{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026page=388","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026page=387","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026page=389","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026page=407"},"meta":{"pages":{"current_page":388,"next_page":389,"prev_page":387,"total_pages":407,"limit_value":10,"offset_value":3870,"total_count":4066,"first_page?":false,"last_page?":false}},"data":[{"id":"edc1f8792c912192f7c15d4d","type":"collection","attributes":{"title":"Vivian D. and John H. Hewitt Collection, 1942-2020","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/edc1f8792c912192f7c15d4d#abstract_or_scope","type":"document_value","attributes":{"value":["The Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/edc1f8792c912192f7c15d4d#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"edc1f8792c912192f7c15d4d","title_filing_ssi":"Hewitt, Vivian D. and John H. Collection","title_ssm":["Vivian D. and John H. Hewitt Collection"],"title_tesim":["Vivian D. and John H. Hewitt Collection"],"ead_ssi":"edc1f8792c912192f7c15d4d","unitdate_ssm":["1942-2020"],"unitdate_inclusive_ssm":["1942-2020"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.7","/repositories/2/resources/48"],"text":["AARLCC.2004.7","/repositories/2/resources/48","Vivian D. and John H. Hewitt Collection, 1942-2020","African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art","The Vivian D. and John H. Hewitt Collection is open for research.","View a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives.","John Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.","John Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.","Vivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.","John and Vivian Hewitt had one son, John Hewitt III (1952-2022).","The Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.","In 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.","In 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\"","The Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture.","The Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Hervé Télémaque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Grégoire (1922-2001), and E. Paul.","The collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories.","Materials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\".","The Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti.","AARLCC Special Collections","Hewitt, Vivian D.","Jacques Gourgue","Alexandre Gregoire","Carlo Jean-Jacques, 1943-1990","L. Janvier","Lucner Lazard, 1928-1998","Charles Obas, 1927-","Hervé Télémaque, 1937-","Luce Turnier, 1924-1994","Favrange Valcin, 1947-","The collection is primarily in English but includes materials in French, Haitian Creole, and German."],"unitid_tesim":["AARLCC.2004.7","/repositories/2/resources/48"],"normalized_date_ssm":["1942-2020"],"normalized_title_ssm":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"collection_title_tesim":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"collection_ssim":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Vivian Davidson Hewitt donated the materials to the Broward County Library in memory of her husband, John H. Hewitt, Jr. in 2002 (Accession AARLCC-2004.7)."],"access_subjects_ssim":["African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"access_subjects_ssm":["African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"has_online_content_ssim":["false"],"extent_ssm":["4 Hollinger Boxes","14 Artwork","63 Books"],"extent_tesim":["4 Hollinger Boxes","14 Artwork","63 Books"],"genreform_ssim":["Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Vivian D. and John H. Hewitt Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/jandvhewitt/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives."],"bioghist_html_tesm":["\u003cp\u003eJohn Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.\u003c/p\u003e\n","\u003cp\u003eJohn Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.\u003c/p\u003e\n","\u003cp\u003eVivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.\u003c/p\u003e\n","\u003cp\u003eJohn and Vivian Hewitt had one son, John Hewitt III (1952-2022).\u003c/p\u003e\n","\u003cp\u003eThe Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.\u003c/p\u003e\n","\u003cp\u003eIn 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.\u003c/p\u003e\n","\u003cp\u003eIn 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["John Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.","John Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.","Vivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.","John and Vivian Hewitt had one son, John Hewitt III (1952-2022).","The Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.","In 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.","In 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\""],"prefercite_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection, African-American Research Library and Cultural Center Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Vivian D. and John H. Hewitt Collection, African-American Research Library and Cultural Center Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003eThe John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture."],"scopecontent_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Herv\u0026#xE9; T\u0026#xE9;l\u0026#xE9;maque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Gr\u0026#xE9;goire (1922-2001), and E. Paul.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Hervé Télémaque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Grégoire (1922-2001), and E. Paul.","The collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=HEW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eMaterials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Materials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f20256a848bf64fa36b26feb824aee7d\"\u003eThe Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti.\u003c/abstract\u003e"],"abstract_tesim":["The Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti."],"names_ssim":["AARLCC Special Collections","Hewitt, Vivian D.","Jacques Gourgue","Alexandre Gregoire","Carlo Jean-Jacques, 1943-1990","L. Janvier","Lucner Lazard, 1928-1998","Charles Obas, 1927-","Hervé Télémaque, 1937-","Luce Turnier, 1924-1994","Favrange Valcin, 1947-"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Hewitt, Vivian D."],"persname_ssim":["Hewitt, Vivian D.","Jacques Gourgue","Alexandre Gregoire","Carlo Jean-Jacques, 1943-1990","L. Janvier","Lucner Lazard, 1928-1998","Charles Obas, 1927-","Hervé Télémaque, 1937-","Luce Turnier, 1924-1994","Favrange Valcin, 1947-"],"language_ssim":["The collection is primarily in English but includes materials in French, Haitian Creole, and German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":157,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455832185470976,"_root_":"edc1f8792c912192f7c15d4d","timestamp":"2026-09-16T03:02:13.023Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"edc1f8792c912192f7c15d4d","title_filing_ssi":"Hewitt, Vivian D. and John H. Collection","title_ssm":["Vivian D. and John H. Hewitt Collection"],"title_tesim":["Vivian D. and John H. Hewitt Collection"],"ead_ssi":"edc1f8792c912192f7c15d4d","unitdate_ssm":["1942-2020"],"unitdate_inclusive_ssm":["1942-2020"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.7","/repositories/2/resources/48"],"text":["AARLCC.2004.7","/repositories/2/resources/48","Vivian D. and John H. Hewitt Collection, 1942-2020","African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art","The Vivian D. and John H. Hewitt Collection is open for research.","View a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives.","John Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.","John Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.","Vivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.","John and Vivian Hewitt had one son, John Hewitt III (1952-2022).","The Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.","In 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.","In 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\"","The Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture.","The Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Hervé Télémaque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Grégoire (1922-2001), and E. Paul.","The collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories.","Materials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\".","The Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti.","AARLCC Special Collections","Hewitt, Vivian D.","Jacques Gourgue","Alexandre Gregoire","Carlo Jean-Jacques, 1943-1990","L. Janvier","Lucner Lazard, 1928-1998","Charles Obas, 1927-","Hervé Télémaque, 1937-","Luce Turnier, 1924-1994","Favrange Valcin, 1947-","The collection is primarily in English but includes materials in French, Haitian Creole, and German."],"unitid_tesim":["AARLCC.2004.7","/repositories/2/resources/48"],"normalized_date_ssm":["1942-2020"],"normalized_title_ssm":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"collection_title_tesim":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"collection_ssim":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Vivian Davidson Hewitt donated the materials to the Broward County Library in memory of her husband, John H. Hewitt, Jr. in 2002 (Accession AARLCC-2004.7)."],"access_subjects_ssim":["African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"access_subjects_ssm":["African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"has_online_content_ssim":["false"],"extent_ssm":["4 Hollinger Boxes","14 Artwork","63 Books"],"extent_tesim":["4 Hollinger Boxes","14 Artwork","63 Books"],"genreform_ssim":["Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Vivian D. and John H. Hewitt Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/jandvhewitt/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives."],"bioghist_html_tesm":["\u003cp\u003eJohn Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.\u003c/p\u003e\n","\u003cp\u003eJohn Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.\u003c/p\u003e\n","\u003cp\u003eVivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.\u003c/p\u003e\n","\u003cp\u003eJohn and Vivian Hewitt had one son, John Hewitt III (1952-2022).\u003c/p\u003e\n","\u003cp\u003eThe Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.\u003c/p\u003e\n","\u003cp\u003eIn 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.\u003c/p\u003e\n","\u003cp\u003eIn 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["John Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.","John Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.","Vivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.","John and Vivian Hewitt had one son, John Hewitt III (1952-2022).","The Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.","In 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.","In 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\""],"prefercite_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection, African-American Research Library and Cultural Center Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Vivian D. and John H. Hewitt Collection, African-American Research Library and Cultural Center Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003eThe John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture."],"scopecontent_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Herv\u0026#xE9; T\u0026#xE9;l\u0026#xE9;maque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Gr\u0026#xE9;goire (1922-2001), and E. Paul.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Hervé Télémaque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Grégoire (1922-2001), and E. Paul.","The collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=HEW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eMaterials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Materials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f20256a848bf64fa36b26feb824aee7d\"\u003eThe Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti.\u003c/abstract\u003e"],"abstract_tesim":["The Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti."],"names_ssim":["AARLCC Special Collections","Hewitt, Vivian D.","Jacques Gourgue","Alexandre Gregoire","Carlo Jean-Jacques, 1943-1990","L. Janvier","Lucner Lazard, 1928-1998","Charles Obas, 1927-","Hervé Télémaque, 1937-","Luce Turnier, 1924-1994","Favrange Valcin, 1947-"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Hewitt, Vivian D."],"persname_ssim":["Hewitt, Vivian D.","Jacques Gourgue","Alexandre Gregoire","Carlo Jean-Jacques, 1943-1990","L. Janvier","Lucner Lazard, 1928-1998","Charles Obas, 1927-","Hervé Télémaque, 1937-","Luce Turnier, 1924-1994","Favrange Valcin, 1947-"],"language_ssim":["The collection is primarily in English but includes materials in French, Haitian Creole, and German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":157,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455832185470976,"_root_":"edc1f8792c912192f7c15d4d","timestamp":"2026-09-16T03:02:13.023Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/edc1f8792c912192f7c15d4d"}},{"id":"d1c5a2e551239a7c11bcbc5e","type":"collection","attributes":{"title":"Vivian (Vinnie) Williams manuscripts, 1961-1969","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/d1c5a2e551239a7c11bcbc5e#creator","type":"document_value","attributes":{"value":["Williams, Vinnie, 1920-"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d1c5a2e551239a7c11bcbc5e#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eTwo typescript manuscripts of books later published by Viking Press. \u003cem\u003eGreenbones\u003c/em\u003e (1969) is a typed early draft with no title page, apparently typed on the back of another (unidentified) manuscript. \u003cem\u003eWalk Egypt\u003c/em\u003e (1961) is a typed draft with corrections, no title page.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d1c5a2e551239a7c11bcbc5e#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"d1c5a2e551239a7c11bcbc5e","title_ssm":["Vivian (Vinnie) Williams manuscripts"],"title_tesim":["Vivian (Vinnie) Williams manuscripts"],"ead_ssi":"d1c5a2e551239a7c11bcbc5e","unitdate_ssm":["1961-1969"],"unitdate_inclusive_ssm":["1961-1969"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0-315","/repositories/10/resources/776"],"text":["MSS 0-315","/repositories/10/resources/776","Vivian (Vinnie) Williams manuscripts, 1961-1969","Country life--Georgia--Fiction","Young women--Georgia--Fiction","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Vivian Ahlsweh attended high school in St. Petersburg, and then Florida State College for Women. While in college she majored in sociology, but also studied journalism. After graduation, she worked as a social worker, a newspaper reporter, and a teacher. She also wrote short stories and novels, publishing her first novel in 1957. She married a master sergeant in the army and traveled extensively. In 1961, she received an honorary Doctorate of Literature and later taught English and journalism at Florida State University.","Greenbones . New York, Viking Press [1967]  PS3573.I456G7","Walk Egypt . New York, Viking Press, 1960.  PS3573.I456W3","Two typescript manuscripts of books later published by Viking Press.  Greenbones  (1969) is a typed early draft with no title page, apparently typed on the back of another (unidentified) manuscript.  Walk Egypt  (1961) is a typed draft with corrections, no title page.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Williams, Vinnie, 1920-","English"],"unitid_tesim":["MSS 0-315","/repositories/10/resources/776"],"normalized_date_ssm":["1961-1969"],"normalized_title_ssm":["Vivian (Vinnie) Williams manuscripts, 1961-1969"],"collection_title_tesim":["Vivian (Vinnie) Williams manuscripts, 1961-1969"],"collection_ssim":["Vivian (Vinnie) Williams manuscripts, 1961-1969"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Williams, Vinnie, 1920-"],"creator_ssim":["Williams, Vinnie, 1920-"],"creator_persname_ssim":["Williams, Vinnie, 1920-"],"creators_ssim":["Williams, Vinnie, 1920-"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Donated by Vinnie Williams","Donated in 1961 and 1969"],"access_subjects_ssim":["Country life--Georgia--Fiction","Young women--Georgia--Fiction"],"access_subjects_ssm":["Country life--Georgia--Fiction","Young women--Georgia--Fiction"],"has_online_content_ssim":["false"],"extent_ssm":["5.00 folders 5 folders.","0 Linear Feet"],"extent_tesim":["5.00 folders 5 folders.","0 Linear Feet"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eVivian Ahlsweh attended high school in St. Petersburg, and then Florida State College for Women. While in college she majored in sociology, but also studied journalism. After graduation, she worked as a social worker, a newspaper reporter, and a teacher. She also wrote short stories and novels, publishing her first novel in 1957. She married a master sergeant in the army and traveled extensively. In 1961, she received an honorary Doctorate of Literature and later taught English and journalism at Florida State University.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Vivian Ahlsweh attended high school in St. Petersburg, and then Florida State College for Women. While in college she majored in sociology, but also studied journalism. After graduation, she worked as a social worker, a newspaper reporter, and a teacher. She also wrote short stories and novels, publishing her first novel in 1957. She married a master sergeant in the army and traveled extensively. In 1961, she received an honorary Doctorate of Literature and later taught English and journalism at Florida State University."