{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1962\u0026page=135","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1962\u0026page=134","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1962\u0026page=136","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1962\u0026page=419"},"meta":{"pages":{"current_page":135,"next_page":136,"prev_page":134,"total_pages":419,"limit_value":10,"offset_value":1340,"total_count":4187,"first_page?":false,"last_page?":false}},"data":[{"id":"3018d7acc866cce1e2f00be2_aspace_56f7b03a86170ae63168ba74b3cea811","type":"File","attributes":{"title":"First Concert: McCarter Theatre, 1962","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3018d7acc866cce1e2f00be2_aspace_56f7b03a86170ae63168ba74b3cea811#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_56f7b03a86170ae63168ba74b3cea811","ref_ssm":["aspace_56f7b03a86170ae63168ba74b3cea811","aspace_56f7b03a86170ae63168ba74b3cea811"],"id":"3018d7acc866cce1e2f00be2_aspace_56f7b03a86170ae63168ba74b3cea811","title_filing_ssi":"First Concert: McCarter Theatre","title_ssm":["First Concert: McCarter Theatre"],"title_tesim":["First Concert: McCarter Theatre"],"unitdate_other_ssim":["1962"],"normalized_date_ssm":["1962"],"normalized_title_ssm":["First Concert: McCarter Theatre, 1962"],"text":["First Concert: McCarter Theatre, 1962","Mickey Wolfson Theater Collection, 1946-2015","Box 22","U.S. Arts","/repositories/2/archival_objects/74630","box 22","folder 26"],"component_level_isim":[3],"parent_ids_ssim":["3018d7acc866cce1e2f00be2","3018d7acc866cce1e2f00be2_aspace_54a9d5eb431ab30cc3595971cee3dce9","3018d7acc866cce1e2f00be2_aspace_803a7cbf318d31351c7bd394d80a7d1a"],"parent_unittitles_ssm":["Mickey Wolfson Theater Collection, 1946-2015","Box 22","U.S. Arts"],"parent_unittitles_tesim":["Mickey Wolfson Theater Collection, 1946-2015","Box 22","U.S. Arts"],"parent_levels_ssm":["collection","Other level","Series"],"unitid_ssm":["/repositories/2/archival_objects/74630"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Mickey Wolfson Theater Collection, 1946-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":733,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. 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Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. ","There is one sub-series under U.S. Arts entitled Arts in Florida.","Materials are in alphabetical and date order.","Mitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906– May 9, 1980) and Mitchell Wolfson (1900–1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963–1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. ","\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts Décoratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. ","\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)","The materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana.","The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","Language of materials is in English unless otherwise noted.","FIU Special Collections","Mitchell \"Mickey\" Wolfson, Jr., b.1939","Afrikaans Arabic Bulgarian Chinese Croatian Czech Danish English Finnish French German Italian Japanese Latin Malay Polish Romanian; Moldavian; Moldovan Russian Slovak Swedish"],"unitid_tesim":["SPC8095","/repositories/2/resources/80"],"normalized_date_ssm":["1946-2015"],"normalized_title_ssm":["Mickey Wolfson Theater Collection, 1946-2015"],"collection_title_tesim":["Mickey Wolfson Theater Collection, 1946-2015"],"collection_ssim":["Mickey Wolfson Theater Collection, 1946-2015"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creator_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creator_persname_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creators_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"access_terms_ssm":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. 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","There is one sub-series under U.S. Arts entitled Arts in Florida.","Materials are in alphabetical and date order."],"bioghist_html_tesm":["\u003cp\u003eMitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906\u0026#x2013; May 9, 1980) and Mitchell Wolfson (1900\u0026#x2013;1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963\u0026#x2013;1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. 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Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. ","\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts Décoratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. ","\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)"],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana."],"userestrict_html_tesm":["\u003cp\u003eThe Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. 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Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Louis Miano Theater Collection is owned by Florida International University. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"date_range_isim":[1962],"containers_ssim":["box 2","folder 8","object 9"],"_nest_path_":"/components#1/components#7/components#8","_nest_parent_":"b8bf361dc0d2b04552d16184_aspace_7f8861304a72b0c966d78def16c297a7","_root_":"b8bf361dc0d2b04552d16184","_version_":1870844485139693568,"timestamp":"2026-07-16T04:32:15.452Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b8bf361dc0d2b04552d16184","title_ssm":["Louis Miano Theater Collection"],"title_tesim":["Louis Miano Theater Collection"],"ead_ssi":"b8bf361dc0d2b04552d16184","unitdate_ssm":["1896-2017"],"unitdate_inclusive_ssm":["1896-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9020","/repositories/2/resources/113"],"text":["SPC9020","/repositories/2/resources/113","Louis Miano Theater Collection, 1896-2017","Theater","Performing Arts","Performing Arts--Public Relations","Theaters - New York (State)","Theaters -- California","Theaters - South Florida","Theaters -- United Kingdom","Musical Theater","Advertising","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials are arranged into the following series alphabetically based on the title of the performance:","1.\tAB – AL\n2.\tAM – AN\n3.\tAR – AU\n4.\tBA - BI\n5.\tBL - BO\n6.\tBR - BU\n7.\tCA\n8.\tCL - CI\n9.\tCO - CU\n10.\tDA - DE\n11.\tDI - DR\n12.\tEA - FA\n13.\tFE - FU\n14.\tGA - GO\n15.\tGR - GY\n16.\tHA - HE\n17.\tHI - HU\n18.\tI\n19.\tJ - K\n20.\tLA\n21.\tLE - LI\n22.\tLL - LU\n23.\tMAC - MAN\n24.\tMAR - MER\n25.\tMIC - MOO\n26.\tMOR - MYS\n27.\tN\n28.\tO\n29.\tPA - PI\n30.\tPL - PY\n31.\tRA - RI\n32.\tRO - RU\n33.\tSAC - SEX\n34.\tSHA - SLE\n35.\tSMA - STU\n36.\tSUB - SWE\n37.\tTAL - THO\n38.\tTHR - TOG\n39.\tTOM - TWE\n40.\tULY - WAL\n41.\tWEI - WIN\n42.\tWIT - ZOR","There are four more series arranged by type of material:\n1. Brochures\n2. Magazines\n3. Ephemera\n4. Audio","LANGUAGE WARNING: Some titles of plays, advertisements, and articles within the materials contain language that was common in the United States during the 20th century. Outdated language, slurs, and other terms that may be considered harmful or offensive are present.","personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present.","The materials in this collection primarily consist of playbills, showbills, and programs that range from the mid-to-late 20th century and are primarily from the personal collection of Louis Miano. However, the contents are compiled from multiple collections of the same scope. There is a large collection of playbills, showbills, and programs from theater and opera in Miami and South Florida, as well as from across the United States and Europe. The collection also contains magazines, ephemera, and other materials related to musical theater in the United States and Europe.","The Louis Miano Theater Collection is owned by Florida International University. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English Russian French"],"unitid_tesim":["SPC9020","/repositories/2/resources/113"],"normalized_date_ssm":["1896-2017"],"normalized_title_ssm":["Louis Miano Theater Collection, 1896-2017"],"collection_title_tesim":["Louis Miano Theater Collection, 1896-2017"],"collection_ssim":["Louis Miano Theater Collection, 1896-2017"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Theater","Performing Arts","Performing Arts--Public Relations","Theaters - New York (State)","Theaters -- California","Theaters - South Florida","Theaters -- United Kingdom","Musical Theater"],"geogname_ssim":["Theater","Performing Arts","Performing Arts--Public Relations","Theaters - New York (State)","Theaters -- California","Theaters - South Florida","Theaters -- United Kingdom","Musical Theater"],"places_ssim":["Theater","Performing Arts","Performing Arts--Public Relations","Theaters - New York (State)","Theaters -- California","Theaters - South Florida","Theaters -- United Kingdom","Musical Theater"],"access_terms_ssm":["The Louis Miano Theater Collection is owned by Florida International University. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Louis Miano and others."],"access_subjects_ssim":["Advertising"],"access_subjects_ssm":["Advertising"],"has_online_content_ssim":["false"],"extent_ssm":["8.93 Linear Feet 7 Boxes\n1 Oversize Flat Box"],"extent_tesim":["8.93 Linear Feet 7 Boxes\n1 Oversize Flat Box"],"date_range_isim":[1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged into the following series alphabetically based on the title of the performance:\u003c/p\u003e\n","\u003cp\u003e1.\tAB \u0026#x2013; AL\n2.\tAM \u0026#x2013; AN\n3.\tAR \u0026#x2013; AU\n4.\tBA - BI\n5.\tBL - BO\n6.\tBR - BU\n7.\tCA\n8.\tCL - CI\n9.