{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1962\u0026page=388","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1962\u0026page=387","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1962\u0026page=389","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1962\u0026page=419"},"meta":{"pages":{"current_page":388,"next_page":389,"prev_page":387,"total_pages":419,"limit_value":10,"offset_value":3870,"total_count":4187,"first_page?":false,"last_page?":false}},"data":[{"id":"03d78da2730e068e74d3a130","type":"collection","attributes":{"title":"Todd, Calvin, Papers, 1949-1976, Date acquired: 03/00/1979","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/03d78da2730e068e74d3a130#creator","type":"document_value","attributes":{"value":["Todd, Calvin"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/03d78da2730e068e74d3a130#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eCollection contains correspondence, minutes of directors, reports, programs, publicity material and newspaper clippings of four organizations in which Mr. Todd, present owner of T.T. 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After a near-impeachment in 1973 mostly scuttled him from the political arena, Adams remained a slightly eccentric yet endearing public figure, maintaining his flair for organizational involvement and was even chosen by former political opponent Claude Kirk in 1978 to become his statewide campaign chairman.","Note written by PC","The collection contains speeches by Adams, newspaper clippings, film and audio recordings, correspondence, photographs, newsletters, awards and plaques, as well as campaign signs and other items mostly focused on the period of Adams's political life when he was most active, the bulk of the materials ending with his lieutenant governorship in 1975.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Adams, Tom, 1917-2006","English"],"unitid_tesim":["MS-1999-01","/repositories/2/resources/354"],"normalized_date_ssm":["1950-1980, Date acquired: 00/00/1999, bulk 1962-1974"],"normalized_title_ssm":["Tom Adams collection, 1950-1980, Date acquired: 00/00/1999, bulk 1962-1974"],"collection_title_tesim":["Tom Adams collection, 1950-1980, Date acquired: 00/00/1999, bulk 1962-1974"],"collection_ssim":["Tom Adams collection, 1950-1980, Date acquired: 00/00/1999, bulk 1962-1974"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Florida -- Politics and government"],"geogname_ssim":["Florida -- Politics and government"],"creator_ssm":["Adams, Tom, 1917-2006"],"creator_ssim":["Adams, Tom, 1917-2006"],"creator_persname_ssim":["Adams, Tom, 1917-2006"],"creators_ssim":["Adams, Tom, 1917-2006"],"places_ssim":["Florida -- Politics and government"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Tom Adams","Donation"],"has_online_content_ssim":["false"],"extent_ssm":["17.07 Linear Feet","35 boxes"],"extent_tesim":["17.07 Linear Feet","35 boxes"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into 10 series, such as speeches, clippings, correspondence, audiovisual materials, etc. Speeches are organized chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into 10 series, such as speeches, clippings, correspondence, audiovisual materials, etc. Speeches are organized chronologically."],"bioghist_html_tesm":["\u003cp\u003eFlorida native Thomas \"Tom\" Burton Adams was a Florida Senator from 1956-1960, Florida Secretary of State from 1961-1971, and served as lieutenant governor during Reubin Askew's first term as Governor (1971-1975). Prior to his political career, Adams worked in the dairy industry after returning from college at the University of Michigan. He also maintained a farm and was involved in the lumber industry and property management during this time. After a near-impeachment in 1973 mostly scuttled him from the political arena, Adams remained a slightly eccentric yet endearing public figure, maintaining his flair for organizational involvement and was even chosen by former political opponent Claude Kirk in 1978 to become his statewide campaign chairman.\u003c/p\u003e\n","\u003cp\u003eNote written by PC\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Florida native Thomas \"Tom\" Burton Adams was a Florida Senator from 1956-1960, Florida Secretary of State from 1961-1971, and served as lieutenant governor during Reubin Askew's first term as Governor (1971-1975). Prior to his political career, Adams worked in the dairy industry after returning from college at the University of Michigan. He also maintained a farm and was involved in the lumber industry and property management during this time. After a near-impeachment in 1973 mostly scuttled him from the political arena, Adams remained a slightly eccentric yet endearing public figure, maintaining his flair for organizational involvement and was even chosen by former political opponent Claude Kirk in 1978 to become his statewide campaign chairman.","Note written by PC"],"prefercite_html_tesm":["\u003cp\u003eTom Adams Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Tom Adams Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains speeches by Adams, newspaper clippings, film and audio recordings, correspondence, photographs, newsletters, awards and plaques, as well as campaign signs and other items mostly focused on the period of Adams's political life when he was most active, the bulk of the materials ending with his lieutenant governorship in 1975.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains speeches by Adams, newspaper clippings, film and audio recordings, correspondence, photographs, newsletters, awards and plaques, as well as campaign signs and other items mostly focused on the period of Adams's political life when he was most active, the bulk of the materials ending with his lieutenant governorship in 1975."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Adams, Tom, 1917-2006"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Adams, Tom, 1917-2006"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":946,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862926758281216,"_root_":"731369245814d8ade7a56926","timestamp":"2026-07-16T09:25:22.674Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/731369245814d8ade7a56926"}},{"id":"7625f821a1df1681fc51e579","type":"collection","attributes":{"title":"Tom and Linda McEwen sports collection, 1962-2011, Date acquired: 00/00/2014","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/7625f821a1df1681fc51e579#abstract_or_scope","type":"document_value","attributes":{"value":["The Tom and Linda McEwen sports collection contains various sports articles written by Tom McEwen during his tenure as a sports journalist at the Tampa Tribune and beyond. Associated ephemera is also included in this collection."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7625f821a1df1681fc51e579#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"7625f821a1df1681fc51e579","title_ssm":["Tom and Linda McEwen sports collection"],"title_tesim":["Tom and Linda McEwen sports collection"],"ead_ssi":"7625f821a1df1681fc51e579","unitdate_ssm":["1962-2011","Date acquired: 00/00/2014"],"unitdate_inclusive_ssm":["1962-2011"],"unitdate_other_ssim":["Date acquired: 00/00/2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2014-14","/repositories/2/resources/381"],"text":["MS-2014-14","/repositories/2/resources/381","Tom and Linda McEwen sports collection, 1962-2011, Date acquired: 00/00/2014","Sports journalism -- Florida -- Tampa","News clippings are arranged chronologically. Ephemera is organized by format and then chronology.","Tom McEwen was an influential sports writer for the Tampa Tribune and later Tampa Bay Online. He was considered a facilitator in helping to bring major sports to the Tampa Bay area. He also received numerous accolades for his writing, including Florida Sports Writer of the Year and the Red Smith Award.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Tom and Linda McEwen sports collection contains various sports articles written by Tom McEwen during his tenure as a sports journalist at the Tampa Tribune and beyond. Associated ephemera is also included in this collection.","USF Libraries - Tampa Special Collections","McEwen, Tom (1923-2011)","English"],"unitid_tesim":["MS-2014-14","/repositories/2/resources/381"],"normalized_date_ssm":["1962-2011, Date acquired: 00/00/2014"],"normalized_title_ssm":["Tom and Linda McEwen sports collection, 1962-2011, Date acquired: 00/00/2014"],"collection_title_tesim":["Tom and Linda McEwen sports collection, 1962-2011, Date acquired: 00/00/2014"],"collection_ssim":["Tom and Linda McEwen sports collection, 1962-2011, Date acquired: 00/00/2014"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Linda McEwen","Donation"],"access_subjects_ssim":["Sports journalism -- Florida -- Tampa"],"access_subjects_ssm":["Sports journalism -- Florida -- Tampa"],"has_online_content_ssim":["false"],"extent_ssm":["1.67 Linear Feet","4 boxes"],"extent_tesim":["1.67 Linear Feet","4 boxes"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"arrangement_html_tesm":["\u003cp\u003eNews clippings are arranged chronologically. Ephemera is organized by format and then chronology.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["News clippings are arranged chronologically. Ephemera is organized by format and then chronology."],"bioghist_html_tesm":["\u003cp\u003eTom McEwen was an influential sports writer for the Tampa Tribune and later Tampa Bay Online. He was considered a facilitator in helping to bring major sports to the Tampa Bay area. He also received numerous accolades for his writing, including Florida Sports Writer of the Year and the Red Smith Award.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Tom McEwen was an influential sports writer for the Tampa Tribune and later Tampa Bay Online. He was considered a facilitator in helping to bring major sports to the Tampa Bay area. He also received numerous accolades for his writing, including Florida Sports Writer of the Year and the Red Smith Award."],"prefercite_html_tesm":["\u003cp\u003eTom and Linda McEwen sports collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Tom and Linda McEwen sports collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_aa68ebd13e3e32e79f52480c73905063\" label=\"Abstract\"\u003eThe Tom and Linda McEwen sports collection contains various sports articles written by Tom McEwen during his tenure as a sports journalist at the Tampa Tribune and beyond. Associated ephemera is also included in this collection.\u003c/abstract\u003e"],"abstract_tesim":["The Tom and Linda McEwen sports collection contains various sports articles written by Tom McEwen during his tenure as a sports journalist at the Tampa Tribune and beyond. Associated ephemera is also included in this collection."],"names_ssim":["USF Libraries - Tampa Special Collections","McEwen, Tom (1923-2011)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["McEwen, Tom (1923-2011)"],"persname_ssim":["McEwen, Tom (1923-2011)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":62,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862940925591552,"_root_":"7625f821a1df1681fc51e579","timestamp":"2026-07-16T09:25:36.276Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"7625f821a1df1681fc51e579","title_ssm":["Tom and Linda McEwen sports collection"],"title_tesim":["Tom and Linda McEwen sports collection"],"ead_ssi":"7625f821a1df1681fc51e579","unitdate_ssm":["1962-2011","Date acquired: 00/00/2014"],"unitdate_inclusive_ssm":["1962-2011"],"unitdate_other_ssim":["Date acquired: 00/00/2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2014-14","/repositories/2/resources/381"],"text":["MS-2014-14","/repositories/2/resources/381","Tom and Linda McEwen sports collection, 1962-2011, Date acquired: 00/00/2014","Sports journalism -- Florida -- Tampa","News clippings are arranged chronologically. Ephemera is organized by format and then chronology.","Tom McEwen was an influential sports writer for the Tampa Tribune and later Tampa Bay Online. He was considered a facilitator in helping to bring major sports to the Tampa Bay area. He also received numerous accolades for his writing, including Florida Sports Writer of the Year and the Red Smith Award.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Tom and Linda McEwen sports collection contains various sports articles written by Tom McEwen during his tenure as a sports journalist at the Tampa Tribune and beyond. Associated ephemera is also included in this collection.","USF Libraries - Tampa Special Collections","McEwen, Tom (1923-2011)","English"],"unitid_tesim":["MS-2014-14","/repositories/2/resources/381"],"normalized_date_ssm":["1962-2011, Date acquired: 00/00/2014"],"normalized_title_ssm":["Tom and Linda McEwen sports collection, 1962-2011, Date acquired: 00/00/2014"],"collection_title_tesim":["Tom and Linda McEwen sports collection, 1962-2011, Date acquired: 00/00/2014"],"collection_ssim":["Tom and Linda McEwen sports collection, 1962-2011, Date acquired: 00/00/2014"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Linda McEwen","Donation"],"access_subjects_ssim":["Sports journalism -- Florida -- Tampa"],"access_subjects_ssm":["Sports journalism -- Florida -- Tampa"],"has_online_content_ssim":["false"],"extent_ssm":["1.67 Linear Feet","4 boxes"],"extent_tesim":["1.67 Linear Feet","4 boxes"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"arrangement_html_tesm":["\u003cp\u003eNews clippings are arranged chronologically. 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He also received numerous accolades for his writing, including Florida Sports Writer of the Year and the Red Smith Award."],"prefercite_html_tesm":["\u003cp\u003eTom and Linda McEwen sports collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Tom and Linda McEwen sports collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_aa68ebd13e3e32e79f52480c73905063\" label=\"Abstract\"\u003eThe Tom and Linda McEwen sports collection contains various sports articles written by Tom McEwen during his tenure as a sports journalist at the Tampa Tribune and beyond. Associated ephemera is also included in this collection.