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Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Originally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books,  The Greatest Generation  (1998) and  The Greatest Generation Speaks  (1999).\n Contained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Tom Brokaw","English"],"unitid_tesim":["01.0171","/repositories/10/resources/37"],"normalized_date_ssm":["1941-1997, bulk 1998-2007"],"normalized_title_ssm":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"collection_title_tesim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"collection_ssim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Tom Brokaw"],"creator_ssim":["Tom Brokaw"],"creator_persname_ssim":["Tom Brokaw"],"creators_ssim":["Tom Brokaw"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"has_online_content_ssim":["false"],"extent_ssm":["120.00 Linear Feet"],"extent_tesim":["120.00 Linear Feet"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"arrangement_html_tesm":["\u003cp\u003eThe Tom Brokaw Collection is arranged within ten separate series. Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Tom Brokaw Collection is arranged within ten separate series. Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Tom Brokaw collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-01-0171\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Tom Brokaw collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-01-0171"],"scopecontent_html_tesm":["\u003cp\u003eOriginally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books, \u003cemph render=\"italic\"\u003eThe Greatest Generation \u003c/emph\u003e(1998) and \u003cemph render=\"italic\"\u003eThe Greatest Generation Speaks \u003c/emph\u003e(1999).\n\u003cbr\u003e\u003cbr\u003eContained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Originally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books,  The Greatest Generation  (1998) and  The Greatest Generation Speaks  (1999).\n Contained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Tom Brokaw"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"persname_ssim":["Tom Brokaw"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8743,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f8f446b15f81524e15fa326b","timestamp":"2026-07-14T02:47:00.113Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f8f446b15f81524e15fa326b"}},{"id":"456875eab9536e3707a4b04f","type":"collection","attributes":{"title":"Tom Mack Citrus and Vegetable Label Collection, 1900-1970","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/456875eab9536e3707a4b04f#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe materials in this collection reflect the history of citrus and vegetable crate labels through the early to mid-twentieth century. Most of the citrus labels were produced through the 1940s, with vegetable labels continuing through the early 1970s. \u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/456875eab9536e3707a4b04f#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"456875eab9536e3707a4b04f","title_ssm":["Tom Mack Citrus and Vegetable Label Collection"],"title_tesim":["Tom Mack Citrus and Vegetable Label Collection"],"ead_ssi":"456875eab9536e3707a4b04f","unitdate_ssm":["1900-1970"],"unitdate_inclusive_ssm":["1900-1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT1000-1","/repositories/3/resources/145"],"text":["CIT1000-1","/repositories/3/resources/145","Tom Mack Citrus and Vegetable Label Collection, 1900-1970","Citrus fruit industry - California","Citrus fruit industry — Texas","Citrus fruit industry — Arizona","Citrus fruit industry — Australia","Fruit Crate Labels","Citrus fruit industry","Vegetable trade","Commercial art","Advertising, Industrial","Lithography--20th century","Citrus fruit industry--Florida--History--20th century","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.","Citrus labels are arranged by alphabetical series that reflect their state of origin. Within the series, labels are also arraqnged alphabetical. Vegetable labels reflect multiple states of origin and are arranged alphabetically by brand name.","In the late 19th and early 20th centuries, America's agricultural landscape underwent a massive transformation. The expansion of railroads and the invention of the refrigerated boxcar (reefer) suddenly allowed fresh produce to travel thousands of miles from sun-drenched fields to chilly northern cities.","To ship these delicate goods, growers packed them into sturdy wooden crates. However, once those crates arrived at wholesale markets, they all looked identical. To stand out in crowded wholesale terminals, agricultural cooperatives and independent packers began pasting vibrant, lithographed paper labels onto the ends of their wooden crates. This gave rise to a golden era of graphic art that lasted from the late 1880s until the 1950s, when cheap, pre-printed cardboard boxes rendered the wooden crates and paper labels obsolete.","While all labels served as early forms of brand identity, the imagery varied dramatically by state, reflecting each region's unique geography, culture, and marketing strategy.","California was the undisputed pioneer of the crate label. Driven by the massive success of the Southern California Fruit Exchange (later renamed Sunkist in 1908), California labels set the industry standard for artistic quality.","Because the state was trying to attract tourists and settlers alongside selling fruit, its labels heavily romanticized the West. Artists depicted idyllic, sun-kissed groves nestled directly against snow-capped mountains, Spanish missions, beautiful women, and historical themes like the Gold Rush. The message was clear: purchasing California citrus was a bite of the healthy, prosperous, Mediterranean lifestyle.","Florida entered the game shortly after California, heavily influenced by the Florida Citrus Exchange (founded in 1909). Rather than focusing on majestic landscapes, Florida labels leaned into the state's lush, exotic, and sub-tropical climate.","Common motifs included flamingos, herons, alligators, palm trees, and pristine beaches. Florida growers also loved using historical themes centered on early explorers like Juan Ponce de León and the search for the Fountain of Youth, positioning their oranges and grapefruits as natural elixirs of life and vitality.","The Texas citrus and vegetable industry blossomed much later, finding its footing in the 1920s and 1930s in the fertile Rio Grande Valley. Because Texas entered a mature market dominated by California and Florida, state growers leaned aggressively into their most recognizable asset: Texas identity.","Texas labels are famous for cowboy imagery, longhorn cattle, oil derricks, Alamo imagery, and bold, patriotic colors. Brands like \"Texas Moon\" or \"Tex-Maid\" relied on regional pride and a rugged, western aesthetic to carve out shelf space, proving that everything—including the marketing—was bigger and bolder in Texas.","rizona's commercial citrus production emerged alongside massive irrigation projects in the Salt River Valley and Yuma Mesa during the early 1900s. Because its growing regions bordered California, Arizona labels often mirrored California's high-quality lithographic style but with distinct desert iconography.","Arizona labels leaned heavily into its striking desert geology, featuring Saguaro cacti, sweeping desert mesas, blazing sunsets, and romanticized depictions of Native American cultures. These labels framed Arizona as a miraculous agricultural oasis, emphasizing that their grapefruit and oranges were grown under intense desert sun, which heightened sweetness.","By the mid-1950s, the art form abruptly vanished. Flat-packed corrugated cardboard boxes with simple, cheap ink stamps took over because they were lighter to ship and far less labor-intensive than assembling wooden crates.","The materials in this collection reflect the history of citrus and vegetable crate labels through the early to mid-twentieth century. Most of the citrus labels were produced through the 1940s, with vegetable labels continuing through the early 1970s. ","This collection is notable in that it contains labels from the four major players in the U.S. citrus market: California, Florida, Arizona, and Texas. This allows one to compare the approaches each state took in the creation of their labels (size, layout, etc.) as well as shared themes and themes unique to each state.","Also notable is the handful of labels from Australia, which are the only known overseas citrus crate labels in our collections.","Most labels are authentic, although there are a few reproductions present within the collection. As an educator, Professor Mack's surmised intent was to demonstrate the historical design of the labels rather than collecting them for profit or hobby. ","This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Thomas B. 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To stand out in crowded wholesale terminals, agricultural cooperatives and independent packers began pasting vibrant, lithographed paper labels onto the ends of their wooden crates. This gave rise to a golden era of graphic art that lasted from the late 1880s until the 1950s, when cheap, pre-printed cardboard boxes rendered the wooden crates and paper labels obsolete.","While all labels served as early forms of brand identity, the imagery varied dramatically by state, reflecting each region's unique geography, culture, and marketing strategy.","California was the undisputed pioneer of the crate label. Driven by the massive success of the Southern California Fruit Exchange (later renamed Sunkist in 1908), California labels set the industry standard for artistic quality.","Because the state was trying to attract tourists and settlers alongside selling fruit, its labels heavily romanticized the West. Artists depicted idyllic, sun-kissed groves nestled directly against snow-capped mountains, Spanish missions, beautiful women, and historical themes like the Gold Rush. The message was clear: purchasing California citrus was a bite of the healthy, prosperous, Mediterranean lifestyle.","Florida entered the game shortly after California, heavily influenced by the Florida Citrus Exchange (founded in 1909). Rather than focusing on majestic landscapes, Florida labels leaned into the state's lush, exotic, and sub-tropical climate.","Common motifs included flamingos, herons, alligators, palm trees, and pristine beaches. Florida growers also loved using historical themes centered on early explorers like Juan Ponce de León and the search for the Fountain of Youth, positioning their oranges and grapefruits as natural elixirs of life and vitality.","The Texas citrus and vegetable industry blossomed much later, finding its footing in the 1920s and 1930s in the fertile Rio Grande Valley. Because Texas entered a mature market dominated by California and Florida, state growers leaned aggressively into their most recognizable asset: Texas identity.","Texas labels are famous for cowboy imagery, longhorn cattle, oil derricks, Alamo imagery, and bold, patriotic colors. Brands like \"Texas Moon\" or \"Tex-Maid\" relied on regional pride and a rugged, western aesthetic to carve out shelf space, proving that everything—including the marketing—was bigger and bolder in Texas.","rizona's commercial citrus production emerged alongside massive irrigation projects in the Salt River Valley and Yuma Mesa during the early 1900s. Because its growing regions bordered California, Arizona labels often mirrored California's high-quality lithographic style but with distinct desert iconography.","Arizona labels leaned heavily into its striking desert geology, featuring Saguaro cacti, sweeping desert mesas, blazing sunsets, and romanticized depictions of Native American cultures. These labels framed Arizona as a miraculous agricultural oasis, emphasizing that their grapefruit and oranges were grown under intense desert sun, which heightened sweetness.","By the mid-1950s, the art form abruptly vanished. Flat-packed corrugated cardboard boxes with simple, cheap ink stamps took over because they were lighter to ship and far less labor-intensive than assembling wooden crates."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect the history of citrus and vegetable crate labels through the early to mid-twentieth century. Most of the citrus labels were produced through the 1940s, with vegetable labels continuing through the early 1970s. \u003c/p\u003e\n","\u003cp\u003eThis collection is notable in that it contains labels from the four major players in the U.S. citrus market: California, Florida, Arizona, and Texas. 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","This collection is notable in that it contains labels from the four major players in the U.S. citrus market: California, Florida, Arizona, and Texas. This allows one to compare the approaches each state took in the creation of their labels (size, layout, etc.) as well as shared themes and themes unique to each state.","Also notable is the handful of labels from Australia, which are the only known overseas citrus crate labels in our collections.","Most labels are authentic, although there are a few reproductions present within the collection. As an educator, Professor Mack's surmised intent was to demonstrate the historical design of the labels rather than collecting them for profit or hobby. "],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. 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Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.","Citrus labels are arranged by alphabetical series that reflect their state of origin. Within the series, labels are also arraqnged alphabetical. Vegetable labels reflect multiple states of origin and are arranged alphabetically by brand name.","In the late 19th and early 20th centuries, America's agricultural landscape underwent a massive transformation. The expansion of railroads and the invention of the refrigerated boxcar (reefer) suddenly allowed fresh produce to travel thousands of miles from sun-drenched fields to chilly northern cities.","To ship these delicate goods, growers packed them into sturdy wooden crates. However, once those crates arrived at wholesale markets, they all looked identical. To stand out in crowded wholesale terminals, agricultural cooperatives and independent packers began pasting vibrant, lithographed paper labels onto the ends of their wooden crates. This gave rise to a golden era of graphic art that lasted from the late 1880s until the 1950s, when cheap, pre-printed cardboard boxes rendered the wooden crates and paper labels obsolete.","While all labels served as early forms of brand identity, the imagery varied dramatically by state, reflecting each region's unique geography, culture, and marketing strategy.","California was the undisputed pioneer of the crate label. Driven by the massive success of the Southern California Fruit Exchange (later renamed Sunkist in 1908), California labels set the industry standard for artistic quality.","Because the state was trying to attract tourists and settlers alongside selling fruit, its labels heavily romanticized the West. Artists depicted idyllic, sun-kissed groves nestled directly against snow-capped mountains, Spanish missions, beautiful women, and historical themes like the Gold Rush. The message was clear: purchasing California citrus was a bite of the healthy, prosperous, Mediterranean lifestyle.","Florida entered the game shortly after California, heavily influenced by the Florida Citrus Exchange (founded in 1909). Rather than focusing on majestic landscapes, Florida labels leaned into the state's lush, exotic, and sub-tropical climate.","Common motifs included flamingos, herons, alligators, palm trees, and pristine beaches. Florida growers also loved using historical themes centered on early explorers like Juan Ponce de León and the search for the Fountain of Youth, positioning their oranges and grapefruits as natural elixirs of life and vitality.","The Texas citrus and vegetable industry blossomed much later, finding its footing in the 1920s and 1930s in the fertile Rio Grande Valley. Because Texas entered a mature market dominated by California and Florida, state growers leaned aggressively into their most recognizable asset: Texas identity.","Texas labels are famous for cowboy imagery, longhorn cattle, oil derricks, Alamo imagery, and bold, patriotic colors. Brands like \"Texas Moon\" or \"Tex-Maid\" relied on regional pride and a rugged, western aesthetic to carve out shelf space, proving that everything—including the marketing—was bigger and bolder in Texas.","rizona's commercial citrus production emerged alongside massive irrigation projects in the Salt River Valley and Yuma Mesa during the early 1900s. Because its growing regions bordered California, Arizona labels often mirrored California's high-quality lithographic style but with distinct desert iconography.","Arizona labels leaned heavily into its striking desert geology, featuring Saguaro cacti, sweeping desert mesas, blazing sunsets, and romanticized depictions of Native American cultures. These labels framed Arizona as a miraculous agricultural oasis, emphasizing that their grapefruit and oranges were grown under intense desert sun, which heightened sweetness.","By the mid-1950s, the art form abruptly vanished. Flat-packed corrugated cardboard boxes with simple, cheap ink stamps took over because they were lighter to ship and far less labor-intensive than assembling wooden crates.","The materials in this collection reflect the history of citrus and vegetable crate labels through the early to mid-twentieth century. Most of the citrus labels were produced through the 1940s, with vegetable labels continuing through the early 1970s. ","This collection is notable in that it contains labels from the four major players in the U.S. citrus market: California, Florida, Arizona, and Texas. 