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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Pyburn, Nita Katharine","Pyburn, Nita Katherine"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Pyburn, Nita Katherine"],"persname_ssim":["Pyburn, Nita Katharine","Pyburn, Nita Katherine"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":53,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857000743600128,"_root_":"948b06a86ad474541ac8aef6","timestamp":"2026-07-16T07:51:11.277Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"948b06a86ad474541ac8aef6","title_ssm":["Nita K. Pyburn Papers"],"title_tesim":["Nita K. 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The dissertation in the collection is entitled \"Antecedents of the North Carolina School Law of 1839.\" The manuscripts cover subjects such as high schools in Monticello, Florida, public schools in Escambia County, Florida education, public schools in Mississippi, Robert Grosstest, the Bishop of Lincoln, M. R. Hinson, and Tallahassee schools. Her research notes discuss Alabama, Arkansas, common schools, comparative education, Texas, and David S. Walker. Other subjects of note include: Edwin B. Browning, Concord Missionary Baptist Church, Mary Shad Button, reading difficulties, Jacksonville, and education in Walton County.\n Also includes materials accessioned as MSS 92-3.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Pyburn, Nita Katharine","Pyburn, Nita Katherine","English"],"unitid_tesim":["MSS 90-5","/repositories/10/resources/1188"],"normalized_date_ssm":["1822-1960"],"normalized_title_ssm":["Nita K. Pyburn Papers, 1822-1960"],"collection_title_tesim":["Nita K. Pyburn Papers, 1822-1960"],"collection_ssim":["Nita K. 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Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"prefercite_html_tesm":["\u003cp\u003eNita K. Pyburn Papers, Special Collections and Archives, Florida State University Libraries, Tallahassee, Florida.https://purl.lib.fsu.edu/fa/MSS-90-5\u003c/p\u003e"],"prefercite_tesim":["Nita K. Pyburn Papers, Special Collections and Archives, Florida State University Libraries, Tallahassee, Florida.https://purl.lib.fsu.edu/fa/MSS-90-5"],"scopecontent_html_tesm":["\u003cp\u003eCorrespondence, dissertation, manuscripts, and research notes related to the research and writing of Nita K. Pyburn. Correspondence subjects include Florida, public education, Florida State University, Leighton K. Johnson, Edgar W. Knight, New Orleans, North Carolina, South Carolina education, and Tennessee. The dissertation in the collection is entitled \"Antecedents of the North Carolina School Law of 1839.\" The manuscripts cover subjects such as high schools in Monticello, Florida, public schools in Escambia County, Florida education, public schools in Mississippi, Robert Grosstest, the Bishop of Lincoln, M. R. Hinson, and Tallahassee schools. Her research notes discuss Alabama, Arkansas, common schools, comparative education, Texas, and David S. Walker. Other subjects of note include: Edwin B. Browning, Concord Missionary Baptist Church, Mary Shad Button, reading difficulties, Jacksonville, and education in Walton County.\n\u003cbr\u003e\u003cbr\u003eAlso includes materials accessioned as MSS 92-3.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Correspondence, dissertation, manuscripts, and research notes related to the research and writing of Nita K. Pyburn. Correspondence subjects include Florida, public education, Florida State University, Leighton K. Johnson, Edgar W. Knight, New Orleans, North Carolina, South Carolina education, and Tennessee. The dissertation in the collection is entitled \"Antecedents of the North Carolina School Law of 1839.\" The manuscripts cover subjects such as high schools in Monticello, Florida, public schools in Escambia County, Florida education, public schools in Mississippi, Robert Grosstest, the Bishop of Lincoln, M. R. Hinson, and Tallahassee schools. Her research notes discuss Alabama, Arkansas, common schools, comparative education, Texas, and David S. Walker. Other subjects of note include: Edwin B. Browning, Concord Missionary Baptist Church, Mary Shad Button, reading difficulties, Jacksonville, and education in Walton County.\n Also includes materials accessioned as MSS 92-3."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. 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The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974],"_nest_path_":"/components#0/components#2/components#1/components#3","_nest_parent_":"98ff5eee275a3aba6d1d8b92_aspace_145570","_root_":"98ff5eee275a3aba6d1d8b92","_version_":1870863090338234368,"timestamp":"2026-07-16T09:27:58.578Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"98ff5eee275a3aba6d1d8b92","title_filing_ssi":"Pugh Collection of Amateur Periodicals, The","title_ssm":["The Pugh Collection of Amateur Periodicals"],"title_tesim":["The Pugh Collection of Amateur Periodicals"],"ead_ssi":"98ff5eee275a3aba6d1d8b92","unitdate_ssm":["1930-1982","1930-1950","Date acquired: 10/00/1997"],"unitdate_bulk_ssim":["1930-1950"],"unitdate_inclusive_ssm":["1930-1982"],"unitdate_other_ssim":["Date acquired: 10/00/1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1997-05","/repositories/2/resources/39"],"text":["MS-1997-05","/repositories/2/resources/39","The Pugh Collection of Amateur Periodicals, 1930-1982, Date acquired: 10/00/1997, bulk 1930-1950","Science fiction -- American","amateur press periodicals","alphabetical order by series","Mary L. Pugh (1918-2005) was born in Scotland, Maryland. She was the sister of Joseph F. Bradburn, the original collector of the amateur press periodicals who contributed to the amateur press with his own works, including, \"A guide to beginners in Amateur Journalism\"; a sort of amateur press \"creed\" for the amateur periodical enthusiast. Joseph F. Bradburn was also the collector and preparer of material that became the Pugh Hobby Printing Collection.","Note written by Yahaira Cruz Castro","Processed","The Pugh Hobby Printing Collection","The collection includes printing style pamphlets, periodicals with themes of science fiction, fantasy, religion, poetry and satire that is international in scope but mostly limited to English speaking countries of North American and the United Kingdom. Additionally, there are several volumes of amateur journalism in the collection. Programs for annual conventions are included as well. The collection also includes materials associated with the National Amateur Press Association (NAPA) such as the  Artis  which included essays and news regarding current NAPA members and the  Denver Dingbat  that highlighted specific amateur writers that are members of NAPA as well as current events. Material includes records associated with NAPA, the American Amateur Press Association (AAPA) as well as the British Amateur Press Association (BAPA).","None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","Amateur press periodicals were miniature newspapers and magazines published for pleasure and intellectual improvement. Primarily published by inexperienced young men and women, these journals experienced an amateur golden era during the 1940s and 1950s. A few associations like the National Amateur Press Association (NAPA) are still operating to this day.\n\t \n\t\"A History of Amateur Press Associations\" (Rutgers University library)\n\tAmericanAntiquarianSociety.org","USF Libraries - Tampa Special Collections","Pugh, Mary L. (1918-2005)","English"],"unitid_tesim":["MS-1997-05","/repositories/2/resources/39"],"normalized_date_ssm":["1930-1982, Date acquired: 10/00/1997, bulk 1930-1950"],"normalized_title_ssm":["The Pugh Collection of Amateur Periodicals, 1930-1982, Date acquired: 10/00/1997, bulk 1930-1950"],"collection_title_tesim":["The Pugh Collection of Amateur Periodicals, 1930-1982, Date acquired: 10/00/1997, bulk 1930-1950"],"collection_ssim":["The Pugh Collection of Amateur Periodicals, 1930-1982, Date acquired: 10/00/1997, bulk 1930-1950"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Pugh, Mary L. (1918-2005)"],"creator_ssim":["Pugh, Mary L. (1918-2005)"],"creator_persname_ssim":["Pugh, Mary L. (1918-2005)"],"creators_ssim":["Pugh, Mary L. (1918-2005)"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Mary L. 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Bradburn was also the collector and preparer of material that became the Pugh Hobby Printing Collection.","Note written by Yahaira Cruz Castro"],"prefercite_html_tesm":["\u003cp\u003eThe Pugh Collection of Amateur Periodicals, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"prefercite_tesim":["The Pugh Collection of Amateur Periodicals, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed"],"relatedmaterial_html_tesm":["\u003cp\u003eThe Pugh Hobby Printing Collection\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Pugh Hobby Printing Collection"],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes printing style pamphlets, periodicals with themes of science fiction, fantasy, religion, poetry and satire that is international in scope but mostly limited to English speaking countries of North American and the United Kingdom. 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Material includes records associated with NAPA, the American Amateur Press Association (AAPA) as well as the British Amateur Press Association (BAPA).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes printing style pamphlets, periodicals with themes of science fiction, fantasy, religion, poetry and satire that is international in scope but mostly limited to English speaking countries of North American and the United Kingdom. Additionally, there are several volumes of amateur journalism in the collection. Programs for annual conventions are included as well. The collection also includes materials associated with the National Amateur Press Association (NAPA) such as the  Artis  which included essays and news regarding current NAPA members and the  Denver Dingbat  that highlighted specific amateur writers that are members of NAPA as well as current events. Material includes records associated with NAPA, the American Amateur Press Association (AAPA) as well as the British Amateur Press Association (BAPA)."