{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1955\u0026page=421","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1955\u0026page=420","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1955\u0026page=422","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1955\u0026page=423"},"meta":{"pages":{"current_page":421,"next_page":422,"prev_page":420,"total_pages":423,"limit_value":10,"offset_value":4200,"total_count":4223,"first_page?":false,"last_page?":false}},"data":[{"id":"276f4da755904627bfe702ef_aspace_7f1ada115f9831d44db17630dd087f27","type":"File","attributes":{"title":"World Within a World, 1955","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/276f4da755904627bfe702ef_aspace_7f1ada115f9831d44db17630dd087f27#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003ePoem published in the \"New York Times;\" No page given; June 8, 1955; Poem cut out of the newspaper and includes the corner listing the date and source; Also date written under the printed poem\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/276f4da755904627bfe702ef_aspace_7f1ada115f9831d44db17630dd087f27#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7f1ada115f9831d44db17630dd087f27","ref_ssm":["aspace_7f1ada115f9831d44db17630dd087f27","aspace_7f1ada115f9831d44db17630dd087f27"],"id":"276f4da755904627bfe702ef_aspace_7f1ada115f9831d44db17630dd087f27","title_filing_ssi":"World Within a World","title_ssm":["World Within a World"],"title_tesim":["World Within a World"],"unitdate_other_ssim":["1955"],"normalized_date_ssm":["1955"],"normalized_title_ssm":["World Within a World, 1955"],"text":["World Within a World, 1955","Dr. Norman Nathan Faculty Papers Collection, bulk 1944-2011","Poetry","/repositories/2/archival_objects/83288","box 34","folder 24","Poem published in the \"New York Times;\" No page given; June 8, 1955; Poem cut out of the newspaper and includes the corner listing the date and source; Also date written under the printed poem"],"component_level_isim":[2],"parent_ids_ssim":["276f4da755904627bfe702ef","276f4da755904627bfe702ef_aspace_263644b3a82da7e5f9671c50c83ad85b"],"parent_unittitles_ssm":["Dr. Norman Nathan Faculty Papers Collection, bulk 1944-2011","Poetry"],"parent_unittitles_tesim":["Dr. Norman Nathan Faculty Papers Collection, bulk 1944-2011","Poetry"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/83288"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Dr. Norman Nathan Faculty Papers Collection, bulk 1944-2011"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":654,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","The collection is arranged into nine series.","In 2013, Leslie Siegel and Victoria Thur processed the collection.","Norman Nathan is Professor Emeritus of English at Florida Atlantic University in Boca Raton, Florida. He received his Bachelor of Arts and Master of Arts, and a Ph.D. in English all from New York University. In 1968, Dr. Nathan began his career at Florida Atlantic University. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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He is also remembered for infiltrating the Ku Klux Klan during the 1940s, exposing its secrets to authorities and the world."],"prefercite_html_tesm":["\u003cp\u003eThe Stetson Kennedy Papers, Bienes Museum of the Modern Book, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Stetson Kennedy Papers, Bienes Museum of the Modern Book, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Stetson Kennedy Collection was processed at the file level. The finding aid may be updated to reflect new descriptions as well as aquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Stetson Kennedy Collection was processed at the file level. 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Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_847d0ffd3f697aaaf6e53a37f74ad9c0#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_847d0ffd3f697aaaf6e53a37f74ad9c0","ref_ssm":["aspace_847d0ffd3f697aaaf6e53a37f74ad9c0","aspace_847d0ffd3f697aaaf6e53a37f74ad9c0"],"id":"236a3c88b766327883b2e155_aspace_847d0ffd3f697aaaf6e53a37f74ad9c0","title_filing_ssi":"Writing and Composition","title_ssm":["Writing and Composition"],"title_tesim":["Writing and Composition"],"unitdate_inclusive_ssm":["1944–1976"],"normalized_date_ssm":["1944–1976"],"normalized_title_ssm":["Writing and Composition, 1944–1976"],"text":["Writing and Composition, 1944–1976","Joy Postle papers, 1910-2015","/repositories/4/archival_objects/87632","/repositories/4/archival_objects/91129","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music."],"component_level_isim":[1],"parent_ids_ssim":["236a3c88b766327883b2e155"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/4/archival_objects/87632","/repositories/4/archival_objects/91129"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":353,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"scopecontent_html_tesm":["\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music."],"_nest_path_":"/components#1","_nest_parent_":"236a3c88b766327883b2e155","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_847d0ffd3f697aaaf6e53a37f74ad9c0"}},{"id":"a4f23414bd98e567e07b4a7d_aspace_8191913c8d89119249ca28163b4c3411","type":"Series","attributes":{"title":"Writings, 1938-1975","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a4f23414bd98e567e07b4a7d_aspace_8191913c8d89119249ca28163b4c3411#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eContains Frederick DeCoste's writings, manuscripts, published or unpublished.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a4f23414bd98e567e07b4a7d_aspace_8191913c8d89119249ca28163b4c3411#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_8191913c8d89119249ca28163b4c3411","ref_ssm":["aspace_8191913c8d89119249ca28163b4c3411","aspace_8191913c8d89119249ca28163b4c3411"],"id":"a4f23414bd98e567e07b4a7d_aspace_8191913c8d89119249ca28163b4c3411","title_filing_ssi":"Writings","title_ssm":["Writings"],"title_tesim":["Writings"],"unitdate_inclusive_ssm":["1938-1975"],"normalized_date_ssm":["1938-1975"],"normalized_title_ssm":["Writings, 1938-1975"],"text":["Writings, 1938-1975","Frederick DeCoste Collection, 1920-1977","/repositories/4/archival_objects/13293","Contains Frederick DeCoste's writings, manuscripts, published or unpublished."],"component_level_isim":[1],"parent_ids_ssim":["a4f23414bd98e567e07b4a7d"],"parent_unittitles_ssm":["Frederick DeCoste Collection, 1920-1977"],"parent_unittitles_tesim":["Frederick DeCoste Collection, 1920-1977"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/4/archival_objects/13293"],"repository_ssim":["Broward County Historical Archives"],"collection_ssim":["Frederick DeCoste Collection, 1920-1977"],"has_online_content_ssim":["false"],"child_component_count_isi":47,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":74,"parent_access_restrict_tesm":["The Frederick DeCoste Collection is open for research."],"date_range_isim":[1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975],"scopecontent_html_tesm":["\u003cp\u003eContains Frederick DeCoste's writings, manuscripts, published or unpublished.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Contains Frederick DeCoste's writings, manuscripts, published or unpublished."],"_nest_path_":"/components#3","_nest_parent_":"a4f23414bd98e567e07b4a7d","_root_":"a4f23414bd98e567e07b4a7d","timestamp":"2026-07-09T02:36:49.803Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a4f23414bd98e567e07b4a7d","title_filing_ssi":"DeCoste, Frederick Collection","title_ssm":["Frederick DeCoste Collection"],"title_tesim":["Frederick DeCoste Collection"],"ead_ssi":"a4f23414bd98e567e07b4a7d","unitdate_ssm":["1920-1977"],"unitdate_inclusive_ssm":["1920-1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.1978.10","/repositories/4/resources/69"],"text":["BCHA.1978.10","/repositories/4/resources/69","Frederick DeCoste Collection, 1920-1977","Saint Augustine (Fla.)","Historians","Travel","Lectures and lecturing","Correspondence","Publications","Notebooks","Photographs","Local history","Non-fiction","The Frederick DeCoste Collection is open for research.","Frederick DeCoste Collection is organized in five series: Series I: Personal papers, Series II. Correspondence, Series III. Professional papers, Series IV. Writings, Series V. Publications.","Frederick DeCoste (1910-1977) [1] was an American specialist in Cultural Affairs and International Relations between the United States and Latin America. When he retired in the 1960s, he settled in Saint Augustine, Florida, where he became a freelance writer. ","Frederick DeCoste was born in 1910 in Boston, Massachusetts. He attended school in Massachusetts and Connecticut. After high school, he traveled to South America becoming a \"merchant marine cadet with the Munson Steamship Line\" [2]. He then attended college for one year at the University of Transylvania, Kentucky, where he studied English. The Great Depression in 1929 forced him to try different jobs until 1936. That year, he had the opportunity to live in Peru where he studied for one year at the University of San Marcos. Additionally, Frederick DeCoste published articles for the West Coast Leader, an English language magazine edited in Lima. He was also Director of Public Relations for the Condor Peruana de Aviación, S. A. ","In 1939, Frederick DeCoste returned to the United States and lived in Putney, Vermont. He worked as Assistant Director for Experiment in International Living, a company specializing in exchange programs. DeCoste was a \"counselor-guide\" in charge of Latin American programs, sending American students to Peru and