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","Please inquire if you have questions - archives@flsouthern.edu"],"acqinfo_ssim":["The materials were donated to the McKay archives by Mr. Sutphin in 2024."],"access_subjects_ssim":["Sutphin, Niles","Wright, Frank Lloyd, 1867-1959","Architecture--United States--20th century","Architects--United States--Biography","Florida Southern College--buildings","Guggenheim Museum","Price Tower (Bartlesville, Okla.)","Architectural drawings","Blueprints","Periodicals","Brochures."],"access_subjects_ssm":["Sutphin, Niles","Wright, Frank Lloyd, 1867-1959","Architecture--United States--20th century","Architects--United States--Biography","Florida Southern College--buildings","Guggenheim Museum","Price Tower (Bartlesville, Okla.)","Architectural drawings","Blueprints","Periodicals","Brochures."],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet"],"extent_tesim":["1 Linear Feet"],"genreform_ssim":["Architectural drawings","Blueprints","Periodicals","Brochures."],"date_range_isim":[1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. 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Her research notes discuss Alabama, Arkansas, common schools, comparative education, Texas, and David S. Walker. Other subjects of note include: Edwin B. Browning, Concord Missionary Baptist Church, Mary Shad Button, reading difficulties, Jacksonville, and education in Walton County.\n Also includes materials accessioned as MSS 92-3."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Pyburn, Nita Katharine","Pyburn, Nita Katherine"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Pyburn, Nita Katherine"],"persname_ssim":["Pyburn, Nita Katharine","Pyburn, Nita Katherine"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":53,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857000743600128,"_root_":"948b06a86ad474541ac8aef6","timestamp":"2026-07-16T07:51:11.277Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/948b06a86ad474541ac8aef6"}},{"id":"98ff5eee275a3aba6d1d8b92_aspace_149037","type":"Item","attributes":{"title":"No.116, 1934-1974","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/98ff5eee275a3aba6d1d8b92_aspace_149037#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_149037","ref_ssm":["aspace_149037","aspace_149037"],"id":"98ff5eee275a3aba6d1d8b92_aspace_149037","title_filing_ssi":"No.116","title_ssm":["No.116"],"title_tesim":["No.116"],"unitdate_inclusive_ssm":["1934-1974"],"normalized_date_ssm":["1934-1974"],"normalized_title_ssm":["No.116, 1934-1974"],"text":["No.116, 1934-1974","The Pugh Collection of Amateur Periodicals, 1930-1982, Date acquired: 10/00/1997, bulk 1930-1950","Series 1","Box 3","Alf's Cat, 1966-1974","Item 4","/repositories/2/archival_objects/4172"],"component_level_isim":[4],"parent_ids_ssim":["98ff5eee275a3aba6d1d8b92","98ff5eee275a3aba6d1d8b92_aspace_145433","98ff5eee275a3aba6d1d8b92_aspace_145556","98ff5eee275a3aba6d1d8b92_aspace_145570"],"parent_unittitles_ssm":["The Pugh Collection of Amateur Periodicals, 1930-1982, Date acquired: 10/00/1997, bulk 1930-1950","Series 1","Box 3","Alf's Cat, 1966-1974"],"parent_unittitles_tesim":["The Pugh Collection of Amateur Periodicals, 1930-1982, Date acquired: 10/00/1997, bulk 1930-1950","Series 1","Box 3","Alf's Cat, 1966-1974"],"parent_levels_ssm":["collection","Series","Box","File"],"unitid_ssm":["Item 4","/repositories/2/archival_objects/4172"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["The Pugh Collection of Amateur Periodicals, 1930-1982, Date acquired: 10/00/1997, bulk 1930-1950"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":352,"parent_access_terms_tesm":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974],"_nest_path_":"/components#0/components#2/components#1/components#3","_nest_parent_":"98ff5eee275a3aba6d1d8b92_aspace_145570","_root_":"98ff5eee275a3aba6d1d8b92","_version_":1870863090338234368,"timestamp":"2026-07-16T09:27:58.578Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"98ff5eee275a3aba6d1d8b92","title_filing_ssi":"Pugh Collection of Amateur Periodicals, The","title_ssm":["The Pugh Collection of Amateur Periodicals"],"title_tesim":["The Pugh Collection of Amateur Periodicals"],"ead_ssi":"98ff5eee275a3aba6d1d8b92","unitdate_ssm":["1930-1982","1930-1950","Date acquired: 10/00/1997"],"unitdate_bulk_ssim":["1930-1950"],"unitdate_inclusive_ssm":["1930-1982"],"unitdate_other_ssim":["Date acquired: 10/00/1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1997-05","/repositories/2/resources/39"],"text":["MS-1997-05","/repositories/2/resources/39","The Pugh Collection of Amateur Periodicals, 1930-1982, Date acquired: 10/00/1997, bulk 1930-1950","Science fiction -- American","amateur press periodicals","alphabetical order by series","Mary L. Pugh (1918-2005) was born in Scotland, Maryland. She was the sister of Joseph F. Bradburn, the original collector of the amateur press periodicals who contributed to the amateur press with his own works, including, \"A guide to beginners in Amateur Journalism\"; a sort of amateur press \"creed\" for the amateur periodical enthusiast. Joseph F. Bradburn was also the collector and preparer of material that became the Pugh Hobby Printing Collection.","Note written by Yahaira Cruz Castro","Processed","The Pugh Hobby Printing Collection","The collection includes printing style pamphlets, periodicals with themes of science fiction, fantasy, religion, poetry and satire that is international in scope but mostly limited to English speaking countries of North American and the United Kingdom. Additionally, there are several volumes of amateur journalism in the collection. Programs for annual conventions are included as well. The collection also includes materials associated with the National Amateur Press Association (NAPA) such as the  Artis  which included essays and news regarding current NAPA members and the  Denver Dingbat  that highlighted specific amateur writers that are members of NAPA as well as current events. Material includes records associated with NAPA, the American Amateur Press Association (AAPA) as well as the British Amateur Press Association (BAPA).","None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","Amateur press periodicals were miniature newspapers and magazines published for pleasure and intellectual improvement. Primarily published by inexperienced young men and women, these journals experienced an amateur golden era during the 1940s and 1950s. A few associations like the National Amateur Press Association (NAPA) are still operating to this day.\n\t \n\t\"A History of Amateur Press Associations\" (Rutgers University library)\n\tAmericanAntiquarianSociety.org","USF Libraries - Tampa Special Collections","Pugh, Mary L. (1918-2005)","English"],"unitid_tesim":["MS-1997-05","/repositories/2/resources/39"],"normalized_date_ssm":["1930-1982, Date acquired: 10/00/1997, bulk 1930-1950"],"normalized_title_ssm":["The Pugh Collection of Amateur Periodicals, 1930-1982, Date acquired: 10/00/1997, bulk 1930-1950"],"collection_title_tesim":["The Pugh Collection of Amateur Periodicals, 1930-1982, Date acquired: 10/00/1997, bulk 1930-1950"],"collection_ssim":["The Pugh Collection of Amateur Periodicals, 1930-1982, Date acquired: 10/00/1997, bulk 1930-1950"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Pugh, Mary L. (1918-2005)"],"creator_ssim":["Pugh, Mary L. (1918-2005)"],"creator_persname_ssim":["Pugh, Mary L. (1918-2005)"],"creators_ssim":["Pugh, Mary L. (1918-2005)"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Mary L. 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Bradburn, the original collector of the amateur press periodicals who contributed to the amateur press with his own works, including, \"A guide to beginners in Amateur Journalism\"; a sort of amateur press \"creed\" for the amateur periodical enthusiast. Joseph F. Bradburn was also the collector and preparer of material that became the Pugh Hobby Printing Collection.\u003c/p\u003e\n","\u003cp\u003eNote written by Yahaira Cruz Castro\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Mary L. Pugh (1918-2005) was born in Scotland, Maryland. She was the sister of Joseph F. Bradburn, the original collector of the amateur press periodicals who contributed to the amateur press with his own works, including, \"A guide to beginners in Amateur Journalism\"; a sort of amateur press \"creed\" for the amateur periodical enthusiast. Joseph F. Bradburn was also the collector and preparer of material that became the Pugh Hobby Printing Collection.","Note written by Yahaira Cruz Castro"],"prefercite_html_tesm":["\u003cp\u003eThe Pugh Collection of Amateur Periodicals, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"prefercite_tesim":["The Pugh Collection of Amateur Periodicals, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed"],"relatedmaterial_html_tesm":["\u003cp\u003eThe Pugh Hobby Printing Collection\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Pugh Hobby Printing Collection"],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes printing style pamphlets, periodicals with themes of science fiction, fantasy, religion, poetry and satire that is international in scope but mostly limited to English speaking countries of North American and the United Kingdom. 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Material includes records associated with NAPA, the American Amateur Press Association (AAPA) as well as the British Amateur Press Association (BAPA).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes printing style pamphlets, periodicals with themes of science fiction, fantasy, religion, poetry and satire that is international in scope but mostly limited to English speaking countries of North American and the United Kingdom. Additionally, there are several volumes of amateur journalism in the collection. Programs for annual conventions are included as well. The collection also includes materials associated with the National Amateur Press Association (NAPA) such as the  Artis  which included essays and news regarding current NAPA members and the  Denver Dingbat  that highlighted specific amateur writers that are members of NAPA as well as current events. Material includes records associated with NAPA, the American Amateur Press Association (AAPA) as well as the British Amateur Press Association (BAPA)."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a882cc3b6f79b003a1786492dd4b6619\" label=\"Abstract\"\u003eAmateur press periodicals were miniature newspapers and magazines published for pleasure and intellectual improvement. Primarily published by inexperienced young men and women, these journals experienced an amateur golden era during the 1940s and 1950s. A few associations like the National Amateur Press Association (NAPA) are still operating to this day.\n\t \n\t\"A History of Amateur Press Associations\" (Rutgers University library)\n\tAmericanAntiquarianSociety.org\u003c/abstract\u003e"],"abstract_tesim":["Amateur press periodicals were miniature newspapers and magazines published for pleasure and intellectual improvement. Primarily published by inexperienced young men and women, these journals experienced an amateur golden era during the 1940s and 1950s. A few associations like the National Amateur Press Association (NAPA) are still operating to this day.\n\t \n\t\"A History of Amateur Press Associations\" (Rutgers University library)\n\tAmericanAntiquarianSociety.org"],"names_ssim":["USF Libraries - Tampa Special Collections","Pugh, Mary L. (1918-2005)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Pugh, Mary L. 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It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9814e559b5e5e7e356011795#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"9814e559b5e5e7e356011795","title_ssm":["Noel Wisdom collection"],"title_tesim":["Noel Wisdom collection"],"ead_ssi":"9814e559b5e5e7e356011795","unitdate_ssm":["1915-1982"],"unitdate_inclusive_ssm":["1915-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1976-02","/repositories/2/resources/191"],"text":["MS-1976-02","/repositories/2/resources/191","Noel Wisdom collection, 1915-1982","Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists","This collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2.","Noel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.  His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches.  Most of what he did in the trenches consisited of sketching profiles of his platoon.  One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.  In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.  He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.  Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.  At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.  He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.   Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.  He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.  During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.  About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist.  In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.  Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve","Noel Wisdom Collection of Chromolithographic Prints","This collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","This collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript,  Around The World On Scissors . 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Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2."],"bioghist_html_tesm":["\u003cp\u003eNoel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.