{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1948\u0026page=19\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1948\u0026page=18\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1948\u0026page=20\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1948\u0026page=411\u0026view=compact"},"meta":{"pages":{"current_page":19,"next_page":20,"prev_page":18,"total_pages":411,"limit_value":10,"offset_value":180,"total_count":4110,"first_page?":false,"last_page?":false}},"data":[{"id":"d2029a58321ecdab7284c543","type":"collection","attributes":{"title":"Annual/biennial budgets, 1921-1955, 1921-1955","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d2029a58321ecdab7284c543#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection is comprised of budget materials for Florida State University, dating 1921-1955. 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","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","This collection is comprised of budget materials for Florida State University, dating 1921-1955. The materials from 1921-1947 are for the Florida State College for Women, and the materials from 1948-1955 are for Florida State University.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. 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All of the documents were placed in in acid free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In this collection, I organized everything chronologically. I removed all the documents from their binders and folders. I also removed the Florida Music Director journal which is catalogued in the online catalog. All of the documents were placed in in acid free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more history on Florida please see our \u003cextref href=\"http://library.ucf.edu/about/departments/special-collections-university-archives/\"\u003ewebsite\u003c/extref\u003e. For the Florida Music Directors Association journal please see the \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more history on Florida please see our  website . For the Florida Music Directors Association journal please see the  Online Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Florida Association, 1934-2013 holds procedures, bylaws, directories, minutes, annual reports, correspondence and newsletters documenting the activities of the association.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Local Associations, 1995-2007 holds agendas produced annually by the local associations.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: National Association, 1973-2010 holds scores submitted to the National Association for the composer of the year competition.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Florida Association, 1934-2013 holds procedures, bylaws, directories, minutes, annual reports, correspondence and newsletters documenting the activities of the association.","\nSeries II: Local Associations, 1995-2007 holds agendas produced annually by the local associations.","\nSeries III: National Association, 1973-2010 holds scores submitted to the National Association for the composer of the year competition."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. 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Kirk McKay, Jr. Archives Center Manuscript Collections"],"collection_ssim":["Florida Bandmasters Association Records, 1936-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":492,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"parent_access_terms_tesm":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949],"containers_ssim":["box 26","folder 9"],"_nest_path_":"/components#2/components#0/components#8","_nest_parent_":"71b8a757b0f138dee122db24_aspace_7594e1f4bea4b4db76ba09c0614f184d","_root_":"71b8a757b0f138dee122db24","_version_":1877102187519148032,"timestamp":"2026-09-23T06:15:45.471Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"71b8a757b0f138dee122db24","title_ssm":["Florida Bandmasters Association Records"],"title_tesim":["Florida Bandmasters Association Records"],"ead_ssi":"71b8a757b0f138dee122db24","unitdate_ssm":["1936-2010"],"unitdate_inclusive_ssm":["1936-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS1000","/repositories/2/resources/26"],"text":["MS1000","/repositories/2/resources/26","Florida Bandmasters Association Records, 1936-2010","Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.","The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2","This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.","Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association","English"],"unitid_tesim":["MS1000","/repositories/2/resources/26"],"normalized_date_ssm":["1936-2010"],"normalized_title_ssm":["Florida Bandmasters Association Records, 1936-2010"],"collection_title_tesim":["Florida Bandmasters Association Records, 1936-2010"],"collection_ssim":["Florida Bandmasters Association Records, 1936-2010"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"creator_ssm":["Florida Bandmaster Association"],"creator_ssim":["Florida Bandmaster Association"],"creator_corpname_ssim":["Florida Bandmaster Association"],"creators_ssim":["Florida Bandmaster Association"],"access_terms_ssm":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"acqinfo_ssim":["Beginning in 1967, John J. Heney took on the role of FBA archivist and began to assemble what records he could collect from former FBA presidents, executive director Robert Lampi, and individual bandmasters. Heney made arrangements with the University of Florida to store the records, which he delivered in several installments through 1978. In 1988, because of a connection between an FBA member and Florida Southern College, the collection was returned to the FBA and moved to FSC."],"access_subjects_ssim":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"access_subjects_ssm":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["60.5 Linear Feet"],"extent_tesim":["60.5 Linear Feet"],"genreform_ssim":["Correspondence","Photographs"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eThe Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2"],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.\u003c/p\u003e\n","\u003cp\u003eThe records have been arranged in eight series, six of which have been further arranged in subseries.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026amp; Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries \u0026#x2013; Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.\u003c/p\u003e\n","\u003cp\u003eSeries 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.\u003c/p\u003e\n","\u003cp\u003eSeries 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.\u003c/p\u003e\n","\u003cp\u003eSeries 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association"],"corpname_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2839,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877102187519148032,"_root_":"71b8a757b0f138dee122db24","timestamp":"2026-09-23T06:15:45.471Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/71b8a757b0f138dee122db24_aspace_dcf37059431eaaefab404a9b247d6a04"}},{"id":"2e3a4e4f1b5834debed4f6e2","type":"collection","attributes":{"title":"Anthony Kozla Collection, Circa 1930-1950","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2e3a4e4f1b5834debed4f6e2#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Anthony Kozla Collection contains 469 photographs Anthony Kozla took during his professional life and personal activities. These photographs include portraits of groups, individuals, and national and local celebrities. They are also a good source for documenting Fort Lauderdale's local life from the 1930s to the mid-1950s through events, pictures of local communities, and recreational activities. The Anthony Kozla Collection also helps understand the evolution of Fort Lauderdale and Broward County's urban development with 101 aerial views and photographs of buildings and streets.