{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1962\u0026f%5Blevel%5D%5B%5D=Item\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1962\u0026f%5Blevel%5D%5B%5D=Item\u0026page=2\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1962\u0026f%5Blevel%5D%5B%5D=Item\u0026page=32\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":32,"limit_value":10,"offset_value":0,"total_count":316,"first_page?":true,"last_page?":false}},"data":[{"id":"ea79c365e3251287a50710fe_aspace_75604","type":"Item","attributes":{"title":"11 obituary cards for Maria T. Medina and 4 notes that read \"With Deepest Sympathy\", 1894-08-18-1981-01-07","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ea79c365e3251287a50710fe_aspace_75604#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_75604","ref_ssm":["aspace_75604","aspace_75604"],"id":"ea79c365e3251287a50710fe_aspace_75604","title_filing_ssi":"11 obituary cards for Maria T. Medina and 4 notes that read \"With Deepest Sympathy\"","title_ssm":["11 obituary cards for Maria T. Medina and 4 notes that read \"With Deepest Sympathy\""],"title_tesim":["11 obituary cards for Maria T. Medina and 4 notes that read \"With Deepest Sympathy\""],"unitdate_inclusive_ssm":["1894-08-18-1981-01-07"],"normalized_date_ssm":["1894-08-18-1981-01-07"],"normalized_title_ssm":["11 obituary cards for Maria T. Medina and 4 notes that read \"With Deepest Sympathy\", 1894-08-18-1981-01-07"],"text":["11 obituary cards for Maria T. Medina and 4 notes that read \"With Deepest Sympathy\", 1894-08-18-1981-01-07","Barnett Family Collection, bulk 1859-1934","Series I: Documents","Item 36","/repositories/2/archival_objects/4453","box 1","folder 36"],"component_level_isim":[2],"parent_ids_ssim":["ea79c365e3251287a50710fe","ea79c365e3251287a50710fe_aspace_75637"],"parent_unittitles_ssm":["Barnett Family Collection, bulk 1859-1934","Series I: Documents"],"parent_unittitles_tesim":["Barnett Family Collection, bulk 1859-1934","Series I: Documents"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Item 36","/repositories/2/archival_objects/4453"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Barnett Family Collection, bulk 1859-1934"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":37,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"date_range_isim":[1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"containers_ssim":["box 1","folder 36"],"_nest_path_":"/components#0/components#35","_nest_parent_":"ea79c365e3251287a50710fe_aspace_75637","_root_":"ea79c365e3251287a50710fe","_version_":1870844520888795136,"timestamp":"2026-07-16T04:32:49.559Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ea79c365e3251287a50710fe","title_ssm":["Barnett Family Collection"],"title_tesim":["Barnett Family Collection"],"ead_ssi":"ea79c365e3251287a50710fe","unitdate_ssm":["1859-1934"],"unitdate_bulk_ssim":["1859-1934"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8045","/repositories/2/resources/18"],"text":["SPC8045","/repositories/2/resources/18","Barnett Family Collection, bulk 1859-1934","The collection is open for research.","This collection contains an assortment of personal belongings of Carlos Barnett and his family and their transition to the United States. This includes personal letters, immigration papers, photographs, negatives of photographs, obituaries, and personal mementos, including of religious beliefs.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC8045","/repositories/2/resources/18"],"normalized_date_ssm":["bulk 1859-1934"],"normalized_title_ssm":["Barnett Family Collection, bulk 1859-1934"],"collection_title_tesim":["Barnett Family Collection, bulk 1859-1934"],"collection_ssim":["Barnett Family Collection, bulk 1859-1934"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["0.00 Linear Feet"],"extent_tesim":["0.00 Linear Feet"],"date_range_isim":[1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains an assortment of personal belongings of Carlos Barnett and his family and their transition to the United States. This includes personal letters, immigration papers, photographs, negatives of photographs, obituaries, and personal mementos, including of religious beliefs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains an assortment of personal belongings of Carlos Barnett and his family and their transition to the United States. This includes personal letters, immigration papers, photographs, negatives of photographs, obituaries, and personal mementos, including of religious beliefs."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":83,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844520888795136,"_root_":"ea79c365e3251287a50710fe","timestamp":"2026-07-16T04:32:49.559Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ea79c365e3251287a50710fe_aspace_75604"}},{"id":"6ef8107929816c0a1803c8ae_aspace_9816badd56e5e333b9a5dbf41c4a2212","type":"Item","attributes":{"title":"1950's Scrapbook, 1950-1965","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6ef8107929816c0a1803c8ae_aspace_9816badd56e5e333b9a5dbf41c4a2212#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9816badd56e5e333b9a5dbf41c4a2212","ref_ssm":["aspace_9816badd56e5e333b9a5dbf41c4a2212","aspace_9816badd56e5e333b9a5dbf41c4a2212"],"id":"6ef8107929816c0a1803c8ae_aspace_9816badd56e5e333b9a5dbf41c4a2212","title_filing_ssi":"1950's Scrapbook","title_ssm":["1950's Scrapbook"],"title_tesim":["1950's Scrapbook"],"unitdate_inclusive_ssm":["1950-1965"],"normalized_date_ssm":["1950-1965"],"normalized_title_ssm":["1950's Scrapbook, 1950-1965"],"text":["1950's Scrapbook, 1950-1965","Jordan Park collection, 1938-1980","Scrapbooks, 1940-1969","/repositories/3/archival_objects/186503","box 7"],"component_level_isim":[2],"parent_ids_ssim":["6ef8107929816c0a1803c8ae","6ef8107929816c0a1803c8ae_aspace_0897a36e4339a1f852bb92a25d97c696"],"parent_unittitles_ssm":["Jordan Park collection, 1938-1980","Scrapbooks, 1940-1969"],"parent_unittitles_tesim":["Jordan Park collection, 1938-1980","Scrapbooks, 1940-1969"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/186503"],"repository_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"collection_ssim":["Jordan Park collection, 1938-1980"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":23,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"containers_ssim":["box 7"],"_nest_path_":"/components#2/components#2","_nest_parent_":"6ef8107929816c0a1803c8ae_aspace_0897a36e4339a1f852bb92a25d97c696","_root_":"6ef8107929816c0a1803c8ae","timestamp":"2026-07-10T03:12:42.653Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6ef8107929816c0a1803c8ae","title_ssm":["Jordan Park collection"],"title_tesim":["Jordan Park collection"],"ead_ssi":"6ef8107929816c0a1803c8ae","unitdate_ssm":["1938-1980"],"unitdate_inclusive_ssm":["1938-1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SP-MS-2009-01","/repositories/3/resources/647"],"text":["SP-MS-2009-01","/repositories/3/resources/647","Jordan Park collection, 1938-1980","Florida—Race relations.","African Americans -- Segregation","African Americans -- Florida -- St. Petersburg (Fla.) ","The materials in the Jordan Park Collection nearly were discarded; the good fortune of the preservation of these items is considerable. Special Collections and Archives at the Poynter Library received the various photographs, property records, maps, documents, and scrapbooks from Dayton Stone on 18 June 2009. Stone had discovered these items while cleaning out an abandoned property in St. Petersburg. Subsequent review of the materials revealed the necessity of some conservation work and arrangement due to the condition in which these items had existed prior to his fortunate discovery. These records fill an important gap in our history.","Historic sources strongly indicate that Jordan Park was named for local black pioneer, Elder Jordan Sr., and that he donated land for the housing project. Indeed, Jordan Sr. was a successful entrepreneur who owned a reckonable amount of real estate in St. Petersburg during the height of the Jim Crow years. It should also be noted that Jordan Elementary School, the second school available to local African American students in St. Petersburg, sat in close proximity to the site where Jordan Park housing project was built. (The red brick school building still stands and has been renovated for use by a local Head Start program as part of the city's Midtown initiatives.) Elder Jordan Sr. built housing along 22nd Street South (the thoroughfare at the heart of St. Petersburg's black community), as well as houses laid out in courts further southeast of this area. Logical inference based on several historic sources point toward the housing project being named for Jordan Elementary School, and the school being named for Jordan Sr., who was for all purposes, a prominent developer in the local African American community.","These records fill an important gap in our history. The initial Jordan Park residential units were constructed between 1939 and 1941. After some success in relocating residents from \"derelict\" structures to this new facility, authorities approved additional housing at the Jordan Park site. The majority of the funding for its construction came from federal sources during the New Deal as part of the Wagner-Steagall Housing Act passed in August 1937. Beyond the importance of the items specifically concerned with Jordan Park, there are several photographs and records that document the substandard housing that existed in St. Petersburg's African American neighborhoods at the time that Jordan Park was expected to replace, including structures in Peppertown and the Gas Plant district. Many of the original black neighborhoods have since transitioned into other use (including the site of Tropicana Field on the former Gas Plant property) with little reference material available to researchers to learn about them.","Beyond the importance of the items specifically concerned with Jordan Park, there are several photographs and records that document the substandard housing that existed in St. Petersburg's African American neighborhoods at the time that Jordan Park was expected to replace, including structures in Peppertown and the Gas Plant district. Many of the original black neighborhoods have since transitioned into other use (including the site of Tropicana Field on the former Gas Plant property) with little reference material available to researchers to learn about them. The Jordan Park Collection fills many gaps in the historical record and allows researchers to reconstruct, in part, certain neighborhoods from the time in a way not previously possible.","This collection was originally published in 2009 and was updated in 2024.","Materials related to the Jordan Park Housing Project in St. Petersburg, Florida including project documentation, photographs and album, scrapbooks, and maps.","None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","The materials in the Jordan Park Collection nearly were discarded; the good fortune of the preservation of these items is considerable. Poynter Library received the various photographs, property records, maps, documents, and scrapbooks from Dayton Stone in June 2009. These materials depict the Jordan Park residential units built by the St. Petersburg Housing Authority.","USF Libraries - St. Petersburg Special Collections \u0026 University Archives","West Coast Title Company (St. Petersburg, Fla.)","St. Petersburg Times ","Housing Authority of the City of St. Petersburg (Fla.)","English"],"unitid_tesim":["SP-MS-2009-01","/repositories/3/resources/647"],"normalized_date_ssm":["1938-1980"],"normalized_title_ssm":["Jordan Park collection, 1938-1980"],"collection_title_tesim":["Jordan Park collection, 1938-1980"],"collection_ssim":["Jordan Park collection, 1938-1980"],"repository_ssm":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"repository_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"creator_ssm":["West Coast Title Company (St. Petersburg, Fla.)","St. Petersburg Times "],"creator_ssim":["West Coast Title Company (St. Petersburg, Fla.)","St. Petersburg Times "],"creator_corpname_ssim":["West Coast Title Company (St. Petersburg, Fla.)","St. Petersburg Times "],"creators_ssim":["West Coast Title Company (St. Petersburg, Fla.)","St. Petersburg Times "],"access_terms_ssm":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"access_subjects_ssim":["Florida—Race relations.","African Americans -- Segregation","African Americans -- Florida -- St. Petersburg (Fla.) "],"access_subjects_ssm":["Florida—Race relations.","African Americans -- Segregation","African Americans -- Florida -- St. Petersburg (Fla.) "],"has_online_content_ssim":["false"],"extent_ssm":["10 boxes 4 Document Boxes, 4 Object Boxes, 2 Oversized Boxes"],"extent_tesim":["10 boxes 4 Document Boxes, 4 Object Boxes, 2 Oversized Boxes"],"date_range_isim":[1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"bioghist_html_tesm":["\u003cp\u003eThe materials in the Jordan Park Collection nearly were discarded; the good fortune of the preservation of these items is considerable. Special Collections and Archives at the Poynter Library received the various photographs, property records, maps, documents, and scrapbooks from Dayton Stone on 18 June 2009. Stone had discovered these items while cleaning out an abandoned property in St. Petersburg. Subsequent review of the materials revealed the necessity of some conservation work and arrangement due to the condition in which these items had existed prior to his fortunate discovery. These records fill an important gap in our history.