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a882cc3b6f79b003a1786492dd4b6619\" label=\"Abstract\"\u003eAmateur press periodicals were miniature newspapers and magazines published for pleasure and intellectual improvement. Primarily published by inexperienced young men and women, these journals experienced an amateur golden era during the 1940s and 1950s. A few associations like the National Amateur Press Association (NAPA) are still operating to this day.\n\t \n\t\"A History of Amateur Press Associations\" (Rutgers University library)\n\tAmericanAntiquarianSociety.org\u003c/abstract\u003e"],"abstract_tesim":["Amateur press periodicals were miniature newspapers and magazines published for pleasure and intellectual improvement. Primarily published by inexperienced young men and women, these journals experienced an amateur golden era during the 1940s and 1950s. A few associations like the National Amateur Press Association (NAPA) are still operating to this day.\n\t \n\t\"A History of Amateur Press Associations\" (Rutgers University library)\n\tAmericanAntiquarianSociety.org"],"names_ssim":["USF Libraries - Tampa Special Collections","Pugh, Mary L. (1918-2005)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Pugh, Mary L. 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It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9814e559b5e5e7e356011795#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"9814e559b5e5e7e356011795","title_ssm":["Noel Wisdom collection"],"title_tesim":["Noel Wisdom collection"],"ead_ssi":"9814e559b5e5e7e356011795","unitdate_ssm":["1915-1982"],"unitdate_inclusive_ssm":["1915-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1976-02","/repositories/2/resources/191"],"text":["MS-1976-02","/repositories/2/resources/191","Noel Wisdom collection, 1915-1982","Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists","This collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2.","Noel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.  His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches.  Most of what he did in the trenches consisited of sketching profiles of his platoon.  One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.  In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.  He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.  Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.  At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.  He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.   Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.  He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.  During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.  About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist.  In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.  Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve","Noel Wisdom Collection of Chromolithographic Prints","This collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","This collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript,  Around The World On Scissors . It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom.","USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)","English"],"unitid_tesim":["MS-1976-02","/repositories/2/resources/191"],"normalized_date_ssm":["1915-1982"],"normalized_title_ssm":["Noel Wisdom collection, 1915-1982"],"collection_title_tesim":["Noel Wisdom collection, 1915-1982"],"collection_ssim":["Noel Wisdom collection, 1915-1982"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Wisdom, Noel (1897-1983)"],"creator_ssim":["Wisdom, Noel (1897-1983)"],"creator_persname_ssim":["Wisdom, Noel (1897-1983)"],"creators_ssim":["Wisdom, Noel (1897-1983)"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Noel Wisdom","Donation."],"access_subjects_ssim":["Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists"],"access_subjects_ssm":["Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["0.83 Linear Feet","2 boxes"],"extent_tesim":["0.83 Linear Feet","2 boxes"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2."],"bioghist_html_tesm":["\u003cp\u003eNoel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.\u0026#xA0; His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.\u003c/p\u003e\n","\u003cp\u003eWisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"\u003c/p\u003e\n","\u003cp\u003eIn 1915 Wisdom was accepted for service and found himself in the British trenches.\u0026#xA0; Most of what he did in the trenches consisited of sketching profiles of his platoon.\u0026#xA0; One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.\u003c/p\u003e\n","\u003cp\u003eWhen the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.\u0026#xA0; In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.\u0026#xA0; He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.\u0026#xA0; Within six weeks, Noel Wisdom had landed on the shores of Australia.\u003c/p\u003e\n","\u003cp\u003eHe worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.\u0026#xA0; At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.\u0026#xA0; He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.\u0026#xA0;  Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.\u003c/p\u003e\n","\u003cp\u003eUpon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.\u0026#xA0; He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.\u0026#xA0; During World War II he snipped hundreds of servicemen for free.\u003c/p\u003e\n","\u003cp\u003eWisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.\u0026#xA0; About this time he penned his still unpublished \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e, a retrospective of his life as a soldier and silhouette artist.\u0026#xA0; In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.\u0026#xA0; Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.\u003c/p\u003e\n","\u003cp\u003eNote written by Rebecca Rieve\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Noel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.  His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches.  Most of what he did in the trenches consisited of sketching profiles of his platoon.  One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.  In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.  He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.  Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.  At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.  He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.   Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.  He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.  During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.  About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist.  In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.  Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve"],"prefercite_html_tesm":["\u003cp\u003eNoel Wisdom Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Noel Wisdom Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eNoel Wisdom Collection of Chromolithographic Prints\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Noel Wisdom Collection of Chromolithographic Prints"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_85dd84c4f239c5db38df45c917446121\" label=\"Abstract\"\u003eThis collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript, \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e. It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript,  Around The World On Scissors . It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom."],"names_ssim":["USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Wisdom, Noel (1897-1983)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":22,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"9814e559b5e5e7e356011795","timestamp":"2026-07-10T03:34:50.892Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9814e559b5e5e7e356011795","title_ssm":["Noel Wisdom collection"],"title_tesim":["Noel Wisdom collection"],"ead_ssi":"9814e559b5e5e7e356011795","unitdate_ssm":["1915-1982"],"unitdate_inclusive_ssm":["1915-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1976-02","/repositories/2/resources/191"],"text":["MS-1976-02","/repositories/2/resources/191","Noel Wisdom collection, 1915-1982","Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists","This collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2.","Noel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.  His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches.  Most of what he did in the trenches consisited of sketching profiles of his platoon.  One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.  In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.  He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.  Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.  At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.  He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.   Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.  He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.  During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.  About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist.  In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.  Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve","Noel Wisdom Collection of Chromolithographic Prints","This collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","This collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript,  Around The World On Scissors . It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom.","USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)","English"],"unitid_tesim":["MS-1976-02","/repositories/2/resources/191"],"normalized_date_ssm":["1915-1982"],"normalized_title_ssm":["Noel Wisdom collection, 1915-1982"],"collection_title_tesim":["Noel Wisdom collection, 1915-1982"],"collection_ssim":["Noel Wisdom collection, 1915-1982"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Wisdom, Noel (1897-1983)"],"creator_ssim":["Wisdom, Noel (1897-1983)"],"creator_persname_ssim":["Wisdom, Noel (1897-1983)"],"creators_ssim":["Wisdom, Noel (1897-1983)"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Noel Wisdom","Donation."],"access_subjects_ssim":["Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists"],"access_subjects_ssm":["Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["0.83 Linear Feet","2 boxes"],"extent_tesim":["0.83 Linear Feet","2 boxes"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2."],"bioghist_html_tesm":["\u003cp\u003eNoel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.