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Board of County Commissioners","Voter registration -- Florida -- Broward County","Voting -- Florida -- Broward County","Elections -- Florida -- Broward County","Photographs","Hats","Programs","Maps","Certificates","The collection is arranged into 6 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Printed Materials, Series V. Awards, and Series VI. Ephemera.","Easter Lily Biblo Gates was born on April 21, 1889, in Des Moines, Iowa to parents Elijah and Etta Biblo. Easter Lily Gates travelled west with her family by covered wagon to Utah and Nevada. She made hats as a store clerk at 17 years old. On January 20, 1910, she married George Peter Gates.","Easter and George Gates moved to Fort Lauderdale, Florida in 1918. They had two sons named Robert and Theodore. In 1926, Easter Lily saved her family in a severe hurricane by carrying her husband and two sons to the second floor of their home; they lost everything they owned and two weeks later her husband died from anemia. To provide for her children, Gates became Broward County's first female bus driver. In 1928, she ran for and won the  Supervisor of Elections job.  She maintained this position for 40 years, from 1929 to 1969. Easter Lily Gates registered Broward County's first Seminole and African-American voters.","Easter Lily Gates retired in 1969 at 80 years old. At 92 years old, she moved to Tampa, Florida and Thomasville, Georgia to live with her sons. Easter Lily Gates entered a nursing home in Tampa before her death. She died in February 1985.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Easter Lily Gates Collection in the Broward County Library Digital Archives.","The Easter Lily Gates Collection contains correspondence, photographs, printed materials, maps, prayer books, awards, political and election materials documenting the professional and personal life of Easter Lily Gates.","The Easter Lily Gates Collection is open for research."," Broward County Historical Archives","English"],"unitid_tesim":["BCHA.2021.1","/repositories/4/resources/179"],"normalized_date_ssm":["1898-1982"],"normalized_title_ssm":["Easter Lily Gates Collection, 1898-1982"],"collection_title_tesim":["Easter Lily Gates Collection, 1898-1982"],"collection_ssim":["Easter Lily Gates Collection, 1898-1982"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"geogname_ssm":["Broward County (Fla.)"],"geogname_ssim":["Broward County (Fla.)"],"places_ssim":["Broward County (Fla.)"],"access_terms_ssm":["The Easter Lily Gates Collection is open for research."],"access_subjects_ssim":["Gates, Easter Lily, 1889-1985 -- Correspondence","Broward County (Fla.). 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In 1926, Easter Lily saved her family in a severe hurricane by carrying her husband and two sons to the second floor of their home; they lost everything they owned and two weeks later her husband died from anemia. To provide for her children, Gates became Broward County's first female bus driver. In 1928, she ran for and won the  Supervisor of Elections job.  She maintained this position for 40 years, from 1929 to 1969. Easter Lily Gates registered Broward County's first Seminole and African-American voters.\u003c/p\u003e\n","\u003cp\u003eEaster Lily Gates retired in 1969 at 80 years old. At 92 years old, she moved to Tampa, Florida and Thomasville, Georgia to live with her sons. Easter Lily Gates entered a nursing home in Tampa before her death. She died in February 1985.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Easter Lily Biblo Gates was born on April 21, 1889, in Des Moines, Iowa to parents Elijah and Etta Biblo. Easter Lily Gates travelled west with her family by covered wagon to Utah and Nevada. She made hats as a store clerk at 17 years old. On January 20, 1910, she married George Peter Gates.","Easter and George Gates moved to Fort Lauderdale, Florida in 1918. They had two sons named Robert and Theodore. In 1926, Easter Lily saved her family in a severe hurricane by carrying her husband and two sons to the second floor of their home; they lost everything they owned and two weeks later her husband died from anemia. To provide for her children, Gates became Broward County's first female bus driver. In 1928, she ran for and won the  Supervisor of Elections job.  She maintained this position for 40 years, from 1929 to 1969. Easter Lily Gates registered Broward County's first Seminole and African-American voters.","Easter Lily Gates retired in 1969 at 80 years old. At 92 years old, she moved to Tampa, Florida and Thomasville, Georgia to live with her sons. Easter Lily Gates entered a nursing home in Tampa before her death. She died in February 1985."],"prefercite_html_tesm":["\u003cp\u003eEaster Lily Gates Collection, Broward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Easter Lily Gates Collection, Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/elgates/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Easter Lily Gates Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Easter Lily Gates Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Easter Lily Gates Collection contains correspondence, photographs, printed materials, maps, prayer books, awards, political and election materials documenting the professional and personal life of Easter Lily Gates.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Easter Lily Gates Collection contains correspondence, photographs, printed materials, maps, prayer books, awards, political and election materials documenting the professional and personal life of Easter Lily Gates."],"userestrict_html_tesm":["\u003cp\u003eThe Easter Lily Gates Collection is open for research.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Easter Lily Gates Collection is open for research."],"names_ssim":[" Broward County Historical Archives"],"corpname_ssim":[" Broward County Historical Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":501,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1875370525482549248,"_root_":"fcab20b88f8ed86bfbd56dc2","timestamp":"2026-09-04T03:31:43.893Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/fcab20b88f8ed86bfbd56dc2_aspace_06e46bc5b34c048b0ecc450927c33bc3"}},{"id":"ea10a278e35b143f130f4d56_aspace_3ce494c8de688688db8f57c457acfa18","type":"File","attributes":{"title":"Churches, Father Augustine, and the Odd Fellows Lodge, 1925-2010, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ea10a278e35b143f130f4d56_aspace_3ce494c8de688688db8f57c457acfa18#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3ce494c8de688688db8f57c457acfa18","ref_ssm":["aspace_3ce494c8de688688db8f57c457acfa18","aspace_3ce494c8de688688db8f57c457acfa18"],"id":"ea10a278e35b143f130f4d56_aspace_3ce494c8de688688db8f57c457acfa18","title_filing_ssi":"Churches, Father Augustine, and the Odd Fellows Lodge","title_ssm":["Churches, Father Augustine, and the Odd Fellows Lodge"],"title_tesim":["Churches, Father Augustine, and the Odd Fellows Lodge"],"unitdate_inclusive_ssm":["1925-2010, Undated"],"normalized_date_ssm":["1925-2010, Undated"],"normalized_title_ssm":["Churches, Father Augustine, and the Odd Fellows Lodge, 1925-2010, Undated"],"text":["Churches, Father Augustine, and the Odd Fellows Lodge, 1925-2010, Undated","Carol Mundy: African American Legacy Research Files, 1790-2012","Research Files, 1790-2012, Undated.","Apopka, 1790-2010, Undated","/repositories/4/archival_objects/55914","Box 1","Folder 2"],"component_level_isim":[3],"parent_ids_ssim":["ea10a278e35b143f130f4d56","ea10a278e35b143f130f4d56_aspace_seriesI","ea10a278e35b143f130f4d56_aspace_0b8753bfd1b34156502df803b13f97b0"],"parent_unittitles_ssm":["Carol Mundy: African American Legacy Research Files, 1790-2012","Research Files, 1790-2012, Undated.","Apopka, 1790-2010, Undated"],"parent_unittitles_tesim":["Carol Mundy: African American Legacy Research Files, 1790-2012","Research Files, 1790-2012, Undated.","Apopka, 1790-2010, Undated"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/55914"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Carol Mundy: African American Legacy Research Files, 1790-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":4,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"containers_ssim":["Box 1","Folder 2"],"_nest_path_":"/components#0/components#0/components#1","_nest_parent_":"ea10a278e35b143f130f4d56_aspace_0b8753bfd1b34156502df803b13f97b0","_root_":"ea10a278e35b143f130f4d56","_version_":1870857796524703744,"timestamp":"2026-07-16T08:03:50.193Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ea10a278e35b143f130f4d56","title_ssm":["Carol Mundy: African American Legacy Research Files"],"title_tesim":["Carol Mundy: African American Legacy Research Files"],"ead_ssi":"ea10a278e35b143f130f4d56","unitdate_ssm":["1790-2012"],"unitdate_inclusive_ssm":["1790-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.121","/repositories/4/resources/220"],"text":["SC.121","/repositories/4/resources/220","Carol Mundy: African American Legacy Research Files, 1790-2012","Apopka (Fla.)--History","Ocoee (Fla.)--History","Eatonville (Fla.)--History","African Americans","African Americans -- Florida -- History","manuscripts (documents)","photographs","The entire collection is open for research.","Ms. Carol Mundy's mother was an antique dealer and this love that Ms. Mundy had for antiques from a young age helped foster an interest and love of history. Ms. Carol Mundy, a former flight attendant was able to travel the world throughout her career. As a result she was able to compile these documents in this collection and its sister collection also house at the UCF Special Collection and University Archives and known as the African American Legacy: the Carol Mundy Collection which hold about one thousand five hundred pieces of history that Ms. Mundy collected previously. The original collection was obtained by the University of Central Florida Special Collections \u0026 University Archives in 2009.","The research files were given to the University of Central Florida History Department through their program known as Regional Initiative for Collecting the History, Experiences and Stories (RICHES). They were housed in the History Department for a number of years and were donated to the University of Central Florida Special Collections \u0026 University Archives. Ms. Mundy saw the University of Central Florida John C. Hitt Library as the perfect institution to house her collection. She also wanted to bring more attention and educate the public and students about the African American Legacy. In 2009, the University of Central Florida, honored Ms. Mundy through the Burnett Honors College. Within the pages of pamphlet handed out at the event that day. In the pamphlet it discusses the importance of preserving and educating youth.","When the University of Central Florida Special Collection \u0026 University Archives received this collection, most of the documents were in three ring binders. Upon receiving the collection the binders were in no particular order and have been organized by city. Some of the documents were put clear sleeves to keep them safe for the time being within the binders. Upon processing this collection, staples, binder clips, and paperclips were removed. The contents that were once in the binders are now housed in acid free folders and boxes.The photographs and the transparency are also housed in clear archival sleeves.","African American Legacy: The Carol Mundy Collection, 1794-2010","The collection is divided into 3 series.","Series I: Research Files, 1790-2012, Undated, consists of documents from three major areas Apopka, Eatonville, and Ocoee. The documents include articles, historic preservation manuals, land plans, census data, draft registration, and plot summaries.","Series II: Manuscripts, 2006-2009, Undated, consists of manuscripts written by Perrine Slim. The name Perrine Slim was a pseudonym for William Gladden Jr. In this series, there is also an article related to one of the manuscripts.","Series III: Photographs, 1920-Circa. 1950's, Undated, includes several photographs primarily of members of the Boykin family and the Gladden family.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","This research collection primarily looks at African American Legacy in small town Florida, including Eatonville, Apopka, and Ocoee. Through photographs, manuscripts, census data, historic home registers, and so much more; you can dive deep into researching these historic African American cities. Delve into the historic homes and their inhabitance of these historic cities through this collection. The documents in this collection are primarily photocopies, or photographs of original documents. The documents in this collection as a result were printed or created recently.","UCF Special Collections","Mundy, Carol","The materials are written in English"],"unitid_tesim":["SC.121","/repositories/4/resources/220"],"normalized_date_ssm":["1790-2012"],"normalized_title_ssm":["Carol Mundy: African American Legacy Research Files, 1790-2012"],"collection_title_tesim":["Carol Mundy: African American Legacy Research Files, 1790-2012"],"collection_ssim":["Carol Mundy: African American Legacy Research Files, 1790-2012"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Apopka (Fla.)--History","Ocoee (Fla.)--History","Eatonville (Fla.)--History"],"geogname_ssim":["Apopka (Fla.)--History","Ocoee (Fla.)--History","Eatonville (Fla.)--History"],"places_ssim":["Apopka (Fla.)--History","Ocoee (Fla.)--History","Eatonville (Fla.)--History"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Regional Initiative for Collecting the History, Experiences and Stories (RICHES) of Central Florida transferred these materials to the University of Central Florida Libraries, Special Collections \u0026 University Archives in 2020 (CFM2020_05)."],"access_subjects_ssim":["African Americans","African Americans -- Florida -- History","manuscripts (documents)","photographs"],"access_subjects_ssm":["African Americans","African Americans -- Florida -- History","manuscripts (documents)","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["2.25 Linear Feet 5 Boxes"],"extent_tesim":["2.25 Linear Feet 5 Boxes"],"genreform_ssim":["manuscripts (documents)","photographs"],"date_range_isim":[1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eMs. Carol Mundy's mother was an antique dealer and this love that Ms. Mundy had for antiques from a young age helped foster an interest and love of history. Ms. Carol Mundy, a former flight attendant was able to travel the world throughout her career. As a result she was able to compile these documents in this collection and its sister collection also house at the UCF Special Collection and University Archives and known as the African American Legacy: the Carol Mundy Collection which hold about one thousand five hundred pieces of history that Ms. Mundy collected previously. The original collection was obtained by the University of Central Florida Special Collections \u0026amp; University Archives in 2009.