{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1959\u0026page=111","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1959\u0026page=110","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1959\u0026page=112","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1959\u0026page=395"},"meta":{"pages":{"current_page":111,"next_page":112,"prev_page":110,"total_pages":395,"limit_value":10,"offset_value":1100,"total_count":3944,"first_page?":false,"last_page?":false}},"data":[{"id":"3056ee86647273e001c28846","type":"collection","attributes":{"title":"Eleanor and Elliott T. 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Gifford.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3056ee86647273e001c28846#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"3056ee86647273e001c28846","title_filing_ssi":"Gifford, Eleanor and Elliott T. collection","title_ssm":["Eleanor and Elliott T. Gifford collection"],"title_tesim":["Eleanor and Elliott T. Gifford collection"],"ead_ssi":"3056ee86647273e001c28846","unitdate_ssm":["1938-1968","Date accessioned: 2020-02-24"],"unitdate_inclusive_ssm":["1938-1968"],"unitdate_other_ssim":["Date accessioned: 2020-02-24"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["20.0003","/repositories/10/resources/1663"],"text":["20.0003","/repositories/10/resources/1663","Eleanor and Elliott T. Gifford collection, 1938-1968, Date accessioned: 2020-02-24","Camp Carson (Colo.)","Fort Des Moines (Iowa)","Fort Oglethorpe (Ga.)","Livorno (Italy)","Salzburg (Austria)","Königssee (Germany)","World War, 1939-1945--Germany--Berchtesgaden","Missing in action--1940-1950.","Theater.","World War, 1939-1945--Europe","Dorchester (Ship)","Aerographers, Naval","First Lieutenant, WAC","This collection is open to all researchers. Restrictions apply to this collection. Glenn E. Ballew donated the collection. Ballew acquired the collection after the passing of friend and co-worker Clifford Brooks Shirley on October 11th, 1994. Ballew discovered these letters, photographs and newspaper clipping in Shirley's attic of his residence. Shirley has no known living relatives.","Eleanor Gifford was born May 5, 1914 in Philadelphia, PA. She enlisted in the U.S. Women's Army Corps on April 17, 1943 in New York, NY. At the time she performed as a singer and actress in New York. From August to October 1945 Eleanor Gifford served as a first lieutenant WAC in Salzburg in the Special Services branch. From October 1945 to Febuary 1950 Eleanor Gifford was responsible for the organization of various activities of the Berchtesgaden Recreational Area as a WAC and civilian. She remained in Germany for the remainder of her life. Gifford married Günther Menzel on May 3, 1978  in Oberstdorf where she then also settled after retiring.\n \nEleanor's brother, Elliott Temple Gifford, was born on January 3, 1913, graduated from High School Point Pleasant, New Jersey in 1930 and immediately went to the U.S. Navy and served as an Aerographer's Mate. He was listed as missing in action, presumed dead, when the USAT  Dorchester   was torpedoed by a German submarine on February 3, 1943. 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Restrictions apply to this collection. Glenn E. Ballew donated the collection. Ballew acquired the collection after the passing of friend and co-worker Clifford Brooks Shirley on October 11th, 1994. Ballew discovered these letters, photographs and newspaper clipping in Shirley's attic of his residence. Shirley has no known living relatives.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. Restrictions apply to this collection. Glenn E. Ballew donated the collection. Ballew acquired the collection after the passing of friend and co-worker Clifford Brooks Shirley on October 11th, 1994. Ballew discovered these letters, photographs and newspaper clipping in Shirley's attic of his residence. Shirley has no known living relatives."],"bioghist_html_tesm":["\u003cp\u003eEleanor Gifford was born May 5, 1914 in Philadelphia, PA. 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The  Dorchester   was bound for the Army Command Base at Narsarsuaq in southern Greenland."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Eleanor and Elliot T. Gifford colection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_20_0003\"\u003ehttp://purl.fcla.edu/fsu/WWII_20_0003\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Eleanor and Elliot T. Gifford colection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_20_0003"],"relatedmaterial_html_tesm":["\u003cp\u003eThe collection 17.0005 of Leigh Jamison Gifford and Eli Gifford (01.0171.1314) are related to Eleanor and Elliott Gifford.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The collection 17.0005 of Leigh Jamison Gifford and Eli Gifford (01.0171.1314) are related to Eleanor and Elliott Gifford."],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Eleanor Gifford who served in the special services and her brother Elliott T. Gifford who served as an Aerographer's Mate in the U.S. Navy during World War II. Elliott T. Gifford was killed in action on board the USAT \u003cemph render=\"italic\"\u003eDorchester\u003c/emph\u003e when it was sunk on February 3, 1943 by a German submarine. 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Gifford collection"],"ead_ssi":"3056ee86647273e001c28846","unitdate_ssm":["1938-1968","Date accessioned: 2020-02-24"],"unitdate_inclusive_ssm":["1938-1968"],"unitdate_other_ssim":["Date accessioned: 2020-02-24"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["20.0003","/repositories/10/resources/1663"],"text":["20.0003","/repositories/10/resources/1663","Eleanor and Elliott T. Gifford collection, 1938-1968, Date accessioned: 2020-02-24","Camp Carson (Colo.)","Fort Des Moines (Iowa)","Fort Oglethorpe (Ga.)","Livorno (Italy)","Salzburg (Austria)","Königssee (Germany)","World War, 1939-1945--Germany--Berchtesgaden","Missing in action--1940-1950.","Theater.","World War, 1939-1945--Europe","Dorchester (Ship)","Aerographers, Naval","First Lieutenant, WAC","This collection is open to all researchers. Restrictions apply to this collection. Glenn E. Ballew donated the collection. 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Gifford married Günther Menzel on May 3, 1978  in Oberstdorf where she then also settled after retiring.\n \nEleanor's brother, Elliott Temple Gifford, was born on January 3, 1913, graduated from High School Point Pleasant, New Jersey in 1930 and immediately went to the U.S. Navy and served as an Aerographer's Mate. He was listed as missing in action, presumed dead, when the USAT  Dorchester   was torpedoed by a German submarine on February 3, 1943. The  Dorchester   was bound for the Army Command Base at Narsarsuaq in southern Greenland.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","The collection 17.0005 of Leigh Jamison Gifford and Eli Gifford (01.0171.1314) are related to Eleanor and Elliott Gifford.","This collection relates to Eleanor Gifford who served in the special services and her brother Elliott T. Gifford who served as an Aerographer's Mate in the U.S. Navy during World War II. 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Restrictions apply to this collection. Glenn E. Ballew donated the collection. Ballew acquired the collection after the passing of friend and co-worker Clifford Brooks Shirley on October 11th, 1994. Ballew discovered these letters, photographs and newspaper clipping in Shirley's attic of his residence. Shirley has no known living relatives.