Colombia. ","In 1941, Frederick DeCoste became the Coordinator of Inter-American Affairs in Washington D.C. He was sent to Tegucigalpa, Honduras, to manage the war information program. In 1944, he moved to Balboa, Panama, where he stayed for two years for the Public Relations Office. ","Between 1946 and 1947, Frederick DeCoste lived in Mexico and worked for the United States International Book Association to set up an exhibit of 7000 books. When the association dissolved in 1947, he decided to move back to the United States to be Assistant Director for the Council for Inter-American Cooperation Inc. in New York. Concomitantly, he was also Assistant Director for the National Foreign Trade Council, Inc., in charge of the Western Hemisphere Division. There, he edited Noticias, an internal weekly digest for the Council members, providing news and reports about the Hemisphere.","Around 1959, Frederick DeCoste retired and moved to Saint Augustine, Florida, to become a freelance writer and local historian about Florida and Saint Augustine's history. During this time, he wrote and published books and articles. ","Frederick DeCoste died in Quincy [3], Massachusetts, in 1977. He was buried in Plymouth [4].","Notes:\n[1] This biography is a synthesis of the information found in different sources: Fredrick DeCoste's Personal Papers (resume); the newspaper article \"Miracle of the hangman's rope\" in The Florida Times Union Sunday Magazine (August 7, 1966); and the following book reference: Peters, Williams, Passport to friendship. The story of the experiment and international living, J. B. Lipincott Company, Philadelphia and New York, First Edition, 1957, p. 79.\n[2] Peters, Williams, Passport to friendship. The story of the experiment and international living, op. cit.\n[3] Fredrick W. Decoste, U.S. Death Index, 1970-2003.\n[4] Frederick DeCoste, Find a Grave Index, 1600s-Current.","The Frederick DeCoste collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Frederick DeCoste Collection contains papers produced or gathered by Frederick DeCoste concerning his career and activities such as writings, correspondence, photographs, publications, and research files on Florida and Saint Augustine history."," Broward County Historical Archives","English Spanish; Castilian"],"unitid_tesim":["BCHA.1978.10","/repositories/4/resources/69"],"normalized_date_ssm":["1920-1977"],"normalized_title_ssm":["Frederick DeCoste Collection, 1920-1977"],"collection_title_tesim":["Frederick DeCoste Collection, 1920-1977"],"collection_ssim":["Frederick DeCoste Collection, 1920-1977"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"geogname_ssm":["Saint Augustine (Fla.)"],"geogname_ssim":["Saint Augustine (Fla.)"],"places_ssim":["Saint Augustine (Fla.)"],"access_subjects_ssim":["Historians","Travel","Lectures and lecturing","Correspondence","Publications","Notebooks","Photographs","Local history","Non-fiction"],"access_subjects_ssm":["Historians","Travel","Lectures and lecturing","Correspondence","Publications","Notebooks","Photographs","Local history","Non-fiction"],"has_online_content_ssim":["false"],"extent_ssm":["9 Hollinger Boxes"],"extent_tesim":["9 Hollinger Boxes"],"genreform_ssim":["Correspondence","Publications","Notebooks","Photographs","Local history","Non-fiction"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"accessrestrict_html_tesm":["\u003cp\u003eThe Frederick DeCoste Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Frederick DeCoste Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eFrederick DeCoste Collection is organized in five series: Series I: Personal papers, Series II. Correspondence, Series III. Professional papers, Series IV. Writings, Series V. Publications.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Frederick DeCoste Collection is organized in five series: Series I: Personal papers, Series II. Correspondence, Series III. Professional papers, Series IV. Writings, Series V. Publications."],"bioghist_html_tesm":["\u003cp\u003eFrederick DeCoste (1910-1977) [1] was an American specialist in Cultural Affairs and International Relations between the United States and Latin America. When he retired in the 1960s, he settled in Saint Augustine, Florida, where he became a freelance writer. \u003c/p\u003e\n","\u003cp\u003eFrederick DeCoste was born in 1910 in Boston, Massachusetts. He attended school in Massachusetts and Connecticut. After high school, he traveled to South America becoming a \"merchant marine cadet with the Munson Steamship Line\" [2]. He then attended college for one year at the University of Transylvania, Kentucky, where he studied English. The Great Depression in 1929 forced him to try different jobs until 1936. That year, he had the opportunity to live in Peru where he studied for one year at the University of San Marcos. Additionally, Frederick DeCoste published articles for the West Coast Leader, an English language magazine edited in Lima. He was also Director of Public Relations for the Condor Peruana de Aviaci\u0026#xF3;n, S. A. \u003c/p\u003e\n","\u003cp\u003eIn 1939, Frederick DeCoste returned to the United States and lived in Putney, Vermont. He worked as Assistant Director for Experiment in International Living, a company specializing in exchange programs. DeCoste was a \"counselor-guide\" in charge of Latin American programs, sending American students to Peru and Colombia. \u003c/p\u003e\n","\u003cp\u003eIn 1941, Frederick DeCoste became the Coordinator of Inter-American Affairs in Washington D.C. He was sent to Tegucigalpa, Honduras, to manage the war information program. In 1944, he moved to Balboa, Panama, where he stayed for two years for the Public Relations Office. \u003c/p\u003e\n","\u003cp\u003eBetween 1946 and 1947, Frederick DeCoste lived in Mexico and worked for the United States International Book Association to set up an exhibit of 7000 books. When the association dissolved in 1947, he decided to move back to the United States to be Assistant Director for the Council for Inter-American Cooperation Inc. in New York. Concomitantly, he was also Assistant Director for the National Foreign Trade Council, Inc., in charge of the Western Hemisphere Division. There, he edited Noticias, an internal weekly digest for the Council members, providing news and reports about the Hemisphere.\u003c/p\u003e\n","\u003cp\u003eAround 1959, Frederick DeCoste retired and moved to Saint Augustine, Florida, to become a freelance writer and local historian about Florida and Saint Augustine's history. During this time, he wrote and published books and articles. \u003c/p\u003e\n","\u003cp\u003eFrederick DeCoste died in Quincy [3], Massachusetts, in 1977. He was buried in Plymouth [4].\u003c/p\u003e\n","\u003cp\u003eNotes:\n[1] This biography is a synthesis of the information found in different sources: Fredrick DeCoste's Personal Papers (resume); the newspaper article \"Miracle of the hangman's rope\" in The Florida Times Union Sunday Magazine (August 7, 1966); and the following book reference: Peters, Williams, Passport to friendship. The story of the experiment and international living, J. B. Lipincott Company, Philadelphia and New York, First Edition, 1957, p. 79.\n[2] Peters, Williams, Passport to friendship. The story of the experiment and international living, op. cit.\n[3] Fredrick W. Decoste, U.S. Death Index, 1970-2003.\n[4] Frederick DeCoste, Find a Grave Index, 1600s-Current.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Frederick DeCoste (1910-1977) [1] was an American specialist in Cultural Affairs and International Relations between the United States and Latin America. When he retired in the 1960s, he settled in Saint Augustine, Florida, where he became a freelance writer. ","Frederick DeCoste was born in 1910 in Boston, Massachusetts. He attended school in Massachusetts and Connecticut. After high school, he traveled to South America becoming a \"merchant marine cadet with the Munson Steamship Line\" [2]. He then attended college for one year at the University of Transylvania, Kentucky, where he studied English. The Great Depression in 1929 forced him to try different jobs until 1936. That year, he had the opportunity to live in Peru where he studied for one year at the University of San Marcos. Additionally, Frederick DeCoste published articles for the West Coast Leader, an English language magazine edited in Lima. He was also Director of Public Relations for the Condor Peruana de Aviación, S. A. ","In 1939, Frederick DeCoste returned to the United States and lived in Putney, Vermont. He worked as Assistant Director for Experiment in International Living, a company specializing in exchange programs. DeCoste was a \"counselor-guide\" in charge of Latin American programs, sending American students to Peru and Colombia. ","In 1941, Frederick DeCoste became the Coordinator of Inter-American Affairs in Washington D.C. He was sent to Tegucigalpa, Honduras, to manage the war information program. In 1944, he moved to Balboa, Panama, where he stayed for two years for the Public Relations Office. ","Between 1946 and 1947, Frederick DeCoste lived in Mexico and worked for the United States International Book Association to set up an exhibit of 7000 books. When the association dissolved in 1947, he decided to move back to the United States to be Assistant Director for the Council for Inter-American Cooperation Inc. in New York. Concomitantly, he was also Assistant Director for the National Foreign Trade Council, Inc., in charge of the Western Hemisphere Division. There, he edited Noticias, an internal weekly digest for the Council members, providing news and reports about the Hemisphere.","Around 1959, Frederick DeCoste retired and moved to Saint Augustine, Florida, to become a freelance writer and local historian about Florida and Saint Augustine's history. During this time, he wrote and published books and articles. ","Frederick DeCoste died in Quincy [3], Massachusetts, in 1977. He was buried in Plymouth [4].","Notes:\n[1] This biography is a synthesis of the information found in different sources: Fredrick DeCoste's Personal Papers (resume); the newspaper article \"Miracle of the hangman's rope\" in The Florida Times Union Sunday Magazine (August 7, 1966); and the following book reference: Peters, Williams, Passport to friendship. The story of the experiment and international living, J. B. Lipincott Company, Philadelphia and New York, First Edition, 1957, p. 79.