{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1959\u0026page=392\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1959\u0026page=391\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1959\u0026page=393\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1959\u0026page=395\u0026view=compact"},"meta":{"pages":{"current_page":392,"next_page":393,"prev_page":391,"total_pages":395,"limit_value":10,"offset_value":3910,"total_count":3943,"first_page?":false,"last_page?":false}},"data":[{"id":"5c664f35ba84cce3023f6a62_aspace_336198b63a1b0368299c5b89a6d70961","type":"File","attributes":{"title":"Woodside, Rose, Circa 1955- 1994","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_336198b63a1b0368299c5b89a6d70961#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_336198b63a1b0368299c5b89a6d70961","ref_ssm":["aspace_336198b63a1b0368299c5b89a6d70961","aspace_336198b63a1b0368299c5b89a6d70961"],"id":"5c664f35ba84cce3023f6a62_aspace_336198b63a1b0368299c5b89a6d70961","title_filing_ssi":"Woodside, Rose","title_ssm":["Woodside, Rose"],"title_tesim":["Woodside, Rose"],"unitdate_inclusive_ssm":["Circa 1955- 1994"],"normalized_date_ssm":["Circa 1955- 1994"],"normalized_title_ssm":["Woodside, Rose, Circa 1955- 1994"],"text":["Woodside, Rose, Circa 1955- 1994","Niara Sudarkasa Collection, 1934-2006","Correspondence, Circa 1920-2001","/repositories/2/archival_objects/28342","box 6","folder 18"],"component_level_isim":[2],"parent_ids_ssim":["5c664f35ba84cce3023f6a62","5c664f35ba84cce3023f6a62_aspace_eacbb65fa649819dd4b5e0d9c86cb666"],"parent_unittitles_ssm":["Niara Sudarkasa Collection, 1934-2006","Correspondence, Circa 1920-2001"],"parent_unittitles_tesim":["Niara Sudarkasa Collection, 1934-2006","Correspondence, Circa 1920-2001"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/28342"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":325,"parent_access_restrict_tesm":["The Niara Sudarkasa Collection is open for research."],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"containers_ssim":["box 6","folder 18"],"_nest_path_":"/components#0/components#323","_nest_parent_":"5c664f35ba84cce3023f6a62_aspace_eacbb65fa649819dd4b5e0d9c86cb666","_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5c664f35ba84cce3023f6a62","title_filing_ssi":"Sudarkasa, Niara Collection","title_ssm":["Niara Sudarkasa Collection"],"title_tesim":["Niara Sudarkasa Collection"],"ead_ssi":"5c664f35ba84cce3023f6a62","unitdate_ssm":["1934-2006"],"unitdate_inclusive_ssm":["1934-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2006.4","/repositories/2/resources/51"],"text":["AARLCC.2006.4","/repositories/2/resources/51","Niara Sudarkasa Collection, 1934-2006","Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals","The Niara Sudarkasa Collection is open for research.","View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.","Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.","The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.","The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.","Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".","AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara","English"],"unitid_tesim":["AARLCC.2006.4","/repositories/2/resources/51"],"normalized_date_ssm":["1934-2006"],"normalized_title_ssm":["Niara Sudarkasa Collection, 1934-2006"],"collection_title_tesim":["Niara Sudarkasa Collection, 1934-2006"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"creator_ssm":["Sudarkasa, Niara"],"creator_ssim":["Sudarkasa, Niara"],"creator_persname_ssim":["Sudarkasa, Niara"],"creators_ssim":["Sudarkasa, Niara"],"acqinfo_ssim":["Dr. Niara Sudarkasa donated the materials to the AARLCC Special Collections on October 17, 2006 (Accession AARLCC-2006.4)."],"access_subjects_ssim":["Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals"],"access_subjects_ssm":["Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals"],"has_online_content_ssim":["false"],"extent_ssm":["400 Hollinger Boxes","410 Linear Feet"],"extent_tesim":["400 Hollinger Boxes","410 Linear Feet"],"genreform_ssim":["Correspondence","Photographs","plaques (flat objects)","Periodicals"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Niara Sudarkasa Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/nsb\" target=\"_blank\"\u003eView a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives."],"bioghist_html_tesm":["\u003cp\u003eNiara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.\u003c/p\u003e\n","\u003cp\u003eGloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. \u003c/p\u003e\n","\u003cp\u003eGloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.\u003c/p\u003e\n","\u003cp\u003eIn 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Al\u0026#xE1;y\u0026#xE9;l\u0026#xFA;w\u0026#xE0; \u0026#x1ECC;ba \u0026#x1ECC;k\u0026#xFA;nad\u0026#xE9; Sijuwade Ol\u0026#xFA;b\u0026#xF9;s\u0026#x1EB9; II of the Royal Court of If\u0026#x1EB9;\u0026#x301; conferred upon her the chieftaincy title Y\u0026#xE8;y\u0026#xE9; Ol\u0026#xF3;kun \u0026#xCC;gb\u0026#xE0;d\u0026#xE9;r\u0026#xF2;. She was the first African American to receive this honor from the If\u0026#x1EB9;\u0026#x301; Kingdom.