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. Restrictions apply to this collection. Glenn E. Ballew donated the collection. Ballew acquired the collection after the passing of friend and co-worker Clifford Brooks Shirley on October 11th, 1994. Ballew discovered these letters, photographs and newspaper clipping in Shirley's attic of his residence. Shirley has no known living relatives."],"bioghist_html_tesm":["\u003cp\u003eEleanor Gifford was born May 5, 1914 in Philadelphia, PA. 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Gifford colection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_20_0003"],"relatedmaterial_html_tesm":["\u003cp\u003eThe collection 17.0005 of Leigh Jamison Gifford and Eli Gifford (01.0171.1314) are related to Eleanor and Elliott Gifford.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The collection 17.0005 of Leigh Jamison Gifford and Eli Gifford (01.0171.1314) are related to Eleanor and Elliott Gifford."],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Eleanor Gifford who served in the special services and her brother Elliott T. Gifford who served as an Aerographer's Mate in the U.S. Navy during World War II. Elliott T. Gifford was killed in action on board the USAT \u003cemph render=\"italic\"\u003eDorchester\u003c/emph\u003e when it was sunk on February 3, 1943 by a German submarine. This collection contains documents, newspaper clippings, German event posters, radio transcripts, letters, and photographs predominately from Eleanor M. Gifford.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection relates to Eleanor Gifford who served in the special services and her brother Elliott T. Gifford who served as an Aerographer's Mate in the U.S. Navy during World War II. Elliott T. Gifford was killed in action on board the USAT  Dorchester  when it was sunk on February 3, 1943 by a German submarine. This collection contains documents, newspaper clippings, German event posters, radio transcripts, letters, and photographs predominately from Eleanor M. Gifford."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["United States. Army. Women's Army Corps","School for Personnel Services (Lexington, Va.)","Pershing, John J. (John Joseph), 1860-1948","Welles, Orson, 1915-1985","Hampton, Lionel"],"names_ssim":["FSU Special Collections \u0026 Archives","United States. Army. Women's Army Corps","School for Personnel Services (Lexington, Va.)","Gifford, Eleanor, 1914-","Gifford, Elliott T., 1913-1943","Pershing, John J. (John Joseph), 1860-1948","Welles, Orson, 1915-1985","Hampton, Lionel"],"corpname_ssim":["FSU Special Collections \u0026 Archives","United States. Army. Women's Army Corps","School for Personnel Services (Lexington, Va.)"],"persname_ssim":["Gifford, Eleanor, 1914-","Gifford, Elliott T., 1913-1943","Pershing, John J. (John Joseph), 1860-1948","Welles, Orson, 1915-1985","Hampton, Lionel"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":18,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857639326384128,"_root_":"3056ee86647273e001c28846","timestamp":"2026-07-16T08:01:20.277Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3056ee86647273e001c28846"}},{"id":"be6ce791bcd745e39261598f","type":"collection","attributes":{"title":"Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f#abstract_or_scope","type":"document_value","attributes":{"value":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career. Her involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"be6ce791bcd745e39261598f","title_ssm":["Eleanor Merritt [Darlington] Collection"],"title_tesim":["Eleanor Merritt [Darlington] Collection"],"ead_ssi":"be6ce791bcd745e39261598f","unitdate_ssm":["1950-2019","1990-2019"],"unitdate_bulk_ssim":["1990-2019"],"unitdate_inclusive_ssm":["1950-2019"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["A.2022.0004","/repositories/11/resources/1933"],"text":["A.2022.0004","/repositories/11/resources/1933","Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting.","This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.","The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.","All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.","The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. 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Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"access_subjects_ssim":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"access_subjects_ssm":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"has_online_content_ssim":["false"],"extent_ssm":["5.3 Linear Feet 17 Boxes"],"extent_tesim":["5.3 Linear Feet 17 Boxes"],"genreform_ssim":["Painting."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals."],"prefercite_html_tesm":["\u003cp\u003eThe John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019.\u003c/p\u003e"],"prefercite_tesim":["The John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019."],"scopecontent_html_tesm":["\u003cp\u003eThe Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged by subject in chronological order spanning from 1950 \u0026#x2013; 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. \u003c/p\u003e\n","\u003cp\u003eMerritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0d3e798eb2a8cee06c3eebf554d917ee\"\u003eThe Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.\u003c/abstract\u003e"],"abstract_tesim":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"be6ce791bcd745e39261598f","timestamp":"2026-04-21T02:41:46.838Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"be6ce791bcd745e39261598f","title_ssm":["Eleanor Merritt [Darlington] Collection"],"title_tesim":["Eleanor Merritt [Darlington] Collection"],"ead_ssi":"be6ce791bcd745e39261598f","unitdate_ssm":["1950-2019","1990-2019"],"unitdate_bulk_ssim":["1990-2019"],"unitdate_inclusive_ssm":["1950-2019"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["A.2022.0004","/repositories/11/resources/1933"],"text":["A.2022.0004","/repositories/11/resources/1933","Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting.","This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.","The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.","All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.","The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.","The John and Mable Ringling Museum of Art Archives","English"],"unitid_tesim":["A.2022.0004","/repositories/11/resources/1933"],"normalized_date_ssm":["1950-2019, bulk 1990-2019"],"normalized_title_ssm":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_title_tesim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_ssim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"repository_ssm":["The John and Mable Ringling Museum of Art Archives"],"repository_ssim":["The John and Mable Ringling Museum of Art Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"access_subjects_ssim":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"access_subjects_ssm":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"has_online_content_ssim":["false"],"extent_ssm":["5.3 Linear Feet 17 Boxes"],"extent_tesim":["5.3 Linear Feet 17 Boxes"],"genreform_ssim":["Painting."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals."],"prefercite_html_tesm":["\u003cp\u003eThe John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019.