{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1956\u0026page=249","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1956\u0026page=248","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1956\u0026page=250","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1956\u0026page=429"},"meta":{"pages":{"current_page":249,"next_page":250,"prev_page":248,"total_pages":429,"limit_value":10,"offset_value":2480,"total_count":4281,"first_page?":false,"last_page?":false}},"data":[{"id":"4674dbbf638dff3316591cb2_aspace_54596","type":"File","attributes":{"title":"Magnoliaceae, 1927-1972","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4674dbbf638dff3316591cb2_aspace_54596#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_54596","ref_ssm":["aspace_54596","aspace_54596"],"id":"4674dbbf638dff3316591cb2_aspace_54596","title_filing_ssi":"Magnoliaceae","title_ssm":["Magnoliaceae"],"title_tesim":["Magnoliaceae"],"unitdate_inclusive_ssm":["1927-1972"],"normalized_date_ssm":["1927-1972"],"normalized_title_ssm":["Magnoliaceae, 1927-1972"],"text":["Magnoliaceae, 1927-1972","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Plants By Family Files, 1908-1990.","Folder 14","/repositories/4/archival_objects/33443","box 148","folder 14"],"component_level_isim":[2],"parent_ids_ssim":["4674dbbf638dff3316591cb2","4674dbbf638dff3316591cb2_aspace_54557"],"parent_unittitles_ssm":["Michael A. Spencer Bromeliad Research Collection, 1754-2014","Plants By Family Files, 1908-1990."],"parent_unittitles_tesim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014","Plants By Family Files, 1908-1990."],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 14","/repositories/4/archival_objects/33443"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3098,"parent_access_restrict_tesm":["The entire collection is open for research except for the following:\n\n  Boxes 180-181: Personal correspondence\n  Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"\n"],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"date_range_isim":[1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972],"containers_ssim":["box 148","folder 14"],"_nest_path_":"/components#3/components#36","_nest_parent_":"4674dbbf638dff3316591cb2_aspace_54557","_root_":"4674dbbf638dff3316591cb2","timestamp":"2026-07-11T02:53:59.490Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4674dbbf638dff3316591cb2","title_ssm":["Michael A. Spencer Bromeliad Research Collection"],"title_tesim":["Michael A. Spencer Bromeliad Research Collection"],"ead_ssi":"4674dbbf638dff3316591cb2","unitdate_ssm":["1754-2014"],"unitdate_inclusive_ssm":["1754-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 068","/repositories/4/resources/148"],"text":["SC 068","/repositories/4/resources/148","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Marineland (Fla.)","Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)","The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"","The collection is divided into eight series by type of file.","Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.","Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.","A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives .","Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.","Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.","UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991","English"],"unitid_tesim":["SC 068","/repositories/4/resources/148"],"normalized_date_ssm":["1754-2014"],"normalized_title_ssm":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_title_tesim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_ssim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Marineland (Fla.)"],"geogname_ssim":["Marineland (Fla.)"],"creator_ssm":["Spencer, Michael A."],"creator_ssim":["Spencer, Michael A."],"creator_persname_ssim":["Spencer, Michael A."],"creators_ssim":["Spencer, Michael A."],"places_ssim":["Marineland (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"acqinfo_ssim":["Some of these materials were donated to and others were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Michael A. Spencer in 2006 (CFM2006_09), 2011 (CFM2011_02), 2012 (CFM2012_10), and 2014 (CFM2014_01)."],"access_subjects_ssim":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"access_subjects_ssm":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["130 Linear Feet 259 boxes, 2 flat files"],"extent_tesim":["130 Linear Feet 259 boxes, 2 flat files"],"genreform_ssim":["botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"date_range_isim":[1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research except for the following:\n\u003cul\u003e\n  \u003cli\u003eBoxes 180-181: Personal correspondence\u003c/li\u003e\n  \u003cli\u003eBoxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\""],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into eight series by type of file.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into eight series by type of file."],"bioghist_html_tesm":["\u003cp\u003eMichael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004."],"prefercite_html_tesm":["\u003cp\u003eMichael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Michael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eA large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e. \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08c\"\u003eMichael A. Spencer Collection on Julian Nally\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08b\"\u003eMichael A. Spencer Collection on Theodore Mead\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08a\"\u003eMichael A. Spencer Collection on Henry Nehrling\u003c/extref\u003e and the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-03\"\u003eHenry Nehrling Papers\u003c/extref\u003e are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the \u003cextref href=\"http://www.leugardens.org/\"\u003eHarry P. Leu Gardens\u003c/extref\u003e. The \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/4\"\u003eHenry Nehrling Collection\u003c/extref\u003e and the \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/97\"\u003eTheodore L. Mead Collection\u003c/extref\u003e are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the \u003cextref href=\"http://siarchives.si.edu/\"\u003eSmithsonian Institution Archives\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8e33310d6b1a70e4d88f1e2d3043cf71\" label=\"Abstract\"\u003eMichael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.\u003c/abstract\u003e"],"abstract_tesim":["Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here."],"names_coll_ssim":["Bromeliad Society","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"names_ssim":["UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"corpname_ssim":["UCF Special Collections","Bromeliad Society"],"persname_ssim":["Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3662,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"4674dbbf638dff3316591cb2","timestamp":"2026-07-11T02:53:59.490Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4674dbbf638dff3316591cb2_aspace_54596"}},{"id":"d52d92af1bf73915192489ed","type":"collection","attributes":{"title":"Mahan collection of American humor and cartoon art, 1813-2005, Date acquired: 00/00/2006, bulk 1928-1965","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/d52d92af1bf73915192489ed#creator","type":"document_value","attributes":{"value":["Mahan, Charles S. (1938-)"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d52d92af1bf73915192489ed#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eIn addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. While the earliest illustration in this collection is from 1838, its focus is the Golden Age of American Animation (1895-1945).\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d52d92af1bf73915192489ed#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"d52d92af1bf73915192489ed","title_ssm":["Mahan collection of American humor and cartoon art"],"title_tesim":["Mahan collection of American humor and cartoon art"],"ead_ssi":"d52d92af1bf73915192489ed","unitdate_ssm":["1813-2005","1928-1965","Date acquired: 00/00/2006"],"unitdate_bulk_ssim":["1928-1965"],"unitdate_inclusive_ssm":["1813-2005"],"unitdate_other_ssim":["Date acquired: 00/00/2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2006-12","/repositories/2/resources/220"],"text":["MS-2006-12","/repositories/2/resources/220","Mahan collection of American humor and cartoon art, 1813-2005, Date acquired: 00/00/2006, bulk 1928-1965","American wit and humor, Pictorial","Caricatures and cartoons -- United States","Walt Disney Company","Charles S. Mahan, M.D., is Professor Emeritus, College of Public Health and the Lawton and Rhea Chiles Center for Healthy Mothers and Babies. Mahan received his MD from Northwestern University and worked for the University of Florida and the North Central Florida Maternal and Infant Care Program before joining the University of South Florida as Dean of the College of Public Health (1995-2002).","University of South Florida Tampa Library. (2006). Special collections establishes the Dr. Charles Mahan Collection of American Humor and Cartoon Art.  University of South Florida Library Links, 10 (3), 2-3.","Note written by ","In addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. While the earliest illustration in this collection is from 1838, its focus is the Golden Age of American Animation (1895-1945).","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Mahan, Charles S. (1938-)","English"],"unitid_tesim":["MS-2006-12","/repositories/2/resources/220"],"normalized_date_ssm":["1813-2005, Date acquired: 00/00/2006, bulk 1928-1965"],"normalized_title_ssm":["Mahan collection of American humor and cartoon art, 1813-2005, Date acquired: 00/00/2006, bulk 1928-1965"],"collection_title_tesim":["Mahan collection of American humor and cartoon art, 1813-2005, Date acquired: 00/00/2006, bulk 1928-1965"],"collection_ssim":["Mahan collection of American humor and cartoon art, 1813-2005, Date acquired: 00/00/2006, bulk 1928-1965"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Mahan, Charles S. (1938-)"],"creator_ssim":["Mahan, Charles S. (1938-)"],"creator_persname_ssim":["Mahan, Charles S. (1938-)"],"creators_ssim":["Mahan, Charles S. (1938-)"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Dr. Charles S. 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Mahan, M.D., is Professor Emeritus, College of Public Health and the Lawton and Rhea Chiles Center for Healthy Mothers and Babies. Mahan received his MD from Northwestern University and worked for the University of Florida and the North Central Florida Maternal and Infant Care Program before joining the University of South Florida as Dean of the College of Public Health (1995-2002).\u003c/p\u003e\n","\u003cp\u003eUniversity of South Florida Tampa Library. (2006). Special collections establishes the Dr. Charles Mahan Collection of American Humor and Cartoon Art. \u003cemph render=\"italic\"\u003eUniversity of South Florida Library Links, 10\u003c/emph\u003e(3), 2-3.