{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1949\u0026page=379","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1949\u0026page=378","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1949\u0026page=380","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1949\u0026page=406"},"meta":{"pages":{"current_page":379,"next_page":380,"prev_page":378,"total_pages":406,"limit_value":10,"offset_value":3780,"total_count":4058,"first_page?":false,"last_page?":false}},"data":[{"id":"e46a929ce5d56bf3bf0e5228_aspace_af7872d1be73815001c321fa47e214ee","type":"File","attributes":{"title":"Trees (song) - Poem by Joyce Kilmer, 1949","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/e46a929ce5d56bf3bf0e5228_aspace_af7872d1be73815001c321fa47e214ee#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_af7872d1be73815001c321fa47e214ee","ref_ssm":["aspace_af7872d1be73815001c321fa47e214ee","aspace_af7872d1be73815001c321fa47e214ee"],"id":"e46a929ce5d56bf3bf0e5228_aspace_af7872d1be73815001c321fa47e214ee","title_filing_ssi":"Trees (song) - Poem by Joyce Kilmer ","title_ssm":["Trees (song) - Poem by Joyce Kilmer "],"title_tesim":["Trees (song) - Poem by Joyce Kilmer "],"unitdate_other_ssim":["1949"],"normalized_date_ssm":["1949"],"normalized_title_ssm":["Trees (song) - Poem by Joyce Kilmer, 1949"],"text":["Trees (song) - Poem by Joyce Kilmer, 1949","Anne Roselle Collection, 1898-1989","Box 3","Sheet Music","/repositories/2/archival_objects/8826","folder 17"],"component_level_isim":[3],"parent_ids_ssim":["e46a929ce5d56bf3bf0e5228","e46a929ce5d56bf3bf0e5228_aspace_dba34535af5e1b03ae31742ad11c0d19","e46a929ce5d56bf3bf0e5228_aspace_a3d98b98790a330a7cf3512956eed4de"],"parent_unittitles_ssm":["Anne Roselle Collection, 1898-1989","Box 3","Sheet Music"],"parent_unittitles_tesim":["Anne Roselle Collection, 1898-1989","Box 3","Sheet Music"],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["/repositories/2/archival_objects/8826"],"repository_ssim":["The Sarah D. and L. 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Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.","The collection is divided into the following series: Biographical, Photos, Sheet Music, Song Books, and Instructional Material. There is an LP Album in Box 5.","Anne Roselle (born Gyenge Anna; March 20, 1894 – July 31, 1989) was a Hungarian/American operatic dramatic soprano. Daughter of a Hungarian military officer, the dramatic soprano was married as a young girl and came to New York City, where she received the bulk of her vocal training. Baritone Antonio Scotti was credited with her discovery and her initial contract with the Metropolitan Opera. She sang her debut there in December of 1920 as Muestta in La Boheme. Unhappy with the light roles assigned to her, she left the company in 1922 to tour with Scotti in such roles as Tosca and Butterfly, as well as Nedda and Micaela. In 1925 her Viennese Butterfly debut excited international attention, and in 1926 her milestone engagement in Dresden as the first German-language Turandot (under Fritz Busch) made operatic history. She remained for six seasons in Dresden while intermittently appearing in Berlin, Vienna, London, and Paris. In 1928 Toscanini selected her to sing Turandot at La Scala, and in 1930 the French government conferred upon her the title of Madame for \"service in expanding French art.\" She went to San Francisco for Turandot in 1927 and to Covent Garden for the same role in 1928 and 1929. It was Philadephia and the year 1931 that brought her next milestone: Marie in the American premiere of Wozzeck under Leopold Stokowski. This highly successful production was immediately repeated at the Metropolitan. The next year she sang Elektra--which she had studied extensively with Richard Strauss himself--under Fritz Reiner in Philadelphia. Her musical associations with Alban Berg and Richard Strauss were longstanding and productive--the latter devoting great time and care to her in performance of Don Giovanni (Donna Anna) and his own Die Frau ohne Schatten and Salome. Soon after the dealth of her husband and adviser David Rosner, she moved to the Frank Lloyd Wright campus of Florida Southern College in Lakeland, Florida, to teach voice and opera studies from 1955 until her retirement in 1967. ","(Biographical information from collection)","This collection contains biographical material, photographs, and sheet music related to Anne Roselle's career as a soprano during the early to mid twentieth century. Most of the sheet music dates from the turn of the century through the 1940s. Biographical information includes awards, lists of performances, news articles, and personal recollections by Ms. Roselle. Promotional material is also included, as well as official portraits and candid photographs.","The Anne Roselle collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu","The Sarah D. and L. 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It is unknown when this occured, although it was definitely prior to 2014."],"access_subjects_ssim":["Roselle, Anne, 1898-1989","Opera singers--United States--Biography","Sopranos--United States--Biography","Voice teachers--United States--Biography","Opera--20th century","Metropolitan Opera (New York, N.Y.)","Chicago Civic Opera Company","San Carlo Opera Company","La Scala","Music--20th century--History and criticism","Sheet Music","Performing arts--United States--History--20th century","Correspondence.","Programs (Publications)","Photographs.","Scrapbooks."],"access_subjects_ssm":["Roselle, Anne, 1898-1989","Opera singers--United States--Biography","Sopranos--United States--Biography","Voice teachers--United States--Biography","Opera--20th century","Metropolitan Opera (New York, N.Y.)","Chicago Civic Opera Company","San Carlo Opera Company","La Scala","Music--20th century--History and criticism","Sheet Music","Performing arts--United States--History--20th century","Correspondence.","Programs (Publications)","Photographs.","Scrapbooks."],"has_online_content_ssim":["false"],"extent_ssm":["3.09 Linear Feet 1 Five Inch Legal Standard Document Box and 4 16x20 Oversize Flat Boxes"],"extent_tesim":["3.09 Linear Feet 1 Five Inch Legal Standard Document Box and 4 16x20 Oversize Flat Boxes"],"genreform_ssim":["Correspondence.","Programs (Publications)","Photographs.","Scrapbooks."],"date_range_isim":[1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. 