{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1965\u0026page=33\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1965\u0026page=32\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1965\u0026page=34\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1965\u0026page=438\u0026view=compact"},"meta":{"pages":{"current_page":33,"next_page":34,"prev_page":32,"total_pages":438,"limit_value":10,"offset_value":320,"total_count":4376,"first_page?":false,"last_page?":false}},"data":[{"id":"a0b8dca0cc27e719e79a099f_aspace_b728b2cdfebd889b3247785139be5771","type":"File","attributes":{"title":"Baker, John H., 1954-1965","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_b728b2cdfebd889b3247785139be5771#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFolder includes Corkscrew Swamp Sanctuary updates, habitat maps, and correspondence.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_b728b2cdfebd889b3247785139be5771#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b728b2cdfebd889b3247785139be5771","ref_ssm":["aspace_b728b2cdfebd889b3247785139be5771","aspace_b728b2cdfebd889b3247785139be5771"],"id":"a0b8dca0cc27e719e79a099f_aspace_b728b2cdfebd889b3247785139be5771","title_filing_ssi":"Baker, John H.","title_ssm":["Baker, John H."],"title_tesim":["Baker, John H."],"unitdate_inclusive_ssm":["1954-1965"],"normalized_date_ssm":["1954-1965"],"normalized_title_ssm":["Baker, John H., 1954-1965"],"text":["Baker, John H., 1954-1965","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Subject Files","Audubon of Florida-Big Cypress Museum","/repositories/2/archival_objects/191430","box 23","folder 7","Folder includes Corkscrew Swamp Sanctuary updates, habitat maps, and correspondence."],"component_level_isim":[3],"parent_ids_ssim":["a0b8dca0cc27e719e79a099f","a0b8dca0cc27e719e79a099f_aspace_4c29981ab2b06aeb8893c7a0e3a6accb","a0b8dca0cc27e719e79a099f_aspace_7f7a355e31963bb5e6a8216706bc2688"],"parent_unittitles_ssm":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Subject Files","Audubon of Florida-Big Cypress Museum"],"parent_unittitles_tesim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Subject Files","Audubon of Florida-Big Cypress Museum"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["/repositories/2/archival_objects/191430"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":520,"parent_access_restrict_tesm":["Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"containers_ssim":["box 23","folder 7"],"scopecontent_html_tesm":["\u003cp\u003eFolder includes Corkscrew Swamp Sanctuary updates, habitat maps, and correspondence.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Folder includes Corkscrew Swamp Sanctuary updates, habitat maps, and correspondence."],"_nest_path_":"/components#1/components#1/components#6","_nest_parent_":"a0b8dca0cc27e719e79a099f_aspace_7f7a355e31963bb5e6a8216706bc2688","_root_":"a0b8dca0cc27e719e79a099f","_version_":1872946110924849152,"timestamp":"2026-08-08T09:16:41.949Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a0b8dca0cc27e719e79a099f","title_ssm":["Audubon Society Corkscrew Swamp Sanctuary records"],"title_tesim":["Audubon Society Corkscrew Swamp Sanctuary records"],"ead_ssi":"a0b8dca0cc27e719e79a099f","unitdate_ssm":["1937-2019"],"unitdate_inclusive_ssm":["1937-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2020-03","/repositories/2/resources/583"],"text":["MS-2020-03","/repositories/2/resources/583","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration","Good.","Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society.","This collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.","Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.","The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.","This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.","Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River.","USF Libraries - Tampa Special Collections","Ed Carlson","English"],"unitid_tesim":["MS-2020-03","/repositories/2/resources/583"],"normalized_date_ssm":["1937-2019"],"normalized_title_ssm":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"collection_title_tesim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"collection_ssim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Ed Carlson"],"creator_ssim":["Ed Carlson"],"creator_persname_ssim":["Ed Carlson"],"creators_ssim":["Ed Carlson"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration"],"access_subjects_ssm":["Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good."],"extent_ssm":["51 Linear Feet","96 boxes"],"extent_tesim":["51 Linear Feet","96 boxes"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eUntil 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eAudubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.\u003c/p\u003e"],"bioghist_heading_ssm":["Content Description"],"bioghist_tesim":["Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns."],"odd_html_tesm":["\u003cp\u003eThe Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.\u003c/p\u003e"],"odd_heading_ssm":["Cataloged Publications"],"odd_tesim":["The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings."],"separatedmaterial_html_tesm":["\u003cp\u003eMaps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bf60a5a83f90c49360b71829ac95b658\"\u003eThe Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River.\u003c/abstract\u003e"],"abstract_tesim":["The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River."],"names_ssim":["USF Libraries - Tampa Special Collections","Ed Carlson"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Ed Carlson"],"language_ssim":["English"],"total_component_count_is":2704,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872946110924849152,"_root_":"a0b8dca0cc27e719e79a099f","timestamp":"2026-08-08T09:16:41.949Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_b728b2cdfebd889b3247785139be5771"}},{"id":"4674dbbf638dff3316591cb2_aspace_52683","type":"File","attributes":{"title":"Balansae, circa 1964-1973","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4674dbbf638dff3316591cb2_aspace_52683#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_52683","ref_ssm":["aspace_52683","aspace_52683"],"id":"4674dbbf638dff3316591cb2_aspace_52683","title_filing_ssi":"Balansae","title_ssm":["Balansae"],"title_tesim":["Balansae"],"unitdate_inclusive_ssm":["circa 1964-1973"],"normalized_date_ssm":["circa 1964-1973"],"normalized_title_ssm":["Balansae, circa 1964-1973"],"text":["Balansae, circa 1964-1973","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Subject Files, 1880-2003.","Bromelia, 1938-1973","Box 42, Folder 19; Box 43, Folder 42","/repositories/4/archival_objects/32662","box 42","folder 19","box 43","folder 1-2"],"component_level_isim":[3],"parent_ids_ssim":["4674dbbf638dff3316591cb2","4674dbbf638dff3316591cb2_aspace_52621","4674dbbf638dff3316591cb2_aspace_52681"],"parent_unittitles_ssm":["Michael A. Spencer Bromeliad Research Collection, 1754-2014","Subject Files, 1880-2003.","Bromelia, 1938-1973"],"parent_unittitles_tesim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014","Subject Files, 1880-2003.","Bromelia, 1938-1973"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Box 42, Folder 19; Box 43, Folder 42","/repositories/4/archival_objects/32662"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1282,"parent_access_restrict_tesm":["The entire collection is open for research except for the following:\n\n  Boxes 180-181: Personal correspondence\n  Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"\n"],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973],"containers_ssim":["box 42","folder 19","box 43","folder 1-2"],"_nest_path_":"/components#1/components#25/components#0","_nest_parent_":"4674dbbf638dff3316591cb2_aspace_52681","_root_":"4674dbbf638dff3316591cb2","timestamp":"2026-07-11T02:53:59.490Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4674dbbf638dff3316591cb2","title_ssm":["Michael