\u0026#xA0; His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.\u003c/p\u003e\n","\u003cp\u003eWisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"\u003c/p\u003e\n","\u003cp\u003eIn 1915 Wisdom was accepted for service and found himself in the British trenches.\u0026#xA0; Most of what he did in the trenches consisited of sketching profiles of his platoon.\u0026#xA0; One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.\u003c/p\u003e\n","\u003cp\u003eWhen the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.\u0026#xA0; In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.\u0026#xA0; He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.\u0026#xA0; Within six weeks, Noel Wisdom had landed on the shores of Australia.\u003c/p\u003e\n","\u003cp\u003eHe worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.\u0026#xA0; At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.\u0026#xA0; He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.\u0026#xA0;  Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.\u003c/p\u003e\n","\u003cp\u003eUpon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.\u0026#xA0; He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.\u0026#xA0; During World War II he snipped hundreds of servicemen for free.\u003c/p\u003e\n","\u003cp\u003eWisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.\u0026#xA0; About this time he penned his still unpublished \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e, a retrospective of his life as a soldier and silhouette artist.\u0026#xA0; In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.\u0026#xA0; Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.\u003c/p\u003e\n","\u003cp\u003eNote written by Rebecca Rieve\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Noel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.  His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches.  Most of what he did in the trenches consisited of sketching profiles of his platoon.  One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.  In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.  He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.  Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.  At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.  He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.   Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.  He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.  During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.  About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist.  In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.  Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve"],"prefercite_html_tesm":["\u003cp\u003eNoel Wisdom Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Noel Wisdom Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eNoel Wisdom Collection of Chromolithographic Prints\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Noel Wisdom Collection of Chromolithographic Prints"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_85dd84c4f239c5db38df45c917446121\" label=\"Abstract\"\u003eThis collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript, \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e. It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript,  Around The World On Scissors . It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom."],"names_ssim":["USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Wisdom, Noel (1897-1983)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":22,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"9814e559b5e5e7e356011795","timestamp":"2026-07-10T03:34:50.892Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9814e559b5e5e7e356011795","title_ssm":["Noel Wisdom collection"],"title_tesim":["Noel Wisdom collection"],"ead_ssi":"9814e559b5e5e7e356011795","unitdate_ssm":["1915-1982"],"unitdate_inclusive_ssm":["1915-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1976-02","/repositories/2/resources/191"],"text":["MS-1976-02","/repositories/2/resources/191","Noel Wisdom collection, 1915-1982","Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists","This collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2.","Noel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.  His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches.  Most of what he did in the trenches consisited of sketching profiles of his platoon.  One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.  In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.  He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.  Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.  At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.  He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.   Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.  He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.  During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.  About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist.  In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.  Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve","Noel Wisdom Collection of Chromolithographic Prints","This collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","This collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript,  Around The World On Scissors . It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom.","USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)","English"],"unitid_tesim":["MS-1976-02","/repositories/2/resources/191"],"normalized_date_ssm":["1915-1982"],"normalized_title_ssm":["Noel Wisdom collection, 1915-1982"],"collection_title_tesim":["Noel Wisdom collection, 1915-1982"],"collection_ssim":["Noel Wisdom collection, 1915-1982"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Wisdom, Noel (1897-1983)"],"creator_ssim":["Wisdom, Noel (1897-1983)"],"creator_persname_ssim":["Wisdom, Noel (1897-1983)"],"creators_ssim":["Wisdom, Noel (1897-1983)"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Noel Wisdom","Donation."],"access_subjects_ssim":["Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists"],"access_subjects_ssm":["Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["0.83 Linear Feet","2 boxes"],"extent_tesim":["0.83 Linear Feet","2 boxes"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2."],"bioghist_html_tesm":["\u003cp\u003eNoel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.\u0026#xA0; His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.\u003c/p\u003e\n","\u003cp\u003eWisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"\u003c/p\u003e\n","\u003cp\u003eIn 1915 Wisdom was accepted for service and found himself in the British trenches.\u0026#xA0; Most of what he did in the trenches consisited of sketching profiles of his platoon.\u0026#xA0; One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.\u003c/p\u003e\n","\u003cp\u003eWhen the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.\u0026#xA0; In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.\u0026#xA0; He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.\u0026#xA0; Within six weeks, Noel Wisdom had landed on the shores of Australia.\u003c/p\u003e\n","\u003cp\u003eHe worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.\u0026#xA0; At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.\u0026#xA0; He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.\u0026#xA0;  Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.\u003c/p\u003e\n","\u003cp\u003eUpon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.\u0026#xA0; He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.\u0026#xA0; During World War II he snipped hundreds of servicemen for free.\u003c/p\u003e\n","\u003cp\u003eWisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.\u0026#xA0; About this time he penned his still unpublished \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e, a retrospective of his life as a soldier and silhouette artist.\u0026#xA0; In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.\u0026#xA0; Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.\u003c/p\u003e\n","\u003cp\u003eNote written by Rebecca Rieve\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Noel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.  His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches.  Most of what he did in the trenches consisited of sketching profiles of his platoon.  One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.  In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.  He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.  Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.  At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.  He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.   Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.  He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.  During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.  About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist.  In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.  Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve"],"prefercite_html_tesm":["\u003cp\u003eNoel Wisdom Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Noel Wisdom Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eNoel Wisdom Collection of Chromolithographic Prints\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Noel Wisdom Collection of Chromolithographic Prints"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_85dd84c4f239c5db38df45c917446121\" label=\"Abstract\"\u003eThis collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript, \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e. It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript,  Around The World On Scissors . It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom."],"names_ssim":["USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Wisdom, Noel (1897-1983)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":22,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"9814e559b5e5e7e356011795","timestamp":"2026-07-10T03:34:50.892Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9814e559b5e5e7e356011795"}},{"id":"3b651bebb556d00cec8728df_aspace_3ede680abb5ddb2b17cfea709cfb7498","type":"File","attributes":{"title":"Nogan, Fr. Raymond, 1948-1961","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3b651bebb556d00cec8728df_aspace_3ede680abb5ddb2b17cfea709cfb7498#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3ede680abb5ddb2b17cfea709cfb7498","ref_ssm":["aspace_3ede680abb5ddb2b17cfea709cfb7498","aspace_3ede680abb5ddb2b17cfea709cfb7498"],"id":"3b651bebb556d00cec8728df_aspace_3ede680abb5ddb2b17cfea709cfb7498","title_filing_ssi":"Nogan, Fr. Raymond","title_ssm":["Nogan, Fr. Raymond"],"title_tesim":["Nogan, Fr. Raymond"],"unitdate_inclusive_ssm":["1948-1961"],"normalized_date_ssm":["1948-1961"],"normalized_title_ssm":["Nogan, Fr. Raymond, 1948-1961"],"text":["Nogan, Fr. Raymond, 1948-1961","Walter and Dorothy Donnelly family papers, 1887-2021","Additional Materials, 1909-2021","CFM2020_10, 1917-1994, Undated","Correspondence, 1929-1990, Undated","Incoming, 1929-1990, Undated","Folder 2","/repositories/4/archival_objects/56087","box 8","folder 2"],"component_level_isim":[5],"parent_ids_ssim":["3b651bebb556d00cec8728df","3b651bebb556d00cec8728df_aspace_f58acf1e5bb3c4c23984bca2eb8d71a6","3b651bebb556d00cec8728df_aspace_41d476757a6af37e0a78b8ce8959bca0","3b651bebb556d00cec8728df_aspace_aade5f65b1d6b68fbf30af6b581f9a45","3b651bebb556d00cec8728df_aspace_57ae1934954f8dd38ad1cfff34571390"],"parent_unittitles_ssm":["Walter and Dorothy Donnelly family papers, 1887-2021","Additional Materials, 1909-2021","CFM2020_10, 1917-1994, Undated","Correspondence, 1929-1990, Undated","Incoming, 1929-1990, Undated"],"parent_unittitles_tesim":["Walter and Dorothy Donnelly family papers, 1887-2021","Additional Materials, 1909-2021","CFM2020_10, 1917-1994, Undated","Correspondence, 1929-1990, Undated","Incoming, 1929-1990, Undated"],"parent_levels_ssm":["collection","Series","Subseries","File","Subseries"],"unitid_ssm":["Folder 2","/repositories/4/archival_objects/56087"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Walter and Dorothy Donnelly family papers, 1887-2021"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":186,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961],"containers_ssim":["box 8","folder 2"],"_nest_path_":"/components#2/components#1/components#10/components#0/components#33","_nest_parent_":"3b651bebb556d00cec8728df_aspace_57ae1934954f8dd38ad1cfff34571390","_root_":"3b651bebb556d00cec8728df","timestamp":"2026-06-03T02:50:58.042Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3b651bebb556d00cec8728df","title_ssm":["Walter and Dorothy Donnelly family papers"],"title_tesim":["Walter and Dorothy Donnelly family papers"],"ead_ssi":"3b651bebb556d00cec8728df","unitdate_ssm":["1887-2021"],"unitdate_inclusive_ssm":["1887-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.33","/repositories/4/resources/35"],"text":["SC.33","/repositories/4/resources/35","Walter and Dorothy Donnelly family papers, 1887-2021","Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems","The entire collection is open for research.","Walter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.","\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"","\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.","\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today.","Collection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023.","Patrick Boland collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","The collection is arranged in three series, Family Papers, Typophiles and Additional Materials. ","Series I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.","\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. "," \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured.","Books donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.","The papers of Patrick Boland were separated into their own collection. ","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books.","UCF Special Collections","Donnelly, Walter","Donnelly, Dorothy, 1903-1994","English"],"unitid_tesim":["SC.33","/repositories/4/resources/35"],"normalized_date_ssm":["1887-2021"],"normalized_title_ssm":["Walter and Dorothy Donnelly family papers, 1887-2021"],"collection_title_tesim":["Walter and Dorothy Donnelly family papers, 1887-2021"],"collection_ssim":["Walter and Dorothy Donnelly family papers, 1887-2021"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creator_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creator_persname_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creators_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Donnelly sons donated their parents' collection to the University of Central Florida Library in 1999 (CFM1999_08). Additional materials received from Jerome Donnelly in 2020 (CFM2020_06; CFM2020_10), 2021 (CFM2021_21), and 2022 (CFM2022_05)."],"access_subjects_ssim":["Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems"],"access_subjects_ssm":["Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems"],"has_online_content_ssim":["false"],"extent_ssm":["7.5 Linear Feet 15 Boxes, 1 Flat File"],"extent_tesim":["7.5 Linear Feet 15 Boxes, 1 Flat File"],"genreform_ssim":["diaries","poems"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eWalter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.