{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1949\u0026page=405","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1949\u0026page=404","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1949\u0026page=406","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1949\u0026page=406"},"meta":{"pages":{"current_page":405,"next_page":406,"prev_page":404,"total_pages":406,"limit_value":10,"offset_value":4040,"total_count":4058,"first_page?":false,"last_page?":false}},"data":[{"id":"c3e46b40c834f9335c7da81e_aspace_2450fa3be011e838eeb2bd00f1afb51a","type":"Series","attributes":{"title":"Works by Laura Riding Jackson, 1935–1984","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c3e46b40c834f9335c7da81e_aspace_2450fa3be011e838eeb2bd00f1afb51a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_2450fa3be011e838eeb2bd00f1afb51a","ref_ssm":["aspace_2450fa3be011e838eeb2bd00f1afb51a","aspace_2450fa3be011e838eeb2bd00f1afb51a"],"id":"c3e46b40c834f9335c7da81e_aspace_2450fa3be011e838eeb2bd00f1afb51a","title_filing_ssi":"Works by Laura Riding Jackson","title_ssm":["Works by Laura Riding Jackson"],"title_tesim":["Works by Laura Riding Jackson"],"unitdate_inclusive_ssm":["1935–1984"],"normalized_date_ssm":["1935–1984"],"normalized_title_ssm":["Works by Laura Riding Jackson, 1935–1984"],"text":["Works by Laura Riding Jackson, 1935–1984","The Marie Stiefel Laura Riding Jackson collection, 1925-2024","2","/repositories/4/archival_objects/83452"],"component_level_isim":[1],"parent_ids_ssim":["c3e46b40c834f9335c7da81e"],"parent_unittitles_ssm":["The Marie Stiefel Laura Riding Jackson collection, 1925-2024"],"parent_unittitles_tesim":["The Marie Stiefel Laura Riding Jackson collection, 1925-2024"],"parent_levels_ssm":["collection"],"unitid_ssm":["2","/repositories/4/archival_objects/83452"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["The Marie Stiefel Laura Riding Jackson collection, 1925-2024"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":4,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. 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She was born Laura Reichenthal and began publishing under her married name, Gottschalk. Riding Jackson graduated Cornell University in 1921 and published her first poem in 1923 in the literary magazine  The Fugitive  and her first collection of poetry,  The Close Chaplet  in 1926. After her divorce in 1925, she assumed the surname Riding and moved to England to live with Robert Graves and his wife, Nancy Nicholson. She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled  Rational Meaning: A New Foundation for the Definition of World and Supplementary Essays  in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. The Foundation supports the legacy of Riding by offering educational events and workshops for writers of all ages, as well as preserving her home.","Processed by and finding aid prepared by Chloe Lanham in 2025.","The Marie Stiefel Laura Riding Jackson collection, 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. These materials are useful to historical, biographical, and literary research into the life and work of Laura Riding Jackson and Seizin Press.","Series I: Works about Laura Riding Jackson, 1963–2017\t\nSeries II: Works by Laura Riding Jackson, 1935–1984\t\t\nSeries III: Correspondence, 1941–1993\t\nSeries IV: Materials from Laura's Kitchen, undated\t\nSeries V: Books, 1925-2024","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Marie Stiefel Laura Riding Jackson collection 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. These materials are useful to historical, biographical, and literary research into the life and work of Laura Riding Jackson and Seizin Press. The collection is divided into five series as follows: \nWorks about Laura Riding Jackson, 1963–2017\t\nWorks by Laura Riding Jackson, 1935–1984\t\t\nCorrespondence, 1941–1993\t\nMaterials from Laura's Kitchen, undated\t\nBooks 1925-2024\n\nLaura Riding Jackson, best known as Laura Riding, an American poet and author was born on January 16, 1901 in New York City, NY and died on September 2, 1991 in Wabasso, Florida. She was born Laura Reichenthal and began publishing under her married name, Gottschalk. Riding Jackson graduated Cornell University in 1921 and published her first poem in 1923 in the literary magazine  The Fugitive  and her first collection of poetry,  The Close Chaplet  in 1926. After her divorce in 1925, she assumed the surname Riding and moved to England to live with Robert Graves and his wife, Nancy Nicholson. She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled  Rational Meaning: A New Foundation for the Definition of World and Supplementary Essays  in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. 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Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of Marie Stiefel in 2025 (Accession no. CFM2025_01)."],"access_subjects_ssim":["Women poets, American","Poets, American -- 20th Century -- correspondence","Women authors, American","manuscripts (documents)","articles"],"access_subjects_ssm":["Women poets, American","Poets, American -- 20th Century -- correspondence","Women authors, American","manuscripts (documents)","articles"],"has_online_content_ssim":["false"],"extent_ssm":["0.6 Linear Feet 1 box"],"extent_tesim":["0.6 Linear Feet 1 box"],"genreform_ssim":["manuscripts (documents)","articles"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in five series as follows:\nWorks about Laura Riding Jackson, 1963\u0026#x2013;2017\t\nWorks by Laura Riding Jackson, 1935\u0026#x2013;1984\t\t\nCorrespondence, 1941\u0026#x2013;1993\t\nMaterials from Laura's Kitchen, undated\t\nBooks 1925-2024\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in five series as follows:\nWorks about Laura Riding Jackson, 1963–2017\t\nWorks by Laura Riding Jackson, 1935–1984\t\t\nCorrespondence, 1941–1993\t\nMaterials from Laura's Kitchen, undated\t\nBooks 1925-2024"],"bioghist_html_tesm":["\u003cp\u003eLaura Riding Jackson, best known as Laura Riding, an American poet and author was born on January 16, 1901 in New York City, NY and died on September 2, 1991 in Wabasso, Florida. She was born Laura Reichenthal and began publishing under her married name, Gottschalk. Riding Jackson graduated Cornell University in 1921 and published her first poem in 1923 in the literary magazine \u003cemph render=\"italic\"\u003eThe Fugitive\u003c/emph\u003e and her first collection of poetry, \u003cemph render=\"italic\"\u003eThe Close Chaplet\u003c/emph\u003e in 1926. After her divorce in 1925, she assumed the surname Riding and moved to England to live with Robert Graves and his wife, Nancy Nicholson. She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled \u003cemph render=\"italic\"\u003eRational Meaning: A New Foundation for the Definition of World and Supplementary Essays\u003c/emph\u003e in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. The Foundation supports the legacy of Riding by offering educational events and workshops for writers of all ages, as well as preserving her home.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Laura Riding Jackson, best known as Laura Riding, an American poet and author was born on January 16, 1901 in New York City, NY and died on September 2, 1991 in Wabasso, Florida. She was born Laura Reichenthal and began publishing under her married name, Gottschalk. Riding Jackson graduated Cornell University in 1921 and published her first poem in 1923 in the literary magazine  The Fugitive  and her first collection of poetry,  The Close Chaplet  in 1926. After her divorce in 1925, she assumed the surname Riding and moved to England to live with Robert Graves and his wife, Nancy Nicholson. She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled  Rational Meaning: A New Foundation for the Definition of World and Supplementary Essays  in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. The Foundation supports the legacy of Riding by offering educational events and workshops for writers of all ages, as well as preserving her home."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], The Marie Stiefel Laura Riding Jackson collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], The Marie Stiefel Laura Riding Jackson collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Chloe Lanham in 2025."],"scopecontent_html_tesm":["\u003cp\u003eThe Marie Stiefel Laura Riding Jackson collection, 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. These materials are useful to historical, biographical, and literary research into the life and work of Laura Riding Jackson and Seizin Press.\u003c/p\u003e\n","\u003cp\u003eSeries I: Works about Laura Riding Jackson, 1963\u0026#x2013;2017\t\nSeries II: Works by Laura Riding Jackson, 1935\u0026#x2013;1984\t\t\nSeries III: Correspondence, 1941\u0026#x2013;1993\t\nSeries IV: Materials from Laura's Kitchen, undated\t\nSeries V: Books, 1925-2024\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Marie Stiefel Laura Riding Jackson collection, 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. These materials are useful to historical, biographical, and literary research into the life and work of Laura Riding Jackson and Seizin Press.","Series I: Works about Laura Riding Jackson, 1963–2017\t\nSeries II: Works by Laura Riding Jackson, 1935–1984\t\t\nSeries III: Correspondence, 1941–1993\t\nSeries IV: Materials from Laura's Kitchen, undated\t\nSeries V: Books, 1925-2024"],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d95650411a414e3e87abaf4901c0fcd8\" label=\"Abstract\"\u003eThe Marie Stiefel Laura Riding Jackson collection 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. These materials are useful to historical, biographical, and literary research into the life and work of Laura Riding Jackson and Seizin Press. The collection is divided into five series as follows: \nWorks about Laura Riding Jackson, 1963\u0026#x2013;2017\t\nWorks by Laura Riding Jackson, 1935\u0026#x2013;1984\t\t\nCorrespondence, 1941\u0026#x2013;1993\t\nMaterials from Laura's Kitchen, undated\t\nBooks 1925-2024\n\nLaura Riding Jackson, best known as Laura Riding, an American poet and author was born on January 16, 1901 in New York City, NY and died on September 2, 1991 in Wabasso, Florida. She was born Laura Reichenthal and began publishing under her married name, Gottschalk. Riding Jackson graduated Cornell University in 1921 and published her first poem in 1923 in the literary magazine \u003cemph render=\"italic\"\u003eThe Fugitive\u003c/emph\u003e and her first collection of poetry, \u003cemph render=\"italic\"\u003eThe Close Chaplet\u003c/emph\u003e in 1926. After her divorce in 1925, she assumed the surname Riding and moved to England to live with Robert Graves and his wife, Nancy Nicholson. She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled \u003cemph render=\"italic\"\u003eRational Meaning: A New Foundation for the Definition of World and Supplementary Essays\u003c/emph\u003e in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. The Foundation supports the legacy of Riding by offering educational events and workshops for writers of all ages, as well as preserving her home.