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Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.","Niles Sutphin is a retired architect residing in Sarasota, Florida. He was most recently the President of Sutphin Architects, Inc. of Sommerville, Massachusetts. His architectural career spanned nearly six decades, beginning with his graduation from the University of Cincinnati in the early 1950s. His work can be seen in the greater Boston area.","The collection reflects Mr. Sutphin's admiration for Frank Lloyd Wright, whom he met on a number of occassions while at university. He, along with friends and colleagues, made a point to travel to Wright-designed works throughout the United States, where he took high quality color photographs which will soon be added to our digital collections. 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For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu"],"acqinfo_ssim":["The materials were donated to the McKay archives by Mr. Sutphin in 2024."],"access_subjects_ssim":["Sutphin, Niles","Wright, Frank Lloyd, 1867-1959","Architecture--United States--20th century","Architects--United States--Biography","Florida Southern College--buildings","Guggenheim Museum","Price Tower (Bartlesville, Okla.)","Architectural drawings","Blueprints","Periodicals","Brochures."],"access_subjects_ssm":["Sutphin, Niles","Wright, Frank Lloyd, 1867-1959","Architecture--United States--20th century","Architects--United States--Biography","Florida Southern College--buildings","Guggenheim Museum","Price Tower (Bartlesville, Okla.)","Architectural drawings","Blueprints","Periodicals","Brochures."],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet"],"extent_tesim":["1 Linear Feet"],"genreform_ssim":["Architectural drawings","Blueprints","Periodicals","Brochures."],"date_range_isim":[1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eNiles Sutphin is a retired architect residing in Sarasota, Florida. He was most recently the President of Sutphin Architects, Inc. of Sommerville, Massachusetts. 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He, along with friends and colleagues, made a point to travel to Wright-designed works throughout the United States, where he took high quality color photographs which will soon be added to our digital collections. He also collected articles from trade publications related to Mr. Wright's work.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection reflects Mr. Sutphin's admiration for Frank Lloyd Wright, whom he met on a number of occassions while at university. He, along with friends and colleagues, made a point to travel to Wright-designed works throughout the United States, where he took high quality color photographs which will soon be added to our digital collections. He also collected articles from trade publications related to Mr. Wright's work."],"userestrict_html_tesm":["\u003cp\u003eThe Niles Sutphin Architectural Collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). \u003c/p\u003e\n","\u003cp\u003ePlease inquire if you have questions - archives@flsouthern.edu\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Niles Sutphin Architectural Collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu"],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Sutphin, Niles"],"corpname_ssim":["The Sarah D. and L. 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The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974],"_nest_path_":"/components#0/components#2/components#1/components#3","_nest_parent_":"98ff5eee275a3aba6d1d8b92_aspace_145570","_root_":"98ff5eee275a3aba6d1d8b92","_version_":1870863090338234368,"timestamp":"2026-07-16T09:27:58.578Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"98ff5eee275a3aba6d1d8b92","title_filing_ssi":"Pugh Collection of Amateur Periodicals, The","title_ssm":["The Pugh Collection of Amateur Periodicals"],"title_tesim":["The Pugh Collection of Amateur Periodicals"],"ead_ssi":"98ff5eee275a3aba6d1d8b92","unitdate_ssm":["1930-1982","1930-1950","Date acquired: 10/00/1997"],"unitdate_bulk_ssim":["1930-1950"],"unitdate_inclusive_ssm":["1930-1982"],"unitdate_other_ssim":["Date acquired: 10/00/1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1997-05","/repositories/2/resources/39"],"text":["MS-1997-05","/repositories/2/resources/39","The Pugh Collection of Amateur Periodicals, 1930-1982, Date acquired: 10/00/1997, bulk 1930-1950","Science fiction -- American","amateur press periodicals","alphabetical order by series","Mary L. Pugh (1918-2005) was born in Scotland, Maryland. She was the sister of Joseph F. Bradburn, the original collector of the amateur press periodicals who contributed to the amateur press with his own works, including, \"A guide to beginners in Amateur Journalism\"; a sort of amateur press \"creed\" for the amateur periodical enthusiast. Joseph F. Bradburn was also the collector and preparer of material that became the Pugh Hobby Printing Collection.","Note written by Yahaira Cruz Castro","Processed","The Pugh Hobby Printing Collection","The collection includes printing style pamphlets, periodicals with themes of science fiction, fantasy, religion, poetry and satire that is international in scope but mostly limited to English speaking countries of North American and the United Kingdom. Additionally, there are several volumes of amateur journalism in the collection. Programs for annual conventions are included as well. The collection also includes materials associated with the National Amateur Press Association (NAPA) such as the  Artis  which included essays and news regarding current NAPA members and the  Denver Dingbat  that highlighted specific amateur writers that are members of NAPA as well as current events. Material includes records associated with NAPA, the American Amateur Press Association (AAPA) as well as the British Amateur Press Association (BAPA).","None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","Amateur press periodicals were miniature newspapers and magazines published for pleasure and intellectual improvement. Primarily published by inexperienced young men and women, these journals experienced an amateur golden era during the 1940s and 1950s. A few associations like the National Amateur Press Association (NAPA) are still operating to this day.\n\t \n\t\"A History of Amateur Press Associations\" (Rutgers University library)\n\tAmericanAntiquarianSociety.org","USF Libraries - Tampa Special Collections","Pugh, Mary L. (1918-2005)","English"],"unitid_tesim":["MS-1997-05","/repositories/2/resources/39"],"normalized_date_ssm":["1930-1982, Date acquired: 10/00/1997, bulk 1930-1950"],"normalized_title_ssm":["The Pugh Collection of Amateur Periodicals, 1930-1982, Date acquired: 10/00/1997, bulk 1930-1950"],"collection_title_tesim":["The Pugh Collection of Amateur Periodicals, 1930-1982, Date acquired: 10/00/1997, bulk 1930-1950"],"collection_ssim":["The Pugh Collection of Amateur Periodicals, 1930-1982, Date acquired: 10/00/1997, bulk 1930-1950"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Pugh, Mary L. (1918-2005)"],"creator_ssim":["Pugh, Mary L. (1918-2005)"],"creator_persname_ssim":["Pugh, Mary L. (1918-2005)"],"creators_ssim":["Pugh, Mary L. (1918-2005)"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Mary L. 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Bradburn was also the collector and preparer of material that became the Pugh Hobby Printing Collection.","Note written by Yahaira Cruz Castro"],"prefercite_html_tesm":["\u003cp\u003eThe Pugh Collection of Amateur Periodicals, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"prefercite_tesim":["The Pugh Collection of Amateur Periodicals, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed"],"relatedmaterial_html_tesm":["\u003cp\u003eThe Pugh Hobby Printing Collection\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Pugh Hobby Printing Collection"],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes printing style pamphlets, periodicals with themes of science fiction, fantasy, religion, poetry and satire that is international in scope but mostly limited to English speaking countries of North American and the United Kingdom. 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Material includes records associated with NAPA, the American Amateur Press Association (AAPA) as well as the British Amateur Press Association (BAPA).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes printing style pamphlets, periodicals with themes of science fiction, fantasy, religion, poetry and satire that is international in scope but mostly limited to English speaking countries of North American and the United Kingdom. Additionally, there are several volumes of amateur journalism in the collection. Programs for annual conventions are included as well. The collection also includes materials associated with the National Amateur Press Association (NAPA) such as the  Artis  which included essays and news regarding current NAPA members and the  Denver Dingbat  that highlighted specific amateur writers that are members of NAPA as well as current events. Material includes records associated with NAPA, the American Amateur Press Association (AAPA) as well as the British Amateur Press Association (BAPA)."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a882cc3b6f79b003a1786492dd4b6619\" label=\"Abstract\"\u003eAmateur press periodicals were miniature newspapers and magazines published for pleasure and intellectual improvement. Primarily published by inexperienced young men and women, these journals experienced an amateur golden era during the 1940s and 1950s. A few associations like the National Amateur Press Association (NAPA) are still operating to this day.\n\t \n\t\"A History of Amateur Press Associations\" (Rutgers University library)\n\tAmericanAntiquarianSociety.org\u003c/abstract\u003e"],"abstract_tesim":["Amateur press periodicals were miniature newspapers and magazines published for pleasure and intellectual improvement. Primarily published by inexperienced young men and women, these journals experienced an amateur golden era during the 1940s and 1950s. A few associations like the National Amateur Press Association (NAPA) are still operating to this day.\n\t \n\t\"A History of Amateur Press Associations\" (Rutgers University library)\n\tAmericanAntiquarianSociety.org"],"names_ssim":["USF Libraries - Tampa Special Collections","Pugh, Mary L. (1918-2005)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Pugh, Mary L. 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It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9814e559b5e5e7e356011795#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"9814e559b5e5e7e356011795","title_ssm":["Noel Wisdom collection"],"title_tesim":["Noel Wisdom collection"],"ead_ssi":"9814e559b5e5e7e356011795","unitdate_ssm":["1915-1982"],"unitdate_inclusive_ssm":["1915-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1976-02","/repositories/2/resources/191"],"text":["MS-1976-02","/repositories/2/resources/191","Noel Wisdom collection, 1915-1982","Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists","This collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2.","Noel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.  His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches.  Most of what he did in the trenches consisited of sketching profiles of his platoon.  One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.  In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.  He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.  Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.  At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.  He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.   Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.  He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.  During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.  About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist.  In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.  Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve","Noel Wisdom Collection of Chromolithographic Prints","This collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","This collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript,  Around The World On Scissors . It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom.","USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)","English"],"unitid_tesim":["MS-1976-02","/repositories/2/resources/191"],"normalized_date_ssm":["1915-1982"],"normalized_title_ssm":["Noel Wisdom collection, 1915-1982"],"collection_title_tesim":["Noel Wisdom collection, 1915-1982"],"collection_ssim":["Noel Wisdom collection, 1915-1982"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Wisdom, Noel (1897-1983)"],"creator_ssim":["Wisdom, Noel (1897-1983)"],"creator_persname_ssim":["Wisdom, Noel (1897-1983)"],"creators_ssim":["Wisdom, Noel (1897-1983)"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Noel Wisdom","Donation."],"access_subjects_ssim":["Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists"],"access_subjects_ssm":["Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["0.83 Linear Feet","2 boxes"],"extent_tesim":["0.83 Linear Feet","2 boxes"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2."],"bioghist_html_tesm":["\u003cp\u003eNoel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.\u0026#xA0; His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.\u003c/p\u003e\n","\u003cp\u003eWisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"\u003c/p\u003e\n","\u003cp\u003eIn 1915 Wisdom was accepted for service and found himself in the British trenches.\u0026#xA0; Most of what he did in the trenches consisited of sketching profiles of his platoon.\u0026#xA0; One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.\u003c/p\u003e\n","\u003cp\u003eWhen the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.\u0026#xA0; In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.\u0026#xA0; He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.\u0026#xA0; Within six weeks, Noel Wisdom had landed on the shores of Australia.\u003c/p\u003e\n","\u003cp\u003eHe worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.\u0026#xA0; At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.\u0026#xA0; He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.\u0026#xA0;  Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.\u003c/p\u003e\n","\u003cp\u003eUpon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.\u0026#xA0; He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.\u0026#xA0; During World War II he snipped hundreds of servicemen for free.\u003c/p\u003e\n","\u003cp\u003eWisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.\u0026#xA0; About this time he penned his still unpublished \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e, a retrospective of his life as a soldier and silhouette artist.\u0026#xA0; In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.\u0026#xA0; Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.\u003c/p\u003e\n","\u003cp\u003eNote written by Rebecca Rieve\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Noel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.  His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches.  Most of what he did in the trenches consisited of sketching profiles of his platoon.  One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.  In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.  He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.  Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.  At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.  He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.   Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.  He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.  During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.  About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist.  In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.  Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve"],"prefercite_html_tesm":["\u003cp\u003eNoel Wisdom Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Noel Wisdom Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eNoel Wisdom Collection of Chromolithographic Prints\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Noel Wisdom Collection of Chromolithographic Prints"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_85dd84c4f239c5db38df45c917446121\" label=\"Abstract\"\u003eThis collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript, \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e. It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript,  Around The World On Scissors . It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom."],"names_ssim":["USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Wisdom, Noel (1897-1983)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":22,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"9814e559b5e5e7e356011795","timestamp":"2026-07-10T03:34:50.892Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9814e559b5e5e7e356011795","title_ssm":["Noel Wisdom collection"],"title_tesim":["Noel Wisdom collection"],"ead_ssi":"9814e559b5e5e7e356011795","unitdate_ssm":["1915-1982"],"unitdate_inclusive_ssm":["1915-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1976-02","/repositories/2/resources/191"],"text":["MS-1976-02","/repositories/2/resources/191","Noel Wisdom collection, 1915-1982","Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists","This collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2.","Noel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.  His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches.  Most of what he did in the trenches consisited of sketching profiles of his platoon.  One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.  In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.  He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.  Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.  At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.  He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.   Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.  He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.  During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.  About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist.  In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.  Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve","Noel Wisdom Collection of Chromolithographic Prints","This collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","This collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript,  Around The World On Scissors . It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom.","USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)","English"],"unitid_tesim":["MS-1976-02","/repositories/2/resources/191"],"normalized_date_ssm":["1915-1982"],"normalized_title_ssm":["Noel Wisdom collection, 1915-1982"],"collection_title_tesim":["Noel Wisdom collection, 1915-1982"],"collection_ssim":["Noel Wisdom collection, 1915-1982"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Wisdom, Noel (1897-1983)"],"creator_ssim":["Wisdom, Noel (1897-1983)"],"creator_persname_ssim":["Wisdom, Noel (1897-1983)"],"creators_ssim":["Wisdom, Noel (1897-1983)"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Noel Wisdom","Donation."],"access_subjects_ssim":["Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists"],"access_subjects_ssm":["Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["0.83 Linear Feet","2 boxes"],"extent_tesim":["0.83 Linear Feet","2 boxes"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2."],"bioghist_html_tesm":["\u003cp\u003eNoel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.\u0026#xA0; His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.\u003c/p\u003e\n","\u003cp\u003eWisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"\u003c/p\u003e\n","\u003cp\u003eIn 1915 Wisdom was accepted for service and found himself in the British trenches.\u0026#xA0; Most of what he did in the trenches consisited of sketching profiles of his platoon.\u0026#xA0; One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.\u003c/p\u003e\n","\u003cp\u003eWhen the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.\u0026#xA0; In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.\u0026#xA0; He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.\u0026#xA0; Within six weeks, Noel Wisdom had landed on the shores of Australia.\u003c/p\u003e\n","\u003cp\u003eHe worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.\u0026#xA0; At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.\u0026#xA0; He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.\u0026#xA0;  Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.\u003c/p\u003e\n","\u003cp\u003eUpon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.\u0026#xA0; He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.\u0026#xA0; During World War II he snipped hundreds of servicemen for free.\u003c/p\u003e\n","\u003cp\u003eWisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.\u0026#xA0; About this time he penned his still unpublished \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e, a retrospective of his life as a soldier and silhouette artist.\u0026#xA0; In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.\u0026#xA0; Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.\u003c/p\u003e\n","\u003cp\u003eNote written by Rebecca Rieve\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Noel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.  His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches.  Most of what he did in the trenches consisited of sketching profiles of his platoon.  One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.  In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.  He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.  Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.  At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.  He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.   Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.  He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.  During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.  About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist.  In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.  Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve"],"prefercite_html_tesm":["\u003cp\u003eNoel Wisdom Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Noel Wisdom Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eNoel Wisdom Collection of Chromolithographic Prints\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Noel Wisdom Collection of Chromolithographic Prints"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_85dd84c4f239c5db38df45c917446121\" label=\"Abstract\"\u003eThis collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript, \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e. It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript,  Around The World On Scissors . It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom."],"names_ssim":["USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Wisdom, Noel (1897-1983)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":22,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"9814e559b5e5e7e356011795","timestamp":"2026-07-10T03:34:50.892Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9814e559b5e5e7e356011795"}},{"id":"3b651bebb556d00cec8728df_aspace_3ede680abb5ddb2b17cfea709cfb7498","type":"File","attributes":{"title":"Nogan, Fr. Raymond, 1948-1961","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3b651bebb556d00cec8728df_aspace_3ede680abb5ddb2b17cfea709cfb7498#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3ede680abb5ddb2b17cfea709cfb7498","ref_ssm":["aspace_3ede680abb5ddb2b17cfea709cfb7498","aspace_3ede680abb5ddb2b17cfea709cfb7498"],"id":"3b651bebb556d00cec8728df_aspace_3ede680abb5ddb2b17cfea709cfb7498","title_filing_ssi":"Nogan, Fr. Raymond","title_ssm":["Nogan, Fr. Raymond"],"title_tesim":["Nogan, Fr. Raymond"],"unitdate_inclusive_ssm":["1948-1961"],"normalized_date_ssm":["1948-1961"],"normalized_title_ssm":["Nogan, Fr. Raymond, 1948-1961"],"text":["Nogan, Fr. Raymond, 1948-1961","Walter and Dorothy Donnelly family papers, 1887-2021","Additional Materials, 1909-2021","CFM2020_10, 1917-1994, Undated","Correspondence, 1929-1990, Undated","Incoming, 1929-1990, Undated","Folder 2","/repositories/4/archival_objects/56087","box 8","folder 