\u0026#xA0; His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.\u003c/p\u003e\n","\u003cp\u003eWisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"\u003c/p\u003e\n","\u003cp\u003eIn 1915 Wisdom was accepted for service and found himself in the British trenches.\u0026#xA0; Most of what he did in the trenches consisited of sketching profiles of his platoon.\u0026#xA0; One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.\u003c/p\u003e\n","\u003cp\u003eWhen the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.\u0026#xA0; In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.\u0026#xA0; He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.\u0026#xA0; Within six weeks, Noel Wisdom had landed on the shores of Australia.\u003c/p\u003e\n","\u003cp\u003eHe worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.\u0026#xA0; At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.\u0026#xA0; He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.\u0026#xA0;  Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.\u003c/p\u003e\n","\u003cp\u003eUpon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.\u0026#xA0; He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.\u0026#xA0; During World War II he snipped hundreds of servicemen for free.\u003c/p\u003e\n","\u003cp\u003eWisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.\u0026#xA0; About this time he penned his still unpublished \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e, a retrospective of his life as a soldier and silhouette artist.\u0026#xA0; In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.\u0026#xA0; Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.\u003c/p\u003e\n","\u003cp\u003eNote written by Rebecca Rieve\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Noel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.  His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches.  Most of what he did in the trenches consisited of sketching profiles of his platoon.  One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.  In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.  He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.  Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.  At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.  He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.   Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.  He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.  During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.  About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist.  In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.  Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve"],"prefercite_html_tesm":["\u003cp\u003eNoel Wisdom Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Noel Wisdom Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eNoel Wisdom Collection of Chromolithographic Prints\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Noel Wisdom Collection of Chromolithographic Prints"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_85dd84c4f239c5db38df45c917446121\" label=\"Abstract\"\u003eThis collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript, \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e. It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript,  Around The World On Scissors . It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom."],"names_ssim":["USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Wisdom, Noel (1897-1983)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":22,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"9814e559b5e5e7e356011795","timestamp":"2026-07-10T03:34:50.892Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9814e559b5e5e7e356011795"}},{"id":"3b651bebb556d00cec8728df_aspace_3ede680abb5ddb2b17cfea709cfb7498","type":"File","attributes":{"title":"Nogan, Fr. Raymond, 1948-1961","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3b651bebb556d00cec8728df_aspace_3ede680abb5ddb2b17cfea709cfb7498#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3ede680abb5ddb2b17cfea709cfb7498","ref_ssm":["aspace_3ede680abb5ddb2b17cfea709cfb7498","aspace_3ede680abb5ddb2b17cfea709cfb7498"],"id":"3b651bebb556d00cec8728df_aspace_3ede680abb5ddb2b17cfea709cfb7498","title_filing_ssi":"Nogan, Fr. Raymond","title_ssm":["Nogan, Fr. Raymond"],"title_tesim":["Nogan, Fr. Raymond"],"unitdate_inclusive_ssm":["1948-1961"],"normalized_date_ssm":["1948-1961"],"normalized_title_ssm":["Nogan, Fr. Raymond, 1948-1961"],"text":["Nogan, Fr. Raymond, 1948-1961","Walter and Dorothy Donnelly family papers, 1887-2021","Additional Materials, 1909-2021","CFM2020_10, 1917-1994, Undated","Correspondence, 1929-1990, Undated","Incoming, 1929-1990, Undated","Folder 2","/repositories/4/archival_objects/56087","box 8","folder 2"],"component_level_isim":[5],"parent_ids_ssim":["3b651bebb556d00cec8728df","3b651bebb556d00cec8728df_aspace_f58acf1e5bb3c4c23984bca2eb8d71a6","3b651bebb556d00cec8728df_aspace_41d476757a6af37e0a78b8ce8959bca0","3b651bebb556d00cec8728df_aspace_aade5f65b1d6b68fbf30af6b581f9a45","3b651bebb556d00cec8728df_aspace_57ae1934954f8dd38ad1cfff34571390"],"parent_unittitles_ssm":["Walter and Dorothy Donnelly family papers, 1887-2021","Additional Materials, 1909-2021","CFM2020_10, 1917-1994, Undated","Correspondence, 1929-1990, Undated","Incoming, 1929-1990, Undated"],"parent_unittitles_tesim":["Walter and Dorothy Donnelly family papers, 1887-2021","Additional Materials, 1909-2021","CFM2020_10, 1917-1994, Undated","Correspondence, 1929-1990, Undated","Incoming, 1929-1990, Undated"],"parent_levels_ssm":["collection","Series","Subseries","File","Subseries"],"unitid_ssm":["Folder 2","/repositories/4/archival_objects/56087"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Walter and Dorothy Donnelly family papers, 1887-2021"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":186,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961],"containers_ssim":["box 8","folder 2"],"_nest_path_":"/components#2/components#1/components#10/components#0/components#33","_nest_parent_":"3b651bebb556d00cec8728df_aspace_57ae1934954f8dd38ad1cfff34571390","_root_":"3b651bebb556d00cec8728df","timestamp":"2026-06-03T02:50:58.042Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3b651bebb556d00cec8728df","title_ssm":["Walter and Dorothy Donnelly family papers"],"title_tesim":["Walter and Dorothy Donnelly family papers"],"ead_ssi":"3b651bebb556d00cec8728df","unitdate_ssm":["1887-2021"],"unitdate_inclusive_ssm":["1887-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.33","/repositories/4/resources/35"],"text":["SC.33","/repositories/4/resources/35","Walter and Dorothy Donnelly family papers, 1887-2021","Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems","The entire collection is open for research.","Walter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.","\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"","\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.","\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today.","Collection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023.","Patrick Boland collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","The collection is arranged in three series, Family Papers, Typophiles and Additional Materials. ","Series I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.","\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. "," \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured.","Books donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.","The papers of Patrick Boland were separated into their own collection. ","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books.","UCF Special Collections","Donnelly, Walter","Donnelly, Dorothy, 1903-1994","English"],"unitid_tesim":["SC.33","/repositories/4/resources/35"],"normalized_date_ssm":["1887-2021"],"normalized_title_ssm":["Walter and Dorothy Donnelly family papers, 1887-2021"],"collection_title_tesim":["Walter and Dorothy Donnelly family papers, 1887-2021"],"collection_ssim":["Walter and Dorothy Donnelly family papers, 1887-2021"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creator_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creator_persname_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creators_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Donnelly sons donated their parents' collection to the University of Central Florida Library in 1999 (CFM1999_08). Additional materials received from Jerome Donnelly in 2020 (CFM2020_06; CFM2020_10), 2021 (CFM2021_21), and 2022 (CFM2022_05)."],"access_subjects_ssim":["Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems"],"access_subjects_ssm":["Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems"],"has_online_content_ssim":["false"],"extent_ssm":["7.5 Linear Feet 15 Boxes, 1 Flat File"],"extent_tesim":["7.5 Linear Feet 15 Boxes, 1 Flat File"],"genreform_ssim":["diaries","poems"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eWalter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.\u003c/p\u003e\n","\u003cp\u003e\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"\u003c/p\u003e\n","\u003cp\u003e\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.\u003c/p\u003e\n","\u003cp\u003e\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Walter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.","\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"","\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.","\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today."],"prefercite_html_tesm":["\u003cp\u003eWalter and Dorothy Donnelly Family Papers, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Walter and Dorothy Donnelly Family Papers, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/289\"\u003ePatrick Boland collection\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Patrick Boland collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is arranged in three series, Family Papers, Typophiles and Additional Materials. \u003c/p\u003e\n","\u003cp\u003eSeries I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.\u003c/p\u003e\n","\u003cp\u003e\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. \u003c/p\u003e\n","\u003cp\u003e \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is arranged in three series, Family Papers, Typophiles and Additional Materials. ","Series I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.","\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. "," \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.