\u003c/abstract\u003e"],"abstract_tesim":["The Marie Stiefel Laura Riding Jackson collection 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. These materials are useful to historical, biographical, and literary research into the life and work of Laura Riding Jackson and Seizin Press. The collection is divided into five series as follows: \nWorks about Laura Riding Jackson, 1963–2017\t\nWorks by Laura Riding Jackson, 1935–1984\t\t\nCorrespondence, 1941–1993\t\nMaterials from Laura's Kitchen, undated\t\nBooks 1925-2024\n\nLaura Riding Jackson, best known as Laura Riding, an American poet and author was born on January 16, 1901 in New York City, NY and died on September 2, 1991 in Wabasso, Florida. She was born Laura Reichenthal and began publishing under her married name, Gottschalk. Riding Jackson graduated Cornell University in 1921 and published her first poem in 1923 in the literary magazine  The Fugitive  and her first collection of poetry,  The Close Chaplet  in 1926. After her divorce in 1925, she assumed the surname Riding and moved to England to live with Robert Graves and his wife, Nancy Nicholson. She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled  Rational Meaning: A New Foundation for the Definition of World and Supplementary Essays  in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. The Foundation supports the legacy of Riding by offering educational events and workshops for writers of all ages, as well as preserving her home."],"names_coll_ssim":["Seizin Press","Jackson, Laura (Riding), 1901-1991","Jackson, Schuyler B.","Graves, Robert, 1895-1985","Stiefel, Marie"],"names_ssim":["UCF Special Collections","Seizin Press","Laura Riding Jackson Foundation","Jackson, Laura (Riding), 1901-1991","Graves, Robert, 1895-1985","Jackson, Schuyler B.","Morris, Susan","Stiefel, Marie"],"corpname_ssim":["UCF Special Collections","Seizin Press","Laura Riding Jackson Foundation"],"persname_ssim":["Jackson, Laura (Riding), 1901-1991","Graves, Robert, 1895-1985","Jackson, Schuyler B.","Morris, Susan","Stiefel, Marie"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":71,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1874753292505972736,"_root_":"c3e46b40c834f9335c7da81e","timestamp":"2026-08-28T08:01:04.660Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/c3e46b40c834f9335c7da81e_aspace_2450fa3be011e838eeb2bd00f1afb51a"}},{"id":"731b674a396f199a6d388d63_aspace_344fb488196f7a8e0b3d1092d11458de","type":"File","attributes":{"title":"World Government, 1949","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/731b674a396f199a6d388d63_aspace_344fb488196f7a8e0b3d1092d11458de#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_344fb488196f7a8e0b3d1092d11458de","ref_ssm":["aspace_344fb488196f7a8e0b3d1092d11458de","aspace_344fb488196f7a8e0b3d1092d11458de"],"id":"731b674a396f199a6d388d63_aspace_344fb488196f7a8e0b3d1092d11458de","title_filing_ssi":"World Government","title_ssm":["World Government"],"title_tesim":["World Government"],"unitdate_other_ssim":["1949"],"normalized_date_ssm":["1949"],"normalized_title_ssm":["World Government, 1949"],"text":["World Government, 1949","Congressman James A. Haley Collection, 1948-1977","James A. Haley Florida House of Representatives Papers","Issues","/repositories/2/archival_objects/25957","box 35","folder 10"],"component_level_isim":[3],"parent_ids_ssim":["731b674a396f199a6d388d63","731b674a396f199a6d388d63_aspace_2373b74318740a3aeea68e1434380322","731b674a396f199a6d388d63_aspace_e3c16aaa8156d4e3ae0d5d9987930a7d"],"parent_unittitles_ssm":["Congressman James A. Haley Collection, 1948-1977","James A. Haley Florida House of Representatives Papers","Issues"],"parent_unittitles_tesim":["Congressman James A. Haley Collection, 1948-1977","James A. Haley Florida House of Representatives Papers","Issues"],"parent_levels_ssm":["collection","Subgroup","Series"],"unitid_ssm":["/repositories/2/archival_objects/25957"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"collection_ssim":["Congressman James A. Haley Collection, 1948-1977"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":489,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"parent_access_terms_tesm":["The Congressman James A. Haley Papers are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by\nthe copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Please inquire if you have questions -\narchives@flsouthern.edu. ","Constituent Correspondence files are restricted from publication until 2052"],"date_range_isim":[1949],"containers_ssim":["box 35","folder 10"],"_nest_path_":"/components#3/components#1/components#37","_nest_parent_":"731b674a396f199a6d388d63_aspace_e3c16aaa8156d4e3ae0d5d9987930a7d","_root_":"731b674a396f199a6d388d63","_version_":1875924461057736704,"timestamp":"2026-09-10T06:16:17.977Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"731b674a396f199a6d388d63","title_ssm":["Congressman James A. Haley Collection"],"title_tesim":["Congressman James A. Haley Collection"],"ead_ssi":"731b674a396f199a6d388d63","unitdate_ssm":["1948-1977"],"unitdate_inclusive_ssm":["1948-1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS1040","/repositories/2/resources/17"],"text":["MS1040","/repositories/2/resources/17","Congressman James A. Haley Collection, 1948-1977","Washington D.C.","Florida--Politics","Lakeland and Polk County Politics","United States. Congress","House of Representatives--Florida--State Legislature","Circus--management","Correspondence","Clippings","Speeches","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.","The materials in this collection were maintained by the subject's staff by issue and date. With some modifications allowing for clarity, they have been arranged in a similar fashion. However, you will find that individual issues may appear under multiple subject headings. For example, \"Watergate\" may\nappear under its own heading as well as under \"Richard Nixon\" or \"Nixon Administration.\" Please note that even though the files are arranged by issue, some correspondence might also be located in \"catch-all\" categories such as \"Haley Bills: Master File: 83rd Congress: 1953-1954,\"\n\"Correspondence: 19XX,\" to use but two examples.","James A. Haley, as chairman of the House Interior Committee during the 1970s, was instrumental in the creation of Big Cypress National Preserve. Franklin Adams lobbied for the establishment of the Big Cypress National Preserve along with many other environmental issues. The Franklin Adams Papers are housed at Florida International University. The Franklin Adams Collection, SPC9000, at Florida International University, Miami. ","James Andrew Haley (January 4, 1899 – August 6, 1981) was a U.S. Representative from Florida. Born in Jacksonville, Alabama, Haley attended the public schools and the University of Alabama. He served in the U.S. Army during World War I, and saw combat in France. He was an accountant in Sarasota, Florida, from 1920 to 1933 and served as general manager of the John Ringling estate from 1933 to 1943.\nOn December 4, 1942, Haley married Aubrey Ringling (née Aubrey Barlow Black), the widow of Richard T. Ringling who had died in 1931. Richard Ringling was the son of one of the original Ringling brothers. From 1943 to 1945, he was the first vice president of Ringling Circus and president and\ndirector of Ringling Brothers, Barnum \u0026 Bailey. In 1944, a fire broke out at a Ringling Circus show in Hartford, Connecticut that killed 169 persons. As a result of the fire he and five other circus officials pleaded no contest to charges of involuntary manslaughter and were sentenced to prison. He served\neight months and in 1945 was returned to Florida, where he received a pardon from Governor Millard F. Caldwell. Upon his release from prison, Haley again served as president and director for the Ringling Bros. and Barnum and Bailey Circus of Sarasota from 1946 to 1948. He engaged in newspaper publishing and\nlater in general printing business. He served as chairman of the Democratic Executive Committee of Sarasota County 1935–1952. He was elected and served as member of the Florida House of Representatives from 1949 to 1952. He was a delegate to the Democratic National Conventions in 1952, 1956, and 1960.\nHaley was elected as a Democrat to the Eighty-third and to the eleven succeeding Congresses (January 3, 1953 – January 3, 1977). He was a member of the Committee on Interior and Insular Affairs, the Hospital Subcommittee of the Veterans Affair Committee, and the Indian Affairs Subcommittee. He served as chairman of the Committee on Interior and Insular Affairs (Ninety-third\nand Ninety-fourth Congresses). Haley was not a candidate for reelection to the Ninety-fifth Congress in 1976.","Haley died in Sarasota on August 6, 1981 and was interred in Boca Raton Cemetery in Boca Raton,FL. The James A. Haley Veterans Hospital located in Tampa is named for him. ","Sources: U.S. House of Representatives Official Biography and Haley Papers biographical data, 2018","The James A. Haley Papers consist of his personal and political papers. Correspondence, clippings, newsletters, photographs, congressional reports, and awards from various civic and political organizations give insight into Haley's public interests. Photographs of his wife, the Circus and political\naffiliates uncover the many facets of Haley's life. A limited amount of biographical information, including news articles about his death, reflect on how this public figure kept his private life private. Of note is the\nseries about the Hartford Circus fire. ","The Papers are arranged in five collections: Personal, Hartford Circus Fire, Political, Florida House of Representatives, and U.S. Congressional.","The Personal papers, arranged alphabetically by format, consists of calendars, correspondence, newsletters, photographs, awards and other ephemera giving a broad look into Haley's life in and out of office. A limited amount of biographical information, including news articles about his death, is included.","Haley Papers\nCorrespondence, newsletters, and awards from various civic and political organizations show the range of Haley's public interests while the invitations he accepted give a sense of the social life of a congressman in the 1950s-1970s. Congratulatory messages may give insight into who he counted\namong his political allies. The correspondence in this series, 1940-1981, the bulk of which are letters from Haley's time in the U.S. House of Representative (1953-1976) is of a general nature and may not be of a specific topic, but often must still be viewed as official. Since Haley was a public figure, the materials in this series should be viewed in the context that public figures kept their private life private.","The ephemera is mostly three-dimensional objects from Haley's office. The photographs within this series are also generally of an official nature. They are arranged by subject. Of particular note are the\nphotographs of Haley with several U.S. Presidents. Please see a digital exhibit at\nhttp://www.flsouthern.edu/library/mckay-archives/digital-exhibits/haley-presidents.aspx.","The Hartford Circus Fire collection encompasses documentation of the burning of a tent at the Ringling Bros. and Barnum \u0026 Baily Circus in Hartford, Connecticut on July 6, 1944, the loss of 150 lives, and the resulting trial. As first vice president of the Company, James A. Haley took responsibility, was found\nguilty of manslaughter, and served time in a federal prison. The documentation is comprised of, but not limited to, correspondence, news clippings, financial documents and court records. Correspondence takes the form of letters and telegrams with topics between Haley and staff and Haley and lawyers about what happened in the fire and with the trial. There are also letters to Haley while he is in jail, mostly regarding his personal health and welfare. There are extensive newspaper clippings about the fire and the trial. Corporate information includes circus routes, minutes and by-laws. The financial documents are extensive and record the financial standing of the circus, while Court Records consist of trial scripts, pleas, and scripts from the parole hearing. Anyone searching for general understanding of the events of the fire should look at the newspapers, and then the letters and telegrams.","The Political Papers collection concerns Haley's campaigns and party work. As a member of the U.S. House of Representatives, Haley was up for reelection every two years. The Campaign Files sub-series contains correspondence, government records, news articles, and other documents related to the subject's political campaigns between 1952 and 1974. Of special interest are the endorsements which how where and from whom he received his political support from.","The Democratic Party sub-collection reflects the subject's involvement with his political party. He served as a delegate to several Democratic National Conventions over the course of his career. He also took an interest in other political races throughout Florida and the nation. This series contains correspondence and newspaper articles concerning elections not specific to the subject, as well as general party information for candidates and booklets produced for the conventions.","The Florida House of Representatives collection encompass Haley's career as the State Representative for Sarasota County in the Florida House of Representatives. Haley held this office from 1948-1952. The