{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1964\u0026page=104","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1964\u0026page=103","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1964\u0026page=105","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1964\u0026page=431"},"meta":{"pages":{"current_page":104,"next_page":105,"prev_page":103,"total_pages":431,"limit_value":10,"offset_value":1030,"total_count":4307,"first_page?":false,"last_page?":false}},"data":[{"id":"725898a1a41349eb30ec365d_aspace_035f7cceb04d566542ffebaa5ced81c0","type":"File","attributes":{"title":"Cuba, 1951-1974, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_035f7cceb04d566542ffebaa5ced81c0#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_035f7cceb04d566542ffebaa5ced81c0","ref_ssm":["aspace_035f7cceb04d566542ffebaa5ced81c0","aspace_035f7cceb04d566542ffebaa5ced81c0"],"id":"725898a1a41349eb30ec365d_aspace_035f7cceb04d566542ffebaa5ced81c0","title_filing_ssi":"Cuba","title_ssm":["Cuba"],"title_tesim":["Cuba"],"unitdate_inclusive_ssm":["1951-1974, Undated"],"normalized_date_ssm":["1951-1974, Undated"],"normalized_title_ssm":["Cuba, 1951-1974, Undated"],"text":["Cuba, 1951-1974, Undated","José Guerra Alemán Collection, 1887-2013","Oversize Materials, 1951-2008, Undated","2","/repositories/4/archival_objects/54211","Flat File 1","folder 2"],"component_level_isim":[2],"parent_ids_ssim":["725898a1a41349eb30ec365d","725898a1a41349eb30ec365d_aspace_c6a33029487564f11406131c29faf85c"],"parent_unittitles_ssm":["José Guerra Alemán Collection, 1887-2013","Oversize Materials, 1951-2008, Undated"],"parent_unittitles_tesim":["José Guerra Alemán Collection, 1887-2013","Oversize Materials, 1951-2008, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["2","/repositories/4/archival_objects/54211"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":269,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974],"containers_ssim":["Flat File 1","folder 2"],"_nest_path_":"/components#6/components#1","_nest_parent_":"725898a1a41349eb30ec365d_aspace_c6a33029487564f11406131c29faf85c","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_035f7cceb04d566542ffebaa5ced81c0"}},{"id":"725898a1a41349eb30ec365d_aspace_07c412302c21ae6abf2cf3b2afdb5028","type":"File","attributes":{"title":"Cuba (1 of 2), 1920-1980, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_07c412302c21ae6abf2cf3b2afdb5028#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_07c412302c21ae6abf2cf3b2afdb5028","ref_ssm":["aspace_07c412302c21ae6abf2cf3b2afdb5028","aspace_07c412302c21ae6abf2cf3b2afdb5028"],"id":"725898a1a41349eb30ec365d_aspace_07c412302c21ae6abf2cf3b2afdb5028","title_filing_ssi":"Cuba (1 of 2)","title_ssm":["Cuba (1 of 2)"],"title_tesim":["Cuba (1 of 2)"],"unitdate_inclusive_ssm":["1920-1980, Undated"],"normalized_date_ssm":["1920-1980, Undated"],"normalized_title_ssm":["Cuba (1 of 2), 1920-1980, Undated"],"text":["Cuba (1 of 2), 1920-1980, Undated","José Guerra Alemán Collection, 1887-2013","Visual Materials, Circa 1900-Circa 2000","Photographs, Circa 1900-Circa 2000","Folder 20","/repositories/4/archival_objects/54115","box 19","folder 20"],"component_level_isim":[3],"parent_ids_ssim":["725898a1a41349eb30ec365d","725898a1a41349eb30ec365d_aspace_7c7243b4d414f992a8def17111639498","725898a1a41349eb30ec365d_aspace_be69d6b0e10bb11fc945713384dde515"],"parent_unittitles_ssm":["José Guerra Alemán Collection, 1887-2013","Visual Materials, Circa 1900-Circa 2000","Photographs, Circa 1900-Circa 2000"],"parent_unittitles_tesim":["José Guerra Alemán Collection, 1887-2013","Visual Materials, Circa 1900-Circa 2000","Photographs, Circa 1900-Circa 2000"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 20","/repositories/4/archival_objects/54115"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":236,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"containers_ssim":["box 19","folder 20"],"_nest_path_":"/components#4/components#0/components#2","_nest_parent_":"725898a1a41349eb30ec365d_aspace_be69d6b0e10bb11fc945713384dde515","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_07c412302c21ae6abf2cf3b2afdb5028"}},{"id":"725898a1a41349eb30ec365d_aspace_b1a2471c7679c48a9ed01517504496d8","type":"File","attributes":{"title":"Cuba (2 of 2), 1900's-1990, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_b1a2471c7679c48a9ed01517504496d8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b1a2471c7679c48a9ed01517504496d8","ref_ssm":["aspace_b1a2471c7679c48a9ed01517504496d8","aspace_b1a2471c7679c48a9ed01517504496d8"],"id":"725898a1a41349eb30ec365d_aspace_b1a2471c7679c48a9ed01517504496d8","title_filing_ssi":"Cuba (2 of 2)","title_ssm":["Cuba (2 of 2)"],"title_tesim":["Cuba (2 of 2)"],"unitdate_inclusive_ssm":["1900's-1990, Undated"],"normalized_date_ssm":["1900's-1990, Undated"],"normalized_title_ssm":["Cuba (2 of 2), 1900's-1990, Undated"],"text":["Cuba (2 of 2), 1900's-1990, Undated","José Guerra Alemán Collection, 1887-2013","Visual Materials, Circa 1900-Circa 2000","Photographs, Circa 1900-Circa 2000","Folder 21","/repositories/4/archival_objects/54116","box 19","folder 21"],"component_level_isim":[3],"parent_ids_ssim":["725898a1a41349eb30ec365d","725898a1a41349eb30ec365d_aspace_7c7243b4d414f992a8def17111639498","725898a1a41349eb30ec365d_aspace_be69d6b0e10bb11fc945713384dde515"],"parent_unittitles_ssm":["José Guerra Alemán Collection, 1887-2013","Visual Materials, Circa 1900-Circa 2000","Photographs, Circa 1900-Circa 2000"],"parent_unittitles_tesim":["José Guerra Alemán Collection, 1887-2013","Visual Materials, Circa 1900-Circa 2000","Photographs, Circa 1900-Circa 2000"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 21","/repositories/4/archival_objects/54116"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":237,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"containers_ssim":["box 19","folder 21"],"_nest_path_":"/components#4/components#0/components#3","_nest_parent_":"725898a1a41349eb30ec365d_aspace_be69d6b0e10bb11fc945713384dde515","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. 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Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_b1a2471c7679c48a9ed01517504496d8"}},{"id":"725898a1a41349eb30ec365d_aspace_14dceb6ba8dcfd42777f96ec8f1c888b","type":"File","attributes":{"title":"Cuba (4 of 5), 1953-1997, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_14dceb6ba8dcfd42777f96ec8f1c888b#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_14dceb6ba8dcfd42777f96ec8f1c888b","ref_ssm":["aspace_14dceb6ba8dcfd42777f96ec8f1c888b","aspace_14dceb6ba8dcfd42777f96ec8f1c888b"],"id":"725898a1a41349eb30ec365d_aspace_14dceb6ba8dcfd42777f96ec8f1c888b","title_filing_ssi":"Cuba (4 of 5)","title_ssm":["Cuba (4 of 5)"],"title_tesim":["Cuba (4 of 5)"],"unitdate_inclusive_ssm":["1953-1997, Undated "],"normalized_date_ssm":["1953-1997, Undated"],"normalized_title_ssm":["Cuba (4 of 5), 1953-1997, Undated"],"text":["Cuba (4 of 5), 1953-1997, Undated","José Guerra Alemán Collection, 1887-2013","Manuscripts, 1915-2013, Undated","Social, Political, and Cultural History, 1922-2013, Undated","Folder 6","/repositories/4/archival_objects/53944","box 5","folder 6"],"component_level_isim":[3],"parent_ids_ssim":["725898a1a41349eb30ec365d","725898a1a41349eb30ec365d_aspace_c169fb1b4abcdaaa416e683d4329daa8","725898a1a41349eb30ec365d_aspace_46d087b954c4efe5eb376c3eb0800b41"],"parent_unittitles_ssm":["José Guerra Alemán Collection, 1887-2013","Manuscripts, 1915-2013, Undated","Social, Political, and Cultural History, 1922-2013, Undated"],"parent_unittitles_tesim":["José Guerra Alemán Collection, 1887-2013","Manuscripts, 1915-2013, Undated","Social, Political, and Cultural History, 1922-2013, Undated"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 6","/repositories/4/archival_objects/53944"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":66,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"containers_ssim":["box 5","folder 6"],"_nest_path_":"/components#0/components#2/components#9","_nest_parent_":"725898a1a41349eb30ec365d_aspace_46d087b954c4efe5eb376c3eb0800b41","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_14dceb6ba8dcfd42777f96ec8f1c888b"}},{"id":"9538d40a3a2552d60fae89b8","type":"collection","attributes":{"title":"Cuban Archives, 1786-1989, bulk 1960-1975","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/9538d40a3a2552d60fae89b8#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eLa colección incluye periódicos, correspondencia, documentos oficiales y papeles personales sobre el comunismo, con un enfoque en las Américas. La mayor parte de la colección se centra en los exiliados cubanos del regimen de Fidel Castro, y se incluyen noticias internacionales sobre el comunismo. Adicionalmente, la colección incluye documentos del Directorio Revolucionario Estudiantil en México y su organizaciones aliadas, con documentos personales de líderes de la DRE como Ángel Fernández González. La mayor parte de los ducumentos incluídos en la colleccion estan en español.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9538d40a3a2552d60fae89b8#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"9538d40a3a2552d60fae89b8","title_ssm":["Cuban Archives"],"title_tesim":["Cuban Archives"],"ead_ssi":"9538d40a3a2552d60fae89b8","unitdate_ssm":["1786-1989","1960-1975"],"unitdate_bulk_ssim":["1960-1975"],"unitdate_inclusive_ssm":["1786-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC2000","/repositories/2/resources/114"],"text":["SPC2000","/repositories/2/resources/114","Cuban Archives, 1786-1989, bulk 1960-1975","The collection is open for research.","The collection is arranged into three Series: ","Series I: Published Materials\nSeries II: Visual/Audio Materials\nSeries III: Oversized Materials","La colección incluye periódicos, correspondencia, documentos oficiales y papeles personales sobre el comunismo, con un enfoque en las Américas. La mayor parte de la colección se centra en los exiliados cubanos del regimen de Fidel Castro, y se incluyen noticias internacionales sobre el comunismo. Adicionalmente, la colección incluye documentos del Directorio Revolucionario Estudiantil en México y su organizaciones aliadas, con documentos personales de líderes de la DRE como Ángel Fernández González. La mayor parte de los ducumentos incluídos en la colleccion estan en español.","The collection includes newspapers, correspondences, official documents, and personal papers of the effects of Communism particularly in the Americas. Majority of the collection focuses on Cuban exiles, with international news regarding Communism being included. Additionally, the collection includes documents from the Directorio Revolucionario Estudiantil in Mexico and allied organizations, with personal documents from leaders of the DRE such as Angel Fernandez Gonzalez. The majority of the document in the collection is in Spanish.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","La gran mayoría de esta colección está en español, con solo unos artículos en inglés, portugués brasileño o alemán.\n\nThe vast majority of this collection is in Spanish, with only a few items in either English, Brazilian Portuguese, or German."],"unitid_tesim":["SPC2000","/repositories/2/resources/114"],"normalized_date_ssm":["1786-1989, bulk 1960-1975"],"normalized_title_ssm":["Cuban Archives, 1786-1989, bulk 1960-1975"],"collection_title_tesim":["Cuban Archives, 1786-1989, bulk 1960-1975"],"collection_ssim":["Cuban Archives, 1786-1989, bulk 1960-1975"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"has_online_content_ssim":["false"],"extent_ssm":["8 boxes"],"extent_tesim":["8 boxes"],"date_range_isim":[1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three Series: \u003c/p\u003e\n","\u003cp\u003eSeries I: Published Materials\nSeries II: Visual/Audio Materials\nSeries III: Oversized Materials\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into three Series: ","Series I: Published Materials\nSeries II: Visual/Audio Materials\nSeries III: Oversized Materials"],"scopecontent_html_tesm":["\u003cp\u003eLa colecci\u0026#xF3;n incluye peri\u0026#xF3;dicos, correspondencia, documentos oficiales y papeles personales sobre el comunismo, con un enfoque en las Am\u0026#xE9;ricas. La mayor parte de la colecci\u0026#xF3;n se centra en los exiliados cubanos del regimen de Fidel Castro, y se incluyen noticias internacionales sobre el comunismo. Adicionalmente, la colecci\u0026#xF3;n incluye documentos del Directorio Revolucionario Estudiantil en M\u0026#xE9;xico y su organizaciones aliadas, con documentos personales de l\u0026#xED;deres de la DRE como \u0026#xC1;ngel Fern\u0026#xE1;ndez Gonz\u0026#xE1;lez. La mayor parte de los ducumentos inclu\u0026#xED;dos en la colleccion estan en espa\u0026#xF1;ol.\u003c/p\u003e\n","\u003cp\u003eThe collection includes newspapers, correspondences, official documents, and personal papers of the effects of Communism particularly in the Americas. Majority of the collection focuses on Cuban exiles, with international news regarding Communism being included. Additionally, the collection includes documents from the Directorio Revolucionario Estudiantil in Mexico and allied organizations, with personal documents from leaders of the DRE such as Angel Fernandez Gonzalez. The majority of the document in the collection is in Spanish.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["La colección incluye periódicos, correspondencia, documentos oficiales y papeles personales sobre el comunismo, con un enfoque en las Américas. La mayor parte de la colección se centra en los exiliados cubanos del regimen de Fidel Castro, y se incluyen noticias internacionales sobre el comunismo. Adicionalmente, la colección incluye documentos del Directorio Revolucionario Estudiantil en México y su organizaciones aliadas, con documentos personales de líderes de la DRE como Ángel Fernández González. La mayor parte de los ducumentos incluídos en la colleccion estan en español.","The collection includes newspapers, correspondences, official documents, and personal papers of the effects of Communism particularly in the Americas. Majority of the collection focuses on Cuban exiles, with international news regarding Communism being included. Additionally, the collection includes documents from the Directorio Revolucionario Estudiantil in Mexico and allied organizations, with personal documents from leaders of the DRE such as Angel Fernandez Gonzalez. The majority of the document in the collection is in Spanish."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["La gran mayoría de esta colección está en español, con solo unos artículos en inglés, portugués brasileño o alemán.\n\nThe vast majority of this collection is in Spanish, with only a few items in either English, Brazilian Portuguese, or German."],"total_component_count_is":369,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844454512885760,"_root_":"9538d40a3a2552d60fae89b8","timestamp":"2026-07-16T04:31:46.251Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9538d40a3a2552d60fae89b8","title_ssm":["Cuban Archives"],"title_tesim":["Cuban Archives"],"ead_ssi":"9538d40a3a2552d60fae89b8","unitdate_ssm":["1786-1989","1960-1975"],"unitdate_bulk_ssim":["1960-1975"],"unitdate_inclusive_ssm":["1786-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC2000","/repositories/2/resources/114"],"text":["SPC2000","/repositories/2/resources/114","Cuban Archives, 1786-1989, bulk 1960-1975","The collection is open for research.","The collection is arranged into three Series: ","Series I: Published Materials\nSeries II: Visual/Audio Materials\nSeries III: Oversized Materials","La colección incluye periódicos, correspondencia, documentos oficiales y papeles personales sobre el comunismo, con un enfoque en las Américas. La mayor parte de la colección se centra en los exiliados cubanos del regimen de Fidel Castro, y se incluyen noticias internacionales sobre el comunismo. Adicionalmente, la colección incluye documentos del Directorio Revolucionario Estudiantil en México y su organizaciones aliadas, con documentos personales de líderes de la DRE como Ángel Fernández González. La mayor parte de los ducumentos incluídos en la colleccion estan en español.","The collection includes newspapers, correspondences, official documents, and personal papers of the effects of Communism particularly in the Americas. Majority of the collection focuses on Cuban exiles, with international news regarding Communism being included. Additionally, the collection includes documents from the Directorio Revolucionario Estudiantil in Mexico and allied organizations, with personal documents from leaders of the DRE such as Angel Fernandez Gonzalez. The majority of the document in the collection is in Spanish.