\u003c/p\u003e\n","\u003cp\u003eThe research files were given to the University of Central Florida History Department through their program known as Regional Initiative for Collecting the History, Experiences and Stories (RICHES). They were housed in the History Department for a number of years and were donated to the University of Central Florida Special Collections \u0026amp; University Archives. Ms. Mundy saw the University of Central Florida John C. Hitt Library as the perfect institution to house her collection. She also wanted to bring more attention and educate the public and students about the African American Legacy. In 2009, the University of Central Florida, honored Ms. Mundy through the Burnett Honors College. Within the pages of pamphlet handed out at the event that day. In the pamphlet it discusses the importance of preserving and educating youth.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Ms. Carol Mundy's mother was an antique dealer and this love that Ms. Mundy had for antiques from a young age helped foster an interest and love of history. Ms. Carol Mundy, a former flight attendant was able to travel the world throughout her career. As a result she was able to compile these documents in this collection and its sister collection also house at the UCF Special Collection and University Archives and known as the African American Legacy: the Carol Mundy Collection which hold about one thousand five hundred pieces of history that Ms. Mundy collected previously. The original collection was obtained by the University of Central Florida Special Collections \u0026 University Archives in 2009.","The research files were given to the University of Central Florida History Department through their program known as Regional Initiative for Collecting the History, Experiences and Stories (RICHES). They were housed in the History Department for a number of years and were donated to the University of Central Florida Special Collections \u0026 University Archives. Ms. Mundy saw the University of Central Florida John C. Hitt Library as the perfect institution to house her collection. She also wanted to bring more attention and educate the public and students about the African American Legacy. In 2009, the University of Central Florida, honored Ms. Mundy through the Burnett Honors College. Within the pages of pamphlet handed out at the event that day. In the pamphlet it discusses the importance of preserving and educating youth."],"prefercite_html_tesm":["\u003cp\u003eCarol Mundy: African American Legacy Research Files, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Carol Mundy: African American Legacy Research Files, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eWhen the University of Central Florida Special Collection \u0026amp; University Archives received this collection, most of the documents were in three ring binders. Upon receiving the collection the binders were in no particular order and have been organized by city. Some of the documents were put clear sleeves to keep them safe for the time being within the binders. Upon processing this collection, staples, binder clips, and paperclips were removed. The contents that were once in the binders are now housed in acid free folders and boxes.The photographs and the transparency are also housed in clear archival sleeves.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["When the University of Central Florida Special Collection \u0026 University Archives received this collection, most of the documents were in three ring binders. Upon receiving the collection the binders were in no particular order and have been organized by city. Some of the documents were put clear sleeves to keep them safe for the time being within the binders. Upon processing this collection, staples, binder clips, and paperclips were removed. The contents that were once in the binders are now housed in acid free folders and boxes.The photographs and the transparency are also housed in clear archival sleeves."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2009-02\"\u003eAfrican American Legacy: The Carol Mundy Collection, 1794-2010\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["African American Legacy: The Carol Mundy Collection, 1794-2010"],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into 3 series.\u003c/p\u003e\n","\u003cp\u003eSeries I: Research Files, 1790-2012, Undated, consists of documents from three major areas Apopka, Eatonville, and Ocoee. The documents include articles, historic preservation manuals, land plans, census data, draft registration, and plot summaries.\u003c/p\u003e\n","\u003cp\u003eSeries II: Manuscripts, 2006-2009, Undated, consists of manuscripts written by Perrine Slim. The name Perrine Slim was a pseudonym for William Gladden Jr. In this series, there is also an article related to one of the manuscripts.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1920-Circa. 1950's, Undated, includes several photographs primarily of members of the Boykin family and the Gladden family.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["The collection is divided into 3 series.","Series I: Research Files, 1790-2012, Undated, consists of documents from three major areas Apopka, Eatonville, and Ocoee. The documents include articles, historic preservation manuals, land plans, census data, draft registration, and plot summaries.","Series II: Manuscripts, 2006-2009, Undated, consists of manuscripts written by Perrine Slim. The name Perrine Slim was a pseudonym for William Gladden Jr. In this series, there is also an article related to one of the manuscripts.","Series III: Photographs, 1920-Circa. 1950's, Undated, includes several photographs primarily of members of the Boykin family and the Gladden family."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a3e726e4ada6767d05cdb00c3da6057b\"\u003eThis research collection primarily looks at African American Legacy in small town Florida, including Eatonville, Apopka, and Ocoee. Through photographs, manuscripts, census data, historic home registers, and so much more; you can dive deep into researching these historic African American cities. Delve into the historic homes and their inhabitance of these historic cities through this collection. The documents in this collection are primarily photocopies, or photographs of original documents. The documents in this collection as a result were printed or created recently.\u003c/abstract\u003e"],"abstract_tesim":["This research collection primarily looks at African American Legacy in small town Florida, including Eatonville, Apopka, and Ocoee. Through photographs, manuscripts, census data, historic home registers, and so much more; you can dive deep into researching these historic African American cities. Delve into the historic homes and their inhabitance of these historic cities through this collection. The documents in this collection are primarily photocopies, or photographs of original documents. The documents in this collection as a result were printed or created recently."],"names_ssim":["UCF Special Collections","Mundy, Carol"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Mundy, Carol"],"persname_ssim":["Mundy, Carol"],"language_ssim":["The materials are written in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":77,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857796524703744,"_root_":"ea10a278e35b143f130f4d56","timestamp":"2026-07-16T08:03:50.193Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ea10a278e35b143f130f4d56_aspace_3ce494c8de688688db8f57c457acfa18"}},{"id":"4ecd9741f5ab1f086d98fc86_aspace_224cf9dd94ac8f172850e60c6571ae7d","type":"File","attributes":{"title":"Church of the Brethren, Articles, 1943-1982","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/4ecd9741f5ab1f086d98fc86_aspace_224cf9dd94ac8f172850e60c6571ae7d#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFive articles related to Brethren and CPS\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4ecd9741f5ab1f086d98fc86_aspace_224cf9dd94ac8f172850e60c6571ae7d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_224cf9dd94ac8f172850e60c6571ae7d","ref_ssm":["aspace_224cf9dd94ac8f172850e60c6571ae7d","aspace_224cf9dd94ac8f172850e60c6571ae7d"],"id":"4ecd9741f5ab1f086d98fc86_aspace_224cf9dd94ac8f172850e60c6571ae7d","title_filing_ssi":"Church of the Brethren, Articles","title_ssm":["Church of the Brethren, Articles"],"title_tesim":["Church of the Brethren, Articles"],"unitdate_inclusive_ssm":["1943-1982"],"normalized_date_ssm":["1943-1982"],"normalized_title_ssm":["Church of the Brethren, Articles, 1943-1982"],"text":["Church of the Brethren, Articles, 1943-1982","Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006","Research, bulk 1871-2006","/repositories/2/archival_objects/77799","box 22","folder 18","Five articles related to Brethren and CPS"],"component_level_isim":[2],"parent_ids_ssim":["4ecd9741f5ab1f086d98fc86","4ecd9741f5ab1f086d98fc86_aspace_ff3bc41a85011bea5a51cdad9b65b38a"],"parent_unittitles_ssm":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006","Research, bulk 1871-2006"],"parent_unittitles_tesim":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006","Research, bulk 1871-2006"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/77799"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":210,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less"],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less"],"date_range_isim":[1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"containers_ssim":["box 22","folder 18"],"scopecontent_html_tesm":["\u003cp\u003eFive articles related to Brethren and CPS\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Five articles related to Brethren and CPS"],"_nest_path_":"/components#0/components#208","_nest_parent_":"4ecd9741f5ab1f086d98fc86_aspace_ff3bc41a85011bea5a51cdad9b65b38a","_root_":"4ecd9741f5ab1f086d98fc86","timestamp":"2026-07-11T02:01:13.886Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4ecd9741f5ab1f086d98fc86","title_ssm":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection"],"title_tesim":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection"],"ead_ssi":"4ecd9741f5ab1f086d98fc86","unitdate_ssm":["1871 - 2006"],"unitdate_inclusive_ssm":["1871 - 2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UAFP0012","/repositories/2/resources/203"],"text":["UAFP0012","/repositories/2/resources/203","Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006","United States","World War, 1939-1945","University Archives","University Archives -- Faculty Papers"," Civilian Public Service -- History","World War, 1939-1945 -- Conscientious objectors -- United States","Oral history","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less","The Frazer-O'Sullivan Collection contains the research for the co- authored book, We Have Just Begun to Not Fight: An Oral History of Conscientious Objectors in the Civilian Public Service During World War II, by Heather Frazer and John O'Sullivan. More than 40,000 American men refused to fight during World War II. Citing principled opposition, they declared themselves conscientious objectors. Rejecting combat duty, nearly 12,000 men entered Civilian Public Service (CPS) with the intent to perform \"work of national importance\" as an alternative to combat duty. The CPS program was set up by members of the historic peace churches (Mennonites, Brethren, and Quakers) and participated in by pacifists from other churches, of no specific religious persuasion, and, in the case of a few, no persuasion except not to fight in that particular war. CPS men worked as aides in mental hospitals, volunteered as smoke jumpers in forest fires, and participated in grueling medical and scientific experiments.  Frazer and O'Sullivan use the oral histories of 15 CPS men and two of their wives to illuminate their experience during World War II. ","Heather T. Frazer (1940 – 2016) was a professor of history at Florida Atlantic University. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure, she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history.","John O'Sullivan (1939-2000) was a professor of history at Florida Atlantic University. In 1971, he came to Florida Atlantic University where he served as chair of the History Department (1975-1978) and devoted his entire academic career. Dr. O'Sullivan received numerous research fellowships including the American Philosophical Society, the American Historical Association, and the Sloan Foundation. His areas of specialization were World War II, Vietnam War, Nuclear Age, the Holocaust, Peace History, Oral History and Modern American Political and Diplomatic Affairs.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. 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FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less"],"access_subjects_ssim":["World War, 1939-1945","University Archives","University Archives -- Faculty Papers"," Civilian Public Service -- History","World War, 1939-1945 -- Conscientious objectors -- United States","Oral history"],"access_subjects_ssm":["World War, 1939-1945","University Archives","University Archives -- Faculty Papers"," Civilian Public Service -- History","World War, 1939-1945 -- Conscientious objectors -- United States","Oral history"],"has_online_content_ssim":["false"],"extent_ssm":["67 boxes"],"extent_tesim":["67 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less"],"scopecontent_html_tesm":["\u003cp\u003eThe Frazer-O'Sullivan Collection contains the research for the co- authored book, We Have Just Begun to Not Fight: An Oral History of Conscientious Objectors in the Civilian Public Service During World War II, by Heather Frazer and John O'Sullivan. More than 40,000 American men refused to fight during World War II. Citing principled opposition, they declared themselves conscientious objectors. Rejecting combat duty, nearly 12,000 men entered Civilian Public Service (CPS) with the intent to perform \"work of national importance\" as an alternative to combat duty. The CPS program was set up by members of the historic peace churches (Mennonites, Brethren, and Quakers) and participated in by pacifists from other churches, of no specific religious persuasion, and, in the case of a few, no persuasion except not to fight in that particular war. CPS men worked as aides in mental hospitals, volunteered as smoke jumpers in forest fires, and participated in grueling medical and scientific experiments.  Frazer and O'Sullivan use the oral histories of 15 CPS men and two of their wives to illuminate their experience during World War II. \u003c/p\u003e\n","\u003cp\u003eHeather T. Frazer (1940 \u0026#x2013; 2016) was a professor of history at Florida Atlantic University. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure, she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history.\u003c/p\u003e\n","\u003cp\u003eJohn O'Sullivan (1939-2000) was a professor of history at Florida Atlantic University. In 1971, he came to Florida Atlantic University where he served as chair of the History Department (1975-1978) and devoted his entire academic career. Dr. O'Sullivan received numerous research fellowships including the American Philosophical Society, the American Historical Association, and the Sloan Foundation. His areas of specialization were World War II, Vietnam War, Nuclear Age, the Holocaust, Peace History, Oral History and Modern American Political and Diplomatic Affairs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Frazer-O'Sullivan Collection contains the research for the co- authored book, We Have Just Begun to Not Fight: An Oral History of Conscientious Objectors in the Civilian Public Service During World War II, by Heather Frazer and John O'Sullivan. More than 40,000 American men refused to fight during World War II. Citing principled opposition, they declared themselves conscientious objectors. Rejecting combat duty, nearly 12,000 men entered Civilian Public Service (CPS) with the intent to perform \"work of national importance\" as an alternative to combat duty. The CPS program was set up by members of the historic peace churches (Mennonites, Brethren, and Quakers) and participated in by pacifists from other churches, of no specific religious persuasion, and, in the case of a few, no persuasion except not to fight in that particular war. CPS men worked as aides in mental hospitals, volunteered as smoke jumpers in forest fires, and participated in grueling medical and scientific experiments.  Frazer and O'Sullivan use the oral histories of 15 CPS men and two of their wives to illuminate their experience during World War II. ","Heather T. Frazer (1940 – 2016) was a professor of history at Florida Atlantic University. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure, she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history.","John O'Sullivan (1939-2000) was a professor of history at Florida Atlantic University. In 1971, he came to Florida Atlantic University where he served as chair of the History Department (1975-1978) and devoted his entire academic career. Dr. O'Sullivan received numerous research fellowships including the American Philosophical Society, the American Historical Association, and the Sloan Foundation. His areas of specialization were World War II, Vietnam War, Nuclear Age, the Holocaust, Peace History, Oral History and Modern American Political and Diplomatic Affairs."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less"],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"total_component_count_is":808,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"4ecd9741f5ab1f086d98fc86","timestamp":"2026-07-11T02:01:13.886Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4ecd9741f5ab1f086d98fc86_aspace_224cf9dd94ac8f172850e60c6571ae7d"}},{"id":"df5f33ab57ee6e767c26a104","type":"collection","attributes":{"title":"Cienfuegos Collection, 1819-1991","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/df5f33ab57ee6e767c26a104#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe materials in this collection gather resources to aid in the research of the commercial, eclesiastical, economic, and geographical history of Cienfuegos, Cuba, as well as featuring texts on important figures and locations. It includes full texts and editions of regional newspapers, as well as the more intimate look at sketches, blueprints, seals, and correspondence, postcards, and business cards.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/df5f33ab57ee6e767c26a104#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"df5f33ab57ee6e767c26a104","title_ssm":["Cienfuegos Collection"],"title_tesim":["Cienfuegos Collection"],"ead_ssi":"df5f33ab57ee6e767c26a104","unitdate_ssm":["1819-1991"],"unitdate_inclusive_ssm":["1819-1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9010","/repositories/2/resources/115"],"text":["SPC9010","/repositories/2/resources/115","Cienfuegos Collection, 1819-1991","Cuba","postcards","Newspaper","Maps","Magazine","Photographs","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","Cienfuegos, Cuba was founded in 1819 by French colonists, then deemed Fernandina de Jagua for King Ferdinand VII of Spain and Chief Jagua by early Spanish conquistadors. Cienfuegos, being a port city, became a center of the growing trade of crops such as coffee, sugarcane, and tobacco, as well as serving as a hub for Cuba's shrimp industry. The city's commercial success coincided with Cuba's sugar boom, making Cienfuegos one of the country's most economically important cities. The city later became a key industrial center in the mid-20th century, following the city's revolt against Fulgencio Batista y Zaldivar, former elected president of Cuba and military dictator who was overthrown during the Cuban Revolution. The aftermath of the Revolution ushered forth a new age of development in Cienfuegos. It now houses a UNESCO World Heritage Site in its city center, designated so in 2005 for its model of mordern Spanish American urbanism, and the integrity with which the original historical structures have been preserved and further maintained in newer developments.","The materials in this collection gather resources to aid in the research of the commercial, eclesiastical, economic, and geographical history of Cienfuegos, Cuba, as well as featuring texts on important figures and locations. It includes full texts and editions of regional newspapers, as well as the more intimate look at sketches, blueprints, seals, and correspondence, postcards, and business cards.","The Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9010","/repositories/2/resources/115"],"normalized_date_ssm":["1819-1991"],"normalized_title_ssm":["Cienfuegos Collection, 1819-1991"],"collection_title_tesim":["Cienfuegos Collection, 1819-1991"],"collection_ssim":["Cienfuegos Collection, 1819-1991"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"places_ssim":["Cuba"],"access_terms_ssm":["The Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were acquired through a private donor."],"access_subjects_ssim":["postcards","Newspaper","Maps","Magazine","Photographs"],"access_subjects_ssm":["postcards","Newspaper","Maps","Magazine","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes 3 archival storage cartons"],"extent_tesim":["3 boxes 3 archival storage cartons"],"dimensions_tesim":["3.25 linear feet"],"genreform_ssim":["Newspaper","Maps","Magazine","Photographs"],"date_range_isim":[1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eCienfuegos, Cuba was founded in 1819 by French colonists, then deemed Fernandina de Jagua for King Ferdinand VII of Spain and Chief Jagua by early Spanish conquistadors. Cienfuegos, being a port city, became a center of the growing trade of crops such as coffee, sugarcane, and tobacco, as well as serving as a hub for Cuba's shrimp industry. The city's commercial success coincided with Cuba's sugar boom, making Cienfuegos one of the country's most economically important cities. The city later became a key industrial center in the mid-20th century, following the city's revolt against Fulgencio Batista y Zaldivar, former elected president of Cuba and military dictator who was overthrown during the Cuban Revolution. The aftermath of the Revolution ushered forth a new age of development in Cienfuegos. It now houses a UNESCO World Heritage Site in its city center, designated so in 2005 for its model of mordern Spanish American urbanism, and the integrity with which the original historical structures have been preserved and further maintained in newer developments.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Cienfuegos, Cuba was founded in 1819 by French colonists, then deemed Fernandina de Jagua for King Ferdinand VII of Spain and Chief Jagua by early Spanish conquistadors. Cienfuegos, being a port city, became a center of the growing trade of crops such as coffee, sugarcane, and tobacco, as well as serving as a hub for Cuba's shrimp industry. The city's commercial success coincided with Cuba's sugar boom, making Cienfuegos one of the country's most economically important cities. The city later became a key industrial center in the mid-20th century, following the city's revolt against Fulgencio Batista y Zaldivar, former elected president of Cuba and military dictator who was overthrown during the Cuban Revolution. The aftermath of the Revolution ushered forth a new age of development in Cienfuegos. It now houses a UNESCO World Heritage Site in its city center, designated so in 2005 for its model of mordern Spanish American urbanism, and the integrity with which the original historical structures have been preserved and further maintained in newer developments."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection gather resources to aid in the research of the commercial, eclesiastical, economic, and geographical history of Cienfuegos, Cuba, as well as featuring texts on important figures and locations. It includes full texts and editions of regional newspapers, as well as the more intimate look at sketches, blueprints, seals, and correspondence, postcards, and business cards.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection gather resources to aid in the research of the commercial, eclesiastical, economic, and geographical history of Cienfuegos, Cuba, as well as featuring texts on important figures and locations. It includes full texts and editions of regional newspapers, as well as the more intimate look at sketches, blueprints, seals, and correspondence, postcards, and business cards."],"userestrict_html_tesm":["\u003cp\u003eThe Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":36,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844445591601152,"_root_":"df5f33ab57ee6e767c26a104","timestamp":"2026-07-16T04:31:37.751Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"df5f33ab57ee6e767c26a104","title_ssm":["Cienfuegos Collection"],"title_tesim":["Cienfuegos Collection"],"ead_ssi":"df5f33ab57ee6e767c26a104","unitdate_ssm":["1819-1991"],"unitdate_inclusive_ssm":["1819-1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9010","/repositories/2/resources/115"],"text":["SPC9010","/repositories/2/resources/115","Cienfuegos Collection, 1819-1991","Cuba","postcards","Newspaper","Maps","Magazine","Photographs","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","Cienfuegos, Cuba was founded in 1819 by French colonists, then deemed Fernandina de Jagua for King Ferdinand VII of Spain and Chief Jagua by early Spanish conquistadors. Cienfuegos, being a port city, became a center of the growing trade of crops such as coffee, sugarcane, and tobacco, as well as serving as a hub for Cuba's shrimp industry. The city's commercial success coincided with Cuba's sugar boom, making Cienfuegos one of the country's most economically important cities. The city later became a key industrial center in the mid-20th century, following the city's revolt against Fulgencio Batista y Zaldivar, former elected president of Cuba and military dictator who was overthrown during the Cuban Revolution. The aftermath of the Revolution ushered forth a new age of development in Cienfuegos. It now houses a UNESCO World Heritage Site in its city center, designated so in 2005 for its model of mordern Spanish American urbanism, and the integrity with which the original historical structures have been preserved and further maintained in newer developments.","The materials in this collection gather resources to aid in the research of the commercial, eclesiastical, economic, and geographical history of Cienfuegos, Cuba, as well as featuring texts on important figures and locations. It includes full texts and editions of regional newspapers, as well as the more intimate look at sketches, blueprints, seals, and correspondence, postcards, and business cards.","The Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9010","/repositories/2/resources/115"],"normalized_date_ssm":["1819-1991"],"normalized_title_ssm":["Cienfuegos Collection, 1819-1991"],"collection_title_tesim":["Cienfuegos Collection, 1819-1991"],"collection_ssim":["Cienfuegos Collection, 1819-1991"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"places_ssim":["Cuba"],"access_terms_ssm":["The Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were acquired through a private donor."],"access_subjects_ssim":["postcards","Newspaper","Maps","Magazine","Photographs"],"access_subjects_ssm":["postcards","Newspaper","Maps","Magazine","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes 3 archival storage cartons"],"extent_tesim":["3 boxes 3 archival storage cartons"],"dimensions_tesim":["3.25 linear feet"],"genreform_ssim":["Newspaper","Maps","Magazine","Photographs"],"date_range_isim":[1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eCienfuegos, Cuba was founded in 1819 by French colonists, then deemed Fernandina de Jagua for King Ferdinand VII of Spain and Chief Jagua by early Spanish conquistadors. Cienfuegos, being a port city, became a center of the growing trade of crops such as coffee, sugarcane, and tobacco, as well as serving as a hub for Cuba's shrimp industry. The city's commercial success coincided with Cuba's sugar boom, making Cienfuegos one of the country's most economically important cities. The city later became a key industrial center in the mid-20th century, following the city's revolt against Fulgencio Batista y Zaldivar, former elected president of Cuba and military dictator who was overthrown during the Cuban Revolution. The aftermath of the Revolution ushered forth a new age of development in Cienfuegos. It now houses a UNESCO World Heritage Site in its city center, designated so in 2005 for its model of mordern Spanish American urbanism, and the integrity with which the original historical structures have been preserved and further maintained in newer developments.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Cienfuegos, Cuba was founded in 1819 by French colonists, then deemed Fernandina de Jagua for King Ferdinand VII of Spain and Chief Jagua by early Spanish conquistadors. Cienfuegos, being a port city, became a center of the growing trade of crops such as coffee, sugarcane, and tobacco, as well as serving as a hub for Cuba's shrimp industry. The city's commercial success coincided with Cuba's sugar boom, making Cienfuegos one of the country's most economically important cities. The city later became a key industrial center in the mid-20th century, following the city's revolt against Fulgencio Batista y Zaldivar, former elected president of Cuba and military dictator who was overthrown during the Cuban Revolution. The aftermath of the Revolution ushered forth a new age of development in Cienfuegos. It now houses a UNESCO World Heritage Site in its city center, designated so in 2005 for its model of mordern Spanish American urbanism, and the integrity with which the original historical structures have been preserved and further maintained in newer developments."