\n[2] Peters, Williams, Passport to friendship. The story of the experiment and international living, op. cit.\n[3] Fredrick W. Decoste, U.S. Death Index, 1970-2003.\n[4] Frederick DeCoste, Find a Grave Index, 1600s-Current."],"prefercite_html_tesm":["\u003cp\u003eFrederick DeCoste Collection, Broward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Frederick DeCoste Collection, Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Frederick DeCoste collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Frederick DeCoste collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Frederick DeCoste Collection contains papers produced or gathered by Frederick DeCoste concerning his career and activities such as writings, correspondence, photographs, publications, and research files on Florida and Saint Augustine history.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Frederick DeCoste Collection contains papers produced or gathered by Frederick DeCoste concerning his career and activities such as writings, correspondence, photographs, publications, and research files on Florida and Saint Augustine history."],"names_ssim":[" Broward County Historical Archives"],"corpname_ssim":[" Broward County Historical Archives"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":249,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"a4f23414bd98e567e07b4a7d","timestamp":"2026-07-09T02:36:49.803Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a4f23414bd98e567e07b4a7d_aspace_8191913c8d89119249ca28163b4c3411"}},{"id":"d708aa3104bd5d4ccbcc4efd_aspace_ad13de45c5e59278cfc89882c0542fc8","type":"Series","attributes":{"title":"Writings by Alex Haley, Circa 1955-1993","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d708aa3104bd5d4ccbcc4efd_aspace_ad13de45c5e59278cfc89882c0542fc8#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe writings by Alex Haley series contains drafts and final works by Alex Haley, such as articles, a forward, stories, scripts, notes, interview notes, research, correspondence, newspaper clippings, and supplementary materials. The series encompasses works, contributions, and interviews from magazines, journals, and periodicals as Raggs International, People on the Way Up (POTWUP), a featured person piece, Playboy, Reader's Digest, and Freighter Fancier, a writer's guide. \"The Imaging\" is a series of aritcles of accounts from people in the United States and United Kingdom about their impressions of black people. Alex Haley also wrote for organizations, such as the International Friend League. Works are arranged alphabetically by title or medium.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d708aa3104bd5d4ccbcc4efd_aspace_ad13de45c5e59278cfc89882c0542fc8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_ad13de45c5e59278cfc89882c0542fc8","ref_ssm":["aspace_ad13de45c5e59278cfc89882c0542fc8","aspace_ad13de45c5e59278cfc89882c0542fc8"],"id":"d708aa3104bd5d4ccbcc4efd_aspace_ad13de45c5e59278cfc89882c0542fc8","title_filing_ssi":"Writings by Alex Haley","title_ssm":["Writings by Alex Haley"],"title_tesim":["Writings by Alex Haley"],"unitdate_inclusive_ssm":["Circa 1955-1993"],"normalized_date_ssm":["Circa 1955-1993"],"normalized_title_ssm":["Writings by Alex Haley, Circa 1955-1993"],"text":["Writings by Alex Haley, Circa 1955-1993","Alex Haley Papers, Circa 1937-1993","/repositories/2/archival_objects/1533","The writings by Alex Haley series contains drafts and final works by Alex Haley, such as articles, a forward, stories, scripts, notes, interview notes, research, correspondence, newspaper clippings, and supplementary materials. The series encompasses works, contributions, and interviews from magazines, journals, and periodicals as Raggs International, People on the Way Up (POTWUP), a featured person piece, Playboy, Reader's Digest, and Freighter Fancier, a writer's guide. \"The Imaging\" is a series of aritcles of accounts from people in the United States and United Kingdom  about their impressions of black people. Alex Haley also wrote for organizations, such as the International Friend League. Works are arranged alphabetically by title or medium."],"component_level_isim":[1],"parent_ids_ssim":["d708aa3104bd5d4ccbcc4efd"],"parent_unittitles_ssm":["Alex Haley Papers, Circa 1937-1993"],"parent_unittitles_tesim":["Alex Haley Papers, Circa 1937-1993"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/1533"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Alex Haley Papers, Circa 1937-1993"],"has_online_content_ssim":["false"],"child_component_count_isi":64,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":234,"parent_access_restrict_tesm":["The Alex Haley Papers are open for research."],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"scopecontent_html_tesm":["\u003cp\u003eThe writings by Alex Haley series contains drafts and final works by Alex Haley, such as articles, a forward, stories, scripts, notes, interview notes, research, correspondence, newspaper clippings, and supplementary materials. The series encompasses works, contributions, and interviews from magazines, journals, and periodicals as Raggs International, People on the Way Up (POTWUP), a featured person piece, Playboy, Reader's Digest, and Freighter Fancier, a writer's guide. \"The Imaging\" is a series of aritcles of accounts from people in the United States and United Kingdom  about their impressions of black people. Alex Haley also wrote for organizations, such as the International Friend League. Works are arranged alphabetically by title or medium.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The writings by Alex Haley series contains drafts and final works by Alex Haley, such as articles, a forward, stories, scripts, notes, interview notes, research, correspondence, newspaper clippings, and supplementary materials. The series encompasses works, contributions, and interviews from magazines, journals, and periodicals as Raggs International, People on the Way Up (POTWUP), a featured person piece, Playboy, Reader's Digest, and Freighter Fancier, a writer's guide. \"The Imaging\" is a series of aritcles of accounts from people in the United States and United Kingdom  about their impressions of black people. Alex Haley also wrote for organizations, such as the International Friend League. Works are arranged alphabetically by title or medium."],"_nest_path_":"/components#1","_nest_parent_":"d708aa3104bd5d4ccbcc4efd","_root_":"d708aa3104bd5d4ccbcc4efd","_version_":1876455837540548608,"timestamp":"2026-09-16T03:02:18.127Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d708aa3104bd5d4ccbcc4efd","title_filing_ssi":"Haley, Alex Papers","title_ssm":["Alex Haley Papers"],"title_tesim":["Alex Haley Papers"],"ead_ssi":"d708aa3104bd5d4ccbcc4efd","unitdate_ssm":["Circa 1937-1993"],"unitdate_inclusive_ssm":["Circa 1937-1993"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.3","/repositories/2/resources/46"],"text":["AARLCC.2004.3","/repositories/2/resources/46","Alex Haley Papers, Circa 1937-1993","Gambia","African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings","The Alex Haley Papers are open for research.","The collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards.","Alex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.","After his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.","While growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.","Haley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n Books and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\".","Select materials from the Alex Haley Papers are available on the Broward County Library Digital Archives.","The Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia.","AARLCC Special Collections","United States. Coast Guard","Haley, Alex","Haley, Alex. Roots","Wonder, Stevie","English"],"unitid_tesim":["AARLCC.2004.3","/repositories/2/resources/46"],"normalized_date_ssm":["Circa 1937-1993"],"normalized_title_ssm":["Alex Haley Papers, Circa 1937-1993"],"collection_title_tesim":["Alex Haley Papers, Circa 1937-1993"],"collection_ssim":["Alex Haley Papers, Circa 1937-1993"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Gambia"],"geogname_ssim":["Gambia"],"creator_ssm":["Haley, Alex"],"creator_ssim":["Haley, Alex"],"creator_persname_ssim":["Haley, Alex"],"creators_ssim":["Haley, Alex"],"places_ssim":["Gambia"],"acqinfo_ssim":["The Alex Haley Papers was purchased by Broward County Library on September 26, 2001 from the Heritage Book Shop Inc. The Heritage Bindery acquired the papers from the Alex Haley estate auction in 1992."],"access_subjects_ssim":["African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings"],"access_subjects_ssm":["African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["45 Hollinger Boxes","17 Books","2 Vinyl records"],"extent_tesim":["45 Hollinger Boxes","17 Books","2 Vinyl records"],"genreform_ssim":["Correspondence","Photographs","Programs","Clippings","Sound recordings"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eThe Alex Haley Papers are open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Alex Haley Papers are open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards."],"bioghist_html_tesm":["\u003cp\u003eAlex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.