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In 1925 her Viennese Butterfly debut excited international attention, and in 1926 her milestone engagement in Dresden as the first German-language Turandot (under Fritz Busch) made operatic history. She remained for six seasons in Dresden while intermittently appearing in Berlin, Vienna, London, and Paris. In 1928 Toscanini selected her to sing Turandot at La Scala, and in 1930 the French government conferred upon her the title of Madame for \"service in expanding French art.\" She went to San Francisco for Turandot in 1927 and to Covent Garden for the same role in 1928 and 1929. It was Philadephia and the year 1931 that brought her next milestone: Marie in the American premiere of Wozzeck under Leopold Stokowski. This highly successful production was immediately repeated at the Metropolitan. The next year she sang Elektra--which she had studied extensively with Richard Strauss himself--under Fritz Reiner in Philadelphia. Her musical associations with Alban Berg and Richard Strauss were longstanding and productive--the latter devoting great time and care to her in performance of Don Giovanni (Donna Anna) and his own Die Frau ohne Schatten and Salome. Soon after the dealth of her husband and adviser David Rosner, she moved to the Frank Lloyd Wright campus of Florida Southern College in Lakeland, Florida, to teach voice and opera studies from 1955 until her retirement in 1967. \u003c/p\u003e\n","\u003cp\u003e(Biographical information from collection)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Anne Roselle (born Gyenge Anna; March 20, 1894 – July 31, 1989) was a Hungarian/American operatic dramatic soprano. Daughter of a Hungarian military officer, the dramatic soprano was married as a young girl and came to New York City, where she received the bulk of her vocal training. Baritone Antonio Scotti was credited with her discovery and her initial contract with the Metropolitan Opera. She sang her debut there in December of 1920 as Muestta in La Boheme. Unhappy with the light roles assigned to her, she left the company in 1922 to tour with Scotti in such roles as Tosca and Butterfly, as well as Nedda and Micaela. In 1925 her Viennese Butterfly debut excited international attention, and in 1926 her milestone engagement in Dresden as the first German-language Turandot (under Fritz Busch) made operatic history. She remained for six seasons in Dresden while intermittently appearing in Berlin, Vienna, London, and Paris. In 1928 Toscanini selected her to sing Turandot at La Scala, and in 1930 the French government conferred upon her the title of Madame for \"service in expanding French art.\" She went to San Francisco for Turandot in 1927 and to Covent Garden for the same role in 1928 and 1929. It was Philadephia and the year 1931 that brought her next milestone: Marie in the American premiere of Wozzeck under Leopold Stokowski. This highly successful production was immediately repeated at the Metropolitan. The next year she sang Elektra--which she had studied extensively with Richard Strauss himself--under Fritz Reiner in Philadelphia. Her musical associations with Alban Berg and Richard Strauss were longstanding and productive--the latter devoting great time and care to her in performance of Don Giovanni (Donna Anna) and his own Die Frau ohne Schatten and Salome. Soon after the dealth of her husband and adviser David Rosner, she moved to the Frank Lloyd Wright campus of Florida Southern College in Lakeland, Florida, to teach voice and opera studies from 1955 until her retirement in 1967. ","(Biographical information from collection)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains biographical material, photographs, and sheet music related to Anne Roselle's career as a soprano during the early to mid twentieth century. Most of the sheet music dates from the turn of the century through the 1940s. Biographical information includes awards, lists of performances, news articles, and personal recollections by Ms. Roselle. Promotional material is also included, as well as official portraits and candid photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains biographical material, photographs, and sheet music related to Anne Roselle's career as a soprano during the early to mid twentieth century. Most of the sheet music dates from the turn of the century through the 1940s. Biographical information includes awards, lists of performances, news articles, and personal recollections by Ms. Roselle. Promotional material is also included, as well as official portraits and candid photographs."],"userestrict_html_tesm":["\u003cp\u003eThe Anne Roselle collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). \u003c/p\u003e\n","\u003cp\u003ePlease inquire if you have questions - archives@flsouthern.edu\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Anne Roselle collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. 