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection gather resources to aid in the research of the commercial, eclesiastical, economic, and geographical history of Cienfuegos, Cuba, as well as featuring texts on important figures and locations. It includes full texts and editions of regional newspapers, as well as the more intimate look at sketches, blueprints, seals, and correspondence, postcards, and business cards.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection gather resources to aid in the research of the commercial, eclesiastical, economic, and geographical history of Cienfuegos, Cuba, as well as featuring texts on important figures and locations. It includes full texts and editions of regional newspapers, as well as the more intimate look at sketches, blueprints, seals, and correspondence, postcards, and business cards."],"userestrict_html_tesm":["\u003cp\u003eThe Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":36,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844445591601152,"_root_":"df5f33ab57ee6e767c26a104","timestamp":"2026-07-16T04:31:37.751Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/df5f33ab57ee6e767c26a104"}},{"id":"3a2a2bd1f653ffea6555f77b","type":"collection","attributes":{"title":"Cigar Industry supplementary material, 1900-1995","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/3a2a2bd1f653ffea6555f77b#abstract_or_scope","type":"document_value","attributes":{"value":["This collection contains materials related to the cigar and tobacco industry in the United States, with a focus on Tampa manufacturers. Included are documents related to labor union organizing at local levels and membership to the Cigar Makers' International Union of America, tobacco industry publications, cigar art, advertisements, and other assorted documents."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3a2a2bd1f653ffea6555f77b#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"3a2a2bd1f653ffea6555f77b","title_ssm":["Cigar Industry supplementary material"],"title_tesim":["Cigar Industry supplementary material"],"ead_ssi":"3a2a2bd1f653ffea6555f77b","unitdate_ssm":["1900-1995"],"unitdate_inclusive_ssm":["1900-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-11","/repositories/2/resources/638"],"text":["MS-1995-11","/repositories/2/resources/638","Cigar Industry supplementary material, 1900-1995","Cigar industry","Cigar industry -- Florida -- Tampa","Cigar industry -- History","Labor unions","Labor unions -- Florida","Immigrants -- Florida -- History","Tobacco industry","Tobacco industry -- Florida","Materials are arranged topically.","Materials in the collection include cigar factory brochures, tobacco industry collectable catalogs, periodicals, manuscripts, photographs, union booklets, ephemera, cigar art and advertisements, correspondence, event programs, clippings, and other assorted items.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection contains materials related to the cigar and tobacco industry in the United States, with a focus on Tampa manufacturers. Included are documents related to labor union organizing at local levels and membership to the Cigar Makers' International Union of America, tobacco industry publications, cigar art, advertisements, and other assorted documents.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-11","/repositories/2/resources/638"],"normalized_date_ssm":["1900-1995"],"normalized_title_ssm":["Cigar Industry supplementary material, 1900-1995"],"collection_title_tesim":["Cigar Industry supplementary material, 1900-1995"],"collection_ssim":["Cigar Industry supplementary material, 1900-1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Cigar industry","Cigar industry -- Florida -- Tampa","Cigar industry -- History","Labor unions","Labor unions -- Florida","Immigrants -- Florida -- History","Tobacco industry","Tobacco industry -- Florida"],"access_subjects_ssm":["Cigar industry","Cigar industry -- Florida -- Tampa","Cigar industry -- History","Labor unions","Labor unions -- Florida","Immigrants -- Florida -- History","Tobacco industry","Tobacco industry -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["1 boxes","0.42 Linear Feet"],"extent_tesim":["1 boxes","0.42 Linear Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged topically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged topically."],"prefercite_html_tesm":["\u003cp\u003eCigar Industry Supplementary Material, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Cigar Industry Supplementary Material, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eMaterials in the collection include cigar factory brochures, tobacco industry collectable catalogs, periodicals, manuscripts, photographs, union booklets, ephemera, cigar art and advertisements, correspondence, event programs, clippings, and other assorted items.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials in the collection include cigar factory brochures, tobacco industry collectable catalogs, periodicals, manuscripts, photographs, union booklets, ephemera, cigar art and advertisements, correspondence, event programs, clippings, and other assorted items."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_338bf1cf1c0a08ff9acffcbd8be08899\"\u003eThis collection contains materials related to the cigar and tobacco industry in the United States, with a focus on Tampa manufacturers. Included are documents related to labor union organizing at local levels and membership to the Cigar Makers' International Union of America, tobacco industry publications, cigar art, advertisements, and other assorted documents.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials related to the cigar and tobacco industry in the United States, with a focus on Tampa manufacturers. Included are documents related to labor union organizing at local levels and membership to the Cigar Makers' International Union of America, tobacco industry publications, cigar art, advertisements, and other assorted documents."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"total_component_count_is":88,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3a2a2bd1f653ffea6555f77b","timestamp":"2026-07-10T05:12:43.897Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3a2a2bd1f653ffea6555f77b","title_ssm":["Cigar Industry supplementary material"],"title_tesim":["Cigar Industry supplementary material"],"ead_ssi":"3a2a2bd1f653ffea6555f77b","unitdate_ssm":["1900-1995"],"unitdate_inclusive_ssm":["1900-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-11","/repositories/2/resources/638"],"text":["MS-1995-11","/repositories/2/resources/638","Cigar Industry supplementary material, 1900-1995","Cigar industry","Cigar industry -- Florida -- Tampa","Cigar industry -- History","Labor unions","Labor unions -- Florida","Immigrants -- Florida -- History","Tobacco industry","Tobacco industry -- Florida","Materials are arranged topically.","Materials in the collection include cigar factory brochures, tobacco industry collectable catalogs, periodicals, manuscripts, photographs, union booklets, ephemera, cigar art and advertisements, correspondence, event programs, clippings, and other assorted items.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection contains materials related to the cigar and tobacco industry in the United States, with a focus on Tampa manufacturers. Included are documents related to labor union organizing at local levels and membership to the Cigar Makers' International Union of America, tobacco industry publications, cigar art, advertisements, and other assorted documents.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-11","/repositories/2/resources/638"],"normalized_date_ssm":["1900-1995"],"normalized_title_ssm":["Cigar Industry supplementary material, 1900-1995"],"collection_title_tesim":["Cigar Industry supplementary material, 1900-1995"],"collection_ssim":["Cigar Industry supplementary material, 1900-1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Cigar industry","Cigar industry -- Florida -- Tampa","Cigar industry -- History","Labor unions","Labor unions -- Florida","Immigrants -- Florida -- History","Tobacco industry","Tobacco industry -- Florida"],"access_subjects_ssm":["Cigar industry","Cigar industry -- Florida -- Tampa","Cigar industry -- History","Labor unions","Labor unions -- Florida","Immigrants -- Florida -- History","Tobacco industry","Tobacco industry -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["1 boxes","0.42 Linear Feet"],"extent_tesim":["1 boxes","0.42 Linear Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged topically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged topically."],"prefercite_html_tesm":["\u003cp\u003eCigar Industry Supplementary Material, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Cigar Industry Supplementary Material, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eMaterials in the collection include cigar factory brochures, tobacco industry collectable catalogs, periodicals, manuscripts, photographs, union booklets, ephemera, cigar art and advertisements, correspondence, event programs, clippings, and other assorted items.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials in the collection include cigar factory brochures, tobacco industry collectable catalogs, periodicals, manuscripts, photographs, union booklets, ephemera, cigar art and advertisements, correspondence, event programs, clippings, and other assorted items."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_338bf1cf1c0a08ff9acffcbd8be08899\"\u003eThis collection contains materials related to the cigar and tobacco industry in the United States, with a focus on Tampa manufacturers. Included are documents related to labor union organizing at local levels and membership to the Cigar Makers' International Union of America, tobacco industry publications, cigar art, advertisements, and other assorted documents.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials related to the cigar and tobacco industry in the United States, with a focus on Tampa manufacturers. Included are documents related to labor union organizing at local levels and membership to the Cigar Makers' International Union of America, tobacco industry publications, cigar art, advertisements, and other assorted documents."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"total_component_count_is":88,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3a2a2bd1f653ffea6555f77b","timestamp":"2026-07-10T05:12:43.897Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3a2a2bd1f653ffea6555f77b"}},{"id":"02e6768c8de9bbedcf989f55","type":"collection","attributes":{"title":"Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/02e6768c8de9bbedcf989f55#abstract_or_scope","type":"document_value","attributes":{"value":["The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/02e6768c8de9bbedcf989f55#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"02e6768c8de9bbedcf989f55","title_ssm":["Cinema Corporation of America Collection"],"title_tesim":["Cinema Corporation of America Collection"],"ead_ssi":"02e6768c8de9bbedcf989f55","unitdate_ssm":["1925-1981","1925-1932"],"unitdate_bulk_ssim":["1925-1932"],"unitdate_inclusive_ssm":["1925-1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2004-008","/repositories/10/resources/515"],"text":["MSS 2004-008","/repositories/10/resources/515","Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932","Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters.","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.","Portions of collection available online?: No","This collection was processed from December 2004-January 2005 by Burt Altman.","The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.","Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.","FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F.","English"],"unitid_tesim":["MSS 2004-008","/repositories/10/resources/515"],"normalized_date_ssm":["1925-1981, bulk 1925-1932"],"normalized_title_ssm":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_title_tesim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_ssim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["The Cinema Corporation of America Collection was given to Special Collections by Mr. Robert Martin in July 2004."],"access_subjects_ssim":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"access_subjects_ssm":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"has_online_content_ssim":["false"],"extent_ssm":["5.70 Linear Feet"],"extent_tesim":["5.70 Linear Feet"],"genreform_ssim":["Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eIn 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n\u003cbr\u003e\u003cbr\u003eFrom 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n\u003cbr\u003e\u003cbr\u003eIn 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n\u003cbr\u003e\u003cbr\u003eDeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n\u003cbr\u003e\u003cbr\u003eThrough the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures."],"originalsloc_html_tesm":["\u003cp\u003ePortions of collection available online?: No\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Portions of collection available online?: No"],"prefercite_html_tesm":["\u003cp\u003eCinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008\u003c/p\u003e"],"prefercite_tesim":["Cinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008"],"processinfo_html_tesm":["\u003cp\u003eThis collection was processed from December 2004-January 2005 by Burt Altman.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was processed from December 2004-January 2005 by Burt Altman."],"scopecontent_html_tesm":["\u003cp\u003eThe Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s."],"userestrict_html_tesm":["\u003cp\u003eCopyright has not been assigned to the Florida State University Libraries.\n\u003cbr\u003e\u003cbr\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_55d7c421357e27123341549dc34b5103\" label=\"Abstract\"\u003eThe Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.