\u003c/p\u003e\n","\u003cp\u003eAfter his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.\u003c/p\u003e\n","\u003cp\u003eWhile growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.\u003c/p\u003e\n","\u003cp\u003eHaley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Alex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.","After his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.","While growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.","Haley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States."],"prefercite_html_tesm":["\u003cp\u003eAlex Haley Papers, African-American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Alex Haley Papers, African-American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default\" target=\"_blank\"\u003eBooks and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\".\u003c/a\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n Books and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\"."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/alexhaley\"\u003eSelect materials from the Alex Haley Papers are available on the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["Select materials from the Alex Haley Papers are available on the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia."],"names_coll_ssim":["United States. Coast Guard","Haley, Alex. Roots","Wonder, Stevie"],"names_ssim":["AARLCC Special Collections","United States. Coast Guard","Haley, Alex","Haley, Alex. Roots","Wonder, Stevie"],"corpname_ssim":["AARLCC Special Collections","United States. Coast Guard"],"persname_ssim":["Haley, Alex","Haley, Alex. Roots","Wonder, Stevie"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":647,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455837540548608,"_root_":"d708aa3104bd5d4ccbcc4efd","timestamp":"2026-09-16T03:02:18.127Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d708aa3104bd5d4ccbcc4efd_aspace_ad13de45c5e59278cfc89882c0542fc8"}},{"id":"5e17dda97e7549e9d9b40539_aspace_d6af93a9ccc0202ec001a64dc420c491","type":"Subseries","attributes":{"title":"Writings by Dorothy Porter Wesley, Circa 1935-1982","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_d6af93a9ccc0202ec001a64dc420c491#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_d6af93a9ccc0202ec001a64dc420c491","ref_ssm":["aspace_d6af93a9ccc0202ec001a64dc420c491","aspace_d6af93a9ccc0202ec001a64dc420c491"],"id":"5e17dda97e7549e9d9b40539_aspace_d6af93a9ccc0202ec001a64dc420c491","title_filing_ssi":"Writings by Dorothy Porter Wesley","title_ssm":["Writings by Dorothy Porter Wesley"],"title_tesim":["Writings by Dorothy Porter Wesley"],"unitdate_inclusive_ssm":["Circa 1935-1982"],"normalized_date_ssm":["Circa 1935-1982"],"normalized_title_ssm":["Writings by Dorothy Porter Wesley, Circa 1935-1982"],"text":["Writings by Dorothy Porter Wesley, Circa 1935-1982","Dorothy Porter Wesley Collection, Circa 1788-2012","Professional Papers","/repositories/2/archival_objects/3604"],"component_level_isim":[2],"parent_ids_ssim":["5e17dda97e7549e9d9b40539","5e17dda97e7549e9d9b40539_aspace_5fad3c940d5d32bd28317ccb4d6a73d7"],"parent_unittitles_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012","Professional Papers"],"parent_unittitles_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012","Professional Papers"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/3604"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":41,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":384,"parent_access_restrict_tesm":["The Dorothy Porter Wesley Collection is open for research."],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"_nest_path_":"/components#1/components#3","_nest_parent_":"5e17dda97e7549e9d9b40539_aspace_5fad3c940d5d32bd28317ccb4d6a73d7","_root_":"5e17dda97e7549e9d9b40539","_version_":1871563605913108480,"timestamp":"2026-07-24T03:02:22.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5e17dda97e7549e9d9b40539","title_filing_ssi":"Wesley, Dorothy Porter Collection","title_ssm":["Dorothy Porter Wesley Collection"],"title_tesim":["Dorothy Porter Wesley Collection"],"ead_ssi":"5e17dda97e7549e9d9b40539","unitdate_ssm":["Circa 1788-2012"],"unitdate_inclusive_ssm":["Circa 1788-2012"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2003.6","/repositories/2/resources/20"],"text":["AARLCC.2003.6","/repositories/2/resources/20","Dorothy Porter Wesley Collection, Circa 1788-2012","Africa -- Research","Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art","The Dorothy Porter Wesley Collection is open for research.","View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.","The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets","Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.","The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.","Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".","The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.","AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970","English Portuguese German"],"unitid_tesim":["AARLCC.2003.6","/repositories/2/resources/20"],"normalized_date_ssm":["Circa 1788-2012"],"normalized_title_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_title_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Africa -- Research"],"geogname_ssim":["Africa -- Research"],"places_ssim":["Africa -- Research"],"acqinfo_ssim":["Broward County Library purchased the materials from Constance Porter Uzelac (daughter of Dorothy Porter Wesley) in December 2002 (Accession AARLCC-2003.6). Milan Uzelac donated accruals to AARLCC Special Collections on June 29, 2012 (Accession AARLCC-2012.12) and on May 12, 2022 (Accession AARLCC-2022.7)."],"access_subjects_ssim":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"access_subjects_ssm":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes","2800 Books"],"extent_tesim":["67 Hollinger Boxes","2800 Books"],"genreform_ssim":["Photographs","Sound recordings","Correspondence","Art"],"date_range_isim":[1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Dorothy Porter Wesley Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll37/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series and sub-series:\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries I. Correspondence\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. General Correspondence\u003c/p\u003e","\u003cp\u003eSub-series II. Family Correspondence\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries II. Professional Papers\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley professional papers\u003c/p\u003e","\u003cp\u003eSub-series II. Constance Porter Uzelac professional papers \u003c/p\u003e","\u003cp\u003eSub-series III. Charles Harris Wesley professional papers \u003c/p\u003e","\u003cp\u003eSub-series IV. Writings by Dorothy Porter Wesley\u003c/p\u003e","\u003cp\u003eSub-series V. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VI. Writings by James A. Porter\u003c/p\u003e","\u003cp\u003eSub-series VII. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VIII. Writings by Charles Harris Wesley \u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries III. Research Files\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley general research files\u003c/p\u003e","\u003cp\u003eSub-series II. Dorothy Porter Wesley Brazil research files\u003c/p\u003e","\u003cp\u003eSub-series III. Dorothy Porter Wesley illustrations\u003c/p\u003e","\u003cp\u003eSub-series IV. Constance Porter Uzelac research files\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries IV. Personal Papers\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries V. Photographs\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries VI. Printed Materials\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Calendars and Datebooks\u003c/p\u003e","\u003cp\u003eSub-series II. Catalogs\u003c/p\u003e","\u003cp\u003eSub-series III. General\u003c/p\u003e","\u003cp\u003eSub-series IV. Magazines\u003c/p\u003e","\u003cp\u003eSub-series V. Maps\u003c/p\u003e","\u003cp\u003eSub-series VI. Newspaper Clippings\u003c/p\u003e","\u003cp\u003eSub-series VII. Sheet Music\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries VII. Ephemera and Artwork\u003c/p\u003e\u003c/b\u003e","\u003cp\u003e\u003cb\u003eSeries VIII. Books and Pamphlets\u003c/b\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets"],"bioghist_html_tesm":["\u003cp\u003eDorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. \u003c/p\u003e\n","\u003cp\u003eIn 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work, \u003cemph\u003eModern Negro Art\u003c/emph\u003e, proved to be one of the most informative sources to date on the creativity of the Black artists.\u003c/p\u003e\n","\u003cp\u003eIn 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.\u003c/p\u003e\n","\u003cp\u003eJames Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. \u003c/p\u003e\n","\u003cp\u003eCharles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.\u003c/p\u003e\n","\u003cp\u003eIn 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.\u003c/p\u003e\n","\u003cp\u003eThe book \u003ci\u003eWilliam Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874\u003c/i\u003e (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.