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Charles S. Mahan, M.D., is Professor Emeritus, College of Public Health and the Lawton and Rhea Chiles Center for Healthy Mothers and Babies. Mahan received his MD from Northwestern University and worked for the University of Florida and the North Central Florida Maternal and Infant Care Program before joining the University of South Florida as Dean of the College of Public Health (1995-2002).","University of South Florida Tampa Library. (2006). Special collections establishes the Dr. Charles Mahan Collection of American Humor and Cartoon Art.  University of South Florida Library Links, 10 (3), 2-3.","Note written by "],"prefercite_html_tesm":["\u003cp\u003eMahan Collection of American Humor and Cartoon Art, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Mahan Collection of American Humor and Cartoon Art, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eIn addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. While the earliest illustration in this collection is from 1838, its focus is the Golden Age of American Animation (1895-1945).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["In addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. While the earliest illustration in this collection is from 1838, its focus is the Golden Age of American Animation (1895-1945)."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Mahan, Charles S. (1938-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Mahan, Charles S. 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Mahan, M.D., is Professor Emeritus, College of Public Health and the Lawton and Rhea Chiles Center for Healthy Mothers and Babies. Mahan received his MD from Northwestern University and worked for the University of Florida and the North Central Florida Maternal and Infant Care Program before joining the University of South Florida as Dean of the College of Public Health (1995-2002).","University of South Florida Tampa Library. (2006). Special collections establishes the Dr. Charles Mahan Collection of American Humor and Cartoon Art.  University of South Florida Library Links, 10 (3), 2-3.","Note written by ","In addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. While the earliest illustration in this collection is from 1838, its focus is the Golden Age of American Animation (1895-1945).","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Mahan, Charles S. 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Mahan, M.D., is Professor Emeritus, College of Public Health and the Lawton and Rhea Chiles Center for Healthy Mothers and Babies. Mahan received his MD from Northwestern University and worked for the University of Florida and the North Central Florida Maternal and Infant Care Program before joining the University of South Florida as Dean of the College of Public Health (1995-2002).\u003c/p\u003e\n","\u003cp\u003eUniversity of South Florida Tampa Library. (2006). Special collections establishes the Dr. Charles Mahan Collection of American Humor and Cartoon Art. \u003cemph render=\"italic\"\u003eUniversity of South Florida Library Links, 10\u003c/emph\u003e(3), 2-3.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Charles S. Mahan, M.D., is Professor Emeritus, College of Public Health and the Lawton and Rhea Chiles Center for Healthy Mothers and Babies. 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University of South Florida Library Links, 10 (3), 2-3.","Note written by "],"prefercite_html_tesm":["\u003cp\u003eMahan Collection of American Humor and Cartoon Art, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Mahan Collection of American Humor and Cartoon Art, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eIn addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. While the earliest illustration in this collection is from 1838, its focus is the Golden Age of American Animation (1895-1945).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["In addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. While the earliest illustration in this collection is from 1838, its focus is the Golden Age of American Animation (1895-1945)."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Mahan, Charles S. (1938-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Mahan, Charles S. 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The museum is a memorial to Mr. John and Mabel Ringling, the latter's remains now being at rest in the building."],"component_level_isim":[2],"parent_ids_ssim":["bf94ada4377f2dbc813062ab","bf94ada4377f2dbc813062ab_aspace_dd4c66a2551245073fb3cce3cc3d8f04"],"parent_unittitles_ssm":["Vintage Florida Postcards, 1930-2025","Bradenton Postcards, bulk 1940-1960"],"parent_unittitles_tesim":["Vintage Florida Postcards, 1930-2025","Bradenton Postcards, bulk 1940-1960"],"parent_levels_ssm":["collection","File"],"unitid_ssm":["Item 5","/repositories/2/archival_objects/43666"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Vintage Florida Postcards, 1930-2025"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":225,"parent_access_restrict_tesm":["The collection is open and available for research."],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"geogname_ssim":["Bradenton (Fla.)","Sarasota County (Fla.)"],"geogname_ssm":["Bradenton (Fla.)","Sarasota County (Fla.)"],"places_ssim":["Bradenton (Fla.)","Sarasota County (Fla.)"],"access_subjects_ssim":["Postcards.\t"],"access_subjects_ssm":["Postcards.\t"],"language_ssim":["English"],"scopecontent_html_tesm":["\u003cp\u003eLinen postcard with white border showing the inside main courtyard of the Ringling Art Museum. The inscription on the back of the postcard reads: Ringling museum is one of the outstanding museums of America and compares favorably with the best found in foreign countries. Over twenty millions of dollars have been invested in choice art pieces and paintings and no money has been spared in beautifying the grounds. The museum is a memorial to Mr. John and Mabel Ringling, the latter's remains now being at rest in the building.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Linen postcard with white border showing the inside main courtyard of the Ringling Art Museum. The inscription on the back of the postcard reads: Ringling museum is one of the outstanding museums of America and compares favorably with the best found in foreign countries. Over twenty millions of dollars have been invested in choice art pieces and paintings and no money has been spared in beautifying the grounds. The museum is a memorial to Mr. John and Mabel Ringling, the latter's remains now being at rest in the building."],"_nest_path_":"/components#24/components#4","_nest_parent_":"bf94ada4377f2dbc813062ab_aspace_dd4c66a2551245073fb3cce3cc3d8f04","_root_":"bf94ada4377f2dbc813062ab","timestamp":"2026-04-28T01:56:33.260Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bf94ada4377f2dbc813062ab","title_ssm":["Vintage Florida Postcards"],"title_tesim":["Vintage Florida Postcards"],"ead_ssi":"bf94ada4377f2dbc813062ab","unitdate_ssm":["1930-2025"],"unitdate_inclusive_ssm":["1930-2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/44","/repositories/2/resources/109"],"text":["02/01/44","/repositories/2/resources/109","Vintage Florida Postcards, 1930-2025","Florida.","Seminole Tribe of Florida.","Photography.","Tourism--Florida.","Florida--Postcards","Postcards.\t","The collection is open and available for research.","Materials included in the Vintage Florida Postcard collection include postcards from regions spanning the State of Florida.","Florida Gulf Coast University Special Collections","Dexter Press (West Nyack, New York)","Sell, William, Mrs.","English"],"unitid_tesim":["02/01/44","/repositories/2/resources/109"],"normalized_date_ssm":["1930-2025"],"normalized_title_ssm":["Vintage Florida Postcards, 1930-2025"],"collection_title_tesim":["Vintage Florida Postcards, 1930-2025"],"collection_ssim":["Vintage Florida Postcards, 1930-2025"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Florida.","Seminole Tribe of Florida.","Photography.","Tourism--Florida."],"geogname_ssim":["Florida.","Seminole Tribe of Florida.","Photography.","Tourism--Florida."],"places_ssim":["Florida.","Seminole Tribe of Florida.","Photography.","Tourism--Florida."],"access_subjects_ssim":["Florida--Postcards","Postcards.\t"],"access_subjects_ssm":["Florida--Postcards","Postcards.\t"],"has_online_content_ssim":["false"],"extent_ssm":[".5 Linear Feet"],"extent_tesim":[".5 Linear Feet"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open and available for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open and available for research."],"scopecontent_html_tesm":["\u003cp\u003eMaterials included in the Vintage Florida Postcard collection include postcards from regions spanning the State of Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials included in the Vintage Florida Postcard collection include postcards from regions spanning the State of Florida."],"names_ssim":["Florida Gulf Coast University Special Collections","Dexter Press (West Nyack, New York)","Sell, William, Mrs."],"corpname_ssim":["Florida Gulf Coast University Special Collections","Dexter Press (West Nyack, New York)"],"persname_ssim":["Sell, William, Mrs."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":285,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"bf94ada4377f2dbc813062ab","timestamp":"2026-04-28T01:56:33.260Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bf94ada4377f2dbc813062ab_aspace_7133428b422aafc025460364d2a07f2b"}},{"id":"71af4bd2de2ad32650a31b09","type":"collection","attributes":{"title":"Major Clark Collection, 1938-1956","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/71af4bd2de2ad32650a31b09#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection consists of four letters, one post card, a picture and a program. The post card is from Fannie Hurst of New York City, and it is addressed to Major Clark of Tallahassee, Florida, and dated April of 1954. There is a manuscript letter by Mary C. Rockefeller of New York City, to Major Clark, dated 1956. Three letters are from Mari Sandoz of New York City, to Major Clark, and they date from 1954-1956. These three letters included a picture of Ms. Rockefeller and a souvenir program from \"Old Jules\" as presented by the Alliance Little Theater at Alliance, Nebraska, on June 27, 1938. This play was written by Mari Sandoz, and the program contains many historical facts and a number of pictures of this area in Nebraska, as well as a picture of the author. The gloss photograph in this collection is of Miss Sandoz, and it is appreciated for her autograph on the back, as well as the autographs of her friends.