\u003c/p\u003e"],"prefercite_tesim":["The John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019."],"scopecontent_html_tesm":["\u003cp\u003eThe Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged by subject in chronological order spanning from 1950 \u0026#x2013; 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. \u003c/p\u003e\n","\u003cp\u003eMerritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0d3e798eb2a8cee06c3eebf554d917ee\"\u003eThe Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.\u003c/abstract\u003e"],"abstract_tesim":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"be6ce791bcd745e39261598f","timestamp":"2026-04-21T02:41:46.838Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f"}},{"id":"4ecd9741f5ab1f086d98fc86_aspace_8fdd719698facdf40cf95b5217922cba","type":"File","attributes":{"title":"Eleanor Roosevelt - Articles, 1940-1984","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/4ecd9741f5ab1f086d98fc86_aspace_8fdd719698facdf40cf95b5217922cba#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eArticles and records surrounding Eleanor Roosevelt and conscientious objectors\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4ecd9741f5ab1f086d98fc86_aspace_8fdd719698facdf40cf95b5217922cba#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_8fdd719698facdf40cf95b5217922cba","ref_ssm":["aspace_8fdd719698facdf40cf95b5217922cba","aspace_8fdd719698facdf40cf95b5217922cba"],"id":"4ecd9741f5ab1f086d98fc86_aspace_8fdd719698facdf40cf95b5217922cba","title_filing_ssi":"Eleanor Roosevelt - Articles","title_ssm":["Eleanor Roosevelt - Articles"],"title_tesim":["Eleanor Roosevelt - Articles"],"unitdate_inclusive_ssm":["1940-1984"],"normalized_date_ssm":["1940-1984"],"normalized_title_ssm":["Eleanor Roosevelt - Articles, 1940-1984"],"text":["Eleanor Roosevelt - Articles, 1940-1984","Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006","Research, bulk 1871-2006","/repositories/2/archival_objects/77939","box 35","folder 1","Articles and records surrounding Eleanor Roosevelt and conscientious objectors"],"component_level_isim":[2],"parent_ids_ssim":["4ecd9741f5ab1f086d98fc86","4ecd9741f5ab1f086d98fc86_aspace_ff3bc41a85011bea5a51cdad9b65b38a"],"parent_unittitles_ssm":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006","Research, bulk 1871-2006"],"parent_unittitles_tesim":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006","Research, bulk 1871-2006"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/77939"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":350,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less"],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"containers_ssim":["box 35","folder 1"],"scopecontent_html_tesm":["\u003cp\u003eArticles and records surrounding Eleanor Roosevelt and conscientious objectors\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Articles and records surrounding Eleanor Roosevelt and conscientious objectors"],"_nest_path_":"/components#0/components#348","_nest_parent_":"4ecd9741f5ab1f086d98fc86_aspace_ff3bc41a85011bea5a51cdad9b65b38a","_root_":"4ecd9741f5ab1f086d98fc86","timestamp":"2026-07-11T02:01:13.886Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4ecd9741f5ab1f086d98fc86","title_ssm":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection"],"title_tesim":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection"],"ead_ssi":"4ecd9741f5ab1f086d98fc86","unitdate_ssm":["1871 - 2006"],"unitdate_inclusive_ssm":["1871 - 2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UAFP0012","/repositories/2/resources/203"],"text":["UAFP0012","/repositories/2/resources/203","Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006","United States","World War, 1939-1945","University Archives","University Archives -- Faculty Papers"," Civilian Public Service -- History","World War, 1939-1945 -- Conscientious objectors -- United States","Oral history","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less","The Frazer-O'Sullivan Collection contains the research for the co- authored book, We Have Just Begun to Not Fight: An Oral History of Conscientious Objectors in the Civilian Public Service During World War II, by Heather Frazer and John O'Sullivan. More than 40,000 American men refused to fight during World War II. Citing principled opposition, they declared themselves conscientious objectors. Rejecting combat duty, nearly 12,000 men entered Civilian Public Service (CPS) with the intent to perform \"work of national importance\" as an alternative to combat duty. The CPS program was set up by members of the historic peace churches (Mennonites, Brethren, and Quakers) and participated in by pacifists from other churches, of no specific religious persuasion, and, in the case of a few, no persuasion except not to fight in that particular war. CPS men worked as aides in mental hospitals, volunteered as smoke jumpers in forest fires, and participated in grueling medical and scientific experiments.  Frazer and O'Sullivan use the oral histories of 15 CPS men and two of their wives to illuminate their experience during World War II. ","Heather T. Frazer (1940 – 2016) was a professor of history at Florida Atlantic University. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure, she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history.","John O'Sullivan (1939-2000) was a professor of history at Florida Atlantic University. In 1971, he came to Florida Atlantic University where he served as chair of the History Department (1975-1978) and devoted his entire academic career. Dr. O'Sullivan received numerous research fellowships including the American Philosophical Society, the American Historical Association, and the Sloan Foundation. His areas of specialization were World War II, Vietnam War, Nuclear Age, the Holocaust, Peace History, Oral History and Modern American Political and Diplomatic Affairs.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less","Florida Atlantic University Libraries","English"],"unitid_tesim":["UAFP0012","/repositories/2/resources/203"],"normalized_date_ssm":["1871 - 2006"],"normalized_title_ssm":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006"],"collection_title_tesim":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006"],"collection_ssim":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"geogname_ssm":["United States"],"geogname_ssim":["United States"],"places_ssim":["United States"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less"],"access_subjects_ssim":["World War, 1939-1945","University Archives","University Archives -- Faculty Papers"," Civilian Public Service -- History","World War, 1939-1945 -- Conscientious objectors -- United States","Oral history"],"access_subjects_ssm":["World War, 1939-1945","University Archives","University Archives -- Faculty Papers"," Civilian Public Service -- History","World War, 1939-1945 -- Conscientious objectors -- United States","Oral history"],"has_online_content_ssim":["false"],"extent_ssm":["67 boxes"],"extent_tesim":["67 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less"],"scopecontent_html_tesm":["\u003cp\u003eThe Frazer-O'Sullivan Collection contains the research for the co- authored book, We Have Just Begun to Not Fight: An Oral History of Conscientious Objectors in the Civilian Public Service During World War II, by Heather Frazer and John O'Sullivan. More than 40,000 American men refused to fight during World War II. Citing principled opposition, they declared themselves conscientious objectors. Rejecting combat duty, nearly 12,000 men entered Civilian Public Service (CPS) with the intent to perform \"work of national importance\" as an alternative to combat duty. The CPS program was set up by members of the historic peace churches (Mennonites, Brethren, and Quakers) and participated in by pacifists from other churches, of no specific religious persuasion, and, in the case of a few, no persuasion except not to fight in that particular war. CPS men worked as aides in mental hospitals, volunteered as smoke jumpers in forest fires, and participated in grueling medical and scientific experiments.  