materials are arranged in as logical order as possible. There was no discernable order prior to processing as the materials had been housed and rehoused several times since they were donated to the college. Of special note are the materials related to the Haley Committee Investigating Crime, which investigated political corruption and organized crime in the state. The collection also includes materials concerning state issues of the day, as well as issues specific to Sarasota County. Additionally, there are reference materials used by the subject in the performance of his duties. The Haley Committee on Investigating Crime sub-series contains transcripts of hearings, proceedings,\ncorrespondence, and news articles related to this committee, while the Issues sub-series is arranged Haley Papers\nalphabetically and contains correspondence, legislation, news articles, and reference material related to the respective issue. The Reference sub-series contain Florida House and Senate Bill Summaries, Legislative calendars, House and Senate Journals, and roll call votes. And, the Sarasota District subseries contain correspondence, reference materials, and news articles related specifically to that district.","The U.S. Congressional Papers, the largest collection, comprise the political aspects of Haley's US congressional career. The materials are arranged in alphabetical order created by his office. Haley held a seat representing the southwest coast and heartland of Florida from 1953-1977. The materials in this\nseries contain correspondence, articles, government documents, and photographs; they cover nearly every major issue to confront the United States during the 1950s through the 1970s. Of special note is the constituent correspondence, which are letters from citizens to Haley asking for information or help on a variety of topics. Letters and telegrams sent to Haley by citizens in his district give a sense of the\nviews of the general public concerning the issues of the era. Haley's views are expressed in his replies. The materials are arranged alphabetically by issue and date. This arrangement closely corresponds to how they were filed in the subject's office. Please note that even though the files are arranged by issue, some correspondence might also be located in \"catch-all\" categories such as \"Haley Bills: Master File: 83rd Congress: 1953-1954,\"\n\"Correspondence: 19XX,\" to use but two examples. ","The Congressman James A. Haley Papers are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by\nthe copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Please inquire if you have questions -\narchives@flsouthern.edu. ","Constituent Correspondence files are restricted from publication until 2052","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Haley, James A., Congressman ","English"],"unitid_tesim":["MS1040","/repositories/2/resources/17"],"normalized_date_ssm":["1948-1977"],"normalized_title_ssm":["Congressman James A. Haley Collection, 1948-1977"],"collection_title_tesim":["Congressman James A. Haley Collection, 1948-1977"],"collection_ssim":["Congressman James A. Haley Collection, 1948-1977"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"geogname_ssm":["Washington D.C."],"geogname_ssim":["Washington D.C."],"creator_ssm":["Haley, James A., Congressman "],"creator_ssim":["Haley, James A., Congressman "],"creator_persname_ssim":["Haley, James A., Congressman "],"creators_ssim":["Haley, James A., Congressman "],"places_ssim":["Washington D.C."],"access_terms_ssm":["The Congressman James A. Haley Papers are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by\nthe copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Please inquire if you have questions -\narchives@flsouthern.edu. ","Constituent Correspondence files are restricted from publication until 2052"],"access_subjects_ssim":["Florida--Politics","Lakeland and Polk County Politics","United States. Congress","House of Representatives--Florida--State Legislature","Circus--management","Correspondence","Clippings","Speeches"],"access_subjects_ssm":["Florida--Politics","Lakeland and Polk County Politics","United States. Congress","House of Representatives--Florida--State Legislature","Circus--management","Correspondence","Clippings","Speeches"],"has_online_content_ssim":["false"],"extent_ssm":["150 Linear Feet"],"extent_tesim":["150 Linear Feet"],"genreform_ssim":["Correspondence","Clippings","Speeches"],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection were maintained by the subject's staff by issue and date. With some modifications allowing for clarity, they have been arranged in a similar fashion. However, you will find that individual issues may appear under multiple subject headings. For example, \"Watergate\" may\nappear under its own heading as well as under \"Richard Nixon\" or \"Nixon Administration.\" Please note that even though the files are arranged by issue, some correspondence might also be located in \"catch-all\" categories such as \"Haley Bills: Master File: 83rd Congress: 1953-1954,\"\n\"Correspondence: 19XX,\" to use but two examples.\u003c/p\u003e\n","\u003cp\u003eJames A. Haley, as chairman of the House Interior Committee during the 1970s, was instrumental in the creation of Big Cypress National Preserve. Franklin Adams lobbied for the establishment of the Big Cypress National Preserve along with many other environmental issues. The Franklin Adams Papers are housed at Florida International University. The Franklin Adams Collection, SPC9000, at Florida International University, Miami. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection were maintained by the subject's staff by issue and date. With some modifications allowing for clarity, they have been arranged in a similar fashion. However, you will find that individual issues may appear under multiple subject headings. For example, \"Watergate\" may\nappear under its own heading as well as under \"Richard Nixon\" or \"Nixon Administration.\" Please note that even though the files are arranged by issue, some correspondence might also be located in \"catch-all\" categories such as \"Haley Bills: Master File: 83rd Congress: 1953-1954,\"\n\"Correspondence: 19XX,\" to use but two examples.","James A. Haley, as chairman of the House Interior Committee during the 1970s, was instrumental in the creation of Big Cypress National Preserve. Franklin Adams lobbied for the establishment of the Big Cypress National Preserve along with many other environmental issues. The Franklin Adams Papers are housed at Florida International University. The Franklin Adams Collection, SPC9000, at Florida International University, Miami. "],"bioghist_html_tesm":["\u003cp\u003eJames Andrew Haley (January 4, 1899 \u0026#x2013; August 6, 1981) was a U.S. Representative from Florida. Born in Jacksonville, Alabama, Haley attended the public schools and the University of Alabama. He served in the U.S. Army during World War I, and saw combat in France. He was an accountant in Sarasota, Florida, from 1920 to 1933 and served as general manager of the John Ringling estate from 1933 to 1943.\nOn December 4, 1942, Haley married Aubrey Ringling (n\u0026#xE9;e Aubrey Barlow Black), the widow of Richard T. Ringling who had died in 1931. Richard Ringling was the son of one of the original Ringling brothers. From 1943 to 1945, he was the first vice president of Ringling Circus and president and\ndirector of Ringling Brothers, Barnum \u0026amp; Bailey. In 1944, a fire broke out at a Ringling Circus show in Hartford, Connecticut that killed 169 persons. As a result of the fire he and five other circus officials pleaded no contest to charges of involuntary manslaughter and were sentenced to prison. He served\neight months and in 1945 was returned to Florida, where he received a pardon from Governor Millard F. Caldwell. Upon his release from prison, Haley again served as president and director for the Ringling Bros. and Barnum and Bailey Circus of Sarasota from 1946 to 1948. He engaged in newspaper publishing and\nlater in general printing business. He served as chairman of the Democratic Executive Committee of Sarasota County 1935\u0026#x2013;1952. He was elected and served as member of the Florida House of Representatives from 1949 to 1952. He was a delegate to the Democratic National Conventions in 1952, 1956, and 1960.\nHaley was elected as a Democrat to the Eighty-third and to the eleven succeeding Congresses (January 3, 1953 \u0026#x2013; January 3, 1977). He was a member of the Committee on Interior and Insular Affairs, the Hospital Subcommittee of the Veterans Affair Committee, and the Indian Affairs Subcommittee. He served as chairman of the Committee on Interior and Insular Affairs (Ninety-third\nand Ninety-fourth Congresses). Haley was not a candidate for reelection to the Ninety-fifth Congress in 1976.\u003c/p\u003e\n","\u003cp\u003eHaley died in Sarasota on August 6, 1981 and was interred in Boca Raton Cemetery in Boca Raton,FL. The James A. Haley Veterans Hospital located in Tampa is named for him. \u003c/p\u003e\n","\u003cp\u003eSources: U.S. House of Representatives Official Biography and Haley Papers biographical data, 2018\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Andrew Haley (January 4, 1899 – August 6, 1981) was a U.S. Representative from Florida. Born in Jacksonville, Alabama, Haley attended the public schools and the University of Alabama. He served in the U.S. Army during World War I, and saw combat in France. He was an accountant in Sarasota, Florida, from 1920 to 1933 and served as general manager of the John Ringling estate from 1933 to 1943.\nOn December 4, 1942, Haley married Aubrey Ringling (née Aubrey Barlow Black), the widow of Richard T. Ringling who had died in 1931. Richard Ringling was the son of one of the original Ringling brothers. From 1943 to 1945, he was the first vice president of Ringling Circus and president and\ndirector of Ringling Brothers, Barnum \u0026 Bailey. In 1944, a fire broke out at a Ringling Circus show in Hartford, Connecticut that killed 169 persons. As a result of the fire he and five other circus officials pleaded no contest to charges of involuntary manslaughter and were sentenced to prison. He served\neight months and in 1945 was returned to Florida, where he received a pardon from Governor Millard F. Caldwell. Upon his release from prison, Haley again served as president and director for the Ringling Bros. and Barnum and Bailey Circus of Sarasota from 1946 to 1948. He engaged in newspaper publishing and\nlater in general printing business. He served as chairman of the Democratic Executive Committee of Sarasota County 1935–1952. He was elected and served as member of the Florida House of Representatives from 1949 to 1952. He was a delegate to the Democratic National Conventions in 1952, 1956, and 1960.\nHaley was elected as a Democrat to the Eighty-third and to the eleven succeeding Congresses (January 3, 1953 – January 3, 1977). He was a member of the Committee on Interior and Insular Affairs, the Hospital Subcommittee of the Veterans Affair Committee, and the Indian Affairs Subcommittee. He served as chairman of the Committee on Interior and Insular Affairs (Ninety-third\nand Ninety-fourth Congresses). Haley was not a candidate for reelection to the Ninety-fifth Congress in 1976.","Haley died in Sarasota on August 6, 1981 and was interred in Boca Raton Cemetery in Boca Raton,FL. The James A. Haley Veterans Hospital located in Tampa is named for him. ","Sources: U.S. House of Representatives Official Biography and Haley Papers biographical data, 2018"],"scopecontent_html_tesm":["\u003cp\u003eThe James A. Haley Papers consist of his personal and political papers. Correspondence, clippings, newsletters, photographs, congressional reports, and awards from various civic and political organizations give insight into Haley's public interests. Photographs of his wife, the Circus and political\naffiliates uncover the many facets of Haley's life. A limited amount of biographical information, including news articles about his death, reflect on how this public figure kept his private life private. Of note is the\nseries about the Hartford Circus fire. \u003c/p\u003e\n","\u003cp\u003eThe Papers are arranged in five collections: Personal, Hartford Circus Fire, Political, Florida House of Representatives, and U.S. Congressional.