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","La gran mayoría de esta colección está en español, con solo unos artículos en inglés, portugués brasileño o alemán.\n\nThe vast majority of this collection is in Spanish, with only a few items in either English, Brazilian Portuguese, or German."],"unitid_tesim":["SPC2000","/repositories/2/resources/114"],"normalized_date_ssm":["1786-1989, bulk 1960-1975"],"normalized_title_ssm":["Cuban Archives, 1786-1989, bulk 1960-1975"],"collection_title_tesim":["Cuban Archives, 1786-1989, bulk 1960-1975"],"collection_ssim":["Cuban Archives, 1786-1989, bulk 1960-1975"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"has_online_content_ssim":["false"],"extent_ssm":["8 boxes"],"extent_tesim":["8 boxes"],"date_range_isim":[1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three Series: \u003c/p\u003e\n","\u003cp\u003eSeries I: Published Materials\nSeries II: Visual/Audio Materials\nSeries III: Oversized Materials\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into three Series: ","Series I: Published Materials\nSeries II: Visual/Audio Materials\nSeries III: Oversized Materials"],"scopecontent_html_tesm":["\u003cp\u003eLa colecci\u0026#xF3;n incluye peri\u0026#xF3;dicos, correspondencia, documentos oficiales y papeles personales sobre el comunismo, con un enfoque en las Am\u0026#xE9;ricas. La mayor parte de la colecci\u0026#xF3;n se centra en los exiliados cubanos del regimen de Fidel Castro, y se incluyen noticias internacionales sobre el comunismo. Adicionalmente, la colecci\u0026#xF3;n incluye documentos del Directorio Revolucionario Estudiantil en M\u0026#xE9;xico y su organizaciones aliadas, con documentos personales de l\u0026#xED;deres de la DRE como \u0026#xC1;ngel Fern\u0026#xE1;ndez Gonz\u0026#xE1;lez. La mayor parte de los ducumentos inclu\u0026#xED;dos en la colleccion estan en espa\u0026#xF1;ol.\u003c/p\u003e\n","\u003cp\u003eThe collection includes newspapers, correspondences, official documents, and personal papers of the effects of Communism particularly in the Americas. Majority of the collection focuses on Cuban exiles, with international news regarding Communism being included. Additionally, the collection includes documents from the Directorio Revolucionario Estudiantil in Mexico and allied organizations, with personal documents from leaders of the DRE such as Angel Fernandez Gonzalez. The majority of the document in the collection is in Spanish.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["La colección incluye periódicos, correspondencia, documentos oficiales y papeles personales sobre el comunismo, con un enfoque en las Américas. La mayor parte de la colección se centra en los exiliados cubanos del regimen de Fidel Castro, y se incluyen noticias internacionales sobre el comunismo. Adicionalmente, la colección incluye documentos del Directorio Revolucionario Estudiantil en México y su organizaciones aliadas, con documentos personales de líderes de la DRE como Ángel Fernández González. La mayor parte de los ducumentos incluídos en la colleccion estan en español.","The collection includes newspapers, correspondences, official documents, and personal papers of the effects of Communism particularly in the Americas. Majority of the collection focuses on Cuban exiles, with international news regarding Communism being included. Additionally, the collection includes documents from the Directorio Revolucionario Estudiantil in Mexico and allied organizations, with personal documents from leaders of the DRE such as Angel Fernandez Gonzalez. The majority of the document in the collection is in Spanish."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["La gran mayoría de esta colección está en español, con solo unos artículos en inglés, portugués brasileño o alemán.\n\nThe vast majority of this collection is in Spanish, with only a few items in either English, Brazilian Portuguese, or German."],"total_component_count_is":369,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844454512885760,"_root_":"9538d40a3a2552d60fae89b8","timestamp":"2026-07-16T04:31:46.251Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9538d40a3a2552d60fae89b8"}},{"id":"725898a1a41349eb30ec365d_aspace_2b0e5e21f078ed9b6884681cae8c9c74","type":"File","attributes":{"title":"Cubans and Puerto Ricans (2 of 2), 1950-1990, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_2b0e5e21f078ed9b6884681cae8c9c74#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_2b0e5e21f078ed9b6884681cae8c9c74","ref_ssm":["aspace_2b0e5e21f078ed9b6884681cae8c9c74","aspace_2b0e5e21f078ed9b6884681cae8c9c74"],"id":"725898a1a41349eb30ec365d_aspace_2b0e5e21f078ed9b6884681cae8c9c74","title_filing_ssi":"Cubans and Puerto Ricans (2 of 2)","title_ssm":["Cubans and Puerto Ricans (2 of 2)"],"title_tesim":["Cubans and Puerto Ricans (2 of 2)"],"unitdate_inclusive_ssm":["1950-1990, Undated"],"normalized_date_ssm":["1950-1990, Undated"],"normalized_title_ssm":["Cubans and Puerto Ricans (2 of 2), 1950-1990, Undated"],"text":["Cubans and Puerto Ricans (2 of 2), 1950-1990, Undated","José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated","Folder 2","/repositories/4/archival_objects/53987","box 8","folder 2"],"component_level_isim":[2],"parent_ids_ssim":["725898a1a41349eb30ec365d","725898a1a41349eb30ec365d_aspace_e0da8a351e89d497ae16650ae623f50e"],"parent_unittitles_ssm":["José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated"],"parent_unittitles_tesim":["José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 2","/repositories/4/archival_objects/53987"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":109,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"containers_ssim":["box 8","folder 2"],"_nest_path_":"/components#1/components#10","_nest_parent_":"725898a1a41349eb30ec365d_aspace_e0da8a351e89d497ae16650ae623f50e","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. 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Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_2b0e5e21f078ed9b6884681cae8c9c74"}},{"id":"aa862cad77720b140698c8fb","type":"collection","attributes":{"title":"Cuban Stamps Collection, 1855-1968","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb#abstract_or_scope","type":"document_value","attributes":{"value":["Collection of Cuban stamps from the mid-19th century to the mid-20th century."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"aa862cad77720b140698c8fb","title_ssm":["Cuban Stamps Collection"],"title_tesim":["Cuban Stamps Collection"],"ead_ssi":"aa862cad77720b140698c8fb","unitdate_ssm":["1855-1968"],"unitdate_inclusive_ssm":["1855-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9070","/repositories/2/resources/131"],"text":["SPC9070","/repositories/2/resources/131","Cuban Stamps Collection, 1855-1968","The collection is open for research.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana.","Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","Collection of Cuban stamps from the mid-19th century to the mid-20th century.","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9070","/repositories/2/resources/131"],"normalized_date_ssm":["1855-1968"],"normalized_title_ssm":["Cuban Stamps Collection, 1855-1968"],"collection_title_tesim":["Cuban Stamps Collection, 1855-1968"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"has_online_content_ssim":["false"],"extent_ssm":["3 items"],"extent_tesim":["3 items"],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.\u003c/p\u003e\n","\u003cp\u003eAs the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.\u003c/p\u003e\n","\u003cp\u003eThis collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.\u003c/p\u003e\n","\u003cp\u003e\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a trav\u0026#xE9;s de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y pol\u0026#xED;ticos que dieron forma a Cuba durante este per\u0026#xED;odo transformador. Desde el dominio colonial espa\u0026#xF1;ol, pasando por la creaci\u0026#xF3;n de la Rep\u0026#xFA;blica Cubana, hasta el surgimiento de la Revoluci\u0026#xF3;n Cubana, estos eventos hist\u0026#xF3;ricos se reflejan en los sellos mismos. En 1855, Cuba emiti\u0026#xF3; su primer sello postal bajo el dominio espa\u0026#xF1;ol, marcando el comienzo de su servicio postal. Durante este per\u0026#xED;odo, los sellos estuvieron fuertemente influenciados por Espa\u0026#xF1;a e inclu\u0026#xED;an im\u0026#xE1;genes de la monarqu\u0026#xED;a espa\u0026#xF1;ola, reforzando la conexi\u0026#xF3;n entre el Imperio Espa\u0026#xF1;ol y Cuba.\u003c/p\u003e\n","\u003cp\u003eAl final del siglo XIX, la Guerra Hispanoamericana marc\u0026#xF3; un momento clave para Cuba, pasando de ser una colonia a una naci\u0026#xF3;n independiente en 1902. Este per\u0026#xED;odo vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, s\u0026#xED;mbolos de independencia e im\u0026#xE1;genes que celebraban la rica historia y cultura de Cuba. Adem\u0026#xE1;s, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experiment\u0026#xF3; eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresi\u0026#xF3;n. Estos eventos contribuyeron a la inestabilidad pol\u0026#xED;tica y a los frecuentes cambios de gobierno, lo que se\u0026#xF1;al\u0026#xF3; un per\u0026#xED;odo de crisis en la isla. Durante la Guerra Fr\u0026#xED;a, con el auge de la Uni\u0026#xF3;n Sovi\u0026#xE9;tica, la Revoluci\u0026#xF3;n Cubana de 1959 comenz\u0026#xF3; a remodelar la naci\u0026#xF3;n. Los sellos de este per\u0026#xED;odo reflejan la transformaci\u0026#xF3;n del pa\u0026#xED;s, con im\u0026#xE1;genes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revoluci\u0026#xF3;n y su progreso.\u003c/p\u003e\n","\u003cp\u003eEsta colecci\u0026#xF3;n captura la evoluci\u0026#xF3;n de los sellos cubanos como una forma de comunicaci\u0026#xF3;n y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relaci\u0026#xF3;n con las potencias extranjeras. Los sellos presentan im\u0026#xE1;genes de la cultura cubana, el arte, figuras hist\u0026#xF3;ricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colecci\u0026#xF3;n brinda la oportunidad de explorar c\u0026#xF3;mo Cuba se transform\u0026#xF3; a lo largo de un siglo. Los investigadores pueden examinar las ideolog\u0026#xED;as pol\u0026#xED;ticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colecci\u0026#xF3;n de Sellos de Cuba en FIU no es solo un archivo hist\u0026#xF3;rico, sino tambi\u0026#xE9;n un testimonio de los cambios culturales y sociales del siglo XX.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX."],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. \u003c/p\u003e\n","\u003cp\u003e\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilaci\u0026#xF3;n integral de sellos postales que abarca la historia de Cuba durante este per\u0026#xED;odo transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revoluci\u0026#xF3;n Cubana y sus efectos posteriores. Demuestra el cambio social y pol\u0026#xED;tico a trav\u0026#xE9;s de los sellos y c\u0026#xF3;mo se utiliza este medio como propaganda de la revuelta. Tambi\u0026#xE9;n muestra c\u0026#xF3;mo se manejan las relaciones internacionales con otras naciones y c\u0026#xF3;mo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colecci\u0026#xF3;n consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservaci\u0026#xF3;n de estos sellos ofrece a los investigadores la oportunidad de descubrir por s\u0026#xED; mismos c\u0026#xF3;mo evolucionan las im\u0026#xE1;genes y los s\u0026#xED;mbolos a medida que avanza y se desarrolla la Revoluci\u0026#xF3;n Cubana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana."],"userestrict_html_tesm":["\u003cp\u003eRights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4174f2603576483c6691a9df651e17c6\"\u003eCollection of Cuban stamps from the mid-19th century to the mid-20th century.\u003c/abstract\u003e"],"abstract_tesim":["Collection of Cuban stamps from the mid-19th century to the mid-20th century."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"aa862cad77720b140698c8fb","title_ssm":["Cuban Stamps Collection"],"title_tesim":["Cuban Stamps Collection"],"ead_ssi":"aa862cad77720b140698c8fb","unitdate_ssm":["1855-1968"],"unitdate_inclusive_ssm":["1855-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9070","/repositories/2/resources/131"],"text":["SPC9070","/repositories/2/resources/131","Cuban Stamps Collection, 1855-1968","The collection is open for research.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana.","Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","Collection of Cuban stamps from the mid-19th century to the mid-20th century.","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9070","/repositories/2/resources/131"],"normalized_date_ssm":["1855-1968"],"normalized_title_ssm":["Cuban Stamps Collection, 1855-1968"],"collection_title_tesim":["Cuban Stamps Collection, 1855-1968"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"has_online_content_ssim":["false"],"extent_ssm":["3 items"],"extent_tesim":["3 items"],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.\u003c/p\u003e\n","\u003cp\u003eAs the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.\u003c/p\u003e\n","\u003cp\u003eThis collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.\u003c/p\u003e\n","\u003cp\u003e\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a trav\u0026#xE9;s de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y pol\u0026#xED;ticos que dieron forma a Cuba durante este per\u0026#xED;odo transformador. Desde el dominio colonial espa\u0026#xF1;ol, pasando por la creaci\u0026#xF3;n de la Rep\u0026#xFA;blica Cubana, hasta el surgimiento de la Revoluci\u0026#xF3;n Cubana, estos eventos hist\u0026#xF3;ricos se reflejan en los sellos mismos. En 1855, Cuba emiti\u0026#xF3; su primer sello postal bajo el dominio espa\u0026#xF1;ol, marcando el comienzo de su servicio postal. Durante este per\u0026#xED;odo, los sellos estuvieron fuertemente influenciados por Espa\u0026#xF1;a e inclu\u0026#xED;an im\u0026#xE1;genes de la monarqu\u0026#xED;a espa\u0026#xF1;ola, reforzando la conexi\u0026#xF3;n entre el Imperio Espa\u0026#xF1;ol y Cuba.\u003c/p\u003e\n","\u003cp\u003eAl final del siglo XIX, la Guerra Hispanoamericana marc\u0026#xF3; un momento clave para Cuba, pasando de ser una colonia a una naci\u0026#xF3;n independiente en 1902. Este per\u0026#xED;odo vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, s\u0026#xED;mbolos de independencia e im\u0026#xE1;genes que celebraban la rica historia y cultura de Cuba. Adem\u0026#xE1;s, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experiment\u0026#xF3; eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresi\u0026#xF3;n. Estos eventos contribuyeron a la inestabilidad pol\u0026#xED;tica y a los frecuentes cambios de gobierno, lo que se\u0026#xF1;al\u0026#xF3; un per\u0026#xED;odo de crisis en la isla. Durante la Guerra Fr\u0026#xED;a, con el auge de la Uni\u0026#xF3;n Sovi\u0026#xE9;tica, la Revoluci\u0026#xF3;n Cubana de 1959 comenz\u0026#xF3; a remodelar la naci\u0026#xF3;n. Los sellos de este per\u0026#xED;odo reflejan la transformaci\u0026#xF3;n del pa\u0026#xED;s, con im\u0026#xE1;genes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revoluci\u0026#xF3;n y su progreso.