\u003c/p\u003e\n","\u003cp\u003eFollowing her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship."],"prefercite_html_tesm":["\u003cp\u003eNiara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Niara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. \u003c/p\u003e","\u003cp\u003eParts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant."],"scopecontent_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=SUD\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\"."],"names_coll_ssim":["University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"names_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara"],"corpname_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"persname_ssim":["Sudarkasa, Niara"],"language_ssim":["English"],"total_component_count_is":2760,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_336198b63a1b0368299c5b89a6d70961"}},{"id":"a0b8dca0cc27e719e79a099f_aspace_d35bc5d0ce49fefba301479f43dea7a6","type":"File","attributes":{"title":"Wood Stork Graphs B / Wood Stork Rookery A, 1959-1971","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_d35bc5d0ce49fefba301479f43dea7a6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_d35bc5d0ce49fefba301479f43dea7a6","ref_ssm":["aspace_d35bc5d0ce49fefba301479f43dea7a6","aspace_d35bc5d0ce49fefba301479f43dea7a6"],"id":"a0b8dca0cc27e719e79a099f_aspace_d35bc5d0ce49fefba301479f43dea7a6","title_filing_ssi":"Wood Stork Graphs B / Wood Stork Rookery A","title_ssm":["Wood Stork Graphs B / Wood Stork Rookery A"],"title_tesim":["Wood Stork Graphs B / Wood Stork Rookery A"],"unitdate_inclusive_ssm":["1959-1971"],"normalized_date_ssm":["1959-1971"],"normalized_title_ssm":["Wood Stork Graphs B / Wood Stork Rookery A, 1959-1971"],"text":["Wood Stork Graphs B / Wood Stork Rookery A, 1959-1971","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Photographs \u0026 Slides","Slides III","/repositories/2/archival_objects/198647","box 81","folder 5"],"component_level_isim":[3],"parent_ids_ssim":["a0b8dca0cc27e719e79a099f","a0b8dca0cc27e719e79a099f_aspace_26c95e041b9fe0414423bbd3d0650002","a0b8dca0cc27e719e79a099f_aspace_dced4d92f6506bf352a9e29863ddaa42"],"parent_unittitles_ssm":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Photographs \u0026 Slides","Slides III"],"parent_unittitles_tesim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Photographs \u0026 Slides","Slides III"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["/repositories/2/archival_objects/198647"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2177,"parent_access_restrict_tesm":["Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"containers_ssim":["box 81","folder 5"],"_nest_path_":"/components#2/components#5/components#4","_nest_parent_":"a0b8dca0cc27e719e79a099f_aspace_dced4d92f6506bf352a9e29863ddaa42","_root_":"a0b8dca0cc27e719e79a099f","_version_":1872946110924849152,"timestamp":"2026-08-08T09:16:41.949Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a0b8dca0cc27e719e79a099f","title_ssm":["Audubon Society Corkscrew Swamp Sanctuary records"],"title_tesim":["Audubon Society Corkscrew Swamp Sanctuary records"],"ead_ssi":"a0b8dca0cc27e719e79a099f","unitdate_ssm":["1937-2019"],"unitdate_inclusive_ssm":["1937-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2020-03","/repositories/2/resources/583"],"text":["MS-2020-03","/repositories/2/resources/583","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration","Good.","Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society.","This collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.","Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.","The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.","This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.","Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. 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Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"names_coll_ssim":["University of West Florida.","United States. Army--Officers.","Woolley, William Frederick, 1909-1974--Monuments.","Majorowitz, Roger. 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Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"acqinfo_ssim":["Mrs. Erica Woolley, University of West Florida, 1981"],"access_subjects_ssim":["Fountains--Florida--Pensacola.","Sculpture--Florida--Pensacola.","Management--Study and teaching--Florida--Pensacola.","College teachers--Florida--Pensacola.","Awards--United States.","Diplomas--United States.","Military records--United States."],"access_subjects_ssm":["Fountains--Florida--Pensacola.","Sculpture--Florida--Pensacola.","Management--Study and teaching--Florida--Pensacola.","College teachers--Florida--Pensacola.","Awards--United States.","Diplomas--United States.","Military records--United States."],"has_online_content_ssim":["false"],"extent_ssm":["22.00 items"],"extent_tesim":["22.00 items"],"genreform_ssim":["Awards--United States.","Diplomas--United States.","Military records--United States."],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  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She was born Laura Reichenthal and began publishing under her married name, Gottschalk. Riding Jackson graduated Cornell University in 1921 and published her first poem in 1923 in the literary magazine  The Fugitive  and her first collection of poetry,  The Close Chaplet  in 1926. After her divorce in 1925, she assumed the surname Riding and moved to England to live with Robert Graves and his wife, Nancy Nicholson. She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled  Rational Meaning: A New Foundation for the Definition of World and Supplementary Essays  in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. The Foundation supports the legacy of Riding by offering educational events and workshops for writers of all ages, as well as preserving her home.","Processed by and finding aid prepared by Chloe Lanham in 2025.","The Marie Stiefel Laura Riding Jackson collection, 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. These materials are useful to historical, biographical, and literary research into the life and work of Laura Riding Jackson and Seizin Press.","Series I: Works about Laura Riding Jackson, 1963–2017\t\nSeries II: Works by Laura Riding Jackson, 1935–1984\t\t\nSeries III: Correspondence, 1941–1993\t\nSeries IV: Materials from Laura's Kitchen, undated\t\nSeries V: Books, 1925-2024","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Marie Stiefel Laura Riding Jackson collection 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. 