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It was transferred to the archives via the library upon his retirement."],"access_subjects_ssim":["Fruit Crate Labels","Citrus fruit industry","Vegetable trade","Commercial art","Advertising, Industrial","Lithography--20th century","Citrus fruit industry--Florida--History--20th century"],"access_subjects_ssm":["Fruit Crate Labels","Citrus fruit industry","Vegetable trade","Commercial art","Advertising, Industrial","Lithography--20th century","Citrus fruit industry--Florida--History--20th century"],"has_online_content_ssim":["false"],"extent_ssm":["2.3 Linear Feet"],"extent_tesim":["2.3 Linear Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. 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To stand out in crowded wholesale terminals, agricultural cooperatives and independent packers began pasting vibrant, lithographed paper labels onto the ends of their wooden crates. This gave rise to a golden era of graphic art that lasted from the late 1880s until the 1950s, when cheap, pre-printed cardboard boxes rendered the wooden crates and paper labels obsolete.","While all labels served as early forms of brand identity, the imagery varied dramatically by state, reflecting each region's unique geography, culture, and marketing strategy.","California was the undisputed pioneer of the crate label. Driven by the massive success of the Southern California Fruit Exchange (later renamed Sunkist in 1908), California labels set the industry standard for artistic quality.","Because the state was trying to attract tourists and settlers alongside selling fruit, its labels heavily romanticized the West. Artists depicted idyllic, sun-kissed groves nestled directly against snow-capped mountains, Spanish missions, beautiful women, and historical themes like the Gold Rush. The message was clear: purchasing California citrus was a bite of the healthy, prosperous, Mediterranean lifestyle.","Florida entered the game shortly after California, heavily influenced by the Florida Citrus Exchange (founded in 1909). Rather than focusing on majestic landscapes, Florida labels leaned into the state's lush, exotic, and sub-tropical climate.","Common motifs included flamingos, herons, alligators, palm trees, and pristine beaches. Florida growers also loved using historical themes centered on early explorers like Juan Ponce de León and the search for the Fountain of Youth, positioning their oranges and grapefruits as natural elixirs of life and vitality.","The Texas citrus and vegetable industry blossomed much later, finding its footing in the 1920s and 1930s in the fertile Rio Grande Valley. Because Texas entered a mature market dominated by California and Florida, state growers leaned aggressively into their most recognizable asset: Texas identity.","Texas labels are famous for cowboy imagery, longhorn cattle, oil derricks, Alamo imagery, and bold, patriotic colors. Brands like \"Texas Moon\" or \"Tex-Maid\" relied on regional pride and a rugged, western aesthetic to carve out shelf space, proving that everything—including the marketing—was bigger and bolder in Texas.","rizona's commercial citrus production emerged alongside massive irrigation projects in the Salt River Valley and Yuma Mesa during the early 1900s. Because its growing regions bordered California, Arizona labels often mirrored California's high-quality lithographic style but with distinct desert iconography.","Arizona labels leaned heavily into its striking desert geology, featuring Saguaro cacti, sweeping desert mesas, blazing sunsets, and romanticized depictions of Native American cultures. These labels framed Arizona as a miraculous agricultural oasis, emphasizing that their grapefruit and oranges were grown under intense desert sun, which heightened sweetness.","By the mid-1950s, the art form abruptly vanished. Flat-packed corrugated cardboard boxes with simple, cheap ink stamps took over because they were lighter to ship and far less labor-intensive than assembling wooden crates."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect the history of citrus and vegetable crate labels through the early to mid-twentieth century. Most of the citrus labels were produced through the 1940s, with vegetable labels continuing through the early 1970s. \u003c/p\u003e\n","\u003cp\u003eThis collection is notable in that it contains labels from the four major players in the U.S. citrus market: California, Florida, Arizona, and Texas. 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","This collection is notable in that it contains labels from the four major players in the U.S. citrus market: California, Florida, Arizona, and Texas. This allows one to compare the approaches each state took in the creation of their labels (size, layout, etc.) as well as shared themes and themes unique to each state.","Also notable is the handful of labels from Australia, which are the only known overseas citrus crate labels in our collections.","Most labels are authentic, although there are a few reproductions present within the collection. As an educator, Professor Mack's surmised intent was to demonstrate the historical design of the labels rather than collecting them for profit or hobby. "],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["Thomas B. Mack Florida Citrus Archives"],"corpname_ssim":["Thomas B. Mack Florida Citrus Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":949,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"456875eab9536e3707a4b04f","timestamp":"2026-06-30T02:21:32.973Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/456875eab9536e3707a4b04f"}},{"id":"604db35639769a2b17f7ae03","type":"collection","attributes":{"title":"Tone Theatre Records, 1947-1955, Date acquired: 06/00/1982","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/604db35639769a2b17f7ae03#creator","type":"document_value","attributes":{"value":["Tone Theatre"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/604db35639769a2b17f7ae03#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eRecords, 1947-1955, of a movie house in Cantonment, Florida, including correspondence, film booking records, financial and personnel files and other operating papers. Tone Theatre was part of the Fred T. McLendon Theatres operated in partnership with Heywood Hanna, Jr.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/604db35639769a2b17f7ae03#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"604db35639769a2b17f7ae03","title_ssm":["Tone Theatre Records"],"title_tesim":["Tone Theatre Records"],"ead_ssi":"604db35639769a2b17f7ae03","unitdate_ssm":["1947-1955","Date acquired: 06/00/1982"],"unitdate_inclusive_ssm":["1947-1955"],"unitdate_other_ssim":["Date acquired: 06/00/1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M1982-04","/repositories/2/resources/35"],"text":["M1982-04","/repositories/2/resources/35","Tone Theatre Records, 1947-1955, Date acquired: 06/00/1982","Cantonment (Fla.)--Motion picture theatres.","Cantonment, Fla.--Businesses.","Fred T. McLendon Theatres.","Financial records--Florida--Cantonment.","Personnel records--Florida--Cantonment.","Personnel records are restricted; check with Special Collections Librarian.","Open to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access.","Arranged by subject, then chronologically.","Cataloged 06/25/1982","Records, 1947-1955, of a movie house in Cantonment, Florida, including correspondence, film booking records, financial and personnel files and other operating papers.  Tone Theatre was part of the Fred T. McLendon Theatres operated in partnership with Heywood Hanna, Jr.","These materials were received with the Herbert L. Bryans papers donated in June 1982 by his son, Robert L. Bryans.  It appears that Dr. Bryans rented the upstairs office of Bryans pharmacy to a number of firms and the records of these firms, if abandoned, became part of the Bryans accumulation.","Special note should be made about the statistical information in these records such as weather, films shown and attendance, and the tax records of Mr. Hanna which reflect his other business activities in Milton, Florida.","Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.","UWF University Archives and West Florida History Center","Tone Theatre","Tone Theatre (Cantonment, Fla.).","Hanna, Heywood, Jr.","McLendon, Fred T.","English"],"unitid_tesim":["M1982-04","/repositories/2/resources/35"],"normalized_date_ssm":["1947-1955, Date acquired: 06/00/1982"],"normalized_title_ssm":["Tone Theatre Records, 1947-1955, Date acquired: 06/00/1982"],"collection_title_tesim":["Tone Theatre Records, 1947-1955, Date acquired: 06/00/1982"],"collection_ssim":["Tone Theatre Records, 1947-1955, Date acquired: 06/00/1982"],"repository_ssm":["UWF University Archives and West Florida History Center"],"repository_ssim":["UWF University Archives and West Florida History Center"],"geogname_ssm":["Cantonment (Fla.)--Motion picture theatres."],"geogname_ssim":["Cantonment (Fla.)--Motion picture theatres."],"creator_ssm":["Tone Theatre"],"creator_ssim":["Tone Theatre"],"creator_corpname_ssim":["Tone Theatre"],"creators_ssim":["Tone Theatre"],"places_ssim":["Cantonment (Fla.)--Motion picture theatres."],"access_terms_ssm":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"acqinfo_ssim":["Robert L. Bryans, June 1982"],"access_subjects_ssim":["Cantonment, Fla.--Businesses.","Fred T. McLendon Theatres.","Financial records--Florida--Cantonment.","Personnel records--Florida--Cantonment."],"access_subjects_ssm":["Cantonment, Fla.--Businesses.","Fred T. 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It appears that Dr. Bryans rented the upstairs office of Bryans pharmacy to a number of firms and the records of these firms, if abandoned, became part of the Bryans accumulation.\u003c/p\u003e\n","\u003cp\u003eSpecial note should be made about the statistical information in these records such as weather, films shown and attendance, and the tax records of Mr. Hanna which reflect his other business activities in Milton, Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Records, 1947-1955, of a movie house in Cantonment, Florida, including correspondence, film booking records, financial and personnel files and other operating papers.  Tone Theatre was part of the Fred T. McLendon Theatres operated in partnership with Heywood Hanna, Jr.","These materials were received with the Herbert L. Bryans papers donated in June 1982 by his son, Robert L. Bryans.  It appears that Dr. Bryans rented the upstairs office of Bryans pharmacy to a number of firms and the records of these firms, if abandoned, became part of the Bryans accumulation.","Special note should be made about the statistical information in these records such as weather, films shown and attendance, and the tax records of Mr. Hanna which reflect his other business activities in Milton, Florida."],"userestrict_html_tesm":["\u003cp\u003eDigital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  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Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"names_coll_ssim":["Tone Theatre (Cantonment, Fla.).","Hanna, Heywood, Jr.","McLendon, Fred T."],"names_ssim":["UWF University Archives and West Florida History Center","Tone Theatre","Tone Theatre (Cantonment, Fla.).","Hanna, Heywood, Jr.","McLendon, Fred T."],"corpname_ssim":["UWF University Archives and West Florida History Center","Tone Theatre","Tone Theatre (Cantonment, Fla.)."],"persname_ssim":["Hanna, Heywood, Jr.","McLendon, Fred T."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":17,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863745575550976,"_root_":"604db35639769a2b17f7ae03","timestamp":"2026-07-16T09:38:23.650Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"604db35639769a2b17f7ae03","title_ssm":["Tone Theatre Records"],"title_tesim":["Tone Theatre Records"],"ead_ssi":"604db35639769a2b17f7ae03","unitdate_ssm":["1947-1955","Date acquired: 06/00/1982"],"unitdate_inclusive_ssm":["1947-1955"],"unitdate_other_ssim":["Date acquired: 06/00/1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M1982-04","/repositories/2/resources/35"],"text":["M1982-04","/repositories/2/resources/35","Tone Theatre Records, 1947-1955, Date acquired: 06/00/1982","Cantonment (Fla.)--Motion picture theatres.","Cantonment, Fla.--Businesses.","Fred T. 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It appears that Dr. Bryans rented the upstairs office of Bryans pharmacy to a number of firms and the records of these firms, if abandoned, became part of the Bryans accumulation.","Special note should be made about the statistical information in these records such as weather, films shown and attendance, and the tax records of Mr. Hanna which reflect his other business activities in Milton, Florida."],"userestrict_html_tesm":["\u003cp\u003eDigital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"names_coll_ssim":["Tone Theatre (Cantonment, Fla.).","Hanna, Heywood, Jr.","McLendon, Fred T."],"names_ssim":["UWF University Archives and West Florida History Center","Tone Theatre","Tone Theatre (Cantonment, Fla.).","Hanna, Heywood, Jr.","McLendon, Fred T."],"corpname_ssim":["UWF University Archives and West Florida History Center","Tone Theatre","Tone Theatre (Cantonment, Fla.)."],"persname_ssim":["Hanna, Heywood, Jr.","McLendon, Fred T."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":17,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863745575550976,"_root_":"604db35639769a2b17f7ae03","timestamp":"2026-07-16T09:38:23.650Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/604db35639769a2b17f7ae03"}},{"id":"6fb6b27850de62e5c1e768a0_aspace_16364","type":"Item","attributes":{"title":"Toot, Toot, Tootsie, 1922, 1949","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/6fb6b27850de62e5c1e768a0_aspace_16364#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFive pages of sheet music of \"Toot, Toot, Toostsie! 