\u003c/p\u003e\n","\u003cp\u003eHistoric sources strongly indicate that Jordan Park was named for local black pioneer, Elder Jordan Sr., and that he donated land for the housing project. Indeed, Jordan Sr. was a successful entrepreneur who owned a reckonable amount of real estate in St. Petersburg during the height of the Jim Crow years. It should also be noted that Jordan Elementary School, the second school available to local African American students in St. Petersburg, sat in close proximity to the site where Jordan Park housing project was built. (The red brick school building still stands and has been renovated for use by a local Head Start program as part of the city's Midtown initiatives.) Elder Jordan Sr. built housing along 22nd Street South (the thoroughfare at the heart of St. Petersburg's black community), as well as houses laid out in courts further southeast of this area. Logical inference based on several historic sources point toward the housing project being named for Jordan Elementary School, and the school being named for Jordan Sr., who was for all purposes, a prominent developer in the local African American community.\u003c/p\u003e\n","\u003cp\u003eThese records fill an important gap in our history. The initial Jordan Park residential units were constructed between 1939 and 1941. After some success in relocating residents from \"derelict\" structures to this new facility, authorities approved additional housing at the Jordan Park site. The majority of the funding for its construction came from federal sources during the New Deal as part of the Wagner-Steagall Housing Act passed in August 1937. Beyond the importance of the items specifically concerned with Jordan Park, there are several photographs and records that document the substandard housing that existed in St. Petersburg's African American neighborhoods at the time that Jordan Park was expected to replace, including structures in Peppertown and the Gas Plant district. Many of the original black neighborhoods have since transitioned into other use (including the site of Tropicana Field on the former Gas Plant property) with little reference material available to researchers to learn about them.\u003c/p\u003e\n","\u003cp\u003eBeyond the importance of the items specifically concerned with Jordan Park, there are several photographs and records that document the substandard housing that existed in St. Petersburg's African American neighborhoods at the time that Jordan Park was expected to replace, including structures in Peppertown and the Gas Plant district. Many of the original black neighborhoods have since transitioned into other use (including the site of Tropicana Field on the former Gas Plant property) with little reference material available to researchers to learn about them. The Jordan Park Collection fills many gaps in the historical record and allows researchers to reconstruct, in part, certain neighborhoods from the time in a way not previously possible.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The materials in the Jordan Park Collection nearly were discarded; the good fortune of the preservation of these items is considerable. Special Collections and Archives at the Poynter Library received the various photographs, property records, maps, documents, and scrapbooks from Dayton Stone on 18 June 2009. Stone had discovered these items while cleaning out an abandoned property in St. Petersburg. Subsequent review of the materials revealed the necessity of some conservation work and arrangement due to the condition in which these items had existed prior to his fortunate discovery. These records fill an important gap in our history.","Historic sources strongly indicate that Jordan Park was named for local black pioneer, Elder Jordan Sr., and that he donated land for the housing project. Indeed, Jordan Sr. was a successful entrepreneur who owned a reckonable amount of real estate in St. Petersburg during the height of the Jim Crow years. It should also be noted that Jordan Elementary School, the second school available to local African American students in St. Petersburg, sat in close proximity to the site where Jordan Park housing project was built. (The red brick school building still stands and has been renovated for use by a local Head Start program as part of the city's Midtown initiatives.) Elder Jordan Sr. built housing along 22nd Street South (the thoroughfare at the heart of St. Petersburg's black community), as well as houses laid out in courts further southeast of this area. Logical inference based on several historic sources point toward the housing project being named for Jordan Elementary School, and the school being named for Jordan Sr., who was for all purposes, a prominent developer in the local African American community.","These records fill an important gap in our history. The initial Jordan Park residential units were constructed between 1939 and 1941. After some success in relocating residents from \"derelict\" structures to this new facility, authorities approved additional housing at the Jordan Park site. The majority of the funding for its construction came from federal sources during the New Deal as part of the Wagner-Steagall Housing Act passed in August 1937. Beyond the importance of the items specifically concerned with Jordan Park, there are several photographs and records that document the substandard housing that existed in St. Petersburg's African American neighborhoods at the time that Jordan Park was expected to replace, including structures in Peppertown and the Gas Plant district. Many of the original black neighborhoods have since transitioned into other use (including the site of Tropicana Field on the former Gas Plant property) with little reference material available to researchers to learn about them.","Beyond the importance of the items specifically concerned with Jordan Park, there are several photographs and records that document the substandard housing that existed in St. Petersburg's African American neighborhoods at the time that Jordan Park was expected to replace, including structures in Peppertown and the Gas Plant district. Many of the original black neighborhoods have since transitioned into other use (including the site of Tropicana Field on the former Gas Plant property) with little reference material available to researchers to learn about them. The Jordan Park Collection fills many gaps in the historical record and allows researchers to reconstruct, in part, certain neighborhoods from the time in a way not previously possible."],"prefercite_html_tesm":["\u003cp\u003eJordan Park collection, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL.\u003c/p\u003e"],"prefercite_tesim":["Jordan Park collection, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL."],"processinfo_html_tesm":["\u003cp\u003eThis collection was originally published in 2009 and was updated in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was originally published in 2009 and was updated in 2024."],"scopecontent_html_tesm":["\u003cp\u003eMaterials related to the Jordan Park Housing Project in St. Petersburg, Florida including project documentation, photographs and album, scrapbooks, and maps.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials related to the Jordan Park Housing Project in St. Petersburg, Florida including project documentation, photographs and album, scrapbooks, and maps."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_97bc1bd41e67edcfa435a97daf74d656\"\u003eThe materials in the Jordan Park Collection nearly were discarded; the good fortune of the preservation of these items is considerable. Poynter Library received the various photographs, property records, maps, documents, and scrapbooks from Dayton Stone in June 2009. These materials depict the Jordan Park residential units built by the St. Petersburg Housing Authority.\u003c/abstract\u003e"],"abstract_tesim":["The materials in the Jordan Park Collection nearly were discarded; the good fortune of the preservation of these items is considerable. Poynter Library received the various photographs, property records, maps, documents, and scrapbooks from Dayton Stone in June 2009. These materials depict the Jordan Park residential units built by the St. Petersburg Housing Authority."],"names_coll_ssim":["Housing Authority of the City of St. Petersburg (Fla.)"],"names_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives","West Coast Title Company (St. Petersburg, Fla.)","St. Petersburg Times ","Housing Authority of the City of St. Petersburg (Fla.)"],"corpname_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives","West Coast Title Company (St. Petersburg, Fla.)","St. Petersburg Times ","Housing Authority of the City of St. Petersburg (Fla.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":28,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"6ef8107929816c0a1803c8ae","timestamp":"2026-07-10T03:12:42.653Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6ef8107929816c0a1803c8ae_aspace_9816badd56e5e333b9a5dbf41c4a2212"}},{"id":"6ef8107929816c0a1803c8ae_aspace_1b614106dc2a4dc00b5798d2b1229e02","type":"Item","attributes":{"title":"1960's Scrapbook, 1960-1969","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6ef8107929816c0a1803c8ae_aspace_1b614106dc2a4dc00b5798d2b1229e02#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1b614106dc2a4dc00b5798d2b1229e02","ref_ssm":["aspace_1b614106dc2a4dc00b5798d2b1229e02","aspace_1b614106dc2a4dc00b5798d2b1229e02"],"id":"6ef8107929816c0a1803c8ae_aspace_1b614106dc2a4dc00b5798d2b1229e02","title_filing_ssi":"1960's Scrapbook","title_ssm":["1960's Scrapbook"],"title_tesim":["1960's Scrapbook"],"unitdate_inclusive_ssm":["1960-1969"],"normalized_date_ssm":["1960-1969"],"normalized_title_ssm":["1960's Scrapbook, 1960-1969"],"text":["1960's Scrapbook, 1960-1969","Jordan Park collection, 1938-1980","Scrapbooks, 1940-1969","/repositories/3/archival_objects/186504","box 8"],"component_level_isim":[2],"parent_ids_ssim":["6ef8107929816c0a1803c8ae","6ef8107929816c0a1803c8ae_aspace_0897a36e4339a1f852bb92a25d97c696"],"parent_unittitles_ssm":["Jordan Park collection, 1938-1980","Scrapbooks, 1940-1969"],"parent_unittitles_tesim":["Jordan Park collection, 1938-1980","Scrapbooks, 1940-1969"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/186504"],"repository_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"collection_ssim":["Jordan Park collection, 1938-1980"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":24,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"containers_ssim":["box 8"],"_nest_path_":"/components#2/components#3","_nest_parent_":"6ef8107929816c0a1803c8ae_aspace_0897a36e4339a1f852bb92a25d97c696","_root_":"6ef8107929816c0a1803c8ae","timestamp":"2026-07-10T03:12:42.653Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6ef8107929816c0a1803c8ae","title_ssm":["Jordan