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/71af4bd2de2ad32650a31b09#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"71af4bd2de2ad32650a31b09","title_ssm":["Major Clark Collection"],"title_tesim":["Major Clark Collection"],"ead_ssi":"71af4bd2de2ad32650a31b09","unitdate_ssm":["1938-1956"],"unitdate_inclusive_ssm":["1938-1956"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0-64","/repositories/10/resources/609"],"text":["MSS 0-64","/repositories/10/resources/609","Major Clark Collection, 1938-1956","Nebraska","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Processed June 12, 1964.","This collection consists of four letters, one post card, a picture and a program. The post card is from Fannie Hurst of New York City, and it is addressed to Major Clark of Tallahassee, Florida, and dated April of 1954. There is a manuscript letter by Mary C. Rockefeller of New York City, to Major Clark, dated 1956. Three letters are from Mari Sandoz of New York City, to Major Clark, and they date from 1954-1956. These three letters included a picture of Ms. Rockefeller and a souvenir program from \"Old Jules\" as presented by the Alliance Little Theater at Alliance, Nebraska, on June 27, 1938. This play was written by Mari Sandoz, and the program contains many historical facts and a number of pictures of this area in Nebraska, as well as a picture of the author. The gloss photograph in this collection is of Miss Sandoz, and it is appreciated for her autograph on the back, as well as the autographs of her friends.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["MSS 0-64","/repositories/10/resources/609"],"normalized_date_ssm":["1938-1956"],"normalized_title_ssm":["Major Clark Collection, 1938-1956"],"collection_title_tesim":["Major Clark Collection, 1938-1956"],"collection_ssim":["Major Clark Collection, 1938-1956"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Nebraska"],"geogname_ssim":["Nebraska"],"places_ssim":["Nebraska"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Gift of Major Felie W. Clark"],"has_online_content_ssim":["false"],"extent_ssm":["7.00 items"],"extent_tesim":["7.00 items"],"date_range_isim":[1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Major Clark Collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-0-64\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Major Clark Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-0-64"],"processinfo_html_tesm":["\u003cp\u003eProcessed June 12, 1964.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed June 12, 1964."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of four letters, one post card, a picture and a program. The post card is from Fannie Hurst of New York City, and it is addressed to Major Clark of Tallahassee, Florida, and dated April of 1954. There is a manuscript letter by Mary C. Rockefeller of New York City, to Major Clark, dated 1956. Three letters are from Mari Sandoz of New York City, to Major Clark, and they date from 1954-1956. These three letters included a picture of Ms. Rockefeller and a souvenir program from \"Old Jules\" as presented by the Alliance Little Theater at Alliance, Nebraska, on June 27, 1938. This play was written by Mari Sandoz, and the program contains many historical facts and a number of pictures of this area in Nebraska, as well as a picture of the author. The gloss photograph in this collection is of Miss Sandoz, and it is appreciated for her autograph on the back, as well as the autographs of her friends.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of four letters, one post card, a picture and a program. The post card is from Fannie Hurst of New York City, and it is addressed to Major Clark of Tallahassee, Florida, and dated April of 1954. There is a manuscript letter by Mary C. Rockefeller of New York City, to Major Clark, dated 1956. Three letters are from Mari Sandoz of New York City, to Major Clark, and they date from 1954-1956. These three letters included a picture of Ms. Rockefeller and a souvenir program from \"Old Jules\" as presented by the Alliance Little Theater at Alliance, Nebraska, on June 27, 1938. This play was written by Mari Sandoz, and the program contains many historical facts and a number of pictures of this area in Nebraska, as well as a picture of the author. The gloss photograph in this collection is of Miss Sandoz, and it is appreciated for her autograph on the back, as well as the autographs of her friends."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858975299239936,"_root_":"71af4bd2de2ad32650a31b09","timestamp":"2026-07-16T08:22:34.361Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"71af4bd2de2ad32650a31b09","title_ssm":["Major Clark Collection"],"title_tesim":["Major Clark Collection"],"ead_ssi":"71af4bd2de2ad32650a31b09","unitdate_ssm":["1938-1956"],"unitdate_inclusive_ssm":["1938-1956"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0-64","/repositories/10/resources/609"],"text":["MSS 0-64","/repositories/10/resources/609","Major Clark Collection, 1938-1956","Nebraska","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Processed June 12, 1964.","This collection consists of four letters, one post card, a picture and a program. The post card is from Fannie Hurst of New York City, and it is addressed to Major Clark of Tallahassee, Florida, and dated April of 1954. There is a manuscript letter by Mary C. Rockefeller of New York City, to Major Clark, dated 1956. Three letters are from Mari Sandoz of New York City, to Major Clark, and they date from 1954-1956. These three letters included a picture of Ms. Rockefeller and a souvenir program from \"Old Jules\" as presented by the Alliance Little Theater at Alliance, Nebraska, on June 27, 1938. This play was written by Mari Sandoz, and the program contains many historical facts and a number of pictures of this area in Nebraska, as well as a picture of the author. The gloss photograph in this collection is of Miss Sandoz, and it is appreciated for her autograph on the back, as well as the autographs of her friends.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["MSS 0-64","/repositories/10/resources/609"],"normalized_date_ssm":["1938-1956"],"normalized_title_ssm":["Major Clark Collection, 1938-1956"],"collection_title_tesim":["Major Clark Collection, 1938-1956"],"collection_ssim":["Major Clark Collection, 1938-1956"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Nebraska"],"geogname_ssim":["Nebraska"],"places_ssim":["Nebraska"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Gift of Major Felie W. Clark"],"has_online_content_ssim":["false"],"extent_ssm":["7.00 items"],"extent_tesim":["7.00 items"],"date_range_isim":[1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Major Clark Collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-0-64\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Major Clark Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-0-64"],"processinfo_html_tesm":["\u003cp\u003eProcessed June 12, 1964.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed June 12, 1964."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of four letters, one post card, a picture and a program. The post card is from Fannie Hurst of New York City, and it is addressed to Major Clark of Tallahassee, Florida, and dated April of 1954. There is a manuscript letter by Mary C. Rockefeller of New York City, to Major Clark, dated 1956. Three letters are from Mari Sandoz of New York City, to Major Clark, and they date from 1954-1956. These three letters included a picture of Ms. Rockefeller and a souvenir program from \"Old Jules\" as presented by the Alliance Little Theater at Alliance, Nebraska, on June 27, 1938. This play was written by Mari Sandoz, and the program contains many historical facts and a number of pictures of this area in Nebraska, as well as a picture of the author. The gloss photograph in this collection is of Miss Sandoz, and it is appreciated for her autograph on the back, as well as the autographs of her friends.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of four letters, one post card, a picture and a program. The post card is from Fannie Hurst of New York City, and it is addressed to Major Clark of Tallahassee, Florida, and dated April of 1954. There is a manuscript letter by Mary C. Rockefeller of New York City, to Major Clark, dated 1956. Three letters are from Mari Sandoz of New York City, to Major Clark, and they date from 1954-1956. These three letters included a picture of Ms. Rockefeller and a souvenir program from \"Old Jules\" as presented by the Alliance Little Theater at Alliance, Nebraska, on June 27, 1938. This play was written by Mari Sandoz, and the program contains many historical facts and a number of pictures of this area in Nebraska, as well as a picture of the author. The gloss photograph in this collection is of Miss Sandoz, and it is appreciated for her autograph on the back, as well as the autographs of her friends."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858975299239936,"_root_":"71af4bd2de2ad32650a31b09","timestamp":"2026-07-16T08:22:34.361Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/71af4bd2de2ad32650a31b09"}},{"id":"5e441c26c224fc2443904339","type":"collection","attributes":{"title":"Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/5e441c26c224fc2443904339#creator","type":"document_value","attributes":{"value":["Maksimilian Dikarev"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/5e441c26c224fc2443904339#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe materials represent two time periods: The late 1920s through the beginning of the Second World War, and the early Cold War period of the 1950s through the 1970s. The former consists of naval covers from ships assigned to the U.S. Asiatic Fleet. While the ships may have served with other fleets and stations over their service lives, only their time in this specific fleet is represented here. The latter portion of the collection represents communications to or from shipyards and submarine bases. While some communication is directed to or from a specific boat (the proper term for a submarine), the cachet on the cover is the focus of the collection. \u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5e441c26c224fc2443904339#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"5e441c26c224fc2443904339","title_ssm":["Maks Dikarev Naval Cover Collection"],"title_tesim":["Maks Dikarev Naval Cover Collection"],"ead_ssi":"5e441c26c224fc2443904339","unitdate_ssm":["1927-1941","1954-1982"],"unitdate_inclusive_ssm":["1927-1941","1954-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9050","/repositories/2/resources/108"],"text":["SPC9050","/repositories/2/resources/108","Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982","Naval battles in art","Cold War","Naval History","Navy yards and naval stations","Communications, Military","United States. Navy-- Records and correspondence","Modern naval history","Warships","China--Sino-Japanese Conflict, 1931-1933","China--Sino-Japanese War, 1937-1945","Nuclear submarines","Mail art","This collection is open for research.","The materials in this collection are arranged in the following series' and sub-series:","Series:\nU.S. Asiatic Fleet","\nSub-series: \n    \t\t\tAircraft Carrier\n                Battleship\n                Collier\n                Cruiser\n                Destroyer\n                Destroyer Tender\t\n                Freighter\n                Gunboat\n                Minesweeper\n                Patrol Yacht\n                Seaplane Tender\n                Submarine\n                Submarine Rescue Vessel\n                Submarine Tender\n                Tug\n                Shore Base\n                Photographs\nCold War","\nSub-series:\n    \t\t\tHeavy Cruiser\n    \t\t\tNaval Base\n                Other Locations\n                Replenishment Oiler\n                Sub Tender","This collection consists of naval covers created during the interwar period of the 1920s and 1930s, as well as the Cold War period of the early 1950s through the early 1980s. ","According to the Naval Cover Museum, \"a naval cover is any envelope, postcard, or other postal medium that is mailed from or somehow related to a navy ship, location, or event. Beginning in 1908, post offices were established on board U.S. Navy ships and each ship had one or more postmarks to \"cancel\" the stamps used on the cover. The postmark, or cancellation, would usually have the ship's name and the date that the cover was cancelled.