\u003c/p\u003e\n","\u003cp\u003eIn 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012."],"prefercite_html_tesm":["\u003cp\u003eDorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Dorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\n\u003ca href=\"https://archives.yale.edu/repositories/11/resources/994\" target=\"_blank\"\u003ePart of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.\u003c/a\u003e\n\u003c/p\u003e","\u003cp\u003e\n\u003ca href=\"https://archives.libraries.emory.edu/repositories/7/resources/3255\" target=\"_blank\"\u003eDorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.\u003c/a\u003e\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.\u003c/p\u003e\n","\u003cp\u003eCorrespondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.\u003c/p\u003e\n","\u003cp\u003eProfessional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.\u003c/p\u003e\n","\u003cp\u003eConstance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". \u003c/p\u003e\n","\u003cp\u003eThe collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.\u003c/p\u003e\n","\u003cp\u003eResearch files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.\u003c/p\u003e\n","\u003cp\u003ePrinted Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=DPW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_559c404160acc20bdc75d09cde3325a4\"\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets."],"names_ssim":["AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Wesley, Dorothy Porter, 1905-1995"],"persname_ssim":["Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"language_ssim":["English Portuguese German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1539,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563605913108480,"_root_":"5e17dda97e7549e9d9b40539","timestamp":"2026-07-24T03:02:22.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_d6af93a9ccc0202ec001a64dc420c491"}},{"id":"f1098bbf9fbfeb8d23de54a0_aspace_2cfcb9d9ff5e187431f6b8c233e8d275","type":"Series","attributes":{"title":"Writings, Circa 1952-1987","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/f1098bbf9fbfeb8d23de54a0_aspace_2cfcb9d9ff5e187431f6b8c233e8d275#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe writings series includes drafts of published and unpublished works and galley prints for published works by Michael Shaara. His early fiction was published in fantasy and science fiction magazines. By the late 1950s and early 1960s, Shaara broadened his focus to include mainstream fiction and began publishing short stories in Cosmopolitan, Redbook, and the Saturday Evening Post. He wrote four novels: The Broken Place (1968), The Killer Angels (1974), The Herald (1977), and For Love of the Game (published posthumously in 1991). After completing research, Michael Shaara spent four years writing The Killer Angels while teaching at Florida State University. When the novel was accepted to publish, Shaara was asked to change the working title \"The Glory of the Coming\" to \"The Killer Angels\". \u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f1098bbf9fbfeb8d23de54a0_aspace_2cfcb9d9ff5e187431f6b8c233e8d275#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_2cfcb9d9ff5e187431f6b8c233e8d275","ref_ssm":["aspace_2cfcb9d9ff5e187431f6b8c233e8d275","aspace_2cfcb9d9ff5e187431f6b8c233e8d275"],"id":"f1098bbf9fbfeb8d23de54a0_aspace_2cfcb9d9ff5e187431f6b8c233e8d275","title_filing_ssi":"Writings","title_ssm":["Writings"],"title_tesim":["Writings"],"unitdate_inclusive_ssm":["Circa 1952-1987"],"normalized_date_ssm":["Circa 1952-1987"],"normalized_title_ssm":["Writings, Circa 1952-1987"],"text":["Writings, Circa 1952-1987","Michael Shaara Collection, Circa 1947-1990","/repositories/3/archival_objects/3429","The writings series includes drafts of published and unpublished works and galley prints for published works by Michael Shaara. His early fiction was published in fantasy and science fiction magazines. By the late 1950s and early 1960s, Shaara broadened his focus to include mainstream fiction and began publishing short stories in Cosmopolitan, Redbook, and the Saturday Evening Post. He wrote four novels: The Broken Place (1968), The Killer Angels (1974), The Herald (1977), and For Love of the Game (published posthumously in 1991). After completing research, Michael Shaara spent four years writing The Killer Angels while teaching at Florida State University. When the novel was accepted to publish, Shaara was asked to change the working title \"The Glory of the Coming\" to \"The Killer Angels\". ","\nMichael Shaara's works are arranged alphabetically by title. Untitled works were placed at the end of the series by the archivist. When no title was available, the archivist used the first phrase of the sentence of the work to identify the work."],"component_level_isim":[1],"parent_ids_ssim":["f1098bbf9fbfeb8d23de54a0"],"parent_unittitles_ssm":["Michael Shaara Collection, Circa 1947-1990"],"parent_unittitles_tesim":["Michael Shaara Collection, Circa 1947-1990"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/3429"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"collection_ssim":["Michael Shaara Collection, Circa 1947-1990"],"has_online_content_ssim":["false"],"child_component_count_isi":161,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":200,"parent_access_restrict_tesm":["The Michael Shaara Collection is open for research."],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987],"scopecontent_html_tesm":["\u003cp\u003eThe writings series includes drafts of published and unpublished works and galley prints for published works by Michael Shaara. His early fiction was published in fantasy and science fiction magazines. By the late 1950s and early 1960s, Shaara broadened his focus to include mainstream fiction and began publishing short stories in Cosmopolitan, Redbook, and the Saturday Evening Post. He wrote four novels: The Broken Place (1968), The Killer Angels (1974), The Herald (1977), and For Love of the Game (published posthumously in 1991). After completing research, Michael Shaara spent four years writing The Killer Angels while teaching at Florida State University. When the novel was accepted to publish, Shaara was asked to change the working title \"The Glory of the Coming\" to \"The Killer Angels\". \u003c/p\u003e","\u003cp\u003e\nMichael Shaara's works are arranged alphabetically by title. Untitled works were placed at the end of the series by the archivist. When no title was available, the archivist used the first phrase of the sentence of the work to identify the work.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The writings series includes drafts of published and unpublished works and galley prints for published works by Michael Shaara. His early fiction was published in fantasy and science fiction magazines. By the late 1950s and early 1960s, Shaara broadened his focus to include mainstream fiction and began publishing short stories in Cosmopolitan, Redbook, and the Saturday Evening Post. He wrote four novels: The Broken Place (1968), The Killer Angels (1974), The Herald (1977), and For Love of the Game (published posthumously in 1991). After completing research, Michael Shaara spent four years writing The Killer Angels while teaching at Florida State University. When the novel was accepted to publish, Shaara was asked to change the working title \"The Glory of the Coming\" to \"The Killer Angels\". ","\nMichael Shaara's works are arranged alphabetically by title. Untitled works were placed at the end of the series by the archivist. When no title was available, the archivist used the first phrase of the sentence of the work to identify the work."],"_nest_path_":"/components#1","_nest_parent_":"f1098bbf9fbfeb8d23de54a0","_root_":"f1098bbf9fbfeb8d23de54a0","_version_":1879174602967482368,"timestamp":"2026-10-16T03:15:54.887Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f1098bbf9fbfeb8d23de54a0","title_filing_ssi":"Shaara, Michael Collection","title_ssm":["Michael Shaara Collection"],"title_tesim":["Michael Shaara Collection"],"ead_ssi":"f1098bbf9fbfeb8d23de54a0","unitdate_ssm":["Circa 1947-1990"],"unitdate_inclusive_ssm":["Circa 1947-1990"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["BIENES.2022.1","/repositories/3/resources/178"],"text":["BIENES.2022.1","/repositories/3/resources/178","Michael Shaara Collection, Circa 1947-1990","United States -- History -- Civil War, 1861-1865 -- Fiction","Shaara, Michael -- Correspondence","American literature","Historical fiction, American","Science fiction","Manuscripts","Short stories","Photographs","Clippings","The Michael Shaara Collection is open for research.","Related archival material can be found in the Denver Public Library, Western History/Genealogy Department, Denver, Colorado. Visit DenverLibrary.org for further information.","The Michael Shaara Collection contains eight series: Series I. Correspondence, Series II. Writings, Series III. Professional Papers, Series IV. Personal Papers, Series V. Financial and Legal Documents, Series VI. Photographs, Series VII. Awards, and Series VIII. Printed Materials.","Michael Shaara (1929-1988) was born on June 23, 1929 in Jersey City, N.J. to Michael Joseph Sr. and Allene Shaara. Michael Shaara graduated from Rutgers University with a bachelor's degree in 1951 and completed graduate studies at Columbia University (1952-1953) and University of Vermont (1953-1954). He began writing short stories in the 1950s after holding jobs as a paratrooper, merchant seaman, and police officer in St. Petersburg, Florida. In 