\u003c/p\u003e\n","\u003cp\u003e\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"\u003c/p\u003e\n","\u003cp\u003e\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.\u003c/p\u003e\n","\u003cp\u003e\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Walter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.","\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"","\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.","\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today."],"prefercite_html_tesm":["\u003cp\u003eWalter and Dorothy Donnelly Family Papers, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Walter and Dorothy Donnelly Family Papers, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/289\"\u003ePatrick Boland collection\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Patrick Boland collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is arranged in three series, Family Papers, Typophiles and Additional Materials. \u003c/p\u003e\n","\u003cp\u003eSeries I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.\u003c/p\u003e\n","\u003cp\u003e\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. \u003c/p\u003e\n","\u003cp\u003e \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is arranged in three series, Family Papers, Typophiles and Additional Materials. ","Series I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.","\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. "," \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.\u003c/p\u003e\n","\u003cp\u003eThe papers of Patrick Boland were separated into their own collection.\u0026#xA0;\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.","The papers of Patrick Boland were separated into their own collection. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_58a62762084b860db899b0bb6eea27dd\" label=\"Abstract\"\u003eThe materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books.\u003c/abstract\u003e"],"abstract_tesim":["The materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books."],"names_ssim":["UCF Special Collections","Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":255,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3b651bebb556d00cec8728df","timestamp":"2026-06-03T02:50:58.042Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3b651bebb556d00cec8728df_aspace_3ede680abb5ddb2b17cfea709cfb7498"}},{"id":"447ae9521c4837535607444d","type":"collection","attributes":{"title":"Nonesuch Press Collection, 1924-1963, Date acquired: 00/00/1998, bulk 1924-1939","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/447ae9521c4837535607444d#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBook prospectus pamphlets from Nonesuch Press (1924-1963) and two letters of correspondence from the Nonesuch Press to book buyers. The prospectuses include detailed descriptions of the selections of literary works that will be made available through the Nonesuch Press for the determined year. Information about each publication includes the original author, the quality of the paper, the materials used to bind the book, the size of the book, and information about the illustrations.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/447ae9521c4837535607444d#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"447ae9521c4837535607444d","title_ssm":["Nonesuch Press Collection"],"title_tesim":["Nonesuch Press Collection"],"ead_ssi":"447ae9521c4837535607444d","unitdate_ssm":["1924-1963","1924-1939","Date acquired: 00/00/1998"],"unitdate_bulk_ssim":["1924-1939"],"unitdate_inclusive_ssm":["1924-1963"],"unitdate_other_ssim":["Date acquired: 00/00/1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2011-0518","/repositories/10/resources/932"],"text":["MSS 2011-0518","/repositories/10/resources/932","Nonesuch Press Collection, 1924-1963, Date acquired: 00/00/1998, bulk 1924-1939","Chronological order","The Nonesuch Press was established in 1922 in London by Francis Meynell, Vera Mendel, and David Garnett. Although Nonesuch Press was operational until the 1960's, it hit its peak in the 20's and 30's. Using a small handpress to design the books with the quality of a fine press, the books were actually printed by commercial printers so that they would be more accessible by the general public. Meynell believed that machine presses could be made to achieve fine quality. This is in contrast to earlier designer book printers, such as William Morris and the Kelmscott Press, which believed that only handpress books could achieve exquisite quality.","Book prospectus pamphlets from Nonesuch Press (1924-1963) and two letters of correspondence from the Nonesuch Press to book buyers. The prospectuses include detailed descriptions of the selections of literary works that will be made available through the Nonesuch Press for the determined year. Information about each publication includes the original author, the quality of the paper, the materials used to bind the book, the size of the book, and information about the illustrations.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["MSS 2011-0518","/repositories/10/resources/932"],"normalized_date_ssm":["1924-1963, Date acquired: 00/00/1998, bulk 1924-1939"],"normalized_title_ssm":["Nonesuch Press Collection, 1924-1963, Date acquired: 00/00/1998, bulk 1924-1939"],"collection_title_tesim":["Nonesuch Press Collection, 1924-1963, Date acquired: 00/00/1998, bulk 1924-1939"],"collection_ssim":["Nonesuch Press Collection, 1924-1963, Date acquired: 00/00/1998, bulk 1924-1939"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"acqinfo_ssim":["Goldstein Library/Agnes Gregory","Gift"],"has_online_content_ssim":["false"],"extent_ssm":["0.40 Linear Feet"],"extent_tesim":["0.40 Linear Feet"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963],"arrangement_html_tesm":["\u003cp\u003eChronological order\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Chronological order"],"bioghist_html_tesm":["\u003cp\u003eThe Nonesuch Press was established in 1922 in London by Francis Meynell, Vera Mendel, and David Garnett. Although Nonesuch Press was operational until the 1960's, it hit its peak in the 20's and 30's. Using a small handpress to design the books with the quality of a fine press, the books were actually printed by commercial printers so that they would be more accessible by the general public. Meynell believed that machine presses could be made to achieve fine quality. This is in contrast to earlier designer book printers, such as William Morris and the Kelmscott Press, which believed that only handpress books could achieve exquisite quality.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Nonesuch Press was established in 1922 in London by Francis Meynell, Vera Mendel, and David Garnett. Although Nonesuch Press was operational until the 1960's, it hit its peak in the 20's and 30's. Using a small handpress to design the books with the quality of a fine press, the books were actually printed by commercial printers so that they would be more accessible by the general public. Meynell believed that machine presses could be made to achieve fine quality. This is in contrast to earlier designer book printers, such as William Morris and the Kelmscott Press, which believed that only handpress books could achieve exquisite quality."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Nonesuch Press Collection, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2011-0518\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Nonesuch Press Collection, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2011-0518"],"scopecontent_html_tesm":["\u003cp\u003eBook prospectus pamphlets from Nonesuch Press (1924-1963) and two letters of correspondence from the Nonesuch Press to book buyers. 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This is in contrast to earlier designer book printers, such as William Morris and the Kelmscott Press, which believed that only handpress books could achieve exquisite quality."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Nonesuch Press Collection, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2011-0518\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Nonesuch Press Collection, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2011-0518"],"scopecontent_html_tesm":["\u003cp\u003eBook prospectus pamphlets from Nonesuch Press (1924-1963) and two letters of correspondence from the Nonesuch Press to book buyers. 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Biblioteca Central, 1957","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/30ac6318a4b4d45f23587ceb_aspace_dd295b4a02c0fa4d928f8257b7298406#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_dd295b4a02c0fa4d928f8257b7298406","ref_ssm":["aspace_dd295b4a02c0fa4d928f8257b7298406","aspace_dd295b4a02c0fa4d928f8257b7298406"],"id":"30ac6318a4b4d45f23587ceb_aspace_dd295b4a02c0fa4d928f8257b7298406","title_filing_ssi":"Normas para la Compilacao de um Catalogo Coletivo de Periodicos: Primera Contribucao para os Suplementos do Catalogo Coletivo de Periodicos Nacional (A- Annals) - Universidad de Sao Paulo: Comissao de Pesquisa e Extensao Universitaria - Biblioteca Central. Biblioteca Central","title_ssm":["Normas para la Compilacao de um Catalogo Coletivo de Periodicos: Primera Contribucao para os Suplementos do Catalogo Coletivo de Periodicos Nacional (A- Annals) - Universidad de Sao Paulo: Comissao de Pesquisa e Extensao Universitaria - Biblioteca Central. Biblioteca Central"],"title_tesim":["Normas para la Compilacao de um Catalogo Coletivo de Periodicos: Primera Contribucao para os Suplementos do Catalogo Coletivo de Periodicos Nacional (A- Annals) - Universidad de Sao Paulo: Comissao de Pesquisa e Extensao Universitaria - Biblioteca Central. Biblioteca Central"],"unitdate_other_ssim":["1957"],"normalized_date_ssm":["1957"],"normalized_title_ssm":["Normas para la Compilacao de um Catalogo Coletivo de Periodicos: Primera Contribucao para os Suplementos do Catalogo Coletivo de Periodicos Nacional (A- Annals) - Universidad de Sao Paulo: Comissao de Pesquisa e Extensao Universitaria - Biblioteca Central. Biblioteca Central, 1957"],"text":["Normas para la Compilacao de um Catalogo Coletivo de Periodicos: Primera Contribucao para os Suplementos do Catalogo Coletivo de Periodicos Nacional (A- Annals) - Universidad de Sao Paulo: Comissao de Pesquisa e Extensao Universitaria - Biblioteca Central. Biblioteca Central, 1957","Luis Floren Lozano Collection, 1939-1973","Dominican Republic - 1966 - 1973","Folder 100","/repositories/2/archival_objects/85415","Spanish; Castilian","box 16","folder 100"],"component_level_isim":[2],"parent_ids_ssim":["30ac6318a4b4d45f23587ceb","30ac6318a4b4d45f23587ceb_aspace_a7f0079cc55ff9d66d3087b5ee493eec"],"parent_unittitles_ssm":["Luis Floren Lozano Collection, 1939-1973","Dominican Republic - 1966 - 1973"],"parent_unittitles_tesim":["Luis Floren Lozano Collection, 1939-1973","Dominican Republic - 1966 - 1973"],"parent_levels_ssm":["collection","Item"],"unitid_ssm":["Folder 100","/repositories/2/archival_objects/85415"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Luis Floren Lozano Collection, 1939-1973"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":119,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights. The Luis Floren Lozano Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use of research, study, and scholarship. The collection is subjected to all copyright laws."],"date_range_isim":[1957],"language_ssim":["Spanish; Castilian"],"containers_ssim":["box 16","folder 