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The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"date_range_isim":[1949],"containers_ssim":["box 103","folder 42"],"_nest_path_":"/components#1/components#17/components#40","_nest_parent_":"8b33a8c5177804a4b9511a5f_aspace_1125375505b9ea838a26c88221c9afde","_root_":"8b33a8c5177804a4b9511a5f","_version_":1875301659078295552,"timestamp":"2026-09-03T09:17:07.659Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8b33a8c5177804a4b9511a5f","title_ssm":["Centro Asturiano de Tampa collection"],"title_tesim":["Centro Asturiano de Tampa collection"],"ead_ssi":"8b33a8c5177804a4b9511a5f","unitdate_ssm":["1902-2007","1902-1987","Date acquired: 00/00/1989"],"unitdate_bulk_ssim":["1902-1987"],"unitdate_inclusive_ssm":["1902-2007"],"unitdate_other_ssim":["Date acquired: 00/00/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1989-02","/repositories/2/resources/542"],"text":["MS-1989-02","/repositories/2/resources/542","Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Tampa (Fla.) -- History","Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa","The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.","When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011.","Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.","None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.","USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","English"],"unitid_tesim":["MS-1989-02","/repositories/2/resources/542"],"normalized_date_ssm":["1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"normalized_title_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_title_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.) -- History"],"geogname_ssim":["Tampa (Fla.) -- History"],"creator_ssm":["Centro Asturiano de Tampa"],"creator_ssim":["Centro Asturiano de Tampa"],"creator_corpname_ssim":["Centro Asturiano de Tampa"],"creators_ssim":["Centro Asturiano de Tampa"],"places_ssim":["Tampa (Fla.) -- History"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"acqinfo_ssim":["Centro Asturiano de Tampa","Donation"],"access_subjects_ssim":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"access_subjects_ssm":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"has_online_content_ssim":["false"],"extent_ssm":["164.7 Linear Feet","241 boxes"],"extent_tesim":["164.7 Linear Feet","241 boxes"],"genreform_ssim":["Playbills -- Florida -- Tampa"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records."],"bioghist_html_tesm":["\u003cp\u003eWhen Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Espa\u0026#xF1;ol, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Espa\u0026#xF1;ol to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.\u003c/p\u003e\n","\u003cp\u003eOn January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the \u003cemph render=\"italic\"\u003eTampa Morning Tribune\u003c/emph\u003e called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.\u003c/p\u003e\n","\u003cp\u003eA central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.\u003c/p\u003e\n","\u003cp\u003eThe largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.\u003c/p\u003e\n","\u003cp\u003eNote written by Paul Camp, 2006; Joe Tamargo, 2011.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011."],"prefercite_html_tesm":["\u003cp\u003eCentro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Centro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano De Tampa Membership Records Photograph Collection\u003c/emph\u003e. Tampa, Florida: University of South Florida Libraries, 2003.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano Library Collection,\u003c/emph\u003e Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Espan\u0026#x303;ol De Tampa Collection\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCuban Club Records\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"names_coll_ssim":["Centro Asturiano de Tampa"],"names_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1038,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1875301659078295552,"_root_":"8b33a8c5177804a4b9511a5f","timestamp":"2026-09-03T09:17:07.659Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_70bf5fb0095bb03eb2df6217c8ef1735"}},{"id":"23d1368edd745d878592a2e4_aspace_9277dfa22f14cf504f90c19b9e8eef11","type":"Item","attributes":{"title":"Troubled Island : an opera in three acts, 1949","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/23d1368edd745d878592a2e4_aspace_9277dfa22f14cf504f90c19b9e8eef11#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9277dfa22f14cf504f90c19b9e8eef11","ref_ssm":["aspace_9277dfa22f14cf504f90c19b9e8eef11","aspace_9277dfa22f14cf504f90c19b9e8eef11"],"id":"23d1368edd745d878592a2e4_aspace_9277dfa22f14cf504f90c19b9e8eef11","title_filing_ssi":"Troubled Island : an opera in three acts ","title_ssm":["Troubled Island : an opera in three acts "],"title_tesim":["Troubled Island : an opera in three acts "],"unitdate_other_ssim":["1949"],"normalized_date_ssm":["1949"],"normalized_title_ssm":["Troubled Island : an opera in three acts, 1949"],"text":["Troubled Island : an opera in three acts, 1949","Opera, Oratorio, and Musical Theatre Libretti Collection, 1804-1960","Libretto 213","/repositories/12/archival_objects/207677","Opera","Operas -- Librettos","Printed ephemera","English","Locked shelving; Case 7: ML 48 C65."],"component_level_isim":[1],"parent_ids_ssim":["23d1368edd745d878592a2e4"],"parent_unittitles_ssm":["Opera, Oratorio, and Musical Theatre Libretti Collection, 1804-1960"],"parent_unittitles_tesim":["Opera, Oratorio, and Musical Theatre Libretti Collection, 1804-1960"],"parent_levels_ssm":["collection"],"unitid_ssm":["Libretto 213","/repositories/12/archival_objects/207677"],"repository_ssim":["Allen Music Library Special Collections"],"collection_ssim":["Opera, Oratorio, and Musical Theatre Libretti Collection, 1804-1960"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":212,"parent_access_restrict_tesm":["This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu."],"date_range_isim":[1949],"access_subjects_ssim":["Opera","Operas -- Librettos","Printed ephemera"],"access_subjects_ssm":["Opera","Operas -- Librettos","Printed ephemera"],"language_ssim":["English"],"physloc_html_tesm":["\u003cphysloc id=\"aspace_0cb42e746d92c021414a6e8573ef49b7\"\u003eLocked shelving; Case 7: ML 48 C65.