A. Spencer Bromeliad Research Collection"],"title_tesim":["Michael A. Spencer Bromeliad Research Collection"],"ead_ssi":"4674dbbf638dff3316591cb2","unitdate_ssm":["1754-2014"],"unitdate_inclusive_ssm":["1754-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 068","/repositories/4/resources/148"],"text":["SC 068","/repositories/4/resources/148","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Marineland (Fla.)","Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)","The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"","The collection is divided into eight series by type of file.","Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.","Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.","A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives .","Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.","Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.","UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991","English"],"unitid_tesim":["SC 068","/repositories/4/resources/148"],"normalized_date_ssm":["1754-2014"],"normalized_title_ssm":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_title_tesim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_ssim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Marineland (Fla.)"],"geogname_ssim":["Marineland (Fla.)"],"creator_ssm":["Spencer, Michael A."],"creator_ssim":["Spencer, Michael A."],"creator_persname_ssim":["Spencer, Michael A."],"creators_ssim":["Spencer, Michael A."],"places_ssim":["Marineland (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"acqinfo_ssim":["Some of these materials were donated to and others were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Michael A. Spencer in 2006 (CFM2006_09), 2011 (CFM2011_02), 2012 (CFM2012_10), and 2014 (CFM2014_01)."],"access_subjects_ssim":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"access_subjects_ssm":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["130 Linear Feet 259 boxes, 2 flat files"],"extent_tesim":["130 Linear Feet 259 boxes, 2 flat files"],"genreform_ssim":["botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"date_range_isim":[1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research except for the following:\n\u003cul\u003e\n  \u003cli\u003eBoxes 180-181: Personal correspondence\u003c/li\u003e\n  \u003cli\u003eBoxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\""],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into eight series by type of file.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into eight series by type of file."],"bioghist_html_tesm":["\u003cp\u003eMichael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004."],"prefercite_html_tesm":["\u003cp\u003eMichael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Michael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eA large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e. \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08c\"\u003eMichael A. Spencer Collection on Julian Nally\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08b\"\u003eMichael A. Spencer Collection on Theodore Mead\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08a\"\u003eMichael A. Spencer Collection on Henry Nehrling\u003c/extref\u003e and the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-03\"\u003eHenry Nehrling Papers\u003c/extref\u003e are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the \u003cextref href=\"http://www.leugardens.org/\"\u003eHarry P. Leu Gardens\u003c/extref\u003e. The \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/4\"\u003eHenry Nehrling Collection\u003c/extref\u003e and the \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/97\"\u003eTheodore L. Mead Collection\u003c/extref\u003e are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the \u003cextref href=\"http://siarchives.si.edu/\"\u003eSmithsonian Institution Archives\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8e33310d6b1a70e4d88f1e2d3043cf71\" label=\"Abstract\"\u003eMichael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.\u003c/abstract\u003e"],"abstract_tesim":["Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here."],"names_coll_ssim":["Bromeliad Society","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"names_ssim":["UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"corpname_ssim":["UCF Special Collections","Bromeliad Society"],"persname_ssim":["Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3662,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"4674dbbf638dff3316591cb2","timestamp":"2026-07-11T02:53:59.490Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4674dbbf638dff3316591cb2_aspace_52683"}},{"id":"705dd992dd59874180892d7c","type":"collection","attributes":{"title":"Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/705dd992dd59874180892d7c#abstract_or_scope","type":"document_value","attributes":{"value":["The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs capture scenes of the Baliot aerial performers, acts, and publicity shots, primarily of Emma and Anton Riedler, stage named Erna and Tony Baliot. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/705dd992dd59874180892d7c#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"705dd992dd59874180892d7c","title_ssm":["Baliot Collection, 1902-1997, bulk dates 1910-1928"],"title_tesim":["Baliot Collection, 1902-1997, bulk dates 1910-1928"],"ead_ssi":"705dd992dd59874180892d7c","unitdate_ssm":["1910-1928","1902-1997"],"unitdate_bulk_ssim":["1910-1928"],"unitdate_inclusive_ssm":["1902-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A2021.0027","/repositories/11/resources/1897"],"text":["A2021.0027","/repositories/11/resources/1897","Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928","Acrobats","Aerialists","Circus.","Circus -- History","Circus -- United States -- History","Dog trainers","Gymnasts","Vaudeville","Women circus performers","Women gymnasts","This collection is open to all researchers.","Anton Riedler (1880-1954) and Emma Tremel (1889-1964) were Vaudeville and circus performers under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. Emma and Anton were originally from Munich, Germany and, in 1904, Anton immigrated to the United States from Bremen, Germany. In 1909, Emma married Anton and officially immigrated to the U.S. in 1912. Emma and Anton often performed with a woman named Christa Engelbart as the Baliot Trio. Anna Ziegelbauer and Frieda Tremel, Emma's sister, performed under the Baliot name as well along with a few other unidentified individuals. They performed in cities across Germany and then brought their act to the United States where they performed at various venues such as the Keith-Orpheum Circuit, the New York Hippodrome, the Palace Theatre, the Orpheum Theatre, as well as alongside the Ringling Bros. They performed for approximately 25 years, from the early 1910's to the 1930's. Emma and Anton settled in East Islip, Long Island, New York sometime around 1920. Shortly after the arrival of their daughter, Emma decided to retire and, subsequently, Anton moved on from his aerialist career to a new act—a comedy and athletic dog act.  Emma remarried in 1949 to Alex Reinert and opened a few small businesses, the Blue Bake Shop and the Seabay Restaurant and Bakery. Ten years after Anton's passing in 1954, Emma suffered from a heart attack and died in 1964 at the age of 76.","The Ringling Photography Collection\nThe Tibbals Circus Collection of Photography\nThe Ringling Collection of Wardrobes","This collection contains materials relating to Anton and Emma Riedler's career as equilibrists and gymnasts under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs, ranging in size, capture scenes of the Baliot aerial performers, acts, and publicity shots, most in a studio setting and primarily of Emma and Anton Riedler. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials. The collection documents the performance and career of the Baliots. A large portion of the collection, chiefly the print and photographic materials, consist of advertising and publicity materials for the Baliots and the remainder of the collection is largely comprised of contracts.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026 University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright.","The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs capture scenes of the Baliot aerial performers, acts, and publicity shots, primarily of Emma and Anton Riedler, stage named Erna and Tony Baliot. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials.","The John and Mable Ringling Museum of Art Archives","English German French Spanish; Castilian"],"unitid_tesim":["A2021.0027","/repositories/11/resources/1897"],"normalized_date_ssm":["1902-1997, bulk 1910-1928"],"normalized_title_ssm":["Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928"],"collection_title_tesim":["Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928"],"collection_ssim":["Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928"],"repository_ssm":["The John and Mable Ringling Museum of Art Archives"],"repository_ssim":["The John and Mable Ringling Museum of Art Archives"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026 University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright."],"access_subjects_ssim":["Acrobats","Aerialists","Circus.","Circus -- History","Circus -- United States -- History","Dog trainers","Gymnasts","Vaudeville","Women circus performers","Women gymnasts"],"access_subjects_ssm":["Acrobats","Aerialists","Circus.","Circus -- History","Circus -- United States -- History","Dog trainers","Gymnasts","Vaudeville","Women circus performers","Women gymnasts"],"has_online_content_ssim":["false"],"extent_ssm":["4.5 Linear Feet","219 items"],"extent_tesim":["4.5 Linear Feet","219 items"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bibliography_html_tesm":["\u003cp\u003eAnton Riedler (1880-1954) and Emma Tremel (1889-1964) were Vaudeville and circus performers under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. Emma and Anton were originally from Munich, Germany and, in 1904, Anton immigrated to the United States from Bremen, Germany. In 1909, Emma married Anton and officially immigrated to the U.S. in 1912. Emma and Anton often performed with a woman named Christa Engelbart as the Baliot Trio. Anna Ziegelbauer and Frieda Tremel, Emma's sister, performed under the Baliot name as well along with a few other unidentified individuals. They performed in cities across Germany and then brought their act to the United States where they performed at various venues such as the Keith-Orpheum Circuit, the New York Hippodrome, the Palace Theatre, the Orpheum Theatre, as well as alongside the Ringling Bros. They performed for approximately 25 years, from the early 1910's to the 1930's. Emma and Anton settled in East Islip, Long Island, New York sometime around 1920. Shortly after the arrival of their daughter, Emma decided to retire and, subsequently, Anton moved on from his aerialist career to a new act\u0026#x2014;a comedy and athletic dog act.  Emma remarried in 1949 to Alex Reinert and opened a few small businesses, the Blue Bake Shop and the Seabay Restaurant and Bakery. Ten years after Anton's passing in 1954, Emma suffered from a heart attack and died in 1964 at the age of 76.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Anton Riedler (1880-1954) and Emma Tremel (1889-1964) were Vaudeville and circus performers under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. Emma and Anton were originally from Munich, Germany and, in 1904, Anton immigrated to the United States from Bremen, Germany. In 1909, Emma married Anton and officially immigrated to the U.S. in 1912. Emma and Anton often performed with a woman named Christa Engelbart as the Baliot Trio. Anna Ziegelbauer and Frieda Tremel, Emma's sister, performed under the Baliot name as well along with a few other unidentified individuals. They performed in cities across Germany and then brought their act to the United States where they performed at various venues such as the Keith-Orpheum Circuit, the New York Hippodrome, the Palace Theatre, the Orpheum Theatre, as well as alongside the Ringling Bros. They performed for approximately 25 years, from the early 1910's to the 1930's. Emma and Anton settled in East Islip, Long Island, New York sometime around 1920. Shortly after the arrival of their daughter, Emma decided to retire and, subsequently, Anton moved on from his aerialist career to a new act—a comedy and athletic dog act.  Emma remarried in 1949 to Alex Reinert and opened a few small businesses, the Blue Bake Shop and the Seabay Restaurant and Bakery. Ten years after Anton's passing in 1954, Emma suffered from a heart attack and died in 1964 at the age of 76."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Title of Collection, The\nJohn and Mable Ringling Museum of Art Archives, Florida State University,\nTallahassee, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Title of Collection, The\nJohn and Mable Ringling Museum of Art Archives, Florida State University,\nTallahassee, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Ringling Photography Collection\nThe Tibbals Circus Collection of Photography\nThe Ringling Collection of Wardrobes\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Ringling Photography Collection\nThe Tibbals Circus Collection of Photography\nThe Ringling Collection of Wardrobes"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials relating to Anton and Emma Riedler's career as equilibrists and gymnasts under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs, ranging in size, capture scenes of the Baliot aerial performers, acts, and publicity shots, most in a studio setting and primarily of Emma and Anton Riedler. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials. The collection documents the performance and career of the Baliots. A large portion of the collection, chiefly the print and photographic materials, consist of advertising and publicity materials for the Baliots and the remainder of the collection is largely comprised of contracts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains materials relating to Anton and Emma Riedler's career as equilibrists and gymnasts under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs, ranging in size, capture scenes of the Baliot aerial performers, acts, and publicity shots, most in a studio setting and primarily of Emma and Anton Riedler. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials. The collection documents the performance and career of the Baliots. A large portion of the collection, chiefly the print and photographic materials, consist of advertising and publicity materials for the Baliots and the remainder of the collection is largely comprised of contracts."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026amp; University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026 University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright."],"abstract_html_tesm":["\u003cabstract id=\"aspace_71c45b19e66cb68de0dead99ce87aa42\"\u003eThe Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs capture scenes of the Baliot aerial performers, acts, and publicity shots, primarily of Emma and Anton Riedler, stage named Erna and Tony Baliot. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials.\u003c/abstract\u003e"],"abstract_tesim":["The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs capture scenes of the Baliot aerial performers, acts, and publicity shots, primarily of Emma and Anton Riedler, stage named Erna and Tony Baliot. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English German French Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":133,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"705dd992dd59874180892d7c","timestamp":"2026-07-08T02:41:40.657Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"705dd992dd59874180892d7c","title_ssm":["Baliot Collection, 1902-1997, bulk dates 1910-1928"],"title_tesim":["Baliot Collection, 1902-1997, bulk dates 1910-1928"],"ead_ssi":"705dd992dd59874180892d7c","unitdate_ssm":["1910-1928","1902-1997"],"unitdate_bulk_ssim":["1910-1928"],"unitdate_inclusive_ssm":["1902-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A2021.0027","/repositories/11/resources/1897"],"text":["A2021.0027","/repositories/11/resources/1897","Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928","Acrobats","Aerialists","Circus.","Circus -- History","Circus -- United States -- History","Dog trainers","Gymnasts","Vaudeville","Women circus performers","Women gymnasts","This collection is open to all researchers.","Anton Riedler (1880-1954) and Emma Tremel (1889-1964) were Vaudeville and circus performers under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. Emma and Anton were originally from Munich, Germany and, in 1904, Anton immigrated to the United States from Bremen, Germany. In 1909, Emma married Anton and officially immigrated to the U.S. in 1912. Emma and Anton often performed with a woman named Christa Engelbart as the Baliot Trio. Anna Ziegelbauer and Frieda Tremel, Emma's sister, performed under the Baliot name as well along with a few other unidentified individuals. They performed in cities across Germany and then brought their act to the United States where they performed at various venues such as the Keith-Orpheum Circuit, the New York Hippodrome, the Palace Theatre, the Orpheum Theatre, as well as alongside the Ringling Bros. They performed for approximately 25 years, from the early 1910's to the 1930's. Emma and Anton settled in East Islip, Long Island, New York sometime around 1920. Shortly after the arrival of their daughter, Emma decided to retire and, subsequently, Anton moved on from his aerialist career to a new act—a comedy and athletic dog act.  Emma remarried in 1949 to Alex Reinert and opened a few small businesses, the Blue Bake Shop and the Seabay Restaurant and Bakery. Ten years after Anton's passing in 1954, Emma suffered from a heart attack and died in 1964 at the age of 76.","The Ringling Photography Collection\nThe Tibbals Circus Collection of Photography\nThe Ringling Collection of Wardrobes","This collection contains materials relating to Anton and Emma Riedler's career as equilibrists and gymnasts under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs, ranging in size, capture scenes of the Baliot aerial performers, acts, and publicity shots, most in a studio setting and primarily of Emma and Anton Riedler. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials. The collection documents the performance and career of the Baliots. A large portion of the collection, chiefly the print and photographic materials, consist of advertising and publicity materials for the Baliots and the remainder of the collection is largely comprised of contracts.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026 University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright.","The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs capture scenes of the Baliot aerial performers, acts, and publicity shots, primarily of Emma and Anton Riedler, stage named Erna and Tony Baliot. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials.","The John and Mable Ringling Museum of Art Archives","English German French Spanish; Castilian"],"unitid_tesim":["A2021.0027","/repositories/11/resources/1897"],"normalized_date_ssm":["1902-1997, bulk 1910-1928"],"normalized_title_ssm":["Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928"],"collection_title_tesim":["Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928"],"collection_ssim":["Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928"],"repository_ssm":["The John and Mable Ringling Museum of Art Archives"],"repository_ssim":["The John and Mable Ringling Museum of Art Archives"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026 University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright."],"access_subjects_ssim":["Acrobats","Aerialists","Circus.","Circus -- History","Circus -- United States -- History","Dog trainers","Gymnasts","Vaudeville","Women circus performers","Women gymnasts"],"access_subjects_ssm":["Acrobats","Aerialists","Circus.","Circus -- History","Circus -- United States -- History","Dog trainers","Gymnasts","Vaudeville","Women circus performers","Women gymnasts"],"has_online_content_ssim":["false"],"extent_ssm":["4.5 Linear Feet","219 items"],"extent_tesim":["4.5 Linear Feet","219 items"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bibliography_html_tesm":["\u003cp\u003eAnton Riedler (1880-1954) and Emma Tremel (1889-1964) were Vaudeville and circus performers under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. Emma and Anton were originally from Munich, Germany and, in 1904, Anton immigrated to the United States from Bremen, Germany. In 1909, Emma married Anton and officially immigrated to the U.S. in 1912. Emma and Anton often performed with a woman named Christa Engelbart as the Baliot Trio. Anna Ziegelbauer and Frieda Tremel, Emma's sister, performed under the Baliot name as well along with a few other unidentified individuals. They performed in cities across Germany and then brought their act to the United States where they performed at various venues such as the Keith-Orpheum Circuit, the New York Hippodrome, the Palace Theatre, the Orpheum Theatre, as well as alongside the Ringling Bros. They performed for approximately 25 years, from the early 1910's to the 1930's. Emma and Anton settled in East Islip, Long Island, New York sometime around 1920. Shortly after the arrival of their daughter, Emma decided to retire and, subsequently, Anton moved on from his aerialist career to a new act\u0026#x2014;a comedy and athletic dog act.  Emma remarried in 1949 to Alex Reinert and opened a few small businesses, the Blue Bake Shop and the Seabay Restaurant and Bakery. Ten years after Anton's passing in 1954, Emma suffered from a heart attack and died in 1964 at the age of 76.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Anton Riedler (1880-1954) and Emma Tremel (1889-1964) were Vaudeville and circus performers under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. Emma and Anton were originally from Munich, Germany and, in 1904, Anton immigrated to the United States from Bremen, Germany. In 1909, Emma married Anton and officially immigrated to the U.S. in 1912. Emma and Anton often performed with a woman named Christa Engelbart as the Baliot Trio. Anna Ziegelbauer and Frieda Tremel, Emma's sister, performed under the Baliot name as well along with a few other unidentified individuals. They performed in cities across Germany and then brought their act to the United States where they performed at various venues such as the Keith-Orpheum Circuit, the New York Hippodrome, the Palace Theatre, the Orpheum Theatre, as well as alongside the Ringling Bros. They performed for approximately 25 years, from the early 1910's to the 1930's. Emma and Anton settled in East Islip, Long Island, New York sometime around 1920. Shortly after the arrival of their daughter, Emma decided to retire and, subsequently, Anton moved on from his aerialist career to a new act—a comedy and athletic dog act.  