\u003c/p\u003e\n","\u003cp\u003eEsta colecci\u0026#xF3;n captura la evoluci\u0026#xF3;n de los sellos cubanos como una forma de comunicaci\u0026#xF3;n y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relaci\u0026#xF3;n con las potencias extranjeras. Los sellos presentan im\u0026#xE1;genes de la cultura cubana, el arte, figuras hist\u0026#xF3;ricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colecci\u0026#xF3;n brinda la oportunidad de explorar c\u0026#xF3;mo Cuba se transform\u0026#xF3; a lo largo de un siglo. Los investigadores pueden examinar las ideolog\u0026#xED;as pol\u0026#xED;ticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colecci\u0026#xF3;n de Sellos de Cuba en FIU no es solo un archivo hist\u0026#xF3;rico, sino tambi\u0026#xE9;n un testimonio de los cambios culturales y sociales del siglo XX.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX."],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. \u003c/p\u003e\n","\u003cp\u003e\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilaci\u0026#xF3;n integral de sellos postales que abarca la historia de Cuba durante este per\u0026#xED;odo transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revoluci\u0026#xF3;n Cubana y sus efectos posteriores. Demuestra el cambio social y pol\u0026#xED;tico a trav\u0026#xE9;s de los sellos y c\u0026#xF3;mo se utiliza este medio como propaganda de la revuelta. Tambi\u0026#xE9;n muestra c\u0026#xF3;mo se manejan las relaciones internacionales con otras naciones y c\u0026#xF3;mo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colecci\u0026#xF3;n consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservaci\u0026#xF3;n de estos sellos ofrece a los investigadores la oportunidad de descubrir por s\u0026#xED; mismos c\u0026#xF3;mo evolucionan las im\u0026#xE1;genes y los s\u0026#xED;mbolos a medida que avanza y se desarrolla la Revoluci\u0026#xF3;n Cubana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana."],"userestrict_html_tesm":["\u003cp\u003eRights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4174f2603576483c6691a9df651e17c6\"\u003eCollection of Cuban stamps from the mid-19th century to the mid-20th century.\u003c/abstract\u003e"],"abstract_tesim":["Collection of Cuban stamps from the mid-19th century to the mid-20th century."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb"}},{"id":"9c82e394cec8c38e5e7b9a93","type":"collection","attributes":{"title":"Cuban Tree Sample Collection, bulk 1900-2000","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/9c82e394cec8c38e5e7b9a93#abstract_or_scope","type":"document_value","attributes":{"value":["Collection of various Cuban tree species samples throughout the 20th century."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9c82e394cec8c38e5e7b9a93#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"9c82e394cec8c38e5e7b9a93","title_ssm":["Cuban Tree Sample Collection"],"title_tesim":["Cuban Tree Sample Collection"],"ead_ssi":"9c82e394cec8c38e5e7b9a93","unitdate_ssm":["1900-2000"],"unitdate_bulk_ssim":["1900-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9080","/repositories/2/resources/132"],"text":["SPC9080","/repositories/2/resources/132","Cuban Tree Sample Collection, bulk 1900-2000","The collection is open for research.","The Cuban Tree Sample Collection at Florida International University (FIU) Special Collections is a significant repository that traces the rich and diverse flora of trees in the island of Cuba. This collection was donated by Karla Ferrer back in 2024. This arrangement started in the 20th century and throughout, documenting common and unique tree specimens in the country. This is to better understand the ecological system that Cuba has and a way to preserve its biological heritage for generations to come. \nThe 307 samples in this collection, from various regions in the island of Cuba to represent the biodiversity that the country offers, from lush tropical forests to its coastal areas, the mountains to the urban cities. ","These 307 specimens are documented and labeled according to their local names, all grouped into 9 sheets for everyone to see it on display, touch and feel the specimens. The samples where cut, dried, and pressed unto these sheets, this serves as not only a scientific resource but as in important cultural artifact reflecting their roles in Cuban life. They share historical significance, for their use of traditional medicines and agriculture to their symbolic importance in Cuban society. ","The Cuban Tree Sample Collection serves as a useful resource for researchers, educators, students, conservationists alike, offering insights into the island nation of Cuba's plant life and its ecological heritage. ","\nLa Colección de Muestras de Árboles Cubanos en las Colecciones Especiales de la Universidad Internacional de Florida (FIU) es un importante repositorio que rastrea la rica y diversa flora de árboles de la isla de Cuba. Esta colección fue donada por Karla Ferrer en 2024. El arreglo de esta colección comenzó en el siglo XX y, a lo largo del tiempo, documentó ejemplares comunes y únicos de árboles en el país. El objetivo de esta recopilación es comprender mejor el sistema ecológico de Cuba y preservar su patrimonio biológico para las futuras generaciones.","Las 307 muestras de esta colección provienen de diversas regiones de la isla de Cuba, representando la biodiversidad que ofrece el país, desde sus exuberantes bosques tropicales hasta sus zonas costeras, las montañas y las ciudades urbanas. Estas 307 muestras están documentadas y etiquetadas de acuerdo con sus nombres locales, todas agrupadas en 9 hojas para ser exhibidas, tocadas y observadas por el público. Las muestras fueron cortadas, secadas y prensadas sobre estas hojas, lo que las convierte no solo en un recurso científico, sino en un importante artefacto cultural que refleja su papel en la vida cubana. Tienen un significado histórico, ya que se utilizan en la medicina tradicional, la agricultura y poseen una importancia simbólica en la sociedad cubana.","La Colección de Muestras de Árboles Cubanos sirve como un recurso útil para investigadores, educadores, estudiantes y conservacionistas, ofreciendo una visión de la vida vegetal de la nación insular de Cuba y su herencia ecológica.","The Cuban Tree Sample Collection at Florida International University (FIU) Special Collections is an arranged compilation of various tree species that can be found in the island of Cuba, a total of 307 different samples throughout the country grouped into 9 sheets to display. Collected throughout the 20th century, it gives researchers and those who are curious an idea of a comprehensive overlook on the country's unique and rich biodiversity that are integral to the ecosystem to the island nation of Cuba. These botanical specimens are preserved records for those who are interested in Cuban flora and preservation. Their historical and cultural significance of different tree species and their role in Cuban society, whether that be for uses in traditional medicine, agriculture, and crafts in local folklore. This collection provides insight into the island's plant life, ecological and environmental diversity that helped shaped Cuba's natural beauty. ","\nLa Colección de Muestras de Árboles Cubanos en las Colecciones Especiales de la Universidad Internacional de Florida (FIU) es una compilación organizada de diversas especies de árboles que se pueden encontrar en la isla de Cuba, un total de 307 muestras diferentes de todo el país agrupadas en 9 hojas de exhibición. Recogidas a lo largo del siglo XX, ofrece a los investigadores y a aquellos interesados una visión integral de la biodiversidad única y rica que es fundamental para el ecosistema de la nación insular de Cuba. Estos especímenes botánicos son registros preservados para quienes están interesados en la flora cubana y su conservación. La importancia histórica y cultural de las diferentes especies de árboles y su papel en la sociedad cubana, ya sea para su uso en la medicina tradicional, la agricultura, la artesanía o el folclore local, es un aspecto relevante de esta colección. Esta colección ofrece una visión sobre la vida vegetal de la isla, la diversidad ecológica y ambiental que ayudó a dar forma a la belleza natural de Cuba.","Rights. The Cuban Tree Sample Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","Collection of various Cuban tree species samples throughout the 20th century.","FIU Special Collections","Spanish; Castilian"],"unitid_tesim":["SPC9080","/repositories/2/resources/132"],"normalized_date_ssm":["bulk 1900-2000"],"normalized_title_ssm":["Cuban Tree Sample Collection, bulk 1900-2000"],"collection_title_tesim":["Cuban Tree Sample Collection, bulk 1900-2000"],"collection_ssim":["Cuban Tree Sample Collection, bulk 1900-2000"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights. The Cuban Tree Sample Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"has_online_content_ssim":["false"],"extent_ssm":["9 Sheets 307 Tree Samples"],"extent_tesim":["9 Sheets 307 Tree Samples"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Cuban Tree Sample Collection at Florida International University (FIU) Special Collections is a significant repository that traces the rich and diverse flora of trees in the island of Cuba. This collection was donated by Karla Ferrer back in 2024. This arrangement started in the 20th century and throughout, documenting common and unique tree specimens in the country. This is to better understand the ecological system that Cuba has and a way to preserve its biological heritage for generations to come. \nThe 307 samples in this collection, from various regions in the island of Cuba to represent the biodiversity that the country offers, from lush tropical forests to its coastal areas, the mountains to the urban cities. \u003c/p\u003e\n","\u003cp\u003eThese 307 specimens are documented and labeled according to their local names, all grouped into 9 sheets for everyone to see it on display, touch and feel the specimens. The samples where cut, dried, and pressed unto these sheets, this serves as not only a scientific resource but as in important cultural artifact reflecting their roles in Cuban life. They share historical significance, for their use of traditional medicines and agriculture to their symbolic importance in Cuban society. \u003c/p\u003e\n","\u003cp\u003eThe Cuban Tree Sample Collection serves as a useful resource for researchers, educators, students, conservationists alike, offering insights into the island nation of Cuba's plant life and its ecological heritage. \u003c/p\u003e\n","\u003cp\u003e\nLa Colecci\u0026#xF3;n de Muestras de \u0026#xC1;rboles Cubanos en las Colecciones Especiales de la Universidad Internacional de Florida (FIU) es un importante repositorio que rastrea la rica y diversa flora de \u0026#xE1;rboles de la isla de Cuba. Esta colecci\u0026#xF3;n fue donada por Karla Ferrer en 2024. El arreglo de esta colecci\u0026#xF3;n comenz\u0026#xF3; en el siglo XX y, a lo largo del tiempo, document\u0026#xF3; ejemplares comunes y \u0026#xFA;nicos de \u0026#xE1;rboles en el pa\u0026#xED;s. El objetivo de esta recopilaci\u0026#xF3;n es comprender mejor el sistema ecol\u0026#xF3;gico de Cuba y preservar su patrimonio biol\u0026#xF3;gico para las futuras generaciones.\u003c/p\u003e\n","\u003cp\u003eLas 307 muestras de esta colecci\u0026#xF3;n provienen de diversas regiones de la isla de Cuba, representando la biodiversidad que ofrece el pa\u0026#xED;s, desde sus exuberantes bosques tropicales hasta sus zonas costeras, las monta\u0026#xF1;as y las ciudades urbanas. Estas 307 muestras est\u0026#xE1;n documentadas y etiquetadas de acuerdo con sus nombres locales, todas agrupadas en 9 hojas para ser exhibidas, tocadas y observadas por el p\u0026#xFA;blico. Las muestras fueron cortadas, secadas y prensadas sobre estas hojas, lo que las convierte no solo en un recurso cient\u0026#xED;fico, sino en un importante artefacto cultural que refleja su papel en la vida cubana. Tienen un significado hist\u0026#xF3;rico, ya que se utilizan en la medicina tradicional, la agricultura y poseen una importancia simb\u0026#xF3;lica en la sociedad cubana.\u003c/p\u003e\n","\u003cp\u003eLa Colecci\u0026#xF3;n de Muestras de \u0026#xC1;rboles Cubanos sirve como un recurso \u0026#xFA;til para investigadores, educadores, estudiantes y conservacionistas, ofreciendo una visi\u0026#xF3;n de la vida vegetal de la naci\u0026#xF3;n insular de Cuba y su herencia ecol\u0026#xF3;gica.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Cuban Tree Sample Collection at Florida International University (FIU) Special Collections is a significant repository that traces the rich and diverse flora of trees in the island of Cuba. This collection was donated by Karla Ferrer back in 2024. This arrangement started in the 20th century and throughout, documenting common and unique tree specimens in the country. This is to better understand the ecological system that Cuba has and a way to preserve its biological heritage for generations to come. \nThe 307 samples in this collection, from various regions in the island of Cuba to represent the biodiversity that the country offers, from lush tropical forests to its coastal areas, the mountains to the urban cities. ","These 307 specimens are documented and labeled according to their local names, all grouped into 9 sheets for everyone to see it on display, touch and feel the specimens. The samples where cut, dried, and pressed unto these sheets, this serves as not only a scientific resource but as in important cultural artifact reflecting their roles in Cuban life. They share historical significance, for their use of traditional medicines and agriculture to their symbolic importance in Cuban society. ","The Cuban Tree Sample Collection serves as a useful resource for researchers, educators, students, conservationists alike, offering insights into the island nation of Cuba's plant life and its ecological heritage. ","\nLa Colección de Muestras de Árboles Cubanos en las Colecciones Especiales de la Universidad Internacional de Florida (FIU) es un importante repositorio que rastrea la rica y diversa flora de árboles de la isla de Cuba. Esta colección fue donada por Karla Ferrer en 2024. El arreglo de esta colección comenzó en el siglo XX y, a lo largo del tiempo, documentó ejemplares comunes y únicos de árboles en el país. El objetivo de esta recopilación es comprender mejor el sistema ecológico de Cuba y preservar su patrimonio biológico para las futuras generaciones.","Las 307 muestras de esta colección provienen de diversas regiones de la isla de Cuba, representando la biodiversidad que ofrece el país, desde sus exuberantes bosques tropicales hasta sus zonas costeras, las montañas y las ciudades urbanas. Estas 307 muestras están documentadas y etiquetadas de acuerdo con sus nombres locales, todas agrupadas en 9 hojas para ser exhibidas, tocadas y observadas por el público. Las muestras fueron cortadas, secadas y prensadas sobre estas hojas, lo que las convierte no solo en un recurso científico, sino en un importante artefacto cultural que refleja su papel en la vida cubana. Tienen un significado