Park collection"],"title_tesim":["Jordan Park collection"],"ead_ssi":"6ef8107929816c0a1803c8ae","unitdate_ssm":["1938-1980"],"unitdate_inclusive_ssm":["1938-1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SP-MS-2009-01","/repositories/3/resources/647"],"text":["SP-MS-2009-01","/repositories/3/resources/647","Jordan Park collection, 1938-1980","Florida—Race relations.","African Americans -- Segregation","African Americans -- Florida -- St. Petersburg (Fla.) ","The materials in the Jordan Park Collection nearly were discarded; the good fortune of the preservation of these items is considerable. Special Collections and Archives at the Poynter Library received the various photographs, property records, maps, documents, and scrapbooks from Dayton Stone on 18 June 2009. Stone had discovered these items while cleaning out an abandoned property in St. Petersburg. Subsequent review of the materials revealed the necessity of some conservation work and arrangement due to the condition in which these items had existed prior to his fortunate discovery. These records fill an important gap in our history.","Historic sources strongly indicate that Jordan Park was named for local black pioneer, Elder Jordan Sr., and that he donated land for the housing project. Indeed, Jordan Sr. was a successful entrepreneur who owned a reckonable amount of real estate in St. Petersburg during the height of the Jim Crow years. It should also be noted that Jordan Elementary School, the second school available to local African American students in St. Petersburg, sat in close proximity to the site where Jordan Park housing project was built. (The red brick school building still stands and has been renovated for use by a local Head Start program as part of the city's Midtown initiatives.) Elder Jordan Sr. built housing along 22nd Street South (the thoroughfare at the heart of St. Petersburg's black community), as well as houses laid out in courts further southeast of this area. Logical inference based on several historic sources point toward the housing project being named for Jordan Elementary School, and the school being named for Jordan Sr., who was for all purposes, a prominent developer in the local African American community.","These records fill an important gap in our history. The initial Jordan Park residential units were constructed between 1939 and 1941. After some success in relocating residents from \"derelict\" structures to this new facility, authorities approved additional housing at the Jordan Park site. The majority of the funding for its construction came from federal sources during the New Deal as part of the Wagner-Steagall Housing Act passed in August 1937. Beyond the importance of the items specifically concerned with Jordan Park, there are several photographs and records that document the substandard housing that existed in St. Petersburg's African American neighborhoods at the time that Jordan Park was expected to replace, including structures in Peppertown and the Gas Plant district. Many of the original black neighborhoods have since transitioned into other use (including the site of Tropicana Field on the former Gas Plant property) with little reference material available to researchers to learn about them.","Beyond the importance of the items specifically concerned with Jordan Park, there are several photographs and records that document the substandard housing that existed in St. Petersburg's African American neighborhoods at the time that Jordan Park was expected to replace, including structures in Peppertown and the Gas Plant district. Many of the original black neighborhoods have since transitioned into other use (including the site of Tropicana Field on the former Gas Plant property) with little reference material available to researchers to learn about them. The Jordan Park Collection fills many gaps in the historical record and allows researchers to reconstruct, in part, certain neighborhoods from the time in a way not previously possible.","This collection was originally published in 2009 and was updated in 2024.","Materials related to the Jordan Park Housing Project in St. Petersburg, Florida including project documentation, photographs and album, scrapbooks, and maps.","None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","The materials in the Jordan Park Collection nearly were discarded; the good fortune of the preservation of these items is considerable. Poynter Library received the various photographs, property records, maps, documents, and scrapbooks from Dayton Stone in June 2009. These materials depict the Jordan Park residential units built by the St. Petersburg Housing Authority.","USF Libraries - St. Petersburg Special Collections \u0026 University Archives","West Coast Title Company (St. Petersburg, Fla.)","St. Petersburg Times ","Housing Authority of the City of St. Petersburg (Fla.)","English"],"unitid_tesim":["SP-MS-2009-01","/repositories/3/resources/647"],"normalized_date_ssm":["1938-1980"],"normalized_title_ssm":["Jordan Park collection, 1938-1980"],"collection_title_tesim":["Jordan Park collection, 1938-1980"],"collection_ssim":["Jordan Park collection, 1938-1980"],"repository_ssm":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"repository_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"creator_ssm":["West Coast Title Company (St. Petersburg, Fla.)","St. Petersburg Times "],"creator_ssim":["West Coast Title Company (St. Petersburg, Fla.)","St. Petersburg Times "],"creator_corpname_ssim":["West Coast Title Company (St. Petersburg, Fla.)","St. Petersburg Times "],"creators_ssim":["West Coast Title Company (St. Petersburg, Fla.)","St. Petersburg Times "],"access_terms_ssm":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"access_subjects_ssim":["Florida—Race relations.","African Americans -- Segregation","African Americans -- Florida -- St. Petersburg (Fla.) "],"access_subjects_ssm":["Florida—Race relations.","African Americans -- Segregation","African Americans -- Florida -- St. Petersburg (Fla.) "],"has_online_content_ssim":["false"],"extent_ssm":["10 boxes 4 Document Boxes, 4 Object Boxes, 2 Oversized Boxes"],"extent_tesim":["10 boxes 4 Document Boxes, 4 Object Boxes, 2 Oversized Boxes"],"date_range_isim":[1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"bioghist_html_tesm":["\u003cp\u003eThe materials in the Jordan Park Collection nearly were discarded; the good fortune of the preservation of these items is considerable. Special Collections and Archives at the Poynter Library received the various photographs, property records, maps, documents, and scrapbooks from Dayton Stone on 18 June 2009. Stone had discovered these items while cleaning out an abandoned property in St. Petersburg. Subsequent review of the materials revealed the necessity of some conservation work and arrangement due to the condition in which these items had existed prior to his fortunate discovery. These records fill an important gap in our history.\u003c/p\u003e\n","\u003cp\u003eHistoric sources strongly indicate that Jordan Park was named for local black pioneer, Elder Jordan Sr., and that he donated land for the housing project. Indeed, Jordan Sr. was a successful entrepreneur who owned a reckonable amount of real estate in St. Petersburg during the height of the Jim Crow years. It should also be noted that Jordan Elementary School, the second school available to local African American students in St. Petersburg, sat in close proximity to the site where Jordan Park housing project was built. (The red brick school building still stands and has been renovated for use by a local Head Start program as part of the city's Midtown initiatives.) Elder Jordan Sr. built housing along 22nd Street South (the thoroughfare at the heart of St. Petersburg's black community), as well as houses laid out in courts further southeast of this area. Logical inference based on several historic sources point toward the housing project being named for Jordan Elementary School, and the school being named for Jordan Sr., who was for all purposes, a prominent developer in the local African American community.\u003c/p\u003e\n","\u003cp\u003eThese records fill an important gap in our history. The initial Jordan Park residential units were constructed between 1939 and 1941. After some success in relocating residents from \"derelict\" structures to this new facility, authorities approved additional housing at the Jordan Park site. The majority of the funding for its construction came from federal sources during the New Deal as part of the Wagner-Steagall Housing Act passed in August 1937. Beyond the importance of the items specifically concerned with Jordan Park, there are several photographs and records that document the substandard housing that existed in St. Petersburg's African American neighborhoods at the time that Jordan Park was expected to replace, including structures in Peppertown and the Gas Plant district. Many of the original black neighborhoods have since transitioned into other use (including the site of Tropicana Field on the former Gas Plant property) with little reference material available to researchers to learn about them.\u003c/p\u003e\n","\u003cp\u003eBeyond the importance of the items specifically concerned with Jordan Park, there are several photographs and records that document the substandard housing that existed in St. Petersburg's African American neighborhoods at the time that Jordan Park was expected to replace, including structures in Peppertown and the Gas Plant district. Many of the original black neighborhoods have since transitioned into other use (including the site of Tropicana Field on the former Gas Plant property) with little reference material available to researchers to learn about them. The Jordan Park Collection fills many gaps in the historical record and allows researchers to reconstruct, in part, certain neighborhoods from the time in a way not previously possible.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The materials in the Jordan Park Collection nearly were discarded; the good fortune of the preservation of these items is considerable. Special Collections and Archives at the Poynter Library received the various photographs, property records, maps, documents, and scrapbooks from Dayton Stone on 18 June 2009. Stone had discovered these items while cleaning out an abandoned property in St. Petersburg. Subsequent review of the materials revealed the necessity of some conservation work and arrangement due to the condition in which these items had existed prior to his fortunate discovery. These records fill an important gap in our history.","Historic sources strongly indicate that Jordan Park was named for local black pioneer, Elder Jordan Sr., and that he donated land for the housing project. Indeed, Jordan Sr. was a successful entrepreneur who owned a reckonable amount of real estate in St. Petersburg during the height of the Jim Crow years. It should also be noted that Jordan Elementary School, the second school available to local African American students in St. Petersburg, sat in close proximity to the site where Jordan Park housing project was built. (The red brick school building still stands and has been renovated for use by a local Head Start program as part of the city's Midtown initiatives.) Elder Jordan Sr. built housing along 22nd Street South (the thoroughfare at the heart of St. Petersburg's black community), as well as houses laid out in courts further southeast of this area. Logical inference based on several historic sources point toward the housing project being named for Jordan Elementary School, and the school being named for Jordan Sr., who was for all purposes, a prominent developer in the local African American community.","These records fill an important gap in our history. The initial Jordan Park residential units were constructed between 1939 and 1941. After some success in relocating residents from \"derelict\" structures to this new facility, authorities approved additional housing at the Jordan Park site. The majority of the funding for its construction came from federal sources during the New Deal as part of the Wagner-Steagall Housing Act passed in August 1937. Beyond the importance of the items specifically concerned with Jordan Park, there are several photographs and records that document the substandard housing that existed in St. Petersburg's African American neighborhoods at the time that Jordan Park was expected to replace, including structures in Peppertown and the Gas Plant district. Many of the original black neighborhoods have since transitioned into other use (including the site of Tropicana Field on the former Gas Plant property) with little reference material available to researchers to learn about them.","Beyond the importance of the items specifically concerned with Jordan Park, there are several photographs and records that document the substandard housing that existed in St. Petersburg's African American neighborhoods at the time that Jordan Park was expected to replace, including structures in Peppertown and the Gas Plant district. Many of the original black neighborhoods have since transitioned into other use (including the site of Tropicana Field on the former Gas Plant property) with little reference material available to researchers to learn about them. The Jordan Park Collection fills many gaps in the historical record and allows researchers to reconstruct, in part, certain neighborhoods from the time in a way not previously possible."],"prefercite_html_tesm":["\u003cp\u003eJordan Park collection, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL.\u003c/p\u003e"],"prefercite_tesim":["Jordan Park collection, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL."],"processinfo_html_tesm":["\u003cp\u003eThis collection was originally published in 2009 and was updated in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was originally published in 2009 and was updated in 2024."],"scopecontent_html_tesm":["\u003cp\u003eMaterials related to the Jordan Park Housing Project in St. Petersburg, Florida including project documentation, photographs and album, scrapbooks, and maps.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials related to the Jordan Park Housing Project in St. Petersburg, Florida including project documentation, photographs and album, scrapbooks, and maps."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_97bc1bd41e67edcfa435a97daf74d656\"\u003eThe materials in the Jordan Park Collection nearly were discarded; the good fortune of the preservation of these items is considerable. Poynter Library received the various photographs, property records, maps, documents, and scrapbooks from Dayton Stone in June 2009. These materials depict the Jordan Park residential units built by the St. Petersburg Housing Authority.\u003c/abstract\u003e"],"abstract_tesim":["The materials in the Jordan Park Collection nearly were discarded; the good fortune of the preservation of these items is considerable. Poynter Library received the various photographs, property records, maps, documents, and scrapbooks from Dayton Stone in June 2009. These materials depict the Jordan Park residential units built by the St. Petersburg Housing Authority."],"names_coll_ssim":["Housing Authority of the City of St. Petersburg (Fla.)"],"names_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives","West Coast Title Company (St. Petersburg, Fla.)","St. Petersburg Times ","Housing Authority of the City of St. Petersburg (Fla.)"],"corpname_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives","West Coast Title Company (St. Petersburg, Fla.)","St. Petersburg Times ","Housing Authority of the City of St. Petersburg (Fla.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":28,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"6ef8107929816c0a1803c8ae","timestamp":"2026-07-10T03:12:42.653Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6ef8107929816c0a1803c8ae_aspace_1b614106dc2a4dc00b5798d2b1229e02"}},{"id":"bf94ada4377f2dbc813062ab_aspace_20449","type":"Item","attributes":{"title":"\"58- Open Air Post Office, Fort Myers, Florida. City of Palms\", bulk 1940-1980","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/bf94ada4377f2dbc813062ab_aspace_20449#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eA blank, vintage linen postcard depicting the former Downtown Fort Myers Post Office. The building is now the Sidney and Berne Davis Arts Center.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bf94ada4377f2dbc813062ab_aspace_20449#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_20449","ref_ssm":["aspace_20449","aspace_20449"],"id":"bf94ada4377f2dbc813062ab_aspace_20449","title_filing_ssi":"\"58- Open Air Post Office, Fort Myers, Florida. City of Palms\"","title_ssm":["\"58- Open Air Post Office, Fort Myers, Florida. City of Palms\""],"title_tesim":["\"58- Open Air Post Office, Fort Myers, Florida. City of Palms\""],"unitdate_bulk_ssim":["1940-1980"],"normalized_date_ssm":["bulk 1940-1980"],"normalized_title_ssm":["\"58- Open Air Post Office, Fort Myers, Florida. City of Palms\", bulk 1940-1980"],"text":["\"58- Open Air Post Office, Fort Myers, Florida. City of Palms\", bulk 1940-1980","Vintage Florida Postcards, 1930-2025","Fort Myers Postcards, 1903-2025","/repositories/2/archival_objects/5235","Fort Myers (Fla.)","Postcards.\t","English","A blank, vintage linen postcard depicting the former Downtown Fort Myers Post Office. The building is now the Sidney and Berne Davis Arts Center."],"component_level_isim":[2],"parent_ids_ssim":["bf94ada4377f2dbc813062ab","bf94ada4377f2dbc813062ab_aspace_20448"],"parent_unittitles_ssm":["Vintage Florida Postcards, 1930-2025","Fort Myers Postcards, 1903-2025"],"parent_unittitles_tesim":["Vintage Florida Postcards, 1930-2025","Fort Myers Postcards, 1903-2025"],"parent_levels_ssm":["collection","File"],"unitid_ssm":["/repositories/2/archival_objects/5235"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Vintage Florida Postcards, 1930-2025"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":4,"parent_access_restrict_tesm":["The collection is open and available for research."],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"geogname_ssim":["Fort Myers (Fla.)"],"geogname_ssm":["Fort Myers (Fla.)"],"places_ssim":["Fort Myers (Fla.)"],"access_subjects_ssim":["Postcards.\t"],"access_subjects_ssm":["Postcards.\t"],"language_ssim":["English"],"scopecontent_html_tesm":["\u003cp\u003eA blank, vintage linen postcard depicting the former Downtown Fort Myers Post Office. The building is now the Sidney and Berne Davis Arts Center.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["A blank, vintage linen postcard depicting the former Downtown Fort Myers Post Office. The building is now the Sidney and Berne Davis Arts Center."],"_nest_path_":"/components#0/components#2","_nest_parent_":"bf94ada4377f2dbc813062ab_aspace_20448","_root_":"bf94ada4377f2dbc813062ab","timestamp":"2026-04-28T01:56:33.260Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bf94ada4377f2dbc813062ab","title_ssm":["Vintage Florida Postcards"],"title_tesim":["Vintage Florida Postcards"],"ead_ssi":"bf94ada4377f2dbc813062ab","unitdate_ssm":["1930-2025"],"unitdate_inclusive_ssm":["1930-2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/44","/repositories/2/resources/109"],"text":["02/01/44","/repositories/2/resources/109","Vintage Florida Postcards, 1930-2025","Florida.","Seminole Tribe of Florida.","Photography.","Tourism--Florida.","Florida--Postcards","Postcards.\t","The collection is open and available for research.","Materials included in the Vintage Florida Postcard collection include postcards from regions spanning the State of Florida.","Florida Gulf Coast University Special Collections","Dexter Press (West Nyack, New York)","Sell, William, Mrs.","English"],"unitid_tesim":["02/01/44","/repositories/2/resources/109"],"normalized_date_ssm":["1930-2025"],"normalized_title_ssm":["Vintage Florida Postcards, 1930-2025"],"collection_title_tesim":["Vintage Florida Postcards, 1930-2025"],"collection_ssim":["Vintage Florida Postcards, 1930-2025"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Florida.","Seminole Tribe of Florida.","Photography.","Tourism--Florida."],"geogname_ssim":["Florida.","Seminole Tribe of Florida.","Photography.","Tourism--Florida."],"places_ssim":["Florida.","Seminole Tribe of Florida.","Photography.","Tourism--Florida."],"access_subjects_ssim":["Florida--Postcards","Postcards.\t"],"access_subjects_ssm":["Florida--Postcards","Postcards.\t"],"has_online_content_ssim":["false"],"extent_ssm":[".5 Linear Feet"],"extent_tesim":[".5 Linear Feet"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open and available for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open and available for research."],"scopecontent_html_tesm":["\u003cp\u003eMaterials included in the Vintage Florida Postcard collection include postcards from regions spanning the State of Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials included in the Vintage Florida Postcard collection include postcards from regions spanning the State of Florida."],"names_ssim":["Florida Gulf Coast University Special Collections","Dexter Press (West Nyack, New York)","Sell, William, Mrs."],"corpname_ssim":["Florida Gulf Coast University Special Collections","Dexter Press (West Nyack, New York)"],"persname_ssim":["Sell, William, Mrs."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":285,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"bf94ada4377f2dbc813062ab","timestamp":"2026-04-28T01:56:33.260Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bf94ada4377f2dbc813062ab_aspace_20449"}},{"id":"bf94ada4377f2dbc813062ab_aspace_547893fcf55dc214b7fcbe4fbfbe4956","type":"Item","attributes":{"title":"\"64-Passenger Conch Tour Train, Key West, Florida\", bulk 1940-1990","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/bf94ada4377f2dbc813062ab_aspace_547893fcf55dc214b7fcbe4fbfbe4956#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eUnmarked postcard with white border showing 64 passengers on a Conch tour train going down a palm lined street.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bf94ada4377f2dbc813062ab_aspace_547893fcf55dc214b7fcbe4fbfbe4956#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_547893fcf55dc214b7fcbe4fbfbe4956","ref_ssm":["aspace_547893fcf55dc214b7fcbe4fbfbe4956","aspace_547893fcf55dc214b7fcbe4fbfbe4956"],"id":"bf94ada4377f2dbc813062ab_aspace_547893fcf55dc214b7fcbe4fbfbe4956","title_filing_ssi":"\"64-Passenger Conch Tour Train, Key West, Florida\"","title_ssm":["\"64-Passenger Conch Tour Train, Key West, Florida\""],"title_tesim":["\"64-Passenger Conch Tour Train, Key West, Florida\""],"unitdate_bulk_ssim":["1940-1990"],"normalized_date_ssm":["bulk 1940-1990"],"normalized_title_ssm":["\"64-Passenger Conch Tour Train, Key West, Florida\", bulk 1940-1990"],"text":["\"64-Passenger Conch Tour Train, Key West, Florida\", bulk 1940-1990","Vintage Florida Postcards, 1930-2025","Key West Postcards, bulk 1910-1990","Item 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The train passes more than 60 points of interest, running from the Atlantic Ocean to the Gulf of Mexico. 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Florida.","Photography.","Tourism--Florida.","Florida--Postcards","Postcards.\t","The collection is open and available for research.","Materials included in the Vintage Florida Postcard collection include postcards from regions spanning the State of Florida.","Florida Gulf Coast University Special Collections","Dexter Press (West Nyack, New York)","Sell, William, Mrs.","English"],"unitid_tesim":["02/01/44","/repositories/2/resources/109"],"normalized_date_ssm":["1930-2025"],"normalized_title_ssm":["Vintage Florida Postcards, 1930-2025"],"collection_title_tesim":["Vintage Florida Postcards, 1930-2025"],"collection_ssim":["Vintage Florida Postcards, 1930-2025"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Florida.","Seminole Tribe of Florida.","Photography.","Tourism--Florida."],"geogname_ssim":["Florida.","Seminole Tribe of 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research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open and available for research."],"scopecontent_html_tesm":["\u003cp\u003eMaterials included in the Vintage Florida Postcard collection include postcards from regions spanning the State of Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials included in the Vintage Florida Postcard collection include postcards from regions spanning the State of Florida."],"names_ssim":["Florida Gulf Coast University Special Collections","Dexter Press (West Nyack, New York)","Sell, William, Mrs."],"corpname_ssim":["Florida Gulf Coast University Special Collections","Dexter Press (West Nyack, New York)"],"persname_ssim":["Sell, William, Mrs."