100"],"_nest_path_":"/components#15/components#15","_nest_parent_":"30ac6318a4b4d45f23587ceb_aspace_a7f0079cc55ff9d66d3087b5ee493eec","_root_":"30ac6318a4b4d45f23587ceb","timestamp":"2026-07-11T02:08:24.530Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"30ac6318a4b4d45f23587ceb","title_ssm":["Luis Floren Lozano Collection"],"title_tesim":["Luis Floren Lozano Collection"],"ead_ssi":"30ac6318a4b4d45f23587ceb","unitdate_ssm":["1939-1973"],"unitdate_inclusive_ssm":["1939-1973"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["SPC6020","/repositories/2/resources/129"],"text":["SPC6020","/repositories/2/resources/129","Luis Floren Lozano Collection, 1939-1973","Archives","Archivos","Dominican Republic","Republica Dominicana","Colombia","Latin America","America Latina","Corespondencia","postcards","Letters","Cartas","Manuscripts","Manuscritos","Correspondence","Photographs","Tarjetas postales","Fotografias","The collection is open for research.","Luis Florén Lozano (1913–1973) was a pioneering bibliographer, librarian, and educator whose career shaped library science in Latin America. Beginning as the director of the University of Santo Domingo Library (1940–1953), he modernized library practices in the Dominican Republic. In 1953, he became the head of the Scientific Exchange Service at the Inter-American Center for Housing and Urban Planning (CINVA) in Bogotá, Colombia, where he collaborated with notable figures in librarianship, such as Rubén Pérez Ortiz, and played a key role in organizing the First Library Conferences. In 1959, Florén took on the role of Director at the Inter-American Library School (EIB) in Medellín, Colombia, leading initiatives like the establishment of the Colombian Agricultural Librarians Association (BAC) and the Latin American Association of Schools of Library and Information Sciences (ALEBCI). Throughout his career, he represented Colombia in international forums, advised on the creation of the Dominican Republic's National Library in 1969, and authored numerous articles, essays, and bibliographies.","The Luis Florén Lozano Collection (1912–1973) document his extensive contributions to librarianship and education across Latin America. This collection comprises 23 archival boxes and 204 folders, detailing his professional roles and personal pursuits. It includes communications, letters, documents, photographs, drawings, manuscripts, news clippings, publications, and postcards. These materials chronicle his work as director of the library at the University of Santo Domingo, his tenure at CINVA in Bogotá, and his leadership at EIB in Medellín. The collection also reflects Florén's deep intellectual and personal interests, including a personal library of approximately 6,000 volumes on Spanish, Dominican, and Colombian history, literature, art, and library science. His books often bear his custom exlibris, illustrating the lasting impact of the Spanish Civil War on his life and exile.","Significant components of the collection highlight his efforts to modernize library systems, foster regional collaboration, and elevate the status of library science in Colombia and Latin America. The archive also underscores his role in founding professional associations, organizing landmark conferences, and advancing the profession internationally. Portions of his personal library are housed at the Instituto Tecnológico de Santo Domingo (INTEC) in the Dominican Republic and Florida International University (FIU).","The materials within the collection provide researchers with a detailed view of Florén's professional legacy and the development of librarianship in Latin America. They also serve as a testament to his philosophical and artistic reflections, particularly in the context of the Spanish Civil War and its influence on his scholarly pursuits.","Luis Florén Lozano (1913–1973) fue un pionero bibliógrafo, bibliotecario y educador cuya carrera transformó la bibliotecología en América Latina. Comenzó como director de la Biblioteca de la Universidad de Santo Domingo (1940–1953), donde modernizó las prácticas bibliotecarias en la República Dominicana. En 1953, asumió el cargo de jefe del Servicio de Intercambio Científico en el Centro Interamericano de Vivienda y Planeamiento Urbano (CINVA) en Bogotá, Colombia, donde colaboró con figuras notables de la bibliotecología, como Rubén Pérez Ortiz, y desempeñó un papel clave en la organización de las Primeras Jornadas Bibliotecarias. En 1959, Florén asumió el cargo de director de la Escuela Interamericana de Bibliotecología (EIB) en Medellín, Colombia, liderando iniciativas como la creación de la Asociación Colombiana de Bibliotecarios Agrícolas (BAC) y la Asociación Latinoamericana de Escuelas de Bibliotecología y Ciencias de la Información (ALEBCI). A lo largo de su carrera, representó a Colombia en foros internacionales, asesoró en la creación de la Biblioteca Nacional de la República Dominicana en 1969 y fue autor de numerosos artículos, ensayos y bibliografías.","Los Colecciones de Luis Florén Lozano (1913–1973) documentan sus extensas contribuciones a la bibliotecología y la educación en América Latina. Esta colección comprende 23 cajas archivísticas y 204 carpetas, detallando sus roles profesionales y sus intereses personales. Incluye comunicaciones, cartas, documentos, fotografías, dibujos, manuscritos, recortes de prensa, publicaciones y postales. Estos materiales relatan su labor como director de la biblioteca de la Universidad de Santo Domingo, su gestión en el CINVA en Bogotá y su liderazgo en la EIB en Medellín. La colección también refleja los profundos intereses intelectuales y personales de Florén, incluyendo una biblioteca personal de aproximadamente 6,000 volúmenes sobre historia, literatura, arte y bibliotecología de España, República Dominicana y Colombia. Muchos de sus libros incluyen un exlibris diseñado por él, que ilustra el impacto duradero de la Guerra Civil Española en su vida y exilio.","Componentes significativos de la colección destacan sus esfuerzos por modernizar los sistemas bibliotecarios, fomentar la colaboración regional y elevar el estatus de la bibliotecología en Colombia y América Latina. El archivo también subraya su papel en la fundación de asociaciones profesionales, la organización de conferencias emblemáticas y el avance de la profesión a nivel internacional. Parte de su biblioteca personal se encuentra alojada en el Instituto Tecnológico de Santo Domingo (INTEC) en la República Dominicana y en la Universidad Internacional de Florida (FIU).","Los materiales de la colección proporcionan a los investigadores una visión detallada del legado profesional de Florén y del desarrollo de la bibliotecología en América Latina. También son un testimonio de sus reflexiones filosóficas y artísticas, particularmente en el contexto de la Guerra Civil Española y su influencia en sus intereses académicos.","Blasco, J. (2016, January 1). Don Luis Florén Lozano. Retrieved from Ateca: Protagonistas de su Historia: https://historiadeateca.wordpress.com/2016/05/15/don-luis-floren-lozano/.","\nEstatales, M. d.-S. (Ed.). (2019). Luis Florén Lozano. Retrieved 2024, from Guía del Exilio Español de 1939 en los Archivos Estatales: Archiveros y Bibliotecarios Exiliados: https://www.cultura.gob.es/cultura/areas/archivos/mc/centros/cida/4-difusion-cooperacion/4-1-guias-de-lectura/guia-exilio-espanol-1939-archivos-estatales/archiveros-bibliotecarios-exiliados/luis-floren.html.","\nHerrera, H. (1974, October 11). Experto Luis Florén fue pionero del desarrollo bibliotecario del país. Listín Diario, pp. 7-A.","\nJimenez, E. G. (1987). Reseña del Desarrollo Historico de la Bibliotecologia en Santo Domingo. Santo Domingo: Biblioteca Nacional.","\nLozano Rivera, U. (2002). La Escuela Interamericana de Bibliotecología: 45 años formando líderes en la getion de la información y el conocimiento para Colombia y América Latina. Revista Interamericana de Bibliotecología, 25(2).","\nLozano Rivera, U. (2007). Escuela Interamericana de Bibliotecología, Universidad de Antioquía: Cinco Décadas Formando Líderes en la Gestión de la Información y el Conocimiento. Medellín, Colombia: Universidad de Antioquía.","\nMorales Campos, E. (2017). La Escuela Interamericana de Bibliotecología y su influencia en América Latina. Revista Interamericana de Bibliotecología, 40(2), 189-2000. doi:10.17533/udea.rib.v40n2a07.","\nMunera-Torres, T. J. (2016, Sept/Dec). La Escuela Interamericana de Bibliotecología, pionera en la formacion de profesionales de la información. Revista Interamericana de Bibliotecología, 39(3). doi:https://doi.org/10.17533/udea.rib.v39n3a03.","\nPaulino Ramos, A. (1997). Historia de la Primera Biblioteca Universitaria de Santo Domingo. Santo Domingo: Editora Universitaria de la UASD.","\nSánchez Toro, S. (2008, October 13). Luis Floren Lozano. Retrieved from Pioneros Bibliotecología: https://pionerosbibliotecologia.blogspot.com/2008/10/luis-floren-lozano.html.","\nSanchez Toro, S. A. (1974). Quien es Quien en la Bibliotecologia Colombiana. Pereira, Colombia: Unversidad Tecnologica, Departamento de Bibliotecas.","The Luis Florén Lozano Collection (1939–1973) document the distinguished career and contributions of Florén as a bibliographer, librarian, and educator in Latin America. The collection consists of 24 archival boxes and 206 folders, covering the period from 1939 to 1973. Materials include communications, letters, documents, photographs, drawings, manuscripts, news clippings, publications, and postcards. These records reflect his work as director of the library at the University of Santo Domingo (1940–1953), head of the Scientific Exchange Service at the Inter-American Center for Housing and Urban Planning (CINVA) in Bogotá, Colombia (1953–1959), and director of the Inter-American Library School (EIB) in Medellín, Colombia (1959–1973).","\nLa Colecction de Luis Florén Lozano (1939–1973) documenta la destacada carrera y contribuciones de Florén como bibliógrafo, bibliotecario y educador en América Latina. Comprende 24 cajas archivísticas y 206 carpetas, que abarcan el período de 1939 a 1973. Los materiales incluyen comunicaciones, cartas, documentos, fotografías, dibujos, manuscritos, recortes de prensa, publicaciones y postales. Estos registros reflejan su labor como director de la biblioteca de la Universidad de Santo Domingo (1940–1953), jefe del Servicio de Intercambio Científico en el Centro Interamericano de Vivienda y Planeamiento Urbano (CINVA) en Bogotá, Colombia (1953–1959), y director de la Escuela Interamericana de Bibliotecología (EIB) en Medellín, Colombia (1959–1973).","Rights. The Luis Floren Lozano Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use of research, study, and scholarship. The collection is subjected to all copyright laws.","Collections of papers, publications, documents, and letters of Luis Floren Lozano from 1912-1973.","FIU Special Collections","Spanish; Castilian"],"unitid_tesim":["SPC6020","/repositories/2/resources/129"],"normalized_date_ssm":["1939-1973"],"normalized_title_ssm":["Luis Floren Lozano Collection, 1939-1973"],"collection_title_tesim":["Luis Floren Lozano Collection, 1939-1973"],"collection_ssim":["Luis Floren Lozano Collection, 1939-1973"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Archives","Archivos","Dominican Republic","Republica Dominicana","Colombia","Latin America","America Latina"],"geogname_ssim":["Archives","Archivos","Dominican Republic","Republica Dominicana","Colombia","Latin America","America Latina"],"places_ssim":["Archives","Archivos","Dominican Republic","Republica Dominicana","Colombia","Latin America","America Latina"],"access_terms_ssm":["Rights. The Luis Floren Lozano Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use of research, study, and scholarship. The collection is subjected to all copyright laws."],"access_subjects_ssim":["Corespondencia","postcards","Letters","Cartas","Manuscripts","Manuscritos","Correspondence","Photographs","Tarjetas postales","Fotografias"],"access_subjects_ssm":["Corespondencia","postcards","Letters","Cartas","Manuscripts","Manuscritos","Correspondence","Photographs","Tarjetas postales","Fotografias"],"has_online_content_ssim":["false"],"extent_ssm":["24 boxes"],"extent_tesim":["24 boxes"],"genreform_ssim":["Letters","Cartas","Manuscripts","Manuscritos","Correspondence","Photographs","Tarjetas postales","Fotografias"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eLuis Flor\u0026#xE9;n Lozano (1913\u0026#x2013;1973) was a pioneering bibliographer, librarian, and educator whose career shaped library science in Latin America. Beginning as the director of the University of Santo Domingo Library (1940\u0026#x2013;1953), he modernized library practices in the Dominican Republic. In 1953, he became the head of the Scientific Exchange Service at the Inter-American Center for Housing and Urban Planning (CINVA) in Bogot\u0026#xE1;, Colombia, where he collaborated with notable figures in librarianship, such as Rub\u0026#xE9;n P\u0026#xE9;rez Ortiz, and played a key role in organizing the First Library Conferences. In 1959, Flor\u0026#xE9;n took on the role of Director at the Inter-American Library School (EIB) in Medell\u0026#xED;n, Colombia, leading initiatives like the establishment of the Colombian Agricultural Librarians Association (BAC) and the Latin American Association of Schools of Library and Information Sciences (ALEBCI). Throughout his career, he represented Colombia in international forums, advised on the creation of the Dominican Republic's National Library in 1969, and authored numerous articles, essays, and bibliographies.