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Vivian (Vinnie) Williams Manuscripts, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-0-315\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Vivian (Vinnie) Williams Manuscripts, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-0-315"],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"italic\"\u003eGreenbones\u003c/emph\u003e. New York, Viking Press [1967] \u003cextref href=\"http://fsu.catalog.fcla.edu/permalink.jsp?23FS024951562\"\u003ePS3573.I456G7\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eWalk Egypt\u003c/emph\u003e. New York, Viking Press, 1960. \u003cextref href=\"http://fsu.catalog.fcla.edu/permalink.jsp?23FS020620110\"\u003ePS3573.I456W3\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Greenbones . New York, Viking Press [1967]  PS3573.I456G7","Walk Egypt . New York, Viking Press, 1960.  PS3573.I456W3"],"scopecontent_html_tesm":["\u003cp\u003eTwo typescript manuscripts of books later published by Viking Press. \u003cemph render=\"italic\"\u003eGreenbones\u003c/emph\u003e (1969) is a typed early draft with no title page, apparently typed on the back of another (unidentified) manuscript. \u003cemph render=\"italic\"\u003eWalk Egypt\u003c/emph\u003e (1961) is a typed draft with corrections, no title page.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Two typescript manuscripts of books later published by Viking Press.  Greenbones  (1969) is a typed early draft with no title page, apparently typed on the back of another (unidentified) manuscript.  Walk Egypt  (1961) is a typed draft with corrections, no title page."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Williams, Vinnie, 1920-"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"persname_ssim":["Williams, Vinnie, 1920-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"d1c5a2e551239a7c11bcbc5e","timestamp":"2026-04-21T13:44:33.564Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d1c5a2e551239a7c11bcbc5e","title_ssm":["Vivian (Vinnie) Williams manuscripts"],"title_tesim":["Vivian (Vinnie) Williams manuscripts"],"ead_ssi":"d1c5a2e551239a7c11bcbc5e","unitdate_ssm":["1961-1969"],"unitdate_inclusive_ssm":["1961-1969"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0-315","/repositories/10/resources/776"],"text":["MSS 0-315","/repositories/10/resources/776","Vivian (Vinnie) Williams manuscripts, 1961-1969","Country life--Georgia--Fiction","Young women--Georgia--Fiction","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Vivian Ahlsweh attended high school in St. Petersburg, and then Florida State College for Women. While in college she majored in sociology, but also studied journalism. After graduation, she worked as a social worker, a newspaper reporter, and a teacher. She also wrote short stories and novels, publishing her first novel in 1957. She married a master sergeant in the army and traveled extensively. In 1961, she received an honorary Doctorate of Literature and later taught English and journalism at Florida State University.","Greenbones . New York, Viking Press [1967]  PS3573.I456G7","Walk Egypt . New York, Viking Press, 1960.  PS3573.I456W3","Two typescript manuscripts of books later published by Viking Press.  Greenbones  (1969) is a typed early draft with no title page, apparently typed on the back of another (unidentified) manuscript.  Walk Egypt  (1961) is a typed draft with corrections, no title page.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Williams, Vinnie, 1920-","English"],"unitid_tesim":["MSS 0-315","/repositories/10/resources/776"],"normalized_date_ssm":["1961-1969"],"normalized_title_ssm":["Vivian (Vinnie) Williams manuscripts, 1961-1969"],"collection_title_tesim":["Vivian (Vinnie) Williams manuscripts, 1961-1969"],"collection_ssim":["Vivian (Vinnie) Williams manuscripts, 1961-1969"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Williams, Vinnie, 1920-"],"creator_ssim":["Williams, Vinnie, 1920-"],"creator_persname_ssim":["Williams, Vinnie, 1920-"],"creators_ssim":["Williams, Vinnie, 1920-"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Donated by Vinnie Williams","Donated in 1961 and 1969"],"access_subjects_ssim":["Country life--Georgia--Fiction","Young women--Georgia--Fiction"],"access_subjects_ssm":["Country life--Georgia--Fiction","Young women--Georgia--Fiction"],"has_online_content_ssim":["false"],"extent_ssm":["5.00 folders 5 folders.","0 Linear Feet"],"extent_tesim":["5.00 folders 5 folders.","0 Linear Feet"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eVivian Ahlsweh attended high school in St. Petersburg, and then Florida State College for Women. While in college she majored in sociology, but also studied journalism. After graduation, she worked as a social worker, a newspaper reporter, and a teacher. She also wrote short stories and novels, publishing her first novel in 1957. She married a master sergeant in the army and traveled extensively. In 1961, she received an honorary Doctorate of Literature and later taught English and journalism at Florida State University.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Vivian Ahlsweh attended high school in St. Petersburg, and then Florida State College for Women. While in college she majored in sociology, but also studied journalism. After graduation, she worked as a social worker, a newspaper reporter, and a teacher. She also wrote short stories and novels, publishing her first novel in 1957. She married a master sergeant in the army and traveled extensively. In 1961, she received an honorary Doctorate of Literature and later taught English and journalism at Florida State University."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Vivian (Vinnie) Williams Manuscripts, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-0-315\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Vivian (Vinnie) Williams Manuscripts, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-0-315"],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"italic\"\u003eGreenbones\u003c/emph\u003e. New York, Viking Press [1967] \u003cextref href=\"http://fsu.catalog.fcla.edu/permalink.jsp?23FS024951562\"\u003ePS3573.I456G7\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eWalk Egypt\u003c/emph\u003e. New York, Viking Press, 1960. \u003cextref href=\"http://fsu.catalog.fcla.edu/permalink.jsp?23FS020620110\"\u003ePS3573.I456W3\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Greenbones . New York, Viking Press [1967]  PS3573.I456G7","Walk Egypt . New York, Viking Press, 1960.  PS3573.I456W3"],"scopecontent_html_tesm":["\u003cp\u003eTwo typescript manuscripts of books later published by Viking Press. \u003cemph render=\"italic\"\u003eGreenbones\u003c/emph\u003e (1969) is a typed early draft with no title page, apparently typed on the back of another (unidentified) manuscript. \u003cemph render=\"italic\"\u003eWalk Egypt\u003c/emph\u003e (1961) is a typed draft with corrections, no title page.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Two typescript manuscripts of books later published by Viking Press.  Greenbones  (1969) is a typed early draft with no title page, apparently typed on the back of another (unidentified) manuscript.  Walk Egypt  (1961) is a typed draft with corrections, no title page."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Williams, Vinnie, 1920-"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"persname_ssim":["Williams, Vinnie, 1920-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"d1c5a2e551239a7c11bcbc5e","timestamp":"2026-04-21T13:44:33.564Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d1c5a2e551239a7c11bcbc5e"}},{"id":"5f0a7be6b895ed3a4fe067de_aspace_ab5f86c6597bbc36ef951148059343b9","type":"File","attributes":{"title":"V'Nislach  for Soloist, Mixed Chorus (SATB) with piano or organ accompaniment, 1961","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/5f0a7be6b895ed3a4fe067de_aspace_ab5f86c6597bbc36ef951148059343b9#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003e1 score (14 pages); Arrangement: for soloist, mixed chorus (SATB) and keyboard accompaniment; Composer: Gershon Ephros; Lyricist: None; Arranger: None; Publisher: Mills Music Publications; Place of Publication: New York, New York; Condition: Good\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5f0a7be6b895ed3a4fe067de_aspace_ab5f86c6597bbc36ef951148059343b9#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_ab5f86c6597bbc36ef951148059343b9","ref_ssm":["aspace_ab5f86c6597bbc36ef951148059343b9","aspace_ab5f86c6597bbc36ef951148059343b9"],"id":"5f0a7be6b895ed3a4fe067de_aspace_ab5f86c6597bbc36ef951148059343b9","title_filing_ssi":"V'Nislach  for Soloist, Mixed Chorus (SATB) with piano or organ accompaniment","title_ssm":["V'Nislach  for Soloist, Mixed Chorus (SATB) with piano or organ accompaniment"],"title_tesim":["V'Nislach  for Soloist, Mixed Chorus (SATB) with piano or organ accompaniment"],"unitdate_other_ssim":["1961"],"normalized_date_ssm":["1961"],"normalized_title_ssm":["V'Nislach  for Soloist, Mixed Chorus (SATB) with piano or organ accompaniment, 1961"],"text":["V'Nislach  for Soloist, Mixed Chorus (SATB) with piano or organ accompaniment, 1961","Test Hyams, 1800-2200","Print Sheet Music","/repositories/2/archival_objects/68063","Hebrew","box 1","folder 32","1 score (14 pages); Arrangement: for soloist, mixed chorus (SATB) and keyboard accompaniment; Composer: Gershon Ephros; Lyricist: None; Arranger: None; Publisher: Mills Music Publications; Place of Publication: New York, New York; Condition: Good"],"component_level_isim":[2],"parent_ids_ssim":["5f0a7be6b895ed3a4fe067de","5f0a7be6b895ed3a4fe067de_aspace_2297fb77c2b7bb3bf1e83bb5e16053ae"],"parent_unittitles_ssm":["Test Hyams, 1800-2200","Print Sheet Music"],"parent_unittitles_tesim":["Test Hyams, 1800-2200","Print Sheet Music"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/68063"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Test Hyams, 1800-2200"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":33,"parent_access_restrict_tesm":["GOVERNING ACCESS TEXT"],"parent_access_terms_tesm":["OGOVERNING USE TEXT"],"date_range_isim":[1961],"language_ssim":["Hebrew"],"containers_ssim":["box 1","folder 32"],"scopecontent_html_tesm":["\u003cp\u003e1 score (14 pages); Arrangement: for soloist, mixed chorus (SATB) and keyboard accompaniment; Composer: Gershon Ephros; Lyricist: None; Arranger: None; Publisher: Mills Music Publications; Place of Publication: New York, New York; Condition: Good\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["1 score (14 pages); Arrangement: for soloist, mixed chorus (SATB) and keyboard accompaniment; Composer: Gershon Ephros; Lyricist: None; Arranger: None; Publisher: Mills Music Publications; Place of Publication: New York, New York; Condition: Good"],"_nest_path_":"/components#0/components#31","_nest_parent_":"5f0a7be6b895ed3a4fe067de_aspace_2297fb77c2b7bb3bf1e83bb5e16053ae","_root_":"5f0a7be6b895ed3a4fe067de","timestamp":"2026-07-09T02:07:03.310Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5f0a7be6b895ed3a4fe067de","title_ssm":["Test Hyams"],"title_tesim":["Test Hyams"],"ead_ssi":"5f0a7be6b895ed3a4fe067de","unitdate_ssm":["1800-2200"],"unitdate_inclusive_ssm":["1800-2200"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00030","/repositories/2/resources/180"],"text":["PMC00030","/repositories/2/resources/180","Test Hyams, 1800-2200","GOVERNING ACCESS TEXT","TEXT FOR HYAMS","OGOVERNING USE TEXT","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00030","/repositories/2/resources/180"],"normalized_date_ssm":["1800-2200"],"normalized_title_ssm":["Test Hyams, 1800-2200"],"collection_title_tesim":["Test Hyams, 1800-2200"],"collection_ssim":["Test Hyams, 1800-2200"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["OGOVERNING USE TEXT"],"has_online_content_ssim":["false"],"extent_ssm":["22 boxes"],"extent_tesim":["22 boxes"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eGOVERNING ACCESS TEXT\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["GOVERNING ACCESS TEXT"],"scopecontent_html_tesm":["\u003cp\u003eTEXT FOR HYAMS\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["TEXT FOR HYAMS"],"userestrict_html_tesm":["\u003cp\u003eOGOVERNING USE TEXT\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["OGOVERNING USE TEXT"],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"total_component_count_is":51,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"5f0a7be6b895ed3a4fe067de","timestamp":"2026-07-09T02:07:03.310Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5f0a7be6b895ed3a4fe067de_aspace_ab5f86c6597bbc36ef951148059343b9"}},{"id":"b5e5ea304e199c990da94015","type":"collection","attributes":{"title":"Vojtěch Kubašta Collection, 1937-2013","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/b5e5ea304e199c990da94015#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Vojtěch Kubašta Collection includes more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery. Vojtěch Kubašta (1914-1992) was a Czech paper engineer, children's book illustrator, and graphic designer. The Bienes Museum acquired the materials from various sources, and the collection also includes books and other research materials related to Kubašta's career. \u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=kubasta\u0026amp;qf=LOCATION%09Shelf+Location%091%3ABIENES%09Bienes+Museum+%7C%7C+1%3ASPEC-COLL%09Special+Collections\u0026amp;st=PD\" target=\"_blank\"\u003eBooks and items from this collection are searchable in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".\u003c/a\u003e\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b5e5ea304e199c990da94015#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"b5e5ea304e199c990da94015","title_filing_ssi":"Kubašta, Vojtěch Collection","title_ssm":["Vojtěch Kubašta Collection"],"title_tesim":["Vojtěch Kubašta Collection"],"ead_ssi":"b5e5ea304e199c990da94015","unitdate_ssm":["1937-2013"],"unitdate_inclusive_ssm":["1937-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BIENES.2003.2","/repositories/3/resources/312"],"text":["BIENES.2003.2","/repositories/3/resources/312","Vojtěch Kubašta Collection, 1937-2013","Vojtěch Kubašta was born in Vienna, Austria on October 7, 1914, but grew up, lived, and worked in Prague, Czechoslovakia. In 1933 he enrolled in the architecture program at Czech Polytechnic University in Prague (České vysoké učení technické v Praze, ČVUT). During his time there, he was one of four members of a group of students who called themselves the Quadrifoliacs, who collectively worked on many architectural projects together, winning many prizes, and also worked commercially. He graduated in 1938 with a degree in architecture and engineering, and continued working with the Quadrifoliacs on projects including the design of the Hotel Sykovec.","In addition to his studies at the Polytechnic University and work with the Quadrifoliacs, Kubašta started teaching at the Rotter School of Graphic Design around 1937 and for a local plastics manufacturer, Blaklax designing household objects and advertising materials, transitioning from working as an architect to a graphic designer. He began working on book dust jackets, exlibris, and other illustrations, and also designed puppet stage sets and puppet costumes. ","In 1941, Kubašta illustrated Joyful Stories for Children, written by Vlasta Burian, and Folk Tales of Africa, marking his turn towards another (and long-lasting) career in creating children's books. In the 1940s and early 1950s, he worked primarily with the publishers Aventium and Dolezal, but his illustrations appeared in many works printed by many presses. In 1953, he began illustrating for Artia, where between 1955 and 1965 he illustrated and paper engineered over 90 books. In the 1970s, he paper engineered and illustrated five movie-tie in books for Walt Disney, and also began authoring his own stories. ","In addition to numerous commercial designs, it is estimated that he was responsible for creating over 300 books and that millions of copies in numerous languages have been published and distributed throughout the world. Despite the financial stability that his career brought him, Kubašta continued to work up until his death on July 7, 1992.","The Bienes Museum of the Modern Book (at the time known as the Bienes Center for the Literary Arts) began a pop-up book exhibition series in 2002, and as a result started actively collecting the works of Vojtěch Kubašta in 2003. In 2005, the Bienes held the third exhibition in the series, Pop-up, Illustrated Books, and Graphic Design of Czech Artist and Paper Engineer, Vojtěch Kubašta (1914-1992). It featured 159 items by Kubašta selected from private and public collections. Assistance to the exhibit was offered by Ellen G.K. Rubin who, amongst her massive pop-up book collection,  held a comprehensive collection of Kubašta's books and artworks. Rubin also visited and interviewed Dagmar Kubaštova (Vojtěch Kubašta's daughter) in Sarnia, Ontario, Canada.","By 2012, the Bienes' collection of Kubašta items included more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery, which at the time was the largest public collection of his works in the United States.","Books and items from this collection were cataloged in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".","The Vojtěch Kubašta Collection includes more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery. Vojtěch Kubašta (1914-1992) was a Czech paper engineer, children's book illustrator, and graphic designer. The Bienes Museum acquired the materials from various sources, and the collection also includes books and other research materials related to Kubašta's career.  