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2e3a4e4f1b5834debed4f6e2#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"2e3a4e4f1b5834debed4f6e2","title_filing_ssi":"Kozla, Anthony Collection","title_ssm":["Anthony Kozla Collection"],"title_tesim":["Anthony Kozla Collection"],"ead_ssi":"2e3a4e4f1b5834debed4f6e2","unitdate_ssm":["Circa 1930-1950"],"unitdate_inclusive_ssm":["Circa 1930-1950"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.1980.1","/repositories/4/resources/89"],"text":["BCHA.1980.1","/repositories/4/resources/89","Anthony Kozla Collection, Circa 1930-1950","Fort Lauderdale (Fla.)","Hurricane damage","Hurricanes","Tennis","Seminole Indians","Streets -- Florida -- Fort Lauderdale","School buildings","Buildings","Vehicles","Animals","United States. Army","Church buildings","Boy scouts","Travel","Fire fighters","Group portraits","Portraits","Self-portraits","Photographs","Photograph albums","Aerial views","Clippings","The Anthony Kozla Collection is open for research.","The Anthony Kozla Collection is digitized and available on the  Broward County Library Digital Archives .","The proposed series includes: Series I: Professional Papers, Series II. Personal Papers, Series III. Photographs, Series IV. Slides, Series V. Postcards, Series VI. Documentation.","Anthony Kozla was a Floridian photographer. He was born in Chicago, Illinois in 1909 to a Bohemian father (region of former Czechoslovakia and actual Czech Republic) and an American mother[1]. Anthony Kozla moved with his family to Fort Lauderdale in 1926[2]. He had two sisters, T. J, Clark DeLand, and Anna Barrett, as well as three brothers, Frank, Louis, and Charles. ","Anthony Kozla had his studio on 628 N. W. 3rd Avenue[3]. His photography activities led him to work for newspapers[4]. Starting 1948, many articles from the Fort Lauderdale Daily News and Evening Sentinel credit \"Tony Kozla\" for his photographs. It is mentioned that Anthony Kozla has been an \"official photographer for the Ft. Lauderdale police department\" and for his local group theatre[5]. ","Anthony Kozla was active in Fort Lauderdale's local life. He was part of a Boy Scouts Troop and an amateur actor for Park Temple Civic Players[6]. He was also part of the Knights of Columbus[7] and the Fort Lauderdale Camera Club for which he won the third price during an exhibition in 1946 for his picture \"Sunset\"[8]. ","Anthony Kozla died from a heart attack in 1954. He is buried at Evergreen Cemetery.","Notes:\n[1] 1940 US Federal Census.\n[2] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[3] Anthony Kozla Photo shop business License, 1953.\n[4] The Fort Lauderdale Daily News and Evening Sentinel, July 25, 1936.\n[5] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[6] The Fort Lauderdale Daily News and Evening Sentinel, July 1, 1937 and July 7, 1937. Several other newspaper articles from the 1930s credit Anthony Kozla for his participation in theatre plays.\n[7] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[8] Fort Lauderdale Daily News and Evening Sentinel, February 20, 1947.","The Anthony Kozla Collection was processed at the item level by Axel Surot in September 2024. Additional materials were processed and the finding aid updated by Erin Purdy in March 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Anthony Kozla Collection contains 469 photographs Anthony Kozla took during his professional life and personal activities. These photographs include portraits of groups, individuals, and national and local celebrities. They are also a good source for documenting Fort Lauderdale's local life from the 1930s to the mid-1950s through events, pictures of local communities, and recreational activities. The Anthony Kozla Collection also helps understand the evolution of Fort Lauderdale and Broward County's urban development with 101 aerial views and photographs of buildings and streets."," Broward County Historical Archives","Katherine Rawls, 1917-1982","English"],"unitid_tesim":["BCHA.1980.1","/repositories/4/resources/89"],"normalized_date_ssm":["Circa 1930-1950"],"normalized_title_ssm":["Anthony Kozla Collection, Circa 1930-1950"],"collection_title_tesim":["Anthony Kozla Collection, Circa 1930-1950"],"collection_ssim":["Anthony Kozla Collection, Circa 1930-1950"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"geogname_ssm":["Fort Lauderdale (Fla.)"],"geogname_ssim":["Fort Lauderdale (Fla.)"],"places_ssim":["Fort Lauderdale (Fla.)"],"access_subjects_ssim":["Hurricane damage","Hurricanes","Tennis","Seminole Indians","Streets -- Florida -- Fort Lauderdale","School buildings","Buildings","Vehicles","Animals","United States. Army","Church buildings","Boy scouts","Travel","Fire fighters","Group portraits","Portraits","Self-portraits","Photographs","Photograph albums","Aerial views","Clippings"],"access_subjects_ssm":["Hurricane damage","Hurricanes","Tennis","Seminole Indians","Streets -- Florida -- Fort Lauderdale","School buildings","Buildings","Vehicles","Animals","United States. Army","Church buildings","Boy scouts","Travel","Fire fighters","Group portraits","Portraits","Self-portraits","Photographs","Photograph albums","Aerial views","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["3 Hollinger Boxes"],"extent_tesim":["3 Hollinger Boxes"],"genreform_ssim":["Group portraits","Portraits","Self-portraits","Photographs","Photograph albums","Aerial views","Clippings"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950],"accessrestrict_html_tesm":["\u003cp\u003eThe Anthony Kozla Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Anthony Kozla Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003eThe Anthony Kozla Collection is digitized and available on the \u003ca href=\"https://digitalarchives.broward.org/digital/collection/kozla/search\"\u003eBroward County Library Digital Archives\u003c/a\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["The Anthony Kozla Collection is digitized and available on the  Broward County Library Digital Archives ."],"arrangement_html_tesm":["\u003cp\u003eThe proposed series includes: Series I: Professional Papers, Series II. Personal Papers, Series III. Photographs, Series IV. Slides, Series V. Postcards, Series VI. Documentation.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The proposed series includes: Series I: Professional Papers, Series II. Personal Papers, Series III. Photographs, Series IV. Slides, Series V. Postcards, Series VI. Documentation."],"bioghist_html_tesm":["\u003cp\u003eAnthony Kozla was a Floridian photographer. He was born in Chicago, Illinois in 1909 to a Bohemian father (region of former Czechoslovakia and actual Czech Republic) and an American mother[1]. Anthony Kozla moved with his family to Fort Lauderdale in 1926[2]. He had two sisters, T. J, Clark DeLand, and Anna Barrett, as well as three brothers, Frank, Louis, and Charles. \u003c/p\u003e\n","\u003cp\u003eAnthony Kozla had his studio on 628 N. W. 3rd Avenue[3]. His photography activities led him to work for newspapers[4]. Starting 1948, many articles from the Fort Lauderdale Daily News and Evening Sentinel credit \"Tony Kozla\" for his photographs. It is mentioned that Anthony Kozla has been an \"official photographer for the Ft. Lauderdale police department\" and for his local group theatre[5]. \u003c/p\u003e\n","\u003cp\u003eAnthony Kozla was active in Fort Lauderdale's local life. He was part of a Boy Scouts Troop and an amateur actor for Park Temple Civic Players[6]. He was also part of the Knights of Columbus[7] and the Fort Lauderdale Camera Club for which he won the third price during an exhibition in 1946 for his picture \"Sunset\"[8]. \u003c/p\u003e\n","\u003cp\u003eAnthony Kozla died from a heart attack in 1954. He is buried at Evergreen Cemetery.\u003c/p\u003e\n","\u003cp\u003eNotes:\n[1] 1940 US Federal Census.\n[2] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[3] Anthony Kozla Photo shop business License, 1953.\n[4] The Fort Lauderdale Daily News and Evening Sentinel, July 25, 1936.\n[5] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[6] The Fort Lauderdale Daily News and Evening Sentinel, July 1, 1937 and July 7, 1937. Several other newspaper articles from the 1930s credit Anthony Kozla for his participation in theatre plays.\n[7] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[8] Fort Lauderdale Daily News and Evening Sentinel, February 20, 1947.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Anthony Kozla was a Floridian photographer. He was born in Chicago, Illinois in 1909 to a Bohemian father (region of former Czechoslovakia and actual Czech Republic) and an American mother[1]. Anthony Kozla moved with his family to Fort Lauderdale in 1926[2]. He had two sisters, T. J, Clark DeLand, and Anna Barrett, as well as three brothers, Frank, Louis, and Charles. ","Anthony Kozla had his studio on 628 N. W. 3rd Avenue[3]. His photography activities led him to work for newspapers[4]. Starting 1948, many articles from the Fort Lauderdale Daily News and Evening Sentinel credit \"Tony Kozla\" for his photographs. It is mentioned that Anthony Kozla has been an \"official photographer for the Ft. Lauderdale police department\" and for his local group theatre[5]. ","Anthony Kozla was active in Fort Lauderdale's local life. He was part of a Boy Scouts Troop and an amateur actor for Park Temple Civic Players[6]. He was also part of the Knights of Columbus[7] and the Fort Lauderdale Camera Club for which he won the third price during an exhibition in 1946 for his picture \"Sunset\"[8]. ","Anthony Kozla died from a heart attack in 1954. He is buried at Evergreen Cemetery.","Notes:\n[1] 1940 US Federal Census.\n[2] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[3] Anthony Kozla Photo shop business License, 1953.\n[4] The Fort Lauderdale Daily News and Evening Sentinel, July 25, 1936.