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She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled  Rational Meaning: A New Foundation for the Definition of World and Supplementary Essays  in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. 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Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of Marie Stiefel in 2025 (Accession no. CFM2025_01)."],"access_subjects_ssim":["Women poets, American","Poets, American -- 20th Century -- correspondence","Women authors, American","manuscripts (documents)","articles"],"access_subjects_ssm":["Women poets, American","Poets, American -- 20th Century -- correspondence","Women authors, American","manuscripts (documents)","articles"],"has_online_content_ssim":["false"],"extent_ssm":["0.6 Linear Feet 1 box"],"extent_tesim":["0.6 Linear Feet 1 box"],"genreform_ssim":["manuscripts (documents)","articles"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in five series as follows:\nWorks about Laura Riding Jackson, 1963\u0026#x2013;2017\t\nWorks by Laura Riding Jackson, 1935\u0026#x2013;1984\t\t\nCorrespondence, 1941\u0026#x2013;1993\t\nMaterials from Laura's Kitchen, undated\t\nBooks 1925-2024\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in five series as follows:\nWorks about Laura Riding Jackson, 1963–2017\t\nWorks by Laura Riding Jackson, 1935–1984\t\t\nCorrespondence, 1941–1993\t\nMaterials from Laura's Kitchen, undated\t\nBooks 1925-2024"],"bioghist_html_tesm":["\u003cp\u003eLaura Riding Jackson, best known as Laura Riding, an American poet and author was born on January 16, 1901 in New York City, NY and died on September 2, 1991 in Wabasso, Florida. She was born Laura Reichenthal and began publishing under her married name, Gottschalk. Riding Jackson graduated Cornell University in 1921 and published her first poem in 1923 in the literary magazine \u003cemph render=\"italic\"\u003eThe Fugitive\u003c/emph\u003e and her first collection of poetry, \u003cemph render=\"italic\"\u003eThe Close Chaplet\u003c/emph\u003e in 1926. After her divorce in 1925, she assumed the surname Riding and moved to England to live with Robert Graves and his wife, Nancy Nicholson. She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled \u003cemph render=\"italic\"\u003eRational Meaning: A New Foundation for the Definition of World and Supplementary Essays\u003c/emph\u003e in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. The Foundation supports the legacy of Riding by offering educational events and workshops for writers of all ages, as well as preserving her home.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Laura Riding Jackson, best known as Laura Riding, an American poet and author was born on January 16, 1901 in New York City, NY and died on September 2, 1991 in Wabasso, Florida. She was born Laura Reichenthal and began publishing under her married name, Gottschalk. Riding Jackson graduated Cornell University in 1921 and published her first poem in 1923 in the literary magazine  The Fugitive  and her first collection of poetry,  The Close Chaplet  in 1926. After her divorce in 1925, she assumed the surname Riding and moved to England to live with Robert Graves and his wife, Nancy Nicholson. She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled  Rational Meaning: A New Foundation for the Definition of World and Supplementary Essays  in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. The Foundation supports the legacy of Riding by offering educational events and workshops for writers of all ages, as well as preserving her home."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], The Marie Stiefel Laura Riding Jackson collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], The Marie Stiefel Laura Riding Jackson collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Chloe Lanham in 2025."],"scopecontent_html_tesm":["\u003cp\u003eThe Marie Stiefel Laura Riding Jackson collection, 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. These materials are useful to historical, biographical, and literary research into the life and work of Laura Riding Jackson and Seizin Press.\u003c/p\u003e\n","\u003cp\u003eSeries I: Works about Laura Riding Jackson, 1963\u0026#x2013;2017\t\nSeries II: Works by Laura Riding Jackson, 1935\u0026#x2013;1984\t\t\nSeries III: Correspondence, 1941\u0026#x2013;1993\t\nSeries IV: Materials from Laura's Kitchen, undated\t\nSeries V: Books, 1925-2024\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Marie Stiefel Laura Riding Jackson collection, 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. These materials are useful to historical, biographical, and literary research into the life and work of Laura Riding Jackson and Seizin Press.","Series I: Works about Laura Riding Jackson, 1963–2017\t\nSeries II: Works by Laura Riding Jackson, 1935–1984\t\t\nSeries III: Correspondence, 1941–1993\t\nSeries IV: Materials from Laura's Kitchen, undated\t\nSeries V: Books, 1925-2024"],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d95650411a414e3e87abaf4901c0fcd8\" label=\"Abstract\"\u003eThe Marie Stiefel Laura Riding Jackson collection 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. These materials are useful to historical, biographical, and literary research into the life and work of Laura Riding Jackson and Seizin Press. The collection is divided into five series as follows: \nWorks about Laura Riding Jackson, 1963\u0026#x2013;2017\t\nWorks by Laura Riding