{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026page=129","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026page=128","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026page=130","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026page=407"},"meta":{"pages":{"current_page":129,"next_page":130,"prev_page":128,"total_pages":407,"limit_value":10,"offset_value":1280,"total_count":4066,"first_page?":false,"last_page?":false}},"data":[{"id":"20c9ad08203b1da35b7a7f61_aspace_8b70ac98d3c8afbd0de90720a850cac7","type":"File","attributes":{"title":"Financial Receipts, Pamphlets, and Newsletter Article, 1943-1988","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/20c9ad08203b1da35b7a7f61_aspace_8b70ac98d3c8afbd0de90720a850cac7#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder includues miscellaneous receipts and single issue of \u003cem\u003e Muzzle Blast \u003c/em\u003e, December 30, 1944. Program for the meeting in Miami to hear from repatriated and escaped prisoners of war, April 1, 1945 is in this folder. The folder includes two pamphlets related to Army Ground and Service Forces Redistribution Station, Miami Beach, Florida. There is a letter from Leslie and Chris Kopta to Henry Perner and wife, January 7, 1988. The folder includes a copy of \u003cem\u003eLandmark \u003c/em\u003e, company newsletter for Howard Johnson, Inc., May 1954 featuring an article Henry Perner's work in the Miami Ice cream plant.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/20c9ad08203b1da35b7a7f61_aspace_8b70ac98d3c8afbd0de90720a850cac7#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_8b70ac98d3c8afbd0de90720a850cac7","ref_ssm":["aspace_8b70ac98d3c8afbd0de90720a850cac7","aspace_8b70ac98d3c8afbd0de90720a850cac7"],"id":"20c9ad08203b1da35b7a7f61_aspace_8b70ac98d3c8afbd0de90720a850cac7","title_filing_ssi":"Financial Receipts, Pamphlets, and Newsletter Article","title_ssm":["Financial Receipts, Pamphlets, and Newsletter Article"],"title_tesim":["Financial Receipts, Pamphlets, and Newsletter Article"],"unitdate_inclusive_ssm":["1943-1988"],"normalized_date_ssm":["1943-1988"],"normalized_title_ssm":["Financial Receipts, Pamphlets, and Newsletter Article, 1943-1988"],"text":["Financial Receipts, Pamphlets, and Newsletter Article, 1943-1988","Henry John Perner collection, 1940-1957, Date accessioned: 1999-06-07","005","/repositories/10/archival_objects/188085","99.0130 Box 1","folder 006","This folder includues  miscellaneous receipts and  single issue of    Muzzle Blast   , December 30, 1944.   Program for the  meeting in Miami to hear from repatriated and escaped prisoners of war, April 1, 1945 is in this folder.  The folder includes two  pamphlets related to Army Ground and Service Forces Redistribution Station, Miami Beach, Florida.  There is a letter from Leslie and Chris Kopta to Henry Perner and wife, January 7, 1988. The folder includes a  copy of  Landmark  , company newsletter for Howard Johnson, Inc., May 1954 featuring an article Henry Perner's work in the Miami Ice cream plant."],"component_level_isim":[1],"parent_ids_ssim":["20c9ad08203b1da35b7a7f61"],"parent_unittitles_ssm":["Henry John Perner collection, 1940-1957, Date accessioned: 1999-06-07"],"parent_unittitles_tesim":["Henry John Perner collection, 1940-1957, Date accessioned: 1999-06-07"],"parent_levels_ssm":["collection"],"unitid_ssm":["005","/repositories/10/archival_objects/188085"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Henry John Perner collection, 1940-1957, Date accessioned: 1999-06-07"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":6,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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There is a letter from Leslie and Chris Kopta to Henry Perner and wife, January 7, 1988. The folder includes a  copy of \u003cemph render=\"italic\"\u003eLandmark \u003c/emph\u003e, company newsletter for Howard Johnson, Inc., May 1954 featuring an article Henry Perner's work in the Miami Ice cream plant.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder includues  miscellaneous receipts and  single issue of    Muzzle Blast   , December 30, 1944.   Program for the  meeting in Miami to hear from repatriated and escaped prisoners of war, April 1, 1945 is in this folder.  The folder includes two  pamphlets related to Army Ground and Service Forces Redistribution Station, Miami Beach, Florida.  There is a letter from Leslie and Chris Kopta to Henry Perner and wife, January 7, 1988. The folder includes a  copy of  Landmark  , company newsletter for Howard Johnson, Inc., May 1954 featuring an article Henry Perner's work in the Miami Ice cream plant."],"_nest_path_":"/components#5","_nest_parent_":"20c9ad08203b1da35b7a7f61","_root_":"20c9ad08203b1da35b7a7f61","timestamp":"2026-04-21T06:31:28.851Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"20c9ad08203b1da35b7a7f61","title_filing_ssi":"Perner, Henry John Collection ","title_ssm":["Henry John Perner collection"],"title_tesim":["Henry John Perner collection"],"ead_ssi":"20c9ad08203b1da35b7a7f61","unitdate_ssm":["1940-1957","Date accessioned: 1999-06-07"],"unitdate_inclusive_ssm":["1940-1957"],"unitdate_other_ssim":["Date accessioned: 1999-06-07"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["99.0130","/repositories/10/resources/1691"],"text":["99.0130","/repositories/10/resources/1691","Henry John Perner collection, 1940-1957, Date accessioned: 1999-06-07","World War, 1939-1945 ---Prisoners and Prisons, German","\tWorld War, 1939-1945--War work--Red Cross","Miami (Fla.)","Tobacco use--United States","World War, 1939-1945--Florida","Stalag II B","Prisoners of war--United States","Holidays--United States","World War, 1939-1945--War--Religious Aspects","Greeting cards.","This collection is open to all researchers.","Henry John Perner born on May 30, 1914 in New York City. 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The collection primarily consists of letters, telegrams, and informational booklets related to his POW experience.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Perner, Henry John, 1915-1993","English"],"unitid_tesim":["99.0130","/repositories/10/resources/1691"],"normalized_date_ssm":["1940-1957, Date accessioned: 1999-06-07"],"normalized_title_ssm":["Henry John Perner collection, 1940-1957, Date accessioned: 1999-06-07"],"collection_title_tesim":["Henry John Perner collection, 1940-1957, Date accessioned: 1999-06-07"],"collection_ssim":["Henry John Perner collection, 1940-1957, Date accessioned: 1999-06-07"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["World War, 1939-1945 ---Prisoners and Prisons, German","\tWorld War, 1939-1945--War work--Red Cross","Miami (Fla.)","Tobacco use--United States"],"geogname_ssim":["World War, 1939-1945 ---Prisoners and Prisons, German","\tWorld War, 1939-1945--War work--Red Cross","Miami (Fla.)","Tobacco use--United States"],"creator_ssm":["Perner, Henry John, 1915-1993"],"creator_ssim":["Perner, Henry John, 1915-1993"],"creator_persname_ssim":["Perner, Henry John, 1915-1993"],"creators_ssim":["Perner, Henry John, 1915-1993"],"places_ssim":["World War, 1939-1945 ---Prisoners and Prisons, German","\tWorld War, 1939-1945--War work--Red Cross","Miami (Fla.)","Tobacco use--United States"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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Liberated by Soviet troops, Perner returned home to the United States where he resumed employment with the Howard Johnson Company.  He died in March 7, 1993.1993-03-07"],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Henry John Perner collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-99-0130\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Henry John Perner collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-99-0130"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Henry John Perner drafted into the U.S. Army in 1940 and served with the 42nd Infantry Regiment of the 9th Division. 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Yearbooks","2. Minutes","3. Financial Records","4. Reports","5. Rental Records","6. Scrapbooks","The Friday Morning Musicale serves the civic and cultural needs of the Tampa community by providing educational and artistic activities. Officially established in 1902, the organization was formed as a women's club limited to 25 musically inclined members.  