histórico, ya que se utilizan en la medicina tradicional, la agricultura y poseen una importancia simbólica en la sociedad cubana.","La Colección de Muestras de Árboles Cubanos sirve como un recurso útil para investigadores, educadores, estudiantes y conservacionistas, ofreciendo una visión de la vida vegetal de la nación insular de Cuba y su herencia ecológica."],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Tree Sample Collection at Florida International University (FIU) Special Collections is an arranged compilation of various tree species that can be found in the island of Cuba, a total of 307 different samples throughout the country grouped into 9 sheets to display. Collected throughout the 20th century, it gives researchers and those who are curious an idea of a comprehensive overlook on the country's unique and rich biodiversity that are integral to the ecosystem to the island nation of Cuba. These botanical specimens are preserved records for those who are interested in Cuban flora and preservation. Their historical and cultural significance of different tree species and their role in Cuban society, whether that be for uses in traditional medicine, agriculture, and crafts in local folklore. This collection provides insight into the island's plant life, ecological and environmental diversity that helped shaped Cuba's natural beauty. \u003c/p\u003e\n","\u003cp\u003e\nLa Colecci\u0026#xF3;n de Muestras de \u0026#xC1;rboles Cubanos en las Colecciones Especiales de la Universidad Internacional de Florida (FIU) es una compilaci\u0026#xF3;n organizada de diversas especies de \u0026#xE1;rboles que se pueden encontrar en la isla de Cuba, un total de 307 muestras diferentes de todo el pa\u0026#xED;s agrupadas en 9 hojas de exhibici\u0026#xF3;n. Recogidas a lo largo del siglo XX, ofrece a los investigadores y a aquellos interesados una visi\u0026#xF3;n integral de la biodiversidad \u0026#xFA;nica y rica que es fundamental para el ecosistema de la naci\u0026#xF3;n insular de Cuba. Estos espec\u0026#xED;menes bot\u0026#xE1;nicos son registros preservados para quienes est\u0026#xE1;n interesados en la flora cubana y su conservaci\u0026#xF3;n. La importancia hist\u0026#xF3;rica y cultural de las diferentes especies de \u0026#xE1;rboles y su papel en la sociedad cubana, ya sea para su uso en la medicina tradicional, la agricultura, la artesan\u0026#xED;a o el folclore local, es un aspecto relevante de esta colecci\u0026#xF3;n. Esta colecci\u0026#xF3;n ofrece una visi\u0026#xF3;n sobre la vida vegetal de la isla, la diversidad ecol\u0026#xF3;gica y ambiental que ayud\u0026#xF3; a dar forma a la belleza natural de Cuba.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuban Tree Sample Collection at Florida International University (FIU) Special Collections is an arranged compilation of various tree species that can be found in the island of Cuba, a total of 307 different samples throughout the country grouped into 9 sheets to display. Collected throughout the 20th century, it gives researchers and those who are curious an idea of a comprehensive overlook on the country's unique and rich biodiversity that are integral to the ecosystem to the island nation of Cuba. These botanical specimens are preserved records for those who are interested in Cuban flora and preservation. Their historical and cultural significance of different tree species and their role in Cuban society, whether that be for uses in traditional medicine, agriculture, and crafts in local folklore. This collection provides insight into the island's plant life, ecological and environmental diversity that helped shaped Cuba's natural beauty. ","\nLa Colección de Muestras de Árboles Cubanos en las Colecciones Especiales de la Universidad Internacional de Florida (FIU) es una compilación organizada de diversas especies de árboles que se pueden encontrar en la isla de Cuba, un total de 307 muestras diferentes de todo el país agrupadas en 9 hojas de exhibición. Recogidas a lo largo del siglo XX, ofrece a los investigadores y a aquellos interesados una visión integral de la biodiversidad única y rica que es fundamental para el ecosistema de la nación insular de Cuba. Estos especímenes botánicos son registros preservados para quienes están interesados en la flora cubana y su conservación. La importancia histórica y cultural de las diferentes especies de árboles y su papel en la sociedad cubana, ya sea para su uso en la medicina tradicional, la agricultura, la artesanía o el folclore local, es un aspecto relevante de esta colección. Esta colección ofrece una visión sobre la vida vegetal de la isla, la diversidad ecológica y ambiental que ayudó a dar forma a la belleza natural de Cuba."],"userestrict_html_tesm":["\u003cp\u003eRights. The Cuban Tree Sample Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Cuban Tree Sample Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0ead03125445d2e6f8ef8c73ada4e38a\"\u003eCollection of various Cuban tree species samples throughout the 20th century.\u003c/abstract\u003e"],"abstract_tesim":["Collection of various Cuban tree species samples throughout the 20th century."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["Spanish; Castilian"],"total_component_count_is":9,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844485654544384,"_root_":"9c82e394cec8c38e5e7b9a93","timestamp":"2026-07-16T04:32:15.959Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9c82e394cec8c38e5e7b9a93","title_ssm":["Cuban Tree Sample Collection"],"title_tesim":["Cuban Tree Sample Collection"],"ead_ssi":"9c82e394cec8c38e5e7b9a93","unitdate_ssm":["1900-2000"],"unitdate_bulk_ssim":["1900-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9080","/repositories/2/resources/132"],"text":["SPC9080","/repositories/2/resources/132","Cuban Tree Sample Collection, bulk 1900-2000","The collection is open for research.","The Cuban Tree Sample Collection at Florida International University (FIU) Special Collections is a significant repository that traces the rich and diverse flora of trees in the island of Cuba. This collection was donated by Karla Ferrer back in 2024. This arrangement started in the 20th century and throughout, documenting common and unique tree specimens in the country. This is to better understand the ecological system that Cuba has and a way to preserve its biological heritage for generations to come. \nThe 307 samples in this collection, from various regions in the island of Cuba to represent the biodiversity that the country offers, from lush tropical forests to its coastal areas, the mountains to the urban cities. ","These 307 specimens are documented and labeled according to their local names, all grouped into 9 sheets for everyone to see it on display, touch and feel the specimens. The samples where cut, dried, and pressed unto these sheets, this serves as not only a scientific resource but as in important cultural artifact reflecting their roles in Cuban life. They share historical significance, for their use of traditional medicines and agriculture to their symbolic importance in Cuban society. ","The Cuban Tree Sample Collection serves as a useful resource for researchers, educators, students, conservationists alike, offering insights into the island nation of Cuba's plant life and its ecological heritage. ","\nLa Colección de Muestras de Árboles Cubanos en las Colecciones Especiales de la Universidad Internacional de Florida (FIU) es un importante repositorio que rastrea la rica y diversa flora de árboles de la isla de Cuba. Esta colección fue donada por Karla Ferrer en 2024. El arreglo de esta colección comenzó en el siglo XX y, a lo largo del tiempo, documentó ejemplares comunes y únicos de árboles en el país. El objetivo de esta recopilación es comprender mejor el sistema ecológico de Cuba y preservar su patrimonio biológico para las futuras generaciones.","Las 307 muestras de esta colección provienen de diversas regiones de la isla de Cuba, representando la biodiversidad que ofrece el país, desde sus exuberantes bosques tropicales hasta sus zonas costeras, las montañas y las ciudades urbanas. Estas 307 muestras están documentadas y etiquetadas de acuerdo con sus nombres locales, todas agrupadas en 9 hojas para ser exhibidas, tocadas y observadas por el público. Las muestras fueron cortadas, secadas y prensadas sobre estas hojas, lo que las convierte no solo en un recurso científico, sino en un importante artefacto cultural que refleja su papel en la vida cubana. Tienen un significado histórico, ya que se utilizan en la medicina tradicional, la agricultura y poseen una importancia simbólica en la sociedad cubana.","La Colección de Muestras de Árboles Cubanos sirve como un recurso útil para investigadores, educadores, estudiantes y conservacionistas, ofreciendo una visión de la vida vegetal de la nación insular de Cuba y su herencia ecológica.","The Cuban Tree Sample Collection at Florida International University (FIU) Special Collections is an arranged compilation of various tree species that can be found in the island of Cuba, a total of 307 different samples throughout the country grouped into 9 sheets to display. Collected throughout the 20th century, it gives researchers and those who are curious an idea of a comprehensive overlook on the country's unique and rich biodiversity that are integral to the ecosystem to the island nation of Cuba. These botanical specimens are preserved records for those who are interested in Cuban flora and preservation. Their historical and cultural significance of different tree species and their role in Cuban society, whether that be for uses in traditional medicine, agriculture, and crafts in local folklore. This collection provides insight into the island's plant life, ecological and environmental diversity that helped shaped Cuba's natural beauty. ","\nLa Colección de Muestras de Árboles Cubanos en las Colecciones Especiales de la Universidad Internacional de Florida (FIU) es una compilación organizada de diversas especies de árboles que se pueden encontrar en la isla de Cuba, un total de 307 muestras diferentes de todo el país agrupadas en 9 hojas de exhibición. Recogidas a lo largo del siglo XX, ofrece a los investigadores y a aquellos interesados una visión integral de la biodiversidad única y rica que es fundamental para el ecosistema de la nación insular de Cuba. Estos especímenes botánicos son registros preservados para quienes están interesados en la flora cubana y su conservación. La importancia histórica y cultural de las diferentes especies de árboles y su papel en la sociedad cubana, ya sea para su uso en la medicina tradicional, la agricultura, la artesanía o el folclore local, es un aspecto relevante de esta colección. Esta colección ofrece una visión sobre la vida vegetal de la isla, la diversidad ecológica y ambiental que ayudó a dar forma a la belleza natural de Cuba.","Rights. The Cuban Tree Sample Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","Collection of various Cuban tree species samples throughout the 20th century.","FIU Special Collections","Spanish; Castilian"],"unitid_tesim":["SPC9080","/repositories/2/resources/132"],"normalized_date_ssm":["bulk 1900-2000"],"normalized_title_ssm":["Cuban Tree Sample Collection, bulk 1900-2000"],"collection_title_tesim":["Cuban Tree Sample Collection, bulk 1900-2000"],"collection_ssim":["Cuban Tree Sample Collection, bulk 1900-2000"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights. The Cuban Tree Sample Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"has_online_content_ssim":["false"],"extent_ssm":["9 Sheets 307 Tree Samples"],"extent_tesim":["9 Sheets 307 Tree Samples"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Cuban Tree Sample Collection at Florida International University (FIU) Special Collections is a significant repository that traces the rich and diverse flora of trees in the island of Cuba. This collection was donated by Karla Ferrer back in 2024. This arrangement started in the 20th century and throughout, documenting common and unique tree specimens in the country. This is to better understand the ecological system that Cuba has and a way to preserve its biological heritage for generations to come. \nThe 307 samples in this collection, from various regions in the island of Cuba to represent the biodiversity that the country offers, from lush tropical forests to its coastal areas, the mountains to the urban cities. \u003c/p\u003e\n","\u003cp\u003eThese 307 specimens are documented and labeled according to their local names, all grouped into 9 sheets for everyone to see it on display, touch and feel the specimens. The samples where cut, dried, and pressed unto these sheets, this serves as not only a scientific resource but as in important cultural artifact reflecting their roles in Cuban life. They share historical significance, for their use of traditional medicines and agriculture to their symbolic importance in Cuban society. \u003c/p\u003e\n","\u003cp\u003eThe Cuban Tree Sample Collection serves as a useful resource for researchers, educators, students, conservationists alike, offering insights into the island nation of Cuba's plant life and its ecological heritage. \u003c/p\u003e\n","\u003cp\u003e\nLa Colecci\u0026#xF3;n de Muestras de \u0026#xC1;rboles Cubanos en las Colecciones Especiales de la Universidad Internacional de Florida (FIU) es un importante repositorio que rastrea la rica y diversa flora de \u0026#xE1;rboles de la isla de Cuba. Esta colecci\u0026#xF3;n fue donada por Karla Ferrer en 2024. El arreglo de esta colecci\u0026#xF3;n comenz\u0026#xF3; en el siglo XX y, a lo largo del tiempo, document\u0026#xF3; ejemplares comunes y \u0026#xFA;nicos de \u0026#xE1;rboles en el pa\u0026#xED;s. El objetivo de esta recopilaci\u0026#xF3;n es comprender mejor el sistema ecol\u0026#xF3;gico de Cuba y preservar su patrimonio biol\u0026#xF3;gico para las futuras generaciones.\u003c/p\u003e\n","\u003cp\u003eLas 307 muestras de esta colecci\u0026#xF3;n provienen de diversas regiones de la isla de Cuba, representando la biodiversidad que ofrece el pa\u0026#xED;s, desde sus exuberantes bosques tropicales hasta sus zonas costeras, las monta\u0026#xF1;as y las ciudades urbanas. Estas 307 muestras est\u0026#xE1;n documentadas y etiquetadas de acuerdo con sus nombres locales, todas agrupadas en 9 hojas para ser exhibidas, tocadas y observadas por el p\u0026#xFA;blico. Las muestras fueron cortadas, secadas y prensadas sobre estas hojas, lo que las convierte no solo en un recurso cient\u0026#xED;fico, sino en un importante artefacto cultural que refleja su papel en la vida cubana. Tienen un significado hist\u0026#xF3;rico, ya que se utilizan en la medicina tradicional, la agricultura y poseen una importancia simb\u0026#xF3;lica en la sociedad cubana.\u003c/p\u003e\n","\u003cp\u003eLa Colecci\u0026#xF3;n de Muestras de \u0026#xC1;rboles Cubanos sirve como un recurso \u0026#xFA;til para investigadores, educadores, estudiantes y conservacionistas, ofreciendo una visi\u0026#xF3;n de la vida vegetal de la naci\u0026#xF3;n insular de Cuba y su herencia ecol\u0026#xF3;gica.