"],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into 4 boxes. The 5\" archival boxes contain documents and awards. The two banker file boxes contain the appointment books and the Japanese schoolhouse.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into 4 boxes. The 5\" archival boxes contain documents and awards. The two banker file boxes contain the appointment books and the Japanese schoolhouse."],"bioghist_html_tesm":["\u003cp\u003eGregory Baker Wolfe (January 27, 1922 - December 12, 2015) was the third president of Florida International University. He was born in Los Angeles, California to Russian immigrant parents. He received a Bachelor's degree from Reed College in Oregon, and a Ph.D. from the Fletcher School of Law and Diplomacy, Tufts University, Massachusetts. Dr. Wolfe was a veteran of World War II, where he served as an intelligence analyst for the U.S. State Department and commanded an LST (Landing Ship/Tank) in the Western Pacific Theater of Operations. \u003c/p\u003e\n","\u003cp\u003eDr. Wolfe served in the administrations of Presidents John F. Kennedy and Lyndon Johnson. He was responsible for the direction of the Latin American Program of the private Committee for Economic Development. Presidents Kennedy and Johnson asked him to serve as federal negotiator of the Interstate Compact Commission charged with planning, organizing and financing the Washington Area Metropolitan Transit Authority. He concurrently served as the chief of the Department of State's Intelligence Bureau for Latin America.\u003c/p\u003e\n","\u003cp\u003eIn 1968 he was appointed president of Portland State University in Oregon, a post he held until 1974. This was an unsettled time in American history, especially on college campuses, and President Wolfe dealt with a few challenges during his tenure. In 1979 he was appointed as the third president of Florida International University in Miami. FIU was a young university, having opened for classes in the fall of 1972, which gave him an opportunity to build a university almost from the ground up. \"Gregory brought a level of cosmopolitan, global vision of things but he was a realist at the same time. He was very good at turning the impossible into the inevitable,\" said former FIU President Mark Rosenberg. \"He was the one who convinced the Legislature and Board of Regents to allow FIU to have a robust graduate program offering. He is the father of a lot of our graduate programs. The Latin American and Caribbean Studies program took off largely because of his presence and his contacts in Washington \u0026#x2014; he was a Washington insider for a time \u0026#x2014; and that really helped us.\" \u003c/p\u003e\n","\u003cp\u003eIn addition to his 20 years in university administration, Gregory held teaching appointments on the faculties of Pomona College, the Claremont Graduate School, the Massachusetts Institute of Technology, Portland State University, American University, and Florida International. He was a Fulbright Lecturer in Ecuador and Visiting Scholar at Cambridge University, England. He received the Order of Civil Merit from the King of Spain for his role in creating a national Economic Study Center.\u003c/p\u003e\n","\u003cp\u003e(Biographical information provided by Wikipedia, Reed Magazine (of Reed College) obituary, and the collection)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Gregory Baker Wolfe (January 27, 1922 - December 12, 2015) was the third president of Florida International University. He was born in Los Angeles, California to Russian immigrant parents. He received a Bachelor's degree from Reed College in Oregon, and a Ph.D. from the Fletcher School of Law and Diplomacy, Tufts University, Massachusetts. Dr. Wolfe was a veteran of World War II, where he served as an intelligence analyst for the U.S. State Department and commanded an LST (Landing Ship/Tank) in the Western Pacific Theater of Operations. ","Dr. Wolfe served in the administrations of Presidents John F. Kennedy and Lyndon Johnson. He was responsible for the direction of the Latin American Program of the private Committee for Economic Development. Presidents Kennedy and Johnson asked him to serve as federal negotiator of the Interstate Compact Commission charged with planning, organizing and financing the Washington Area Metropolitan Transit Authority. He concurrently served as the chief of the Department of State's Intelligence Bureau for Latin America.","In 1968 he was appointed president of Portland State University in Oregon, a post he held until 1974. This was an unsettled time in American history, especially on college campuses, and President Wolfe dealt with a few challenges during his tenure. In 1979 he was appointed as the third president of Florida International University in Miami. FIU was a young university, having opened for classes in the fall of 1972, which gave him an opportunity to build a university almost from the ground up. \"Gregory brought a level of cosmopolitan, global vision of things but he was a realist at the same time. He was very good at turning the impossible into the inevitable,\" said former FIU President Mark Rosenberg. \"He was the one who convinced the Legislature and Board of Regents to allow FIU to have a robust graduate program offering. He is the father of a lot of our graduate programs. The Latin American and Caribbean Studies program took off largely because of his presence and his contacts in Washington — he was a Washington insider for a time — and that really helped us.