\u003c/p\u003e\n","\u003cp\u003eThe papers of Patrick Boland were separated into their own collection.\u0026#xA0;\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.","The papers of Patrick Boland were separated into their own collection. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_58a62762084b860db899b0bb6eea27dd\" label=\"Abstract\"\u003eThe materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books.\u003c/abstract\u003e"],"abstract_tesim":["The materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books."],"names_ssim":["UCF Special Collections","Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":255,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3b651bebb556d00cec8728df","timestamp":"2026-06-03T02:50:58.042Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3b651bebb556d00cec8728df_aspace_3ede680abb5ddb2b17cfea709cfb7498"}},{"id":"4674dbbf638dff3316591cb2_aspace_51968","type":"File","attributes":{"title":"Nomenclature Classification No.11, 1960","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4674dbbf638dff3316591cb2_aspace_51968#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_51968","ref_ssm":["aspace_51968","aspace_51968"],"id":"4674dbbf638dff3316591cb2_aspace_51968","title_filing_ssi":"Nomenclature Classification No.11","title_ssm":["Nomenclature Classification No.11"],"title_tesim":["Nomenclature Classification No.11"],"unitdate_other_ssim":["1960"],"normalized_date_ssm":["1960"],"normalized_title_ssm":["Nomenclature Classification No.11, 1960"],"text":["Nomenclature Classification No.11, 1960","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Mulford and Racine Foster Files, 1910-1991","Publications, 1925-1989","Folder 8","/repositories/4/archival_objects/33516","box 230","folder 8"],"component_level_isim":[3],"parent_ids_ssim":["4674dbbf638dff3316591cb2","4674dbbf638dff3316591cb2_aspace_51261","4674dbbf638dff3316591cb2_aspace_51858"],"parent_unittitles_ssm":["Michael A. Spencer Bromeliad Research Collection, 1754-2014","Mulford and Racine Foster Files, 1910-1991","Publications, 1925-1989"],"parent_unittitles_tesim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014","Mulford and Racine Foster Files, 1910-1991","Publications, 1925-1989"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 8","/repositories/4/archival_objects/33516"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":689,"parent_access_restrict_tesm":["The entire collection is open for research except for the following:\n\n  Boxes 180-181: Personal correspondence\n  Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"\n"],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"date_range_isim":[1960],"containers_ssim":["box 230","folder 8"],"_nest_path_":"/components#0/components#1/components#85","_nest_parent_":"4674dbbf638dff3316591cb2_aspace_51858","_root_":"4674dbbf638dff3316591cb2","timestamp":"2026-07-11T02:53:59.490Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4674dbbf638dff3316591cb2","title_ssm":["Michael A. Spencer Bromeliad Research Collection"],"title_tesim":["Michael A. Spencer Bromeliad Research Collection"],"ead_ssi":"4674dbbf638dff3316591cb2","unitdate_ssm":["1754-2014"],"unitdate_inclusive_ssm":["1754-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 068","/repositories/4/resources/148"],"text":["SC 068","/repositories/4/resources/148","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Marineland (Fla.)","Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)","The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"","The collection is divided into eight series by type of file.","Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.","Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.","A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives .","Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.","Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.","UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991","English"],"unitid_tesim":["SC 068","/repositories/4/resources/148"],"normalized_date_ssm":["1754-2014"],"normalized_title_ssm":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_title_tesim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_ssim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Marineland (Fla.)"],"geogname_ssim":["Marineland (Fla.)"],"creator_ssm":["Spencer, Michael A."],"creator_ssim":["Spencer, Michael A."],"creator_persname_ssim":["Spencer, Michael A."],"creators_ssim":["Spencer, Michael A."],"places_ssim":["Marineland (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"acqinfo_ssim":["Some of these materials were donated to and others were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Michael A. Spencer in 2006 (CFM2006_09), 2011 (CFM2011_02), 2012 (CFM2012_10), and 2014 (CFM2014_01)."],"access_subjects_ssim":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"access_subjects_ssm":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["130 Linear Feet 259 boxes, 2 flat files"],"extent_tesim":["130 Linear Feet 259 boxes, 2 flat files"],"genreform_ssim":["botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"date_range_isim":[1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research except for the following:\n\u003cul\u003e\n  \u003cli\u003eBoxes 180-181: Personal correspondence\u003c/li\u003e\n  \u003cli\u003eBoxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\""],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into eight series by type of file.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into eight series by type of file."],"bioghist_html_tesm":["\u003cp\u003eMichael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004."],"prefercite_html_tesm":["\u003cp\u003eMichael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Michael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eA large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e. \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08c\"\u003eMichael A. Spencer Collection on Julian Nally\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08b\"\u003eMichael A. Spencer Collection on Theodore Mead\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08a\"\u003eMichael A. Spencer Collection on Henry Nehrling\u003c/extref\u003e and the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-03\"\u003eHenry Nehrling Papers\u003c/extref\u003e are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the \u003cextref href=\"http://www.leugardens.org/\"\u003eHarry P. Leu Gardens\u003c/extref\u003e. The \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/4\"\u003eHenry Nehrling Collection\u003c/extref\u003e and the \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/97\"\u003eTheodore L. Mead Collection\u003c/extref\u003e are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the \u003cextref href=\"http://siarchives.si.edu/\"\u003eSmithsonian Institution Archives\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8e33310d6b1a70e4d88f1e2d3043cf71\" label=\"Abstract\"\u003eMichael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.\u003c/abstract\u003e"],"abstract_tesim":["Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here."],"names_coll_ssim":["Bromeliad Society","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"names_ssim":["UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"corpname_ssim":["UCF Special Collections","Bromeliad Society"],"persname_ssim":["Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3662,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"4674dbbf638dff3316591cb2","timestamp":"2026-07-11T02:53:59.490Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4674dbbf638dff3316591cb2_aspace_51968"}},{"id":"447ae9521c4837535607444d","type":"collection","attributes":{"title":"Nonesuch Press Collection, 1924-1963, Date acquired: 00/00/1998, bulk 1924-1939","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/447ae9521c4837535607444d#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBook prospectus pamphlets from Nonesuch Press (1924-1963) and two letters of correspondence from the Nonesuch Press to book buyers. The prospectuses include detailed descriptions of the selections of literary works that will be made available through the Nonesuch Press for the determined year. Information about each publication includes the original author, the quality of the paper, the materials used to bind the book, the size of the book, and information about the illustrations.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/447ae9521c4837535607444d#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"447ae9521c4837535607444d","title_ssm":["Nonesuch Press Collection"],"title_tesim":["Nonesuch Press Collection"],"ead_ssi":"447ae9521c4837535607444d","unitdate_ssm":["1924-1963","1924-1939","Date acquired: 00/00/1998"],"unitdate_bulk_ssim":["1924-1939"],"unitdate_inclusive_ssm":["1924-1963"],"unitdate_other_ssim":["Date acquired: 00/00/1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2011-0518","/repositories/10/resources/932"],"text":["MSS 2011-0518","/repositories/10/resources/932","Nonesuch Press Collection, 1924-1963, Date acquired: 00/00/1998, bulk 1924-1939","Chronological order","The Nonesuch Press was established in 1922 in London by Francis Meynell, Vera Mendel, and David Garnett. Although Nonesuch Press was operational until the 1960's, it hit its peak in the 20's and 30's. Using a small handpress to design the books with the quality of a fine press, the books were actually printed by commercial printers so that they would be more accessible by the general public. Meynell believed that machine presses could be made to achieve fine quality. This is in contrast to earlier designer book printers, such as William Morris and the Kelmscott Press, which believed that only handpress books could achieve exquisite quality.","Book prospectus pamphlets from Nonesuch Press (1924-1963) and two letters of correspondence from the Nonesuch Press to book buyers. The prospectuses include detailed descriptions of the selections of literary works that will be made available through the Nonesuch Press for the determined year. 