Jackson, 1935\u0026#x2013;1984\t\t\nCorrespondence, 1941\u0026#x2013;1993\t\nMaterials from Laura's Kitchen, undated\t\nBooks 1925-2024\n\nLaura Riding Jackson, best known as Laura Riding, an American poet and author was born on January 16, 1901 in New York City, NY and died on September 2, 1991 in Wabasso, Florida. She was born Laura Reichenthal and began publishing under her married name, Gottschalk. Riding Jackson graduated Cornell University in 1921 and published her first poem in 1923 in the literary magazine \u003cemph render=\"italic\"\u003eThe Fugitive\u003c/emph\u003e and her first collection of poetry, \u003cemph render=\"italic\"\u003eThe Close Chaplet\u003c/emph\u003e in 1926. After her divorce in 1925, she assumed the surname Riding and moved to England to live with Robert Graves and his wife, Nancy Nicholson. She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled \u003cemph render=\"italic\"\u003eRational Meaning: A New Foundation for the Definition of World and Supplementary Essays\u003c/emph\u003e in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. The Foundation supports the legacy of Riding by offering educational events and workshops for writers of all ages, as well as preserving her home.\u003c/abstract\u003e"],"abstract_tesim":["The Marie Stiefel Laura Riding Jackson collection 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. These materials are useful to historical, biographical, and literary research into the life and work of Laura Riding Jackson and Seizin Press. The collection is divided into five series as follows: \nWorks about Laura Riding Jackson, 1963–2017\t\nWorks by Laura Riding Jackson, 1935–1984\t\t\nCorrespondence, 1941–1993\t\nMaterials from Laura's Kitchen, undated\t\nBooks 1925-2024\n\nLaura Riding Jackson, best known as Laura Riding, an American poet and author was born on January 16, 1901 in New York City, NY and died on September 2, 1991 in Wabasso, Florida. She was born Laura Reichenthal and began publishing under her married name, Gottschalk. Riding Jackson graduated Cornell University in 1921 and published her first poem in 1923 in the literary magazine  The Fugitive  and her first collection of poetry,  The Close Chaplet  in 1926. After her divorce in 1925, she assumed the surname Riding and moved to England to live with Robert Graves and his wife, Nancy Nicholson. She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled  Rational Meaning: A New Foundation for the Definition of World and Supplementary Essays  in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. The Foundation supports the legacy of Riding by offering educational events and workshops for writers of all ages, as well as preserving her home."],"names_coll_ssim":["Seizin Press","Jackson, Laura (Riding), 1901-1991","Jackson, Schuyler B.","Graves, Robert, 1895-1985","Stiefel, Marie"],"names_ssim":["UCF Special Collections","Seizin Press","Laura Riding Jackson Foundation","Jackson, Laura (Riding), 1901-1991","Graves, Robert, 1895-1985","Jackson, Schuyler B.","Morris, Susan","Stiefel, Marie"],"corpname_ssim":["UCF Special Collections","Seizin Press","Laura Riding Jackson Foundation"],"persname_ssim":["Jackson, Laura (Riding), 1901-1991","Graves, Robert, 1895-1985","Jackson, Schuyler B.","Morris, Susan","Stiefel, Marie"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":71,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1874753292505972736,"_root_":"c3e46b40c834f9335c7da81e","timestamp":"2026-08-28T08:01:04.660Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/c3e46b40c834f9335c7da81e_aspace_2450fa3be011e838eeb2bd00f1afb51a"}},{"id":"7d2cdb61ea63de0c07c71d20_aspace_36c25ed8b8f7f63247e67b1c46122a31","type":"File","attributes":{"title":"Works cited - Broward college during the Civil Rights Era (A Display)., 1957-1962","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7d2cdb61ea63de0c07c71d20_aspace_36c25ed8b8f7f63247e67b1c46122a31#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_36c25ed8b8f7f63247e67b1c46122a31","ref_ssm":["aspace_36c25ed8b8f7f63247e67b1c46122a31","aspace_36c25ed8b8f7f63247e67b1c46122a31"],"id":"7d2cdb61ea63de0c07c71d20_aspace_36c25ed8b8f7f63247e67b1c46122a31","title_filing_ssi":"Works cited - Broward college during the Civil Rights Era (A Display).","title_ssm":["Works cited - Broward college during the Civil Rights Era (A Display)."],"title_tesim":["Works cited - Broward college during the Civil Rights Era (A Display)."],"unitdate_inclusive_ssm":["1957-1962"],"normalized_date_ssm":["1957-1962"],"normalized_title_ssm":["Works cited - Broward college during the Civil Rights Era (A Display)., 1957-1962"],"text":["Works cited - Broward college during the Civil Rights Era (A Display)., 1957-1962","Civil Rights and Broward Junior College (1960–1964), 1960-1964","RG 849/3.2","/repositories/2/archival_objects/856","English","box 3","folder 2"],"component_level_isim":[1],"parent_ids_ssim":["7d2cdb61ea63de0c07c71d20"],"parent_unittitles_ssm":["Civil Rights and Broward Junior College (1960–1964), 1960-1964"],"parent_unittitles_tesim":["Civil Rights and Broward Junior College (1960–1964), 1960-1964"],"parent_levels_ssm":["collection"],"unitid_ssm":["RG 849/3.2","/repositories/2/archival_objects/856"],"repository_ssim":["Broward College Archives and Special Collections"],"collection_ssim":["Civil Rights and Broward Junior College (1960–1964), 1960-1964"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":38,"parent_access_restrict_tesm":["Open for research. Certain materials may have restrictions due to fragility or privacy."],"parent_access_terms_tesm":["Responsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy."],"date_range_isim":[1957,1958,1959,1960,1961,1962],"language_ssim":["English"],"containers_ssim":["box 