{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1956\u0026page=166\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1956\u0026page=165\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1956\u0026page=167\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1956\u0026page=429\u0026view=compact"},"meta":{"pages":{"current_page":166,"next_page":167,"prev_page":165,"total_pages":429,"limit_value":10,"offset_value":1650,"total_count":4281,"first_page?":false,"last_page?":false}},"data":[{"id":"502ec19a17b6d33c3798be97","type":"collection","attributes":{"title":"FSU Libraries Collection on Emmett Till, 1956-2021, bulk 2009-2021","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/502ec19a17b6d33c3798be97#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eArticles, social media posts, ephemera, and creative works collected by FSU Libraries, documenting the life, death, and legacy of Emmett Till.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/502ec19a17b6d33c3798be97#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"502ec19a17b6d33c3798be97","title_filing_ssi":"Till, Emmett Collection","title_ssm":["FSU Libraries Collection on Emmett Till"],"title_tesim":["FSU Libraries Collection on Emmett Till"],"ead_ssi":"502ec19a17b6d33c3798be97","unitdate_ssm":["1956-2021","2009-2021"],"unitdate_bulk_ssim":["2009-2021"],"unitdate_inclusive_ssm":["1956-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2022-001","/repositories/10/resources/1913"],"text":["MSS 2022-001","/repositories/10/resources/1913","FSU Libraries Collection on Emmett Till, 1956-2021, bulk 2009-2021","This collection is open to all researchers.","Further accruals are expected. 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We provide access to these materials to preserve the historical record and support research and instruction on difficult topics. See our full Statement on Potentially Harmful Content here: \u003cextref href=\"https://repository.lib.fsu.edu/potentially-harmful-content-statement\"\u003ehttps://repository.lib.fsu.edu/potentially-harmful-content-statement\u003c/extref\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Potentially Harmful Content"],"scopecontent_tesim":["Articles, social media posts, ephemera, and creative works collected by FSU Libraries, documenting the life, death, and legacy of Emmett Till.","This collection includes historical and primary sources documenting racism and violence against children. Some content may be traumatic to researchers and difficult to view. We provide access to these materials to preserve the historical record and support research and instruction on difficult topics. See our full Statement on Potentially Harmful Content here:  https://repository.lib.fsu.edu/potentially-harmful-content-statement"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives","Till, Emmett, 1941-1955"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Till, Emmett, 1941-1955"],"persname_ssim":["Till, Emmett, 1941-1955"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857757917184000,"_root_":"502ec19a17b6d33c3798be97","timestamp":"2026-07-16T08:03:13.375Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/502ec19a17b6d33c3798be97"}},{"id":"f73ffd34f29cc7ea88e7a763","type":"collection","attributes":{"title":"FSU Libraries Collection on Paul Dirac, 1931-2000","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/f73ffd34f29cc7ea88e7a763#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection includes copies of Paul Dirac's correspondence, writings, publications, and personal files collected by Billy B. 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(Paul Adrien Maurice), 1902-1984","English"],"unitid_tesim":["MSS 2021-003","/repositories/10/resources/1883"],"normalized_date_ssm":["1931-2000"],"normalized_title_ssm":["FSU Libraries Collection on Paul Dirac, 1931-2000"],"collection_title_tesim":["FSU Libraries Collection on Paul Dirac, 1931-2000"],"collection_ssim":["FSU Libraries Collection on Paul Dirac, 1931-2000"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["Photo prints in Box 1 donated by FSU Department of Scientific Computing by Deed of Gift, March 12, 2018.","Digital images donated by Charles Upton by Deed of Gift, August 9, 2021."],"has_online_content_ssim":["false"],"extent_ssm":["16 Megabytes","3 Linear Feet"],"extent_tesim":["16 Megabytes","3 Linear Feet"],"physfacet_tesim":["Digitized images"],"date_range_isim":[1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eBox 1 may be accessed at the Special Collections \u0026amp; Archives Research Center in Strozier Library.\u003c/p\u003e\n","\u003cp\u003eBoxes 2 and 3 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","Box 1 may be accessed at the Special Collections \u0026 Archives Research Center in Strozier Library.","Boxes 2 and 3 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"altformavail_html_tesm":["\u003cp\u003eThe digital images donated by Charles Upton are available through the \u003cextref href=\"https://diginole.lib.fsu.edu/islandora/object/fsu:diraccol\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Online Copies Available"],"altformavail_tesim":["The digital images donated by Charles Upton are available through the  FSU Digital Library ."],"bioghist_html_tesm":["\u003cp\u003ePaul Adrien Maurice Dirac (1902-1984) was a theoretical physicist, and a leading authority on quantum mechanics.\nHis 1926 Ph.D. thesis \"Quantum Mechanics\" and 1930 monograph \"The Principles of Quantum Mechanics\" are some of his field related works.\nDirac retired from the Lucasian Chair of Mathematics at Cambridge University in 1969. 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He was teaching faculty at Florida State University from 1972 until his death in 1984."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], FSU Libraries Collection on Paul Dirac, MSS 2021-003, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"https://purl.lib.fsu.edu/fa/MSS_2021-003\"\u003ehttps://purl.lib.fsu.edu/fa/MSS_2021-003\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], FSU Libraries Collection on Paul Dirac, MSS 2021-003, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  https://purl.lib.fsu.edu/fa/MSS_2021-003"],"relatedmaterial_html_tesm":["\u003cp\u003ePaul A. M. Dirac Papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS_1989-009\"\u003ehttp://purl.fcla.edu/fsu/MSS_1989-009\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Paul A. M. Dirac Papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_1989-009"],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes copies of Paul Dirac's correspondence, writings, publications, and personal files collected by Billy B. Oakes. It also includes a chalkboard with the Dirac equation written on it by Dirac, and photographs depicting Paul Dirac, including images with family, friends, and colleagues. These photographs are from sources other than the immediate Paul Dirac family. Photographs previously owned by Dirac or his immediate family are included in the Paul A.M. Dirac Papers (MSS 1989-009). See Related Materials Note below.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes copies of Paul Dirac's correspondence, writings, publications, and personal files collected by Billy B. Oakes. It also includes a chalkboard with the Dirac equation written on it by Dirac, and photographs depicting Paul Dirac, including images with family, friends, and colleagues. These photographs are from sources other than the immediate Paul Dirac family. Photographs previously owned by Dirac or his immediate family are included in the Paul A.M. Dirac Papers (MSS 1989-009). See Related Materials Note below."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives","Dirac, P. A. M. (Paul Adrien Maurice), 1902-1984"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Dirac, P. A. M. (Paul Adrien Maurice), 1902-1984"],"persname_ssim":["Dirac, P. A. M. (Paul Adrien Maurice), 1902-1984"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872125064685551616,"_root_":"f73ffd34f29cc7ea88e7a763","timestamp":"2026-07-30T07:46:31.291Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f73ffd34f29cc7ea88e7a763","title_filing_ssi":"FSU Libraries Collection on Paul Dirac","title_ssm":["FSU Libraries Collection on Paul Dirac"],"title_tesim":["FSU Libraries Collection on Paul Dirac"],"ead_ssi":"f73ffd34f29cc7ea88e7a763","unitdate_ssm":["1931-2000"],"unitdate_inclusive_ssm":["1931-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2021-003","/repositories/10/resources/1883"],"text":["MSS 2021-003","/repositories/10/resources/1883","FSU Libraries Collection on Paul Dirac, 1931-2000","This collection is open to all researchers. ","Box 1 may be accessed at the Special Collections \u0026 Archives Research Center in Strozier Library.","Boxes 2 and 3 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The digital images donated by Charles Upton are available through the  FSU Digital Library .","Paul Adrien Maurice Dirac (1902-1984) was a theoretical physicist, and a leading authority on quantum mechanics.\nHis 1926 Ph.D. thesis \"Quantum Mechanics\" and 1930 monograph \"The Principles of Quantum Mechanics\" are some of his field related works.\nDirac retired from the Lucasian Chair of Mathematics at Cambridge University in 1969. He was teaching faculty at Florida State University from 1972 until his death in 1984.","Paul A. M. Dirac Papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_1989-009","This collection includes copies of Paul Dirac's correspondence, writings, publications, and personal files collected by Billy B. Oakes. It also includes a chalkboard with the Dirac equation written on it by Dirac, and photographs depicting Paul Dirac, including images with family, friends, and colleagues. These photographs are from sources other than the immediate Paul Dirac family. Photographs previously owned by Dirac or his immediate family are included in the Paul A.M. Dirac Papers (MSS 1989-009). See Related Materials Note below.","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","Dirac, P. A. M. (Paul Adrien Maurice), 1902-1984","English"],"unitid_tesim":["MSS 2021-003","/repositories/10/resources/1883"],"normalized_date_ssm":["1931-2000"],"normalized_title_ssm":["FSU Libraries Collection on Paul Dirac, 1931-2000"],"collection_title_tesim":["FSU Libraries Collection on Paul Dirac, 1931-2000"],"collection_ssim":["FSU Libraries Collection on Paul Dirac, 1931-2000"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["Photo prints in Box 1 donated by FSU Department of Scientific Computing by Deed of Gift, March 12, 2018.","Digital images donated by Charles Upton by Deed of Gift, August 9, 2021."],"has_online_content_ssim":["false"],"extent_ssm":["16 Megabytes","3 Linear Feet"],"extent_tesim":["16 Megabytes","3 Linear Feet"],"physfacet_tesim":["Digitized images"],"date_range_isim":[1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eBox 1 may be accessed at the Special Collections \u0026amp; Archives Research Center in Strozier Library.\u003c/p\u003e\n","\u003cp\u003eBoxes 2 and 3 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","Box 1 may be accessed at the Special Collections \u0026 Archives Research Center in Strozier Library.","Boxes 2 and 3 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"altformavail_html_tesm":["\u003cp\u003eThe digital images donated by Charles Upton are available through the \u003cextref href=\"https://diginole.lib.fsu.edu/islandora/object/fsu:diraccol\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Online Copies Available"],"altformavail_tesim":["The digital images donated by Charles Upton are available through the  FSU Digital Library ."],"bioghist_html_tesm":["\u003cp\u003ePaul Adrien Maurice Dirac (1902-1984) was a theoretical physicist, and a leading authority on quantum mechanics.\nHis 1926 Ph.D. thesis \"Quantum Mechanics\" and 1930 monograph \"The Principles of Quantum Mechanics\" are some of his field related works.\nDirac retired from the Lucasian Chair of Mathematics at Cambridge University in 1969. He was teaching faculty at Florida State University from 1972 until his death in 1984.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Paul Adrien Maurice Dirac (1902-1984) was a theoretical physicist, and a leading authority on quantum mechanics.\nHis 1926 Ph.D. thesis \"Quantum Mechanics\" and 1930 monograph \"The Principles of Quantum Mechanics\" are some of his field related works.\nDirac retired from the Lucasian Chair of Mathematics at Cambridge University in 1969. He was teaching faculty at Florida State University from 1972 until his death in 1984."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], FSU Libraries Collection on Paul Dirac, MSS 2021-003, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"https://purl.lib.fsu.edu/fa/MSS_2021-003\"\u003ehttps://purl.lib.fsu.edu/fa/MSS_2021-003\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], FSU Libraries Collection on Paul Dirac, MSS 2021-003, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  https://purl.lib.fsu.edu/fa/MSS_2021-003"],"relatedmaterial_html_tesm":["\u003cp\u003ePaul A. M. Dirac Papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS_1989-009\"\u003ehttp://purl.fcla.edu/fsu/MSS_1989-009\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Paul A. M. Dirac Papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_1989-009"],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes copies of Paul Dirac's correspondence, writings, publications, and personal files collected by Billy B. Oakes. It also includes a chalkboard with the Dirac equation written on it by Dirac, and photographs depicting Paul Dirac, including images with family, friends, and colleagues. These photographs are from sources other than the immediate Paul Dirac family. Photographs previously owned by Dirac or his immediate family are included in the Paul A.M. Dirac Papers (MSS 1989-009). See Related Materials Note below.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes copies of Paul Dirac's correspondence, writings, publications, and personal files collected by Billy B. Oakes. It also includes a chalkboard with the Dirac equation written on it by Dirac, and photographs depicting Paul Dirac, including images with family, friends, and colleagues. These photographs are from sources other than the immediate Paul Dirac family. Photographs previously owned by Dirac or his immediate family are included in the Paul A.M. Dirac Papers (MSS 1989-009). See Related Materials Note below."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives","Dirac, P. A. M. (Paul Adrien Maurice), 1902-1984"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Dirac, P. A. M. (Paul Adrien Maurice), 1902-1984"],"persname_ssim":["Dirac, P. A. M. (Paul Adrien Maurice), 1902-1984"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872125064685551616,"_root_":"f73ffd34f29cc7ea88e7a763","timestamp":"2026-07-30T07:46:31.291Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f73ffd34f29cc7ea88e7a763"}},{"id":"1fa408b6f6ff5cfc4e40700a","type":"collection","attributes":{"title":"FSU Publications, bulk 1955-1959","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/1fa408b6f6ff5cfc4e40700a#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eTwo issues of Florida Flambeau from October 24th, 1958, and January 20th, 1959; 1955-1956 FSU Knowledge for College booklet.