Frazer and O'Sullivan use the oral histories of 15 CPS men and two of their wives to illuminate their experience during World War II. \u003c/p\u003e\n","\u003cp\u003eHeather T. Frazer (1940 \u0026#x2013; 2016) was a professor of history at Florida Atlantic University. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure, she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history.\u003c/p\u003e\n","\u003cp\u003eJohn O'Sullivan (1939-2000) was a professor of history at Florida Atlantic University. In 1971, he came to Florida Atlantic University where he served as chair of the History Department (1975-1978) and devoted his entire academic career. Dr. O'Sullivan received numerous research fellowships including the American Philosophical Society, the American Historical Association, and the Sloan Foundation. His areas of specialization were World War II, Vietnam War, Nuclear Age, the Holocaust, Peace History, Oral History and Modern American Political and Diplomatic Affairs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Frazer-O'Sullivan Collection contains the research for the co- authored book, We Have Just Begun to Not Fight: An Oral History of Conscientious Objectors in the Civilian Public Service During World War II, by Heather Frazer and John O'Sullivan. More than 40,000 American men refused to fight during World War II. Citing principled opposition, they declared themselves conscientious objectors. Rejecting combat duty, nearly 12,000 men entered Civilian Public Service (CPS) with the intent to perform \"work of national importance\" as an alternative to combat duty. The CPS program was set up by members of the historic peace churches (Mennonites, Brethren, and Quakers) and participated in by pacifists from other churches, of no specific religious persuasion, and, in the case of a few, no persuasion except not to fight in that particular war. CPS men worked as aides in mental hospitals, volunteered as smoke jumpers in forest fires, and participated in grueling medical and scientific experiments.  Frazer and O'Sullivan use the oral histories of 15 CPS men and two of their wives to illuminate their experience during World War II. ","Heather T. Frazer (1940 – 2016) was a professor of history at Florida Atlantic University. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure, she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history.","John O'Sullivan (1939-2000) was a professor of history at Florida Atlantic University. In 1971, he came to Florida Atlantic University where he served as chair of the History Department (1975-1978) and devoted his entire academic career. Dr. O'Sullivan received numerous research fellowships including the American Philosophical Society, the American Historical Association, and the Sloan Foundation. His areas of specialization were World War II, Vietnam War, Nuclear Age, the Holocaust, Peace History, Oral History and Modern American Political and Diplomatic Affairs."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less"],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"total_component_count_is":808,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"4ecd9741f5ab1f086d98fc86","timestamp":"2026-07-11T02:01:13.886Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4ecd9741f5ab1f086d98fc86_aspace_8fdd719698facdf40cf95b5217922cba"}},{"id":"54a79d377751a18bb2b6bb5c","type":"collection","attributes":{"title":"Elena Pathak Collection about the Ben White Raceway, 1936-1979","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/54a79d377751a18bb2b6bb5c#abstract_or_scope","type":"document_value","attributes":{"value":["Collected by Elena Pathak, this collection includes information and materials about the Ben White Raceway. The key information it contains is found in the directories. These directories describe which horses are staying at the raceway, the company that owns them, the trainers, and which barn they are being housed in. In addition, postcards and a photograph are included in this collection to further emphasize the grandeur of the Ben White Raceway, and to remember the founder, Ben White."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/54a79d377751a18bb2b6bb5c#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"54a79d377751a18bb2b6bb5c","title_ssm":["Elena Pathak Collection about the Ben White Raceway"],"title_tesim":["Elena Pathak Collection about the Ben White Raceway"],"ead_ssi":"54a79d377751a18bb2b6bb5c","unitdate_ssm":["1936-1979"],"unitdate_inclusive_ssm":["1936-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.123","/repositories/4/resources/221"],"text":["SC.123","/repositories/4/resources/221","Elena Pathak Collection about the Ben White Raceway, 1936-1979","Ben White Raceway","Horse racing","Central Florida","The entire collection is open for research.","This collection is arranged in one series. Series one is itemized and each folder is organized chronologically.","Ben White Raceway was a racehorse training site in Orlando, Florida, that was founded in 1920 by Ben White. Ben White was a world-famous horseracing trainer, and he picked Orlando to be his training location. It was often referred to as the winter capital of harness racing, being in the heart of Central Florida. The raceway enjoyed decades of prominence, attracting 30 million visitors in 1959 with total bets made was about 800 million dollars. However, Ben White Raceway, and horseracing in general, lost popularity with the rise of other sporting and betting events. In July 2001, its name was changed to Trotters Park and is now a public park.","Ben White Raceway Papers, 1946-1978.","This collection is arranged in one series. Series one is itemized and each folder is organized chronologically.","Series I, Organizational Files, 1936-1979, Undated, includes multiple copies of directories, different postcards, and a single photograph.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Collected by Elena Pathak, this collection includes information and materials about the Ben White Raceway. The key information it contains is found in the directories. These directories describe which horses are staying at the raceway, the company that owns them, the trainers, and which barn they are being housed in. In addition, postcards and a photograph are included in this collection to further emphasize the grandeur of the Ben White Raceway, and to remember the founder, Ben White.","UCF Special Collections","The materials are written in English"],"unitid_tesim":["SC.123","/repositories/4/resources/221"],"normalized_date_ssm":["1936-1979"],"normalized_title_ssm":["Elena Pathak Collection about the Ben White Raceway, 1936-1979"],"collection_title_tesim":["Elena Pathak Collection about the Ben White Raceway, 1936-1979"],"collection_ssim":["Elena Pathak Collection about the Ben White Raceway, 1936-1979"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Elena Pathak donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2020 (CFM2020_12)."],"access_subjects_ssim":["Ben White Raceway","Horse racing","Central Florida"],"access_subjects_ssm":["Ben White Raceway","Horse racing","Central Florida"],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet 1 Box"],"extent_tesim":["0.25 Linear Feet 1 Box"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in one series. Series one is itemized and each folder is organized chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in one series. Series one is itemized and each folder is organized chronologically."],"bioghist_html_tesm":["\u003cp\u003eBen White Raceway was a racehorse training site in Orlando, Florida, that was founded in 1920 by Ben White. Ben White was a world-famous horseracing trainer, and he picked Orlando to be his training location. It was often referred to as the winter capital of harness racing, being in the heart of Central Florida. The raceway enjoyed decades of prominence, attracting 30 million visitors in 1959 with total bets made was about 800 million dollars. However, Ben White Raceway, and horseracing in general, lost popularity with the rise of other sporting and betting events. In July 2001, its name was changed to Trotters Park and is now a public park.