\n[5] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[6] The Fort Lauderdale Daily News and Evening Sentinel, July 1, 1937 and July 7, 1937. Several other newspaper articles from the 1930s credit Anthony Kozla for his participation in theatre plays.\n[7] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[8] Fort Lauderdale Daily News and Evening Sentinel, February 20, 1947."],"prefercite_html_tesm":["\u003cp\u003eAnthony Kozla Collection, Broward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Anthony Kozla Collection, Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Anthony Kozla Collection was processed at the item level by Axel Surot in September 2024. Additional materials were processed and the finding aid updated by Erin Purdy in March 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Anthony Kozla Collection was processed at the item level by Axel Surot in September 2024. Additional materials were processed and the finding aid updated by Erin Purdy in March 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Anthony Kozla Collection contains 469 photographs Anthony Kozla took during his professional life and personal activities. These photographs include portraits of groups, individuals, and national and local celebrities. They are also a good source for documenting Fort Lauderdale's local life from the 1930s to the mid-1950s through events, pictures of local communities, and recreational activities. The Anthony Kozla Collection also helps understand the evolution of Fort Lauderdale and Broward County's urban development with 101 aerial views and photographs of buildings and streets.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Anthony Kozla Collection contains 469 photographs Anthony Kozla took during his professional life and personal activities. These photographs include portraits of groups, individuals, and national and local celebrities. They are also a good source for documenting Fort Lauderdale's local life from the 1930s to the mid-1950s through events, pictures of local communities, and recreational activities. The Anthony Kozla Collection also helps understand the evolution of Fort Lauderdale and Broward County's urban development with 101 aerial views and photographs of buildings and streets."],"names_ssim":[" Broward County Historical Archives","Katherine Rawls, 1917-1982"],"corpname_ssim":[" Broward County Historical Archives"],"names_coll_ssim":["Katherine Rawls, 1917-1982"],"persname_ssim":["Katherine Rawls, 1917-1982"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":558,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876457699731832832,"_root_":"2e3a4e4f1b5834debed4f6e2","timestamp":"2026-09-16T03:31:53.997Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2e3a4e4f1b5834debed4f6e2","title_filing_ssi":"Kozla, Anthony Collection","title_ssm":["Anthony Kozla Collection"],"title_tesim":["Anthony Kozla Collection"],"ead_ssi":"2e3a4e4f1b5834debed4f6e2","unitdate_ssm":["Circa 1930-1950"],"unitdate_inclusive_ssm":["Circa 1930-1950"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.1980.1","/repositories/4/resources/89"],"text":["BCHA.1980.1","/repositories/4/resources/89","Anthony Kozla Collection, Circa 1930-1950","Fort Lauderdale (Fla.)","Hurricane damage","Hurricanes","Tennis","Seminole Indians","Streets -- Florida -- Fort Lauderdale","School buildings","Buildings","Vehicles","Animals","United States. Army","Church buildings","Boy scouts","Travel","Fire fighters","Group portraits","Portraits","Self-portraits","Photographs","Photograph albums","Aerial views","Clippings","The Anthony Kozla Collection is open for research.","The Anthony Kozla Collection is digitized and available on the  Broward County Library Digital Archives .","The proposed series includes: Series I: Professional Papers, Series II. Personal Papers, Series III. Photographs, Series IV. Slides, Series V. Postcards, Series VI. Documentation.","Anthony Kozla was a Floridian photographer. He was born in Chicago, Illinois in 1909 to a Bohemian father (region of former Czechoslovakia and actual Czech Republic) and an American mother[1]. Anthony Kozla moved with his family to Fort Lauderdale in 1926[2]. He had two sisters, T. J, Clark DeLand, and Anna Barrett, as well as three brothers, Frank, Louis, and Charles. ","Anthony Kozla had his studio on 628 N. W. 3rd Avenue[3]. His photography activities led him to work for newspapers[4]. Starting 1948, many articles from the Fort Lauderdale Daily News and Evening Sentinel credit \"Tony Kozla\" for his photographs. It is mentioned that Anthony Kozla has been an \"official photographer for the Ft. Lauderdale police department\" and for his local group theatre[5]. ","Anthony Kozla was active in Fort Lauderdale's local life. He was part of a Boy Scouts Troop and an amateur actor for Park Temple Civic Players[6]. He was also part of the Knights of Columbus[7] and the Fort Lauderdale Camera Club for which he won the third price during an exhibition in 1946 for his picture \"Sunset\"[8]. ","Anthony Kozla died from a heart attack in 1954. He is buried at Evergreen Cemetery.","Notes:\n[1] 1940 US Federal Census.\n[2] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[3] Anthony Kozla Photo shop business License, 1953.\n[4] The Fort Lauderdale Daily News and Evening Sentinel, July 25, 1936.\n[5] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[6] The Fort Lauderdale Daily News and Evening Sentinel, July 1, 1937 and July 7, 1937. Several other newspaper articles from the 1930s credit Anthony Kozla for his participation in theatre plays.\n[7] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[8] Fort Lauderdale Daily News and Evening Sentinel, February 20, 1947.","The Anthony Kozla Collection was processed at the item level by Axel Surot in September 2024. Additional materials were processed and the finding aid updated by Erin Purdy in March 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Anthony Kozla Collection contains 469 photographs Anthony Kozla took during his professional life and personal activities. These photographs include portraits of groups, individuals, and national and local celebrities. They are also a good source for documenting Fort Lauderdale's local life from the 1930s to the mid-1950s through events, pictures of local communities, and recreational activities. The Anthony Kozla Collection also helps understand the evolution of Fort Lauderdale and Broward County's urban development with 101 aerial views and photographs of buildings and streets."," Broward County Historical Archives","Katherine Rawls, 1917-1982","English"],"unitid_tesim":["BCHA.1980.1","/repositories/4/resources/89"],"normalized_date_ssm":["Circa 1930-1950"],"normalized_title_ssm":["Anthony Kozla Collection, Circa 1930-1950"],"collection_title_tesim":["Anthony Kozla Collection, Circa 1930-1950"],"collection_ssim":["Anthony Kozla Collection, Circa 1930-1950"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"geogname_ssm":["Fort Lauderdale (Fla.)"],"geogname_ssim":["Fort Lauderdale (Fla.)"],"places_ssim":["Fort Lauderdale (Fla.)"],"access_subjects_ssim":["Hurricane damage","Hurricanes","Tennis","Seminole Indians","Streets -- Florida -- Fort Lauderdale","School buildings","Buildings","Vehicles","Animals","United States. Army","Church buildings","Boy scouts","Travel","Fire fighters","Group portraits","Portraits","Self-portraits","Photographs","Photograph albums","Aerial views","Clippings"],"access_subjects_ssm":["Hurricane damage","Hurricanes","Tennis","Seminole Indians","Streets -- Florida -- Fort Lauderdale","School buildings","Buildings","Vehicles","Animals","United States. Army","Church buildings","Boy scouts","Travel","Fire fighters","Group portraits","Portraits","Self-portraits","Photographs","Photograph albums","Aerial views","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["3 Hollinger Boxes"],"extent_tesim":["3 Hollinger Boxes"],"genreform_ssim":["Group portraits","Portraits","Self-portraits","Photographs","Photograph albums","Aerial views","Clippings"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950],"accessrestrict_html_tesm":["\u003cp\u003eThe Anthony Kozla Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Anthony Kozla Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003eThe Anthony Kozla Collection is digitized and available on the \u003ca href=\"https://digitalarchives.broward.org/digital/collection/kozla/search\"\u003eBroward County Library Digital Archives\u003c/a\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["The Anthony Kozla Collection is digitized and available on the  Broward County Library Digital Archives ."],"arrangement_html_tesm":["\u003cp\u003eThe proposed series includes: Series I: Professional Papers, Series II. Personal Papers, Series III. Photographs, Series IV. Slides, Series V. Postcards, Series VI. Documentation.