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Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. 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Audio","LANGUAGE WARNING: Some titles of plays, advertisements, and articles within the materials contain language that was common in the United States during the 20th century. Outdated language, slurs, and other terms that may be considered harmful or offensive are present.","personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present.","The materials in this collection primarily consist of playbills, showbills, and programs that range from the mid-to-late 20th century and are primarily from the personal collection of Louis Miano. However, the contents are compiled from multiple collections of the same scope. There is a large collection of playbills, showbills, and programs from theater and opera in Miami and South Florida, as well as from across the United States and Europe. The collection also contains magazines, ephemera, and other materials related to musical theater in the United States and Europe.","The Louis Miano Theater Collection is owned by Florida International University. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. 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This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Louis Miano and others."],"access_subjects_ssim":["Advertising"],"access_subjects_ssm":["Advertising"],"has_online_content_ssim":["false"],"extent_ssm":["8.93 Linear Feet 7 Boxes\n1 Oversize Flat Box"],"extent_tesim":["8.93 Linear Feet 7 Boxes\n1 Oversize Flat Box"],"date_range_isim":[1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged into the following series alphabetically based on the title of the performance:\u003c/p\u003e\n","\u003cp\u003e1.\tAB \u0026#x2013; AL\n2.\tAM \u0026#x2013; AN\n3.\tAR \u0026#x2013; AU\n4.\tBA - BI\n5.\tBL - BO\n6.\tBR - BU\n7.\tCA\n8.\tCL - CI\n9.\tCO - CU\n10.\tDA - DE\n11.\tDI - DR\n12.\tEA - FA\n13.\tFE - FU\n14.\tGA - GO\n15.\tGR - GY\n16.\tHA - HE\n17.\tHI - HU\n18.\tI\n19.\tJ - K\n20.\tLA\n21.\tLE - LI\n22.\tLL - LU\n23.\tMAC - MAN\n24.\tMAR - MER\n25.\tMIC - MOO\n26.\tMOR - MYS\n27.\tN\n28.\tO\n29.\tPA - PI\n30.\tPL - PY\n31.\tRA - RI\n32.\tRO - RU\n33.\tSAC - SEX\n34.\tSHA - SLE\n35.\tSMA - STU\n36.\tSUB - SWE\n37.\tTAL - THO\n38.\tTHR - TOG\n39.\tTOM - TWE\n40.\tULY - WAL\n41.\tWEI - WIN\n42.\tWIT - ZOR\u003c/p\u003e\n","\u003cp\u003eThere are four more series arranged by type of material:\n1. Brochures\n2. Magazines\n3. Ephemera\n4. Audio\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged into the following series alphabetically based on the title of the performance:","1.\tAB – AL\n2.\tAM – AN\n3.\tAR – AU\n4.\tBA - BI\n5.\tBL - BO\n6.\tBR - BU\n7.\tCA\n8.\tCL - CI\n9.\tCO - CU\n10.\tDA - DE\n11.\tDI - DR\n12.\tEA - FA\n13.\tFE - FU\n14.\tGA - GO\n15.\tGR - GY\n16.\tHA - HE\n17.\tHI - HU\n18.\tI\n19.\tJ - K\n20.\tLA\n21.\tLE - LI\n22.\tLL - LU\n23.\tMAC - MAN\n24.\tMAR - MER\n25.\tMIC - MOO\n26.\tMOR - MYS\n27.\tN\n28.\tO\n29.\tPA - PI\n30.\tPL - PY\n31.\tRA - RI\n32.\tRO - RU\n33.\tSAC - SEX\n34.\tSHA - SLE\n35.\tSMA - STU\n36.\tSUB - SWE\n37.\tTAL - THO\n38.\tTHR - TOG\n39.\tTOM - TWE\n40.\tULY - WAL\n41.\tWEI - WIN\n42.\tWIT - ZOR","There are four more series arranged by type of material:\n1. Brochures\n2. Magazines\n3. Ephemera\n4. Audio"],"odd_html_tesm":["\u003cp\u003eLANGUAGE WARNING: Some titles of plays, advertisements, and articles within the materials contain language that was common in the United States during the 20th century. Outdated language, slurs, and other terms that may be considered harmful or offensive are present.\u003c/p\u003e\n","\u003cp\u003epersonal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["LANGUAGE WARNING: Some titles of plays, advertisements, and articles within the materials contain language that was common in the United States during the 20th century. Outdated language, slurs, and other terms that may be considered harmful or offensive are present.","personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection primarily consist of playbills, showbills, and programs that range from the mid-to-late 20th century and are primarily from the personal collection of Louis Miano. However, the contents are compiled from multiple collections of the same scope. There is a large collection of playbills, showbills, and programs from theater and opera in Miami and South Florida, as well as from across the United States and Europe. The collection also contains magazines, ephemera, and other materials related to musical theater in the United States and Europe.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection primarily consist of playbills, showbills, and programs that range from the mid-to-late 20th century and are primarily from the personal collection of Louis Miano. However, the contents are compiled from multiple collections of the same scope. There is a large collection of playbills, showbills, and programs from theater and opera in Miami and South Florida, as well as from across the United States and Europe. The collection also contains magazines, ephemera, and other materials related to musical theater in the United States and Europe."],"userestrict_html_tesm":["\u003cp\u003eThe Louis Miano Theater Collection is owned by Florida International University. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Louis Miano Theater Collection is owned by Florida International University. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Russian French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1032,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844485139693568,"_root_":"b8bf361dc0d2b04552d16184","timestamp":"2026-07-16T04:32:15.452Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b8bf361dc0d2b04552d16184_aspace_45d1e03020b9b5f3bae6f3a4cdcf99dc"}},{"id":"494d175c32d55745f7fddbc7_aspace_5085","type":"File","attributes":{"title":"Tourism, 1906-1964, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/494d175c32d55745f7fddbc7_aspace_5085#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5085","ref_ssm":["aspace_5085","aspace_5085"],"id":"494d175c32d55745f7fddbc7_aspace_5085","title_filing_ssi":"Tourism","title_ssm":["Tourism"],"title_tesim":["Tourism"],"unitdate_inclusive_ssm":["1906-1964, Undated"],"normalized_date_ssm":["1906-1964, Undated"],"normalized_title_ssm":["Tourism, 1906-1964, Undated"],"text":["Tourism, 1906-1964, Undated","Florida Image Collection, 1884-2002","Photo Postcards, 1898-1988, Undated","/repositories/4/archival_objects/12257","box 4"],"component_level_isim":[2],"parent_ids_ssim":["494d175c32d55745f7fddbc7","494d175c32d55745f7fddbc7_aspace_4689"],"parent_unittitles_ssm":["Florida Image Collection, 1884-2002","Photo Postcards, 1898-1988, Undated"],"parent_unittitles_tesim":["Florida Image Collection, 1884-2002","Photo Postcards, 1898-1988, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/4/archival_objects/12257"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Florida Image Collection, 1884-2002"],"has_online_content_ssim":["false"],"child_component_count_isi":40,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":776,"parent_access_restrict_tesm":["The entire collection is open for research."],"date_range_isim":[1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964],"containers_ssim":["box 4"],"_nest_path_":"/components#4/components#8","_nest_parent_":"494d175c32d55745f7fddbc7_aspace_4689","_root_":"494d175c32d55745f7fddbc7","_version_":1870858026892656640,"timestamp":"2026-07-16T08:07:29.876Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"494d175c32d55745f7fddbc7","title_ssm":["Florida Image Collection"],"title_tesim":["Florida Image Collection"],"ead_ssi":"494d175c32d55745f7fddbc7","unitdate_ssm":["1884-2002"],"unitdate_inclusive_ssm":["1884-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.067","/repositories/4/resources/58"],"text":["SC.067","/repositories/4/resources/58","Florida Image Collection, 1884-2002","Florida","photographs","The entire collection is open for research.","The Florida Image collection contains images and picture postcards obtained from other UCF Archives collections, as well as purchases and donations. The majority come from the The Thomas and Georgine Mickler Collection. The Mickler collection was partly purchased and donated to the University. Other photos within the collection originated in the Special Collections Vertical File. The Vertical File contains a variety of collected materials on University of Central Florida, local history, typography and book arts, and the West Indies, subjects relating to the collections held by Special Collections. Also included in the collection are images from the Children's Home Society of Florida collection.","Many of the images were previously included in the Thomas and Georgine Mickler Collection and the Florida Ephemera collection. Both of these collections are housed in the University of Central Florida Archives.","Collection processed by Alexandra Olson; finding aid created by Alexandra Olson.","The photographs and postcards were sleeved and placed in acid-free folders and boxes.","More photographs may be found in the papers of individual University Presidents, as well as the Univeristy Photograph Collection. All these materials may be accessed in the Special Collections Reading Room.","Generally, images of individuals arranged alphabetically begin each subseries followed by groups of people and ending with unidentified images. The collection includes postcard images of scenes and places in Florida. Many of the photographs were originally part of the Thomas and Georgine Mickler Collection. The photos are arranged by series according to the type of image. The prints are mostly black and white, but a few are in color. The photographs and postcards have been arranged in nine series by subject","\nSeries I: People, 1913-1987, Undated contains photographic prints of individuals and groups that have been arranged in subseries from identifiable people and families to albums and ending with individuals and groups. Images, in this series, like those of the Pope family are significant to Florida because Dick Pope was the creator of Cypress Gardens, Florida's first theme park. Images of the Roper family are important because of this family's link to the Florida Citrus Industry and the Winter Garden area.","\nSeries II: Places, 1903-1988, Undated holds photographs of places and localities from around Florida arranged alphabetically. Disney forms the first subseries, followed by the John F. Kennedy Space Center, general localities and ending with a colleciton of photographs of Orange Blossom Trail in South Orlando.","\nSeries III: Environment, 1899-1999, Undated contains images of native wildlife, plants of Florida, ending with photographs of hurricanes.","\nSeries IV: Miscellaneous Images, 2002, Undated contains photographs and images that do not fit within any other series, but are still important to the memory of Florida.","\nSeries V: Photo Postcards, 1898-1988, Undated holds postcards that have either a genuine photograph or a printed image on one side. The printed postcards are divided into subseries by subject. The nine subjects include: Churches, hotels, localities, native plants, native wildlife, people, tourism, transportation and miscellaneous.","\nSeries VI: Picture Books (Souvenir Albums), 1884-1969, Undated contains albums and postcard books with many different images of Florida. The series is arranged alphabetically by title of book, and spans from Railroads to Locales.","\nSeries VII: Caribbean Postcards, 1954, Undated contains postcards with different images of Carribbean life.","\nSeries VIII: Color Plates and Oversized Postcards, 1960, Undated holds all the oversized postcards from the collection as well as a collection of color plates. Plates are whole-sheet illustrations, printed separately from text. The images in this series cover a wide variety of Florida scenery and locales.","\nSeries IX: Negatives, Undated contains all the negatives of the collection.","The images document all aspects of Central Florida history including people, such as prominent people and families, places around Florida, Florida wildlife and plantlife, as well as, images from the Kennedy Space Center and Disney. The majority of the collection dates from about 1900-1960.","UCF Special Collections","Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998","English"],"unitid_tesim":["SC.067","/repositories/4/resources/58"],"normalized_date_ssm":["1884-2002"],"normalized_title_ssm":["Florida Image Collection, 1884-2002"],"collection_title_tesim":["Florida Image Collection, 1884-2002"],"collection_ssim":["Florida Image Collection, 1884-2002"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida"],"geogname_ssim":["Florida"],"creator_ssm":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creator_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creator_persname_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creators_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"places_ssim":["Florida"],"acqinfo_ssim":["Photographs used in the collection were taken from the Thomas and Georgine Mickler Collection, the UCF Libraries, Special Collections vertical file,as well as, other purchases and acessions.","This collection was a mixture of purchased and donated from the Mickler Estate and other sources in 2006 (CFM2006_08)."],"access_subjects_ssim":["photographs"],"access_subjects_ssm":["photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1.65 Linear Feet 4 Boxes, 1 Flat File"],"extent_tesim":["1.65 Linear Feet 4 Boxes, 1 Flat File"],"genreform_ssim":["photographs"],"date_range_isim":[1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Florida Image collection contains images and picture postcards obtained from other UCF Archives collections, as well as purchases and donations. The majority come from the The Thomas and Georgine Mickler Collection. The Mickler collection was partly purchased and donated to the University. Other photos within the collection originated in the Special Collections Vertical File. The Vertical File contains a variety of collected materials on University of Central Florida, local history, typography and book arts, and the West Indies, subjects relating to the collections held by Special Collections. Also included in the collection are images from the Children's Home Society of Florida collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Florida Image collection contains images and picture postcards obtained from other UCF Archives collections, as well as purchases and donations. The majority come from the The Thomas and Georgine Mickler Collection. The Mickler collection was partly purchased and donated to the University. Other photos within the collection originated in the Special Collections Vertical File. The Vertical File contains a variety of collected materials on University of Central Florida, local history, typography and book arts, and the West Indies, subjects relating to the collections held by Special Collections. Also included in the collection are images from the Children's Home Society of Florida collection."],"custodhist_html_tesm":["\u003cp\u003eMany of the images were previously included in the Thomas and Georgine Mickler Collection and the Florida Ephemera collection. Both of these collections are housed in the University of Central Florida Archives.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Many of the images were previously included in the Thomas and Georgine Mickler Collection and the Florida Ephemera collection. Both of these collections are housed in the University of Central Florida Archives."],"prefercite_html_tesm":["\u003cp\u003eFlorida Image Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Florida Image Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Alexandra Olson; finding aid created by Alexandra Olson.