{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1946\u0026page=428","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1946\u0026page=427","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1946\u0026page=429","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1946\u0026page=446"},"meta":{"pages":{"current_page":428,"next_page":429,"prev_page":427,"total_pages":446,"limit_value":10,"offset_value":4270,"total_count":4455,"first_page?":false,"last_page?":false}},"data":[{"id":"edc1f8792c912192f7c15d4d","type":"collection","attributes":{"title":"Vivian D. and John H. Hewitt Collection, 1942-2020","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/edc1f8792c912192f7c15d4d#abstract_or_scope","type":"document_value","attributes":{"value":["The Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/edc1f8792c912192f7c15d4d#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"edc1f8792c912192f7c15d4d","title_filing_ssi":"Hewitt, Vivian D. and John H. Collection","title_ssm":["Vivian D. and John H. Hewitt Collection"],"title_tesim":["Vivian D. and John H. Hewitt Collection"],"ead_ssi":"edc1f8792c912192f7c15d4d","unitdate_ssm":["1942-2020"],"unitdate_inclusive_ssm":["1942-2020"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.7","/repositories/2/resources/48"],"text":["AARLCC.2004.7","/repositories/2/resources/48","Vivian D. and John H. Hewitt Collection, 1942-2020","African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art","The Vivian D. and John H. Hewitt Collection is open for research.","View a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives.","John Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.","John Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.","Vivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.","John and Vivian Hewitt had one son, John Hewitt III (1952-2022).","The Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.","In 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.","In 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\"","The Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture.","The Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Hervé Télémaque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Grégoire (1922-2001), and E. Paul.","The collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories.","Materials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\".","The Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti.","AARLCC Special Collections","Hewitt, Vivian D.","Jacques Gourgue","Alexandre Gregoire","Carlo Jean-Jacques, 1943-1990","L. Janvier","Lucner Lazard, 1928-1998","Charles Obas, 1927-","Hervé Télémaque, 1937-","Luce Turnier, 1924-1994","Favrange Valcin, 1947-","The collection is primarily in English but includes materials in French, Haitian Creole, and German."],"unitid_tesim":["AARLCC.2004.7","/repositories/2/resources/48"],"normalized_date_ssm":["1942-2020"],"normalized_title_ssm":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"collection_title_tesim":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"collection_ssim":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Vivian Davidson Hewitt donated the materials to the Broward County Library in memory of her husband, John H. Hewitt, Jr. in 2002 (Accession AARLCC-2004.7)."],"access_subjects_ssim":["African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"access_subjects_ssm":["African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"has_online_content_ssim":["false"],"extent_ssm":["4 Hollinger Boxes","14 Artwork","63 Books"],"extent_tesim":["4 Hollinger Boxes","14 Artwork","63 Books"],"genreform_ssim":["Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Vivian D. and John H. Hewitt Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/jandvhewitt/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives."],"bioghist_html_tesm":["\u003cp\u003eJohn Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.\u003c/p\u003e\n","\u003cp\u003eJohn Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.\u003c/p\u003e\n","\u003cp\u003eVivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.\u003c/p\u003e\n","\u003cp\u003eJohn and Vivian Hewitt had one son, John Hewitt III (1952-2022).\u003c/p\u003e\n","\u003cp\u003eThe Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.\u003c/p\u003e\n","\u003cp\u003eIn 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.\u003c/p\u003e\n","\u003cp\u003eIn 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["John Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.","John Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.","Vivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.","John and Vivian Hewitt had one son, John Hewitt III (1952-2022).","The Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.","In 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.","In 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\""],"prefercite_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection, African-American Research Library and Cultural Center Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Vivian D. and John H. Hewitt Collection, African-American Research Library and Cultural Center Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003eThe John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture."],"scopecontent_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Herv\u0026#xE9; T\u0026#xE9;l\u0026#xE9;maque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Gr\u0026#xE9;goire (1922-2001), and E. Paul.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Hervé Télémaque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Grégoire (1922-2001), and E. Paul.","The collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=HEW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eMaterials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Materials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f20256a848bf64fa36b26feb824aee7d\"\u003eThe Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti.\u003c/abstract\u003e"],"abstract_tesim":["The Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti."],"names_ssim":["AARLCC Special Collections","Hewitt, Vivian D.","Jacques Gourgue","Alexandre Gregoire","Carlo Jean-Jacques, 1943-1990","L. Janvier","Lucner Lazard, 1928-1998","Charles Obas, 1927-","Hervé Télémaque, 1937-","Luce Turnier, 1924-1994","Favrange Valcin, 1947-"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Hewitt, Vivian D."],"persname_ssim":["Hewitt, Vivian D.","Jacques Gourgue","Alexandre Gregoire","Carlo Jean-Jacques, 1943-1990","L. Janvier","Lucner Lazard, 1928-1998","Charles Obas, 1927-","Hervé Télémaque, 1937-","Luce Turnier, 1924-1994","Favrange Valcin, 1947-"],"language_ssim":["The collection is primarily in English but includes materials in French, Haitian Creole, and German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":157,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455832185470976,"_root_":"edc1f8792c912192f7c15d4d","timestamp":"2026-09-16T03:02:13.023Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"edc1f8792c912192f7c15d4d","title_filing_ssi":"Hewitt, Vivian D. and John H. Collection","title_ssm":["Vivian D. and John H. Hewitt Collection"],"title_tesim":["Vivian D. and John H. Hewitt Collection"],"ead_ssi":"edc1f8792c912192f7c15d4d","unitdate_ssm":["1942-2020"],"unitdate_inclusive_ssm":["1942-2020"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.7","/repositories/2/resources/48"],"text":["AARLCC.2004.7","/repositories/2/resources/48","Vivian D. and John H. Hewitt Collection, 1942-2020","African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art","The Vivian D. and John H. Hewitt Collection is open for research.","View a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives.","John Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.","John Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.","Vivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.","John and Vivian Hewitt had one son, John Hewitt III (1952-2022).","The Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.","In 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.","In 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\"","The Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture.","The Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Hervé Télémaque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Grégoire (1922-2001), and E. Paul.","The collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories.","Materials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\".","The Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti.","AARLCC Special Collections","Hewitt, Vivian D.","Jacques Gourgue","Alexandre Gregoire","Carlo Jean-Jacques, 1943-1990","L. Janvier","Lucner Lazard, 1928-1998","Charles Obas, 1927-","Hervé Télémaque, 1937-","Luce Turnier, 1924-1994","Favrange Valcin, 1947-","The collection is primarily in English but includes materials in French, Haitian Creole, and German."],"unitid_tesim":["AARLCC.2004.7","/repositories/2/resources/48"],"normalized_date_ssm":["1942-2020"],"normalized_title_ssm":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"collection_title_tesim":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"collection_ssim":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Vivian Davidson Hewitt donated the materials to the Broward County Library in memory of her husband, John H. Hewitt, Jr. in 2002 (Accession AARLCC-2004.7)."],"access_subjects_ssim":["African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"access_subjects_ssm":["African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"has_online_content_ssim":["false"],"extent_ssm":["4 Hollinger Boxes","14 Artwork","63 Books"],"extent_tesim":["4 Hollinger Boxes","14 Artwork","63 Books"],"genreform_ssim":["Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Vivian D. and John H. Hewitt Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/jandvhewitt/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives."],"bioghist_html_tesm":["\u003cp\u003eJohn Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.\u003c/p\u003e\n","\u003cp\u003eJohn Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.