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1fa408b6f6ff5cfc4e40700a#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"1fa408b6f6ff5cfc4e40700a","title_ssm":["FSU Publications"],"title_tesim":["FSU Publications"],"ead_ssi":"1fa408b6f6ff5cfc4e40700a","unitdate_ssm":["1955-1959"],"unitdate_bulk_ssim":["1955-1959"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["HUA 2021-036","/repositories/10/resources/1904"],"text":["HUA 2021-036","/repositories/10/resources/1904","FSU Publications, bulk 1955-1959","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Date received: 2020/02/20\nDate accessioned: 2021/10/13","Two issues of Florida Flambeau from October 24th, 1958, and January 20th, 1959; 1955-1956 FSU Knowledge for College booklet.","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2021-036","/repositories/10/resources/1904"],"normalized_date_ssm":["bulk 1955-1959"],"normalized_title_ssm":["FSU Publications, bulk 1955-1959"],"collection_title_tesim":["FSU Publications, bulk 1955-1959"],"collection_ssim":["FSU Publications, bulk 1955-1959"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["Eloise B. Mills"],"has_online_content_ssim":["false"],"extent_ssm":["1 folders Two issues of Florida Flambeau from October 24th, 1958, and January 20th, 1959; 1955-1956 FSU Knowledge for College booklet"],"extent_tesim":["1 folders Two issues of Florida Flambeau from October 24th, 1958, and January 20th, 1959; 1955-1956 FSU Knowledge for College booklet"],"date_range_isim":[1955,1956,1957,1958,1959],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"custodhist_html_tesm":["\u003cp\u003eDate received: 2020/02/20\nDate accessioned: 2021/10/13\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Date received: 2020/02/20\nDate accessioned: 2021/10/13"],"prefercite_html_tesm":["\u003cp\u003eFSU Publications, HUA 2021-036, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HUA-2021-036\u003c/p\u003e"],"prefercite_tesim":["FSU Publications, HUA 2021-036, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HUA-2021-036"],"scopecontent_html_tesm":["\u003cp\u003eTwo issues of Florida Flambeau from October 24th, 1958, and January 20th, 1959; 1955-1956 FSU Knowledge for College booklet.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Two issues of Florida Flambeau from October 24th, 1958, and January 20th, 1959; 1955-1956 FSU Knowledge for College booklet."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"1fa408b6f6ff5cfc4e40700a","timestamp":"2026-07-10T05:37:41.656Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1fa408b6f6ff5cfc4e40700a","title_ssm":["FSU Publications"],"title_tesim":["FSU Publications"],"ead_ssi":"1fa408b6f6ff5cfc4e40700a","unitdate_ssm":["1955-1959"],"unitdate_bulk_ssim":["1955-1959"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["HUA 2021-036","/repositories/10/resources/1904"],"text":["HUA 2021-036","/repositories/10/resources/1904","FSU Publications, bulk 1955-1959","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Date received: 2020/02/20\nDate accessioned: 2021/10/13","Two issues of Florida Flambeau from October 24th, 1958, and January 20th, 1959; 1955-1956 FSU Knowledge for College booklet.","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2021-036","/repositories/10/resources/1904"],"normalized_date_ssm":["bulk 1955-1959"],"normalized_title_ssm":["FSU Publications, bulk 1955-1959"],"collection_title_tesim":["FSU Publications, bulk 1955-1959"],"collection_ssim":["FSU Publications, bulk 1955-1959"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["Eloise B. Mills"],"has_online_content_ssim":["false"],"extent_ssm":["1 folders Two issues of Florida Flambeau from October 24th, 1958, and January 20th, 1959; 1955-1956 FSU Knowledge for College booklet"],"extent_tesim":["1 folders Two issues of Florida Flambeau from October 24th, 1958, and January 20th, 1959; 1955-1956 FSU Knowledge for College booklet"],"date_range_isim":[1955,1956,1957,1958,1959],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"custodhist_html_tesm":["\u003cp\u003eDate received: 2020/02/20\nDate accessioned: 2021/10/13\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Date received: 2020/02/20\nDate accessioned: 2021/10/13"],"prefercite_html_tesm":["\u003cp\u003eFSU Publications, HUA 2021-036, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HUA-2021-036\u003c/p\u003e"],"prefercite_tesim":["FSU Publications, HUA 2021-036, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HUA-2021-036"],"scopecontent_html_tesm":["\u003cp\u003eTwo issues of Florida Flambeau from October 24th, 1958, and January 20th, 1959; 1955-1956 FSU Knowledge for College booklet.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Two issues of Florida Flambeau from October 24th, 1958, and January 20th, 1959; 1955-1956 FSU Knowledge for College booklet."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"1fa408b6f6ff5cfc4e40700a","timestamp":"2026-07-10T05:37:41.656Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1fa408b6f6ff5cfc4e40700a"}},{"id":"fbf633f326a970bc04506713","type":"collection","attributes":{"title":"FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/fbf633f326a970bc04506713#creator","type":"document_value","attributes":{"value":["Florida State University. School of Dance"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/fbf633f326a970bc04506713#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/fbf633f326a970bc04506713#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"fbf633f326a970bc04506713","title_ssm":["FSU School of Dance Records"],"title_tesim":["FSU School of Dance Records"],"ead_ssi":"fbf633f326a970bc04506713","unitdate_ssm":["1911-1912, 1920, 1927-2006, 2011-2012","1960-2000"],"unitdate_bulk_ssim":["1960-2000"],"unitdate_inclusive_ssm":["1911-1912, 1920, 1927-2006, 2011-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HP 2013-009","/repositories/10/resources/1929"],"text":["HP 2013-009","/repositories/10/resources/1929","FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000","Dance","Modern dance","Choreography","This collection is open to all researchers.","This collection is in a remote storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Florida State University School of Dance started in 1927 with country, folk, and tap dance courses in the Physical Education department. With Nellie-Bond Dickinson's arrival in 1935 came a movement away from physical education and athleticism toward modern dance choreography and creative movement. By 1961, students could pursue a four-year curriculum in Dance, earning a Bachelor of Arts or Bachelor of Science degree in Education. ","In 1974, the Department of Dance was established under the direction of Nancy Fichter. As of 2024, the School of Dance is situated under the College of Fine Arts. The school has a reputation as a center for the creation, reconstruction, and production of dance repertory ranging from traditional classical choreography to contemporary original works. Several concerts are presented annually, including Days of Dance, Evening of Dance, and Masters Projects.","The core mission of the school is to combine exceptional artistic training with a liberal arts education. This dual dedication to art and learning has yielded graduates who are dancers, teachers, scholars, and leaders in companies, schools, universities, and art organizations in the United States and abroad. In addition to classes for dance majors, approximately 400 students are instructed each semester through the general studies in dance classes open to our university community dancers.","The School of Dance is also the home of the Maggie Allesee National Center for Choreography (MANCC). The mission of this unique research center is to encourage the creation, dissemination, and documentation of new knowledge in dance and choreography. FSU dance majors can observe professional artists as they engage in projects while in residence at MANCC.","Nellie-Bond Dickinson was born in 1912 in Wilson, North Carolina. She received her Bachelor's degree from the Woman's College at the University of North Carolina and a Master's degree from the Teacher's College at Columbia University. In 1935, Dickinson moved to Tallahassee to teach dance at Florida State University. During her thirty years on the faculty, the program was modernized, and more emphasis was placed on creative expression. She is known for establishing high artistic standards that influence the School of Dance today. ","Dickinson's emphasis in dance study was with Louis Horst and Martha Graham, whom she brought twice to campus. She was instrumental in bringing other renowned artists in modern dance to Tallahassee through events like the FSU Artist Series. Dickinson also established the Theatre Dance Group for which she choreographed and toured in the southeastern United States. She planned and directed the first Evening of Dance with the group, which the School of Dance still performs annually. After retiring from FSU as professor emerita in 1963, Dickinson continued teaching at Marymount College in Arlington, Virginia. She returned to live in Tallahassee in 2000 and passed away in 2003.","The Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.","Series 1: Photographs contains prints, contact sheets, photographic negatives, and photographic slides documenting School of Dance performances and rehearsals, as well as guest performances at the school.","Series 2: Promotional Materials, Publicity, and Administrative Records contains posters, flyers, programs for performances and events, news clippings and magazines regarding performances and the school, press releases, booklets, School of Dance newsletters, correspondence, and photographs of performances and rehearsals.","Series 3: Biographical Files is split into two sub-series. Sub-Series 1: Faculty and Staff Biographical Files contain photographs and biographical information on individual faculty and staff members in the School of Dance. Sub-Series 2: Guest Biographical Files include similar records as Sub-Series 1 as well as news clippings, programs, and press books.","Series 4: Nellie-Bond Dickinson contains material created or collected by School of Dance faculty member Nellie-Bond Dickinson who is credited with bringing modern dance and creative movement to Florida State University. The series includes performance programs, news clippings and magazines, photographs, choreography notes, correspondence, essays, and poems.","Select materials from the FSU School of Dance Records have been digitized and are available through the  FSU Digital Library .","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","Florida State University. School of Dance","Florida State College for Women","Dickinson, Nellie-Bond","English"],"unitid_tesim":["HP 2013-009","/repositories/10/resources/1929"],"normalized_date_ssm":["1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"normalized_title_ssm":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"collection_title_tesim":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"collection_ssim":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Florida State University. School of Dance","Florida State University. School of Dance","Dickinson, Nellie-Bond"],"creator_ssim":["Florida State University. School of Dance","Florida State University. School of Dance","Dickinson, Nellie-Bond"],"creator_persname_ssim":["Dickinson, Nellie-Bond"],"creator_corpname_ssim":["Florida State University. School of Dance","Florida State University. School of Dance"],"creators_ssim":["Dickinson, Nellie-Bond","Florida State University. School of Dance","Florida State University. School of Dance"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["Accessioned May 2, 2013"],"access_subjects_ssim":["Dance","Modern dance","Choreography"],"access_subjects_ssm":["Dance","Modern dance","Choreography"],"has_online_content_ssim":["false"],"extent_ssm":["36 Linear Feet 35 boxes [17 record boxes, 14 oversize boxes, 4 slide boxes]"],"extent_tesim":["36 Linear Feet 35 boxes [17 record boxes, 14 oversize boxes, 4 slide boxes]"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e\n","\u003cp\u003eThis collection is in a remote storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers.","This collection is in a remote storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eThe Florida State University School of Dance started in 1927 with country, folk, and tap dance courses in the Physical Education department. With Nellie-Bond Dickinson's arrival in 1935 came a movement away from physical education and athleticism toward modern dance choreography and creative movement. By 1961, students could pursue a four-year curriculum in Dance, earning a Bachelor of Arts or Bachelor of Science degree in Education. \u003c/p\u003e\n","\u003cp\u003eIn 1974, the Department of Dance was established under the direction of Nancy Fichter. As of 2024, the School of Dance is situated under the College of Fine Arts. The school has a reputation as a center for the creation, reconstruction, and production of dance repertory ranging from traditional classical choreography to contemporary original works. Several concerts are presented annually, including Days of Dance, Evening of Dance, and Masters Projects.\u003c/p\u003e\n","\u003cp\u003eThe core mission of the school is to combine exceptional artistic training with a liberal arts education. This dual dedication to art and learning has yielded graduates who are dancers, teachers, scholars, and leaders in companies, schools, universities, and art organizations in the United States and abroad. In addition to classes for dance majors, approximately 400 students are instructed each semester through the general studies in dance classes open to our university community dancers.\u003c/p\u003e\n","\u003cp\u003eThe School of Dance is also the home of the Maggie Allesee National Center for Choreography (MANCC). The mission of this unique research center is to encourage the creation, dissemination, and documentation of new knowledge in dance and choreography. FSU dance majors can observe professional artists as they engage in projects while in residence at MANCC.\u003c/p\u003e","\u003cp\u003eNellie-Bond Dickinson was born in 1912 in Wilson, North Carolina. She received her Bachelor's degree from the Woman's College at the University of North Carolina and a Master's degree from the Teacher's College at Columbia University. In 1935, Dickinson moved to Tallahassee to teach dance at Florida State University. During her thirty years on the faculty, the program was modernized, and more emphasis was placed on creative expression. She is known for establishing high artistic standards that influence the School of Dance today. \u003c/p\u003e\n","\u003cp\u003eDickinson's emphasis in dance study was with Louis Horst and Martha Graham, whom she brought twice to campus. She was instrumental in bringing other renowned artists in modern dance to Tallahassee through events like the FSU Artist Series. Dickinson also established the Theatre Dance Group for which she choreographed and toured in the southeastern United States. She planned and directed the first Evening of Dance with the group, which the School of Dance still performs annually. After retiring from FSU as professor emerita in 1963, Dickinson continued teaching at Marymount College in Arlington, Virginia. She returned to live in Tallahassee in 2000 and passed away in 2003.