\tCO - CU\n10.\tDA - DE\n11.\tDI - DR\n12.\tEA - FA\n13.\tFE - FU\n14.\tGA - GO\n15.\tGR - GY\n16.\tHA - HE\n17.\tHI - HU\n18.\tI\n19.\tJ - K\n20.\tLA\n21.\tLE - LI\n22.\tLL - LU\n23.\tMAC - MAN\n24.\tMAR - MER\n25.\tMIC - MOO\n26.\tMOR - MYS\n27.\tN\n28.\tO\n29.\tPA - PI\n30.\tPL - PY\n31.\tRA - RI\n32.\tRO - RU\n33.\tSAC - SEX\n34.\tSHA - SLE\n35.\tSMA - STU\n36.\tSUB - SWE\n37.\tTAL - THO\n38.\tTHR - TOG\n39.\tTOM - TWE\n40.\tULY - WAL\n41.\tWEI - WIN\n42.\tWIT - ZOR\u003c/p\u003e\n","\u003cp\u003eThere are four more series arranged by type of material:\n1. Brochures\n2. Magazines\n3. Ephemera\n4. Audio\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged into the following series alphabetically based on the title of the performance:","1.\tAB – AL\n2.\tAM – AN\n3.\tAR – AU\n4.\tBA - BI\n5.\tBL - BO\n6.\tBR - BU\n7.\tCA\n8.\tCL - CI\n9.\tCO - CU\n10.\tDA - DE\n11.\tDI - DR\n12.\tEA - FA\n13.\tFE - FU\n14.\tGA - GO\n15.\tGR - GY\n16.\tHA - HE\n17.\tHI - HU\n18.\tI\n19.\tJ - K\n20.\tLA\n21.\tLE - LI\n22.\tLL - LU\n23.\tMAC - MAN\n24.\tMAR - MER\n25.\tMIC - MOO\n26.\tMOR - MYS\n27.\tN\n28.\tO\n29.\tPA - PI\n30.\tPL - PY\n31.\tRA - RI\n32.\tRO - RU\n33.\tSAC - SEX\n34.\tSHA - SLE\n35.\tSMA - STU\n36.\tSUB - SWE\n37.\tTAL - THO\n38.\tTHR - TOG\n39.\tTOM - TWE\n40.\tULY - WAL\n41.\tWEI - WIN\n42.\tWIT - ZOR","There are four more series arranged by type of material:\n1. Brochures\n2. Magazines\n3. Ephemera\n4. Audio"],"odd_html_tesm":["\u003cp\u003eLANGUAGE WARNING: Some titles of plays, advertisements, and articles within the materials contain language that was common in the United States during the 20th century. Outdated language, slurs, and other terms that may be considered harmful or offensive are present.\u003c/p\u003e\n","\u003cp\u003epersonal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["LANGUAGE WARNING: Some titles of plays, advertisements, and articles within the materials contain language that was common in the United States during the 20th century. Outdated language, slurs, and other terms that may be considered harmful or offensive are present.","personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection primarily consist of playbills, showbills, and programs that range from the mid-to-late 20th century and are primarily from the personal collection of Louis Miano. However, the contents are compiled from multiple collections of the same scope. There is a large collection of playbills, showbills, and programs from theater and opera in Miami and South Florida, as well as from across the United States and Europe. The collection also contains magazines, ephemera, and other materials related to musical theater in the United States and Europe.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection primarily consist of playbills, showbills, and programs that range from the mid-to-late 20th century and are primarily from the personal collection of Louis Miano. However, the contents are compiled from multiple collections of the same scope. There is a large collection of playbills, showbills, and programs from theater and opera in Miami and South Florida, as well as from across the United States and Europe. The collection also contains magazines, ephemera, and other materials related to musical theater in the United States and Europe."],"userestrict_html_tesm":["\u003cp\u003eThe Louis Miano Theater Collection is owned by Florida International University. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Louis Miano Theater Collection is owned by Florida International University. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Russian French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1032,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844485139693568,"_root_":"b8bf361dc0d2b04552d16184","timestamp":"2026-07-16T04:32:15.452Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b8bf361dc0d2b04552d16184_aspace_007d3d15a3f20bbd26b424b68e38225b"}},{"id":"5e17dda97e7549e9d9b40539_aspace_1c9cb56d8a59bdd2ee8193d6eb0a3318","type":"File","attributes":{"title":"First name correspondence, Circa 1937-1986","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_1c9cb56d8a59bdd2ee8193d6eb0a3318#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1c9cb56d8a59bdd2ee8193d6eb0a3318","ref_ssm":["aspace_1c9cb56d8a59bdd2ee8193d6eb0a3318","aspace_1c9cb56d8a59bdd2ee8193d6eb0a3318"],"id":"5e17dda97e7549e9d9b40539_aspace_1c9cb56d8a59bdd2ee8193d6eb0a3318","title_filing_ssi":"First name correspondence","title_ssm":["First name correspondence"],"title_tesim":["First name correspondence"],"unitdate_inclusive_ssm":["Circa 1937-1986"],"normalized_date_ssm":["Circa 1937-1986"],"normalized_title_ssm":["First name correspondence, Circa 1937-1986"],"text":["First name correspondence, Circa 1937-1986","Dorothy Porter Wesley Collection, Circa 1788-2012","Correspondence","General Correspondence, Circa 1937-1995","/repositories/2/archival_objects/3798","box 7","folder 134"],"component_level_isim":[3],"parent_ids_ssim":["5e17dda97e7549e9d9b40539","5e17dda97e7549e9d9b40539_aspace_b9ba7cd58cf3e29411a466c260ba6f6e","5e17dda97e7549e9d9b40539_aspace_494f3d28070991d09b2f683bc3b1df66"],"parent_unittitles_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012","Correspondence","General Correspondence, Circa 1937-1995"],"parent_unittitles_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012","Correspondence","General Correspondence, Circa 1937-1995"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/3798"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":136,"parent_access_restrict_tesm":["The Dorothy Porter Wesley Collection is open for research."],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"containers_ssim":["box 7","folder 134"],"_nest_path_":"/components#0/components#0/components#133","_nest_parent_":"5e17dda97e7549e9d9b40539_aspace_494f3d28070991d09b2f683bc3b1df66","_root_":"5e17dda97e7549e9d9b40539","_version_":1871563605913108480,"timestamp":"2026-07-24T03:02:22.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5e17dda97e7549e9d9b40539","title_filing_ssi":"Wesley, Dorothy Porter Collection","title_ssm":["Dorothy Porter Wesley Collection"],"title_tesim":["Dorothy Porter Wesley Collection"],"ead_ssi":"5e17dda97e7549e9d9b40539","unitdate_ssm":["Circa 1788-2012"],"unitdate_inclusive_ssm":["Circa 1788-2012"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2003.6","/repositories/2/resources/20"],"text":["AARLCC.2003.6","/repositories/2/resources/20","Dorothy Porter Wesley Collection, Circa 1788-2012","Africa -- Research","Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art","The Dorothy Porter Wesley Collection is open for research.","View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.","The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets","Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.","The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.","Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".","The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.","AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970","English Portuguese German"],"unitid_tesim":["AARLCC.2003.6","/repositories/2/resources/20"],"normalized_date_ssm":["Circa 1788-2012"],"normalized_title_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_title_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Africa -- Research"],"geogname_ssim":["Africa -- Research"],"places_ssim":["Africa -- Research"],"acqinfo_ssim":["Broward County Library purchased the materials from Constance Porter Uzelac (daughter of Dorothy Porter Wesley) in December 2002 (Accession AARLCC-2003.6). Milan Uzelac donated accruals to AARLCC Special Collections on June 29, 2012 (Accession AARLCC-2012.12) and on May 12, 2022 (Accession AARLCC-2022.7)."],"access_subjects_ssim":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"access_subjects_ssm":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes","2800 Books"],"extent_tesim":["67 Hollinger Boxes","2800 Books"],"genreform_ssim":["Photographs","Sound recordings","Correspondence","Art"],"date_range_isim":[1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Dorothy Porter Wesley Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll37/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series and sub-series:\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries I. Correspondence\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. General Correspondence\u003c/p\u003e","\u003cp\u003eSub-series II. Family Correspondence\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries II. Professional Papers\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley professional papers\u003c/p\u003e","\u003cp\u003eSub-series II. Constance Porter Uzelac professional papers \u003c/p\u003e","\u003cp\u003eSub-series III. Charles Harris Wesley professional papers \u003c/p\u003e","\u003cp\u003eSub-series IV. Writings by Dorothy Porter Wesley\u003c/p\u003e","\u003cp\u003eSub-series V. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VI. Writings by James A. Porter\u003c/p\u003e","\u003cp\u003eSub-series VII. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VIII. Writings by Charles Harris Wesley \u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries III. Research Files\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley general research files\u003c/p\u003e","\u003cp\u003eSub-series II. Dorothy Porter Wesley Brazil research files\u003c/p\u003e","\u003cp\u003eSub-series III. Dorothy Porter Wesley illustrations\u003c/p\u003e","\u003cp\u003eSub-series IV. Constance Porter Uzelac research files\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries IV. Personal Papers\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries V. Photographs\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries VI. Printed Materials\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Calendars and Datebooks\u003c/p\u003e","\u003cp\u003eSub-series II. Catalogs\u003c/p\u003e","\u003cp\u003eSub-series III. General\u003c/p\u003e","\u003cp\u003eSub-series IV. Magazines\u003c/p\u003e","\u003cp\u003eSub-series V. Maps\u003c/p\u003e","\u003cp\u003eSub-series VI. Newspaper Clippings\u003c/p\u003e","\u003cp\u003eSub-series VII. Sheet Music\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries VII. Ephemera and Artwork\u003c/p\u003e\u003c/b\u003e","\u003cp\u003e\u003cb\u003eSeries VIII. Books and Pamphlets\u003c/b\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets"],"bioghist_html_tesm":["\u003cp\u003eDorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. \u003c/p\u003e\n","\u003cp\u003eIn 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work, \u003cemph\u003eModern Negro Art\u003c/emph\u003e, proved to be one of the most informative sources to date on the creativity of the Black artists.\u003c/p\u003e\n","\u003cp\u003eIn 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.\u003c/p\u003e\n","\u003cp\u003eJames Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. \u003c/p\u003e\n","\u003cp\u003eCharles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.\u003c/p\u003e\n","\u003cp\u003eIn 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.\u003c/p\u003e\n","\u003cp\u003eThe book \u003ci\u003eWilliam Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874\u003c/i\u003e (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.\u003c/p\u003e\n","\u003cp\u003eIn 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012."],"prefercite_html_tesm":["\u003cp\u003eDorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Dorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\n\u003ca href=\"https://archives.yale.edu/repositories/11/resources/994\" target=\"_blank\"\u003ePart of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.\u003c/a\u003e\n\u003c/p\u003e","\u003cp\u003e\n\u003ca href=\"https://archives.libraries.emory.edu/repositories/7/resources/3255\" target=\"_blank\"\u003eDorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.\u003c/a\u003e\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.\u003c/p\u003e\n","\u003cp\u003eCorrespondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.\u003c/p\u003e\n","\u003cp\u003eProfessional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.\u003c/p\u003e\n","\u003cp\u003eConstance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". \u003c/p\u003e\n","\u003cp\u003eThe collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.\u003c/p\u003e\n","\u003cp\u003eResearch files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.\u003c/p\u003e\n","\u003cp\u003ePrinted Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=DPW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_559c404160acc20bdc75d09cde3325a4\"\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets."],"names_ssim":["AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Wesley, Dorothy Porter, 1905-1995"],"persname_ssim":["Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"language_ssim":["English Portuguese German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1539,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563605913108480,"_root_":"5e17dda97e7549e9d9b40539","timestamp":"2026-07-24T03:02:22.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_1c9cb56d8a59bdd2ee8193d6eb0a3318"}},{"id":"d708aa3104bd5d4ccbcc4efd_aspace_45d8c6b779146bf941db5842d484980f","type":"File","attributes":{"title":"First name correspondence, Circa 1974-1988","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d708aa3104bd5d4ccbcc4efd_aspace_45d8c6b779146bf941db5842d484980f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_45d8c6b779146bf941db5842d484980f","ref_ssm":["aspace_45d8c6b779146bf941db5842d484980f","aspace_45d8c6b779146bf941db5842d484980f"],"id":"d708aa3104bd5d4ccbcc4efd_aspace_45d8c6b779146bf941db5842d484980f","title_filing_ssi":"First name correspondence","title_ssm":["First name correspondence"],"title_tesim":["First name correspondence"],"unitdate_inclusive_ssm":["Circa 1974-1988"],"normalized_date_ssm":["Circa 1974-1988"],"normalized_title_ssm":["First name correspondence, Circa 1974-1988"],"text":["First name correspondence, Circa 1974-1988","Alex Haley Papers, Circa 1937-1993","Correspondence, Circa 1937-1991","/repositories/2/archival_objects/13633","box 15","folder 12"],"component_level_isim":[2],"parent_ids_ssim":["d708aa3104bd5d4ccbcc4efd","d708aa3104bd5d4ccbcc4efd_aspace_b2ccf39b09814044dd6c4ce0d1dad356"],"parent_unittitles_ssm":["Alex Haley Papers, Circa 1937-1993","Correspondence, Circa 1937-1991"],"parent_unittitles_tesim":["Alex Haley Papers, Circa 1937-1993","Correspondence, Circa 1937-1991"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/13633"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Alex Haley Papers, Circa 1937-1993"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":232,"parent_access_restrict_tesm":["The Alex Haley Papers are open for research."],"date_range_isim":[1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"containers_ssim":["box 15","folder 12"],"_nest_path_":"/components#0/components#230","_nest_parent_":"d708aa3104bd5d4ccbcc4efd_aspace_b2ccf39b09814044dd6c4ce0d1dad356","_root_":"d708aa3104bd5d4ccbcc4efd","_version_":1876455837540548608,"timestamp":"2026-09-16T03:02:18.127Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d708aa3104bd5d4ccbcc4efd","title_filing_ssi":"Haley, Alex Papers","title_ssm":["Alex Haley Papers"],"title_tesim":["Alex Haley Papers"],"ead_ssi":"d708aa3104bd5d4ccbcc4efd","unitdate_ssm":["Circa 1937-1993"],"unitdate_inclusive_ssm":["Circa 1937-1993"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.3","/repositories/2/resources/46"],"text":["AARLCC.2004.3","/repositories/2/resources/46","Alex Haley Papers, Circa 1937-1993","Gambia","African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings","The Alex Haley Papers are open for research.","The collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards.","Alex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.","After his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.","While growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.","Haley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n Books and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\".","Select materials from the Alex Haley Papers are available on the Broward County Library Digital Archives.","The Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia.","AARLCC Special Collections","United States. Coast Guard","Haley, Alex","Haley, Alex. Roots","Wonder, Stevie","English"],"unitid_tesim":["AARLCC.2004.3","/repositories/2/resources/46"],"normalized_date_ssm":["Circa 1937-1993"],"normalized_title_ssm":["Alex Haley Papers, Circa 1937-1993"],"collection_title_tesim":["Alex Haley Papers, Circa 1937-1993"],"collection_ssim":["Alex Haley Papers, Circa 1937-1993"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Gambia"],"geogname_ssim":["Gambia"],"creator_ssm":["Haley, Alex"],"creator_ssim":["Haley, Alex"],"creator_persname_ssim":["Haley, Alex"],"creators_ssim":["Haley, Alex"],"places_ssim":["Gambia"],"acqinfo_ssim":["The Alex Haley Papers was purchased by Broward County Library on September 26, 2001 from the Heritage Book Shop Inc. The Heritage Bindery acquired the papers from the Alex Haley estate auction in 1992."],"access_subjects_ssim":["African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings"],"access_subjects_ssm":["African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["45 Hollinger Boxes","17 Books","2 Vinyl records"],"extent_tesim":["45 Hollinger Boxes","17 Books","2 Vinyl records"],"genreform_ssim":["Correspondence","Photographs","Programs","Clippings","Sound recordings"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eThe Alex Haley Papers are open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Alex Haley Papers are open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards."],"bioghist_html_tesm":["\u003cp\u003eAlex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.\u003c/p\u003e\n","\u003cp\u003eAfter his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.\u003c/p\u003e\n","\u003cp\u003eWhile growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.\u003c/p\u003e\n","\u003cp\u003eHaley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Alex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.","After his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.","While growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.","Haley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States."],"prefercite_html_tesm":["\u003cp\u003eAlex Haley Papers, African-American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Alex Haley Papers, African-American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default\" target=\"_blank\"\u003eBooks and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\".\u003c/a\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n Books and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\"."