\u003c/p\u003e","\u003cp\u003eThe photographs and postcards were sleeved and placed in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Alexandra Olson; finding aid created by Alexandra Olson.","The photographs and postcards were sleeved and placed in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eMore photographs may be found in the papers of individual University Presidents, as well as the Univeristy Photograph Collection. All these materials may be accessed in the Special Collections Reading Room.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["More photographs may be found in the papers of individual University Presidents, as well as the Univeristy Photograph Collection. All these materials may be accessed in the Special Collections Reading Room."],"scopecontent_html_tesm":["\u003cp\u003eGenerally, images of individuals arranged alphabetically begin each subseries followed by groups of people and ending with unidentified images. The collection includes postcard images of scenes and places in Florida. Many of the photographs were originally part of the Thomas and Georgine Mickler Collection. The photos are arranged by series according to the type of image. The prints are mostly black and white, but a few are in color. The photographs and postcards have been arranged in nine series by subject\u003c/p\u003e\n","\u003cp\u003e\nSeries I: People, 1913-1987, Undated contains photographic prints of individuals and groups that have been arranged in subseries from identifiable people and families to albums and ending with individuals and groups. Images, in this series, like those of the Pope family are significant to Florida because Dick Pope was the creator of Cypress Gardens, Florida's first theme park. Images of the Roper family are important because of this family's link to the Florida Citrus Industry and the Winter Garden area.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Places, 1903-1988, Undated holds photographs of places and localities from around Florida arranged alphabetically. Disney forms the first subseries, followed by the John F. Kennedy Space Center, general localities and ending with a colleciton of photographs of Orange Blossom Trail in South Orlando.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Environment, 1899-1999, Undated contains images of native wildlife, plants of Florida, ending with photographs of hurricanes.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Miscellaneous Images, 2002, Undated contains photographs and images that do not fit within any other series, but are still important to the memory of Florida.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Photo Postcards, 1898-1988, Undated holds postcards that have either a genuine photograph or a printed image on one side. The printed postcards are divided into subseries by subject. The nine subjects include: Churches, hotels, localities, native plants, native wildlife, people, tourism, transportation and miscellaneous.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Picture Books (Souvenir Albums), 1884-1969, Undated contains albums and postcard books with many different images of Florida. The series is arranged alphabetically by title of book, and spans from Railroads to Locales.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Caribbean Postcards, 1954, Undated contains postcards with different images of Carribbean life.\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Color Plates and Oversized Postcards, 1960, Undated holds all the oversized postcards from the collection as well as a collection of color plates. Plates are whole-sheet illustrations, printed separately from text. The images in this series cover a wide variety of Florida scenery and locales.\u003c/p\u003e\n","\u003cp\u003e\nSeries IX: Negatives, Undated contains all the negatives of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Generally, images of individuals arranged alphabetically begin each subseries followed by groups of people and ending with unidentified images. The collection includes postcard images of scenes and places in Florida. Many of the photographs were originally part of the Thomas and Georgine Mickler Collection. The photos are arranged by series according to the type of image. The prints are mostly black and white, but a few are in color. The photographs and postcards have been arranged in nine series by subject","\nSeries I: People, 1913-1987, Undated contains photographic prints of individuals and groups that have been arranged in subseries from identifiable people and families to albums and ending with individuals and groups. Images, in this series, like those of the Pope family are significant to Florida because Dick Pope was the creator of Cypress Gardens, Florida's first theme park. Images of the Roper family are important because of this family's link to the Florida Citrus Industry and the Winter Garden area.","\nSeries II: Places, 1903-1988, Undated holds photographs of places and localities from around Florida arranged alphabetically. Disney forms the first subseries, followed by the John F. Kennedy Space Center, general localities and ending with a colleciton of photographs of Orange Blossom Trail in South Orlando.","\nSeries III: Environment, 1899-1999, Undated contains images of native wildlife, plants of Florida, ending with photographs of hurricanes.","\nSeries IV: Miscellaneous Images, 2002, Undated contains photographs and images that do not fit within any other series, but are still important to the memory of Florida.","\nSeries V: Photo Postcards, 1898-1988, Undated holds postcards that have either a genuine photograph or a printed image on one side. The printed postcards are divided into subseries by subject. The nine subjects include: Churches, hotels, localities, native plants, native wildlife, people, tourism, transportation and miscellaneous.","\nSeries VI: Picture Books (Souvenir Albums), 1884-1969, Undated contains albums and postcard books with many different images of Florida. The series is arranged alphabetically by title of book, and spans from Railroads to Locales.","\nSeries VII: Caribbean Postcards, 1954, Undated contains postcards with different images of Carribbean life.","\nSeries VIII: Color Plates and Oversized Postcards, 1960, Undated holds all the oversized postcards from the collection as well as a collection of color plates. Plates are whole-sheet illustrations, printed separately from text. The images in this series cover a wide variety of Florida scenery and locales.","\nSeries IX: Negatives, Undated contains all the negatives of the collection."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c1764512ad44520b697525a0abb48530\" label=\"Abstract\"\u003eThe images document all aspects of Central Florida history including people, such as prominent people and families, places around Florida, Florida wildlife and plantlife, as well as, images from the Kennedy Space Center and Disney. The majority of the collection dates from about 1900-1960.\u003c/abstract\u003e"],"abstract_tesim":["The images document all aspects of Central Florida history including people, such as prominent people and families, places around Florida, Florida wildlife and plantlife, as well as, images from the Kennedy Space Center and Disney. The majority of the collection dates from about 1900-1960."],"names_ssim":["UCF Special Collections","Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1301,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858026892656640,"_root_":"494d175c32d55745f7fddbc7","timestamp":"2026-07-16T08:07:29.876Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/494d175c32d55745f7fddbc7_aspace_5085"}},{"id":"a3eabcc4094ea8e02f42af5b_aspace_7139","type":"File","attributes":{"title":"Tourism, circa 1894-1983","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a3eabcc4094ea8e02f42af5b_aspace_7139#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7139","ref_ssm":["aspace_7139","aspace_7139"],"id":"a3eabcc4094ea8e02f42af5b_aspace_7139","title_filing_ssi":"Tourism","title_ssm":["Tourism"],"title_tesim":["Tourism"],"unitdate_inclusive_ssm":["circa 1894-1983"],"normalized_date_ssm":["circa 1894-1983"],"normalized_title_ssm":["Tourism, circa 1894-1983"],"text":["Tourism, circa 1894-1983","Florida Ephemera collection, circa 1813-2007","Subject Files, 1831-2005","Box 23, Folder 1-5; Box 24, Folder 1-2; Box 27, Folder 21; Box 28, Folder 1-2","/repositories/4/archival_objects/13294","box 23","folder 1-5","box 24","folder 1-2","box 27","folder 21","Box 28","folder 1-2"],"component_level_isim":[2],"parent_ids_ssim":["a3eabcc4094ea8e02f42af5b","a3eabcc4094ea8e02f42af5b_aspace_6500"],"parent_unittitles_ssm":["Florida Ephemera collection, circa 1813-2007","Subject Files, 1831-2005"],"parent_unittitles_tesim":["Florida Ephemera collection, circa 1813-2007","Subject Files, 1831-2005"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Box 23, Folder 1-5; Box 24, Folder 1-2; Box 27, Folder 21; Box 28, Folder 1-2","/repositories/4/archival_objects/13294"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Florida Ephemera collection, circa 1813-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":59,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1364,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"containers_ssim":["box 23","folder 1-5","box 24","folder 1-2","box 27","folder 21","Box 28","folder 1-2"],"_nest_path_":"/components#1/components#20","_nest_parent_":"a3eabcc4094ea8e02f42af5b_aspace_6500","_root_":"a3eabcc4094ea8e02f42af5b","_version_":1876384024848498688,"timestamp":"2026-09-15T08:00:52.198Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a3eabcc4094ea8e02f42af5b","title_ssm":["Florida Ephemera collection"],"title_tesim":["Florida Ephemera collection"],"ead_ssi":"a3eabcc4094ea8e02f42af5b","unitdate_ssm":["circa 1813-2007"],"unitdate_inclusive_ssm":["circa 1813-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.032","/repositories/4/resources/60"],"text":["SC.032","/repositories/4/resources/60","Florida Ephemera collection, circa 1813-2007","Florida","Florida -- Politics and government","Orlando (Fla.)","Agriculture -- Florida","Business -- Florida","Gardening -- Florida","Parks -- Florida","Tourism","The entire collection is open for research.","The collection is divided into three series, Geographic Files, Artifacts and Subject Files. Geographic Files are arranged in three subseries, Central, North and South Florida, with Central Florida organized alphabetically by county. General information about a region begins each subseries, followed by cities and counties that have a high volume of information. Subject Files are arranged alphabetically.","Thomas and Georgine Mickler ran a small publishing company, Mickler House, and a thriving mail-order business, Mickler's Antiquarian Books, out of their Chuluota home for almost 40 years. The Mickler's focused on tracing out-of-print publications about Florida and ultimately collected more than 40,000 books and other historical pieces of paper memorabilia that filled their home. Thomas Mickler was a native Floridian but Georgine was born in Chicago. She moved to Orlando in 1961, and they married the following year. Both of them lived until they were 84 years old; Thomas died in 1997 and Georgine died a year later.","Collection processed by Jessica Achberger; finding aid prepared by Jessica Achberger and Jeffrey Baumiller.","This collection was processed by both geographic area and subject matter. Materials related to a specific location within Florida were divided out, while materials related to Florida as a whole were separated into specific subject matter. All materials are foldered, with special attention being paid to newspaper clippings and delicate manuscript materials. Sheets of acid free paper were put between clippings, and some materials have been sleeved for preservation.","Other materials collected by the Micklers are held in the University of Central Florida Libraries Special Collections and University Archives, and other collections provide information about Florida. For a complete list of collections please consult the  Special Collections \u0026 University Archives  website.","The Florida Ephemera Collection consists of materials about or produced in Florida collected by Thomas and Georgine Mickler through their mail-order business, Mickler's Antiquarian Books, as well as additional purchases made by the University of Central Florida Libraries Special Collections. These materials are all related in some way to Florida, either geographically or through the subject matter.","\nSeries I: Geographic Files, circa 1813-2007 contain tourism brochures, information on local historical societies, local business advertisements and newspaper clippings related to the different geographic areas of Florida, loosely divided into Central, North and South Florida. Some information may also be found in a Subject file; however, generally the Subject Files consist of information about Florida as a whole.","\nSeries II: Subject Files, 1831-2005 consist of booklets and brochures, newspaper and journal articles, business cards and advertisements, and periodicals related to Florida, arranged by subject alphabetically. Topics include Agricultural Literature, Arts and Humanities, Gardening Literature, History, Politics and Government, Real Estate and Development, State Parks and Historical Markers, Tourism, and Wildlife.","Series III: Artifacts, Undated, 1971, contains larger items that pertain to geographical and subject files \nconcerning Florida. Included thus far are a cork mat depicting Bok Tower and a bottle commemorating \nthe Apollo 14 mission.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Florida Ephemera Collection is a collection of brochures, advertisements and news clippings documenting the history of Florida. Although the collection includes information about Florida as a whole, it focuses on the Central Florida area, and Orlando in particular. The collection contains information about most aspects of life in Florida including business and industry, real estate and development, tourism and wildlife.","UCF Special Collections","Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998","English"],"unitid_tesim":["SC.032","/repositories/4/resources/60"],"normalized_date_ssm":["circa 1813-2007"],"normalized_title_ssm":["Florida Ephemera collection, circa 1813-2007"],"collection_title_tesim":["Florida Ephemera collection, circa 1813-2007"],"collection_ssim":["Florida Ephemera collection, circa 1813-2007"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida","Florida -- Politics and government","Orlando (Fla.)"],"geogname_ssim":["Florida","Florida -- Politics and government","Orlando (Fla.)"],"creator_ssm":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creator_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creator_persname_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creators_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"places_ssim":["Florida","Florida -- Politics and government","Orlando (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The ephemera was mostly collected by Thomas and Georgine Mickler of Micklers Antiquarian Books. These materials were purchased by the University of Central Florida Libraries, Special Collections and University Archives in 1999 (CFM1999_06). Ephemera from a variety of sources will continue to be purchased to create a collection relevant to Florida's history."],"access_subjects_ssim":["Agriculture -- Florida","Business -- Florida","Gardening -- Florida","Parks -- Florida","Tourism"],"access_subjects_ssm":["Agriculture -- Florida","Business -- Florida","Gardening -- Florida","Parks -- Florida","Tourism"],"has_online_content_ssim":["false"],"extent_ssm":["13 Linear Feet 26 Boxes, 1 Flat File"],"extent_tesim":["13 Linear Feet 26 Boxes, 1 Flat File"],"date_range_isim":[1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into three series, Geographic Files, Artifacts and Subject Files. Geographic Files are arranged in three subseries, Central, North and South Florida, with Central Florida organized alphabetically by county. General information about a region begins each subseries, followed by cities and counties that have a high volume of information. Subject Files are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into three series, Geographic Files, Artifacts and Subject Files. Geographic Files are arranged in three subseries, Central, North and South Florida, with Central Florida organized alphabetically by county. General information about a region begins each subseries, followed by cities and counties that have a high volume of information. Subject Files are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eThomas and Georgine Mickler ran a small publishing company, Mickler House, and a thriving mail-order business, Mickler's Antiquarian Books, out of their Chuluota home for almost 40 years. The Mickler's focused on tracing out-of-print publications about Florida and ultimately collected more than 40,000 books and other historical pieces of paper memorabilia that filled their home. Thomas Mickler was a native Floridian but Georgine was born in Chicago. She moved to Orlando in 1961, and they married the following year. Both of them lived until they were 84 years old; Thomas died in 1997 and Georgine died a year later.