Eventually merging with the Hillsborough County Federation of Women's Clubs, the Friday Morning Musicale opened the Friday Morning Musicale and Federated Clubs building at 809 Horatio Street in 1927. Since its inception, the organization and the building have showcased a wide variety of musical, dance and theatrical performances. Today, the Friday Morning Musicale organization continues to provide community entertainment in the original building, which is now a historic landmark.","Helene Steer Saxby Collection, Special Collections Department,  Tampa Library, University of South Florida, Tampa, Florida.","Hampton Dunn Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Includes materials related to the organizational structure and functionality of the club, club building, and affiliated organizations. Primarily consists of committee reports, yearbooks, member records, and scrapbooks detailing approximately 30 years of the organization's civic interests.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Friday Morning Musicale and Federated Clubs (Tampa, Fla.)","English"],"unitid_tesim":["F29","/repositories/2/resources/353"],"normalized_date_ssm":["1905-1984"],"normalized_title_ssm":["Friday Morning Musicale records, 1905-1984"],"collection_title_tesim":["Friday Morning Musicale records, 1905-1984"],"collection_ssim":["Friday Morning Musicale records, 1905-1984"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"creator_ssim":["Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"creator_corpname_ssim":["Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"creators_ssim":["Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Friday Morning Musicale","Donation"],"access_subjects_ssim":["Friday Morning Musicale (Tampa, Fla.)"],"access_subjects_ssm":["Friday Morning Musicale (Tampa, Fla.)"],"has_online_content_ssim":["false"],"extent_ssm":["14.69 Linear Feet","20 boxes"],"extent_tesim":["14.69 Linear Feet","20 boxes"],"date_range_isim":[1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by material type:\u003c/p\u003e\n","\u003cp\u003e1. Yearbooks\u003c/p\u003e\n","\u003cp\u003e2. Minutes\u003c/p\u003e\n","\u003cp\u003e3. Financial Records\u003c/p\u003e\n","\u003cp\u003e4. Reports\u003c/p\u003e\n","\u003cp\u003e5. Rental Records\u003c/p\u003e\n","\u003cp\u003e6. Scrapbooks\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged by material type:","1. Yearbooks","2. Minutes","3. Financial Records","4. Reports","5. Rental Records","6. Scrapbooks"],"bioghist_html_tesm":["\u003cp\u003eThe Friday Morning Musicale serves the civic and cultural needs of the Tampa community by providing educational and artistic activities. Officially established in 1902, the organization was formed as a women's club limited to 25 musically inclined members.  Eventually merging with the Hillsborough County Federation of Women's Clubs, the Friday Morning Musicale opened the Friday Morning Musicale and Federated Clubs building at 809 Horatio Street in 1927. 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Today, the Friday Morning Musicale organization continues to provide community entertainment in the original building, which is now a historic landmark."],"prefercite_html_tesm":["\u003cp\u003eFriday Morning Musicale collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Friday Morning Musicale collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eHelene Steer Saxby Collection, Special Collections Department,\u0026#xA0; Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eHampton Dunn Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Helene Steer Saxby Collection, Special Collections Department,  Tampa Library, University of South Florida, Tampa, Florida.","Hampton Dunn Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eIncludes materials related to the organizational structure and functionality of the club, club building, and affiliated organizations. Primarily consists of committee reports, yearbooks, member records, and scrapbooks detailing approximately 30 years of the organization's civic interests.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Includes materials related to the organizational structure and functionality of the club, club building, and affiliated organizations. Primarily consists of committee reports, yearbooks, member records, and scrapbooks detailing approximately 30 years of the organization's civic interests."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_coll_ssim":["Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"names_ssim":["USF Libraries - Tampa Special Collections","Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":243,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862873195970560,"_root_":"8b037d01cf0e657624cceb24","timestamp":"2026-07-16T09:24:31.682Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8b037d01cf0e657624cceb24_aspace_65320"}},{"id":"0d889aea88c6ef151f30c897_aspace_dc19311dc3b9a2f67ad2a85089ca2b29","type":"File","attributes":{"title":"Financial Statements, 1960-1962","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/0d889aea88c6ef151f30c897_aspace_dc19311dc3b9a2f67ad2a85089ca2b29#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_dc19311dc3b9a2f67ad2a85089ca2b29","ref_ssm":["aspace_dc19311dc3b9a2f67ad2a85089ca2b29","aspace_dc19311dc3b9a2f67ad2a85089ca2b29"],"id":"0d889aea88c6ef151f30c897_aspace_dc19311dc3b9a2f67ad2a85089ca2b29","title_filing_ssi":"Financial Statements","title_ssm":["Financial Statements"],"title_tesim":["Financial Statements"],"unitdate_inclusive_ssm":["1960-1962"],"normalized_date_ssm":["1960-1962"],"normalized_title_ssm":["Financial Statements, 1960-1962"],"text":["Financial Statements, 1960-1962","A.P. \"Pat\" Bolton Collection, 1936-1972","/repositories/2/archival_objects/18066","box 8","folder 4"],"component_level_isim":[1],"parent_ids_ssim":["0d889aea88c6ef151f30c897"],"parent_unittitles_ssm":["A.P. \"Pat\" Bolton Collection, 1936-1972"],"parent_unittitles_tesim":["A.P. \"Pat\" Bolton Collection, 1936-1972"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/18066"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"collection_ssim":["A.P. \"Pat\" Bolton Collection, 1936-1972"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":69,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The A.P. \"Pat\" Bolton Collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions - archives@flsouthern.edu."],"date_range_isim":[1960,1961,1962],"containers_ssim":["box 8","folder 4"],"_nest_path_":"/components#68","_nest_parent_":"0d889aea88c6ef151f30c897","_root_":"0d889aea88c6ef151f30c897","_version_":1870851055798976512,"timestamp":"2026-07-16T06:16:41.733Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"0d889aea88c6ef151f30c897","title_ssm":["A.P. \"Pat\" Bolton Collection"],"title_tesim":["A.P. \"Pat\" Bolton Collection"],"ead_ssi":"0d889aea88c6ef151f30c897","unitdate_ssm":["1936-1972"],"unitdate_inclusive_ssm":["1936-1972"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS1055","/repositories/2/resources/20"],"text":["MS1055","/repositories/2/resources/20","A.P. \"Pat\" Bolton Collection, 1936-1972","Asphalt","Paving","Construction","Daytona Speedway","Macasphalt","Pav-A-Way","Florida Hot Mix","Bolton, A. P. (A. P. \"Pat\"), 1905-1974","Bolton, Juanita Jane, 1922-2009. ","Road builders--Florida.","Contractors--Florida.","Airports--Construction--Florida--History--20th century.","World War, 1939-1945--Naval aviation--Airports--Florida.","Financial records.","Photographs.","Business records.","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.","A.P. \"Pat\" Bolton was born in 1905 and the collection has family records including Mr. Bolton's birth Certificate and a family letter dating 1854. Bolton's work began in South Carolina where we have documentation of a few projects he worked on in 1936. In the late 1930's and early 1940's, Bolton moved to Florida to begin work designing and repaving airports for the Navy during WWII. The majority of the collection includes records from his work with the Navy including Banana River, Saufley field, Osceola and Witting Field North and South. Juanita Jane (Bolton) was born in 1922, moved to Lakeland in 1939 to attend school at Florida Southern College. Juanita received her secretary certificate in 1941. Mr. Bolton met Juanita Jane when she worked for him as a secretary at Macasphalt and they later married. Juanita was active in Bolton's companies as she held positions including Secretary-Treasurer and Vice President of one of Macasphalt's spin off companies. Juanita Jane Bolton died in May of 2009. In 1955, Bolton became the owner of Macasphalt. And in 1957 work began on the Daytona Speedway. The Speedway was completed in 1959 and the collection includes pictures of the first practice run. In the mid to late 1950's Bolton began dividing the company into smaller sub companies which he divided among family and