\u003c/p\u003e\n","\u003cp\u003eVivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.\u003c/p\u003e\n","\u003cp\u003eJohn and Vivian Hewitt had one son, John Hewitt III (1952-2022).\u003c/p\u003e\n","\u003cp\u003eThe Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.\u003c/p\u003e\n","\u003cp\u003eIn 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.\u003c/p\u003e\n","\u003cp\u003eIn 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["John Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.","John Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.","Vivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.","John and Vivian Hewitt had one son, John Hewitt III (1952-2022).","The Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.","In 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.","In 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\""],"prefercite_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection, African-American Research Library and Cultural Center Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Vivian D. and John H. Hewitt Collection, African-American Research Library and Cultural Center Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003eThe John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture."],"scopecontent_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Herv\u0026#xE9; T\u0026#xE9;l\u0026#xE9;maque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Gr\u0026#xE9;goire (1922-2001), and E. Paul.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Hervé Télémaque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Grégoire (1922-2001), and E. Paul.","The collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=HEW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eMaterials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Materials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f20256a848bf64fa36b26feb824aee7d\"\u003eThe Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti.\u003c/abstract\u003e"],"abstract_tesim":["The Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti."],"names_ssim":["AARLCC Special Collections","Hewitt, Vivian D.","Jacques Gourgue","Alexandre Gregoire","Carlo Jean-Jacques, 1943-1990","L. Janvier","Lucner Lazard, 1928-1998","Charles Obas, 1927-","Hervé Télémaque, 1937-","Luce Turnier, 1924-1994","Favrange Valcin, 1947-"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Hewitt, Vivian D."],"persname_ssim":["Hewitt, Vivian D.","Jacques Gourgue","Alexandre Gregoire","Carlo Jean-Jacques, 1943-1990","L. Janvier","Lucner Lazard, 1928-1998","Charles Obas, 1927-","Hervé Télémaque, 1937-","Luce Turnier, 1924-1994","Favrange Valcin, 1947-"],"language_ssim":["The collection is primarily in English but includes materials in French, Haitian Creole, and German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":157,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455832185470976,"_root_":"edc1f8792c912192f7c15d4d","timestamp":"2026-09-16T03:02:13.023Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/edc1f8792c912192f7c15d4d"}},{"id":"b03649dbf012a385a21c72cb","type":"collection","attributes":{"title":"Vivian Hess collection, 1939-1948, Date accessioned: 2019-07-10","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/b03649dbf012a385a21c72cb#creator","type":"document_value","attributes":{"value":["Hess, Vivian, 1933-"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/b03649dbf012a385a21c72cb#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection relates to Vivian Hess who as a youth lived at Camp Gordon Johnston, Carabelle, FL during World War II. Her father served as the postmaster for the base, and she recollects many important details about growing up on a military base. This collection includes an oral history interview transcript and audio taped interview of Vivian Hess.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b03649dbf012a385a21c72cb#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"b03649dbf012a385a21c72cb","title_filing_ssi":"Hess, Vivian collection","title_ssm":["Vivian Hess collection"],"title_tesim":["Vivian Hess collection"],"ead_ssi":"b03649dbf012a385a21c72cb","unitdate_ssm":["1939-1948","Date accessioned: 2019-07-10"],"unitdate_inclusive_ssm":["1939-1948"],"unitdate_other_ssim":["Date accessioned: 2019-07-10"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["19.0012","/repositories/10/resources/1441"],"text":["19.0012","/repositories/10/resources/1441","Vivian Hess collection, 1939-1948, Date accessioned: 2019-07-10","Tallahassee (Fla.)","World War, 1939-1945","Camp Gordon Johnston (Fla.)","World War, 1939-1945--Amphibious operations","World War, 1939-1945--Prisoners and prisons, German","Pearl Harbor (Hawaii), Attack on, 1941","This collection is open to all researchers.","Vivian Hess was born in 1933 in Tallahassee, FL. When she was eight years old, she moved with her family (mother and father) to Carrabelle, FL. Her father became the Postmaster at Camp Gordon Johnston. She remembered being excited about living on the beach, but she did not spend as much time there as she would have liked. She spent her time doing homework and interacting with soldiers and German POWs.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","This collection relates to Vivian Hess who as a youth lived at Camp Gordon Johnston, Carabelle, FL during World War II. Her father served as the postmaster for the base, and she recollects many important details about growing up on a military base. This collection includes an oral history interview transcript and audio taped interview of Vivian Hess.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Hess, Vivian, 1933-","English"],"unitid_tesim":["19.0012","/repositories/10/resources/1441"],"normalized_date_ssm":["1939-1948, Date accessioned: 2019-07-10"],"normalized_title_ssm":["Vivian Hess collection, 1939-1948, Date accessioned: 2019-07-10"],"collection_title_tesim":["Vivian Hess collection, 1939-1948, Date accessioned: 2019-07-10"],"collection_ssim":["Vivian Hess collection, 1939-1948, Date accessioned: 2019-07-10"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Tallahassee (Fla.)"],"geogname_ssim":["Tallahassee (Fla.)"],"creator_ssm":["Hess, Vivian, 1933-","Hess, Vivian, 1933-"],"creator_ssim":["Hess, Vivian, 1933-","Hess, Vivian, 1933-"],"creator_persname_ssim":["Hess, Vivian, 1933-","Hess, Vivian, 1933-"],"creators_ssim":["Hess, Vivian, 1933-","Hess, Vivian, 1933-"],"places_ssim":["Tallahassee (Fla.)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["World War, 1939-1945","Camp Gordon Johnston (Fla.)","World War, 1939-1945--Amphibious operations","World War, 1939-1945--Prisoners and prisons, German","Pearl Harbor (Hawaii), Attack on, 1941"],"access_subjects_ssm":["World War, 1939-1945","Camp Gordon Johnston (Fla.)","World War, 1939-1945--Amphibious operations","World War, 1939-1945--Prisoners and prisons, German","Pearl Harbor (Hawaii), Attack on, 1941"],"has_online_content_ssim":["false"],"extent_ssm":["1 folders"],"extent_tesim":["1 folders"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access Note"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eVivian Hess was born in 1933 in Tallahassee, FL. When she was eight years old, she moved with her family (mother and father) to Carrabelle, FL. Her father became the Postmaster at Camp Gordon Johnston. She remembered being excited about living on the beach, but she did not spend as much time there as she would have liked. She spent her time doing homework and interacting with soldiers and German POWs.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Vivian Hess was born in 1933 in Tallahassee, FL. When she was eight years old, she moved with her family (mother and father) to Carrabelle, FL. Her father became the Postmaster at Camp Gordon Johnston. She remembered being excited about living on the beach, but she did not spend as much time there as she would have liked. She spent her time doing homework and interacting with soldiers and German POWs."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Vivian Hess collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-19-2012\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Vivian Hess collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-19-2012"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Vivian Hess who as a youth lived at Camp Gordon Johnston, Carabelle, FL during World War II. Her father served as the postmaster for the base, and she recollects many important details about growing up on a military base. This collection includes an oral history interview transcript and audio taped interview of Vivian Hess.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection relates to Vivian Hess who as a youth lived at Camp Gordon Johnston, Carabelle, FL during World War II. Her father served as the postmaster for the base, and she recollects many important details about growing up on a military base. This collection includes an oral history interview transcript and audio taped interview of Vivian Hess."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use Note"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Hess, Vivian, 1933-"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Hess, Vivian, 1933-"],"persname_ssim":["Hess, Vivian, 1933-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"b03649dbf012a385a21c72cb","timestamp":"2026-04-21T05:17:53.256Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b03649dbf012a385a21c72cb","title_filing_ssi":"Hess, Vivian collection","title_ssm":["Vivian Hess collection"],"title_tesim":["Vivian Hess collection"],"ead_ssi":"b03649dbf012a385a21c72cb","unitdate_ssm":["1939-1948","Date accessioned: 2019-07-10"],"unitdate_inclusive_ssm":["1939-1948"],"unitdate_other_ssim":["Date accessioned: 2019-07-10"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["19.0012","/repositories/10/resources/1441"],"text":["19.0012","/repositories/10/resources/1441","Vivian Hess collection, 1939-1948, Date accessioned: 2019-07-10","Tallahassee (Fla.)","World War, 1939-1945","Camp Gordon Johnston (Fla.)","World War, 1939-1945--Amphibious operations","World War, 1939-1945--Prisoners and prisons, German","Pearl Harbor (Hawaii), Attack on, 1941","This collection is open to all researchers.","Vivian Hess was born in 1933 in Tallahassee, FL. When she was eight years old, she moved with her family (mother and father) to Carrabelle, FL. Her father became the Postmaster at Camp Gordon Johnston. She remembered being excited about living on the beach, but she did not spend as much time there as she would have liked. She spent her time doing homework and interacting with soldiers and German POWs.