Emma remarried in 1949 to Alex Reinert and opened a few small businesses, the Blue Bake Shop and the Seabay Restaurant and Bakery. Ten years after Anton's passing in 1954, Emma suffered from a heart attack and died in 1964 at the age of 76."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Title of Collection, The\nJohn and Mable Ringling Museum of Art Archives, Florida State University,\nTallahassee, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Title of Collection, The\nJohn and Mable Ringling Museum of Art Archives, Florida State University,\nTallahassee, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Ringling Photography Collection\nThe Tibbals Circus Collection of Photography\nThe Ringling Collection of Wardrobes\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Ringling Photography Collection\nThe Tibbals Circus Collection of Photography\nThe Ringling Collection of Wardrobes"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials relating to Anton and Emma Riedler's career as equilibrists and gymnasts under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs, ranging in size, capture scenes of the Baliot aerial performers, acts, and publicity shots, most in a studio setting and primarily of Emma and Anton Riedler. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials. The collection documents the performance and career of the Baliots. A large portion of the collection, chiefly the print and photographic materials, consist of advertising and publicity materials for the Baliots and the remainder of the collection is largely comprised of contracts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains materials relating to Anton and Emma Riedler's career as equilibrists and gymnasts under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs, ranging in size, capture scenes of the Baliot aerial performers, acts, and publicity shots, most in a studio setting and primarily of Emma and Anton Riedler. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials. The collection documents the performance and career of the Baliots. A large portion of the collection, chiefly the print and photographic materials, consist of advertising and publicity materials for the Baliots and the remainder of the collection is largely comprised of contracts."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026amp; University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026 University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright."],"abstract_html_tesm":["\u003cabstract id=\"aspace_71c45b19e66cb68de0dead99ce87aa42\"\u003eThe Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs capture scenes of the Baliot aerial performers, acts, and publicity shots, primarily of Emma and Anton Riedler, stage named Erna and Tony Baliot. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials.\u003c/abstract\u003e"],"abstract_tesim":["The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs capture scenes of the Baliot aerial performers, acts, and publicity shots, primarily of Emma and Anton Riedler, stage named Erna and Tony Baliot. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English German French Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":133,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"705dd992dd59874180892d7c","timestamp":"2026-07-08T02:41:40.657Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/705dd992dd59874180892d7c"}},{"id":"c5c7a60ad1585ca3dbd593be_aspace_bed64b53d1706bcd1374ecd4874a55da","type":"File","attributes":{"title":"Balling \u0026 Burlaping, 1963, 1965","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c5c7a60ad1585ca3dbd593be_aspace_bed64b53d1706bcd1374ecd4874a55da#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_bed64b53d1706bcd1374ecd4874a55da","ref_ssm":["aspace_bed64b53d1706bcd1374ecd4874a55da","aspace_bed64b53d1706bcd1374ecd4874a55da"],"id":"c5c7a60ad1585ca3dbd593be_aspace_bed64b53d1706bcd1374ecd4874a55da","title_filing_ssi":"Balling \u0026 Burlaping","title_ssm":["Balling \u0026 Burlaping"],"title_tesim":["Balling \u0026 Burlaping"],"unitdate_other_ssim":["1963","1965"],"normalized_date_ssm":["1963, 1965"],"normalized_title_ssm":["Balling \u0026 Burlaping, 1963, 1965"],"text":["Balling \u0026 Burlaping, 1963, 1965","Thomas Mack Archives, 1910-2003","Landscaping","Planting Instructions","/repositories/3/archival_objects/38595","box 10","folder 3"],"component_level_isim":[3],"parent_ids_ssim":["c5c7a60ad1585ca3dbd593be","c5c7a60ad1585ca3dbd593be_aspace_8482d77f3e5d90ec1368f7b1d151fc18","c5c7a60ad1585ca3dbd593be_aspace_32bd5c4ed14deed711db1b218123b794"],"parent_unittitles_ssm":["Thomas Mack Archives, 1910-2003","Landscaping","Planting Instructions"],"parent_unittitles_tesim":["Thomas Mack Archives, 1910-2003","Landscaping","Planting Instructions"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/3/archival_objects/38595"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"collection_ssim":["Thomas Mack Archives, 1910-2003"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":131,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"parent_access_terms_tesm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"date_range_isim":[1963,1965],"containers_ssim":["box 10","folder 3"],"_nest_path_":"/components#14/components#4/components#1","_nest_parent_":"c5c7a60ad1585ca3dbd593be_aspace_32bd5c4ed14deed711db1b218123b794","_root_":"c5c7a60ad1585ca3dbd593be","_version_":1877193769379430400,"timestamp":"2026-09-24T06:31:24.773Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"c5c7a60ad1585ca3dbd593be","title_ssm":["Thomas Mack Archives"],"title_tesim":["Thomas Mack Archives"],"ead_ssi":"c5c7a60ad1585ca3dbd593be","unitdate_ssm":["1910-2003"],"unitdate_inclusive_ssm":["1910-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT1000","/repositories/3/resources/137"],"text":["CIT1000","/repositories/3/resources/137","Thomas Mack Archives, 1910-2003","Citrus fruit industry--Florida--History.","Nurseries (Horticulture)--Florida--History.","Citrus fruits--Diseases and pests--Control","Citrus--Fertilizers--Florida","Citrus fruits--Processing--Florida","Citrus fruits--Marketing--Florida","Citrus fruit industry--By-products","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials","Thomas B. Mack never owned a grove or operated a packinghouse, but nevertheless was an integral member of Florida's Citrus community for over half a century. Born in Orangeburg, South Carolina, on October 27, 1914, Mack himself always said that he may have been destined to join the citrus world. His family moved to Florida seven years after his birth, initially landing in Wauchula before finally settling in Plant City. Mack's father was involved in agriculture, managing the Wauchula-based Kilgore Seed Company (later known as the Asgrow Florida Company) during the 1920s.","Mack graduated from Plant City High School in 1933 and entered the University of Florida in 1934 with the intention of becoming a doctor. At the urging of a professor, he abandoned his plan and instead declared himself an Ornamental Horticulture major. In 1937, Mack got married and was forced to drop out of school. He worked with a candy company in Plant City before joining the army at the outbreak of World War II. Mack served throughout the war and returned to the University of Florida in 1946, graduating in 1947 with a degree in Ornamental Horticulture with an emphasis in landscape architecture. Prior to graduation, Mack received offers from Florida Southern College to join in the formation of a new Citrus Department, but he considered the salary too low and declined the offer.","Mack gained employment with the Department of Education in what was dubbed a \"veteran's vocational agriculture\" program, designed to allow veterans to utilize their