\u003c/physloc\u003e"],"physloc_tesim":["Locked shelving; Case 7: ML 48 C65."],"_nest_path_":"/components#211","_nest_parent_":"23d1368edd745d878592a2e4","_root_":"23d1368edd745d878592a2e4","timestamp":"2026-07-11T02:32:33.199Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"23d1368edd745d878592a2e4","title_ssm":["Opera, Oratorio, and Musical Theatre Libretti Collection"],"title_tesim":["Opera, Oratorio, and Musical Theatre Libretti Collection"],"ead_ssi":"23d1368edd745d878592a2e4","unitdate_ssm":["1804-1960"],"unitdate_inclusive_ssm":["1804-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["FSUML-2022-031","/repositories/12/resources/1907"],"text":["FSUML-2022-031","/repositories/12/resources/1907","Opera, Oratorio, and Musical Theatre Libretti Collection, 1804-1960","Opera","Musicals -- Librettos","Oratorios -- Librettos","Operas -- Librettos","Musicals","Secular oratorios -- Librettos","This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.","This collection has been partially cataloged; items can be searched by title and creator and are housed alphabetically.","This collection primarily contains published opera, oratorio, and musical theatre libretti, along with a few programs and Metropolitan Opera House Grand Opera Season guides. These are of particular interest in terms of their covers, publication materials, and performance information. Many of the libretti were donated by music critic Olin Downes; these contain handwritten research notes, drafts of reviews, miscellaneous programs and cast lists for the Metropolitan Opera Company. \n\nPublication dates range from 1804-1960s, and composers represented include Eugen D'Albert, Louise Aubert, J.S. Bach, L.V. Beethoven, Vincenzo Bellini, Georges Bizet, François-Adrien Boieldieu, Arrigo Boito, Benjamin Britten, Charles Wakefield Cadman, Francesco Cavalli, Gustave Charpentier, Domenico Chimarosa, Frederick Shepherd Converse, Walter Damrosch, Claude Debussy, Léo Delibes, Gaetano Donizetti, Frank Dumont, Manuel De Falla, Henry Fevrier, Carlisle Floyd, Alberto Franchetti, Vittorio Giannini, Umberto Giordano, Christophe Willibald Von Gluck, Charles Gounod, Henry Hadley, Jacques F. Haley, George Frederick Handel, Howard Hanson, Frederic Hart, Ferdinand, Hérold, Paul Hindemith, Arthur Honegger, Engelbert Humperdinck, Leoš Janáček, Sidney Jones, Erich Wolfgang Korngold, Ernst Krenek, Reginald De Koven, Charles Lecocq, Franz Lehar, Ruggero Leoncavallo, Franco Leoni, Luigi Mancinelli, Pietro Mascagni, Victor Masse, Jules Massenet, Gian-Carlo Menotti, Isaac Hickman Meredith, Giancarlo Meyerbeer, Darius Milhaud, Italo Montemezzi, Claudio Monteverdi, Modest Moussorgsky, Wolfgang Amadeus Mozart, Jacques Offenbach, Giovanni Battista Pergolesi, Errico Petrella,  Amilcare Ponchielli, Sergei Prokofieff, Giacomo Puccini, Henri Rabaud, Maurice Ravel, Ottorino Respighi, Ernest Reyer, Nikolay Rimsky-Korsakov, Lodovico Rocca, Richard Rodgers and Oscar Hammerstein II, Bernard Rogers, Ludwig Roselius, Gioacchino Rossini, Anton Grigorievich Rubinstein, Camille Saint-Saëns, Shanghai Shi Long jiang song ju zuo, Arnold Schönberg, Friedrich Smetana, Gaspare Spontini, William Grant Still, Deems Taylor, Peter Ilyich Tchaikovsky, The Ukrainian National Chorus, Guiseppe Verdi, Giovanni Verga, Ignatz Waghalter, Richard Wagner, David Ward-Steinman, Carl Maria von Weber, Jaromir Weinberger Ermanno Wolf-Ferrari, Kurt Weill, Riccardo Zandonai, along with the United States Army.","Allen Music Library Special Collections","Falla, Manuel de, 1876-1946","Rossini, Gioacchino, 1792-1868","Verdi, Giuseppe, 1813-1901","Wagner, Richard, 1813-1883","French English German Italian Russian Chinese"],"unitid_tesim":["FSUML-2022-031","/repositories/12/resources/1907"],"normalized_date_ssm":["1804-1960"],"normalized_title_ssm":["Opera, Oratorio, and Musical Theatre Libretti Collection, 1804-1960"],"collection_title_tesim":["Opera, Oratorio, and Musical Theatre Libretti Collection, 1804-1960"],"collection_ssim":["Opera, Oratorio, and Musical Theatre Libretti Collection, 1804-1960"],"repository_ssm":["Allen Music Library Special Collections"],"repository_ssim":["Allen Music Library Special Collections"],"acqinfo_ssim":["The immediate source of acquisition for the majority of the collection is unknown. Where indicated the source of acquisition is music critic Olin Downes(1886-1955). 20 of these were gifted by Karen J. Kruger November 3, 2021."],"access_subjects_ssim":["Opera","Musicals -- Librettos","Oratorios -- Librettos","Operas -- Librettos","Musicals","Secular oratorios -- Librettos"],"access_subjects_ssm":["Opera","Musicals -- Librettos","Oratorios -- Librettos","Operas -- Librettos","Musicals","Secular oratorios -- Librettos"],"has_online_content_ssim":["false"],"extent_ssm":["312 items"],"extent_tesim":["312 items"],"date_range_isim":[1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu."],"arrangement_html_tesm":["\u003cp\u003eThis collection has been partially cataloged; items can be searched by title and creator and are housed alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection has been partially cataloged; items can be searched by title and creator and are housed alphabetically."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Opera, Oratorio and Musical Theatre Libretti Collection, Warren D. Allen Music Library, Tallahassee, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Opera, Oratorio and Musical Theatre Libretti Collection, Warren D. Allen Music Library, Tallahassee, Florida."],"abstract_html_tesm":["\u003cabstract id=\"aspace_31b9231e7dc72eae04b4fbc9cdd69020\"\u003eThis collection primarily contains published opera, oratorio, and musical theatre libretti, along with a few programs and Metropolitan Opera House Grand Opera Season guides. These are of particular interest in terms of their covers, publication materials, and performance information. Many of the libretti were donated by music critic Olin Downes; these contain handwritten research notes, drafts of reviews, miscellaneous programs and cast lists for the Metropolitan Opera Company. \n\nPublication dates range from 1804-1960s, and composers represented include Eugen D'Albert, Louise Aubert, J.S. Bach, L.V. Beethoven, Vincenzo Bellini, Georges Bizet, Fran\u0026#xE7;ois-Adrien Boieldieu, Arrigo Boito, Benjamin Britten, Charles Wakefield Cadman, Francesco Cavalli, Gustave Charpentier, Domenico Chimarosa, Frederick Shepherd Converse, Walter Damrosch, Claude Debussy, L\u0026#xE9;o Delibes, Gaetano Donizetti, Frank Dumont, Manuel De Falla, Henry Fevrier, Carlisle Floyd, Alberto Franchetti, Vittorio Giannini, Umberto