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The proposed series includes: Series I: Professional Papers, Series II. Personal Papers, Series III. Photographs, Series IV. Slides, Series V. Postcards, Series VI. Documentation."],"bioghist_html_tesm":["\u003cp\u003eAnthony Kozla was a Floridian photographer. He was born in Chicago, Illinois in 1909 to a Bohemian father (region of former Czechoslovakia and actual Czech Republic) and an American mother[1]. Anthony Kozla moved with his family to Fort Lauderdale in 1926[2]. He had two sisters, T. J, Clark DeLand, and Anna Barrett, as well as three brothers, Frank, Louis, and Charles. \u003c/p\u003e\n","\u003cp\u003eAnthony Kozla had his studio on 628 N. W. 3rd Avenue[3]. His photography activities led him to work for newspapers[4]. Starting 1948, many articles from the Fort Lauderdale Daily News and Evening Sentinel credit \"Tony Kozla\" for his photographs. It is mentioned that Anthony Kozla has been an \"official photographer for the Ft. Lauderdale police department\" and for his local group theatre[5]. \u003c/p\u003e\n","\u003cp\u003eAnthony Kozla was active in Fort Lauderdale's local life. He was part of a Boy Scouts Troop and an amateur actor for Park Temple Civic Players[6]. He was also part of the Knights of Columbus[7] and the Fort Lauderdale Camera Club for which he won the third price during an exhibition in 1946 for his picture \"Sunset\"[8]. \u003c/p\u003e\n","\u003cp\u003eAnthony Kozla died from a heart attack in 1954. He is buried at Evergreen Cemetery.\u003c/p\u003e\n","\u003cp\u003eNotes:\n[1] 1940 US Federal Census.\n[2] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[3] Anthony Kozla Photo shop business License, 1953.\n[4] The Fort Lauderdale Daily News and Evening Sentinel, July 25, 1936.\n[5] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[6] The Fort Lauderdale Daily News and Evening Sentinel, July 1, 1937 and July 7, 1937. Several other newspaper articles from the 1930s credit Anthony Kozla for his participation in theatre plays.\n[7] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[8] Fort Lauderdale Daily News and Evening Sentinel, February 20, 1947.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Anthony Kozla was a Floridian photographer. He was born in Chicago, Illinois in 1909 to a Bohemian father (region of former Czechoslovakia and actual Czech Republic) and an American mother[1]. Anthony Kozla moved with his family to Fort Lauderdale in 1926[2]. He had two sisters, T. J, Clark DeLand, and Anna Barrett, as well as three brothers, Frank, Louis, and Charles. ","Anthony Kozla had his studio on 628 N. W. 3rd Avenue[3]. His photography activities led him to work for newspapers[4]. Starting 1948, many articles from the Fort Lauderdale Daily News and Evening Sentinel credit \"Tony Kozla\" for his photographs. It is mentioned that Anthony Kozla has been an \"official photographer for the Ft. Lauderdale police department\" and for his local group theatre[5]. ","Anthony Kozla was active in Fort Lauderdale's local life. He was part of a Boy Scouts Troop and an amateur actor for Park Temple Civic Players[6]. He was also part of the Knights of Columbus[7] and the Fort Lauderdale Camera Club for which he won the third price during an exhibition in 1946 for his picture \"Sunset\"[8]. ","Anthony Kozla died from a heart attack in 1954. He is buried at Evergreen Cemetery.","Notes:\n[1] 1940 US Federal Census.\n[2] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[3] Anthony Kozla Photo shop business License, 1953.\n[4] The Fort Lauderdale Daily News and Evening Sentinel, July 25, 1936.\n[5] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[6] The Fort Lauderdale Daily News and Evening Sentinel, July 1, 1937 and July 7, 1937. Several other newspaper articles from the 1930s credit Anthony Kozla for his participation in theatre plays.\n[7] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[8] Fort Lauderdale Daily News and Evening Sentinel, February 20, 1947."],"prefercite_html_tesm":["\u003cp\u003eAnthony Kozla Collection, Broward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Anthony Kozla Collection, Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Anthony Kozla Collection was processed at the item level by Axel Surot in September 2024. Additional materials were processed and the finding aid updated by Erin Purdy in March 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Anthony Kozla Collection was processed at the item level by Axel Surot in September 2024. Additional materials were processed and the finding aid updated by Erin Purdy in March 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Anthony Kozla Collection contains 469 photographs Anthony Kozla took during his professional life and personal activities. These photographs include portraits of groups, individuals, and national and local celebrities. They are also a good source for documenting Fort Lauderdale's local life from the 1930s to the mid-1950s through events, pictures of local communities, and recreational activities. The Anthony Kozla Collection also helps understand the evolution of Fort Lauderdale and Broward County's urban development with 101 aerial views and photographs of buildings and streets.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Anthony Kozla Collection contains 469 photographs Anthony Kozla took during his professional life and personal activities. These photographs include portraits of groups, individuals, and national and local celebrities. They are also a good source for documenting Fort Lauderdale's local life from the 1930s to the mid-1950s through events, pictures of local communities, and recreational activities. The Anthony Kozla Collection also helps understand the evolution of Fort Lauderdale and Broward County's urban development with 101 aerial views and photographs of buildings and streets."],"names_ssim":[" Broward County Historical Archives","Katherine Rawls, 1917-1982"],"corpname_ssim":[" Broward County Historical Archives"],"names_coll_ssim":["Katherine Rawls, 1917-1982"],"persname_ssim":["Katherine Rawls, 1917-1982"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":558,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876457699731832832,"_root_":"2e3a4e4f1b5834debed4f6e2","timestamp":"2026-09-16T03:31:53.997Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2e3a4e4f1b5834debed4f6e2"}},{"id":"da4d05e4376dbaeab6a6dad3","type":"collection","attributes":{"title":"Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/da4d05e4376dbaeab6a6dad3#creator","type":"document_value","attributes":{"value":["Pizzo, Anthony P. (1912-1994)"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/da4d05e4376dbaeab6a6dad3#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003ePublications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/da4d05e4376dbaeab6a6dad3#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"da4d05e4376dbaeab6a6dad3","title_ssm":["Anthony P. \"Tony\" Pizzo collection"],"title_tesim":["Anthony P. \"Tony\" Pizzo collection"],"ead_ssi":"da4d05e4376dbaeab6a6dad3","unitdate_ssm":["1824-1994","Date acquired: 10/23/1982"],"unitdate_inclusive_ssm":["1824-1994"],"unitdate_other_ssim":["Date acquired: 10/23/1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1982-01","/repositories/2/resources/371"],"text":["MS-1982-01","/repositories/2/resources/371","Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)","African Americans -- Florida -- Tampa","Cigar industry -- Florida -- Tampa","Clubs -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Cuba -- Revolution, 1895-1898","Cuban Americans -- Florida -- Tampa -- History","Cuban Americans -- Florida -- Tampa","Cubans -- Florida -- Tampa -- History","Florida -- History, Local","Hispanic Americans -- Tampa Bay Region (Fla.)","Italian Americans -- Florida -- Tampa","Tampa (Fla.) -- Social conditions","Some materials are fragile.","The collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo.","Alphabetically by subject (within series).","The son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    ","Pizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de Céspedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993  Tampa Tribune  article commented that no other Tampan had been awarded so many honors for contributions and service to his community.","During the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"","A prolific writer whose history articles appeared in a range of publications- from  Tampa Bay History  magazine to the popular press- his first book-length work,  Tampa Town, 1886-1834: Cracker Village with a Latin Accent,  appeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating  Tony Pizzo's Tampa,  a ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity,  Tampa, the Treasure City , with USF history professor Gary R. Mormino.","In 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.","This intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.","Tony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.","Basse, Craig.  \"Historian Tony Pizzo Dies.\"   St. Petersburg Times  4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.","Cabrera, Cloe. \"The Loves of Tony Pizzo.\"   Tampa Tribune  11 January 1994, University section: 4.","DeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"   La Gaceta   (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"","Ex Libris: Journal of the USF Library Associates,  Summer 1982: 18.","Dunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"  17 th  Annual Italian-American Invitational Golf Tournament .  Tampa:  Italian-American Golf Association, 1994.","Edwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\"  Tampa Tribune  3 January 1994, Nation/World section: 1.","Eastman, Susan. \"Historian's Legacy Will Live in USF collection.\"  St. Petersburg Times  6 January 1994, Community Times section: 1.","Mormino, Gary R., and Anthony P. Pizzo.   Tampa:  The Treasure City .  Tulsa: Continental Heritage Press, 1983.","\"Pizzo\" [obituary].   Tampa Tribune  4 January 1994.","\"Tony Pizzo made Tampa proud.\"   Tampa Tribune  4 January 1994, Nation/World","Section: 6.","Note written by pec, 2007","Publications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa.","The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information.","USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. (Frank Clayton), 1869-1925","English"],"unitid_tesim":["MS-1982-01","/repositories/2/resources/371"],"normalized_date_ssm":["1824-1994, Date acquired: 10/23/1982"],"normalized_title_ssm":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"collection_title_tesim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"collection_ssim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"geogname_ssim":["Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"creator_ssm":["Pizzo, Anthony P. (1912-1994)"],"creator_ssim":["Pizzo, Anthony P. (1912-1994)"],"creator_persname_ssim":["Pizzo, Anthony P. (1912-1994)"],"creators_ssim":["Pizzo, Anthony P. (1912-1994)"],"places_ssim":["Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"access_terms_ssm":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information."],"acqinfo_ssim":["Anthony P. Pizzo","Donation"],"access_subjects_ssim":["African Americans -- Florida -- Tampa","Cigar industry -- Florida -- Tampa","Clubs -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Cuba -- Revolution, 1895-1898","Cuban Americans -- Florida -- Tampa -- History","Cuban Americans -- Florida -- Tampa","Cubans -- Florida -- Tampa -- History","Florida -- History, Local","Hispanic Americans -- Tampa Bay Region (Fla.)","Italian Americans -- Florida -- Tampa","Tampa (Fla.) -- Social conditions"],"access_subjects_ssm":["African Americans -- Florida -- Tampa","Cigar industry -- Florida -- Tampa","Clubs -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Cuba -- Revolution, 1895-1898","Cuban Americans -- Florida -- Tampa -- History","Cuban Americans -- Florida -- Tampa","Cubans -- Florida -- Tampa -- History","Florida -- History, Local","Hispanic Americans -- Tampa Bay Region (Fla.)","Italian Americans -- Florida -- Tampa","Tampa (Fla.) -- Social conditions"],"has_online_content_ssim":["false"],"extent_ssm":["126.00 Linear Feet","262 boxes"],"extent_tesim":["126.00 Linear Feet","262 boxes"],"date_range_isim":[1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eSome materials are fragile.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Some materials are fragile."],"accruals_html_tesm":["\u003cp\u003eThe collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["The collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo."],"arrangement_html_tesm":["\u003cp\u003eAlphabetically by subject (within series).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetically by subject (within series)."],"bioghist_html_tesm":["\u003cp\u003eThe son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    \u003c/p\u003e\n","\u003cp\u003ePizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de C\u0026#xE9;spedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993 \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e article commented that no other Tampan had been awarded so many honors for contributions and service to his community.\u003c/p\u003e\n","\u003cp\u003eDuring the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"\u003c/p\u003e\n","\u003cp\u003eA prolific writer whose history articles appeared in a range of publications- from \u003cemph render=\"italic\"\u003eTampa Bay History \u003c/emph\u003emagazine to the popular press- his first book-length work, \u003cemph render=\"italic\"\u003eTampa Town, 1886-1834: Cracker Village with a Latin Accent, \u003c/emph\u003eappeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating \u003cemph render=\"italic\"\u003eTony Pizzo's Tampa, \u003c/emph\u003ea ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity, \u003cemph render=\"italic\"\u003eTampa, the Treasure City\u003c/emph\u003e, with USF history professor Gary R. Mormino.\u003c/p\u003e\n","\u003cp\u003eIn 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.\u003c/p\u003e\n","\u003cp\u003eThis intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.\u003c/p\u003e\n","\u003cp\u003eTony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.\u003c/p\u003e\n","\u003cp\u003eBasse, Craig.  \"Historian Tony Pizzo Dies.\"  \u003cemph render=\"italic\"\u003eSt. Petersburg Times\u003c/emph\u003e 4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.\u003c/p\u003e\n","\u003cp\u003eCabrera, Cloe. \"The Loves of Tony Pizzo.\"  \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e11 January 1994, University section: 4.\u003c/p\u003e\n","\u003cp\u003eDeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"  \u003cemph render=\"italic\"\u003eLa Gaceta\u003c/emph\u003e  (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eEx Libris: Journal of the USF Library Associates, \u003c/emph\u003eSummer 1982: 18.\u003c/p\u003e\n","\u003cp\u003eDunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"\u003cemph render=\"italic\"\u003e 17\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Annual Italian-American Invitational Golf Tournament\u003c/emph\u003e.  Tampa:  Italian-American Golf Association, 1994.\u003c/p\u003e\n","\u003cp\u003eEdwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\" \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e3 January 1994, Nation/World section: 1.\u003c/p\u003e\n","\u003cp\u003eEastman, Susan. \"Historian's Legacy Will Live in USF collection.\" \u003cemph render=\"italic\"\u003eSt. Petersburg Times\u003c/emph\u003e 6 January 1994, Community Times section: 1.\u003c/p\u003e\n","\u003cp\u003eMormino, Gary R., and Anthony P. Pizzo.  \u003cemph render=\"italic\"\u003eTampa:  The Treasure City\u003c/emph\u003e.  Tulsa: Continental Heritage Press, 1983.\u003c/p\u003e\n","\u003cp\u003e\"Pizzo\" [obituary].  \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e4 January 1994.\u003c/p\u003e\n","\u003cp\u003e\"Tony Pizzo made Tampa proud.\"  \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e 4 January 1994, Nation/World\u003c/p\u003e\n","\u003cp\u003eSection: 6.\u003c/p\u003e\n","\u003cp\u003eNote written by pec, 2007\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    ","Pizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de Céspedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993  Tampa Tribune  article commented that no other Tampan had been awarded so many honors for contributions and service to his community.","During the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"","A prolific writer whose history articles appeared in a range of publications- from  Tampa Bay History  magazine to the popular press- his first book-length work,  Tampa Town, 1886-1834: Cracker Village with a Latin Accent,  appeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating  Tony Pizzo's Tampa,  a ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity,  Tampa, the Treasure City , with USF history professor Gary R. Mormino.","In 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.","This intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.","Tony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.","Basse, Craig.  \"Historian Tony Pizzo Dies.\"   St. Petersburg Times  4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.","Cabrera, Cloe. \"The Loves of Tony Pizzo.\"   Tampa Tribune  11 January 1994, University section: 4.","DeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"   La Gaceta   (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"","Ex Libris: Journal of the USF Library Associates,  Summer 1982: 18.","Dunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"  17 th  Annual Italian-American Invitational Golf Tournament .  Tampa:  Italian-American Golf Association, 1994.","Edwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\"  Tampa Tribune  3 January 1994, Nation/World section: 1.","Eastman, Susan. \"Historian's Legacy Will Live in USF collection.