\u003c/p\u003e\n","\u003cp\u003eThe Luis Flor\u0026#xE9;n Lozano Collection (1912\u0026#x2013;1973) document his extensive contributions to librarianship and education across Latin America. This collection comprises 23 archival boxes and 204 folders, detailing his professional roles and personal pursuits. It includes communications, letters, documents, photographs, drawings, manuscripts, news clippings, publications, and postcards. These materials chronicle his work as director of the library at the University of Santo Domingo, his tenure at CINVA in Bogot\u0026#xE1;, and his leadership at EIB in Medell\u0026#xED;n. The collection also reflects Flor\u0026#xE9;n's deep intellectual and personal interests, including a personal library of approximately 6,000 volumes on Spanish, Dominican, and Colombian history, literature, art, and library science. His books often bear his custom exlibris, illustrating the lasting impact of the Spanish Civil War on his life and exile.\u003c/p\u003e\n","\u003cp\u003eSignificant components of the collection highlight his efforts to modernize library systems, foster regional collaboration, and elevate the status of library science in Colombia and Latin America. The archive also underscores his role in founding professional associations, organizing landmark conferences, and advancing the profession internationally. Portions of his personal library are housed at the Instituto Tecnol\u0026#xF3;gico de Santo Domingo (INTEC) in the Dominican Republic and Florida International University (FIU).\u003c/p\u003e\n","\u003cp\u003eThe materials within the collection provide researchers with a detailed view of Flor\u0026#xE9;n's professional legacy and the development of librarianship in Latin America. They also serve as a testament to his philosophical and artistic reflections, particularly in the context of the Spanish Civil War and its influence on his scholarly pursuits.\u003c/p\u003e\n","\u003cp\u003eLuis Flor\u0026#xE9;n Lozano (1913\u0026#x2013;1973) fue un pionero bibli\u0026#xF3;grafo, bibliotecario y educador cuya carrera transform\u0026#xF3; la bibliotecolog\u0026#xED;a en Am\u0026#xE9;rica Latina. Comenz\u0026#xF3; como director de la Biblioteca de la Universidad de Santo Domingo (1940\u0026#x2013;1953), donde moderniz\u0026#xF3; las pr\u0026#xE1;cticas bibliotecarias en la Rep\u0026#xFA;blica Dominicana. En 1953, asumi\u0026#xF3; el cargo de jefe del Servicio de Intercambio Cient\u0026#xED;fico en el Centro Interamericano de Vivienda y Planeamiento Urbano (CINVA) en Bogot\u0026#xE1;, Colombia, donde colabor\u0026#xF3; con figuras notables de la bibliotecolog\u0026#xED;a, como Rub\u0026#xE9;n P\u0026#xE9;rez Ortiz, y desempe\u0026#xF1;\u0026#xF3; un papel clave en la organizaci\u0026#xF3;n de las Primeras Jornadas Bibliotecarias. En 1959, Flor\u0026#xE9;n asumi\u0026#xF3; el cargo de director de la Escuela Interamericana de Bibliotecolog\u0026#xED;a (EIB) en Medell\u0026#xED;n, Colombia, liderando iniciativas como la creaci\u0026#xF3;n de la Asociaci\u0026#xF3;n Colombiana de Bibliotecarios Agr\u0026#xED;colas (BAC) y la Asociaci\u0026#xF3;n Latinoamericana de Escuelas de Bibliotecolog\u0026#xED;a y Ciencias de la Informaci\u0026#xF3;n (ALEBCI). A lo largo de su carrera, represent\u0026#xF3; a Colombia en foros internacionales, asesor\u0026#xF3; en la creaci\u0026#xF3;n de la Biblioteca Nacional de la Rep\u0026#xFA;blica Dominicana en 1969 y fue autor de numerosos art\u0026#xED;culos, ensayos y bibliograf\u0026#xED;as.\u003c/p\u003e\n","\u003cp\u003eLos Colecciones de Luis Flor\u0026#xE9;n Lozano (1913\u0026#x2013;1973) documentan sus extensas contribuciones a la bibliotecolog\u0026#xED;a y la educaci\u0026#xF3;n en Am\u0026#xE9;rica Latina. Esta colecci\u0026#xF3;n comprende 23 cajas archiv\u0026#xED;sticas y 204 carpetas, detallando sus roles profesionales y sus intereses personales. Incluye comunicaciones, cartas, documentos, fotograf\u0026#xED;as, dibujos, manuscritos, recortes de prensa, publicaciones y postales. Estos materiales relatan su labor como director de la biblioteca de la Universidad de Santo Domingo, su gesti\u0026#xF3;n en el CINVA en Bogot\u0026#xE1; y su liderazgo en la EIB en Medell\u0026#xED;n. La colecci\u0026#xF3;n tambi\u0026#xE9;n refleja los profundos intereses intelectuales y personales de Flor\u0026#xE9;n, incluyendo una biblioteca personal de aproximadamente 6,000 vol\u0026#xFA;menes sobre historia, literatura, arte y bibliotecolog\u0026#xED;a de Espa\u0026#xF1;a, Rep\u0026#xFA;blica Dominicana y Colombia. Muchos de sus libros incluyen un exlibris dise\u0026#xF1;ado por \u0026#xE9;l, que ilustra el impacto duradero de la Guerra Civil Espa\u0026#xF1;ola en su vida y exilio.\u003c/p\u003e\n","\u003cp\u003eComponentes significativos de la colecci\u0026#xF3;n destacan sus esfuerzos por modernizar los sistemas bibliotecarios, fomentar la colaboraci\u0026#xF3;n regional y elevar el estatus de la bibliotecolog\u0026#xED;a en Colombia y Am\u0026#xE9;rica Latina. El archivo tambi\u0026#xE9;n subraya su papel en la fundaci\u0026#xF3;n de asociaciones profesionales, la organizaci\u0026#xF3;n de conferencias emblem\u0026#xE1;ticas y el avance de la profesi\u0026#xF3;n a nivel internacional. Parte de su biblioteca personal se encuentra alojada en el Instituto Tecnol\u0026#xF3;gico de Santo Domingo (INTEC) en la Rep\u0026#xFA;blica Dominicana y en la Universidad Internacional de Florida (FIU).\u003c/p\u003e\n","\u003cp\u003eLos materiales de la colecci\u0026#xF3;n proporcionan a los investigadores una visi\u0026#xF3;n detallada del legado profesional de Flor\u0026#xE9;n y del desarrollo de la bibliotecolog\u0026#xED;a en Am\u0026#xE9;rica Latina. Tambi\u0026#xE9;n son un testimonio de sus reflexiones filos\u0026#xF3;ficas y art\u0026#xED;sticas, particularmente en el contexto de la Guerra Civil Espa\u0026#xF1;ola y su influencia en sus intereses acad\u0026#xE9;micos.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Luis Florén Lozano (1913–1973) was a pioneering bibliographer, librarian, and educator whose career shaped library science in Latin America. Beginning as the director of the University of Santo Domingo Library (1940–1953), he modernized library practices in the Dominican Republic. In 1953, he became the head of the Scientific Exchange Service at the Inter-American Center for Housing and Urban Planning (CINVA) in Bogotá, Colombia, where he collaborated with notable figures in librarianship, such as Rubén Pérez Ortiz, and played a key role in organizing the First Library Conferences. In 1959, Florén took on the role of Director at the Inter-American Library School (EIB) in Medellín, Colombia, leading initiatives like the establishment of the Colombian Agricultural Librarians Association (BAC) and the Latin American Association of Schools of Library and Information Sciences (ALEBCI). Throughout his career, he represented Colombia in international forums, advised on the creation of the Dominican Republic's National Library in 1969, and authored numerous articles, essays, and bibliographies.","The Luis Florén Lozano Collection (1912–1973) document his extensive contributions to librarianship and education across Latin America. This collection comprises 23 archival boxes and 204 folders, detailing his professional roles and personal pursuits. It includes communications, letters, documents, photographs, drawings, manuscripts, news clippings, publications, and postcards. These materials chronicle his work as director of the library at the University of Santo Domingo, his tenure at CINVA in Bogotá, and his leadership at EIB in Medellín. The collection also reflects Florén's deep intellectual and personal interests, including a personal library of approximately 6,000 volumes on Spanish, Dominican, and Colombian history, literature, art, and library science. His books often bear his custom exlibris, illustrating the lasting impact of the Spanish Civil War on his life and exile.","Significant components of the collection highlight his efforts to modernize library systems, foster regional collaboration, and elevate the status of library science in Colombia and Latin America. The archive also underscores his role in founding professional associations, organizing landmark conferences, and advancing the profession internationally. Portions of his personal library are housed at the Instituto Tecnológico de Santo Domingo (INTEC) in the Dominican Republic and Florida International University (FIU).","The materials within the collection provide researchers with a detailed view of Florén's professional legacy and the development of librarianship in Latin America. They also serve as a testament to his philosophical and artistic reflections, particularly in the context of the Spanish Civil War and its influence on his scholarly pursuits.","Luis Florén Lozano (1913–1973) fue un pionero bibliógrafo, bibliotecario y educador cuya carrera transformó la bibliotecología en América Latina. Comenzó como director de la Biblioteca de la Universidad de Santo Domingo (1940–1953), donde modernizó las prácticas bibliotecarias en la República Dominicana. En 1953, asumió el cargo de jefe del Servicio de Intercambio Científico en el Centro Interamericano de Vivienda y Planeamiento Urbano (CINVA) en Bogotá, Colombia, donde colaboró con figuras notables de la bibliotecología, como Rubén Pérez Ortiz, y desempeñó un papel clave en la organización de las Primeras Jornadas Bibliotecarias. En 1959, Florén asumió el cargo de director de la Escuela Interamericana de Bibliotecología (EIB) en Medellín, Colombia, liderando iniciativas como la creación de la Asociación Colombiana de Bibliotecarios Agrícolas (BAC) y la Asociación Latinoamericana de Escuelas de Bibliotecología y Ciencias de la Información (ALEBCI). A lo largo de su carrera, representó a Colombia en foros internacionales, asesoró en la creación de la Biblioteca Nacional de la República Dominicana en 1969 y fue autor de numerosos artículos, ensayos y bibliografías.","Los Colecciones de Luis Florén Lozano (1913–1973) documentan sus extensas contribuciones a la bibliotecología y la educación en América Latina. Esta colección comprende 23 cajas archivísticas y 204 carpetas, detallando sus roles profesionales y sus intereses personales. Incluye comunicaciones, cartas, documentos, fotografías, dibujos, manuscritos, recortes de prensa, publicaciones y postales. Estos materiales relatan su labor como director de la biblioteca de la Universidad de Santo Domingo, su gestión en el CINVA en Bogotá y su liderazgo en la EIB en Medellín. La colección también refleja los profundos intereses intelectuales y personales de Florén, incluyendo una biblioteca personal de aproximadamente 6,000 volúmenes sobre historia, literatura, arte y bibliotecología de España, República Dominicana y Colombia. Muchos de sus libros incluyen un exlibris diseñado por él, que ilustra el impacto duradero de la Guerra Civil Española en su vida y exilio.","Componentes significativos de la colección destacan sus esfuerzos por modernizar los sistemas bibliotecarios, fomentar la colaboración regional y elevar el estatus de la bibliotecología en Colombia y América Latina. El archivo también subraya su papel en la fundación de asociaciones profesionales, la organización de conferencias emblemáticas y el avance de la profesión a nivel internacional. Parte de su biblioteca personal se encuentra alojada en el Instituto Tecnológico de Santo Domingo (INTEC) en la República Dominicana y en la Universidad Internacional de Florida (FIU).","Los materiales de la colección proporcionan a los investigadores una visión detallada del legado profesional de Florén y del desarrollo de la bibliotecología en América Latina. También son un testimonio de sus reflexiones filosóficas y artísticas, particularmente en el contexto de la Guerra Civil Española y su influencia en sus intereses académicos."],"relatedmaterial_html_tesm":["\u003cp\u003eBlasco, J. (2016, January 1). Don Luis Flor\u0026#xE9;n Lozano. Retrieved from Ateca: Protagonistas de su Historia: https://historiadeateca.wordpress.com/2016/05/15/don-luis-floren-lozano/.\u003c/p\u003e\n","\u003cp\u003e\nEstatales, M. d.-S. (Ed.). (2019). Luis Flor\u0026#xE9;n Lozano. Retrieved 2024, from Gu\u0026#xED;a del Exilio Espa\u0026#xF1;ol de 1939 en los Archivos Estatales: Archiveros y Bibliotecarios Exiliados: https://www.cultura.gob.es/cultura/areas/archivos/mc/centros/cida/4-difusion-cooperacion/4-1-guias-de-lectura/guia-exilio-espanol-1939-archivos-estatales/archiveros-bibliotecarios-exiliados/luis-floren.html.\u003c/p\u003e\n","\u003cp\u003e\nHerrera, H. (1974, October 11). Experto Luis Flor\u0026#xE9;n fue pionero del desarrollo bibliotecario del pa\u0026#xED;s. List\u0026#xED;n Diario, pp. 7-A.\u003c/p\u003e\n","\u003cp\u003e\nJimenez, E. G. (1987). Rese\u0026#xF1;a del Desarrollo Historico de la Bibliotecologia en Santo Domingo. Santo Domingo: Biblioteca Nacional.\u003c/p\u003e\n","\u003cp\u003e\nLozano Rivera, U. (2002). La Escuela Interamericana de Bibliotecolog\u0026#xED;a: 45 a\u0026#xF1;os formando l\u0026#xED;deres en la getion de la informaci\u0026#xF3;n y el conocimiento para Colombia y Am\u0026#xE9;rica Latina. Revista Interamericana de Bibliotecolog\u0026#xED;a, 25(2).\u003c/p\u003e\n","\u003cp\u003e\nLozano Rivera, U. (2007). Escuela Interamericana de Bibliotecolog\u0026#xED;a, Universidad de Antioqu\u0026#xED;a: Cinco D\u0026#xE9;cadas Formando L\u0026#xED;deres en la Gesti\u0026#xF3;n de la Informaci\u0026#xF3;n y el Conocimiento. Medell\u0026#xED;n, Colombia: Universidad de Antioqu\u0026#xED;a.