Giordano, Christophe Willibald Von Gluck, Charles Gounod, Henry Hadley, Jacques F. Haley, George Frederick Handel, Howard Hanson, Frederic Hart, Ferdinand, H\u0026#xE9;rold, Paul Hindemith, Arthur Honegger, Engelbert Humperdinck, Leo\u0026#x161; Jan\u0026#xE1;\u0026#x10D;ek, Sidney Jones, Erich Wolfgang Korngold, Ernst Krenek, Reginald De Koven, Charles Lecocq, Franz Lehar, Ruggero Leoncavallo, Franco Leoni, Luigi Mancinelli, Pietro Mascagni, Victor Masse, Jules Massenet, Gian-Carlo Menotti, Isaac Hickman Meredith, Giancarlo Meyerbeer, Darius Milhaud, Italo Montemezzi, Claudio Monteverdi, Modest Moussorgsky, Wolfgang Amadeus Mozart, Jacques Offenbach, Giovanni Battista Pergolesi, Errico Petrella,  Amilcare Ponchielli, Sergei Prokofieff, Giacomo Puccini, Henri Rabaud, Maurice Ravel, Ottorino Respighi, Ernest Reyer, Nikolay Rimsky-Korsakov, Lodovico Rocca, Richard Rodgers and Oscar Hammerstein II, Bernard Rogers, Ludwig Roselius, Gioacchino Rossini, Anton Grigorievich Rubinstein, Camille Saint-Sa\u0026#xEB;ns, Shanghai Shi Long jiang song ju zuo, Arnold Sch\u0026#xF6;nberg, Friedrich Smetana, Gaspare Spontini, William Grant Still, Deems Taylor, Peter Ilyich Tchaikovsky, The Ukrainian National Chorus, Guiseppe Verdi, Giovanni Verga, Ignatz Waghalter, Richard Wagner, David Ward-Steinman, Carl Maria von Weber, Jaromir Weinberger Ermanno Wolf-Ferrari, Kurt Weill, Riccardo Zandonai, along with the United States Army.\u003c/abstract\u003e"],"abstract_tesim":["This collection primarily contains published opera, oratorio, and musical theatre libretti, along with a few programs and Metropolitan Opera House Grand Opera Season guides. These are of particular interest in terms of their covers, publication materials, and performance information. Many of the libretti were donated by music critic Olin Downes; these contain handwritten research notes, drafts of reviews, miscellaneous programs and cast lists for the Metropolitan Opera Company. \n\nPublication dates range from 1804-1960s, and composers represented include Eugen D'Albert, Louise Aubert, J.S. Bach, L.V. Beethoven, Vincenzo Bellini, Georges Bizet, François-Adrien Boieldieu, Arrigo Boito, Benjamin Britten, Charles Wakefield Cadman, Francesco Cavalli, Gustave Charpentier, Domenico Chimarosa, Frederick Shepherd Converse, Walter Damrosch, Claude Debussy, Léo Delibes, Gaetano Donizetti, Frank Dumont, Manuel De Falla, Henry Fevrier, Carlisle Floyd, Alberto Franchetti, Vittorio Giannini, Umberto Giordano, Christophe Willibald Von Gluck, Charles Gounod, Henry Hadley, Jacques F. Haley, George Frederick Handel, Howard Hanson, Frederic Hart, Ferdinand, Hérold, Paul Hindemith, Arthur Honegger, Engelbert Humperdinck, Leoš Janáček, Sidney Jones, Erich Wolfgang Korngold, Ernst Krenek, Reginald De Koven, Charles Lecocq, Franz Lehar, Ruggero Leoncavallo, Franco Leoni, Luigi Mancinelli, Pietro Mascagni, Victor Masse, Jules Massenet, Gian-Carlo Menotti, Isaac Hickman Meredith, Giancarlo Meyerbeer, Darius Milhaud, Italo Montemezzi, Claudio Monteverdi, Modest Moussorgsky, Wolfgang Amadeus Mozart, Jacques Offenbach, Giovanni Battista Pergolesi, Errico Petrella,  Amilcare Ponchielli, Sergei Prokofieff, Giacomo Puccini, Henri Rabaud, Maurice Ravel, Ottorino Respighi, Ernest Reyer, Nikolay Rimsky-Korsakov, Lodovico Rocca, Richard Rodgers and Oscar Hammerstein II, Bernard Rogers, Ludwig Roselius, Gioacchino Rossini, Anton Grigorievich Rubinstein, Camille Saint-Saëns, Shanghai Shi Long jiang song ju zuo, Arnold Schönberg, Friedrich Smetana, Gaspare Spontini, William Grant Still, Deems Taylor, Peter Ilyich Tchaikovsky, The Ukrainian National Chorus, Guiseppe Verdi, Giovanni Verga, Ignatz Waghalter, Richard Wagner, David Ward-Steinman, Carl Maria von Weber, Jaromir Weinberger Ermanno Wolf-Ferrari, Kurt Weill, Riccardo Zandonai, along with the United States Army."],"names_ssim":["Allen Music Library Special Collections","Falla, Manuel de, 1876-1946","Rossini, Gioacchino, 1792-1868","Verdi, Giuseppe, 1813-1901","Wagner, Richard, 1813-1883"],"corpname_ssim":["Allen Music Library Special Collections"],"persname_ssim":["Falla, Manuel de, 1876-1946","Rossini, Gioacchino, 1792-1868","Verdi, Giuseppe, 1813-1901","Wagner, Richard, 1813-1883"],"language_ssim":["French English German Italian Russian Chinese"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":312,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"23d1368edd745d878592a2e4","timestamp":"2026-07-11T02:32:33.199Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/23d1368edd745d878592a2e4_aspace_9277dfa22f14cf504f90c19b9e8eef11"}},{"id":"44c08036102c8e8f97ad1e05_aspace_cdf0f1051b1723d8e44063f1571bd4af","type":"File","attributes":{"title":"Trucks, 1941-1951","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/44c08036102c8e8f97ad1e05_aspace_cdf0f1051b1723d8e44063f1571bd4af#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_cdf0f1051b1723d8e44063f1571bd4af","ref_ssm":["aspace_cdf0f1051b1723d8e44063f1571bd4af","aspace_cdf0f1051b1723d8e44063f1571bd4af"],"id":"44c08036102c8e8f97ad1e05_aspace_cdf0f1051b1723d8e44063f1571bd4af","title_filing_ssi":"Trucks","title_ssm":["Trucks"],"title_tesim":["Trucks"],"unitdate_inclusive_ssm":["1941-1951"],"normalized_date_ssm":["1941-1951"],"normalized_title_ssm":["Trucks, 1941-1951"],"text":["Trucks, 1941-1951","Waverly Growers Association Collection, 1921-1994, 2000","Box 5","Operations","/repositories/3/archival_objects/13892","folder 10"],"component_level_isim":[3],"parent_ids_ssim":["44c08036102c8e8f97ad1e05","44c08036102c8e8f97ad1e05_aspace_fbe42105b4eb42c560bc3d22e733e0f9","44c08036102c8e8f97ad1e05_aspace_f2af21bb5ac674cd92ccded981c63d10"],"parent_unittitles_ssm":["Waverly Growers Association Collection, 1921-1994, 2000","Box 5","Operations"],"parent_unittitles_tesim":["Waverly Growers Association Collection, 1921-1994, 2000","Box 5","Operations"],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["/repositories/3/archival_objects/13892"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"collection_ssim":["Waverly Growers Association Collection, 1921-1994, 2000"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":118,"parent_access_restrict_tesm":["There are no restrictions on this collection. It is available for research."],"parent_access_terms_tesm":["Copyright has been transferred to the college. Permission to publish material must be obtained\nfrom Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder.\nPlease inquire if you have questions."],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951],"containers_ssim":["folder 10"],"_nest_path_":"/components#4/components#0/components#7","_nest_parent_":"44c08036102c8e8f97ad1e05_aspace_f2af21bb5ac674cd92ccded981c63d10","_root_":"44c08036102c8e8f97ad1e05","timestamp":"2026-07-11T02:35:14.978Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"44c08036102c8e8f97ad1e05","title_ssm":["Waverly Growers Association Collection"],"title_tesim":["Waverly Growers Association Collection"],"ead_ssi":"44c08036102c8e8f97ad1e05","unitdate_ssm":["1921-1994","2000"],"unitdate_inclusive_ssm":["1921-1994"],"unitdate_other_ssim":["2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT3065","/repositories/3/resources/76"],"text":["CIT3065","/repositories/3/resources/76","Waverly Growers Association Collection, 1921-1994, 2000","Citrus fruit industry--Florida--History--20th century","Agricultural cooperatives--Florida--History.","Citrus growers--Florida--History.","Packinghouses--Florida--History.","Citrus fruits--Marketing--History.","World War, 1939-1945--Economic aspects--Florida.","Pedersen, W. L. (W. C. \"Bill\")--Archives.","Morton, James C.--Archives.","Photographs.","Scrapbooks.","There are no restrictions on this collection. It is available for research.","Waverly Growers Association was an agriculturally based cooperative. It was a grower-owned\nfresh citrus cooperative offering members grove care, harvesting, packing services, and\nmarketing.\nFounded in 1914 by a group of local growers led by Charles Hillery Walker and Danish\nimmigrant W.L. Pedersen, the cooperative was originally called Waverly Citrus Growers'\nAssociation until the name was changed in 1936 to Waverly Growers Cooperative. It was in\ncontinuous operation between 1915 and 2005 and managed by grower-members. This\nincluded fertilizing, cultivating, spraying, irrigating, picking, trimming, and replacing trees.\nWaverly began operation in 1915 in Waverly, Florida and shipped citrus fruit to markets in the\nUnited States and Canada under brands including Waverly, Waverly Famous, Huntsman,\nPepper, and Seald-Pep. In 2005 it closed its packinghouse and merged into Florida Natural.","The Waverly records include Office Files about day-to-day business mostly between 1930\nand 1950's. Of special note are the files from the WWII years discussing rationed items.\nJames C. Morton (JCM) was an operations director, and his files date mostly in the 1950's\nand are about fruit. Operations and Supply files include documents about running and\nsupplying the Waverly complex. The Membership newsletters are dated 1937 and 1938, then\njump to 1957 and run until 1977. Files from Audio-Visual materials include scrapbooks,\nphotographs, and negatives. The first scrapbook includes images for a retirement party for\nW.C. \"Bill\" Pedersen. Bill Pedersen created the Waverly Welcome House (photographs), a rest\narea and spot for tourists to learn about citrus growing, while purchasing fruit. The Welcome\nHouse was located between Cypress Gardens and Bok Singing Tower, along Route No. 540 in\ncentral Florida. The second scrapbook, includes, clippings, documents and photographs of\npeople and places around the compound","Copyright has been transferred to the college. Permission to publish material must be obtained\nfrom Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder.\nPlease inquire if you have questions.","Thomas B. Mack Florida Citrus Archives","English"],"unitid_tesim":["CIT3065","/repositories/3/resources/76"],"normalized_date_ssm":["1921-1994, 2000"],"normalized_title_ssm":["Waverly Growers Association Collection, 1921-1994, 2000"],"collection_title_tesim":["Waverly Growers Association Collection, 1921-1994, 2000"],"collection_ssim":["Waverly Growers Association Collection, 1921-1994, 2000"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"access_terms_ssm":["Copyright has been transferred to the college. Permission to publish material must be obtained\nfrom Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder.\nPlease inquire if you have questions."],"acqinfo_ssim":["N. Perry Hansen, Executive Vice President for Waverly Growers Cooperative donated the\nrecords to the Citrus Institute of Florida Southern College (Professor Tom Mack) in 1995. They\nwere transferred to the McKay Archives in 2009."],"access_subjects_ssim":["Citrus fruit industry--Florida--History--20th century","Agricultural cooperatives--Florida--History.","Citrus growers--Florida--History.","Packinghouses--Florida--History.","Citrus fruits--Marketing--History.","World War, 1939-1945--Economic aspects--Florida.","Pedersen, W. L. (W. C. \"Bill\")--Archives.","Morton, James C.--Archives.","Photographs.","Scrapbooks."],"access_subjects_ssm":["Citrus fruit industry--Florida--History--20th century","Agricultural cooperatives--Florida--History.","Citrus growers--Florida--History.","Packinghouses--Florida--History.","Citrus fruits--Marketing--History.","World War, 1939-1945--Economic aspects--Florida.","Pedersen, W. L. (W. C. \"Bill\")--Archives.","Morton, James C.--Archives.","Photographs.","Scrapbooks."],"has_online_content_ssim":["false"],"extent_ssm":["5 Linear Feet"],"extent_tesim":["5 Linear Feet"],"genreform_ssim":["Photographs.","Scrapbooks."],"date_range_isim":[1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,2000],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on this collection. It is available for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on this collection. It is available for research."],"bioghist_html_tesm":["\u003cp\u003eWaverly Growers Association was an agriculturally based cooperative. It was a grower-owned\nfresh citrus cooperative offering members grove care, harvesting, packing services, and\nmarketing.