\u003c/abstract\u003e"],"abstract_tesim":["The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding."],"names_coll_ssim":["DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"names_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"corpname_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America"],"persname_ssim":["DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":76,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"02e6768c8de9bbedcf989f55","timestamp":"2026-07-08T11:19:32.323Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"02e6768c8de9bbedcf989f55","title_ssm":["Cinema Corporation of America Collection"],"title_tesim":["Cinema Corporation of America Collection"],"ead_ssi":"02e6768c8de9bbedcf989f55","unitdate_ssm":["1925-1981","1925-1932"],"unitdate_bulk_ssim":["1925-1932"],"unitdate_inclusive_ssm":["1925-1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2004-008","/repositories/10/resources/515"],"text":["MSS 2004-008","/repositories/10/resources/515","Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932","Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters.","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.","Portions of collection available online?: No","This collection was processed from December 2004-January 2005 by Burt Altman.","The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.","Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.","FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F.","English"],"unitid_tesim":["MSS 2004-008","/repositories/10/resources/515"],"normalized_date_ssm":["1925-1981, bulk 1925-1932"],"normalized_title_ssm":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_title_tesim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_ssim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["The Cinema Corporation of America Collection was given to Special Collections by Mr. Robert Martin in July 2004."],"access_subjects_ssim":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"access_subjects_ssm":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"has_online_content_ssim":["false"],"extent_ssm":["5.70 Linear Feet"],"extent_tesim":["5.70 Linear Feet"],"genreform_ssim":["Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eIn 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n\u003cbr\u003e\u003cbr\u003eFrom 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n\u003cbr\u003e\u003cbr\u003eIn 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n\u003cbr\u003e\u003cbr\u003eDeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n\u003cbr\u003e\u003cbr\u003eThrough the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures."],"originalsloc_html_tesm":["\u003cp\u003ePortions of collection available online?: No\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Portions of collection available online?: No"],"prefercite_html_tesm":["\u003cp\u003eCinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008\u003c/p\u003e"],"prefercite_tesim":["Cinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008"],"processinfo_html_tesm":["\u003cp\u003eThis collection was processed from December 2004-January 2005 by Burt Altman.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was processed from December 2004-January 2005 by Burt Altman."],"scopecontent_html_tesm":["\u003cp\u003eThe Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s."],"userestrict_html_tesm":["\u003cp\u003eCopyright has not been assigned to the Florida State University Libraries.\n\u003cbr\u003e\u003cbr\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_55d7c421357e27123341549dc34b5103\" label=\"Abstract\"\u003eThe Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.\u003c/abstract\u003e"],"abstract_tesim":["The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding."],"names_coll_ssim":["DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"names_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"corpname_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America"],"persname_ssim":["DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":76,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"02e6768c8de9bbedcf989f55","timestamp":"2026-07-08T11:19:32.323Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/02e6768c8de9bbedcf989f55"}},{"id":"f70dba2e4db85b9be660d412","type":"collection","attributes":{"title":"Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/f70dba2e4db85b9be660d412#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection contains cinema promotional materials in various formats, including press books, 33 1/3 and 45 records, cassette tapes of radio commercials and video tapes. \u003cbr\u003e\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f70dba2e4db85b9be660d412#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"f70dba2e4db85b9be660d412","title_ssm":["Cinema Promotional Materials"],"title_tesim":["Cinema Promotional Materials"],"ead_ssi":"f70dba2e4db85b9be660d412","unitdate_ssm":["1957-1976","Date acquired: 08/01/1976"],"unitdate_inclusive_ssm":["1957-1976"],"unitdate_other_ssim":["Date acquired: 08/01/1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 76-18","/repositories/10/resources/599"],"text":["MSS 76-18","/repositories/10/resources/599","Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976","Motion pictures--United States--Distribution","Motion picture industry--United States.","Promotional materials","Television advertising -- United States","Radio advertising -- United States","Advertising--Motion pictures","Motion pictures.","This collection is open to all researchers. 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In size, the press books vary from a single page or sheet to a booklet of a dozen or more pages. Some contain various enclosures such as pictures and additional ad sheets.\n The records consist of 33 1/3's and 45's which may contain several radio commercials of various lengths.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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Some contain various enclosures such as pictures and additional ad sheets.\n The records consist of 33 1/3's and 45's which may contain several radio commercials of various lengths."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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","Portions of this collection are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Boxes 2-5 and 8 may be accessed at the Claude Pepper Library.","The larger studios materials are listed as series with all titles in alphabetical order. The movies of the smaller studios are listed in the miscellaneous series in alphabetical order by movie title. With the titles, what materials (press book, record, tapes) are available are listed.","Processed November, 1977.","This collection contains cinema promotional materials in various formats, including press books, 33 1/3 and 45 records, cassette tapes of radio commercials and video tapes.\n Each press book contains advertising material for the promotion of a particular film such as stories about the stars or production of the movie, actual layouts of various sizes, campaign plans, and related information. 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Some contain various enclosures such as pictures and additional ad sheets.\n The records consist of 33 1/3's and 45's which may contain several radio commercials of various lengths."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2853,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f70dba2e4db85b9be660d412","timestamp":"2026-04-21T12:50:36.292Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f70dba2e4db85b9be660d412"}},{"id":"c7b6045e65a0805d25f3f0f3_aspace_8170","type":"Series","attributes":{"title":"Cinnamon Bay, St. John, 1960","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/c7b6045e65a0805d25f3f0f3_aspace_8170#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThese pottery pieces, shells and stone tools were excavated from the Cinnamon Bay site on St. John. The excavation was reported in \"Ceramic Periods of St. Thomas and St. John Islands, Virgin Islands\" by Ripley P. Bullen and published by the William L. Bryant Foundation as Report No. 4 of the American Studies series. Page numbers indicate that the item is mentioned in this publication.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c7b6045e65a0805d25f3f0f3_aspace_8170#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_8170","ref_ssm":["aspace_8170","aspace_8170"],"id":"c7b6045e65a0805d25f3f0f3_aspace_8170","title_filing_ssi":"Cinnamon Bay, St. John","title_ssm":["Cinnamon Bay, St. John"],"title_tesim":["Cinnamon Bay, St. John"],"unitdate_other_ssim":["1960"],"normalized_date_ssm":["1960"],"normalized_title_ssm":["Cinnamon Bay, St. John, 1960"],"text":["Cinnamon Bay, St. John, 1960","William J. Bryant Archaeological Artifacts collection, 1956-1964, undated","Series 4","/repositories/4/archival_objects/19314","These pottery pieces, shells and stone tools were excavated from the Cinnamon Bay site on St. John. The excavation was reported in \"Ceramic Periods of St. Thomas and St. John Islands, Virgin Islands\" by Ripley P. Bullen and published by the William L. Bryant Foundation as Report No. 4 of the American Studies series. Page numbers indicate that the item is mentioned in this publication."],"component_level_isim":[1],"parent_ids_ssim":["c7b6045e65a0805d25f3f0f3"],"parent_unittitles_ssm":["William J. Bryant Archaeological Artifacts collection, 1956-1964, undated"],"parent_unittitles_tesim":["William J. Bryant Archaeological Artifacts collection, 1956-1964, undated"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 4","/repositories/4/archival_objects/19314"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["William J. Bryant Archaeological Artifacts collection, 1956-1964, undated"],"has_online_content_ssim":["false"],"child_component_count_isi":28,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":141,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder"],"date_range_isim":[1960],"scopecontent_html_tesm":["\u003cp\u003eThese pottery pieces, shells and stone tools were excavated from the Cinnamon Bay site on St. John. The excavation was reported in \"Ceramic Periods of St. Thomas and St. John Islands, Virgin Islands\" by Ripley P. Bullen and published by the William L. Bryant Foundation as Report No. 4 of the American Studies series. Page numbers indicate that the item is mentioned in this publication.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["These pottery pieces, shells and stone tools were excavated from the Cinnamon Bay site on St. John. The excavation was reported in \"Ceramic Periods of St. Thomas and St. John Islands, Virgin Islands\" by Ripley P. Bullen and published by the William L. Bryant Foundation as Report No. 4 of the American Studies series. Page numbers indicate that the item is mentioned in this publication."],"_nest_path_":"/components#3","_nest_parent_":"c7b6045e65a0805d25f3f0f3","_root_":"c7b6045e65a0805d25f3f0f3","_version_":1874481485084360704,"timestamp":"2026-08-25T08:00:48.898Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"c7b6045e65a0805d25f3f0f3","title_ssm":["William J. Bryant Archaeological Artifacts collection"],"title_tesim":["William J. Bryant Archaeological Artifacts collection"],"ead_ssi":"c7b6045e65a0805d25f3f0f3","unitdate_ssm":["undated","1956-1964"],"unitdate_inclusive_ssm":["1956-1964"],"unitdate_other_ssim":["undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC009","/repositories/4/resources/85"],"text":["SC009","/repositories/4/resources/85","William J. Bryant Archaeological Artifacts collection, 1956-1964, undated","West Indies","Volusia County (Fla.)","Florida","archaeological objects","Sherds","The entire collection is open for research.","The artifacts are arranged in sixteen series by excavation location. The final series holds items for which there is no identification. Series dates within this collection represent the years that the artifacts were collected.","William Junior Bryant, or June, was born May 4, 1904 in Springfield Vermont. He graduated from Dartmouth College in 1925 and started working for Bryant Chucking Grinding Co., a machine tool company founded by his father, William Leroy Bryant in 1928, eventually becoming president of the company in 1946. Bryant started the William L. Bryant Foundation in 1950, named for his father, which funded excavations in Florida, Spain and the West Indies. The foundation collected these items from sites in Florida, the Virgin Islands, and the West Indies. William J. Bryant died in 1998 and the foundation dissolved in 2005.","Collection processed by Dannie Helm and April Anderson; finding aid prepared by Dannie Helm and Judith Beale. Finding aid revised for consistency by Chloe Lanham in 2026.","This collection is part of the William L. Bryant collection. Guides to other parts of the collection may be found in the  Caribbean West Indies  record group on our Collection Guides website. A large book collection accompanies this collection and may be accessed by performing a search for West Indies Collection in the  Library Catalog . The Bryant collection of Spanish works and the papers of the William L. Bryant Foundation, William Junior Bryant and the Bryant Family can be found at  Dartmouth College .","The William J. Bryant Archaeological Artifacts collection consists of ceramic fragments (sherds), bones, stone tools, and shells excavated by William J. Bryant or his associates from sites in Florida, the Virgin Islands and the West Indies. This collection is useful to anthropological and historical research on Caribbean and Floridian artifacts.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder","The William J. Bryant Archaeological Artifacts collection consists of ceramic fragments (sherds), bones, stone tools, and shells excavated by William J. Bryant or his associates from sites in Florida, the Virgin Islands and the West Indies. This collection is useful to anthropological and historical research on Caribbean and Floridian artifacts.\n\nWilliam Junior Bryant, or June, was born May 4, 1904 in Springfield Vermont. He graduated from Dartmouth College in 1925 and started working for Bryant Chucking Grinding Co., a machine tool company founded by his father, William Leroy Bryant in 1928, eventually becoming president of the company in 1946. Bryant started the William L. Bryant Foundation in 1950, named for his father, which funded excavations in Florida, Spain and the West Indies. The foundation collected these items from sites in Florida, the Virgin Islands, and the West Indies. William J. Bryant died in 1998 and the foundation dissolved in 2005.","UCF Special Collections","William L. 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CFM1973_05)."],"access_subjects_ssim":["archaeological objects","Sherds"],"access_subjects_ssm":["archaeological objects","Sherds"],"has_online_content_ssim":["false"],"extent_ssm":["15 Linear Feet 15 boxes"],"extent_tesim":["15 Linear Feet 15 boxes"],"genreform_ssim":["archaeological objects","Sherds"],"date_range_isim":[1956,1957,1958,1959,1960,1961,1962,1963,1964],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe artifacts are arranged in sixteen series by excavation location. The final series holds items for which there is no identification. Series dates within this collection represent the years that the artifacts were collected.