2"],"component_level_isim":[5],"parent_ids_ssim":["3b651bebb556d00cec8728df","3b651bebb556d00cec8728df_aspace_f58acf1e5bb3c4c23984bca2eb8d71a6","3b651bebb556d00cec8728df_aspace_41d476757a6af37e0a78b8ce8959bca0","3b651bebb556d00cec8728df_aspace_aade5f65b1d6b68fbf30af6b581f9a45","3b651bebb556d00cec8728df_aspace_57ae1934954f8dd38ad1cfff34571390"],"parent_unittitles_ssm":["Walter and Dorothy Donnelly family papers, 1887-2021","Additional Materials, 1909-2021","CFM2020_10, 1917-1994, Undated","Correspondence, 1929-1990, Undated","Incoming, 1929-1990, Undated"],"parent_unittitles_tesim":["Walter and Dorothy Donnelly family papers, 1887-2021","Additional Materials, 1909-2021","CFM2020_10, 1917-1994, Undated","Correspondence, 1929-1990, Undated","Incoming, 1929-1990, Undated"],"parent_levels_ssm":["collection","Series","Subseries","File","Subseries"],"unitid_ssm":["Folder 2","/repositories/4/archival_objects/56087"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Walter and Dorothy Donnelly family papers, 1887-2021"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":186,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961],"containers_ssim":["box 8","folder 2"],"_nest_path_":"/components#2/components#1/components#10/components#0/components#33","_nest_parent_":"3b651bebb556d00cec8728df_aspace_57ae1934954f8dd38ad1cfff34571390","_root_":"3b651bebb556d00cec8728df","timestamp":"2026-06-03T02:50:58.042Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3b651bebb556d00cec8728df","title_ssm":["Walter and Dorothy Donnelly family papers"],"title_tesim":["Walter and Dorothy Donnelly family papers"],"ead_ssi":"3b651bebb556d00cec8728df","unitdate_ssm":["1887-2021"],"unitdate_inclusive_ssm":["1887-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.33","/repositories/4/resources/35"],"text":["SC.33","/repositories/4/resources/35","Walter and Dorothy Donnelly family papers, 1887-2021","Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems","The entire collection is open for research.","Walter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.","\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"","\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.","\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today.","Collection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023.","Patrick Boland collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","The collection is arranged in three series, Family Papers, Typophiles and Additional Materials. ","Series I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.","\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. "," \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured.","Books donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.","The papers of Patrick Boland were separated into their own collection. ","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books.","UCF Special Collections","Donnelly, Walter","Donnelly, Dorothy, 1903-1994","English"],"unitid_tesim":["SC.33","/repositories/4/resources/35"],"normalized_date_ssm":["1887-2021"],"normalized_title_ssm":["Walter and Dorothy Donnelly family papers, 1887-2021"],"collection_title_tesim":["Walter and Dorothy Donnelly family papers, 1887-2021"],"collection_ssim":["Walter and Dorothy Donnelly family papers, 1887-2021"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creator_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creator_persname_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creators_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Donnelly sons donated their parents' collection to the University of Central Florida Library in 1999 (CFM1999_08). Additional materials received from Jerome Donnelly in 2020 (CFM2020_06; CFM2020_10), 2021 (CFM2021_21), and 2022 (CFM2022_05)."],"access_subjects_ssim":["Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems"],"access_subjects_ssm":["Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems"],"has_online_content_ssim":["false"],"extent_ssm":["7.5 Linear Feet 15 Boxes, 1 Flat File"],"extent_tesim":["7.5 Linear Feet 15 Boxes, 1 Flat File"],"genreform_ssim":["diaries","poems"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eWalter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.\u003c/p\u003e\n","\u003cp\u003e\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"\u003c/p\u003e\n","\u003cp\u003e\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.\u003c/p\u003e\n","\u003cp\u003e\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Walter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.","\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"","\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.","\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today."],"prefercite_html_tesm":["\u003cp\u003eWalter and Dorothy Donnelly Family Papers, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Walter and Dorothy Donnelly Family Papers, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/289\"\u003ePatrick Boland collection\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Patrick Boland collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is arranged in three series, Family Papers, Typophiles and Additional Materials. \u003c/p\u003e\n","\u003cp\u003eSeries I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.\u003c/p\u003e\n","\u003cp\u003e\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. \u003c/p\u003e\n","\u003cp\u003e \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is arranged in three series, Family Papers, Typophiles and Additional Materials. ","Series I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.","\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. "," \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.\u003c/p\u003e\n","\u003cp\u003eThe papers of Patrick Boland were separated into their own collection.\u0026#xA0;\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.","The papers of Patrick Boland were separated into their own collection. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_58a62762084b860db899b0bb6eea27dd\" label=\"Abstract\"\u003eThe materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books.\u003c/abstract\u003e"],"abstract_tesim":["The materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books."],"names_ssim":["UCF Special Collections","Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":255,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3b651bebb556d00cec8728df","timestamp":"2026-06-03T02:50:58.042Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3b651bebb556d00cec8728df_aspace_3ede680abb5ddb2b17cfea709cfb7498"}},{"id":"447ae9521c4837535607444d","type":"collection","attributes":{"title":"Nonesuch Press Collection, 1924-1963, Date acquired: 00/00/1998, bulk 1924-1939","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/447ae9521c4837535607444d#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBook prospectus pamphlets from Nonesuch Press (1924-1963) and two letters of correspondence from the Nonesuch Press to book buyers. The prospectuses include detailed descriptions of the selections of literary works that will be made available through the Nonesuch Press for the determined year. Information about each publication includes the original author, the quality of the paper, the materials used to bind the book, the size of the book, and information about the illustrations.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/447ae9521c4837535607444d#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"447ae9521c4837535607444d","title_ssm":["Nonesuch Press Collection"],"title_tesim":["Nonesuch Press Collection"],"ead_ssi":"447ae9521c4837535607444d","unitdate_ssm":["1924-1963","1924-1939","Date acquired: 00/00/1998"],"unitdate_bulk_ssim":["1924-1939"],"unitdate_inclusive_ssm":["1924-1963"],"unitdate_other_ssim":["Date acquired: 00/00/1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2011-0518","/repositories/10/resources/932"],"text":["MSS 2011-0518","/repositories/10/resources/932","Nonesuch Press Collection, 1924-1963, Date acquired: 00/00/1998, bulk 1924-1939","Chronological order","The Nonesuch Press was established in 1922 in London by Francis Meynell, Vera Mendel, and David Garnett. 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Although Nonesuch Press was operational until the 1960's, it hit its peak in the 20's and 30's. Using a small handpress to design the books with the quality of a fine press, the books were actually printed by commercial printers so that they would be more accessible by the general public. Meynell believed that machine presses could be made to achieve fine quality. This is in contrast to earlier designer book printers, such as William Morris and the Kelmscott Press, which believed that only handpress books could achieve exquisite quality.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Nonesuch Press was established in 1922 in London by Francis Meynell, Vera Mendel, and David Garnett. Although Nonesuch Press was operational until the 1960's, it hit its peak in the 20's and 30's. Using a small handpress to design the books with the quality of a fine press, the books were actually printed by commercial printers so that they would be more accessible by the general public. Meynell believed that machine presses could be made to achieve fine quality. This is in contrast to earlier designer book printers, such as William Morris and the Kelmscott Press, which believed that only handpress books could achieve exquisite quality."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Nonesuch Press Collection, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2011-0518\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Nonesuch Press Collection, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2011-0518"],"scopecontent_html_tesm":["\u003cp\u003eBook prospectus pamphlets from Nonesuch Press (1924-1963) and two letters of correspondence from the Nonesuch Press to book buyers. 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Although Nonesuch Press was operational until the 1960's, it hit its peak in the 20's and 30's. Using a small handpress to design the books with the quality of a fine press, the books were actually printed by commercial printers so that they would be more accessible by the general public. Meynell believed that machine presses could be made to achieve fine quality. This is in contrast to earlier designer book printers, such as William Morris and the Kelmscott Press, which believed that only handpress books could achieve exquisite quality.","Book prospectus pamphlets from Nonesuch Press (1924-1963) and two letters of correspondence from the Nonesuch Press to book buyers. The prospectuses include detailed descriptions of the selections of literary works that will be made available through the Nonesuch Press for the determined year. Information about each publication includes the original author, the quality of the paper, the materials used to bind the book, the size of the book, and information about the illustrations.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["MSS 2011-0518","/repositories/10/resources/932"],"normalized_date_ssm":["1924-1963, Date acquired: 00/00/1998, bulk 1924-1939"],"normalized_title_ssm":["Nonesuch Press Collection, 1924-1963, Date acquired: 00/00/1998, bulk 1924-1939"],"collection_title_tesim":["Nonesuch Press Collection, 1924-1963, Date acquired: 00/00/1998, bulk 1924-1939"],"collection_ssim":["Nonesuch Press Collection, 1924-1963, Date acquired: 00/00/1998, bulk 1924-1939"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"acqinfo_ssim":["Goldstein Library/Agnes Gregory","Gift"],"has_online_content_ssim":["false"],"extent_ssm":["0.40 Linear Feet"],"extent_tesim":["0.40 Linear Feet"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963],"arrangement_html_tesm":["\u003cp\u003eChronological order\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Chronological order"],"bioghist_html_tesm":["\u003cp\u003eThe Nonesuch Press was established in 1922 in London by Francis Meynell, Vera Mendel, and David Garnett. Although Nonesuch Press was operational until the 1960's, it hit its peak in the 20's and 30's. Using a small handpress to design the books with the quality of a fine press, the books were actually printed by commercial printers so that they would be more accessible by the general public. Meynell believed that machine presses could be made to achieve fine quality. This is in contrast to earlier designer book printers, such as William Morris and the Kelmscott Press, which believed that only handpress books could achieve exquisite quality.