\nFounded in 1914 by a group of local growers led by Charles Hillery Walker and Danish\nimmigrant W.L. Pedersen, the cooperative was originally called Waverly Citrus Growers'\nAssociation until the name was changed in 1936 to Waverly Growers Cooperative. It was in\ncontinuous operation between 1915 and 2005 and managed by grower-members. This\nincluded fertilizing, cultivating, spraying, irrigating, picking, trimming, and replacing trees.\nWaverly began operation in 1915 in Waverly, Florida and shipped citrus fruit to markets in the\nUnited States and Canada under brands including Waverly, Waverly Famous, Huntsman,\nPepper, and Seald-Pep. In 2005 it closed its packinghouse and merged into Florida Natural.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Waverly Growers Association was an agriculturally based cooperative. It was a grower-owned\nfresh citrus cooperative offering members grove care, harvesting, packing services, and\nmarketing.\nFounded in 1914 by a group of local growers led by Charles Hillery Walker and Danish\nimmigrant W.L. Pedersen, the cooperative was originally called Waverly Citrus Growers'\nAssociation until the name was changed in 1936 to Waverly Growers Cooperative. It was in\ncontinuous operation between 1915 and 2005 and managed by grower-members. This\nincluded fertilizing, cultivating, spraying, irrigating, picking, trimming, and replacing trees.\nWaverly began operation in 1915 in Waverly, Florida and shipped citrus fruit to markets in the\nUnited States and Canada under brands including Waverly, Waverly Famous, Huntsman,\nPepper, and Seald-Pep. In 2005 it closed its packinghouse and merged into Florida Natural."],"scopecontent_html_tesm":["\u003cp\u003eThe Waverly records include Office Files about day-to-day business mostly between 1930\nand 1950's. Of special note are the files from the WWII years discussing rationed items.\nJames C. Morton (JCM) was an operations director, and his files date mostly in the 1950's\nand are about fruit. Operations and Supply files include documents about running and\nsupplying the Waverly complex. The Membership newsletters are dated 1937 and 1938, then\njump to 1957 and run until 1977. Files from Audio-Visual materials include scrapbooks,\nphotographs, and negatives. The first scrapbook includes images for a retirement party for\nW.C. \"Bill\" Pedersen. Bill Pedersen created the Waverly Welcome House (photographs), a rest\narea and spot for tourists to learn about citrus growing, while purchasing fruit. The Welcome\nHouse was located between Cypress Gardens and Bok Singing Tower, along Route No. 540 in\ncentral Florida. The second scrapbook, includes, clippings, documents and photographs of\npeople and places around the compound\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Waverly records include Office Files about day-to-day business mostly between 1930\nand 1950's. Of special note are the files from the WWII years discussing rationed items.\nJames C. Morton (JCM) was an operations director, and his files date mostly in the 1950's\nand are about fruit. Operations and Supply files include documents about running and\nsupplying the Waverly complex. The Membership newsletters are dated 1937 and 1938, then\njump to 1957 and run until 1977. Files from Audio-Visual materials include scrapbooks,\nphotographs, and negatives. The first scrapbook includes images for a retirement party for\nW.C. \"Bill\" Pedersen. Bill Pedersen created the Waverly Welcome House (photographs), a rest\narea and spot for tourists to learn about citrus growing, while purchasing fruit. The Welcome\nHouse was located between Cypress Gardens and Bok Singing Tower, along Route No. 540 in\ncentral Florida. The second scrapbook, includes, clippings, documents and photographs of\npeople and places around the compound"],"userestrict_html_tesm":["\u003cp\u003eCopyright has been transferred to the college. Permission to publish material must be obtained\nfrom Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder.\nPlease inquire if you have questions.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright has been transferred to the college. Permission to publish material must be obtained\nfrom Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder.\nPlease inquire if you have questions."],"names_ssim":["Thomas B. Mack Florida Citrus Archives"],"corpname_ssim":["Thomas B. Mack Florida Citrus Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":279,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"44c08036102c8e8f97ad1e05","timestamp":"2026-07-11T02:35:14.978Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/44c08036102c8e8f97ad1e05_aspace_cdf0f1051b1723d8e44063f1571bd4af"}},{"id":"d080e65ff7ab7b5f7f86b99e_aspace_351c9116b6383b869be7807f77656d3c","type":"File","attributes":{"title":"Trustee Board Members and Teachers, 1937-1952","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d080e65ff7ab7b5f7f86b99e_aspace_351c9116b6383b869be7807f77656d3c#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_351c9116b6383b869be7807f77656d3c","ref_ssm":["aspace_351c9116b6383b869be7807f77656d3c","aspace_351c9116b6383b869be7807f77656d3c"],"id":"d080e65ff7ab7b5f7f86b99e_aspace_351c9116b6383b869be7807f77656d3c","title_filing_ssi":"Trustee Board Members and Teachers","title_ssm":["Trustee Board Members and Teachers"],"title_tesim":["Trustee Board Members and Teachers"],"unitdate_inclusive_ssm":["1937-1952"],"normalized_date_ssm":["1937-1952"],"normalized_title_ssm":["Trustee Board Members and Teachers, 1937-1952"],"text":["Trustee Board Members and Teachers, 1937-1952","Ulrich J. Bennett Collection, Circa 1926-1963","School board records","/repositories/4/archival_objects/2143","box 1","folder 32"],"component_level_isim":[2],"parent_ids_ssim":["d080e65ff7ab7b5f7f86b99e","d080e65ff7ab7b5f7f86b99e_aspace_e4c02a98273a445bbbc75f3e77a2e8dd"],"parent_unittitles_ssm":["Ulrich J. Bennett Collection, Circa 1926-1963","School board records"],"parent_unittitles_tesim":["Ulrich J. Bennett Collection, Circa 