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","This collection relates to Vivian Hess who as a youth lived at Camp Gordon Johnston, Carabelle, FL during World War II. Her father served as the postmaster for the base, and she recollects many important details about growing up on a military base. This collection includes an oral history interview transcript and audio taped interview of Vivian Hess.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["World War, 1939-1945","Camp Gordon Johnston (Fla.)","World War, 1939-1945--Amphibious operations","World War, 1939-1945--Prisoners and prisons, German","Pearl Harbor (Hawaii), Attack on, 1941"],"access_subjects_ssm":["World War, 1939-1945","Camp Gordon Johnston (Fla.)","World War, 1939-1945--Amphibious operations","World War, 1939-1945--Prisoners and prisons, German","Pearl Harbor (Hawaii), Attack on, 1941"],"has_online_content_ssim":["false"],"extent_ssm":["1 folders"],"extent_tesim":["1 folders"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access Note"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eVivian Hess was born in 1933 in Tallahassee, FL. 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She spent her time doing homework and interacting with soldiers and German POWs."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Vivian Hess collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-19-2012\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Vivian Hess collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-19-2012"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Vivian Hess who as a youth lived at Camp Gordon Johnston, Carabelle, FL during World War II. Her father served as the postmaster for the base, and she recollects many important details about growing up on a military base. This collection includes an oral history interview transcript and audio taped interview of Vivian Hess.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection relates to Vivian Hess who as a youth lived at Camp Gordon Johnston, Carabelle, FL during World War II. Her father served as the postmaster for the base, and she recollects many important details about growing up on a military base. This collection includes an oral history interview transcript and audio taped interview of Vivian Hess."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Hess, Vivian, 1933-"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Hess, Vivian, 1933-"],"persname_ssim":["Hess, Vivian, 1933-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"b03649dbf012a385a21c72cb","timestamp":"2026-04-21T05:17:53.256Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b03649dbf012a385a21c72cb"}},{"id":"7dd5ae00149aa1b71016ca9e_aspace_239c15cf236c5fdeb498f798289ceb45","type":"File","attributes":{"title":"V-Mail/Airmail Stationery, Map, bulk 1944-1946","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/7dd5ae00149aa1b71016ca9e_aspace_239c15cf236c5fdeb498f798289ceb45#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains a military map of the United States as well as packages of V-Mail combination sheets and envelopes. Contained within a Service Airmail Stationery is a war ration book and a package of Air-Mail envelopes.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7dd5ae00149aa1b71016ca9e_aspace_239c15cf236c5fdeb498f798289ceb45#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_239c15cf236c5fdeb498f798289ceb45","ref_ssm":["aspace_239c15cf236c5fdeb498f798289ceb45","aspace_239c15cf236c5fdeb498f798289ceb45"],"id":"7dd5ae00149aa1b71016ca9e_aspace_239c15cf236c5fdeb498f798289ceb45","title_filing_ssi":"V-Mail/Airmail Stationery, Map","title_ssm":["V-Mail/Airmail Stationery, Map"],"title_tesim":["V-Mail/Airmail Stationery, Map"],"unitdate_bulk_ssim":["1944-1946"],"normalized_date_ssm":["bulk 1944-1946"],"normalized_title_ssm":["V-Mail/Airmail Stationery, Map, bulk 1944-1946"],"text":["V-Mail/Airmail Stationery, Map, bulk 1944-1946","Michael Amdahl collection, Date accessioned: 2012-04-03, bulk 1942-1948","005","/repositories/10/archival_objects/191478","12.0022 - Box 1","folder 05","This folder contains a military map of the United States as well as packages of V-Mail combination sheets and envelopes. 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Contained within a Service Airmail Stationery is a war ration book and a package of Air-Mail envelopes."],"_nest_path_":"/components#4","_nest_parent_":"7dd5ae00149aa1b71016ca9e","_root_":"7dd5ae00149aa1b71016ca9e","timestamp":"2026-07-08T06:38:44.642Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"7dd5ae00149aa1b71016ca9e","title_filing_ssi":"Amdahl, Michael collection","title_ssm":["Michael Amdahl collection"],"title_tesim":["Michael Amdahl collection"],"ead_ssi":"7dd5ae00149aa1b71016ca9e","unitdate_ssm":["1942-1948","Date accessioned: 2012-04-03"],"unitdate_bulk_ssim":["1942-1948"],"unitdate_other_ssim":["Date accessioned: 2012-04-03"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["12.0022","/repositories/10/resources/1857"],"text":["12.0022","/repositories/10/resources/1857","Michael Amdahl collection, Date accessioned: 2012-04-03, bulk 1942-1948","Oklahoma City (Okla.)","Oahu (Hawaii)","Pearl Harbor (Hawaii)","San Francisco (Calif.)","World War, ration point system","Los Angeles (Calif.)","Rhyl (Wales)","High Wycombe (England)","Dover (England)","Morris Field (N.C.)","Munich (Germany)","Cologne (Germany : Regierungsbezirk)","Hannover (Germany)","Bielefeld (Germany)","Ludwigshafen am Rhein (Germany)","Harburg (Hannover, Germany)","Schwäbisch Hall (Germany)","Minden (North Rhine-Westphalia, Germany)","World War, 1939-1945","World War, 1939-1945--England--London","Air mail service","World War, 1939-1945--France--Paris","Prisoners of war--Germany","World War, 1939-1945--Germany--Nuremberg","Aerial reconnaissance--United States","Leipzig (Germany)","Bremen (Germany)","Magdeburg (Germany)--History","V-mail","Aerial photographs","This collection is open to all researchers.","Michael Amdahl works at a Refuse Transfer Center and collects World War II material that has been thrown away by others. This collection contains a series of donations that Mr. Amdahl has made to the Institute. While a large portion of the donated materials were originally owned by Lieutenant Commander George John Tauxe, Amdahl's collection derives from several different people. The assorted nature of this collection and its sources give many insights into the personal experiences of the war throughout the world, the degree of damage to which cities and nature faced, and even the scopes to which American soldiers trained for combat and logistics.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","This collection includes miscellaneous materials collected from numerous sources by Michael Amdahl, a Refuse Transfer Center worker who collected and donated found materials over the course of many years. Included in this collection are a variety of graphic materials, letters, documents, magazines, and a book on the 13th Air Force. Also included are photographs depicting war-torn cities, soldier life, sea and air vessels, and scenery from around Europe.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Hollywood Canteen","United States. War Department. Citizens' Military Training Camps","Grand Teton National Park (Agency : U.S.)","War Activities Committee--Motion Picture Industry","Edgewood Arsenal (Md.). 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(George Churchill), 1889-1977","Lippincott, Benjamin E. (Benjamin Evans), 1902-"],"creator_ssim":["Amdahl, Michael","Kenney, George C. (George Churchill), 1889-1977","Lippincott, Benjamin E. (Benjamin Evans), 1902-"],"creator_persname_ssim":["Amdahl, Michael","Kenney, George C. (George Churchill), 1889-1977","Lippincott, Benjamin E. (Benjamin Evans), 1902-"],"creators_ssim":["Amdahl, Michael","Kenney, George C. (George Churchill), 1889-1977","Lippincott, Benjamin E. (Benjamin Evans), 1902-"],"places_ssim":["Oklahoma City (Okla.)","Oahu (Hawaii)","Pearl Harbor (Hawaii)","San Francisco (Calif.)","World War, ration point system","Los Angeles (Calif.)","Rhyl (Wales)","High Wycombe (England)","Dover (England)","Morris Field (N.C.)","Munich (Germany)","Cologne (Germany : Regierungsbezirk)","Hannover (Germany)","Bielefeld (Germany)","Ludwigshafen am Rhein (Germany)","Harburg (Hannover, Germany)","Schwäbisch Hall (Germany)","Minden (North Rhine-Westphalia, Germany)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["This collection was gifted by Michael Amdahl."],"access_subjects_ssim":["World War, 1939-1945","World War, 1939-1945--England--London","Air mail service","World War, 1939-1945--France--Paris","Prisoners of war--Germany","World War, 1939-1945--Germany--Nuremberg","Aerial reconnaissance--United States","Leipzig (Germany)","Bremen (Germany)","Magdeburg (Germany)--History","V-mail","Aerial photographs"],"access_subjects_ssm":["World War, 1939-1945","World War, 1939-1945--England--London","Air mail service","World War, 1939-1945--France--Paris","Prisoners of war--Germany","World War, 1939-1945--Germany--Nuremberg","Aerial reconnaissance--United States","Leipzig (Germany)","Bremen (Germany)","Magdeburg (Germany)--History","V-mail","Aerial photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet 2 half boxes"],"extent_tesim":["1 Linear Feet 2 half boxes"],"genreform_ssim":["V-mail","Aerial photographs"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eMichael Amdahl works at a Refuse Transfer Center and collects World War II material that has been thrown away by others. This collection contains a series of donations that Mr. Amdahl has made to the Institute. While a large portion of the donated materials were originally owned by Lieutenant Commander George John Tauxe, Amdahl's collection derives from several different people. The assorted nature of this collection and its sources give many insights into the personal experiences of the war throughout the world, the degree of damage to which cities and nature faced, and even the scopes to which American soldiers trained for combat and logistics.