\u003c/p\u003e\n","\u003cp\u003eThe Personal papers, arranged alphabetically by format, consists of calendars, correspondence, newsletters, photographs, awards and other ephemera giving a broad look into Haley's life in and out of office. A limited amount of biographical information, including news articles about his death, is included.\u003c/p\u003e\n","\u003cp\u003eHaley Papers\nCorrespondence, newsletters, and awards from various civic and political organizations show the range of Haley's public interests while the invitations he accepted give a sense of the social life of a congressman in the 1950s-1970s. Congratulatory messages may give insight into who he counted\namong his political allies. The correspondence in this series, 1940-1981, the bulk of which are letters from Haley's time in the U.S. House of Representative (1953-1976) is of a general nature and may not be of a specific topic, but often must still be viewed as official. Since Haley was a public figure, the materials in this series should be viewed in the context that public figures kept their private life private.\u003c/p\u003e\n","\u003cp\u003eThe ephemera is mostly three-dimensional objects from Haley's office. The photographs within this series are also generally of an official nature. They are arranged by subject. Of particular note are the\nphotographs of Haley with several U.S. Presidents. Please see a digital exhibit at\nhttp://www.flsouthern.edu/library/mckay-archives/digital-exhibits/haley-presidents.aspx.\u003c/p\u003e\n","\u003cp\u003eThe Hartford Circus Fire collection encompasses documentation of the burning of a tent at the Ringling Bros. and Barnum \u0026amp; Baily Circus in Hartford, Connecticut on July 6, 1944, the loss of 150 lives, and the resulting trial. As first vice president of the Company, James A. Haley took responsibility, was found\nguilty of manslaughter, and served time in a federal prison. The documentation is comprised of, but not limited to, correspondence, news clippings, financial documents and court records. Correspondence takes the form of letters and telegrams with topics between Haley and staff and Haley and lawyers about what happened in the fire and with the trial. There are also letters to Haley while he is in jail, mostly regarding his personal health and welfare. There are extensive newspaper clippings about the fire and the trial. Corporate information includes circus routes, minutes and by-laws. The financial documents are extensive and record the financial standing of the circus, while Court Records consist of trial scripts, pleas, and scripts from the parole hearing. Anyone searching for general understanding of the events of the fire should look at the newspapers, and then the letters and telegrams.\u003c/p\u003e\n","\u003cp\u003eThe Political Papers collection concerns Haley's campaigns and party work. As a member of the U.S. House of Representatives, Haley was up for reelection every two years. The Campaign Files sub-series contains correspondence, government records, news articles, and other documents related to the subject's political campaigns between 1952 and 1974. Of special interest are the endorsements which how where and from whom he received his political support from.\u003c/p\u003e\n","\u003cp\u003eThe Democratic Party sub-collection reflects the subject's involvement with his political party. He served as a delegate to several Democratic National Conventions over the course of his career. He also took an interest in other political races throughout Florida and the nation. This series contains correspondence and newspaper articles concerning elections not specific to the subject, as well as general party information for candidates and booklets produced for the conventions.\u003c/p\u003e\n","\u003cp\u003eThe Florida House of Representatives collection encompass Haley's career as the State Representative for Sarasota County in the Florida House of Representatives. Haley held this office from 1948-1952. The materials are arranged in as logical order as possible. There was no discernable order prior to processing as the materials had been housed and rehoused several times since they were donated to the college. Of special note are the materials related to the Haley Committee Investigating Crime, which investigated political corruption and organized crime in the state. The collection also includes materials concerning state issues of the day, as well as issues specific to Sarasota County. Additionally, there are reference materials used by the subject in the performance of his duties. The Haley Committee on Investigating Crime sub-series contains transcripts of hearings, proceedings,\ncorrespondence, and news articles related to this committee, while the Issues sub-series is arranged Haley Papers\nalphabetically and contains correspondence, legislation, news articles, and reference material related to the respective issue. The Reference sub-series contain Florida House and Senate Bill Summaries, Legislative calendars, House and Senate Journals, and roll call votes. And, the Sarasota District subseries contain correspondence, reference materials, and news articles related specifically to that district.\u003c/p\u003e\n","\u003cp\u003eThe U.S. Congressional Papers, the largest collection, comprise the political aspects of Haley's US congressional career. The materials are arranged in alphabetical order created by his office. Haley held a seat representing the southwest coast and heartland of Florida from 1953-1977. The materials in this\nseries contain correspondence, articles, government documents, and photographs; they cover nearly every major issue to confront the United States during the 1950s through the 1970s. Of special note is the constituent correspondence, which are letters from citizens to Haley asking for information or help on a variety of topics. Letters and telegrams sent to Haley by citizens in his district give a sense of the\nviews of the general public concerning the issues of the era. Haley's views are expressed in his replies. The materials are arranged alphabetically by issue and date. This arrangement closely corresponds to how they were filed in the subject's office. Please note that even though the files are arranged by issue, some correspondence might also be located in \"catch-all\" categories such as \"Haley Bills: Master File: 83rd Congress: 1953-1954,\"\n\"Correspondence: 19XX,\" to use but two examples. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The James A. Haley Papers consist of his personal and political papers. Correspondence, clippings, newsletters, photographs, congressional reports, and awards from various civic and political organizations give insight into Haley's public interests. Photographs of his wife, the Circus and political\naffiliates uncover the many facets of Haley's life. A limited amount of biographical information, including news articles about his death, reflect on how this public figure kept his private life private. Of note is the\nseries about the Hartford Circus fire. ","The Papers are arranged in five collections: Personal, Hartford Circus Fire, Political, Florida House of Representatives, and U.S. Congressional.","The Personal papers, arranged alphabetically by format, consists of calendars, correspondence, newsletters, photographs, awards and other ephemera giving a broad look into Haley's life in and out of office. A limited amount of biographical information, including news articles about his death, is included.","Haley Papers\nCorrespondence, newsletters, and awards from various civic and political organizations show the range of Haley's public interests while the invitations he accepted give a sense of the social life of a congressman in the 1950s-1970s. Congratulatory messages may give insight into who he counted\namong his political allies. The correspondence in this series, 1940-1981, the bulk of which are letters from Haley's time in the U.S. House of Representative (1953-1976) is of a general nature and may not be of a specific topic, but often must still be viewed as official. Since Haley was a public figure, the materials in this series should be viewed in the context that public figures kept their private life private.","The ephemera is mostly three-dimensional objects from Haley's office. The photographs within this series are also generally of an official nature. They are arranged by subject. Of particular note are the\nphotographs of Haley with several U.S. Presidents. Please see a digital exhibit at\nhttp://www.flsouthern.edu/library/mckay-archives/digital-exhibits/haley-presidents.aspx.","The Hartford Circus Fire collection encompasses documentation of the burning of a tent at the Ringling Bros. and Barnum \u0026 Baily Circus in Hartford, Connecticut on July 6, 1944, the loss of 150 lives, and the resulting trial. As first vice president of the Company, James A. Haley took responsibility, was found\nguilty of manslaughter, and served time in a federal prison. The documentation is comprised of, but not limited to, correspondence, news clippings, financial documents and court records. Correspondence takes the form of letters and telegrams with topics between Haley and staff and Haley and lawyers about what happened in the fire and with the trial. There are also letters to Haley while he is in jail, mostly regarding his personal health and welfare. There are extensive newspaper clippings about the fire and the trial. Corporate information includes circus routes, minutes and by-laws. The financial documents are extensive and record the financial standing of the circus, while Court Records consist of trial scripts, pleas, and scripts from the parole hearing. Anyone searching for general understanding of the events of the fire should look at the newspapers, and then the letters and telegrams.","The Political Papers collection concerns Haley's campaigns and party work. As a member of the U.S. House of Representatives, Haley was up for reelection every two years. The Campaign Files sub-series contains correspondence, government records, news articles, and other documents related to the subject's political campaigns between 1952 and 1974. Of special interest are the endorsements which how where and from whom he received his political support from.","The Democratic Party sub-collection reflects the subject's involvement with his political party. He served as a delegate to several Democratic National Conventions over the course of his career. He also took an interest in other political races throughout Florida and the nation. This series contains correspondence and newspaper articles concerning elections not specific to the subject, as well as general party information for candidates and booklets produced for the conventions.","The Florida House of Representatives collection encompass Haley's career as the State Representative for Sarasota County in the Florida House of Representatives. Haley held this office from 1948-1952. The materials are arranged in as logical order as possible. There was no discernable order prior to processing as the materials had been housed and rehoused several times since they were donated to the college. Of special note are the materials related to the Haley Committee Investigating Crime, which investigated political corruption and organized crime in the state. The collection also includes materials concerning state issues of the day, as well as issues specific to Sarasota County. Additionally, there are reference materials used by the subject in the performance of his duties. The Haley Committee on Investigating Crime sub-series contains transcripts of hearings, proceedings,\ncorrespondence, and news articles related to this committee, while the Issues sub-series is arranged Haley Papers\nalphabetically and contains correspondence, legislation, news articles, and reference material related to the respective issue. The Reference sub-series contain Florida House and Senate Bill Summaries, Legislative calendars, House and Senate Journals, and roll call votes. And, the Sarasota District subseries contain correspondence, reference materials, and news articles related specifically to that district.","The U.S. Congressional Papers, the largest collection, comprise the political aspects of Haley's US congressional career. The