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/alexhaley\"\u003eSelect materials from the Alex Haley Papers are available on the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["Select materials from the Alex Haley Papers are available on the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia."],"names_coll_ssim":["United States. Coast Guard","Haley, Alex. Roots","Wonder, Stevie"],"names_ssim":["AARLCC Special Collections","United States. Coast Guard","Haley, Alex","Haley, Alex. Roots","Wonder, Stevie"],"corpname_ssim":["AARLCC Special Collections","United States. Coast Guard"],"persname_ssim":["Haley, Alex","Haley, Alex. Roots","Wonder, Stevie"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":647,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455837540548608,"_root_":"d708aa3104bd5d4ccbcc4efd","timestamp":"2026-09-16T03:02:18.127Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d708aa3104bd5d4ccbcc4efd_aspace_45d8c6b779146bf941db5842d484980f"}},{"id":"236a3c88b766327883b2e155_aspace_8121d3f5036f24337d8f19b3f1dc4563","type":"File","attributes":{"title":"First National Bank of Stuart, Florida, 1961–1973, undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_8121d3f5036f24337d8f19b3f1dc4563#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_8121d3f5036f24337d8f19b3f1dc4563","ref_ssm":["aspace_8121d3f5036f24337d8f19b3f1dc4563","aspace_8121d3f5036f24337d8f19b3f1dc4563"],"id":"236a3c88b766327883b2e155_aspace_8121d3f5036f24337d8f19b3f1dc4563","title_filing_ssi":"First National Bank of Stuart, Florida","title_ssm":["First National Bank of Stuart, Florida"],"title_tesim":["First National Bank of Stuart, Florida"],"unitdate_inclusive_ssm":["1961–1973","undated"],"normalized_date_ssm":["1961–1973, undated"],"normalized_title_ssm":["First National Bank of Stuart, Florida, 1961–1973, undated"],"text":["First National Bank of Stuart, Florida, 1961–1973, undated","Joy Postle papers, 1910-2015","Photographs, 1912–1988","Artwork","Murals","/repositories/4/archival_objects/87924","/repositories/4/archival_objects/91511","box 4","folder 69"],"component_level_isim":[4],"parent_ids_ssim":["236a3c88b766327883b2e155","236a3c88b766327883b2e155_aspace_e211d01548256ebc408dbfbc8027a912","236a3c88b766327883b2e155_aspace_74e0d00524dd278828683d1cd80d226b","236a3c88b766327883b2e155_aspace_342e30e7514f4acc3b1dbc2c7be64f4b"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015","Photographs, 1912–1988","Artwork","Murals"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015","Photographs, 1912–1988","Artwork","Murals"],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/87924","/repositories/4/archival_objects/91511"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":378,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973],"containers_ssim":["box 4","folder 69"],"_nest_path_":"/components#2/components#4/components#2/components#1","_nest_parent_":"236a3c88b766327883b2e155_aspace_342e30e7514f4acc3b1dbc2c7be64f4b","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_8121d3f5036f24337d8f19b3f1dc4563"}},{"id":"64fcfb97ba1e99e6d122df9b","type":"collection","attributes":{"title":"First Presbyterian Church (Pensacola, Fla.) Records, 1880-1997, Date acquired: 00/00/1993","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/64fcfb97ba1e99e6d122df9b#creator","type":"document_value","attributes":{"value":["First Presbyterian Church"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/64fcfb97ba1e99e6d122df9b#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eRecords, 1880-1997, including registers, minute books, histories, worship service bulletins, newsletters, publications, sermons, and other papers. Early records on microfulm cover 1880-1975 and include a roster of pastors, elders, communicants and baptisms, 1896-1969; session minutes 1880-1975; board of deacons minute books, 1885-1933; and other papers.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/64fcfb97ba1e99e6d122df9b#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"64fcfb97ba1e99e6d122df9b","title_ssm":["First Presbyterian Church (Pensacola, Fla.) Records"],"title_tesim":["First Presbyterian Church (Pensacola, Fla.) Records"],"ead_ssi":"64fcfb97ba1e99e6d122df9b","unitdate_ssm":["1880-1997","Date acquired: 00/00/1993"],"unitdate_inclusive_ssm":["1880-1997"],"unitdate_other_ssim":["Date acquired: 00/00/1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M1993-25","/repositories/2/resources/20"],"text":["M1993-25","/repositories/2/resources/20","First Presbyterian Church (Pensacola, Fla.) Records, 1880-1997, Date acquired: 00/00/1993","Clergy--Florida--Pensacola.","Elders (Church officers)--Florida--Pensacola.","Deacons--Florida--Pensacola--Presbyterians.","Presbyterians--Florida--Pensacola.","Registers (lists)--Florida--Pensacola.","Minute books--Florida--Pensacola.","Minutes--Florida--Pensacola.","Histories--Florida--Pensacola.","Church bulletins--Florida--Pensacola.","Sermons--Florida--Pensacola.","Rosters--Florida--Pensacola.","Baptismal records--Florida--Pensacola.","Open to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access.","Alphabetical, then chronological","Revised 04/20/2005","Revised 10/06/2004","Revised 06/17/2003","Cataloged 1993","Records, 1880-1997, including registers, minute books, histories, worship service bulletins, newsletters, publications, sermons, and other papers.  Early records on microfulm cover 1880-1975 and include a roster of pastors, elders, communicants and baptisms, 1896-1969; session minutes 1880-1975; board of deacons minute books, 1885-1933; and other papers.","Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.","UWF University Archives and West Florida History Center","First Presbyterian Church","English"],"unitid_tesim":["M1993-25","/repositories/2/resources/20"],"normalized_date_ssm":["1880-1997, Date acquired: 00/00/1993"],"normalized_title_ssm":["First Presbyterian Church (Pensacola, Fla.) Records, 1880-1997, Date acquired: 00/00/1993"],"collection_title_tesim":["First Presbyterian Church (Pensacola, Fla.) Records, 1880-1997, Date acquired: 00/00/1993"],"collection_ssim":["First Presbyterian Church (Pensacola, Fla.) Records, 1880-1997, Date acquired: 00/00/1993"],"repository_ssm":["UWF University Archives and West Florida History Center"],"repository_ssim":["UWF University Archives and West Florida History Center"],"creator_ssm":["First Presbyterian Church"],"creator_ssim":["First Presbyterian Church"],"creator_corpname_ssim":["First Presbyterian Church"],"creators_ssim":["First Presbyterian Church"],"access_terms_ssm":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"acqinfo_ssim":["Dean DeBolt, 1993-"],"access_subjects_ssim":["Clergy--Florida--Pensacola.","Elders (Church officers)--Florida--Pensacola.","Deacons--Florida--Pensacola--Presbyterians.","Presbyterians--Florida--Pensacola.","Registers (lists)--Florida--Pensacola.","Minute books--Florida--Pensacola.","Minutes--Florida--Pensacola.","Histories--Florida--Pensacola.","Church bulletins--Florida--Pensacola.","Sermons--Florida--Pensacola.","Rosters--Florida--Pensacola.","Baptismal records--Florida--Pensacola."],"access_subjects_ssm":["Clergy--Florida--Pensacola.","Elders (Church officers)--Florida--Pensacola.","Deacons--Florida--Pensacola--Presbyterians.","Presbyterians--Florida--Pensacola.","Registers (lists)--Florida--Pensacola.","Minute books--Florida--Pensacola.","Minutes--Florida--Pensacola.","Histories--Florida--Pensacola.","Church bulletins--Florida--Pensacola.","Sermons--Florida--Pensacola.","Rosters--Florida--Pensacola.","Baptismal records--Florida--Pensacola."],"has_online_content_ssim":["false"],"extent_ssm":["1303.00 items"],"extent_tesim":["1303.00 items"],"genreform_ssim":["Registers (lists)--Florida--Pensacola.","Minute books--Florida--Pensacola.","Minutes--Florida--Pensacola.","Histories--Florida--Pensacola.","Church bulletins--Florida--Pensacola.","Sermons--Florida--Pensacola.","Rosters--Florida--Pensacola.","Baptismal records--Florida--Pensacola."],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access."],"arrangement_html_tesm":["\u003cp\u003eAlphabetical, then chronological\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetical, then chronological"],"processinfo_html_tesm":["\u003cp\u003eRevised 04/20/2005\u003c/p\u003e","\u003cp\u003eRevised 10/06/2004\u003c/p\u003e","\u003cp\u003eRevised 06/17/2003\u003c/p\u003e","\u003cp\u003eCataloged 1993\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Revised 04/20/2005","Revised 10/06/2004","Revised 06/17/2003","Cataloged 1993"],"scopecontent_html_tesm":["\u003cp\u003eRecords, 1880-1997, including registers, minute books, histories, worship service bulletins, newsletters, publications, sermons, and other papers.  Early records on microfulm cover 1880-1975 and include a roster of pastors, elders, communicants and baptisms, 1896-1969; session minutes 1880-1975; board of deacons minute books, 1885-1933; and other papers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Records, 1880-1997, including registers, minute books, histories, worship service bulletins, newsletters, publications, sermons, and other papers.  Early records on microfulm cover 1880-1975 and include a roster of pastors, elders, communicants and baptisms, 1896-1969; session minutes 1880-1975; board of deacons minute books, 1885-1933; and other papers."],"userestrict_html_tesm":["\u003cp\u003eDigital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"names_ssim":["UWF University Archives and West Florida History Center","First Presbyterian Church"],"corpname_ssim":["UWF University Archives and West Florida History Center","First Presbyterian Church"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":64,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863493726470144,"_root_":"64fcfb97ba1e99e6d122df9b","timestamp":"2026-07-16T09:34:23.468Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"64fcfb97ba1e99e6d122df9b","title_ssm":["First Presbyterian Church (Pensacola, Fla.) Records"],"title_tesim":["First Presbyterian Church (Pensacola, Fla.) Records"],"ead_ssi":"64fcfb97ba1e99e6d122df9b","unitdate_ssm":["1880-1997","Date acquired: 00/00/1993"],"unitdate_inclusive_ssm":["1880-1997"],"unitdate_other_ssim":["Date acquired: 00/00/1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M1993-25","/repositories/2/resources/20"],"text":["M1993-25","/repositories/2/resources/20","First Presbyterian Church (Pensacola, Fla.) 