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Cuban Tree Sample Collection at Florida International University (FIU) Special Collections is a significant repository that traces the rich and diverse flora of trees in the island of Cuba. This collection was donated by Karla Ferrer back in 2024. This arrangement started in the 20th century and throughout, documenting common and unique tree specimens in the country. This is to better understand the ecological system that Cuba has and a way to preserve its biological heritage for generations to come. \nThe 307 samples in this collection, from various regions in the island of Cuba to represent the biodiversity that the country offers, from lush tropical forests to its coastal areas, the mountains to the urban cities. ","These 307 specimens are documented and labeled according to their local names, all grouped into 9 sheets for everyone to see it on display, touch and feel the specimens. The samples where cut, dried, and pressed unto these sheets, this serves as not only a scientific resource but as in important cultural artifact reflecting their roles in Cuban life. They share historical significance, for their use of traditional medicines and agriculture to their symbolic importance in Cuban society. ","The Cuban Tree Sample Collection serves as a useful resource for researchers, educators, students, conservationists alike, offering insights into the island nation of Cuba's plant life and its ecological heritage. ","\nLa Colección de Muestras de Árboles Cubanos en las Colecciones Especiales de la Universidad Internacional de Florida (FIU) es un importante repositorio que rastrea la rica y diversa flora de árboles de la isla de Cuba. Esta colección fue donada por Karla Ferrer en 2024. El arreglo de esta colección comenzó en el siglo XX y, a lo largo del tiempo, documentó ejemplares comunes y únicos de árboles en el país. El objetivo de esta recopilación es comprender mejor el sistema ecológico de Cuba y preservar su patrimonio biológico para las futuras generaciones.","Las 307 muestras de esta colección provienen de diversas regiones de la isla de Cuba, representando la biodiversidad que ofrece el país, desde sus exuberantes bosques tropicales hasta sus zonas costeras, las montañas y las ciudades urbanas. Estas 307 muestras están documentadas y etiquetadas de acuerdo con sus nombres locales, todas agrupadas en 9 hojas para ser exhibidas, tocadas y observadas por el público. Las muestras fueron cortadas, secadas y prensadas sobre estas hojas, lo que las convierte no solo en un recurso científico, sino en un importante artefacto cultural que refleja su papel en la vida cubana. Tienen un significado histórico, ya que se utilizan en la medicina tradicional, la agricultura y poseen una importancia simbólica en la sociedad cubana.","La Colección de Muestras de Árboles Cubanos sirve como un recurso útil para investigadores, educadores, estudiantes y conservacionistas, ofreciendo una visión de la vida vegetal de la nación insular de Cuba y su herencia ecológica."],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Tree Sample Collection at Florida International University (FIU) Special Collections is an arranged compilation of various tree species that can be found in the island of Cuba, a total of 307 different samples throughout the country grouped into 9 sheets to display. Collected throughout the 20th century, it gives researchers and those who are curious an idea of a comprehensive overlook on the country's unique and rich biodiversity that are integral to the ecosystem to the island nation of Cuba. These botanical specimens are preserved records for those who are interested in Cuban flora and preservation. Their historical and cultural significance of different tree species and their role in Cuban society, whether that be for uses in traditional medicine, agriculture, and crafts in local folklore. This collection provides insight into the island's plant life, ecological and environmental diversity that helped shaped Cuba's natural beauty. \u003c/p\u003e\n","\u003cp\u003e\nLa Colecci\u0026#xF3;n de Muestras de \u0026#xC1;rboles Cubanos en las Colecciones Especiales de la Universidad Internacional de Florida (FIU) es una compilaci\u0026#xF3;n organizada de diversas especies de \u0026#xE1;rboles que se pueden encontrar en la isla de Cuba, un total de 307 muestras diferentes de todo el pa\u0026#xED;s agrupadas en 9 hojas de exhibici\u0026#xF3;n. Recogidas a lo largo del siglo XX, ofrece a los investigadores y a aquellos interesados una visi\u0026#xF3;n integral de la biodiversidad \u0026#xFA;nica y rica que es fundamental para el ecosistema de la naci\u0026#xF3;n insular de Cuba. Estos espec\u0026#xED;menes bot\u0026#xE1;nicos son registros preservados para quienes est\u0026#xE1;n interesados en la flora cubana y su conservaci\u0026#xF3;n. La importancia hist\u0026#xF3;rica y cultural de las diferentes especies de \u0026#xE1;rboles y su papel en la sociedad cubana, ya sea para su uso en la medicina tradicional, la agricultura, la artesan\u0026#xED;a o el folclore local, es un aspecto relevante de esta colecci\u0026#xF3;n. Esta colecci\u0026#xF3;n ofrece una visi\u0026#xF3;n sobre la vida vegetal de la isla, la diversidad ecol\u0026#xF3;gica y ambiental que ayud\u0026#xF3; a dar forma a la belleza natural de Cuba.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuban Tree Sample Collection at Florida International University (FIU) Special Collections is an arranged compilation of various tree species that can be found in the island of Cuba, a total of 307 different samples throughout the country grouped into 9 sheets to display. Collected throughout the 20th century, it gives researchers and those who are curious an idea of a comprehensive overlook on the country's unique and rich biodiversity that are integral to the ecosystem to the island nation of Cuba. These botanical specimens are preserved records for those who are interested in Cuban flora and preservation. Their historical and cultural significance of different tree species and their role in Cuban society, whether that be for uses in traditional medicine, agriculture, and crafts in local folklore. This collection provides insight into the island's plant life, ecological and environmental diversity that helped shaped Cuba's natural beauty. ","\nLa Colección de Muestras de Árboles Cubanos en las Colecciones Especiales de la Universidad Internacional de Florida (FIU) es una compilación organizada de diversas especies de árboles que se pueden encontrar en la isla de Cuba, un total de 307 muestras diferentes de todo el país agrupadas en 9 hojas de exhibición. Recogidas a lo largo del siglo XX, ofrece a los investigadores y a aquellos interesados una visión integral de la biodiversidad única y rica que es fundamental para el ecosistema de la nación insular de Cuba. Estos especímenes botánicos son registros preservados para quienes están interesados en la flora cubana y su conservación. La importancia histórica y cultural de las diferentes especies de árboles y su papel en la sociedad cubana, ya sea para su uso en la medicina tradicional, la agricultura, la artesanía o el folclore local, es un aspecto relevante de esta colección. Esta colección ofrece una visión sobre la vida vegetal de la isla, la diversidad ecológica y ambiental que ayudó a dar forma a la belleza natural de Cuba."],"userestrict_html_tesm":["\u003cp\u003eRights. The Cuban Tree Sample Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Cuban Tree Sample Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0ead03125445d2e6f8ef8c73ada4e38a\"\u003eCollection of various Cuban tree species samples throughout the 20th century.\u003c/abstract\u003e"],"abstract_tesim":["Collection of various Cuban tree species samples throughout the 20th century."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["Spanish; Castilian"],"total_component_count_is":9,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844485654544384,"_root_":"9c82e394cec8c38e5e7b9a93","timestamp":"2026-07-16T04:32:15.959Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9c82e394cec8c38e5e7b9a93"}},{"id":"2d920f17dde733c1cf36099d_aspace_45611","type":"Item","attributes":{"title":"Cumulative Index to the Bulletin and Journal of the Bromeliad Society, v.1-30, 1951-1980","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2d920f17dde733c1cf36099d_aspace_45611#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_45611","ref_ssm":["aspace_45611","aspace_45611"],"id":"2d920f17dde733c1cf36099d_aspace_45611","title_filing_ssi":"Cumulative Index to the Bulletin and Journal of the Bromeliad Society, v.1-30","title_ssm":["Cumulative Index to the Bulletin and Journal of the Bromeliad Society, v.1-30"],"title_tesim":["Cumulative Index to the Bulletin and Journal of the Bromeliad Society, v.1-30"],"unitdate_inclusive_ssm":["1951-1980"],"normalized_date_ssm":["1951-1980"],"normalized_title_ssm":["Cumulative Index to the Bulletin and Journal of the Bromeliad Society, v.1-30, 1951-1980"],"text":["Cumulative Index to the Bulletin and Journal of the Bromeliad Society, v.1-30, 1951-1980","Bromeliad Society International (BSI) Archive, 1911-2018","Publications, 1951-2006","United States, 1951-2006","Item 1","/repositories/4/archival_objects/17896","box 3","folder 2"],"component_level_isim":[3],"parent_ids_ssim":["2d920f17dde733c1cf36099d","2d920f17dde733c1cf36099d_aspace_45383","2d920f17dde733c1cf36099d_aspace_45563"],"parent_unittitles_ssm":["Bromeliad Society International (BSI) Archive, 1911-2018","Publications, 1951-2006","United States, 1951-2006"],"parent_unittitles_tesim":["Bromeliad Society International (BSI) Archive, 1911-2018","Publications, 1951-2006","United States, 1951-2006"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Item 1","/repositories/4/archival_objects/17896"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Bromeliad Society International (BSI) Archive, 1911-2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":845,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"containers_ssim":["box 3","folder 2"],"_nest_path_":"/components#2/components#6/components#4","_nest_parent_":"2d920f17dde733c1cf36099d_aspace_45563","_root_":"2d920f17dde733c1cf36099d","_version_":1870858035398705152,"timestamp":"2026-07-16T08:07:37.887Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2d920f17dde733c1cf36099d","title_ssm":["Bromeliad Society International (BSI) Archive"],"title_tesim":["Bromeliad Society International (BSI) Archive"],"ead_ssi":"2d920f17dde733c1cf36099d","unitdate_ssm":["1911-2018"],"unitdate_inclusive_ssm":["1911-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.097","/repositories/4/resources/78"],"text":["SC.097","/repositories/4/resources/78","Bromeliad Society International (BSI) Archive, 1911-2018","Denver (Colo.)","Houston (Tex.)","Philadelphia (Pa.)","Bromeliaceae","Botany","Plant hybridization","Botanical gardens -- Florida -- Orlando","Photographic prints","slides (photographs)","botanical illustrations","negatives (photographs)","The entire collection is open for research.","For many years, the bromeliad co-existed with the human, floral and animal inhabitants of the lush, tropical environment of the America. Each took advantage of what the other had to offer. Bromeliad history tells us that Christopher Columbus sailed the ocean blue and bumped into a new world. With his boat filled with goodies from the tropics, Columbus sailed the ocean again and managed to bump into his homeland, Spain. His Queen sent him back to the new world, and on his return trip he took a vicious looking plant with long, spiny leaves and a luscious sweet fruit growing from the center of the leaves. Christopher brought his Queen a pineapple. The first bromeliad to leave the new world.","Other adventures and explorers followed and returned to their homeland with wonders never seen before. Some of the wonders were tropical plants and many of them became known as bromeliads. Thus, the Bromeliacea family was described; and slowly over the years, its popularity invaded the United States. Bromeliad Society began in 1948 when Mr. Joseph Schneider of San Gabrial, California asked the organizer of Round Robins for the Flower Grower if she could get a group together who were interested in bromeliads. She placed a call for members of her Round Robin which brought an immediate response from Miss Victoria Padilla and Mrs. Sue Hutchinson who were soon followed by seven others, and they in turn brought four more. This group formed a Round Robin, exchanging their experiences with bromeliads by correspondence with one another for approximately two years. In the spring of 1950, a call was sent out to all members of the Round Robin, and others interested in bromeliads to attend a pot luck dinner at the home of Mrs. Doroth Behrends in Los Angeles, California on May 21st to discuss the suggestion made by Mr. Schneider that a Bromeliad Society be organized. There were fourteen enthusiastic bromeliad people in attendance. The meeting was called to order by Victoria Padilla. It was decided to hold an organizational meeting the following September.","The September 17, 1950 meeting was held on a Sunday afternoon in the home of Mr. and Mrs. Frank Overton in Glendale, California. Twenty one prospective members attended, with a surprise guest, Mr. Mulford Foster of Orlando, Florida. This group organized not just a local society, but an international society for the benefit of bromeliad enthusiasts all over the world. The first officers elected were: President, Mulford Foster; First Vice President, David Barry, Jr.; Second Vice President, Russell J. Seibert; Secretary, Victoria Padilla, and Treasurer, Frank H. Overton. In addition to the officers, Lyman B. Smith, H. B. Trau, Elmer J. Lorenz and Morris Schick were asked to serve on the Board of Directors. A Board of Honorary Trustees was elected, all of them from different countries.","This meeting was a fire of enthusiasm. In a very short time, the membership grew from less than thirty local Californians to an international group of nearly 100 charter members, representing the following countries; Argentina, Australia, Belgium, Brazil, Canada, Canal Zone, Costa Rica, France, Great Britain, New Zealand and the United States. First year was used to establish By-laws, goals, to build a membership and a treasury. The first Life Member of this new Society was Franklin M. DeVoe of Gulf Hammock, Florida. In January 1951, less than a year later, President Mulford Foster because editor of the The Bromeliad Society Bulletin, a bi-monthly publication to be sent to all members. Annual dues for membership remained $3.50 until March-April 1963 when the dues were increased to $4.00.","In November 1951, a local group organized The Southern California Bromeliad Society and became the first Affiliate of The Bromeliad Society. Early in 1953, The Bromeliad Society announced that it had been duly incorporated under the laws of the State of California as a non-profit organization. The March-April 1954 issue of The Bromeliad Society Bulletin announced that The Louisiana Bromeliad Society had applied for affiliation with The Bromeliad Society. December 1955 Bulletin, acknowledged the third affiliate, The Florida West Coast Bromeliad Society, and in the May-June 1959 Bulletin, The South Florida Bromeliad Society was established with Nat DeLeon President.","In the ten year period, The Bromeliad Society had grown to a membership of over 400, 100 of which were members living in countries other than the United States. In the United States, three states led in membership and activity: Florida (90 members), California (80 members) and Louisiana (30 members). There were four Affiliates, 2 in Florida, one in California, and one in Louisiana.","In the ensuing years The Bromeliad Society followed the rugged path of progress. Victoria Padilla became Editor of The Bromeliad Society Bulletin, and color pictures were introduced in 1960. In 1964, all cover pictures of the Bulletin were presented in color. In 1971, The Bromeliad Society Bulletin was given a new name, Journal of the Bromeliad Society. Victoria Padilla continued as Editor. In 1970, plans were made for a 20th Birthday celebration to be held in Southern California and hosted by the five Affiliates