\"  St. Petersburg Times  6 January 1994, Community Times section: 1.","Mormino, Gary R., and Anthony P. Pizzo.   Tampa:  The Treasure City .  Tulsa: Continental Heritage Press, 1983.","\"Pizzo\" [obituary].   Tampa Tribune  4 January 1994.","\"Tony Pizzo made Tampa proud.\"   Tampa Tribune  4 January 1994, Nation/World","Section: 6.","Note written by pec, 2007"],"prefercite_html_tesm":["\u003cp\u003eTony Pizzo collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL\u003c/p\u003e"],"prefercite_tesim":["Tony Pizzo collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL"],"scopecontent_html_tesm":["\u003cp\u003ePublications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Publications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa."],"userestrict_html_tesm":["\u003cp\u003eThe contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information."],"names_coll_ssim":["Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Martí, José (1853-1895)","Pizzo, Anthony P. (1912-1994)"],"names_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. (Frank Clayton), 1869-1925"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa"],"persname_ssim":["Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. (Frank Clayton), 1869-1925"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4440,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876751201237729280,"_root_":"da4d05e4376dbaeab6a6dad3","timestamp":"2026-09-19T09:16:58.845Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"da4d05e4376dbaeab6a6dad3","title_ssm":["Anthony P. \"Tony\" Pizzo collection"],"title_tesim":["Anthony P. \"Tony\" Pizzo collection"],"ead_ssi":"da4d05e4376dbaeab6a6dad3","unitdate_ssm":["1824-1994","Date acquired: 10/23/1982"],"unitdate_inclusive_ssm":["1824-1994"],"unitdate_other_ssim":["Date acquired: 10/23/1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1982-01","/repositories/2/resources/371"],"text":["MS-1982-01","/repositories/2/resources/371","Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)","African Americans -- Florida -- Tampa","Cigar industry -- Florida -- Tampa","Clubs -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Cuba -- Revolution, 1895-1898","Cuban Americans -- Florida -- Tampa -- History","Cuban Americans -- Florida -- Tampa","Cubans -- Florida -- Tampa -- History","Florida -- History, Local","Hispanic Americans -- Tampa Bay Region (Fla.)","Italian Americans -- Florida -- Tampa","Tampa (Fla.) -- Social conditions","Some materials are fragile.","The collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo.","Alphabetically by subject (within series).","The son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    ","Pizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de Céspedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993  Tampa Tribune  article commented that no other Tampan had been awarded so many honors for contributions and service to his community.","During the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"","A prolific writer whose history articles appeared in a range of publications- from  Tampa Bay History  magazine to the popular press- his first book-length work,  Tampa Town, 1886-1834: Cracker Village with a Latin Accent,  appeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating  Tony Pizzo's Tampa,  a ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity,  Tampa, the Treasure City , with USF history professor Gary R. Mormino.","In 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.","This intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.","Tony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.","Basse, Craig.  \"Historian Tony Pizzo Dies.\"   St. Petersburg Times  4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.","Cabrera, Cloe. \"The Loves of Tony Pizzo.\"   Tampa Tribune  11 January 1994, University section: 4.","DeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"   La Gaceta   (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"","Ex Libris: Journal of the USF Library Associates,  Summer 1982: 18.","Dunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"  17 th  Annual Italian-American Invitational Golf Tournament .  Tampa:  Italian-American Golf Association, 1994.","Edwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\"  Tampa Tribune  3 January 1994, Nation/World section: 1.","Eastman, Susan. \"Historian's Legacy Will Live in USF collection.\"  St. Petersburg Times  6 January 1994, Community Times section: 1.","Mormino, Gary R., and Anthony P. Pizzo.   Tampa:  The Treasure City .  Tulsa: Continental Heritage Press, 1983.","\"Pizzo\" [obituary].   Tampa Tribune  4 January 1994.","\"Tony Pizzo made Tampa proud.\"   Tampa Tribune  4 January 1994, Nation/World","Section: 6.","Note written by pec, 2007","Publications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa.","The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information.","USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. (Frank Clayton), 1869-1925","English"],"unitid_tesim":["MS-1982-01","/repositories/2/resources/371"],"normalized_date_ssm":["1824-1994, Date acquired: 10/23/1982"],"normalized_title_ssm":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"collection_title_tesim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"collection_ssim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"geogname_ssim":["Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"creator_ssm":["Pizzo, Anthony P. (1912-1994)"],"creator_ssim":["Pizzo, Anthony P. (1912-1994)"],"creator_persname_ssim":["Pizzo, Anthony P. (1912-1994)"],"creators_ssim":["Pizzo, Anthony P. (1912-1994)"],"places_ssim":["Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"access_terms_ssm":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information."],"acqinfo_ssim":["Anthony P. Pizzo","Donation"],"access_subjects_ssim":["African Americans -- Florida -- Tampa","Cigar industry -- Florida -- Tampa","Clubs -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Cuba -- Revolution, 1895-1898","Cuban Americans -- Florida -- Tampa -- History","Cuban Americans -- Florida -- Tampa","Cubans -- Florida -- Tampa -- History","Florida -- History, Local","Hispanic Americans -- Tampa Bay Region (Fla.)","Italian Americans -- Florida -- Tampa","Tampa (Fla.) -- Social conditions"],"access_subjects_ssm":["African Americans -- Florida -- Tampa","Cigar industry -- Florida -- Tampa","Clubs -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Cuba -- Revolution, 1895-1898","Cuban Americans -- Florida -- Tampa -- History","Cuban Americans -- Florida -- Tampa","Cubans -- Florida -- Tampa -- History","Florida -- History, Local","Hispanic Americans -- Tampa Bay Region (Fla.)","Italian Americans -- Florida -- Tampa","Tampa (Fla.) -- Social conditions"],"has_online_content_ssim":["false"],"extent_ssm":["126.00 Linear Feet","262 boxes"],"extent_tesim":["126.00 Linear Feet","262 boxes"],"date_range_isim":[1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eSome materials are fragile.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Some materials are fragile."],"accruals_html_tesm":["\u003cp\u003eThe collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["The collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo."],"arrangement_html_tesm":["\u003cp\u003eAlphabetically by subject (within series).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetically by subject (within series)."],"bioghist_html_tesm":["\u003cp\u003eThe son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    \u003c/p\u003e\n","\u003cp\u003ePizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de C\u0026#xE9;spedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993 \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e article commented that no other Tampan had been awarded so many honors for contributions and service to his community.\u003c/p\u003e\n","\u003cp\u003eDuring the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"\u003c/p\u003e\n","\u003cp\u003eA prolific writer whose history articles appeared in a range of publications- from \u003cemph render=\"italic\"\u003eTampa Bay History \u003c/emph\u003emagazine to the popular press- his first book-length work, \u003cemph render=\"italic\"\u003eTampa Town, 1886-1834: Cracker Village with a Latin Accent, \u003c/emph\u003eappeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating \u003cemph render=\"italic\"\u003eTony Pizzo's Tampa, \u003c/emph\u003ea ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity, \u003cemph render=\"italic\"\u003eTampa, the Treasure City\u003c/emph\u003e, with USF history professor Gary R. Mormino.\u003c/p\u003e\n","\u003cp\u003eIn 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.\u003c/p\u003e\n","\u003cp\u003eThis intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.\u003c/p\u003e\n","\u003cp\u003eTony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.