\" Additionally, \"starting in the 1930's, covers with printed designs, called cachets, began appearing and established a large following. Many different cachets were designed and sent to various ships to be cancelled and mailed. Some cachets were designed for a specific ship while others were generic (perhaps for a holiday or commemorating an historical event) and sent to many different ships.\" While the use of cachets diminished during the Second World War, they were revived at its conclusion and are still in use to this day. ","The focus of the interwar covers in this collection is of the U.S. Asiatic Fleet, which was responsible for protecting and advancing U.S. interests in the western Pacific area and China. This was also a period of conflict between the Republic of China and Imperial Japan, and incidents such as the Japanese attack on the USS Panay in 1937 are commemorated in the artwork on the covers. Many of the ships represented in this collection went on to serve valiantly in the Second World War. Several were subsequently lost to enemy action. The second half of the collection focuses on the fleet of United States' first and second generation of nuclear-powered submarines in service from the 1950s through the 1970s, including the USS Nautilus. Attack submarines and ballistic missile submarines are represented, with covers and postmarks from important submarine shipyards and naval bases.","The materials represent two time periods: The late 1920s through the beginning of the Second World War, and the early Cold War period of the 1950s through the 1970s. The former consists of naval covers from ships assigned to the U.S. Asiatic Fleet. While the ships may have served with other fleets and stations over their service lives, only their time in this specific fleet is represented here. The latter portion of the collection represents communications to or from shipyards and submarine bases. While some communication is directed to or from a specific boat (the proper term for a submarine), the cachet on the cover is the focus of the collection. ","As I was conducting research for this collection, I noticed that some ships were built for one particular purpose, yet at the time of the creation of the collection item, their role (and perhaps name) had changed. The collection will reflect the name and role of the ship at the time these items were created. Additionally, hull number will be included, as in some cases multiple ships have carried the same name (i.e. Enterprise). ","The Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Maksimilian Dikarev","English"],"unitid_tesim":["SPC9050","/repositories/2/resources/108"],"normalized_date_ssm":["1927-1941, 1954-1982"],"normalized_title_ssm":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982"],"collection_title_tesim":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982"],"collection_ssim":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Naval battles in art","Cold War"],"geogname_ssim":["Naval battles in art","Cold War"],"creator_ssm":["Maksimilian Dikarev"],"creator_ssim":["Maksimilian Dikarev"],"creator_persname_ssim":["Maksimilian Dikarev"],"creators_ssim":["Maksimilian Dikarev"],"places_ssim":["Naval battles in art","Cold War"],"access_terms_ssm":["The Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Maksimilian Dikarev."],"access_subjects_ssim":["Naval History","Navy yards and naval stations","Communications, Military","United States. Navy-- Records and correspondence","Modern naval history","Warships","China--Sino-Japanese Conflict, 1931-1933","China--Sino-Japanese War, 1937-1945","Nuclear submarines","Mail art"],"access_subjects_ssm":["Naval History","Navy yards and naval stations","Communications, Military","United States. Navy-- Records and correspondence","Modern naval history","Warships","China--Sino-Japanese Conflict, 1931-1933","China--Sino-Japanese War, 1937-1945","Nuclear submarines","Mail art"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet"],"extent_tesim":["1.5 Linear Feet"],"physfacet_tesim":["1 Banker box and 1 5\" Legal size document case. "],"date_range_isim":[1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged in the following series' and sub-series:\u003c/p\u003e\n","\u003cp\u003eSeries:\nU.S. Asiatic Fleet\u003c/p\u003e\n","\u003cp\u003e\nSub-series: \n    \t\t\tAircraft Carrier\n                Battleship\n                Collier\n                Cruiser\n                Destroyer\n                Destroyer Tender\t\n                Freighter\n                Gunboat\n                Minesweeper\n                Patrol Yacht\n                Seaplane Tender\n                Submarine\n                Submarine Rescue Vessel\n                Submarine Tender\n                Tug\n                Shore Base\n                Photographs\nCold War\u003c/p\u003e\n","\u003cp\u003e\nSub-series:\n    \t\t\tHeavy Cruiser\n    \t\t\tNaval Base\n                Other Locations\n                Replenishment Oiler\n                Sub Tender\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged in the following series' and sub-series:","Series:\nU.S. Asiatic Fleet","\nSub-series: \n    \t\t\tAircraft Carrier\n                Battleship\n                Collier\n                Cruiser\n                Destroyer\n                Destroyer Tender\t\n                Freighter\n                Gunboat\n                Minesweeper\n                Patrol Yacht\n                Seaplane Tender\n                Submarine\n                Submarine Rescue Vessel\n                Submarine Tender\n                Tug\n                Shore Base\n                Photographs\nCold War","\nSub-series:\n    \t\t\tHeavy Cruiser\n    \t\t\tNaval Base\n                Other Locations\n                Replenishment Oiler\n                Sub Tender"],"bioghist_html_tesm":["\u003cp\u003eThis collection consists of naval covers created during the interwar period of the 1920s and 1930s, as well as the Cold War period of the early 1950s through the early 1980s. \u003c/p\u003e\n","\u003cp\u003eAccording to the Naval Cover Museum, \"a naval cover is any envelope, postcard, or other postal medium that is mailed from or somehow related to a navy ship, location, or event. Beginning in 1908, post offices were established on board U.S. Navy ships and each ship had one or more postmarks to \"cancel\" the stamps used on the cover. The postmark, or cancellation, would usually have the ship's name and the date that the cover was cancelled.\" Additionally, \"starting in the 1930's, covers with printed designs, called cachets, began appearing and established a large following. Many different cachets were designed and sent to various ships to be cancelled and mailed. Some cachets were designed for a specific ship while others were generic (perhaps for a holiday or commemorating an historical event) and sent to many different ships.\" While the use of cachets diminished during the Second World War, they were revived at its conclusion and are still in use to this day. \u003c/p\u003e\n","\u003cp\u003eThe focus of the interwar covers in this collection is of the U.S. Asiatic Fleet, which was responsible for protecting and advancing U.S. interests in the western Pacific area and China. This was also a period of conflict between the Republic of China and Imperial Japan, and incidents such as the Japanese attack on the USS Panay in 1937 are commemorated in the artwork on the covers. Many of the ships represented in this collection went on to serve valiantly in the Second World War. Several were subsequently lost to enemy action. The second half of the collection focuses on the fleet of United States' first and second generation of nuclear-powered submarines in service from the 1950s through the 1970s, including the USS Nautilus. Attack submarines and ballistic missile submarines are represented, with covers and postmarks from important submarine shipyards and naval bases.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["This collection consists of naval covers created during the interwar period of the 1920s and 1930s, as well as the Cold War period of the early 1950s through the early 1980s. ","According to the Naval Cover Museum, \"a naval cover is any envelope, postcard, or other postal medium that is mailed from or somehow related to a navy ship, location, or event. Beginning in 1908, post offices were established on board U.S. Navy ships and each ship had one or more postmarks to \"cancel\" the stamps used on the cover. The postmark, or cancellation, would usually have the ship's name and the date that the cover was cancelled.\" Additionally, \"starting in the 1930's, covers with printed designs, called cachets, began appearing and established a large following. Many different cachets were designed and sent to various ships to be cancelled and mailed. Some cachets were designed for a specific ship while others were generic (perhaps for a holiday or commemorating an historical event) and sent to many different ships.