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Michael Amdahl works at a Refuse Transfer Center and collects World War II material that has been thrown away by others. This collection contains a series of donations that Mr. Amdahl has made to the Institute. While a large portion of the donated materials were originally owned by Lieutenant Commander George John Tauxe, Amdahl's collection derives from several different people. The assorted nature of this collection and its sources give many insights into the personal experiences of the war throughout the world, the degree of damage to which cities and nature faced, and even the scopes to which American soldiers trained for combat and logistics."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Michael Amdahl collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-12-2022\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Michael Amdahl collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-12-2022"],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes miscellaneous materials collected from numerous sources by Michael Amdahl, a Refuse Transfer Center worker who collected and donated found materials over the course of many years. 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Also included are photographs depicting war-torn cities, soldier life, sea and air vessels, and scenery from around Europe."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["Hollywood Canteen","United States. War Department. Citizens' Military Training Camps","Grand Teton National Park (Agency : U.S.)","War Activities Committee--Motion Picture Industry","Edgewood Arsenal (Md.). Chemical Warfare Center","Salesian Missions, Inc","Amdahl, Michael","Tauxe, George John, Lieutenant Commander","Garson, Greer, 1904-1996","Forrestal, James, 1892-1949"],"names_ssim":["FSU Special Collections \u0026 Archives","Hollywood Canteen","United States. War Department. Citizens' Military Training Camps","Grand Teton National Park (Agency : U.S.)","War Activities Committee--Motion Picture Industry","Edgewood Arsenal (Md.). Chemical Warfare Center","Salesian Missions, Inc","Amdahl, Michael","Kenney, George C. (George Churchill), 1889-1977","Lippincott, Benjamin E. (Benjamin Evans), 1902-","Tauxe, George John, Lieutenant Commander","Garson, Greer, 1904-1996","Forrestal, James, 1892-1949"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Hollywood Canteen","United States. War Department. Citizens' Military Training Camps","Grand Teton National Park (Agency : U.S.)","War Activities Committee--Motion Picture Industry","Edgewood Arsenal (Md.). Chemical Warfare Center","Salesian Missions, Inc"],"persname_ssim":["Amdahl, Michael","Kenney, George C. (George Churchill), 1889-1977","Lippincott, Benjamin E. (Benjamin Evans), 1902-","Tauxe, George John, Lieutenant Commander","Garson, Greer, 1904-1996","Forrestal, James, 1892-1949"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":22,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"7dd5ae00149aa1b71016ca9e","timestamp":"2026-07-08T06:38:44.642Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/7dd5ae00149aa1b71016ca9e_aspace_239c15cf236c5fdeb498f798289ceb45"}},{"id":"b5e5ea304e199c990da94015","type":"collection","attributes":{"title":"Vojtěch Kubašta Collection, 1937-2013","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/b5e5ea304e199c990da94015#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Vojtěch Kubašta Collection includes more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery. Vojtěch Kubašta (1914-1992) was a Czech paper engineer, children's book illustrator, and graphic designer. The Bienes Museum acquired the materials from various sources, and the collection also includes books and other research materials related to Kubašta's career. \u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=kubasta\u0026amp;qf=LOCATION%09Shelf+Location%091%3ABIENES%09Bienes+Museum+%7C%7C+1%3ASPEC-COLL%09Special+Collections\u0026amp;st=PD\" target=\"_blank\"\u003eBooks and items from this collection are searchable in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".\u003c/a\u003e\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b5e5ea304e199c990da94015#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"b5e5ea304e199c990da94015","title_filing_ssi":"Kubašta, Vojtěch Collection","title_ssm":["Vojtěch Kubašta Collection"],"title_tesim":["Vojtěch Kubašta Collection"],"ead_ssi":"b5e5ea304e199c990da94015","unitdate_ssm":["1937-2013"],"unitdate_inclusive_ssm":["1937-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BIENES.2003.2","/repositories/3/resources/312"],"text":["BIENES.2003.2","/repositories/3/resources/312","Vojtěch Kubašta Collection, 1937-2013","Vojtěch Kubašta was born in Vienna, Austria on October 7, 1914, but grew up, lived, and worked in Prague, Czechoslovakia. In 1933 he enrolled in the architecture program at Czech Polytechnic University in Prague (České vysoké učení technické v Praze, ČVUT). During his time there, he was one of four members of a group of students who called themselves the Quadrifoliacs, who collectively worked on many architectural projects together, winning many prizes, and also worked commercially. He graduated in 1938 with a degree in architecture and engineering, and continued working with the Quadrifoliacs on projects including the design of the Hotel Sykovec.","In addition to his studies at the Polytechnic University and work with the Quadrifoliacs, Kubašta started teaching at the Rotter School of Graphic Design around 1937 and for a local plastics manufacturer, Blaklax designing household objects and advertising materials, transitioning from working as an architect to a graphic designer. He began working on book dust jackets, exlibris, and other illustrations, and also designed puppet stage sets and puppet costumes. ","In 1941, Kubašta illustrated Joyful Stories for Children, written by Vlasta Burian, and Folk Tales of Africa, marking his turn towards another (and long-lasting) career in creating children's books. In the 1940s and early 1950s, he worked primarily with the publishers Aventium and Dolezal, but his illustrations appeared in many works printed by many presses. In 1953, he began illustrating for Artia, where between 1955 and 1965 he illustrated and paper engineered over 90 books. In the 1970s, he paper engineered and illustrated five movie-tie in books for Walt Disney, and also began authoring his own stories. ","In addition to numerous commercial designs, it is estimated that he was responsible for creating over 300 books and that millions of copies in numerous languages have been published and distributed throughout the world. Despite the financial stability that his career brought him, Kubašta continued to work up until his death on July 7, 1992.","The Bienes Museum of the Modern Book (at the time known as the Bienes Center for the Literary Arts) began a pop-up book exhibition series in 2002, and as a result started actively collecting the works of Vojtěch Kubašta in 2003. In 2005, the Bienes held the third exhibition in the series, Pop-up, Illustrated Books, and Graphic Design of Czech Artist and Paper Engineer, Vojtěch Kubašta (1914-1992). It featured 159 items by Kubašta selected from private and public collections. Assistance to the exhibit was offered by Ellen G.K. Rubin who, amongst her massive pop-up book collection,  held a comprehensive collection of Kubašta's books and artworks. Rubin also visited and interviewed Dagmar Kubaštova (Vojtěch Kubašta's daughter) in Sarnia, Ontario, Canada.","By 2012, the Bienes' collection of Kubašta items included more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery, which at the time was the largest public collection of his works in the United States.","Books and items from this collection were cataloged in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".","The Vojtěch Kubašta Collection includes more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery. Vojtěch Kubašta (1914-1992) was a Czech paper engineer, children's book illustrator, and graphic designer. The Bienes Museum acquired the materials from various sources, and the collection also includes books and other research materials related to Kubašta's career.  Books and items from this collection are searchable in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".","Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library","English"],"unitid_tesim":["BIENES.2003.2","/repositories/3/resources/312"],"normalized_date_ssm":["1937-2013"],"normalized_title_ssm":["Vojtěch Kubašta Collection, 1937-2013"],"collection_title_tesim":["Vojtěch Kubašta Collection, 1937-2013"],"collection_ssim":["Vojtěch Kubašta Collection, 1937-2013"],"repository_ssm":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"has_online_content_ssim":["false"],"extent_ssm":["315 Items"],"extent_tesim":["315 Items"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"bioghist_html_tesm":["\u003cp\u003eVojt\u0026#x11B;ch Kuba\u0026#x161;ta was born in Vienna, Austria on October 7, 1914, but grew up, lived, and worked in Prague, Czechoslovakia. In 1933 he enrolled in the architecture program at Czech Polytechnic University in Prague (\u0026#x10C;esk\u0026#xE9; vysok\u0026#xE9; u\u0026#x10D;en\u0026#xED; technick\u0026#xE9; v Praze, \u0026#x10C;VUT). During his time there, he was one of four members of a group of students who called themselves the Quadrifoliacs, who collectively worked on many architectural projects together, winning many prizes, and also worked commercially. He graduated in 1938 with a degree in architecture and engineering, and continued working with the Quadrifoliacs on projects including the design of the Hotel Sykovec.