\u003c/abstract\u003e"],"abstract_tesim":["The Tom and Linda McEwen sports collection contains various sports articles written by Tom McEwen during his tenure as a sports journalist at the Tampa Tribune and beyond. Associated ephemera is also included in this collection."],"names_ssim":["USF Libraries - Tampa Special Collections","McEwen, Tom (1923-2011)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["McEwen, Tom (1923-2011)"],"persname_ssim":["McEwen, Tom (1923-2011)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":62,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862940925591552,"_root_":"7625f821a1df1681fc51e579","timestamp":"2026-07-16T09:25:36.276Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/7625f821a1df1681fc51e579"}},{"id":"f8f446b15f81524e15fa326b","type":"collection","attributes":{"title":"Tom Brokaw collection, 1941-1997, bulk 1998-2007","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/f8f446b15f81524e15fa326b#creator","type":"document_value","attributes":{"value":["Tom Brokaw"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/f8f446b15f81524e15fa326b#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eOriginally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books, \u003cem\u003eThe Greatest Generation \u003c/em\u003e(1998) and \u003cem\u003eThe Greatest Generation Speaks \u003c/em\u003e(1999). \u003cbr\u003e\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f8f446b15f81524e15fa326b#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"f8f446b15f81524e15fa326b","title_ssm":["Tom Brokaw collection"],"title_tesim":["Tom Brokaw collection"],"ead_ssi":"f8f446b15f81524e15fa326b","unitdate_ssm":["1941-1997","1998-2007"],"unitdate_bulk_ssim":["1998-2007"],"unitdate_inclusive_ssm":["1941-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01.0171","/repositories/10/resources/37"],"text":["01.0171","/repositories/10/resources/37","Tom Brokaw collection, 1941-1997, bulk 1998-2007","This collection is open to all researchers.","The Tom Brokaw Collection is arranged within ten separate series. Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Originally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books,  The Greatest Generation  (1998) and  The Greatest Generation Speaks  (1999).\n Contained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Tom Brokaw","English"],"unitid_tesim":["01.0171","/repositories/10/resources/37"],"normalized_date_ssm":["1941-1997, bulk 1998-2007"],"normalized_title_ssm":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"collection_title_tesim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"collection_ssim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Tom Brokaw"],"creator_ssim":["Tom Brokaw"],"creator_persname_ssim":["Tom Brokaw"],"creators_ssim":["Tom Brokaw"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Tom Brokaw"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"persname_ssim":["Tom Brokaw"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8743,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f8f446b15f81524e15fa326b","timestamp":"2026-07-14T02:47:00.113Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f8f446b15f81524e15fa326b","title_ssm":["Tom Brokaw collection"],"title_tesim":["Tom Brokaw collection"],"ead_ssi":"f8f446b15f81524e15fa326b","unitdate_ssm":["1941-1997","1998-2007"],"unitdate_bulk_ssim":["1998-2007"],"unitdate_inclusive_ssm":["1941-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01.0171","/repositories/10/resources/37"],"text":["01.0171","/repositories/10/resources/37","Tom Brokaw collection, 1941-1997, bulk 1998-2007","This collection is open to all researchers.","The Tom Brokaw Collection is arranged within ten separate series. 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Most of the citrus labels were produced through the 1940s, with vegetable labels continuing through the early 1970s. \u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/456875eab9536e3707a4b04f#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"456875eab9536e3707a4b04f","title_ssm":["Tom Mack Citrus and Vegetable Label Collection"],"title_tesim":["Tom Mack Citrus and Vegetable Label Collection"],"ead_ssi":"456875eab9536e3707a4b04f","unitdate_ssm":["1900-1970"],"unitdate_inclusive_ssm":["1900-1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT1000-1","/repositories/3/resources/145"],"text":["CIT1000-1","/repositories/3/resources/145","Tom Mack Citrus and Vegetable Label Collection, 1900-1970","Citrus fruit industry - California","Citrus fruit industry — Texas","Citrus fruit industry — Arizona","Citrus fruit industry — Australia","Fruit Crate Labels","Citrus fruit industry","Vegetable trade","Commercial art","Advertising, Industrial","Lithography--20th century","Citrus fruit industry--Florida--History--20th century","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.","Citrus labels are arranged by alphabetical series that reflect their state of origin. Within the series, labels are also arraqnged alphabetical. Vegetable labels reflect multiple states of origin and are arranged alphabetically by brand name.","In the late 19th and early 20th centuries, America's agricultural landscape underwent a massive transformation. The expansion of railroads and the invention of the refrigerated boxcar (reefer) suddenly allowed fresh produce to travel thousands of miles from sun-drenched fields to chilly northern cities.","To ship these delicate goods, growers packed them into sturdy wooden crates. However, once those crates arrived at wholesale markets, they all looked identical. To stand out in crowded wholesale terminals, agricultural cooperatives and independent packers began pasting vibrant, lithographed paper labels onto the ends of their wooden crates. This gave rise to a golden era of graphic art that lasted from the late 1880s until the 1950s, when cheap, pre-printed cardboard boxes rendered the wooden crates and paper labels obsolete.","While all labels served as early forms of brand identity, the imagery varied dramatically by state, reflecting each region's unique geography, culture, and marketing strategy.","California was the undisputed pioneer of the crate label. Driven by the massive success of the Southern California Fruit Exchange (later renamed Sunkist in 1908), California labels set the industry standard for artistic quality.","Because the state was trying to attract tourists and settlers alongside selling fruit, its labels heavily romanticized the West. Artists depicted idyllic, sun-kissed groves nestled directly against snow-capped mountains, Spanish missions, beautiful women, and historical themes like the Gold Rush. The message was clear: purchasing California citrus was a bite of the healthy, prosperous, Mediterranean lifestyle.","Florida entered the game shortly after California, heavily influenced by the Florida Citrus Exchange (founded in 1909). Rather than focusing on majestic landscapes, Florida labels leaned into the state's lush, exotic, and sub-tropical climate.","Common motifs included flamingos, herons, alligators, palm trees, and pristine beaches. Florida growers also loved using historical themes centered on early explorers like Juan Ponce de León and the search for the Fountain of Youth, positioning their oranges and grapefruits as natural elixirs of life and vitality.","The Texas citrus and vegetable industry blossomed much later, finding its footing in the 1920s and 1930s in the fertile Rio Grande Valley. Because Texas entered a mature market dominated by California and Florida, state growers leaned aggressively into their most recognizable asset: Texas identity.","Texas labels are famous for cowboy imagery, longhorn cattle, oil derricks, Alamo imagery, and bold, patriotic colors. Brands like \"Texas Moon\" or \"Tex-Maid\" relied on regional pride and a rugged, western aesthetic to carve out shelf space, proving that everything—including the marketing—was bigger and bolder in Texas.","rizona's commercial citrus production emerged alongside massive irrigation projects in the Salt River Valley and Yuma Mesa during the early 1900s. Because its growing regions bordered California, Arizona labels often mirrored California's high-quality lithographic style but with distinct desert iconography.","Arizona labels leaned heavily into its striking desert geology, featuring Saguaro cacti, sweeping desert mesas, blazing sunsets, and romanticized depictions of Native American cultures. These labels framed Arizona as a miraculous agricultural oasis, emphasizing that their grapefruit and oranges were grown under intense desert sun, which heightened sweetness.","By the mid-1950s, the art form abruptly vanished. Flat-packed corrugated cardboard boxes with simple, cheap ink stamps took over because they were lighter to ship and far less labor-intensive than assembling wooden crates.","The materials in this collection reflect the history of citrus and vegetable crate labels through the early to mid-twentieth century. Most of the citrus labels were produced through the 1940s, with vegetable labels continuing through the early 1970s. ","This collection is notable in that it contains labels from the four major players in the U.S. citrus market: California, Florida, Arizona, and Texas. This allows one to compare the approaches each state took in the creation of their labels (size, layout, etc.) as well as shared themes and themes unique to each state.","Also notable is the handful of labels from Australia, which are the only known overseas citrus crate labels in our collections.","Most labels are authentic, although there are a few reproductions present within the collection. As an educator, Professor Mack's surmised intent was to demonstrate the historical design of the labels rather than collecting them for profit or hobby. ","This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Thomas B. Mack Florida Citrus Archives","English"],"unitid_tesim":["CIT1000-1","/repositories/3/resources/145"],"normalized_date_ssm":["1900-1970"],"normalized_title_ssm":["Tom Mack Citrus and Vegetable Label Collection, 1900-1970"],"collection_title_tesim":["Tom Mack Citrus and Vegetable Label Collection, 1900-1970"],"collection_ssim":["Tom Mack Citrus and Vegetable Label Collection, 1900-1970"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. 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It was transferred to the archives via the library upon his retirement."],"access_subjects_ssim":["Fruit Crate Labels","Citrus fruit industry","Vegetable trade","Commercial art","Advertising, Industrial","Lithography--20th century","Citrus fruit industry--Florida--History--20th century"],"access_subjects_ssm":["Fruit Crate Labels","Citrus fruit industry","Vegetable trade","Commercial art","Advertising, Industrial","Lithography--20th century","Citrus fruit industry--Florida--History--20th century"],"has_online_content_ssim":["false"],"extent_ssm":["2.3 Linear Feet"],"extent_tesim":["2.3 Linear Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eCitrus labels are arranged by alphabetical series that reflect their state of origin. Within the series, labels are also arraqnged alphabetical. 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Artists depicted idyllic, sun-kissed groves nestled directly against snow-capped mountains, Spanish missions, beautiful women, and historical themes like the Gold Rush. The message was clear: purchasing California citrus was a bite of the healthy, prosperous, Mediterranean lifestyle.","Florida entered the game shortly after California, heavily influenced by the Florida Citrus Exchange (founded in 1909). Rather than focusing on majestic landscapes, Florida labels leaned into the state's lush, exotic, and sub-tropical climate.","Common motifs included flamingos, herons, alligators, palm trees, and pristine beaches. Florida growers also loved using historical themes centered on early explorers like Juan Ponce de León and the search for the Fountain of Youth, positioning their oranges and grapefruits as natural elixirs of life and vitality.","The Texas citrus and vegetable industry blossomed much later, finding its footing in the 1920s and 1930s in the fertile Rio Grande Valley. Because Texas entered a mature market dominated by California and Florida, state growers leaned aggressively into their most recognizable asset: Texas identity.","Texas labels are famous for cowboy imagery, longhorn cattle, oil derricks, Alamo imagery, and bold, patriotic colors. Brands like \"Texas Moon\" or \"Tex-Maid\" relied on regional pride and a rugged, western aesthetic to carve out shelf space, proving that everything—including the marketing—was bigger and bolder in Texas.","rizona's commercial citrus production emerged alongside massive irrigation projects in the Salt River Valley and Yuma Mesa during the early 1900s. Because its growing regions bordered California, Arizona labels often mirrored California's high-quality lithographic style but with distinct desert iconography.","Arizona labels leaned heavily into its striking desert geology, featuring Saguaro cacti, sweeping desert mesas, blazing sunsets, and romanticized depictions of Native American cultures. These labels framed Arizona as a miraculous agricultural oasis, emphasizing that their grapefruit and oranges were grown under intense desert sun, which heightened sweetness.","By the mid-1950s, the art form abruptly vanished. Flat-packed corrugated cardboard boxes with simple, cheap ink stamps took over because they were lighter to ship and far less labor-intensive than assembling wooden crates."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect the history of citrus and vegetable crate labels through the early to mid-twentieth century. Most of the citrus labels were produced through the 1940s, with vegetable labels continuing through the early 1970s. \u003c/p\u003e\n","\u003cp\u003eThis collection is notable in that it contains labels from the four major players in the U.S. citrus market: California, Florida, Arizona, and Texas. This allows one to compare the approaches each state took in the creation of their labels (size, layout, etc.) as well as shared themes and themes unique to each state.\u003c/p\u003e\n","\u003cp\u003eAlso notable is the handful of labels from Australia, which are the only known overseas citrus crate labels in our collections.\u003c/p\u003e\n","\u003cp\u003eMost labels are authentic, although there are a few reproductions present within the collection. As an educator, Professor Mack's surmised intent was to demonstrate the historical design of the labels rather than collecting them for profit or hobby. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect the history of citrus and vegetable crate labels through the early to mid-twentieth century. Most of the citrus labels were produced through the 1940s, with vegetable labels continuing through the early 1970s. ","This collection is notable in that it contains labels from the four major players in the U.S. citrus market: California, Florida, Arizona, and Texas. This allows one to compare the approaches each state took in the creation of their labels (size, layout, etc.) as well as shared themes and themes unique to each state.","Also notable is the handful of labels from Australia, which are the only known overseas citrus crate labels in our collections.","Most labels are authentic, although there are a few reproductions present within the collection. As an educator, Professor Mack's surmised intent was to demonstrate the historical design of the labels rather than collecting them for profit or hobby. "],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["Thomas B. Mack Florida Citrus Archives"],"corpname_ssim":["Thomas B. Mack Florida Citrus Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":949,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"456875eab9536e3707a4b04f","timestamp":"2026-06-30T02:21:32.973Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"456875eab9536e3707a4b04f","title_ssm":["Tom Mack Citrus and Vegetable Label Collection"],"title_tesim":["Tom Mack Citrus and Vegetable Label Collection"],"ead_ssi":"456875eab9536e3707a4b04f","unitdate_ssm":["1900-1970"],"unitdate_inclusive_ssm":["1900-1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT1000-1","/repositories/3/resources/145"],"text":["CIT1000-1","/repositories/3/resources/145","Tom Mack Citrus and Vegetable Label Collection, 1900-1970","Citrus fruit industry - California","Citrus fruit industry — Texas","Citrus fruit industry — Arizona","Citrus fruit industry — Australia","Fruit Crate Labels","Citrus fruit industry","Vegetable trade","Commercial art","Advertising, Industrial","Lithography--20th century","Citrus fruit industry--Florida--History--20th century","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.","Citrus labels are arranged by alphabetical series that reflect their state of origin. Within the series, labels are also arraqnged alphabetical. Vegetable labels reflect multiple states of origin and are arranged alphabetically by brand name.","In the late 19th and early 20th centuries, America's agricultural landscape underwent a massive transformation. The expansion of railroads and the invention of the refrigerated boxcar (reefer) suddenly allowed fresh produce to travel thousands of miles from sun-drenched fields to chilly northern cities.","To ship these delicate goods, growers packed them into sturdy wooden crates. However, once those crates arrived at wholesale markets, they all looked identical. To stand out in crowded wholesale terminals, agricultural cooperatives and independent packers began pasting vibrant, lithographed paper labels onto the ends of their wooden crates. This gave rise to a golden era of graphic art that lasted from the late 1880s until the 1950s, when cheap, pre-printed cardboard boxes rendered the wooden crates and paper labels obsolete.","While all labels served as early forms of brand identity, the imagery varied dramatically by state, reflecting each region's unique geography, culture, and marketing strategy.","California was the undisputed pioneer of the crate label. Driven by the massive success of the Southern California Fruit Exchange (later renamed Sunkist in 1908), California labels set the industry standard for artistic quality.","Because the state was trying to attract tourists and settlers alongside selling fruit, its labels heavily romanticized the West. Artists depicted idyllic, sun-kissed groves nestled directly against snow-capped mountains, Spanish missions, beautiful women, and historical themes like the Gold Rush. The message was clear: purchasing California citrus was a bite of the healthy, prosperous, Mediterranean lifestyle.","Florida entered the game shortly after California, heavily influenced by the Florida Citrus Exchange (founded in 1909). Rather than focusing on majestic landscapes, Florida labels leaned into the state's lush, exotic, and sub-tropical climate.","Common motifs included flamingos, herons, alligators, palm trees, and pristine beaches. Florida growers also loved using historical themes centered on early explorers like Juan Ponce de León and the search for the Fountain of Youth, positioning their oranges and grapefruits as natural elixirs of life and vitality.","The Texas citrus and vegetable industry blossomed much later, finding its footing in the 1920s and 1930s in the fertile Rio Grande Valley. Because Texas entered a mature market dominated by California and Florida, state growers leaned aggressively into their most recognizable asset: Texas identity.","Texas labels are famous for cowboy imagery, longhorn cattle, oil derricks, Alamo imagery, and bold, patriotic colors. Brands like \"Texas Moon\" or \"Tex-Maid\" relied on regional pride and a rugged, western aesthetic to carve out shelf space, proving that everything—including the marketing—was bigger and bolder in Texas.","rizona's commercial citrus production emerged alongside massive irrigation projects in the Salt River Valley and Yuma Mesa during the early 1900s. Because its growing regions bordered California, Arizona labels often mirrored California's high-quality lithographic style but with distinct desert iconography.","Arizona labels leaned heavily into its striking desert geology, featuring Saguaro cacti, sweeping desert mesas, blazing sunsets, and romanticized depictions of Native American cultures. These labels framed Arizona as a miraculous agricultural oasis, emphasizing that their grapefruit and oranges were grown under intense desert sun, which heightened sweetness.","By the mid-1950s, the art form abruptly vanished. Flat-packed corrugated cardboard boxes with simple, cheap ink stamps took over because they were lighter to ship and far less labor-intensive than assembling wooden crates.","The materials in this collection reflect the history of citrus and vegetable crate labels through the early to mid-twentieth century. Most of the citrus labels were produced through the 1940s, with vegetable labels continuing through the early 1970s. ","This collection is notable in that it contains labels from the four major players in the U.S. citrus market: California, Florida, Arizona, and Texas. This allows one to compare the approaches each state took in the creation of their labels (size, layout, etc.) as well as shared themes and themes unique to each state.","Also notable is the handful of labels from Australia, which are the only known overseas citrus crate labels in our collections.","Most labels are authentic, although there are a few reproductions present within the collection. As an educator, Professor Mack's surmised intent was to demonstrate the historical design of the labels rather than collecting them for profit or hobby. ","This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Thomas B. 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Mack Florida Citrus Archives"],"geogname_ssm":["Citrus fruit industry - California","Citrus fruit industry — Texas","Citrus fruit industry — Arizona","Citrus fruit industry — Australia"],"geogname_ssim":["Citrus fruit industry - California","Citrus fruit industry — Texas","Citrus fruit industry — Arizona","Citrus fruit industry — Australia"],"places_ssim":["Citrus fruit industry - California","Citrus fruit industry — Texas","Citrus fruit industry — Arizona","Citrus fruit industry — Australia"],"access_terms_ssm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["This collection was created by Professor Tom Mack as part of his efforts to document the history of the citrus industry. It was transferred to the archives via the library upon his retirement."],"access_subjects_ssim":["Fruit Crate Labels","Citrus fruit industry","Vegetable trade","Commercial art","Advertising, Industrial","Lithography--20th century","Citrus fruit industry--Florida--History--20th century"],"access_subjects_ssm":["Fruit Crate Labels","Citrus fruit industry","Vegetable trade","Commercial art","Advertising, Industrial","Lithography--20th century","Citrus fruit industry--Florida--History--20th century"],"has_online_content_ssim":["false"],"extent_ssm":["2.3 Linear Feet"],"extent_tesim":["2.3 Linear Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eCitrus labels are arranged by alphabetical series that reflect their state of origin. Within the series, labels are also arraqnged alphabetical. Vegetable labels reflect multiple states of origin and are arranged alphabetically by brand name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Citrus labels are arranged by alphabetical series that reflect their state of origin. Within the series, labels are also arraqnged alphabetical. Vegetable labels reflect multiple states of origin and are arranged alphabetically by brand name."],"bioghist_html_tesm":["\u003cp\u003eIn the late 19th and early 20th centuries, America's agricultural landscape underwent a massive transformation. The expansion of railroads and the invention of the refrigerated boxcar (reefer) suddenly allowed fresh produce to travel thousands of miles from sun-drenched fields to chilly northern cities.\u003c/p\u003e\n","\u003cp\u003eTo ship these delicate goods, growers packed them into sturdy wooden crates. However, once those crates arrived at wholesale markets, they all looked identical. To stand out in crowded wholesale terminals, agricultural cooperatives and independent packers began pasting vibrant, lithographed paper labels onto the ends of their wooden crates. This gave rise to a golden era of graphic art that lasted from the late 1880s until the 1950s, when cheap, pre-printed cardboard boxes rendered the wooden crates and paper labels obsolete.\u003c/p\u003e\n","\u003cp\u003eWhile all labels served as early forms of brand identity, the imagery varied dramatically by state, reflecting each region's unique geography, culture, and marketing strategy.\u003c/p\u003e\n","\u003cp\u003eCalifornia was the undisputed pioneer of the crate label. Driven by the massive success of the Southern California Fruit Exchange (later renamed Sunkist in 1908), California labels set the industry standard for artistic quality.\u003c/p\u003e\n","\u003cp\u003eBecause the state was trying to attract tourists and settlers alongside selling fruit, its labels heavily romanticized the West. Artists depicted idyllic, sun-kissed groves nestled directly against snow-capped mountains, Spanish missions, beautiful women, and historical themes like the Gold Rush. The message was clear: purchasing California citrus was a bite of the healthy, prosperous, Mediterranean lifestyle.\u003c/p\u003e\n","\u003cp\u003eFlorida entered the game shortly after California, heavily influenced by the Florida Citrus Exchange (founded in 1909). Rather than focusing on majestic landscapes, Florida labels leaned into the state's lush, exotic, and sub-tropical climate.\u003c/p\u003e\n","\u003cp\u003eCommon motifs included flamingos, herons, alligators, palm trees, and pristine beaches. 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These labels framed Arizona as a miraculous agricultural oasis, emphasizing that their grapefruit and oranges were grown under intense desert sun, which heightened sweetness.\u003c/p\u003e\n","\u003cp\u003eBy the mid-1950s, the art form abruptly vanished. Flat-packed corrugated cardboard boxes with simple, cheap ink stamps took over because they were lighter to ship and far less labor-intensive than assembling wooden crates.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["In the late 19th and early 20th centuries, America's agricultural landscape underwent a massive transformation. The expansion of railroads and the invention of the refrigerated boxcar (reefer) suddenly allowed fresh produce to travel thousands of miles from sun-drenched fields to chilly northern cities.","To ship these delicate goods, growers packed them into sturdy wooden crates. However, once those crates arrived at wholesale markets, they all looked identical. To stand out in crowded wholesale terminals, agricultural cooperatives and independent packers began pasting vibrant, lithographed paper labels onto the ends of their wooden crates. This gave rise to a golden era of graphic art that lasted from the late 1880s until the 1950s, when cheap, pre-printed cardboard boxes rendered the wooden crates and paper labels obsolete.","While all labels served as early forms of brand identity, the imagery varied dramatically by state, reflecting each region's unique geography, culture, and marketing strategy.","California was the undisputed pioneer of the crate label. Driven by the massive success of the Southern California Fruit Exchange (later renamed Sunkist in 1908), California labels set the industry standard for artistic quality.","Because the state was trying to attract tourists and settlers alongside selling fruit, its labels heavily romanticized the West. Artists depicted idyllic, sun-kissed groves nestled directly against snow-capped mountains, Spanish missions, beautiful women, and historical themes like the Gold Rush. The message was clear: purchasing California citrus was a bite of the healthy, prosperous, Mediterranean lifestyle.","Florida entered the game shortly after California, heavily influenced by the Florida Citrus Exchange (founded in 1909). Rather than focusing on majestic landscapes, Florida labels leaned into the state's lush, exotic, and sub-tropical climate.","Common motifs included flamingos, herons, alligators, palm trees, and pristine beaches. Florida growers also loved using historical themes centered on early explorers like Juan Ponce de León and the search for the Fountain of Youth, positioning their oranges and grapefruits as natural elixirs of life and vitality.","The Texas citrus and vegetable industry blossomed much later, finding its footing in the 1920s and 1930s in the fertile Rio Grande Valley. Because Texas entered a mature market dominated by California and Florida, state growers leaned aggressively into their most recognizable asset: Texas identity.","Texas labels are famous for cowboy imagery, longhorn cattle, oil derricks, Alamo imagery, and bold, patriotic colors. Brands like \"Texas Moon\" or \"Tex-Maid\" relied on regional pride and a rugged, western aesthetic to carve out shelf space, proving that everything—including the marketing—was bigger and bolder in Texas.","rizona's commercial citrus production emerged alongside massive irrigation projects in the Salt River Valley and Yuma Mesa during the early 1900s. Because its growing regions bordered California, Arizona labels often mirrored California's high-quality lithographic style but with distinct desert iconography.","Arizona labels leaned heavily into its striking desert geology, featuring Saguaro cacti, sweeping desert mesas, blazing sunsets, and romanticized depictions of Native American cultures. These labels framed Arizona as a miraculous agricultural oasis, emphasizing that their grapefruit and oranges were grown under intense desert sun, which heightened sweetness.","By the mid-1950s, the art form abruptly vanished. Flat-packed corrugated cardboard boxes with simple, cheap ink stamps took over because they were lighter to ship and far less labor-intensive than assembling wooden crates."