\" ","In addition to his 20 years in university administration, Gregory held teaching appointments on the faculties of Pomona College, the Claremont Graduate School, the Massachusetts Institute of Technology, Portland State University, American University, and Florida International. He was a Fulbright Lecturer in Ecuador and Visiting Scholar at Cambridge University, England. He received the Order of Civil Merit from the King of Spain for his role in creating a national Economic Study Center.","(Biographical information provided by Wikipedia, Reed Magazine (of Reed College) obituary, and the collection)"],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection represent the subject's career as an academic administrator. Some personal correspondence is present, however, the majority of the collection contains awards, appointment books, and other ephemera. \u003c/p\u003e\n","\u003cp\u003eOf special note are documents and reports related to campus protests at Portland State University during May of 1970. Strikes and protests were held in opposition to the Invasion of Cambodia and the shooting of student-protesters at Kent State University in Ohio. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection represent the subject's career as an academic administrator. Some personal correspondence is present, however, the majority of the collection contains awards, appointment books, and other ephemera. ","Of special note are documents and reports related to campus protests at Portland State University during May of 1970. Strikes and protests were held in opposition to the Invasion of Cambodia and the shooting of student-protesters at Kent State University in Ohio. "],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_coll_ssim":["Florida International University-Faculty."],"names_ssim":["FIU Special Collections","Florida International University-Faculty.","Wolfe, Gregory B."],"corpname_ssim":["FIU Special Collections","Florida International University-Faculty."],"persname_ssim":["Wolfe, Gregory B."],"language_ssim":["English"],"total_component_count_is":45,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844458594992128,"_root_":"5ebbefeb2996d060de1a6f76","timestamp":"2026-07-16T04:31:50.152Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5ebbefeb2996d060de1a6f76","title_ssm":["Gregory B. Wolfe Papers \u0026 Ephemera"],"title_tesim":["Gregory B. Wolfe Papers \u0026 Ephemera"],"ead_ssi":"5ebbefeb2996d060de1a6f76","unitdate_ssm":["1954-1991"],"unitdate_inclusive_ssm":["1954-1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC601","/repositories/2/resources/119"],"text":["SPC601","/repositories/2/resources/119","Gregory B. Wolfe Papers \u0026 Ephemera, 1954-1991","Campus Violence ","Universities and Colleges - Security Measures","Colleges and Universities - Administration","Protest Movements","Cambodia","Kent State Shootings, Kent, Ohio, 1970","Florida International University President","Portland State University, Portland Oregon","The Collection is Open for Research","This collection is organized into 4 boxes. The 5\" archival boxes contain documents and awards. The two banker file boxes contain the appointment books and the Japanese schoolhouse.","Gregory Baker Wolfe (January 27, 1922 - December 12, 2015) was the third president of Florida International University. He was born in Los Angeles, California to Russian immigrant parents. He received a Bachelor's degree from Reed College in Oregon, and a Ph.D. from the Fletcher School of Law and Diplomacy, Tufts University, Massachusetts. Dr. Wolfe was a veteran of World War II, where he served as an intelligence analyst for the U.S. State Department and commanded an LST (Landing Ship/Tank) in the Western Pacific Theater of Operations. ","Dr. Wolfe served in the administrations of Presidents John F. Kennedy and Lyndon Johnson. He was responsible for the direction of the Latin American Program of the private Committee for Economic Development. Presidents Kennedy and Johnson asked him to serve as federal negotiator of the Interstate Compact Commission charged with planning, organizing and financing the Washington Area Metropolitan Transit Authority. He concurrently served as the chief of the Department of State's Intelligence Bureau for Latin America.","In 1968 he was appointed president of Portland State University in Oregon, a post he held until 1974. This was an unsettled time in American history, especially on college campuses, and President Wolfe dealt with a few challenges during his tenure. In 1979 he was appointed as the third president of Florida International University in Miami. FIU was a young university, having opened for classes in the fall of 1972, which gave him an opportunity to build a university almost from the ground up. \"Gregory brought a level of cosmopolitan, global vision of things but he was a realist at the same time. He was very good at turning the impossible into the inevitable,\" said former FIU President Mark Rosenberg. \"He was the one who convinced the Legislature and Board of Regents to allow FIU to have a robust graduate program offering. He is the father of a lot of our graduate programs. The Latin American and Caribbean Studies program took off largely because of his presence and his contacts in Washington — he was a Washington insider for a time — and that really helped us.\" ","In addition to his 20 years in university administration, Gregory held teaching appointments on the faculties of Pomona College, the Claremont Graduate School, the Massachusetts Institute of Technology, Portland State University, American University, and Florida International. He was a Fulbright Lecturer in Ecuador and Visiting Scholar at Cambridge University, England. He received the Order of Civil Merit from the King of Spain for his role in creating a national Economic Study Center.","(Biographical information provided by Wikipedia, Reed Magazine (of Reed College) obituary, and the collection)","The materials in this collection represent the subject's career as an academic administrator. 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Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. 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Dr. Wolfe was a veteran of World War II, where he served as an intelligence analyst for the U.S. State Department and commanded an LST (Landing Ship/Tank) in the Western Pacific Theater of Operations. \u003c/p\u003e\n","\u003cp\u003eDr. Wolfe served in the administrations of Presidents John F. Kennedy and Lyndon Johnson. He was responsible for the direction of the Latin American Program of the private Committee for Economic Development. Presidents Kennedy and Johnson asked him to serve as federal negotiator of the Interstate Compact Commission charged with planning, organizing and financing the Washington Area Metropolitan Transit Authority. He concurrently served as the chief of the Department of State's Intelligence Bureau for Latin America.