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":285,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"bf94ada4377f2dbc813062ab","timestamp":"2026-04-28T01:56:33.260Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bf94ada4377f2dbc813062ab_aspace_547893fcf55dc214b7fcbe4fbfbe4956"}},{"id":"3b651bebb556d00cec8728df_aspace_1d3a63255c18f018fba46e9acecce8a7","type":"Item","attributes":{"title":"A-B, 1916-1979, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3b651bebb556d00cec8728df_aspace_1d3a63255c18f018fba46e9acecce8a7#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1d3a63255c18f018fba46e9acecce8a7","ref_ssm":["aspace_1d3a63255c18f018fba46e9acecce8a7","aspace_1d3a63255c18f018fba46e9acecce8a7"],"id":"3b651bebb556d00cec8728df_aspace_1d3a63255c18f018fba46e9acecce8a7","title_filing_ssi":"A-B","title_ssm":["A-B"],"title_tesim":["A-B"],"unitdate_inclusive_ssm":["1916-1979, Undated"],"normalized_date_ssm":["1916-1979, Undated"],"normalized_title_ssm":["A-B, 1916-1979, Undated"],"text":["A-B, 1916-1979, Undated","Walter and Dorothy Donnelly family papers, 1887-2021","Additional Materials, 1909-2021","CFM2020_06, 1909-1980, Undated","Item 1","/repositories/4/archival_objects/56034","box 3","Tray 1"],"component_level_isim":[3],"parent_ids_ssim":["3b651bebb556d00cec8728df","3b651bebb556d00cec8728df_aspace_f58acf1e5bb3c4c23984bca2eb8d71a6","3b651bebb556d00cec8728df_aspace_ae697aac9aa8e49f69af925a6e770bb7"],"parent_unittitles_ssm":["Walter and Dorothy Donnelly family papers, 1887-2021","Additional Materials, 1909-2021","CFM2020_06, 1909-1980, Undated"],"parent_unittitles_tesim":["Walter and Dorothy Donnelly family papers, 1887-2021","Additional Materials, 1909-2021","CFM2020_06, 1909-1980, Undated"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Item 1","/repositories/4/archival_objects/56034"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Walter and Dorothy Donnelly family papers, 1887-2021"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":133,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"containers_ssim":["box 3","Tray 1"],"_nest_path_":"/components#2/components#0/components#0","_nest_parent_":"3b651bebb556d00cec8728df_aspace_ae697aac9aa8e49f69af925a6e770bb7","_root_":"3b651bebb556d00cec8728df","timestamp":"2026-06-03T02:50:58.042Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3b651bebb556d00cec8728df","title_ssm":["Walter and Dorothy Donnelly family papers"],"title_tesim":["Walter and Dorothy Donnelly family papers"],"ead_ssi":"3b651bebb556d00cec8728df","unitdate_ssm":["1887-2021"],"unitdate_inclusive_ssm":["1887-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.33","/repositories/4/resources/35"],"text":["SC.33","/repositories/4/resources/35","Walter and Dorothy Donnelly family papers, 1887-2021","Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems","The entire collection is open for research.","Walter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.","\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"","\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.","\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today.","Collection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023.","Patrick Boland collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","The collection is arranged in three series, Family Papers, Typophiles and Additional Materials. ","Series I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.","\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. "," \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured.","Books donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.","The papers of Patrick Boland were separated into their own collection. ","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books.","UCF Special Collections","Donnelly, Walter","Donnelly, Dorothy, 1903-1994","English"],"unitid_tesim":["SC.33","/repositories/4/resources/35"],"normalized_date_ssm":["1887-2021"],"normalized_title_ssm":["Walter and Dorothy Donnelly family papers, 1887-2021"],"collection_title_tesim":["Walter and Dorothy Donnelly family papers, 1887-2021"],"collection_ssim":["Walter and Dorothy Donnelly family papers, 1887-2021"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creator_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creator_persname_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creators_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Donnelly sons donated their parents' collection to the University of Central Florida Library in 1999 (CFM1999_08). Additional materials received from Jerome Donnelly in 2020 (CFM2020_06; CFM2020_10), 2021 (CFM2021_21), and 2022 (CFM2022_05)."],"access_subjects_ssim":["Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems"],"access_subjects_ssm":["Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems"],"has_online_content_ssim":["false"],"extent_ssm":["7.5 Linear Feet 15 Boxes, 1 Flat File"],"extent_tesim":["7.5 Linear Feet 15 Boxes, 1 Flat File"],"genreform_ssim":["diaries","poems"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eWalter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.\u003c/p\u003e\n","\u003cp\u003e\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"\u003c/p\u003e\n","\u003cp\u003e\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.\u003c/p\u003e\n","\u003cp\u003e\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Walter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.","\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"","\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.","\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today."],"prefercite_html_tesm":["\u003cp\u003eWalter and Dorothy Donnelly Family Papers, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Walter and Dorothy Donnelly Family Papers, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/289\"\u003ePatrick Boland collection\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Patrick Boland collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is arranged in three series, Family Papers, Typophiles and Additional Materials. \u003c/p\u003e\n","\u003cp\u003eSeries I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.\u003c/p\u003e\n","\u003cp\u003e\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. \u003c/p\u003e\n","\u003cp\u003e \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is arranged in three series, Family Papers, Typophiles and Additional Materials. ","Series I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.","\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. "," \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.\u003c/p\u003e\n","\u003cp\u003eThe papers of Patrick Boland were separated into their own collection.\u0026#xA0;\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.","The papers of Patrick Boland were separated into their own collection. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_58a62762084b860db899b0bb6eea27dd\" label=\"Abstract\"\u003eThe materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books.\u003c/abstract\u003e"],"abstract_tesim":["The materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books."],"names_ssim":["UCF Special Collections","Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":255,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3b651bebb556d00cec8728df","timestamp":"2026-06-03T02:50:58.042Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3b651bebb556d00cec8728df_aspace_1d3a63255c18f018fba46e9acecce8a7"}},{"id":"4724780c873193c6631fa4e4_aspace_0927141b340d8541ef2be9b319597b43","type":"Item","attributes":{"title":"Abram and Robbins Performance, 1962-08","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4724780c873193c6631fa4e4_aspace_0927141b340d8541ef2be9b319597b43#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_0927141b340d8541ef2be9b319597b43","ref_ssm":["aspace_0927141b340d8541ef2be9b319597b43","aspace_0927141b340d8541ef2be9b319597b43"],"id":"4724780c873193c6631fa4e4_aspace_0927141b340d8541ef2be9b319597b43","title_filing_ssi":"Abram and Robbins Performance","title_ssm":["Abram and Robbins Performance"],"title_tesim":["Abram and Robbins Performance"],"unitdate_other_ssim":["1962-08"],"normalized_date_ssm":["1962-08"],"normalized_title_ssm":["Abram and Robbins Performance, 1962-08"],"text":["Abram and Robbins Performance, 1962-08","Jacques Abram collection, 1922-1998","Audio Recordings","Reel to Reel Tapes 1","5","/repositories/2/archival_objects/186627","box 4","reel 5"],"component_level_isim":[3],"parent_ids_ssim":["4724780c873193c6631fa4e4","4724780c873193c6631fa4e4_aspace_fa3b35afb5712faa2675efbc7eb7beb4","4724780c873193c6631fa4e4_aspace_59d58a1b3f22bc76da72bdd8c3f6b11f"],"parent_unittitles_ssm":["Jacques Abram collection, 1922-1998","Audio Recordings","Reel to Reel Tapes 1"],"parent_unittitles_tesim":["Jacques Abram collection, 1922-1998","Audio Recordings","Reel to Reel Tapes 1"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["5","/repositories/2/archival_objects/186627"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Jacques Abram collection, 1922-1998"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":62,"parent_access_restrict_tesm":["The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1962],"containers_ssim":["box 4","reel 5"],"_nest_path_":"/components#1/components#0/components#4","_nest_parent_":"4724780c873193c6631fa4e4_aspace_59d58a1b3f22bc76da72bdd8c3f6b11f","_root_":"4724780c873193c6631fa4e4","timestamp":"2026-05-21T03:19:57.934Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4724780c873193c6631fa4e4","title_ssm":["Jacques Abram collection"],"title_tesim":["Jacques Abram collection"],"ead_ssi":"4724780c873193c6631fa4e4","unitdate_ssm":["1922-1998"],"unitdate_other_ssim":["1922-1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2024-04","/repositories/2/resources/648"],"text":["MS-2024-04","/repositories/2/resources/648","Jacques Abram collection, 1922-1998","Music","University of South Florida -- Faculty","Pianists","Audio material consists of 38 reels, 8 cassettes, and 10 long playing records.","The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","Jacques Abram was born in Lufkin, Texas in 1915. His musical talent was recognized by the age of 6. He took lessons from Hu T. Huffmaster and became a protege of Arthur Shattuck. He was awarded a scholarship to the Curtis Institute of Music in Philadelphia and later Juillard Graduate School in New York. The materials document Abram's worldwide professional career as a concert pianist and include his years as resident artist at Oklahoma College for Women beginning in 1955, artist teacher at the Royal Conservatory of Music - University of Toronto from 1960 to 1963, and professor at the University of South Florida Fine Arts Department from 1963 until his death in 1998. ","There is little about him during World War II when he served in the military, and after 1970 when he stopped playing concerts. The collection represents his achievements as a concert pianist with few references to his personal life.","The collection consists one photograph album, four scrapbooks, one box of loose items, and three boxes containing primarily press clipping, programs, and concert announcements along with a small amount of correspondence. The collection also includes 38 1/2 inch tape reels, 8 cassettes, 4 oversized ampex reels, and10 LPs.","USF Libraries - Tampa Special Collections","Cardina, Claire (1931-2013)","Abram, Jacques, 1915-1998","English"],"unitid_tesim":["MS-2024-04","/repositories/2/resources/648"],"normalized_date_ssm":["1922-1998"],"normalized_title_ssm":["Jacques Abram collection, 1922-1998"],"collection_title_tesim":["Jacques Abram collection, 1922-1998"],"collection_ssim":["Jacques Abram collection, 1922-1998"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Cardina, Claire (1931-2013)","Abram, Jacques, 1915-1998"],"creator_ssim":["Cardina, Claire (1931-2013)","Abram, Jacques, 1915-1998"],"creator_persname_ssim":["Cardina, Claire (1931-2013)","Abram, Jacques, 1915-1998"],"creators_ssim":["Cardina, Claire (1931-2013)","Abram, Jacques, 1915-1998"],"access_subjects_ssim":["Music","University of South Florida -- Faculty","Pianists"],"access_subjects_ssm":["Music","University of South Florida -- Faculty","Pianists"],"has_online_content_ssim":["false"],"physdesc_tesim":["Audio material consists of 38 reels, 8 cassettes, and 10 long playing records."],"extent_ssm":["5.42 Linear Feet","13 boxes"],"extent_tesim":["5.42 Linear Feet","13 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThe contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"bioghist_html_tesm":["\u003cp\u003eJacques Abram was born in Lufkin, Texas in 1915. His musical talent was recognized by the age of 6. He took lessons from Hu T. Huffmaster and became a protege of Arthur Shattuck. He was awarded a scholarship to the Curtis Institute of Music in Philadelphia and later Juillard Graduate School in New York. The materials document Abram's worldwide professional career as a concert pianist and include his years as resident artist at Oklahoma College for Women beginning in 1955, artist teacher at the Royal Conservatory of Music - University of Toronto from 1960 to 1963, and professor at the University of South Florida Fine Arts Department from 1963 until his death in 1998. \u003c/p\u003e\n","\u003cp\u003eThere is little about him during World War II when he served in the military, and after 1970 when he stopped playing concerts. The collection represents his achievements as a concert pianist with few references to his personal life.