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect the history of citrus and vegetable crate labels through the early to mid-twentieth century. Most of the citrus labels were produced through the 1940s, with vegetable labels continuing through the early 1970s. \u003c/p\u003e\n","\u003cp\u003eThis collection is notable in that it contains labels from the four major players in the U.S. citrus market: California, Florida, Arizona, and Texas. This allows one to compare the approaches each state took in the creation of their labels (size, layout, etc.) as well as shared themes and themes unique to each state.\u003c/p\u003e\n","\u003cp\u003eAlso notable is the handful of labels from Australia, which are the only known overseas citrus crate labels in our collections.\u003c/p\u003e\n","\u003cp\u003eMost labels are authentic, although there are a few reproductions present within the collection. As an educator, Professor Mack's surmised intent was to demonstrate the historical design of the labels rather than collecting them for profit or hobby. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect the history of citrus and vegetable crate labels through the early to mid-twentieth century. Most of the citrus labels were produced through the 1940s, with vegetable labels continuing through the early 1970s. ","This collection is notable in that it contains labels from the four major players in the U.S. citrus market: California, Florida, Arizona, and Texas. This allows one to compare the approaches each state took in the creation of their labels (size, layout, etc.) as well as shared themes and themes unique to each state.","Also notable is the handful of labels from Australia, which are the only known overseas citrus crate labels in our collections.","Most labels are authentic, although there are a few reproductions present within the collection. As an educator, Professor Mack's surmised intent was to demonstrate the historical design of the labels rather than collecting them for profit or hobby. "],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["Thomas B. Mack Florida Citrus Archives"],"corpname_ssim":["Thomas B. Mack Florida Citrus Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":949,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"456875eab9536e3707a4b04f","timestamp":"2026-06-30T02:21:32.973Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/456875eab9536e3707a4b04f"}},{"id":"3018d7acc866cce1e2f00be2_aspace_2b1068499312bf3c3830efd09628c117","type":"File","attributes":{"title":"Tour de Farce, 1962","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3018d7acc866cce1e2f00be2_aspace_2b1068499312bf3c3830efd09628c117#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_2b1068499312bf3c3830efd09628c117","ref_ssm":["aspace_2b1068499312bf3c3830efd09628c117","aspace_2b1068499312bf3c3830efd09628c117"],"id":"3018d7acc866cce1e2f00be2_aspace_2b1068499312bf3c3830efd09628c117","title_filing_ssi":"Tour de Farce","title_ssm":["Tour de Farce"],"title_tesim":["Tour de Farce"],"unitdate_other_ssim":["1962"],"normalized_date_ssm":["1962"],"normalized_title_ssm":["Tour de Farce, 1962"],"text":["Tour de Farce, 1962","Mickey Wolfson Theater Collection, 1946-2015","Box 29","U.S. Arts","/repositories/2/archival_objects/74844","box 29","folder 9"],"component_level_isim":[3],"parent_ids_ssim":["3018d7acc866cce1e2f00be2","3018d7acc866cce1e2f00be2_aspace_ca0f1e16a9a3dfbc5e44b8ab8b8954b9","3018d7acc866cce1e2f00be2_aspace_d0952cc16161765fe9cbe0064eafb8f8"],"parent_unittitles_ssm":["Mickey Wolfson Theater Collection, 1946-2015","Box 29","U.S. Arts"],"parent_unittitles_tesim":["Mickey Wolfson Theater Collection, 1946-2015","Box 29","U.S. Arts"],"parent_levels_ssm":["collection","Other level","Series"],"unitid_ssm":["/repositories/2/archival_objects/74844"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Mickey Wolfson Theater Collection, 1946-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":947,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"date_range_isim":[1962],"containers_ssim":["box 29","folder 9"],"_nest_path_":"/components#28/components#0/components#8","_nest_parent_":"3018d7acc866cce1e2f00be2_aspace_d0952cc16161765fe9cbe0064eafb8f8","_root_":"3018d7acc866cce1e2f00be2","timestamp":"2026-04-29T02:04:07.331Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3018d7acc866cce1e2f00be2","title_ssm":["Mickey Wolfson Theater Collection"],"title_tesim":["Mickey Wolfson Theater Collection"],"ead_ssi":"3018d7acc866cce1e2f00be2","unitdate_ssm":["1946-2015"],"unitdate_inclusive_ssm":["1946-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8095","/repositories/2/resources/80"],"text":["SPC8095","/repositories/2/resources/80","Mickey Wolfson Theater Collection, 1946-2015","Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. ","There is one sub-series under U.S. Arts entitled Arts in Florida.","Materials are in alphabetical and date order.","Mitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906– May 9, 1980) and Mitchell Wolfson (1900–1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963–1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. ","\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts Décoratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. ","\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)","The materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana.","The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","Language of materials is in English unless otherwise noted.","FIU Special Collections","Mitchell \"Mickey\" Wolfson, Jr., b.1939","Afrikaans Arabic Bulgarian Chinese Croatian Czech Danish English Finnish French German Italian Japanese Latin Malay Polish Romanian; Moldavian; Moldovan Russian Slovak Swedish"],"unitid_tesim":["SPC8095","/repositories/2/resources/80"],"normalized_date_ssm":["1946-2015"],"normalized_title_ssm":["Mickey Wolfson Theater Collection, 1946-2015"],"collection_title_tesim":["Mickey Wolfson Theater Collection, 1946-2015"],"collection_ssim":["Mickey Wolfson Theater Collection, 1946-2015"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creator_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creator_persname_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creators_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"access_terms_ssm":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Mickey Wolfson"],"access_subjects_ssim":["Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills"],"access_subjects_ssm":["Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills"],"has_online_content_ssim":["false"],"extent_ssm":["18.33 Linear Feet"],"extent_tesim":["18.33 Linear Feet"],"physfacet_tesim":["44 5\" document cases"],"genreform_ssim":["Playbills"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. \u003c/p\u003e\n","\u003cp\u003eThere is one sub-series under U.S. Arts entitled Arts in Florida.\u003c/p\u003e\n","\u003cp\u003eMaterials are in alphabetical and date order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. ","There is one sub-series under U.S. Arts entitled Arts in Florida.","Materials are in alphabetical and date order."],"bioghist_html_tesm":["\u003cp\u003eMitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906\u0026#x2013; May 9, 1980) and Mitchell Wolfson (1900\u0026#x2013;1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963\u0026#x2013;1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. \u003c/p\u003e\n","\u003cp\u003eCollector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. \u003c/p\u003e\n","\u003cp\u003eIn 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. \u003c/p\u003e\n","\u003cp\u003e\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts D\u0026#xE9;coratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. \u003c/p\u003e\n","\u003cp\u003e\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Mitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906– May 9, 1980) and Mitchell Wolfson (1900–1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963–1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. ","\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts Décoratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. ","\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)"],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana."],"userestrict_html_tesm":["\u003cp\u003eThe Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_7e877df1254b1c8344c609e6bb627e19\"\u003eLanguage of materials is in English unless otherwise noted.\u003c/materialspec\u003e"],"materialspec_tesim":["Language of materials is in English unless otherwise noted."],"names_ssim":["FIU Special Collections","Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"language_ssim":["Afrikaans Arabic Bulgarian Chinese Croatian Czech Danish English Finnish French German Italian Japanese Latin Malay Polish Romanian; Moldavian; Moldovan Russian Slovak Swedish"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1292,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3018d7acc866cce1e2f00be2","timestamp":"2026-04-29T02:04:07.331Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3018d7acc866cce1e2f00be2_aspace_2b1068499312bf3c3830efd09628c117"}},{"id":"494d175c32d55745f7fddbc7_aspace_5085","type":"File","attributes":{"title":"Tourism, 1906-1964, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/494d175c32d55745f7fddbc7_aspace_5085#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5085","ref_ssm":["aspace_5085","aspace_5085"],"id":"494d175c32d55745f7fddbc7_aspace_5085","title_filing_ssi":"Tourism","title_ssm":["Tourism"],"title_tesim":["Tourism"],"unitdate_inclusive_ssm":["1906-1964, Undated"],"normalized_date_ssm":["1906-1964, Undated"],"normalized_title_ssm":["Tourism, 1906-1964, Undated"],"text":["Tourism, 1906-1964, Undated","Florida Image Collection, 1884-2002","Photo Postcards, 1898-1988, Undated","/repositories/4/archival_objects/12257","box 4"],"component_level_isim":[2],"parent_ids_ssim":["494d175c32d55745f7fddbc7","494d175c32d55745f7fddbc7_aspace_4689"],"parent_unittitles_ssm":["Florida Image Collection, 1884-2002","Photo Postcards, 1898-1988, Undated"],"parent_unittitles_tesim":["Florida Image Collection, 1884-2002","Photo Postcards, 1898-1988, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/4/archival_objects/12257"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Florida Image Collection, 1884-2002"],"has_online_content_ssim":["false"],"child_component_count_isi":40,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":776,"parent_access_restrict_tesm":["The entire collection is open for research."],"date_range_isim":[1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964],"containers_ssim":["box 4"],"_nest_path_":"/components#4/components#8","_nest_parent_":"494d175c32d55745f7fddbc7_aspace_4689","_root_":"494d175c32d55745f7fddbc7","_version_":1870858026892656640,"timestamp":"2026-07-16T08:07:29.876Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"494d175c32d55745f7fddbc7","title_ssm":["Florida Image Collection"],"title_tesim":["Florida Image Collection"],"ead_ssi":"494d175c32d55745f7fddbc7","unitdate_ssm":["1884-2002"],"unitdate_inclusive_ssm":["1884-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.067","/repositories/4/resources/58"],"text":["SC.067","/repositories/4/resources/58","Florida Image Collection, 1884-2002","Florida","photographs","The entire collection is open for research.","The Florida Image collection contains images and picture postcards obtained from other UCF Archives collections, as well as purchases and donations. The majority come from the The Thomas and Georgine Mickler Collection. The Mickler collection was partly purchased and donated to the University. Other photos within the collection originated in the Special Collections Vertical File. The Vertical File contains a variety of collected materials on University of Central Florida, local history, typography and book arts, and the West Indies, subjects relating to the collections held by Special Collections. Also included in the collection are images from the Children's Home Society of Florida collection.","Many of the images were previously included in the Thomas and Georgine Mickler Collection and the Florida Ephemera collection. Both of these collections are housed in the University of Central Florida Archives.","Collection processed by Alexandra Olson; finding aid created by Alexandra Olson.","The photographs and postcards were sleeved and placed in acid-free folders and boxes.","More photographs may be found in the papers of individual University Presidents, as well as the Univeristy Photograph Collection. All these materials may be accessed in the Special Collections Reading Room.","Generally, images of individuals arranged alphabetically begin each subseries followed by groups of people and ending with unidentified images. The collection includes postcard images of scenes and places in Florida. Many of the photographs were originally part of the Thomas and Georgine Mickler Collection. The photos are arranged by series according to the type of image. The prints are mostly black and white, but a few are in color. The photographs and postcards have been arranged in nine series by subject","\nSeries I: People, 1913-1987, Undated contains photographic prints of individuals and groups that have been arranged in subseries from identifiable people and families to albums and ending with individuals and groups. Images, in this series, like those of the Pope family are significant to Florida because Dick Pope was the creator of Cypress Gardens, Florida's first theme park. Images of the Roper family are important because of this family's link to the Florida Citrus Industry and the Winter Garden area.","\nSeries II: Places, 1903-1988, Undated holds photographs of places and localities from around Florida arranged alphabetically. Disney forms the first subseries, followed by the John F. Kennedy Space Center, general localities and ending with a colleciton of photographs of Orange Blossom Trail in South Orlando.","\nSeries III: Environment, 1899-1999, Undated contains images of native wildlife, plants of Florida, ending with photographs of hurricanes.","\nSeries IV: Miscellaneous Images, 2002, Undated contains photographs and images that do not fit within any other series, but are still important to the memory of Florida.","\nSeries