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Ben White Raceway was a racehorse training site in Orlando, Florida, that was founded in 1920 by Ben White. Ben White was a world-famous horseracing trainer, and he picked Orlando to be his training location. It was often referred to as the winter capital of harness racing, being in the heart of Central Florida. The raceway enjoyed decades of prominence, attracting 30 million visitors in 1959 with total bets made was about 800 million dollars. However, Ben White Raceway, and horseracing in general, lost popularity with the rise of other sporting and betting events. In July 2001, its name was changed to Trotters Park and is now a public park."],"prefercite_html_tesm":["\u003cp\u003eElena Pathak Collection about the Ben White Raceway, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Elena Pathak Collection about the Ben White Raceway, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1978-01\"\u003eBen White Raceway Papers, 1946-1978.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Ben White Raceway Papers, 1946-1978."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is arranged in one series. 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Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f64f074ee75d45c304910b845f898e5c\"\u003eCollected by Elena Pathak, this collection includes information and materials about the Ben White Raceway. The key information it contains is found in the directories. These directories describe which horses are staying at the raceway, the company that owns them, the trainers, and which barn they are being housed in. In addition, postcards and a photograph are included in this collection to further emphasize the grandeur of the Ben White Raceway, and to remember the founder, Ben White.\u003c/abstract\u003e"],"abstract_tesim":["Collected by Elena Pathak, this collection includes information and materials about the Ben White Raceway. The key information it contains is found in the directories. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less","The Frazer-O'Sullivan Collection contains the research for the co- authored book, We Have Just Begun to Not Fight: An Oral History of Conscientious Objectors in the Civilian Public Service During World War II, by Heather Frazer and John O'Sullivan. More than 40,000 American men refused to fight during World War II. Citing principled opposition, they declared themselves conscientious objectors. Rejecting combat duty, nearly 12,000 men entered Civilian Public Service (CPS) with the intent to perform \"work of national importance\" as an alternative to combat duty. The CPS program was set up by members of the historic peace churches (Mennonites, Brethren, and Quakers) and participated in by pacifists from other churches, of no specific religious persuasion, and, in the case of a few, no persuasion except not to fight in that particular war. CPS men worked as aides in mental hospitals, volunteered as smoke jumpers in forest fires, and participated in grueling medical and scientific experiments.  Frazer and O'Sullivan use the oral histories of 15 CPS men and two of their wives to illuminate their experience during World War II. ","Heather T. Frazer (1940 – 2016) was a professor of history at Florida Atlantic University. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. 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Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. 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In addition, selected materials are digitized and available electronically through the Digital Library. See less"],"scopecontent_html_tesm":["\u003cp\u003eThe Frazer-O'Sullivan Collection contains the research for the co- authored book, We Have Just Begun to Not Fight: An Oral History of Conscientious Objectors in the Civilian Public Service During World War II, by Heather Frazer and John O'Sullivan. More than 40,000 American men refused to fight during World War II. Citing principled opposition, they declared themselves conscientious objectors. Rejecting combat duty, nearly 12,000 men entered Civilian Public Service (CPS) with the intent to perform \"work of national importance\" as an alternative to combat duty. The CPS program was set up by members of the historic peace churches (Mennonites, Brethren, and Quakers) and participated in by pacifists from other churches, of no specific religious persuasion, and, in the case of a few, no persuasion except not to fight in that particular war. CPS men worked as aides in mental hospitals, volunteered as smoke jumpers in forest fires, and participated in grueling medical and scientific experiments.  Frazer and O'Sullivan use the oral histories of 15 CPS men and two of their wives to illuminate their experience during World War II. \u003c/p\u003e\n","\u003cp\u003eHeather T. Frazer (1940 \u0026#x2013; 2016) was a professor of history at Florida Atlantic University. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure, she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history.\u003c/p\u003e\n","\u003cp\u003eJohn O'Sullivan (1939-2000) was a professor of history at Florida Atlantic University. In 1971, he came to Florida Atlantic University where he served as chair of the History Department (1975-1978) and devoted his entire academic career. Dr. O'Sullivan received numerous research fellowships including the American Philosophical Society, the American Historical Association, and the Sloan Foundation. 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The CPS program was set up by members of the historic peace churches (Mennonites, Brethren, and Quakers) and participated in by pacifists from other churches, of no specific religious persuasion, and, in the case of a few, no persuasion except not to fight in that particular war. CPS men worked as aides in mental hospitals, volunteered as smoke jumpers in forest fires, and participated in grueling medical and scientific experiments.  Frazer and O'Sullivan use the oral histories of 15 CPS men and two of their wives to illuminate their experience during World War II. ","Heather T. Frazer (1940 – 2016) was a professor of history at Florida Atlantic University. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure, she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history.","John O'Sullivan (1939-2000) was a professor of history at Florida Atlantic University. In 1971, he came to Florida Atlantic University where he served as chair of the History Department (1975-1978) and devoted his entire academic career. Dr. O'Sullivan received numerous research fellowships including the American Philosophical Society, the American Historical Association, and the Sloan Foundation. 