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This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"date_range_isim":[1960],"containers_ssim":["box 1","folder 81"],"odd_html_tesm":["\u003cp\u003eThe cachet under this heading depicts the USS Triton (SSN-586)\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["The cachet under this heading depicts the USS Triton (SSN-586)"],"_nest_path_":"/components#0/components#1/components#1/components#7","_nest_parent_":"5e441c26c224fc2443904339_aspace_f7da47cbe3d41e328f50e29753cdd871","_root_":"5e441c26c224fc2443904339","_version_":1870844426508566528,"timestamp":"2026-07-16T04:31:19.551Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5e441c26c224fc2443904339","title_ssm":["Maks Dikarev Naval Cover Collection"],"title_tesim":["Maks Dikarev Naval Cover Collection"],"ead_ssi":"5e441c26c224fc2443904339","unitdate_ssm":["1927-1941","1954-1982"],"unitdate_inclusive_ssm":["1927-1941","1954-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9050","/repositories/2/resources/108"],"text":["SPC9050","/repositories/2/resources/108","Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982","Naval battles in art","Cold War","Naval History","Navy yards and naval stations","Communications, Military","United States. Navy-- Records and correspondence","Modern naval history","Warships","China--Sino-Japanese Conflict, 1931-1933","China--Sino-Japanese War, 1937-1945","Nuclear submarines","Mail art","This collection is open for research.","The materials in this collection are arranged in the following series' and sub-series:","Series:\nU.S. Asiatic Fleet","\nSub-series: \n    \t\t\tAircraft Carrier\n                Battleship\n                Collier\n                Cruiser\n                Destroyer\n                Destroyer Tender\t\n                Freighter\n                Gunboat\n                Minesweeper\n                Patrol Yacht\n                Seaplane Tender\n                Submarine\n                Submarine Rescue Vessel\n                Submarine Tender\n                Tug\n                Shore Base\n                Photographs\nCold War","\nSub-series:\n    \t\t\tHeavy Cruiser\n    \t\t\tNaval Base\n                Other Locations\n                Replenishment Oiler\n                Sub Tender","This collection consists of naval covers created during the interwar period of the 1920s and 1930s, as well as the Cold War period of the early 1950s through the early 1980s. ","According to the Naval Cover Museum, \"a naval cover is any envelope, postcard, or other postal medium that is mailed from or somehow related to a navy ship, location, or event. Beginning in 1908, post offices were established on board U.S. Navy ships and each ship had one or more postmarks to \"cancel\" the stamps used on the cover. The postmark, or cancellation, would usually have the ship's name and the date that the cover was cancelled.\" Additionally, \"starting in the 1930's, covers with printed designs, called cachets, began appearing and established a large following. Many different cachets were designed and sent to various ships to be cancelled and mailed. Some cachets were designed for a specific ship while others were generic (perhaps for a holiday or commemorating an historical event) and sent to many different ships.\" While the use of cachets diminished during the Second World War, they were revived at its conclusion and are still in use to this day. ","The focus of the interwar covers in this collection is of the U.S. Asiatic Fleet, which was responsible for protecting and advancing U.S. interests in the western Pacific area and China. This was also a period of conflict between the Republic of China and Imperial Japan, and incidents such as the Japanese attack on the USS Panay in 1937 are commemorated in the artwork on the covers. Many of the ships represented in this collection went on to serve valiantly in the Second World War. Several were subsequently lost to enemy action. The second half of the collection focuses on the fleet of United States' first and second generation of nuclear-powered submarines in service from the 1950s through the 1970s, including the USS Nautilus. Attack submarines and ballistic missile submarines are represented, with covers and postmarks from important submarine shipyards and naval bases.","The materials represent two time periods: The late 1920s through the beginning of the Second World War, and the early Cold War period of the 1950s through the 1970s. The former consists of naval covers from ships assigned to the U.S. Asiatic Fleet. While the ships may have served with other fleets and stations over their service lives, only their time in this specific fleet is represented here. The latter portion of the collection represents communications to or from shipyards and submarine bases. While some communication is directed to or from a specific boat (the proper term for a submarine), the cachet on the cover is the focus of the collection. ","As I was conducting research for this collection, I noticed that some ships were built for one particular purpose, yet at the time of the creation of the collection item, their role (and perhaps name) had changed. The collection will reflect the name and role of the ship at the time these items were created. Additionally, hull number will be included, as in some cases multiple ships have carried the same name (i.e. Enterprise). ","The Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Maksimilian Dikarev","English"],"unitid_tesim":["SPC9050","/repositories/2/resources/108"],"normalized_date_ssm":["1927-1941, 1954-1982"],"normalized_title_ssm":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982"],"collection_title_tesim":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982"],"collection_ssim":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Naval battles in art","Cold War"],"geogname_ssim":["Naval battles in art","Cold War"],"creator_ssm":["Maksimilian Dikarev"],"creator_ssim":["Maksimilian Dikarev"],"creator_persname_ssim":["Maksimilian Dikarev"],"creators_ssim":["Maksimilian Dikarev"],"places_ssim":["Naval battles in art","Cold War"],"access_terms_ssm":["The Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Maksimilian Dikarev."],"access_subjects_ssim":["Naval History","Navy yards and naval stations","Communications, Military","United States. Navy-- Records and correspondence","Modern naval history","Warships","China--Sino-Japanese Conflict, 1931-1933","China--Sino-Japanese War, 1937-1945","Nuclear submarines","Mail art"],"access_subjects_ssm":["Naval History","Navy yards and naval stations","Communications, Military","United States. Navy-- Records and correspondence","Modern naval history","Warships","China--Sino-Japanese Conflict, 1931-1933","China--Sino-Japanese War, 1937-1945","Nuclear submarines","Mail art"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet"],"extent_tesim":["1.5 Linear Feet"],"physfacet_tesim":["1 Banker box and 1 5\" Legal size document case. "],"date_range_isim":[1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged in the following series' and sub-series:\u003c/p\u003e\n","\u003cp\u003eSeries:\nU.S. Asiatic Fleet\u003c/p\u003e\n","\u003cp\u003e\nSub-series: \n    \t\t\tAircraft Carrier\n                Battleship\n                Collier\n                Cruiser\n                Destroyer\n                Destroyer Tender\t\n                Freighter\n                Gunboat\n                Minesweeper\n                Patrol Yacht\n                Seaplane Tender\n                Submarine\n                Submarine Rescue Vessel\n                Submarine Tender\n                Tug\n                Shore Base\n                Photographs\nCold War\u003c/p\u003e\n","\u003cp\u003e\nSub-series:\n    \t\t\tHeavy Cruiser\n    \t\t\tNaval Base\n                Other Locations\n                Replenishment Oiler\n                Sub Tender\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged in the following series' and sub-series:","Series:\nU.S. Asiatic Fleet","\nSub-series: \n    \t\t\tAircraft Carrier\n                Battleship\n                Collier\n                Cruiser\n                Destroyer\n                Destroyer Tender\t\n                Freighter\n                Gunboat\n                Minesweeper\n                Patrol Yacht\n                Seaplane Tender\n                Submarine\n                Submarine Rescue Vessel\n                Submarine Tender\n                Tug\n                Shore Base\n                Photographs\nCold War","\nSub-series:\n    \t\t\tHeavy Cruiser\n    \t\t\tNaval Base\n                Other Locations\n                Replenishment Oiler\n                Sub Tender"],"bioghist_html_tesm":["\u003cp\u003eThis collection consists of naval covers created during the interwar period of the 1920s and 1930s, as well as the Cold War period of the early 1950s through the early 1980s. \u003c/p\u003e\n","\u003cp\u003eAccording to the Naval Cover Museum, \"a naval cover is any envelope, postcard, or other postal medium that is mailed from or somehow related to a navy ship, location, or event. Beginning in 1908, post offices were established on board U.S. Navy ships and each ship had one or more postmarks to \"cancel\" the stamps used on the cover. The postmark, or cancellation, would usually have the ship's name and the date that the cover was cancelled.\" Additionally, \"starting in the 1930's, covers with printed designs, called cachets, began appearing and established a large following. Many different cachets were designed and sent to various ships to be cancelled and mailed. Some cachets were designed for a specific ship while others were generic (perhaps for a holiday or commemorating an historical event) and sent to many different ships.\" While the use of cachets diminished during the Second World War, they were revived at its conclusion and are still in use to this day. \u003c/p\u003e\n","\u003cp\u003eThe focus of the interwar covers in this collection is of the U.S. Asiatic Fleet, which was responsible for protecting and advancing U.S. interests in the western Pacific area and China. This was also a period of conflict between the Republic of China and Imperial Japan, and incidents such as the Japanese attack on the USS Panay in 1937 are commemorated in the artwork on the covers. Many of the ships represented in this collection went on to serve valiantly in the Second World War. Several were subsequently lost to enemy action. The second half of the collection focuses on the fleet of United States' first and second generation of nuclear-powered submarines in service from the 1950s through the 1970s, including the USS Nautilus. Attack submarines and ballistic missile submarines are represented, with covers and postmarks from important submarine shipyards and naval bases.