V: Photo Postcards, 1898-1988, Undated holds postcards that have either a genuine photograph or a printed image on one side. The printed postcards are divided into subseries by subject. The nine subjects include: Churches, hotels, localities, native plants, native wildlife, people, tourism, transportation and miscellaneous.","\nSeries VI: Picture Books (Souvenir Albums), 1884-1969, Undated contains albums and postcard books with many different images of Florida. The series is arranged alphabetically by title of book, and spans from Railroads to Locales.","\nSeries VII: Caribbean Postcards, 1954, Undated contains postcards with different images of Carribbean life.","\nSeries VIII: Color Plates and Oversized Postcards, 1960, Undated holds all the oversized postcards from the collection as well as a collection of color plates. Plates are whole-sheet illustrations, printed separately from text. The images in this series cover a wide variety of Florida scenery and locales.","\nSeries IX: Negatives, Undated contains all the negatives of the collection.","The images document all aspects of Central Florida history including people, such as prominent people and families, places around Florida, Florida wildlife and plantlife, as well as, images from the Kennedy Space Center and Disney. The majority of the collection dates from about 1900-1960.","UCF Special Collections","Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998","English"],"unitid_tesim":["SC.067","/repositories/4/resources/58"],"normalized_date_ssm":["1884-2002"],"normalized_title_ssm":["Florida Image Collection, 1884-2002"],"collection_title_tesim":["Florida Image Collection, 1884-2002"],"collection_ssim":["Florida Image Collection, 1884-2002"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida"],"geogname_ssim":["Florida"],"creator_ssm":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creator_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creator_persname_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creators_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"places_ssim":["Florida"],"acqinfo_ssim":["Photographs used in the collection were taken from the Thomas and Georgine Mickler Collection, the UCF Libraries, Special Collections vertical file,as well as, other purchases and acessions.","This collection was a mixture of purchased and donated from the Mickler Estate and other sources in 2006 (CFM2006_08)."],"access_subjects_ssim":["photographs"],"access_subjects_ssm":["photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1.65 Linear Feet 4 Boxes, 1 Flat File"],"extent_tesim":["1.65 Linear Feet 4 Boxes, 1 Flat File"],"genreform_ssim":["photographs"],"date_range_isim":[1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Florida Image collection contains images and picture postcards obtained from other UCF Archives collections, as well as purchases and donations. 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Both of these collections are housed in the University of Central Florida Archives."],"prefercite_html_tesm":["\u003cp\u003eFlorida Image Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Florida Image Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Alexandra Olson; finding aid created by Alexandra Olson.\u003c/p\u003e","\u003cp\u003eThe photographs and postcards were sleeved and placed in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Alexandra Olson; finding aid created by Alexandra Olson.","The photographs and postcards were sleeved and placed in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eMore photographs may be found in the papers of individual University Presidents, as well as the Univeristy Photograph Collection. All these materials may be accessed in the Special Collections Reading Room.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["More photographs may be found in the papers of individual University Presidents, as well as the Univeristy Photograph Collection. All these materials may be accessed in the Special Collections Reading Room."],"scopecontent_html_tesm":["\u003cp\u003eGenerally, images of individuals arranged alphabetically begin each subseries followed by groups of people and ending with unidentified images. The collection includes postcard images of scenes and places in Florida. Many of the photographs were originally part of the Thomas and Georgine Mickler Collection. The photos are arranged by series according to the type of image. The prints are mostly black and white, but a few are in color. The photographs and postcards have been arranged in nine series by subject\u003c/p\u003e\n","\u003cp\u003e\nSeries I: People, 1913-1987, Undated contains photographic prints of individuals and groups that have been arranged in subseries from identifiable people and families to albums and ending with individuals and groups. Images, in this series, like those of the Pope family are significant to Florida because Dick Pope was the creator of Cypress Gardens, Florida's first theme park. Images of the Roper family are important because of this family's link to the Florida Citrus Industry and the Winter Garden area.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Places, 1903-1988, Undated holds photographs of places and localities from around Florida arranged alphabetically. Disney forms the first subseries, followed by the John F. Kennedy Space Center, general localities and ending with a colleciton of photographs of Orange Blossom Trail in South Orlando.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Environment, 1899-1999, Undated contains images of native wildlife, plants of Florida, ending with photographs of hurricanes.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Miscellaneous Images, 2002, Undated contains photographs and images that do not fit within any other series, but are still important to the memory of Florida.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Photo Postcards, 1898-1988, Undated holds postcards that have either a genuine photograph or a printed image on one side. The printed postcards are divided into subseries by subject. The nine subjects include: Churches, hotels, localities, native plants, native wildlife, people, tourism, transportation and miscellaneous.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Picture Books (Souvenir Albums), 1884-1969, Undated contains albums and postcard books with many different images of Florida. The series is arranged alphabetically by title of book, and spans from Railroads to Locales.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Caribbean Postcards, 1954, Undated contains postcards with different images of Carribbean life.\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Color Plates and Oversized Postcards, 1960, Undated holds all the oversized postcards from the collection as well as a collection of color plates. Plates are whole-sheet illustrations, printed separately from text. The images in this series cover a wide variety of Florida scenery and locales.\u003c/p\u003e\n","\u003cp\u003e\nSeries IX: Negatives, Undated contains all the negatives of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Generally, images of individuals arranged alphabetically begin each subseries followed by groups of people and ending with unidentified images. The collection includes postcard images of scenes and places in Florida. Many of the photographs were originally part of the Thomas and Georgine Mickler Collection. The photos are arranged by series according to the type of image. The prints are mostly black and white, but a few are in color. The photographs and postcards have been arranged in nine series by subject","\nSeries I: People, 1913-1987, Undated contains photographic prints of individuals and groups that have been arranged in subseries from identifiable people and families to albums and ending with individuals and groups. Images, in this series, like those of the Pope family are significant to Florida because Dick Pope was the creator of Cypress Gardens, Florida's first theme park. Images of the Roper family are important because of this family's link to the Florida Citrus Industry and the Winter Garden area.","\nSeries II: Places, 1903-1988, Undated holds photographs of places and localities from around Florida arranged alphabetically. Disney forms the first subseries, followed by the John F. Kennedy Space Center, general localities and ending with a colleciton of photographs of Orange Blossom Trail in South Orlando.","\nSeries III: Environment, 1899-1999, Undated contains images of native wildlife, plants of Florida, ending with photographs of hurricanes.","\nSeries IV: Miscellaneous Images, 2002, Undated contains photographs and images that do not fit within any other series, but are still important to the memory of Florida.","\nSeries V: Photo Postcards, 1898-1988, Undated holds postcards that have either a genuine photograph or a printed image on one side. The printed postcards are divided into subseries by subject. The nine subjects include: Churches, hotels, localities, native plants, native wildlife, people, tourism, transportation and miscellaneous.","\nSeries VI: Picture Books (Souvenir Albums), 1884-1969, Undated contains albums and postcard books with many different images of Florida. The series is arranged alphabetically by title of book, and spans from Railroads to Locales.","\nSeries VII: Caribbean Postcards, 1954, Undated contains postcards with different images of Carribbean life.","\nSeries VIII: Color Plates and Oversized Postcards, 1960, Undated holds all the oversized postcards from the collection as well as a collection of color plates. Plates are whole-sheet illustrations, printed separately from text. The images in this series cover a wide variety of Florida scenery and locales.","\nSeries IX: Negatives, Undated contains all the negatives of the collection."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c1764512ad44520b697525a0abb48530\" label=\"Abstract\"\u003eThe images document all aspects of Central Florida history including people, such as prominent people and families, places around Florida, Florida wildlife and plantlife, as well as, images from the Kennedy Space Center and Disney. The majority of the collection dates from about 1900-1960.\u003c/abstract\u003e"],"abstract_tesim":["The images document all aspects of Central Florida history including people, such as prominent people and families, places around Florida, Florida wildlife and plantlife, as well as, images from the Kennedy Space Center and Disney. The majority of the collection dates from about 1900-1960."],"names_ssim":["UCF Special Collections","Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1301,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858026892656640,"_root_":"494d175c32d55745f7fddbc7","timestamp":"2026-07-16T08:07:29.876Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/494d175c32d55745f7fddbc7_aspace_5085"}},{"id":"a3eabcc4094ea8e02f42af5b_aspace_7139","type":"File","attributes":{"title":"Tourism, circa 1894-1983","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a3eabcc4094ea8e02f42af5b_aspace_7139#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7139","ref_ssm":["aspace_7139","aspace_7139"],"id":"a3eabcc4094ea8e02f42af5b_aspace_7139","title_filing_ssi":"Tourism","title_ssm":["Tourism"],"title_tesim":["Tourism"],"unitdate_inclusive_ssm":["circa 1894-1983"],"normalized_date_ssm":["circa 1894-1983"],"normalized_title_ssm":["Tourism, circa 1894-1983"],"text":["Tourism, circa 1894-1983","Florida Ephemera collection, circa 1813-2007","Subject Files, 1831-2005","Box 23, Folder 1-5; Box 24, Folder 1-2; Box 27, Folder 21; Box 28, Folder 1-2","/repositories/4/archival_objects/13294","box 23","folder 1-5","box 24","folder 1-2","box 27","folder 21","Box 28","folder 1-2"],"component_level_isim":[2],"parent_ids_ssim":["a3eabcc4094ea8e02f42af5b","a3eabcc4094ea8e02f42af5b_aspace_6500"],"parent_unittitles_ssm":["Florida Ephemera collection, circa 1813-2007","Subject Files, 1831-2005"],"parent_unittitles_tesim":["Florida Ephemera collection, circa 1813-2007","Subject Files, 1831-2005"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Box 23, Folder 1-5; Box 24, Folder 1-2; Box 27, Folder 21; Box 28, Folder 1-2","/repositories/4/archival_objects/13294"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Florida Ephemera collection, circa 1813-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":59,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1364,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"containers_ssim":["box 23","folder 1-5","box 24","folder 1-2","box 27","folder 21","Box 28","folder 1-2"],"_nest_path_":"/components#1/components#20","_nest_parent_":"a3eabcc4094ea8e02f42af5b_aspace_6500","_root_":"a3eabcc4094ea8e02f42af5b","_version_":1876384024848498688,"timestamp":"2026-09-15T08:00:52.198Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a3eabcc4094ea8e02f42af5b","title_ssm":["Florida Ephemera collection"],"title_tesim":["Florida Ephemera collection"],"ead_ssi":"a3eabcc4094ea8e02f42af5b","unitdate_ssm":["circa 1813-2007"],"unitdate_inclusive_ssm":["circa 1813-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.032","/repositories/4/resources/60"],"text":["SC.032","/repositories/4/resources/60","Florida Ephemera collection, circa 1813-2007","Florida","Florida -- Politics and government","Orlando (Fla.)","Agriculture -- Florida","Business -- Florida","Gardening -- Florida","Parks -- Florida","Tourism","The entire collection is open for research.","The collection is divided into three series, Geographic Files, Artifacts and Subject Files. Geographic Files are arranged in three subseries, Central, North and South Florida, with Central Florida organized alphabetically by county. General information about a region begins each subseries, followed by cities and counties that have a high volume of information. Subject Files are arranged alphabetically.","Thomas and Georgine Mickler ran a small publishing company, Mickler House, and a thriving mail-order business, Mickler's Antiquarian Books, out of their Chuluota home for almost 40 years. The Mickler's focused on tracing out-of-print publications about Florida and ultimately collected more than 40,000 books and other historical pieces of paper memorabilia that filled their home. Thomas Mickler was a native Floridian but Georgine was born in Chicago. She moved to Orlando in 1961, and they married the following year. Both of them lived until they were 84 years old; Thomas died in 1997 and Georgine died a year later.","Collection processed by Jessica Achberger; finding aid prepared by Jessica Achberger and Jeffrey Baumiller.","This collection