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Thomas and Georgine Mickler ran a small publishing company, Mickler House, and a thriving mail-order business, Mickler's Antiquarian Books, out of their Chuluota home for almost 40 years. The Mickler's focused on tracing out-of-print publications about Florida and ultimately collected more than 40,000 books and other historical pieces of paper memorabilia that filled their home. Thomas Mickler was a native Floridian but Georgine was born in Chicago. She moved to Orlando in 1961, and they married the following year. Both of them lived until they were 84 years old; Thomas died in 1997 and Georgine died a year later."],"prefercite_html_tesm":["\u003cp\u003eFlorida Ephemera Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Florida Ephemera Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Jessica Achberger; finding aid prepared by Jessica Achberger and Jeffrey Baumiller.\u003c/p\u003e","\u003cp\u003eThis collection was processed by both geographic area and subject matter. Materials related to a specific location within Florida were divided out, while materials related to Florida as a whole were separated into specific subject matter. All materials are foldered, with special attention being paid to newspaper clippings and delicate manuscript materials. Sheets of acid free paper were put between clippings, and some materials have been sleeved for preservation.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Jessica Achberger; finding aid prepared by Jessica Achberger and Jeffrey Baumiller.","This collection was processed by both geographic area and subject matter. Materials related to a specific location within Florida were divided out, while materials related to Florida as a whole were separated into specific subject matter. All materials are foldered, with special attention being paid to newspaper clippings and delicate manuscript materials. Sheets of acid free paper were put between clippings, and some materials have been sleeved for preservation."],"relatedmaterial_html_tesm":["\u003cp\u003eOther materials collected by the Micklers are held in the University of Central Florida Libraries Special Collections and University Archives, and other collections provide information about Florida. For a complete list of collections please consult the \u003cextref href=\"http://library.ucf.edu/about/departments/special-collections-university-archives/\"\u003eSpecial Collections \u0026amp; University Archives\u003c/extref\u003e website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other materials collected by the Micklers are held in the University of Central Florida Libraries Special Collections and University Archives, and other collections provide information about Florida. For a complete list of collections please consult the  Special Collections \u0026 University Archives  website."],"scopecontent_html_tesm":["\u003cp\u003eThe Florida Ephemera Collection consists of materials about or produced in Florida collected by Thomas and Georgine Mickler through their mail-order business, Mickler's Antiquarian Books, as well as additional purchases made by the University of Central Florida Libraries Special Collections. These materials are all related in some way to Florida, either geographically or through the subject matter.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Geographic Files, circa 1813-2007 contain tourism brochures, information on local historical societies, local business advertisements and newspaper clippings related to the different geographic areas of Florida, loosely divided into Central, North and South Florida. Some information may also be found in a Subject file; however, generally the Subject Files consist of information about Florida as a whole.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Subject Files, 1831-2005 consist of booklets and brochures, newspaper and journal articles, business cards and advertisements, and periodicals related to Florida, arranged by subject alphabetically. Topics include Agricultural Literature, Arts and Humanities, Gardening Literature, History, Politics and Government, Real Estate and Development, State Parks and Historical Markers, Tourism, and Wildlife.\u003c/p\u003e\n","\u003cp\u003eSeries III: Artifacts, Undated, 1971, contains larger items that pertain to geographical and subject files \nconcerning Florida. Included thus far are a cork mat depicting Bok Tower and a bottle commemorating \nthe Apollo 14 mission.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Florida Ephemera Collection consists of materials about or produced in Florida collected by Thomas and Georgine Mickler through their mail-order business, Mickler's Antiquarian Books, as well as additional purchases made by the University of Central Florida Libraries Special Collections. These materials are all related in some way to Florida, either geographically or through the subject matter.","\nSeries I: Geographic Files, circa 1813-2007 contain tourism brochures, information on local historical societies, local business advertisements and newspaper clippings related to the different geographic areas of Florida, loosely divided into Central, North and South Florida. Some information may also be found in a Subject file; however, generally the Subject Files consist of information about Florida as a whole.","\nSeries II: Subject Files, 1831-2005 consist of booklets and brochures, newspaper and journal articles, business cards and advertisements, and periodicals related to Florida, arranged by subject alphabetically. Topics include Agricultural Literature, Arts and Humanities, Gardening Literature, History, Politics and Government, Real Estate and Development, State Parks and Historical Markers, Tourism, and Wildlife.","Series III: Artifacts, Undated, 1971, contains larger items that pertain to geographical and subject files \nconcerning Florida. Included thus far are a cork mat depicting Bok Tower and a bottle commemorating \nthe Apollo 14 mission."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_64c3d62675ae88c59d40c8d1db049bf2\" label=\"Abstract\"\u003eThe Florida Ephemera Collection is a collection of brochures, advertisements and news clippings documenting the history of Florida. Although the collection includes information about Florida as a whole, it focuses on the Central Florida area, and Orlando in particular. The collection contains information about most aspects of life in Florida including business and industry, real estate and development, tourism and wildlife.\u003c/abstract\u003e"],"abstract_tesim":["The Florida Ephemera Collection is a collection of brochures, advertisements and news clippings documenting the history of Florida. Although the collection includes information about Florida as a whole, it focuses on the Central Florida area, and Orlando in particular. The collection contains information about most aspects of life in Florida including business and industry, real estate and development, tourism and wildlife."],"names_ssim":["UCF Special Collections","Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876384024848498688,"_root_":"a3eabcc4094ea8e02f42af5b","timestamp":"2026-09-15T08:00:52.198Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a3eabcc4094ea8e02f42af5b_aspace_7139"}},{"id":"ea10a278e35b143f130f4d56_aspace_f50e1d07afb3c916f8168e3cfe8724b5","type":"File","attributes":{"title":"Town of Eatonville Historic Structure Registry, June 1, 1885-August 2012, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ea10a278e35b143f130f4d56_aspace_f50e1d07afb3c916f8168e3cfe8724b5#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_f50e1d07afb3c916f8168e3cfe8724b5","ref_ssm":["aspace_f50e1d07afb3c916f8168e3cfe8724b5","aspace_f50e1d07afb3c916f8168e3cfe8724b5"],"id":"ea10a278e35b143f130f4d56_aspace_f50e1d07afb3c916f8168e3cfe8724b5","title_filing_ssi":"Town of Eatonville Historic Structure Registry","title_ssm":["Town of Eatonville Historic Structure Registry"],"title_tesim":["Town of Eatonville Historic Structure Registry"],"unitdate_inclusive_ssm":["June 1, 1885-August 2012, Undated"],"normalized_date_ssm":["June 1, 1885-August 2012, Undated"],"normalized_title_ssm":["Town of Eatonville Historic Structure Registry, June 1, 1885-August 2012, Undated"],"text":["Town of Eatonville Historic Structure Registry, June 1, 1885-August 2012, Undated","Carol Mundy: African American Legacy Research Files, 1790-2012","Research Files, 1790-2012, Undated.","Eatonville, 1885-2012, Undated","/repositories/4/archival_objects/55942","Box 4","Folder 5"],"component_level_isim":[3],"parent_ids_ssim":["ea10a278e35b143f130f4d56","ea10a278e35b143f130f4d56_aspace_seriesI","ea10a278e35b143f130f4d56_aspace_b43c5dd795f0e241a1145e0f13505d5c"],"parent_unittitles_ssm":["Carol Mundy: African American Legacy Research Files, 1790-2012","Research Files, 1790-2012, Undated.","Eatonville, 1885-2012, Undated"],"parent_unittitles_tesim":["Carol Mundy: African American Legacy Research Files, 1790-2012","Research Files, 1790-2012, Undated.","Eatonville, 1885-2012, Undated"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/55942"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Carol Mundy: African American Legacy Research Files, 1790-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":34,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"containers_ssim":["Box 4","Folder 5"],"_nest_path_":"/components#0/components#2/components#7","_nest_parent_":"ea10a278e35b143f130f4d56_aspace_b43c5dd795f0e241a1145e0f13505d5c","_root_":"ea10a278e35b143f130f4d56","_version_":1870857796524703744,"timestamp":"2026-07-16T08:03:50.193Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ea10a278e35b143f130f4d56","title_ssm":["Carol Mundy: African American Legacy Research Files"],"title_tesim":["Carol Mundy: African American Legacy Research Files"],"ead_ssi":"ea10a278e35b143f130f4d56","unitdate_ssm":["1790-2012"],"unitdate_inclusive_ssm":["1790-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.121","/repositories/4/resources/220"],"text":["SC.121","/repositories/4/resources/220","Carol Mundy: African American Legacy Research Files, 1790-2012","Apopka (Fla.)--History","Ocoee (Fla.)--History","Eatonville (Fla.)--History","African Americans","African Americans -- Florida -- History","manuscripts (documents)","photographs","The entire collection is open for research.","Ms. Carol Mundy's mother was an antique dealer and this love that Ms. Mundy had for antiques from a young age helped foster an interest and love of history. Ms. Carol Mundy, a former flight attendant was able to travel the world throughout her career. As a result she was able to compile these documents in this collection and its sister collection also house at the UCF Special Collection and University Archives and known as the African American Legacy: the Carol Mundy Collection which hold about one thousand five hundred pieces of history that Ms. Mundy collected previously. The original collection was obtained by the University of Central Florida Special Collections \u0026 University Archives in 2009.","The research files were given to the University of Central Florida History Department through their program known as Regional Initiative for Collecting the History, Experiences and Stories (RICHES). They were housed in the History Department for a number of years and were donated to the University of Central Florida Special Collections \u0026 University Archives. Ms. Mundy saw the University of Central Florida John C. Hitt Library as the perfect institution to house her collection. She also wanted to bring more attention and educate the public and students about the African American Legacy. In 2009, the University of Central Florida, honored Ms. Mundy through the Burnett Honors College. Within the pages of pamphlet handed out at the event that day. In the pamphlet it discusses the importance of preserving and educating youth.","When the University of Central Florida Special Collection \u0026 University Archives received this collection, most of the documents were in three ring binders. Upon receiving the collection the binders were in no particular order and have been organized by city. Some of the documents were put clear sleeves to keep them safe for the time being within the binders. Upon processing this collection, staples, binder clips, and paperclips were removed. The contents that were once in the binders are now housed in acid free folders and boxes.The photographs and the transparency are also housed in clear archival sleeves.","African American Legacy: The Carol Mundy Collection, 1794-2010","The collection is divided into 3 series.","Series I: Research Files, 1790-2012, Undated, consists of documents from three major areas Apopka, Eatonville, and Ocoee. The documents include articles, historic preservation manuals, land plans, census data, draft registration, and plot summaries.","Series II: Manuscripts, 2006-2009, Undated, consists of manuscripts written by Perrine Slim. The name Perrine Slim was a pseudonym for William Gladden Jr. In this series, there is also an article related to one of the manuscripts.","Series III: Photographs, 1920-Circa. 1950's, Undated, includes several photographs primarily of members of the Boykin family and the Gladden family.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","This research collection primarily looks at African American Legacy in small town Florida, including Eatonville, Apopka, and Ocoee. Through photographs, manuscripts, census data, historic home registers, and so much more; you can dive deep into researching these historic African American cities. Delve into the historic homes and their inhabitance of these historic cities through this collection. The documents in this collection are primarily photocopies, or photographs of original documents. The documents in this collection as a result were printed or created recently.","UCF Special Collections","Mundy, Carol","The materials are written in English"],"unitid_tesim":["SC.121","/repositories/4/resources/220"],"normalized_date_ssm":["1790-2012"],"normalized_title_ssm":["Carol Mundy: African American Legacy Research Files, 1790-2012"],"collection_title_tesim":["Carol Mundy: African American Legacy Research Files, 1790-2012"],"collection_ssim":["Carol Mundy: African American Legacy Research Files, 1790-2012"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Apopka (Fla.)