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Nonesuch Press was established in 1922 in London by Francis Meynell, Vera Mendel, and David Garnett. Although Nonesuch Press was operational until the 1960's, it hit its peak in the 20's and 30's. Using a small handpress to design the books with the quality of a fine press, the books were actually printed by commercial printers so that they would be more accessible by the general public. Meynell believed that machine presses could be made to achieve fine quality. This is in contrast to earlier designer book printers, such as William Morris and the Kelmscott Press, which believed that only handpress books could achieve exquisite quality."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Nonesuch Press Collection, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2011-0518\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Nonesuch Press Collection, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2011-0518"],"scopecontent_html_tesm":["\u003cp\u003eBook prospectus pamphlets from Nonesuch Press (1924-1963) and two letters of correspondence from the Nonesuch Press to book buyers. 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Information about each publication includes the original author, the quality of the paper, the materials used to bind the book, the size of the book, and information about the illustrations."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":27,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"447ae9521c4837535607444d","timestamp":"2026-07-08T13:09:31.908Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/447ae9521c4837535607444d"}},{"id":"2bb3983b5e939fe12a4bfbd3","type":"collection","attributes":{"title":"Non-Florida Broadsides and Printed Ephemera, bulk 1743-2003","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2bb3983b5e939fe12a4bfbd3#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection contains assorted over-sized illustrations and graphics for a number of topics not related to Florida history.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2bb3983b5e939fe12a4bfbd3#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"2bb3983b5e939fe12a4bfbd3","title_ssm":["Non-Florida Broadsides and Printed Ephemera"],"title_tesim":["Non-Florida Broadsides and Printed Ephemera"],"ead_ssi":"2bb3983b5e939fe12a4bfbd3","unitdate_ssm":["1743-2003"],"unitdate_bulk_ssim":["1743-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1962-02","/repositories/2/resources/75"],"text":["MS-1962-02","/repositories/2/resources/75","Non-Florida Broadsides and Printed Ephemera, bulk 1743-2003","Holidays","Poetry","Flags","Religion.","Metaphysics","Restaurants","Advertisements","World's Columbian Exposition (1893 : Chicago, Ill.).","Children's literature","Children -- Posters","Indigenous peoples -- North America","Graphic design (Typography) -- History","Political cartoons","Encyclopedias","Children's literature -- Illustrations","Documents in this collection are arranged by topic.","This collection contains assorted over-sized illustrations and graphics for a number of topics not related to Florida history.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","Map case 7, drawer 8","USF Libraries - Tampa Special Collections","English Dutch; 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It contains 3 large aerial photographs of Sunrise; 1 real estate promotion brochure titled \"Better Living Begins in Sunrise\"; 1 Sunrise Golf Village scrapbook; and 1 advertisement with text \"Upside-Down House Moved to New Location\".\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1e181f04581fc0bc0e3b65e2#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"1e181f04581fc0bc0e3b65e2","title_filing_ssi":"Johnson, Norman Collection","title_ssm":["Norman Johnson Collection"],"title_tesim":["Norman Johnson Collection"],"ead_ssi":"1e181f04581fc0bc0e3b65e2","unitdate_ssm":["1960-1964"],"unitdate_inclusive_ssm":["1960-1964"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.1982.1","/repositories/4/resources/444"],"text":["BCHA.1982.1","/repositories/4/resources/444","Norman Johnson Collection, 1960-1964","Sunrise (Fla.)","Real estate development","Urbanization","Real estate developers","The Norman Johnson Collection is open for research.","In 1960 Norman W. Johnson bought 2,650 acres just north of Plantation for $10 million and began developing his city. The village was next to a golf course and off Sunrise Boulevard, so he called it Sunrise Golf Village when it was incorporated in 1961. It became Sunrise in 1971. Gov. Farris Bryant appointed Mr. Johnson its first mayor, even though he was not a resident of the village and never would be. There were no residents in the village. What his fledgling city needed, Mr. Johnson reasoned, was something -- a sales gimmick -- that would lure prospective buyers into the rural, far-west reaches of the county to look at his homes. ","By July 1960, the Upside-Down House had been built for $11,500 on Sunset Strip and opened to the public. Furniture and fixtures were bolted, nailed, wired, glued or welded in place, a Pontiac convertible was parked in the carport and shrubs filled a planter in front of the home -- all upside down. The topsy-turvy house was also a model of the 10,000 homes that Mr. Johnson was building in the development and selling for $10,745. The Upside-Down house quickly became an area attraction, drawing 12,000 curiosity seekers and prospective home buyers the first four days it was open. A two-page photo spread followed in Life magazine, and aviators began using it as a landmark. By the early '70s, when it was destroyed, more than 1 million people had toured the inverted house. ","Johnson  was training as an Army Air Force pilot when World War II ended, and soon after his discharge he moved to Davenport, Iowa, where he built 200 homes before moving to south Broward in 1948. One of his first ventures in Florida was constructing the Adobe Hacienda motel in Hollywood. He ran the inn, which still stands, for 10 years before selling it. A short time later, he bought a small private airport and began developing several hundred homes in his Look subdivision, between what is now Johnson and Sheridan streets and Dixie Highway and Interstate 95. He used the airport runway as the community's main street. ","His Plantation Isles subdivision followed in 1957, and he moved his family into one of the first homes he built. He later was president of the Plantation Chamber of Commerce. Sunrise came next. He built the state's first \"true\" condominiums, developed his village and was mayor from 1961 until 1967, when John Lomelo was elected to the post. He set up an office on a road he had named Sunset Strip -- after his favorite television show, 77 Sunset Strip -- and had the Postal Service number the building 77 even though it was out of sequence. By 1966, Mr. Johnson was looking around for another venture. By year-end, he and partner Stephen A. Calder had opened their Miami-Hollywood Speedway, west of Hollywood. Mr. Johnson was operating partner of the racetrack for the next 16 years, before trying retirement. Retirement didn't work, Bruce Johnson said, and his father, a car buff, began building handcrafted Johnson Presidential and Johnson Phantom cars styled after classic models of the 1930s. By the time of his death in 1990, Mr. Johnson's garage in Davie had sold 87 of the specially ordered Presidential cars or car kits and 260 Phantoms. ","This collection received container level processing by Erin Purdy in June 2025. The collection was processed at the item level and the finding aid was updated by Erin Purdy in April 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","OH 1025 Norman Johsnon Oral History Interview, Broward County Oral History Collection","The Norman Johnson Collection documents the development of Sunrise Golf Village and the City of Sunrise from 1960 to 1964. It contains 3 large aerial photographs of Sunrise; 1 real estate promotion brochure titled \"Better Living Begins in Sunrise\"; 1 Sunrise Golf Village scrapbook; and 1 advertisement with text \"Upside-Down House Moved to New Location\"."," Broward County Historical Archives","English"],"unitid_tesim":["BCHA.1982.1","/repositories/4/resources/444"],"normalized_date_ssm":["1960-1964"],"normalized_title_ssm":["Norman Johnson Collection, 1960-1964"],"collection_title_tesim":["Norman Johnson Collection, 1960-1964"],"collection_ssim":["Norman Johnson Collection, 1960-1964"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"geogname_ssm":["Sunrise (Fla.)"],"geogname_ssim":["Sunrise (Fla.)"],"places_ssim":["Sunrise (Fla.)"],"acqinfo_ssim":["Norman Johnson donated the materials to the Broward County Historical Commission on 09/01/1982 (Accession BCHA-1982.1)."],"access_subjects_ssim":["Real estate development","Urbanization","Real estate developers"],"access_subjects_ssm":["Real estate development","Urbanization","Real estate developers"],"has_online_content_ssim":["false"],"extent_ssm":["1 Flat File Drawer"],"extent_tesim":["1 Flat File Drawer"],"date_range_isim":[1960,1961,1962,1963,1964],"accessrestrict_html_tesm":["\u003cp\u003eThe Norman Johnson Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Norman Johnson Collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eIn 1960 Norman W. Johnson bought 2,650 acres just north of Plantation for $10 million and began developing his city. The village was next to a golf course and off Sunrise Boulevard, so he called it Sunrise Golf Village when it was incorporated in 1961. It became Sunrise in 1971. Gov. Farris Bryant appointed Mr. Johnson its first mayor, even though he was not a resident of the village and never would be. There were no residents in the village. What his fledgling city needed, Mr. Johnson reasoned, was something -- a sales gimmick -- that would lure prospective buyers into the rural, far-west reaches of the county to look at his homes. \u003c/p\u003e\n","\u003cp\u003eBy July 1960, the Upside-Down House had been built for $11,500 on Sunset Strip and opened to the public. Furniture and fixtures were bolted, nailed, wired, glued or welded in place, a Pontiac convertible was parked in the carport and shrubs filled a planter in front of the home -- all upside down. The topsy-turvy house was also a model of the 10,000 homes that Mr. Johnson was building in the development and selling for $10,745. The Upside-Down house quickly became an area attraction, drawing 12,000 curiosity seekers and prospective home buyers the first four days it was open. A two-page photo spread followed in Life magazine, and aviators began using it as a landmark. By the early '70s, when it was destroyed, more than 1 million people had toured the inverted house. \u003c/p\u003e\n","\u003cp\u003eJohnson  was training as an Army Air Force pilot when World War II ended, and soon after his discharge he moved to Davenport, Iowa, where he built 200 homes before moving to south Broward in 1948. One of his first ventures in Florida was constructing the Adobe Hacienda motel in Hollywood. He ran the inn, which still stands, for 10 years before selling it. A short time later, he bought a small private airport and began developing several hundred homes in his Look subdivision, between what is now Johnson and Sheridan streets and Dixie Highway and Interstate 95. He used the airport runway as the community's main street. \u003c/p\u003e\n","\u003cp\u003eHis Plantation Isles subdivision followed in 1957, and he moved his family into one of the first homes he built. He later was president of the Plantation Chamber of Commerce. Sunrise came next. He built the state's first \"true\" condominiums, developed his village and was mayor from 1961 until 1967, when John Lomelo was elected to the post. He set up an office on a road he had named Sunset Strip -- after his favorite television show, 77 Sunset Strip -- and had the Postal Service number the building 77 even though it was out of sequence. By 1966, Mr. Johnson was looking around for another venture. By year-end, he and partner Stephen A. Calder had opened their Miami-Hollywood Speedway, west of Hollywood. Mr. Johnson was operating partner of the racetrack for the next 16 years, before trying retirement. Retirement didn't work, Bruce Johnson said, and his father, a car buff, began building handcrafted Johnson Presidential and Johnson Phantom cars styled after classic models of the 1930s. By the time of his death in 1990, Mr. Johnson's garage in Davie had sold 87 of the specially ordered Presidential cars or car kits and 260 Phantoms. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["In 1960 Norman W. Johnson bought 2,650 acres just north of Plantation for $10 million and began developing his city. The village was next to a golf course and off Sunrise Boulevard, so he called it Sunrise Golf Village when it was incorporated in 1961. It became Sunrise in 1971. Gov. Farris Bryant appointed Mr. Johnson its first mayor, even though he was not a resident of the village and never would be. There were no residents in the village. What his fledgling city needed, Mr. Johnson reasoned, was something -- a sales gimmick -- that would lure prospective buyers into the rural, far-west reaches of the county to look at his homes. ","By July 1960, the Upside-Down House had been built for $11,500 on Sunset Strip and opened to the public. Furniture and fixtures were bolted, nailed, wired, glued or welded in place, a Pontiac convertible was parked in the carport and shrubs filled a planter in front of the home -- all upside down. The topsy-turvy house was also a model of the 10,000 homes that Mr. Johnson was building in the development and selling for $10,745. The Upside-Down house quickly became an area attraction, drawing 12,000 curiosity seekers and prospective home buyers the first four days it was open. A two-page photo spread followed in Life magazine, and aviators began using it as a landmark. By the early '70s, when it was destroyed, more than 1 million people had toured the inverted house. ","Johnson  was training as an Army Air Force pilot when World War II ended, and soon after his discharge he moved to Davenport, Iowa, where he built 200 homes before moving to south Broward in 1948. One of his first ventures in Florida was constructing the Adobe Hacienda motel in Hollywood. He ran the inn, which still stands, for 10 years before selling it. A short time later, he bought a small private airport and began developing several hundred homes in his Look subdivision, between what is now Johnson and Sheridan streets and Dixie Highway and Interstate 95. He used the airport runway as the community's main street. ","His Plantation Isles subdivision followed in 1957, and he moved his family into one of the first homes he built. He later was president of the Plantation Chamber of Commerce. Sunrise came next. He built the state's first \"true\" condominiums, developed his village and was mayor from 1961 until 1967, when John Lomelo was elected to the post. He set up an office on a road he had named Sunset Strip -- after his favorite television show, 77 Sunset Strip -- and had the Postal Service number the building 77 even though it was out of sequence. By 1966, Mr. Johnson was looking around for another venture. By year-end, he and partner Stephen A. Calder had opened their Miami-Hollywood Speedway, west of Hollywood. Mr. Johnson was operating partner of the racetrack for the next 16 years, before trying retirement. Retirement didn't work, Bruce Johnson said, and his father, a car buff, began building handcrafted Johnson Presidential and Johnson Phantom cars styled after classic models of the 1930s. By the time of his death in 1990, Mr. Johnson's garage in Davie had sold 87 of the specially ordered Presidential cars or car kits and 260 Phantoms. "],"prefercite_html_tesm":["\u003cp\u003eNorman Johnson Collection, Broward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Norman Johnson Collection, Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received container level processing by Erin Purdy in June 2025. The collection was processed at the item level and the finding aid was updated by Erin Purdy in April 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received container level processing by Erin Purdy in June 2025. The collection was processed at the item level and the finding aid was updated by Erin Purdy in April 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003eOH 1025 Norman Johsnon Oral History Interview, Broward County Oral History Collection\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["OH 1025 Norman Johsnon Oral History Interview, Broward County Oral History Collection"],"scopecontent_html_tesm":["\u003cp\u003eThe Norman Johnson Collection documents the development of Sunrise Golf Village and the City of Sunrise from 1960 to 1964. It contains 3 large aerial photographs of Sunrise; 1 real estate promotion brochure titled \"Better Living Begins in Sunrise\"; 1 Sunrise Golf Village scrapbook; and 1 advertisement with text \"Upside-Down House Moved to New Location\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Norman Johnson Collection documents the development of Sunrise Golf Village and the City of Sunrise from 1960 to 1964. It contains 3 large aerial photographs of Sunrise; 1 real estate promotion brochure titled \"Better Living Begins in Sunrise\"; 1 Sunrise Golf Village scrapbook; and 1 advertisement with text \"Upside-Down House Moved to New Location\"."],"names_ssim":[" Broward County Historical Archives"],"corpname_ssim":[" Broward County Historical Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"1e181f04581fc0bc0e3b65e2","timestamp":"2026-07-09T02:27:23.293Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1e181f04581fc0bc0e3b65e2","title_filing_ssi":"Johnson, Norman Collection","title_ssm":["Norman Johnson Collection"],"title_tesim":["Norman Johnson Collection"],"ead_ssi":"1e181f04581fc0bc0e3b65e2","unitdate_ssm":["1960-1964"],"unitdate_inclusive_ssm":["1960-1964"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.1982.1","/repositories/4/resources/444"],"text":["BCHA.1982.1","/repositories/4/resources/444","Norman Johnson Collection, 1960-1964","Sunrise (Fla.)","Real estate development","Urbanization","Real estate developers","The Norman Johnson Collection is open for research.","In 1960 Norman W. Johnson bought 2,650 acres just north of Plantation for $10 million and began developing his city. The village was next to a golf course and off Sunrise Boulevard, so he called it Sunrise Golf Village when it was incorporated in 1961. It became Sunrise in 1971. Gov. Farris Bryant appointed Mr. Johnson its first mayor, even though he was not a resident of the village and never would be. There were no residents in the village. What his fledgling city needed, Mr. Johnson reasoned, was something -- a sales gimmick -- that would lure prospective buyers into the rural, far-west reaches of the county to look at his homes. ","By July 1960, the Upside-Down House had been built for $11,500 on Sunset Strip and opened to the public. Furniture and fixtures were bolted, nailed, wired, glued or welded in place, a Pontiac convertible was parked in the carport and shrubs filled a planter in front of the home -- all upside down. The topsy-turvy house was also a model of the 10,000 homes that Mr. Johnson was building in the development and selling for $10,745. The Upside-Down house quickly became an area attraction, drawing 12,000 curiosity seekers and prospective home buyers the first four days it was open. A two-page photo spread followed in Life magazine, and aviators began using it as a landmark. By the early '70s, when it was destroyed, more than 1 million people had toured the inverted house. ","Johnson  was training as an Army Air Force pilot when World War II ended, and soon after his discharge he moved to Davenport, Iowa, where he built 200 homes before moving to south Broward in 1948. One of his first ventures in Florida was constructing the Adobe Hacienda motel in Hollywood. He ran the inn, which still stands, for 10 years before selling it. A short time later, he bought a small private airport and began developing several hundred homes in his Look subdivision, between what is now Johnson and Sheridan streets and Dixie Highway and Interstate 95. He used the airport runway as the community's main street. ","His Plantation Isles subdivision followed in 1957, and he moved his family into one of the first homes he built. He later was president of the Plantation Chamber of Commerce. Sunrise came next. He built the state's first \"true\" condominiums, developed his village and was mayor from 1961 until 1967, when John Lomelo was elected to the post. He set up an office on a road he had named Sunset Strip -- after his favorite television show, 77 Sunset Strip -- and had the Postal Service number the building 77 even though it was out of sequence. By 1966, Mr. Johnson was looking around for another venture. By year-end, he and partner Stephen A. Calder had opened their Miami-Hollywood Speedway, west of Hollywood. Mr. Johnson was operating partner of the racetrack for the next 16 years, before trying retirement. Retirement didn't work, Bruce Johnson said, and his father, a car buff, began building handcrafted Johnson Presidential and Johnson Phantom cars styled after classic models of the 1930s. By the time of his death in 1990, Mr. Johnson's garage in Davie had sold 87 of the specially ordered Presidential cars or car kits and 260 Phantoms. ","This collection received container level processing by Erin Purdy in June 2025. The collection was processed at the item level and the finding aid was updated by Erin Purdy in April 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","OH 1025 Norman Johsnon Oral History Interview, Broward County Oral History Collection","The Norman Johnson Collection documents the development of Sunrise Golf Village and the City of Sunrise from 1960 to 1964. It contains 3 large aerial photographs of Sunrise; 1 real estate promotion brochure titled \"Better Living Begins in Sunrise\"; 1 Sunrise Golf Village scrapbook; and 1 advertisement with text \"Upside-Down House Moved to New Location\"."," Broward County Historical Archives","English"],"unitid_tesim":["BCHA.1982.1","/repositories/4/resources/444"],"normalized_date_ssm":["1960-1964"],"normalized_title_ssm":["Norman Johnson Collection, 1960-1964"],"collection_title_tesim":["Norman Johnson Collection, 1960-1964"],"collection_ssim":["Norman Johnson Collection, 1960-1964"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"geogname_ssm":["Sunrise (Fla.)"],"geogname_ssim":["Sunrise (Fla.)"],"places_ssim":["Sunrise (Fla.)"],"acqinfo_ssim":["Norman Johnson donated the materials to the Broward County Historical Commission on 09/01/1982 (Accession BCHA-1982.1)."],"access_subjects_ssim":["Real estate development","Urbanization","Real estate developers"],"access_subjects_ssm":["Real estate development","Urbanization","Real estate developers"],"has_online_content_ssim":["false"],"extent_ssm":["1 Flat File Drawer"],"extent_tesim":["1 Flat File Drawer"],"date_range_isim":[1960,1961,1962,1963,1964],"accessrestrict_html_tesm":["\u003cp\u003eThe Norman Johnson Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Norman Johnson Collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eIn 1960 Norman W. Johnson bought 2,650 acres just north of Plantation for $10 million and began developing his city. The village was next to a golf course and off Sunrise Boulevard, so he called it Sunrise Golf Village when it was incorporated in 1961. It became Sunrise in 1971. Gov. Farris Bryant appointed Mr. Johnson its first mayor, even though he was not a resident of the village and never would be. There were no residents in the village. What his fledgling city needed, Mr. Johnson reasoned, was something -- a sales gimmick -- that would lure prospective buyers into the rural, far-west reaches of the county to look at his homes. \u003c/p\u003e\n","\u003cp\u003eBy July 1960, the Upside-Down House had been built for $11,500 on Sunset Strip and opened to the public. Furniture and fixtures were bolted, nailed, wired, glued or welded in place, a Pontiac convertible was parked in the carport and shrubs filled a planter in front of the home -- all upside down. The topsy-turvy house was also a model of the 10,000 homes that Mr. Johnson was building in the development and selling for $10,745. The Upside-Down house quickly became an area attraction, drawing 12,000 curiosity seekers and prospective home buyers the first four days it was open. A two-page photo