was processed by both geographic area and subject matter. Materials related to a specific location within Florida were divided out, while materials related to Florida as a whole were separated into specific subject matter. All materials are foldered, with special attention being paid to newspaper clippings and delicate manuscript materials. Sheets of acid free paper were put between clippings, and some materials have been sleeved for preservation.","Other materials collected by the Micklers are held in the University of Central Florida Libraries Special Collections and University Archives, and other collections provide information about Florida. For a complete list of collections please consult the  Special Collections \u0026 University Archives  website.","The Florida Ephemera Collection consists of materials about or produced in Florida collected by Thomas and Georgine Mickler through their mail-order business, Mickler's Antiquarian Books, as well as additional purchases made by the University of Central Florida Libraries Special Collections. These materials are all related in some way to Florida, either geographically or through the subject matter.","\nSeries I: Geographic Files, circa 1813-2007 contain tourism brochures, information on local historical societies, local business advertisements and newspaper clippings related to the different geographic areas of Florida, loosely divided into Central, North and South Florida. Some information may also be found in a Subject file; however, generally the Subject Files consist of information about Florida as a whole.","\nSeries II: Subject Files, 1831-2005 consist of booklets and brochures, newspaper and journal articles, business cards and advertisements, and periodicals related to Florida, arranged by subject alphabetically. Topics include Agricultural Literature, Arts and Humanities, Gardening Literature, History, Politics and Government, Real Estate and Development, State Parks and Historical Markers, Tourism, and Wildlife.","Series III: Artifacts, Undated, 1971, contains larger items that pertain to geographical and subject files \nconcerning Florida. Included thus far are a cork mat depicting Bok Tower and a bottle commemorating \nthe Apollo 14 mission.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Florida Ephemera Collection is a collection of brochures, advertisements and news clippings documenting the history of Florida. Although the collection includes information about Florida as a whole, it focuses on the Central Florida area, and Orlando in particular. The collection contains information about most aspects of life in Florida including business and industry, real estate and development, tourism and wildlife.","UCF Special Collections","Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998","English"],"unitid_tesim":["SC.032","/repositories/4/resources/60"],"normalized_date_ssm":["circa 1813-2007"],"normalized_title_ssm":["Florida Ephemera collection, circa 1813-2007"],"collection_title_tesim":["Florida Ephemera collection, circa 1813-2007"],"collection_ssim":["Florida Ephemera collection, circa 1813-2007"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida","Florida -- Politics and government","Orlando (Fla.)"],"geogname_ssim":["Florida","Florida -- Politics and government","Orlando (Fla.)"],"creator_ssm":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creator_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creator_persname_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creators_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"places_ssim":["Florida","Florida -- Politics and government","Orlando (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The ephemera was mostly collected by Thomas and Georgine Mickler of Micklers Antiquarian Books. These materials were purchased by the University of Central Florida Libraries, Special Collections and University Archives in 1999 (CFM1999_06). Ephemera from a variety of sources will continue to be purchased to create a collection relevant to Florida's history."],"access_subjects_ssim":["Agriculture -- Florida","Business -- Florida","Gardening -- Florida","Parks -- Florida","Tourism"],"access_subjects_ssm":["Agriculture -- Florida","Business -- Florida","Gardening -- Florida","Parks -- Florida","Tourism"],"has_online_content_ssim":["false"],"extent_ssm":["13 Linear Feet 26 Boxes, 1 Flat File"],"extent_tesim":["13 Linear Feet 26 Boxes, 1 Flat File"],"date_range_isim":[1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into three series, Geographic Files, Artifacts and Subject Files. Geographic Files are arranged in three subseries, Central, North and South Florida, with Central Florida organized alphabetically by county. General information about a region begins each subseries, followed by cities and counties that have a high volume of information. Subject Files are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into three series, Geographic Files, Artifacts and Subject Files. Geographic Files are arranged in three subseries, Central, North and South Florida, with Central Florida organized alphabetically by county. General information about a region begins each subseries, followed by cities and counties that have a high volume of information. Subject Files are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eThomas and Georgine Mickler ran a small publishing company, Mickler House, and a thriving mail-order business, Mickler's Antiquarian Books, out of their Chuluota home for almost 40 years. The Mickler's focused on tracing out-of-print publications about Florida and ultimately collected more than 40,000 books and other historical pieces of paper memorabilia that filled their home. Thomas Mickler was a native Floridian but Georgine was born in Chicago. She moved to Orlando in 1961, and they married the following year. Both of them lived until they were 84 years old; Thomas died in 1997 and Georgine died a year later.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Thomas and Georgine Mickler ran a small publishing company, Mickler House, and a thriving mail-order business, Mickler's Antiquarian Books, out of their Chuluota home for almost 40 years. The Mickler's focused on tracing out-of-print publications about Florida and ultimately collected more than 40,000 books and other historical pieces of paper memorabilia that filled their home. Thomas Mickler was a native Floridian but Georgine was born in Chicago. She moved to Orlando in 1961, and they married the following year. Both of them lived until they were 84 years old; Thomas died in 1997 and Georgine died a year later."],"prefercite_html_tesm":["\u003cp\u003eFlorida Ephemera Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Florida Ephemera Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Jessica Achberger; finding aid prepared by Jessica Achberger and Jeffrey Baumiller.\u003c/p\u003e","\u003cp\u003eThis collection was processed by both geographic area and subject matter. Materials related to a specific location within Florida were divided out, while materials related to Florida as a whole were separated into specific subject matter. All materials are foldered, with special attention being paid to newspaper clippings and delicate manuscript materials. Sheets of acid free paper were put between clippings, and some materials have been sleeved for preservation.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Jessica Achberger; finding aid prepared by Jessica Achberger and Jeffrey Baumiller.","This collection was processed by both geographic area and subject matter. Materials related to a specific location within Florida were divided out, while materials related to Florida as a whole were separated into specific subject matter. All materials are foldered, with special attention being paid to newspaper clippings and delicate manuscript materials. Sheets of acid free paper were put between clippings, and some materials have been sleeved for preservation."],"relatedmaterial_html_tesm":["\u003cp\u003eOther materials collected by the Micklers are held in the University of Central Florida Libraries Special Collections and University Archives, and other collections provide information about Florida. For a complete list of collections please consult the \u003cextref href=\"http://library.ucf.edu/about/departments/special-collections-university-archives/\"\u003eSpecial Collections \u0026amp; University Archives\u003c/extref\u003e website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other materials collected by the Micklers are held in the University of Central Florida Libraries Special Collections and University Archives, and other collections provide information about Florida. For a complete list of collections please consult the  Special Collections \u0026 University Archives  website."],"scopecontent_html_tesm":["\u003cp\u003eThe Florida Ephemera Collection consists of materials about or produced in Florida collected by Thomas and Georgine Mickler through their mail-order business, Mickler's Antiquarian Books, as well as additional purchases made by the University of Central Florida Libraries Special Collections. These materials are all related in some way to Florida, either geographically or through the subject matter.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Geographic Files, circa 1813-2007 contain tourism brochures, information on local historical societies, local business advertisements and newspaper clippings related to the different geographic areas of Florida, loosely divided into Central, North and South Florida. Some information may also be found in a Subject file; however, generally the Subject Files consist of information about Florida as a whole.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Subject Files, 1831-2005 consist of booklets and brochures, newspaper and journal articles, business cards and advertisements, and periodicals related to Florida, arranged by subject alphabetically. Topics include Agricultural Literature, Arts and Humanities, Gardening Literature, History, Politics and Government, Real Estate and Development, State Parks and Historical Markers, Tourism, and Wildlife.\u003c/p\u003e\n","\u003cp\u003eSeries III: Artifacts, Undated, 1971, contains larger items that pertain to geographical and subject files \nconcerning Florida. Included thus far are a cork mat depicting Bok Tower and a bottle commemorating \nthe Apollo 14 mission.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Florida Ephemera Collection consists of materials about or produced in Florida collected by Thomas and Georgine Mickler through their mail-order business, Mickler's Antiquarian Books, as well as additional purchases made by the University of Central Florida Libraries Special Collections. These materials are all related in some way to Florida, either geographically or through the subject matter.","\nSeries I: Geographic Files, circa 1813-2007 contain tourism brochures, information on local historical societies, local business advertisements and newspaper clippings related to the different geographic areas of Florida, loosely divided into Central, North and South Florida. Some information may also be found in a Subject file; however, generally the Subject Files consist of information about Florida as a whole.","\nSeries II: Subject Files, 1831-2005 consist of booklets and brochures, newspaper and journal articles, business cards and advertisements, and periodicals related to Florida, arranged by subject alphabetically. Topics include Agricultural Literature, Arts and Humanities, Gardening Literature, History, Politics and Government, Real Estate and Development, State Parks and Historical Markers, Tourism, and Wildlife.","Series III: Artifacts, Undated, 1971, contains larger items that pertain to geographical and subject files \nconcerning Florida. Included thus far are a cork mat depicting Bok Tower and a bottle commemorating \nthe Apollo 14 mission."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_64c3d62675ae88c59d40c8d1db049bf2\" label=\"Abstract\"\u003eThe Florida Ephemera Collection is a collection of brochures, advertisements and news clippings documenting the history of Florida. Although the collection includes information about Florida as a whole, it focuses on the Central Florida area, and Orlando in particular. The collection contains information about most aspects of life in Florida including business and industry, real estate and development, tourism and wildlife.