friends. According to Glenn C Thompson, Bolton's two daughters (Betty and Glynnie) married and their husbands were set up with their own company with the expectation they would take care of Bolton's daughters. Bolton was long known for using local materials (like sand, crushed stone, and coquina shells) to build asphalt roads in Florida. Bolton retired in 1971 and died in 1974. His legacy lives on,\nhowever, in the form of the A.P. \"Pat\" Bolton award for excellence in paving","This collection spans the date range from 1936 – 1972. However, there are a few personal documents dating to 1854 and 1905. The primary scope of the collection pertains to Bolton's work in World War II and his work with the Daytona Speedway. There are a few ancillary projects in addition to these. There is little information about specific jobs between Bolton's work in WWII and his work on the Daytona Speedway. There is also very little information about specific jobs after the Daytona Speedway project ending in 1959. The lack of information on specific jobs after Bolton's work on the Daytona Speedway may be attributed to Bolton's efforts to divide the company up between his son-in-laws and his friends. There are extensive financial records of Macasphalt and some of the smaller companies The collection is located in shelving unit 10 and contains 15 file boxes, 1 large box and 1 flat file.\nPhysical Description: 15 file boxes, 1 large box and 1 flat file","The A.P. \"Pat\" Bolton Collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions - archives@flsouthern.edu.","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Macasphalt ","English"],"unitid_tesim":["MS1055","/repositories/2/resources/20"],"normalized_date_ssm":["1936-1972"],"normalized_title_ssm":["A.P. \"Pat\" Bolton Collection, 1936-1972"],"collection_title_tesim":["A.P. \"Pat\" Bolton Collection, 1936-1972"],"collection_ssim":["A.P. \"Pat\" Bolton Collection, 1936-1972"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"creator_ssm":["Macasphalt "],"creator_ssim":["Macasphalt "],"creator_corpname_ssim":["Macasphalt "],"creators_ssim":["Macasphalt "],"access_terms_ssm":["The A.P. \"Pat\" Bolton Collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions - archives@flsouthern.edu."],"acqinfo_ssim":["Given to FSC Archives by Glenn C Thompson after his mother, Juanita Bolton, passed away, 2011"],"access_subjects_ssim":["Asphalt","Paving","Construction","Daytona Speedway","Macasphalt","Pav-A-Way","Florida Hot Mix","Bolton, A. P. (A. P. \"Pat\"), 1905-1974","Bolton, Juanita Jane, 1922-2009. ","Road builders--Florida.","Contractors--Florida.","Airports--Construction--Florida--History--20th century.","World War, 1939-1945--Naval aviation--Airports--Florida.","Financial records.","Photographs.","Business records."],"access_subjects_ssm":["Asphalt","Paving","Construction","Daytona Speedway","Macasphalt","Pav-A-Way","Florida Hot Mix","Bolton, A. P. (A. P. \"Pat\"), 1905-1974","Bolton, Juanita Jane, 1922-2009. ","Road builders--Florida.","Contractors--Florida.","Airports--Construction--Florida--History--20th century.","World War, 1939-1945--Naval aviation--Airports--Florida.","Financial records.","Photographs.","Business records."],"has_online_content_ssim":["false"],"extent_ssm":["5 Linear Feet"],"extent_tesim":["5 Linear Feet"],"genreform_ssim":["World War, 1939-1945--Naval aviation--Airports--Florida.","Financial records.","Photographs.","Business records."],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eA.P. \"Pat\" Bolton was born in 1905 and the collection has family records including Mr. Bolton's birth Certificate and a family letter dating 1854. Bolton's work began in South Carolina where we have documentation of a few projects he worked on in 1936. In the late 1930's and early 1940's, Bolton moved to Florida to begin work designing and repaving airports for the Navy during WWII. The majority of the collection includes records from his work with the Navy including Banana River, Saufley field, Osceola and Witting Field North and South. Juanita Jane (Bolton) was born in 1922, moved to Lakeland in 1939 to attend school at Florida Southern College. Juanita received her secretary certificate in 1941. Mr. Bolton met Juanita Jane when she worked for him as a secretary at Macasphalt and they later married. Juanita was active in Bolton's companies as she held positions including Secretary-Treasurer and Vice President of one of Macasphalt's spin off companies. Juanita Jane Bolton died in May of 2009. In 1955, Bolton became the owner of Macasphalt. And in 1957 work began on the Daytona Speedway. The Speedway was completed in 1959 and the collection includes pictures of the first practice run. In the mid to late 1950's Bolton began dividing the company into smaller sub companies which he divided among family and friends. According to Glenn C Thompson, Bolton's two daughters (Betty and Glynnie) married and their husbands were set up with their own company with the expectation they would take care of Bolton's daughters. Bolton was long known for using local materials (like sand, crushed stone, and coquina shells) to build asphalt roads in Florida. Bolton retired in 1971 and died in 1974. His legacy lives on,\nhowever, in the form of the A.P. \"Pat\" Bolton award for excellence in paving\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["A.P. \"Pat\" Bolton was born in 1905 and the collection has family records including Mr. Bolton's birth Certificate and a family letter dating 1854. Bolton's work began in South Carolina where we have documentation of a few projects he worked on in 1936. In the late 1930's and early 1940's, Bolton moved to Florida to begin work designing and repaving airports for the Navy during WWII. The majority of the collection includes records from his work with the Navy including Banana River, Saufley field, Osceola and Witting Field North and South. Juanita Jane (Bolton) was born in 1922, moved to Lakeland in 1939 to attend school at Florida Southern College. Juanita received her secretary certificate in 1941. Mr. Bolton met Juanita Jane when she worked for him as a secretary at Macasphalt and they later married. Juanita was active in Bolton's companies as she held positions including Secretary-Treasurer and Vice President of one of Macasphalt's spin off companies. Juanita Jane Bolton died in May of 2009. In 1955, Bolton became the owner of Macasphalt. And in 1957 work began on the Daytona Speedway. The Speedway was completed in 1959 and the collection includes pictures of the first practice run. In the mid to late 1950's Bolton began dividing the company into smaller sub companies which he divided among family and friends. According to Glenn C Thompson, Bolton's two daughters (Betty and Glynnie) married and their husbands were set up with their own company with the expectation they would take care of Bolton's daughters. Bolton was long known for using local materials (like sand, crushed stone, and coquina shells) to build asphalt roads in Florida. Bolton retired in 1971 and died in 1974. His legacy lives on,\nhowever, in the form of the A.P. \"Pat\" Bolton award for excellence in paving"],"scopecontent_html_tesm":["\u003cp\u003eThis collection spans the date range from 1936 \u0026#x2013; 1972. However, there are a few personal documents dating to 1854 and 1905. The primary scope of the collection pertains to Bolton's work in World War II and his work with the Daytona Speedway. There are a few ancillary projects in addition to these. There is little information about specific jobs between Bolton's work in WWII and his work on the Daytona Speedway. There is also very little information about specific jobs after the Daytona Speedway project ending in 1959. The lack of information on specific jobs after Bolton's work on the Daytona Speedway may be attributed to Bolton's efforts to divide the company up between his son-in-laws and his friends. There are extensive financial records of Macasphalt and some of the smaller companies The collection is located in shelving unit 10 and contains 15 file boxes, 1 large box and 1 flat file.\nPhysical Description: 15 file boxes, 1 large box and 1 flat file\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection spans the date range from 1936 – 1972. However, there are a few personal documents dating to 1854 and 1905. The primary scope of the collection pertains to Bolton's work in World War II and his work with the Daytona Speedway. There are a few ancillary projects in addition to these. There is little information about specific jobs between Bolton's work in WWII and his work on the Daytona Speedway. There is also very little information about specific jobs after the Daytona Speedway project ending in 1959. The lack of information on specific jobs after Bolton's work on the Daytona Speedway may be attributed to Bolton's efforts to divide the company up between his son-in-laws and his friends. There are extensive financial records of Macasphalt and some of the smaller companies The collection is located in shelving unit 10 and contains 15 file boxes, 1 large box and 1 flat file.