Books and items from this collection are searchable in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".","Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library","English"],"unitid_tesim":["BIENES.2003.2","/repositories/3/resources/312"],"normalized_date_ssm":["1937-2013"],"normalized_title_ssm":["Vojtěch Kubašta Collection, 1937-2013"],"collection_title_tesim":["Vojtěch Kubašta Collection, 1937-2013"],"collection_ssim":["Vojtěch Kubašta Collection, 1937-2013"],"repository_ssm":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"has_online_content_ssim":["false"],"extent_ssm":["315 Items"],"extent_tesim":["315 Items"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"bioghist_html_tesm":["\u003cp\u003eVojt\u0026#x11B;ch Kuba\u0026#x161;ta was born in Vienna, Austria on October 7, 1914, but grew up, lived, and worked in Prague, Czechoslovakia. In 1933 he enrolled in the architecture program at Czech Polytechnic University in Prague (\u0026#x10C;esk\u0026#xE9; vysok\u0026#xE9; u\u0026#x10D;en\u0026#xED; technick\u0026#xE9; v Praze, \u0026#x10C;VUT). During his time there, he was one of four members of a group of students who called themselves the Quadrifoliacs, who collectively worked on many architectural projects together, winning many prizes, and also worked commercially. He graduated in 1938 with a degree in architecture and engineering, and continued working with the Quadrifoliacs on projects including the design of the Hotel Sykovec.\u003c/p\u003e\n","\u003cp\u003eIn addition to his studies at the Polytechnic University and work with the Quadrifoliacs, Kuba\u0026#x161;ta started teaching at the Rotter School of Graphic Design around 1937 and for a local plastics manufacturer, Blaklax designing household objects and advertising materials, transitioning from working as an architect to a graphic designer. He began working on book dust jackets, exlibris, and other illustrations, and also designed puppet stage sets and puppet costumes. \u003c/p\u003e\n","\u003cp\u003eIn 1941, Kuba\u0026#x161;ta illustrated Joyful Stories for Children, written by Vlasta Burian, and Folk Tales of Africa, marking his turn towards another (and long-lasting) career in creating children's books. In the 1940s and early 1950s, he worked primarily with the publishers Aventium and Dolezal, but his illustrations appeared in many works printed by many presses. In 1953, he began illustrating for Artia, where between 1955 and 1965 he illustrated and paper engineered over 90 books. In the 1970s, he paper engineered and illustrated five movie-tie in books for Walt Disney, and also began authoring his own stories. \u003c/p\u003e\n","\u003cp\u003eIn addition to numerous commercial designs, it is estimated that he was responsible for creating over 300 books and that millions of copies in numerous languages have been published and distributed throughout the world. Despite the financial stability that his career brought him, Kuba\u0026#x161;ta continued to work up until his death on July 7, 1992.\u003c/p\u003e\n","\u003cp\u003eThe Bienes Museum of the Modern Book (at the time known as the Bienes Center for the Literary Arts) began a pop-up book exhibition series in 2002, and as a result started actively collecting the works of Vojt\u0026#x11B;ch Kuba\u0026#x161;ta in 2003. In 2005, the Bienes held the third exhibition in the series, Pop-up, Illustrated Books, and Graphic Design of Czech Artist and Paper Engineer, Vojt\u0026#x11B;ch Kuba\u0026#x161;ta (1914-1992). It featured 159 items by Kuba\u0026#x161;ta selected from private and public collections. Assistance to the exhibit was offered by Ellen G.K. Rubin who, amongst her massive pop-up book collection,  held a comprehensive collection of Kuba\u0026#x161;ta's books and artworks. Rubin also visited and interviewed Dagmar Kuba\u0026#x161;tova (Vojt\u0026#x11B;ch Kuba\u0026#x161;ta's daughter) in Sarnia, Ontario, Canada.\u003c/p\u003e\n","\u003cp\u003eBy 2012, the Bienes' collection of Kuba\u0026#x161;ta items included more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery, which at the time was the largest public collection of his works in the United States.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Vojtěch Kubašta was born in Vienna, Austria on October 7, 1914, but grew up, lived, and worked in Prague, Czechoslovakia. In 1933 he enrolled in the architecture program at Czech Polytechnic University in Prague (České vysoké učení technické v Praze, ČVUT). During his time there, he was one of four members of a group of students who called themselves the Quadrifoliacs, who collectively worked on many architectural projects together, winning many prizes, and also worked commercially. He graduated in 1938 with a degree in architecture and engineering, and continued working with the Quadrifoliacs on projects including the design of the Hotel Sykovec.","In addition to his studies at the Polytechnic University and work with the Quadrifoliacs, Kubašta started teaching at the Rotter School of Graphic Design around 1937 and for a local plastics manufacturer, Blaklax designing household objects and advertising materials, transitioning from working as an architect to a graphic designer. He began working on book dust jackets, exlibris, and other illustrations, and also designed puppet stage sets and puppet costumes. ","In 1941, Kubašta illustrated Joyful Stories for Children, written by Vlasta Burian, and Folk Tales of Africa, marking his turn towards another (and long-lasting) career in creating children's books. In the 1940s and early 1950s, he worked primarily with the publishers Aventium and Dolezal, but his illustrations appeared in many works printed by many presses. In 1953, he began illustrating for Artia, where between 1955 and 1965 he illustrated and paper engineered over 90 books. In the 1970s, he paper engineered and illustrated five movie-tie in books for Walt Disney, and also began authoring his own stories. ","In addition to numerous commercial designs, it is estimated that he was responsible for creating over 300 books and that millions of copies in numerous languages have been published and distributed throughout the world. Despite the financial stability that his career brought him, Kubašta continued to work up until his death on July 7, 1992.","The Bienes Museum of the Modern Book (at the time known as the Bienes Center for the Literary Arts) began a pop-up book exhibition series in 2002, and as a result started actively collecting the works of Vojtěch Kubašta in 2003. In 2005, the Bienes held the third exhibition in the series, Pop-up, Illustrated Books, and Graphic Design of Czech Artist and Paper Engineer, Vojtěch Kubašta (1914-1992). It featured 159 items by Kubašta selected from private and public collections. Assistance to the exhibit was offered by Ellen G.K. Rubin who, amongst her massive pop-up book collection,  held a comprehensive collection of Kubašta's books and artworks. Rubin also visited and interviewed Dagmar Kubaštova (Vojtěch Kubašta's daughter) in Sarnia, Ontario, Canada.","By 2012, the Bienes' collection of Kubašta items included more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery, which at the time was the largest public collection of his works in the United States."],"processinfo_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=kubasta\u0026amp;qf=LOCATION%09Shelf+Location%091%3ABIENES%09Bienes+Museum+%7C%7C+1%3ASPEC-COLL%09Special+Collections\u0026amp;st=PD\" target=\"_blank\"\u003eBooks and items from this collection were cataloged in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".\u003c/a\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Access the Books"],"processinfo_tesim":["Books and items from this collection were cataloged in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\"."],"scopecontent_html_tesm":["\u003cp\u003eThe Vojt\u0026#x11B;ch Kuba\u0026#x161;ta Collection includes more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery. Vojt\u0026#x11B;ch Kuba\u0026#x161;ta (1914-1992) was a Czech paper engineer, children's book illustrator, and graphic designer. The Bienes Museum acquired the materials from various sources, and the collection also includes books and other research materials related to Kuba\u0026#x161;ta's career. \u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=kubasta\u0026amp;qf=LOCATION%09Shelf+Location%091%3ABIENES%09Bienes+Museum+%7C%7C+1%3ASPEC-COLL%09Special+Collections\u0026amp;st=PD\" target=\"_blank\"\u003eBooks and items from this collection are searchable in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".\u003c/a\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Vojtěch Kubašta Collection includes more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery. Vojtěch Kubašta (1914-1992) was a Czech paper engineer, children's book illustrator, and graphic designer. The Bienes Museum acquired the materials from various sources, and the collection also includes books and other research materials related to Kubašta's career.  Books and items from this collection are searchable in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\"."],"names_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"corpname_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870839696693657600,"_root_":"b5e5ea304e199c990da94015","timestamp":"2026-07-16T03:16:08.850Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b5e5ea304e199c990da94015","title_filing_ssi":"Kubašta, Vojtěch Collection","title_ssm":["Vojtěch Kubašta Collection"],"title_tesim":["Vojtěch Kubašta Collection"],"ead_ssi":"b5e5ea304e199c990da94015","unitdate_ssm":["1937-2013"],"unitdate_inclusive_ssm":["1937-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BIENES.2003.2","/repositories/3/resources/312"],"text":["BIENES.2003.2","/repositories/3/resources/312","Vojtěch Kubašta Collection, 1937-2013","Vojtěch Kubašta was born in Vienna, Austria on October 7, 1914, but grew up, lived, and worked in Prague, Czechoslovakia. In 1933 he enrolled in the architecture program at Czech Polytechnic University in Prague (České vysoké učení technické v Praze, ČVUT). During his time there, he was one of four members of a group of students who called themselves the Quadrifoliacs, who collectively worked on many architectural projects together, winning many prizes, and also worked commercially. He graduated in 1938 with a degree in architecture and engineering, and continued working with the Quadrifoliacs on projects including the design of the Hotel Sykovec.","In addition to his studies at the Polytechnic University and work with the Quadrifoliacs, Kubašta started teaching at the Rotter School of Graphic Design around 1937 and for a local plastics manufacturer, Blaklax designing household objects and advertising materials, transitioning from working as an architect to a graphic designer. He began working on book dust jackets, exlibris, and other illustrations, and also designed puppet stage sets and puppet costumes. ","In 1941, Kubašta illustrated Joyful Stories for Children, written by Vlasta Burian, and Folk Tales of Africa, marking his turn towards another (and long-lasting) career in creating children's books. In the 1940s and early 1950s, he worked primarily with the publishers Aventium and Dolezal, but his illustrations appeared in many works printed by many presses. In 1953, he began illustrating for Artia, where between 1955 and 1965 he illustrated and paper engineered over 90 books. In the 1970s, he paper engineered and illustrated five movie-tie in books for Walt Disney, and also began authoring his own stories. ","In addition to numerous commercial designs, it is estimated that he was responsible for creating over 300 books and that millions of copies in numerous languages have been published and distributed throughout the world. Despite the financial stability that his career brought him, Kubašta continued to work up until his death on July 7, 1992.","The Bienes Museum of the Modern Book (at the time known as the Bienes Center for the Literary Arts) began a pop-up book exhibition series in 2002, and as a result started actively collecting the works of Vojtěch Kubašta in 2003. In 2005, the Bienes held the third exhibition in the series, Pop-up, Illustrated Books, and Graphic Design of Czech Artist and Paper Engineer, Vojtěch Kubašta (1914-1992). It featured 159 items by Kubašta selected from private and public collections. Assistance to the exhibit was offered by Ellen G.K. Rubin who, amongst her massive pop-up book collection,  held a comprehensive collection of Kubašta's books and artworks. Rubin also visited and interviewed Dagmar Kubaštova (Vojtěch Kubašta's daughter) in Sarnia, Ontario, Canada.","By 2012, the Bienes' collection of Kubašta items included more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery, which at the time was the largest public collection of his works in the United States.","Books and items from this collection were cataloged in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".","The Vojtěch Kubašta Collection includes more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery. Vojtěch Kubašta (1914-1992) was a Czech paper engineer, children's book illustrator, and graphic designer. The Bienes Museum acquired the materials from various sources, and the collection also includes books and other research materials related to Kubašta's career.  Books and items from this collection are searchable in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".","Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library","English"],"unitid_tesim":["BIENES.2003.2","/repositories/3/resources/312"],"normalized_date_ssm":["1937-2013"],"normalized_title_ssm":["Vojtěch Kubašta Collection, 1937-2013"],"collection_title_tesim":["Vojtěch Kubašta Collection, 1937-2013"],"collection_ssim":["Vojtěch Kubašta Collection, 1937-2013"],"repository_ssm":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"has_online_content_ssim":["false"],"extent_ssm":["315 Items"],"extent_tesim":["315 Items"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"bioghist_html_tesm":["\u003cp\u003eVojt\u0026#x11B;ch Kuba\u0026#x161;ta was born in Vienna, Austria on October 7, 1914, but grew up, lived, and worked in Prague, Czechoslovakia. In 1933 he enrolled in the architecture program at Czech Polytechnic University in Prague (\u0026#x10C;esk\u0026#xE9; vysok\u0026#xE9; u\u0026#x10D;en\u0026#xED; technick\u0026#xE9; v Praze, \u0026#x10C;VUT). During his time there, he was one of four members of a group of students who called themselves the Quadrifoliacs, who collectively worked on many architectural projects together, winning many prizes, and also worked commercially. He graduated in 1938 with a degree in architecture and engineering, and continued working with the Quadrifoliacs on projects including the design of the Hotel Sykovec.\u003c/p\u003e\n","\u003cp\u003eIn addition to his studies at the Polytechnic University and work with the Quadrifoliacs, Kuba\u0026#x161;ta started teaching at the Rotter School of Graphic Design around 1937 and for a local plastics manufacturer, Blaklax designing household objects and advertising materials, transitioning from working as an architect to a graphic designer. He began working on book dust jackets, exlibris, and other illustrations, and also designed puppet stage sets and puppet costumes. \u003c/p\u003e\n","\u003cp\u003eIn 1941, Kuba\u0026#x161;ta illustrated Joyful Stories for Children, written by Vlasta Burian, and Folk Tales of Africa, marking his turn towards another (and long-lasting) career in creating children's books. In the 1940s and early 1950s, he worked primarily with the publishers Aventium and Dolezal, but his illustrations appeared in many works printed by many presses. In 1953, he began illustrating for Artia, where between 1955 and 1965 he illustrated and paper engineered over 90 books. In the 1970s, he paper engineered and illustrated five movie-tie in books for Walt Disney, and also began authoring his own stories. \u003c/p\u003e\n","\u003cp\u003eIn addition to numerous commercial designs, it is estimated that he was responsible for creating over 300 books and that millions of copies in numerous languages have been published and distributed throughout the world. Despite the financial stability that his career brought him, Kuba\u0026#x161;ta continued to work up until his death on July 7, 1992.\u003c/p\u003e\n","\u003cp\u003eThe Bienes Museum of the Modern Book (at the time known as the Bienes Center for the Literary Arts) began a pop-up book exhibition series in 2002, and as a result started actively collecting the works of Vojt\u0026#x11B;ch Kuba\u0026#x161;ta in 2003. In 2005, the Bienes held the third exhibition in the series, Pop-up, Illustrated Books, and Graphic Design of Czech Artist and Paper Engineer, Vojt\u0026#x11B;ch Kuba\u0026#x161;ta (1914-1992). It featured 159 items by Kuba\u0026#x161;ta selected from private and public collections. Assistance to the exhibit was offered by Ellen G.K. Rubin who, amongst her massive pop-up book collection,  held a comprehensive collection of Kuba\u0026#x161;ta's books and artworks. Rubin also visited and interviewed Dagmar Kuba\u0026#x161;tova (Vojt\u0026#x11B;ch Kuba\u0026#x161;ta's daughter) in Sarnia, Ontario, Canada.\u003c/p\u003e\n","\u003cp\u003eBy 2012, the Bienes' collection of Kuba\u0026#x161;ta items included more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery, which at the time was the largest public collection of his works in the United States.