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Jacques Abram was born in Lufkin, Texas in 1915. His musical talent was recognized by the age of 6. He took lessons from Hu T. Huffmaster and became a protege of Arthur Shattuck. He was awarded a scholarship to the Curtis Institute of Music in Philadelphia and later Juillard Graduate School in New York. The materials document Abram's worldwide professional career as a concert pianist and include his years as resident artist at Oklahoma College for Women beginning in 1955, artist teacher at the Royal Conservatory of Music - University of Toronto from 1960 to 1963, and professor at the University of South Florida Fine Arts Department from 1963 until his death in 1998. ","There is little about him during World War II when he served in the military, and after 1970 when he stopped playing concerts. The collection represents his achievements as a concert pianist with few references to his personal life."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists one photograph album, four scrapbooks, one box of loose items, and three boxes containing primarily press clipping, programs, and concert announcements along with a small amount of correspondence. The collection also includes 38 1/2 inch tape reels, 8 cassettes, 4 oversized ampex reels, and10 LPs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The collection consists one photograph album, four scrapbooks, one box of loose items, and three boxes containing primarily press clipping, programs, and concert announcements along with a small amount of correspondence. The collection also includes 38 1/2 inch tape reels, 8 cassettes, 4 oversized ampex reels, and10 LPs."],"names_ssim":["USF Libraries - Tampa Special Collections","Cardina, Claire (1931-2013)","Abram, Jacques, 1915-1998"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Abram, Jacques, 1915-1998"],"persname_ssim":["Cardina, Claire (1931-2013)","Abram, Jacques, 1915-1998"],"language_ssim":["English"],"total_component_count_is":126,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"4724780c873193c6631fa4e4","timestamp":"2026-05-21T03:19:57.934Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4724780c873193c6631fa4e4_aspace_0927141b340d8541ef2be9b319597b43"}},{"id":"d331ed22985bd548fd56cca6","type":"collection","attributes":{"title":"Abril Lamarque Collection, 1883-2001","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6#creator","type":"document_value","attributes":{"value":["Lamarque Sarno, Martha"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip \u003cem\u003eMonguito. \u003c/em\u003e\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"d331ed22985bd548fd56cca6","title_ssm":["Abril Lamarque Collection"],"title_tesim":["Abril Lamarque Collection"],"ead_ssi":"d331ed22985bd548fd56cca6","unitdate_ssm":["1883-2001"],"unitdate_inclusive_ssm":["1883-2001"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["SPC6045","/repositories/2/resources/71"],"text":["SPC6045","/repositories/2/resources/71","Abril Lamarque Collection, 1883-2001","Cuba","Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs","The collection is open for research.","The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.","Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art","Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more","The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society.","Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999","English Spanish; Castilian"],"unitid_tesim":["SPC6045","/repositories/2/resources/71"],"normalized_date_ssm":["1883-2001"],"normalized_title_ssm":["Abril Lamarque Collection, 1883-2001"],"collection_title_tesim":["Abril Lamarque Collection, 1883-2001"],"collection_ssim":["Abril Lamarque Collection, 1883-2001"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"creator_ssm":["Lamarque Sarno, Martha"],"creator_ssim":["Lamarque Sarno, Martha"],"creator_persname_ssim":["Lamarque Sarno, Martha"],"creators_ssim":["Lamarque Sarno, Martha"],"places_ssim":["Cuba"],"access_terms_ssm":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"acqinfo_ssim":["Martha Lamarque Sarno donated her father's papers to Special Collections at Florida International University."],"access_subjects_ssim":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"access_subjects_ssm":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 boxes"],"extent_tesim":["2.00 boxes"],"genreform_ssim":["Works of art","Sketches","Photographs"],"date_range_isim":[1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2.\u0026#xA0;Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs."],"bioghist_html_tesm":["\u003cp\u003eEduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the \u003cemph render=\"italic\"\u003eNew York World-Telegram and Evening Mail\u003c/emph\u003e at age 15. Four years later he created \u003cemph render=\"italic\"\u003eBla-Bla\u003c/emph\u003e, a comic strip that appeared regularly in the \u003cemph render=\"italic\"\u003eNew York Daily News\u003c/emph\u003e. He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character, \u003cemph render=\"italic\"\u003eMonguito\u003c/emph\u003e, was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.\u003c/p\u003e\n","\u003cp\u003eWhen he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e. He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the \u003cemph render=\"italic\"\u003eNew York World Telegram and Evening Mail\u003c/emph\u003e as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.\u003c/p\u003e\n","\u003cp\u003eIn 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included \u003cemph render=\"italic\"\u003eFilm Fun\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eI Confess\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eWar Stories\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eModern Screen\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Song\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eSpotlight\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRadio Stars\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eTheatrical Page\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eBallyhoo\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eModern Romances\u003c/emph\u003e. He continued working there for 14 years.\u003c/p\u003e\n","\u003cp\u003eIn 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.\u003c/p\u003e\n","\u003cp\u003eBetween 1941 and 1946, Lamarque became the first art director for the Sunday edition of the \u003cemph render=\"italic\"\u003eNew York Times\u003c/emph\u003e and redesigned the \u003cemph render=\"italic\"\u003eNew York Times Magazine\u003c/emph\u003e and the \u003cemph render=\"italic\"\u003eNew York Times Book Review\u003c/emph\u003e. Throughout his career, Lamarque designed and redesigned countless magazines and journals, including \u003cemph render=\"italic\"\u003eAmerican Weekly\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eNew York News\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eMetropolitan Life\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Science\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThis Week\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eUS News-World Report\u003c/emph\u003e, and others.\u003c/p\u003e\n","\u003cp\u003eIn 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.\u003c/p\u003e\n","\u003cp\u003eHis success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.\u003c/p\u003e\n","\u003cp\u003eLamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.\u003c/p\u003e\n","\u003cp\u003eLamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art"],"odd_html_tesm":["\u003cp\u003eLanguage from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated material to the collection may be found in the following repository. \u003c/p\u003e\n","\u003cp\u003eArchives of the American Art.\u003c/p\u003e\n","\u003cp\u003ehttp://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more"],"scopecontent_html_tesm":["\u003cp\u003eThe Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito. \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eThe collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito \u003c/emph\u003eand editions of the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e.In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.\u003c/p\u003e\n","\u003cp\u003eThe collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, a segment that included Massaguer's caricatures of prominent members of Cuban high society.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society."],"userestrict_html_tesm":["\u003cp\u003eRights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"names_coll_ssim":["Society of American Magicians","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"names_ssim":["FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"corpname_ssim":["FIU Special Collections","Society of American Magicians"],"persname_ssim":["Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":247,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844705641594880,"_root_":"d331ed22985bd548fd56cca6","timestamp":"2026-07-16T04:35:45.752Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d331ed22985bd548fd56cca6","title_ssm":["Abril Lamarque Collection"],"title_tesim":["Abril Lamarque Collection"],"ead_ssi":"d331ed22985bd548fd56cca6","unitdate_ssm":["1883-2001"],"unitdate_inclusive_ssm":["1883-2001"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["SPC6045","/repositories/2/resources/71"],"text":["SPC6045","/repositories/2/resources/71","Abril Lamarque Collection, 1883-2001","Cuba","Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs","The collection is open for research.","The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.","Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art","Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more","The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society.","Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999","English Spanish; Castilian"],"unitid_tesim":["SPC6045","/repositories/2/resources/71"],"normalized_date_ssm":["1883-2001"],"normalized_title_ssm":["Abril Lamarque Collection, 1883-2001"],"collection_title_tesim":["Abril Lamarque Collection, 1883-2001"],"collection_ssim":["Abril Lamarque Collection, 1883-2001"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"creator_ssm":["Lamarque Sarno, Martha"],"creator_ssim":["Lamarque Sarno, Martha"],"creator_persname_ssim":["Lamarque Sarno, Martha"],"creators_ssim":["Lamarque Sarno, Martha"],"places_ssim":["Cuba"],"access_terms_ssm":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"acqinfo_ssim":["Martha Lamarque Sarno donated her father's papers to Special Collections at Florida International University."],"access_subjects_ssim":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"access_subjects_ssm":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 boxes"],"extent_tesim":["2.00 boxes"],"genreform_ssim":["Works of art","Sketches","Photographs"],"date_range_isim":[1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2.