--History","Ocoee (Fla.)--History","Eatonville (Fla.)--History"],"geogname_ssim":["Apopka (Fla.)--History","Ocoee (Fla.)--History","Eatonville (Fla.)--History"],"places_ssim":["Apopka (Fla.)--History","Ocoee (Fla.)--History","Eatonville (Fla.)--History"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Regional Initiative for Collecting the History, Experiences and Stories (RICHES) of Central Florida transferred these materials to the University of Central Florida Libraries, Special Collections \u0026 University Archives in 2020 (CFM2020_05)."],"access_subjects_ssim":["African Americans","African Americans -- Florida -- History","manuscripts (documents)","photographs"],"access_subjects_ssm":["African Americans","African Americans -- Florida -- History","manuscripts (documents)","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["2.25 Linear Feet 5 Boxes"],"extent_tesim":["2.25 Linear Feet 5 Boxes"],"genreform_ssim":["manuscripts (documents)","photographs"],"date_range_isim":[1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eMs. Carol Mundy's mother was an antique dealer and this love that Ms. Mundy had for antiques from a young age helped foster an interest and love of history. Ms. Carol Mundy, a former flight attendant was able to travel the world throughout her career. As a result she was able to compile these documents in this collection and its sister collection also house at the UCF Special Collection and University Archives and known as the African American Legacy: the Carol Mundy Collection which hold about one thousand five hundred pieces of history that Ms. Mundy collected previously. The original collection was obtained by the University of Central Florida Special Collections \u0026amp; University Archives in 2009.\u003c/p\u003e\n","\u003cp\u003eThe research files were given to the University of Central Florida History Department through their program known as Regional Initiative for Collecting the History, Experiences and Stories (RICHES). They were housed in the History Department for a number of years and were donated to the University of Central Florida Special Collections \u0026amp; University Archives. Ms. Mundy saw the University of Central Florida John C. Hitt Library as the perfect institution to house her collection. She also wanted to bring more attention and educate the public and students about the African American Legacy. In 2009, the University of Central Florida, honored Ms. Mundy through the Burnett Honors College. Within the pages of pamphlet handed out at the event that day. In the pamphlet it discusses the importance of preserving and educating youth.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Ms. Carol Mundy's mother was an antique dealer and this love that Ms. Mundy had for antiques from a young age helped foster an interest and love of history. Ms. Carol Mundy, a former flight attendant was able to travel the world throughout her career. As a result she was able to compile these documents in this collection and its sister collection also house at the UCF Special Collection and University Archives and known as the African American Legacy: the Carol Mundy Collection which hold about one thousand five hundred pieces of history that Ms. Mundy collected previously. The original collection was obtained by the University of Central Florida Special Collections \u0026 University Archives in 2009.","The research files were given to the University of Central Florida History Department through their program known as Regional Initiative for Collecting the History, Experiences and Stories (RICHES). They were housed in the History Department for a number of years and were donated to the University of Central Florida Special Collections \u0026 University Archives. Ms. Mundy saw the University of Central Florida John C. Hitt Library as the perfect institution to house her collection. She also wanted to bring more attention and educate the public and students about the African American Legacy. In 2009, the University of Central Florida, honored Ms. Mundy through the Burnett Honors College. Within the pages of pamphlet handed out at the event that day. In the pamphlet it discusses the importance of preserving and educating youth."],"prefercite_html_tesm":["\u003cp\u003eCarol Mundy: African American Legacy Research Files, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Carol Mundy: African American Legacy Research Files, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eWhen the University of Central Florida Special Collection \u0026amp; University Archives received this collection, most of the documents were in three ring binders. Upon receiving the collection the binders were in no particular order and have been organized by city. Some of the documents were put clear sleeves to keep them safe for the time being within the binders. Upon processing this collection, staples, binder clips, and paperclips were removed. The contents that were once in the binders are now housed in acid free folders and boxes.The photographs and the transparency are also housed in clear archival sleeves.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["When the University of Central Florida Special Collection \u0026 University Archives received this collection, most of the documents were in three ring binders. Upon receiving the collection the binders were in no particular order and have been organized by city. Some of the documents were put clear sleeves to keep them safe for the time being within the binders. Upon processing this collection, staples, binder clips, and paperclips were removed. The contents that were once in the binders are now housed in acid free folders and boxes.The photographs and the transparency are also housed in clear archival sleeves."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2009-02\"\u003eAfrican American Legacy: The Carol Mundy Collection, 1794-2010\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["African American Legacy: The Carol Mundy Collection, 1794-2010"],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into 3 series.\u003c/p\u003e\n","\u003cp\u003eSeries I: Research Files, 1790-2012, Undated, consists of documents from three major areas Apopka, Eatonville, and Ocoee. The documents include articles, historic preservation manuals, land plans, census data, draft registration, and plot summaries.\u003c/p\u003e\n","\u003cp\u003eSeries II: Manuscripts, 2006-2009, Undated, consists of manuscripts written by Perrine Slim. The name Perrine Slim was a pseudonym for William Gladden Jr. In this series, there is also an article related to one of the manuscripts.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1920-Circa. 1950's, Undated, includes several photographs primarily of members of the Boykin family and the Gladden family.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["The collection is divided into 3 series.","Series I: Research Files, 1790-2012, Undated, consists of documents from three major areas Apopka, Eatonville, and Ocoee. The documents include articles, historic preservation manuals, land plans, census data, draft registration, and plot summaries.","Series II: Manuscripts, 2006-2009, Undated, consists of manuscripts written by Perrine Slim. The name Perrine Slim was a pseudonym for William Gladden Jr. In this series, there is also an article related to one of the manuscripts.","Series III: Photographs, 1920-Circa. 1950's, Undated, includes several photographs primarily of members of the Boykin family and the Gladden family."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a3e726e4ada6767d05cdb00c3da6057b\"\u003eThis research collection primarily looks at African American Legacy in small town Florida, including Eatonville, Apopka, and Ocoee. Through photographs, manuscripts, census data, historic home registers, and so much more; you can dive deep into researching these historic African American cities. Delve into the historic homes and their inhabitance of these historic cities through this collection. The documents in this collection are primarily photocopies, or photographs of original documents. The documents in this collection as a result were printed or created recently.\u003c/abstract\u003e"],"abstract_tesim":["This research collection primarily looks at African American Legacy in small town Florida, including Eatonville, Apopka, and Ocoee. Through photographs, manuscripts, census data, historic home registers, and so much more; you can dive deep into researching these historic African American cities. Delve into the historic homes and their inhabitance of these historic cities through this collection. The documents in this collection are primarily photocopies, or photographs of original documents. The documents in this collection as a result were printed or created recently."],"names_ssim":["UCF Special Collections","Mundy, Carol"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Mundy, Carol"],"persname_ssim":["Mundy, Carol"],"language_ssim":["The materials are written in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":77,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857796524703744,"_root_":"ea10a278e35b143f130f4d56","timestamp":"2026-07-16T08:03:50.193Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ea10a278e35b143f130f4d56_aspace_f50e1d07afb3c916f8168e3cfe8724b5"}},{"id":"731b674a396f199a6d388d63_aspace_4f909b091ea95fc00606e94f91da6058","type":"File","attributes":{"title":"Trade, 1949","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/731b674a396f199a6d388d63_aspace_4f909b091ea95fc00606e94f91da6058#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_4f909b091ea95fc00606e94f91da6058","ref_ssm":["aspace_4f909b091ea95fc00606e94f91da6058","aspace_4f909b091ea95fc00606e94f91da6058"],"id":"731b674a396f199a6d388d63_aspace_4f909b091ea95fc00606e94f91da6058","title_filing_ssi":"Trade","title_ssm":["Trade"],"title_tesim":["Trade"],"unitdate_other_ssim":["1949"],"normalized_date_ssm":["1949"],"normalized_title_ssm":["Trade, 1949"],"text":["Trade, 1949","Congressman James A. Haley Collection, 1948-1977","James A. Haley Florida House of Representatives Papers","Issues","/repositories/2/archival_objects/25952","box 35","folder 5"],"component_level_isim":[3],"parent_ids_ssim":["731b674a396f199a6d388d63","731b674a396f199a6d388d63_aspace_2373b74318740a3aeea68e1434380322","731b674a396f199a6d388d63_aspace_e3c16aaa8156d4e3ae0d5d9987930a7d"],"parent_unittitles_ssm":["Congressman James A. Haley Collection, 1948-1977","James A. Haley Florida House of Representatives Papers","Issues"],"parent_unittitles_tesim":["Congressman James A. Haley Collection, 1948-1977","James A. Haley Florida House of Representatives Papers","Issues"],"parent_levels_ssm":["collection","Subgroup","Series"],"unitid_ssm":["/repositories/2/archival_objects/25952"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"collection_ssim":["Congressman James A. Haley Collection, 1948-1977"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":484,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"parent_access_terms_tesm":["The Congressman James A. Haley Papers are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by\nthe copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Please inquire if you have questions -\narchives@flsouthern.edu. ","Constituent Correspondence files are restricted from publication until 2052"],"date_range_isim":[1949],"containers_ssim":["box 35","folder 5"],"_nest_path_":"/components#3/components#1/components#32","_nest_parent_":"731b674a396f199a6d388d63_aspace_e3c16aaa8156d4e3ae0d5d9987930a7d","_root_":"731b674a396f199a6d388d63","_version_":1875924461057736704,"timestamp":"2026-09-10T06:16:17.977Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"731b674a396f199a6d388d63","title_ssm":["Congressman James A. Haley Collection"],"title_tesim":["Congressman James A. Haley Collection"],"ead_ssi":"731b674a396f199a6d388d63","unitdate_ssm":["1948-1977"],"unitdate_inclusive_ssm":["1948-1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS1040","/repositories/2/resources/17"],"text":["MS1040","/repositories/2/resources/17","Congressman James A. Haley Collection, 1948-1977","Washington D.C.","Florida--Politics","Lakeland and Polk County Politics","United States. Congress","House of Representatives--Florida--State Legislature","Circus--management","Correspondence","Clippings","Speeches","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.","The materials in this collection were maintained by the subject's staff by issue and date. With some modifications allowing for clarity, they have been arranged in a similar fashion. However, you will find that individual issues may appear under multiple subject headings. For example, \"Watergate\" may\nappear under its own heading as well as under \"Richard Nixon\" or \"Nixon Administration.\" Please note that even though the files are arranged by issue, some correspondence might also be located in \"catch-all\" categories such as \"Haley Bills: Master File: 83rd Congress: 1953-1954,\"\n\"Correspondence: 19XX,\" to use but two examples.","James A. Haley, as chairman of the House Interior Committee during the 1970s, was instrumental in the creation of Big Cypress National Preserve. Franklin Adams lobbied for the establishment of the Big Cypress National Preserve along with many other environmental issues. The Franklin Adams Papers are housed at Florida International University. The Franklin Adams Collection, SPC9000, at Florida International University, Miami. ","James Andrew Haley (January 4, 1899 – August 6, 1981) was a U.S. Representative from Florida. Born in Jacksonville, Alabama, Haley attended the public schools and the University of Alabama. He served in the U.S. Army during World War I, and saw combat in France. He was an accountant in Sarasota, Florida, from 1920 to 1933 and served as general manager of the John Ringling estate from 1933 to 1943.\nOn December 4, 1942, Haley married Aubrey Ringling (née Aubrey Barlow Black), the widow of Richard T. Ringling who had died in 1931. Richard Ringling was the son of one of the original Ringling brothers. From 1943 to 1945, he was the first vice president of Ringling Circus and president and\ndirector of Ringling Brothers, Barnum \u0026 Bailey. In 1944, a fire broke out at a Ringling Circus show in Hartford, Connecticut that killed 169 persons. As a result of the fire he and five other circus officials pleaded no contest to charges of involuntary manslaughter and were sentenced to prison. He served\neight months and in 1945 was returned to Florida, where he received a pardon from Governor Millard F. Caldwell. Upon his release from prison, Haley again served as president and director for the Ringling Bros. and Barnum and Bailey Circus of Sarasota from 1946 to 1948. He engaged in newspaper publishing and\nlater in general printing business. He served as chairman of the Democratic Executive Committee of Sarasota County 1935–1952. He was elected and served as member of the Florida House of Representatives from 1949 to 1952. He was a delegate to the Democratic National Conventions in 1952, 1956, and 1960.