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Vojtěch Kubašta was born in Vienna, Austria on October 7, 1914, but grew up, lived, and worked in Prague, Czechoslovakia. In 1933 he enrolled in the architecture program at Czech Polytechnic University in Prague (České vysoké učení technické v Praze, ČVUT). During his time there, he was one of four members of a group of students who called themselves the Quadrifoliacs, who collectively worked on many architectural projects together, winning many prizes, and also worked commercially. He graduated in 1938 with a degree in architecture and engineering, and continued working with the Quadrifoliacs on projects including the design of the Hotel Sykovec.","In addition to his studies at the Polytechnic University and work with the Quadrifoliacs, Kubašta started teaching at the Rotter School of Graphic Design around 1937 and for a local plastics manufacturer, Blaklax designing household objects and advertising materials, transitioning from working as an architect to a graphic designer. He began working on book dust jackets, exlibris, and other illustrations, and also designed puppet stage sets and puppet costumes. ","In 1941, Kubašta illustrated Joyful Stories for Children, written by Vlasta Burian, and Folk Tales of Africa, marking his turn towards another (and long-lasting) career in creating children's books. In the 1940s and early 1950s, he worked primarily with the publishers Aventium and Dolezal, but his illustrations appeared in many works printed by many presses. In 1953, he began illustrating for Artia, where between 1955 and 1965 he illustrated and paper engineered over 90 books. In the 1970s, he paper engineered and illustrated five movie-tie in books for Walt Disney, and also began authoring his own stories. ","In addition to numerous commercial designs, it is estimated that he was responsible for creating over 300 books and that millions of copies in numerous languages have been published and distributed throughout the world. Despite the financial stability that his career brought him, Kubašta continued to work up until his death on July 7, 1992.","The Bienes Museum of the Modern Book (at the time known as the Bienes Center for the Literary Arts) began a pop-up book exhibition series in 2002, and as a result started actively collecting the works of Vojtěch Kubašta in 2003. In 2005, the Bienes held the third exhibition in the series, Pop-up, Illustrated Books, and Graphic Design of Czech Artist and Paper Engineer, Vojtěch Kubašta (1914-1992). It featured 159 items by Kubašta selected from private and public collections. Assistance to the exhibit was offered by Ellen G.K. Rubin who, amongst her massive pop-up book collection,  held a comprehensive collection of Kubašta's books and artworks. Rubin also visited and interviewed Dagmar Kubaštova (Vojtěch Kubašta's daughter) in Sarnia, Ontario, Canada.","By 2012, the Bienes' collection of Kubašta items included more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery, which at the time was the largest public collection of his works in the United States."],"processinfo_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=kubasta\u0026amp;qf=LOCATION%09Shelf+Location%091%3ABIENES%09Bienes+Museum+%7C%7C+1%3ASPEC-COLL%09Special+Collections\u0026amp;st=PD\" target=\"_blank\"\u003eBooks and items from this collection were cataloged in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".\u003c/a\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Access the Books"],"processinfo_tesim":["Books and items from this collection were cataloged in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\"."],"scopecontent_html_tesm":["\u003cp\u003eThe Vojt\u0026#x11B;ch Kuba\u0026#x161;ta Collection includes more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery. Vojt\u0026#x11B;ch Kuba\u0026#x161;ta (1914-1992) was a Czech paper engineer, children's book illustrator, and graphic designer. The Bienes Museum acquired the materials from various sources, and the collection also includes books and other research materials related to Kuba\u0026#x161;ta's career. \u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=kubasta\u0026amp;qf=LOCATION%09Shelf+Location%091%3ABIENES%09Bienes+Museum+%7C%7C+1%3ASPEC-COLL%09Special+Collections\u0026amp;st=PD\" target=\"_blank\"\u003eBooks and items from this collection are searchable in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".\u003c/a\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Vojtěch Kubašta Collection includes more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery. Vojtěch Kubašta (1914-1992) was a Czech paper engineer, children's book illustrator, and graphic designer. The Bienes Museum acquired the materials from various sources, and the collection also includes books and other research materials related to Kubašta's career.  Books and items from this collection are searchable in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\"."],"names_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"corpname_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870839696693657600,"_root_":"b5e5ea304e199c990da94015","timestamp":"2026-07-16T03:16:08.850Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b5e5ea304e199c990da94015"}},{"id":"aad5758208f542118d1ad118_aspace_cfe75044a13b6389408f86956626e832","type":"File","attributes":{"title":"Vol. 2 - Publicity Scrapbook, 1958-1969","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/aad5758208f542118d1ad118_aspace_cfe75044a13b6389408f86956626e832#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_cfe75044a13b6389408f86956626e832","ref_ssm":["aspace_cfe75044a13b6389408f86956626e832","aspace_cfe75044a13b6389408f86956626e832"],"id":"aad5758208f542118d1ad118_aspace_cfe75044a13b6389408f86956626e832","title_filing_ssi":"Vol. 2 - Publicity Scrapbook","title_ssm":["Vol. 2 - Publicity Scrapbook"],"title_tesim":["Vol. 2 - Publicity Scrapbook"],"unitdate_inclusive_ssm":["1958-1969"],"normalized_date_ssm":["1958-1969"],"normalized_title_ssm":["Vol. 2 - Publicity Scrapbook, 1958-1969"],"text":["Vol. 2 - Publicity Scrapbook, 1958-1969","League of Women Voters Collection, bulk 1949-1978","/repositories/2/archival_objects/57195","English","Box 2","object 1"],"component_level_isim":[1],"parent_ids_ssim":["aad5758208f542118d1ad118"],"parent_unittitles_ssm":["League of Women Voters Collection, bulk 1949-1978"],"parent_unittitles_tesim":["League of Women Voters Collection, bulk 1949-1978"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/57195"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["League of Women Voters Collection, bulk 1949-1978"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2,"date_range_isim":[1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"language_ssim":["English"],"containers_ssim":["Box 2","object 1"],"_nest_path_":"/components#1","_nest_parent_":"aad5758208f542118d1ad118","_root_":"aad5758208f542118d1ad118","_version_":1874829750044721152,"timestamp":"2026-08-29T04:16:20.252Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"aad5758208f542118d1ad118","title_ssm":["League of Women Voters Collection"],"title_tesim":["League of Women Voters Collection"],"ead_ssi":"aad5758208f542118d1ad118","unitdate_ssm":["1949-1978"],"unitdate_bulk_ssim":["1949-1978"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2025.SC.002","/repositories/2/resources/110"],"text":["2025.SC.002","/repositories/2/resources/110","League of Women Voters Collection, bulk 1949-1978","The League of Women Voters of Lee County, Inc.is a nonpartisan organization that encourages informed and active participation in government, works to increase understanding of major public policy issues, and influences public policy through education and advocacy.","(https://my.lwv.org/florida/lee-county)","Florida Gulf Coast University Special Collections","City of Fort Myers","English"],"unitid_tesim":["2025.SC.002","/repositories/2/resources/110"],"normalized_date_ssm":["bulk 1949-1978"],"normalized_title_ssm":["League of Women Voters Collection, bulk 1949-1978"],"collection_title_tesim":["League of Women Voters Collection, bulk 1949-1978"],"collection_ssim":["League of Women Voters Collection, bulk 1949-1978"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"has_online_content_ssim":["false"],"extent_ssm":["1.79 Linear Feet"],"extent_tesim":["1.79 Linear Feet"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"bioghist_html_tesm":["\u003cp\u003eThe League of Women Voters of Lee County, Inc.is a nonpartisan organization that encourages informed and active participation in government, works to increase understanding of major public policy issues, and influences public policy through education and advocacy.\u003c/p\u003e\n","\u003cp\u003e(https://my.lwv.org/florida/lee-county)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The League of Women Voters of Lee County, Inc.is a nonpartisan organization that encourages informed and active participation in government, works to increase understanding of major public policy issues, and influences public policy through education and advocacy.","(https://my.lwv.org/florida/lee-county)"],"names_ssim":["Florida Gulf Coast University Special Collections","City of Fort Myers"],"corpname_ssim":["Florida Gulf Coast University Special Collections","City of Fort Myers"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":21,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1874829750044721152,"_root_":"aad5758208f542118d1ad118","timestamp":"2026-08-29T04:16:20.252Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/aad5758208f542118d1ad118_aspace_cfe75044a13b6389408f86956626e832"}},{"id":"b4d8d0d376a6ea3e6898852d_aspace_14267","type":"Item","attributes":{"title":"Volume 1, #1-95, 1951-1964","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b4d8d0d376a6ea3e6898852d_aspace_14267#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_14267","ref_ssm":["aspace_14267","aspace_14267"],"id":"b4d8d0d376a6ea3e6898852d_aspace_14267","title_filing_ssi":"Volume 1, #1-95","title_ssm":["Volume 1, #1-95"],"title_tesim":["Volume 1, #1-95"],"unitdate_inclusive_ssm":["1951-1964"],"normalized_date_ssm":["1951-1964"],"normalized_title_ssm":["Volume 1, #1-95, 1951-1964"],"text":["Volume 1, #1-95, 1951-1964","Doris Leeper Papers, 1951-1999","Scrapbooks, 1951-1999.","Item 1","/repositories/4/archival_objects/30983","Scrapbook 1"],"component_level_isim":[2],"parent_ids_ssim":["b4d8d0d376a6ea3e6898852d","b4d8d0d376a6ea3e6898852d_aspace_14266"],"parent_unittitles_ssm":["Doris Leeper Papers, 1951-1999","Scrapbooks, 1951-1999."],"parent_unittitles_tesim":["Doris Leeper Papers, 1951-1999","Scrapbooks, 1951-1999."],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Item 1","/repositories/4/archival_objects/30983"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Doris Leeper Papers, 1951-1999"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964],"containers_ssim":["Scrapbook 1"],"_nest_path_":"/components#0/components#0","_nest_parent_":"b4d8d0d376a6ea3e6898852d_aspace_14266","_root_":"b4d8d0d376a6ea3e6898852d","_version_":1876384019800653824,"timestamp":"2026-09-15T08:00:47.398Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b4d8d0d376a6ea3e6898852d","title_ssm":["Doris Leeper Papers"],"title_tesim":["Doris Leeper Papers"],"ead_ssi":"b4d8d0d376a6ea3e6898852d","unitdate_ssm":["1951-1999"],"unitdate_inclusive_ssm":["1951-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.043","/repositories/4/resources/137"],"text":["SC.043","/repositories/4/resources/137","Doris Leeper Papers, 1951-1999","Artists","Conservation of Natural Resources","Folk art -- Exhibitions","Artists -- Florida -- Biography","Folk art -- Florida","The entire collection is open for research.","Doris \"Doc\" Leeper was a renowned Florida artist and environmental activist. Leeper was a founder of the Atlantic Center for the Arts in New Smyrna Beach and instrumental in the creation of the Canaveral National Seashore and the Spruce Creek Preserve, renamed the Doris Leeper Spruce Creek Preserve in memoriam. A Florida Alliance for Arts Education Award in named in her honor and in 1999 Leeper was inducted into the Florida Artists Hall of Fame.","\nLeeper was born in Charlotte, North Carolina on April 4, 1929 and died in New Smyrna on April 11, 2000. Leeper graduated Phi Beta Kappa from Duke University with a BA in Art History, 1951. In 1961 Leeper left the commercial graphics field to work in sculpture and painting full-time. Her work is in almost 100 public collections and during her lifetime she widely exhibited in one-person and group exhibitions both nationally and internationally. A 45-year retrospective of her work was held at the Cornell Fine Arts Museum in 1995. Leeper won numerous awards in her lifetime.","\nAfter she moved to New Smyrna Beach in 1958, Leeper became very involved with the protection of the Canaveral Seashore and a leader in environmental protection. In 1982 the Atlantic Center for the Arts, an internationally renowned artists' community that Leeper was instrumental in creating, opened. Leeper was also a founding member and creator of the Alliance of Artists' Communities, a consortium of artists' colonies and residency programs throughout the U.S. Leeper also co-owned a commercial visual arts gallery located in New Smyrna Beach, \"Arts on Douglas\".","Collecton processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.","Loose items in the scrapbooks were secured and the books were wrapped in acid-free archival paper. All other materials have been housed in acid-free containers and rusty metal items such as paper clips and staples have been removed so as to stop any further deterioration.","Approximately 100 pieces of Doris Leeper's artwork, as well as slides of many of the artist's works, are located in the UCF Art Gallery located in the Visual Arts Building.","Sol \u0026 Sadie Malkoff Papers , Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida.","Albin Polasek Collection , Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida.","Walter Gaudnek Collection,  Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida.","The collection is divided into two series:","\nSeries I: Scrapbooks, 1951-1999, contains scrapbooks that hold materials pertaining to Leeper's art and activism.","\nSeries II: Exhibition Catalogs, 1964-1997, focus on Leeper's artwork, starting with her work as a graphic artist to her years as a Florida artist.","Series III: Personal Files, 1952,1974, includes Doris Leeper's identification cards; United States of America passport issued by\nthe Department of State and and international driver license by the American Automobile Association.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The Doris Leeper Papers contain scrapbooks and catalogs that chronicle the artistic career of the Florida artist, Doris Leeper. Founder of the Atlantic Center for the Arts in New Smyrna Beach, this collection highlights Leeper's early years as a graphic artist through to her later years as a renowned Florida artist.","UCF Special Collections","Leeper, Doris, 1929-2000","English"],"unitid_tesim":["SC.043","/repositories/4/resources/137"],"normalized_date_ssm":["1951-1999"],"normalized_title_ssm":["Doris Leeper Papers, 1951-1999"],"collection_title_tesim":["Doris Leeper Papers, 1951-1999"],"collection_ssim":["Doris Leeper Papers, 1951-1999"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Doris Leeper Papers were donated to the College of Arts and Sciences along with slides of the artist's works and approximately 100 pieces of Leeper's artwork by a bequest from her estate. The executor of the Leeper Estate, Mary Jane \"Jay\" Urban, offered the collections to the Dean of the College of Arts and Sciences, Kathryn Seidel. Urban was Leeper's neighbor, and named heir and executor in her will. Leeper's scrapbooks and other documents were given to the Special Collections Department while her artworks and slides were given to the UCF Art Gallery.","This collection was donated to the University of Central Florida Libraries, Special Collections and University Archives by Doris Leeper in 2003 (CFM2003_03)"],"access_subjects_ssim":["Artists","Conservation of Natural Resources","Folk art -- Exhibitions","Artists -- Florida -- Biography","Folk art -- Florida"],"access_subjects_ssm":["Artists","Conservation of Natural Resources","Folk art -- Exhibitions","Artists -- Florida -- Biography","Folk art -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["8.00 Linear Feet 27 scrapbooks, 2 boxes"],"extent_tesim":["8.00 Linear Feet 27 scrapbooks, 2 boxes"],"date_range_isim":[1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eDoris \"Doc\" Leeper was a renowned Florida artist and environmental activist. Leeper was a founder of the Atlantic Center for the Arts in New Smyrna Beach and instrumental in the creation of the Canaveral National Seashore and the Spruce Creek Preserve, renamed the Doris Leeper Spruce Creek Preserve in memoriam. A Florida Alliance for Arts Education Award in named in her honor and in 1999 Leeper was inducted into the Florida Artists Hall of Fame.\u003c/p\u003e\n","\u003cp\u003e\nLeeper was born in Charlotte, North Carolina on April 4, 1929 and died in New Smyrna on April 11, 2000. Leeper graduated Phi Beta Kappa from Duke University with a BA in Art History, 1951. In 1961 Leeper left the commercial graphics field to work in sculpture and painting full-time. Her work is in almost 100 public collections and during her lifetime she widely exhibited in one-person and group exhibitions both nationally and internationally. A 45-year retrospective of her work was held at the Cornell Fine Arts Museum in 1995. Leeper won numerous awards in her lifetime.\u003c/p\u003e\n","\u003cp\u003e\nAfter she moved to New Smyrna Beach in 1958, Leeper became very involved with the protection of the Canaveral Seashore and a leader in environmental protection. In 1982 the Atlantic Center for the Arts, an internationally renowned artists' community that Leeper was instrumental in creating, opened. Leeper was also a founding member and creator of the Alliance of Artists' Communities, a consortium of artists' colonies and residency programs throughout the U.S. Leeper also co-owned a commercial visual arts gallery located in New Smyrna Beach, \"Arts on Douglas\".