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Occasionally we may need to review a collection before permitting immediate access.","Alphabetical, then chronological","Revised 04/20/2005","Revised 10/06/2004","Revised 06/17/2003","Cataloged 1993","Records, 1880-1997, including registers, minute books, histories, worship service bulletins, newsletters, publications, sermons, and other papers.  Early records on microfulm cover 1880-1975 and include a roster of pastors, elders, communicants and baptisms, 1896-1969; session minutes 1880-1975; board of deacons minute books, 1885-1933; and other papers.","Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.","UWF University Archives and West Florida History Center","First Presbyterian Church","English"],"unitid_tesim":["M1993-25","/repositories/2/resources/20"],"normalized_date_ssm":["1880-1997, Date acquired: 00/00/1993"],"normalized_title_ssm":["First Presbyterian Church (Pensacola, Fla.) Records, 1880-1997, Date acquired: 00/00/1993"],"collection_title_tesim":["First Presbyterian Church (Pensacola, Fla.) Records, 1880-1997, Date acquired: 00/00/1993"],"collection_ssim":["First Presbyterian Church (Pensacola, Fla.) 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Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"names_ssim":["UWF University Archives and West Florida History Center","First Presbyterian Church"],"corpname_ssim":["UWF University Archives and West Florida History Center","First Presbyterian Church"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":64,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863493726470144,"_root_":"64fcfb97ba1e99e6d122df9b","timestamp":"2026-07-16T09:34:23.468Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/64fcfb97ba1e99e6d122df9b"}},{"id":"4d7cae626c9c3b6d0c3d55d0","type":"collection","attributes":{"title":"First United Methodist Church of Fort Myers, bulk 1872-2016","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/4d7cae626c9c3b6d0c3d55d0#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection consists of documents, photographs, and ephemera belonging to the First United Methodist Church of Fort Myers, located in Downtown Fort Myers, Florida. 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Clippings, 1946-1948, 1960-1963, 1978","Austin Joseph Thomas Papers, bulk 1940-1988","Box 3","Folder 6","/repositories/2/archival_objects/84603","folder 6"],"component_level_isim":[2],"parent_ids_ssim":["1bf21bc2ad4a5a80099c1ec4","1bf21bc2ad4a5a80099c1ec4_aspace_d9e56e49b8dad1f7a10982f0b557644b"],"parent_unittitles_ssm":["Austin Joseph Thomas Papers, bulk 1940-1988","Box 3"],"parent_unittitles_tesim":["Austin Joseph Thomas Papers, bulk 1940-1988","Box 3"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["Folder 6","/repositories/2/archival_objects/84603"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Austin Joseph Thomas Papers, bulk 1940-1988"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":53,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Austin Joseph Thomas Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"date_range_isim":[1946,1947,1948,1960,1961,1962,1963,1978],"containers_ssim":["folder 6"],"_nest_path_":"/components#2/components#5","_nest_parent_":"1bf21bc2ad4a5a80099c1ec4_aspace_d9e56e49b8dad1f7a10982f0b557644b","_root_":"1bf21bc2ad4a5a80099c1ec4","timestamp":"2026-05-22T02:01:06.060Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1bf21bc2ad4a5a80099c1ec4","title_ssm":["Austin Joseph Thomas Papers"],"title_tesim":["Austin Joseph Thomas Papers"],"ead_ssi":"1bf21bc2ad4a5a80099c1ec4","unitdate_ssm":["1940-1988"],"unitdate_bulk_ssim":["1940-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9035","/repositories/2/resources/124"],"text":["SPC9035","/repositories/2/resources/124","Austin Joseph Thomas Papers, bulk 1940-1988","Jamaica","Fish as Food","Fish culture","Fish kills - Jamaica","Fish ponds - Jamaica","Fisheries","Fishery sciences","Fishing","Jamaica - Politics and government to 1962","Jamaica - Politics and government 1962-","Fish culturists","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials in this collection are arranged alphabetically and by date","\"The Father of Jamaican Fish\" Austin Joseph \"AJ\" Thomas (1908-1988) was a self-taught marine scientist who led the development of fresh water fish farming in Jamaica. Born in Westmoreland in 1908, AJ Thomas was responsible for the technique of cultivating fish known as mono-sex culture. As Fisheries Offices in the Fisheries Division of the Ministry of Agriculture in the 1950s, Thomas experiemented with Adrican or Nile Perch or Tilapia. Recognizing that fish grew significantly when separated by sex, he termed his discovery mono-sex culture. Under his lead, the Fisheries Division built stocking ponds and distributed fingerlings to (cattle) ponds throughout Jamica for growing fish aimed at providing much needed animal protein. Mono-sex culture was heralded by the scientific community transforming the fishing industry worldwide. In the 1960s, AJ joined the Food and Agriculture Division of the United Nations and served for several years as Fisheries Advisor in West Africa. ","In 1949 he caught a fish on the North Coast (Jamaica) that was determined to be of a new species as yet unknown to science. It was named Gobiosoma thomasi after him. ","A lifelong environmentalist, published poet and author, Thomas was poshumously awareded the National Medal for Science and Technology (2003) for his work in the Fishing Industry. (Sources: Jamaica Portraits, 1955-1998 and The Jamaica Gleaner: Pieces of the Past: Famous Jamaican Scientists - Dreamers Among Us)","The materials in this collection primarily reflect AJ Thomas's work as a scientist. Articles written by or of interest to him are included, as well as professional correspondence, reports, and photographs. Additionally, there are files of personal correspondence, writing, articles, and photographs. ","In addition to the occupational articles, of special notice is a series of weekly short stories published in the Jamaica Daily News entitled \"The Villager.\" ","The bulk of the materials in this collection are from the 1940s through the 1980s. Earlier documents, such as Erica Thomas's school certificates from 1917-1920 are present, as well as later material related to AJ's biography and legacy. ","The Austin Joseph Thomas Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. 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Recognizing that fish grew significantly when separated by sex, he termed his discovery mono-sex culture. Under his lead, the Fisheries Division built stocking ponds and distributed fingerlings to (cattle) ponds throughout Jamica for growing fish aimed at providing much needed animal protein. Mono-sex culture was heralded by the scientific community transforming the fishing industry worldwide. In the 1960s, AJ joined the Food and Agriculture Division of the United Nations and served for several years as Fisheries Advisor in West Africa. \u003c/p\u003e\n","\u003cp\u003eIn 1949 he caught a fish on the North Coast (Jamaica) that was determined to be of a new species as yet unknown to science. It was named Gobiosoma thomasi after him. \u003c/p\u003e\n","\u003cp\u003eA lifelong environmentalist, published poet and author, Thomas was poshumously awareded the National Medal for Science and Technology (2003) for his work in the Fishing Industry. (Sources: Jamaica Portraits, 1955-1998 and The Jamaica Gleaner: Pieces of the Past: Famous Jamaican Scientists - Dreamers Among Us)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"The Father of Jamaican Fish\" Austin Joseph \"AJ\" Thomas (1908-1988) was a self-taught marine scientist who led the development of fresh water fish farming in Jamaica. Born in Westmoreland in 1908, AJ Thomas was responsible for the technique of cultivating fish known as mono-sex culture. As Fisheries Offices in the Fisheries Division of the Ministry of Agriculture in the 1950s, Thomas experiemented with Adrican or Nile Perch or Tilapia. Recognizing that fish grew significantly when separated by sex, he termed his discovery mono-sex culture. Under his lead, the Fisheries Division built stocking ponds and distributed fingerlings to (cattle) ponds throughout Jamica for growing fish aimed at providing much needed animal protein. Mono-sex culture was heralded by the scientific community transforming the fishing industry worldwide. In the 1960s, AJ joined the Food and Agriculture Division of the United Nations and served for several years as Fisheries Advisor in West Africa. ","In 1949 he caught a fish on the North Coast (Jamaica) that was determined to be of a new species as yet unknown to science. It was named Gobiosoma thomasi after him. ","A lifelong environmentalist, published poet and author, Thomas was poshumously awareded the National Medal for Science and Technology (2003) for his work in the Fishing Industry. (Sources: Jamaica Portraits, 1955-1998 and The Jamaica Gleaner: Pieces of the Past: Famous Jamaican Scientists - Dreamers Among Us)"],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection primarily reflect AJ Thomas's work as a scientist. Articles written by or of interest to him are included, as well as professional correspondence, reports, and photographs. Additionally, there are files of personal correspondence, writing, articles, and photographs. \u003c/p\u003e\n","\u003cp\u003eIn addition to the occupational articles, of special notice is a series of weekly short stories published in the Jamaica Daily News entitled \"The Villager.