\nHaley was elected as a Democrat to the Eighty-third and to the eleven succeeding Congresses (January 3, 1953 – January 3, 1977). He was a member of the Committee on Interior and Insular Affairs, the Hospital Subcommittee of the Veterans Affair Committee, and the Indian Affairs Subcommittee. He served as chairman of the Committee on Interior and Insular Affairs (Ninety-third\nand Ninety-fourth Congresses). Haley was not a candidate for reelection to the Ninety-fifth Congress in 1976.","Haley died in Sarasota on August 6, 1981 and was interred in Boca Raton Cemetery in Boca Raton,FL. The James A. Haley Veterans Hospital located in Tampa is named for him. ","Sources: U.S. House of Representatives Official Biography and Haley Papers biographical data, 2018","The James A. Haley Papers consist of his personal and political papers. Correspondence, clippings, newsletters, photographs, congressional reports, and awards from various civic and political organizations give insight into Haley's public interests. Photographs of his wife, the Circus and political\naffiliates uncover the many facets of Haley's life. A limited amount of biographical information, including news articles about his death, reflect on how this public figure kept his private life private. Of note is the\nseries about the Hartford Circus fire. ","The Papers are arranged in five collections: Personal, Hartford Circus Fire, Political, Florida House of Representatives, and U.S. Congressional.","The Personal papers, arranged alphabetically by format, consists of calendars, correspondence, newsletters, photographs, awards and other ephemera giving a broad look into Haley's life in and out of office. A limited amount of biographical information, including news articles about his death, is included.","Haley Papers\nCorrespondence, newsletters, and awards from various civic and political organizations show the range of Haley's public interests while the invitations he accepted give a sense of the social life of a congressman in the 1950s-1970s. Congratulatory messages may give insight into who he counted\namong his political allies. The correspondence in this series, 1940-1981, the bulk of which are letters from Haley's time in the U.S. House of Representative (1953-1976) is of a general nature and may not be of a specific topic, but often must still be viewed as official. Since Haley was a public figure, the materials in this series should be viewed in the context that public figures kept their private life private.","The ephemera is mostly three-dimensional objects from Haley's office. The photographs within this series are also generally of an official nature. They are arranged by subject. Of particular note are the\nphotographs of Haley with several U.S. Presidents. Please see a digital exhibit at\nhttp://www.flsouthern.edu/library/mckay-archives/digital-exhibits/haley-presidents.aspx.","The Hartford Circus Fire collection encompasses documentation of the burning of a tent at the Ringling Bros. and Barnum \u0026 Baily Circus in Hartford, Connecticut on July 6, 1944, the loss of 150 lives, and the resulting trial. As first vice president of the Company, James A. Haley took responsibility, was found\nguilty of manslaughter, and served time in a federal prison. The documentation is comprised of, but not limited to, correspondence, news clippings, financial documents and court records. Correspondence takes the form of letters and telegrams with topics between Haley and staff and Haley and lawyers about what happened in the fire and with the trial. There are also letters to Haley while he is in jail, mostly regarding his personal health and welfare. There are extensive newspaper clippings about the fire and the trial. Corporate information includes circus routes, minutes and by-laws. The financial documents are extensive and record the financial standing of the circus, while Court Records consist of trial scripts, pleas, and scripts from the parole hearing. Anyone searching for general understanding of the events of the fire should look at the newspapers, and then the letters and telegrams.","The Political Papers collection concerns Haley's campaigns and party work. As a member of the U.S. House of Representatives, Haley was up for reelection every two years. The Campaign Files sub-series contains correspondence, government records, news articles, and other documents related to the subject's political campaigns between 1952 and 1974. Of special interest are the endorsements which how where and from whom he received his political support from.","The Democratic Party sub-collection reflects the subject's involvement with his political party. He served as a delegate to several Democratic National Conventions over the course of his career. He also took an interest in other political races throughout Florida and the nation. This series contains correspondence and newspaper articles concerning elections not specific to the subject, as well as general party information for candidates and booklets produced for the conventions.","The Florida House of Representatives collection encompass Haley's career as the State Representative for Sarasota County in the Florida House of Representatives. Haley held this office from 1948-1952. The materials are arranged in as logical order as possible. There was no discernable order prior to processing as the materials had been housed and rehoused several times since they were donated to the college. Of special note are the materials related to the Haley Committee Investigating Crime, which investigated political corruption and organized crime in the state. The collection also includes materials concerning state issues of the day, as well as issues specific to Sarasota County. Additionally, there are reference materials used by the subject in the performance of his duties. The Haley Committee on Investigating Crime sub-series contains transcripts of hearings, proceedings,\ncorrespondence, and news articles related to this committee, while the Issues sub-series is arranged Haley Papers\nalphabetically and contains correspondence, legislation, news articles, and reference material related to the respective issue. The Reference sub-series contain Florida House and Senate Bill Summaries, Legislative calendars, House and Senate Journals, and roll call votes. And, the Sarasota District subseries contain correspondence, reference materials, and news articles related specifically to that district.","The U.S. Congressional Papers, the largest collection, comprise the political aspects of Haley's US congressional career. The materials are arranged in alphabetical order created by his office. Haley held a seat representing the southwest coast and heartland of Florida from 1953-1977. The materials in this\nseries contain correspondence, articles, government documents, and photographs; they cover nearly every major issue to confront the United States during the 1950s through the 1970s. Of special note is the constituent correspondence, which are letters from citizens to Haley asking for information or help on a variety of topics. Letters and telegrams sent to Haley by citizens in his district give a sense of the\nviews of the general public concerning the issues of the era. Haley's views are expressed in his replies. The materials are arranged alphabetically by issue and date. This arrangement closely corresponds to how they were filed in the subject's office. Please note that even though the files are arranged by issue, some correspondence might also be located in \"catch-all\" categories such as \"Haley Bills: Master File: 83rd Congress: 1953-1954,\"\n\"Correspondence: 19XX,\" to use but two examples. ","The Congressman James A. Haley Papers are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by\nthe copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Please inquire if you have questions -\narchives@flsouthern.edu. ","Constituent Correspondence files are restricted from publication until 2052","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Haley, James A., Congressman ","English"],"unitid_tesim":["MS1040","/repositories/2/resources/17"],"normalized_date_ssm":["1948-1977"],"normalized_title_ssm":["Congressman James A. Haley Collection, 1948-1977"],"collection_title_tesim":["Congressman James A. Haley Collection, 1948-1977"],"collection_ssim":["Congressman James A. Haley Collection, 1948-1977"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"geogname_ssm":["Washington D.C."],"geogname_ssim":["Washington D.C."],"creator_ssm":["Haley, James A., Congressman "],"creator_ssim":["Haley, James A., Congressman "],"creator_persname_ssim":["Haley, James A., Congressman "],"creators_ssim":["Haley, James A., Congressman "],"places_ssim":["Washington D.C."],"access_terms_ssm":["The Congressman James A. Haley Papers are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by\nthe copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Please inquire if you have questions -\narchives@flsouthern.edu. ","Constituent Correspondence files are restricted from publication until 2052"],"access_subjects_ssim":["Florida--Politics","Lakeland and Polk County Politics","United States. Congress","House of Representatives--Florida--State Legislature","Circus--management","Correspondence","Clippings","Speeches"],"access_subjects_ssm":["Florida--Politics","Lakeland and Polk County Politics","United States. Congress","House of Representatives--Florida--State Legislature","Circus--management","Correspondence","Clippings","Speeches"],"has_online_content_ssim":["false"],"extent_ssm":["150 Linear Feet"],"extent_tesim":["150 Linear Feet"],"genreform_ssim":["Correspondence","Clippings","Speeches"],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection were maintained by the subject's staff by issue and date. With some modifications allowing for clarity, they have been arranged in a similar fashion. However, you will find that individual issues may appear under multiple subject headings. For example, \"Watergate\" may\nappear under its own heading as well as under \"Richard Nixon\" or \"Nixon Administration.\" Please note that even though the files are arranged by issue, some correspondence might also be located in \"catch-all\" categories such as \"Haley Bills: Master File: 83rd Congress: 1953-1954,\"\n\"Correspondence: 19XX,\" to use but two examples.\u003c/p\u003e\n","\u003cp\u003eJames A. Haley, as chairman of the House Interior Committee during the 1970s, was instrumental in the creation of Big Cypress National Preserve. Franklin Adams lobbied for the establishment of the Big Cypress National Preserve along with many other environmental issues. The Franklin Adams Papers are housed at Florida International University. The Franklin Adams Collection, SPC9000, at Florida International University, Miami. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection were maintained by the subject's staff by issue and date. With some modifications allowing for clarity, they have been arranged in a similar fashion. However, you will find that individual issues may appear under multiple subject headings. For example, \"Watergate\" may\nappear under its own heading as well as under \"Richard Nixon\" or \"Nixon Administration.\" Please note that even though the files are arranged by issue, some correspondence might also be located in \"catch-all\" categories such as \"Haley Bills: Master File: 83rd Congress: 1953-1954,\"\n\"Correspondence: 19XX,\" to use but two examples.","James A. Haley, as chairman of the House Interior Committee during the 1970s, was instrumental in the creation of Big Cypress National Preserve. Franklin Adams lobbied for the establishment of the Big Cypress National Preserve along with many other environmental issues. The Franklin Adams Papers are housed at Florida International University. The Franklin Adams Collection, SPC9000, at Florida International University, Miami. "],"bioghist_html_tesm":["\u003cp\u003eJames Andrew Haley (January 4, 1899 \u0026#x2013; August 6, 1981) was a U.S. Representative from Florida. Born in Jacksonville, Alabama, Haley attended the public schools and the University of Alabama. He served in the U.S. Army during World War I, and saw combat in France. He was an accountant in Sarasota, Florida, from 1920 to 1933 and served as general manager of the John Ringling estate from 1933 to 1943.\nOn December 4, 1942, Haley married Aubrey Ringling (n\u0026#xE9;e Aubrey Barlow Black), the widow of Richard T. Ringling who had died in 1931. Richard Ringling was the son of one of the original Ringling brothers. From 1943 to 1945, he was the first vice president of Ringling Circus and president and\ndirector of Ringling Brothers, Barnum \u0026amp; Bailey. In 1944, a fire broke out at a Ringling Circus show in Hartford, Connecticut that killed 169 persons. As a result of the fire he and five other circus officials pleaded no contest to charges of involuntary manslaughter and were sentenced to prison. He served\neight months and in 1945 was returned to Florida, where he received a pardon from Governor Millard F. Caldwell. Upon his release from prison, Haley again served as president and director for the Ringling Bros. and Barnum and Bailey Circus of Sarasota from 1946 to 1948. He engaged in newspaper publishing and\nlater in general printing business. He served as chairman of the Democratic Executive Committee of Sarasota County 1935\u0026#x2013;1952. He was elected and served as member of the Florida House of Representatives from 1949 to 1952. He was a delegate to the Democratic National Conventions in 1952, 1956, and 1960.\nHaley was elected as a Democrat to the Eighty-third and to the eleven succeeding Congresses (January 3, 1953 \u0026#x2013; January 3, 1977). He was a member of the Committee on Interior and Insular Affairs, the Hospital Subcommittee of the Veterans Affair Committee, and the Indian Affairs Subcommittee. He served as chairman of the Committee on Interior and Insular Affairs (Ninety-third\nand Ninety-fourth Congresses). Haley was not a candidate for reelection to the Ninety-fifth Congress in 1976.\u003c/p\u003e\n","\u003cp\u003eHaley died in Sarasota on August 6, 1981 and was interred in Boca Raton Cemetery in Boca Raton,FL. The James A. Haley Veterans Hospital located in Tampa is named for him. \u003c/p\u003e\n","\u003cp\u003eSources: U.S. House of Representatives Official Biography and Haley Papers biographical data, 2018\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Andrew Haley (January 4, 1899 – August 6, 1981) was a U.S. Representative from Florida. Born in Jacksonville, Alabama, Haley attended the public schools and the University of Alabama. He served in the U.S. Army during World War I, and saw combat in France. He was an accountant in Sarasota, Florida, from 1920 to 1933 and served as general manager of the John Ringling estate from 1933 to 1943.\nOn December 4, 1942, Haley married Aubrey Ringling (née Aubrey Barlow Black), the widow of Richard T. Ringling who had died in 1931. Richard Ringling was the son of one of the original Ringling brothers. From 1943 to 1945, he was the first vice president of Ringling Circus and president and\ndirector of Ringling Brothers, Barnum \u0026 Bailey. In 1944, a fire broke out at a Ringling Circus show in Hartford, Connecticut that killed 169 persons. As a result of the fire he and five other circus officials pleaded no contest to charges of involuntary manslaughter and were sentenced to prison. He served\neight months and in 1945 was returned to Florida, where he received a pardon from Governor Millard F. Caldwell. Upon his release from prison, Haley again served as president and director for the Ringling Bros. and Barnum and Bailey Circus of Sarasota from 1946 to 1948. He engaged in newspaper publishing and\nlater in general printing business. He served as chairman of the Democratic Executive Committee of Sarasota County 1935–1952. He was elected and served as member of the Florida House of Representatives from 1949 to 1952. He was a delegate to the Democratic National Conventions in 1952, 1956, and 1960.