\u003c/p\u003e\n","\u003cp\u003eIn addition to his studies at the Polytechnic University and work with the Quadrifoliacs, Kuba\u0026#x161;ta started teaching at the Rotter School of Graphic Design around 1937 and for a local plastics manufacturer, Blaklax designing household objects and advertising materials, transitioning from working as an architect to a graphic designer. He began working on book dust jackets, exlibris, and other illustrations, and also designed puppet stage sets and puppet costumes. \u003c/p\u003e\n","\u003cp\u003eIn 1941, Kuba\u0026#x161;ta illustrated Joyful Stories for Children, written by Vlasta Burian, and Folk Tales of Africa, marking his turn towards another (and long-lasting) career in creating children's books. In the 1940s and early 1950s, he worked primarily with the publishers Aventium and Dolezal, but his illustrations appeared in many works printed by many presses. In 1953, he began illustrating for Artia, where between 1955 and 1965 he illustrated and paper engineered over 90 books. In the 1970s, he paper engineered and illustrated five movie-tie in books for Walt Disney, and also began authoring his own stories. \u003c/p\u003e\n","\u003cp\u003eIn addition to numerous commercial designs, it is estimated that he was responsible for creating over 300 books and that millions of copies in numerous languages have been published and distributed throughout the world. Despite the financial stability that his career brought him, Kuba\u0026#x161;ta continued to work up until his death on July 7, 1992.\u003c/p\u003e\n","\u003cp\u003eThe Bienes Museum of the Modern Book (at the time known as the Bienes Center for the Literary Arts) began a pop-up book exhibition series in 2002, and as a result started actively collecting the works of Vojt\u0026#x11B;ch Kuba\u0026#x161;ta in 2003. In 2005, the Bienes held the third exhibition in the series, Pop-up, Illustrated Books, and Graphic Design of Czech Artist and Paper Engineer, Vojt\u0026#x11B;ch Kuba\u0026#x161;ta (1914-1992). It featured 159 items by Kuba\u0026#x161;ta selected from private and public collections. Assistance to the exhibit was offered by Ellen G.K. Rubin who, amongst her massive pop-up book collection,  held a comprehensive collection of Kuba\u0026#x161;ta's books and artworks. Rubin also visited and interviewed Dagmar Kuba\u0026#x161;tova (Vojt\u0026#x11B;ch Kuba\u0026#x161;ta's daughter) in Sarnia, Ontario, Canada.\u003c/p\u003e\n","\u003cp\u003eBy 2012, the Bienes' collection of Kuba\u0026#x161;ta items included more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery, which at the time was the largest public collection of his works in the United States.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Vojtěch Kubašta was born in Vienna, Austria on October 7, 1914, but grew up, lived, and worked in Prague, Czechoslovakia. In 1933 he enrolled in the architecture program at Czech Polytechnic University in Prague (České vysoké učení technické v Praze, ČVUT). During his time there, he was one of four members of a group of students who called themselves the Quadrifoliacs, who collectively worked on many architectural projects together, winning many prizes, and also worked commercially. He graduated in 1938 with a degree in architecture and engineering, and continued working with the Quadrifoliacs on projects including the design of the Hotel Sykovec.","In addition to his studies at the Polytechnic University and work with the Quadrifoliacs, Kubašta started teaching at the Rotter School of Graphic Design around 1937 and for a local plastics manufacturer, Blaklax designing household objects and advertising materials, transitioning from working as an architect to a graphic designer. He began working on book dust jackets, exlibris, and other illustrations, and also designed puppet stage sets and puppet costumes. ","In 1941, Kubašta illustrated Joyful Stories for Children, written by Vlasta Burian, and Folk Tales of Africa, marking his turn towards another (and long-lasting) career in creating children's books. In the 1940s and early 1950s, he worked primarily with the publishers Aventium and Dolezal, but his illustrations appeared in many works printed by many presses. In 1953, he began illustrating for Artia, where between 1955 and 1965 he illustrated and paper engineered over 90 books. In the 1970s, he paper engineered and illustrated five movie-tie in books for Walt Disney, and also began authoring his own stories. ","In addition to numerous commercial designs, it is estimated that he was responsible for creating over 300 books and that millions of copies in numerous languages have been published and distributed throughout the world. Despite the financial stability that his career brought him, Kubašta continued to work up until his death on July 7, 1992.","The Bienes Museum of the Modern Book (at the time known as the Bienes Center for the Literary Arts) began a pop-up book exhibition series in 2002, and as a result started actively collecting the works of Vojtěch Kubašta in 2003. In 2005, the Bienes held the third exhibition in the series, Pop-up, Illustrated Books, and Graphic Design of Czech Artist and Paper Engineer, Vojtěch Kubašta (1914-1992). It featured 159 items by Kubašta selected from private and public collections. Assistance to the exhibit was offered by Ellen G.K. Rubin who, amongst her massive pop-up book collection,  held a comprehensive collection of Kubašta's books and artworks. Rubin also visited and interviewed Dagmar Kubaštova (Vojtěch Kubašta's daughter) in Sarnia, Ontario, Canada.","By 2012, the Bienes' collection of Kubašta items included more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery, which at the time was the largest public collection of his works in the United States."],"processinfo_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=kubasta\u0026amp;qf=LOCATION%09Shelf+Location%091%3ABIENES%09Bienes+Museum+%7C%7C+1%3ASPEC-COLL%09Special+Collections\u0026amp;st=PD\" target=\"_blank\"\u003eBooks and items from this collection were cataloged in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".\u003c/a\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Access the Books"],"processinfo_tesim":["Books and items from this collection were cataloged in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\"."],"scopecontent_html_tesm":["\u003cp\u003eThe Vojt\u0026#x11B;ch Kuba\u0026#x161;ta Collection includes more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery. Vojt\u0026#x11B;ch Kuba\u0026#x161;ta (1914-1992) was a Czech paper engineer, children's book illustrator, and graphic designer. The Bienes Museum acquired the materials from various sources, and the collection also includes books and other research materials related to Kuba\u0026#x161;ta's career. \u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=kubasta\u0026amp;qf=LOCATION%09Shelf+Location%091%3ABIENES%09Bienes+Museum+%7C%7C+1%3ASPEC-COLL%09Special+Collections\u0026amp;st=PD\" target=\"_blank\"\u003eBooks and items from this collection are searchable in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".\u003c/a\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Vojtěch Kubašta Collection includes more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery. Vojtěch Kubašta (1914-1992) was a Czech paper engineer, children's book illustrator, and graphic designer. The Bienes Museum acquired the materials from various sources, and the collection also includes books and other research materials related to Kubašta's career.  Books and items from this collection are searchable in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\"."],"names_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"corpname_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870839696693657600,"_root_":"b5e5ea304e199c990da94015","timestamp":"2026-07-16T03:16:08.850Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b5e5ea304e199c990da94015","title_filing_ssi":"Kubašta, Vojtěch Collection","title_ssm":["Vojtěch Kubašta Collection"],"title_tesim":["Vojtěch Kubašta Collection"],"ead_ssi":"b5e5ea304e199c990da94015","unitdate_ssm":["1937-2013"],"unitdate_inclusive_ssm":["1937-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BIENES.2003.2","/repositories/3/resources/312"],"text":["BIENES.2003.2","/repositories/3/resources/312","Vojtěch Kubašta Collection, 1937-2013","Vojtěch Kubašta was born in Vienna, Austria on October 7, 1914, but grew up, lived, and worked in Prague, Czechoslovakia. In 1933 he enrolled in the architecture program at Czech Polytechnic University in Prague (České vysoké učení technické v Praze, ČVUT). During his time there, he was one of four members of a group of students who called themselves the Quadrifoliacs, who collectively worked on many architectural projects together, winning many prizes, and also worked commercially. He graduated in 1938 with a degree in architecture and engineering, and continued working with the Quadrifoliacs on projects including the design of the Hotel Sykovec.","In addition to his studies at the Polytechnic University and work with the Quadrifoliacs, Kubašta started teaching at the Rotter School of Graphic Design around 1937 and for a local plastics manufacturer, Blaklax designing household objects and advertising materials, transitioning from working as an architect to a graphic designer. He began working on book dust jackets, exlibris, and other illustrations, and also designed puppet stage sets and puppet costumes. ","In 1941, Kubašta illustrated Joyful Stories for Children, written by Vlasta Burian, and Folk Tales of Africa, marking his turn towards another (and long-lasting) career in creating children's books. In the 1940s and early 1950s, he worked primarily with the publishers Aventium and Dolezal, but his illustrations appeared in many works printed by many presses. In 1953, he began illustrating for Artia, where between 1955 and 1965 he illustrated and paper engineered over 90 books. In the 1970s, he paper engineered and illustrated five movie-tie in books for Walt Disney, and also began authoring his own stories. ","In addition to numerous commercial designs, it is estimated that he