\u003c/p\u003e\n","\u003cp\u003eIn 1968 he was appointed president of Portland State University in Oregon, a post he held until 1974. This was an unsettled time in American history, especially on college campuses, and President Wolfe dealt with a few challenges during his tenure. In 1979 he was appointed as the third president of Florida International University in Miami. FIU was a young university, having opened for classes in the fall of 1972, which gave him an opportunity to build a university almost from the ground up. \"Gregory brought a level of cosmopolitan, global vision of things but he was a realist at the same time. He was very good at turning the impossible into the inevitable,\" said former FIU President Mark Rosenberg. \"He was the one who convinced the Legislature and Board of Regents to allow FIU to have a robust graduate program offering. He is the father of a lot of our graduate programs. The Latin American and Caribbean Studies program took off largely because of his presence and his contacts in Washington \u0026#x2014; he was a Washington insider for a time \u0026#x2014; and that really helped us.\" \u003c/p\u003e\n","\u003cp\u003eIn addition to his 20 years in university administration, Gregory held teaching appointments on the faculties of Pomona College, the Claremont Graduate School, the Massachusetts Institute of Technology, Portland State University, American University, and Florida International. He was a Fulbright Lecturer in Ecuador and Visiting Scholar at Cambridge University, England. He received the Order of Civil Merit from the King of Spain for his role in creating a national Economic Study Center.\u003c/p\u003e\n","\u003cp\u003e(Biographical information provided by Wikipedia, Reed Magazine (of Reed College) obituary, and the collection)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Gregory Baker Wolfe (January 27, 1922 - December 12, 2015) was the third president of Florida International University. He was born in Los Angeles, California to Russian immigrant parents. He received a Bachelor's degree from Reed College in Oregon, and a Ph.D. from the Fletcher School of Law and Diplomacy, Tufts University, Massachusetts. Dr. Wolfe was a veteran of World War II, where he served as an intelligence analyst for the U.S. State Department and commanded an LST (Landing Ship/Tank) in the Western Pacific Theater of Operations. ","Dr. Wolfe served in the administrations of Presidents John F. Kennedy and Lyndon Johnson. He was responsible for the direction of the Latin American Program of the private Committee for Economic Development. Presidents Kennedy and Johnson asked him to serve as federal negotiator of the Interstate Compact Commission charged with planning, organizing and financing the Washington Area Metropolitan Transit Authority. He concurrently served as the chief of the Department of State's Intelligence Bureau for Latin America.","In 1968 he was appointed president of Portland State University in Oregon, a post he held until 1974. This was an unsettled time in American history, especially on college campuses, and President Wolfe dealt with a few challenges during his tenure. In 1979 he was appointed as the third president of Florida International University in Miami. FIU was a young university, having opened for classes in the fall of 1972, which gave him an opportunity to build a university almost from the ground up. \"Gregory brought a level of cosmopolitan, global vision of things but he was a realist at the same time. He was very good at turning the impossible into the inevitable,\" said former FIU President Mark Rosenberg. \"He was the one who convinced the Legislature and Board of Regents to allow FIU to have a robust graduate program offering. He is the father of a lot of our graduate programs. The Latin American and Caribbean Studies program took off largely because of his presence and his contacts in Washington — he was a Washington insider for a time — and that really helped us.\" ","In addition to his 20 years in university administration, Gregory held teaching appointments on the faculties of Pomona College, the Claremont Graduate School, the Massachusetts Institute of Technology, Portland State University, American University, and Florida International. He was a Fulbright Lecturer in Ecuador and Visiting Scholar at Cambridge University, England. He received the Order of Civil Merit from the King of Spain for his role in creating a national Economic Study Center.","(Biographical information provided by Wikipedia, Reed Magazine (of Reed College) obituary, and the collection)"],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection represent the subject's career as an academic administrator. Some personal correspondence is present, however, the majority of the collection contains awards, appointment books, and other ephemera. \u003c/p\u003e\n","\u003cp\u003eOf special note are documents and reports related to campus protests at Portland State University during May of 1970. Strikes and protests were held in opposition to the Invasion of Cambodia and the shooting of student-protesters at Kent State University in Ohio. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection represent the subject's career as an academic administrator. Some personal correspondence is present, however, the majority of the collection contains awards, appointment books, and other ephemera. ","Of special note are documents and reports related to campus protests at Portland State University during May of 1970. Strikes and protests were held in opposition to the Invasion of Cambodia and the shooting of student-protesters at Kent State University in Ohio. "],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. 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