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The artifacts are arranged in sixteen series by excavation location. The final series holds items for which there is no identification. Series dates within this collection represent the years that the artifacts were collected."],"bioghist_html_tesm":["\u003cp\u003eWilliam Junior Bryant, or June, was born May 4, 1904 in Springfield Vermont. He graduated from Dartmouth College in 1925 and started working for Bryant Chucking Grinding Co., a machine tool company founded by his father, William Leroy Bryant in 1928, eventually becoming president of the company in 1946. Bryant started the William L. Bryant Foundation in 1950, named for his father, which funded excavations in Florida, Spain and the West Indies. The foundation collected these items from sites in Florida, the Virgin Islands, and the West Indies. William J. Bryant died in 1998 and the foundation dissolved in 2005.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["William Junior Bryant, or June, was born May 4, 1904 in Springfield Vermont. He graduated from Dartmouth College in 1925 and started working for Bryant Chucking Grinding Co., a machine tool company founded by his father, William Leroy Bryant in 1928, eventually becoming president of the company in 1946. Bryant started the William L. Bryant Foundation in 1950, named for his father, which funded excavations in Florida, Spain and the West Indies. The foundation collected these items from sites in Florida, the Virgin Islands, and the West Indies. William J. Bryant died in 1998 and the foundation dissolved in 2005."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], William J. Bryant Archeological Artifacts collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], William J. Bryant Archeological Artifacts collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Dannie Helm and April Anderson; finding aid prepared by Dannie Helm and Judith Beale. Finding aid revised for consistency by Chloe Lanham in 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Dannie Helm and April Anderson; finding aid prepared by Dannie Helm and Judith Beale. Finding aid revised for consistency by Chloe Lanham in 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection is part of the William L. Bryant collection. Guides to other parts of the collection may be found in the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/classifications/11\"\u003eCaribbean West Indies\u003c/extref\u003e record group on our Collection Guides website. A large book collection accompanies this collection and may be accessed by performing a search for West Indies Collection in the \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e. The Bryant collection of Spanish works and the papers of the William L. Bryant Foundation, William Junior Bryant and the Bryant Family can be found at \u003cextref href=\"http://library.dartmouth.edu/\"\u003eDartmouth College\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection is part of the William L. Bryant collection. Guides to other parts of the collection may be found in the  Caribbean West Indies  record group on our Collection Guides website. A large book collection accompanies this collection and may be accessed by performing a search for West Indies Collection in the  Library Catalog . The Bryant collection of Spanish works and the papers of the William L. Bryant Foundation, William Junior Bryant and the Bryant Family can be found at  Dartmouth College ."],"scopecontent_html_tesm":["\u003cp\u003eThe William J. Bryant Archaeological Artifacts collection consists of ceramic fragments (sherds), bones, stone tools, and shells excavated by William J. Bryant or his associates from sites in Florida, the Virgin Islands and the West Indies. This collection is useful to anthropological and historical research on Caribbean and Floridian artifacts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The William J. Bryant Archaeological Artifacts collection consists of ceramic fragments (sherds), bones, stone tools, and shells excavated by William J. Bryant or his associates from sites in Florida, the Virgin Islands and the West Indies. This collection is useful to anthropological and historical research on Caribbean and Floridian artifacts."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder"],"abstract_html_tesm":["\u003cabstract id=\"aspace_aaeec09fe5e4111f74c8698dcfde3cc3\" label=\"Abstract\"\u003eThe William J. Bryant Archaeological Artifacts collection consists of ceramic fragments (sherds), bones, stone tools, and shells excavated by William J. Bryant or his associates from sites in Florida, the Virgin Islands and the West Indies. This collection is useful to anthropological and historical research on Caribbean and Floridian artifacts.\n\nWilliam Junior Bryant, or June, was born May 4, 1904 in Springfield Vermont. He graduated from Dartmouth College in 1925 and started working for Bryant Chucking Grinding Co., a machine tool company founded by his father, William Leroy Bryant in 1928, eventually becoming president of the company in 1946. Bryant started the William L. Bryant Foundation in 1950, named for his father, which funded excavations in Florida, Spain and the West Indies. The foundation collected these items from sites in Florida, the Virgin Islands, and the West Indies. William J. Bryant died in 1998 and the foundation dissolved in 2005.\u003c/abstract\u003e"],"abstract_tesim":["The William J. Bryant Archaeological Artifacts collection consists of ceramic fragments (sherds), bones, stone tools, and shells excavated by William J. Bryant or his associates from sites in Florida, the Virgin Islands and the West Indies. This collection is useful to anthropological and historical research on Caribbean and Floridian artifacts.\n\nWilliam Junior Bryant, or June, was born May 4, 1904 in Springfield Vermont. He graduated from Dartmouth College in 1925 and started working for Bryant Chucking Grinding Co., a machine tool company founded by his father, William Leroy Bryant in 1928, eventually becoming president of the company in 1946. Bryant started the William L. Bryant Foundation in 1950, named for his father, which funded excavations in Florida, Spain and the West Indies. The foundation collected these items from sites in Florida, the Virgin Islands, and the West Indies. William J. Bryant died in 1998 and the foundation dissolved in 2005."],"names_coll_ssim":["William L. Bryant Foundation","Bryant, William J.","Bullen, Ripley P."],"names_ssim":["UCF Special Collections","William L. Bryant Foundation","Bryant, William J.","Bullen, Ripley P."],"corpname_ssim":["UCF Special Collections","William L. Bryant Foundation"],"persname_ssim":["Bryant, William J.","Bullen, Ripley P."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":484,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1874481485084360704,"_root_":"c7b6045e65a0805d25f3f0f3","timestamp":"2026-08-25T08:00:48.898Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/c7b6045e65a0805d25f3f0f3_aspace_8170"}},{"id":"30ac6318a4b4d45f23587ceb_aspace_d0419bbb42dc31756b5ec6f7058243f6","type":"File","attributes":{"title":"CINVA - Biblioteca - Informe De la Biblioteca, Library Report., 1957-1960","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/30ac6318a4b4d45f23587ceb_aspace_d0419bbb42dc31756b5ec6f7058243f6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_d0419bbb42dc31756b5ec6f7058243f6","ref_ssm":["aspace_d0419bbb42dc31756b5ec6f7058243f6","aspace_d0419bbb42dc31756b5ec6f7058243f6"],"id":"30ac6318a4b4d45f23587ceb_aspace_d0419bbb42dc31756b5ec6f7058243f6","title_filing_ssi":"CINVA - Biblioteca - Informe De la Biblioteca, Library Report.","title_ssm":["CINVA - Biblioteca - Informe De la Biblioteca, Library Report."],"title_tesim":["CINVA - Biblioteca - Informe De la Biblioteca, Library Report."],"unitdate_inclusive_ssm":["1957-1960"],"normalized_date_ssm":["1957-1960"],"normalized_title_ssm":["CINVA - Biblioteca - Informe De la Biblioteca, Library Report., 1957-1960"],"text":["CINVA - Biblioteca - Informe De la Biblioteca, Library Report., 1957-1960","Luis Floren Lozano Collection, 1939-1973","Dominican Republic - University of Santo Domingo, Library 1940-1953","Folder 42","/repositories/2/archival_objects/85346","Spanish; Castilian","box 7","folder 42"],"component_level_isim":[2],"parent_ids_ssim":["30ac6318a4b4d45f23587ceb","30ac6318a4b4d45f23587ceb_aspace_a5b4f7a791cc65030f4bec30bd7fc417"],"parent_unittitles_ssm":["Luis Floren Lozano Collection, 1939-1973","Dominican Republic - University of Santo Domingo, Library 1940-1953"],"parent_unittitles_tesim":["Luis Floren Lozano Collection, 1939-1973","Dominican Republic - University of Santo Domingo, Library 1940-1953"],"parent_levels_ssm":["collection","Item"],"unitid_ssm":["Folder 42","/repositories/2/archival_objects/85346"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Luis Floren Lozano Collection, 1939-1973"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":50,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights. The Luis Floren Lozano Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use of research, study, and scholarship. The collection is subjected to all copyright laws."],"date_range_isim":[1957,1958,1959,1960],"language_ssim":["Spanish; Castilian"],"containers_ssim":["box 7","folder 42"],"_nest_path_":"/components#6/components#0","_nest_parent_":"30ac6318a4b4d45f23587ceb_aspace_a5b4f7a791cc65030f4bec30bd7fc417","_root_":"30ac6318a4b4d45f23587ceb","timestamp":"2026-07-11T02:08:24.530Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"30ac6318a4b4d45f23587ceb","title_ssm":["Luis Floren Lozano Collection"],"title_tesim":["Luis Floren Lozano Collection"],"ead_ssi":"30ac6318a4b4d45f23587ceb","unitdate_ssm":["1939-1973"],"unitdate_inclusive_ssm":["1939-1973"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["SPC6020","/repositories/2/resources/129"],"text":["SPC6020","/repositories/2/resources/129","Luis Floren Lozano Collection, 1939-1973","Archives","Archivos","Dominican Republic","Republica Dominicana","Colombia","Latin America","America Latina","Corespondencia","postcards","Letters","Cartas","Manuscripts","Manuscritos","Correspondence","Photographs","Tarjetas postales","Fotografias","The collection is open for research.","Luis Florén Lozano (1913–1973) was a pioneering bibliographer, librarian, and educator whose career shaped library science in Latin America. Beginning as the director of the University of Santo Domingo Library (1940–1953), he modernized library practices in the Dominican Republic. In 1953, he became the head of the Scientific Exchange Service at the Inter-American Center for Housing and Urban Planning (CINVA) in Bogotá, Colombia, where he collaborated with notable figures in librarianship, such as Rubén Pérez Ortiz, and played a key role in organizing the First Library Conferences. In 1959, Florén took on the role of Director at the Inter-American Library School (EIB) in Medellín, Colombia, leading initiatives like the establishment of the Colombian Agricultural Librarians Association (BAC) and the Latin American Association of Schools of Library and Information Sciences (ALEBCI). Throughout his career, he represented Colombia in international forums, advised on the creation of the Dominican Republic's National Library in 1969, and authored numerous articles, essays, and bibliographies.","The Luis Florén Lozano Collection (1912–1973) document his extensive contributions to librarianship and education across Latin America. This collection comprises 23 archival boxes and 204 folders, detailing his professional roles and personal pursuits. It includes communications, letters, documents, photographs, drawings, manuscripts, news clippings, publications, and postcards. These materials chronicle his work as director of the library at the University of Santo Domingo, his tenure at CINVA in Bogotá, and his leadership at EIB in Medellín. The collection also reflects Florén's deep intellectual and personal interests, including a personal library of approximately 6,000 volumes on Spanish, Dominican, and Colombian history, literature, art, and library science. His books often bear his custom exlibris, illustrating the lasting impact of the Spanish Civil War on his life and exile.","Significant components of the collection highlight his efforts to modernize library systems, foster regional collaboration, and elevate the status of library science in Colombia and Latin America. The archive also underscores his role in founding professional associations, organizing landmark conferences, and advancing the profession internationally. Portions of his personal library are housed at the Instituto Tecnológico de Santo Domingo (INTEC) in the Dominican Republic and Florida International University (FIU).","The materials within the collection provide researchers with a detailed view of Florén's professional legacy and the development of librarianship in Latin America. They also serve as a testament to his philosophical and artistic reflections, particularly in the context of the Spanish Civil War and its influence on his scholarly pursuits.","Luis Florén Lozano (1913–1973) fue un pionero bibliógrafo, bibliotecario y educador cuya carrera transformó la bibliotecología en América Latina. Comenzó como director de la Biblioteca de la Universidad de Santo Domingo (1940–1953), donde modernizó las prácticas bibliotecarias en la República Dominicana. En 1953, asumió el cargo de jefe del Servicio de Intercambio Científico en el Centro Interamericano de Vivienda y Planeamiento Urbano (CINVA) en Bogotá, Colombia, donde colaboró con figuras notables de la bibliotecología, como Rubén Pérez Ortiz, y desempeñó un papel clave en la organización de las Primeras Jornadas Bibliotecarias. En 1959, Florén asumió el cargo de director de la Escuela Interamericana de Bibliotecología (EIB) en Medellín, Colombia, liderando iniciativas como la creación de la Asociación Colombiana de Bibliotecarios Agrícolas (BAC) y la Asociación Latinoamericana de Escuelas de Bibliotecología y Ciencias de la Información (ALEBCI). A lo largo de su carrera, representó a Colombia en foros internacionales, asesoró en la creación de la Biblioteca Nacional de la República Dominicana en 1969 y fue autor de numerosos artículos, ensayos y bibliografías.","Los Colecciones de Luis Florén Lozano (1913–1973) documentan sus extensas contribuciones a la bibliotecología y la educación en América Latina. Esta colección comprende 23 cajas archivísticas y 204 carpetas, detallando sus roles profesionales y sus intereses personales. Incluye comunicaciones, cartas, documentos, fotografías, dibujos, manuscritos, recortes de prensa, publicaciones y postales. Estos materiales relatan su labor como director de la biblioteca de la Universidad de Santo Domingo, su gestión en el CINVA en Bogotá y su liderazgo en la EIB en Medellín. La colección también refleja los profundos intereses intelectuales y personales de Florén, incluyendo una biblioteca personal de aproximadamente 6,000 volúmenes sobre historia, literatura, arte y bibliotecología de España, República Dominicana y Colombia. Muchos de sus libros incluyen un exlibris diseñado por él, que ilustra el impacto duradero de la Guerra Civil Española en su vida y exilio.","Componentes significativos de la colección destacan sus esfuerzos por modernizar los sistemas bibliotecarios, fomentar la colaboración regional y elevar el estatus de la bibliotecología en Colombia y América Latina. El archivo también subraya su papel en la fundación de asociaciones profesionales, la organización de conferencias emblemáticas y el avance de la profesión a nivel internacional. Parte de su biblioteca personal se encuentra alojada en el Instituto Tecnológico de Santo Domingo (INTEC) en la República Dominicana y en la Universidad Internacional de Florida (FIU).","Los materiales de la colección proporcionan a los investigadores una visión detallada del legado profesional de Florén y del desarrollo de la bibliotecología en América Latina. También son un testimonio de sus reflexiones filosóficas y artísticas, particularmente en el contexto de la Guerra Civil Española y su influencia en sus intereses académicos.","Blasco, J. (2016, January 1). Don Luis Florén Lozano. Retrieved from Ateca: Protagonistas de su Historia: https://historiadeateca.wordpress.com/2016/05/15/don-luis-floren-lozano/.","\nEstatales, M. d.