in the Los Angeles area. It was to feature an \"all bromeliad show\". This celebration led to future Bromeliad World Conferences. The Bromeliad Society has sponsored and funded many exceptional improvements to the future of bromeliads, and strives to ever improve the knowledge and appreciation of bromeliads for its members and the general public.","List of past Bromeliad World Conferences:","\n1972 Houston, Texas - First acknowledged Bromeliad Conference","\n1975 25th Anniversary Celebration, Buena Park, California","\n1977 New Orleans, Louisiana","\n1980 Orlando, Florida - 30th Birthday celebration","\n1982 Corpus Christi, Texas - \"Bromeliaceae Ole\"","\n1984 Los Angeles, California - \"Bromelympics\"","\n1986 New Orleans, Louisiana - \"One Mo' Time\"","\n1988 Miami, Florida - \"Miami Magic\"","\n1990 Houston, Texas - Bromeliads in Space\"","\n1992 Tampa, Florida - \"Bromeliad Safari\"","\n1994 San Diego, California - \"Bromeliads in Paradise\"","\n1996 Orlando, Florida - \"Orlandiana '96\"","\n1998 Houston, Texas - \"Bromeliad Roundup\"","\n2000 San Francisco, California - \"50th Birthday Celebration\"","\n2002 St. Petersburg, Florida - \"Bromeliad Beach Party\"","\n2004 Chicago, Illinois","\n2006 San Diego, California - \"Bromeliads on the Border\"","\n2008 Cairns, Australia - \"Bromeliads Down Under\"","\n2010 New Orleans, Louisiana - \"Bromeliads in the Big Easy\"","2012 Orlando, Florida - \"Orlandiana '12\"","\n2014 Honolulu, Hawaii - \"Bromeliads in Paradise\"","\n2018 San Diego, California - \"Fiesta de las Bromelias\"","Collection processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten. Materials were arranged in chronological order and then placed in pH neutral folders and boxes. Fragile and high use items were placed in polyester sleeves.","The Michael A. Spencer Bromeliad Research Collection . Collector, Michael A. Spencer amassed this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented in this fine collection.","The Michael A. Spencer Collection on Theodore Mead , who was a horticulturist and owned an orange grove in Eustis, Florida and developed a property in Oviedo, Florida to research and hybridize plants. The collection contains Mead's notebook and family correspondence, together with a brochure and news clipping about the founding of Mead Gardens in Winter Park, Florida.","Michael A. Spencer Collection on Julian Nally . Nally grew bromeliads and other plants on the property that had once belonged to Henry Nehrling at Gotha, Florida. This collection documents both his work at the property and his personal life.","Michael A. Spencer Collection on Henry Nehrling . These materials were collected by Michael Spencer because of his interest in botany and his links with Central Florida. Of particular interest are Nehrling's notebooks, correspondence, photographs and plant labels. The collection also contains a few materials, which belonged to Mr. Spencer concerning the attempts to save Nehrling's Palm Cottage Gardens.","Henry Nehrling Papers . Henry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature.","Archival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn . These materials were in the possession of Betty Pooler Mitchell Nehrling, Henry Nehrling's second wife. The collection consists of letters, documents, photographs, postcards and monographs which provides insight into the familial and financial affairs of the Nehrling Gardens. It also offers a look at Henry Nehrling during the tumultuous years of Florida's boom and bust, and a glimpse of his failing physical and mental state while he sought refuge in a quiet communal colony in Southwest Florida.","Bromeliad Society International","Affiliated Societies of Bromeliad Society International","Florida Council of Affiliated Societies","Series I: Records, 1953-2006, contains biographies of Bromeliad Society International members and collected materials on conferences \u0026 symposiums, manuscripts, and various correspondence. Series also holds organizational files such as the minutes of the general meeting and the meeting of the board of directors, bylaws \u0026 standing rules of the Bromeliad Society, annual reports, financial statements, and affiliate shows committee reports.","\nSeries II: Plants, 1942-2003, includes documents that pertain to the registration of cultivar names. Applications for registration of Bromeliad are arranged in alphabetical order first by genus then proposed name. Some of the registrations may contain sample images along with the applications either in print or slide format. Series also holds one folder of articles and clippings related to Bromeliad which are collected by Bromeliad Society International members.","\nSeries III: Publications, 1951-2006, holds bromeliad publications from Australia, Brazil, Canada, Czech Republic, Mexico, Switzerland, and United States. Publications are arranged in alphabetical order by country, and then arranged in chronological order.","\nSeries IV: Photographs, 1949-2001, in three sub-series; Plants, People, and Digital Files. Most of the bromeliad cultivar photographs and registrar's files are stored in either floppy discs or CD-ROMs. Only one folder contains photographs of Bromeliad Society International members; such as Mulford B. Foster, Ella Kelly and Victoria Padilla.","\nSeries V: Memorabilia, 1980-2004, includes Bromeliad Society International pins and posters that were issued for the World Bromeliad Conferences. A number of posters are signed and numbered by the artists, such as John Barbie Jr. and Steve Littlefield.","\nSeries VI: Additional Materials, 1911-2018, This series holds additional materials received from the Bromeliad Society International (BSI) in 2015, 2016, 2018, and 2022. Some of these materials include a World Bromeliad Conference '72 schedule events and a letter sent out to BSI members from the chair, Patrick Mitchell; a manuscript called \"Bromeliad Hybrids and Cultivars\" compiled by Brian Smith in 1984; \"A Preliminary Listing of All Known Cultivar and Grex Names for the Bromeliaceae\" created by Bromeliad Society, Inc. and arranged by Don A. Beadle, includes named and unnamed grexes, names of collectors, hybridizers, developers, references, and dates; \"First tentative Listing of Bromeliad Cultivars\" prepared by Brian Smith in 1989; four copper color separations for one print; and various publications from Australia, New Zealand, and the United States.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The Bromeliad Society International (BSI) Archive consists of historical materials, including photographs related to cultivation of bromeliads; field notes related to the collection of bromeliads in the wild; list of plant entries in judged bromeliad shows; incoming and outgoing correspondence from early bromeliad growers; biographies; administrative records of the BSI such as, copyright registrations, copies of meeting minutes, annual reports, and bylaws; BSI publications; and ephemera, including posters and pins. The purpose of the BSI is to promote and maintain public and scientific interest in the research, development, preservation, and distribution of bromeliads, both natural and hybrid, throughout the world.","UCF Special Collections","Bromeliad Society International","English"],"unitid_tesim":["SC.097","/repositories/4/resources/78"],"normalized_date_ssm":["1911-2018"],"normalized_title_ssm":["Bromeliad Society International (BSI) Archive, 1911-2018"],"collection_title_tesim":["Bromeliad Society International (BSI) Archive, 1911-2018"],"collection_ssim":["Bromeliad Society International (BSI) Archive, 1911-2018"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Denver (Colo.)","Houston (Tex.)","Philadelphia (Pa.)"],"geogname_ssim":["Denver (Colo.)","Houston (Tex.)","Philadelphia (Pa.)"],"places_ssim":["Denver (Colo.)","Houston (Tex.)","Philadelphia (Pa.)"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The University of Central Florida Libraries, Special Collections and University Archives Department acquired these materials from Jay Thurrott in 2014 (CFM2014_04). Additional materials were donated in 2015 (CFM2015_08), 2016 (CFM2016_06), 2018 (CFM2018_11) and 2022 (CFM2022_17)."],"access_subjects_ssim":["Bromeliaceae","Botany","Plant hybridization","Botanical gardens -- Florida -- Orlando","Photographic prints","slides (photographs)","botanical illustrations","negatives (photographs)"],"access_subjects_ssm":["Bromeliaceae","Botany","Plant hybridization","Botanical gardens -- Florida -- Orlando","Photographic prints","slides (photographs)","botanical illustrations","negatives (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["13 Linear Feet 27 Boxes, 1 Flat File, 1 Flat Box"],"extent_tesim":["13 Linear Feet 27 Boxes, 1 Flat File, 1 Flat Box"],"genreform_ssim":["Photographic prints","slides (photographs)","botanical illustrations","negatives (photographs)"],"date_range_isim":[1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eFor many years, the bromeliad co-existed with the human, floral and animal inhabitants of the lush, tropical environment of the America. Each took advantage of what the other had to offer. Bromeliad history tells us that Christopher Columbus sailed the ocean blue and bumped into a new world. With his boat filled with goodies from the tropics, Columbus sailed the ocean again and managed to bump into his homeland, Spain. His Queen sent him back to the new world, and on his return trip he took a vicious looking plant with long, spiny leaves and a luscious sweet fruit growing from the center of the leaves. Christopher brought his Queen a pineapple. The first bromeliad to leave the new world.\u003c/p\u003e\n","\u003cp\u003eOther adventures and explorers followed and returned to their homeland with wonders never seen before. Some of the wonders were tropical plants and many of them became known as bromeliads. Thus, the Bromeliacea family was described; and slowly over the years, its popularity invaded the United States. Bromeliad Society began in 1948 when Mr. Joseph Schneider of San Gabrial, California asked the organizer of Round Robins for the Flower Grower if she could get a group together who were interested in bromeliads. She placed a call for members of her Round Robin which brought an immediate response from Miss Victoria Padilla and Mrs. Sue Hutchinson who were soon followed by seven others, and they in turn brought four more. This group formed a Round Robin, exchanging their experiences with bromeliads by correspondence with one another for approximately two years. In the spring of 1950, a call was sent out to all members of the Round Robin, and others interested in bromeliads to attend a pot luck dinner at the home of Mrs. Doroth Behrends in Los Angeles, California on May 21st to discuss the suggestion made by Mr. Schneider that a Bromeliad Society be organized. There were fourteen enthusiastic bromeliad people in attendance. The meeting was called to order by Victoria Padilla. It was decided to hold an organizational meeting the following September.\u003c/p\u003e\n","\u003cp\u003eThe September 17, 1950 meeting was held on a Sunday afternoon in the home of Mr. and Mrs. Frank Overton in Glendale, California. Twenty one prospective members attended, with a surprise guest, Mr. Mulford Foster of Orlando, Florida. This group organized not just a local society, but an international society for the benefit of bromeliad enthusiasts all over the world. The first officers elected were: President, Mulford Foster; First Vice President, David Barry, Jr.; Second Vice President, Russell J. Seibert; Secretary, Victoria Padilla, and Treasurer, Frank H. Overton. In addition to the officers, Lyman B. Smith, H. B. Trau, Elmer J. Lorenz and Morris Schick were asked to serve on the Board of Directors. A Board of Honorary Trustees was elected, all of them from different countries.\u003c/p\u003e\n","\u003cp\u003eThis meeting was a fire of enthusiasm. In a very short time, the membership grew from less than thirty local Californians to an international group of nearly 100 charter members, representing the following countries; Argentina, Australia, Belgium, Brazil, Canada, Canal Zone, Costa Rica, France, Great Britain, New Zealand and the United States. First year was used to establish By-laws, goals, to build a membership and a treasury. The first Life Member of this new Society was Franklin M. DeVoe of Gulf Hammock, Florida. In January 1951, less than a year later, President Mulford Foster because editor of the The Bromeliad Society Bulletin, a bi-monthly publication to be sent to all members. Annual dues for membership remained $3.50 until March-April 1963 when the dues were increased to $4.00.\u003c/p\u003e\n","\u003cp\u003eIn November 1951, a local group organized The Southern California Bromeliad Society and became the first Affiliate of The Bromeliad Society. Early in 1953, The Bromeliad Society announced that it had been duly incorporated under the laws of the State of California as a non-profit organization. The March-April 1954 issue of The Bromeliad Society Bulletin announced that The Louisiana Bromeliad Society had applied for affiliation with The Bromeliad Society. December 1955 Bulletin, acknowledged the third affiliate, The Florida West Coast Bromeliad Society, and in the May-June 1959 Bulletin, The South Florida Bromeliad Society was established with Nat DeLeon President.\u003c/p\u003e\n","\u003cp\u003eIn the ten year period, The Bromeliad Society had grown to a membership of over 400, 100 of which were members living in countries other than the United States. In the United States, three states led in membership and activity: Florida (90 members), California (80 members) and Louisiana (30 members). There were four Affiliates, 2 in Florida, one in California, and one in Louisiana.\u003c/p\u003e\n","\u003cp\u003eIn the ensuing years The Bromeliad Society followed the rugged path of progress. Victoria Padilla became Editor of The Bromeliad Society Bulletin, and color pictures were introduced in 1960. In 1964, all cover pictures of the Bulletin were presented in color. In 1971, The Bromeliad Society Bulletin was given a new name, Journal of the Bromeliad Society. Victoria Padilla continued as Editor. In 1970, plans were made for a 20th Birthday celebration to be held in Southern California and hosted by the five Affiliates in the Los Angeles area. It was to feature an \"all bromeliad show\". This celebration led to future Bromeliad World Conferences. The Bromeliad Society has sponsored and funded many exceptional improvements to the future of bromeliads, and strives to ever improve the knowledge and appreciation of bromeliads for its members and the general public.