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["This collection consists of naval covers created during the interwar period of the 1920s and 1930s, as well as the Cold War period of the early 1950s through the early 1980s. ","According to the Naval Cover Museum, \"a naval cover is any envelope, postcard, or other postal medium that is mailed from or somehow related to a navy ship, location, or event. Beginning in 1908, post offices were established on board U.S. Navy ships and each ship had one or more postmarks to \"cancel\" the stamps used on the cover. The postmark, or cancellation, would usually have the ship's name and the date that the cover was cancelled.\" Additionally, \"starting in the 1930's, covers with printed designs, called cachets, began appearing and established a large following. Many different cachets were designed and sent to various ships to be cancelled and mailed. Some cachets were designed for a specific ship while others were generic (perhaps for a holiday or commemorating an historical event) and sent to many different ships.\" While the use of cachets diminished during the Second World War, they were revived at its conclusion and are still in use to this day. ","The focus of the interwar covers in this collection is of the U.S. Asiatic Fleet, which was responsible for protecting and advancing U.S. interests in the western Pacific area and China. This was also a period of conflict between the Republic of China and Imperial Japan, and incidents such as the Japanese attack on the USS Panay in 1937 are commemorated in the artwork on the covers. Many of the ships represented in this collection went on to serve valiantly in the Second World War. Several were subsequently lost to enemy action. The second half of the collection focuses on the fleet of United States' first and second generation of nuclear-powered submarines in service from the 1950s through the 1970s, including the USS Nautilus. Attack submarines and ballistic missile submarines are represented, with covers and postmarks from important submarine shipyards and naval bases."],"scopecontent_html_tesm":["\u003cp\u003eThe materials represent two time periods: The late 1920s through the beginning of the Second World War, and the early Cold War period of the 1950s through the 1970s. The former consists of naval covers from ships assigned to the U.S. Asiatic Fleet. While the ships may have served with other fleets and stations over their service lives, only their time in this specific fleet is represented here. The latter portion of the collection represents communications to or from shipyards and submarine bases. While some communication is directed to or from a specific boat (the proper term for a submarine), the cachet on the cover is the focus of the collection. \u003c/p\u003e\n","\u003cp\u003eAs I was conducting research for this collection, I noticed that some ships were built for one particular purpose, yet at the time of the creation of the collection item, their role (and perhaps name) had changed. The collection will reflect the name and role of the ship at the time these items were created. Additionally, hull number will be included, as in some cases multiple ships have carried the same name (i.e. Enterprise). \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials represent two time periods: The late 1920s through the beginning of the Second World War, and the early Cold War period of the 1950s through the 1970s. The former consists of naval covers from ships assigned to the U.S. Asiatic Fleet. While the ships may have served with other fleets and stations over their service lives, only their time in this specific fleet is represented here. The latter portion of the collection represents communications to or from shipyards and submarine bases. While some communication is directed to or from a specific boat (the proper term for a submarine), the cachet on the cover is the focus of the collection. ","As I was conducting research for this collection, I noticed that some ships were built for one particular purpose, yet at the time of the creation of the collection item, their role (and perhaps name) had changed. The collection will reflect the name and role of the ship at the time these items were created. Additionally, hull number will be included, as in some cases multiple ships have carried the same name (i.e. Enterprise). "],"userestrict_html_tesm":["\u003cp\u003eThe Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Maksimilian Dikarev"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Maksimilian Dikarev"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":122,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844426508566528,"_root_":"5e441c26c224fc2443904339","timestamp":"2026-07-16T04:31:19.551Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5e441c26c224fc2443904339_aspace_b000691dfa3c63353169319808915cbc"}},{"id":"1e181f04581fc0bc0e3b65e2","type":"collection","attributes":{"title":"Norman Johnson Collection, 1960-1964","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/1e181f04581fc0bc0e3b65e2#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Norman Johnson Collection documents the development of Sunrise Golf Village and the City of Sunrise from 1960 to 1964. It contains 3 large aerial photographs of Sunrise; 1 real estate promotion brochure titled \"Better Living Begins in Sunrise\"; 1 Sunrise Golf Village scrapbook; and 1 advertisement with text \"Upside-Down House Moved to New Location\".\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1e181f04581fc0bc0e3b65e2#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"1e181f04581fc0bc0e3b65e2","title_filing_ssi":"Johnson, Norman Collection","title_ssm":["Norman Johnson Collection"],"title_tesim":["Norman Johnson Collection"],"ead_ssi":"1e181f04581fc0bc0e3b65e2","unitdate_ssm":["1960-1964"],"unitdate_inclusive_ssm":["1960-1964"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.1982.1","/repositories/4/resources/444"],"text":["BCHA.1982.1","/repositories/4/resources/444","Norman Johnson Collection, 1960-1964","Sunrise (Fla.)","Real estate development","Urbanization","Real estate developers","The Norman Johnson Collection is open for research.","In 1960 Norman W. Johnson bought 2,650 acres just north of Plantation for $10 million and began developing his city. The village was next to a golf course and off Sunrise Boulevard, so he called it Sunrise Golf Village when it was incorporated in 1961. It became Sunrise in 1971. Gov. Farris Bryant appointed Mr. Johnson its first mayor, even though he was not a resident of the village and never would be. There were no residents in the village. What his fledgling city needed, Mr. Johnson reasoned, was something -- a sales gimmick -- that would lure prospective buyers into the rural, far-west reaches of the county to look at his homes. ","By July 1960, the Upside-Down House had been built for $11,500 on Sunset Strip and opened to the public. Furniture and fixtures were bolted, nailed, wired, glued or welded in place, a Pontiac convertible was parked in the carport and shrubs filled a planter in front of the home -- all upside down. The topsy-turvy house was also a model of the 10,000 homes that Mr. Johnson was building in the development and selling for $10,745. The Upside-Down house quickly became an area attraction, drawing 12,000 curiosity seekers and prospective home buyers the first four days it was open. A two-page photo spread followed in Life magazine, and aviators began using it as a landmark. By the early '70s, when it was destroyed, more than 1 million people had toured the inverted house. ","Johnson  was training as an Army Air Force pilot when World War II ended, and soon after his discharge he moved to Davenport, Iowa, where he built 200 homes before moving to south Broward in 1948. One of his first ventures in Florida was constructing the Adobe Hacienda motel in Hollywood. He ran the inn, which still stands, for 10 years before selling it. A short time later, he bought a small private airport and began developing several hundred homes in his Look subdivision, between what is now Johnson and Sheridan streets and Dixie Highway and Interstate 95. He used the airport runway as the community's main street. ","His Plantation Isles subdivision followed in 1957, and he moved his family into one of the first homes he built. He later was president of the Plantation Chamber of Commerce. Sunrise came next. He built the state's first \"true\" condominiums, developed his village and was mayor from 1961 until 1967, when John Lomelo was elected to the post. He set up an office on a road he had named Sunset Strip -- after his favorite television show, 77 Sunset Strip -- and had the Postal Service number the building 77 even though it was out of sequence. By 1966, Mr. Johnson was looking around for another venture. By year-end, he and partner Stephen A. Calder had opened their Miami-Hollywood Speedway, west of Hollywood. Mr. Johnson was operating partner of the racetrack for the next 16 years, before trying retirement. Retirement didn't work, Bruce Johnson said, and his father, a car buff, began building handcrafted Johnson Presidential and Johnson Phantom cars styled after classic models of the 1930s. By the time of his death in 1990, Mr. Johnson's garage in Davie had sold 87 of the specially ordered Presidential cars or car kits and 260 Phantoms. ","This collection received container level processing by Erin Purdy in June 2025. The collection was processed at the item level and the finding aid was updated by Erin Purdy in April 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","OH 1025 Norman Johsnon Oral History Interview, Broward County Oral History Collection","The Norman Johnson Collection documents the development of Sunrise Golf Village and the City of Sunrise from 1960 to 1964. It contains 3 large aerial photographs of Sunrise; 1 real estate promotion brochure titled \"Better Living Begins in Sunrise\"; 1 Sunrise Golf Village scrapbook; and 1 advertisement with text \"Upside-Down House Moved to New Location\"."," Broward County Historical Archives","English"],"unitid_tesim":["BCHA.1982.1","/repositories/4/resources/444"],"normalized_date_ssm":["1960-1964"],"normalized_title_ssm":["Norman Johnson Collection, 1960-1964"],"collection_title_tesim":["Norman