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Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. 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Cochrane Reynolds Hall (Tallahassee, Fla.)","William James Bryan Hall (Tallahassee, Fla.)","Florida State University Reservation (Fla.)","Belts and belting.","Poetry","Florida State College for Women. Torch Night Festival","Excuse for Absence","Homecoming.","Sophomore council","Sophomore Senior Breakfast","Inauguration","Jennie Murphree Hall (Tallahassee, Fla.)","May Day Festival","Class of 1933","Class of 1939","Pamphlets","Investiture ceremony","Guy Linton Diffenbaugh Building (Tallahassee, Fla.)","Odd Team caps","Rings (Jewelry)","Napkins.","Clippings (Books, newspapers, etc.)","Books","Certificates","Collectibles.","Name tags","Newsletters","Postcards.","Programs","Receipts","Résumés (Employment)","Plaques","Lists.","Ticket stubs","Blank forms","Place cards","Pins (Jewelry)","This collection is open to all researchers. ","This collection is in an offsite storage location. 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Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"prefercite_html_tesm":["\u003cp\u003e[Name of Item], [Date of Item], Elizabeth and Katharine Autrey Collection, Heritage \u0026amp; University Archives, Florida State University, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/HP-2007-051\"\u003ehttp://purl.fcla.edu/fsu/HP-2007-051\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Name of Item], [Date of Item], Elizabeth and Katharine Autrey Collection, Heritage \u0026 University Archives, Florida State University, Tallahassee, Florida.  http://purl.fcla.edu/fsu/HP-2007-051"],"processinfo_html_tesm":["\u003cp\u003eEntered 5 August 2008.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Entered 5 August 2008."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains items and memorabilia related to Florida State College for Women (FSCW), including a scrapbook and photographs.\u003c/p\u003e","\u003cp\u003eSelect materials from this collection have been digitized and are available through the \u003cextref href=\"https://diginole.lib.fsu.edu/islandora/object/fsu:huaphotographcollection\"\u003eFSU Digital Library\u003c/extref\u003e as part of a larger photograph collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["The collection contains items and memorabilia related to Florida State College for Women (FSCW), including a scrapbook and photographs.","Select materials from this collection have been digitized and are available through the  FSU Digital Library  as part of a larger photograph collection."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. 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A gift in honor of William Edwards Lee III.","Donation."],"access_subjects_ssim":["Children's literature","Prints -- Limited editions","Prints","Children's literature -- Illustrations"],"access_subjects_ssm":["Children's literature","Prints -- Limited editions","Prints","Children's literature -- Illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["1.74 Linear Feet","1  boxes"],"extent_tesim":["1.74 Linear Feet","1  boxes"],"genreform_ssim":["Children's literature -- Illustrations"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2018],"arrangement_html_tesm":["\u003cp\u003ePrints remain in original frames and are arranged by size.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Prints remain in original frames and are arranged by size."],"bioghist_html_tesm":["\u003cp\u003eElizabeth Lee Barron studied at the University of North Carolina at Chapel Hill, graduating with a Master of Library and Information Science degree in 1988. As a Reference Librarian at the University of Tampa (FL), Barron's responsibilities included the acquisition of educational materials for the library, as well as materials on the topics of criminology and nursing.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Elizabeth Lee Barron studied at the University of North Carolina at Chapel Hill, graduating with a Master of Library and Information Science degree in 1988. As a Reference Librarian at the University of Tampa (FL), Barron's responsibilities included the acquisition of educational materials for the library, as well as materials on the topics of criminology and nursing."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eElizabeth Lee Barron collection of children's literature prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Elizabeth Lee Barron collection of children's literature prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eChildrens Literature Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Childrens Literature Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of seven color prints with illustrations from works of children's literature.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of seven color prints with illustrations from works of children's literature."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_43e53b9de1d165d9abfafe5c42ba3503\" label=\"Abstract\"\u003eThis collection includes four color prints collected and donated by Elizabeth Lee Barron, a librarian employed by the University of Tampa. The framed prints in the collection are reproductions of illustrations from 20th and 21st century children's literature books. Two of the prints are signed by the artist. This collection was donated as a gift in honor of William Edwards Lee III.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes four color prints collected and donated by Elizabeth Lee Barron, a librarian employed by the University of Tampa. The framed prints in the collection are reproductions of illustrations from 20th and 21st century children's literature books. Two of the prints are signed by the artist. This collection was donated as a gift in honor of William Edwards Lee III."],"names_ssim":["USF Libraries - Tampa Special Collections","Barron, Elizabeth Lee","Robinson, Christian (1986-)","Rylant, Cynthia (1954-)","Lofting, Hugh (1886-1947)","Steig, William (1907-2003)","Sís, Peter (1949-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Robinson, Christian (1986-)","Rylant, Cynthia (1954-)","Lofting, Hugh (1886-1947)","Steig, William (1907-2003)","Sís, Peter (1949-)","Barron, Elizabeth Lee"],"persname_ssim":["Barron, Elizabeth Lee","Robinson, Christian (1986-)","Rylant, Cynthia (1954-)","Lofting, Hugh (1886-1947)","Steig, William (1907-2003)","Sís, Peter (1949-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863399992164352,"_root_":"cbc2a7b19233380ee50dea36","timestamp":"2026-07-16T09:32:54.077Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cbc2a7b19233380ee50dea36"}},{"id":"5c664f35ba84cce3023f6a62_aspace_cf165fe497809ab6a0e23b72d2b8a296","type":"File","attributes":{"title":"Elkan, Walter, 1959","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_cf165fe497809ab6a0e23b72d2b8a296#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_cf165fe497809ab6a0e23b72d2b8a296","ref_ssm":["aspace_cf165fe497809ab6a0e23b72d2b8a296","aspace_cf165fe497809ab6a0e23b72d2b8a296"],"id":"5c664f35ba84cce3023f6a62_aspace_cf165fe497809ab6a0e23b72d2b8a296","title_filing_ssi":"Elkan, Walter","title_ssm":["Elkan, Walter"],"title_tesim":["Elkan, Walter"],"unitdate_inclusive_ssm":["1959"],"normalized_date_ssm":["1959"],"normalized_title_ssm":["Elkan, Walter, 1959"],"text":["Elkan, Walter, 