\u003c/p\u003e\n","\u003cp\u003eBasse, Craig.  \"Historian Tony Pizzo Dies.\"  \u003cemph render=\"italic\"\u003eSt. Petersburg Times\u003c/emph\u003e 4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.\u003c/p\u003e\n","\u003cp\u003eCabrera, Cloe. \"The Loves of Tony Pizzo.\"  \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e11 January 1994, University section: 4.\u003c/p\u003e\n","\u003cp\u003eDeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"  \u003cemph render=\"italic\"\u003eLa Gaceta\u003c/emph\u003e  (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eEx Libris: Journal of the USF Library Associates, \u003c/emph\u003eSummer 1982: 18.\u003c/p\u003e\n","\u003cp\u003eDunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"\u003cemph render=\"italic\"\u003e 17\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Annual Italian-American Invitational Golf Tournament\u003c/emph\u003e.  Tampa:  Italian-American Golf Association, 1994.\u003c/p\u003e\n","\u003cp\u003eEdwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\" \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e3 January 1994, Nation/World section: 1.\u003c/p\u003e\n","\u003cp\u003eEastman, Susan. \"Historian's Legacy Will Live in USF collection.\" \u003cemph render=\"italic\"\u003eSt. Petersburg Times\u003c/emph\u003e 6 January 1994, Community Times section: 1.\u003c/p\u003e\n","\u003cp\u003eMormino, Gary R., and Anthony P. Pizzo.  \u003cemph render=\"italic\"\u003eTampa:  The Treasure City\u003c/emph\u003e.  Tulsa: Continental Heritage Press, 1983.\u003c/p\u003e\n","\u003cp\u003e\"Pizzo\" [obituary].  \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e4 January 1994.\u003c/p\u003e\n","\u003cp\u003e\"Tony Pizzo made Tampa proud.\"  \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e 4 January 1994, Nation/World\u003c/p\u003e\n","\u003cp\u003eSection: 6.\u003c/p\u003e\n","\u003cp\u003eNote written by pec, 2007\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    ","Pizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de Céspedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993  Tampa Tribune  article commented that no other Tampan had been awarded so many honors for contributions and service to his community.","During the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"","A prolific writer whose history articles appeared in a range of publications- from  Tampa Bay History  magazine to the popular press- his first book-length work,  Tampa Town, 1886-1834: Cracker Village with a Latin Accent,  appeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating  Tony Pizzo's Tampa,  a ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity,  Tampa, the Treasure City , with USF history professor Gary R. Mormino.","In 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.","This intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.","Tony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.","Basse, Craig.  \"Historian Tony Pizzo Dies.\"   St. Petersburg Times  4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.","Cabrera, Cloe. \"The Loves of Tony Pizzo.\"   Tampa Tribune  11 January 1994, University section: 4.","DeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"   La Gaceta   (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"","Ex Libris: Journal of the USF Library Associates,  Summer 1982: 18.","Dunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"  17 th  Annual Italian-American Invitational Golf Tournament .  Tampa:  Italian-American Golf Association, 1994.","Edwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\"  Tampa Tribune  3 January 1994, Nation/World section: 1.","Eastman, Susan. \"Historian's Legacy Will Live in USF collection.\"  St. Petersburg Times  6 January 1994, Community Times section: 1.","Mormino, Gary R., and Anthony P. Pizzo.   Tampa:  The Treasure City .  Tulsa: Continental Heritage Press, 1983.","\"Pizzo\" [obituary].   Tampa Tribune  4 January 1994.","\"Tony Pizzo made Tampa proud.\"   Tampa Tribune  4 January 1994, Nation/World","Section: 6.","Note written by pec, 2007"],"prefercite_html_tesm":["\u003cp\u003eTony Pizzo collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL\u003c/p\u003e"],"prefercite_tesim":["Tony Pizzo collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL"],"scopecontent_html_tesm":["\u003cp\u003ePublications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Publications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa."],"userestrict_html_tesm":["\u003cp\u003eThe contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information."],"names_coll_ssim":["Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Martí, José (1853-1895)","Pizzo, Anthony P. (1912-1994)"],"names_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. (Frank Clayton), 1869-1925"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa"],"persname_ssim":["Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. (Frank Clayton), 1869-1925"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4440,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876751201237729280,"_root_":"da4d05e4376dbaeab6a6dad3","timestamp":"2026-09-19T09:16:58.845Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/da4d05e4376dbaeab6a6dad3"}},{"id":"5e17dda97e7549e9d9b40539_aspace_ec0ae3b0c94d80ae3334e6ec31538ec8","type":"File","attributes":{"title":"Anti-Slavery Collection, Circa 1927-1980","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_ec0ae3b0c94d80ae3334e6ec31538ec8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_ec0ae3b0c94d80ae3334e6ec31538ec8","ref_ssm":["aspace_ec0ae3b0c94d80ae3334e6ec31538ec8","aspace_ec0ae3b0c94d80ae3334e6ec31538ec8"],"id":"5e17dda97e7549e9d9b40539_aspace_ec0ae3b0c94d80ae3334e6ec31538ec8","title_filing_ssi":"Anti-Slavery Collection","title_ssm":["Anti-Slavery Collection"],"title_tesim":["Anti-Slavery Collection"],"unitdate_inclusive_ssm":["Circa 1927-1980"],"normalized_date_ssm":["Circa 1927-1980"],"normalized_title_ssm":["Anti-Slavery Collection, Circa 1927-1980"],"text":["Anti-Slavery Collection, Circa 1927-1980","Dorothy Porter Wesley Collection, Circa 1788-2012","Professional Papers","Dorothy Porter Wesley professional papers, Circa 1902-2002","/repositories/2/archival_objects/3899","box 13","folder 233"],"component_level_isim":[3],"parent_ids_ssim":["5e17dda97e7549e9d9b40539","5e17dda97e7549e9d9b40539_aspace_5fad3c940d5d32bd28317ccb4d6a73d7","5e17dda97e7549e9d9b40539_aspace_9b8b502731c101c3baab82aa3bb5fc2e"],"parent_unittitles_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012","Professional Papers","Dorothy Porter Wesley professional papers, Circa 1902-2002"],"parent_unittitles_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012","Professional Papers","Dorothy Porter Wesley professional papers, Circa 1902-2002"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/3899"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":242,"parent_access_restrict_tesm":["The Dorothy Porter Wesley Collection is open for research."],"date_range_isim":[1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"containers_ssim":["box 13","folder 233"],"_nest_path_":"/components#1/components#0/components#46","_nest_parent_":"5e17dda97e7549e9d9b40539_aspace_9b8b502731c101c3baab82aa3bb5fc2e","_root_":"5e17dda97e7549e9d9b40539","_version_":1871563605913108480,"timestamp":"2026-07-24T03:02:22.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5e17dda97e7549e9d9b40539","title_filing_ssi":"Wesley, Dorothy Porter Collection","title_ssm":["Dorothy Porter Wesley Collection"],"title_tesim":["Dorothy Porter Wesley Collection"],"ead_ssi":"5e17dda97e7549e9d9b40539","unitdate_ssm":["Circa 1788-2012"],"unitdate_inclusive_ssm":["Circa 1788-2012"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2003.6","/repositories/2/resources/20"],"text":["AARLCC.2003.6","/repositories/2/resources/20","Dorothy Porter Wesley Collection, Circa 1788-2012","Africa -- Research","Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art","The Dorothy Porter Wesley Collection is open for research.","View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.","The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets","Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.","The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.","Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".","The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.","AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970","English Portuguese German"],"unitid_tesim":["AARLCC.2003.6","/repositories/2/resources/20"],"normalized_date_ssm":["Circa 1788-2012"],"normalized_title_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_title_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Africa -- Research"],"geogname_ssim":["Africa -- Research"],"places_ssim":["Africa -- Research"],"acqinfo_ssim":["Broward County Library purchased the materials from