materials are arranged in alphabetical order created by his office. Haley held a seat representing the southwest coast and heartland of Florida from 1953-1977. The materials in this\nseries contain correspondence, articles, government documents, and photographs; they cover nearly every major issue to confront the United States during the 1950s through the 1970s. Of special note is the constituent correspondence, which are letters from citizens to Haley asking for information or help on a variety of topics. Letters and telegrams sent to Haley by citizens in his district give a sense of the\nviews of the general public concerning the issues of the era. Haley's views are expressed in his replies. The materials are arranged alphabetically by issue and date. This arrangement closely corresponds to how they were filed in the subject's office. Please note that even though the files are arranged by issue, some correspondence might also be located in \"catch-all\" categories such as \"Haley Bills: Master File: 83rd Congress: 1953-1954,\"\n\"Correspondence: 19XX,\" to use but two examples. "],"userestrict_html_tesm":["\u003cp\u003eThe Congressman James A. Haley Papers are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by\nthe copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Please inquire if you have questions -\narchives@flsouthern.edu. \u003c/p\u003e\n","\u003cp\u003eConstituent Correspondence files are restricted from publication until 2052\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Congressman James A. Haley Papers are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by\nthe copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Please inquire if you have questions -\narchives@flsouthern.edu. ","Constituent Correspondence files are restricted from publication until 2052"],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Haley, James A., Congressman "],"corpname_ssim":["The Sarah D. and L. 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Correspondence and Series II. Works Progress Administration Federal Writers Project Research Papers.","William Stetson Kennedy also known as Stetson Kennedy, was born on October 5, 1911 in Jacksonville, Florida to Willye Stetson and George Wallace Kennedy. He was an American author, folklorist and human rights activist. In 1937, Kennedy worked for the Works Progress Administration's Federal Writer's Project where he collected and recorded folklore in Florida, U.S.A. He is also remembered for infiltrating the Ku Klux Klan during the 1940s, exposing its secrets to authorities and the world.","The Stetson Kennedy Collection was processed at the file level. The finding aid may be updated to reflect new descriptions as well as aquisitions to the collection.","The Stetson Kennedy Papers contains correspondence, research papers, writings and photographs that document his time within the Works Progress Administration's  Federal Writers Project.","Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library","English"],"unitid_tesim":["BIENES.1996.1","/repositories/3/resources/33"],"normalized_date_ssm":["Circa 1936-1995"],"normalized_title_ssm":["Stetson Kennedy Papers, Circa 1936-1995"],"collection_title_tesim":["Stetson Kennedy Papers, Circa 1936-1995"],"collection_ssim":["Stetson Kennedy Papers, Circa 1936-1995"],"repository_ssm":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"acqinfo_ssim":["The Stetson Kennedy papers was donated to the Bienes Museum of the Modern Book by Stetson Kennnedy."],"has_online_content_ssim":["false"],"extent_ssm":["3.34 Linear Feet"],"extent_tesim":["3.34 Linear Feet"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eThe Stetson Kennedy Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Stetson Kennedy Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe series is arranged into two series: Series I. Correspondence and Series II. Works Progress Administration Federal Writers Project Research Papers.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The series is arranged into two series: Series I. Correspondence and Series II. Works Progress Administration Federal Writers Project Research Papers."],"bioghist_html_tesm":["\u003cp\u003eWilliam Stetson Kennedy also known as Stetson Kennedy, was born on October 5, 1911 in Jacksonville, Florida to Willye Stetson and George Wallace Kennedy. He was an American author, folklorist and human rights activist. In 1937, Kennedy worked for the Works Progress Administration's Federal Writer's Project where he collected and recorded folklore in Florida, U.S.A. He is also remembered for infiltrating the Ku Klux Klan during the 1940s, exposing its secrets to authorities and the world.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["William Stetson Kennedy also known as Stetson Kennedy, was born on October 5, 1911 in Jacksonville, Florida to Willye Stetson and George Wallace Kennedy. He was an American author, folklorist and human rights activist. In 1937, Kennedy worked for the Works Progress Administration's Federal Writer's Project where he collected and recorded folklore in Florida, U.S.A. He is also remembered for infiltrating the Ku Klux Klan during the 1940s, exposing its secrets to authorities and the world."],"prefercite_html_tesm":["\u003cp\u003eThe Stetson Kennedy Papers, Bienes Museum of the Modern Book, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Stetson Kennedy Papers, Bienes Museum of the Modern Book, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Stetson Kennedy Collection was processed at the file level. The finding aid may be updated to reflect new descriptions as well as aquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Stetson Kennedy Collection was processed at the file level. The finding aid may be updated to reflect new descriptions as well as aquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Stetson Kennedy Papers contains correspondence, research papers, writings and photographs that document his time within the Works Progress Administration's  Federal Writers Project.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Stetson Kennedy Papers contains correspondence, research papers, writings and photographs that document his time within the Works Progress Administration's  Federal Writers Project."],"names_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"corpname_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"language_ssim":["English"],"total_component_count_is":165,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870839703710728192,"_root_":"3990c8b0263ef7e4284c134d","timestamp":"2026-07-16T03:16:15.540Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3990c8b0263ef7e4284c134d_aspace_fe3d6464353ff0eddcf23a4dde819428"}},{"id":"71b8a757b0f138dee122db24_aspace_78deb78ff153181deb3cd3e5379f984f","type":"File","attributes":{"title":"Wright, Al, 1947-1949","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/71b8a757b0f138dee122db24_aspace_78deb78ff153181deb3cd3e5379f984f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_78deb78ff153181deb3cd3e5379f984f","ref_ssm":["aspace_78deb78ff153181deb3cd3e5379f984f","aspace_78deb78ff153181deb3cd3e5379f984f"],"id":"71b8a757b0f138dee122db24_aspace_78deb78ff153181deb3cd3e5379f984f","title_filing_ssi":"Wright, Al","title_ssm":["Wright, Al"],"title_tesim":["Wright, Al"],"unitdate_inclusive_ssm":["1947-1949"],"normalized_date_ssm":["1947-1949"],"normalized_title_ssm":["Wright, Al, 1947-1949"],"text":["Wright, Al, 1947-1949","Florida Bandmasters Association Records, 1936-2010","Correspondence","Letters by Correspondent","/repositories/2/archival_objects/40417","box 93","folder 10"],"component_level_isim":[3],"parent_ids_ssim":["71b8a757b0f138dee122db24","71b8a757b0f138dee122db24_aspace_73dc9b1d2c27e41cb1782e4d9efb7b87","71b8a757b0f138dee122db24_aspace_5ffa747c554c95e6d9a41ccba0a978c3"],"parent_unittitles_ssm":["Florida Bandmasters Association Records, 1936-2010","Correspondence","Letters by Correspondent"],"parent_unittitles_tesim":["Florida Bandmasters Association Records, 1936-2010","Correspondence","Letters by Correspondent"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/40417"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"collection_ssim":["Florida Bandmasters Association Records, 1936-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1752,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"parent_access_terms_tesm":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"date_range_isim":[1947,1948,1949],"containers_ssim":["box 93","folder 10"],"_nest_path_":"/components#3/components#0/components#345","_nest_parent_":"71b8a757b0f138dee122db24_aspace_5ffa747c554c95e6d9a41ccba0a978c3","_root_":"71b8a757b0f138dee122db24","_version_":1877102187519148032,"timestamp":"2026-09-23T06:15:45.471Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"71b8a757b0f138dee122db24","title_ssm":["Florida Bandmasters Association Records"],"title_tesim":["Florida Bandmasters Association Records"],"ead_ssi":"71b8a757b0f138dee122db24","unitdate_ssm":["1936-2010"],"unitdate_inclusive_ssm":["1936-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS1000","/repositories/2/resources/26"],"text":["MS1000","/repositories/2/resources/26","Florida Bandmasters Association Records, 1936-2010","Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.","The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2","This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.","Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association","English"],"unitid_tesim":["MS1000","/repositories/2/resources/26"],"normalized_date_ssm":["1936-2010"],"normalized_title_ssm":["Florida Bandmasters Association Records, 1936-2010"],"collection_title_tesim":["Florida Bandmasters Association Records, 1936-2010"],"collection_ssim":["Florida Bandmasters Association Records, 1936-2010"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"creator_ssm":["Florida Bandmaster Association"],"creator_ssim":["Florida Bandmaster Association"],"creator_corpname_ssim":["Florida Bandmaster Association"],"creators_ssim":["Florida Bandmaster Association"],"access_terms_ssm":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"acqinfo_ssim":["Beginning in 1967, John J. Heney took on the role of FBA archivist and began to assemble what records he could collect from former FBA presidents, executive director Robert Lampi, and individual bandmasters. Heney made arrangements with the University of Florida to store the records, which he delivered in several installments through 1978. In 1988, because of a connection between an FBA member and Florida Southern College, the collection was returned to the FBA and moved to FSC."],"access_subjects_ssim":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"access_subjects_ssm":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["60.5 Linear Feet"],"extent_tesim":["60.5 Linear Feet"],"genreform_ssim":["Correspondence","Photographs"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eThe Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2"],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.\u003c/p\u003e\n","\u003cp\u003eThe records have been arranged in eight series, six of which have been further arranged in subseries.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026amp; Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries \u0026#x2013; Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.\u003c/p\u003e\n","\u003cp\u003eSeries 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.\u003c/p\u003e\n","\u003cp\u003eSeries 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.