1959","Niara Sudarkasa Collection, 1934-2006","Writings by others","/repositories/2/archival_objects/29276","box 52","folder 30"],"component_level_isim":[2],"parent_ids_ssim":["5c664f35ba84cce3023f6a62","5c664f35ba84cce3023f6a62_aspace_60421e776c845bf7cd0dc7e916c56d99"],"parent_unittitles_ssm":["Niara Sudarkasa Collection, 1934-2006","Writings by others"],"parent_unittitles_tesim":["Niara Sudarkasa Collection, 1934-2006","Writings by others"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/29276"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1259,"parent_access_restrict_tesm":["The Niara Sudarkasa Collection is open for research."],"date_range_isim":[1959],"containers_ssim":["box 52","folder 30"],"_nest_path_":"/components#4/components#408","_nest_parent_":"5c664f35ba84cce3023f6a62_aspace_60421e776c845bf7cd0dc7e916c56d99","_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5c664f35ba84cce3023f6a62","title_filing_ssi":"Sudarkasa, Niara Collection","title_ssm":["Niara Sudarkasa Collection"],"title_tesim":["Niara Sudarkasa Collection"],"ead_ssi":"5c664f35ba84cce3023f6a62","unitdate_ssm":["1934-2006"],"unitdate_inclusive_ssm":["1934-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2006.4","/repositories/2/resources/51"],"text":["AARLCC.2006.4","/repositories/2/resources/51","Niara Sudarkasa Collection, 1934-2006","Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals","The Niara Sudarkasa Collection is open for research.","View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.","Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.","The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.","The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.","Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".","AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara","English"],"unitid_tesim":["AARLCC.2006.4","/repositories/2/resources/51"],"normalized_date_ssm":["1934-2006"],"normalized_title_ssm":["Niara Sudarkasa Collection, 1934-2006"],"collection_title_tesim":["Niara Sudarkasa Collection, 1934-2006"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"creator_ssm":["Sudarkasa, Niara"],"creator_ssim":["Sudarkasa, Niara"],"creator_persname_ssim":["Sudarkasa, Niara"],"creators_ssim":["Sudarkasa, Niara"],"acqinfo_ssim":["Dr. Niara Sudarkasa donated the materials to the AARLCC Special Collections on October 17, 2006 (Accession AARLCC-2006.4)."],"access_subjects_ssim":["Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals"],"access_subjects_ssm":["Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals"],"has_online_content_ssim":["false"],"extent_ssm":["400 Hollinger Boxes","410 Linear Feet"],"extent_tesim":["400 Hollinger Boxes","410 Linear Feet"],"genreform_ssim":["Correspondence","Photographs","plaques (flat objects)","Periodicals"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Niara Sudarkasa Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/nsb\" target=\"_blank\"\u003eView a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives."],"bioghist_html_tesm":["\u003cp\u003eNiara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.\u003c/p\u003e\n","\u003cp\u003eGloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. \u003c/p\u003e\n","\u003cp\u003eGloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.\u003c/p\u003e\n","\u003cp\u003eIn 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Al\u0026#xE1;y\u0026#xE9;l\u0026#xFA;w\u0026#xE0; \u0026#x1ECC;ba \u0026#x1ECC;k\u0026#xFA;nad\u0026#xE9; Sijuwade Ol\u0026#xFA;b\u0026#xF9;s\u0026#x1EB9; II of the Royal Court of If\u0026#x1EB9;\u0026#x301; conferred upon her the chieftaincy title Y\u0026#xE8;y\u0026#xE9; Ol\u0026#xF3;kun \u0026#xCC;gb\u0026#xE0;d\u0026#xE9;r\u0026#xF2;. She was the first African American to receive this honor from the If\u0026#x1EB9;\u0026#x301; Kingdom.\u003c/p\u003e\n","\u003cp\u003eFollowing her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship."],"prefercite_html_tesm":["\u003cp\u003eNiara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Niara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. \u003c/p\u003e","\u003cp\u003eParts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant."],"scopecontent_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=SUD\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\"."],"names_coll_ssim":["University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"names_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara"],"corpname_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"persname_ssim":["Sudarkasa, Niara"],"language_ssim":["English"],"total_component_count_is":2760,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_cf165fe497809ab6a0e23b72d2b8a296"}},{"id":"4ad50bfd693bba5a202c3c11","type":"collection","attributes":{"title":"Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/4ad50bfd693bba5a202c3c11#abstract_or_scope","type":"document_value","attributes":{"value":["Correspondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4ad50bfd693bba5a202c3c11#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"4ad50bfd693bba5a202c3c11","title_ssm":["Ella Scoble Opperman Papers"],"title_tesim":["Ella Scoble Opperman Papers"],"ead_ssi":"4ad50bfd693bba5a202c3c11","unitdate_ssm":["1719-1963","1900-1963"],"unitdate_bulk_ssim":["1900-1963"],"unitdate_inclusive_ssm":["1719-1963"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 1969-196","/repositories/10/resources/738"],"text":["MSS 1969-196","/repositories/10/resources/738","Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963","Florida State College for Women--History","Music--Instruction and Study.","Musicians--Correspondence.","Piano.","Organ--History.","Teaching--Certification.","Account books","Genealogy","Clippings (Books, newspapers, etc.)","Correspondence","Diplomas","Drawing","Lecture notes","Legal documents.","Notebooks.","Photographs","Programs","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Ella Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n Prior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n Opperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n Under Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n Opperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia.","The collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin.","The Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n The collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","Correspondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers.","FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion","English"],"unitid_tesim":["MSS 1969-196","/repositories/10/resources/738"],"normalized_date_ssm":["1719-1963, bulk 1900-1963"],"normalized_title_ssm":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"collection_title_tesim":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"collection_ssim":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"acqinfo_ssim":["Owen F. Sellers","Gift of Owen F. Sellers, Administrator of Estate of Ella Scoble Opperman, May 1969. Additional materials received in 1990, donor unknown."],"access_subjects_ssim":["Florida State College for Women--History","Music--Instruction and Study.","Musicians--Correspondence.","Piano.","Organ--History.","Teaching--Certification.","Account books","Genealogy","Clippings (Books, newspapers, etc.)","Correspondence","Diplomas","Drawing","Lecture notes","Legal documents.","Notebooks.","Photographs","Programs"],"access_subjects_ssm":["Florida State College for Women--History","Music--Instruction and