was responsible for creating over 300 books and that millions of copies in numerous languages have been published and distributed throughout the world. Despite the financial stability that his career brought him, Kubašta continued to work up until his death on July 7, 1992.","The Bienes Museum of the Modern Book (at the time known as the Bienes Center for the Literary Arts) began a pop-up book exhibition series in 2002, and as a result started actively collecting the works of Vojtěch Kubašta in 2003. In 2005, the Bienes held the third exhibition in the series, Pop-up, Illustrated Books, and Graphic Design of Czech Artist and Paper Engineer, Vojtěch Kubašta (1914-1992). It featured 159 items by Kubašta selected from private and public collections. Assistance to the exhibit was offered by Ellen G.K. Rubin who, amongst her massive pop-up book collection,  held a comprehensive collection of Kubašta's books and artworks. Rubin also visited and interviewed Dagmar Kubaštova (Vojtěch Kubašta's daughter) in Sarnia, Ontario, Canada.","By 2012, the Bienes' collection of Kubašta items included more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery, which at the time was the largest public collection of his works in the United States.","Books and items from this collection were cataloged in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".","The Vojtěch Kubašta Collection includes more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery. Vojtěch Kubašta (1914-1992) was a Czech paper engineer, children's book illustrator, and graphic designer. The Bienes Museum acquired the materials from various sources, and the collection also includes books and other research materials related to Kubašta's career.  Books and items from this collection are searchable in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".","Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library","English"],"unitid_tesim":["BIENES.2003.2","/repositories/3/resources/312"],"normalized_date_ssm":["1937-2013"],"normalized_title_ssm":["Vojtěch Kubašta Collection, 1937-2013"],"collection_title_tesim":["Vojtěch Kubašta Collection, 1937-2013"],"collection_ssim":["Vojtěch Kubašta Collection, 1937-2013"],"repository_ssm":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"has_online_content_ssim":["false"],"extent_ssm":["315 Items"],"extent_tesim":["315 Items"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"bioghist_html_tesm":["\u003cp\u003eVojt\u0026#x11B;ch Kuba\u0026#x161;ta was born in Vienna, Austria on October 7, 1914, but grew up, lived, and worked in Prague, Czechoslovakia. In 1933 he enrolled in the architecture program at Czech Polytechnic University in Prague (\u0026#x10C;esk\u0026#xE9; vysok\u0026#xE9; u\u0026#x10D;en\u0026#xED; technick\u0026#xE9; v Praze, \u0026#x10C;VUT). During his time there, he was one of four members of a group of students who called themselves the Quadrifoliacs, who collectively worked on many architectural projects together, winning many prizes, and also worked commercially. He graduated in 1938 with a degree in architecture and engineering, and continued working with the Quadrifoliacs on projects including the design of the Hotel Sykovec.\u003c/p\u003e\n","\u003cp\u003eIn addition to his studies at the Polytechnic University and work with the Quadrifoliacs, Kuba\u0026#x161;ta started teaching at the Rotter School of Graphic Design around 1937 and for a local plastics manufacturer, Blaklax designing household objects and advertising materials, transitioning from working as an architect to a graphic designer. He began working on book dust jackets, exlibris, and other illustrations, and also designed puppet stage sets and puppet costumes. \u003c/p\u003e\n","\u003cp\u003eIn 1941, Kuba\u0026#x161;ta illustrated Joyful Stories for Children, written by Vlasta Burian, and Folk Tales of Africa, marking his turn towards another (and long-lasting) career in creating children's books. In the 1940s and early 1950s, he worked primarily with the publishers Aventium and Dolezal, but his illustrations appeared in many works printed by many presses. In 1953, he began illustrating for Artia, where between 1955 and 1965 he illustrated and paper engineered over 90 books. In the 1970s, he paper engineered and illustrated five movie-tie in books for Walt Disney, and also began authoring his own stories. \u003c/p\u003e\n","\u003cp\u003eIn addition to numerous commercial designs, it is estimated that he was responsible for creating over 300 books and that millions of copies in numerous languages have been published and distributed throughout the world. Despite the financial stability that his career brought him, Kuba\u0026#x161;ta continued to work up until his death on July 7, 1992.\u003c/p\u003e\n","\u003cp\u003eThe Bienes Museum of the Modern Book (at the time known as the Bienes Center for the Literary Arts) began a pop-up book exhibition series in 2002, and as a result started actively collecting the works of Vojt\u0026#x11B;ch Kuba\u0026#x161;ta in 2003. In 2005, the Bienes held the third exhibition in the series, Pop-up, Illustrated Books, and Graphic Design of Czech Artist and Paper Engineer, Vojt\u0026#x11B;ch Kuba\u0026#x161;ta (1914-1992). It featured 159 items by Kuba\u0026#x161;ta selected from private and public collections. Assistance to the exhibit was offered by Ellen G.K. Rubin who, amongst her massive pop-up book collection,  held a comprehensive collection of Kuba\u0026#x161;ta's books and artworks. Rubin also visited and interviewed Dagmar Kuba\u0026#x161;tova (Vojt\u0026#x11B;ch Kuba\u0026#x161;ta's daughter) in Sarnia, Ontario, Canada.\u003c/p\u003e\n","\u003cp\u003eBy 2012, the Bienes' collection of Kuba\u0026#x161;ta items included more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery, which at the time was the largest public collection of his works in the United States.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Vojtěch Kubašta was born in Vienna, Austria on October 7, 1914, but grew up, lived, and worked in Prague, Czechoslovakia. In 1933 he enrolled in the architecture program at Czech Polytechnic University in Prague (České vysoké učení technické v Praze, ČVUT). During his time there, he was one of four members of a group of students who called themselves the Quadrifoliacs, who collectively worked on many architectural projects together, winning many prizes, and also worked commercially. He graduated in 1938 with a degree in architecture and engineering, and continued working with the Quadrifoliacs on projects including the design of the Hotel Sykovec.","In addition to his studies at the Polytechnic University and work with the Quadrifoliacs, Kubašta started teaching at the Rotter School of Graphic Design around 1937 and for a local plastics manufacturer, Blaklax designing household objects and advertising materials, transitioning from working as an architect to a graphic designer. He began working on book dust jackets, exlibris, and other illustrations, and also designed puppet stage sets and puppet costumes. ","In 1941, Kubašta illustrated Joyful Stories for Children, written by Vlasta Burian, and Folk Tales of Africa, marking his turn towards another (and long-lasting) career in creating children's books. In the 1940s and early 1950s, he worked primarily with the publishers Aventium and Dolezal, but his illustrations appeared in many works printed by many presses. In 1953, he began illustrating for Artia, where between 1955 and 1965 he illustrated and paper engineered over 90 books. In the 1970s, he paper engineered and illustrated five movie-tie in books for Walt Disney, and also began authoring his own stories. ","In addition to numerous commercial designs, it is estimated that he was responsible for creating over 300 books and that millions of copies in numerous languages have been published and distributed throughout the world. Despite the financial stability that his career brought him, Kubašta continued to work up until his death on July 7, 1992.","The Bienes Museum of the Modern Book (at the time known as the Bienes Center for the Literary Arts) began a pop-up book exhibition series in 2002, and as a result started actively collecting the works of Vojtěch Kubašta in 2003. In 2005, the Bienes held the third exhibition in the series, Pop-up, Illustrated Books, and Graphic Design of Czech Artist and Paper Engineer, Vojtěch Kubašta (1914-1992). It featured 159 items by Kubašta selected from private and public collections. Assistance to the exhibit was offered by Ellen G.K. Rubin who, amongst her massive pop-up book collection,  held a comprehensive collection of Kubašta's books and artworks. Rubin also visited and interviewed Dagmar Kubaštova (Vojtěch Kubašta's daughter) in Sarnia, Ontario, Canada.","By 2012, the Bienes' collection of Kubašta items included more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery, which at the time was the largest public collection of his works in the United States."],"processinfo_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=kubasta\u0026amp;qf=LOCATION%09Shelf+Location%091%3ABIENES%09Bienes+Museum+%7C%7C+1%3ASPEC-COLL%09Special+Collections\u0026amp;st=PD\" target=\"_blank\"\u003eBooks and items from this collection were cataloged in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".\u003c/a\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Access the Books"],"processinfo_tesim":["Books and items from this collection were cataloged in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\"."],"scopecontent_html_tesm":["\u003cp\u003eThe Vojt\u0026#x11B;ch Kuba\u0026#x161;ta Collection includes more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery. Vojt\u0026#x11B;ch Kuba\u0026#x161;ta (1914-1992) was a Czech paper engineer, children's book illustrator, and graphic designer. The Bienes Museum acquired the materials from various sources, and the collection also includes books and other research materials related to Kuba\u0026#x161;ta's career. \u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=kubasta\u0026amp;qf=LOCATION%09Shelf+Location%091%3ABIENES%09Bienes+Museum+%7C%7C+1%3ASPEC-COLL%09Special+Collections\u0026amp;st=PD\" target=\"_blank\"\u003eBooks and items from this collection are searchable in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".