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Nellie-Bond Dickinson"],"bioghist_tesim":["The Florida State University School of Dance started in 1927 with country, folk, and tap dance courses in the Physical Education department. With Nellie-Bond Dickinson's arrival in 1935 came a movement away from physical education and athleticism toward modern dance choreography and creative movement. By 1961, students could pursue a four-year curriculum in Dance, earning a Bachelor of Arts or Bachelor of Science degree in Education. ","In 1974, the Department of Dance was established under the direction of Nancy Fichter. As of 2024, the School of Dance is situated under the College of Fine Arts. The school has a reputation as a center for the creation, reconstruction, and production of dance repertory ranging from traditional classical choreography to contemporary original works. Several concerts are presented annually, including Days of Dance, Evening of Dance, and Masters Projects.","The core mission of the school is to combine exceptional artistic training with a liberal arts education. This dual dedication to art and learning has yielded graduates who are dancers, teachers, scholars, and leaders in companies, schools, universities, and art organizations in the United States and abroad. In addition to classes for dance majors, approximately 400 students are instructed each semester through the general studies in dance classes open to our university community dancers.","The School of Dance is also the home of the Maggie Allesee National Center for Choreography (MANCC). The mission of this unique research center is to encourage the creation, dissemination, and documentation of new knowledge in dance and choreography. FSU dance majors can observe professional artists as they engage in projects while in residence at MANCC.","Nellie-Bond Dickinson was born in 1912 in Wilson, North Carolina. She received her Bachelor's degree from the Woman's College at the University of North Carolina and a Master's degree from the Teacher's College at Columbia University. In 1935, Dickinson moved to Tallahassee to teach dance at Florida State University. During her thirty years on the faculty, the program was modernized, and more emphasis was placed on creative expression. She is known for establishing high artistic standards that influence the School of Dance today. ","Dickinson's emphasis in dance study was with Louis Horst and Martha Graham, whom she brought twice to campus. She was instrumental in bringing other renowned artists in modern dance to Tallahassee through events like the FSU Artist Series. Dickinson also established the Theatre Dance Group for which she choreographed and toured in the southeastern United States. She planned and directed the first Evening of Dance with the group, which the School of Dance still performs annually. After retiring from FSU as professor emerita in 1963, Dickinson continued teaching at Marymount College in Arlington, Virginia. She returned to live in Tallahassee in 2000 and passed away in 2003."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], FSU School of Dance Records, Special Collections and Archives, Florida State University, Tallahassee, Florida. http://purl.lib.fsu.edu/fa/HP_2013-009\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], FSU School of Dance Records, Special Collections and Archives, Florida State University, Tallahassee, Florida. http://purl.lib.fsu.edu/fa/HP_2013-009"],"scopecontent_html_tesm":["\u003cp\u003eThe Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Photographs contains prints, contact sheets, photographic negatives, and photographic slides documenting School of Dance performances and rehearsals, as well as guest performances at the school.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Promotional Materials, Publicity, and Administrative Records contains posters, flyers, programs for performances and events, news clippings and magazines regarding performances and the school, press releases, booklets, School of Dance newsletters, correspondence, and photographs of performances and rehearsals.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Biographical Files is split into two sub-series. Sub-Series 1: Faculty and Staff Biographical Files contain photographs and biographical information on individual faculty and staff members in the School of Dance. Sub-Series 2: Guest Biographical Files include similar records as Sub-Series 1 as well as news clippings, programs, and press books.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Nellie-Bond Dickinson contains material created or collected by School of Dance faculty member Nellie-Bond Dickinson who is credited with bringing modern dance and creative movement to Florida State University. The series includes performance programs, news clippings and magazines, photographs, choreography notes, correspondence, essays, and poems.\u003c/p\u003e","\u003cp\u003eSelect materials from the FSU School of Dance Records have been digitized and are available through the \u003cextref href=\"https://digital.lib.fsu.edu/collection/School%20of%20Dance?ln=en\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Online Copies Available "],"scopecontent_tesim":["The Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.","Series 1: Photographs contains prints, contact sheets, photographic negatives, and photographic slides documenting School of Dance performances and rehearsals, as well as guest performances at the school.","Series 2: Promotional Materials, Publicity, and Administrative Records contains posters, flyers, programs for performances and events, news clippings and magazines regarding performances and the school, press releases, booklets, School of Dance newsletters, correspondence, and photographs of performances and rehearsals.","Series 3: Biographical Files is split into two sub-series. Sub-Series 1: Faculty and Staff Biographical Files contain photographs and biographical information on individual faculty and staff members in the School of Dance. Sub-Series 2: Guest Biographical Files include similar records as Sub-Series 1 as well as news clippings, programs, and press books.","Series 4: Nellie-Bond Dickinson contains material created or collected by School of Dance faculty member Nellie-Bond Dickinson who is credited with bringing modern dance and creative movement to Florida State University. The series includes performance programs, news clippings and magazines, photographs, choreography notes, correspondence, essays, and poems.","Select materials from the FSU School of Dance Records have been digitized and are available through the  FSU Digital Library ."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_coll_ssim":["Florida State University. School of Dance","Florida State College for Women"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State University. School of Dance","Florida State College for Women","Dickinson, Nellie-Bond"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State University. School of Dance","Florida State College for Women"],"persname_ssim":["Dickinson, Nellie-Bond"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":549,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1880459939778920448,"_root_":"fbf633f326a970bc04506713","timestamp":"2026-10-30T07:45:47.591Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"fbf633f326a970bc04506713","title_ssm":["FSU School of Dance Records"],"title_tesim":["FSU School of Dance Records"],"ead_ssi":"fbf633f326a970bc04506713","unitdate_ssm":["1911-1912, 1920, 1927-2006, 2011-2012","1960-2000"],"unitdate_bulk_ssim":["1960-2000"],"unitdate_inclusive_ssm":["1911-1912, 1920, 1927-2006, 2011-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HP 2013-009","/repositories/10/resources/1929"],"text":["HP 2013-009","/repositories/10/resources/1929","FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000","Dance","Modern dance","Choreography","This collection is open to all researchers.","This collection is in a remote storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Florida State University School of Dance started in 1927 with country, folk, and tap dance courses in the Physical Education department. With Nellie-Bond Dickinson's arrival in 1935 came a movement away from physical education and athleticism toward modern dance choreography and creative movement. By 1961, students could pursue a four-year curriculum in Dance, earning a Bachelor of Arts or Bachelor of Science degree in Education. ","In 1974, the Department of Dance was established under the direction of Nancy Fichter. As of 2024, the School of Dance is situated under the College of Fine Arts. The school has a reputation as a center for the creation, reconstruction, and production of dance repertory ranging from traditional classical choreography to contemporary original works. Several concerts are presented annually, including Days of Dance, Evening of Dance, and Masters Projects.","The core mission of the school is to combine exceptional artistic training with a liberal arts education. This dual dedication to art and learning has yielded graduates who are dancers, teachers, scholars, and leaders in companies, schools, universities, and art organizations in the United States and abroad. In addition to classes for dance majors, approximately 400 students are instructed each semester through the general studies in dance classes open to our university community dancers.","The School of Dance is also the home of the Maggie Allesee National Center for Choreography (MANCC). The mission of this unique research center is to encourage the creation, dissemination, and documentation of new knowledge in dance and choreography. FSU dance majors can observe professional artists as they engage in projects while in residence at MANCC.","Nellie-Bond Dickinson was born in 1912 in Wilson, North Carolina. She received her Bachelor's degree from the Woman's College at the University of North Carolina and a Master's degree from the Teacher's College at Columbia University. In 1935, Dickinson moved to Tallahassee to teach dance at Florida State University. During her thirty years on the faculty, the program was modernized, and more emphasis was placed on creative expression. She is known for establishing high artistic standards that influence the School of Dance today. ","Dickinson's emphasis in dance study was with Louis Horst and Martha Graham, whom she brought twice to campus. She was instrumental in bringing other renowned artists in modern dance to Tallahassee through events like the FSU Artist Series. Dickinson also established the Theatre Dance Group for which she choreographed and toured in the southeastern United States. She planned and directed the first Evening of Dance with the group, which the School of Dance still performs annually. After retiring from FSU as professor emerita in 1963, Dickinson continued teaching at Marymount College in Arlington, Virginia. She returned to live in Tallahassee in 2000 and passed away in 2003.","The Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.","Series 1: Photographs contains prints, contact sheets, photographic negatives, and photographic slides documenting School of Dance performances and rehearsals, as well as guest performances at the school.","Series 2: Promotional Materials, Publicity, and Administrative Records contains posters, flyers, programs for performances and events, news clippings and magazines regarding performances and the school, press releases, booklets, School of Dance newsletters, correspondence, and photographs of performances and rehearsals.","Series 3: Biographical Files is split into two sub-series. Sub-Series 1: Faculty and Staff Biographical Files contain photographs and biographical information on individual faculty and staff members in the School of Dance. Sub-Series 2: Guest Biographical Files include similar records as Sub-Series 1 as well as news clippings, programs, and press books.","Series 4: Nellie-Bond Dickinson contains material created or collected by School of Dance faculty member Nellie-Bond Dickinson who is credited with bringing modern dance and creative movement to Florida State University. The series includes performance programs, news clippings and magazines, photographs, choreography notes, correspondence, essays, and poems.","Select materials from the FSU School of Dance Records have been digitized and are available through the  FSU Digital Library .","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","Florida State University. School of Dance","Florida State College for Women","Dickinson, Nellie-Bond","English"],"unitid_tesim":["HP 2013-009","/repositories/10/resources/1929"],"normalized_date_ssm":["1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"normalized_title_ssm":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"collection_title_tesim":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"collection_ssim":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Florida State University. School of Dance","Florida State University. School of Dance","Dickinson, Nellie-Bond"],"creator_ssim":["Florida State University. School of Dance","Florida State University. School of Dance","Dickinson, Nellie-Bond"],"creator_persname_ssim":["Dickinson, Nellie-Bond"],"creator_corpname_ssim":["Florida State University. School of Dance","Florida State University. School of Dance"],"creators_ssim":["Dickinson, Nellie-Bond","Florida State University. School of Dance","Florida State University. School of Dance"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["Accessioned May 2, 2013"],"access_subjects_ssim":["Dance","Modern dance","Choreography"],"access_subjects_ssm":["Dance","Modern dance","Choreography"],"has_online_content_ssim":["false"],"extent_ssm":["36 Linear Feet 35 boxes [17 record boxes, 14 oversize boxes, 4 slide boxes]"],"extent_tesim":["36 Linear Feet 35 boxes [17 record boxes, 14 oversize boxes, 4 slide boxes]"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e\n","\u003cp\u003eThis collection is in a remote storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers.","This collection is in a remote storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eThe Florida State University School of Dance started in 1927 with country, folk, and tap dance courses in the Physical Education department. With Nellie-Bond Dickinson's arrival in 1935 came a movement away from physical education and athleticism toward modern dance choreography and creative movement. By 1961, students could pursue a four-year curriculum in Dance, earning a Bachelor of Arts or Bachelor of Science degree in Education. \u003c/p\u003e\n","\u003cp\u003eIn 1974, the Department of Dance was established under the direction of Nancy Fichter. As of 2024, the School of Dance is situated under the College of Fine Arts. The school has a reputation as a center for the creation, reconstruction, and production of dance repertory ranging from traditional classical choreography to contemporary original works. Several concerts are presented annually, including Days of Dance, Evening of Dance, and Masters Projects.\u003c/p\u003e\n","\u003cp\u003eThe core mission of the school is to combine exceptional artistic training with a liberal arts education. This dual dedication to art and learning has yielded graduates who are dancers, teachers, scholars, and leaders in companies, schools, universities, and art organizations in the United States and abroad. In addition to classes for dance majors, approximately 400 students are instructed each semester through the general studies in dance classes open to our university community dancers.\u003c/p\u003e\n","\u003cp\u003eThe School of Dance is also the home of the Maggie Allesee National Center for Choreography (MANCC). The mission of this unique research center is to encourage the creation, dissemination, and documentation of new knowledge in dance and choreography. FSU dance majors can observe professional artists as they engage in projects while in residence at MANCC.