\u003c/p\u003e\n","\u003cp\u003e\nMorales Campos, E. (2017). La Escuela Interamericana de Bibliotecolog\u0026#xED;a y su influencia en Am\u0026#xE9;rica Latina. Revista Interamericana de Bibliotecolog\u0026#xED;a, 40(2), 189-2000. doi:10.17533/udea.rib.v40n2a07.\u003c/p\u003e\n","\u003cp\u003e\nMunera-Torres, T. J. (2016, Sept/Dec). La Escuela Interamericana de Bibliotecolog\u0026#xED;a, pionera en la formacion de profesionales de la informaci\u0026#xF3;n. Revista Interamericana de Bibliotecolog\u0026#xED;a, 39(3). doi:https://doi.org/10.17533/udea.rib.v39n3a03.\u003c/p\u003e\n","\u003cp\u003e\nPaulino Ramos, A. (1997). Historia de la Primera Biblioteca Universitaria de Santo Domingo. Santo Domingo: Editora Universitaria de la UASD.\u003c/p\u003e\n","\u003cp\u003e\nS\u0026#xE1;nchez Toro, S. (2008, October 13). Luis Floren Lozano. Retrieved from Pioneros Bibliotecolog\u0026#xED;a: https://pionerosbibliotecologia.blogspot.com/2008/10/luis-floren-lozano.html.\u003c/p\u003e\n","\u003cp\u003e\nSanchez Toro, S. A. (1974). Quien es Quien en la Bibliotecologia Colombiana. Pereira, Colombia: Unversidad Tecnologica, Departamento de Bibliotecas.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Blasco, J. (2016, January 1). Don Luis Florén Lozano. Retrieved from Ateca: Protagonistas de su Historia: https://historiadeateca.wordpress.com/2016/05/15/don-luis-floren-lozano/.","\nEstatales, M. d.-S. (Ed.). (2019). Luis Florén Lozano. Retrieved 2024, from Guía del Exilio Español de 1939 en los Archivos Estatales: Archiveros y Bibliotecarios Exiliados: https://www.cultura.gob.es/cultura/areas/archivos/mc/centros/cida/4-difusion-cooperacion/4-1-guias-de-lectura/guia-exilio-espanol-1939-archivos-estatales/archiveros-bibliotecarios-exiliados/luis-floren.html.","\nHerrera, H. (1974, October 11). Experto Luis Florén fue pionero del desarrollo bibliotecario del país. Listín Diario, pp. 7-A.","\nJimenez, E. G. (1987). Reseña del Desarrollo Historico de la Bibliotecologia en Santo Domingo. Santo Domingo: Biblioteca Nacional.","\nLozano Rivera, U. (2002). La Escuela Interamericana de Bibliotecología: 45 años formando líderes en la getion de la información y el conocimiento para Colombia y América Latina. Revista Interamericana de Bibliotecología, 25(2).","\nLozano Rivera, U. (2007). Escuela Interamericana de Bibliotecología, Universidad de Antioquía: Cinco Décadas Formando Líderes en la Gestión de la Información y el Conocimiento. Medellín, Colombia: Universidad de Antioquía.","\nMorales Campos, E. (2017). La Escuela Interamericana de Bibliotecología y su influencia en América Latina. Revista Interamericana de Bibliotecología, 40(2), 189-2000. doi:10.17533/udea.rib.v40n2a07.","\nMunera-Torres, T. J. (2016, Sept/Dec). La Escuela Interamericana de Bibliotecología, pionera en la formacion de profesionales de la información. Revista Interamericana de Bibliotecología, 39(3). doi:https://doi.org/10.17533/udea.rib.v39n3a03.","\nPaulino Ramos, A. (1997). Historia de la Primera Biblioteca Universitaria de Santo Domingo. Santo Domingo: Editora Universitaria de la UASD.","\nSánchez Toro, S. (2008, October 13). Luis Floren Lozano. Retrieved from Pioneros Bibliotecología: https://pionerosbibliotecologia.blogspot.com/2008/10/luis-floren-lozano.html.","\nSanchez Toro, S. A. (1974). Quien es Quien en la Bibliotecologia Colombiana. Pereira, Colombia: Unversidad Tecnologica, Departamento de Bibliotecas."],"scopecontent_html_tesm":["\u003cp\u003eThe Luis Flor\u0026#xE9;n Lozano Collection (1939\u0026#x2013;1973) document the distinguished career and contributions of Flor\u0026#xE9;n as a bibliographer, librarian, and educator in Latin America. The collection consists of 24 archival boxes and 206 folders, covering the period from 1939 to 1973. Materials include communications, letters, documents, photographs, drawings, manuscripts, news clippings, publications, and postcards. These records reflect his work as director of the library at the University of Santo Domingo (1940\u0026#x2013;1953), head of the Scientific Exchange Service at the Inter-American Center for Housing and Urban Planning (CINVA) in Bogot\u0026#xE1;, Colombia (1953\u0026#x2013;1959), and director of the Inter-American Library School (EIB) in Medell\u0026#xED;n, Colombia (1959\u0026#x2013;1973).\u003c/p\u003e\n","\u003cp\u003e\nLa Colecction de Luis Flor\u0026#xE9;n Lozano (1939\u0026#x2013;1973) documenta la destacada carrera y contribuciones de Flor\u0026#xE9;n como bibli\u0026#xF3;grafo, bibliotecario y educador en Am\u0026#xE9;rica Latina. Comprende 24 cajas archiv\u0026#xED;sticas y 206 carpetas, que abarcan el per\u0026#xED;odo de 1939 a 1973. Los materiales incluyen comunicaciones, cartas, documentos, fotograf\u0026#xED;as, dibujos, manuscritos, recortes de prensa, publicaciones y postales. Estos registros reflejan su labor como director de la biblioteca de la Universidad de Santo Domingo (1940\u0026#x2013;1953), jefe del Servicio de Intercambio Cient\u0026#xED;fico en el Centro Interamericano de Vivienda y Planeamiento Urbano (CINVA) en Bogot\u0026#xE1;, Colombia (1953\u0026#x2013;1959), y director de la Escuela Interamericana de Bibliotecolog\u0026#xED;a (EIB) en Medell\u0026#xED;n, Colombia (1959\u0026#x2013;1973).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Luis Florén Lozano Collection (1939–1973) document the distinguished career and contributions of Florén as a bibliographer, librarian, and educator in Latin America. The collection consists of 24 archival boxes and 206 folders, covering the period from 1939 to 1973. Materials include communications, letters, documents, photographs, drawings, manuscripts, news clippings, publications, and postcards. These records reflect his work as director of the library at the University of Santo Domingo (1940–1953), head of the Scientific Exchange Service at the Inter-American Center for Housing and Urban Planning (CINVA) in Bogotá, Colombia (1953–1959), and director of the Inter-American Library School (EIB) in Medellín, Colombia (1959–1973).","\nLa Colecction de Luis Florén Lozano (1939–1973) documenta la destacada carrera y contribuciones de Florén como bibliógrafo, bibliotecario y educador en América Latina. Comprende 24 cajas archivísticas y 206 carpetas, que abarcan el período de 1939 a 1973. Los materiales incluyen comunicaciones, cartas, documentos, fotografías, dibujos, manuscritos, recortes de prensa, publicaciones y postales. Estos registros reflejan su labor como director de la biblioteca de la Universidad de Santo Domingo (1940–1953), jefe del Servicio de Intercambio Científico en el Centro Interamericano de Vivienda y Planeamiento Urbano (CINVA) en Bogotá, Colombia (1953–1959), y director de la Escuela Interamericana de Bibliotecología (EIB) en Medellín, Colombia (1959–1973)."],"userestrict_html_tesm":["\u003cp\u003eRights. The Luis Floren Lozano Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use of research, study, and scholarship. The collection is subjected to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Luis Floren Lozano Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use of research, study, and scholarship. The collection is subjected to all copyright laws."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fe8b5d0375f02bedbee28ed445cf850b\"\u003eCollections of papers, publications, documents, and letters of Luis Floren Lozano from 1912-1973.\u003c/abstract\u003e"],"abstract_tesim":["Collections of papers, publications, documents, and letters of Luis Floren Lozano from 1912-1973."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["Spanish; Castilian"],"total_component_count_is":236,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"30ac6318a4b4d45f23587ceb","timestamp":"2026-07-11T02:08:24.530Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/30ac6318a4b4d45f23587ceb_aspace_dd295b4a02c0fa4d928f8257b7298406"}},{"id":"45807c67f367973431520ee3","type":"collection","attributes":{"title":"Northeast Florida Regional Postcard Collection, 1858-2019","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/45807c67f367973431520ee3#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. Series in this collection include the following:\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/45807c67f367973431520ee3#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"45807c67f367973431520ee3","title_ssm":["Northeast Florida Regional Postcard Collection"],"title_tesim":["Northeast Florida Regional Postcard Collection"],"ead_ssi":"45807c67f367973431520ee3","unitdate_ssm":["1858-2019"],"unitdate_inclusive_ssm":["1858-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2024.001","/repositories/3/resources/82"],"text":["2024.001","/repositories/3/resources/82","Northeast Florida Regional Postcard Collection, 1858-2019","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. ","\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  ","\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. ","\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. ","Sources:\n New York State Library Postcard Collection-Appendix C","Greetings from the Smithsonian: A Postcard History","This collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:","Series 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.","Series 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida","Series 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.","Series 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.","Series 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.","Series 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.","Series 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.","Series 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.","Series 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.","Series 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.","Series 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.","Series 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. ","Series 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. ","Series 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. ","Series 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. ","Series 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.","Series 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.","Series 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.","Series 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. ","Series 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.","Series 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. ","Series 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. ","Series 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026WB Drew Company, and cards addressed to Jacksonville addresses.","Series 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. ","Series 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. ","Series 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. ","Series 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. ","Series 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. ","Series 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. ","Series 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.","Series 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. ","Series 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. ","Series 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.","Series 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. ","Series 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.","Series 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. ","Series 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.","Series 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.","Series 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. ","Series 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. ","Series 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.","Series 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. ","Series 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.","Series 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. ","Series 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. ","Series 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.","Series 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. ","Series 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. ","Series 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.","Series 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida","Series 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, ","Series 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.","Series 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.","Series 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. ","Series 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.","Series 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. ","Series 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.","Series 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. ","Series 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. ","Series 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.","Series 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.","Series 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. ","Series 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. ","Series 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. ","Series 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. ","Series 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. ","Series 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2024.001","/repositories/3/resources/82"],"normalized_date_ssm":["1858-2019"],"normalized_title_ssm":["Northeast Florida Regional Postcard Collection, 1858-2019"],"collection_title_tesim":["Northeast Florida Regional Postcard Collection, 1858-2019"],"collection_ssim":["Northeast Florida Regional Postcard Collection, 1858-2019"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation."],"has_online_content_ssim":["false"],"extent_ssm":["1.92 Linear Feet"],"extent_tesim":["1.92 Linear Feet"],"date_range_isim":[1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003e\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. \u003c/p\u003e\n","\u003cp\u003e\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  \u003c/p\u003e\n","\u003cp\u003e\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. \u003c/p\u003e\n","\u003cp\u003e\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. \u003c/p\u003e\n","\u003cp\u003eSources:\n\u003cextref href=\"https://www.nysl.nysed.gov/msscfa/qc16510ess.htm\"\u003eNew York State Library Postcard Collection-Appendix C\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://siarchives.si.edu/history/featured-topics/postcard/postcard-history\"\u003eGreetings from the Smithsonian: A Postcard History\u003c/extref\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. ","\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  ","\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. ","\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. ","Sources:\n New York State Library Postcard Collection-Appendix C","Greetings from the Smithsonian: A Postcard History"],"prefercite_html_tesm":["\u003cp\u003eNortheast Florida Regional Postcard Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Northeast Florida Regional Postcard Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.