\u003c/p\u003e\n","\u003cp\u003eSeries 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association"],"corpname_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2839,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877102187519148032,"_root_":"71b8a757b0f138dee122db24","timestamp":"2026-09-23T06:15:45.471Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/71b8a757b0f138dee122db24_aspace_78deb78ff153181deb3cd3e5379f984f"}},{"id":"236a3c88b766327883b2e155_aspace_847d0ffd3f697aaaf6e53a37f74ad9c0","type":"Series","attributes":{"title":"Writing and Composition, 1944–1976","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_847d0ffd3f697aaaf6e53a37f74ad9c0#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_847d0ffd3f697aaaf6e53a37f74ad9c0#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_847d0ffd3f697aaaf6e53a37f74ad9c0","ref_ssm":["aspace_847d0ffd3f697aaaf6e53a37f74ad9c0","aspace_847d0ffd3f697aaaf6e53a37f74ad9c0"],"id":"236a3c88b766327883b2e155_aspace_847d0ffd3f697aaaf6e53a37f74ad9c0","title_filing_ssi":"Writing and Composition","title_ssm":["Writing and Composition"],"title_tesim":["Writing and Composition"],"unitdate_inclusive_ssm":["1944–1976"],"normalized_date_ssm":["1944–1976"],"normalized_title_ssm":["Writing and Composition, 1944–1976"],"text":["Writing and Composition, 1944–1976","Joy Postle papers, 1910-2015","/repositories/4/archival_objects/87632","/repositories/4/archival_objects/91129","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music."],"component_level_isim":[1],"parent_ids_ssim":["236a3c88b766327883b2e155"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/4/archival_objects/87632","/repositories/4/archival_objects/91129"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":353,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"scopecontent_html_tesm":["\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music."],"_nest_path_":"/components#1","_nest_parent_":"236a3c88b766327883b2e155","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_847d0ffd3f697aaaf6e53a37f74ad9c0"}},{"id":"a4f23414bd98e567e07b4a7d_aspace_8191913c8d89119249ca28163b4c3411","type":"Series","attributes":{"title":"Writings, 1938-1975","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a4f23414bd98e567e07b4a7d_aspace_8191913c8d89119249ca28163b4c3411#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eContains Frederick DeCoste's writings, manuscripts, published or unpublished.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a4f23414bd98e567e07b4a7d_aspace_8191913c8d89119249ca28163b4c3411#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_8191913c8d89119249ca28163b4c3411","ref_ssm":["aspace_8191913c8d89119249ca28163b4c3411","aspace_8191913c8d89119249ca28163b4c3411"],"id":"a4f23414bd98e567e07b4a7d_aspace_8191913c8d89119249ca28163b4c3411","title_filing_ssi":"Writings","title_ssm":["Writings"],"title_tesim":["Writings"],"unitdate_inclusive_ssm":["1938-1975"],"normalized_date_ssm":["1938-1975"],"normalized_title_ssm":["Writings, 1938-1975"],"text":["Writings, 1938-1975","Frederick DeCoste Collection, 1920-1977","/repositories/4/archival_objects/13293","Contains Frederick DeCoste's writings, manuscripts, published or unpublished."],"component_level_isim":[1],"parent_ids_ssim":["a4f23414bd98e567e07b4a7d"],"parent_unittitles_ssm":["Frederick DeCoste Collection, 1920-1977"],"parent_unittitles_tesim":["Frederick DeCoste Collection, 1920-1977"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/4/archival_objects/13293"],"repository_ssim":["Broward County Historical Archives"],"collection_ssim":["Frederick DeCoste Collection, 1920-1977"],"has_online_content_ssim":["false"],"child_component_count_isi":47,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":74,"parent_access_restrict_tesm":["The Frederick DeCoste Collection is open for research."],"date_range_isim":[1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975],"scopecontent_html_tesm":["\u003cp\u003eContains Frederick DeCoste's writings, manuscripts, published or unpublished.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Contains Frederick DeCoste's writings, manuscripts, published or unpublished."],"_nest_path_":"/components#3","_nest_parent_":"a4f23414bd98e567e07b4a7d","_root_":"a4f23414bd98e567e07b4a7d","timestamp":"2026-07-09T02:36:49.803Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a4f23414bd98e567e07b4a7d","title_filing_ssi":"DeCoste, Frederick Collection","title_ssm":["Frederick DeCoste Collection"],"title_tesim":["Frederick DeCoste Collection"],"ead_ssi":"a4f23414bd98e567e07b4a7d","unitdate_ssm":["1920-1977"],"unitdate_inclusive_ssm":["1920-1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.1978.10","/repositories/4/resources/69"],"text":["BCHA.1978.10","/repositories/4/resources/69","Frederick DeCoste Collection, 1920-1977","Saint Augustine (Fla.)","Historians","Travel","Lectures and lecturing","Correspondence","Publications","Notebooks","Photographs","Local history","Non-fiction","The Frederick DeCoste Collection is open for research.","Frederick DeCoste Collection is organized in five series: Series I: Personal papers, Series II. Correspondence, Series III. Professional papers, Series IV. Writings, Series V. Publications.","Frederick DeCoste (1910-1977) [1] was an American specialist in Cultural Affairs and International Relations between the United States and Latin America. When he retired in the 1960s, he settled in Saint Augustine, Florida, where he became a freelance writer. ","Frederick DeCoste was born in 1910 in Boston, Massachusetts. He attended school in Massachusetts and Connecticut. After high school, he traveled to South America becoming a \"merchant marine cadet with the Munson Steamship Line\" [2]. He then attended college for one year at the University of Transylvania, Kentucky, where he studied English. The Great Depression in 1929 forced him to try different jobs until 1936. That year, he had the opportunity to live in Peru where he studied for one year at the University of San Marcos. Additionally, Frederick DeCoste published articles for the West Coast Leader, an English language magazine edited in Lima. He was also Director of Public Relations for the Condor Peruana de Aviación, S. A. ","In 1939, Frederick DeCoste returned to the United States and lived in Putney, Vermont. He worked as Assistant Director for Experiment in International Living, a company specializing in exchange programs. DeCoste was a \"counselor-guide\" in charge of Latin American programs, sending American students to Peru and Colombia. ","In 1941, Frederick DeCoste became the Coordinator of Inter-American Affairs in Washington D.C. He was sent to Tegucigalpa, Honduras, to manage the war information program. In 1944, he moved to Balboa, Panama, where he stayed for two years for the Public Relations Office. ","Between 1946 and 1947, Frederick DeCoste lived in Mexico and worked for the United States International Book Association to set up an exhibit of 7000 books. When the association dissolved in 1947, he decided to move back to the United States to be Assistant Director for the Council for Inter-American Cooperation Inc. in New York. Concomitantly, he was also Assistant Director for the National Foreign Trade Council, Inc., in charge of the Western Hemisphere Division. There, he edited Noticias, an internal weekly digest for the Council members, providing news and reports about the Hemisphere.","Around 1959, Frederick DeCoste retired and moved to Saint Augustine, Florida, to become a freelance writer and local historian about Florida and Saint Augustine's history. During this time, he wrote and published books and articles. ","Frederick DeCoste died in Quincy [3], Massachusetts, in 1977. He was buried in Plymouth [4].","Notes:\n[1] This biography is a synthesis of the information found in different sources: Fredrick DeCoste's Personal Papers (resume); the newspaper article \"Miracle of the hangman's rope\" in The Florida Times Union Sunday Magazine (August 7, 1966); and the following book reference: Peters, Williams, Passport to friendship. The story of the experiment and international living, J. B. Lipincott Company, Philadelphia and New York, First Edition, 1957, p. 79.\n[2] Peters, Williams, Passport to friendship. The story of the experiment and international living, op. cit.\n[3] Fredrick W. Decoste, U.S. Death Index, 1970-2003.\n[4] Frederick DeCoste, Find a Grave Index, 1600s-Current.","The Frederick DeCoste collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Frederick DeCoste Collection contains papers produced or gathered by Frederick DeCoste concerning his career and activities such as writings, correspondence, photographs, publications, and research files on Florida and Saint Augustine history."," Broward County Historical Archives","English Spanish; Castilian"],"unitid_tesim":["BCHA.1978.10","/repositories/4/resources/69"],"normalized_date_ssm":["1920-1977"],"normalized_title_ssm":["Frederick DeCoste Collection, 1920-1977"],"collection_title_tesim":["Frederick DeCoste Collection, 1920-1977"],"collection_ssim":["Frederick DeCoste Collection, 1920-1977"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"geogname_ssm":["Saint Augustine (Fla.)"],"geogname_ssim":["Saint Augustine (Fla.)"],"places_ssim":["Saint Augustine (Fla.)"],"access_subjects_ssim":["Historians","Travel","Lectures and lecturing","Correspondence","Publications","Notebooks","Photographs","Local history","Non-fiction"],"access_subjects_ssm":["Historians","Travel","Lectures and lecturing","Correspondence","Publications","Notebooks","Photographs","Local history","Non-fiction"],"has_online_content_ssim":["false"],"extent_ssm":["9 Hollinger Boxes"],"extent_tesim":["9 Hollinger Boxes"],"genreform_ssim":["Correspondence","Publications","Notebooks","Photographs","Local history","Non-fiction"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"accessrestrict_html_tesm":["\u003cp\u003eThe Frederick DeCoste Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Frederick DeCoste Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eFrederick DeCoste Collection is organized in five series: Series I: Personal papers, Series II. Correspondence, Series III. Professional papers, Series IV. Writings, Series V. Publications.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Frederick DeCoste Collection is organized in five series: Series I: Personal papers, Series II. Correspondence, Series III. Professional papers, Series IV. Writings, Series V. Publications."],"bioghist_html_tesm":["\u003cp\u003eFrederick DeCoste (1910-1977) [1] was an American specialist in Cultural Affairs and International Relations between the United States and Latin America. When he retired in the 1960s, he settled in Saint Augustine, Florida, where he became a freelance writer. \u003c/p\u003e\n","\u003cp\u003eFrederick DeCoste was born in 1910 in Boston, Massachusetts. He attended school in Massachusetts and Connecticut. After high school, he traveled to South America becoming a \"merchant marine cadet with the Munson Steamship Line\" [2]. He then attended college for one year at the University of Transylvania, Kentucky, where he studied English. The Great Depression in 1929 forced him to try different jobs until 1936. That year, he had the opportunity to live in Peru where he studied for one year at the University of San Marcos. Additionally, Frederick DeCoste published articles for the West Coast Leader, an English language magazine edited in Lima. He was also Director of Public Relations for the Condor Peruana de Aviaci\u0026#xF3;n, S. A. \u003c/p\u003e\n","\u003cp\u003eIn 1939, Frederick DeCoste returned to the United States and lived in Putney, Vermont. He worked as Assistant Director for Experiment in International Living, a company specializing in exchange programs. DeCoste was a \"counselor-guide\" in charge of Latin American programs, sending American students to Peru and Colombia. \u003c/p\u003e\n","\u003cp\u003eIn 1941, Frederick DeCoste became the Coordinator of Inter-American Affairs in Washington D.C. He was sent to Tegucigalpa, Honduras, to manage the war information program. In 1944, he moved to Balboa, Panama, where he stayed for two years for the Public Relations Office. \u003c/p\u003e\n","\u003cp\u003eBetween 1946 and 1947, Frederick DeCoste lived in Mexico and worked for the United States International Book Association to set up an exhibit of 7000 books. When the association dissolved in 1947, he decided to move back to the United States to be Assistant Director for the Council for Inter-American Cooperation Inc. in New York. Concomitantly, he was also Assistant Director for the National Foreign Trade Council, Inc., in charge of the Western Hemisphere Division. There, he edited Noticias, an internal weekly digest for the Council members, providing news and reports about the Hemisphere.\u003c/p\u003e\n","\u003cp\u003eAround 1959, Frederick DeCoste retired and moved to Saint Augustine, Florida, to become a freelance writer and local historian about Florida and Saint Augustine's history. During this time, he wrote and published books and articles. \u003c/p\u003e\n","\u003cp\u003eFrederick DeCoste died in Quincy [3], Massachusetts, in 1977. He was buried in Plymouth [4].