\u003c/abstract\u003e"],"abstract_tesim":["The Florida Ephemera Collection is a collection of brochures, advertisements and news clippings documenting the history of Florida. Although the collection includes information about Florida as a whole, it focuses on the Central Florida area, and Orlando in particular. The collection contains information about most aspects of life in Florida including business and industry, real estate and development, tourism and wildlife."],"names_ssim":["UCF Special Collections","Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876384024848498688,"_root_":"a3eabcc4094ea8e02f42af5b","timestamp":"2026-09-15T08:00:52.198Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a3eabcc4094ea8e02f42af5b_aspace_7139"}},{"id":"381d1dd60ce6bd94b648a268_aspace_99c1e3d70d945a6a29616caf87635965","type":"File","attributes":{"title":"Tourism, Japan, 1962-1969","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/381d1dd60ce6bd94b648a268_aspace_99c1e3d70d945a6a29616caf87635965#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_99c1e3d70d945a6a29616caf87635965","ref_ssm":["aspace_99c1e3d70d945a6a29616caf87635965","aspace_99c1e3d70d945a6a29616caf87635965"],"id":"381d1dd60ce6bd94b648a268_aspace_99c1e3d70d945a6a29616caf87635965","title_filing_ssi":"Tourism, Japan","title_ssm":["Tourism, Japan"],"title_tesim":["Tourism, Japan"],"unitdate_inclusive_ssm":["1962-1969"],"normalized_date_ssm":["1962-1969"],"normalized_title_ssm":["Tourism, Japan, 1962-1969"],"text":["Tourism, Japan, 1962-1969","Barbara Boyett Collection, 1935-2013","Tourism, Japan","/repositories/2/archival_objects/24676","box 1","folder 4"],"component_level_isim":[2],"parent_ids_ssim":["381d1dd60ce6bd94b648a268","381d1dd60ce6bd94b648a268_aspace_2a13b1096b1063712898bb888b0cc2c4"],"parent_unittitles_ssm":["Barbara Boyett Collection, 1935-2013","Tourism, Japan"],"parent_unittitles_tesim":["Barbara Boyett Collection, 1935-2013","Tourism, Japan"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/24676"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"collection_ssim":["Barbara Boyett Collection, 1935-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":10,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Barbara Boyett Rutenkroger collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Please inquire if you have questions - archives@flsouthern.edu"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969],"containers_ssim":["box 1","folder 4"],"_nest_path_":"/components#3/components#0","_nest_parent_":"381d1dd60ce6bd94b648a268_aspace_2a13b1096b1063712898bb888b0cc2c4","_root_":"381d1dd60ce6bd94b648a268","timestamp":"2026-07-09T02:16:19.687Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"381d1dd60ce6bd94b648a268","title_ssm":["Barbara Boyett Collection"],"title_tesim":["Barbara Boyett Collection"],"ead_ssi":"381d1dd60ce6bd94b648a268","unitdate_ssm":["1935-2013"],"unitdate_inclusive_ssm":["1935-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS6030","/repositories/2/resources/129"],"text":["MS6030","/repositories/2/resources/129","Barbara Boyett Collection, 1935-2013","England—Description and travel","Boyett, Barbara, 1933-2024","Boyett, Lloyd Kenneth, 1928-2007—Military career","Liverpool (England)—History","Misawa Air Base (Japan)","Japan—Description and travel","Art objects—Japanese","Folk art—Japan","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.","The collection is divided into the following series: 1) History, Merseyside and Liverpool, England, 2) Tourism, England, 3) Misawa Air Base and Lloyd K. Boyett military career, 4) Tourism, Japan, and 5) Japanese art, including folk art. Oversized items from Series 3 and 5 are stored in Box 2. These include certificates and art pieces.","Barbara Boyett Rutenkroger (born Barbara Alexandra Hunt; January 2, 1933 – October 28, 2024) was born in Liverpool, England. She was only six years old when the United Kingdom entered World War II, and like many local children she was sent to stay in the countryside for her safety during the war. Later in life she maintained a historical interest in the Liverpool Blitz, which devastated her hometown between 1940-1942. She married Edgar A. Barzey in July 1954 in Wallasey, England; this marriage seems likely to have ended in divorce. She then became acquainted with Lloyd Kenneth Boyett, a US airman stationed in England. On May 18, 1962, she married Boyett in Yuba, California. She accompanied Boyett to numerous locations where he was stationed during his Air Force career. She kept an array of souvenirs from the period when her husband was stationed at Misawa Air Base on the island of Honshū, Japan, from about 1966-1969. She was deeply involved with volunteer work while Boyett was stationed at Misawa, and she appears to have taken a keen interest in Japanese folk art and culture. When her husband retired from the Air Force, the couple moved to the Lakeland area. They had become active in various Lakeland community committees and organizations by the 1990s. Lloyd Boyett passed away on January 27, 2007. In 2011, Barbara married widower Earl Rutenkroger, who passed away on December 20, 2018.","The largest of the 3 Yawata-Uma horse figurines is stored on a shelf near the collection, rather than in Box 2.","This collection contains historical booklets and tourist material about Merseyside and Liverpool, England, as well as more general English tourist information. These items tie to Barbara Boyett Rutenkroger's English childhood during World War II. Other materials pertain to life on Misawa Air Base in the 1960s and the Boyetts' experience while stationed there. These include contemporary newspapers like the Pacific Stars and Stripes and the Misawa base's newspaper Wing Span, pamphlets about the base, and Lloyd K. Boyett's Certificate of Service for 2 ½ years serving on the 1953rd Communications Squadron. Japanese tourist material from the 1960s is included too. Additionally, this collection contains examples of Japanese folk art that Barbara Boyett Rutenkroger seems to have acquired in the 1960s while living at Misawa. These include three Yawata-Uma horse figurines, a set of three carved and painted wooden plates, a carved wooden tablet, a painting, and a piece that appears to have been created by painting a carved sheet of rubber.","The Barbara Boyett Rutenkroger collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Please inquire if you have questions - archives@flsouthern.edu","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","English Japanese"],"unitid_tesim":["MS6030","/repositories/2/resources/129"],"normalized_date_ssm":["1935-2013"],"normalized_title_ssm":["Barbara Boyett Collection, 1935-2013"],"collection_title_tesim":["Barbara Boyett Collection, 1935-2013"],"collection_ssim":["Barbara Boyett Collection, 1935-2013"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"access_terms_ssm":["The Barbara Boyett Rutenkroger collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Please inquire if you have questions - archives@flsouthern.edu"],"acqinfo_ssim":["After Barbara Boyett Rutenkroger passed away in 2024, this collection was donated to the McKay Archives by her family and friends in 2025."],"access_subjects_ssim":["England—Description and travel","Boyett, Barbara, 1933-2024","Boyett, Lloyd Kenneth, 1928-2007—Military career","Liverpool (England)—History","Misawa Air Base (Japan)","Japan—Description and travel","Art objects—Japanese","Folk art—Japan"],"access_subjects_ssm":["England—Description and travel","Boyett, Barbara, 1933-2024","Boyett, Lloyd Kenneth, 1928-2007—Military career","Liverpool (England)—History","Misawa Air Base (Japan)","Japan—Description and travel","Art objects—Japanese","Folk art—Japan"],"has_online_content_ssim":["false"],"extent_ssm":["1.8 Linear Feet 1 Five inch legal standard document container\n1 sixteen x twenty inch flat box"],"extent_tesim":["1.8 Linear Feet 1 Five inch legal standard document container\n1 sixteen x twenty inch flat box"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into the following series: 1) History, Merseyside and Liverpool, England, 2) Tourism, England, 3) Misawa Air Base and Lloyd K. Boyett military career, 4) Tourism, Japan, and 5) Japanese art, including folk art. Oversized items from Series 3 and 5 are stored in Box 2. These include certificates and art pieces.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into the following series: 1) History, Merseyside and Liverpool, England, 2) Tourism, England, 3) Misawa Air Base and Lloyd K. Boyett military career, 4) Tourism, Japan, and 5) Japanese art, including folk art. Oversized items from Series 3 and 5 are stored in Box 2. These include certificates and art pieces."],"bioghist_html_tesm":["\u003cp\u003eBarbara Boyett Rutenkroger (born Barbara Alexandra Hunt; January 2, 1933 \u0026#x2013; October 28, 2024) was born in Liverpool, England. She was only six years old when the United Kingdom entered World War II, and like many local children she was sent to stay in the countryside for her safety during the war. Later in life she maintained a historical interest in the Liverpool Blitz, which devastated her hometown between 1940-1942. She married Edgar A. Barzey in July 1954 in Wallasey, England; this marriage seems likely to have ended in divorce. She then became acquainted with Lloyd Kenneth Boyett, a US airman stationed in England. On May 18, 1962, she married Boyett in Yuba, California. She accompanied Boyett to numerous locations where he was stationed during his Air Force career. She kept an array of souvenirs from the period when her husband was stationed at Misawa Air Base on the island of Honsh\u0026#x16B;, Japan, from about 1966-1969. She was deeply involved with volunteer work while Boyett was stationed at Misawa, and she appears to have taken a keen interest in Japanese folk art and culture. When her husband retired from the Air Force, the couple moved to the Lakeland area. They had become active in various Lakeland community committees and organizations by the 1990s. Lloyd Boyett passed away on January 27, 2007. In 2011, Barbara married widower Earl Rutenkroger, who passed away on December 20, 2018.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Barbara Boyett Rutenkroger (born Barbara Alexandra Hunt; January 2, 1933 – October 28, 2024) was born in Liverpool, England. She was only six years old when the United Kingdom entered World War II, and like many local children she was sent to stay in the countryside for her safety during the war. Later in life she maintained a historical interest in the Liverpool Blitz, which devastated her hometown between 1940-1942. She married Edgar A. Barzey in July 1954 in Wallasey, England; this marriage seems likely to have ended in divorce. She then became acquainted with Lloyd Kenneth Boyett, a US airman stationed in England. On May 18, 1962, she married Boyett in Yuba, California. She accompanied Boyett to numerous locations where he was stationed during his Air Force career. She kept an array of souvenirs from the period when her husband was stationed at Misawa Air Base on the island of Honshū, Japan, from about 1966-1969. She was deeply involved with volunteer work while Boyett was stationed at Misawa, and she appears to have taken a keen interest in Japanese folk art and culture. When her husband retired from the Air Force, the couple moved to the Lakeland area. They had become active in various Lakeland community committees and organizations by the 1990s. Lloyd Boyett passed away on January 27, 2007. In 2011, Barbara married widower Earl Rutenkroger, who passed away on December 20, 2018."],"processinfo_html_tesm":["\u003cp\u003eThe largest of the 3 Yawata-Uma horse figurines is stored on a shelf near the collection, rather than in Box 2.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The largest of the 3 Yawata-Uma horse figurines is stored on a shelf near the collection, rather than in Box 2."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains historical booklets and tourist material about Merseyside and Liverpool, England, as well as more general English tourist information. These items tie to Barbara Boyett Rutenkroger's English childhood during World War II. Other materials pertain to life on Misawa Air Base in the 1960s and the Boyetts' experience while stationed there. These include contemporary newspapers like the Pacific Stars and Stripes and the Misawa base's newspaper Wing Span, pamphlets about the base, and Lloyd K. Boyett's Certificate of Service for 2 \u0026#xBD; years serving on the 1953rd Communications Squadron. Japanese tourist material from the 1960s is included too. Additionally, this collection contains examples of Japanese folk art that Barbara Boyett Rutenkroger seems to have acquired in the 1960s while living at Misawa. These include three Yawata-Uma horse figurines, a set of three carved and painted wooden plates, a carved wooden tablet, a painting, and a piece that appears to have been created by painting a carved sheet of rubber.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains historical booklets and tourist material about Merseyside and Liverpool, England, as well as more general English tourist information. These items tie to Barbara Boyett Rutenkroger's English childhood during World War II. Other materials pertain to life on Misawa Air Base in the 1960s and the Boyetts' experience while stationed there. These include contemporary newspapers like the Pacific Stars and Stripes and the Misawa base's newspaper Wing Span, pamphlets about the base, and Lloyd K. Boyett's Certificate of Service for 2 ½ years serving on the 1953rd Communications Squadron. Japanese tourist material from the 1960s is included too. Additionally, this collection contains examples of Japanese folk art that Barbara Boyett Rutenkroger seems to have acquired in the 1960s while living at Misawa. These include three Yawata-Uma horse figurines, a set of three carved and painted wooden plates, a carved wooden tablet, a painting, and a piece that appears to have been created by painting a carved sheet of rubber."],"userestrict_html_tesm":["\u003cp\u003eThe Barbara Boyett Rutenkroger collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003ePlease inquire if you have questions - archives@flsouthern.edu\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Barbara Boyett Rutenkroger collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Please inquire if you have questions - archives@flsouthern.edu"],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"corpname_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"language_ssim":["English Japanese"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":18,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"381d1dd60ce6bd94b648a268","timestamp":"2026-07-09T02:16:19.687Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/381d1dd60ce6bd94b648a268_aspace_99c1e3d70d945a6a29616caf87635965"}},{"id":"ea10a278e35b143f130f4d56_aspace_f50e1d07afb3c916f8168e3cfe8724b5","type":"File","attributes":{"title":"Town of Eatonville Historic Structure Registry, June 1, 1885-August 2012, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ea10a278e35b143f130f4d56_aspace_f50e1d07afb3c916f8168e3cfe8724b5#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_f50e1d07afb3c916f8168e3cfe8724b5","ref_ssm":["aspace_f50e1d07afb3c916f8168e3cfe8724b5","aspace_f50e1d07afb3c916f8168e3cfe8724b5"],"id":"ea10a278e35b143f130f4d56_aspace_f50e1d07afb3c916f8168e3cfe8724b5","title_filing_ssi":"Town of Eatonville Historic Structure Registry","title_ssm":["Town of Eatonville Historic Structure Registry"],"title_tesim":["Town of Eatonville Historic Structure Registry"],"unitdate_inclusive_ssm":["June 1, 1885-August 2012, Undated"],"normalized_date_ssm":["June 1, 1885-August 2012, Undated"],"normalized_title_ssm":["Town of Eatonville Historic Structure Registry, June 1, 1885-August 2012, Undated"],"text":["Town of Eatonville Historic Structure Registry, June 1, 1885-August 2012, Undated","Carol Mundy: African American Legacy Research Files, 1790-2012","Research Files, 1790-2012, Undated.","Eatonville, 1885-2012, Undated","/repositories/4/archival_objects/55942","Box 4","Folder 5"],"component_level_isim":[3],"parent_ids_ssim":["ea10a278e35b143f130f4d56","ea10a278e35b143f130f4d56_aspace_seriesI","ea10a278e35b143f130f4d56_aspace_b43c5dd795f0e241a1145e0f13505d5c"],"parent_unittitles_ssm":["Carol Mundy: African American Legacy Research Files, 1790-2012","Research Files, 1790-2012, Undated.","Eatonville, 1885-2012, Undated"],"parent_unittitles_tesim":["Carol Mundy: African American Legacy Research Files, 1790-2012","Research Files, 1790-2012, Undated.","Eatonville, 1885-2012, Undated"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/55942"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Carol Mundy: African American Legacy Research Files, 1790-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":34,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"containers_ssim":["Box 4","Folder 5"],"_nest_path_":"/components#0/components#2/components#7","_nest_parent_":"ea10a278e35b143f130f4d56_aspace_b43c5dd795f0e241a1145e0f13505d5c","_root_":"ea10a278e35b143f130f4d56","_version_":1870857796524703744,"timestamp":"2026-07-16T08:03:50.193Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ea10a278e35b143f130f4d56","title_ssm":["Carol Mundy: African American Legacy Research Files"],"title_tesim":["Carol Mundy: African American Legacy Research Files"],"ead_ssi":"ea10a278e35b143f130f4d56","unitdate_ssm":["1790-2012"],"unitdate_inclusive_ssm":["1790-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.121","/repositories/4/resources/220"],"text":["SC.121","/repositories/4/resources/220","Carol Mundy: African American Legacy Research Files, 1790-2012","Apopka (Fla.)