\nPhysical Description: 15 file boxes, 1 large box and 1 flat file"],"userestrict_html_tesm":["\u003cp\u003eThe A.P. \"Pat\" Bolton Collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions - archives@flsouthern.edu.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The A.P. \"Pat\" Bolton Collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions - archives@flsouthern.edu."],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Macasphalt "],"corpname_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Macasphalt "],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":144,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870851055798976512,"_root_":"0d889aea88c6ef151f30c897","timestamp":"2026-07-16T06:16:41.733Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/0d889aea88c6ef151f30c897_aspace_dc19311dc3b9a2f67ad2a85089ca2b29"}},{"id":"eccf200246c0c0801ef714fb_aspace_47155","type":"Item","attributes":{"title":"Finding Aid for the Walter Gaudnek Collection, 1945-2007, 1945-2007","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/eccf200246c0c0801ef714fb_aspace_47155#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_47155","ref_ssm":["aspace_47155","aspace_47155"],"id":"eccf200246c0c0801ef714fb_aspace_47155","title_filing_ssi":"Finding Aid for the Walter Gaudnek Collection, 1945-2007","title_ssm":["Finding Aid for the Walter Gaudnek Collection, 1945-2007"],"title_tesim":["Finding Aid for the Walter Gaudnek Collection, 1945-2007"],"unitdate_inclusive_ssm":["1945-2007"],"normalized_date_ssm":["1945-2007"],"normalized_title_ssm":["Finding Aid for the Walter Gaudnek Collection, 1945-2007, 1945-2007"],"text":["Finding Aid for the Walter Gaudnek Collection, 1945-2007, 1945-2007","Walter Gaudnek Collection, 1945-2009","Artist Books, 1945-2008","Research Incentive Award Application 2002-2006 Supporting Materials, Example 2, Library bound Research Documents 1945-2006, 1945-2007","Book 57","/repositories/4/archival_objects/20233","box 4"],"component_level_isim":[3],"parent_ids_ssim":["eccf200246c0c0801ef714fb","eccf200246c0c0801ef714fb_aspace_46856","eccf200246c0c0801ef714fb_aspace_47153"],"parent_unittitles_ssm":["Walter Gaudnek Collection, 1945-2009","Artist Books, 1945-2008","Research Incentive Award Application 2002-2006 Supporting Materials, Example 2, Library bound Research Documents 1945-2006, 1945-2007"],"parent_unittitles_tesim":["Walter Gaudnek Collection, 1945-2009","Artist Books, 1945-2008","Research Incentive Award Application 2002-2006 Supporting Materials, Example 2, Library bound Research Documents 1945-2006, 1945-2007"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Book 57","/repositories/4/archival_objects/20233"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Walter Gaudnek Collection, 1945-2009"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":287,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"containers_ssim":["box 4"],"_nest_path_":"/components#2/components#51/components#0","_nest_parent_":"eccf200246c0c0801ef714fb_aspace_47153","_root_":"eccf200246c0c0801ef714fb","timestamp":"2026-04-21T03:53:25.929Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"eccf200246c0c0801ef714fb","title_ssm":["Walter Gaudnek Collection"],"title_tesim":["Walter Gaudnek Collection"],"ead_ssi":"eccf200246c0c0801ef714fb","unitdate_ssm":["1945-2009"],"unitdate_inclusive_ssm":["1945-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.053","/repositories/4/resources/88"],"text":["SC.053","/repositories/4/resources/88","Walter Gaudnek Collection, 1945-2009","University of Central Florida","Artists","The collection is open for research.","Walter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altomünster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries.","News clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.","Collection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.","Flying Horse Editions","University of Central Florida Office of the President Records , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","University of Central Florida Photograph Collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Art that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). ","The Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.","\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.","\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.","\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.","\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.","\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.","\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy.","UCF Special Collections","Gaudnek, Walter, 1931-","English"],"unitid_tesim":["SC.053","/repositories/4/resources/88"],"normalized_date_ssm":["1945-2009"],"normalized_title_ssm":["Walter Gaudnek Collection, 1945-2009"],"collection_title_tesim":["Walter Gaudnek Collection, 1945-2009"],"collection_ssim":["Walter Gaudnek Collection, 1945-2009"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were transferred to the Special Collections and University Archives by Dr. Walter Gaudnek in 2004 (CFM2004_01), 2006, and 2007 (CFM2007_XX)."],"access_subjects_ssim":["University of Central Florida","Artists"],"access_subjects_ssm":["University of Central Florida","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["7.25 Linear Feet 7 Boxes, 6 Portfolios, 1 Flat File"],"extent_tesim":["7.25 Linear Feet 7 Boxes, 6 Portfolios, 1 Flat File"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eWalter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altom\u0026#xFC;nster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Walter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altomünster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries."],"prefercite_html_tesm":["\u003cp\u003eWalter Gaudnek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Walter Gaudnek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eNews clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.\u003c/p\u003e","\u003cp\u003eCollection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["News clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.","Collection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://flyinghorse.cah.ucf.edu\"\u003eFlying Horse Editions\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://library.ucf.edu/about/departments/special-collections-university-archives/university-archives/university-archives-collection-guides/#UniversityPresidentsRecords\"\u003eUniversity of Central Florida Office of the President Records\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/ead/UCFPhotographs\"\u003eUniversity of Central Florida Photograph Collection\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003eArt that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Flying Horse Editions","University of Central Florida Office of the President Records , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","University of Central Florida Photograph Collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Art that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). "],"scopecontent_html_tesm":["\u003cp\u003eThe Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.","\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.","\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.","\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.","\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.","\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.","\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4f11a3ccc45b185611fc52b134bae889\" label=\"Abstract\"\u003eThe Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy.\u003c/abstract\u003e"],"abstract_tesim":["The Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy."],"names_ssim":["UCF Special Collections","Gaudnek, Walter, 1931-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Gaudnek, Walter, 1931-"],"persname_ssim":["Gaudnek, Walter, 1931-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":412,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"eccf200246c0c0801ef714fb","timestamp":"2026-04-21T03:53:25.929Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/eccf200246c0c0801ef714fb_aspace_47155"}},{"id":"fa16ca118b01a4092731b60c_aspace_d0875eb75ddca15ba4d1fafbc8413ad1","type":"File","attributes":{"title":"Fine Arts - Concert Band General, 1955-1964","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/fa16ca118b01a4092731b60c_aspace_d0875eb75ddca15ba4d1fafbc8413ad1#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_d0875eb75ddca15ba4d1fafbc8413ad1","ref_ssm":["aspace_d0875eb75ddca15ba4d1fafbc8413ad1","aspace_d0875eb75ddca15ba4d1fafbc8413ad1"],"id":"fa16ca118b01a4092731b60c_aspace_d0875eb75ddca15ba4d1fafbc8413ad1","title_filing_ssi":"Fine Arts - Concert Band General","title_ssm":["Fine Arts - Concert Band General"],"title_tesim":["Fine Arts - Concert Band General"],"unitdate_inclusive_ssm":["1955-1964"],"normalized_date_ssm":["1955-1964"],"normalized_title_ssm":["Fine Arts - Concert Band General, 1955-1964"],"text":["Fine Arts - Concert Band General, 1955-1964","Department of Fine Arts, 1923-2025","Box 1","/repositories/4/archival_objects/7675","folder 3"],"component_level_isim":[2],"parent_ids_ssim":["fa16ca118b01a4092731b60c","fa16ca118b01a4092731b60c_aspace_f6bbf8cc0a753772b6cdc3d74872bbf6"],"parent_unittitles_ssm":["Department of Fine Arts, 1923-2025","Box 1"],"parent_unittitles_tesim":["Department of Fine Arts, 1923-2025","Box 1"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/4/archival_objects/7675"],"repository_ssim":["The Florida Southern College Archives"],"collection_ssim":["Department of Fine Arts, 1923-2025"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":4,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"parent_access_terms_tesm":["The Fine Arts Department Records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964],"containers_ssim":["folder 3"],"_nest_path_":"/components#0/components#2","_nest_parent_":"fa16ca118b01a4092731b60c_aspace_f6bbf8cc0a753772b6cdc3d74872bbf6","_root_":"fa16ca118b01a4092731b60c","timestamp":"2026-07-09T02:17:09.717Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"fa16ca118b01a4092731b60c","title_ssm":["Department of Fine Arts"],"title_tesim":["Department of Fine Arts"],"ead_ssi":"fa16ca118b01a4092731b60c","unitdate_ssm":["1923-2025"],"unitdate_inclusive_ssm":["1923-2025"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["CA8000","/repositories/4/resources/47"],"text":["CA8000","/repositories/4/resources/47","Department of Fine Arts, 1923-2025","Fine arts","Florida Southern College--Music","Florida Southern College","Florida Southern College--Students.","Florida Southern College—History","College departments - United States - history","Florida Southern College--Faculty.","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials","The materials are arranged alphabetically by program name.","This collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record.","The materials in this collection tell the history of the Fine Arts programs at Florida Southern College since 1923.","The Fine Arts Department Records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","The Florida Southern College Archives","Florida Southern College","English"],"unitid_tesim":["CA8000","/repositories/4/resources/47"],"normalized_date_ssm":["1923-2025"],"normalized_title_ssm":["Department of Fine Arts, 1923-2025"],"collection_title_tesim":["Department of Fine Arts, 1923-2025"],"collection_ssim":["Department of Fine Arts, 1923-2025"],"repository_ssm":["The Florida Southern College Archives"],"repository_ssim":["The Florida Southern College Archives"],"creator_ssm":["Florida Southern College"],"creator_ssim":["Florida Southern College"],"creator_corpname_ssim":["Florida Southern College"],"creators_ssim":["Florida Southern College"],"access_terms_ssm":["The Fine Arts Department Records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["These materials were generated by the college and transferred to the archives upon completion of their active status.\nThis is an active record group and new materials are added periodically."],"access_subjects_ssim":["Fine arts","Florida Southern College--Music","Florida Southern College","Florida Southern College--Students.","Florida Southern College—History","College departments - United States - history","Florida Southern College--Faculty."],"access_subjects_ssm":["Fine arts","Florida Southern College--Music","Florida Southern College","Florida Southern College--Students.","Florida Southern College—History","College departments - United States - history","Florida Southern College--Faculty."],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet 2 five inch legal standard archival boxes"],"extent_tesim":["1 Linear Feet 2 five inch legal standard archival boxes"],"date_range_isim":[1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged alphabetically by program name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged alphabetically by program name."],"odd_html_tesm":["\u003cp\u003eThis collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["This collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection tell the history of the Fine Arts programs at Florida Southern College since 1923.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection tell the history of the Fine Arts programs at Florida Southern College since 1923."],"userestrict_html_tesm":["\u003cp\u003eThe Fine Arts Department Records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Fine Arts Department Records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["The Florida Southern College Archives","Florida Southern College"],"corpname_ssim":["The Florida Southern College Archives","Florida Southern College"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":30,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"fa16ca118b01a4092731b60c","timestamp":"2026-07-09T02:17:09.717Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/fa16ca118b01a4092731b60c_aspace_d0875eb75ddca15ba4d1fafbc8413ad1"}},{"id":"fa16ca118b01a4092731b60c_aspace_b1027ffb6ff0f124e88aac827503eb63","type":"File","attributes":{"title":"Fine Arts - Concert Choir, 1953-1988","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/fa16ca118b01a4092731b60c_aspace_b1027ffb6ff0f124e88aac827503eb63#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b1027ffb6ff0f124e88aac827503eb63","ref_ssm":["aspace_b1027ffb6ff0f124e88aac827503eb63","aspace_b1027ffb6ff0f124e88aac827503eb63"],"id":"fa16ca118b01a4092731b60c_aspace_b1027ffb6ff0f124e88aac827503eb63","title_filing_ssi":"Fine Arts - Concert Choir","title_ssm":["Fine Arts - Concert Choir"],"title_tesim":["Fine Arts - Concert Choir"],"unitdate_inclusive_ssm":["1953-1988"],"normalized_date_ssm":["1953-1988"],"normalized_title_ssm":["Fine Arts - Concert Choir, 1953-1988"],"text":["Fine Arts - Concert Choir, 1953-1988","Department of Fine Arts, 1923-2025","Box 1","/repositories/4/archival_objects/7679","folder 7"],"component_level_isim":[2],"parent_ids_ssim":["fa16ca118b01a4092731b60c","fa16ca118b01a4092731b60c_aspace_f6bbf8cc0a753772b6cdc3d74872bbf6"],"parent_unittitles_ssm":["Department of Fine Arts, 1923-2025","Box 1"],"parent_unittitles_tesim":["Department of Fine Arts, 1923-2025","Box 1"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/4/archival_objects/7679"],"repository_ssim":["The Florida Southern College Archives"],"collection_ssim":["Department of Fine Arts, 1923-2025"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":8,"parent_access_restrict_tesm":["This collection is open for research. 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For other uses you need to obtain permission from the rights-holder(s)."],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"containers_ssim":["folder 7"],"_nest_path_":"/components#0/components#6","_nest_parent_":"fa16ca118b01a4092731b60c_aspace_f6bbf8cc0a753772b6cdc3d74872bbf6","_root_":"fa16ca118b01a4092731b60c","timestamp":"2026-07-09T02:17:09.717Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"fa16ca118b01a4092731b60c","title_ssm":["Department of Fine Arts"],"title_tesim":["Department of Fine Arts"],"ead_ssi":"fa16ca118b01a4092731b60c","unitdate_ssm":["1923-2025"],"unitdate_inclusive_ssm":["1923-2025"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["CA8000","/repositories/4/resources/47"],"text":["CA8000","/repositories/4/resources/47","Department of Fine Arts, 1923-2025","Fine arts","Florida Southern College--Music","Florida Southern College","Florida Southern College--Students.","Florida Southern College—History","College departments - United States - history","Florida Southern College--Faculty.","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials","The materials are arranged alphabetically by program name.","This collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record.","The materials in this collection tell the history of the Fine Arts programs at Florida Southern College since 1923.","The Fine Arts Department Records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","The Florida Southern College Archives","Florida Southern College","English"],"unitid_tesim":["CA8000","/repositories/4/resources/47"],"normalized_date_ssm":["1923-2025"],"normalized_title_ssm":["Department of Fine Arts, 1923-2025"],"collection_title_tesim":["Department of Fine Arts, 1923-2025"],"collection_ssim":["Department of Fine Arts, 1923-2025"],"repository_ssm":["The Florida Southern College Archives"],"repository_ssim":["The Florida Southern College Archives"],"creator_ssm":["Florida Southern College"],"creator_ssim":["Florida Southern College"],"creator_corpname_ssim":["Florida Southern College"],"creators_ssim":["Florida Southern College"],"access_terms_ssm":["The Fine Arts Department Records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["These materials were generated by the college and transferred to the archives upon completion of their active status.