GI Bill of Rights. He was given control of the citrus aspect of the program despite only having a basic knowledge of the subject, leading to an arrangement with Dr. A.F. Camp of the University of Florida Research Center in Lake Alfred, where Dr. Camp would handle the bulk of the teaching while Mack supervised and handled the more rudimentary tasks. The program benefited Mack as much as the veterans, as he gained five years of experience in the field before the program ended in 1951. In this same year, Mack was once again approached by Florida Southern College, and this time he accepted.","Mack and his colleagues had their work cut out for them, as the college's idea of a vocational program, designed to train students for jobs in the field, rather than a research-based program, was not entirely accepted by those in the collegiate community. Nevertheless, Mack and his peers eventually developed a premier citrus program at the school. Florida Southern had the benefit of having a large amount of grove land on campus, which Mack and his colleagues used extensively. Mack and fellow faculty member Raymond Lyle used their connections as University of Florida graduates to set up opportunities for students to learn at the Research Center in Lake Alfred. In addition to regular full-time students, Mack and his colleagues set up a part-time program where students from within the industry could be sent to be educated in the field, often financially backed by their employers. Mack was most effective at gaining industry support for the citrus program as a whole, even reviving the idea of an advisory board composed of industry leaders, known as the Citrus Advisory Committee.","In 1958, the program gained publicity when it moved into the Polk Science Building, designed by renowned architect Frank Lloyd Wright. Mack was often called upon to act as a P.R. man to visitors and as a campus liaison with Wright himself. He was initially excited to hear of plans for the first Wright-designed greenhouse in the world, but was dismayed to find it essentially useless when it was built almost entirely out of concrete, according to the architect's calculations on light needed for plant growth. This forced Mack to adopt the role of fund raiser, and he eventually raised funds to build a functioning greenhouse, which he cheekily dubbed the \"Frank Lloyd Wright Greenhouse.\" Throughout the remainder of his career, Mack was an effective if sometimes eccentric fund raiser, raising money for an even larger greenhouse and eventually an entirely new citrus building, which he dedicated to one of the primary benefactors, naming it the Jack M. Berry Citrus Building. Mack raised funds for a mini-bus for the department at an alumni dinner in 1978, where he convinced those attending that the doors were locked and they would not be opened until money had been raised.","Mack became chair of the Department in 1971, re-naming it the Citrus Institute. He served in this capacity for ten years, retiring from full-time teaching in 1981. In his honor, a \"Roast Professor Mack Night\" was held, upon which he received a $12,000 retirement gift. He continued teaching on a part-time basis until 1999, earning the title of Professor Emeritus. Throughout his half-century of teaching, Mack had taught many of the current industry leaders.","His retirement in 1999 came about so he could spend more time organizing a citrus archives collection which he had been assembling since 1947, when he first entered the citrus field. Throughout the remainder of his life he collected citrus labels, magazines, text books, photographs, business records, and other forms of citrus memorabilia, eventually amassing the world's largest collection of citrus-related items. Over 60,000 photos and 1,000 labels are present, and many books date to the nineteenth century, including an 1881 copy of Orange Culture. Mack's intention was to create an open source of information for the industry. The Jack M. Berry Citrus building was built with room for the collection, but it eventually outgrew these facilities and had to be moved elsewhere on the Florida Southern campus. The collection currently is housed in the Sarah D. and L. Kirk McKay Jr. Archives Center on the Florida Southern campus.","Mack also made a name for himself as a writer. He was dubbed \"Mr. Citrifacts\" for his production of a column called \"Citrifacts,\" which contained random citrus-related trivia. These were later compiled into the books Citrifacts I and Citrifacts II, whose sale benefited Florida Southern College. He also wrote a column called Polk Garden Clinic, where he answered plant-related questions every Saturday for twelve years. He was also a prominent landscaper and community member, once having a day dedicated to him by the city of Lakeland. He was chosen for the honor of building a garden to represent it in the sister-city project with the Japanese city Imabari.","Mack was inducted to the Florida Citrus Hall of Fame in 1997. In 2004, the citrus world said goodbye to one of its most colorful members when Thomas B. Mack passed away due to cancer at the age of 90.\nBiographical Information found via Florida Citrus Hall of Fame website.","This collection contains information ranging from citrus pest biology to citrus products and byproducts.  It has business data on the industry, including individual groves' records, and photographical and historical accounts of citrus varieties and storage techniques.  It contains information on both pests and various pesticides, as well as soil health.  Other, non-citrus plants are included in this horticultural collection.  Lastly, this collection has a record of its own existence in Florida Southern's Archives.","This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Thomas B. Mack Florida Citrus Archives","English"],"unitid_tesim":["CIT1000","/repositories/3/resources/137"],"normalized_date_ssm":["1910-2003"],"normalized_title_ssm":["Thomas Mack Archives, 1910-2003"],"collection_title_tesim":["Thomas Mack Archives, 1910-2003"],"collection_ssim":["Thomas Mack Archives, 1910-2003"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"access_terms_ssm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["This collection was built by Professor Thomas Mack sometime prior to 2002."],"access_subjects_ssim":["Citrus fruit industry--Florida--History.","Nurseries (Horticulture)--Florida--History.","Citrus fruits--Diseases and pests--Control","Citrus--Fertilizers--Florida","Citrus fruits--Processing--Florida","Citrus fruits--Marketing--Florida","Citrus fruit industry--By-products"],"access_subjects_ssm":["Citrus fruit industry--Florida--History.","Nurseries (Horticulture)--Florida--History.","Citrus fruits--Diseases and pests--Control","Citrus--Fertilizers--Florida","Citrus fruits--Processing--Florida","Citrus fruits--Marketing--Florida","Citrus fruit industry--By-products"],"has_online_content_ssim":["false"],"extent_ssm":["3.45 Linear Feet"],"extent_tesim":["3.45 Linear Feet"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"bioghist_html_tesm":["\u003cp\u003eThomas B. Mack never owned a grove or operated a packinghouse, but nevertheless was an integral member of Florida's Citrus community for over half a century. Born in Orangeburg, South Carolina, on October 27, 1914, Mack himself always said that he may have been destined to join the citrus world. His family moved to Florida seven years after his birth, initially landing in Wauchula before finally settling in Plant City. Mack's father was involved in agriculture, managing the Wauchula-based Kilgore Seed Company (later known as the Asgrow Florida Company) during the 1920s.