\" \u003c/p\u003e\n","\u003cp\u003eThe bulk of the materials in this collection are from the 1940s through the 1980s. Earlier documents, such as Erica Thomas's school certificates from 1917-1920 are present, as well as later material related to AJ's biography and legacy. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection primarily reflect AJ Thomas's work as a scientist. Articles written by or of interest to him are included, as well as professional correspondence, reports, and photographs. Additionally, there are files of personal correspondence, writing, articles, and photographs. ","In addition to the occupational articles, of special notice is a series of weekly short stories published in the Jamaica Daily News entitled \"The Villager.\" ","The bulk of the materials in this collection are from the 1940s through the 1980s. Earlier documents, such as Erica Thomas's school certificates from 1917-1920 are present, as well as later material related to AJ's biography and legacy. "],"userestrict_html_tesm":["\u003cp\u003eThe Austin Joseph Thomas Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Austin Joseph Thomas Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":120,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"1bf21bc2ad4a5a80099c1ec4","timestamp":"2026-05-22T02:01:06.060Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1bf21bc2ad4a5a80099c1ec4_aspace_15d1f9216275fb3d3a05e54d2d03390c"}},{"id":"1bf21bc2ad4a5a80099c1ec4_aspace_97e458ed14ef8e626a903af174396412","type":"File","attributes":{"title":"Fisheries - Research \u0026 Statistics, 1959-1962","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1bf21bc2ad4a5a80099c1ec4_aspace_97e458ed14ef8e626a903af174396412#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_97e458ed14ef8e626a903af174396412","ref_ssm":["aspace_97e458ed14ef8e626a903af174396412","aspace_97e458ed14ef8e626a903af174396412"],"id":"1bf21bc2ad4a5a80099c1ec4_aspace_97e458ed14ef8e626a903af174396412","title_filing_ssi":"Fisheries - Research \u0026 Statistics","title_ssm":["Fisheries - Research \u0026 Statistics"],"title_tesim":["Fisheries - Research \u0026 Statistics"],"unitdate_inclusive_ssm":["1959-1962"],"normalized_date_ssm":["1959-1962"],"normalized_title_ssm":["Fisheries - Research \u0026 Statistics, 1959-1962"],"text":["Fisheries - Research \u0026 Statistics, 1959-1962","Austin Joseph Thomas Papers, bulk 1940-1988","Box 3","Folder 5","/repositories/2/archival_objects/84602","folder 5"],"component_level_isim":[2],"parent_ids_ssim":["1bf21bc2ad4a5a80099c1ec4","1bf21bc2ad4a5a80099c1ec4_aspace_d9e56e49b8dad1f7a10982f0b557644b"],"parent_unittitles_ssm":["Austin Joseph Thomas Papers, bulk 1940-1988","Box 3"],"parent_unittitles_tesim":["Austin Joseph Thomas Papers, bulk 1940-1988","Box 3"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["Folder 5","/repositories/2/archival_objects/84602"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Austin Joseph Thomas Papers, bulk 1940-1988"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":52,"parent_access_restrict_tesm":["This collection is open for research. 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Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials in this collection are arranged alphabetically and by date","\"The Father of Jamaican Fish\" Austin Joseph \"AJ\" Thomas (1908-1988) was a self-taught marine scientist who led the development of fresh water fish farming in Jamaica. Born in Westmoreland in 1908, AJ Thomas was responsible for the technique of cultivating fish known as mono-sex culture. As Fisheries Offices in the Fisheries Division of the Ministry of Agriculture in the 1950s, Thomas experiemented with Adrican or Nile Perch or Tilapia. Recognizing that fish grew significantly when separated by sex, he termed his discovery mono-sex culture. Under his lead, the Fisheries Division built stocking ponds and distributed fingerlings to (cattle) ponds throughout Jamica for growing fish aimed at providing much needed animal protein. Mono-sex culture was heralded by the scientific community transforming the fishing industry worldwide. In the 1960s, AJ joined the Food and Agriculture Division of the United Nations and served for several years as Fisheries Advisor in West Africa. ","In 1949 he caught a fish on the North Coast (Jamaica) that was determined to be of a new species as yet unknown to science. It was named Gobiosoma thomasi after him. ","A lifelong environmentalist, published poet and author, Thomas was poshumously awareded the National Medal for Science and Technology (2003) for his work in the Fishing Industry. 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You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English"],"unitid_tesim":["SPC9035","/repositories/2/resources/124"],"normalized_date_ssm":["bulk 1940-1988"],"normalized_title_ssm":["Austin Joseph Thomas Papers, bulk 1940-1988"],"collection_title_tesim":["Austin Joseph Thomas Papers, bulk 1940-1988"],"collection_ssim":["Austin Joseph Thomas Papers, bulk 1940-1988"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Jamaica"],"geogname_ssim":["Jamaica"],"places_ssim":["Jamaica"],"access_terms_ssm":["The Austin Joseph Thomas Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. 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For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Mr. Thomas's family"],"access_subjects_ssim":["Fish as Food","Fish culture","Fish kills - Jamaica","Fish ponds - Jamaica","Fisheries","Fishery sciences","Fishing","Jamaica - Politics and government to 1962","Jamaica - Politics and government 1962-","Fish culturists"],"access_subjects_ssm":["Fish as Food","Fish culture","Fish kills - Jamaica","Fish ponds - Jamaica","Fisheries","Fishery sciences","Fishing","Jamaica - Politics and government to 1962","Jamaica - Politics and government 1962-","Fish culturists"],"has_online_content_ssim":["false"],"extent_ssm":["4.54 Linear Feet 5 Banker Boxes\n1 Legal Size Document Case"],"extent_tesim":["4.54 Linear Feet 5 Banker Boxes\n1 Legal Size Document Case"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. 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Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged alphabetically and by date\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged alphabetically and by date"],"bioghist_html_tesm":["\u003cp\u003e\"The Father of Jamaican Fish\" Austin Joseph \"AJ\" Thomas (1908-1988) was a self-taught marine scientist who led the development of fresh water fish farming in Jamaica. Born in Westmoreland in 1908, AJ Thomas was responsible for the technique of cultivating fish known as mono-sex culture. As Fisheries Offices in the Fisheries Division of the Ministry of Agriculture in the 1950s, Thomas experiemented with Adrican or Nile Perch or Tilapia. Recognizing that fish grew significantly when separated by sex, he termed his discovery mono-sex culture. Under his lead, the Fisheries Division built stocking ponds and distributed fingerlings to (cattle) ponds throughout Jamica for growing fish aimed at providing much needed animal protein. Mono-sex culture was heralded by the scientific community transforming the fishing industry worldwide. In the 1960s, AJ joined the Food and Agriculture Division of the United Nations and served for several years as Fisheries Advisor in West Africa. \u003c/p\u003e\n","\u003cp\u003eIn 1949 he caught a fish on the North Coast (Jamaica) that was determined to be of a new species as yet unknown to science. It was named Gobiosoma thomasi after him. \u003c/p\u003e\n","\u003cp\u003eA lifelong environmentalist, published poet and author, Thomas was poshumously awareded the National Medal for Science and Technology (2003) for his work in the Fishing Industry. (Sources: Jamaica Portraits, 1955-1998 and The Jamaica Gleaner: Pieces of the Past: Famous Jamaican Scientists - Dreamers Among Us)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"The Father of Jamaican Fish\" Austin Joseph \"AJ\" Thomas (1908-1988) was a self-taught marine scientist who led the development of fresh water fish farming in Jamaica. Born in Westmoreland in 1908, AJ Thomas was responsible for the technique of cultivating fish known as mono-sex culture. As Fisheries Offices in the Fisheries Division of the Ministry of Agriculture in the 1950s, Thomas experiemented with Adrican or Nile Perch or Tilapia. Recognizing that fish grew significantly when separated by sex, he termed his discovery mono-sex culture. Under his lead, the Fisheries Division built stocking ponds and distributed fingerlings to (cattle) ponds throughout Jamica for growing fish aimed at providing much needed animal protein. Mono-sex culture was heralded by the scientific community transforming the fishing industry worldwide. In the 1960s, AJ joined the Food and Agriculture Division of the United Nations and served for several years as Fisheries Advisor in West Africa. ","In 1949 he caught a fish on the North Coast (Jamaica) that was determined to be of a new species as yet unknown to science. It was named Gobiosoma thomasi after him. ","A lifelong environmentalist, published poet and author, Thomas was poshumously awareded the National Medal for Science and Technology (2003) for his work in the Fishing Industry. (Sources: Jamaica Portraits, 1955-1998 and The Jamaica Gleaner: Pieces of the Past: Famous Jamaican Scientists - Dreamers Among Us)"],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection primarily reflect AJ Thomas's work as a scientist. Articles written by or of interest to him are included, as well as professional correspondence, reports, and photographs. Additionally, there are files of personal correspondence, writing, articles, and photographs. \u003c/p\u003e\n","\u003cp\u003eIn addition to the occupational articles, of special notice is a series of weekly short stories published in the Jamaica Daily News entitled \"The Villager.