\u003c/p\u003e","\u003cp\u003eNellie-Bond Dickinson was born in 1912 in Wilson, North Carolina. She received her Bachelor's degree from the Woman's College at the University of North Carolina and a Master's degree from the Teacher's College at Columbia University. In 1935, Dickinson moved to Tallahassee to teach dance at Florida State University. During her thirty years on the faculty, the program was modernized, and more emphasis was placed on creative expression. She is known for establishing high artistic standards that influence the School of Dance today. \u003c/p\u003e\n","\u003cp\u003eDickinson's emphasis in dance study was with Louis Horst and Martha Graham, whom she brought twice to campus. She was instrumental in bringing other renowned artists in modern dance to Tallahassee through events like the FSU Artist Series. Dickinson also established the Theatre Dance Group for which she choreographed and toured in the southeastern United States. She planned and directed the first Evening of Dance with the group, which the School of Dance still performs annually. After retiring from FSU as professor emerita in 1963, Dickinson continued teaching at Marymount College in Arlington, Virginia. She returned to live in Tallahassee in 2000 and passed away in 2003.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Nellie-Bond Dickinson"],"bioghist_tesim":["The Florida State University School of Dance started in 1927 with country, folk, and tap dance courses in the Physical Education department. With Nellie-Bond Dickinson's arrival in 1935 came a movement away from physical education and athleticism toward modern dance choreography and creative movement. By 1961, students could pursue a four-year curriculum in Dance, earning a Bachelor of Arts or Bachelor of Science degree in Education. ","In 1974, the Department of Dance was established under the direction of Nancy Fichter. As of 2024, the School of Dance is situated under the College of Fine Arts. The school has a reputation as a center for the creation, reconstruction, and production of dance repertory ranging from traditional classical choreography to contemporary original works. Several concerts are presented annually, including Days of Dance, Evening of Dance, and Masters Projects.","The core mission of the school is to combine exceptional artistic training with a liberal arts education. This dual dedication to art and learning has yielded graduates who are dancers, teachers, scholars, and leaders in companies, schools, universities, and art organizations in the United States and abroad. In addition to classes for dance majors, approximately 400 students are instructed each semester through the general studies in dance classes open to our university community dancers.","The School of Dance is also the home of the Maggie Allesee National Center for Choreography (MANCC). The mission of this unique research center is to encourage the creation, dissemination, and documentation of new knowledge in dance and choreography. FSU dance majors can observe professional artists as they engage in projects while in residence at MANCC.","Nellie-Bond Dickinson was born in 1912 in Wilson, North Carolina. She received her Bachelor's degree from the Woman's College at the University of North Carolina and a Master's degree from the Teacher's College at Columbia University. In 1935, Dickinson moved to Tallahassee to teach dance at Florida State University. During her thirty years on the faculty, the program was modernized, and more emphasis was placed on creative expression. She is known for establishing high artistic standards that influence the School of Dance today. ","Dickinson's emphasis in dance study was with Louis Horst and Martha Graham, whom she brought twice to campus. She was instrumental in bringing other renowned artists in modern dance to Tallahassee through events like the FSU Artist Series. Dickinson also established the Theatre Dance Group for which she choreographed and toured in the southeastern United States. She planned and directed the first Evening of Dance with the group, which the School of Dance still performs annually. After retiring from FSU as professor emerita in 1963, Dickinson continued teaching at Marymount College in Arlington, Virginia. She returned to live in Tallahassee in 2000 and passed away in 2003."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], FSU School of Dance Records, Special Collections and Archives, Florida State University, Tallahassee, Florida. http://purl.lib.fsu.edu/fa/HP_2013-009\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], FSU School of Dance Records, Special Collections and Archives, Florida State University, Tallahassee, Florida. http://purl.lib.fsu.edu/fa/HP_2013-009"],"scopecontent_html_tesm":["\u003cp\u003eThe Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Photographs contains prints, contact sheets, photographic negatives, and photographic slides documenting School of Dance performances and rehearsals, as well as guest performances at the school.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Promotional Materials, Publicity, and Administrative Records contains posters, flyers, programs for performances and events, news clippings and magazines regarding performances and the school, press releases, booklets, School of Dance newsletters, correspondence, and photographs of performances and rehearsals.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Biographical Files is split into two sub-series. Sub-Series 1: Faculty and Staff Biographical Files contain photographs and biographical information on individual faculty and staff members in the School of Dance. Sub-Series 2: Guest Biographical Files include similar records as Sub-Series 1 as well as news clippings, programs, and press books.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Nellie-Bond Dickinson contains material created or collected by School of Dance faculty member Nellie-Bond Dickinson who is credited with bringing modern dance and creative movement to Florida State University. The series includes performance programs, news clippings and magazines, photographs, choreography notes, correspondence, essays, and poems.\u003c/p\u003e","\u003cp\u003eSelect materials from the FSU School of Dance Records have been digitized and are available through the \u003cextref href=\"https://digital.lib.fsu.edu/collection/School%20of%20Dance?ln=en\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Online Copies Available "],"scopecontent_tesim":["The Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.","Series 1: Photographs contains prints, contact sheets, photographic negatives, and photographic slides documenting School of Dance performances and rehearsals, as well as guest performances at the school.","Series 2: Promotional Materials, Publicity, and Administrative Records contains posters, flyers, programs for performances and events, news clippings and magazines regarding performances and the school, press releases, booklets, School of Dance newsletters, correspondence, and photographs of performances and rehearsals.","Series 3: Biographical Files is split into two sub-series. Sub-Series 1: Faculty and Staff Biographical Files contain photographs and biographical information on individual faculty and staff members in the School of Dance. Sub-Series 2: Guest Biographical Files include similar records as Sub-Series 1 as well as news clippings, programs, and press books.","Series 4: Nellie-Bond Dickinson contains material created or collected by School of Dance faculty member Nellie-Bond Dickinson who is credited with bringing modern dance and creative movement to Florida State University. The series includes performance programs, news clippings and magazines, photographs, choreography notes, correspondence, essays, and poems.","Select materials from the FSU School of Dance Records have been digitized and are available through the  FSU Digital Library ."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_coll_ssim":["Florida State University. School of Dance","Florida State College for Women"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State University. School of Dance","Florida State College for Women","Dickinson, Nellie-Bond"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State University. School of Dance","Florida State College for Women"],"persname_ssim":["Dickinson, Nellie-Bond"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":549,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1880459939778920448,"_root_":"fbf633f326a970bc04506713","timestamp":"2026-10-30T07:45:47.591Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/fbf633f326a970bc04506713"}},{"id":"4fe09d962b75e83b95c3753b","type":"collection","attributes":{"title":"Fuller Warren Papers, 1927-1973","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/4fe09d962b75e83b95c3753b#creator","type":"document_value","attributes":{"value":["Warren, Fuller"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/4fe09d962b75e83b95c3753b#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003ePapers, books, photographs, memorabilia, correspondence, speeches and scrapbooks. This collection consists mainly of papers connected with Fuller Warren's public life: his campaigns of 1948 and 1956, and particularly the four years he was Governor, from January 4, 1949, to January 6, 1953. One of the best documented areas in the collection deals with Warren's controversy with Senator Estes Kefauver over crime in Florida.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4fe09d962b75e83b95c3753b#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"4fe09d962b75e83b95c3753b","title_ssm":["Fuller Warren Papers"],"title_tesim":["Fuller Warren Papers"],"ead_ssi":"4fe09d962b75e83b95c3753b","unitdate_ssm":["1927-1973"],"unitdate_inclusive_ssm":["1927-1973"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0-257","/repositories/10/resources/749"],"text":["MSS 0-257","/repositories/10/resources/749","Fuller Warren Papers, 1927-1973","Contemporary Florida, 1960-","The Post War Florida, 1945-1960","Florida--Politics and government","Florida--Politics and government--1951-","Users may access this collection at the Claude Pepper Library.","The Fuller Warren Papers are divided into two series: Official Papers and Personal Papers. There are several subseries contained within the two series.","Fuller Warren, the thirtieth Governor of Florida (January 4, 1949-January 6, 1953), was born in Blountstown, 45 miles west of Tallahassee on October 3, 1905. He was the third of seven children of Charles and Grace (nee Fuller) Warren.\n The father's death and the family purse did not permit the pampering of any of the Warren youngsters. When Fuller was eight, he was hired out to a neighboring farmer as a cotton picker at 75 cents a week and room and board. Later, he drove a cart in a saw mill, \"hauling away enough sawdust to dam up the Mississippi River\", went to sea as a steward on a passenger ship, sold Bibles in the Alabama mountains, labored in a livery stable, toted chain in a survey party, dipped cattle, and grew two crops as a farmer.\n Fuller Warren developed an early interest in politics, running for his first office, that of a page in the State Legislature, at the age of thirteen. Warren attended the University of Florida where he helped earn his way by waiting on tables. He also found time to be a cheerleader, to serve as sophomore class president, and to participate actively in debating, 2 boxing, and writing for \"The Alligator\", the university newspaper. Still a student at the University of Florida, Warren was elected to the House of Representatives from Calhoun County, serving in the 1927 session at the age of 21. He was a junior and had to get a leave of absence from the University.\n Warren received his law degree from Cumberland University, Lebanon, Tennessee, in 1929, was admitted to the Florida bar, and began to practice law in Jacksonville. He served three terms in the Jacksonville City Council 1931-37, where he became known for his \"silver-tongued oratory\" and immaculate white suits. In 1939 he was elected to the House of Representatives. In 1940 at the age of 35 he ran unsuccessfully for Governor, coming in third after Spessard Holland and Francis Whitehair. During World War II, Warren served 26 months as a Navy gunnery officer in Italy and North Africa, crossing the Atlantic 20 times.\n Fuller Warren wrote three books,  Eruptions of Eloquence , 1932;  Speaking of Speaking , 1944; and  How to Win in Politics , 1949, with Allen Morris. He also wrote a weekly newspaper column \"Facts and Figures\" f'rom 1940 to 1948, and was a perpetual writer of letters-to-the-editor.\n The highlights of Fuller Warren's administration were: the passing of the fencing law - banning livestock from roaming Florida's highways; the passing of the \"taste-test\" citrus code which prevented unripe fruit from going on the market, damaging the reputation of Florida citrus; the initiation of a model reforestation program; and the preliminary planning for the Florida Turnpike. Warren's administration also got the Jacksonville Expressway system under way and arranged the financing and construction of the Sunshine Skyway at St. Petersburg.\n Governor Warren made speaking tours all over the United States and in Latin American nations to recruit tourists and to invite new industries to locate in Florida.\n After serving as Governor, Fuller Warren moved to Miami and practiced law there until his death, September 23, 1973. He ran again for Governor in 1956 and was thoroughly defeated, coming in fourth in a race led by LeRoy Collins. Though he did not hold public office after 1953, government and politics remained his primary interest until the very end.\n There were few state or national issues during his lifetime which failed to get a public going-over by Fuller Warren, through speeches, letters-to-the-editor, or press releasesÂ. His colorful and energetic prose could be pointed and courteous at the same time. One newspaper columnist, with whom Warren took issue, wrote, \"A chiding letter fromFuller Warren remains more eloquent than agreement from anybody else.\"\n Warren never ignored a charge or a slur by the press, however slight. His counter attacks were immediate and in the strongest language barring blasphemy. He was ever prepared to \"set the record straight.\" If a newspaper would not print his letters in full, he would publicize what he had to say by press release, paid advertisement, or printed handout.\n Always controversial, Fuller Warren had many friends and many enemies. The latter found fault with practically everything he did and referred to his \"Southern-fried inanities. \" His friends saw him as a \"big-hearted guy\", one of the fairest and most conscientious men in the world and believed that most of his difficulties stemmed from these admirable traits.\n It seems that everyone who knew Fuller Warren would agree that, whatever else he was, he was colorful: as a political figure and as a private person. Herb Rau, columnist for the  Miami News  said in 1973, \"Fuller is an off-the- cuff spellbinder, whose ad lib virtuosity cannot be matched even by Senator Sam the Bible-quoting maestro of the Watergate hearings.\"","Papers, books, photographs, memorabilia, correspondence, speeches and scrapbooks. This collection consists mainly of papers connected with Fuller Warren's public life: his campaigns of 1948 and 1956, and particularly the four years he was Governor, from January 4, 1949, to January 6, 1953. One of the best documented areas in the collection deals with Warren's controversy with Senator Estes Kefauver over crime in Florida.","All requests for permission to quote, publish, broadcast, or otherwise reproduce from manuscripts must be submitted in writing to the Director of University Libraries. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","Claude Pepper Library.","FSU Special Collections \u0026 Archives","Warren, Fuller","Kefauver, Estes","English"],"unitid_tesim":["MSS 0-257","/repositories/10/resources/749"],"normalized_date_ssm":["1927-1973"],"normalized_title_ssm":["Fuller Warren Papers, 1927-1973"],"collection_title_tesim":["Fuller Warren Papers, 1927-1973"],"collection_ssim":["Fuller Warren Papers, 1927-1973"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Warren, Fuller","Kefauver, Estes"],"creator_ssim":["Warren, Fuller","Kefauver, Estes"],"creator_persname_ssim":["Warren, Fuller","Kefauver, Estes"],"creators_ssim":["Warren, Fuller","Kefauver, Estes"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast, or otherwise reproduce from manuscripts must be submitted in writing to the Director of University Libraries. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["Contemporary Florida, 1960-","The Post War Florida, 1945-1960","Florida--Politics and government","Florida--Politics and government--1951-"],"access_subjects_ssm":["Contemporary Florida, 1960-","The Post War Florida, 1945-1960","Florida--Politics and government","Florida--Politics and government--1951-"],"has_online_content_ssim":["false"],"extent_ssm":["60900.00 items"],"extent_tesim":["60900.00 items"],"date_range_isim":[1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973],"accessrestrict_html_tesm":["\u003cp\u003eUsers may access this collection at the Claude Pepper Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Users may access this collection at the Claude Pepper Library."],"arrangement_html_tesm":["\u003cp\u003eThe Fuller Warren Papers are divided into two series: Official Papers and Personal Papers. There are several subseries contained within the two series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Fuller Warren Papers are divided into two series: Official Papers and Personal Papers. There are several subseries contained within the two series."],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Fuller Warren, the thirtieth Governor of Florida (January 4, 1949-January 6, 1953), was born in Blountstown, 45 miles west of Tallahassee on October 3, 1905. He was the third of seven children of Charles and Grace (nee Fuller) Warren.\n The father's death and the family purse did not permit the pampering of any of the Warren youngsters. When Fuller was eight, he was hired out to a neighboring farmer as a cotton picker at 75 cents a week and room and board. Later, he drove a cart in a saw mill, \"hauling away enough sawdust to dam up the Mississippi River\", went to sea as a steward on a passenger ship, sold Bibles in the Alabama mountains, labored in a livery stable, toted chain in a survey party, dipped cattle, and grew two crops as a farmer.\n Fuller Warren developed an early interest in politics, running for his first office, that of a page in the State Legislature, at the age of thirteen. Warren attended the University of Florida where he helped earn his way by waiting on tables. He also found time to be a cheerleader, to serve as sophomore class president, and to participate actively in debating, 2 boxing, and writing for \"The Alligator\", the university newspaper. Still a student at the University of Florida, Warren was elected to the House of Representatives from Calhoun County, serving in the 1927 session at the age of 21. He was a junior and had to get a leave of absence from the University.\n Warren received his law degree from Cumberland University, Lebanon, Tennessee, in 1929, was admitted to the Florida bar, and began to practice law in Jacksonville. He served three terms in the Jacksonville City Council 1931-37, where he became known for his \"silver-tongued oratory\" and immaculate white suits. In 1939 he was elected to the House of Representatives. In 1940 at the age of 35 he ran unsuccessfully for Governor, coming in third after Spessard Holland and Francis Whitehair. During World War II, Warren served 26 months as a Navy gunnery officer in Italy and North Africa, crossing the Atlantic 20 times.\n Fuller Warren wrote three books,  Eruptions of Eloquence , 1932;  Speaking of Speaking , 1944; and  How to Win in Politics , 1949, with Allen Morris. He also wrote a weekly newspaper column \"Facts and Figures\" f'rom 1940 to 1948, and was a perpetual writer of letters-to-the-editor.\n The highlights of Fuller Warren's administration were: the passing of the fencing law - banning livestock from roaming Florida's highways; the passing of the \"taste-test\" citrus code which prevented unripe fruit from going on the market, damaging the reputation of Florida citrus; the initiation of a model reforestation program; and the preliminary planning for the Florida Turnpike. Warren's administration also got the Jacksonville Expressway system under way and arranged the financing and construction of the Sunshine Skyway at St. Petersburg.\n Governor Warren made speaking tours all over the United States and in Latin American nations to recruit tourists and to invite new industries to locate in Florida.\n After serving as Governor, Fuller Warren moved to Miami and practiced law there until his death, September 23, 1973. He ran again for Governor in 1956 and was thoroughly defeated, coming in fourth in a race led by LeRoy Collins. Though he did not hold public office after 1953, government and politics remained his primary interest until the very end.\n There were few state or national issues during his lifetime which failed to get a public going-over by Fuller Warren, through speeches, letters-to-the-editor, or press releasesÂ. His colorful and energetic prose could be pointed and courteous at the same time. One newspaper columnist, with whom Warren took issue, wrote, \"A chiding letter fromFuller Warren remains more eloquent than agreement from anybody else.\"\n Warren never ignored a charge or a slur by the press, however slight. His counter attacks were immediate and in the strongest language barring blasphemy. He was ever prepared to \"set the record straight.\" If a newspaper would not print his letters in full, he would publicize what he had to say by press release, paid advertisement, or printed handout.\n Always controversial, Fuller Warren had many friends and many enemies. The latter found fault with practically everything he did and referred to his \"Southern-fried inanities. \" His friends saw him as a \"big-hearted guy\", one of the fairest and most conscientious men in the world and believed that most of his difficulties stemmed from these admirable traits.\n It seems that everyone who knew Fuller Warren would agree that, whatever else he was, he was colorful: as a political figure and as a private person. Herb Rau, columnist for the  Miami News  said in 1973, \"Fuller is an off-the- cuff spellbinder, whose ad lib virtuosity cannot be matched even by Senator Sam the Bible-quoting maestro of the Watergate hearings.\""],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Fuller Warren papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2004-001\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Fuller Warren papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2004-001"],"scopecontent_html_tesm":["\u003cp\u003ePapers, books, photographs, memorabilia, correspondence, speeches and scrapbooks. This collection consists mainly of papers connected with Fuller Warren's public life: his campaigns of 1948 and 1956, and particularly the four years he was Governor, from January 4, 1949, to January 6, 1953. One of the best documented areas in the collection deals with Warren's controversy with Senator Estes Kefauver over crime in Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers, books, photographs, memorabilia, correspondence, speeches and scrapbooks. This collection consists mainly of papers connected with Fuller Warren's public life: his campaigns of 1948 and 1956, and particularly the four years he was Governor, from January 4, 1949, to January 6, 1953. One of the best documented areas in the collection deals with Warren's controversy with Senator Estes Kefauver over crime in Florida."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast, or otherwise reproduce from manuscripts must be submitted in writing to the Director of University Libraries. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast, or otherwise reproduce from manuscripts must be submitted in writing to the Director of University Libraries. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_1767bfdb5b7d78379e7b18c213229740\"\u003eClaude Pepper Library.\u003c/physloc\u003e"],"physloc_tesim":["Claude Pepper Library."],"names_ssim":["FSU Special Collections \u0026 Archives","Warren, Fuller","Kefauver, Estes"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"persname_ssim":["Warren, Fuller","Kefauver, Estes"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1500,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870859458195750912,"_root_":"4fe09d962b75e83b95c3753b","timestamp":"2026-07-16T08:30:14.868Z","bioghist_html_tesm":["\u003cp\u003eFuller Warren, the thirtieth Governor of Florida (January 4, 1949-January 6, 1953), was born in Blountstown, 45 miles west of Tallahassee on October 3, 1905. He was the third of seven children of Charles and Grace (nee Fuller) Warren.\n\u003cbr\u003e\u003cbr\u003eThe father's death and the family purse did not permit the pampering of any of the Warren youngsters. When Fuller was eight, he was hired out to a neighboring farmer as a cotton picker at 75 cents a week and room and board. Later, he drove a cart in a saw mill, \"hauling away enough sawdust to dam up the Mississippi River\", went to sea as a steward on a passenger ship, sold Bibles in the Alabama mountains, labored in a livery stable, toted chain in a survey party, dipped cattle, and grew two crops as a farmer.\n\u003cbr\u003e\u003cbr\u003eFuller Warren developed an early interest in politics, running for his first office, that of a page in the State Legislature, at the age of thirteen. Warren attended the University of Florida where he helped earn his way by waiting on tables. He also found time to be a cheerleader, to serve as sophomore class president, and to participate actively in debating, 2 boxing, and writing for \"The Alligator\", the university newspaper. Still a student at the University of Florida, Warren was elected to the House of Representatives from Calhoun County, serving in the 1927 session at the age of 21. He was a junior and had to get a leave of absence from the University.\n\u003cbr\u003e\u003cbr\u003eWarren received his law degree from Cumberland University, Lebanon, Tennessee, in 1929, was admitted to the Florida bar, and began to practice law in Jacksonville. He served three terms in the Jacksonville City Council 1931-37, where he became known for his \"silver-tongued oratory\" and immaculate white suits. In 1939 he was elected to the House of Representatives. In 1940 at the age of 35 he ran unsuccessfully for Governor, coming in third after Spessard Holland and Francis Whitehair. During World War II, Warren served 26 months as a Navy gunnery officer in Italy and North Africa, crossing the Atlantic 20 times.\n\u003cbr\u003e\u003cbr\u003eFuller Warren wrote three books, \u003cemph render=\"underline\"\u003eEruptions of Eloquence\u003c/emph\u003e, 1932; \u003cemph render=\"underline\"\u003eSpeaking of Speaking\u003c/emph\u003e, 1944; and \u003cemph render=\"underline\"\u003eHow to Win in Politics\u003c/emph\u003e, 1949, with Allen Morris. He also wrote a weekly newspaper column \"Facts and Figures\" f'rom 1940 to 1948, and was a perpetual writer of letters-to-the-editor.\n\u003cbr\u003e\u003cbr\u003eThe highlights of Fuller Warren's administration were: the passing of the fencing law - banning livestock from roaming Florida's highways; the passing of the \"taste-test\" citrus code which prevented unripe fruit from going on the market, damaging the reputation of Florida citrus; the initiation of a model reforestation program; and the preliminary planning for the Florida Turnpike. Warren's administration also got the Jacksonville Expressway system under way and arranged the financing and construction of the Sunshine Skyway at St. Petersburg.\n\u003cbr\u003e\u003cbr\u003eGovernor Warren made speaking tours all over the United States and in Latin American nations to recruit tourists and to invite new industries to locate in Florida.\n\u003cbr\u003e\u003cbr\u003eAfter serving as Governor, Fuller Warren moved to Miami and practiced law there until his death, September 23, 1973. He ran again for Governor in 1956 and was thoroughly defeated, coming in fourth in a race led by LeRoy Collins. Though he did not hold public office after 1953, government and politics remained his primary interest until the very end.\n\u003cbr\u003e\u003cbr\u003eThere were few state or national issues during his lifetime which failed to get a public going-over by Fuller Warren, through speeches, letters-to-the-editor, or press releases\u0026#xC2;. His colorful and energetic prose could be pointed and courteous at the same time. One newspaper columnist, with whom Warren took issue, wrote, \"A chiding letter fromFuller Warren remains more eloquent than agreement from anybody else.\"\n\u003cbr\u003e\u003cbr\u003eWarren never ignored a charge or a slur by the press, however slight. His counter attacks were immediate and in the strongest language barring blasphemy. He was ever prepared to \"set the record straight.\" If a newspaper would not print his letters in full, he would publicize what he had to say by press release, paid advertisement, or printed handout.\n\u003cbr\u003e\u003cbr\u003eAlways controversial, Fuller Warren had many friends and many enemies. The latter found fault with practically everything he did and referred to his \"Southern-fried inanities. \" His friends saw him as a \"big-hearted guy\", one of the fairest and most conscientious men in the world and believed that most of his difficulties stemmed from these admirable traits.\n\u003cbr\u003e\u003cbr\u003eIt seems that everyone who knew Fuller Warren would agree that, whatever else he was, he was colorful: as a political figure and as a private person. Herb Rau, columnist for the \u003cemph render=\"underline\"\u003eMiami News\u003c/emph\u003e said in 1973, \"Fuller is an off-the- cuff spellbinder, whose ad lib virtuosity cannot be matched even by Senator Sam the Bible-quoting maestro of the Watergate hearings.\"\u003c/p\u003e"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4fe09d962b75e83b95c3753b","title_ssm":["Fuller Warren Papers"],"title_tesim":["Fuller Warren Papers"],"ead_ssi":"4fe09d962b75e83b95c3753b","unitdate_ssm":["1927-1973"],"unitdate_inclusive_ssm":["1927-1973"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0-257","/repositories/10/resources/749"],"text":["MSS 0-257","/repositories/10/resources/749","Fuller Warren Papers, 1927-1973","Contemporary Florida, 1960-","The Post War Florida, 1945-1960","Florida--Politics and government","Florida--Politics and government--1951-","Users may access this collection at the Claude Pepper Library.","The Fuller Warren Papers are divided into two series: Official Papers and Personal Papers. There are several subseries contained within the two series.","Fuller Warren, the thirtieth Governor of Florida (January 4, 1949-January 6, 1953), was born in Blountstown, 45 miles west of Tallahassee on October 3, 1905. He was the third of seven children of Charles and Grace (nee Fuller) Warren.