spread followed in Life magazine, and aviators began using it as a landmark. By the early '70s, when it was destroyed, more than 1 million people had toured the inverted house. \u003c/p\u003e\n","\u003cp\u003eJohnson  was training as an Army Air Force pilot when World War II ended, and soon after his discharge he moved to Davenport, Iowa, where he built 200 homes before moving to south Broward in 1948. One of his first ventures in Florida was constructing the Adobe Hacienda motel in Hollywood. He ran the inn, which still stands, for 10 years before selling it. A short time later, he bought a small private airport and began developing several hundred homes in his Look subdivision, between what is now Johnson and Sheridan streets and Dixie Highway and Interstate 95. He used the airport runway as the community's main street. \u003c/p\u003e\n","\u003cp\u003eHis Plantation Isles subdivision followed in 1957, and he moved his family into one of the first homes he built. He later was president of the Plantation Chamber of Commerce. Sunrise came next. He built the state's first \"true\" condominiums, developed his village and was mayor from 1961 until 1967, when John Lomelo was elected to the post. He set up an office on a road he had named Sunset Strip -- after his favorite television show, 77 Sunset Strip -- and had the Postal Service number the building 77 even though it was out of sequence. By 1966, Mr. Johnson was looking around for another venture. By year-end, he and partner Stephen A. Calder had opened their Miami-Hollywood Speedway, west of Hollywood. Mr. Johnson was operating partner of the racetrack for the next 16 years, before trying retirement. Retirement didn't work, Bruce Johnson said, and his father, a car buff, began building handcrafted Johnson Presidential and Johnson Phantom cars styled after classic models of the 1930s. By the time of his death in 1990, Mr. Johnson's garage in Davie had sold 87 of the specially ordered Presidential cars or car kits and 260 Phantoms. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["In 1960 Norman W. Johnson bought 2,650 acres just north of Plantation for $10 million and began developing his city. The village was next to a golf course and off Sunrise Boulevard, so he called it Sunrise Golf Village when it was incorporated in 1961. It became Sunrise in 1971. Gov. Farris Bryant appointed Mr. Johnson its first mayor, even though he was not a resident of the village and never would be. There were no residents in the village. What his fledgling city needed, Mr. Johnson reasoned, was something -- a sales gimmick -- that would lure prospective buyers into the rural, far-west reaches of the county to look at his homes. ","By July 1960, the Upside-Down House had been built for $11,500 on Sunset Strip and opened to the public. Furniture and fixtures were bolted, nailed, wired, glued or welded in place, a Pontiac convertible was parked in the carport and shrubs filled a planter in front of the home -- all upside down. The topsy-turvy house was also a model of the 10,000 homes that Mr. Johnson was building in the development and selling for $10,745. The Upside-Down house quickly became an area attraction, drawing 12,000 curiosity seekers and prospective home buyers the first four days it was open. A two-page photo spread followed in Life magazine, and aviators began using it as a landmark. By the early '70s, when it was destroyed, more than 1 million people had toured the inverted house. ","Johnson  was training as an Army Air Force pilot when World War II ended, and soon after his discharge he moved to Davenport, Iowa, where he built 200 homes before moving to south Broward in 1948. One of his first ventures in Florida was constructing the Adobe Hacienda motel in Hollywood. He ran the inn, which still stands, for 10 years before selling it. A short time later, he bought a small private airport and began developing several hundred homes in his Look subdivision, between what is now Johnson and Sheridan streets and Dixie Highway and Interstate 95. He used the airport runway as the community's main street. ","His Plantation Isles subdivision followed in 1957, and he moved his family into one of the first homes he built. He later was president of the Plantation Chamber of Commerce. Sunrise came next. He built the state's first \"true\" condominiums, developed his village and was mayor from 1961 until 1967, when John Lomelo was elected to the post. He set up an office on a road he had named Sunset Strip -- after his favorite television show, 77 Sunset Strip -- and had the Postal Service number the building 77 even though it was out of sequence. By 1966, Mr. Johnson was looking around for another venture. By year-end, he and partner Stephen A. Calder had opened their Miami-Hollywood Speedway, west of Hollywood. Mr. Johnson was operating partner of the racetrack for the next 16 years, before trying retirement. Retirement didn't work, Bruce Johnson said, and his father, a car buff, began building handcrafted Johnson Presidential and Johnson Phantom cars styled after classic models of the 1930s. By the time of his death in 1990, Mr. Johnson's garage in Davie had sold 87 of the specially ordered Presidential cars or car kits and 260 Phantoms. "],"prefercite_html_tesm":["\u003cp\u003eNorman Johnson Collection, Broward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Norman Johnson Collection, Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received container level processing by Erin Purdy in June 2025. The collection was processed at the item level and the finding aid was updated by Erin Purdy in April 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received container level processing by Erin Purdy in June 2025. The collection was processed at the item level and the finding aid was updated by Erin Purdy in April 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003eOH 1025 Norman Johsnon Oral History Interview, Broward County Oral History Collection\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["OH 1025 Norman Johsnon Oral History Interview, Broward County Oral History Collection"],"scopecontent_html_tesm":["\u003cp\u003eThe Norman Johnson Collection documents the development of Sunrise Golf Village and the City of Sunrise from 1960 to 1964. 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It contains 3 large aerial photographs of Sunrise; 1 real estate promotion brochure titled \"Better Living Begins in Sunrise\"; 1 Sunrise Golf Village scrapbook; and 1 advertisement with text \"Upside-Down House Moved to New Location\"."],"names_ssim":[" Broward County Historical Archives"],"corpname_ssim":[" Broward County Historical Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"1e181f04581fc0bc0e3b65e2","timestamp":"2026-07-09T02:27:23.293Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1e181f04581fc0bc0e3b65e2"}},{"id":"66ff5ff30deb30c2cdee747b","type":"collection","attributes":{"title":"Norman Jones, Jr., Black Heritage collection, bulk 1960s-2000s","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/66ff5ff30deb30c2cdee747b#creator","type":"document_value","attributes":{"value":["Jones Jr., Norman"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/66ff5ff30deb30c2cdee747b#abstract_or_scope","type":"document_value","attributes":{"value":["Ephemeral collection that represents the commemoration of the African American legacy and Black Heritage in the United States and Canada."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/66ff5ff30deb30c2cdee747b#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"66ff5ff30deb30c2cdee747b","title_ssm":["Norman Jones, Jr., Black Heritage collection"],"title_tesim":["Norman Jones, Jr., Black Heritage collection"],"ead_ssi":"66ff5ff30deb30c2cdee747b","unitdate_ssm":["1960s-2000s"],"unitdate_bulk_ssim":["1960s-2000s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SP-MS-2005-003","/repositories/3/resources/727"],"text":["SP-MS-2005-003","/repositories/3/resources/727","Norman Jones, Jr., Black Heritage collection, bulk 1960s-2000s","Historiography","African Americans -- Florida","African Americans","African Americans -- History","Historic sites","Norman Jones Jr. collected materials during his many travels. The collection provide illustrative examples of how historic museums and other public history venues commemorate the legacies of African Americans.","Researchers interested in St. Petersburg's African American history should consult the clippings, correspondence, and audio recordings found in the Papers of Norman E. Jones, Sr., the donor's father.","Materials consist of museum brochures, directories, publications, and ephemera related to African American historic sites throughout the United States and Canada from the early 1960s to early 2000s. Collection represent how public history venues commemorate the legacies of African Americans.","None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","Ephemeral collection that represents the commemoration of the African American legacy and Black Heritage in the United States and Canada.","USF Libraries - St. Petersburg Special Collections \u0026 University Archives","Jones Jr., Norman","English"],"unitid_tesim":["SP-MS-2005-003","/repositories/3/resources/727"],"normalized_date_ssm":["bulk 1960s-2000s"],"normalized_title_ssm":["Norman Jones, Jr., Black Heritage collection, bulk 1960s-2000s"],"collection_title_tesim":["Norman Jones, Jr., Black Heritage collection, bulk 1960s-2000s"],"collection_ssim":["Norman Jones, Jr., Black Heritage collection, bulk 1960s-2000s"],"repository_ssm":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"repository_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"creator_ssm":["Jones Jr., Norman"],"creator_ssim":["Jones Jr., Norman"],"creator_persname_ssim":["Jones Jr., Norman"],"creators_ssim":["Jones Jr., Norman"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Norman Jones Jr. delivered these items to the Nelson Poynter Memorial Library at the conclusion of a lecture he offered on campus as part of a 2004 Black History Month program on February 17, 2005. The library received a subsequent accession of materials in the summer of 2005. Staff merged these accessions into a single collection."],"access_subjects_ssim":["Historiography","African Americans -- Florida","African Americans","African Americans -- History","Historic sites"],"access_subjects_ssm":["Historiography","African Americans -- Florida","African Americans","African Americans -- History","Historic sites"],"has_online_content_ssim":["false"],"extent_ssm":["5 boxes"],"extent_tesim":["5 boxes"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"bioghist_html_tesm":["\u003cp\u003eNorman Jones Jr. collected materials during his many travels. The collection provide illustrative examples of how historic museums and other public history venues commemorate the legacies of African Americans.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Norman Jones Jr. collected materials during his many travels. The collection provide illustrative examples of how historic museums and other public history venues commemorate the legacies of African Americans."],"prefercite_html_tesm":["\u003cp\u003eNorman Jones, Jr., Black Heritage, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL.\u003c/p\u003e"],"prefercite_tesim":["Norman Jones, Jr., Black Heritage, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eResearchers interested in St. Petersburg's African American history should consult the clippings, correspondence, and audio recordings found in the Papers of Norman E. Jones, Sr., the donor's father.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Researchers interested in St. Petersburg's African American history should consult the clippings, correspondence, and audio recordings found in the Papers of Norman E. Jones, Sr., the donor's father."],"scopecontent_html_tesm":["\u003cp\u003eMaterials consist of museum brochures, directories, publications, and ephemera related to African American historic sites throughout the United States and Canada from the early 1960s to early 2000s. Collection represent how public history venues commemorate the legacies of African Americans.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Materials consist of museum brochures, directories, publications, and ephemera related to African American historic sites throughout the United States and Canada from the early 1960s to early 2000s. Collection represent how public history venues commemorate the legacies of African Americans."