\nThis is an active record group and new materials are added periodically."],"access_subjects_ssim":["Fine arts","Florida Southern College--Music","Florida Southern College","Florida Southern College--Students.","Florida Southern College—History","College departments - United States - history","Florida Southern College--Faculty."],"access_subjects_ssm":["Fine arts","Florida Southern College--Music","Florida Southern College","Florida Southern College--Students.","Florida Southern College—History","College departments - United States - history","Florida Southern College--Faculty."],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet 2 five inch legal standard archival boxes"],"extent_tesim":["1 Linear Feet 2 five inch legal standard archival boxes"],"date_range_isim":[1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged alphabetically by program name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged alphabetically by program name."],"odd_html_tesm":["\u003cp\u003eThis collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["This collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection tell the history of the Fine Arts programs at Florida Southern College since 1923.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection tell the history of the Fine Arts programs at Florida Southern College since 1923."],"userestrict_html_tesm":["\u003cp\u003eThe Fine Arts Department Records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Fine Arts Department Records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["The Florida Southern College Archives","Florida Southern College"],"corpname_ssim":["The Florida Southern College Archives","Florida Southern College"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":30,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"fa16ca118b01a4092731b60c","timestamp":"2026-07-09T02:17:09.717Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/fa16ca118b01a4092731b60c_aspace_b1027ffb6ff0f124e88aac827503eb63"}},{"id":"110d41e3af7af4547b4832a8_aspace_0d1aa29a3ae26ec168107ab051fc97a6","type":"Series","attributes":{"title":"Fire Protection, 1957-1980","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/110d41e3af7af4547b4832a8_aspace_0d1aa29a3ae26ec168107ab051fc97a6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_0d1aa29a3ae26ec168107ab051fc97a6","ref_ssm":["aspace_0d1aa29a3ae26ec168107ab051fc97a6","aspace_0d1aa29a3ae26ec168107ab051fc97a6"],"id":"110d41e3af7af4547b4832a8_aspace_0d1aa29a3ae26ec168107ab051fc97a6","title_filing_ssi":"Fire Protection","title_ssm":["Fire Protection"],"title_tesim":["Fire Protection"],"unitdate_inclusive_ssm":["1957-1980"],"normalized_date_ssm":["1957-1980"],"normalized_title_ssm":["Fire Protection, 1957-1980"],"text":["Fire Protection, 1957-1980","W.G. Roe and Sons Collection, 1930s-2020s","/repositories/3/archival_objects/44578","box 3"],"component_level_isim":[1],"parent_ids_ssim":["110d41e3af7af4547b4832a8"],"parent_unittitles_ssm":["W.G. Roe and Sons Collection, 1930s-2020s"],"parent_unittitles_tesim":["W.G. Roe and Sons Collection, 1930s-2020s"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/44578"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"collection_ssim":["W.G. Roe and Sons Collection, 1930s-2020s"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":26,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. 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Roe and Sons Collection"],"title_tesim":["W.G. Roe and Sons Collection"],"ead_ssi":"110d41e3af7af4547b4832a8","unitdate_ssm":["1930s-2020s"],"unitdate_inclusive_ssm":["1930s-2020s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT7010","/repositories/3/resources/144"],"text":["CIT7010","/repositories/3/resources/144","W.G. Roe and Sons Collection, 1930s-2020s","Railroads-Florida-History","Fruit Trade-New York","Citrus fruit industry--Florida","Fruit Crate Labels","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.","Since 1910, the Roes have been in the business of providing customers with an exceptional citrus experience. From humble beginnings, four generations have built Noble into the business that it is today. William G. Roe, the founder of Noble, began a fresh fruit distributorship in upstate New York. Wanting to be closer to his network of suppliers, he moved his family to Florida and built a packing house next to the Seaboard Coastline Railroad (a common practice in those days). It was at this time his sons, Frederick and Willard, began planting citrus groves, focusing specifically on tangerines. In fact, the first tangerine trees planted were the Dancey. In 1927, the \"Noble®\" name was registered and thus began the packing of only the best tangerines. (Taken from WG Roe and Sons official LinkedIn Profile: Wm. G. Roe \u0026 Sons, Inc.: Overview | LinkedIn)","This collection contains business records from the WG Roe and Sons company.  These papers range from legal records to financial information, including transactions.  There are blueprints and building records from their packing houses.  This collection also contains fire protection information relating to inspections and sprinkler installation in the packing house.  It also references the Moundgrove Fruit Company, an old citrus company from earlier in the 90s.  In terms of more recent information, it contains collector's information for citrus labels and other collection items, as well as recent nominations and inductions into the Citrus Hall of Fame.","This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Thomas B. Mack Florida Citrus Archives","English"],"unitid_tesim":["CIT7010","/repositories/3/resources/144"],"normalized_date_ssm":["1930s-2020s"],"normalized_title_ssm":["W.G. Roe and Sons Collection, 1930s-2020s"],"collection_title_tesim":["W.G. Roe and Sons Collection, 1930s-2020s"],"collection_ssim":["W.G. Roe and Sons Collection, 1930s-2020s"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"geogname_ssm":["Railroads-Florida-History","Fruit Trade-New York"],"geogname_ssim":["Railroads-Florida-History","Fruit Trade-New York"],"places_ssim":["Railroads-Florida-History","Fruit Trade-New York"],"access_terms_ssm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["This collection was donated to the McKay Archives by Bill Roe in 2026."],"access_subjects_ssim":["Citrus fruit industry--Florida","Fruit Crate Labels"],"access_subjects_ssm":["Citrus fruit industry--Florida","Fruit Crate Labels"],"has_online_content_ssim":["false"],"extent_ssm":["1.12 Linear Feet 3 Standard Legal Boxes, 1 Flat Box, and two Large Books"],"extent_tesim":["1.12 Linear Feet 3 Standard Legal Boxes, 1 Flat Box, and two Large Books"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. 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It also references the Moundgrove Fruit Company, an old citrus company from earlier in the 90s.  In terms of more recent information, it contains collector's information for citrus labels and other collection items, as well as recent nominations and inductions into the Citrus Hall of Fame.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains business records from the WG Roe and Sons company.  These papers range from legal records to financial information, including transactions.  There are blueprints and building records from their packing houses.  This collection also contains fire protection information relating to inspections and sprinkler installation in the packing house.  