\n The father's death and the family purse did not permit the pampering of any of the Warren youngsters. When Fuller was eight, he was hired out to a neighboring farmer as a cotton picker at 75 cents a week and room and board. Later, he drove a cart in a saw mill, \"hauling away enough sawdust to dam up the Mississippi River\", went to sea as a steward on a passenger ship, sold Bibles in the Alabama mountains, labored in a livery stable, toted chain in a survey party, dipped cattle, and grew two crops as a farmer.\n Fuller Warren developed an early interest in politics, running for his first office, that of a page in the State Legislature, at the age of thirteen. Warren attended the University of Florida where he helped earn his way by waiting on tables. He also found time to be a cheerleader, to serve as sophomore class president, and to participate actively in debating, 2 boxing, and writing for \"The Alligator\", the university newspaper. Still a student at the University of Florida, Warren was elected to the House of Representatives from Calhoun County, serving in the 1927 session at the age of 21. He was a junior and had to get a leave of absence from the University.\n Warren received his law degree from Cumberland University, Lebanon, Tennessee, in 1929, was admitted to the Florida bar, and began to practice law in Jacksonville. He served three terms in the Jacksonville City Council 1931-37, where he became known for his \"silver-tongued oratory\" and immaculate white suits. In 1939 he was elected to the House of Representatives. In 1940 at the age of 35 he ran unsuccessfully for Governor, coming in third after Spessard Holland and Francis Whitehair. During World War II, Warren served 26 months as a Navy gunnery officer in Italy and North Africa, crossing the Atlantic 20 times.\n Fuller Warren wrote three books,  Eruptions of Eloquence , 1932;  Speaking of Speaking , 1944; and  How to Win in Politics , 1949, with Allen Morris. He also wrote a weekly newspaper column \"Facts and Figures\" f'rom 1940 to 1948, and was a perpetual writer of letters-to-the-editor.\n The highlights of Fuller Warren's administration were: the passing of the fencing law - banning livestock from roaming Florida's highways; the passing of the \"taste-test\" citrus code which prevented unripe fruit from going on the market, damaging the reputation of Florida citrus; the initiation of a model reforestation program; and the preliminary planning for the Florida Turnpike. Warren's administration also got the Jacksonville Expressway system under way and arranged the financing and construction of the Sunshine Skyway at St. Petersburg.\n Governor Warren made speaking tours all over the United States and in Latin American nations to recruit tourists and to invite new industries to locate in Florida.\n After serving as Governor, Fuller Warren moved to Miami and practiced law there until his death, September 23, 1973. He ran again for Governor in 1956 and was thoroughly defeated, coming in fourth in a race led by LeRoy Collins. Though he did not hold public office after 1953, government and politics remained his primary interest until the very end.\n There were few state or national issues during his lifetime which failed to get a public going-over by Fuller Warren, through speeches, letters-to-the-editor, or press releasesÂ. His colorful and energetic prose could be pointed and courteous at the same time. One newspaper columnist, with whom Warren took issue, wrote, \"A chiding letter fromFuller Warren remains more eloquent than agreement from anybody else.\"\n Warren never ignored a charge or a slur by the press, however slight. His counter attacks were immediate and in the strongest language barring blasphemy. He was ever prepared to \"set the record straight.\" If a newspaper would not print his letters in full, he would publicize what he had to say by press release, paid advertisement, or printed handout.\n Always controversial, Fuller Warren had many friends and many enemies. The latter found fault with practically everything he did and referred to his \"Southern-fried inanities. \" His friends saw him as a \"big-hearted guy\", one of the fairest and most conscientious men in the world and believed that most of his difficulties stemmed from these admirable traits.\n It seems that everyone who knew Fuller Warren would agree that, whatever else he was, he was colorful: as a political figure and as a private person. Herb Rau, columnist for the  Miami News  said in 1973, \"Fuller is an off-the- cuff spellbinder, whose ad lib virtuosity cannot be matched even by Senator Sam the Bible-quoting maestro of the Watergate hearings.\"","Papers, books, photographs, memorabilia, correspondence, speeches and scrapbooks. This collection consists mainly of papers connected with Fuller Warren's public life: his campaigns of 1948 and 1956, and particularly the four years he was Governor, from January 4, 1949, to January 6, 1953. One of the best documented areas in the collection deals with Warren's controversy with Senator Estes Kefauver over crime in Florida.","All requests for permission to quote, publish, broadcast, or otherwise reproduce from manuscripts must be submitted in writing to the Director of University Libraries. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","Claude Pepper Library.","FSU Special Collections \u0026 Archives","Warren, Fuller","Kefauver, Estes","English"],"unitid_tesim":["MSS 0-257","/repositories/10/resources/749"],"normalized_date_ssm":["1927-1973"],"normalized_title_ssm":["Fuller Warren Papers, 1927-1973"],"collection_title_tesim":["Fuller Warren Papers, 1927-1973"],"collection_ssim":["Fuller Warren Papers, 1927-1973"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Warren, Fuller","Kefauver, Estes"],"creator_ssim":["Warren, Fuller","Kefauver, Estes"],"creator_persname_ssim":["Warren, Fuller","Kefauver, Estes"],"creators_ssim":["Warren, Fuller","Kefauver, Estes"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast, or otherwise reproduce from manuscripts must be submitted in writing to the Director of University Libraries. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["Contemporary Florida, 1960-","The Post War Florida, 1945-1960","Florida--Politics and government","Florida--Politics and government--1951-"],"access_subjects_ssm":["Contemporary Florida, 1960-","The Post War Florida, 1945-1960","Florida--Politics and government","Florida--Politics and government--1951-"],"has_online_content_ssim":["false"],"extent_ssm":["60900.00 items"],"extent_tesim":["60900.00 items"],"date_range_isim":[1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973],"accessrestrict_html_tesm":["\u003cp\u003eUsers may access this collection at the Claude Pepper Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Users may access this collection at the Claude Pepper Library."],"arrangement_html_tesm":["\u003cp\u003eThe Fuller Warren Papers are divided into two series: Official Papers and Personal Papers. There are several subseries contained within the two series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Fuller Warren Papers are divided into two series: Official Papers and Personal Papers. There are several subseries contained within the two series."],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Fuller Warren, the thirtieth Governor of Florida (January 4, 1949-January 6, 1953), was born in Blountstown, 45 miles west of Tallahassee on October 3, 1905. He was the third of seven children of Charles and Grace (nee Fuller) Warren.\n The father's death and the family purse did not permit the pampering of any of the Warren youngsters. When Fuller was eight, he was hired out to a neighboring farmer as a cotton picker at 75 cents a week and room and board. Later, he drove a cart in a saw mill, \"hauling away enough sawdust to dam up the Mississippi River\", went to sea as a steward on a passenger ship, sold Bibles in the Alabama mountains, labored in a livery stable, toted chain in a survey party, dipped cattle, and grew two crops as a farmer.\n Fuller Warren developed an early interest in politics, running for his first office, that of a page in the State Legislature, at the age of thirteen. Warren attended the University of Florida where he helped earn his way by waiting on tables. He also found time to be a cheerleader, to serve as sophomore class president, and to participate actively in debating, 2 boxing, and writing for \"The Alligator\", the university newspaper. Still a student at the University of Florida, Warren was elected to the House of Representatives from Calhoun County, serving in the 1927 session at the age of 21. He was a junior and had to get a leave of absence from the University.\n Warren received his law degree from Cumberland University, Lebanon, Tennessee, in 1929, was admitted to the Florida bar, and began to practice law in Jacksonville. He served three terms in the Jacksonville City Council 1931-37, where he became known for his \"silver-tongued oratory\" and immaculate white suits. In 1939 he was elected to the House of Representatives. In 1940 at the age of 35 he ran unsuccessfully for Governor, coming in third after Spessard Holland and Francis Whitehair. During World War II, Warren served 26 months as a Navy gunnery officer in Italy and North Africa, crossing the Atlantic 20 times.\n Fuller Warren wrote three books,  Eruptions of Eloquence , 1932;  Speaking of Speaking , 1944; and  How to Win in Politics , 1949, with Allen Morris. He also wrote a weekly newspaper column \"Facts and Figures\" f'rom 1940 to 1948, and was a perpetual writer of letters-to-the-editor.\n The highlights of Fuller Warren's administration were: the passing of the fencing law - banning livestock from roaming Florida's highways; the passing of the \"taste-test\" citrus code which prevented unripe fruit from going on the market, damaging the reputation of Florida citrus; the initiation of a model reforestation program; and the preliminary planning for the Florida Turnpike. Warren's administration also got the Jacksonville Expressway system under way and arranged the financing and construction of the Sunshine Skyway at St. Petersburg.\n Governor Warren made speaking tours all over the United States and in Latin American nations to recruit tourists and to invite new industries to locate in Florida.\n After serving as Governor, Fuller Warren moved to Miami and practiced law there until his death, September 23, 1973. He ran again for Governor in 1956 and was thoroughly defeated, coming in fourth in a race led by LeRoy Collins. Though he did not hold public office after 1953, government and politics remained his primary interest until the very end.\n There were few state or national issues during his lifetime which failed to get a public going-over by Fuller Warren, through speeches, letters-to-the-editor, or press releasesÂ. His colorful and energetic prose could be pointed and courteous at the same time. One newspaper columnist, with whom Warren took issue, wrote, \"A chiding letter fromFuller Warren remains more eloquent than agreement from anybody else.\"\n Warren never ignored a charge or a slur by the press, however slight. His counter attacks were immediate and in the strongest language barring blasphemy. He was ever prepared to \"set the record straight.\" If a newspaper would not print his letters in full, he would publicize what he had to say by press release, paid advertisement, or printed handout.\n Always controversial, Fuller Warren had many friends and many enemies. The latter found fault with practically everything he did and referred to his \"Southern-fried inanities. \" His friends saw him as a \"big-hearted guy\", one of the fairest and most conscientious men in the world and believed that most of his difficulties stemmed from these admirable traits.\n It seems that everyone who knew Fuller Warren would agree that, whatever else he was, he was colorful: as a political figure and as a private person. Herb Rau, columnist for the  Miami News  said in 1973, \"Fuller is an off-the- cuff spellbinder, whose ad lib virtuosity cannot be matched even by Senator Sam the Bible-quoting maestro of the Watergate hearings.\""],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Fuller Warren papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2004-001\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Fuller Warren papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2004-001"],"scopecontent_html_tesm":["\u003cp\u003ePapers, books, photographs, memorabilia, correspondence, speeches and scrapbooks. This collection consists mainly of papers connected with Fuller Warren's public life: his campaigns of 1948 and 1956, and particularly the four years he was Governor, from January 4, 1949, to January 6, 1953. One of the best documented areas in the collection deals with Warren's controversy with Senator Estes Kefauver over crime in Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers, books, photographs, memorabilia, correspondence, speeches and scrapbooks. This collection consists mainly of papers connected with Fuller Warren's public life: his campaigns of 1948 and 1956, and particularly the four years he was Governor, from January 4, 1949, to January 6, 1953. One of the best documented areas in the collection deals with Warren's controversy with Senator Estes Kefauver over crime in Florida."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast, or otherwise reproduce from manuscripts must be submitted in writing to the Director of University Libraries. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast, or otherwise reproduce from manuscripts must be submitted in writing to the Director of University Libraries. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_1767bfdb5b7d78379e7b18c213229740\"\u003eClaude Pepper Library.\u003c/physloc\u003e"],"physloc_tesim":["Claude Pepper Library."],"names_ssim":["FSU Special Collections \u0026 Archives","Warren, Fuller","Kefauver, Estes"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"persname_ssim":["Warren, Fuller","Kefauver, Estes"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1500,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870859458195750912,"_root_":"4fe09d962b75e83b95c3753b","timestamp":"2026-07-16T08:30:14.868Z","bioghist_html_tesm":["\u003cp\u003eFuller Warren, the thirtieth Governor of Florida (January 4, 1949-January 6, 1953), was born in Blountstown, 45 miles west of Tallahassee on October 3, 1905. He was the third of seven children of Charles and Grace (nee Fuller) Warren.\n\u003cbr\u003e\u003cbr\u003eThe father's death and the family purse did not permit the pampering of any of the Warren youngsters. When Fuller was eight, he was hired out to a neighboring farmer as a cotton picker at 75 cents a week and room and board. Later, he drove a cart in a saw mill, \"hauling away enough sawdust to dam up the Mississippi River\", went to sea as a steward on a passenger ship, sold Bibles in the Alabama mountains, labored in a livery stable, toted chain in a survey party, dipped cattle, and grew two crops as a farmer.\n\u003cbr\u003e\u003cbr\u003eFuller Warren developed an early interest in politics, running for his first office, that of a page in the State Legislature, at the age of thirteen. Warren attended the University of Florida where he helped earn his way by waiting on tables. He also found time to be a cheerleader, to serve as sophomore class president, and to participate actively in debating, 2 boxing, and writing for \"The Alligator\", the university newspaper. Still a student at the University of Florida, Warren was elected to the House of Representatives from Calhoun County, serving in the 1927 session at the age of 21. He was a junior and had to get a leave of absence from the University.