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_948d70399440ab1e0f176d4121742618\"\u003eEphemeral collection that represents the commemoration of the African American legacy and Black Heritage in the United States and Canada.\u003c/abstract\u003e"],"abstract_tesim":["Ephemeral collection that represents the commemoration of the African American legacy and Black Heritage in the United States and Canada."],"names_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives","Jones Jr., Norman"],"corpname_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"names_coll_ssim":["Jones Jr., Norman"],"persname_ssim":["Jones Jr., Norman"],"language_ssim":["English"],"total_component_count_is":47,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"66ff5ff30deb30c2cdee747b","timestamp":"2026-04-21T03:30:59.557Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"66ff5ff30deb30c2cdee747b","title_ssm":["Norman Jones, Jr., Black Heritage collection"],"title_tesim":["Norman Jones, Jr., Black Heritage collection"],"ead_ssi":"66ff5ff30deb30c2cdee747b","unitdate_ssm":["1960s-2000s"],"unitdate_bulk_ssim":["1960s-2000s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SP-MS-2005-003","/repositories/3/resources/727"],"text":["SP-MS-2005-003","/repositories/3/resources/727","Norman Jones, Jr., Black Heritage collection, bulk 1960s-2000s","Historiography","African Americans -- Florida","African Americans","African Americans -- History","Historic sites","Norman Jones Jr. collected materials during his many travels. The collection provide illustrative examples of how historic museums and other public history venues commemorate the legacies of African Americans.","Researchers interested in St. Petersburg's African American history should consult the clippings, correspondence, and audio recordings found in the Papers of Norman E. Jones, Sr., the donor's father.","Materials consist of museum brochures, directories, publications, and ephemera related to African American historic sites throughout the United States and Canada from the early 1960s to early 2000s. Collection represent how public history venues commemorate the legacies of African Americans.","None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","Ephemeral collection that represents the commemoration of the African American legacy and Black Heritage in the United States and Canada.","USF Libraries - St. Petersburg Special Collections \u0026 University Archives","Jones Jr., Norman","English"],"unitid_tesim":["SP-MS-2005-003","/repositories/3/resources/727"],"normalized_date_ssm":["bulk 1960s-2000s"],"normalized_title_ssm":["Norman Jones, Jr., Black Heritage collection, bulk 1960s-2000s"],"collection_title_tesim":["Norman Jones, Jr., Black Heritage collection, bulk 1960s-2000s"],"collection_ssim":["Norman Jones, Jr., Black Heritage collection, bulk 1960s-2000s"],"repository_ssm":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"repository_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"creator_ssm":["Jones Jr., Norman"],"creator_ssim":["Jones Jr., Norman"],"creator_persname_ssim":["Jones Jr., Norman"],"creators_ssim":["Jones Jr., Norman"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Norman Jones Jr. delivered these items to the Nelson Poynter Memorial Library at the conclusion of a lecture he offered on campus as part of a 2004 Black History Month program on February 17, 2005. The library received a subsequent accession of materials in the summer of 2005. Staff merged these accessions into a single collection."],"access_subjects_ssim":["Historiography","African Americans -- Florida","African Americans","African Americans -- History","Historic sites"],"access_subjects_ssm":["Historiography","African Americans -- Florida","African Americans","African Americans -- History","Historic sites"],"has_online_content_ssim":["false"],"extent_ssm":["5 boxes"],"extent_tesim":["5 boxes"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"bioghist_html_tesm":["\u003cp\u003eNorman Jones Jr. collected materials during his many travels. The collection provide illustrative examples of how historic museums and other public history venues commemorate the legacies of African Americans.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Norman Jones Jr. collected materials during his many travels. The collection provide illustrative examples of how historic museums and other public history venues commemorate the legacies of African Americans."],"prefercite_html_tesm":["\u003cp\u003eNorman Jones, Jr., Black Heritage, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL.\u003c/p\u003e"],"prefercite_tesim":["Norman Jones, Jr., Black Heritage, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eResearchers interested in St. Petersburg's African American history should consult the clippings, correspondence, and audio recordings found in the Papers of Norman E. Jones, Sr., the donor's father.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Researchers interested in St. Petersburg's African American history should consult the clippings, correspondence, and audio recordings found in the Papers of Norman E. Jones, Sr., the donor's father."],"scopecontent_html_tesm":["\u003cp\u003eMaterials consist of museum brochures, directories, publications, and ephemera related to African American historic sites throughout the United States and Canada from the early 1960s to early 2000s. Collection represent how public history venues commemorate the legacies of African Americans.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Materials consist of museum brochures, directories, publications, and ephemera related to African American historic sites throughout the United States and Canada from the early 1960s to early 2000s. Collection represent how public history venues commemorate the legacies of African Americans."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_948d70399440ab1e0f176d4121742618\"\u003eEphemeral collection that represents the commemoration of the African American legacy and Black Heritage in the United States and Canada.\u003c/abstract\u003e"],"abstract_tesim":["Ephemeral collection that represents the commemoration of the African American legacy and Black Heritage in the United States and Canada."],"names_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives","Jones Jr., Norman"],"corpname_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"names_coll_ssim":["Jones Jr., Norman"],"persname_ssim":["Jones Jr., Norman"],"language_ssim":["English"],"total_component_count_is":47,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"66ff5ff30deb30c2cdee747b","timestamp":"2026-04-21T03:30:59.557Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/66ff5ff30deb30c2cdee747b"}},{"id":"494d175c32d55745f7fddbc7_aspace_4919","type":"Item","attributes":{"title":"North dock of Palm Beach Shores on Singer Island, (Riviera Beach), (color), January 7, 1961","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/494d175c32d55745f7fddbc7_aspace_4919#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_4919","ref_ssm":["aspace_4919","aspace_4919"],"id":"494d175c32d55745f7fddbc7_aspace_4919","title_filing_ssi":"North dock of Palm Beach Shores on Singer Island, (Riviera Beach), (color)","title_ssm":["North dock of Palm Beach Shores on Singer Island, (Riviera Beach), (color)"],"title_tesim":["North dock of Palm Beach Shores on Singer Island, (Riviera Beach), (color)"],"unitdate_other_ssim":["January 7, 1961"],"normalized_date_ssm":["January 7, 1961"],"normalized_title_ssm":["North dock of Palm Beach Shores on Singer Island, (Riviera Beach), (color), January 7, 1961"],"text":["North dock of Palm Beach Shores on Singer Island, (Riviera Beach), (color), January 7, 1961","Florida Image Collection, 1884-2002","Photo Postcards, 1898-1988, Undated","Localities, 1906-1963, Undated","Item 194","/repositories/4/archival_objects/12685","box 3"],"component_level_isim":[3],"parent_ids_ssim":["494d175c32d55745f7fddbc7","494d175c32d55745f7fddbc7_aspace_4689","494d175c32d55745f7fddbc7_aspace_4824"],"parent_unittitles_ssm":["Florida Image Collection, 1884-2002","Photo Postcards, 1898-1988, Undated","Localities, 1906-1963, Undated"],"parent_unittitles_tesim":["Florida Image Collection, 1884-2002","Photo Postcards, 1898-1988, Undated","Localities, 1906-1963, Undated"],"parent_levels_ssm":["collection","Series","File"],"unitid_ssm":["Item 194","/repositories/4/archival_objects/12685"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Florida Image Collection, 1884-2002"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":609,"parent_access_restrict_tesm":["The entire collection is open for research."],"date_range_isim":[1961],"containers_ssim":["box 3"],"_nest_path_":"/components#4/components#4/components#94","_nest_parent_":"494d175c32d55745f7fddbc7_aspace_4824","_root_":"494d175c32d55745f7fddbc7","_version_":1870858026892656640,"timestamp":"2026-07-16T08:07:29.876Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"494d175c32d55745f7fddbc7","title_ssm":["Florida Image Collection"],"title_tesim":["Florida Image Collection"],"ead_ssi":"494d175c32d55745f7fddbc7","unitdate_ssm":["1884-2002"],"unitdate_inclusive_ssm":["1884-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.067","/repositories/4/resources/58"],"text":["SC.067","/repositories/4/resources/58","Florida Image Collection, 1884-2002","Florida","photographs","The entire collection is open for research.","The Florida Image collection contains images and picture postcards obtained from other UCF Archives collections, as well as purchases and donations. The majority come from the The Thomas and Georgine Mickler Collection. The Mickler collection was partly purchased and donated to the University. Other photos within the collection originated in the Special Collections Vertical File. The Vertical File contains a variety of collected materials on University of Central Florida, local history, typography and book arts, and the West Indies, subjects relating to the collections held by Special Collections. Also included in the collection are images from the Children's Home Society of Florida collection.","Many of the images were previously included in the Thomas and Georgine Mickler Collection and the Florida Ephemera collection. Both of these collections are housed in the University of Central Florida Archives.","Collection processed by Alexandra Olson; finding aid created by Alexandra Olson.","The photographs and postcards were sleeved and placed in acid-free folders and boxes.","More photographs may be found in the papers of individual University Presidents, as well as the Univeristy Photograph Collection. All these materials may be accessed in the Special Collections Reading Room.","Generally, images of individuals arranged alphabetically begin each subseries followed by groups of people and ending with unidentified images. The collection includes postcard images of scenes and places in Florida. Many of the photographs were originally part of the Thomas and Georgine Mickler Collection. The photos are arranged by series according to the type of image. The prints are mostly black and white, but a few are in color. The photographs and postcards have been arranged in nine series by subject","\nSeries I: People, 1913-1987, Undated contains photographic prints of individuals and groups that have been arranged in subseries from identifiable people and families to albums and ending with individuals and groups. Images, in this series, like those of the Pope family are significant to Florida because Dick Pope was the creator of Cypress Gardens, Florida's first theme park. Images of the Roper family are important because of this family's link to the Florida Citrus Industry and the Winter Garden area.","\nSeries II: Places, 1903-1988, Undated holds photographs of places and localities from around Florida arranged alphabetically. Disney forms the first subseries, followed by the John F. Kennedy Space Center, general localities and ending with a colleciton of photographs of Orange Blossom Trail in South Orlando.","\nSeries III: Environment, 1899-1999, Undated contains images of native wildlife, plants of Florida, ending with photographs of hurricanes.","\nSeries IV: Miscellaneous Images, 2002, Undated