\" While the use of cachets diminished during the Second World War, they were revived at its conclusion and are still in use to this day. ","The focus of the interwar covers in this collection is of the U.S. Asiatic Fleet, which was responsible for protecting and advancing U.S. interests in the western Pacific area and China. This was also a period of conflict between the Republic of China and Imperial Japan, and incidents such as the Japanese attack on the USS Panay in 1937 are commemorated in the artwork on the covers. Many of the ships represented in this collection went on to serve valiantly in the Second World War. Several were subsequently lost to enemy action. The second half of the collection focuses on the fleet of United States' first and second generation of nuclear-powered submarines in service from the 1950s through the 1970s, including the USS Nautilus. Attack submarines and ballistic missile submarines are represented, with covers and postmarks from important submarine shipyards and naval bases."],"scopecontent_html_tesm":["\u003cp\u003eThe materials represent two time periods: The late 1920s through the beginning of the Second World War, and the early Cold War period of the 1950s through the 1970s. The former consists of naval covers from ships assigned to the U.S. Asiatic Fleet. While the ships may have served with other fleets and stations over their service lives, only their time in this specific fleet is represented here. The latter portion of the collection represents communications to or from shipyards and submarine bases. While some communication is directed to or from a specific boat (the proper term for a submarine), the cachet on the cover is the focus of the collection. \u003c/p\u003e\n","\u003cp\u003eAs I was conducting research for this collection, I noticed that some ships were built for one particular purpose, yet at the time of the creation of the collection item, their role (and perhaps name) had changed. The collection will reflect the name and role of the ship at the time these items were created. Additionally, hull number will be included, as in some cases multiple ships have carried the same name (i.e. Enterprise). \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials represent two time periods: The late 1920s through the beginning of the Second World War, and the early Cold War period of the 1950s through the 1970s. The former consists of naval covers from ships assigned to the U.S. Asiatic Fleet. While the ships may have served with other fleets and stations over their service lives, only their time in this specific fleet is represented here. The latter portion of the collection represents communications to or from shipyards and submarine bases. While some communication is directed to or from a specific boat (the proper term for a submarine), the cachet on the cover is the focus of the collection. ","As I was conducting research for this collection, I noticed that some ships were built for one particular purpose, yet at the time of the creation of the collection item, their role (and perhaps name) had changed. The collection will reflect the name and role of the ship at the time these items were created. Additionally, hull number will be included, as in some cases multiple ships have carried the same name (i.e. Enterprise). "],"userestrict_html_tesm":["\u003cp\u003eThe Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Maksimilian Dikarev"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Maksimilian Dikarev"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":122,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844426508566528,"_root_":"5e441c26c224fc2443904339","timestamp":"2026-07-16T04:31:19.551Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5e441c26c224fc2443904339","title_ssm":["Maks Dikarev Naval Cover Collection"],"title_tesim":["Maks Dikarev Naval Cover Collection"],"ead_ssi":"5e441c26c224fc2443904339","unitdate_ssm":["1927-1941","1954-1982"],"unitdate_inclusive_ssm":["1927-1941","1954-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9050","/repositories/2/resources/108"],"text":["SPC9050","/repositories/2/resources/108","Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982","Naval battles in art","Cold War","Naval History","Navy yards and naval stations","Communications, Military","United States. Navy-- Records and correspondence","Modern naval history","Warships","China--Sino-Japanese Conflict, 1931-1933","China--Sino-Japanese War, 1937-1945","Nuclear submarines","Mail art","This collection is open for research.","The materials in this collection are arranged in the following series' and sub-series:","Series:\nU.S. Asiatic Fleet","\nSub-series: \n    \t\t\tAircraft Carrier\n                Battleship\n                Collier\n                Cruiser\n                Destroyer\n                Destroyer Tender\t\n                Freighter\n                Gunboat\n                Minesweeper\n                Patrol Yacht\n                Seaplane Tender\n                Submarine\n                Submarine Rescue Vessel\n                Submarine Tender\n                Tug\n                Shore Base\n                Photographs\nCold War","\nSub-series:\n    \t\t\tHeavy Cruiser\n    \t\t\tNaval Base\n                Other Locations\n                Replenishment Oiler\n                Sub Tender","This collection consists of naval covers created during the interwar period of the 1920s and 1930s, as well as the Cold War period of the early 1950s through the early 1980s. ","According to the Naval Cover Museum, \"a naval cover is any envelope, postcard, or other postal medium that is mailed from or somehow related to a navy ship, location, or event. Beginning in 1908, post offices were established on board U.S. Navy ships and each ship had one or more postmarks to \"cancel\" the stamps used on the cover. The postmark, or cancellation, would usually have the ship's name and the date that the cover was cancelled.\" Additionally, \"starting in the 1930's, covers with printed designs, called cachets, began appearing and established a large following. Many different cachets were designed and sent to various ships to be cancelled and mailed. Some cachets were designed for a specific ship while others were generic (perhaps for a holiday or commemorating an historical event) and sent to many different ships.\" While the use of cachets diminished during the Second World War, they were revived at its conclusion and are still in use to this day. ","The focus of the interwar covers in this collection is of the U.S. Asiatic Fleet, which was responsible for protecting and advancing U.S. interests in the western Pacific area and China. This was also a period of conflict between the Republic of China and Imperial Japan, and incidents such as the Japanese attack on the USS Panay in 1937 are commemorated in the artwork on the covers. Many of the ships represented in this collection went on to serve valiantly in the Second World War. Several were subsequently lost to enemy action. The second half of the collection focuses on the fleet of United States' first and second generation of nuclear-powered submarines in service from the 1950s through the 1970s, including the USS Nautilus. Attack submarines and ballistic missile submarines are represented, with covers and postmarks from important submarine shipyards and naval bases.","The materials represent two time periods: The late 1920s through the beginning of the Second World War, and the early Cold War period of the 1950s through the 1970s. The former consists of naval covers from ships assigned to the U.S. Asiatic Fleet. While the ships may have served with other fleets and stations over their service lives, only their time in this specific fleet is represented here. The latter portion of the collection represents communications to or from shipyards and submarine bases. While some communication is directed to or from a specific boat (the proper term for a submarine), the cachet on the cover is the focus of the collection. ","As I was conducting research for this collection, I noticed that some ships were built for one particular purpose, yet at the time of the creation of the collection item, their role (and perhaps name) had changed. The collection will reflect the name and role of the ship at the time these items were created. Additionally, hull number will be included, as in some cases multiple ships have carried the same name (i.e. Enterprise). ","The Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Maksimilian Dikarev","English"],"unitid_tesim":["SPC9050","/repositories/2/resources/108"],"normalized_date_ssm":["1927-1941, 1954-1982"],"normalized_title_ssm":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982"],"collection_title_tesim":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982"],"collection_ssim":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Naval battles in art","Cold War"],"geogname_ssim":["Naval battles in art","Cold War"],"creator_ssm":["Maksimilian Dikarev"],"creator_ssim":["Maksimilian Dikarev"],"creator_persname_ssim":["Maksimilian Dikarev"],"creators_ssim":["Maksimilian Dikarev"],"places_ssim":["Naval battles in art","Cold War"],"access_terms_ssm":["The Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Maksimilian Dikarev."],"access_subjects_ssim":["Naval History","Navy yards and naval stations","Communications, Military","United States. Navy-- Records and correspondence","Modern naval history","Warships","China--Sino-Japanese Conflict, 1931-1933","China--Sino-Japanese War, 1937-1945","Nuclear submarines","Mail art"],"access_subjects_ssm":["Naval History","Navy yards and naval stations","Communications, Military","United States. Navy-- Records and correspondence","Modern naval history","Warships","China--Sino-Japanese Conflict, 1931-1933","China--Sino-Japanese War, 1937-1945","Nuclear submarines","Mail art"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet"],"extent_tesim":["1.5 Linear Feet"],"physfacet_tesim":["1 Banker box and 1 5\" Legal size document case. "],"date_range_isim":[1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged in the following series' and sub-series:\u003c/p\u003e\n","\u003cp\u003eSeries:\nU.S. Asiatic Fleet\u003c/p\u003e\n","\u003cp\u003e\nSub-series: \n    \t\t\tAircraft Carrier\n                Battleship\n                Collier\n                Cruiser\n                Destroyer\n                Destroyer Tender\t\n                Freighter\n                Gunboat\n                Minesweeper\n                Patrol Yacht\n                Seaplane Tender\n                Submarine\n                Submarine Rescue Vessel\n                Submarine Tender\n                Tug\n                Shore Base\n                Photographs\nCold War\u003c/p\u003e\n","\u003cp\u003e\nSub-series:\n    \t\t\tHeavy Cruiser\n    \t\t\tNaval Base\n                Other Locations\n                Replenishment Oiler\n                Sub Tender\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged in the following series' and sub-series:","Series:\nU.S. Asiatic Fleet","\nSub-series: \n    \t\t\tAircraft Carrier\n                Battleship\n                Collier\n                Cruiser\n                Destroyer\n                Destroyer Tender\t\n                Freighter\n                Gunboat\n                Minesweeper\n                Patrol Yacht\n                Seaplane Tender\n                Submarine\n                Submarine Rescue Vessel\n                Submarine Tender\n                Tug\n                Shore Base\n                Photographs\nCold War","\nSub-series:\n    \t\t\tHeavy Cruiser\n    \t\t\tNaval Base\n                Other Locations\n                Replenishment Oiler\n                Sub Tender"],"bioghist_html_tesm":["\u003cp\u003eThis collection consists of naval covers created during the interwar period of the 1920s and 1930s, as well as the Cold War period of the early 1950s through the early 1980s. \u003c/p\u003e\n","\u003cp\u003eAccording to the Naval Cover Museum, \"a naval cover is any envelope, postcard, or other postal medium that is mailed from or somehow related to a navy ship, location, or event. Beginning in 1908, post offices were established on board U.S. Navy ships and each ship had one or more postmarks to \"cancel\" the stamps used on the cover. The postmark, or cancellation, would usually have the ship's name and the date that the cover was cancelled.\" Additionally, \"starting in the 1930's, covers with printed designs, called cachets, began appearing and established a large following. Many different cachets were designed and sent to various ships to be cancelled and mailed. Some cachets were designed for a specific ship while others were generic (perhaps for a holiday or commemorating an historical event) and sent to many different ships.