\n\u003cbr\u003e\u003cbr\u003eWarren received his law degree from Cumberland University, Lebanon, Tennessee, in 1929, was admitted to the Florida bar, and began to practice law in Jacksonville. He served three terms in the Jacksonville City Council 1931-37, where he became known for his \"silver-tongued oratory\" and immaculate white suits. In 1939 he was elected to the House of Representatives. In 1940 at the age of 35 he ran unsuccessfully for Governor, coming in third after Spessard Holland and Francis Whitehair. During World War II, Warren served 26 months as a Navy gunnery officer in Italy and North Africa, crossing the Atlantic 20 times.\n\u003cbr\u003e\u003cbr\u003eFuller Warren wrote three books, \u003cemph render=\"underline\"\u003eEruptions of Eloquence\u003c/emph\u003e, 1932; \u003cemph render=\"underline\"\u003eSpeaking of Speaking\u003c/emph\u003e, 1944; and \u003cemph render=\"underline\"\u003eHow to Win in Politics\u003c/emph\u003e, 1949, with Allen Morris. He also wrote a weekly newspaper column \"Facts and Figures\" f'rom 1940 to 1948, and was a perpetual writer of letters-to-the-editor.\n\u003cbr\u003e\u003cbr\u003eThe highlights of Fuller Warren's administration were: the passing of the fencing law - banning livestock from roaming Florida's highways; the passing of the \"taste-test\" citrus code which prevented unripe fruit from going on the market, damaging the reputation of Florida citrus; the initiation of a model reforestation program; and the preliminary planning for the Florida Turnpike. Warren's administration also got the Jacksonville Expressway system under way and arranged the financing and construction of the Sunshine Skyway at St. Petersburg.\n\u003cbr\u003e\u003cbr\u003eGovernor Warren made speaking tours all over the United States and in Latin American nations to recruit tourists and to invite new industries to locate in Florida.\n\u003cbr\u003e\u003cbr\u003eAfter serving as Governor, Fuller Warren moved to Miami and practiced law there until his death, September 23, 1973. He ran again for Governor in 1956 and was thoroughly defeated, coming in fourth in a race led by LeRoy Collins. Though he did not hold public office after 1953, government and politics remained his primary interest until the very end.\n\u003cbr\u003e\u003cbr\u003eThere were few state or national issues during his lifetime which failed to get a public going-over by Fuller Warren, through speeches, letters-to-the-editor, or press releases\u0026#xC2;. His colorful and energetic prose could be pointed and courteous at the same time. One newspaper columnist, with whom Warren took issue, wrote, \"A chiding letter fromFuller Warren remains more eloquent than agreement from anybody else.\"\n\u003cbr\u003e\u003cbr\u003eWarren never ignored a charge or a slur by the press, however slight. His counter attacks were immediate and in the strongest language barring blasphemy. He was ever prepared to \"set the record straight.\" If a newspaper would not print his letters in full, he would publicize what he had to say by press release, paid advertisement, or printed handout.\n\u003cbr\u003e\u003cbr\u003eAlways controversial, Fuller Warren had many friends and many enemies. The latter found fault with practically everything he did and referred to his \"Southern-fried inanities. \" His friends saw him as a \"big-hearted guy\", one of the fairest and most conscientious men in the world and believed that most of his difficulties stemmed from these admirable traits.\n\u003cbr\u003e\u003cbr\u003eIt seems that everyone who knew Fuller Warren would agree that, whatever else he was, he was colorful: as a political figure and as a private person. Herb Rau, columnist for the \u003cemph render=\"underline\"\u003eMiami News\u003c/emph\u003e said in 1973, \"Fuller is an off-the- cuff spellbinder, whose ad lib virtuosity cannot be matched even by Senator Sam the Bible-quoting maestro of the Watergate hearings.\"\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4fe09d962b75e83b95c3753b"}},{"id":"61657dca6e05f30cb549ce7a_aspace_5d9781907497f941d879d6a07ae273fb","type":"File","attributes":{"title":"Fundraising, 1951-1958","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/61657dca6e05f30cb549ce7a_aspace_5d9781907497f941d879d6a07ae273fb#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5d9781907497f941d879d6a07ae273fb","ref_ssm":["aspace_5d9781907497f941d879d6a07ae273fb","aspace_5d9781907497f941d879d6a07ae273fb"],"id":"61657dca6e05f30cb549ce7a_aspace_5d9781907497f941d879d6a07ae273fb","title_filing_ssi":"Fundraising","title_ssm":["Fundraising"],"title_tesim":["Fundraising"],"unitdate_inclusive_ssm":["1951-1958"],"normalized_date_ssm":["1951-1958"],"normalized_title_ssm":["Fundraising, 1951-1958"],"text":["Fundraising, 1951-1958","Florida Southern College Buildings \u0026 Grounds, 1922-2024","Box 3","Academic Buildings","Polk County Science Building","/repositories/4/archival_objects/895","folder 17"],"component_level_isim":[4],"parent_ids_ssim":["61657dca6e05f30cb549ce7a","61657dca6e05f30cb549ce7a_aspace_127cd13478e691ec1ee270c589981761","61657dca6e05f30cb549ce7a_aspace_ea7e66618234a668dd7884141daa038a","61657dca6e05f30cb549ce7a_aspace_c8b1c247a10dc6d1a4783276dfaa393c"],"parent_unittitles_ssm":["Florida Southern College Buildings \u0026 Grounds, 1922-2024","Box 3","Academic Buildings","Polk County Science Building"],"parent_unittitles_tesim":["Florida Southern College Buildings \u0026 Grounds, 1922-2024","Box 3","Academic Buildings","Polk County Science Building"],"parent_levels_ssm":["collection","Box ","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/895"],"repository_ssim":["The Florida Southern College Archives"],"collection_ssim":["Florida Southern College Buildings \u0026 Grounds, 1922-2024"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":90,"parent_access_restrict_tesm":["This collection is open for research. For security reasons, the archives reserves the right to restrict access to certain materials related to buildings in active use. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital material"],"parent_access_terms_tesm":["This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions -archives@flsouthern.edu."],"date_range_isim":[1951,1952,1953,1954,1955,1956,1957,1958],"containers_ssim":["folder 17"],"_nest_path_":"/components#2/components#0/components#7/components#1","_nest_parent_":"61657dca6e05f30cb549ce7a_aspace_c8b1c247a10dc6d1a4783276dfaa393c","_root_":"61657dca6e05f30cb549ce7a","_version_":1873201808878338048,"timestamp":"2026-08-11T05:00:54.566Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"61657dca6e05f30cb549ce7a","title_ssm":["Florida Southern College Buildings \u0026 Grounds"],"title_tesim":["Florida Southern College Buildings \u0026 Grounds"],"ead_ssi":"61657dca6e05f30cb549ce7a","unitdate_ssm":["1922-2024"],"unitdate_inclusive_ssm":["1922-2024"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["CA6000","/repositories/4/resources/39"],"text":["CA6000","/repositories/4/resources/39","Florida Southern College Buildings \u0026 Grounds, 1922-2024","College buildings—Florida—Lakeland","Florida Southern College--History.","Frank Lloyd Wright—Influence","Campus planning—Florida—Lakeland","Architectural drawings","This collection is open for research. For security reasons, the archives reserves the right to restrict access to certain materials related to buildings in active use. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital material","The files in this collection are arranged in the following series. Series denote intended or primary use of the building:\nAcademic;\nAdministration;\nAthletics;\nChapels;\nDining Facilities;\nDorms: Note that apartments located off of the main campus are included in this series;\nGreek Houses;\nGrounds (Including memorials);\nLibraries;\nMaintenance;\nOff-Campus Property;\nPhotographs;\nPhysical Plant: General files having to do with campus, but not a specific building or feature;\nPresident's Guest House;\nPresident's Residence;\nStudent Unions;\nVisitor's Centers;\nOversize Items.","\nThe files within each series are arranged by building name alphabetically by last name of donor/beneficiary.","Former Names: Many buildings on campus have been known by several names over the years. Edge Hall was originally the Social Hall. Fannin Campus Ministries Center was initially known as the Jackson Student Activities Center and then the Jackson Religion Building (or JRB). Raulerson was originally three separate buildings: Carter, Walbridge, and Hawkins (the Three Seminars). The Thad Buckner Building was the original (1945) E.T. Roux Library. Joseph-Reynolds Hall was originally the Women's Residence. Ordway was briefly known as the J. William Horsey building. Additional newspaper articles and photographs make exist in Digital format.","The files in this collection were generated by the college and include built structures as well as some physical features (gardens and monuments) on property related to the Lakeland campus after 1922. Additionally, there are some files about property owned or formerly owned by FSC that is not part of the main campus in Lakeland.","This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions -archives@flsouthern.edu.","The Florida Southern College Archives","Florida Southern College","English"],"unitid_tesim":["CA6000","/repositories/4/resources/39"],"normalized_date_ssm":["1922-2024"],"normalized_title_ssm":["Florida Southern College Buildings \u0026 Grounds, 1922-2024"],"collection_title_tesim":["Florida Southern College Buildings \u0026 Grounds, 1922-2024"],"collection_ssim":["Florida Southern College Buildings \u0026 Grounds, 1922-2024"],"repository_ssm":["The Florida Southern College Archives"],"repository_ssim":["The Florida Southern College Archives"],"creator_ssm":["Florida Southern College"],"creator_ssim":["Florida Southern College"],"creator_corpname_ssim":["Florida Southern College"],"creators_ssim":["Florida Southern College"],"access_terms_ssm":["This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions -archives@flsouthern.edu."],"access_subjects_ssim":["College buildings—Florida—Lakeland","Florida Southern College--History.","Frank Lloyd Wright—Influence","Campus planning—Florida—Lakeland","Architectural drawings"],"access_subjects_ssm":["College buildings—Florida—Lakeland","Florida Southern College--History.","Frank Lloyd Wright—Influence","Campus planning—Florida—Lakeland","Architectural drawings"],"has_online_content_ssim":["false"],"extent_ssm":["6.25 Linear Feet"],"extent_tesim":["6.25 Linear Feet"],"genreform_ssim":["Architectural drawings"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. For security reasons, the archives reserves the right to restrict access to certain materials related to buildings in active use. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital material\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. For security reasons, the archives reserves the right to restrict access to certain materials related to buildings in active use. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital material"],"arrangement_html_tesm":["\u003cp\u003eThe files in this collection are arranged in the following series. 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Series denote intended or primary use of the building:\nAcademic;\nAdministration;\nAthletics;\nChapels;\nDining Facilities;\nDorms: Note that apartments located off of the main campus are included in this series;\nGreek Houses;\nGrounds (Including memorials);\nLibraries;\nMaintenance;\nOff-Campus Property;\nPhotographs;\nPhysical Plant: General files having to do with campus, but not a specific building or feature;\nPresident's Guest House;\nPresident's Residence;\nStudent Unions;\nVisitor's Centers;\nOversize Items.","\nThe files within each series are arranged by building name alphabetically by last name of donor/beneficiary."],"odd_html_tesm":["\u003cp\u003eFormer Names: Many buildings on campus have been known by several names over the years. Edge Hall was originally the Social Hall. Fannin Campus Ministries Center was initially known as the Jackson Student Activities Center and then the Jackson Religion Building (or JRB). Raulerson was originally three separate buildings: Carter, Walbridge, and Hawkins (the Three Seminars). The Thad Buckner Building was the original (1945) E.T. Roux Library. Joseph-Reynolds Hall was originally the Women's Residence. Ordway was briefly known as the J. William Horsey building. Additional newspaper articles and photographs make exist in Digital format.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Former Names: Many buildings on campus have been known by several names over the years. Edge Hall was originally the Social Hall. Fannin Campus Ministries Center was initially known as the Jackson Student Activities Center and then the Jackson Religion Building (or JRB). Raulerson was originally three separate buildings: Carter, Walbridge, and Hawkins (the Three Seminars). The Thad Buckner Building was the original (1945) E.T. Roux Library. Joseph-Reynolds Hall was originally the Women's Residence. Ordway was briefly known as the J. William Horsey building. Additional newspaper articles and photographs make exist in Digital format."],"scopecontent_html_tesm":["\u003cp\u003eThe files in this collection were generated by the college and include built structures as well as some physical features (gardens and monuments) on property related to the Lakeland campus after 1922. Additionally, there are some files about property owned or formerly owned by FSC that is not part of the main campus in Lakeland.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The files in this collection were generated by the college and include built structures as well as some physical features (gardens and monuments) on property related to the Lakeland campus after 1922. Additionally, there are some files about property owned or formerly owned by FSC that is not part of the main campus in Lakeland."],"userestrict_html_tesm":["\u003cp\u003eThis collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions -archives@flsouthern.edu.