\u0026#xA0;Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs."],"bioghist_html_tesm":["\u003cp\u003eEduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the \u003cemph render=\"italic\"\u003eNew York World-Telegram and Evening Mail\u003c/emph\u003e at age 15. Four years later he created \u003cemph render=\"italic\"\u003eBla-Bla\u003c/emph\u003e, a comic strip that appeared regularly in the \u003cemph render=\"italic\"\u003eNew York Daily News\u003c/emph\u003e. He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character, \u003cemph render=\"italic\"\u003eMonguito\u003c/emph\u003e, was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.\u003c/p\u003e\n","\u003cp\u003eWhen he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e. He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the \u003cemph render=\"italic\"\u003eNew York World Telegram and Evening Mail\u003c/emph\u003e as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.\u003c/p\u003e\n","\u003cp\u003eIn 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included \u003cemph render=\"italic\"\u003eFilm Fun\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eI Confess\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eWar Stories\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eModern Screen\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Song\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eSpotlight\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRadio Stars\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eTheatrical Page\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eBallyhoo\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eModern Romances\u003c/emph\u003e. He continued working there for 14 years.\u003c/p\u003e\n","\u003cp\u003eIn 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.\u003c/p\u003e\n","\u003cp\u003eBetween 1941 and 1946, Lamarque became the first art director for the Sunday edition of the \u003cemph render=\"italic\"\u003eNew York Times\u003c/emph\u003e and redesigned the \u003cemph render=\"italic\"\u003eNew York Times Magazine\u003c/emph\u003e and the \u003cemph render=\"italic\"\u003eNew York Times Book Review\u003c/emph\u003e. Throughout his career, Lamarque designed and redesigned countless magazines and journals, including \u003cemph render=\"italic\"\u003eAmerican Weekly\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eNew York News\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eMetropolitan Life\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Science\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThis Week\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eUS News-World Report\u003c/emph\u003e, and others.\u003c/p\u003e\n","\u003cp\u003eIn 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.\u003c/p\u003e\n","\u003cp\u003eHis success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.\u003c/p\u003e\n","\u003cp\u003eLamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.\u003c/p\u003e\n","\u003cp\u003eLamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art"],"odd_html_tesm":["\u003cp\u003eLanguage from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated material to the collection may be found in the following repository. \u003c/p\u003e\n","\u003cp\u003eArchives of the American Art.\u003c/p\u003e\n","\u003cp\u003ehttp://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more"],"scopecontent_html_tesm":["\u003cp\u003eThe Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito. \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eThe collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito \u003c/emph\u003eand editions of the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e.In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.\u003c/p\u003e\n","\u003cp\u003eThe collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, a segment that included Massaguer's caricatures of prominent members of Cuban high society.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society."],"userestrict_html_tesm":["\u003cp\u003eRights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"names_coll_ssim":["Society of American Magicians","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"names_ssim":["FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"corpname_ssim":["FIU Special Collections","Society of American Magicians"],"persname_ssim":["Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":247,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844705641594880,"_root_":"d331ed22985bd548fd56cca6","timestamp":"2026-07-16T04:35:45.752Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6"}},{"id":"3b651bebb556d00cec8728df_aspace_2308","type":"Item","attributes":{"title":"A Christmas Bestiary (in envelope), 1962","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3b651bebb556d00cec8728df_aspace_2308#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_2308","ref_ssm":["aspace_2308","aspace_2308"],"id":"3b651bebb556d00cec8728df_aspace_2308","title_filing_ssi":"A Christmas Bestiary (in envelope)","title_ssm":["A Christmas Bestiary (in envelope)"],"title_tesim":["A Christmas Bestiary (in envelope)"],"unitdate_other_ssim":["1962"],"normalized_date_ssm":["1962"],"normalized_title_ssm":["A Christmas Bestiary (in envelope), 1962"],"text":["A Christmas Bestiary (in envelope), 1962","Walter and Dorothy Donnelly family papers, 1887-2021","Typophiles, 1941-1958","Keepsakes, 1944-1954, undated.","Christmas","Item 8","/repositories/4/archival_objects/6538","box 1","folder 11"],"component_level_isim":[4],"parent_ids_ssim":["3b651bebb556d00cec8728df","3b651bebb556d00cec8728df_aspace_2258","3b651bebb556d00cec8728df_aspace_2291","3b651bebb556d00cec8728df_aspace_2299"],"parent_unittitles_ssm":["Walter and Dorothy Donnelly family papers, 1887-2021","Typophiles, 1941-1958","Keepsakes, 1944-1954, undated.","Christmas"],"parent_unittitles_tesim":["Walter and Dorothy Donnelly family papers, 1887-2021","Typophiles, 1941-1958","Keepsakes, 1944-1954, undated.","Christmas"],"parent_levels_ssm":["collection","Series","Subseries","File"],"unitid_ssm":["Item 8","/repositories/4/archival_objects/6538"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Walter and Dorothy Donnelly family papers, 1887-2021"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":86,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1962],"containers_ssim":["box 1","folder 11"],"_nest_path_":"/components#1/components#1/components#1/components#7","_nest_parent_":"3b651bebb556d00cec8728df_aspace_2299","_root_":"3b651bebb556d00cec8728df","timestamp":"2026-06-03T02:50:58.042Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3b651bebb556d00cec8728df","title_ssm":["Walter and Dorothy Donnelly family papers"],"title_tesim":["Walter and Dorothy Donnelly family papers"],"ead_ssi":"3b651bebb556d00cec8728df","unitdate_ssm":["1887-2021"],"unitdate_inclusive_ssm":["1887-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.33","/repositories/4/resources/35"],"text":["SC.33","/repositories/4/resources/35","Walter and Dorothy Donnelly family papers, 1887-2021","Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems","The entire collection is open for research.","Walter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.","\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"","\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.","\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today.","Collection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023.","Patrick Boland collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","The collection is arranged in three series, Family Papers, Typophiles and Additional Materials. ","Series I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.","\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. "," \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured.","Books donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.","The papers of Patrick Boland were separated into their own collection. ","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books.","UCF Special Collections","Donnelly, Walter","Donnelly, Dorothy, 1903-1994","English"],"unitid_tesim":["SC.33","/repositories/4/resources/35"],"normalized_date_ssm":["1887-2021"],"normalized_title_ssm":["Walter and Dorothy Donnelly family papers, 1887-2021"],"collection_title_tesim":["Walter and Dorothy Donnelly family papers, 1887-2021"],"collection_ssim":["Walter and Dorothy Donnelly family papers, 1887-2021"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creator_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creator_persname_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creators_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Donnelly sons donated their parents' collection to the University of Central Florida Library in 1999 (CFM1999_08). Additional materials received from Jerome Donnelly in 2020 (CFM2020_06; CFM2020_10), 2021 (CFM2021_21), and 2022 (CFM2022_05)."],"access_subjects_ssim":["Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems"],"access_subjects_ssm":["Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems"],"has_online_content_ssim":["false"],"extent_ssm":["7.5 Linear Feet 15 Boxes, 1 Flat File"],"extent_tesim":["7.5 Linear Feet 15 Boxes, 1 Flat File"],"genreform_ssim":["diaries","poems"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eWalter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.\u003c/p\u003e\n","\u003cp\u003e\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"\u003c/p\u003e\n","\u003cp\u003e\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.\u003c/p\u003e\n","\u003cp\u003e\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Walter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.","\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"","\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.","\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today."],"prefercite_html_tesm":["\u003cp\u003eWalter and Dorothy Donnelly Family Papers, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Walter and Dorothy Donnelly Family Papers, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/289\"\u003ePatrick Boland collection\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Patrick Boland collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is arranged in three series, Family Papers, Typophiles and Additional Materials. \u003c/p\u003e\n","\u003cp\u003eSeries I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.\u003c/p\u003e\n","\u003cp\u003e\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. \u003c/p\u003e\n","\u003cp\u003e \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is arranged in three series, Family Papers, Typophiles and Additional Materials. ","Series I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.","\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. "," \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.\u003c/p\u003e\n","\u003cp\u003eThe papers of Patrick Boland were separated into their own collection.\u0026#xA0;\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.","The papers of Patrick Boland were separated into their own collection. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_58a62762084b860db899b0bb6eea27dd\" label=\"Abstract\"\u003eThe materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books.