1959, he was hired as an English instructor at Florida State University (FSU) and by 1968, became an Associate Professor. He taught English, literature and creative writing courses.","Michael Shaara wrote four novels and published more than 70 short stories in magazines including Cosmopolitan, Galaxy, Fantastic Universe, Playboy, Redbook, and the Saturday Evening Post. He began writing science fiction and fantasy genres for the popular pulp fiction magazines of the time and won several awards. Shaara received the Pulitzer Prize for Fiction in 1975 for his novel \"The Killer Angels\". His other three novels are: \"The Broken Place\" (1968), \"The Noah Conspiracy\" (known as the \"Herald\", 1981), and \"For Love of the Game\" (1991). Two of his novels were made into films: television miniseries \"Gettysburg\", an adaptation of \"The Killer Angels\" and film \"For Love of the Game\" (1991) based on the novel of the same name. ","In 1965, Michael Shaara had his first major heart attack and wrote about the experience in an article published by the Saturday Evening Post. The article \"In the Midst of Life\" won an American Medical Association award for medical journalism. While teaching an FSU abroad program in Italy in 1972, he had a motorcycle accident. He was unconcious for weeks and suffered from a severe brain injury. Later he described this event in his story \"Brain Damage\". ","Michael Shaara married Helen Krumweide (1928-2016) on September 16, 1950, and had two children, Jeffrey and Lila Elise. Jeff Shaara wrote the novels \"Gods and Generals\" (1996) and \"The Last Full Measure\" (1998) which serve as as a prequel and sequel to \"The Killer Angels.\" Jeff Shaara continues to write novels.","This collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Michael Shaara Collection in the Broward County Library Digital Archives.","The Michael Shaara Collection contains manuscripts, correspondence, photographs, teaching lectures and notes, speeches, financial documents, personal papers, books, awards, programs, newspaper clippings, and publications collected by author Michael Shaara (1929-1988). Manuscripts and drafts include his four novels (\"The Killer Angels\", \"The Broken Place\", \"The Herald\", and \"For Love of the Game\") and short stories.","Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library","Florida State University. Department of English","Shaara, Michael","English"],"unitid_tesim":["BIENES.2022.1","/repositories/3/resources/178"],"normalized_date_ssm":["Circa 1947-1990"],"normalized_title_ssm":["Michael Shaara Collection, Circa 1947-1990"],"collection_title_tesim":["Michael Shaara Collection, Circa 1947-1990"],"collection_ssim":["Michael Shaara Collection, Circa 1947-1990"],"repository_ssm":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"geogname_ssm":["United States -- History -- Civil War, 1861-1865 -- Fiction"],"geogname_ssim":["United States -- History -- Civil War, 1861-1865 -- Fiction"],"creator_ssm":["Shaara, Michael"],"creator_ssim":["Shaara, Michael"],"creator_persname_ssim":["Shaara, Michael"],"creators_ssim":["Shaara, Michael"],"places_ssim":["United States -- History -- Civil War, 1861-1865 -- Fiction"],"acqinfo_ssim":["Helen Shaara donated the Michael Shaara Collection to the Bienes Museum of the Modern Book on October 15, 1998."],"access_subjects_ssim":["Shaara, Michael -- Correspondence","American literature","Historical fiction, American","Science fiction","Manuscripts","Short stories","Photographs","Clippings"],"access_subjects_ssm":["Shaara, Michael -- Correspondence","American literature","Historical fiction, American","Science fiction","Manuscripts","Short stories","Photographs","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["26 Hollinger Boxes"],"extent_tesim":["26 Hollinger Boxes"],"genreform_ssim":["Manuscripts","Short stories","Photographs","Clippings"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eThe Michael Shaara Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Michael Shaara Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003eRelated archival material can be found in the Denver Public Library, Western History/Genealogy Department, Denver, Colorado. Visit DenverLibrary.org for further information.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Related archival material can be found in the Denver Public Library, Western History/Genealogy Department, Denver, Colorado. Visit DenverLibrary.org for further information."],"arrangement_html_tesm":["\u003cp\u003eThe Michael Shaara Collection contains eight series: Series I. Correspondence, Series II. Writings, Series III. Professional Papers, Series IV. Personal Papers, Series V. Financial and Legal Documents, Series VI. Photographs, Series VII. Awards, and Series VIII. Printed Materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Michael Shaara Collection contains eight series: Series I. Correspondence, Series II. Writings, Series III. Professional Papers, Series IV. Personal Papers, Series V. Financial and Legal Documents, Series VI. Photographs, Series VII. Awards, and Series VIII. Printed Materials."],"bioghist_html_tesm":["\u003cp\u003eMichael Shaara (1929-1988) was born on June 23, 1929 in Jersey City, N.J. to Michael Joseph Sr. and Allene Shaara. Michael Shaara graduated from Rutgers University with a bachelor's degree in 1951 and completed graduate studies at Columbia University (1952-1953) and University of Vermont (1953-1954). He began writing short stories in the 1950s after holding jobs as a paratrooper, merchant seaman, and police officer in St. Petersburg, Florida. In 1959, he was hired as an English instructor at Florida State University (FSU) and by 1968, became an Associate Professor. He taught English, literature and creative writing courses.\u003c/p\u003e\n","\u003cp\u003eMichael Shaara wrote four novels and published more than 70 short stories in magazines including Cosmopolitan, Galaxy, Fantastic Universe, Playboy, Redbook, and the Saturday Evening Post. He began writing science fiction and fantasy genres for the popular pulp fiction magazines of the time and won several awards. Shaara received the Pulitzer Prize for Fiction in 1975 for his novel \"The Killer Angels\". His other three novels are: \"The Broken Place\" (1968), \"The Noah Conspiracy\" (known as the \"Herald\", 1981), and \"For Love of the Game\" (1991). Two of his novels were made into films: television miniseries \"Gettysburg\", an adaptation of \"The Killer Angels\" and film \"For Love of the Game\" (1991) based on the novel of the same name. \u003c/p\u003e\n","\u003cp\u003eIn 1965, Michael Shaara had his first major heart attack and wrote about the experience in an article published by the Saturday Evening Post. The article \"In the Midst of Life\" won an American Medical Association award for medical journalism. While teaching an FSU abroad program in Italy in 1972, he had a motorcycle accident. He was unconcious for weeks and suffered from a severe brain injury. Later he described this event in his story \"Brain Damage\". \u003c/p\u003e\n","\u003cp\u003eMichael Shaara married Helen Krumweide (1928-2016) on September 16, 1950, and had two children, Jeffrey and Lila Elise. Jeff Shaara wrote the novels \"Gods and Generals\" (1996) and \"The Last Full Measure\" (1998) which serve as as a prequel and sequel to \"The Killer Angels.\" Jeff Shaara continues to write novels.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Michael Shaara (1929-1988) was born on June 23, 1929 in Jersey City, N.J. to Michael Joseph Sr. and Allene Shaara. Michael Shaara graduated from Rutgers University with a bachelor's degree in 1951 and completed graduate studies at Columbia University (1952-1953) and University of Vermont (1953-1954). He began writing short stories in the 1950s after holding jobs as a paratrooper, merchant seaman, and police officer in St. Petersburg, Florida. In 1959, he was hired as an English instructor at Florida State University (FSU) and by 1968, became an Associate Professor. He taught English, literature and creative writing courses.","Michael Shaara wrote four novels and published more than 70 short stories in magazines including Cosmopolitan, Galaxy, Fantastic Universe, Playboy, Redbook, and the Saturday Evening Post. He began writing science fiction and fantasy genres for the popular pulp fiction magazines of the time and won several awards. Shaara received the Pulitzer Prize for Fiction in 1975 for his novel \"The Killer Angels\". His other three novels are: \"The Broken Place\" (1968), \"The Noah Conspiracy\" (known as the \"Herald\", 1981), and \"For Love of the Game\" (1991). Two of his novels were made into films: television miniseries \"Gettysburg\", an adaptation of \"The Killer Angels\" and film \"For Love of the Game\" (1991) based on the novel of the same name. ","In 1965, Michael Shaara had his first major heart attack and wrote about the experience in an article published by the Saturday Evening Post. The article \"In the Midst of Life\" won an American Medical Association award for medical journalism. While teaching an FSU abroad program in Italy in 1972, he had a motorcycle accident. He was unconcious for weeks and suffered from a severe brain injury. Later he described this event in his story \"Brain Damage\". ","Michael Shaara married Helen Krumweide (1928-2016) on September 16, 1950, and had two children, Jeffrey and Lila Elise. Jeff Shaara wrote the novels \"Gods and Generals\" (1996) and \"The Last Full Measure\" (1998) which serve as as a prequel and sequel to \"The Killer Angels.