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions -archives@flsouthern.edu."],"names_ssim":["The Florida Southern College Archives","Florida Southern College"],"corpname_ssim":["The Florida Southern College Archives","Florida Southern College"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":565,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1873201808878338048,"_root_":"61657dca6e05f30cb549ce7a","timestamp":"2026-08-11T05:00:54.566Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/61657dca6e05f30cb549ce7a_aspace_5d9781907497f941d879d6a07ae273fb"}},{"id":"725898a1a41349eb30ec365d_aspace_0fef415d2b63f6e4e15d57316c0a7649","type":"File","attributes":{"title":"Funeral Documents for Maria V. Alemán, 1946, 1999","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_0fef415d2b63f6e4e15d57316c0a7649#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_0fef415d2b63f6e4e15d57316c0a7649","ref_ssm":["aspace_0fef415d2b63f6e4e15d57316c0a7649","aspace_0fef415d2b63f6e4e15d57316c0a7649"],"id":"725898a1a41349eb30ec365d_aspace_0fef415d2b63f6e4e15d57316c0a7649","title_filing_ssi":"Funeral Documents for Maria V. Alemán","title_ssm":["Funeral Documents for Maria V. Alemán"],"title_tesim":["Funeral Documents for Maria V. Alemán"],"unitdate_inclusive_ssm":["1946, 1999"],"normalized_date_ssm":["1946, 1999"],"normalized_title_ssm":["Funeral Documents for Maria V. Alemán, 1946, 1999"],"text":["Funeral Documents for Maria V. Alemán, 1946, 1999","José Guerra Alemán Collection, 1887-2013","Personal Files, 1887-2011, Undated","Folder 12","/repositories/4/archival_objects/54105","box 19","folder 12"],"component_level_isim":[2],"parent_ids_ssim":["725898a1a41349eb30ec365d","725898a1a41349eb30ec365d_aspace_65c14964c404730e716ecc3656fa690b"],"parent_unittitles_ssm":["José Guerra Alemán Collection, 1887-2013","Personal Files, 1887-2011, Undated"],"parent_unittitles_tesim":["José Guerra Alemán Collection, 1887-2013","Personal Files, 1887-2011, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 12","/repositories/4/archival_objects/54105"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":226,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"containers_ssim":["box 19","folder 12"],"_nest_path_":"/components#3/components#11","_nest_parent_":"725898a1a41349eb30ec365d_aspace_65c14964c404730e716ecc3656fa690b","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_0fef415d2b63f6e4e15d57316c0a7649"}},{"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_3c23f4a2bc3a0afbf8e7060133764081","type":"Item","attributes":{"title":"\"Funny Friends\" by Charles Crumb, August 1956","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_3c23f4a2bc3a0afbf8e7060133764081#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3c23f4a2bc3a0afbf8e7060133764081","ref_ssm":["aspace_3c23f4a2bc3a0afbf8e7060133764081","aspace_3c23f4a2bc3a0afbf8e7060133764081"],"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_3c23f4a2bc3a0afbf8e7060133764081","title_filing_ssi":"\"Funny Friends\" by Charles Crumb","title_ssm":["\"Funny Friends\" by Charles Crumb"],"title_tesim":["\"Funny Friends\" by Charles Crumb"],"unitdate_other_ssim":["August 1956"],"normalized_date_ssm":["August 1956"],"normalized_title_ssm":["\"Funny Friends\" by Charles Crumb, August 1956"],"text":["\"Funny Friends\" by Charles Crumb, August 1956","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Personal Files, 1895-2005, Undated.","Comics, 1953-1956","/repositories/4/archival_objects/56769","Box 5","Folder 3"],"component_level_isim":[3],"parent_ids_ssim":["2a6a6aa34a3c99c1b1b95ea9","2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesII","2a6a6aa34a3c99c1b1b95ea9_aspace_c922e7f59119e866cda534eaf90e77d5"],"parent_unittitles_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Personal Files, 1895-2005, Undated.","Comics, 1953-1956"],"parent_unittitles_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Personal Files, 1895-2005, Undated.","Comics, 1953-1956"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/56769"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":141,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1956],"containers_ssim":["Box 5","Folder 3"],"_nest_path_":"/components#1/components#2/components#3","_nest_parent_":"2a6a6aa34a3c99c1b1b95ea9_aspace_c922e7f59119e866cda534eaf90e77d5","_root_":"2a6a6aa34a3c99c1b1b95ea9","_version_":1872035374829666304,"timestamp":"2026-07-29T08:00:56.373Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2a6a6aa34a3c99c1b1b95ea9","title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"ead_ssi":"2a6a6aa34a3c99c1b1b95ea9","unitdate_ssm":["1829-2006"],"unitdate_inclusive_ssm":["1829-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.113","/repositories/4/resources/225"],"text":["SC.113","/repositories/4/resources/225","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations","The entire collection is open for research.","This collection is itemized and arranged in alphabetical and chronological order.","Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.","Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog .","This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.","UCF Special Collections","Martin, Francis John, Jr.","The materials are written in English."],"unitid_tesim":["SC.113","/repositories/4/resources/225"],"normalized_date_ssm":["1829-2006"],"normalized_title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Martin, Francis John, Jr."],"creator_ssim":["Martin, Francis John, Jr."],"creator_persname_ssim":["Martin, Francis John, Jr."],"creators_ssim":["Martin, Francis John, Jr."],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Francis Martin Jr. donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_15) and 2020 (CFM2020_02, CFM2020_03, CFM2020_16)."],"access_subjects_ssim":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"access_subjects_ssm":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"extent_tesim":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"genreform_ssim":["manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"date_range_isim":[1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is itemized and arranged in alphabetical and chronological order."],"bioghist_html_tesm":["\u003cp\u003eFrancis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners."],"prefercite_html_tesm":["\u003cp\u003eFred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMarlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e\n","\u003cp\u003eSeries I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026amp; posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.\u003c/p\u003e\n","\u003cp\u003eSeries III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.\u003c/p\u003e\n","\u003cp\u003eSeries IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4a581e455cb123495b610919f342aacb\"\u003eThe Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.\u003c/abstract\u003e"],"abstract_tesim":["The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection."],"names_ssim":["UCF Special Collections","Martin, Francis John, Jr."],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Martin, Francis John, Jr."],"language_ssim":["The materials are written in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":459,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872035374829666304,"_root_":"2a6a6aa34a3c99c1b1b95ea9","timestamp":"2026-07-29T08:00:56.373Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_3c23f4a2bc3a0afbf8e7060133764081"}},{"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_07c83c2c7a10a7d4bf1c0f47bcec2320","type":"Item","attributes":{"title":"Funny Friends by Charles Crumb Vol. 6 No. 12, (No. 25), July 1956","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_07c83c2c7a10a7d4bf1c0f47bcec2320#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_07c83c2c7a10a7d4bf1c0f47bcec2320","ref_ssm":["aspace_07c83c2c7a10a7d4bf1c0f47bcec2320","aspace_07c83c2c7a10a7d4bf1c0f47bcec2320"],"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_07c83c2c7a10a7d4bf1c0f47bcec2320","title_filing_ssi":"Funny Friends by Charles Crumb Vol. 6 No. 12, (No. 25)","title_ssm":["Funny Friends by Charles Crumb Vol. 6 No. 12, (No. 25)"],"title_tesim":["Funny Friends by Charles Crumb Vol. 6 No. 12, (No. 25)"],"unitdate_other_ssim":["July 1956"],"normalized_date_ssm":["July 1956"],"normalized_title_ssm":["Funny Friends by Charles Crumb Vol. 6 No. 12, (No. 25), July 1956"],"text":["Funny Friends by Charles Crumb Vol. 6 No. 12, (No. 25), July 1956","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Photographs, 1829-1962, Undated.","Prints-Illustrations, 1953-1962, Undated.","/repositories/4/archival_objects/56900","Box 7","Folder 2"],"component_level_isim":[3],"parent_ids_ssim":["2a6a6aa34a3c99c1b1b95ea9","2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesIII","2a6a6aa34a3c99c1b1b95ea9_aspace_c0e26bec5f6f56e2b0a25332b09f3ac3"],"parent_unittitles_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Photographs, 1829-1962, Undated.","Prints-Illustrations, 1953-1962, Undated."],"parent_unittitles_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Photographs, 1829-1962, Undated.","Prints-Illustrations, 1953-1962, Undated."],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/56900"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":281,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1956],"containers_ssim":["Box 7","Folder 2"],"_nest_path_":"/components#2/components#0/components#23","_nest_parent_":"2a6a6aa34a3c99c1b1b95ea9_aspace_c0e26bec5f6f56e2b0a25332b09f3ac3","_root_":"2a6a6aa34a3c99c1b1b95ea9","_version_":1872035374829666304,"timestamp":"2026-07-29T08:00:56.373Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2a6a6aa34a3c99c1b1b95ea9","title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"ead_ssi":"2a6a6aa34a3c99c1b1b95ea9","unitdate_ssm":["1829-2006"],"unitdate_inclusive_ssm":["1829-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.113","/repositories/4/resources/225"],"text":["SC.113","/repositories/4/resources/225","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations","The entire collection is open for research.","This collection is itemized and arranged in alphabetical and chronological order.","Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.","Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog .","This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. 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Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Francis Martin Jr. donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_15) and 2020 (CFM2020_02, CFM2020_03, CFM2020_16)."],"access_subjects_ssim":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"access_subjects_ssm":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"extent_tesim":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"genreform_ssim":["manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"date_range_isim":[1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is itemized and arranged in alphabetical and chronological order."],"bioghist_html_tesm":["\u003cp\u003eFrancis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners."],"prefercite_html_tesm":["\u003cp\u003eFred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMarlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e\n","\u003cp\u003eSeries I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026amp; posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.\u003c/p\u003e\n","\u003cp\u003eSeries III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.\u003c/p\u003e\n","\u003cp\u003eSeries IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4a581e455cb123495b610919f342aacb\"\u003eThe Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.\u003c/abstract\u003e"],"abstract_tesim":["The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection."],"names_ssim":["UCF Special Collections","Martin, Francis John, Jr."],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Martin, Francis John, Jr."],"language_ssim":["The materials are written in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":459,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872035374829666304,"_root_":"2a6a6aa34a3c99c1b1b95ea9","timestamp":"2026-07-29T08:00:56.373Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_07c83c2c7a10a7d4bf1c0f47bcec2320"}},{"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_a9fd243f2c02f5ab538cf9ad7050c1ca","type":"Item","attributes":{"title":"Funny Friends by Charles Crumb Vol. 6 No. 1, (No. 26), March 1956","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_a9fd243f2c02f5ab538cf9ad7050c1ca#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_a9fd243f2c02f5ab538cf9ad7050c1ca","ref_ssm":["aspace_a9fd243f2c02f5ab538cf9ad7050c1ca","aspace_a9fd243f2c02f5ab538cf9ad7050c1ca"],"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_a9fd243f2c02f5ab538cf9ad7050c1ca","title_filing_ssi":"Funny Friends by Charles Crumb Vol. 6 No. 1, (No. 26)","title_ssm":["Funny Friends by Charles Crumb Vol. 6 No. 1, (No. 26)"],"title_tesim":["Funny Friends by Charles Crumb Vol. 6 No. 1, (No. 26)"],"unitdate_other_ssim":["March 1956"],"normalized_date_ssm":["March 1956"],"normalized_title_ssm":["Funny Friends by Charles Crumb Vol. 6 No. 1, (No. 26), March 1956"],"text":["Funny Friends by Charles Crumb Vol. 6 No. 1, (No. 26), March 1956","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Photographs, 1829-1962, Undated.","Prints-Illustrations, 1953-1962, Undated.","/repositories/4/archival_objects/56901","Box 7","Folder 2"],"component_level_isim":[3],"parent_ids_ssim":["2a6a6aa34a3c99c1b1b95ea9","2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesIII","2a6a6aa34a3c99c1b1b95ea9_aspace_c0e26bec5f6f56e2b0a25332b09f3ac3"],"parent_unittitles_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Photographs, 1829-1962, Undated.","Prints-Illustrations, 1953-1962, Undated."],"parent_unittitles_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Photographs, 1829-1962, Undated.","Prints-Illustrations, 1953-1962, Undated."],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/56901"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":282,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1956],"containers_ssim":["Box 7","Folder 2"],"_nest_path_":"/components#2/components#0/components#24","_nest_parent_":"2a6a6aa34a3c99c1b1b95ea9_aspace_c0e26bec5f6f56e2b0a25332b09f3ac3","_root_":"2a6a6aa34a3c99c1b1b95ea9","_version_":1872035374829666304,"timestamp":"2026-07-29T08:00:56.373Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2a6a6aa34a3c99c1b1b95ea9","title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"ead_ssi":"2a6a6aa34a3c99c1b1b95ea9","unitdate_ssm":["1829-2006"],"unitdate_inclusive_ssm":["1829-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.113","/repositories/4/resources/225"],"text":["SC.113","/repositories/4/resources/225","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations","The entire collection is open for research.","This collection is itemized and arranged in alphabetical and chronological order.","Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.","Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog .","This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. 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Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Francis Martin Jr. donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_15) and 2020 (CFM2020_02, CFM2020_03, CFM2020_16)."],"access_subjects_ssim":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"access_subjects_ssm":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"extent_tesim":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"genreform_ssim":["manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"date_range_isim":[1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is itemized and arranged in alphabetical and chronological order."],"bioghist_html_tesm":["\u003cp\u003eFrancis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners."],"prefercite_html_tesm":["\u003cp\u003eFred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMarlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e\n","\u003cp\u003eSeries I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026amp; posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.\u003c/p\u003e\n","\u003cp\u003eSeries III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.\u003c/p\u003e\n","\u003cp\u003eSeries IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4a581e455cb123495b610919f342aacb\"\u003eThe Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.\u003c/abstract\u003e"],"abstract_tesim":["The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection."],"names_ssim":["UCF Special Collections","Martin, Francis John, Jr."],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Martin, Francis John, Jr."],"language_ssim":["The materials are written in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":459,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872035374829666304,"_root_":"2a6a6aa34a3c99c1b1b95ea9","timestamp":"2026-07-29T08:00:56.373Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_a9fd243f2c02f5ab538cf9ad7050c1ca"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Michael A. Spencer Bromeliad Research Collection, 1754-2014","value":"Michael A. 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