\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Doris \"Doc\" Leeper was a renowned Florida artist and environmental activist. Leeper was a founder of the Atlantic Center for the Arts in New Smyrna Beach and instrumental in the creation of the Canaveral National Seashore and the Spruce Creek Preserve, renamed the Doris Leeper Spruce Creek Preserve in memoriam. A Florida Alliance for Arts Education Award in named in her honor and in 1999 Leeper was inducted into the Florida Artists Hall of Fame.","\nLeeper was born in Charlotte, North Carolina on April 4, 1929 and died in New Smyrna on April 11, 2000. Leeper graduated Phi Beta Kappa from Duke University with a BA in Art History, 1951. In 1961 Leeper left the commercial graphics field to work in sculpture and painting full-time. Her work is in almost 100 public collections and during her lifetime she widely exhibited in one-person and group exhibitions both nationally and internationally. A 45-year retrospective of her work was held at the Cornell Fine Arts Museum in 1995. Leeper won numerous awards in her lifetime.","\nAfter she moved to New Smyrna Beach in 1958, Leeper became very involved with the protection of the Canaveral Seashore and a leader in environmental protection. In 1982 the Atlantic Center for the Arts, an internationally renowned artists' community that Leeper was instrumental in creating, opened. Leeper was also a founding member and creator of the Alliance of Artists' Communities, a consortium of artists' colonies and residency programs throughout the U.S. Leeper also co-owned a commercial visual arts gallery located in New Smyrna Beach, \"Arts on Douglas\"."],"prefercite_html_tesm":["\u003cp\u003eDoris Leeper Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Doris Leeper Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollecton processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.\u003c/p\u003e","\u003cp\u003eLoose items in the scrapbooks were secured and the books were wrapped in acid-free archival paper. All other materials have been housed in acid-free containers and rusty metal items such as paper clips and staples have been removed so as to stop any further deterioration.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collecton processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.","Loose items in the scrapbooks were secured and the books were wrapped in acid-free archival paper. All other materials have been housed in acid-free containers and rusty metal items such as paper clips and staples have been removed so as to stop any further deterioration."],"relatedmaterial_html_tesm":["\u003cp\u003eApproximately 100 pieces of Doris Leeper's artwork, as well as slides of many of the artist's works, are located in the UCF Art Gallery located in the Visual Arts Building.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-01\"\u003eSol \u0026amp; Sadie Malkoff Papers\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1993-03\"\u003eAlbin Polasek Collection\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2004-01\"\u003eWalter Gaudnek Collection,\u003c/extref\u003e Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Approximately 100 pieces of Doris Leeper's artwork, as well as slides of many of the artist's works, are located in the UCF Art Gallery located in the Visual Arts Building.","Sol \u0026 Sadie Malkoff Papers , Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida.","Albin Polasek Collection , Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida.","Walter Gaudnek Collection,  Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into two series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Scrapbooks, 1951-1999, contains scrapbooks that hold materials pertaining to Leeper's art and activism.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Exhibition Catalogs, 1964-1997, focus on Leeper's artwork, starting with her work as a graphic artist to her years as a Florida artist.\u003c/p\u003e\n","\u003cp\u003eSeries III: Personal Files, 1952,1974, includes Doris Leeper's identification cards; United States of America passport issued by\nthe Department of State and and international driver license by the American Automobile Association.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is divided into two series:","\nSeries I: Scrapbooks, 1951-1999, contains scrapbooks that hold materials pertaining to Leeper's art and activism.","\nSeries II: Exhibition Catalogs, 1964-1997, focus on Leeper's artwork, starting with her work as a graphic artist to her years as a Florida artist.","Series III: Personal Files, 1952,1974, includes Doris Leeper's identification cards; United States of America passport issued by\nthe Department of State and and international driver license by the American Automobile Association."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5e032cb26c667a773e2539c5ae66b419\" label=\"Abstract\"\u003eThe Doris Leeper Papers contain scrapbooks and catalogs that chronicle the artistic career of the Florida artist, Doris Leeper. Founder of the Atlantic Center for the Arts in New Smyrna Beach, this collection highlights Leeper's early years as a graphic artist through to her later years as a renowned Florida artist.\u003c/abstract\u003e"],"abstract_tesim":["The Doris Leeper Papers contain scrapbooks and catalogs that chronicle the artistic career of the Florida artist, Doris Leeper. Founder of the Atlantic Center for the Arts in New Smyrna Beach, this collection highlights Leeper's early years as a graphic artist through to her later years as a renowned Florida artist."],"names_ssim":["UCF Special Collections","Leeper, Doris, 1929-2000"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Leeper, Doris, 1929-2000"],"persname_ssim":["Leeper, Doris, 1929-2000"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":122,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876384019800653824,"_root_":"b4d8d0d376a6ea3e6898852d","timestamp":"2026-09-15T08:00:47.398Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b4d8d0d376a6ea3e6898852d_aspace_14267"}},{"id":"42e7073fb9b8528341d9f801_aspace_611d6348bd1148f9f9831abe3bb828b1","type":"Sub-sub-series","attributes":{"title":"Volume 6, 1948-01-05-2003-01-24","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/42e7073fb9b8528341d9f801_aspace_611d6348bd1148f9f9831abe3bb828b1#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_611d6348bd1148f9f9831abe3bb828b1","ref_ssm":["aspace_611d6348bd1148f9f9831abe3bb828b1","aspace_611d6348bd1148f9f9831abe3bb828b1"],"id":"42e7073fb9b8528341d9f801_aspace_611d6348bd1148f9f9831abe3bb828b1","title_filing_ssi":"Volume 6","title_ssm":["Volume 6"],"title_tesim":["Volume 6"],"unitdate_inclusive_ssm":["1948-01-05-2003-01-24"],"normalized_date_ssm":["1948-01-05-2003-01-24"],"normalized_title_ssm":["Volume 6, 1948-01-05-2003-01-24"],"text":["Volume 6, 1948-01-05-2003-01-24","Rodney Lawrence Hurst, Sr. Papers, 1957-2015","Stamp Collection, 1978-2020","American Commemoratives, 1948-2016","/repositories/3/archival_objects/7975","box 11"],"component_level_isim":[3],"parent_ids_ssim":["42e7073fb9b8528341d9f801","42e7073fb9b8528341d9f801_aspace_7fca4e9af9c0eb2cabda5af93691a3df","42e7073fb9b8528341d9f801_aspace_761bb2574eac30e17ce4374716e27ee7"],"parent_unittitles_ssm":["Rodney Lawrence Hurst, Sr. Papers, 1957-2015","Stamp Collection, 1978-2020","American Commemoratives, 1948-2016"],"parent_unittitles_tesim":["Rodney Lawrence Hurst, Sr. Papers, 1957-2015","Stamp Collection, 1978-2020","American Commemoratives, 1948-2016"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/3/archival_objects/7975"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Rodney Lawrence Hurst, Sr. Papers, 1957-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":25,"level_ssm":["Sub-sub-series"],"level_ssim":["Sub-sub-series"],"sort_isi":352,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"containers_ssim":["box 11"],"_nest_path_":"/components#5/components#1/components#0","_nest_parent_":"42e7073fb9b8528341d9f801_aspace_761bb2574eac30e17ce4374716e27ee7","_root_":"42e7073fb9b8528341d9f801","timestamp":"2026-05-27T03:06:30.746Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"42e7073fb9b8528341d9f801","title_ssm":["Rodney Lawrence Hurst, Sr. Papers"],"title_tesim":["Rodney Lawrence Hurst, Sr. Papers"],"ead_ssi":"42e7073fb9b8528341d9f801","unitdate_ssm":["1957-2015"],"unitdate_inclusive_ssm":["1957-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":[" 2018.001","/repositories/3/resources/65"],"text":[" 2018.001","/repositories/3/resources/65","Rodney Lawrence Hurst, Sr. Papers, 1957-2015","USPS Black Heritage Stamp Series","Hurst, Rodney L.  -- Stamp collections","African Americans on postage stamps","Civil rights movements","Civil rights demonstrations","African American civil rights workers","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","\tRodney L. Hurst Sr., a long time Jacksonville resident, Civil Rights activist and author was born in 1944. After transferring to Isaiah Blocker Junior High School in 1955, at age eleven, his history teacher Rutledge Henry Pearson encouraged him to join the local NAACP Youth Council. By the time he was fifteen, Mr. Hurst was named president of the youth council chapter.","In 1960, Hurst led the lunch counter sit in demonstrations in downtown Jacksonville's shopping districts. The first one began on August 13, 1960. They targeted the Woolworth's counter. In addition, demonstrations were held at Cohen Bros, WT Grant Department Store, Kness Department Store, and McCrory Department Store. \n    \nIn response, the stores closed their lunch counters and thus fueled the tensions that coalesced on August 27 also known as Ax Handle Saturday when 200 segregationists, armed with ax handles and baseball bats attacked 35 members of the NAACP youth council and other Black Americans who happened to be in the area.\n    \nEventually, the police closed off downtown and the sit ins ceased. Then on December 8, 1960, Rodney Hurst was arrested for his part in the demonstrations and charged with instigating a riot.  The charges were dropped after his hearing and was released. By May 16, 1961, all lunch counters in Jacksonville were integrated due to Mr. Hurst and the Youth Council's efforts.\n    \nIn subsequent years, Mr. Hurst sat on the Jacksonville Civil Council and represented District 8 from 1975-1979 and District 10 from 1979-1983. \n    \nLater in 2008, he authored a semi-autobiographical account of his experiences called \"It Was Never About a Hot Dog and a Coke!\" The book garnered recognition at the Sabrina Awards Best Non Fiction and Top Three Pick On July 31st that same year.","In addition, Mr. Hurst received awards for his participation in the 2009 Writer's Digest 16th Annual Self-Published Book awards, the ENAABLE and Blue Cross Blue Shield of Florida Black History Month Celebration. Due to his efforts in civil rights history, the Durkeeville Historical Society awarded Mr. Hurst a certificate of appreciation.","In 2010, Mr. Hurst participated in the University of Central Florida Book Festival and in 2012, he taught a course about Ax Handle Saturday and the Jacksonville sit ins at the University of North Florida.","Recently, in 2018, the Jacksonville Task Force on Civil Rights History was created. Mr. Hurst served as the co chair of the taskforce's historical timeline subcommittee and created a chronology of civil rights history in Jacksonville from 1838 with the founding of Bethel Baptist Institutional Church to the present. ","The collection consists of papers and memorabilia related to civil rights history in Jacksonville and Hurst's experiences as a member of the NAACP Youth Council in the 1960's. The collection focuses on the NAACP sit-ins of stores in James Weldon Johnson Park, formerly known as Hemming Park or Plaza, and Hurst's book about Ax Handle Saturday.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":[" 2018.001","/repositories/3/resources/65"],"normalized_date_ssm":["1957-2015"],"normalized_title_ssm":["Rodney Lawrence Hurst, Sr. Papers, 1957-2015"],"collection_title_tesim":["Rodney Lawrence Hurst, Sr. Papers, 1957-2015"],"collection_ssim":["Rodney Lawrence Hurst, Sr. Papers, 1957-2015"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Rodney Lawrence Hurst, Sr. in 2018."],"access_subjects_ssim":["USPS Black Heritage Stamp Series","Hurst, Rodney L.  -- Stamp collections","African Americans on postage stamps","Civil rights movements","Civil rights demonstrations","African American civil rights workers"],"access_subjects_ssm":["USPS Black Heritage Stamp Series","Hurst, Rodney L.  -- Stamp collections","African Americans on postage stamps","Civil rights movements","Civil rights demonstrations","African American civil rights workers"],"has_online_content_ssim":["false"],"extent_ssm":["5.00 Linear Feet 2 legal sized archives document boxes, 1 oversized flat box, 3 medium sized flat boxes"],"extent_tesim":["5.00 Linear Feet 2 legal sized archives document boxes, 1 oversized flat box, 3 medium sized flat boxes"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003e\tRodney L. Hurst Sr., a long time Jacksonville resident, Civil Rights activist and author was born in 1944. After transferring to Isaiah Blocker Junior High School in 1955, at age eleven, his history teacher Rutledge Henry Pearson encouraged him to join the local NAACP Youth Council. By the time he was fifteen, Mr. Hurst was named president of the youth council chapter.\u003c/p\u003e\n","\u003cp\u003eIn 1960, Hurst led the lunch counter sit in demonstrations in downtown Jacksonville's shopping districts. The first one began on August 13, 1960. They targeted the Woolworth's counter. In addition, demonstrations were held at Cohen Bros, WT Grant Department Store, Kness Department Store, and McCrory Department Store. \n    \nIn response, the stores closed their lunch counters and thus fueled the tensions that coalesced on August 27 also known as Ax Handle Saturday when 200 segregationists, armed with ax handles and baseball bats attacked 35 members of the NAACP youth council and other Black Americans who happened to be in the area.\n    \nEventually, the police closed off downtown and the sit ins ceased. Then on December 8, 1960, Rodney Hurst was arrested for his part in the demonstrations and charged with instigating a riot.  The charges were dropped after his hearing and was released. By May 16, 1961, all lunch counters in Jacksonville were integrated due to Mr. Hurst and the Youth Council's efforts.\n    \nIn subsequent years, Mr. Hurst sat on the Jacksonville Civil Council and represented District 8 from 1975-1979 and District 10 from 1979-1983. \n    \nLater in 2008, he authored a semi-autobiographical account of his experiences called \"It Was Never About a Hot Dog and a Coke!\" The book garnered recognition at the Sabrina Awards Best Non Fiction and Top Three Pick On July 31st that same year.\u003c/p\u003e\n","\u003cp\u003eIn addition, Mr. Hurst received awards for his participation in the 2009 Writer's Digest 16th Annual Self-Published Book awards, the ENAABLE and Blue Cross Blue Shield of Florida Black History Month Celebration. Due to his efforts in civil rights history, the Durkeeville Historical Society awarded Mr. Hurst a certificate of appreciation.\u003c/p\u003e\n","\u003cp\u003eIn 2010, Mr. Hurst participated in the University of Central Florida Book Festival and in 2012, he taught a course about Ax Handle Saturday and the Jacksonville sit ins at the University of North Florida.\u003c/p\u003e\n","\u003cp\u003eRecently, in 2018, the Jacksonville Task Force on Civil Rights History was created. Mr. Hurst served as the co chair of the taskforce's historical timeline subcommittee and created a chronology of civil rights history in Jacksonville from 1838 with the founding of Bethel Baptist Institutional Church to the present. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\tRodney L. Hurst Sr., a long time Jacksonville resident, Civil Rights activist and author was born in 1944. After transferring to Isaiah Blocker Junior High School in 1955, at age eleven, his history teacher Rutledge Henry Pearson encouraged him to join the local NAACP Youth Council. By the time he was fifteen, Mr. Hurst was named president of the youth council chapter.","In 1960, Hurst led the lunch counter sit in demonstrations in downtown Jacksonville's shopping districts. The first one began on August 13, 1960. They targeted the Woolworth's counter. In addition, demonstrations were held at Cohen Bros, WT Grant Department Store, Kness Department Store, and McCrory Department Store. \n    \nIn response, the stores closed their lunch counters and thus fueled the tensions that coalesced on August 27 also known as Ax Handle Saturday when 200 segregationists, armed with ax handles and baseball bats attacked 35 members of the NAACP youth council and other Black Americans who happened to be in the area.\n    \nEventually, the police closed off downtown and the sit ins ceased. Then on December 8, 1960, Rodney Hurst was arrested for his part in the demonstrations and charged with instigating a riot.  The charges were dropped after his hearing and was released. By May 16, 1961, all lunch counters in Jacksonville were integrated due to Mr. Hurst and the Youth Council's efforts.\n    \nIn subsequent years, Mr. Hurst sat on the Jacksonville Civil Council and represented District 8 from 1975-1979 and District 10 from 1979-1983. \n    \nLater in 2008, he authored a semi-autobiographical account of his experiences called \"It Was Never About a Hot Dog and a Coke!