contains photographs and images that do not fit within any other series, but are still important to the memory of Florida.","\nSeries V: Photo Postcards, 1898-1988, Undated holds postcards that have either a genuine photograph or a printed image on one side. The printed postcards are divided into subseries by subject. The nine subjects include: Churches, hotels, localities, native plants, native wildlife, people, tourism, transportation and miscellaneous.","\nSeries VI: Picture Books (Souvenir Albums), 1884-1969, Undated contains albums and postcard books with many different images of Florida. The series is arranged alphabetically by title of book, and spans from Railroads to Locales.","\nSeries VII: Caribbean Postcards, 1954, Undated contains postcards with different images of Carribbean life.","\nSeries VIII: Color Plates and Oversized Postcards, 1960, Undated holds all the oversized postcards from the collection as well as a collection of color plates. Plates are whole-sheet illustrations, printed separately from text. The images in this series cover a wide variety of Florida scenery and locales.","\nSeries IX: Negatives, Undated contains all the negatives of the collection.","The images document all aspects of Central Florida history including people, such as prominent people and families, places around Florida, Florida wildlife and plantlife, as well as, images from the Kennedy Space Center and Disney. The majority of the collection dates from about 1900-1960.","UCF Special Collections","Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998","English"],"unitid_tesim":["SC.067","/repositories/4/resources/58"],"normalized_date_ssm":["1884-2002"],"normalized_title_ssm":["Florida Image Collection, 1884-2002"],"collection_title_tesim":["Florida Image Collection, 1884-2002"],"collection_ssim":["Florida Image Collection, 1884-2002"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida"],"geogname_ssim":["Florida"],"creator_ssm":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creator_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creator_persname_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creators_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"places_ssim":["Florida"],"acqinfo_ssim":["Photographs used in the collection were taken from the Thomas and Georgine Mickler Collection, the UCF Libraries, Special Collections vertical file,as well as, other purchases and acessions.","This collection was a mixture of purchased and donated from the Mickler Estate and other sources in 2006 (CFM2006_08)."],"access_subjects_ssim":["photographs"],"access_subjects_ssm":["photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1.65 Linear Feet 4 Boxes, 1 Flat File"],"extent_tesim":["1.65 Linear Feet 4 Boxes, 1 Flat File"],"genreform_ssim":["photographs"],"date_range_isim":[1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Florida Image collection contains images and picture postcards obtained from other UCF Archives collections, as well as purchases and donations. The majority come from the The Thomas and Georgine Mickler Collection. The Mickler collection was partly purchased and donated to the University. Other photos within the collection originated in the Special Collections Vertical File. The Vertical File contains a variety of collected materials on University of Central Florida, local history, typography and book arts, and the West Indies, subjects relating to the collections held by Special Collections. Also included in the collection are images from the Children's Home Society of Florida collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Florida Image collection contains images and picture postcards obtained from other UCF Archives collections, as well as purchases and donations. The majority come from the The Thomas and Georgine Mickler Collection. The Mickler collection was partly purchased and donated to the University. Other photos within the collection originated in the Special Collections Vertical File. The Vertical File contains a variety of collected materials on University of Central Florida, local history, typography and book arts, and the West Indies, subjects relating to the collections held by Special Collections. Also included in the collection are images from the Children's Home Society of Florida collection."],"custodhist_html_tesm":["\u003cp\u003eMany of the images were previously included in the Thomas and Georgine Mickler Collection and the Florida Ephemera collection. Both of these collections are housed in the University of Central Florida Archives.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Many of the images were previously included in the Thomas and Georgine Mickler Collection and the Florida Ephemera collection. Both of these collections are housed in the University of Central Florida Archives."],"prefercite_html_tesm":["\u003cp\u003eFlorida Image Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Florida Image Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Alexandra Olson; finding aid created by Alexandra Olson.\u003c/p\u003e","\u003cp\u003eThe photographs and postcards were sleeved and placed in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Alexandra Olson; finding aid created by Alexandra Olson.","The photographs and postcards were sleeved and placed in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eMore photographs may be found in the papers of individual University Presidents, as well as the Univeristy Photograph Collection. All these materials may be accessed in the Special Collections Reading Room.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["More photographs may be found in the papers of individual University Presidents, as well as the Univeristy Photograph Collection. All these materials may be accessed in the Special Collections Reading Room."],"scopecontent_html_tesm":["\u003cp\u003eGenerally, images of individuals arranged alphabetically begin each subseries followed by groups of people and ending with unidentified images. The collection includes postcard images of scenes and places in Florida. Many of the photographs were originally part of the Thomas and Georgine Mickler Collection. The photos are arranged by series according to the type of image. The prints are mostly black and white, but a few are in color. The photographs and postcards have been arranged in nine series by subject\u003c/p\u003e\n","\u003cp\u003e\nSeries I: People, 1913-1987, Undated contains photographic prints of individuals and groups that have been arranged in subseries from identifiable people and families to albums and ending with individuals and groups. Images, in this series, like those of the Pope family are significant to Florida because Dick Pope was the creator of Cypress Gardens, Florida's first theme park. Images of the Roper family are important because of this family's link to the Florida Citrus Industry and the Winter Garden area.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Places, 1903-1988, Undated holds photographs of places and localities from around Florida arranged alphabetically. Disney forms the first subseries, followed by the John F. Kennedy Space Center, general localities and ending with a colleciton of photographs of Orange Blossom Trail in South Orlando.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Environment, 1899-1999, Undated contains images of native wildlife, plants of Florida, ending with photographs of hurricanes.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Miscellaneous Images, 2002, Undated contains photographs and images that do not fit within any other series, but are still important to the memory of Florida.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Photo Postcards, 1898-1988, Undated holds postcards that have either a genuine photograph or a printed image on one side. The printed postcards are divided into subseries by subject. The nine subjects include: Churches, hotels, localities, native plants, native wildlife, people, tourism, transportation and miscellaneous.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Picture Books (Souvenir Albums), 1884-1969, Undated contains albums and postcard books with many different images of Florida. The series is arranged alphabetically by title of book, and spans from Railroads to Locales.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Caribbean Postcards, 1954, Undated contains postcards with different images of Carribbean life.\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Color Plates and Oversized Postcards, 1960, Undated holds all the oversized postcards from the collection as well as a collection of color plates. Plates are whole-sheet illustrations, printed separately from text. The images in this series cover a wide variety of Florida scenery and locales.\u003c/p\u003e\n","\u003cp\u003e\nSeries IX: Negatives, Undated contains all the negatives of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Generally, images of individuals arranged alphabetically begin each subseries followed by groups of people and ending with unidentified images. The collection includes postcard images of scenes and places in Florida. Many of the photographs were originally part of the Thomas and Georgine Mickler Collection. The photos are arranged by series according to the type of image. The prints are mostly black and white, but a few are in color. The photographs and postcards have been arranged in nine series by subject","\nSeries I: People, 1913-1987, Undated contains photographic prints of individuals and groups that have been arranged in subseries from identifiable people and families to albums and ending with individuals and groups. Images, in this series, like those of the Pope family are significant to Florida because Dick Pope was the creator of Cypress Gardens, Florida's first theme park. Images of the Roper family are important because of this family's link to the Florida Citrus Industry and the Winter Garden area.","\nSeries II: Places, 1903-1988, Undated holds photographs of places and localities from around Florida arranged alphabetically. Disney forms the first subseries, followed by the John F. Kennedy Space Center, general localities and ending with a colleciton of photographs of Orange Blossom Trail in South Orlando.","\nSeries III: Environment, 1899-1999, Undated contains images of native wildlife, plants of Florida, ending with photographs of hurricanes.","\nSeries IV: Miscellaneous Images, 2002, Undated contains photographs and images that do not fit within any other series, but are still important to the memory of Florida.","\nSeries V: Photo Postcards, 1898-1988, Undated holds postcards that have either a genuine photograph or a printed image on one side. The printed postcards are divided into subseries by subject. The nine subjects include: Churches, hotels, localities, native plants, native wildlife, people, tourism, transportation and miscellaneous.","\nSeries VI: Picture Books (Souvenir Albums), 1884-1969, Undated contains albums and postcard books with many different images of Florida. The series is arranged alphabetically by title of book, and spans from Railroads to Locales.","\nSeries VII: Caribbean Postcards, 1954, Undated contains postcards with different images of Carribbean life.","\nSeries VIII: Color Plates and Oversized Postcards, 1960, Undated holds all the oversized postcards from the collection as well as a collection of color plates. Plates are whole-sheet illustrations, printed separately from text. The images in this series cover a wide variety of Florida scenery and locales.","\nSeries IX: Negatives, Undated contains all the negatives of the collection."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c1764512ad44520b697525a0abb48530\" label=\"Abstract\"\u003eThe images document all aspects of Central Florida history including people, such as prominent people and families, places around Florida, Florida wildlife and plantlife, as well as, images from the Kennedy Space Center and Disney. The majority of the collection dates from about 1900-1960.\u003c/abstract\u003e"],"abstract_tesim":["The images document all aspects of Central Florida history including people, such as prominent people and families, places around Florida, Florida wildlife and plantlife, as well as, images from the Kennedy Space Center and Disney. 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