\u003c/p\u003e\n","\u003cp\u003eSeries 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida\u003c/p\u003e\n","\u003cp\u003eSeries 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.\u003c/p\u003e\n","\u003cp\u003eSeries 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.\u003c/p\u003e\n","\u003cp\u003eSeries 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.\u003c/p\u003e\n","\u003cp\u003eSeries 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.\u003c/p\u003e\n","\u003cp\u003eSeries 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.\u003c/p\u003e\n","\u003cp\u003eSeries 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.\u003c/p\u003e\n","\u003cp\u003eSeries 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.\u003c/p\u003e\n","\u003cp\u003eSeries 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. \u003c/p\u003e\n","\u003cp\u003eSeries 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.\u003c/p\u003e\n","\u003cp\u003eSeries 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.\u003c/p\u003e\n","\u003cp\u003eSeries 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. \u003c/p\u003e\n","\u003cp\u003eSeries 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.\u003c/p\u003e\n","\u003cp\u003eSeries 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. \u003c/p\u003e\n","\u003cp\u003eSeries 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. \u003c/p\u003e\n","\u003cp\u003eSeries 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026amp;WB Drew Company, and cards addressed to Jacksonville addresses.\u003c/p\u003e\n","\u003cp\u003eSeries 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. \u003c/p\u003e\n","\u003cp\u003eSeries 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. \u003c/p\u003e\n","\u003cp\u003eSeries 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. \u003c/p\u003e\n","\u003cp\u003eSeries 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. \u003c/p\u003e\n","\u003cp\u003eSeries 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. \u003c/p\u003e\n","\u003cp\u003eSeries 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.\u003c/p\u003e\n","\u003cp\u003eSeries 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. \u003c/p\u003e\n","\u003cp\u003eSeries 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.\u003c/p\u003e\n","\u003cp\u003eSeries 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. \u003c/p\u003e\n","\u003cp\u003eSeries 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.\u003c/p\u003e\n","\u003cp\u003eSeries 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.\u003c/p\u003e\n","\u003cp\u003eSeries 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.\u003c/p\u003e\n","\u003cp\u003eSeries 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. \u003c/p\u003e\n","\u003cp\u003eSeries 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.\u003c/p\u003e\n","\u003cp\u003eSeries 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. \u003c/p\u003e\n","\u003cp\u003eSeries 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.\u003c/p\u003e\n","\u003cp\u003eSeries 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. \u003c/p\u003e\n","\u003cp\u003eSeries 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.\u003c/p\u003e\n","\u003cp\u003eSeries 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.\u003c/p\u003e\n","\u003cp\u003eSeries 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida\u003c/p\u003e\n","\u003cp\u003eSeries 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, \u003c/p\u003e\n","\u003cp\u003eSeries 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.\u003c/p\u003e\n","\u003cp\u003eSeries 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. \u003c/p\u003e\n","\u003cp\u003eSeries 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. \u003c/p\u003e\n","\u003cp\u003eSeries 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.\u003c/p\u003e\n","\u003cp\u003eSeries 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. \u003c/p\u003e\n","\u003cp\u003eSeries 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.\u003c/p\u003e\n","\u003cp\u003eSeries 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. \u003c/p\u003e\n","\u003cp\u003eSeries 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. \u003c/p\u003e\n","\u003cp\u003eSeries 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. \u003c/p\u003e\n","\u003cp\u003eSeries 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. \u003c/p\u003e\n","\u003cp\u003eSeries 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:","Series 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.","Series 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida","Series 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.","Series 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.","Series 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.","Series 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.","Series 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.","Series 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.","Series 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.","Series 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.","Series 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.","Series 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. ","Series 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. ","Series 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. ","Series 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. ","Series 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.","Series 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.","Series 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.","Series 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. ","Series 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.","Series 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. ","Series 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. ","Series 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026WB Drew Company, and cards addressed to Jacksonville addresses.","Series 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. ","Series 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. ","Series 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. ","Series 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. ","Series 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. ","Series 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. ","Series 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.","Series 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. ","Series 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. ","Series 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.","Series 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. ","Series 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.","Series 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. ","Series 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.","Series 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.","Series 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. ","Series 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. ","Series 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.","Series 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. ","Series 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.","Series 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. ","Series 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. ","Series 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.","Series 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. ","Series 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. ","Series 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.","Series 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida","Series 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, ","Series 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.","Series 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.","Series 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. ","Series 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.","Series 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. ","Series 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.","Series 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. ","Series 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. ","Series 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.","Series 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.","Series 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. ","Series 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. ","Series 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. ","Series 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. ","Series 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. ","Series 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":67,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872853597225484288,"_root_":"45807c67f367973431520ee3","timestamp":"2026-08-07T08:46:14.061Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"45807c67f367973431520ee3","title_ssm":["Northeast Florida Regional Postcard Collection"],"title_tesim":["Northeast Florida Regional Postcard Collection"],"ead_ssi":"45807c67f367973431520ee3","unitdate_ssm":["1858-2019"],"unitdate_inclusive_ssm":["1858-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2024.001","/repositories/3/resources/82"],"text":["2024.001","/repositories/3/resources/82","Northeast Florida Regional Postcard Collection, 1858-2019","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. ","\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  ","\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. ","\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. ","Sources:\n New York State Library Postcard Collection-Appendix C","Greetings from the Smithsonian: A Postcard History","This collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:","Series 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.","Series 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida","Series 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.","Series 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.","Series 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.","Series 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.","Series 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.","Series 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.","Series 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.","Series 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.","Series 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.","Series 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. ","Series 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. ","Series 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. ","Series 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. ","Series 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.","Series 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.","Series 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.","Series 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. ","Series 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.","Series 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. ","Series 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. ","Series 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026WB Drew Company, and cards addressed to Jacksonville addresses.","Series 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. ","Series 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. ","Series 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. ","Series 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. ","Series 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. ","Series 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. ","Series 