\nHaley was elected as a Democrat to the Eighty-third and to the eleven succeeding Congresses (January 3, 1953 – January 3, 1977). He was a member of the Committee on Interior and Insular Affairs, the Hospital Subcommittee of the Veterans Affair Committee, and the Indian Affairs Subcommittee. He served as chairman of the Committee on Interior and Insular Affairs (Ninety-third\nand Ninety-fourth Congresses). Haley was not a candidate for reelection to the Ninety-fifth Congress in 1976.","Haley died in Sarasota on August 6, 1981 and was interred in Boca Raton Cemetery in Boca Raton,FL. The James A. Haley Veterans Hospital located in Tampa is named for him. ","Sources: U.S. House of Representatives Official Biography and Haley Papers biographical data, 2018"],"scopecontent_html_tesm":["\u003cp\u003eThe James A. Haley Papers consist of his personal and political papers. Correspondence, clippings, newsletters, photographs, congressional reports, and awards from various civic and political organizations give insight into Haley's public interests. Photographs of his wife, the Circus and political\naffiliates uncover the many facets of Haley's life. A limited amount of biographical information, including news articles about his death, reflect on how this public figure kept his private life private. Of note is the\nseries about the Hartford Circus fire. \u003c/p\u003e\n","\u003cp\u003eThe Papers are arranged in five collections: Personal, Hartford Circus Fire, Political, Florida House of Representatives, and U.S. Congressional.\u003c/p\u003e\n","\u003cp\u003eThe Personal papers, arranged alphabetically by format, consists of calendars, correspondence, newsletters, photographs, awards and other ephemera giving a broad look into Haley's life in and out of office. A limited amount of biographical information, including news articles about his death, is included.\u003c/p\u003e\n","\u003cp\u003eHaley Papers\nCorrespondence, newsletters, and awards from various civic and political organizations show the range of Haley's public interests while the invitations he accepted give a sense of the social life of a congressman in the 1950s-1970s. Congratulatory messages may give insight into who he counted\namong his political allies. The correspondence in this series, 1940-1981, the bulk of which are letters from Haley's time in the U.S. House of Representative (1953-1976) is of a general nature and may not be of a specific topic, but often must still be viewed as official. Since Haley was a public figure, the materials in this series should be viewed in the context that public figures kept their private life private.\u003c/p\u003e\n","\u003cp\u003eThe ephemera is mostly three-dimensional objects from Haley's office. The photographs within this series are also generally of an official nature. They are arranged by subject. Of particular note are the\nphotographs of Haley with several U.S. Presidents. Please see a digital exhibit at\nhttp://www.flsouthern.edu/library/mckay-archives/digital-exhibits/haley-presidents.aspx.\u003c/p\u003e\n","\u003cp\u003eThe Hartford Circus Fire collection encompasses documentation of the burning of a tent at the Ringling Bros. and Barnum \u0026amp; Baily Circus in Hartford, Connecticut on July 6, 1944, the loss of 150 lives, and the resulting trial. As first vice president of the Company, James A. Haley took responsibility, was found\nguilty of manslaughter, and served time in a federal prison. The documentation is comprised of, but not limited to, correspondence, news clippings, financial documents and court records. Correspondence takes the form of letters and telegrams with topics between Haley and staff and Haley and lawyers about what happened in the fire and with the trial. There are also letters to Haley while he is in jail, mostly regarding his personal health and welfare. There are extensive newspaper clippings about the fire and the trial. Corporate information includes circus routes, minutes and by-laws. The financial documents are extensive and record the financial standing of the circus, while Court Records consist of trial scripts, pleas, and scripts from the parole hearing. Anyone searching for general understanding of the events of the fire should look at the newspapers, and then the letters and telegrams.\u003c/p\u003e\n","\u003cp\u003eThe Political Papers collection concerns Haley's campaigns and party work. As a member of the U.S. House of Representatives, Haley was up for reelection every two years. The Campaign Files sub-series contains correspondence, government records, news articles, and other documents related to the subject's political campaigns between 1952 and 1974. Of special interest are the endorsements which how where and from whom he received his political support from.\u003c/p\u003e\n","\u003cp\u003eThe Democratic Party sub-collection reflects the subject's involvement with his political party. He served as a delegate to several Democratic National Conventions over the course of his career. He also took an interest in other political races throughout Florida and the nation. This series contains correspondence and newspaper articles concerning elections not specific to the subject, as well as general party information for candidates and booklets produced for the conventions.\u003c/p\u003e\n","\u003cp\u003eThe Florida House of Representatives collection encompass Haley's career as the State Representative for Sarasota County in the Florida House of Representatives. Haley held this office from 1948-1952. The materials are arranged in as logical order as possible. There was no discernable order prior to processing as the materials had been housed and rehoused several times since they were donated to the college. Of special note are the materials related to the Haley Committee Investigating Crime, which investigated political corruption and organized crime in the state. The collection also includes materials concerning state issues of the day, as well as issues specific to Sarasota County. Additionally, there are reference materials used by the subject in the performance of his duties. The Haley Committee on Investigating Crime sub-series contains transcripts of hearings, proceedings,\ncorrespondence, and news articles related to this committee, while the Issues sub-series is arranged Haley Papers\nalphabetically and contains correspondence, legislation, news articles, and reference material related to the respective issue. The Reference sub-series contain Florida House and Senate Bill Summaries, Legislative calendars, House and Senate Journals, and roll call votes. And, the Sarasota District subseries contain correspondence, reference materials, and news articles related specifically to that district.\u003c/p\u003e\n","\u003cp\u003eThe U.S. Congressional Papers, the largest collection, comprise the political aspects of Haley's US congressional career. The materials are arranged in alphabetical order created by his office. Haley held a seat representing the southwest coast and heartland of Florida from 1953-1977. The materials in this\nseries contain correspondence, articles, government documents, and photographs; they cover nearly every major issue to confront the United States during the 1950s through the 1970s. Of special note is the constituent correspondence, which are letters from citizens to Haley asking for information or help on a variety of topics. Letters and telegrams sent to Haley by citizens in his district give a sense of the\nviews of the general public concerning the issues of the era. Haley's views are expressed in his replies. The materials are arranged alphabetically by issue and date. This arrangement closely corresponds to how they were filed in the subject's office. Please note that even though the files are arranged by issue, some correspondence might also be located in \"catch-all\" categories such as \"Haley Bills: Master File: 83rd Congress: 1953-1954,\"\n\"Correspondence: 19XX,\" to use but two examples. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The James A. Haley Papers consist of his personal and political papers. Correspondence, clippings, newsletters, photographs, congressional reports, and awards from various civic and political organizations give insight into Haley's public interests. Photographs of his wife, the Circus and political\naffiliates uncover the many facets of Haley's life. A limited amount of biographical information, including news articles about his death, reflect on how this public figure kept his private life private. Of note is the\nseries about the Hartford Circus fire. ","The Papers are arranged in five collections: Personal, Hartford Circus Fire, Political, Florida House of Representatives, and U.S. Congressional.","The Personal papers, arranged alphabetically by format, consists of calendars, correspondence, newsletters, photographs, awards and other ephemera giving a broad look into Haley's life in and out of office. A limited amount of biographical information, including news articles about his death, is included.","Haley Papers\nCorrespondence, newsletters, and awards from various civic and political organizations show the range of Haley's public interests while the invitations he accepted give a sense of the social life of a congressman in the 1950s-1970s. Congratulatory messages may give insight into who he counted\namong his political allies. The correspondence in this series, 1940-1981, the bulk of which are letters from Haley's time in the U.S. House of Representative (1953-1976) is of a general nature and may not be of a specific topic, but often must still be viewed as official. Since Haley was a public figure, the materials in this series should be viewed in the context that public figures kept their private life private.","The ephemera is mostly three-dimensional objects from Haley's office. The photographs within this series are also generally of an official nature. They are arranged by subject. Of particular note are the\nphotographs of Haley with several U.S. Presidents. Please see a digital exhibit at\nhttp://www.flsouthern.edu/library/mckay-archives/digital-exhibits/haley-presidents.aspx.","The Hartford Circus Fire collection encompasses documentation of the burning of a tent at the Ringling Bros. and Barnum \u0026 Baily Circus in Hartford, Connecticut on July 6, 1944, the loss of 150 lives, and the resulting trial. As first vice president of the Company, James A. Haley took responsibility, was found\nguilty of manslaughter, and served time in a federal prison. The documentation is comprised of, but not limited to, correspondence, news clippings, financial documents and court records. Correspondence takes the form of letters and telegrams with topics between Haley and staff and Haley and lawyers about what happened in the fire and with the trial. There are also letters to Haley while he is in jail, mostly regarding his personal health and welfare. There are extensive newspaper clippings about the fire and the trial. Corporate information includes circus routes, minutes and by-laws. The financial documents are extensive and record the financial standing of the circus, while Court Records consist of trial scripts, pleas, and scripts from the parole hearing. Anyone searching for general understanding of the events of the fire should look at the newspapers, and then the letters and telegrams.","The Political Papers collection concerns Haley's campaigns and party work. As a member of the U.S. House of Representatives, Haley was up for reelection every two years. The Campaign Files sub-series contains correspondence, government records, news articles, and other documents related to the subject's political campaigns between 1952 and 1974. Of special interest are the endorsements which how where and from whom he received his political support from.","The Democratic Party sub-collection reflects the subject's involvement with his political party. He served as a delegate to several Democratic National Conventions over the course of his career. He also took an interest in other political races throughout Florida and the nation. This series contains correspondence and newspaper articles concerning elections not specific to the subject, as well as general party information for candidates and booklets produced for the conventions.","The Florida House of Representatives collection encompass Haley's career as the State Representative for Sarasota County in the Florida House of Representatives. Haley held this office from 1948-1952. The materials are arranged in as logical order as possible. There was no discernable order prior to processing as the materials had been housed and rehoused several times since they were donated to the college. Of special note are the materials related to the Haley Committee Investigating Crime, which investigated political corruption and organized crime in the state. The collection also includes materials concerning state issues of the day, as well as issues specific to Sarasota County. Additionally, there are reference materials used by the subject in the performance of his duties. The Haley Committee on Investigating Crime sub-series contains transcripts of hearings, proceedings,\ncorrespondence, and news articles related to this committee, while the Issues sub-series is arranged Haley Papers\nalphabetically and contains correspondence, legislation, news articles, and reference material related to the respective issue. The Reference sub-series contain Florida House and Senate Bill Summaries, Legislative calendars, House and Senate Journals, and roll call votes. And, the Sarasota District subseries contain correspondence, reference materials, and news articles related specifically to that district.","The U.S. Congressional Papers, the largest collection, comprise the political aspects of Haley's US congressional career. The materials are arranged in alphabetical order created by his office. Haley held a seat representing the southwest coast and heartland of Florida from 1953-1977. The materials in this\nseries contain correspondence, articles, government documents, and photographs; they cover nearly every major issue to confront the United States during the 1950s through the 1970s. Of special note is the constituent correspondence, which are letters from citizens to Haley asking for information or help on a variety of topics. Letters and telegrams sent to Haley by citizens in his district give a sense of the\nviews of the general public concerning the issues of the era. Haley's views are expressed in his replies. The materials are arranged alphabetically by issue and date. This arrangement closely corresponds to how they were filed in the subject's office. Please note that even though the files are arranged by issue, some correspondence might also be located in \"catch-all\" categories such as \"Haley Bills: Master File: 83rd Congress: 1953-1954,\"\n\"Correspondence: 19XX,\" to use but two examples. "],"userestrict_html_tesm":["\u003cp\u003eThe Congressman James A. Haley Papers are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by\nthe copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Please inquire if you have questions -\narchives@flsouthern.edu. \u003c/p\u003e\n","\u003cp\u003eConstituent Correspondence files are restricted from publication until 2052\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Congressman James A. Haley Papers are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by\nthe copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Please inquire if you have questions -\narchives@flsouthern.edu. ","Constituent Correspondence files are restricted from publication until 2052"],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Haley, James A., Congressman "],"corpname_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"persname_ssim":["Haley, James A., Congressman "],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4376,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1875924461057736704,"_root_":"731b674a396f199a6d388d63","timestamp":"2026-09-10T06:16:17.977Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/731b674a396f199a6d388d63_aspace_4f909b091ea95fc00606e94f91da6058"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Michael A. Spencer Bromeliad Research Collection, 1754-2014","value":"Michael A. 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