It also references the Moundgrove Fruit Company, an old citrus company from earlier in the 90s.  In terms of more recent information, it contains collector's information for citrus labels and other collection items, as well as recent nominations and inductions into the Citrus Hall of Fame."],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["Thomas B. 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The organization continues to hold religous services in conjunction with City Gate Ministries. The collection consists of, but is not limited to, documents, books, photographs, and genealogical records of the congregation, as well as adminstrative documents pertaining to the church.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The First Baptist Church of Fort Myers opened in 1892 and is one of the first churches in Southwest Florida. The organization continues to hold religous services in conjunction with City Gate Ministries. The collection consists of, but is not limited to, documents, books, photographs, and genealogical records of the congregation, as well as adminstrative documents pertaining to the church."],"names_ssim":["Florida Gulf Coast University Special Collections"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":896,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1880356200579596288,"_root_":"5a161cdf27af15963aef833d","timestamp":"2026-10-29T04:16:54.162Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5a161cdf27af15963aef833d"}},{"id":"5e17dda97e7549e9d9b40539_aspace_1c9cb56d8a59bdd2ee8193d6eb0a3318","type":"File","attributes":{"title":"First name correspondence, Circa 1937-1986","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_1c9cb56d8a59bdd2ee8193d6eb0a3318#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1c9cb56d8a59bdd2ee8193d6eb0a3318","ref_ssm":["aspace_1c9cb56d8a59bdd2ee8193d6eb0a3318","aspace_1c9cb56d8a59bdd2ee8193d6eb0a3318"],"id":"5e17dda97e7549e9d9b40539_aspace_1c9cb56d8a59bdd2ee8193d6eb0a3318","title_filing_ssi":"First name correspondence","title_ssm":["First name correspondence"],"title_tesim":["First name correspondence"],"unitdate_inclusive_ssm":["Circa 1937-1986"],"normalized_date_ssm":["Circa 1937-1986"],"normalized_title_ssm":["First name correspondence, Circa 1937-1986"],"text":["First name correspondence, Circa 1937-1986","Dorothy Porter Wesley Collection, Circa 1788-2012","Correspondence","General Correspondence, Circa 1937-1995","/repositories/2/archival_objects/3798","box 7","folder 134"],"component_level_isim":[3],"parent_ids_ssim":["5e17dda97e7549e9d9b40539","5e17dda97e7549e9d9b40539_aspace_b9ba7cd58cf3e29411a466c260ba6f6e","5e17dda97e7549e9d9b40539_aspace_494f3d28070991d09b2f683bc3b1df66"],"parent_unittitles_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012","Correspondence","General Correspondence, Circa 1937-1995"],"parent_unittitles_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012","Correspondence","General Correspondence, Circa 1937-1995"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/3798"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":136,"parent_access_restrict_tesm":["The Dorothy Porter Wesley Collection is open for research."],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"containers_ssim":["box 7","folder 134"],"_nest_path_":"/components#0/components#0/components#133","_nest_parent_":"5e17dda97e7549e9d9b40539_aspace_494f3d28070991d09b2f683bc3b1df66","_root_":"5e17dda97e7549e9d9b40539","_version_":1871563605913108480,"timestamp":"2026-07-24T03:02:22.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5e17dda97e7549e9d9b40539","title_filing_ssi":"Wesley, Dorothy Porter Collection","title_ssm":["Dorothy Porter Wesley Collection"],"title_tesim":["Dorothy Porter Wesley Collection"],"ead_ssi":"5e17dda97e7549e9d9b40539","unitdate_ssm":["Circa 1788-2012"],"unitdate_inclusive_ssm":["Circa 1788-2012"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2003.6","/repositories/2/resources/20"],"text":["AARLCC.2003.6","/repositories/2/resources/20","Dorothy Porter Wesley Collection, Circa 1788-2012","Africa -- Research","Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art","The Dorothy Porter Wesley Collection is open for research.","View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.","The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets","Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.","The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.","Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".","The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.","AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970","English Portuguese German"],"unitid_tesim":["AARLCC.2003.6","/repositories/2/resources/20"],"normalized_date_ssm":["Circa 1788-2012"],"normalized_title_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_title_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Africa -- Research"],"geogname_ssim":["Africa -- Research"],"places_ssim":["Africa -- Research"],"acqinfo_ssim":["Broward County Library purchased the materials from Constance Porter Uzelac (daughter of Dorothy Porter Wesley) in December 2002 (Accession AARLCC-2003.6). Milan Uzelac donated accruals to AARLCC Special Collections on June 29, 2012 (Accession AARLCC-2012.12) and on May 12, 2022 (Accession AARLCC-2022.7)."],"access_subjects_ssim":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"access_subjects_ssm":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. 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Correspondence\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. General Correspondence\u003c/p\u003e","\u003cp\u003eSub-series II. Family Correspondence\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries II. Professional Papers\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley professional papers\u003c/p\u003e","\u003cp\u003eSub-series II. Constance Porter Uzelac professional papers \u003c/p\u003e","\u003cp\u003eSub-series III. Charles Harris Wesley professional papers \u003c/p\u003e","\u003cp\u003eSub-series IV. Writings by Dorothy Porter Wesley\u003c/p\u003e","\u003cp\u003eSub-series V. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VI. Writings by James A. Porter\u003c/p\u003e","\u003cp\u003eSub-series VII. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VIII. Writings by Charles Harris Wesley \u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries III. Research Files\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley general research files\u003c/p\u003e","\u003cp\u003eSub-series II. Dorothy Porter Wesley Brazil research files\u003c/p\u003e","\u003cp\u003eSub-series III. Dorothy Porter Wesley illustrations\u003c/p\u003e","\u003cp\u003eSub-series IV. Constance Porter Uzelac research files\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries IV. Personal Papers\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries V. Photographs\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries VI. Printed Materials\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Calendars and Datebooks\u003c/p\u003e","\u003cp\u003eSub-series II. Catalogs\u003c/p\u003e","\u003cp\u003eSub-series III. General\u003c/p\u003e","\u003cp\u003eSub-series IV. Magazines\u003c/p\u003e","\u003cp\u003eSub-series V. Maps\u003c/p\u003e","\u003cp\u003eSub-series VI. Newspaper Clippings\u003c/p\u003e","\u003cp\u003eSub-series VII. Sheet Music\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries VII. Ephemera and Artwork\u003c/p\u003e\u003c/b\u003e","\u003cp\u003e\u003cb\u003eSeries VIII. Books and Pamphlets\u003c/b\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets"],"bioghist_html_tesm":["\u003cp\u003eDorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. \u003c/p\u003e\n","\u003cp\u003eIn 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work, \u003cemph\u003eModern Negro Art\u003c/emph\u003e, proved to be one of the most informative sources to date on the creativity of the Black artists.\u003c/p\u003e\n","\u003cp\u003eIn 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.\u003c/p\u003e\n","\u003cp\u003eJames Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. \u003c/p\u003e\n","\u003cp\u003eCharles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.\u003c/p\u003e\n","\u003cp\u003eIn 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.\u003c/p\u003e\n","\u003cp\u003eThe book \u003ci\u003eWilliam Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874\u003c/i\u003e (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.