Constance Porter Uzelac (daughter of Dorothy Porter Wesley) in December 2002 (Accession AARLCC-2003.6). Milan Uzelac donated accruals to AARLCC Special Collections on June 29, 2012 (Accession AARLCC-2012.12) and on May 12, 2022 (Accession AARLCC-2022.7)."],"access_subjects_ssim":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"access_subjects_ssm":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes","2800 Books"],"extent_tesim":["67 Hollinger Boxes","2800 Books"],"genreform_ssim":["Photographs","Sound recordings","Correspondence","Art"],"date_range_isim":[1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Dorothy Porter Wesley Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll37/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series and sub-series:\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries I. Correspondence\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. General Correspondence\u003c/p\u003e","\u003cp\u003eSub-series II. Family Correspondence\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries II. Professional Papers\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley professional papers\u003c/p\u003e","\u003cp\u003eSub-series II. Constance Porter Uzelac professional papers \u003c/p\u003e","\u003cp\u003eSub-series III. Charles Harris Wesley professional papers \u003c/p\u003e","\u003cp\u003eSub-series IV. Writings by Dorothy Porter Wesley\u003c/p\u003e","\u003cp\u003eSub-series V. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VI. Writings by James A. Porter\u003c/p\u003e","\u003cp\u003eSub-series VII. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VIII. Writings by Charles Harris Wesley \u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries III. Research Files\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley general research files\u003c/p\u003e","\u003cp\u003eSub-series II. Dorothy Porter Wesley Brazil research files\u003c/p\u003e","\u003cp\u003eSub-series III. Dorothy Porter Wesley illustrations\u003c/p\u003e","\u003cp\u003eSub-series IV. Constance Porter Uzelac research files\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries IV. Personal Papers\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries V. Photographs\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries VI. Printed Materials\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Calendars and Datebooks\u003c/p\u003e","\u003cp\u003eSub-series II. Catalogs\u003c/p\u003e","\u003cp\u003eSub-series III. General\u003c/p\u003e","\u003cp\u003eSub-series IV. Magazines\u003c/p\u003e","\u003cp\u003eSub-series V. Maps\u003c/p\u003e","\u003cp\u003eSub-series VI. Newspaper Clippings\u003c/p\u003e","\u003cp\u003eSub-series VII. Sheet Music\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries VII. Ephemera and Artwork\u003c/p\u003e\u003c/b\u003e","\u003cp\u003e\u003cb\u003eSeries VIII. Books and Pamphlets\u003c/b\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets"],"bioghist_html_tesm":["\u003cp\u003eDorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. \u003c/p\u003e\n","\u003cp\u003eIn 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work, \u003cemph\u003eModern Negro Art\u003c/emph\u003e, proved to be one of the most informative sources to date on the creativity of the Black artists.\u003c/p\u003e\n","\u003cp\u003eIn 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.\u003c/p\u003e\n","\u003cp\u003eJames Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. \u003c/p\u003e\n","\u003cp\u003eCharles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.\u003c/p\u003e\n","\u003cp\u003eIn 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.\u003c/p\u003e\n","\u003cp\u003eThe book \u003ci\u003eWilliam Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874\u003c/i\u003e (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.\u003c/p\u003e\n","\u003cp\u003eIn 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012."],"prefercite_html_tesm":["\u003cp\u003eDorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Dorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\n\u003ca href=\"https://archives.yale.edu/repositories/11/resources/994\" target=\"_blank\"\u003ePart of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.\u003c/a\u003e\n\u003c/p\u003e","\u003cp\u003e\n\u003ca href=\"https://archives.libraries.emory.edu/repositories/7/resources/3255\" target=\"_blank\"\u003eDorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.\u003c/a\u003e\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.\u003c/p\u003e\n","\u003cp\u003eCorrespondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.\u003c/p\u003e\n","\u003cp\u003eProfessional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.\u003c/p\u003e\n","\u003cp\u003eConstance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". \u003c/p\u003e\n","\u003cp\u003eThe collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.\u003c/p\u003e\n","\u003cp\u003eResearch files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.\u003c/p\u003e\n","\u003cp\u003ePrinted Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=DPW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_559c404160acc20bdc75d09cde3325a4\"\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets."],"names_ssim":["AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Wesley, Dorothy Porter, 1905-1995"],"persname_ssim":["Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"language_ssim":["English Portuguese German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1539,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563605913108480,"_root_":"5e17dda97e7549e9d9b40539","timestamp":"2026-07-24T03:02:22.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_ec0ae3b0c94d80ae3334e6ec31538ec8"}},{"id":"ccef56a6de1c7dcabaff2c46","type":"collection","attributes":{"title":"Antolin Carbonell Collection, 1920-2024","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/ccef56a6de1c7dcabaff2c46#creator","type":"document_value","attributes":{"value":["Carbonell, Antolin"],"label":"Creator"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ccef56a6de1c7dcabaff2c46#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"ccef56a6de1c7dcabaff2c46","title_ssm":["Antolin Carbonell Collection"],"title_tesim":["Antolin Carbonell Collection"],"ead_ssi":"ccef56a6de1c7dcabaff2c46","unitdate_ssm":["1920-2024"],"unitdate_inclusive_ssm":["1920-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC4020","/repositories/2/resources/138"],"text":["SPC4020","/repositories/2/resources/138","Antolin Carbonell Collection, 1920-2024","The collection is open for research.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Carbonell, Antolin","English Spanish; Castilian"],"unitid_tesim":["SPC4020","/repositories/2/resources/138"],"normalized_date_ssm":["1920-2024"],"normalized_title_ssm":["Antolin Carbonell Collection, 1920-2024"],"collection_title_tesim":["Antolin Carbonell Collection, 1920-2024"],"collection_ssim":["Antolin Carbonell Collection, 1920-2024"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Carbonell, Antolin"],"creator_ssim":["Carbonell, Antolin"],"creator_persname_ssim":["Carbonell, Antolin"],"creators_ssim":["Carbonell, Antolin"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"has_online_content_ssim":["false"],"extent_ssm":["15 boxes"],"extent_tesim":["15 boxes"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Carbonell, Antolin"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Carbonell, Antolin"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"ccef56a6de1c7dcabaff2c46","timestamp":"2026-05-13T02:01:13.915Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ccef56a6de1c7dcabaff2c46","title_ssm":["Antolin Carbonell Collection"],"title_tesim":["Antolin Carbonell Collection"],"ead_ssi":"ccef56a6de1c7dcabaff2c46","unitdate_ssm":["1920-2024"],"unitdate_inclusive_ssm":["1920-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC4020","/repositories/2/resources/138"],"text":["SPC4020","/repositories/2/resources/138","Antolin Carbonell Collection, 1920-2024","The collection is open for research.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Carbonell, Antolin","English Spanish; Castilian"],"unitid_tesim":["SPC4020","/repositories/2/resources/138"],"normalized_date_ssm":["1920-2024"],"normalized_title_ssm":["Antolin Carbonell Collection, 1920-2024"],"collection_title_tesim":["Antolin Carbonell Collection, 1920-2024"],"collection_ssim":["Antolin Carbonell Collection, 1920-2024"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Carbonell, Antolin"],"creator_ssim":["Carbonell, Antolin"],"creator_persname_ssim":["Carbonell, Antolin"],"creators_ssim":["Carbonell, Antolin"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"has_online_content_ssim":["false"],"extent_ssm":["15 boxes"],"extent_tesim":["15 boxes"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. 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