3","folder 2"],"_nest_path_":"/components#37","_nest_parent_":"7d2cdb61ea63de0c07c71d20","_root_":"7d2cdb61ea63de0c07c71d20","timestamp":"2026-04-21T01:34:47.254Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"7d2cdb61ea63de0c07c71d20","title_ssm":["Civil Rights and Broward Junior College (1960–1964)"],"title_tesim":["Civil Rights and Broward Junior College (1960–1964)"],"ead_ssi":"7d2cdb61ea63de0c07c71d20","unitdate_ssm":["1960-1964"],"unitdate_inclusive_ssm":["1960-1964"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG 849","/repositories/2/resources/9"],"text":["RG 849","/repositories/2/resources/9","Civil Rights and Broward Junior College (1960–1964), 1960-1964","Civil Rights Movement — Florida","Segregation in Education--Florida","Junior College of Broward County (now Broward College)","African Americans--Florida","African Americans--Civil rights--Florida","African Americans--Education--Florida","Open for research. Certain materials may have restrictions due to fragility or privacy.","The collection is arranged in four boxes, each organized chronologically:","Box 1: Newspaper articles and clippings, 1960–1963","Box 2-4: This series consists of three boxes containing foam core mounts, which are lightweight, rigid boards used to display prints, labels, or panels featured in the exhibit \"Broward College During the Civil Rights Era\" (first exhibited in 2010). The mounts in this series were created in 11\"x17\" format for use in smaller spaces, distinct from the large foam core panels displayed permanently in Broward College Archives \u0026 Special Collections. The content of these mounts was digitized in 2023 by Broward County Library in partnership with Broward College Archives \u0026 Special Collections and is accessible online via the Broward County Library Digital Archives portal. ","The Junior College of Broward County (now Broward College) opened its doors in August 1960 as part of the newly developing Florida Community College System. The system itself had roots in the early 1950s and expanded rapidly during the 1960s. However, during this era, Florida developed a dual plan for higher education: historically white community colleges and segregated junior colleges for Black students.","In 1961, Broward County became a focal point in the struggle for integration. That year, two Black applicants, James Vickers and Constance Nuby, attempted to enroll in the new Junior College but were redirected to a segregated \"Negro branch\" planned at Dillard High School. Their rejection prompted legal challenges and reflected the broader conflict between state-mandated segregation and the federal push for desegregation following Brown v. Board of Education (1954).","The segregated Negro Junior College Branch of Broward Community College opened under protest, faced boycotts, and was ultimately short-lived. By 1963, the branch was closed, and the path toward integration gradually emerged, though not without resistance and hardship.","https://digitalarchives.broward.org/digital/collection/p16146coll24/search","This collection documents the struggle for racial integration at Broward Junior College during the early 1960s. The files include newspaper clippings, editorials, legal documents, catalogues, brochures, photographs (JPGs referenced), correspondence, and retrospective scholarly notes.","The materials chart the establishment of a segregated Black \"branch campus,\" the organized protests against it, and the eventual lawsuits pressing for full desegregation. Also included are catalogues from the segregated campus, a segregated yearbook (1963 Silver Sands), retrospective exhibits, and correspondence honoring participants in the civil rights struggle.","Researchers will find documentation of resistance to integration, the development of Florida's segregated \"Magnificent 12\" Black junior colleges, as well as highly local accounts of Broward's institutional choices during this volatile time.","Responsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy.","Disclaimer: Comments, observations, opinions, and views contained in these publications were originally published in contemporary newspaper clippings from the South Florida press, including the Fort Lauderdale News, Hollywood Sun-Tattler, and The Miami Herald. The language and viewpoints expressed reflect the social and cultural environment of their times.\n\nThe content may represent individual opinions, personal reflections, and remembrances of the author(s) and editor(s); these do not necessarily reflect the official views of Broward College, its predecessor institutions (Junior College of Broward County, Broward Junior College, and Broward Community College), either past or present.\n\nBroward College and its predecessor institutions are not responsible for, nor do they endorse, any comments, observations, opinions, personal reflections, or remembrances found in these publications. Researchers are advised to consider historical context and authorial perspective when interpreting these materials.","Broward College Archives and Special Collections ","Broward College","English"],"unitid_tesim":["RG 849","/repositories/2/resources/9"],"normalized_date_ssm":["1960-1964"],"normalized_title_ssm":["Civil Rights and Broward Junior College (1960–1964), 1960-1964"],"collection_title_tesim":["Civil Rights and Broward Junior College (1960–1964), 1960-1964"],"collection_ssim":["Civil Rights and Broward Junior College (1960–1964), 1960-1964"],"repository_ssm":["Broward College Archives and Special Collections"],"repository_ssim":["Broward College Archives and Special Collections"],"creator_ssm":["Broward College"],"creator_ssim":["Broward College"],"creator_corpname_ssim":["Broward