\u003c/abstract\u003e"],"abstract_tesim":["The materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books."],"names_ssim":["UCF Special Collections","Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":255,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3b651bebb556d00cec8728df","timestamp":"2026-06-03T02:50:58.042Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3b651bebb556d00cec8728df_aspace_2308"}},{"id":"1e181f04581fc0bc0e3b65e2_aspace_e3e2d5d14f4df822a940534921bb75f8","type":"Item","attributes":{"title":"Advertisement with text \"Upside-Down House Moved to New Location\", February 1962","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1e181f04581fc0bc0e3b65e2_aspace_e3e2d5d14f4df822a940534921bb75f8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_e3e2d5d14f4df822a940534921bb75f8","ref_ssm":["aspace_e3e2d5d14f4df822a940534921bb75f8","aspace_e3e2d5d14f4df822a940534921bb75f8"],"id":"1e181f04581fc0bc0e3b65e2_aspace_e3e2d5d14f4df822a940534921bb75f8","title_filing_ssi":"Advertisement with text \"Upside-Down House Moved to New Location\"","title_ssm":["Advertisement with text \"Upside-Down House Moved to New Location\""],"title_tesim":["Advertisement with text \"Upside-Down House Moved to New Location\""],"unitdate_other_ssim":["February 1962"],"normalized_date_ssm":["February 1962"],"normalized_title_ssm":["Advertisement with text \"Upside-Down House Moved to New Location\", February 1962"],"text":["Advertisement with text \"Upside-Down House Moved to New Location\", February 1962","Norman Johnson Collection, 1960-1964","/repositories/4/archival_objects/32953"],"component_level_isim":[1],"parent_ids_ssim":["1e181f04581fc0bc0e3b65e2"],"parent_unittitles_ssm":["Norman Johnson Collection, 1960-1964"],"parent_unittitles_tesim":["Norman Johnson Collection, 1960-1964"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/4/archival_objects/32953"],"repository_ssim":["Broward County Historical Archives"],"collection_ssim":["Norman Johnson Collection, 1960-1964"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2,"parent_access_restrict_tesm":["The Norman Johnson Collection is open for research."],"date_range_isim":[1962],"_nest_path_":"/components#1","_nest_parent_":"1e181f04581fc0bc0e3b65e2","_root_":"1e181f04581fc0bc0e3b65e2","timestamp":"2026-07-09T02:27:23.293Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1e181f04581fc0bc0e3b65e2","title_filing_ssi":"Johnson, Norman Collection","title_ssm":["Norman Johnson Collection"],"title_tesim":["Norman Johnson Collection"],"ead_ssi":"1e181f04581fc0bc0e3b65e2","unitdate_ssm":["1960-1964"],"unitdate_inclusive_ssm":["1960-1964"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.1982.1","/repositories/4/resources/444"],"text":["BCHA.1982.1","/repositories/4/resources/444","Norman Johnson Collection, 1960-1964","Sunrise (Fla.)","Real estate development","Urbanization","Real estate developers","The Norman Johnson Collection is open for research.","In 1960 Norman W. Johnson bought 2,650 acres just north of Plantation for $10 million and began developing his city. The village was next to a golf course and off Sunrise Boulevard, so he called it Sunrise Golf Village when it was incorporated in 1961. It became Sunrise in 1971. Gov. Farris Bryant appointed Mr. Johnson its first mayor, even though he was not a resident of the village and never would be. There were no residents in the village. What his fledgling city needed, Mr. Johnson reasoned, was something -- a sales gimmick -- that would lure prospective buyers into the rural, far-west reaches of the county to look at his homes. ","By July 1960, the Upside-Down House had been built for $11,500 on Sunset Strip and opened to the public. Furniture and fixtures were bolted, nailed, wired, glued or welded in place, a Pontiac convertible was parked in the carport and shrubs filled a planter in front of the home -- all upside down. The topsy-turvy house was also a model of the 10,000 homes that Mr. Johnson was building in the development and selling for $10,745. The Upside-Down house quickly became an area attraction, drawing 12,000 curiosity seekers and prospective home buyers the first four days it was open. A two-page photo spread followed in Life magazine, and aviators began using it as a landmark. By the early '70s, when it was destroyed, more than 1 million people had toured the inverted house. ","Johnson  was training as an Army Air Force pilot when World War II ended, and soon after his discharge he moved to Davenport, Iowa, where he built 200 homes before moving to south Broward in 1948. One of his first ventures in Florida was constructing the Adobe Hacienda motel in Hollywood. He ran the inn, which still stands, for 10 years before selling it. A short time later, he bought a small private airport and began developing several hundred homes in his Look subdivision, between what is now Johnson and Sheridan streets and Dixie Highway and Interstate 95. He used the airport runway as the community's main street. ","His Plantation Isles subdivision followed in 1957, and he moved his family into one of the first homes he built. He later was president of the Plantation Chamber of Commerce. Sunrise came next. He built the state's first \"true\" condominiums, developed his village and was mayor from 1961 until 1967, when John Lomelo was elected to the post. He set up an office on a road he had named Sunset Strip -- after his favorite television show, 77 Sunset Strip -- and had the Postal Service number the building 77 even though it was out of sequence. By 1966, Mr. Johnson was looking around for another venture. By year-end, he and partner Stephen A. Calder had opened their Miami-Hollywood Speedway, west of Hollywood. Mr. Johnson was operating partner of the racetrack for the next 16 years, before trying retirement. Retirement didn't work, Bruce Johnson said, and his father, a car buff, began building handcrafted Johnson Presidential and Johnson Phantom cars styled after classic models of the 1930s. By the time of his death in 1990, Mr. Johnson's garage in Davie had sold 87 of the specially ordered Presidential cars or car kits and 260 Phantoms. ","This collection received container level processing by Erin Purdy in June 2025. The collection was processed at the item level and the finding aid was updated by Erin Purdy in April 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","OH 1025 Norman Johsnon Oral History Interview, Broward County Oral History Collection","The Norman Johnson Collection documents the development of Sunrise Golf Village and the City of Sunrise from 1960 to 1964. It contains 3 large aerial photographs of Sunrise; 1 real estate promotion brochure titled \"Better Living Begins in Sunrise\"; 1 Sunrise Golf Village scrapbook; and 1 advertisement with text \"Upside-Down House Moved to New Location\"."," Broward County Historical Archives","English"],"unitid_tesim":["BCHA.1982.1","/repositories/4/resources/444"],"normalized_date_ssm":["1960-1964"],"normalized_title_ssm":["Norman Johnson Collection, 1960-1964"],"collection_title_tesim":["Norman Johnson Collection, 1960-1964"],"collection_ssim":["Norman Johnson Collection, 1960-1964"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"geogname_ssm":["Sunrise (Fla.)"],"geogname_ssim":["Sunrise (Fla.)"],"places_ssim":["Sunrise (Fla.)"],"acqinfo_ssim":["Norman Johnson donated the materials to the Broward County Historical Commission on 09/01/1982 (Accession BCHA-1982.1)."],"access_subjects_ssim":["Real estate development","Urbanization","Real estate developers"],"access_subjects_ssm":["Real estate development","Urbanization","Real estate developers"],"has_online_content_ssim":["false"],"extent_ssm":["1 Flat File Drawer"],"extent_tesim":["1 Flat File Drawer"],"date_range_isim":[1960,1961,1962,1963,1964],"accessrestrict_html_tesm":["\u003cp\u003eThe Norman Johnson Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Norman Johnson Collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eIn 1960 Norman W. Johnson bought 2,650 acres just north of Plantation for $10 million and began developing his city. The village was next to a golf course and off Sunrise Boulevard, so he called it Sunrise Golf Village when it was incorporated in 1961. It became Sunrise in 1971. Gov. Farris Bryant appointed Mr. Johnson its first mayor, even though he was not a resident of the village and never would be. There were no residents in the village. What his fledgling city needed, Mr. Johnson reasoned, was something -- a sales gimmick -- that would lure prospective buyers into the rural, far-west reaches of the county to look at his homes. \u003c/p\u003e\n","\u003cp\u003eBy July 1960, the Upside-Down House had been built for $11,500 on Sunset Strip and opened to the public. Furniture and fixtures were bolted, nailed, wired, glued or welded in place, a Pontiac convertible was parked in the carport and shrubs filled a planter in front of the home -- all upside down. 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Calder had opened their Miami-Hollywood Speedway, west of Hollywood. Mr. Johnson was operating partner of the racetrack for the next 16 years, before trying retirement. Retirement didn't work, Bruce Johnson said, and his father, a car buff, began building handcrafted Johnson Presidential and Johnson Phantom cars styled after classic models of the 1930s. By the time of his death in 1990, Mr. Johnson's garage in Davie had sold 87 of the specially ordered Presidential cars or car kits and 260 Phantoms. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["In 1960 Norman W. Johnson bought 2,650 acres just north of Plantation for $10 million and began developing his city. The village was next to a golf course and off Sunrise Boulevard, so he called it Sunrise Golf Village when it was incorporated in 1961. It became Sunrise in 1971. Gov. Farris Bryant appointed Mr. Johnson its first mayor, even though he was not a resident of the village and never would be. There were no residents in the village. What his fledgling city needed, Mr. Johnson reasoned, was something -- a sales gimmick -- that would lure prospective buyers into the rural, far-west reaches of the county to look at his homes. ","By July 1960, the Upside-Down House had been built for $11,500 on Sunset Strip and opened to the public. Furniture and fixtures were bolted, nailed, wired, glued or welded in place, a Pontiac convertible was parked in the carport and shrubs filled a planter in front of the home -- all upside down. The topsy-turvy house was also a model of the 10,000 homes that Mr. Johnson was building in the development and selling for $10,745. The Upside-Down house quickly became an area attraction, drawing 12,000 curiosity seekers and prospective home buyers the first four days it was open. A two-page photo spread followed in Life magazine, and aviators began using it as a landmark. By the early '70s, when it was destroyed, more than 1 million people had toured the inverted house. ","Johnson  was training as an Army Air Force pilot when World War II ended, and soon after his discharge he moved to Davenport, Iowa, where he built 200 homes before moving to south Broward in 1948. One of his first ventures in Florida was constructing the Adobe Hacienda motel in Hollywood. He ran the inn, which still stands, for 10 years before selling it. A short time later, he bought a small private airport and began developing several hundred homes in his Look subdivision, between what is now Johnson and Sheridan streets and Dixie Highway and Interstate 95. He used the airport runway as the community's main street. ","His Plantation Isles subdivision followed in 1957, and he moved his family into one of the first homes he built. He later was president of the Plantation Chamber of Commerce. 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"],"prefercite_html_tesm":["\u003cp\u003eNorman Johnson Collection, Broward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Norman Johnson Collection, Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received container level processing by Erin Purdy in June 2025. The collection was processed at the item level and the finding aid was updated by Erin Purdy in April 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received container level processing by Erin Purdy in June 2025. The collection was processed at the item level and the finding aid was updated by Erin Purdy in April 2026. 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