Johnson Collection, 1960-1964"],"collection_ssim":["Norman Johnson Collection, 1960-1964"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"geogname_ssm":["Sunrise (Fla.)"],"geogname_ssim":["Sunrise (Fla.)"],"places_ssim":["Sunrise (Fla.)"],"acqinfo_ssim":["Norman Johnson donated the materials to the Broward County Historical Commission on 09/01/1982 (Accession BCHA-1982.1)."],"access_subjects_ssim":["Real estate development","Urbanization","Real estate developers"],"access_subjects_ssm":["Real estate development","Urbanization","Real estate developers"],"has_online_content_ssim":["false"],"extent_ssm":["1 Flat File Drawer"],"extent_tesim":["1 Flat File Drawer"],"date_range_isim":[1960,1961,1962,1963,1964],"accessrestrict_html_tesm":["\u003cp\u003eThe Norman Johnson Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Norman Johnson Collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eIn 1960 Norman W. Johnson bought 2,650 acres just north of Plantation for $10 million and began developing his city. The village was next to a golf course and off Sunrise Boulevard, so he called it Sunrise Golf Village when it was incorporated in 1961. It became Sunrise in 1971. Gov. Farris Bryant appointed Mr. Johnson its first mayor, even though he was not a resident of the village and never would be. There were no residents in the village. What his fledgling city needed, Mr. Johnson reasoned, was something -- a sales gimmick -- that would lure prospective buyers into the rural, far-west reaches of the county to look at his homes. \u003c/p\u003e\n","\u003cp\u003eBy July 1960, the Upside-Down House had been built for $11,500 on Sunset Strip and opened to the public. Furniture and fixtures were bolted, nailed, wired, glued or welded in place, a Pontiac convertible was parked in the carport and shrubs filled a planter in front of the home -- all upside down. The topsy-turvy house was also a model of the 10,000 homes that Mr. Johnson was building in the development and selling for $10,745. The Upside-Down house quickly became an area attraction, drawing 12,000 curiosity seekers and prospective home buyers the first four days it was open. A two-page photo spread followed in Life magazine, and aviators began using it as a landmark. By the early '70s, when it was destroyed, more than 1 million people had toured the inverted house. \u003c/p\u003e\n","\u003cp\u003eJohnson  was training as an Army Air Force pilot when World War II ended, and soon after his discharge he moved to Davenport, Iowa, where he built 200 homes before moving to south Broward in 1948. One of his first ventures in Florida was constructing the Adobe Hacienda motel in Hollywood. He ran the inn, which still stands, for 10 years before selling it. A short time later, he bought a small private airport and began developing several hundred homes in his Look subdivision, between what is now Johnson and Sheridan streets and Dixie Highway and Interstate 95. He used the airport runway as the community's main street. \u003c/p\u003e\n","\u003cp\u003eHis Plantation Isles subdivision followed in 1957, and he moved his family into one of the first homes he built. He later was president of the Plantation Chamber of Commerce. Sunrise came next. He built the state's first \"true\" condominiums, developed his village and was mayor from 1961 until 1967, when John Lomelo was elected to the post. He set up an office on a road he had named Sunset Strip -- after his favorite television show, 77 Sunset Strip -- and had the Postal Service number the building 77 even though it was out of sequence. By 1966, Mr. Johnson was looking around for another venture. By year-end, he and partner Stephen A. Calder had opened their Miami-Hollywood Speedway, west of Hollywood. Mr. Johnson was operating partner of the racetrack for the next 16 years, before trying retirement. Retirement didn't work, Bruce Johnson said, and his father, a car buff, began building handcrafted Johnson Presidential and Johnson Phantom cars styled after classic models of the 1930s. By the time of his death in 1990, Mr. Johnson's garage in Davie had sold 87 of the specially ordered Presidential cars or car kits and 260 Phantoms. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["In 1960 Norman W. Johnson bought 2,650 acres just north of Plantation for $10 million and began developing his city. The village was next to a golf course and off Sunrise Boulevard, so he called it Sunrise Golf Village when it was incorporated in 1961. It became Sunrise in 1971. Gov. Farris Bryant appointed Mr. Johnson its first mayor, even though he was not a resident of the village and never would be. There were no residents in the village. What his fledgling city needed, Mr. Johnson reasoned, was something -- a sales gimmick -- that would lure prospective buyers into the rural, far-west reaches of the county to look at his homes. ","By July 1960, the Upside-Down House had been built for $11,500 on Sunset Strip and opened to the public. Furniture and fixtures were bolted, nailed, wired, glued or welded in place, a Pontiac convertible was parked in the carport and shrubs filled a planter in front of the home -- all upside down. The topsy-turvy house was also a model of the 10,000 homes that Mr. Johnson was building in the development and selling for $10,745. The Upside-Down house quickly became an area attraction, drawing 12,000 curiosity seekers and prospective home buyers the first four days it was open. A two-page photo spread followed in Life magazine, and aviators began using it as a landmark. By the early '70s, when it was destroyed, more than 1 million people had toured the inverted house. ","Johnson  was training as an Army Air Force pilot when World War II ended, and soon after his discharge he moved to Davenport, Iowa, where he built 200 homes before moving to south Broward in 1948. One of his first ventures in Florida was constructing the Adobe Hacienda motel in Hollywood. He ran the inn, which still stands, for 10 years before selling it. A short time later, he bought a small private airport and began developing several hundred homes in his Look subdivision, between what is now Johnson and Sheridan streets and Dixie Highway and Interstate 95. He used the airport runway as the community's main street. ","His Plantation Isles subdivision followed in 1957, and he moved his family into one of the first homes he built. He later was president of the Plantation Chamber of Commerce. Sunrise came next. He built the state's first \"true\" condominiums, developed his village and was mayor from 1961 until 1967, when John Lomelo was elected to the post. He set up an office on a road he had named Sunset Strip -- after his favorite television show, 77 Sunset Strip -- and had the Postal Service number the building 77 even though it was out of sequence. By 1966, Mr. Johnson was looking around for another venture. By year-end, he and partner Stephen A. Calder had opened their Miami-Hollywood Speedway, west of Hollywood. Mr. Johnson was operating partner of the racetrack for the next 16 years, before trying retirement. Retirement didn't work, Bruce Johnson said, and his father, a car buff, began building handcrafted Johnson Presidential and Johnson Phantom cars styled after classic models of the 1930s. By the time of his death in 1990, Mr. Johnson's garage in Davie had sold 87 of the specially ordered Presidential cars or car kits and 260 Phantoms. "],"prefercite_html_tesm":["\u003cp\u003eNorman Johnson Collection, Broward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Norman Johnson Collection, Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received container level processing by Erin Purdy in June 2025. The collection was processed at the item level and the finding aid was updated by Erin Purdy in April 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received container level processing by Erin Purdy in June 2025. The collection was processed at the item level and the finding aid was updated by Erin Purdy in April 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003eOH 1025 Norman Johsnon Oral History Interview, Broward County Oral History Collection\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["OH 1025 Norman Johsnon Oral History Interview, Broward County Oral History Collection"],"scopecontent_html_tesm":["\u003cp\u003eThe Norman Johnson Collection documents the development of Sunrise Golf Village and the City of Sunrise from 1960 to 1964. 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It contains 3 large aerial photographs of Sunrise; 1 real estate promotion brochure titled \"Better Living Begins in Sunrise\"; 1 Sunrise Golf Village scrapbook; and 1 advertisement with text \"Upside-Down House Moved to New Location\"."],"names_ssim":[" Broward County Historical Archives"],"corpname_ssim":[" Broward County Historical Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"1e181f04581fc0bc0e3b65e2","timestamp":"2026-07-09T02:27:23.293Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1e181f04581fc0bc0e3b65e2","title_filing_ssi":"Johnson, Norman Collection","title_ssm":["Norman Johnson Collection"],"title_tesim":["Norman Johnson Collection"],"ead_ssi":"1e181f04581fc0bc0e3b65e2","unitdate_ssm":["1960-1964"],"unitdate_inclusive_ssm":["1960-1964"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.1982.1","/repositories/4/resources/444"],"text":["BCHA.1982.1","/repositories/4/resources/444","Norman Johnson Collection, 1960-1964","Sunrise (Fla.)","Real estate development","Urbanization","Real estate developers","The Norman Johnson Collection is open for research.","In 1960 Norman W. Johnson bought 2,650 acres just north of Plantation for $10 million and began developing his city. The village was next to a golf course and off Sunrise Boulevard, so he called it Sunrise Golf Village when it was incorporated in 1961. It became Sunrise in 1971. Gov. Farris Bryant appointed Mr. Johnson its first mayor, even though he was not a resident of the village and never would be. There were no residents in the village. What his fledgling city needed, Mr. Johnson reasoned, was something -- a sales gimmick -- that would lure prospective buyers into the rural, far-west reaches of the county to look at his homes. ","By July 1960, the Upside-Down House had been built for $11,500 on Sunset Strip and opened to the public. Furniture and fixtures were bolted, nailed, wired, glued or welded in place, a Pontiac convertible