\u003c/p\u003e\n","\u003cp\u003eMack graduated from Plant City High School in 1933 and entered the University of Florida in 1934 with the intention of becoming a doctor. At the urging of a professor, he abandoned his plan and instead declared himself an Ornamental Horticulture major. In 1937, Mack got married and was forced to drop out of school. He worked with a candy company in Plant City before joining the army at the outbreak of World War II. Mack served throughout the war and returned to the University of Florida in 1946, graduating in 1947 with a degree in Ornamental Horticulture with an emphasis in landscape architecture. Prior to graduation, Mack received offers from Florida Southern College to join in the formation of a new Citrus Department, but he considered the salary too low and declined the offer.\u003c/p\u003e\n","\u003cp\u003eMack gained employment with the Department of Education in what was dubbed a \"veteran's vocational agriculture\" program, designed to allow veterans to utilize their GI Bill of Rights. He was given control of the citrus aspect of the program despite only having a basic knowledge of the subject, leading to an arrangement with Dr. A.F. Camp of the University of Florida Research Center in Lake Alfred, where Dr. Camp would handle the bulk of the teaching while Mack supervised and handled the more rudimentary tasks. The program benefited Mack as much as the veterans, as he gained five years of experience in the field before the program ended in 1951. In this same year, Mack was once again approached by Florida Southern College, and this time he accepted.\u003c/p\u003e\n","\u003cp\u003eMack and his colleagues had their work cut out for them, as the college's idea of a vocational program, designed to train students for jobs in the field, rather than a research-based program, was not entirely accepted by those in the collegiate community. Nevertheless, Mack and his peers eventually developed a premier citrus program at the school. Florida Southern had the benefit of having a large amount of grove land on campus, which Mack and his colleagues used extensively. Mack and fellow faculty member Raymond Lyle used their connections as University of Florida graduates to set up opportunities for students to learn at the Research Center in Lake Alfred. In addition to regular full-time students, Mack and his colleagues set up a part-time program where students from within the industry could be sent to be educated in the field, often financially backed by their employers. Mack was most effective at gaining industry support for the citrus program as a whole, even reviving the idea of an advisory board composed of industry leaders, known as the Citrus Advisory Committee.\u003c/p\u003e\n","\u003cp\u003eIn 1958, the program gained publicity when it moved into the Polk Science Building, designed by renowned architect Frank Lloyd Wright. Mack was often called upon to act as a P.R. man to visitors and as a campus liaison with Wright himself. He was initially excited to hear of plans for the first Wright-designed greenhouse in the world, but was dismayed to find it essentially useless when it was built almost entirely out of concrete, according to the architect's calculations on light needed for plant growth. This forced Mack to adopt the role of fund raiser, and he eventually raised funds to build a functioning greenhouse, which he cheekily dubbed the \"Frank Lloyd Wright Greenhouse.\" Throughout the remainder of his career, Mack was an effective if sometimes eccentric fund raiser, raising money for an even larger greenhouse and eventually an entirely new citrus building, which he dedicated to one of the primary benefactors, naming it the Jack M. Berry Citrus Building. Mack raised funds for a mini-bus for the department at an alumni dinner in 1978, where he convinced those attending that the doors were locked and they would not be opened until money had been raised.\u003c/p\u003e\n","\u003cp\u003eMack became chair of the Department in 1971, re-naming it the Citrus Institute. He served in this capacity for ten years, retiring from full-time teaching in 1981. In his honor, a \"Roast Professor Mack Night\" was held, upon which he received a $12,000 retirement gift. He continued teaching on a part-time basis until 1999, earning the title of Professor Emeritus. Throughout his half-century of teaching, Mack had taught many of the current industry leaders.\u003c/p\u003e\n","\u003cp\u003eHis retirement in 1999 came about so he could spend more time organizing a citrus archives collection which he had been assembling since 1947, when he first entered the citrus field. Throughout the remainder of his life he collected citrus labels, magazines, text books, photographs, business records, and other forms of citrus memorabilia, eventually amassing the world's largest collection of citrus-related items. Over 60,000 photos and 1,000 labels are present, and many books date to the nineteenth century, including an 1881 copy of Orange Culture. Mack's intention was to create an open source of information for the industry. The Jack M. Berry Citrus building was built with room for the collection, but it eventually outgrew these facilities and had to be moved elsewhere on the Florida Southern campus. The collection currently is housed in the Sarah D. and L. Kirk McKay Jr. Archives Center on the Florida Southern campus.\u003c/p\u003e\n","\u003cp\u003eMack also made a name for himself as a writer. He was dubbed \"Mr. Citrifacts\" for his production of a column called \"Citrifacts,\" which contained random citrus-related trivia. These were later compiled into the books Citrifacts I and Citrifacts II, whose sale benefited Florida Southern College. He also wrote a column called Polk Garden Clinic, where he answered plant-related questions every Saturday for twelve years. He was also a prominent landscaper and community member, once having a day dedicated to him by the city of Lakeland. He was chosen for the honor of building a garden to represent it in the sister-city project with the Japanese city Imabari.\u003c/p\u003e\n","\u003cp\u003eMack was inducted to the Florida Citrus Hall of Fame in 1997. In 2004, the citrus world said goodbye to one of its most colorful members when Thomas B. Mack passed away due to cancer at the age of 90.\nBiographical Information found via Florida Citrus Hall of Fame website.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Thomas B. Mack never owned a grove or operated a packinghouse, but nevertheless was an integral member of Florida's Citrus community for over half a century. Born in Orangeburg, South Carolina, on October 27, 1914, Mack himself always said that he may have been destined to join the citrus world. His family moved to Florida seven years after his birth, initially landing in Wauchula before finally settling in Plant City. Mack's father was involved in agriculture, managing the Wauchula-based Kilgore Seed Company (later known as the Asgrow Florida Company) during the 1920s.","Mack graduated from Plant City High School in 1933 and entered the University of Florida in 1934 with the intention of becoming a doctor. At the urging of a professor, he abandoned his plan and instead declared himself an Ornamental Horticulture major. In 1937, Mack got married and was forced to drop out of school. He worked with a candy company in Plant City before joining the army at the outbreak of World War II. Mack served throughout the war and returned to the University of Florida in 1946, graduating in 1947 with a degree in Ornamental Horticulture with an emphasis in landscape architecture. Prior to graduation, Mack received offers from Florida Southern College to join in the formation of a new Citrus Department, but he considered the salary too low and declined the offer.","Mack gained employment with the Department of Education in what was dubbed a \"veteran's vocational agriculture\" program, designed to