\" The book garnered recognition at the Sabrina Awards Best Non Fiction and Top Three Pick On July 31st that same year.","In addition, Mr. Hurst received awards for his participation in the 2009 Writer's Digest 16th Annual Self-Published Book awards, the ENAABLE and Blue Cross Blue Shield of Florida Black History Month Celebration. Due to his efforts in civil rights history, the Durkeeville Historical Society awarded Mr. Hurst a certificate of appreciation.","In 2010, Mr. Hurst participated in the University of Central Florida Book Festival and in 2012, he taught a course about Ax Handle Saturday and the Jacksonville sit ins at the University of North Florida.","Recently, in 2018, the Jacksonville Task Force on Civil Rights History was created. Mr. Hurst served as the co chair of the taskforce's historical timeline subcommittee and created a chronology of civil rights history in Jacksonville from 1838 with the founding of Bethel Baptist Institutional Church to the present. "],"prefercite_html_tesm":["\u003cp\u003eRodney Lawrence Hurst, Sr. Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Rodney Lawrence Hurst, Sr. Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of papers and memorabilia related to civil rights history in Jacksonville and Hurst's experiences as a member of the NAACP Youth Council in the 1960's. The collection focuses on the NAACP sit-ins of stores in James Weldon Johnson Park, formerly known as Hemming Park or Plaza, and Hurst's book about Ax Handle Saturday.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of papers and memorabilia related to civil rights history in Jacksonville and Hurst's experiences as a member of the NAACP Youth Council in the 1960's. The collection focuses on the NAACP sit-ins of stores in James Weldon Johnson Park, formerly known as Hemming Park or Plaza, and Hurst's book about Ax Handle Saturday."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":509,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"42e7073fb9b8528341d9f801","timestamp":"2026-05-27T03:06:30.746Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/42e7073fb9b8528341d9f801_aspace_611d6348bd1148f9f9831abe3bb828b1"}},{"id":"05176a8238a411947dafe2de_aspace_16849","type":"Item","attributes":{"title":"Volume I, 1961-1963","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/05176a8238a411947dafe2de_aspace_16849#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_16849","ref_ssm":["aspace_16849","aspace_16849"],"id":"05176a8238a411947dafe2de_aspace_16849","title_filing_ssi":"Volume I","title_ssm":["Volume I"],"title_tesim":["Volume I"],"unitdate_inclusive_ssm":["1961-1963"],"normalized_date_ssm":["1961-1963"],"normalized_title_ssm":["Volume I, 1961-1963"],"text":["Volume I, 1961-1963","George and Anne Millay Collection, 1959-2006","Sea World, 1959-2004","San Diego Files, 1960-2001","Scrapbooks, 1961-1964","Item 1","/repositories/4/archival_objects/37318","box 13"],"component_level_isim":[4],"parent_ids_ssim":["05176a8238a411947dafe2de","05176a8238a411947dafe2de_aspace_16680","05176a8238a411947dafe2de_aspace_16772","05176a8238a411947dafe2de_aspace_16847"],"parent_unittitles_ssm":["George and Anne Millay Collection, 1959-2006","Sea World, 1959-2004","San Diego Files, 1960-2001","Scrapbooks, 1961-1964"],"parent_unittitles_tesim":["George and Anne Millay Collection, 1959-2006","Sea World, 1959-2004","San Diego Files, 1960-2001","Scrapbooks, 1961-1964"],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["Item 1","/repositories/4/archival_objects/37318"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["George and Anne Millay Collection, 1959-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":434,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1961,1962,1963],"containers_ssim":["box 13"],"_nest_path_":"/components#1/components#7/components#38/components#0","_nest_parent_":"05176a8238a411947dafe2de_aspace_16847","_root_":"05176a8238a411947dafe2de","timestamp":"2026-07-09T03:02:51.250Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"05176a8238a411947dafe2de","title_ssm":["George and Anne Millay Collection"],"title_tesim":["George and Anne Millay Collection"],"ead_ssi":"05176a8238a411947dafe2de","unitdate_ssm":["1959-2006"],"unitdate_inclusive_ssm":["1959-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.079","/repositories/4/resources/154"],"text":["SC.079","/repositories/4/resources/154","George and Anne Millay Collection, 1959-2006","Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)","Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings","The entire collection is open for research.","The papers are arranged in five series by topic.","George Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.","\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.","\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.","\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.","\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004.","Collection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. ","Materials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes.","Other collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online  Library Catalog .","Series I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.","\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.","\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.","\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.","\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","George Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements.","UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, Anne, 1934-2006","Millay, George","English"],"unitid_tesim":["SC.079","/repositories/4/resources/154"],"normalized_date_ssm":["1959-2006"],"normalized_title_ssm":["George and Anne Millay Collection, 1959-2006"],"collection_title_tesim":["George and Anne Millay Collection, 1959-2006"],"collection_ssim":["George and Anne Millay Collection, 1959-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"geogname_ssim":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"creator_ssm":["Millay, Anne, 1934-2006"],"creator_ssim":["Millay, Anne, 1934-2006"],"creator_persname_ssim":["Millay, Anne, 1934-2006"],"creators_ssim":["Millay, Anne, 1934-2006"],"places_ssim":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Millay family donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2007 (CFM2007_15) and 2010 (CFM2010_04)."],"access_subjects_ssim":["Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"access_subjects_ssm":["Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"has_online_content_ssim":["false"],"extent_ssm":["21.25 Linear Feet 22 Boxes, 8 Flat Files, 5 Framed Items"],"extent_tesim":["21.25 Linear Feet 22 Boxes, 8 Flat Files, 5 Framed Items"],"genreform_ssim":["Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged in five series by topic.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The papers are arranged in five series by topic."],"bioghist_html_tesm":["\u003cp\u003eGeorge Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.\u003c/p\u003e\n","\u003cp\u003e\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.\u003c/p\u003e\n","\u003cp\u003e\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.\u003c/p\u003e\n","\u003cp\u003e\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.\u003c/p\u003e\n","\u003cp\u003e\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["George Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.","\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.","\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.","\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.","\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004."],"prefercite_html_tesm":["\u003cp\u003eGeorge and Anne Millay Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["George and Anne Millay Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. \u003c/p\u003e","\u003cp\u003eMaterials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. ","Materials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eOther collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.","\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.","\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.","\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.","\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2b9aba5ed67fc882ac4591fdb37c3fb\" label=\"Abstract\"\u003eGeorge Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements.\u003c/abstract\u003e"],"abstract_tesim":["George Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements."],"names_coll_ssim":["Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, George","Millay, Anne, 1934-2006"],"names_ssim":["UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, Anne, 1934-2006","Millay, George"],"corpname_ssim":["UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World"],"persname_ssim":["Millay, Anne, 1934-2006","Millay, George"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":680,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"05176a8238a411947dafe2de","timestamp":"2026-07-09T03:02:51.250Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/05176a8238a411947dafe2de_aspace_16849"}},{"id":"aa862cad77720b140698c8fb_aspace_a70ad86405ac225b1752648231eab412","type":"Item","attributes":{"title":"Volume I, bulk 1855-1968","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb_aspace_a70ad86405ac225b1752648231eab412#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_a70ad86405ac225b1752648231eab412","ref_ssm":["aspace_a70ad86405ac225b1752648231eab412","aspace_a70ad86405ac225b1752648231eab412"],"id":"aa862cad77720b140698c8fb_aspace_a70ad86405ac225b1752648231eab412","title_filing_ssi":"Volume I","title_ssm":["Volume I"],"title_tesim":["Volume I"],"unitdate_bulk_ssim":["1855-1968"],"normalized_date_ssm":["bulk 1855-1968"],"normalized_title_ssm":["Volume I, bulk 1855-1968"],"text":["Volume I, bulk 1855-1968","Cuban Stamps Collection, 1855-1968","1","/repositories/2/archival_objects/86394","Spanish; Castilian"],"component_level_isim":[1],"parent_ids_ssim":["aa862cad77720b140698c8fb"],"parent_unittitles_ssm":["Cuban Stamps Collection, 1855-1968"],"parent_unittitles_tesim":["Cuban Stamps Collection, 1855-1968"],"parent_levels_ssm":["collection"],"unitid_ssm":["1","/repositories/2/archival_objects/86394"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"language_ssim":["Spanish; Castilian"],"_nest_path_":"/components#0","_nest_parent_":"aa862cad77720b140698c8fb","_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"aa862cad77720b140698c8fb","title_ssm":["Cuban Stamps Collection"],"title_tesim":["Cuban Stamps Collection"],"ead_ssi":"aa862cad77720b140698c8fb","unitdate_ssm":["1855-1968"],"unitdate_inclusive_ssm":["1855-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9070","/repositories/2/resources/131"],"text":["SPC9070","/repositories/2/resources/131","Cuban Stamps Collection, 1855-1968","The collection is open for research.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana.","Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","Collection of Cuban stamps from the mid-19th century to the mid-20th century.","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9070","/repositories/2/resources/131"],"normalized_date_ssm":["1855-1968"],"normalized_title_ssm":["Cuban Stamps Collection, 1855-1968"],"collection_title_tesim":["Cuban Stamps Collection, 1855-1968"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"has_online_content_ssim":["false"],"extent_ssm":["3 items"],"extent_tesim":["3 items"],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.\u003c/p\u003e\n","\u003cp\u003eAs the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.\u003c/p\u003e\n","\u003cp\u003eThis collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.\u003c/p\u003e\n","\u003cp\u003e\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a trav\u0026#xE9;s de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y pol\u0026#xED;ticos que dieron forma a Cuba durante este per\u0026#xED;odo transformador. Desde el dominio colonial espa\u0026#xF1;ol, pasando por la creaci\u0026#xF3;n de la Rep\u0026#xFA;blica Cubana, hasta el surgimiento de la Revoluci\u0026#xF3;n Cubana, estos eventos hist\u0026#xF3;ricos se reflejan en los sellos mismos. En 1855, Cuba emiti\u0026#xF3; su primer sello postal bajo el dominio espa\u0026#xF1;ol, marcando el comienzo de su servicio postal. Durante este per\u0026#xED;odo, los sellos estuvieron fuertemente influenciados por Espa\u0026#xF1;a e inclu\u0026#xED;an im\u0026#xE1;genes de la monarqu\u0026#xED;a espa\u0026#xF1;ola, reforzando la conexi\u0026#xF3;n entre el Imperio Espa\u0026#xF1;ol y Cuba.\u003c/p\u003e\n","\u003cp\u003eAl final del siglo XIX, la Guerra Hispanoamericana marc\u0026#xF3; un momento clave para Cuba, pasando de ser una colonia a una naci\u0026#xF3;n independiente en 1902. Este per\u0026#xED;odo vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, s\u0026#xED;mbolos de independencia e im\u0026#xE1;genes que celebraban la rica historia y cultura de Cuba. Adem\u0026#xE1;s, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experiment\u0026#xF3; eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresi\u0026#xF3;n. Estos eventos contribuyeron a la inestabilidad pol\u0026#xED;tica y a los frecuentes cambios de gobierno, lo que se\u0026#xF1;al\u0026#xF3; un per\u0026#xED;odo de crisis en la isla. Durante la Guerra Fr\u0026#xED;a, con el auge de la Uni\u0026#xF3;n Sovi\u0026#xE9;tica, la Revoluci\u0026#xF3;n Cubana de 1959 comenz\u0026#xF3; a remodelar la naci\u0026#xF3;n. Los sellos de este per\u0026#xED;odo reflejan la transformaci\u0026#xF3;n del pa\u0026#xED;s, con im\u0026#xE1;genes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revoluci\u0026#xF3;n y su progreso.\u003c/p\u003e\n","\u003cp\u003eEsta colecci\u0026#xF3;n captura la evoluci\u0026#xF3;n de los sellos cubanos como una forma de comunicaci\u0026#xF3;n y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relaci\u0026#xF3;n con las potencias extranjeras. Los sellos presentan im\u0026#xE1;genes de la cultura cubana, el arte, figuras hist\u0026#xF3;ricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colecci\u0026#xF3;n brinda la oportunidad de explorar c\u0026#xF3;mo Cuba se transform\u0026#xF3; a lo largo de un siglo. Los investigadores pueden examinar las ideolog\u0026#xED;as pol\u0026#xED;ticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colecci\u0026#xF3;n de Sellos de Cuba en FIU no es solo un archivo hist\u0026#xF3;rico, sino tambi\u0026#xE9;n un testimonio de los cambios culturales y sociales del siglo XX.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX."],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. \u003c/p\u003e\n","\u003cp\u003e\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilaci\u0026#xF3;n integral de sellos postales que abarca la historia de Cuba durante este per\u0026#xED;odo transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revoluci\u0026#xF3;n Cubana y sus efectos posteriores. Demuestra el cambio social y pol\u0026#xED;tico a trav\u0026#xE9;s de los sellos y c\u0026#xF3;mo se utiliza este medio como propaganda de la revuelta. Tambi\u0026#xE9;n muestra c\u0026#xF3;mo se manejan las relaciones internacionales con otras naciones y c\u0026#xF3;mo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colecci\u0026#xF3;n consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservaci\u0026#xF3;n de estos sellos ofrece a los investigadores la oportunidad de descubrir por s\u0026#xED; mismos c\u0026#xF3;mo evolucionan las im\u0026#xE1;genes y los s\u0026#xED;mbolos a medida que avanza y se desarrolla la Revoluci\u0026#xF3;n Cubana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana."],"userestrict_html_tesm":["\u003cp\u003eRights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4174f2603576483c6691a9df651e17c6\"\u003eCollection of Cuban stamps from the mid-19th century to the mid-20th century.\u003c/abstract\u003e"],"abstract_tesim":["Collection of Cuban stamps from the mid-19th century to the mid-20th century."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb_aspace_a70ad86405ac225b1752648231eab412"}},{"id":"aa862cad77720b140698c8fb_aspace_82a3f7316e92fc3a656228c49b9e6c08","type":"Item","attributes":{"title":"Volume II, bulk 1855-1968","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb_aspace_82a3f7316e92fc3a656228c49b9e6c08#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_82a3f7316e92fc3a656228c49b9e6c08","ref_ssm":["aspace_82a3f7316e92fc3a656228c49b9e6c08","aspace_82a3f7316e92fc3a656228c49b9e6c08"],"id":"aa862cad77720b140698c8fb_aspace_82a3f7316e92fc3a656228c49b9e6c08","title_filing_ssi":"Volume II","title_ssm":["Volume II"],"title_tesim":["Volume II"],"unitdate_bulk_ssim":["1855-1968"],"normalized_date_ssm":["bulk 1855-1968"],"normalized_title_ssm":["Volume II, bulk 1855-1968"],"text":["Volume II, bulk 1855-1968","Cuban Stamps Collection, 1855-1968","2","/repositories/2/archival_objects/86396","Spanish; Castilian"],"component_level_isim":[1],"parent_ids_ssim":["aa862cad77720b140698c8fb"],"parent_unittitles_ssm":["Cuban Stamps Collection, 1855-1968"],"parent_unittitles_tesim":["Cuban Stamps Collection, 1855-1968"],"parent_levels_ssm":["collection"],"unitid_ssm":["2","/repositories/2/archival_objects/86396"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"language_ssim":["Spanish; Castilian"],"_nest_path_":"/components#1","_nest_parent_":"aa862cad77720b140698c8fb","_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"aa862cad77720b140698c8fb","title_ssm":["Cuban Stamps Collection"],"title_tesim":["Cuban Stamps Collection"],"ead_ssi":"aa862cad77720b140698c8fb","unitdate_ssm":["1855-1968"],"unitdate_inclusive_ssm":["1855-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9070","/repositories/2/resources/131"],"text":["SPC9070","/repositories/2/resources/131","Cuban Stamps Collection, 1855-1968","The collection is open for research.