-S. (Ed.). (2019). Luis Florén Lozano. Retrieved 2024, from Guía del Exilio Español de 1939 en los Archivos Estatales: Archiveros y Bibliotecarios Exiliados: https://www.cultura.gob.es/cultura/areas/archivos/mc/centros/cida/4-difusion-cooperacion/4-1-guias-de-lectura/guia-exilio-espanol-1939-archivos-estatales/archiveros-bibliotecarios-exiliados/luis-floren.html.","\nHerrera, H. (1974, October 11). Experto Luis Florén fue pionero del desarrollo bibliotecario del país. Listín Diario, pp. 7-A.","\nJimenez, E. G. (1987). Reseña del Desarrollo Historico de la Bibliotecologia en Santo Domingo. Santo Domingo: Biblioteca Nacional.","\nLozano Rivera, U. (2002). La Escuela Interamericana de Bibliotecología: 45 años formando líderes en la getion de la información y el conocimiento para Colombia y América Latina. Revista Interamericana de Bibliotecología, 25(2).","\nLozano Rivera, U. (2007). Escuela Interamericana de Bibliotecología, Universidad de Antioquía: Cinco Décadas Formando Líderes en la Gestión de la Información y el Conocimiento. Medellín, Colombia: Universidad de Antioquía.","\nMorales Campos, E. (2017). La Escuela Interamericana de Bibliotecología y su influencia en América Latina. Revista Interamericana de Bibliotecología, 40(2), 189-2000. doi:10.17533/udea.rib.v40n2a07.","\nMunera-Torres, T. J. (2016, Sept/Dec). La Escuela Interamericana de Bibliotecología, pionera en la formacion de profesionales de la información. Revista Interamericana de Bibliotecología, 39(3). doi:https://doi.org/10.17533/udea.rib.v39n3a03.","\nPaulino Ramos, A. (1997). Historia de la Primera Biblioteca Universitaria de Santo Domingo. Santo Domingo: Editora Universitaria de la UASD.","\nSánchez Toro, S. (2008, October 13). Luis Floren Lozano. Retrieved from Pioneros Bibliotecología: https://pionerosbibliotecologia.blogspot.com/2008/10/luis-floren-lozano.html.","\nSanchez Toro, S. A. (1974). Quien es Quien en la Bibliotecologia Colombiana. Pereira, Colombia: Unversidad Tecnologica, Departamento de Bibliotecas.","The Luis Florén Lozano Collection (1939–1973) document the distinguished career and contributions of Florén as a bibliographer, librarian, and educator in Latin America. The collection consists of 24 archival boxes and 206 folders, covering the period from 1939 to 1973. Materials include communications, letters, documents, photographs, drawings, manuscripts, news clippings, publications, and postcards. These records reflect his work as director of the library at the University of Santo Domingo (1940–1953), head of the Scientific Exchange Service at the Inter-American Center for Housing and Urban Planning (CINVA) in Bogotá, Colombia (1953–1959), and director of the Inter-American Library School (EIB) in Medellín, Colombia (1959–1973).","\nLa Colecction de Luis Florén Lozano (1939–1973) documenta la destacada carrera y contribuciones de Florén como bibliógrafo, bibliotecario y educador en América Latina. Comprende 24 cajas archivísticas y 206 carpetas, que abarcan el período de 1939 a 1973. Los materiales incluyen comunicaciones, cartas, documentos, fotografías, dibujos, manuscritos, recortes de prensa, publicaciones y postales. Estos registros reflejan su labor como director de la biblioteca de la Universidad de Santo Domingo (1940–1953), jefe del Servicio de Intercambio Científico en el Centro Interamericano de Vivienda y Planeamiento Urbano (CINVA) en Bogotá, Colombia (1953–1959), y director de la Escuela Interamericana de Bibliotecología (EIB) en Medellín, Colombia (1959–1973).","Rights. The Luis Floren Lozano Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use of research, study, and scholarship. The collection is subjected to all copyright laws.","Collections of papers, publications, documents, and letters of Luis Floren Lozano from 1912-1973.","FIU Special Collections","Spanish; Castilian"],"unitid_tesim":["SPC6020","/repositories/2/resources/129"],"normalized_date_ssm":["1939-1973"],"normalized_title_ssm":["Luis Floren Lozano Collection, 1939-1973"],"collection_title_tesim":["Luis Floren Lozano Collection, 1939-1973"],"collection_ssim":["Luis Floren Lozano Collection, 1939-1973"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Archives","Archivos","Dominican Republic","Republica Dominicana","Colombia","Latin America","America Latina"],"geogname_ssim":["Archives","Archivos","Dominican Republic","Republica Dominicana","Colombia","Latin America","America Latina"],"places_ssim":["Archives","Archivos","Dominican Republic","Republica Dominicana","Colombia","Latin America","America Latina"],"access_terms_ssm":["Rights. The Luis Floren Lozano Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use of research, study, and scholarship. The collection is subjected to all copyright laws."],"access_subjects_ssim":["Corespondencia","postcards","Letters","Cartas","Manuscripts","Manuscritos","Correspondence","Photographs","Tarjetas postales","Fotografias"],"access_subjects_ssm":["Corespondencia","postcards","Letters","Cartas","Manuscripts","Manuscritos","Correspondence","Photographs","Tarjetas postales","Fotografias"],"has_online_content_ssim":["false"],"extent_ssm":["24 boxes"],"extent_tesim":["24 boxes"],"genreform_ssim":["Letters","Cartas","Manuscripts","Manuscritos","Correspondence","Photographs","Tarjetas postales","Fotografias"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eLuis Flor\u0026#xE9;n Lozano (1913\u0026#x2013;1973) was a pioneering bibliographer, librarian, and educator whose career shaped library science in Latin America. Beginning as the director of the University of Santo Domingo Library (1940\u0026#x2013;1953), he modernized library practices in the Dominican Republic. In 1953, he became the head of the Scientific Exchange Service at the Inter-American Center for Housing and Urban Planning (CINVA) in Bogot\u0026#xE1;, Colombia, where he collaborated with notable figures in librarianship, such as Rub\u0026#xE9;n P\u0026#xE9;rez Ortiz, and played a key role in organizing the First Library Conferences. In 1959, Flor\u0026#xE9;n took on the role of Director at the Inter-American Library School (EIB) in Medell\u0026#xED;n, Colombia, leading initiatives like the establishment of the Colombian Agricultural Librarians Association (BAC) and the Latin American Association of Schools of Library and Information Sciences (ALEBCI). Throughout his career, he represented Colombia in international forums, advised on the creation of the Dominican Republic's National Library in 1969, and authored numerous articles, essays, and bibliographies.\u003c/p\u003e\n","\u003cp\u003eThe Luis Flor\u0026#xE9;n Lozano Collection (1912\u0026#x2013;1973) document his extensive contributions to librarianship and education across Latin America. This collection comprises 23 archival boxes and 204 folders, detailing his professional roles and personal pursuits. It includes communications, letters, documents, photographs, drawings, manuscripts, news clippings, publications, and postcards. These materials chronicle his work as director of the library at the University of Santo Domingo, his tenure at CINVA in Bogot\u0026#xE1;, and his leadership at EIB in Medell\u0026#xED;n. The collection also reflects Flor\u0026#xE9;n's deep intellectual and personal interests, including a personal library of approximately 6,000 volumes on Spanish, Dominican, and Colombian history, literature, art, and library science. His books often bear his custom exlibris, illustrating the lasting impact of the Spanish Civil War on his life and exile.\u003c/p\u003e\n","\u003cp\u003eSignificant components of the collection highlight his efforts to modernize library systems, foster regional collaboration, and elevate the status of library science in Colombia and Latin America. The archive also underscores his role in founding professional associations, organizing landmark conferences, and advancing the profession internationally. Portions of his personal library are housed at the Instituto Tecnol\u0026#xF3;gico de Santo Domingo (INTEC) in the Dominican Republic and Florida International University (FIU).\u003c/p\u003e\n","\u003cp\u003eThe materials within the collection provide researchers with a detailed view of Flor\u0026#xE9;n's professional legacy and the development of librarianship in Latin America. They also serve as a testament to his philosophical and artistic reflections, particularly in the context of the Spanish Civil War and its influence on his scholarly pursuits.\u003c/p\u003e\n","\u003cp\u003eLuis Flor\u0026#xE9;n Lozano (1913\u0026#x2013;1973) fue un pionero bibli\u0026#xF3;grafo, bibliotecario y educador cuya carrera transform\u0026#xF3; la bibliotecolog\u0026#xED;a en Am\u0026#xE9;rica Latina. Comenz\u0026#xF3; como director de la Biblioteca de la Universidad de Santo Domingo (1940\u0026#x2013;1953), donde moderniz\u0026#xF3; las pr\u0026#xE1;cticas bibliotecarias en la Rep\u0026#xFA;blica Dominicana. En 1953, asumi\u0026#xF3; el cargo de jefe del Servicio de Intercambio Cient\u0026#xED;fico en el Centro Interamericano de Vivienda y Planeamiento Urbano (CINVA) en Bogot\u0026#xE1;, Colombia, donde colabor\u0026#xF3; con figuras notables de la bibliotecolog\u0026#xED;a, como Rub\u0026#xE9;n P\u0026#xE9;rez Ortiz, y desempe\u0026#xF1;\u0026#xF3; un papel clave en la organizaci\u0026#xF3;n de las Primeras Jornadas Bibliotecarias. En 1959, Flor\u0026#xE9;n asumi\u0026#xF3; el cargo de director de la Escuela Interamericana de Bibliotecolog\u0026#xED;a (EIB) en Medell\u0026#xED;n, Colombia, liderando iniciativas como la creaci\u0026#xF3;n de la Asociaci\u0026#xF3;n Colombiana de Bibliotecarios Agr\u0026#xED;colas (BAC) y la Asociaci\u0026#xF3;n Latinoamericana de Escuelas de Bibliotecolog\u0026#xED;a y Ciencias de la Informaci\u0026#xF3;n (ALEBCI). A lo largo de su carrera, represent\u0026#xF3; a Colombia en foros internacionales, asesor\u0026#xF3; en la creaci\u0026#xF3;n de la Biblioteca Nacional de la Rep\u0026#xFA;blica Dominicana en 1969 y fue autor de numerosos art\u0026#xED;culos, ensayos y bibliograf\u0026#xED;as.\u003c/p\u003e\n","\u003cp\u003eLos Colecciones de Luis Flor\u0026#xE9;n Lozano (1913\u0026#x2013;1973) documentan sus extensas contribuciones a la bibliotecolog\u0026#xED;a y la educaci\u0026#xF3;n en Am\u0026#xE9;rica Latina. Esta colecci\u0026#xF3;n comprende 23 cajas archiv\u0026#xED;sticas y 204 carpetas, detallando sus roles profesionales y sus intereses personales. Incluye comunicaciones, cartas, documentos, fotograf\u0026#xED;as, dibujos, manuscritos, recortes de prensa, publicaciones y postales. Estos materiales relatan su labor como director de la biblioteca de la Universidad de Santo Domingo, su gesti\u0026#xF3;n en el CINVA en Bogot\u0026#xE1; y su liderazgo en la EIB en Medell\u0026#xED;n. La colecci\u0026#xF3;n tambi\u0026#xE9;n refleja los profundos intereses intelectuales y personales de Flor\u0026#xE9;n, incluyendo una biblioteca personal de aproximadamente 6,000 vol\u0026#xFA;menes sobre historia, literatura, arte y bibliotecolog\u0026#xED;a de Espa\u0026#xF1;a, Rep\u0026#xFA;blica Dominicana y Colombia. Muchos de sus libros incluyen un exlibris dise\u0026#xF1;ado por \u0026#xE9;l, que ilustra el impacto duradero de la Guerra Civil Espa\u0026#xF1;ola en su vida y exilio.\u003c/p\u003e\n","\u003cp\u003eComponentes significativos de la colecci\u0026#xF3;n destacan sus esfuerzos por modernizar los sistemas bibliotecarios, fomentar la colaboraci\u0026#xF3;n regional y elevar el estatus de la bibliotecolog\u0026#xED;a en Colombia y Am\u0026#xE9;rica Latina. El archivo tambi\u0026#xE9;n subraya su papel en la fundaci\u0026#xF3;n de asociaciones profesionales, la organizaci\u0026#xF3;n de conferencias emblem\u0026#xE1;ticas y el avance de la profesi\u0026#xF3;n a nivel internacional. Parte de su biblioteca personal se encuentra alojada en el Instituto Tecnol\u0026#xF3;gico de Santo Domingo (INTEC) en la Rep\u0026#xFA;blica Dominicana y en la Universidad Internacional de Florida (FIU).\u003c/p\u003e\n","\u003cp\u003eLos materiales de la colecci\u0026#xF3;n proporcionan a los investigadores una visi\u0026#xF3;n detallada del legado profesional de Flor\u0026#xE9;n y del desarrollo de la bibliotecolog\u0026#xED;a en Am\u0026#xE9;rica Latina. Tambi\u0026#xE9;n son un testimonio de sus reflexiones filos\u0026#xF3;ficas y art\u0026#xED;sticas, particularmente en el contexto de la Guerra Civil Espa\u0026#xF1;ola y su influencia en sus intereses acad\u0026#xE9;micos.