1926-1963","School board records"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/4/archival_objects/2143"],"repository_ssim":["Broward County Historical Archives"],"collection_ssim":["Ulrich J. Bennett Collection, Circa 1926-1963"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":35,"parent_access_restrict_tesm":["The Bennett Collection is open for research."],"date_range_isim":[1947,1948,1949,1950,1951,1952],"containers_ssim":["box 1","folder 32"],"_nest_path_":"/components#2/components#2","_nest_parent_":"d080e65ff7ab7b5f7f86b99e_aspace_e4c02a98273a445bbbc75f3e77a2e8dd","_root_":"d080e65ff7ab7b5f7f86b99e","_version_":1873196202281926656,"timestamp":"2026-08-11T03:31:47.705Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d080e65ff7ab7b5f7f86b99e","title_filing_ssi":"Bennett, Ulrich J. Collection","title_ssm":["Ulrich J. Bennett Collection"],"title_tesim":["Ulrich J. Bennett Collection"],"ead_ssi":"d080e65ff7ab7b5f7f86b99e","unitdate_ssm":["Circa 1926-1963"],"unitdate_inclusive_ssm":["Circa 1926-1963"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.2003.10","/repositories/4/resources/94"],"text":["BCHA.2003.10","/repositories/4/resources/94","Ulrich J. Bennett Collection, Circa 1926-1963","Fort Lauderdale (Fla.)","Broward County (Fla.)","Hurricanes","Segregation in education","School buildings","Teachers","The Bennett Collection is open for research.","Ulric Joseph Bennett was born in Georgia on August 28, 1888. He graduated from the University of Georgia and studied public school administration at the University of Chicago, the University of Michigan, and Columbia University. He taught in rural schools in Georgia and also taught mathematics and science at Piedmont College in Athens, Georgia. He was principal of several high schools and later Superintendent of Schools at Fitzgerald, Georgia, and Dalton, Georgia, before he arrived in Fort Lauderdale in 1926. Bennett was principal of the Fort Lauderdale Central Schools until 1931. Bennett served as the Superintendent of the Broward County School District from 1931-1952. To honor the Superintendent, the Bennett Elementary School opened in 1952. Bennett died in Leon, Florida on January 28, 1982.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Ulrich J. Bennett Collection contains books, postcards, photographs and records from the Broward County School system, circa 1926-1963. Content in this collection highlights the career of Ulrich Joseph Bennett, Superintendent of Broward County Schools. It also includes publications, postcards, and ephemera related to Fort Lauderdale."," Broward County Historical Archives","Ulrich J. Bennett (Ulrich Joseph)","English"],"unitid_tesim":["BCHA.2003.10","/repositories/4/resources/94"],"normalized_date_ssm":["Circa 1926-1963"],"normalized_title_ssm":["Ulrich J. Bennett Collection, Circa 1926-1963"],"collection_title_tesim":["Ulrich J. Bennett Collection, Circa 1926-1963"],"collection_ssim":["Ulrich J. Bennett Collection, Circa 1926-1963"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"geogname_ssm":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"geogname_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"places_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"access_subjects_ssim":["Hurricanes","Segregation in education","School buildings","Teachers"],"access_subjects_ssm":["Hurricanes","Segregation in education","School buildings","Teachers"],"has_online_content_ssim":["false"],"extent_ssm":["2 Hollinger Boxes"],"extent_tesim":["2 Hollinger Boxes"],"date_range_isim":[1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963],"accessrestrict_html_tesm":["\u003cp\u003eThe Bennett Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Bennett Collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eUlric Joseph Bennett was born in Georgia on August 28, 1888. He graduated from the University of Georgia and studied public school administration at the University of Chicago, the University of Michigan, and Columbia University. He taught in rural schools in Georgia and also taught mathematics and science at Piedmont College in Athens, Georgia. He was principal of several high schools and later Superintendent of Schools at Fitzgerald, Georgia, and Dalton, Georgia, before he arrived in Fort Lauderdale in 1926. Bennett was principal of the Fort Lauderdale Central Schools until 1931. Bennett served as the Superintendent of the Broward County School District from 1931-1952. To honor the Superintendent, the Bennett Elementary School opened in 1952. Bennett died in Leon, Florida on January 28, 1982.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ulric Joseph Bennett was born in Georgia on August 28, 1888. He graduated from the University of Georgia and studied public school administration at the University of Chicago, the University of Michigan, and Columbia University. He taught in rural schools in Georgia and also taught mathematics and science at Piedmont College in Athens, Georgia. He was principal of several high schools and later Superintendent of Schools at Fitzgerald, Georgia, and Dalton, Georgia, before he arrived in Fort Lauderdale in 1926. Bennett was principal of the Fort Lauderdale Central Schools until 1931. Bennett served as the Superintendent of the Broward County School District from 1931-1952. To honor the Superintendent, the Bennett Elementary School opened in 1952. Bennett died in Leon, Florida on January 28, 1982."],"prefercite_html_tesm":["\u003cp\u003eUlrich J. Bennett Collection, Broward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Ulrich J. Bennett Collection, Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Ulrich J. Bennett Collection contains books, postcards, photographs and records from the Broward County School system, circa 1926-1963. Content in this collection highlights the career of Ulrich Joseph Bennett, Superintendent of Broward County Schools. It also includes publications, postcards, and ephemera related to Fort Lauderdale.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ulrich J. 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