\u003c/p\u003e\n","\u003cp\u003eList of past Bromeliad World Conferences:\u003c/p\u003e\n","\u003cp\u003e\n1972 Houston, Texas - First acknowledged Bromeliad Conference\u003c/p\u003e\n","\u003cp\u003e\n1975 25th Anniversary Celebration, Buena Park, California\u003c/p\u003e\n","\u003cp\u003e\n1977 New Orleans, Louisiana\u003c/p\u003e\n","\u003cp\u003e\n1980 Orlando, Florida - 30th Birthday celebration\u003c/p\u003e\n","\u003cp\u003e\n1982 Corpus Christi, Texas - \"Bromeliaceae Ole\"\u003c/p\u003e\n","\u003cp\u003e\n1984 Los Angeles, California - \"Bromelympics\"\u003c/p\u003e\n","\u003cp\u003e\n1986 New Orleans, Louisiana - \"One Mo' Time\"\u003c/p\u003e\n","\u003cp\u003e\n1988 Miami, Florida - \"Miami Magic\"\u003c/p\u003e\n","\u003cp\u003e\n1990 Houston, Texas - Bromeliads in Space\"\u003c/p\u003e\n","\u003cp\u003e\n1992 Tampa, Florida - \"Bromeliad Safari\"\u003c/p\u003e\n","\u003cp\u003e\n1994 San Diego, California - \"Bromeliads in Paradise\"\u003c/p\u003e\n","\u003cp\u003e\n1996 Orlando, Florida - \"Orlandiana '96\"\u003c/p\u003e\n","\u003cp\u003e\n1998 Houston, Texas - \"Bromeliad Roundup\"\u003c/p\u003e\n","\u003cp\u003e\n2000 San Francisco, California - \"50th Birthday Celebration\"\u003c/p\u003e\n","\u003cp\u003e\n2002 St. Petersburg, Florida - \"Bromeliad Beach Party\"\u003c/p\u003e\n","\u003cp\u003e\n2004 Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003e\n2006 San Diego, California - \"Bromeliads on the Border\"\u003c/p\u003e\n","\u003cp\u003e\n2008 Cairns, Australia - \"Bromeliads Down Under\"\u003c/p\u003e\n","\u003cp\u003e\n2010 New Orleans, Louisiana - \"Bromeliads in the Big Easy\"\u003c/p\u003e\n","\u003cp\u003e2012 Orlando, Florida - \"Orlandiana '12\"\u003c/p\u003e\n","\u003cp\u003e\n2014 Honolulu, Hawaii - \"Bromeliads in Paradise\"\u003c/p\u003e\n","\u003cp\u003e\n2018 San Diego, California - \"Fiesta de las Bromelias\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["For many years, the bromeliad co-existed with the human, floral and animal inhabitants of the lush, tropical environment of the America. Each took advantage of what the other had to offer. Bromeliad history tells us that Christopher Columbus sailed the ocean blue and bumped into a new world. With his boat filled with goodies from the tropics, Columbus sailed the ocean again and managed to bump into his homeland, Spain. His Queen sent him back to the new world, and on his return trip he took a vicious looking plant with long, spiny leaves and a luscious sweet fruit growing from the center of the leaves. Christopher brought his Queen a pineapple. The first bromeliad to leave the new world.","Other adventures and explorers followed and returned to their homeland with wonders never seen before. Some of the wonders were tropical plants and many of them became known as bromeliads. Thus, the Bromeliacea family was described; and slowly over the years, its popularity invaded the United States. Bromeliad Society began in 1948 when Mr. Joseph Schneider of San Gabrial, California asked the organizer of Round Robins for the Flower Grower if she could get a group together who were interested in bromeliads. She placed a call for members of her Round Robin which brought an immediate response from Miss Victoria Padilla and Mrs. Sue Hutchinson who were soon followed by seven others, and they in turn brought four more. This group formed a Round Robin, exchanging their experiences with bromeliads by correspondence with one another for approximately two years. In the spring of 1950, a call was sent out to all members of the Round Robin, and others interested in bromeliads to attend a pot luck dinner at the home of Mrs. Doroth Behrends in Los Angeles, California on May 21st to discuss the suggestion made by Mr. Schneider that a Bromeliad Society be organized. There were fourteen enthusiastic bromeliad people in attendance. The meeting was called to order by Victoria Padilla. It was decided to hold an organizational meeting the following September.","The September 17, 1950 meeting was held on a Sunday afternoon in the home of Mr. and Mrs. Frank Overton in Glendale, California. Twenty one prospective members attended, with a surprise guest, Mr. Mulford Foster of Orlando, Florida. This group organized not just a local society, but an international society for the benefit of bromeliad enthusiasts all over the world. The first officers elected were: President, Mulford Foster; First Vice President, David Barry, Jr.; Second Vice President, Russell J. Seibert; Secretary, Victoria Padilla, and Treasurer, Frank H. Overton. In addition to the officers, Lyman B. Smith, H. B. Trau, Elmer J. Lorenz and Morris Schick were asked to serve on the Board of Directors. A Board of Honorary Trustees was elected, all of them from different countries.","This meeting was a fire of enthusiasm. In a very short time, the membership grew from less than thirty local Californians to an international group of nearly 100 charter members, representing the following countries; Argentina, Australia, Belgium, Brazil, Canada, Canal Zone, Costa Rica, France, Great Britain, New Zealand and the United States. First year was used to establish By-laws, goals, to build a membership and a treasury. The first Life Member of this new Society was Franklin M. DeVoe of Gulf Hammock, Florida. In January 1951, less than a year later, President Mulford Foster because editor of the The Bromeliad Society Bulletin, a bi-monthly publication to be sent to all members. Annual dues for membership remained $3.50 until March-April 1963 when the dues were increased to $4.00.","In November 1951, a local group organized The Southern California Bromeliad Society and became the first Affiliate of The Bromeliad Society. Early in 1953, The Bromeliad Society announced that it had been duly incorporated under the laws of the State of California as a non-profit organization. The March-April 1954 issue of The Bromeliad Society Bulletin announced that The Louisiana Bromeliad Society had applied for affiliation with The Bromeliad Society. December 1955 Bulletin, acknowledged the third affiliate, The Florida West Coast Bromeliad Society, and in the May-June 1959 Bulletin, The South Florida Bromeliad Society was established with Nat DeLeon President.","In the ten year period, The Bromeliad Society had grown to a membership of over 400, 100 of which were members living in countries other than the United States. In the United States, three states led in membership and activity: Florida (90 members), California (80 members) and Louisiana (30 members). There were four Affiliates, 2 in Florida, one in California, and one in Louisiana.","In the ensuing years The Bromeliad Society followed the rugged path of progress. Victoria Padilla became Editor of The Bromeliad Society Bulletin, and color pictures were introduced in 1960. In 1964, all cover pictures of the Bulletin were presented in color. In 1971, The Bromeliad Society Bulletin was given a new name, Journal of the Bromeliad Society. Victoria Padilla continued as Editor. In 1970, plans were made for a 20th Birthday celebration to be held in Southern California and hosted by the five Affiliates in the Los Angeles area. It was to feature an \"all bromeliad show\". This celebration led to future Bromeliad World Conferences. The Bromeliad Society has sponsored and funded many exceptional improvements to the future of bromeliads, and strives to ever improve the knowledge and appreciation of bromeliads for its members and the general public.","List of past Bromeliad World Conferences:","\n1972 Houston, Texas - First acknowledged Bromeliad Conference","\n1975 25th Anniversary Celebration, Buena Park, California","\n1977 New Orleans, Louisiana","\n1980 Orlando, Florida - 30th Birthday celebration","\n1982 Corpus Christi, Texas - \"Bromeliaceae Ole\"","\n1984 Los Angeles, California - \"Bromelympics\"","\n1986 New Orleans, Louisiana - \"One Mo' Time\"","\n1988 Miami, Florida - \"Miami Magic\"","\n1990 Houston, Texas - Bromeliads in Space\"","\n1992 Tampa, Florida - \"Bromeliad Safari\"","\n1994 San Diego, California - \"Bromeliads in Paradise\"","\n1996 Orlando, Florida - \"Orlandiana '96\"","\n1998 Houston, Texas - \"Bromeliad Roundup\"","\n2000 San Francisco, California - \"50th Birthday Celebration\"","\n2002 St. Petersburg, Florida - \"Bromeliad Beach Party\"","\n2004 Chicago, Illinois","\n2006 San Diego, California - \"Bromeliads on the Border\"","\n2008 Cairns, Australia - \"Bromeliads Down Under\"","\n2010 New Orleans, Louisiana - \"Bromeliads in the Big Easy\"","2012 Orlando, Florida - \"Orlandiana '12\"","\n2014 Honolulu, Hawaii - \"Bromeliads in Paradise\"","\n2018 San Diego, California - \"Fiesta de las Bromelias\""],"prefercite_html_tesm":["\u003cp\u003eBromeliad Society International Archive, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Bromeliad Society International Archive, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten. Materials were arranged in chronological order and then placed in pH neutral folders and boxes. Fragile and high use items were placed in polyester sleeves.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten. Materials were arranged in chronological order and then placed in pH neutral folders and boxes. Fragile and high use items were placed in polyester sleeves."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-09\"\u003eThe Michael A. Spencer Bromeliad Research Collection\u003c/extref\u003e. Collector, Michael A. Spencer amassed this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented in this fine collection.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08b\"\u003eThe Michael A. Spencer Collection on Theodore Mead\u003c/extref\u003e, who was a horticulturist and owned an orange grove in Eustis, Florida and developed a property in Oviedo, Florida to research and hybridize plants. The collection contains Mead's notebook and family correspondence, together with a brochure and news clipping about the founding of Mead Gardens in Winter Park, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08c\"\u003eMichael A. Spencer Collection on Julian Nally\u003c/extref\u003e. Nally grew bromeliads and other plants on the property that had once belonged to Henry Nehrling at Gotha, Florida. This collection documents both his work at the property and his personal life.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08a\"\u003eMichael A. Spencer Collection on Henry Nehrling\u003c/extref\u003e. These materials were collected by Michael Spencer because of his interest in botany and his links with Central Florida. Of particular interest are Nehrling's notebooks, correspondence, photographs and plant labels. The collection also contains a few materials, which belonged to Mr. Spencer concerning the attempts to save Nehrling's Palm Cottage Gardens.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-03\"\u003eHenry Nehrling Papers\u003c/extref\u003e. Henry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2014-09\"\u003eArchival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn\u003c/extref\u003e. These materials were in the possession of Betty Pooler Mitchell Nehrling, Henry Nehrling's second wife. The collection consists of letters, documents, photographs, postcards and monographs which provides insight into the familial and financial affairs of the Nehrling Gardens. It also offers a look at Henry Nehrling during the tumultuous years of Florida's boom and bust, and a glimpse of his failing physical and mental state while he sought refuge in a quiet communal colony in Southwest Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://www.bsi.org/new/\"\u003eBromeliad Society International\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://www.bsi.org/bsi_info/affiliates/?bylocation\"\u003eAffiliated Societies of Bromeliad Society International\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://www.fcbs.org\"\u003eFlorida Council of Affiliated Societies\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Michael A. Spencer Bromeliad Research Collection . Collector, Michael A. Spencer amassed this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented in this fine collection.","The Michael A. Spencer Collection on Theodore Mead , who was a horticulturist and owned an orange grove in Eustis, Florida and developed a property in Oviedo, Florida to research and hybridize plants. The collection contains Mead's notebook and family correspondence, together with a brochure and news clipping about the founding of Mead Gardens in Winter Park, Florida.","Michael A. Spencer Collection on Julian Nally . Nally grew bromeliads and other plants on the property that had once belonged to Henry Nehrling at Gotha, Florida. This collection documents both his work at the property and his personal life.","Michael A. Spencer Collection on Henry Nehrling . These materials were collected by Michael Spencer because of his interest in botany and his links with Central Florida. Of particular interest are Nehrling's notebooks, correspondence, photographs and plant labels. The collection also contains a few materials, which belonged to Mr. Spencer concerning the attempts to save Nehrling's Palm Cottage Gardens.","Henry Nehrling Papers . Henry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature.","Archival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn . These materials were in the possession of Betty Pooler Mitchell Nehrling, Henry Nehrling's second wife. The collection consists of letters, documents, photographs, postcards and monographs which provides insight into the familial and financial affairs of the Nehrling Gardens. It also offers a look at Henry Nehrling during the tumultuous years of Florida's boom and bust, and a glimpse of his failing physical and mental state while he sought refuge in a quiet communal colony in Southwest Florida.","Bromeliad Society International","Affiliated Societies of Bromeliad Society International","Florida Council of Affiliated Societies"],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Records, 1953-2006, contains biographies of Bromeliad Society International members and collected materials on conferences \u0026amp; symposiums, manuscripts, and various correspondence. Series also holds organizational files such as the minutes of the general meeting and the meeting of the board of directors, bylaws \u0026amp; standing rules of the Bromeliad Society, annual reports, financial statements, and affiliate shows committee reports.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Plants, 1942-2003, includes documents that pertain to the registration of cultivar names. Applications for registration of Bromeliad are arranged in alphabetical order first by genus then proposed name. Some of the registrations may contain sample images along with the applications either in print or slide format. Series also holds one folder of articles and clippings related to Bromeliad which are collected by Bromeliad Society International members.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1951-2006, holds bromeliad publications from Australia, Brazil, Canada, Czech Republic, Mexico, Switzerland, and United States. Publications are arranged in alphabetical order by country, and then arranged in chronological order.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Photographs, 1949-2001, in three sub-series; Plants, People, and Digital Files. Most of the bromeliad cultivar photographs and registrar's files are stored in either floppy discs or CD-ROMs. Only one folder contains photographs of Bromeliad Society International members; such as Mulford B. Foster, Ella Kelly and Victoria Padilla.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Memorabilia, 1980-2004, includes Bromeliad Society International pins and posters that were issued for the World Bromeliad Conferences. A number of posters are signed and numbered by the artists, such as John Barbie Jr. and Steve Littlefield.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Additional Materials, 1911-2018, This series holds additional materials received from the Bromeliad Society International (BSI) in 2015, 2016, 2018, and 2022. Some of these materials include a World Bromeliad Conference '72 schedule events and a letter sent out to BSI members from the chair, Patrick Mitchell; a manuscript called \"Bromeliad Hybrids and Cultivars\" compiled by Brian Smith in 1984; \"A Preliminary Listing of All Known Cultivar and Grex Names for the Bromeliaceae\" created by Bromeliad Society, Inc. and arranged by Don A. Beadle, includes named and unnamed grexes, names of collectors, hybridizers, developers, references, and dates; \"First tentative Listing of Bromeliad Cultivars\" prepared by Brian Smith in 1989; four copper color separations for one print; and various publications from Australia, New Zealand, and the United States.