\" Jeff Shaara continues to write novels."],"prefercite_html_tesm":["\u003cp\u003eMichael Shaara Collection, Bienes Museum of the Modern Book, Broward County Library\u003c/p\u003e"],"prefercite_tesim":["Michael Shaara Collection, Bienes Museum of the Modern Book, Broward County Library"],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/michaelshaara\" target=\"_blank\"\u003eView a selection of digitized materials from the Michael Shaara Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Michael Shaara Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Michael Shaara Collection contains manuscripts, correspondence, photographs, teaching lectures and notes, speeches, financial documents, personal papers, books, awards, programs, newspaper clippings, and publications collected by author Michael Shaara (1929-1988). Manuscripts and drafts include his four novels (\"The Killer Angels\", \"The Broken Place\", \"The Herald\", and \"For Love of the Game\") and short stories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Michael Shaara Collection contains manuscripts, correspondence, photographs, teaching lectures and notes, speeches, financial documents, personal papers, books, awards, programs, newspaper clippings, and publications collected by author Michael Shaara (1929-1988). Manuscripts and drafts include his four novels (\"The Killer Angels\", \"The Broken Place\", \"The Herald\", and \"For Love of the Game\") and short stories."],"names_coll_ssim":["Florida State University. Department of English"],"names_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library","Florida State University. Department of English","Shaara, Michael"],"corpname_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library","Florida State University. Department of English"],"persname_ssim":["Shaara, Michael"],"language_ssim":["English"],"total_component_count_is":551,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879174602967482368,"_root_":"f1098bbf9fbfeb8d23de54a0","timestamp":"2026-10-16T03:15:54.887Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f1098bbf9fbfeb8d23de54a0_aspace_2cfcb9d9ff5e187431f6b8c233e8d275"}},{"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_9601eb01a734431c20952067f6d826b7","type":"Subseries","attributes":{"title":"Written Work, 1897-1993, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_9601eb01a734431c20952067f6d826b7#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9601eb01a734431c20952067f6d826b7","ref_ssm":["aspace_9601eb01a734431c20952067f6d826b7","aspace_9601eb01a734431c20952067f6d826b7"],"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_9601eb01a734431c20952067f6d826b7","title_filing_ssi":"Written Work","title_ssm":["Written Work"],"title_tesim":["Written Work"],"unitdate_inclusive_ssm":["1897-1993, Undated"],"normalized_date_ssm":["1897-1993, Undated"],"normalized_title_ssm":["Written Work, 1897-1993, Undated"],"text":["Written Work, 1897-1993, Undated","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Personal Files, 1895-2005, Undated.","Sub-Series 9","/repositories/4/archival_objects/56627"],"component_level_isim":[2],"parent_ids_ssim":["2a6a6aa34a3c99c1b1b95ea9","2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesII"],"parent_unittitles_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Personal Files, 1895-2005, Undated."],"parent_unittitles_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Personal Files, 1895-2005, Undated."],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 9","/repositories/4/archival_objects/56627"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":12,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":243,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"_nest_path_":"/components#1/components#9","_nest_parent_":"2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesII","_root_":"2a6a6aa34a3c99c1b1b95ea9","_version_":1872035374829666304,"timestamp":"2026-07-29T08:00:56.373Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2a6a6aa34a3c99c1b1b95ea9","title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"ead_ssi":"2a6a6aa34a3c99c1b1b95ea9","unitdate_ssm":["1829-2006"],"unitdate_inclusive_ssm":["1829-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.113","/repositories/4/resources/225"],"text":["SC.113","/repositories/4/resources/225","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations","The entire collection is open for research.","This collection is itemized and arranged in alphabetical and chronological order.","Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.","Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog .","This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.","UCF Special Collections","Martin, Francis John, Jr.","The materials are written in English."],"unitid_tesim":["SC.113","/repositories/4/resources/225"],"normalized_date_ssm":["1829-2006"],"normalized_title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Martin, Francis John, Jr."],"creator_ssim":["Martin, Francis John, Jr."],"creator_persname_ssim":["Martin, Francis John, Jr."],"creators_ssim":["Martin, Francis John, Jr."],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Francis Martin Jr. donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_15) and 2020 (CFM2020_02, CFM2020_03, CFM2020_16)."],"access_subjects_ssim":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"access_subjects_ssm":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"extent_tesim":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"genreform_ssim":["manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"date_range_isim":[1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is itemized and arranged in alphabetical and chronological order."],"bioghist_html_tesm":["\u003cp\u003eFrancis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners."],"prefercite_html_tesm":["\u003cp\u003eFred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMarlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e\n","\u003cp\u003eSeries I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026amp; posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.\u003c/p\u003e\n","\u003cp\u003eSeries III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.\u003c/p\u003e\n","\u003cp\u003eSeries IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4a581e455cb123495b610919f342aacb\"\u003eThe Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.\u003c/abstract\u003e"],"abstract_tesim":["The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection."],"names_ssim":["UCF Special Collections","Martin, Francis John, Jr."],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Martin, Francis John, Jr."],"language_ssim":["The materials are written in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":459,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872035374829666304,"_root_":"2a6a6aa34a3c99c1b1b95ea9","timestamp":"2026-07-29T08:00:56.373Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_9601eb01a734431c20952067f6d826b7"}},{"id":"4674dbbf638dff3316591cb2_aspace_51425","type":"File","attributes":{"title":"W. S. Flory, 1955","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4674dbbf638dff3316591cb2_aspace_51425#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_51425","ref_ssm":["aspace_51425","aspace_51425"],"id":"4674dbbf638dff3316591cb2_aspace_51425","title_filing_ssi":"W. S. Flory","title_ssm":["W. S. Flory"],"title_tesim":["W. S. Flory"],"unitdate_other_ssim":["1955"],"normalized_date_ssm":["1955"],"normalized_title_ssm":["W. S. Flory, 1955"],"text":["W. S. Flory, 1955","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Mulford and Racine Foster Files, 1910-1991","Correspondence, 1930-1990","Folder 10","/repositories/4/archival_objects/34097","box 9","folder 10"],"component_level_isim":[3],"parent_ids_ssim":["4674dbbf638dff3316591cb2","4674dbbf638dff3316591cb2_aspace_51261","4674dbbf638dff3316591cb2_aspace_51262"],"parent_unittitles_ssm":["Michael A. Spencer Bromeliad Research Collection, 1754-2014","Mulford and Racine Foster Files, 1910-1991","Correspondence, 1930-1990"],"parent_unittitles_tesim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014","Mulford and Racine Foster Files, 1910-1991","Correspondence, 1930-1990"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 10","/repositories/4/archival_objects/34097"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":162,"parent_access_restrict_tesm":["The entire collection is open for research except for the following:\n\n  Boxes 180-181: Personal correspondence\n  Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"\n"],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"date_range_isim":[1955],"containers_ssim":["box 9","folder 10"],"_nest_path_":"/components#0/components#0/components#159","_nest_parent_":"4674dbbf638dff3316591cb2_aspace_51262","_root_":"4674dbbf638dff3316591cb2","timestamp":"2026-07-11T02:53:59.490Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4674dbbf638dff3316591cb2","title_ssm":["Michael A. Spencer Bromeliad Research Collection"],"title_tesim":["Michael A. Spencer Bromeliad Research Collection"],"ead_ssi":"4674dbbf638dff3316591cb2","unitdate_ssm":["1754-2014"],"unitdate_inclusive_ssm":["1754-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 068","/repositories/4/resources/148"],"text":["SC 068","/repositories/4/resources/148","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Marineland (Fla.)","Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)","The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"","The collection is divided into eight series by type of