College"],"creators_ssim":["Broward College"],"access_terms_ssm":["Responsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy."],"access_subjects_ssim":["Civil Rights Movement — Florida","Segregation in Education--Florida","Junior College of Broward County (now Broward College)","African Americans--Florida","African Americans--Civil rights--Florida","African Americans--Education--Florida"],"access_subjects_ssm":["Civil Rights Movement — Florida","Segregation in Education--Florida","Junior College of Broward County (now Broward College)","African Americans--Florida","African Americans--Civil rights--Florida","African Americans--Education--Florida"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet 4 boxes"],"extent_tesim":["3 Linear Feet 4 boxes"],"date_range_isim":[1960,1961,1962,1963,1964],"accessrestrict_html_tesm":["\u003cp\u003eOpen for research. Certain materials may have restrictions due to fragility or privacy.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open for research. Certain materials may have restrictions due to fragility or privacy."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in four boxes, each organized chronologically:\u003c/p\u003e\n","\u003cp\u003eBox 1: Newspaper articles and clippings, 1960\u0026#x2013;1963\u003c/p\u003e\n","\u003cp\u003eBox 2-4: This series consists of three boxes containing foam core mounts, which are lightweight, rigid boards used to display prints, labels, or panels featured in the exhibit \"Broward College During the Civil Rights Era\" (first exhibited in 2010). The mounts in this series were created in 11\"x17\" format for use in smaller spaces, distinct from the large foam core panels displayed permanently in Broward College Archives \u0026amp; Special Collections. The content of these mounts was digitized in 2023 by Broward County Library in partnership with Broward College Archives \u0026amp; Special Collections and is accessible online via the Broward County Library Digital Archives portal. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in four boxes, each organized chronologically:","Box 1: Newspaper articles and clippings, 1960–1963","Box 2-4: This series consists of three boxes containing foam core mounts, which are lightweight, rigid boards used to display prints, labels, or panels featured in the exhibit \"Broward College During the Civil Rights Era\" (first exhibited in 2010). The mounts in this series were created in 11\"x17\" format for use in smaller spaces, distinct from the large foam core panels displayed permanently in Broward College Archives \u0026 Special Collections. The content of these mounts was digitized in 2023 by Broward County Library in partnership with Broward College Archives \u0026 Special Collections and is accessible online via the Broward County Library Digital Archives portal. "],"bioghist_html_tesm":["\u003cp\u003eThe Junior College of Broward County (now Broward College) opened its doors in August 1960 as part of the newly developing Florida Community College System. The system itself had roots in the early 1950s and expanded rapidly during the 1960s. However, during this era, Florida developed a dual plan for higher education: historically white community colleges and segregated junior colleges for Black students.\u003c/p\u003e\n","\u003cp\u003eIn 1961, Broward County became a focal point in the struggle for integration. That year, two Black applicants, James Vickers and Constance Nuby, attempted to enroll in the new Junior College but were redirected to a segregated \"Negro branch\" planned at Dillard High School. Their rejection prompted legal challenges and reflected the broader conflict between state-mandated segregation and the federal push for desegregation following Brown v. Board of Education (1954).\u003c/p\u003e\n","\u003cp\u003eThe segregated Negro Junior College Branch of Broward Community College opened under protest, faced boycotts, and was ultimately short-lived. By 1963, the branch was closed, and the path toward integration gradually emerged, though not without resistance and hardship.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Junior College of Broward County (now Broward College) opened its doors in August 1960 as part of the newly developing Florida Community College System. The system itself had roots in the early 1950s and expanded rapidly during the 1960s. However, during this era, Florida developed a dual plan for higher education: historically white community colleges and segregated junior colleges for Black students.","In 1961, Broward County became a focal point in the struggle for integration. That year, two Black applicants, James Vickers and Constance Nuby, attempted to enroll in the new Junior College but were redirected to a segregated \"Negro branch\" planned at Dillard High School. Their rejection prompted legal challenges and reflected the broader conflict between state-mandated segregation and the federal push for desegregation following Brown v. Board of Education (1954).","The segregated Negro Junior College Branch of Broward Community College opened under protest, faced boycotts, and was ultimately short-lived. By 1963, the branch was closed, and the path toward integration gradually emerged, though not without resistance and hardship."],"prefercite_html_tesm":["\u003cp\u003eRecord Group 849, Civil Rights and Broward Junior College, Broward College Archives.\u003c/p\u003e"],"prefercite_tesim":["Record Group 849, Civil Rights and Broward Junior College, Broward College Archives."],"relatedmaterial_html_tesm":["\u003cp\u003ehttps://digitalarchives.broward.org/digital/collection/p16146coll24/search\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["https://digitalarchives.broward.org/digital/collection/p16146coll24/search"],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the struggle for racial integration at Broward Junior College during the early 1960s. The files include newspaper clippings, editorials, legal documents, catalogues, brochures, photographs (JPGs referenced), correspondence, and retrospective scholarly notes.