\" \u003c/p\u003e\n","\u003cp\u003eThe bulk of the materials in this collection are from the 1940s through the 1980s. Earlier documents, such as Erica Thomas's school certificates from 1917-1920 are present, as well as later material related to AJ's biography and legacy. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection primarily reflect AJ Thomas's work as a scientist. Articles written by or of interest to him are included, as well as professional correspondence, reports, and photographs. Additionally, there are files of personal correspondence, writing, articles, and photographs. ","In addition to the occupational articles, of special notice is a series of weekly short stories published in the Jamaica Daily News entitled \"The Villager.\" ","The bulk of the materials in this collection are from the 1940s through the 1980s. Earlier documents, such as Erica Thomas's school certificates from 1917-1920 are present, as well as later material related to AJ's biography and legacy. "],"userestrict_html_tesm":["\u003cp\u003eThe Austin Joseph Thomas Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. 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For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":120,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"1bf21bc2ad4a5a80099c1ec4","timestamp":"2026-05-22T02:01:06.060Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1bf21bc2ad4a5a80099c1ec4_aspace_97e458ed14ef8e626a903af174396412"}},{"id":"f2c1e1f1db06a4bddbc281f9_aspace_d9b3149c8feb731ecb1ada0872040475","type":"File","attributes":{"title":"Fisher, Sauls, Adcock \u0026 Keough, 1957-1974","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f2c1e1f1db06a4bddbc281f9_aspace_d9b3149c8feb731ecb1ada0872040475#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_d9b3149c8feb731ecb1ada0872040475","ref_ssm":["aspace_d9b3149c8feb731ecb1ada0872040475","aspace_d9b3149c8feb731ecb1ada0872040475"],"id":"f2c1e1f1db06a4bddbc281f9_aspace_d9b3149c8feb731ecb1ada0872040475","title_filing_ssi":"Fisher, Sauls, Adcock \u0026 Keough","title_ssm":["Fisher, Sauls, Adcock \u0026 Keough"],"title_tesim":["Fisher, Sauls, Adcock \u0026 Keough"],"unitdate_inclusive_ssm":["1957-1974"],"normalized_date_ssm":["1957-1974"],"normalized_title_ssm":["Fisher, Sauls, Adcock \u0026 Keough, 1957-1974"],"text":["Fisher, Sauls, Adcock \u0026 Keough, 1957-1974","Hollins Family Papers, bulk 1900-2000","St. Petersburg Printing Company","Expansion Program - General Telephone Co. of Florida; Folders","Folder 4","/repositories/2/archival_objects/139608","box 42","folder 4"],"component_level_isim":[3],"parent_ids_ssim":["f2c1e1f1db06a4bddbc281f9","f2c1e1f1db06a4bddbc281f9_aspace_1839ea14b1946ed897cc1c2bc8028b3c","f2c1e1f1db06a4bddbc281f9_aspace_1e8cd0f478ef8c373d65e820dc3ff8df"],"parent_unittitles_ssm":["Hollins Family Papers, bulk 1900-2000","St. Petersburg Printing Company","Expansion Program - General Telephone Co. of Florida; Folders"],"parent_unittitles_tesim":["Hollins Family Papers, bulk 1900-2000","St. Petersburg Printing Company","Expansion Program - General Telephone Co. of Florida; Folders"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Folder 4","/repositories/2/archival_objects/139608"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Hollins Family Papers, bulk 1900-2000"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":571,"parent_access_restrict_tesm":["None."],"parent_access_terms_tesm":["To the extent that they own copyright, the donor has assigned the copyright in their works to USF; permissions to use the material in excess of what copyright law allows should be sent to the USF Technology Transfer Office (https://www.usf.edu/research-innovation/pl/).  Copyright in some items in this collection may be held by their respective creators. Consult Special Collections for details."],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974],"containers_ssim":["box 42","folder 4"],"_nest_path_":"/components#6/components#1/components#3","_nest_parent_":"f2c1e1f1db06a4bddbc281f9_aspace_1e8cd0f478ef8c373d65e820dc3ff8df","_root_":"f2c1e1f1db06a4bddbc281f9","_version_":1870863453262970880,"timestamp":"2026-07-16T09:33:44.868Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f2c1e1f1db06a4bddbc281f9","title_ssm":["Hollins Family Papers"],"title_tesim":["Hollins Family Papers"],"ead_ssi":"f2c1e1f1db06a4bddbc281f9","unitdate_ssm":["1900-2000"],"unitdate_bulk_ssim":["1900-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2021-01","/repositories/2/resources/586"],"text":["MS-2021-01","/repositories/2/resources/586","Hollins Family Papers, bulk 1900-2000","Citrus County (Fla.)","Agriculture -- Florida","Bonds","Businessmen -- Florida -- Tampa -- Correspondence","Cattle trade -- Florida","Golf resorts","Mines and mineral resources -- Florida","Printing industry -- Florida -- History","Ranchers -- Law and legislation -- Florida","None.","The collection is oragnized by subject into nine series. The first series labeled \"Correspondence\" contains letters. telegrams, and other correspondence that is arranged chronologically into six boxes.","The next seven series' are all arranged aphabetically within each series. \"Cross-Florida Barge Canal\" contains materials reptaing to the canal in five boxes. \"Gulfport Financial Papers\" contains financial documents pertaining to the city of Gulfport in four boxes. \"Harbond, Inc.\" contains material pertaining to the Hollins family business in three boxes. \"Hollinswood Ranch\" contains material pertaining to the Hollins family ranhc and cattle business in thirteen boxes. \"Pasadena Golf Course\" contains material pertaining to the Hollins family's golf course business in nine boxes. \"St. Petersburg Printing Company\" contains material pertaining to the Hollins family's printing business in eight boxes. \"Tarpon Springs Financial Papers\" contains financial documents pertaining to the city of Tarpon Springs in five boxes. ","The final series \"Related Business Documents\" is further organized by subject and then arranged alphabetically within the three subjects. Two boxes of \"Business and Legal Papers\" unrelated to any of the previously stated businesses, Two boxes of \"Mining Papers\" pertaining to mining operations involving the family or their land, and threes boxes of \"Property\" documents unrelated to any of the previously stated businesses.","Born in 1887 in Texas, Dixie Martin Hollins arrived in Clearwater, Florida in 1908.  A dedicated young educator, Hollins established more than thirty vocational programs in Pinellas County.  In 1912 at age 24, he became superintendant of schools when Pinellas County was created.  He quickly became known for conflict with the school board and local politicians.  In 1919, he helped lead a successful effort have compulsory education in Florida.  He tirelessly raised funds to improve schools as Pinellas County's population boomed.  In the 1930s, Hollins led an effort to restructure the City of St. Petersburg's debts during the Great Depression, keeping it solvent and saving millions of dollars in the process.  He helped many other municipalities wi their debts at the time.  He was also a successful entrepreneur, running the St. Petersburg Printing Company and the Pasadena Country Club.  During the 1940s, Hollins bought a large 20,000 acre tract of land in Citrus County, which is one of the largest ranches in the state.  Known as Hollinswood Ranch, the land has become an important asset to the family and helps give insight into private land management in Florida.  Hollins's namesake school opened in 1959, where today it is known simply as \"Hollins High School.\"  The records were donated by Dixie M. Hollins III in 2020.","Papers of Dixie Hollins family and estate, focusing on business records related to holdings in St. Petersburg and Crystal River areas of Florida, primarily from the 1920s until the 1980s.  These business interests include the Pasadena Golf/Country Club, St. Petersburg Printing Company, various municipal bonds, residential properties, and especially the Hollinswood Ranch estate situated near Crystal River, Florida.","To the extent that they own copyright, the donor has assigned the copyright in their works to USF; permissions to use the material in excess of what copyright law allows should be sent to the USF Technology Transfer Office (https://www.usf.edu/research-innovation/pl/).  