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.","Series 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. ","Series 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. ","Series 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.","Series 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. ","Series 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.","Series 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. ","Series 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.","Series 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.","Series 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. ","Series 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. ","Series 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.","Series 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. ","Series 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.","Series 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. ","Series 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. ","Series 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.","Series 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. ","Series 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. ","Series 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.","Series 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida","Series 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, ","Series 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.","Series 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.","Series 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. ","Series 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.","Series 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. ","Series 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.","Series 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. ","Series 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. ","Series 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.","Series 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.","Series 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. ","Series 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. ","Series 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. ","Series 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. ","Series 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. ","Series 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2024.001","/repositories/3/resources/82"],"normalized_date_ssm":["1858-2019"],"normalized_title_ssm":["Northeast Florida Regional Postcard Collection, 1858-2019"],"collection_title_tesim":["Northeast Florida Regional Postcard Collection, 1858-2019"],"collection_ssim":["Northeast Florida Regional Postcard Collection, 1858-2019"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation."],"has_online_content_ssim":["false"],"extent_ssm":["1.92 Linear Feet"],"extent_tesim":["1.92 Linear Feet"],"date_range_isim":[1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003e\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. \u003c/p\u003e\n","\u003cp\u003e\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  \u003c/p\u003e\n","\u003cp\u003e\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. \u003c/p\u003e\n","\u003cp\u003e\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. \u003c/p\u003e\n","\u003cp\u003eSources:\n\u003cextref href=\"https://www.nysl.nysed.gov/msscfa/qc16510ess.htm\"\u003eNew York State Library Postcard Collection-Appendix C\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://siarchives.si.edu/history/featured-topics/postcard/postcard-history\"\u003eGreetings from the Smithsonian: A Postcard History\u003c/extref\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. ","\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  ","\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. ","\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. ","Sources:\n New York State Library Postcard Collection-Appendix C","Greetings from the Smithsonian: A Postcard History"],"prefercite_html_tesm":["\u003cp\u003eNortheast Florida Regional Postcard Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Northeast Florida Regional Postcard Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.\u003c/p\u003e\n","\u003cp\u003eSeries 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida\u003c/p\u003e\n","\u003cp\u003eSeries 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.\u003c/p\u003e\n","\u003cp\u003eSeries 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.\u003c/p\u003e\n","\u003cp\u003eSeries 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.\u003c/p\u003e\n","\u003cp\u003eSeries 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.\u003c/p\u003e\n","\u003cp\u003eSeries 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.\u003c/p\u003e\n","\u003cp\u003eSeries 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.\u003c/p\u003e\n","\u003cp\u003eSeries 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.\u003c/p\u003e\n","\u003cp\u003eSeries 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. \u003c/p\u003e\n","\u003cp\u003eSeries 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.\u003c/p\u003e\n","\u003cp\u003eSeries 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.\u003c/p\u003e\n","\u003cp\u003eSeries 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. \u003c/p\u003e\n","\u003cp\u003eSeries 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.\u003c/p\u003e\n","\u003cp\u003eSeries 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. \u003c/p\u003e\n","\u003cp\u003eSeries 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. \u003c/p\u003e\n","\u003cp\u003eSeries 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026amp;WB Drew Company, and cards addressed to Jacksonville addresses.\u003c/p\u003e\n","\u003cp\u003eSeries 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. \u003c/p\u003e\n","\u003cp\u003eSeries 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. \u003c/p\u003e\n","\u003cp\u003eSeries 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. \u003c/p\u003e\n","\u003cp\u003eSeries 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. \u003c/p\u003e\n","\u003cp\u003eSeries 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. \u003c/p\u003e\n","\u003cp\u003eSeries 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.\u003c/p\u003e\n","\u003cp\u003eSeries 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. \u003c/p\u003e\n","\u003cp\u003eSeries 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.\u003c/p\u003e\n","\u003cp\u003eSeries 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. \u003c/p\u003e\n","\u003cp\u003eSeries 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.\u003c/p\u003e\n","\u003cp\u003eSeries 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.\u003c/p\u003e\n","\u003cp\u003eSeries 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.\u003c/p\u003e\n","\u003cp\u003eSeries 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. \u003c/p\u003e\n","\u003cp\u003eSeries 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.\u003c/p\u003e\n","\u003cp\u003eSeries 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. \u003c/p\u003e\n","\u003cp\u003eSeries 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.\u003c/p\u003e\n","\u003cp\u003eSeries 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. \u003c/p\u003e\n","\u003cp\u003eSeries 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.\u003c/p\u003e\n","\u003cp\u003eSeries 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.\u003c/p\u003e\n","\u003cp\u003eSeries 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida\u003c/p\u003e\n","\u003cp\u003eSeries 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, \u003c/p\u003e\n","\u003cp\u003eSeries 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.\u003c/p\u003e\n","\u003cp\u003eSeries 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. \u003c/p\u003e\n","\u003cp\u003eSeries 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. \u003c/p\u003e\n","\u003cp\u003eSeries 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.\u003c/p\u003e\n","\u003cp\u003eSeries 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. \u003c/p\u003e\n","\u003cp\u003eSeries 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.\u003c/p\u003e\n","\u003cp\u003eSeries 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. \u003c/p\u003e\n","\u003cp\u003eSeries 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. \u003c/p\u003e\n","\u003cp\u003eSeries 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. \u003c/p\u003e\n","\u003cp\u003eSeries 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. \u003c/p\u003e\n","\u003cp\u003eSeries 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:","Series 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.","Series 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida","Series 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.","Series 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.","Series 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.","Series 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.","Series 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.","Series 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.","Series 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.","Series 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.","Series 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.","Series 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. ","Series 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. ","Series 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. ","Series 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. ","Series 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.","Series 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.","Series 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.","Series 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. ","Series 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.","Series 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. ","Series 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. ","Series 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026WB Drew Company, and cards addressed to Jacksonville addresses.","Series 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. ","Series 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. ","Series 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. ","Series 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. ","Series 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. ","Series 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. ","Series 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.","Series 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. ","Series 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. ","Series 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.","Series 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. ","Series 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.","Series 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. ","Series 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.","Series 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.","Series 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. ","Series 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. ","Series 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.","Series 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. ","Series 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.","Series 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. ","Series 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. ","Series 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.","Series 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. ","Series 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. ","Series 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.","Series 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida","Series 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, ","Series 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.","Series 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.","Series 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. ","Series 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.","Series 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. ","Series 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.","Series 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. ","Series 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. ","Series 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.","Series 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.","Series 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. ","Series 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. ","Series 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. ","Series 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. ","Series 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. ","Series 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":67,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872853597225484288,"_root_":"45807c67f367973431520ee3","timestamp":"2026-08-07T08:46:14.061Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/45807c67f367973431520ee3"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Michael A. Spencer Bromeliad Research Collection, 1754-2014","value":"Michael A. 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