\u003c/p\u003e\n","\u003cp\u003eThe materials chart the establishment of a segregated Black \"branch campus,\" the organized protests against it, and the eventual lawsuits pressing for full desegregation. Also included are catalogues from the segregated campus, a segregated yearbook (1963 Silver Sands), retrospective exhibits, and correspondence honoring participants in the civil rights struggle.\u003c/p\u003e\n","\u003cp\u003eResearchers will find documentation of resistance to integration, the development of Florida's segregated \"Magnificent 12\" Black junior colleges, as well as highly local accounts of Broward's institutional choices during this volatile time.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the struggle for racial integration at Broward Junior College during the early 1960s. The files include newspaper clippings, editorials, legal documents, catalogues, brochures, photographs (JPGs referenced), correspondence, and retrospective scholarly notes.","The materials chart the establishment of a segregated Black \"branch campus,\" the organized protests against it, and the eventual lawsuits pressing for full desegregation. Also included are catalogues from the segregated campus, a segregated yearbook (1963 Silver Sands), retrospective exhibits, and correspondence honoring participants in the civil rights struggle.","Researchers will find documentation of resistance to integration, the development of Florida's segregated \"Magnificent 12\" Black junior colleges, as well as highly local accounts of Broward's institutional choices during this volatile time."],"userestrict_html_tesm":["\u003cp\u003eResponsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Responsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy."],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_cd5ad1d5f12377581a70729f98ece8d0\"\u003eDisclaimer: Comments, observations, opinions, and views contained in these publications were originally published in contemporary newspaper clippings from the South Florida press, including the Fort Lauderdale News, Hollywood Sun-Tattler, and The Miami Herald. The language and viewpoints expressed reflect the social and cultural environment of their times.\n\nThe content may represent individual opinions, personal reflections, and remembrances of the author(s) and editor(s); these do not necessarily reflect the official views of Broward College, its predecessor institutions (Junior College of Broward County, Broward Junior College, and Broward Community College), either past or present.\n\nBroward College and its predecessor institutions are not responsible for, nor do they endorse, any comments, observations, opinions, personal reflections, or remembrances found in these publications. Researchers are advised to consider historical context and authorial perspective when interpreting these materials.\u003c/materialspec\u003e"],"materialspec_tesim":["Disclaimer: Comments, observations, opinions, and views contained in these publications were originally published in contemporary newspaper clippings from the South Florida press, including the Fort Lauderdale News, Hollywood Sun-Tattler, and The Miami Herald. The language and viewpoints expressed reflect the social and cultural environment of their times.\n\nThe content may represent individual opinions, personal reflections, and remembrances of the author(s) and editor(s); these do not necessarily reflect the official views of Broward College, its predecessor institutions (Junior College of Broward County, Broward Junior College, and Broward Community College), either past or present.\n\nBroward College and its predecessor institutions are not responsible for, nor do they endorse, any comments, observations, opinions, personal reflections, or remembrances found in these publications. 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Board of County Commissioners","Voter registration -- Florida -- Broward County","Voting -- Florida -- Broward County","Elections -- Florida -- Broward County","Photographs","Hats","Programs","Maps","Certificates","The collection is arranged into 6 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Printed Materials, Series V. Awards, and Series VI. Ephemera.","Easter Lily Biblo Gates was born on April 21, 1889, in Des Moines, Iowa to parents Elijah and Etta Biblo. Easter Lily Gates travelled west with her family by covered wagon to Utah and Nevada. She made hats as a store clerk at 17 years old. On January 20, 1910, she married George Peter Gates.","Easter and George Gates moved to Fort Lauderdale, Florida in 1918. They had two sons named Robert and Theodore. 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Board of County Commissioners","Voter registration -- Florida -- Broward County","Voting -- Florida -- Broward County","Elections -- Florida -- Broward County","Photographs","Hats","Programs","Maps","Certificates"],"has_online_content_ssim":["false"],"extent_ssm":["33 Hollinger Boxes"],"extent_tesim":["33 Hollinger Boxes"],"genreform_ssim":["Photographs","Hats","Programs","Maps","Certificates"],"date_range_isim":[1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 6 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Printed Materials, Series V. Awards, and Series VI. Ephemera.