\u003c/a\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Vojtěch Kubašta Collection includes more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery. Vojtěch Kubašta (1914-1992) was a Czech paper engineer, children's book illustrator, and graphic designer. The Bienes Museum acquired the materials from various sources, and the collection also includes books and other research materials related to Kubašta's career.  Books and items from this collection are searchable in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\"."],"names_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"corpname_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870839696693657600,"_root_":"b5e5ea304e199c990da94015","timestamp":"2026-07-16T03:16:08.850Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b5e5ea304e199c990da94015"}},{"id":"ecca01fedbc791574a9bb307_aspace_221049","type":"File","attributes":{"title":"Volume 2, 1943 - 1948","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/ecca01fedbc791574a9bb307_aspace_221049#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains copies of scanned photographs of servicemen killed in action or missing in action during World War II as well as a photograph of their accompanying American orphan children and in some instances their wives. The names of the service men in this volume include: 1LT George K. Patten, Private Harry V. Graber, 2LT Donovan A. Lukehart, PVT Maximiliano S. Ramirez, Captain Murrell Heap, Commander Austin Behan, PVT Richardo de Lama y Martin, CPL Edward S. Newson, S/SGT George J. Le Comte, S/SGT Donald Boettcher, Captain Karl O. Holliday, PVT Cosimo Dolcimaseolo, PVT James Duke, 2LT John Eisenhauer, 2LT James Dixon, TEC5 Howard W. Smith, Chief Steward Fred Stover, PVT James Shields, Jr., PVT Vincent Crough, 2LT George R. Francis, 2LT Robert Meek, Captain Edward Peters, Jr., Morris L. Thomas, PFC Leonard Link, PVT Edgar Tiemann, 1LT Merritt Miller, PFC Gordon Dexter, PVT Joseph S. Gately, Chief Quarteraster Valleon Sylvester, 2LT Edmund Roberts, Jr., CPL Jasper Mathis, PVT Frank Smith, 1LT Charles Hopkins, Jr., 1LT Newton Blackford, David Baird Finch, Captain Earl Jackson PVT James Bigger, PVT Tony Lazio, PVT Teddy Jones, SGT William T. Mann, 1LT Romain Hollis, Captain Loreen Nelson, 2LT Raymond Fry, Jr., S/SGT Daniel Geis, PVT Myer Epstein, PFC Paul Fraesco, PVT Kenneth Gilbert, T/5 Cameron Isaacson, CPL William Myers, Jr., LT Colonel Rufus Rogers, PVT Arlo Goebel, PFC Fred J. Wise, PFC Alousius Stanek, PVT John D. Roy, PFC Joseph M. Paskey.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ecca01fedbc791574a9bb307_aspace_221049#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_221049","ref_ssm":["aspace_221049","aspace_221049"],"id":"ecca01fedbc791574a9bb307_aspace_221049","title_filing_ssi":"Volume 2","title_ssm":["Volume 2"],"title_tesim":["Volume 2"],"unitdate_inclusive_ssm":["1943 - 1948"],"normalized_date_ssm":["1943 - 1948"],"normalized_title_ssm":["Volume 2, 1943 - 1948"],"text":["Volume 2, 1943 - 1948","Patricia Gaffney-Kindig collection, 1942-1977, Date accessioned: 2018-05-29, bulk 1942-1948","Folder 2","/repositories/10/archival_objects/33594","18.0018 - Box 1","folder 002","This folder contains copies of scanned photographs of servicemen killed in action or missing in action during World War II as well as a photograph of their accompanying American orphan children and in some instances their wives.  The names of the service men in this volume include: 1LT George K. Patten, Private Harry V. Graber, 2LT Donovan A. Lukehart, PVT Maximiliano S. Ramirez, Captain Murrell Heap, Commander Austin Behan, PVT Richardo de Lama y Martin, CPL Edward S. Newson, S/SGT George J. Le Comte, S/SGT Donald Boettcher, Captain Karl O. Holliday, PVT Cosimo Dolcimaseolo, PVT James Duke, 2LT John Eisenhauer, 2LT James Dixon, TEC5 Howard W. Smith, Chief Steward Fred Stover, PVT James Shields, Jr., PVT Vincent Crough, 2LT George R. Francis, 2LT Robert Meek, Captain Edward Peters, Jr., Morris L. Thomas, PFC Leonard Link, PVT Edgar Tiemann, 1LT Merritt Miller, PFC Gordon Dexter, PVT Joseph S. Gately, Chief Quarteraster Valleon Sylvester, 2LT Edmund Roberts, Jr., CPL Jasper Mathis, PVT Frank Smith, 1LT Charles Hopkins, Jr., 1LT Newton Blackford,  David Baird Finch, Captain Earl Jackson PVT James Bigger, PVT Tony Lazio, PVT Teddy Jones, SGT William T. Mann, 1LT Romain Hollis, Captain Loreen Nelson, 2LT Raymond Fry, Jr., S/SGT Daniel Geis, PVT Myer Epstein, PFC Paul Fraesco, PVT Kenneth Gilbert, T/5 Cameron Isaacson, CPL William Myers, Jr., LT Colonel Rufus Rogers, PVT Arlo Goebel, PFC Fred J. Wise, PFC Alousius Stanek, PVT John D. Roy, PFC Joseph M. Paskey."],"component_level_isim":[1],"parent_ids_ssim":["ecca01fedbc791574a9bb307"],"parent_unittitles_ssm":["Patricia Gaffney-Kindig collection, 1942-1977, Date accessioned: 2018-05-29, bulk 1942-1948"],"parent_unittitles_tesim":["Patricia Gaffney-Kindig collection, 1942-1977, Date accessioned: 2018-05-29, bulk 1942-1948"],"parent_levels_ssm":["collection"],"unitid_ssm":["Folder 2","/repositories/10/archival_objects/33594"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Patricia Gaffney-Kindig collection, 1942-1977, Date accessioned: 2018-05-29, bulk 1942-1948"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"date_range_isim":[1943,1944,1945,1946,1947,1948],"containers_ssim":["18.0018 - Box 1","folder 002"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains copies of scanned photographs of servicemen killed in action or missing in action during World War II as well as a photograph of their accompanying American orphan children and in some instances their wives.  The names of the service men in this volume include: 1LT George K. Patten, Private Harry V. Graber, 2LT Donovan A. Lukehart, PVT Maximiliano S. Ramirez, Captain Murrell Heap, Commander Austin Behan, PVT Richardo de Lama y Martin, CPL Edward S. Newson, S/SGT George J. Le Comte, S/SGT Donald Boettcher, Captain Karl O. Holliday, PVT Cosimo Dolcimaseolo, PVT James Duke, 2LT John Eisenhauer, 2LT James Dixon, TEC5 Howard W. Smith, Chief Steward Fred Stover, PVT James Shields, Jr., PVT Vincent Crough, 2LT George R. Francis, 2LT Robert Meek, Captain Edward Peters, Jr., Morris L. Thomas, PFC Leonard Link, PVT Edgar Tiemann, 1LT Merritt Miller, PFC Gordon Dexter, PVT Joseph S. Gately, Chief Quarteraster Valleon Sylvester, 2LT Edmund Roberts, Jr., CPL Jasper Mathis, PVT Frank Smith, 1LT Charles Hopkins, Jr., 1LT Newton Blackford,  David Baird Finch, Captain Earl Jackson PVT James Bigger, PVT Tony Lazio, PVT Teddy Jones, SGT William T. Mann, 1LT Romain Hollis, Captain Loreen Nelson, 2LT Raymond Fry, Jr., S/SGT Daniel Geis, PVT Myer Epstein, PFC Paul Fraesco, PVT Kenneth Gilbert, T/5 Cameron Isaacson, CPL William Myers, Jr., LT Colonel Rufus Rogers, PVT Arlo Goebel, PFC Fred J. Wise, PFC Alousius Stanek, PVT John D. Roy, PFC Joseph M. Paskey.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains copies of scanned photographs of servicemen killed in action or missing in action during World War II as well as a photograph of their accompanying American orphan children and in some instances their wives.  The names of the service men in this volume include: 1LT George K. Patten, Private Harry V. Graber, 2LT Donovan A. Lukehart, PVT Maximiliano S. Ramirez, Captain Murrell Heap, Commander Austin Behan, PVT Richardo de Lama y Martin, CPL Edward S. Newson, S/SGT George J. Le Comte, S/SGT Donald Boettcher, Captain Karl O. Holliday, PVT Cosimo Dolcimaseolo, PVT James Duke, 2LT John Eisenhauer, 2LT James Dixon, TEC5 Howard W. Smith, Chief Steward Fred Stover, PVT James Shields, Jr., PVT Vincent Crough, 2LT George R. Francis, 2LT Robert Meek, Captain Edward Peters, Jr., Morris L. Thomas, PFC Leonard Link, PVT Edgar Tiemann, 1LT Merritt Miller, PFC Gordon Dexter, PVT Joseph S. Gately, Chief Quarteraster Valleon Sylvester, 2LT Edmund Roberts, Jr., CPL Jasper Mathis, PVT Frank Smith, 1LT Charles Hopkins, Jr., 1LT Newton Blackford,  David Baird Finch, Captain Earl Jackson PVT James Bigger, PVT Tony Lazio, PVT Teddy Jones, SGT William T. Mann, 1LT Romain Hollis, Captain Loreen Nelson, 2LT Raymond Fry, Jr., S/SGT Daniel Geis, PVT Myer Epstein, PFC Paul Fraesco, PVT Kenneth Gilbert, T/5 Cameron Isaacson, CPL William Myers, Jr., LT Colonel Rufus Rogers, PVT Arlo Goebel, PFC Fred J. Wise, PFC Alousius Stanek, PVT John D. Roy, PFC Joseph M. 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Army. 41st. Fighter Squadron, 35th Fighter Group","This collection is open to all researchers.","Patricia Gaffney-Kindig's father, 2LT George Philip Gaffney, Jr., was declared missing in action in 1944, at the of age 23, when his P47 Thunderbolt was lost in New Guinea.  His daughter was born three months later. Gaffney was flying cover on a bombing mission to Wewak with the 41st Fighter Squadron, 35th Fighter Group, 5th Army Air Force. Fifty-five years later, in 1999, his remains were located by Alfred Hagen at a crash site in the Finisterre mountains, as a result of Patricia's journey to New Guinea and initiation of a search which ultimately yielded the remains and repatriation of thirteen men, including Major Earl Kindig whose son Michael met and married Patricia as a result of this discovery. ","Patricia served as president of the American WWII Orphans Network (AWON) for five years. AWON was founded in 1991 by Ann Bennett Mix, a WWII orphan who wanted to find others whose fathers had died during World War II. ","During Patricia's tenure, in 2004, she shepherded the involvement of AWON in the dedication of the National WWII Memorial in Washington, D.C.  Among many accomplishments, she created four volumes of \"Our Fathers, Portraits of Men Who Died in WWII and the Children Who Love Them\" over a period of fifteen years. Two hundred fathers and their children are included. ","Patricia is a visual artist and retired educator.  As a member of AWON, she saw a need to express the yearning that exists for orphans, such as herself, to have a connection with the fathers most of them never knew.  