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana.","Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","Collection of Cuban stamps from the mid-19th century to the mid-20th century.","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9070","/repositories/2/resources/131"],"normalized_date_ssm":["1855-1968"],"normalized_title_ssm":["Cuban Stamps Collection, 1855-1968"],"collection_title_tesim":["Cuban Stamps Collection, 1855-1968"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"has_online_content_ssim":["false"],"extent_ssm":["3 items"],"extent_tesim":["3 items"],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.\u003c/p\u003e\n","\u003cp\u003eAs the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.\u003c/p\u003e\n","\u003cp\u003eThis collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.\u003c/p\u003e\n","\u003cp\u003e\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a trav\u0026#xE9;s de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y pol\u0026#xED;ticos que dieron forma a Cuba durante este per\u0026#xED;odo transformador. Desde el dominio colonial espa\u0026#xF1;ol, pasando por la creaci\u0026#xF3;n de la Rep\u0026#xFA;blica Cubana, hasta el surgimiento de la Revoluci\u0026#xF3;n Cubana, estos eventos hist\u0026#xF3;ricos se reflejan en los sellos mismos. En 1855, Cuba emiti\u0026#xF3; su primer sello postal bajo el dominio espa\u0026#xF1;ol, marcando el comienzo de su servicio postal. Durante este per\u0026#xED;odo, los sellos estuvieron fuertemente influenciados por Espa\u0026#xF1;a e inclu\u0026#xED;an im\u0026#xE1;genes de la monarqu\u0026#xED;a espa\u0026#xF1;ola, reforzando la conexi\u0026#xF3;n entre el Imperio Espa\u0026#xF1;ol y Cuba.\u003c/p\u003e\n","\u003cp\u003eAl final del siglo XIX, la Guerra Hispanoamericana marc\u0026#xF3; un momento clave para Cuba, pasando de ser una colonia a una naci\u0026#xF3;n independiente en 1902. Este per\u0026#xED;odo vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, s\u0026#xED;mbolos de independencia e im\u0026#xE1;genes que celebraban la rica historia y cultura de Cuba. Adem\u0026#xE1;s, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experiment\u0026#xF3; eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresi\u0026#xF3;n. Estos eventos contribuyeron a la inestabilidad pol\u0026#xED;tica y a los frecuentes cambios de gobierno, lo que se\u0026#xF1;al\u0026#xF3; un per\u0026#xED;odo de crisis en la isla. Durante la Guerra Fr\u0026#xED;a, con el auge de la Uni\u0026#xF3;n Sovi\u0026#xE9;tica, la Revoluci\u0026#xF3;n Cubana de 1959 comenz\u0026#xF3; a remodelar la naci\u0026#xF3;n. Los sellos de este per\u0026#xED;odo reflejan la transformaci\u0026#xF3;n del pa\u0026#xED;s, con im\u0026#xE1;genes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revoluci\u0026#xF3;n y su progreso.\u003c/p\u003e\n","\u003cp\u003eEsta colecci\u0026#xF3;n captura la evoluci\u0026#xF3;n de los sellos cubanos como una forma de comunicaci\u0026#xF3;n y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relaci\u0026#xF3;n con las potencias extranjeras. Los sellos presentan im\u0026#xE1;genes de la cultura cubana, el arte, figuras hist\u0026#xF3;ricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colecci\u0026#xF3;n brinda la oportunidad de explorar c\u0026#xF3;mo Cuba se transform\u0026#xF3; a lo largo de un siglo. Los investigadores pueden examinar las ideolog\u0026#xED;as pol\u0026#xED;ticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colecci\u0026#xF3;n de Sellos de Cuba en FIU no es solo un archivo hist\u0026#xF3;rico, sino tambi\u0026#xE9;n un testimonio de los cambios culturales y sociales del siglo XX.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX."],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. \u003c/p\u003e\n","\u003cp\u003e\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilaci\u0026#xF3;n integral de sellos postales que abarca la historia de Cuba durante este per\u0026#xED;odo transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revoluci\u0026#xF3;n Cubana y sus efectos posteriores. Demuestra el cambio social y pol\u0026#xED;tico a trav\u0026#xE9;s de los sellos y c\u0026#xF3;mo se utiliza este medio como propaganda de la revuelta. Tambi\u0026#xE9;n muestra c\u0026#xF3;mo se manejan las relaciones internacionales con otras naciones y c\u0026#xF3;mo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colecci\u0026#xF3;n consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservaci\u0026#xF3;n de estos sellos ofrece a los investigadores la oportunidad de descubrir por s\u0026#xED; mismos c\u0026#xF3;mo evolucionan las im\u0026#xE1;genes y los s\u0026#xED;mbolos a medida que avanza y se desarrolla la Revoluci\u0026#xF3;n Cubana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana."],"userestrict_html_tesm":["\u003cp\u003eRights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4174f2603576483c6691a9df651e17c6\"\u003eCollection of Cuban stamps from the mid-19th century to the mid-20th century.\u003c/abstract\u003e"],"abstract_tesim":["Collection of Cuban stamps from the mid-19th century to the mid-20th century."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb_aspace_82a3f7316e92fc3a656228c49b9e6c08"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Michael A. Spencer Bromeliad Research Collection, 1754-2014","value":"Michael A. Spencer Bromeliad Research Collection, 1754-2014","hits":387},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Michael+A.+Spencer+Bromeliad+Research+Collection%2C+1754-2014\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Niara Sudarkasa Collection, 1934-2006","value":"Niara Sudarkasa Collection, 1934-2006","hits":135},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Niara+Sudarkasa+Collection%2C+1934-2006\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Dorothy Porter Wesley Collection, Circa 1788-2012","value":"Dorothy Porter Wesley Collection, Circa 1788-2012","hits":112},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Dorothy+Porter+Wesley+Collection%2C+Circa+1788-2012\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997","value":"Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997","hits":97},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Children%27s+Home+Society+of+Florida+collection%2C+1862-2019%2C+bulk+1902-1997\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006","value":"Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006","hits":81},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Dr.+Heather+Frazer+and+Dr.+John+O%27Sullivan+Research+Collection%2C+1871+-+2006\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Easter Lily Gates Collection, 1898-1982","value":"Easter Lily Gates Collection, 1898-1982","hits":78},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Easter+Lily+Gates+Collection%2C+1898-1982\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Florida Ephemera collection, circa 1813-2007","value":"Florida Ephemera collection, circa 1813-2007","hits":77},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Florida+Ephemera+collection%2C+circa+1813-2007\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Florida Bandmasters Association Records, 1936-2010","value":"Florida Bandmasters Association Records, 1936-2010","hits":60},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Florida+Bandmasters+Association+Records%2C+1936-2010\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"José Guerra Alemán Collection, 1887-2013","value":"José Guerra Alemán Collection, 1887-2013","hits":54},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Jos%C3%A9+Guerra+Alem%C3%A1n+Collection%2C+1887-2013\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Louis Miano Theater Collection, 1896-2017","value":"Louis Miano Theater Collection, 1896-2017","hits":54},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Louis+Miano+Theater+Collection%2C+1896-2017\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987.","value":"UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987.","hits":54},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=UCF+Home+Movie+Archives%2C+Circa+1920-1989%2C+Circa+2010-2014%2C+Undated.%2C+bulk+1950-1987.\u0026f%5Bdate_range%5D%5B%5D=1961"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/collection_ssim.json?f%5Bdate_range%5D%5B%5D=1961"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Florida Southern College","value":"Florida Southern College","hits":12},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Florida+Southern+College\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"University of South Florida. Library. Special Collections Department","value":"University of South Florida. Library. Special Collections Department","hits":5},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=University+of+South+Florida.+Library.+Special+Collections+Department\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Florida Audubon Society","value":"Florida Audubon Society","hits":4},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Florida+Audubon+Society\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Levine, Seymour","value":"Levine, Seymour","hits":4},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Levine%2C+Seymour\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Mickler, Georgine, 1914-1998","value":"Mickler, Georgine, 1914-1998","hits":4},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Mickler%2C+Georgine%2C+1914-1998\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Mickler, Thomas, 1912-1997","value":"Mickler, Thomas, 1912-1997","hits":4},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Mickler%2C+Thomas%2C+1912-1997\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Anonymous","value":"Anonymous","hits":3},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Anonymous\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Dunn, Hampton (Henry Hampton), 1916-2002","value":"Dunn, Hampton (Henry Hampton), 1916-2002","hits":3},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Dunn%2C+Hampton+%28Henry+Hampton%29%2C+1916-2002\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Florida State University","value":"Florida State University","hits":3},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Florida+State+University\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Letson, Arthur (Sethuel Arthur), 1921-1995","value":"Letson, Arthur (Sethuel Arthur), 1921-1995","hits":3},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Letson%2C+Arthur+%28Sethuel+Arthur%29%2C+1921-1995\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Mormino, Gary Ross (1947-)","value":"Mormino, Gary Ross (1947-)","hits":3},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Mormino%2C+Gary+Ross+%281947-%29\u0026f%5Bdate_range%5D%5B%5D=1961"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/creator_ssim.json?f%5Bdate_range%5D%5B%5D=1961"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1961","value":"1961","hits":4066},"links":{"remove":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"1962","value":"1962","hits":3401},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1962"}},{"attributes":{"label":"1960","value":"1960","hits":3365},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1960"}},{"attributes":{"label":"1963","value":"1963","hits":3235},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1963"}},{"attributes":{"label":"1964","value":"1964","hits":3132},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1964"}},{"attributes":{"label":"1959","value":"1959","hits":3059},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1959"}},{"attributes":{"label":"1965","value":"1965","hits":3018},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1965"}},{"attributes":{"label":"1958","value":"1958","hits":2930},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1958"}},{"attributes":{"label":"1966","value":"1966","hits":2897},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1966"}},{"attributes":{"label":"1957","value":"1957","hits":2833},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1957"}},{"attributes":{"label":"1967","value":"1967","hits":2833},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1967"}},{"attributes":{"label":"1968","value":"1968","hits":2763},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1968"}},{"attributes":{"label":"1956","value":"1956","hits":2725},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1956"}},{"attributes":{"label":"1969","value":"1969","hits":2667},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1969"}},{"attributes":{"label":"1955","value":"1955","hits":2658},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1955"}},{"attributes":{"label":"1954","value":"1954","hits":2561},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1954"}},{"attributes":{"label":"1970","value":"1970","hits":2558},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1970"}},{"attributes":{"label":"1953","value":"1953","hits":2506},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1953"}},{"attributes":{"label":"1952","value":"1952","hits":2433},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1952"}},{"attributes":{"label":"1971","value":"1971","hits":2428},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1971"}},{"attributes":{"label":"1972","value":"1972","hits":2381},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1972"}},{"attributes":{"label":"1951","value":"1951","hits":2379},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1951"}},{"attributes":{"label":"1973","value":"1973","hits":2314},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1973"}},{"attributes":{"label":"1950","value":"1950","hits":2311},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1950"}},{"attributes":{"label":"1974","value":"1974","hits":2265},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"1975","value":"1975","hits":2214},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1975"}},{"attributes":{"label":"1949","value":"1949","hits":2201},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1949"}},{"attributes":{"label":"1976","value":"1976","hits":2166},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1976"}},{"attributes":{"label":"1948","value":"1948","hits":2145},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1948"}},{"attributes":{"label":"1977","value":"1977","hits":2097},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1977"}},{"attributes":{"label":"1947","value":"1947","hits":2078},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1947"}},{"attributes":{"label":"1978","value":"1978","hits":2038},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1978"}},{"attributes":{"label":"1946","value":"1946","hits":2037},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1946"}},{"attributes":{"label":"1979","value":"1979","hits":1994},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1979"}},{"attributes":{"label":"1945","value":"1945","hits":1972},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1945"}},{"attributes":{"label":"1980","value":"1980","hits":1927},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1980"}},{"attributes":{"label":"1944","value":"1944","hits":1860},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1944"}},{"attributes":{"label":"1981","value":"1981","hits":1804},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1981"}},{"attributes":{"label":"1943","value":"1943","hits":1783},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1943"}},{"attributes":{"label":"1982","value":"1982","hits":1743},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1982"}},{"attributes":{"label":"1983","value":"1983","hits":1683},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1983"}},{"attributes":{"label":"1942","value":"1942","hits":1673},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1942"}},{"attributes":{"label":"1984","value":"1984","hits":1626},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1984"}},{"attributes":{"label":"1985","value":"1985","hits":1577},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1985"}},{"attributes":{"label":"1941","value":"1941","hits":1551},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1941"}},{"attributes":{"label":"1986","value":"1986","hits":1517},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1986"}},{"attributes":{"label":"1940","value":"1940","hits":1479},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1940"}},{"attributes":{"label":"1987","value":"1987","hits":1465},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"1988","value":"1988","hits":1411},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"1939","value":"1939","hits":1365},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1939"}},{"attributes":{"label":"1989","value":"1989","hits":1346},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1989"}},{"attributes":{"label":"1938","value":"1938","hits":1302},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1938"}},{"attributes":{"label":"1990","value":"1990","hits":1271},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1990"}},{"attributes":{"label":"1937","value":"1937","hits":1241},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1937"}},{"attributes":{"label":"1936","value":"1936","hits":1185},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"1991","value":"1991","hits":1167},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1991"}},{"attributes":{"label":"1935","value":"1935","hits":1148},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1935"}},{"attributes":{"label":"1992","value":"1992","hits":1120},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1992"}},{"attributes":{"label":"1934","value