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 6 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Printed Materials, Series V. Awards, and Series VI. Ephemera."],"bioghist_html_tesm":["\u003cp\u003eEaster Lily Biblo Gates was born on April 21, 1889, in Des Moines, Iowa to parents Elijah and Etta Biblo. Easter Lily Gates travelled west with her family by covered wagon to Utah and Nevada. She made hats as a store clerk at 17 years old. On January 20, 1910, she married George Peter Gates.\u003c/p\u003e\n","\u003cp\u003eEaster and George Gates moved to Fort Lauderdale, Florida in 1918. They had two sons named Robert and Theodore. In 1926, Easter Lily saved her family in a severe hurricane by carrying her husband and two sons to the second floor of their home; they lost everything they owned and two weeks later her husband died from anemia. To provide for her children, Gates became Broward County's first female bus driver. In 1928, she ran for and won the  Supervisor of Elections job.  She maintained this position for 40 years, from 1929 to 1969. Easter Lily Gates registered Broward County's first Seminole and African-American voters.\u003c/p\u003e\n","\u003cp\u003eEaster Lily Gates retired in 1969 at 80 years old. At 92 years old, she moved to Tampa, Florida and Thomasville, Georgia to live with her sons. Easter Lily Gates entered a nursing home in Tampa before her death. She died in February 1985.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Easter Lily Biblo Gates was born on April 21, 1889, in Des Moines, Iowa to parents Elijah and Etta Biblo. Easter Lily Gates travelled west with her family by covered wagon to Utah and Nevada. She made hats as a store clerk at 17 years old. On January 20, 1910, she married George Peter Gates.","Easter and George Gates moved to Fort Lauderdale, Florida in 1918. They had two sons named Robert and Theodore. In 1926, Easter Lily saved her family in a severe hurricane by carrying her husband and two sons to the second floor of their home; they lost everything they owned and two weeks later her husband died from anemia. To provide for her children, Gates became Broward County's first female bus driver. In 1928, she ran for and won the  Supervisor of Elections job.  She maintained this position for 40 years, from 1929 to 1969. Easter Lily Gates registered Broward County's first Seminole and African-American voters.","Easter Lily Gates retired in 1969 at 80 years old. At 92 years old, she moved to Tampa, Florida and Thomasville, Georgia to live with her sons. Easter Lily Gates entered a nursing home in Tampa before her death. She died in February 1985."],"prefercite_html_tesm":["\u003cp\u003eEaster Lily Gates Collection, Broward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Easter Lily Gates Collection, Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/elgates/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Easter Lily Gates Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Easter Lily Gates Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Easter Lily Gates Collection contains correspondence, photographs, printed materials, maps, prayer books, awards, political and election materials documenting the professional and personal life of Easter Lily Gates.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Easter Lily Gates Collection contains correspondence, photographs, printed materials, maps, prayer books, awards, political and election materials documenting the professional and personal life of Easter Lily Gates."],"userestrict_html_tesm":["\u003cp\u003eThe Easter Lily Gates Collection is open for research.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Easter Lily Gates Collection is open for research."],"names_ssim":[" Broward County Historical Archives"],"corpname_ssim":[" Broward County Historical Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":501,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1875370525482549248,"_root_":"fcab20b88f8ed86bfbd56dc2","timestamp":"2026-09-04T03:31:43.893Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/fcab20b88f8ed86bfbd56dc2_aspace_44b3dede58613ee035c8690b60a73ad3"}},{"id":"236a3c88b766327883b2e155_aspace_847d0ffd3f697aaaf6e53a37f74ad9c0","type":"Series","attributes":{"title":"Writing and Composition, 1944–1976","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_847d0ffd3f697aaaf6e53a37f74ad9c0#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_847d0ffd3f697aaaf6e53a37f74ad9c0#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_847d0ffd3f697aaaf6e53a37f74ad9c0","ref_ssm":["aspace_847d0ffd3f697aaaf6e53a37f74ad9c0","aspace_847d0ffd3f697aaaf6e53a37f74ad9c0"],"id":"236a3c88b766327883b2e155_aspace_847d0ffd3f697aaaf6e53a37f74ad9c0","title_filing_ssi":"Writing and Composition","title_ssm":["Writing and Composition"],"title_tesim":["Writing and Composition"],"unitdate_inclusive_ssm":["1944–1976"],"normalized_date_ssm":["1944–1976"],"normalized_title_ssm":["Writing and Composition, 1944–1976"],"text":["Writing and Composition, 1944–1976","Joy Postle papers, 1910-2015","/repositories/4/archival_objects/87632","/repositories/4/archival_objects/91129","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music."],"component_level_isim":[1],"parent_ids_ssim":["236a3c88b766327883b2e155"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/4/archival_objects/87632","/repositories/4/archival_objects/91129"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":353,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"scopecontent_html_tesm":["\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music."],"_nest_path_":"/components#1","_nest_parent_":"236a3c88b766327883b2e155","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_847d0ffd3f697aaaf6e53a37f74ad9c0"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Michael A. 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