\u003c/p\u003e\n","\u003cp\u003eNotes:\n[1] This biography is a synthesis of the information found in different sources: Fredrick DeCoste's Personal Papers (resume); the newspaper article \"Miracle of the hangman's rope\" in The Florida Times Union Sunday Magazine (August 7, 1966); and the following book reference: Peters, Williams, Passport to friendship. The story of the experiment and international living, J. B. Lipincott Company, Philadelphia and New York, First Edition, 1957, p. 79.\n[2] Peters, Williams, Passport to friendship. The story of the experiment and international living, op. cit.\n[3] Fredrick W. Decoste, U.S. Death Index, 1970-2003.\n[4] Frederick DeCoste, Find a Grave Index, 1600s-Current.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Frederick DeCoste (1910-1977) [1] was an American specialist in Cultural Affairs and International Relations between the United States and Latin America. When he retired in the 1960s, he settled in Saint Augustine, Florida, where he became a freelance writer. ","Frederick DeCoste was born in 1910 in Boston, Massachusetts. He attended school in Massachusetts and Connecticut. After high school, he traveled to South America becoming a \"merchant marine cadet with the Munson Steamship Line\" [2]. He then attended college for one year at the University of Transylvania, Kentucky, where he studied English. The Great Depression in 1929 forced him to try different jobs until 1936. That year, he had the opportunity to live in Peru where he studied for one year at the University of San Marcos. Additionally, Frederick DeCoste published articles for the West Coast Leader, an English language magazine edited in Lima. He was also Director of Public Relations for the Condor Peruana de Aviación, S. A. ","In 1939, Frederick DeCoste returned to the United States and lived in Putney, Vermont. He worked as Assistant Director for Experiment in International Living, a company specializing in exchange programs. DeCoste was a \"counselor-guide\" in charge of Latin American programs, sending American students to Peru and Colombia. ","In 1941, Frederick DeCoste became the Coordinator of Inter-American Affairs in Washington D.C. He was sent to Tegucigalpa, Honduras, to manage the war information program. In 1944, he moved to Balboa, Panama, where he stayed for two years for the Public Relations Office. ","Between 1946 and 1947, Frederick DeCoste lived in Mexico and worked for the United States International Book Association to set up an exhibit of 7000 books. When the association dissolved in 1947, he decided to move back to the United States to be Assistant Director for the Council for Inter-American Cooperation Inc. in New York. Concomitantly, he was also Assistant Director for the National Foreign Trade Council, Inc., in charge of the Western Hemisphere Division. There, he edited Noticias, an internal weekly digest for the Council members, providing news and reports about the Hemisphere.","Around 1959, Frederick DeCoste retired and moved to Saint Augustine, Florida, to become a freelance writer and local historian about Florida and Saint Augustine's history. During this time, he wrote and published books and articles. ","Frederick DeCoste died in Quincy [3], Massachusetts, in 1977. He was buried in Plymouth [4].","Notes:\n[1] This biography is a synthesis of the information found in different sources: Fredrick DeCoste's Personal Papers (resume); the newspaper article \"Miracle of the hangman's rope\" in The Florida Times Union Sunday Magazine (August 7, 1966); and the following book reference: Peters, Williams, Passport to friendship. The story of the experiment and international living, J. B. Lipincott Company, Philadelphia and New York, First Edition, 1957, p. 79.\n[2] Peters, Williams, Passport to friendship. The story of the experiment and international living, op. cit.\n[3] Fredrick W. Decoste, U.S. Death Index, 1970-2003.\n[4] Frederick DeCoste, Find a Grave Index, 1600s-Current."],"prefercite_html_tesm":["\u003cp\u003eFrederick DeCoste Collection, Broward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Frederick DeCoste Collection, Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Frederick DeCoste collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Frederick DeCoste collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Frederick DeCoste Collection contains papers produced or gathered by Frederick DeCoste concerning his career and activities such as writings, correspondence, photographs, publications, and research files on Florida and Saint Augustine history.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Frederick DeCoste Collection contains papers produced or gathered by Frederick DeCoste concerning his career and activities such as writings, correspondence, photographs, publications, and research files on Florida and Saint Augustine history."],"names_ssim":[" Broward County Historical Archives"],"corpname_ssim":[" Broward County Historical Archives"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":249,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"a4f23414bd98e567e07b4a7d","timestamp":"2026-07-09T02:36:49.803Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a4f23414bd98e567e07b4a7d_aspace_8191913c8d89119249ca28163b4c3411"}},{"id":"5e17dda97e7549e9d9b40539_aspace_d6af93a9ccc0202ec001a64dc420c491","type":"Subseries","attributes":{"title":"Writings by Dorothy Porter Wesley, Circa 1935-1982","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_d6af93a9ccc0202ec001a64dc420c491#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_d6af93a9ccc0202ec001a64dc420c491","ref_ssm":["aspace_d6af93a9ccc0202ec001a64dc420c491","aspace_d6af93a9ccc0202ec001a64dc420c491"],"id":"5e17dda97e7549e9d9b40539_aspace_d6af93a9ccc0202ec001a64dc420c491","title_filing_ssi":"Writings by Dorothy Porter Wesley","title_ssm":["Writings by Dorothy Porter Wesley"],"title_tesim":["Writings by Dorothy Porter Wesley"],"unitdate_inclusive_ssm":["Circa 1935-1982"],"normalized_date_ssm":["Circa 1935-1982"],"normalized_title_ssm":["Writings by Dorothy Porter Wesley, Circa 1935-1982"],"text":["Writings by Dorothy Porter Wesley, Circa 1935-1982","Dorothy Porter Wesley Collection, Circa 1788-2012","Professional Papers","/repositories/2/archival_objects/3604"],"component_level_isim":[2],"parent_ids_ssim":["5e17dda97e7549e9d9b40539","5e17dda97e7549e9d9b40539_aspace_5fad3c940d5d32bd28317ccb4d6a73d7"],"parent_unittitles_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012","Professional Papers"],"parent_unittitles_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012","Professional Papers"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/3604"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":41,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":384,"parent_access_restrict_tesm":["The Dorothy Porter Wesley Collection is open for research."],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"_nest_path_":"/components#1/components#3","_nest_parent_":"5e17dda97e7549e9d9b40539_aspace_5fad3c940d5d32bd28317ccb4d6a73d7","_root_":"5e17dda97e7549e9d9b40539","_version_":1871563605913108480,"timestamp":"2026-07-24T03:02:22.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5e17dda97e7549e9d9b40539","title_filing_ssi":"Wesley, Dorothy Porter Collection","title_ssm":["Dorothy Porter Wesley Collection"],"title_tesim":["Dorothy Porter Wesley Collection"],"ead_ssi":"5e17dda97e7549e9d9b40539","unitdate_ssm":["Circa 1788-2012"],"unitdate_inclusive_ssm":["Circa 1788-2012"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2003.6","/repositories/2/resources/20"],"text":["AARLCC.2003.6","/repositories/2/resources/20","Dorothy Porter Wesley Collection, Circa 1788-2012","Africa -- Research","Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art","The Dorothy Porter Wesley Collection is open for research.","View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.","The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets","Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.","The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.","Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".","The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.","AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970","English Portuguese German"],"unitid_tesim":["AARLCC.2003.6","/repositories/2/resources/20"],"normalized_date_ssm":["Circa 1788-2012"],"normalized_title_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_title_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Africa -- Research"],"geogname_ssim":["Africa -- Research"],"places_ssim":["Africa -- Research"],"acqinfo_ssim":["Broward County Library purchased the materials from Constance Porter Uzelac (daughter of Dorothy Porter Wesley) in December 2002 (Accession AARLCC-2003.6). Milan Uzelac donated accruals to AARLCC Special Collections on June 29, 2012 (Accession AARLCC-2012.12) and on May 12, 2022 (Accession AARLCC-2022.7)."],"access_subjects_ssim":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"access_subjects_ssm":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes","2800 Books"],"extent_tesim":["67 Hollinger Boxes","2800 Books"],"genreform_ssim":["Photographs","Sound recordings","Correspondence","Art"],"date_range_isim":[1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Dorothy Porter Wesley Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll37/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series and sub-series:\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries I. Correspondence\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. General Correspondence\u003c/p\u003e","\u003cp\u003eSub-series II. Family Correspondence\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries II. Professional Papers\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley professional papers\u003c/p\u003e","\u003cp\u003eSub-series II. Constance Porter Uzelac professional papers \u003c/p\u003e","\u003cp\u003eSub-series III. Charles Harris Wesley professional papers \u003c/p\u003e","\u003cp\u003eSub-series IV. Writings by Dorothy Porter Wesley\u003c/p\u003e","\u003cp\u003eSub-series V. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VI. Writings by James A. Porter\u003c/p\u003e","\u003cp\u003eSub-series VII. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VIII. Writings by Charles Harris Wesley \u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries III. Research Files\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley general research files\u003c/p\u003e","\u003cp\u003eSub-series II. Dorothy Porter Wesley Brazil research files\u003c/p\u003e","\u003cp\u003eSub-series III. Dorothy Porter Wesley illustrations\u003c/p\u003e","\u003cp\u003eSub-series IV. Constance Porter Uzelac research files\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries IV. Personal Papers\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries V. Photographs\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries VI. Printed Materials\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Calendars and Datebooks\u003c/p\u003e","\u003cp\u003eSub-series II. Catalogs\u003c/p\u003e","\u003cp\u003eSub-series III. General\u003c/p\u003e","\u003cp\u003eSub-series IV. Magazines\u003c/p\u003e","\u003cp\u003eSub-series V. Maps\u003c/p\u003e","\u003cp\u003eSub-series VI. Newspaper Clippings\u003c/p\u003e","\u003cp\u003eSub-series VII. Sheet Music\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries VII. Ephemera and Artwork\u003c/p\u003e\u003c/b\u003e","\u003cp\u003e\u003cb\u003eSeries VIII. Books and Pamphlets\u003c/b\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets"],"bioghist_html_tesm":["\u003cp\u003eDorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. \u003c/p\u003e\n","\u003cp\u003eIn 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work, \u003cemph\u003eModern Negro Art\u003c/emph\u003e, proved to be one of the most informative sources to date on the creativity of the Black artists.\u003c/p\u003e\n","\u003cp\u003eIn 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.\u003c/p\u003e\n","\u003cp\u003eJames Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. \u003c/p\u003e\n","\u003cp\u003eCharles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.