\u003c/p\u003e\n","\u003cp\u003eIn 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012."],"prefercite_html_tesm":["\u003cp\u003eDorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Dorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\n\u003ca href=\"https://archives.yale.edu/repositories/11/resources/994\" target=\"_blank\"\u003ePart of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.\u003c/a\u003e\n\u003c/p\u003e","\u003cp\u003e\n\u003ca href=\"https://archives.libraries.emory.edu/repositories/7/resources/3255\" target=\"_blank\"\u003eDorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.\u003c/a\u003e\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.\u003c/p\u003e\n","\u003cp\u003eCorrespondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.\u003c/p\u003e\n","\u003cp\u003eProfessional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.\u003c/p\u003e\n","\u003cp\u003eConstance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". \u003c/p\u003e\n","\u003cp\u003eThe collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.\u003c/p\u003e\n","\u003cp\u003eResearch files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.\u003c/p\u003e\n","\u003cp\u003ePrinted Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=DPW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_559c404160acc20bdc75d09cde3325a4\"\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets."],"names_ssim":["AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Wesley, Dorothy Porter, 1905-1995"],"persname_ssim":["Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"language_ssim":["English Portuguese German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1539,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563605913108480,"_root_":"5e17dda97e7549e9d9b40539","timestamp":"2026-07-24T03:02:22.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_1c9cb56d8a59bdd2ee8193d6eb0a3318"}},{"id":"d708aa3104bd5d4ccbcc4efd_aspace_45d8c6b779146bf941db5842d484980f","type":"File","attributes":{"title":"First name correspondence, Circa 1974-1988","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d708aa3104bd5d4ccbcc4efd_aspace_45d8c6b779146bf941db5842d484980f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_45d8c6b779146bf941db5842d484980f","ref_ssm":["aspace_45d8c6b779146bf941db5842d484980f","aspace_45d8c6b779146bf941db5842d484980f"],"id":"d708aa3104bd5d4ccbcc4efd_aspace_45d8c6b779146bf941db5842d484980f","title_filing_ssi":"First name correspondence","title_ssm":["First name correspondence"],"title_tesim":["First name correspondence"],"unitdate_inclusive_ssm":["Circa 1974-1988"],"normalized_date_ssm":["Circa 1974-1988"],"normalized_title_ssm":["First name correspondence, Circa 1974-1988"],"text":["First name correspondence, Circa 1974-1988","Alex Haley Papers, Circa 1937-1993","Correspondence, Circa 1937-1991","/repositories/2/archival_objects/13633","box 15","folder 12"],"component_level_isim":[2],"parent_ids_ssim":["d708aa3104bd5d4ccbcc4efd","d708aa3104bd5d4ccbcc4efd_aspace_b2ccf39b09814044dd6c4ce0d1dad356"],"parent_unittitles_ssm":["Alex Haley Papers, Circa 1937-1993","Correspondence, Circa 1937-1991"],"parent_unittitles_tesim":["Alex Haley Papers, Circa 1937-1993","Correspondence, Circa 1937-1991"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/13633"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Alex Haley Papers, Circa 1937-1993"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":232,"parent_access_restrict_tesm":["The Alex Haley Papers are open for research."],"date_range_isim":[1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"containers_ssim":["box 15","folder 12"],"_nest_path_":"/components#0/components#230","_nest_parent_":"d708aa3104bd5d4ccbcc4efd_aspace_b2ccf39b09814044dd6c4ce0d1dad356","_root_":"d708aa3104bd5d4ccbcc4efd","_version_":1876455837540548608,"timestamp":"2026-09-16T03:02:18.127Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d708aa3104bd5d4ccbcc4efd","title_filing_ssi":"Haley, Alex Papers","title_ssm":["Alex Haley Papers"],"title_tesim":["Alex Haley Papers"],"ead_ssi":"d708aa3104bd5d4ccbcc4efd","unitdate_ssm":["Circa 1937-1993"],"unitdate_inclusive_ssm":["Circa 1937-1993"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.3","/repositories/2/resources/46"],"text":["AARLCC.2004.3","/repositories/2/resources/46","Alex Haley Papers, Circa 1937-1993","Gambia","African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings","The Alex Haley Papers are open for research.","The collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards.","Alex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.","After his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.","While growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.","Haley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n Books and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\".","Select materials from the Alex Haley Papers are available on the Broward County Library Digital Archives.","The Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia.","AARLCC Special Collections","United States. Coast Guard","Haley, Alex","Haley, Alex. Roots","Wonder, Stevie","English"],"unitid_tesim":["AARLCC.2004.3","/repositories/2/resources/46"],"normalized_date_ssm":["Circa 1937-1993"],"normalized_title_ssm":["Alex Haley Papers, Circa 1937-1993"],"collection_title_tesim":["Alex Haley Papers, Circa 1937-1993"],"collection_ssim":["Alex Haley Papers, Circa 1937-1993"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Gambia"],"geogname_ssim":["Gambia"],"creator_ssm":["Haley, Alex"],"creator_ssim":["Haley, Alex"],"creator_persname_ssim":["Haley, Alex"],"creators_ssim":["Haley, Alex"],"places_ssim":["Gambia"],"acqinfo_ssim":["The Alex Haley Papers was purchased by Broward County Library on September 26, 2001 from the Heritage Book Shop Inc. The Heritage Bindery acquired the papers from the Alex Haley estate auction in 1992."],"access_subjects_ssim":["African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings"],"access_subjects_ssm":["African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["45 Hollinger Boxes","17 Books","2 Vinyl records"],"extent_tesim":["45 Hollinger Boxes","17 Books","2 Vinyl records"],"genreform_ssim":["Correspondence","Photographs","Programs","Clippings","Sound recordings"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eThe Alex Haley Papers are open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Alex Haley Papers are open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards."],"bioghist_html_tesm":["\u003cp\u003eAlex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.\u003c/p\u003e\n","\u003cp\u003eAfter his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.\u003c/p\u003e\n","\u003cp\u003eWhile growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.\u003c/p\u003e\n","\u003cp\u003eHaley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Alex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.","After his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.","While growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.","Haley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States."],"prefercite_html_tesm":["\u003cp\u003eAlex Haley Papers, African-American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Alex Haley Papers, African-American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default\" target=\"_blank\"\u003eBooks and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\".\u003c/a\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n Books and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\"."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/alexhaley\"\u003eSelect materials from the Alex Haley Papers are available on the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["Select materials from the Alex Haley Papers are available on the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia."],"names_coll_ssim":["United States. Coast Guard","Haley, Alex. Roots","Wonder, Stevie"],"names_ssim":["AARLCC Special Collections","United States. Coast Guard","Haley, Alex","Haley, Alex. Roots","Wonder, Stevie"],"corpname_ssim":["AARLCC Special Collections","United States. Coast Guard"],"persname_ssim":["Haley, Alex","Haley, Alex. Roots","Wonder, Stevie"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":647,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455837540548608,"_root_":"d708aa3104bd5d4ccbcc4efd","timestamp":"2026-09-16T03:02:18.127Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d708aa3104bd5d4ccbcc4efd_aspace_45d8c6b779146bf941db5842d484980f"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Michael A. Spencer Bromeliad Research Collection, 1754-2014","value":"Michael A. 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