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Records, 1953-2006, contains biographies of Bromeliad Society International members and collected materials on conferences \u0026 symposiums, manuscripts, and various correspondence. Series also holds organizational files such as the minutes of the general meeting and the meeting of the board of directors, bylaws \u0026 standing rules of the Bromeliad Society, annual reports, financial statements, and affiliate shows committee reports.","\nSeries II: Plants, 1942-2003, includes documents that pertain to the registration of cultivar names. Applications for registration of Bromeliad are arranged in alphabetical order first by genus then proposed name. Some of the registrations may contain sample images along with the applications either in print or slide format. Series also holds one folder of articles and clippings related to Bromeliad which are collected by Bromeliad Society International members.","\nSeries III: Publications, 1951-2006, holds bromeliad publications from Australia, Brazil, Canada, Czech Republic, Mexico, Switzerland, and United States. Publications are arranged in alphabetical order by country, and then arranged in chronological order.","\nSeries IV: Photographs, 1949-2001, in three sub-series; Plants, People, and Digital Files. Most of the bromeliad cultivar photographs and registrar's files are stored in either floppy discs or CD-ROMs. Only one folder contains photographs of Bromeliad Society International members; such as Mulford B. Foster, Ella Kelly and Victoria Padilla.","\nSeries V: Memorabilia, 1980-2004, includes Bromeliad Society International pins and posters that were issued for the World Bromeliad Conferences. A number of posters are signed and numbered by the artists, such as John Barbie Jr. and Steve Littlefield.","\nSeries VI: Additional Materials, 1911-2018, This series holds additional materials received from the Bromeliad Society International (BSI) in 2015, 2016, 2018, and 2022. Some of these materials include a World Bromeliad Conference '72 schedule events and a letter sent out to BSI members from the chair, Patrick Mitchell; a manuscript called \"Bromeliad Hybrids and Cultivars\" compiled by Brian Smith in 1984; \"A Preliminary Listing of All Known Cultivar and Grex Names for the Bromeliaceae\" created by Bromeliad Society, Inc. and arranged by Don A. Beadle, includes named and unnamed grexes, names of collectors, hybridizers, developers, references, and dates; \"First tentative Listing of Bromeliad Cultivars\" prepared by Brian Smith in 1989; four copper color separations for one print; and various publications from Australia, New Zealand, and the United States."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9ae065e663a8566449eee07dbeca3db9\" label=\"Abstract\"\u003eThe Bromeliad Society International (BSI) Archive consists of historical materials, including photographs related to cultivation of bromeliads; field notes related to the collection of bromeliads in the wild; list of plant entries in judged bromeliad shows; incoming and outgoing correspondence from early bromeliad growers; biographies; administrative records of the BSI such as, copyright registrations, copies of meeting minutes, annual reports, and bylaws; BSI publications; and ephemera, including posters and pins. The purpose of the BSI is to promote and maintain public and scientific interest in the research, development, preservation, and distribution of bromeliads, both natural and hybrid, throughout the world.\u003c/abstract\u003e"],"abstract_tesim":["The Bromeliad Society International (BSI) Archive consists of historical materials, including photographs related to cultivation of bromeliads; field notes related to the collection of bromeliads in the wild; list of plant entries in judged bromeliad shows; incoming and outgoing correspondence from early bromeliad growers; biographies; administrative records of the BSI such as, copyright registrations, copies of meeting minutes, annual reports, and bylaws; BSI publications; and ephemera, including posters and pins. The purpose of the BSI is to promote and maintain public and scientific interest in the research, development, preservation, and distribution of bromeliads, both natural and hybrid, throughout the world."],"names_coll_ssim":["Bromeliad Society International"],"names_ssim":["UCF Special Collections","Bromeliad Society International"],"corpname_ssim":["UCF Special Collections","Bromeliad Society International"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1613,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858035398705152,"_root_":"2d920f17dde733c1cf36099d","timestamp":"2026-07-16T08:07:37.887Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2d920f17dde733c1cf36099d_aspace_45611"}},{"id":"b82ed642664903c83a19b1b0_aspace_17164","type":"File","attributes":{"title":"Curios and Artifacts, 1963-1975","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b82ed642664903c83a19b1b0_aspace_17164#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_17164","ref_ssm":["aspace_17164","aspace_17164"],"id":"b82ed642664903c83a19b1b0_aspace_17164","title_filing_ssi":"Curios and Artifacts","title_ssm":["Curios and Artifacts"],"title_tesim":["Curios and Artifacts"],"unitdate_inclusive_ssm":["1963-1975"],"normalized_date_ssm":["1963-1975"],"normalized_title_ssm":["Curios and Artifacts, 1963-1975"],"text":["Curios and Artifacts, 1963-1975","Michael A. Spencer Collection on Julian Nally, 1902-2001","Personal, 1902-2001","Folder 52","/repositories/4/archival_objects/37356","box 1","folder 52"],"component_level_isim":[2],"parent_ids_ssim":["b82ed642664903c83a19b1b0","b82ed642664903c83a19b1b0_aspace_17157"],"parent_unittitles_ssm":["Michael A. Spencer Collection on Julian Nally, 1902-2001","Personal, 1902-2001"],"parent_unittitles_tesim":["Michael A. Spencer Collection on Julian Nally, 1902-2001","Personal, 1902-2001"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 52","/repositories/4/archival_objects/37356"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Michael A. Spencer Collection on Julian Nally, 1902-2001"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":52,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder. Some images were taken by professional photographers; therefore, copyright permission will have to be obtained before publication."],"date_range_isim":[1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975],"containers_ssim":["box 1","folder 52"],"_nest_path_":"/components#1/components#4","_nest_parent_":"b82ed642664903c83a19b1b0_aspace_17157","_root_":"b82ed642664903c83a19b1b0","timestamp":"2026-07-09T03:02:45.647Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b82ed642664903c83a19b1b0","title_ssm":["Michael A. Spencer Collection on Julian Nally"],"title_tesim":["Michael A. Spencer Collection on Julian Nally"],"ead_ssi":"b82ed642664903c83a19b1b0","unitdate_ssm":["1902-2001"],"unitdate_inclusive_ssm":["1902-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.071","/repositories/4/resources/155"],"text":["SC.071","/repositories/4/resources/155","Michael A. Spencer Collection on Julian Nally, 1902-2001","Botany -- Florida","Gardening -- Florida","Gardens -- Florida","Horticulture -- Florida","Plants, Ornamental -- Florida","Tropical Plants","Bromeliaceae","Botany","Plant hybridization","Photographic prints","botanical illustrations","The entire collection is open for research.","Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally on Henry Nehrling's former property. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990  summa cum laude  with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Spencer collected these materials on Julian Nally as part of his interest in bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.","Collection processed by Judith Beale; finding aid prepared by Judith Beale. The materials were placed in pH neutral folders and photographs were identified and most were sleeved.","Michael A. Spencer also donated collections on  Henry Nehrling ,  Theodore Mead  and a larger collection on bromeliads focusing on the work of  Mulford B. Foster . Please see the guides to those collections for further information.","This collection is divided into two series by subject.","Series I: Commercial and Botanical, 1935-1988 documents Nally's work in growing plants. Images show the Nally home in Gotha, bromeliad collectors and plants; some of which are shown in exhibitions and commercial displays.","\nSeries II: Personal, 1902-2001 holds photographs, writings and memorabilia that document Nally's family and other interests. Photographs show family, friends and the family home in New York.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder. Some images were taken by professional photographers; therefore, copyright permission will have to be obtained before publication.","Julian Nally grew bromeliads and other plants on the property that had once belonged to Henry Nehrling at Gotha, Florida. This collection documents both his work at the property and his personal life.","UCF Special Collections","Spencer, Michael A.","Nally, Julian, 1903-1977","English"],"unitid_tesim":["SC.071","/repositories/4/resources/155"],"normalized_date_ssm":["1902-2001"],"normalized_title_ssm":["Michael A. Spencer Collection on Julian Nally, 1902-2001"],"collection_title_tesim":["Michael A. Spencer Collection on Julian Nally, 1902-2001"],"collection_ssim":["Michael A. Spencer Collection on Julian Nally, 1902-2001"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Spencer, Michael A."],"creator_ssim":["Spencer, Michael A."],"creator_persname_ssim":["Spencer, Michael A."],"creators_ssim":["Spencer, Michael A."],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder. Some images were taken by professional photographers; therefore, copyright permission will have to be obtained before publication."],"acqinfo_ssim":["Michael A. Spencer donated these materials to the University of Central Florida Libraries, Special Collections and University Archives Department in 2006 (CFM2006_08c) and 2007."],"access_subjects_ssim":["Botany -- Florida","Gardening -- Florida","Gardens -- Florida","Horticulture -- Florida","Plants, Ornamental -- Florida","Tropical Plants","Bromeliaceae","Botany","Plant hybridization","Photographic prints","botanical illustrations"],"access_subjects_ssm":["Botany -- Florida","Gardening -- Florida","Gardens -- Florida","Horticulture -- Florida","Plants, Ornamental -- Florida","Tropical Plants","Bromeliaceae","Botany","Plant hybridization","Photographic prints","botanical illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["1.7 Linear Feet 3 Boxes"],"extent_tesim":["1.7 Linear Feet 3 Boxes"],"genreform_ssim":["Photographic prints","botanical illustrations"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eMichael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally on Henry Nehrling's former property. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 \u003cemph render=\"italic\"\u003esumma cum laude\u003c/emph\u003e with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Spencer collected these materials on Julian Nally as part of his interest in bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally on Henry Nehrling's former property. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990  summa cum laude  with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Spencer collected these materials on Julian Nally as part of his interest in bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004."],"prefercite_html_tesm":["\u003cp\u003eMichael A. Spencer Collection on Julian Nally, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Michael A. Spencer Collection on Julian Nally, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Judith Beale; finding aid prepared by Judith Beale. The materials were placed in pH neutral folders and photographs were identified and most were sleeved.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Judith Beale; finding aid prepared by Judith Beale. The materials were placed in pH neutral folders and photographs were identified and most were sleeved."],"relatedmaterial_html_tesm":["\u003cp\u003eMichael A. Spencer also donated collections on \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08a\"\u003eHenry Nehrling\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08b\"\u003eTheodore Mead\u003c/extref\u003e and a larger collection on bromeliads focusing on the work of \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-09\"\u003eMulford B. Foster\u003c/extref\u003e. Please see the guides to those collections for further information.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Michael A. Spencer also donated collections on  Henry Nehrling ,  Theodore Mead  and a larger collection on bromeliads focusing on the work of  Mulford B. Foster . Please see the guides to those collections for further information."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is divided into two series by subject.\u003c/p\u003e\n","\u003cp\u003eSeries I: Commercial and Botanical, 1935-1988 documents Nally's work in growing plants. Images show the Nally home in Gotha, bromeliad collectors and plants; some of which are shown in exhibitions and commercial displays.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Personal, 1902-2001 holds photographs, writings and memorabilia that document Nally's family and other interests. Photographs show family, friends and the family home in New York.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is divided into two series by subject.","Series I: Commercial and Botanical, 1935-1988 documents Nally's work in growing plants. Images show the Nally home in Gotha, bromeliad collectors and plants; some of which are shown in exhibitions and commercial displays.","\nSeries II: Personal, 1902-2001 holds photographs, writings and memorabilia that document Nally's family and other interests. Photographs show family, friends and the family home in New York."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder. Some images were taken by professional photographers; therefore, copyright permission will have to be obtained before publication.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder. Some images were taken by professional photographers; therefore, copyright permission will have to be obtained before publication."],"abstract_html_tesm":["\u003cabstract id=\"aspace_faa706956cdb190e02cf6b784de00973\" label=\"Abstract\"\u003eJulian Nally grew bromeliads and other plants on the property that had once belonged to Henry Nehrling at Gotha, Florida. This collection documents both his work at the property and his personal life.\u003c/abstract\u003e"],"abstract_tesim":["Julian Nally grew bromeliads and other plants on the property that had once belonged to Henry Nehrling at Gotha, Florida. This collection documents both his work at the property and his personal life."],"names_ssim":["UCF Special Collections","Spencer, Michael A.","Nally, Julian, 1903-1977"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Nally, Julian, 1903-1977"],"persname_ssim":["Spencer, Michael A.","Nally, Julian, 1903-1977"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":84,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"b82ed642664903c83a19b1b0","timestamp":"2026-07-09T03:02:45.647Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b82ed642664903c83a19b1b0_aspace_17164"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Michael A. Spencer Bromeliad Research Collection, 1754-2014","value":"Michael A. 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