file.","Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.","Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.","A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives .","Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.","Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.","UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991","English"],"unitid_tesim":["SC 068","/repositories/4/resources/148"],"normalized_date_ssm":["1754-2014"],"normalized_title_ssm":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_title_tesim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_ssim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Marineland (Fla.)"],"geogname_ssim":["Marineland (Fla.)"],"creator_ssm":["Spencer, Michael A."],"creator_ssim":["Spencer, Michael A."],"creator_persname_ssim":["Spencer, Michael A."],"creators_ssim":["Spencer, Michael A."],"places_ssim":["Marineland (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"acqinfo_ssim":["Some of these materials were donated to and others were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Michael A. Spencer in 2006 (CFM2006_09), 2011 (CFM2011_02), 2012 (CFM2012_10), and 2014 (CFM2014_01)."],"access_subjects_ssim":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"access_subjects_ssm":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["130 Linear Feet 259 boxes, 2 flat files"],"extent_tesim":["130 Linear Feet 259 boxes, 2 flat files"],"genreform_ssim":["botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"date_range_isim":[1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research except for the following:\n\u003cul\u003e\n  \u003cli\u003eBoxes 180-181: Personal correspondence\u003c/li\u003e\n  \u003cli\u003eBoxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\""],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into eight series by type of file.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into eight series by type of file."],"bioghist_html_tesm":["\u003cp\u003eMichael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004."],"prefercite_html_tesm":["\u003cp\u003eMichael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Michael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eA large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e. \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08c\"\u003eMichael A. Spencer Collection on Julian Nally\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08b\"\u003eMichael A. Spencer Collection on Theodore Mead\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08a\"\u003eMichael A. Spencer Collection on Henry Nehrling\u003c/extref\u003e and the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-03\"\u003eHenry Nehrling Papers\u003c/extref\u003e are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the \u003cextref href=\"http://www.leugardens.org/\"\u003eHarry P. Leu Gardens\u003c/extref\u003e. The \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/4\"\u003eHenry Nehrling Collection\u003c/extref\u003e and the \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/97\"\u003eTheodore L. Mead Collection\u003c/extref\u003e are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the \u003cextref href=\"http://siarchives.si.edu/\"\u003eSmithsonian Institution Archives\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8e33310d6b1a70e4d88f1e2d3043cf71\" label=\"Abstract\"\u003eMichael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.\u003c/abstract\u003e"],"abstract_tesim":["Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here."],"names_coll_ssim":["Bromeliad Society","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"names_ssim":["UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"corpname_ssim":["UCF Special Collections","Bromeliad Society"],"persname_ssim":["Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3662,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"4674dbbf638dff3316591cb2","timestamp":"2026-07-11T02:53:59.490Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4674dbbf638dff3316591cb2_aspace_51425"}},{"id":"919526f517fdb668dfdb3df7_aspace_1ecc52bba71f721ca7e22eb31d41b433","type":"File","attributes":{"title":"WWII Background Information, 1941-2005","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/919526f517fdb668dfdb3df7_aspace_1ecc52bba71f721ca7e22eb31d41b433#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains VFW, TIME, and Legion magazines about World War Two. Also included are newspaper clippings about World War Two, and a World War Two memorial dedication pin.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/919526f517fdb668dfdb3df7_aspace_1ecc52bba71f721ca7e22eb31d41b433#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1ecc52bba71f721ca7e22eb31d41b433","ref_ssm":["aspace_1ecc52bba71f721ca7e22eb31d41b433","aspace_1ecc52bba71f721ca7e22eb31d41b433"],"id":"919526f517fdb668dfdb3df7_aspace_1ecc52bba71f721ca7e22eb31d41b433","title_filing_ssi":"WWII Background Information","title_ssm":["WWII Background Information"],"title_tesim":["WWII Background Information"],"unitdate_inclusive_ssm":["1941-2005"],"normalized_date_ssm":["1941-2005"],"normalized_title_ssm":["WWII Background Information, 1941-2005"],"text":["WWII Background Information, 1941-2005","Reserve Officers Association collection, 1939-2007, Date accessioned: 2021-04-16","129","/repositories/10/archival_objects/191304","14.0016 - Box 18","folder 16","This folder contains VFW, TIME, and Legion magazines about World War Two. Also included are newspaper clippings about World War Two, and a World War Two memorial dedication pin."],"component_level_isim":[1],"parent_ids_ssim":["919526f517fdb668dfdb3df7"],"parent_unittitles_ssm":["Reserve Officers Association collection, 1939-2007, Date accessioned: 2021-04-16"],"parent_unittitles_tesim":["Reserve Officers Association collection, 1939-2007, Date accessioned: 2021-04-16"],"parent_levels_ssm":["collection"],"unitid_ssm":["129","/repositories/10/archival_objects/191304"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Reserve Officers Association collection, 1939-2007, Date accessioned: 2021-04-16"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":129,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"containers_ssim":["14.0016 - Box 18","folder 16"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains VFW, TIME, and Legion magazines about World War Two. Also included are newspaper clippings about World War Two, and a World War Two memorial dedication pin.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains VFW, TIME, and Legion magazines about World War Two. Also included are newspaper clippings about World War Two, and a World War Two memorial dedication pin."],"_nest_path_":"/components#128","_nest_parent_":"919526f517fdb668dfdb3df7","_root_":"919526f517fdb668dfdb3df7","timestamp":"2026-07-11T04:56:53.009Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"919526f517fdb668dfdb3df7","title_ssm":["Reserve Officers Association collection"],"title_tesim":["Reserve Officers Association collection"],"ead_ssi":"919526f517fdb668dfdb3df7","unitdate_ssm":["1939-2007","Date accessioned: 2021-04-16"],"unitdate_inclusive_ssm":["1939-2007"],"unitdate_other_ssim":["Date accessioned: 2021-04-16"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["14.0016","/repositories/10/resources/1855"],"text":["14.0016","/repositories/10/resources/1855","Reserve Officers Association collection, 1939-2007, Date accessioned: 2021-04-16","Naples (Italy)","Kiska Island (Alaska)","Manila (Philippines)","United States -- Armed Forces -- Women's reserves","Corsica (France)","Nordhausen (Thuringia, Germany)","Okinawa Island (Japan)","Pentagon, Washington, D.C.","Sardinia (Italy)","Iwo Jima, Battle of, 1945","World War, 1939-1945","World War, 1939-1945--Campaigns--Mediterranean Sea","Anzio, Battle of, Anzio, Italy, 1944","World War, 1939-1945--Campaigns--Europe","World War, 1939-1945--Campaigns--Italy--Sicily","Iwo Jima, Battle of, Japan, 1945","Prisoners of war--Japan","World War, 1939-1945--Prisoners and prisons","World War, 1939-1945--Campaigns--China","World War, 1939-1945--Campaigns--Burma","World War, 1939-1945 -- Campaigns -- France -- Normandy","World War, 1939-1945--Campaigns--Solomon Islands--Guadalcanal","World War, 1939-1945--Campaigns--India","World War, 1939-1945--Campaigns--Africa, North","Korea--History--1945-","World War, 1939-1945--Military intelligence--United States","World War, 1939-1945--Campaigns--New Guinea","Operation Torch, 1942","World War, 1939-1945--Australia","United States--Armed Forces--Nurses--Biography","World War, 1939-1945--Engineering and construction","Kasserine Pass, Battle of, Tunisia, 1943","Bataan, Battle of, Philippines, 1942","Bataan Death March, Philippines, 1942","World War, 1939-1945--Campaigns--Alaska--Aleutian Islands","World War, 1939-1945--Campaigns--Philippines--Luzon","Pearl Harbor (Hawaii), Attack on, 1941","Midway, Battle of, 1942","Java Sea, Battle of the, Indonesia, 1942","World War, 1939-1945--Campaigns--Algeria","World War, 1939-1945--Campaigns--Germany","World War, 1939-1945--Campaigns--Belgium","Women's Army Corps","This collection is open to all researchers.","The Reserve Officers Association collection contains a compilation of stories from the service and expereinces of ROA members during World War Two. These recollections contributed to Carol Kelly's publication, 'The Officer', for the 50 anniversary of World War Two.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","This collection relates to the Reserve Officers Association and the experience of its members during World War Two.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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