was parked in the carport and shrubs filled a planter in front of the home -- all upside down. The topsy-turvy house was also a model of the 10,000 homes that Mr. Johnson was building in the development and selling for $10,745. The Upside-Down house quickly became an area attraction, drawing 12,000 curiosity seekers and prospective home buyers the first four days it was open. A two-page photo spread followed in Life magazine, and aviators began using it as a landmark. By the early '70s, when it was destroyed, more than 1 million people had toured the inverted house. ","Johnson  was training as an Army Air Force pilot when World War II ended, and soon after his discharge he moved to Davenport, Iowa, where he built 200 homes before moving to south Broward in 1948. One of his first ventures in Florida was constructing the Adobe Hacienda motel in Hollywood. He ran the inn, which still stands, for 10 years before selling it. A short time later, he bought a small private airport and began developing several hundred homes in his Look subdivision, between what is now Johnson and Sheridan streets and Dixie Highway and Interstate 95. He used the airport runway as the community's main street. ","His Plantation Isles subdivision followed in 1957, and he moved his family into one of the first homes he built. He later was president of the Plantation Chamber of Commerce. Sunrise came next. He built the state's first \"true\" condominiums, developed his village and was mayor from 1961 until 1967, when John Lomelo was elected to the post. He set up an office on a road he had named Sunset Strip -- after his favorite television show, 77 Sunset Strip -- and had the Postal Service number the building 77 even though it was out of sequence. By 1966, Mr. Johnson was looking around for another venture. By year-end, he and partner Stephen A. Calder had opened their Miami-Hollywood Speedway, west of Hollywood. Mr. Johnson was operating partner of the racetrack for the next 16 years, before trying retirement. Retirement didn't work, Bruce Johnson said, and his father, a car buff, began building handcrafted Johnson Presidential and Johnson Phantom cars styled after classic models of the 1930s. By the time of his death in 1990, Mr. Johnson's garage in Davie had sold 87 of the specially ordered Presidential cars or car kits and 260 Phantoms. ","This collection received container level processing by Erin Purdy in June 2025. The collection was processed at the item level and the finding aid was updated by Erin Purdy in April 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","OH 1025 Norman Johsnon Oral History Interview, Broward County Oral History Collection","The Norman Johnson Collection documents the development of Sunrise Golf Village and the City of Sunrise from 1960 to 1964. It contains 3 large aerial photographs of Sunrise; 1 real estate promotion brochure titled \"Better Living Begins in Sunrise\"; 1 Sunrise Golf Village scrapbook; and 1 advertisement with text \"Upside-Down House Moved to New Location\"."," Broward County Historical Archives","English"],"unitid_tesim":["BCHA.1982.1","/repositories/4/resources/444"],"normalized_date_ssm":["1960-1964"],"normalized_title_ssm":["Norman Johnson Collection, 1960-1964"],"collection_title_tesim":["Norman Johnson Collection, 1960-1964"],"collection_ssim":["Norman Johnson Collection, 1960-1964"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"geogname_ssm":["Sunrise (Fla.)"],"geogname_ssim":["Sunrise (Fla.)"],"places_ssim":["Sunrise (Fla.)"],"acqinfo_ssim":["Norman Johnson donated the materials to the Broward County Historical Commission on 09/01/1982 (Accession BCHA-1982.1)."],"access_subjects_ssim":["Real estate development","Urbanization","Real estate developers"],"access_subjects_ssm":["Real estate development","Urbanization","Real estate developers"],"has_online_content_ssim":["false"],"extent_ssm":["1 Flat File Drawer"],"extent_tesim":["1 Flat File Drawer"],"date_range_isim":[1960,1961,1962,1963,1964],"accessrestrict_html_tesm":["\u003cp\u003eThe Norman Johnson Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Norman Johnson Collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eIn 1960 Norman W. Johnson bought 2,650 acres just north of Plantation for $10 million and began developing his city. The village was next to a golf course and off Sunrise Boulevard, so he called it Sunrise Golf Village when it was incorporated in 1961. It became Sunrise in 1971. Gov. Farris Bryant appointed Mr. Johnson its first mayor, even though he was not a resident of the village and never would be. There were no residents in the village. What his fledgling city needed, Mr. Johnson reasoned, was something -- a sales gimmick -- that would lure prospective buyers into the rural, far-west reaches of the county to look at his homes. \u003c/p\u003e\n","\u003cp\u003eBy July 1960, the Upside-Down House had been built for $11,500 on Sunset Strip and opened to the public. Furniture and fixtures were bolted, nailed, wired, glued or welded in place, a Pontiac convertible was parked in the carport and shrubs filled a planter in front of the home -- all upside down. The topsy-turvy house was also a model of the 10,000 homes that Mr. Johnson was building in the development and selling for $10,745. The Upside-Down house quickly became an area attraction, drawing 12,000 curiosity seekers and prospective home buyers the first four days it was open. A two-page photo spread followed in Life magazine, and aviators began using it as a landmark. By the early '70s, when it was destroyed, more than 1 million people had toured the inverted house. \u003c/p\u003e\n","\u003cp\u003eJohnson  was training as an Army Air Force pilot when World War II ended, and soon after his discharge he moved to Davenport, Iowa, where he built 200 homes before moving to south Broward in 1948. One of his first ventures in Florida was constructing the Adobe Hacienda motel in Hollywood. He ran the inn, which still stands, for 10 years before selling it. 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Calder had opened their Miami-Hollywood Speedway, west of Hollywood. Mr. Johnson was operating partner of the racetrack for the next 16 years, before trying retirement. Retirement didn't work, Bruce Johnson said, and his father, a car buff, began building handcrafted Johnson Presidential and Johnson Phantom cars styled after classic models of the 1930s. By the time of his death in 1990, Mr. Johnson's garage in Davie had sold 87 of the specially ordered Presidential cars or car kits and 260 Phantoms. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["In 1960 Norman W. Johnson bought 2,650 acres just north of Plantation for $10 million and began developing his city. The village was next to a golf course and off Sunrise Boulevard, so he called it Sunrise Golf Village when it was incorporated in 1961. It became Sunrise in 1971. Gov. Farris Bryant appointed Mr. Johnson its first mayor, even though he was not a resident of the village and never would be. There were no residents in the village. What his fledgling city needed, Mr. Johnson reasoned, was something -- a sales gimmick -- that would lure prospective buyers into the rural, far-west reaches of the county to look at his homes. ","By July 1960, the Upside-Down House had been built for $11,500 on Sunset Strip and opened to the public. Furniture and fixtures were bolted, nailed, wired, glued or welded in place, a Pontiac convertible was parked in the carport and shrubs filled a planter in front of the home -- all upside down. The topsy-turvy house was also a model of the 10,000 homes that Mr. Johnson was building in the development and selling for $10,745. The Upside-Down house quickly became an area attraction, drawing 12,000 curiosity seekers and prospective home buyers the first four days it was open. A two-page photo spread followed in Life magazine, and aviators began using it as a landmark. By the early '70s, when it was destroyed, more than 1 million people had toured the inverted house. ","Johnson  was training as an Army Air Force pilot when World War II ended, and soon after his discharge he moved to Davenport, Iowa, where he built 200 homes before moving to south Broward in 1948. One of his first ventures in Florida was constructing the Adobe Hacienda motel in Hollywood. He ran the inn, which still stands, for 10 years before selling it. A short time later, he bought a small private airport and began developing several hundred homes in his Look subdivision, between what is now Johnson and Sheridan streets and Dixie Highway and Interstate 95. He used the airport runway as the community's main street. ","His Plantation Isles subdivision followed in 1957, and he moved his family into one of the first homes he built. He later was president of the Plantation Chamber of Commerce. Sunrise came next. He built the state's first \"true\" condominiums, developed his village and was mayor from 1961 until 1967, when John Lomelo was elected to the post. He set up an office on a road he had named Sunset Strip -- after his favorite television show, 77 Sunset Strip -- and had the Postal Service number the building 77 even though it was out of sequence. By 1966, Mr. Johnson was looking around for another venture. By year-end, he and partner Stephen A. Calder had opened their Miami-Hollywood Speedway, west of Hollywood. Mr. Johnson was operating partner of the racetrack for the next 16 years, before trying retirement. Retirement didn't work, Bruce Johnson said, and his father, a car buff, began building handcrafted Johnson Presidential and Johnson Phantom cars styled after classic models of the 1930s. By the time of his death in 1990, Mr. Johnson's garage in Davie had sold 87 of the specially ordered Presidential cars or car kits and 260 Phantoms. "],"prefercite_html_tesm":["\u003cp\u003eNorman Johnson Collection, Broward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Norman Johnson Collection, Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received container level processing by Erin Purdy in June 2025. The collection was processed at the item level and the finding aid was updated by Erin Purdy in April 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received container level processing by Erin Purdy in June 2025. The collection was processed at the item level and the finding aid was updated by Erin Purdy in April 2026. 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