Copyright in some items in this collection may be held by their respective creators. Consult Special Collections for details.","USF Libraries - Tampa Special Collections","Hollins, Dixie M., Sr. (Dixie Martin) (1887-1962)","Hollins, Maurice L. (Maurice LaRue) (1912-1991)","English"],"unitid_tesim":["MS-2021-01","/repositories/2/resources/586"],"normalized_date_ssm":["bulk 1900-2000"],"normalized_title_ssm":["Hollins Family Papers, bulk 1900-2000"],"collection_title_tesim":["Hollins Family Papers, bulk 1900-2000"],"collection_ssim":["Hollins Family Papers, bulk 1900-2000"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Citrus County (Fla.)"],"geogname_ssim":["Citrus County (Fla.)"],"creator_ssm":["Hollins, Dixie M., Sr. (Dixie Martin) (1887-1962)","Hollins, Maurice L. (Maurice LaRue) (1912-1991)"],"creator_ssim":["Hollins, Dixie M., Sr. (Dixie Martin) (1887-1962)","Hollins, Maurice L. (Maurice LaRue) (1912-1991)"],"creator_persname_ssim":["Hollins, Dixie M., Sr. (Dixie Martin) (1887-1962)","Hollins, Maurice L. (Maurice LaRue) (1912-1991)"],"creators_ssim":["Hollins, Dixie M., Sr. (Dixie Martin) (1887-1962)","Hollins, Maurice L. (Maurice LaRue) (1912-1991)"],"places_ssim":["Citrus County (Fla.)"],"access_terms_ssm":["To the extent that they own copyright, the donor has assigned the copyright in their works to USF; permissions to use the material in excess of what copyright law allows should be sent to the USF Technology Transfer Office (https://www.usf.edu/research-innovation/pl/).  Copyright in some items in this collection may be held by their respective creators. Consult Special Collections for details."],"acqinfo_ssim":["The Hollins family","Gift/Donation"],"access_subjects_ssim":["Agriculture -- Florida","Bonds","Businessmen -- Florida -- Tampa -- Correspondence","Cattle trade -- Florida","Golf resorts","Mines and mineral resources -- Florida","Printing industry -- Florida -- History","Ranchers -- Law and legislation -- Florida"],"access_subjects_ssm":["Agriculture -- Florida","Bonds","Businessmen -- Florida -- Tampa -- Correspondence","Cattle trade -- Florida","Golf resorts","Mines and mineral resources -- Florida","Printing industry -- Florida -- History","Ranchers -- Law and legislation -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["24.62 Linear Feet","60 boxes"],"extent_tesim":["24.62 Linear Feet","60 boxes"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eNone.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["None."],"arrangement_html_tesm":["\u003cp\u003eThe collection is oragnized by subject into nine series. The first series labeled \"Correspondence\" contains letters. telegrams, and other correspondence that is arranged chronologically into six boxes.\u003c/p\u003e\n","\u003cp\u003eThe next seven series' are all arranged aphabetically within each series. \"Cross-Florida Barge Canal\" contains materials reptaing to the canal in five boxes. \"Gulfport Financial Papers\" contains financial documents pertaining to the city of Gulfport in four boxes. \"Harbond, Inc.\" contains material pertaining to the Hollins family business in three boxes. \"Hollinswood Ranch\" contains material pertaining to the Hollins family ranhc and cattle business in thirteen boxes. \"Pasadena Golf Course\" contains material pertaining to the Hollins family's golf course business in nine boxes. \"St. Petersburg Printing Company\" contains material pertaining to the Hollins family's printing business in eight boxes. \"Tarpon Springs Financial Papers\" contains financial documents pertaining to the city of Tarpon Springs in five boxes. \u003c/p\u003e\n","\u003cp\u003eThe final series \"Related Business Documents\" is further organized by subject and then arranged alphabetically within the three subjects. Two boxes of \"Business and Legal Papers\" unrelated to any of the previously stated businesses, Two boxes of \"Mining Papers\" pertaining to mining operations involving the family or their land, and threes boxes of \"Property\" documents unrelated to any of the previously stated businesses.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is oragnized by subject into nine series. The first series labeled \"Correspondence\" contains letters. telegrams, and other correspondence that is arranged chronologically into six boxes.","The next seven series' are all arranged aphabetically within each series. \"Cross-Florida Barge Canal\" contains materials reptaing to the canal in five boxes. \"Gulfport Financial Papers\" contains financial documents pertaining to the city of Gulfport in four boxes. \"Harbond, Inc.\" contains material pertaining to the Hollins family business in three boxes. \"Hollinswood Ranch\" contains material pertaining to the Hollins family ranhc and cattle business in thirteen boxes. \"Pasadena Golf Course\" contains material pertaining to the Hollins family's golf course business in nine boxes. \"St. Petersburg Printing Company\" contains material pertaining to the Hollins family's printing business in eight boxes. \"Tarpon Springs Financial Papers\" contains financial documents pertaining to the city of Tarpon Springs in five boxes. ","The final series \"Related Business Documents\" is further organized by subject and then arranged alphabetically within the three subjects. Two boxes of \"Business and Legal Papers\" unrelated to any of the previously stated businesses, Two boxes of \"Mining Papers\" pertaining to mining operations involving the family or their land, and threes boxes of \"Property\" documents unrelated to any of the previously stated businesses."],"bioghist_html_tesm":["\u003cp\u003eBorn in 1887 in Texas, Dixie Martin Hollins arrived in Clearwater, Florida in 1908.  A dedicated young educator, Hollins established more than thirty vocational programs in Pinellas County.  In 1912 at age 24, he became superintendant of schools when Pinellas County was created.  He quickly became known for conflict with the school board and local politicians.  In 1919, he helped lead a successful effort have compulsory education in Florida.  He tirelessly raised funds to improve schools as Pinellas County's population boomed.  In the 1930s, Hollins led an effort to restructure the City of St. Petersburg's debts during the Great Depression, keeping it solvent and saving millions of dollars in the process.  He helped many other municipalities wi their debts at the time.  He was also a successful entrepreneur, running the St. Petersburg Printing Company and the Pasadena Country Club.  During the 1940s, Hollins bought a large 20,000 acre tract of land in Citrus County, which is one of the largest ranches in the state.  Known as Hollinswood Ranch, the land has become an important asset to the family and helps give insight into private land management in Florida.  Hollins's namesake school opened in 1959, where today it is known simply as \"Hollins High School.\"  The records were donated by Dixie M. 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He was also a successful entrepreneur, running the St. Petersburg Printing Company and the Pasadena Country Club.  During the 1940s, Hollins bought a large 20,000 acre tract of land in Citrus County, which is one of the largest ranches in the state.  Known as Hollinswood Ranch, the land has become an important asset to the family and helps give insight into private land management in Florida.  Hollins's namesake school opened in 1959, where today it is known simply as \"Hollins High School.\"  The records were donated by Dixie M. Hollins III in 2020."],"prefercite_html_tesm":["\u003cp\u003eHollins Family Papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL\u003c/p\u003e"],"prefercite_tesim":["Hollins Family Papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL"],"scopecontent_html_tesm":["\u003cp\u003ePapers of Dixie Hollins family and estate, focusing on business records related to holdings in St. Petersburg and Crystal River areas of Florida, primarily from the 1920s until the 1980s.  These business interests include the Pasadena Golf/Country Club, St. Petersburg Printing Company, various municipal bonds, residential properties, and especially the Hollinswood Ranch estate situated near Crystal River, Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Papers of Dixie Hollins family and estate, focusing on business records related to holdings in St. Petersburg and Crystal River areas of Florida, primarily from the 1920s until the 1980s.  These business interests include the Pasadena Golf/Country Club, St. Petersburg Printing Company, various municipal bonds, residential properties, and especially the Hollinswood Ranch estate situated near Crystal River, Florida."],"userestrict_html_tesm":["\u003cp\u003eTo the extent that they own copyright, the donor has assigned the copyright in their works to USF; permissions to use the material in excess of what copyright law allows should be sent to the USF Technology Transfer Office (https://www.usf.edu/research-innovation/pl/).  Copyright in some items in this collection may be held by their respective creators. Consult Special Collections for details.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To the extent that they own copyright, the donor has assigned the copyright in their works to USF; permissions to use the material in excess of what copyright law allows should be sent to the USF Technology Transfer Office (https://www.usf.edu/research-innovation/pl/).  Copyright in some items in this collection may be held by their respective creators. Consult Special Collections for details."],"names_ssim":["USF Libraries - Tampa Special Collections","Hollins, Dixie M., Sr. (Dixie Martin) (1887-1962)","Hollins, Maurice L. (Maurice LaRue) (1912-1991)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Hollins, Dixie M., Sr. (Dixie Martin) (1887-1962)","Hollins, Maurice L. 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