\" While the use of cachets diminished during the Second World War, they were revived at its conclusion and are still in use to this day. \u003c/p\u003e\n","\u003cp\u003eThe focus of the interwar covers in this collection is of the U.S. Asiatic Fleet, which was responsible for protecting and advancing U.S. interests in the western Pacific area and China. This was also a period of conflict between the Republic of China and Imperial Japan, and incidents such as the Japanese attack on the USS Panay in 1937 are commemorated in the artwork on the covers. Many of the ships represented in this collection went on to serve valiantly in the Second World War. Several were subsequently lost to enemy action. The second half of the collection focuses on the fleet of United States' first and second generation of nuclear-powered submarines in service from the 1950s through the 1970s, including the USS Nautilus. Attack submarines and ballistic missile submarines are represented, with covers and postmarks from important submarine shipyards and naval bases.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["This collection consists of naval covers created during the interwar period of the 1920s and 1930s, as well as the Cold War period of the early 1950s through the early 1980s. ","According to the Naval Cover Museum, \"a naval cover is any envelope, postcard, or other postal medium that is mailed from or somehow related to a navy ship, location, or event. Beginning in 1908, post offices were established on board U.S. Navy ships and each ship had one or more postmarks to \"cancel\" the stamps used on the cover. The postmark, or cancellation, would usually have the ship's name and the date that the cover was cancelled.\" Additionally, \"starting in the 1930's, covers with printed designs, called cachets, began appearing and established a large following. Many different cachets were designed and sent to various ships to be cancelled and mailed. Some cachets were designed for a specific ship while others were generic (perhaps for a holiday or commemorating an historical event) and sent to many different ships.\" While the use of cachets diminished during the Second World War, they were revived at its conclusion and are still in use to this day. ","The focus of the interwar covers in this collection is of the U.S. Asiatic Fleet, which was responsible for protecting and advancing U.S. interests in the western Pacific area and China. This was also a period of conflict between the Republic of China and Imperial Japan, and incidents such as the Japanese attack on the USS Panay in 1937 are commemorated in the artwork on the covers. Many of the ships represented in this collection went on to serve valiantly in the Second World War. Several were subsequently lost to enemy action. The second half of the collection focuses on the fleet of United States' first and second generation of nuclear-powered submarines in service from the 1950s through the 1970s, including the USS Nautilus. Attack submarines and ballistic missile submarines are represented, with covers and postmarks from important submarine shipyards and naval bases."],"scopecontent_html_tesm":["\u003cp\u003eThe materials represent two time periods: The late 1920s through the beginning of the Second World War, and the early Cold War period of the 1950s through the 1970s. The former consists of naval covers from ships assigned to the U.S. Asiatic Fleet. While the ships may have served with other fleets and stations over their service lives, only their time in this specific fleet is represented here. The latter portion of the collection represents communications to or from shipyards and submarine bases. While some communication is directed to or from a specific boat (the proper term for a submarine), the cachet on the cover is the focus of the collection. \u003c/p\u003e\n","\u003cp\u003eAs I was conducting research for this collection, I noticed that some ships were built for one particular purpose, yet at the time of the creation of the collection item, their role (and perhaps name) had changed. The collection will reflect the name and role of the ship at the time these items were created. Additionally, hull number will be included, as in some cases multiple ships have carried the same name (i.e. Enterprise). \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials represent two time periods: The late 1920s through the beginning of the Second World War, and the early Cold War period of the 1950s through the 1970s. The former consists of naval covers from ships assigned to the U.S. Asiatic Fleet. While the ships may have served with other fleets and stations over their service lives, only their time in this specific fleet is represented here. The latter portion of the collection represents communications to or from shipyards and submarine bases. While some communication is directed to or from a specific boat (the proper term for a submarine), the cachet on the cover is the focus of the collection. ","As I was conducting research for this collection, I noticed that some ships were built for one particular purpose, yet at the time of the creation of the collection item, their role (and perhaps name) had changed. The collection will reflect the name and role of the ship at the time these items were created. Additionally, hull number will be included, as in some cases multiple ships have carried the same name (i.e. Enterprise). "],"userestrict_html_tesm":["\u003cp\u003eThe Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Maksimilian Dikarev"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Maksimilian Dikarev"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":122,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844426508566528,"_root_":"5e441c26c224fc2443904339","timestamp":"2026-07-16T04:31:19.551Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5e441c26c224fc2443904339"}},{"id":"a0b8dca0cc27e719e79a099f_aspace_dd60e54ceaf366eafbc3418a72d203d1","type":"File","attributes":{"title":"Management Plan, 1956-1969","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_dd60e54ceaf366eafbc3418a72d203d1#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFolder includes correspondence, information regarding mineral rights, budget documents, handwritten notes, and maps.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_dd60e54ceaf366eafbc3418a72d203d1#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_dd60e54ceaf366eafbc3418a72d203d1","ref_ssm":["aspace_dd60e54ceaf366eafbc3418a72d203d1","aspace_dd60e54ceaf366eafbc3418a72d203d1"],"id":"a0b8dca0cc27e719e79a099f_aspace_dd60e54ceaf366eafbc3418a72d203d1","title_filing_ssi":"Management Plan","title_ssm":["Management Plan"],"title_tesim":["Management Plan"],"unitdate_inclusive_ssm":["1956-1969"],"normalized_date_ssm":["1956-1969"],"normalized_title_ssm":["Management Plan, 1956-1969"],"text":["Management Plan, 1956-1969","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Corkscrew Swamp Sanctuary Records","Land Development – Leases and Agreements-Monthly Activities Reports","/repositories/2/archival_objects/198168","box 13","folder 5","Folder includes correspondence, information regarding mineral rights, budget documents, handwritten notes, and maps."],"component_level_isim":[3],"parent_ids_ssim":["a0b8dca0cc27e719e79a099f","a0b8dca0cc27e719e79a099f_aspace_e321b62174c707b70994a33f9c213e29","a0b8dca0cc27e719e79a099f_aspace_82795300477cfc6af0d562622fc0c137"],"parent_unittitles_ssm":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Corkscrew Swamp Sanctuary Records","Land Development – Leases and Agreements-Monthly Activities Reports"],"parent_unittitles_tesim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Corkscrew Swamp Sanctuary Records","Land Development – Leases and Agreements-Monthly Activities Reports"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["/repositories/2/archival_objects/198168"],"repository_ssim":["USF Libraries - 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The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.","Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.","The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.","This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.","Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. 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It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. 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It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. 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The daughter of Polish immigrants, she possessed an early aptitude for the piano, and was quickly recognized as a child prodigy. As early as age seven, she began learning proficient use of the piano at the New York College of Music by pianist Alexander Lambert. At age eight, she made her piano debut at the New York Symphony Orchestra. Early on, she studied and toured Europe with such composers as Leopold Godowsky, Ferruccio Busoni, and Herman Spielter. Throughout her career, she composed 366 piano pieces entitled \"My Musical Calendar.\" The University of Miami awarded Manna-Zucca with an honorary doctorate degree in Music on May 19, 1974. She passed away in her home in Miami, Florida, on March 11, 1981.","The Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. She was a child prodigy who began composing at an early age and traveled the world, first performing the works of famous composers and later writing her own musical compositions. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","The Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University.","FIU Special Collections","Mana-Zucca","Cassel, Leslie","English"],"unitid_tesim":["SPC7005","/repositories/2/resources/69"],"normalized_date_ssm":["1912-1989"],"normalized_title_ssm":["Mana-Zucca Collection, 1912-1989"],"collection_title_tesim":["Mana-Zucca Collection, 1912-1989"],"collection_ssim":["Mana-Zucca Collection, 1912-1989"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Mana-Zucca","Cassel, Leslie"],"creator_ssim":["Mana-Zucca","Cassel, Leslie"],"creator_persname_ssim":["Mana-Zucca","Cassel, Leslie"],"creators_ssim":["Mana-Zucca","Cassel, Leslie"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["102 boxes"],"extent_tesim":["102 boxes"],"date_range_isim":[1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions of Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eManna-Zucca, whose birth name was Gizella Zuccamanof, was born on December 25, 1885, in New York City, United States. The daughter of Polish immigrants, she possessed an early aptitude for the piano, and was quickly recognized as a child prodigy. As early as age seven, she began learning proficient use of the piano at the New York College of Music by pianist Alexander Lambert. At age eight, she made her piano debut at the New York Symphony Orchestra. Early on, she studied and toured Europe with such composers as Leopold Godowsky, Ferruccio Busoni, and Herman Spielter. Throughout her career, she composed 366 piano pieces entitled \"My Musical Calendar.\" The University of Miami awarded Manna-Zucca with an honorary doctorate degree in Music on May 19, 1974. She passed away in her home in Miami, Florida, on March 11, 1981.