allow veterans to utilize their GI Bill of Rights. He was given control of the citrus aspect of the program despite only having a basic knowledge of the subject, leading to an arrangement with Dr. A.F. Camp of the University of Florida Research Center in Lake Alfred, where Dr. Camp would handle the bulk of the teaching while Mack supervised and handled the more rudimentary tasks. The program benefited Mack as much as the veterans, as he gained five years of experience in the field before the program ended in 1951. In this same year, Mack was once again approached by Florida Southern College, and this time he accepted.","Mack and his colleagues had their work cut out for them, as the college's idea of a vocational program, designed to train students for jobs in the field, rather than a research-based program, was not entirely accepted by those in the collegiate community. Nevertheless, Mack and his peers eventually developed a premier citrus program at the school. Florida Southern had the benefit of having a large amount of grove land on campus, which Mack and his colleagues used extensively. Mack and fellow faculty member Raymond Lyle used their connections as University of Florida graduates to set up opportunities for students to learn at the Research Center in Lake Alfred. In addition to regular full-time students, Mack and his colleagues set up a part-time program where students from within the industry could be sent to be educated in the field, often financially backed by their employers. Mack was most effective at gaining industry support for the citrus program as a whole, even reviving the idea of an advisory board composed of industry leaders, known as the Citrus Advisory Committee.","In 1958, the program gained publicity when it moved into the Polk Science Building, designed by renowned architect Frank Lloyd Wright. Mack was often called upon to act as a P.R. man to visitors and as a campus liaison with Wright himself. He was initially excited to hear of plans for the first Wright-designed greenhouse in the world, but was dismayed to find it essentially useless when it was built almost entirely out of concrete, according to the architect's calculations on light needed for plant growth. This forced Mack to adopt the role of fund raiser, and he eventually raised funds to build a functioning greenhouse, which he cheekily dubbed the \"Frank Lloyd Wright Greenhouse.\" Throughout the remainder of his career, Mack was an effective if sometimes eccentric fund raiser, raising money for an even larger greenhouse and eventually an entirely new citrus building, which he dedicated to one of the primary benefactors, naming it the Jack M. Berry Citrus Building. Mack raised funds for a mini-bus for the department at an alumni dinner in 1978, where he convinced those attending that the doors were locked and they would not be opened until money had been raised.","Mack became chair of the Department in 1971, re-naming it the Citrus Institute. He served in this capacity for ten years, retiring from full-time teaching in 1981. In his honor, a \"Roast Professor Mack Night\" was held, upon which he received a $12,000 retirement gift. He continued teaching on a part-time basis until 1999, earning the title of Professor Emeritus. Throughout his half-century of teaching, Mack had taught many of the current industry leaders.","His retirement in 1999 came about so he could spend more time organizing a citrus archives collection which he had been assembling since 1947, when he first entered the citrus field. Throughout the remainder of his life he collected citrus labels, magazines, text books, photographs, business records, and other forms of citrus memorabilia, eventually amassing the world's largest collection of citrus-related items. Over 60,000 photos and 1,000 labels are present, and many books date to the nineteenth century, including an 1881 copy of Orange Culture. Mack's intention was to create an open source of information for the industry. The Jack M. Berry Citrus building was built with room for the collection, but it eventually outgrew these facilities and had to be moved elsewhere on the Florida Southern campus. The collection currently is housed in the Sarah D. and L. Kirk McKay Jr. Archives Center on the Florida Southern campus.","Mack also made a name for himself as a writer. He was dubbed \"Mr. Citrifacts\" for his production of a column called \"Citrifacts,\" which contained random citrus-related trivia. These were later compiled into the books Citrifacts I and Citrifacts II, whose sale benefited Florida Southern College. He also wrote a column called Polk Garden Clinic, where he answered plant-related questions every Saturday for twelve years. He was also a prominent landscaper and community member, once having a day dedicated to him by the city of Lakeland. He was chosen for the honor of building a garden to represent it in the sister-city project with the Japanese city Imabari.","Mack was inducted to the Florida Citrus Hall of Fame in 1997. In 2004, the citrus world said goodbye to one of its most colorful members when Thomas B. Mack passed away due to cancer at the age of 90.\nBiographical Information found via Florida Citrus Hall of Fame website."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains information ranging from citrus pest biology to citrus products and byproducts.  It has business data on the industry, including individual groves' records, and photographical and historical accounts of citrus varieties and storage techniques.  It contains information on both pests and various pesticides, as well as soil health.  Other, non-citrus plants are included in this horticultural collection.  Lastly, this collection has a record of its own existence in Florida Southern's Archives.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains information ranging from citrus pest biology to citrus products and byproducts.  It has business data on the industry, including individual groves' records, and photographical and historical accounts of citrus varieties and storage techniques.  It contains information on both pests and various pesticides, as well as soil health.  Other, non-citrus plants are included in this horticultural collection.  Lastly, this collection has a record of its own existence in Florida Southern's Archives."],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["Thomas B. Mack Florida Citrus Archives"],"corpname_ssim":["Thomas B. 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Correspondence, Series II. Personal Papers, Series III. Political Election Materials, and Series IV: Printed Materials.","Judge Lamar G. Warren was born in 1910 in Palatka, Florida. Warren attended the University of Florida and passed the Florida Bar Exam in 1941. Upon graduation, he worked as an assistant state attorney general before moving to Fort Lauderdale to open a private practice in 1947. Warren became a Broward County circuit court judge in 1951. He served as judge full time until 1980 and part time after retirement. Judge Warren was married to Marcia White until her death in 1995. They had three children. Judge Lamar G Warren died on April 12, 1997 in Fort Lauderdale, Florida.","The Judge Lamar Warren Collection received file level processing. 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Judge Lamar G Warren died on April 12, 1997 in Fort Lauderdale, Florida."],"prefercite_html_tesm":["\u003cp\u003eJudge Lamar Warren Collection, Broward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Judge Lamar Warren Collection, Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Judge Lamar Warren Collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Judge Lamar Warren Collection received file level processing. 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