":"1934","hits":1114},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1934"}},{"attributes":{"label":"1933","value":"1933","hits":1086},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1933"}},{"attributes":{"label":"1993","value":"1993","hits":1081},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1993"}},{"attributes":{"label":"1932","value":"1932","hits":1064},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1932"}},{"attributes":{"label":"1931","value":"1931","hits":1045},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1931"}},{"attributes":{"label":"1930","value":"1930","hits":1028},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1930"}},{"attributes":{"label":"1994","value":"1994","hits":1021},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1994"}},{"attributes":{"label":"1929","value":"1929","hits":977},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1929"}},{"attributes":{"label":"1995","value":"1995","hits":964},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1995"}},{"attributes":{"label":"1928","value":"1928","hits":961},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1928"}},{"attributes":{"label":"1927","value":"1927","hits":942},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1927"}},{"attributes":{"label":"1926","value":"1926","hits":920},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1926"}},{"attributes":{"label":"1996","value":"1996","hits":915},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1996"}},{"attributes":{"label":"1925","value":"1925","hits":897},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1925"}},{"attributes":{"label":"1997","value":"1997","hits":886},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1997"}},{"attributes":{"label":"1924","value":"1924","hits":866},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1924"}},{"attributes":{"label":"1998","value":"1998","hits":846},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1998"}},{"attributes":{"label":"1923","value":"1923","hits":844},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1923"}},{"attributes":{"label":"1922","value":"1922","hits":816},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1922"}},{"attributes":{"label":"1921","value":"1921","hits":785},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1921"}},{"attributes":{"label":"1999","value":"1999","hits":785},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1999"}},{"attributes":{"label":"1920","value":"1920","hits":769},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1920"}},{"attributes":{"label":"2000","value":"2000","hits":715},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=2000"}},{"attributes":{"label":"1919","value":"1919","hits":714},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1919"}},{"attributes":{"label":"1918","value":"1918","hits":694},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1918"}},{"attributes":{"label":"1917","value":"1917","hits":682},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1917"}},{"attributes":{"label":"1916","value":"1916","hits":669},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1916"}},{"attributes":{"label":"1915","value":"1915","hits":654},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1915"}},{"attributes":{"label":"1914","value":"1914","hits":631},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1914"}},{"attributes":{"label":"2001","value":"2001","hits":619},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=2001"}},{"attributes":{"label":"1913","value":"1913","hits":612},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1913"}},{"attributes":{"label":"1912","value":"1912","hits":602},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1912"}},{"attributes":{"label":"1911","value":"1911","hits":580},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1911"}},{"attributes":{"label":"2002","value":"2002","hits":568},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=2002"}},{"attributes":{"label":"1910","value":"1910","hits":567},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1910"}},{"attributes":{"label":"1909","value":"1909","hits":543},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1909"}},{"attributes":{"label":"1908","value":"1908","hits":530},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1908"}},{"attributes":{"label":"1907","value":"1907","hits":524},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1907"}},{"attributes":{"label":"2003","value":"2003","hits":520},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=2003"}},{"attributes":{"label":"1906","value":"1906","hits":518},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1906"}},{"attributes":{"label":"1905","value":"1905","hits":504},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1905"}},{"attributes":{"label":"1904","value":"1904","hits":493},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1904"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/date_range_isim.json?f%5Bdate_range%5D%5B%5D=1961"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"File","value":"File","hits":2245},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=File"}},{"attributes":{"label":"Collection","value":"Collection","hits":1167},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Collection"}},{"attributes":{"label":"Item","value":"Item","hits":228},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Item"}},{"attributes":{"label":"Series","value":"Series","hits":198},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"Subseries","value":"Subseries","hits":185},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"Box","value":"Box","hits":36},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Box"}},{"attributes":{"label":"Record Group","value":"Record Group","hits":12},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Record+Group"}},{"attributes":{"label":"Drawer","value":"Drawer","hits":11},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Drawer"}},{"attributes":{"label":"Sub-sub-series","value":"Sub-sub-series","hits":6},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Sub-sub-series"}},{"attributes":{"label":"Subgroup","value":"Subgroup","hits":5},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Subgroup"}},{"attributes":{"label":"Map case","value":"Map case","hits":3},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Map+case"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/level_ssim.json?f%5Bdate_range%5D%5B%5D=1961"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"FSU Special Collections \u0026 Archives","value":"FSU Special Collections \u0026 Archives","hits":445},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bnames%5D%5B%5D=FSU+Special+Collections+%26+Archives"}},{"attributes":{"label":"USF Libraries - Tampa Special Collections","value":"USF Libraries - Tampa Special Collections","hits":210},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bnames%5D%5B%5D=USF+Libraries+-+Tampa+Special+Collections"}},{"attributes":{"label":"UWF University Archives and West Florida History Center","value":"UWF University Archives and West Florida History Center","hits":79},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bnames%5D%5B%5D=UWF+University+Archives+and+West+Florida+History+Center"}},{"attributes":{"label":"UCF Special Collections","value":"UCF Special Collections","hits":71},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bnames%5D%5B%5D=UCF+Special+Collections"}},{"attributes":{"label":"Florida Atlantic University Libraries","value":"Florida Atlantic University Libraries","hits":58},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bnames%5D%5B%5D=Florida+Atlantic+University+Libraries"}},{"attributes":{"label":" Broward County Historical Archives","value":" Broward County Historical Archives","hits":53},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bnames%5D%5B%5D=+Broward+County+Historical+Archives"}},{"attributes":{"label":"FIU Special Collections","value":"FIU Special Collections","hits":48},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bnames%5D%5B%5D=FIU+Special+Collections"}},{"attributes":{"label":"USF Libraries - St. Petersburg Special Collections \u0026 University Archives","value":"USF Libraries - St. Petersburg Special Collections \u0026 University Archives","hits":38},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bnames%5D%5B%5D=USF+Libraries+-+St.+Petersburg+Special+Collections+%26+University+Archives"}},{"attributes":{"label":"Thomas B. Mack Florida Citrus Archives","value":"Thomas B. Mack Florida Citrus Archives","hits":30},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bnames%5D%5B%5D=Thomas+B.+Mack+Florida+Citrus+Archives"}},{"attributes":{"label":"Florida State College for Women","value":"Florida State College for Women","hits":29},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bnames%5D%5B%5D=Florida+State+College+for+Women"}},{"attributes":{"label":"AARLCC Special Collections","value":"AARLCC Special Collections","hits":28},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bnames%5D%5B%5D=AARLCC+Special+Collections"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/names_ssim.json?f%5Bdate_range%5D%5B%5D=1961"}},{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"UCF Special Collections","value":"UCF Special Collections","hits":1085},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Brepository%5D%5B%5D=UCF+Special+Collections"}},{"attributes":{"label":"FSU Special Collections \u0026 Archives","value":"FSU Special Collections \u0026 Archives","hits":720},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Brepository%5D%5B%5D=FSU+Special+Collections+%26+Archives"}},{"attributes":{"label":"USF Libraries - Tampa Special Collections","value":"USF Libraries - Tampa Special Collections","hits":455},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Brepository%5D%5B%5D=USF+Libraries+-+Tampa+Special+Collections"}},{"attributes":{"label":"AARLCC Special Collections","value":"AARLCC Special Collections","hits":307},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Brepository%5D%5B%5D=AARLCC+Special+Collections"}},{"attributes":{"label":"FIU Special Collections","value":"FIU Special Collections","hits":268},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Brepository%5D%5B%5D=FIU+Special+Collections"}},{"attributes":{"label":"Broward County Historical Archives","value":"Broward County Historical Archives","hits":249},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Brepository%5D%5B%5D=Broward+County+Historical+Archives"}},{"attributes":{"label":"Florida Atlantic University Libraries","value":"Florida Atlantic University Libraries","hits":165},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Brepository%5D%5B%5D=Florida+Atlantic+University+Libraries"}},{"attributes":{"label":"The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","value":"The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","hits":155},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Brepository%5D%5B%5D=The+Sarah+D.+and+L.+Kirk+McKay%2C+Jr.+Archives+Center+Manuscript+Collections"}},{"attributes":{"label":"Thomas B. Mack Florida Citrus Archives","value":"Thomas B. Mack Florida Citrus Archives","hits":138},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Brepository%5D%5B%5D=Thomas+B.+Mack+Florida+Citrus+Archives"}},{"attributes":{"label":"Florida Gulf Coast University Special Collections","value":"Florida Gulf Coast University Special Collections","hits":111},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Brepository%5D%5B%5D=Florida+Gulf+Coast+University+Special+Collections"}},{"attributes":{"label":"UWF University Archives and West Florida History Center","value":"UWF University Archives and West Florida History Center","hits":79},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Brepository%5D%5B%5D=UWF+University+Archives+and+West+Florida+History+Center"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1961"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"Florida -- Politics and government","value":"Florida -- Politics and government","hits":22},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bplaces%5D%5B%5D=Florida+--+Politics+and+government"}},{"attributes":{"label":"Tampa (Fla.)","value":"Tampa (Fla.)","hits":18},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bplaces%5D%5B%5D=Tampa+%28Fla.%29"}},{"attributes":{"label":"Fort Lauderdale (Fla.)","value":"Fort Lauderdale (Fla.)","hits":16},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bplaces%5D%5B%5D=Fort+Lauderdale+%28Fla.%29"}},{"attributes":{"label":"Florida","value":"Florida","hits":15},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bplaces%5D%5B%5D=Florida"}},{"attributes":{"label":"Tampa (Fla.) -- History","value":"Tampa (Fla.) -- History","hits":15},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bplaces%5D%5B%5D=Tampa+%28Fla.%29+--+History"}},{"attributes":{"label":"Florida -- History","value":"Florida -- History","hits":12},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bplaces%5D%5B%5D=Florida+--+History"}},{"attributes":{"label":"St. Petersburg (Fla.) ","value":"St. Petersburg (Fla.) ","hits":10},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bplaces%5D%5B%5D=St.+Petersburg+%28Fla.%29+"}},{"attributes":{"label":"Ybor City (Tampa, Fla.)","value":"Ybor City (Tampa, Fla.)","hits":10},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bplaces%5D%5B%5D=Ybor+City+%28Tampa%2C+Fla.%29"}},{"attributes":{"label":"Captiva Island (Fla.)","value":"Captiva Island (Fla.)","hits":9},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bplaces%5D%5B%5D=Captiva+Island+%28Fla.%29"}},{"attributes":{"label":"Fort Myers (Fla.)","value":"Fort Myers (Fla.)","hits":9},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bplaces%5D%5B%5D=Fort+Myers+%28Fla.%29"}},{"attributes":{"label":"Hillsborough County (Fla.)","value":"Hillsborough County (Fla.)","hits":9},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bplaces%5D%5B%5D=Hillsborough+County+%28Fla.%29"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/geogname_ssim.json?f%5Bdate_range%5D%5B%5D=1961"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"World War, 1939-1945","value":"World War, 1939-1945","hits":103},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=World+War%2C+1939-1945\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Photographs","value":"Photographs","hits":91},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographs\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Correspondence","value":"Correspondence","hits":74},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Correspondence\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Clippings (Books, newspapers, etc.)","value":"Clippings (Books, newspapers, etc.)","hits":59},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Clippings+%28Books%2C+newspapers%2C+etc.%29\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Manuscripts","value":"Manuscripts","hits":44},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Manuscripts\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Programs","value":"Programs","hits":38},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Programs\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"World War, 1939-1945--Germany","value":"World War, 1939-1945--Germany","hits":30},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=World+War%2C+1939-1945--Germany\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Reports","value":"Reports","hits":29},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Reports\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"World War, 1939-1945--Personal narratives, American","value":"World War, 1939-1945--Personal narratives, American","hits":26},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=World+War%2C+1939-1945--Personal+narratives%2C+American\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"World War, 1939-1945--Campaigns--Italy","value":"World War, 1939-1945--Campaigns--Italy","hits":24},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=World+War%2C+1939-1945--Campaigns--Italy\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Certificates","value":"Certificates","hits":23},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Certificates\u0026f%5Bdate_range%5D%5B%5D=1961"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/access_subjects_ssim.json?f%5Bdate_range%5D%5B%5D=1961"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026page=388\u0026search_field=all_fields"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026page=388\u0026search_field=keyword"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026page=388\u0026search_field=name"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026page=388\u0026search_field=place"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026page=388\u0026search_field=subject"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026page=388\u0026search_field=title"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026page=388\u0026search_field=container"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026page=388\u0026search_field=identifier"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026page=388\u0026sort=score+desc%2C+title_sort+asc"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026page=388\u0026sort=date_sort+asc"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026page=388\u0026sort=date_sort+desc"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026page=388\u0026sort=creator_sort+asc"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026page=388\u0026sort=creator_sort+desc"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026page=388\u0026sort=title_sort+asc"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026page=388\u0026sort=title_sort+desc"}}]}