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Manna-Zucca, whose birth name was Gizella Zuccamanof, was born on December 25, 1885, in New York City, United States. The daughter of Polish immigrants, she possessed an early aptitude for the piano, and was quickly recognized as a child prodigy. As early as age seven, she began learning proficient use of the piano at the New York College of Music by pianist Alexander Lambert. At age eight, she made her piano debut at the New York Symphony Orchestra. Early on, she studied and toured Europe with such composers as Leopold Godowsky, Ferruccio Busoni, and Herman Spielter. Throughout her career, she composed 366 piano pieces entitled \"My Musical Calendar.\" The University of Miami awarded Manna-Zucca with an honorary doctorate degree in Music on May 19, 1974. She passed away in her home in Miami, Florida, on March 11, 1981."],"scopecontent_html_tesm":["\u003cp\u003eThe Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. She was a child prodigy who began composing at an early age and traveled the world, first performing the works of famous composers and later writing her own musical compositions. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. She was a child prodigy who began composing at an early age and traveled the world, first performing the works of famous composers and later writing her own musical compositions. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f7a0b994c99b6770a2303aa33bd8e3db\" label=\"Abstract\"\u003eThe Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. 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This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University."],"names_ssim":["FIU Special Collections","Mana-Zucca","Cassel, Leslie"],"corpname_ssim":["FIU Special Collections"],"names_coll_ssim":["Cassel, Leslie"],"persname_ssim":["Mana-Zucca","Cassel, Leslie"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":795,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881085616266936320,"_root_":"07e83d7fe9b8feb6c0518c05","timestamp":"2026-11-06T05:30:39.187Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"07e83d7fe9b8feb6c0518c05","title_ssm":["Mana-Zucca Collection"],"title_tesim":["Mana-Zucca Collection"],"ead_ssi":"07e83d7fe9b8feb6c0518c05","unitdate_ssm":["1912-1989"],"unitdate_inclusive_ssm":["1912-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC7005","/repositories/2/resources/69"],"text":["SPC7005","/repositories/2/resources/69","Mana-Zucca Collection, 1912-1989","The collection is open for research.","Manna-Zucca, whose birth name was Gizella Zuccamanof, was born on December 25, 1885, in New York City, United States. The daughter of Polish immigrants, she possessed an early aptitude for the piano, and was quickly recognized as a child prodigy. As early as age seven, she began learning proficient use of the piano at the New York College of Music by pianist Alexander Lambert. At age eight, she made her piano debut at the New York Symphony Orchestra. Early on, she studied and toured Europe with such composers as Leopold Godowsky, Ferruccio Busoni, and Herman Spielter. Throughout her career, she composed 366 piano pieces entitled \"My Musical Calendar.\" The University of Miami awarded Manna-Zucca with an honorary doctorate degree in Music on May 19, 1974. She passed away in her home in Miami, Florida, on March 11, 1981.","The Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. She was a child prodigy who began composing at an early age and traveled the world, first performing the works of famous composers and later writing her own musical compositions. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","The Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University.","FIU Special Collections","Mana-Zucca","Cassel, Leslie","English"],"unitid_tesim":["SPC7005","/repositories/2/resources/69"],"normalized_date_ssm":["1912-1989"],"normalized_title_ssm":["Mana-Zucca Collection, 1912-1989"],"collection_title_tesim":["Mana-Zucca Collection, 1912-1989"],"collection_ssim":["Mana-Zucca Collection, 1912-1989"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Mana-Zucca","Cassel, Leslie"],"creator_ssim":["Mana-Zucca","Cassel, Leslie"],"creator_persname_ssim":["Mana-Zucca","Cassel, Leslie"],"creators_ssim":["Mana-Zucca","Cassel, Leslie"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["102 boxes"],"extent_tesim":["102 boxes"],"date_range_isim":[1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions of Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eManna-Zucca, whose birth name was Gizella Zuccamanof, was born on December 25, 1885, in New York City, United States. The daughter of Polish immigrants, she possessed an early aptitude for the piano, and was quickly recognized as a child prodigy. As early as age seven, she began learning proficient use of the piano at the New York College of Music by pianist Alexander Lambert. At age eight, she made her piano debut at the New York Symphony Orchestra. Early on, she studied and toured Europe with such composers as Leopold Godowsky, Ferruccio Busoni, and Herman Spielter. Throughout her career, she composed 366 piano pieces entitled \"My Musical Calendar.\" The University of Miami awarded Manna-Zucca with an honorary doctorate degree in Music on May 19, 1974. She passed away in her home in Miami, Florida, on March 11, 1981.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Manna-Zucca, whose birth name was Gizella Zuccamanof, was born on December 25, 1885, in New York City, United States. The daughter of Polish immigrants, she possessed an early aptitude for the piano, and was quickly recognized as a child prodigy. As early as age seven, she began learning proficient use of the piano at the New York College of Music by pianist Alexander Lambert. At age eight, she made her piano debut at the New York Symphony Orchestra. Early on, she studied and toured Europe with such composers as Leopold Godowsky, Ferruccio Busoni, and Herman Spielter. Throughout her career, she composed 366 piano pieces entitled \"My Musical Calendar.\" The University of Miami awarded Manna-Zucca with an honorary doctorate degree in Music on May 19, 1974. She passed away in her home in Miami, Florida, on March 11, 1981."],"scopecontent_html_tesm":["\u003cp\u003eThe Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. She was a child prodigy who began composing at an early age and traveled the world, first performing the works of famous composers and later writing her own musical compositions. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. She was a child prodigy who began composing at an early age and traveled the world, first performing the works of famous composers and later writing her own musical compositions. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f7a0b994c99b6770a2303aa33bd8e3db\" label=\"Abstract\"\u003eThe Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University.\u003c/abstract\u003e"],"abstract_tesim":["The Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. 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From the sharks liver vitamins; hide leather; fins-soup; teeth souvenirs.","Miami (Fla.)","Sharks","Postcards.\t","English","Unmarked linen postcard showing a man working for Florida Marine Products \"buyers of sharks, livers, fins, hides\", showing off his catch."],"component_level_isim":[2],"parent_ids_ssim":["bf94ada4377f2dbc813062ab","bf94ada4377f2dbc813062ab_aspace_37f9b839bb96bd2eeee56aa3d5c79f34"],"parent_unittitles_ssm":["Vintage Florida Postcards, 1930-2025","Miami Post Cards, bulk 1940-1960"],"parent_unittitles_tesim":["Vintage Florida Postcards, 1930-2025","Miami Post Cards, bulk 1940-1960"],"parent_levels_ssm":["collection","File"],"unitid_ssm":["Item 4","/repositories/2/archival_objects/19919"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Vintage Florida Postcards, 1930-2025"],"physdesc_tesim":["The inscription on the back of the postcard reads: Shark fishing in Florida is now commercially important to our national life. From the sharks liver vitamins; hide leather; fins-soup; teeth souvenirs."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":158,"parent_access_restrict_tesm":["The collection is open and available for research."],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"geogname_ssim":["Miami (Fla.)"],"geogname_ssm":["Miami (Fla.)"],"places_ssim":["Miami (Fla.)"],"access_subjects_ssim":["Sharks","Postcards.\t"],"access_subjects_ssm":["Sharks","Postcards.\t"],"language_ssim":["English"],"scopecontent_html_tesm":["\u003cp\u003eUnmarked linen postcard showing a man working for Florida Marine Products \"buyers of sharks, livers, fins, hides\", showing off his catch.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Unmarked linen postcard showing a man working for Florida Marine Products \"buyers of sharks, livers, fins, hides\", showing off his catch."],"_nest_path_":"/components#12/components#3","_nest_parent_":"bf94ada4377f2dbc813062ab_aspace_37f9b839bb96bd2eeee56aa3d5c79f34","_root_":"bf94ada4377f2dbc813062ab","timestamp":"2026-04-28T01:56:33.260Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bf94ada4377f2dbc813062ab","title_ssm":["Vintage Florida Postcards"],"title_tesim":["Vintage Florida Postcards"],"ead_ssi":"bf94ada4377f2dbc813062ab","unitdate_ssm":["1930-2025"],"unitdate_inclusive_ssm":["1930-2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/44","/repositories/2/resources/109"],"text":["02/01/44","/repositories/2/resources/109","Vintage Florida Postcards, 1930-2025","Florida.","Seminole Tribe of Florida.","Photography.","Tourism--Florida.","Florida--Postcards","Postcards.\t","The collection is open and available for research.","Materials included in the Vintage Florida Postcard collection include postcards from regions spanning the State of Florida.","Florida Gulf Coast University Special Collections","Dexter Press (West Nyack, New York)","Sell, William, Mrs.","English"],"unitid_tesim":["02/01/44","/repositories/2/resources/109"],"normalized_date_ssm":["1930-2025"],"normalized_title_ssm":["Vintage Florida Postcards, 1930-2025"],"collection_title_tesim":["Vintage Florida Postcards, 1930-2025"],"collection_ssim":["Vintage Florida Postcards, 1930-2025"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Florida.","Seminole Tribe of Florida.","Photography.","Tourism--Florida."],"geogname_ssim":["Florida.","Seminole Tribe of Florida.","Photography.","Tourism--Florida."],"places_ssim":["Florida.","Seminole Tribe of Florida.","Photography.","Tourism--Florida."],"access_subjects_ssim":["Florida--Postcards","Postcards.\t"],"access_subjects_ssm":["Florida--Postcards","Postcards.\t"],"has_online_content_ssim":["false"],"extent_ssm":[".5 Linear Feet"],"extent_tesim":[".5 Linear Feet"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open and available for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open and available for research."],"scopecontent_html_tesm":["\u003cp\u003eMaterials included in the Vintage Florida Postcard collection include postcards from regions spanning the State of Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials included in the Vintage Florida Postcard collection include postcards from regions spanning the State of Florida."],"names_ssim":["Florida Gulf Coast University Special Collections","Dexter Press (West Nyack, New York)","Sell, William, Mrs."],"corpname_ssim":["Florida Gulf Coast University Special Collections","Dexter Press (West Nyack, New York)"],"persname_ssim":["Sell, William, Mrs."