\u003c/p\u003e\n","\u003cp\u003eIn 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.\u003c/p\u003e\n","\u003cp\u003eThe book \u003ci\u003eWilliam Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874\u003c/i\u003e (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.\u003c/p\u003e\n","\u003cp\u003eIn 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012."],"prefercite_html_tesm":["\u003cp\u003eDorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Dorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\n\u003ca href=\"https://archives.yale.edu/repositories/11/resources/994\" target=\"_blank\"\u003ePart of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.\u003c/a\u003e\n\u003c/p\u003e","\u003cp\u003e\n\u003ca href=\"https://archives.libraries.emory.edu/repositories/7/resources/3255\" target=\"_blank\"\u003eDorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.\u003c/a\u003e\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.\u003c/p\u003e\n","\u003cp\u003eCorrespondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.\u003c/p\u003e\n","\u003cp\u003eProfessional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.\u003c/p\u003e\n","\u003cp\u003eConstance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". \u003c/p\u003e\n","\u003cp\u003eThe collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.\u003c/p\u003e\n","\u003cp\u003eResearch files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.\u003c/p\u003e\n","\u003cp\u003ePrinted Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=DPW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_559c404160acc20bdc75d09cde3325a4\"\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets."],"names_ssim":["AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Wesley, Dorothy Porter, 1905-1995"],"persname_ssim":["Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"language_ssim":["English Portuguese German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1539,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563605913108480,"_root_":"5e17dda97e7549e9d9b40539","timestamp":"2026-07-24T03:02:22.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_d6af93a9ccc0202ec001a64dc420c491"}},{"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_9601eb01a734431c20952067f6d826b7","type":"Subseries","attributes":{"title":"Written Work, 1897-1993, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_9601eb01a734431c20952067f6d826b7#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9601eb01a734431c20952067f6d826b7","ref_ssm":["aspace_9601eb01a734431c20952067f6d826b7","aspace_9601eb01a734431c20952067f6d826b7"],"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_9601eb01a734431c20952067f6d826b7","title_filing_ssi":"Written Work","title_ssm":["Written Work"],"title_tesim":["Written Work"],"unitdate_inclusive_ssm":["1897-1993, Undated"],"normalized_date_ssm":["1897-1993, Undated"],"normalized_title_ssm":["Written Work, 1897-1993, Undated"],"text":["Written Work, 1897-1993, Undated","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Personal Files, 1895-2005, Undated.","Sub-Series 9","/repositories/4/archival_objects/56627"],"component_level_isim":[2],"parent_ids_ssim":["2a6a6aa34a3c99c1b1b95ea9","2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesII"],"parent_unittitles_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Personal Files, 1895-2005, Undated."],"parent_unittitles_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Personal Files, 1895-2005, Undated."],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 9","/repositories/4/archival_objects/56627"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":12,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":243,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"_nest_path_":"/components#1/components#9","_nest_parent_":"2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesII","_root_":"2a6a6aa34a3c99c1b1b95ea9","_version_":1872035374829666304,"timestamp":"2026-07-29T08:00:56.373Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2a6a6aa34a3c99c1b1b95ea9","title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"ead_ssi":"2a6a6aa34a3c99c1b1b95ea9","unitdate_ssm":["1829-2006"],"unitdate_inclusive_ssm":["1829-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.113","/repositories/4/resources/225"],"text":["SC.113","/repositories/4/resources/225","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations","The entire collection is open for research.","This collection is itemized and arranged in alphabetical and chronological order.","Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.","Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog .","This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.","UCF Special Collections","Martin, Francis John, Jr.","The materials are written in English."],"unitid_tesim":["SC.113","/repositories/4/resources/225"],"normalized_date_ssm":["1829-2006"],"normalized_title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Martin, Francis John, Jr."],"creator_ssim":["Martin, Francis John, Jr."],"creator_persname_ssim":["Martin, Francis John, Jr."],"creators_ssim":["Martin, Francis John, Jr."],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Francis Martin Jr. donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_15) and 2020 (CFM2020_02, CFM2020_03, CFM2020_16)."],"access_subjects_ssim":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"access_subjects_ssm":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"extent_tesim":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"genreform_ssim":["manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"date_range_isim":[1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is itemized and arranged in alphabetical and chronological order."],"bioghist_html_tesm":["\u003cp\u003eFrancis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners."],"prefercite_html_tesm":["\u003cp\u003eFred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMarlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e\n","\u003cp\u003eSeries I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026amp; posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.\u003c/p\u003e\n","\u003cp\u003eSeries III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.\u003c/p\u003e\n","\u003cp\u003eSeries IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4a581e455cb123495b610919f342aacb\"\u003eThe Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.\u003c/abstract\u003e"],"abstract_tesim":["The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection."],"names_ssim":["UCF Special Collections","Martin, Francis John, Jr."],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Martin, Francis John, Jr."],"language_ssim":["The materials are written in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":459,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872035374829666304,"_root_":"2a6a6aa34a3c99c1b1b95ea9","timestamp":"2026-07-29T08:00:56.373Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_9601eb01a734431c20952067f6d826b7"}},{"id":"919526f517fdb668dfdb3df7_aspace_1ecc52bba71f721ca7e22eb31d41b433","type":"File","attributes":{"title":"WWII Background Information, 1941-2005","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/919526f517fdb668dfdb3df7_aspace_1ecc52bba71f721ca7e22eb31d41b433#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains VFW, TIME, and Legion magazines about World War Two. Also included are newspaper clippings about World War Two, and a World War Two memorial dedication pin.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/919526f517fdb668dfdb3df7_aspace_1ecc52bba71f721ca7e22eb31d41b433#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1ecc52bba71f721ca7e22eb31d41b433","ref_ssm":["aspace_1ecc52bba71f721ca7e22eb31d41b433","aspace_1ecc52bba71f721ca7e22eb31d41b433"],"id":"919526f517fdb668dfdb3df7_aspace_1ecc52bba71f721ca7e22eb31d41b433","title_filing_ssi":"WWII Background Information","title_ssm":["WWII Background Information"],"title_tesim":["WWII Background Information"],"unitdate_inclusive_ssm":["1941-2005"],"normalized_date_ssm":["1941-2005"],"normalized_title_ssm":["WWII Background Information, 1941-2005"],"text":["WWII Background Information, 1941-2005","Reserve Officers Association collection, 1939-2007, Date accessioned: 2021-04-16","129","/repositories/10/archival_objects/191304","14.0016 - Box 18","folder 16","This folder contains VFW, TIME, and Legion magazines about World War Two. Also included are newspaper clippings about World War Two, and a World War Two memorial dedication pin."],"component_level_isim":[1],"parent_ids_ssim":["919526f517fdb668dfdb3df7"],"parent_unittitles_ssm":["Reserve Officers Association collection, 1939-2007, Date accessioned: 2021-04-16"],"parent_unittitles_tesim":["Reserve Officers Association collection, 1939-2007, Date accessioned: 2021-04-16"],"parent_levels_ssm":["collection"],"unitid_ssm":["129","/repositories/10/archival_objects/191304"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Reserve Officers Association collection, 1939-2007, Date accessioned: 2021-04-16"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":129,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"containers_ssim":["14.0016 - Box 18","folder 16"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains VFW, TIME, and Legion magazines about World War Two. Also included are newspaper clippings about World War Two, and a World War Two memorial dedication pin.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains VFW, TIME, and Legion magazines about World War Two. Also included are newspaper clippings about World War Two, and a World War Two memorial dedication pin."],"_nest_path_":"/components#128","_nest_parent_":"919526f517fdb668dfdb3df7","_root_":"919526f517fdb668dfdb3df7","timestamp":"2026-07-11T04:56:53.009Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"919526f517fdb668dfdb3df7","title_ssm":["Reserve Officers Association collection"],"title_tesim":["Reserve Officers Association collection"],"ead_ssi":"919526f517fdb668dfdb3df7","unitdate_ssm":["1939-2007","Date accessioned: 2021-04-16"],"unitdate_inclusive_ssm":["1939-2007"],"unitdate_other_ssim":["Date accessioned: 2021-04-16"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["14.0016","/repositories/10/resources/1855"],"text":["14.0016","/repositories/10/resources/1855","Reserve Officers Association collection, 1939-2007, Date accessioned: 2021-04-16","Naples (Italy)","Kiska Island (Alaska)","Manila (Philippines)","United States -- Armed Forces -- Women's reserves","Corsica (France)","Nordhausen (Thuringia, Germany)","Okinawa Island (Japan)","Pentagon, Washington, D.C.","Sardinia (Italy)","Iwo Jima, Battle of, 1945","World War, 1939-1945","World War, 1939-1945--Campaigns--Mediterranean Sea","Anzio, Battle of, Anzio, Italy, 1944","World War, 1939-1945--Campaigns--Europe","World War, 1939-1945--Campaigns--Italy--Sicily","Iwo Jima, Battle of, Japan, 1945","Prisoners of war--Japan","World War, 1939-1945--Prisoners and prisons","World War, 1939-1945--Campaigns--China","World War, 1939-1945--Campaigns--Burma","World War, 1939-1945 -- Campaigns -- France -- Normandy","World War, 1939-1945--Campaigns--Solomon Islands--Guadalcanal","World War, 1939-1945--Campaigns--India","World War, 1939-1945--Campaigns--Africa, North","Korea--History--1945-","World War, 1939-1945--Military intelligence--United States","World War, 1939-1945--Campaigns--New Guinea","Operation Torch, 1942","World War, 1939-1945--Australia","United States--Armed Forces--Nurses--Biography","World War, 1939-1945--Engineering and construction","Kasserine Pass, Battle of, Tunisia, 1943","Bataan, Battle of, Philippines, 1942","Bataan Death March, Philippines, 1942","World War, 1939-1945--Campaigns--Alaska--Aleutian Islands","World War, 1939-1945--Campaigns--Philippines--Luzon","Pearl Harbor (Hawaii), Attack on, 1941","Midway, Battle of, 1942","Java Sea, Battle of the, Indonesia, 1942","World War, 1939-1945--Campaigns--Algeria","World War, 1939-1945--Campaigns--Germany","World War, 1939-1945--Campaigns--Belgium","Women's Army Corps","This collection is open to all researchers.","The Reserve Officers Association collection contains a compilation of stories from the service and expereinces of ROA members during World War Two. 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