Study.","Musicians--Correspondence.","Piano.","Organ--History.","Teaching--Certification.","Account books","Genealogy","Clippings (Books, newspapers, etc.)","Correspondence","Diplomas","Drawing","Lecture notes","Legal documents.","Notebooks.","Photographs","Programs"],"has_online_content_ssim":["false"],"extent_ssm":["4.48 Linear Feet"],"extent_tesim":["4.48 Linear Feet"],"genreform_ssim":["Clippings (Books, newspapers, etc.)","Correspondence","Diplomas","Drawing","Lecture notes","Legal documents.","Notebooks.","Photographs","Programs"],"date_range_isim":[1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eElla Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n\u003cbr\u003e\u003cbr\u003ePrior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n\u003cbr\u003e\u003cbr\u003eOpperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n\u003cbr\u003e\u003cbr\u003eUnder Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n\u003cbr\u003e\u003cbr\u003eOpperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Ella Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n Prior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n Opperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n Under Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n Opperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia."],"prefercite_html_tesm":["\u003cp\u003eElla Scoble Opperman Papers, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1969-196\u003c/p\u003e"],"prefercite_tesim":["Ella Scoble Opperman Papers, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1969-196"],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin."],"scopecontent_html_tesm":["\u003cp\u003eThe Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n\u003cbr\u003e\u003cbr\u003eThe collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n The collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5679f793022ba9471da8b041c3038756\" label=\"Abstract\"\u003eCorrespondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers.\u003c/abstract\u003e"],"abstract_tesim":["Correspondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers."],"names_coll_ssim":["Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )"],"persname_ssim":["Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":691,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870859392320012288,"_root_":"4ad50bfd693bba5a202c3c11","timestamp":"2026-07-16T08:29:11.978Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4ad50bfd693bba5a202c3c11","title_ssm":["Ella Scoble Opperman Papers"],"title_tesim":["Ella Scoble Opperman Papers"],"ead_ssi":"4ad50bfd693bba5a202c3c11","unitdate_ssm":["1719-1963","1900-1963"],"unitdate_bulk_ssim":["1900-1963"],"unitdate_inclusive_ssm":["1719-1963"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 1969-196","/repositories/10/resources/738"],"text":["MSS 1969-196","/repositories/10/resources/738","Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963","Florida State College for Women--History","Music--Instruction and Study.","Musicians--Correspondence.","Piano.","Organ--History.","Teaching--Certification.","Account books","Genealogy","Clippings (Books, newspapers, etc.)","Correspondence","Diplomas","Drawing","Lecture notes","Legal documents.","Notebooks.","Photographs","Programs","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Ella Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n Prior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n Opperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n Under Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n Opperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia.","The collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin.","The Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n The collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","Correspondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers.","FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion","English"],"unitid_tesim":["MSS 1969-196","/repositories/10/resources/738"],"normalized_date_ssm":["1719-1963, bulk 1900-1963"],"normalized_title_ssm":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"collection_title_tesim":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"collection_ssim":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"acqinfo_ssim":["Owen F. Sellers","Gift of Owen F. Sellers, Administrator of Estate of Ella Scoble Opperman, May 1969. Additional materials received in 1990, donor unknown."],"access_subjects_ssim":["Florida State College for Women--History","Music--Instruction and Study.","Musicians--Correspondence.","Piano.","Organ--History.","Teaching--Certification.","Account books","Genealogy","Clippings (Books, newspapers, etc.)","Correspondence","Diplomas","Drawing","Lecture notes","Legal documents.","Notebooks.","Photographs","Programs"],"access_subjects_ssm":["Florida State College for Women--History","Music--Instruction and Study.","Musicians--Correspondence.","Piano.","Organ--History.","Teaching--Certification.","Account books","Genealogy","Clippings (Books, newspapers, etc.)","Correspondence","Diplomas","Drawing","Lecture notes","Legal documents.","Notebooks.","Photographs","Programs"],"has_online_content_ssim":["false"],"extent_ssm":["4.48 Linear Feet"],"extent_tesim":["4.48 Linear Feet"],"genreform_ssim":["Clippings (Books, newspapers, etc.)","Correspondence","Diplomas","Drawing","Lecture notes","Legal documents.","Notebooks.","Photographs","Programs"],"date_range_isim":[1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eElla Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n\u003cbr\u003e\u003cbr\u003ePrior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n\u003cbr\u003e\u003cbr\u003eOpperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n\u003cbr\u003e\u003cbr\u003eUnder Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n\u003cbr\u003e\u003cbr\u003eOpperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Ella Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n Prior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n Opperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n Under Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n Opperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia."],"prefercite_html_tesm":["\u003cp\u003eElla Scoble Opperman Papers, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1969-196\u003c/p\u003e"],"prefercite_tesim":["Ella Scoble Opperman Papers, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1969-196"],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin."],"scopecontent_html_tesm":["\u003cp\u003eThe Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n\u003cbr\u003e\u003cbr\u003eThe collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n The collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5679f793022ba9471da8b041c3038756\" label=\"Abstract\"\u003eCorrespondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers.\u003c/abstract\u003e"],"abstract_tesim":["Correspondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers."],"names_coll_ssim":["Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )"],"persname_ssim":["Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":691,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870859392320012288,"_root_":"4ad50bfd693bba5a202c3c11","timestamp":"2026-07-16T08:29:11.978Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4ad50bfd693bba5a202c3c11"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Michael A. 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