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Luis Florén Lozano (1913–1973) was a pioneering bibliographer, librarian, and educator whose career shaped library science in Latin America. Beginning as the director of the University of Santo Domingo Library (1940–1953), he modernized library practices in the Dominican Republic. In 1953, he became the head of the Scientific Exchange Service at the Inter-American Center for Housing and Urban Planning (CINVA) in Bogotá, Colombia, where he collaborated with notable figures in librarianship, such as Rubén Pérez Ortiz, and played a key role in organizing the First Library Conferences. In 1959, Florén took on the role of Director at the Inter-American Library School (EIB) in Medellín, Colombia, leading initiatives like the establishment of the Colombian Agricultural Librarians Association (BAC) and the Latin American Association of Schools of Library and Information Sciences (ALEBCI). Throughout his career, he represented Colombia in international forums, advised on the creation of the Dominican Republic's National Library in 1969, and authored numerous articles, essays, and bibliographies.","The Luis Florén Lozano Collection (1912–1973) document his extensive contributions to librarianship and education across Latin America. This collection comprises 23 archival boxes and 204 folders, detailing his professional roles and personal pursuits. It includes communications, letters, documents, photographs, drawings, manuscripts, news clippings, publications, and postcards. These materials chronicle his work as director of the library at the University of Santo Domingo, his tenure at CINVA in Bogotá, and his leadership at EIB in Medellín. The collection also reflects Florén's deep intellectual and personal interests, including a personal library of approximately 6,000 volumes on Spanish, Dominican, and Colombian history, literature, art, and library science. His books often bear his custom exlibris, illustrating the lasting impact of the Spanish Civil War on his life and exile.","Significant components of the collection highlight his efforts to modernize library systems, foster regional collaboration, and elevate the status of library science in Colombia and Latin America. The archive also underscores his role in founding professional associations, organizing landmark conferences, and advancing the profession internationally. Portions of his personal library are housed at the Instituto Tecnológico de Santo Domingo (INTEC) in the Dominican Republic and Florida International University (FIU).","The materials within the collection provide researchers with a detailed view of Florén's professional legacy and the development of librarianship in Latin America. They also serve as a testament to his philosophical and artistic reflections, particularly in the context of the Spanish Civil War and its influence on his scholarly pursuits.","Luis Florén Lozano (1913–1973) fue un pionero bibliógrafo, bibliotecario y educador cuya carrera transformó la bibliotecología en América Latina. Comenzó como director de la Biblioteca de la Universidad de Santo Domingo (1940–1953), donde modernizó las prácticas bibliotecarias en la República Dominicana. En 1953, asumió el cargo de jefe del Servicio de Intercambio Científico en el Centro Interamericano de Vivienda y Planeamiento Urbano (CINVA) en Bogotá, Colombia, donde colaboró con figuras notables de la bibliotecología, como Rubén Pérez Ortiz, y desempeñó un papel clave en la organización de las Primeras Jornadas Bibliotecarias. En 1959, Florén asumió el cargo de director de la Escuela Interamericana de Bibliotecología (EIB) en Medellín, Colombia, liderando iniciativas como la creación de la Asociación Colombiana de Bibliotecarios Agrícolas (BAC) y la Asociación Latinoamericana de Escuelas de Bibliotecología y Ciencias de la Información (ALEBCI). A lo largo de su carrera, representó a Colombia en foros internacionales, asesoró en la creación de la Biblioteca Nacional de la República Dominicana en 1969 y fue autor de numerosos artículos, ensayos y bibliografías.","Los Colecciones de Luis Florén Lozano (1913–1973) documentan sus extensas contribuciones a la bibliotecología y la educación en América Latina. Esta colección comprende 23 cajas archivísticas y 204 carpetas, detallando sus roles profesionales y sus intereses personales. Incluye comunicaciones, cartas, documentos, fotografías, dibujos, manuscritos, recortes de prensa, publicaciones y postales. Estos materiales relatan su labor como director de la biblioteca de la Universidad de Santo Domingo, su gestión en el CINVA en Bogotá y su liderazgo en la EIB en Medellín. La colección también refleja los profundos intereses intelectuales y personales de Florén, incluyendo una biblioteca personal de aproximadamente 6,000 volúmenes sobre historia, literatura, arte y bibliotecología de España, República Dominicana y Colombia. Muchos de sus libros incluyen un exlibris diseñado por él, que ilustra el impacto duradero de la Guerra Civil Española en su vida y exilio.","Componentes significativos de la colección destacan sus esfuerzos por modernizar los sistemas bibliotecarios, fomentar la colaboración regional y elevar el estatus de la bibliotecología en Colombia y América Latina. El archivo también subraya su papel en la fundación de asociaciones profesionales, la organización de conferencias emblemáticas y el avance de la profesión a nivel internacional. Parte de su biblioteca personal se encuentra alojada en el Instituto Tecnológico de Santo Domingo (INTEC) en la República Dominicana y en la Universidad Internacional de Florida (FIU).","Los materiales de la colección proporcionan a los investigadores una visión detallada del legado profesional de Florén y del desarrollo de la bibliotecología en América Latina. También son un testimonio de sus reflexiones filosóficas y artísticas, particularmente en el contexto de la Guerra Civil Española y su influencia en sus intereses académicos."],"relatedmaterial_html_tesm":["\u003cp\u003eBlasco, J. (2016, January 1). Don Luis Flor\u0026#xE9;n Lozano. Retrieved from Ateca: Protagonistas de su Historia: https://historiadeateca.wordpress.com/2016/05/15/don-luis-floren-lozano/.\u003c/p\u003e\n","\u003cp\u003e\nEstatales, M. d.-S. (Ed.). (2019). Luis Flor\u0026#xE9;n Lozano. Retrieved 2024, from Gu\u0026#xED;a del Exilio Espa\u0026#xF1;ol de 1939 en los Archivos Estatales: Archiveros y Bibliotecarios Exiliados: https://www.cultura.gob.es/cultura/areas/archivos/mc/centros/cida/4-difusion-cooperacion/4-1-guias-de-lectura/guia-exilio-espanol-1939-archivos-estatales/archiveros-bibliotecarios-exiliados/luis-floren.html.\u003c/p\u003e\n","\u003cp\u003e\nHerrera, H. (1974, October 11). Experto Luis Flor\u0026#xE9;n fue pionero del desarrollo bibliotecario del pa\u0026#xED;s. List\u0026#xED;n Diario, pp. 7-A.\u003c/p\u003e\n","\u003cp\u003e\nJimenez, E. G. (1987). Rese\u0026#xF1;a del Desarrollo Historico de la Bibliotecologia en Santo Domingo. Santo Domingo: Biblioteca Nacional.\u003c/p\u003e\n","\u003cp\u003e\nLozano Rivera, U. (2002). La Escuela Interamericana de Bibliotecolog\u0026#xED;a: 45 a\u0026#xF1;os formando l\u0026#xED;deres en la getion de la informaci\u0026#xF3;n y el conocimiento para Colombia y Am\u0026#xE9;rica Latina. Revista Interamericana de Bibliotecolog\u0026#xED;a, 25(2).\u003c/p\u003e\n","\u003cp\u003e\nLozano Rivera, U. (2007). Escuela Interamericana de Bibliotecolog\u0026#xED;a, Universidad de Antioqu\u0026#xED;a: Cinco D\u0026#xE9;cadas Formando L\u0026#xED;deres en la Gesti\u0026#xF3;n de la Informaci\u0026#xF3;n y el Conocimiento. Medell\u0026#xED;n, Colombia: Universidad de Antioqu\u0026#xED;a.\u003c/p\u003e\n","\u003cp\u003e\nMorales Campos, E. (2017). La Escuela Interamericana de Bibliotecolog\u0026#xED;a y su influencia en Am\u0026#xE9;rica Latina. Revista Interamericana de Bibliotecolog\u0026#xED;a, 40(2), 189-2000. doi:10.17533/udea.rib.v40n2a07.\u003c/p\u003e\n","\u003cp\u003e\nMunera-Torres, T. J. (2016, Sept/Dec). La Escuela Interamericana de Bibliotecolog\u0026#xED;a, pionera en la formacion de profesionales de la informaci\u0026#xF3;n. Revista Interamericana de Bibliotecolog\u0026#xED;a, 39(3). doi:https://doi.org/10.17533/udea.rib.v39n3a03.\u003c/p\u003e\n","\u003cp\u003e\nPaulino Ramos, A. (1997). Historia de la Primera Biblioteca Universitaria de Santo Domingo. Santo Domingo: Editora Universitaria de la UASD.\u003c/p\u003e\n","\u003cp\u003e\nS\u0026#xE1;nchez Toro, S. (2008, October 13). Luis Floren Lozano. Retrieved from Pioneros Bibliotecolog\u0026#xED;a: https://pionerosbibliotecologia.blogspot.com/2008/10/luis-floren-lozano.html.\u003c/p\u003e\n","\u003cp\u003e\nSanchez Toro, S. A. (1974). Quien es Quien en la Bibliotecologia Colombiana. Pereira, Colombia: Unversidad Tecnologica, Departamento de Bibliotecas.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Blasco, J. (2016, January 1). Don Luis Florén Lozano. Retrieved from Ateca: Protagonistas de su Historia: https://historiadeateca.wordpress.com/2016/05/15/don-luis-floren-lozano/.","\nEstatales, M. d.-S. (Ed.). (2019). Luis Florén Lozano. Retrieved 2024, from Guía del Exilio Español de 1939 en los Archivos Estatales: Archiveros y Bibliotecarios Exiliados: https://www.cultura.gob.es/cultura/areas/archivos/mc/centros/cida/4-difusion-cooperacion/4-1-guias-de-lectura/guia-exilio-espanol-1939-archivos-estatales/archiveros-bibliotecarios-exiliados/luis-floren.html.","\nHerrera, H. (1974, October 11). Experto Luis Florén fue pionero del desarrollo bibliotecario del país. Listín Diario, pp. 7-A.","\nJimenez, E. G. (1987). Reseña del Desarrollo Historico de la Bibliotecologia en Santo Domingo. Santo Domingo: Biblioteca Nacional.","\nLozano Rivera, U. (2002). La Escuela Interamericana de Bibliotecología: 45 años formando líderes en la getion de la información y el conocimiento para Colombia y América Latina. Revista Interamericana de Bibliotecología, 25(2).","\nLozano Rivera, U. (2007). Escuela Interamericana de Bibliotecología, Universidad de Antioquía: Cinco Décadas Formando Líderes en la Gestión de la Información y el Conocimiento. Medellín, Colombia: Universidad de Antioquía.","\nMorales Campos, E. (2017). La Escuela Interamericana de Bibliotecología y su influencia en América Latina. Revista Interamericana de Bibliotecología, 40(2), 189-2000. doi:10.17533/udea.rib.v40n2a07.","\nMunera-Torres, T. J. (2016, Sept/Dec). La Escuela Interamericana de Bibliotecología, pionera en la formacion de profesionales de la información. Revista Interamericana de Bibliotecología, 39(3). doi:https://doi.org/10.17533/udea.rib.v39n3a03.","\nPaulino Ramos, A. (1997). Historia de la Primera Biblioteca Universitaria de Santo Domingo. Santo Domingo: Editora Universitaria de la UASD.","\nSánchez Toro, S. (2008, October 13). Luis Floren Lozano. Retrieved from Pioneros Bibliotecología: https://pionerosbibliotecologia.blogspot.com/2008/10/luis-floren-lozano.html.","\nSanchez Toro, S. A. (1974). Quien es Quien en la Bibliotecologia Colombiana. Pereira, Colombia: Unversidad Tecnologica, Departamento de Bibliotecas."],"scopecontent_html_tesm":["\u003cp\u003eThe Luis Flor\u0026#xE9;n Lozano Collection (1939\u0026#x2013;1973) document the distinguished career and contributions of Flor\u0026#xE9;n as a bibliographer, librarian, and educator in Latin America. The collection consists of 24 archival boxes and 206 folders, covering the period from 1939 to 1973. Materials include communications, letters, documents, photographs, drawings, manuscripts, news clippings, publications, and postcards. These records reflect his work as director of the library at the University of Santo Domingo (1940\u0026#x2013;1953), head of the Scientific Exchange Service at the Inter-American Center for Housing and Urban Planning (CINVA) in Bogot\u0026#xE1;, Colombia (1953\u0026#x2013;1959), and director of the Inter-American Library School (EIB) in Medell\u0026#xED;n, Colombia (1959\u0026#x2013;1973).\u003c/p\u003e\n","\u003cp\u003e\nLa Colecction de Luis Flor\u0026#xE9;n Lozano (1939\u0026#x2013;1973) documenta la destacada carrera y contribuciones de Flor\u0026#xE9;n como bibli\u0026#xF3;grafo, bibliotecario y educador en Am\u0026#xE9;rica Latina. Comprende 24 cajas archiv\u0026#xED;sticas y 206 carpetas, que abarcan el per\u0026#xED;odo de 1939 a 1973. Los materiales incluyen comunicaciones, cartas, documentos, fotograf\u0026#xED;as, dibujos, manuscritos, recortes de prensa, publicaciones y postales. Estos registros reflejan su labor como director de la biblioteca de la Universidad de Santo Domingo (1940\u0026#x2013;1953), jefe del Servicio de Intercambio Cient\u0026#xED;fico en el Centro Interamericano de Vivienda y Planeamiento Urbano (CINVA) en Bogot\u0026#xE1;, Colombia (1953\u0026#x2013;1959), y director de la Escuela Interamericana de Bibliotecolog\u0026#xED;a (EIB) en Medell\u0026#xED;n, Colombia (1959\u0026#x2013;1973).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Luis Florén Lozano Collection (1939–1973) document the distinguished career and contributions of Florén as a bibliographer, librarian, and educator in Latin America. The collection consists of 24 archival boxes and 206 folders, covering the period from 1939 to 1973. Materials include communications, letters, documents, photographs, drawings, manuscripts, news clippings, publications, and postcards. These records reflect his work as director of the library at the University of Santo Domingo (1940–1953), head of the Scientific Exchange Service at the Inter-American Center for Housing and Urban Planning (CINVA) in Bogotá, Colombia (1953–1959), and director of the Inter-American Library School (EIB) in Medellín, Colombia (1959–1973).","\nLa Colecction de Luis Florén Lozano (1939–1973) documenta la destacada carrera y contribuciones de Florén como bibliógrafo, bibliotecario y educador en América Latina. Comprende 24 cajas archivísticas y 206 carpetas, que abarcan el período de 1939 a 1973. Los materiales incluyen comunicaciones, cartas, documentos, fotografías, dibujos, manuscritos, recortes de prensa, publicaciones y postales. Estos registros reflejan su labor como director de la biblioteca de la Universidad de Santo Domingo (1940–1953), jefe del Servicio de Intercambio Científico en el Centro Interamericano de Vivienda y Planeamiento Urbano (CINVA) en Bogotá, Colombia (1953–1959), y director de la Escuela Interamericana de Bibliotecología (EIB) en Medellín, Colombia (1959–1973)."],"userestrict_html_tesm":["\u003cp\u003eRights. The Luis Floren Lozano Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use of research, study, and scholarship. The collection is subjected to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Luis Floren Lozano Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use of research, study, and scholarship. The collection is subjected to all copyright laws."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fe8b5d0375f02bedbee28ed445cf850b\"\u003eCollections of papers, publications, documents, and letters of Luis Floren Lozano from 1912-1973.\u003c/abstract\u003e"],"abstract_tesim":["Collections of papers, publications, documents, and letters of Luis Floren Lozano from 1912-1973."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["Spanish; Castilian"],"total_component_count_is":236,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"30ac6318a4b4d45f23587ceb","timestamp":"2026-07-11T02:08:24.530Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/30ac6318a4b4d45f23587ceb_aspace_d0419bbb42dc31756b5ec6f7058243f6"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Michael A. 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