--History","Ocoee (Fla.)--History","Eatonville (Fla.)--History","African Americans","African Americans -- Florida -- History","manuscripts (documents)","photographs","The entire collection is open for research.","Ms. Carol Mundy's mother was an antique dealer and this love that Ms. Mundy had for antiques from a young age helped foster an interest and love of history. Ms. Carol Mundy, a former flight attendant was able to travel the world throughout her career. As a result she was able to compile these documents in this collection and its sister collection also house at the UCF Special Collection and University Archives and known as the African American Legacy: the Carol Mundy Collection which hold about one thousand five hundred pieces of history that Ms. Mundy collected previously. The original collection was obtained by the University of Central Florida Special Collections \u0026 University Archives in 2009.","The research files were given to the University of Central Florida History Department through their program known as Regional Initiative for Collecting the History, Experiences and Stories (RICHES). They were housed in the History Department for a number of years and were donated to the University of Central Florida Special Collections \u0026 University Archives. Ms. Mundy saw the University of Central Florida John C. Hitt Library as the perfect institution to house her collection. She also wanted to bring more attention and educate the public and students about the African American Legacy. In 2009, the University of Central Florida, honored Ms. Mundy through the Burnett Honors College. Within the pages of pamphlet handed out at the event that day. In the pamphlet it discusses the importance of preserving and educating youth.","When the University of Central Florida Special Collection \u0026 University Archives received this collection, most of the documents were in three ring binders. Upon receiving the collection the binders were in no particular order and have been organized by city. Some of the documents were put clear sleeves to keep them safe for the time being within the binders. Upon processing this collection, staples, binder clips, and paperclips were removed. The contents that were once in the binders are now housed in acid free folders and boxes.The photographs and the transparency are also housed in clear archival sleeves.","African American Legacy: The Carol Mundy Collection, 1794-2010","The collection is divided into 3 series.","Series I: Research Files, 1790-2012, Undated, consists of documents from three major areas Apopka, Eatonville, and Ocoee. The documents include articles, historic preservation manuals, land plans, census data, draft registration, and plot summaries.","Series II: Manuscripts, 2006-2009, Undated, consists of manuscripts written by Perrine Slim. The name Perrine Slim was a pseudonym for William Gladden Jr. In this series, there is also an article related to one of the manuscripts.","Series III: Photographs, 1920-Circa. 1950's, Undated, includes several photographs primarily of members of the Boykin family and the Gladden family.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","This research collection primarily looks at African American Legacy in small town Florida, including Eatonville, Apopka, and Ocoee. Through photographs, manuscripts, census data, historic home registers, and so much more; you can dive deep into researching these historic African American cities. Delve into the historic homes and their inhabitance of these historic cities through this collection. The documents in this collection are primarily photocopies, or photographs of original documents. The documents in this collection as a result were printed or created recently.","UCF Special Collections","Mundy, Carol","The materials are written in English"],"unitid_tesim":["SC.121","/repositories/4/resources/220"],"normalized_date_ssm":["1790-2012"],"normalized_title_ssm":["Carol Mundy: African American Legacy Research Files, 1790-2012"],"collection_title_tesim":["Carol Mundy: African American Legacy Research Files, 1790-2012"],"collection_ssim":["Carol Mundy: African American Legacy Research Files, 1790-2012"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Apopka (Fla.)--History","Ocoee (Fla.)--History","Eatonville (Fla.)--History"],"geogname_ssim":["Apopka (Fla.)--History","Ocoee (Fla.)--History","Eatonville (Fla.)--History"],"places_ssim":["Apopka (Fla.)--History","Ocoee (Fla.)--History","Eatonville (Fla.)--History"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Regional Initiative for Collecting the History, Experiences and Stories (RICHES) of Central Florida transferred these materials to the University of Central Florida Libraries, Special Collections \u0026 University Archives in 2020 (CFM2020_05)."],"access_subjects_ssim":["African Americans","African Americans -- Florida -- History","manuscripts (documents)","photographs"],"access_subjects_ssm":["African Americans","African Americans -- Florida -- History","manuscripts (documents)","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["2.25 Linear Feet 5 Boxes"],"extent_tesim":["2.25 Linear Feet 5 Boxes"],"genreform_ssim":["manuscripts (documents)","photographs"],"date_range_isim":[1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eMs. Carol Mundy's mother was an antique dealer and this love that Ms. Mundy had for antiques from a young age helped foster an interest and love of history. Ms. Carol Mundy, a former flight attendant was able to travel the world throughout her career. As a result she was able to compile these documents in this collection and its sister collection also house at the UCF Special Collection and University Archives and known as the African American Legacy: the Carol Mundy Collection which hold about one thousand five hundred pieces of history that Ms. Mundy collected previously. The original collection was obtained by the University of Central Florida Special Collections \u0026amp; University Archives in 2009.\u003c/p\u003e\n","\u003cp\u003eThe research files were given to the University of Central Florida History Department through their program known as Regional Initiative for Collecting the History, Experiences and Stories (RICHES). They were housed in the History Department for a number of years and were donated to the University of Central Florida Special Collections \u0026amp; University Archives. Ms. Mundy saw the University of Central Florida John C. Hitt Library as the perfect institution to house her collection. She also wanted to bring more attention and educate the public and students about the African American Legacy. In 2009, the University of Central Florida, honored Ms. Mundy through the Burnett Honors College. Within the pages of pamphlet handed out at the event that day. In the pamphlet it discusses the importance of preserving and educating youth.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Ms. Carol Mundy's mother was an antique dealer and this love that Ms. Mundy had for antiques from a young age helped foster an interest and love of history. Ms. Carol Mundy, a former flight attendant was able to travel the world throughout her career. As a result she was able to compile these documents in this collection and its sister collection also house at the UCF Special Collection and University Archives and known as the African American Legacy: the Carol Mundy Collection which hold about one thousand five hundred pieces of history that Ms. Mundy collected previously. The original collection was obtained by the University of Central Florida Special Collections \u0026 University Archives in 2009.","The research files were given to the University of Central Florida History Department through their program known as Regional Initiative for Collecting the History, Experiences and Stories (RICHES). They were housed in the History Department for a number of years and were donated to the University of Central Florida Special Collections \u0026 University Archives. Ms. Mundy saw the University of Central Florida John C. Hitt Library as the perfect institution to house her collection. She also wanted to bring more attention and educate the public and students about the African American Legacy. In 2009, the University of Central Florida, honored Ms. Mundy through the Burnett Honors College. Within the pages of pamphlet handed out at the event that day. In the pamphlet it discusses the importance of preserving and educating youth."],"prefercite_html_tesm":["\u003cp\u003eCarol Mundy: African American Legacy Research Files, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Carol Mundy: African American Legacy Research Files, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eWhen the University of Central Florida Special Collection \u0026amp; University Archives received this collection, most of the documents were in three ring binders. Upon receiving the collection the binders were in no particular order and have been organized by city. Some of the documents were put clear sleeves to keep them safe for the time being within the binders. Upon processing this collection, staples, binder clips, and paperclips were removed. The contents that were once in the binders are now housed in acid free folders and boxes.The photographs and the transparency are also housed in clear archival sleeves.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["When the University of Central Florida Special Collection \u0026 University Archives received this collection, most of the documents were in three ring binders. Upon receiving the collection the binders were in no particular order and have been organized by city. Some of the documents were put clear sleeves to keep them safe for the time being within the binders. Upon processing this collection, staples, binder clips, and paperclips were removed. The contents that were once in the binders are now housed in acid free folders and boxes.The photographs and the transparency are also housed in clear archival sleeves."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2009-02\"\u003eAfrican American Legacy: The Carol Mundy Collection, 1794-2010\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["African American Legacy: The Carol Mundy Collection, 1794-2010"],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into 3 series.\u003c/p\u003e\n","\u003cp\u003eSeries I: Research Files, 1790-2012, Undated, consists of documents from three major areas Apopka, Eatonville, and Ocoee. The documents include articles, historic preservation manuals, land plans, census data, draft registration, and plot summaries.\u003c/p\u003e\n","\u003cp\u003eSeries II: Manuscripts, 2006-2009, Undated, consists of manuscripts written by Perrine Slim. The name Perrine Slim was a pseudonym for William Gladden Jr. In this series, there is also an article related to one of the manuscripts.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1920-Circa. 1950's, Undated, includes several photographs primarily of members of the Boykin family and the Gladden family.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["The collection is divided into 3 series.","Series I: Research Files, 1790-2012, Undated, consists of documents from three major areas Apopka, Eatonville, and Ocoee. The documents include articles, historic preservation manuals, land plans, census data, draft registration, and plot summaries.","Series II: Manuscripts, 2006-2009, Undated, consists of manuscripts written by Perrine Slim. The name Perrine Slim was a pseudonym for William Gladden Jr. In this series, there is also an article related to one of the manuscripts.","Series III: Photographs, 1920-Circa. 1950's, Undated, includes several photographs primarily of members of the Boykin family and the Gladden family."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a3e726e4ada6767d05cdb00c3da6057b\"\u003eThis research collection primarily looks at African American Legacy in small town Florida, including Eatonville, Apopka, and Ocoee. Through photographs, manuscripts, census data, historic home registers, and so much more; you can dive deep into researching these historic African American cities. Delve into the historic homes and their inhabitance of these historic cities through this collection. The documents in this collection are primarily photocopies, or photographs of original documents. The documents in this collection as a result were printed or created recently.\u003c/abstract\u003e"],"abstract_tesim":["This research collection primarily looks at African American Legacy in small town Florida, including Eatonville, Apopka, and Ocoee. Through photographs, manuscripts, census data, historic home registers, and so much more; you can dive deep into researching these historic African American cities. Delve into the historic homes and their inhabitance of these historic cities through this collection. The documents in this collection are primarily photocopies, or photographs of original documents. The documents in this collection as a result were printed or created recently."],"names_ssim":["UCF Special Collections","Mundy, Carol"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Mundy, Carol"],"persname_ssim":["Mundy, Carol"],"language_ssim":["The materials are written in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":77,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857796524703744,"_root_":"ea10a278e35b143f130f4d56","timestamp":"2026-07-16T08:03:50.193Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ea10a278e35b143f130f4d56_aspace_f50e1d07afb3c916f8168e3cfe8724b5"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Michael A. Spencer Bromeliad Research Collection, 1754-2014","value":"Michael A. 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