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":285,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"bf94ada4377f2dbc813062ab","timestamp":"2026-04-28T01:56:33.260Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bf94ada4377f2dbc813062ab_aspace_213c210dfa0f9deb70b15feb43a50cf4"}},{"id":"4674dbbf638dff3316591cb2_aspace_52507","type":"File","attributes":{"title":"Mangrove and Monstera, 1950s-1971","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4674dbbf638dff3316591cb2_aspace_52507#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_52507","ref_ssm":["aspace_52507","aspace_52507"],"id":"4674dbbf638dff3316591cb2_aspace_52507","title_filing_ssi":"Mangrove and Monstera","title_ssm":["Mangrove and Monstera"],"title_tesim":["Mangrove and Monstera"],"unitdate_inclusive_ssm":["1950s-1971"],"normalized_date_ssm":["1950s-1971"],"normalized_title_ssm":["Mangrove and Monstera, 1950s-1971"],"text":["Mangrove and Monstera, 1950s-1971","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Mulford and Racine Foster Files, 1910-1991","Plant Information, 1932-1990.","Photographs of Non-Bromeliad Plants, 1933-1982","Folder 14","/repositories/4/archival_objects/32644","box 28","folder 14"],"component_level_isim":[4],"parent_ids_ssim":["4674dbbf638dff3316591cb2","4674dbbf638dff3316591cb2_aspace_51261","4674dbbf638dff3316591cb2_aspace_52339","4674dbbf638dff3316591cb2_aspace_52490"],"parent_unittitles_ssm":["Michael A. Spencer Bromeliad Research Collection, 1754-2014","Mulford and Racine Foster Files, 1910-1991","Plant Information, 1932-1990.","Photographs of Non-Bromeliad Plants, 1933-1982"],"parent_unittitles_tesim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014","Mulford and Racine Foster Files, 1910-1991","Plant Information, 1932-1990.","Photographs of Non-Bromeliad Plants, 1933-1982"],"parent_levels_ssm":["collection","Series","Subseries","File"],"unitid_ssm":["Folder 14","/repositories/4/archival_objects/32644"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1136,"parent_access_restrict_tesm":["The entire collection is open for research except for the following:\n\n  Boxes 180-181: Personal correspondence\n  Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"\n"],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"containers_ssim":["box 28","folder 14"],"_nest_path_":"/components#0/components#12/components#12/components#6","_nest_parent_":"4674dbbf638dff3316591cb2_aspace_52490","_root_":"4674dbbf638dff3316591cb2","timestamp":"2026-07-11T02:53:59.490Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4674dbbf638dff3316591cb2","title_ssm":["Michael A. Spencer Bromeliad Research Collection"],"title_tesim":["Michael A. Spencer Bromeliad Research Collection"],"ead_ssi":"4674dbbf638dff3316591cb2","unitdate_ssm":["1754-2014"],"unitdate_inclusive_ssm":["1754-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 068","/repositories/4/resources/148"],"text":["SC 068","/repositories/4/resources/148","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Marineland (Fla.)","Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)","The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"","The collection is divided into eight series by type of file.","Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.","Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.","A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives .","Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.","Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.","UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991","English"],"unitid_tesim":["SC 068","/repositories/4/resources/148"],"normalized_date_ssm":["1754-2014"],"normalized_title_ssm":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_title_tesim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_ssim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Marineland (Fla.)"],"geogname_ssim":["Marineland (Fla.)"],"creator_ssm":["Spencer, Michael A."],"creator_ssim":["Spencer, Michael A."],"creator_persname_ssim":["Spencer, Michael A."],"creators_ssim":["Spencer, Michael A."],"places_ssim":["Marineland (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"acqinfo_ssim":["Some of these materials were donated to and others were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Michael A. Spencer in 2006 (CFM2006_09), 2011 (CFM2011_02), 2012 (CFM2012_10), and 2014 (CFM2014_01)."],"access_subjects_ssim":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"access_subjects_ssm":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["130 Linear Feet 259 boxes, 2 flat files"],"extent_tesim":["130 Linear Feet 259 boxes, 2 flat files"],"genreform_ssim":["botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"date_range_isim":[1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research except for the following:\n\u003cul\u003e\n  \u003cli\u003eBoxes 180-181: Personal correspondence\u003c/li\u003e\n  \u003cli\u003eBoxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\""],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into eight series by type of file.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into eight series by type of file."],"bioghist_html_tesm":["\u003cp\u003eMichael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004."],"prefercite_html_tesm":["\u003cp\u003eMichael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Michael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eA large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e. \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08c\"\u003eMichael A. Spencer Collection on Julian Nally\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08b\"\u003eMichael A. Spencer Collection on Theodore Mead\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08a\"\u003eMichael A. Spencer Collection on Henry Nehrling\u003c/extref\u003e and the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-03\"\u003eHenry Nehrling Papers\u003c/extref\u003e are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the \u003cextref href=\"http://www.leugardens.org/\"\u003eHarry P. Leu Gardens\u003c/extref\u003e. The \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/4\"\u003eHenry Nehrling Collection\u003c/extref\u003e and the \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/97\"\u003eTheodore L. Mead Collection\u003c/extref\u003e are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the \u003cextref href=\"http://siarchives.si.edu/\"\u003eSmithsonian Institution Archives\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8e33310d6b1a70e4d88f1e2d3043cf71\" label=\"Abstract\"\u003eMichael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.\u003c/abstract\u003e"],"abstract_tesim":["Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here."],"names_coll_ssim":["Bromeliad Society","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"names_ssim":["UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"corpname_ssim":["UCF Special Collections","Bromeliad Society"],"persname_ssim":["Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3662,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"4674dbbf638dff3316591cb2","timestamp":"2026-07-11T02:53:59.490Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4674dbbf638dff3316591cb2_aspace_52507"}},{"id":"f927b9df25ec0aef2ec17101_aspace_76cf022e89936c800a570b03ed52eedb","type":"File","attributes":{"title":"Man In The Vault (Film Poster), 1956","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f927b9df25ec0aef2ec17101_aspace_76cf022e89936c800a570b03ed52eedb#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_76cf022e89936c800a570b03ed52eedb","ref_ssm":["aspace_76cf022e89936c800a570b03ed52eedb","aspace_76cf022e89936c800a570b03ed52eedb"],"id":"f927b9df25ec0aef2ec17101_aspace_76cf022e89936c800a570b03ed52eedb","title_filing_ssi":"Man In The Vault (Film Poster)  \n","title_ssm":["Man In The Vault (Film Poster)  \n"],"title_tesim":["Man In The Vault (Film Poster)  \n"],"unitdate_other_ssim":["1956"],"normalized_date_ssm":["1956"],"normalized_title_ssm":["Man In The Vault (Film Poster), 1956"],"text":["Man In The Vault (Film Poster), 1956","Ramiro Casañas Collection, 1805-2006","Art and Posters","Box 1","/repositories/2/archival_objects/83068","Box 1","folder 4"],"component_level_isim":[3],"parent_ids_ssim":["f927b9df25ec0aef2ec17101","f927b9df25ec0aef2ec17101_aspace_17b7973dd7c79a8501fd32f32a7c4a66","f927b9df25ec0aef2ec17101_aspace_a7d2df06107fefc35517d7ad29adc5c9"],"parent_unittitles_ssm":["Ramiro Casañas Collection, 1805-2006","Art and Posters","Box 1"],"parent_unittitles_tesim":["Ramiro Casañas Collection, 1805-2006","Art and Posters","Box 1"],"parent_levels_ssm":["collection","Series","Other level"],"unitid_ssm":["/repositories/2/archival_objects/83068"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Ramiro Casañas Collection, 1805-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":6,"date_range_isim":[1956],"containers_ssim":["Box 1","folder 4"],"_nest_path_":"/components#0/components#0/components#3","_nest_parent_":"f927b9df25ec0aef2ec17101_aspace_a7d2df06107fefc35517d7ad29adc5c9","_root_":"f927b9df25ec0aef2ec17101","_version_":1870844517756698624,"timestamp":"2026-07-16T04:32:46.553Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f927b9df25ec0aef2ec17101","title_ssm":["Ramiro Casañas Collection"],"title_tesim":["Ramiro Casañas Collection"],"ead_ssi":"f927b9df25ec0aef2ec17101","unitdate_ssm":["1805-2006"],"unitdate_inclusive_ssm":["1805-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9026","/repositories/2/resources/123"],"text":["SPC9026","/repositories/2/resources/123","Ramiro Casañas Collection, 1805-2006","The Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera.","Ramiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring.","The Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. Also included are artifacts from around the world, such as international banknotes, political ephemera, maps, and photographs.","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9026","/repositories/2/resources/123"],"normalized_date_ssm":["1805-2006"],"normalized_title_ssm":["Ramiro Casañas Collection, 1805-2006"],"collection_title_tesim":["Ramiro Casañas Collection, 1805-2006"],"collection_ssim":["Ramiro Casañas Collection, 1805-2006"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"has_online_content_ssim":["false"],"extent_ssm":["69 boxes"],"extent_tesim":["69 boxes"],"date_range_isim":[1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"arrangement_html_tesm":["\u003cp\u003eThe Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera."],"bioghist_html_tesm":["\u003cp\u003eRamiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ramiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring."],"scopecontent_html_tesm":["\u003cp\u003eThe Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. 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