Few have photographs with their fathers.  These albums allow that togetherness for a brief moment.\n \nNote written by Patricia Gaffney-Kindig","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","The Patricia Gaffney-Kindig collection contains two hundred scanned photograph copies of American servicemen during World War II who were killed in action as well as an accompanying photograph of their American orphan children and some include their wife.  Most of the children grew up never knowing their father who was killed or missing in the line of duty. Information provided for each serviceman includes name, rank, branch of service, and killed in action (KIA) or missing in action (MIA). ","The children in these four albums are grown up now, are or were members of the American WWII Orphans Network (AWON) which is how Patricia was able to obtain many of these photographs. The AWON was established in 1991.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","United States. Army Air Forces. Fighter Group, 35th","American WWII Orphans Network","Gaffney-Kindig, Patricia","English"],"unitid_tesim":["18.0018","/repositories/10/resources/170"],"normalized_date_ssm":["1942-1977, Date accessioned: 2018-05-29, bulk 1942-1948"],"normalized_title_ssm":["Patricia Gaffney-Kindig collection, 1942-1977, Date accessioned: 2018-05-29, bulk 1942-1948"],"collection_title_tesim":["Patricia Gaffney-Kindig collection, 1942-1977, Date accessioned: 2018-05-29, bulk 1942-1948"],"collection_ssim":["Patricia Gaffney-Kindig collection, 1942-1977, Date accessioned: 2018-05-29, bulk 1942-1948"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Gaffney-Kindig, Patricia"],"creator_ssim":["Gaffney-Kindig, Patricia"],"creator_persname_ssim":["Gaffney-Kindig, Patricia"],"creators_ssim":["Gaffney-Kindig, Patricia"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Patricia Gaffney-Kindig","Donation"],"access_subjects_ssim":["Children of war casualties--United States","War casualites--United States","World War, 1939-1945--Children--United States","American WWII Orphans Network--History","World War, 1939-1945--Campaigns--New Guinea","United States. Army. 41st. Fighter Squadron, 35th Fighter Group"],"access_subjects_ssm":["Children of war casualties--United States","War casualites--United States","World War, 1939-1945--Children--United States","American WWII Orphans Network--History","World War, 1939-1945--Campaigns--New Guinea","United States. Army. 41st. Fighter Squadron, 35th Fighter Group"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet 2 half boxes"],"extent_tesim":["1 Linear Feet 2 half boxes"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003ePatricia Gaffney-Kindig's father, 2LT George Philip Gaffney, Jr., was declared missing in action in 1944, at the of age 23, when his P47 Thunderbolt was lost in New Guinea.  His daughter was born three months later. Gaffney was flying cover on a bombing mission to Wewak with the 41st Fighter Squadron, 35th Fighter Group, 5th Army Air Force. Fifty-five years later, in 1999, his remains were located by Alfred Hagen at a crash site in the Finisterre mountains, as a result of Patricia's journey to New Guinea and initiation of a search which ultimately yielded the remains and repatriation of thirteen men, including Major Earl Kindig whose son Michael met and married Patricia as a result of this discovery. \u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003ePatricia served as president of the American WWII Orphans Network (AWON) for five years. AWON was founded in 1991 by Ann Bennett Mix, a WWII orphan who wanted to find others whose fathers had died during World War II. \u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eDuring Patricia's tenure, in 2004, she shepherded the involvement of AWON in the dedication of the National WWII Memorial in Washington, D.C.  Among many accomplishments, she created four volumes of \"Our Fathers, Portraits of Men Who Died in WWII and the Children Who Love Them\" over a period of fifteen years. Two hundred fathers and their children are included. \u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003ePatricia is a visual artist and retired educator.  As a member of AWON, she saw a need to express the yearning that exists for orphans, such as herself, to have a connection with the fathers most of them never knew.  Few have photographs with their fathers.  These albums allow that togetherness for a brief moment.\n\u003cbr\u003e\u003cbr\u003e\nNote written by Patricia Gaffney-Kindig\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Patricia Gaffney-Kindig's father, 2LT George Philip Gaffney, Jr., was declared missing in action in 1944, at the of age 23, when his P47 Thunderbolt was lost in New Guinea.  His daughter was born three months later. Gaffney was flying cover on a bombing mission to Wewak with the 41st Fighter Squadron, 35th Fighter Group, 5th Army Air Force. Fifty-five years later, in 1999, his remains were located by Alfred Hagen at a crash site in the Finisterre mountains, as a result of Patricia's journey to New Guinea and initiation of a search which ultimately yielded the remains and repatriation of thirteen men, including Major Earl Kindig whose son Michael met and married Patricia as a result of this discovery. ","Patricia served as president of the American WWII Orphans Network (AWON) for five years. AWON was founded in 1991 by Ann Bennett Mix, a WWII orphan who wanted to find others whose fathers had died during World War II. ","During Patricia's tenure, in 2004, she shepherded the involvement of AWON in the dedication of the National WWII Memorial in Washington, D.C.  Among many accomplishments, she created four volumes of \"Our Fathers, Portraits of Men Who Died in WWII and the Children Who Love Them\" over a period of fifteen years. Two hundred fathers and their children are included. ","Patricia is a visual artist and retired educator.  As a member of AWON, she saw a need to express the yearning that exists for orphans, such as herself, to have a connection with the fathers most of them never knew.  Few have photographs with their fathers.  These albums allow that togetherness for a brief moment.\n \nNote written by Patricia Gaffney-Kindig"],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Patricia Gaffney-Kindig collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_18_0018\"\u003ehttp://purl.fcla.edu/fsu/WWII_18_0018\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Patricia Gaffney-Kindig collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_18_0018 ."],"scopecontent_html_tesm":["\u003cp\u003eThe Patricia Gaffney-Kindig collection contains two hundred scanned photograph copies of American servicemen during World War II who were killed in action as well as an accompanying photograph of their American orphan children and some include their wife.  Most of the children grew up never knowing their father who was killed or missing in the line of duty. Information provided for each serviceman includes name, rank, branch of service, and killed in action (KIA) or missing in action (MIA). \u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eThe children in these four albums are grown up now, are or were members of the American WWII Orphans Network (AWON) which is how Patricia was able to obtain many of these photographs. The AWON was established in 1991.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Patricia Gaffney-Kindig collection contains two hundred scanned photograph copies of American servicemen during World War II who were killed in action as well as an accompanying photograph of their American orphan children and some include their wife.  Most of the children grew up never knowing their father who was killed or missing in the line of duty. Information provided for each serviceman includes name, rank, branch of service, and killed in action (KIA) or missing in action (MIA). ","The children in these four albums are grown up now, are or were members of the American WWII Orphans Network (AWON) which is how Patricia was able to obtain many of these photographs. The AWON was established in 1991."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["United States. Army Air Forces. Fighter Group, 35th","American WWII Orphans Network","Gaffney-Kindig, Patricia"],"names_ssim":["FSU Special Collections \u0026 Archives","United States. Army Air Forces. Fighter Group, 35th","American WWII Orphans Network","Gaffney-Kindig, Patricia"],"corpname_ssim":["FSU Special Collections \u0026 Archives","United States. Army Air Forces. Fighter Group, 35th","American WWII Orphans Network"],"persname_ssim":["Gaffney-Kindig, Patricia"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"ecca01fedbc791574a9bb307","timestamp":"2026-07-08T06:09:42.320Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ecca01fedbc791574a9bb307_aspace_221049"}},{"id":"aa862cad77720b140698c8fb_aspace_a70ad86405ac225b1752648231eab412","type":"Item","attributes":{"title":"Volume I, bulk 1855-1968","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb_aspace_a70ad86405ac225b1752648231eab412#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_a70ad86405ac225b1752648231eab412","ref_ssm":["aspace_a70ad86405ac225b1752648231eab412","aspace_a70ad86405ac225b1752648231eab412"],"id":"aa862cad77720b140698c8fb_aspace_a70ad86405ac225b1752648231eab412","title_filing_ssi":"Volume I","title_ssm":["Volume I"],"title_tesim":["Volume I"],"unitdate_bulk_ssim":["1855-1968"],"normalized_date_ssm":["bulk 1855-1968"],"normalized_title_ssm":["Volume I, bulk 1855-1968"],"text":["Volume I, bulk 1855-1968","Cuban Stamps Collection, 1855-1968","1","/repositories/2/archival_objects/86394","Spanish; Castilian"],"component_level_isim":[1],"parent_ids_ssim":["aa862cad77720b140698c8fb"],"parent_unittitles_ssm":["Cuban Stamps Collection, 1855-1968"],"parent_unittitles_tesim":["Cuban Stamps Collection, 1855-1968"],"parent_levels_ssm":["collection"],"unitid_ssm":["1","/repositories/2/archival_objects/86394"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"language_ssim":["Spanish; Castilian"],"_nest_path_":"/components#0","_nest_parent_":"aa862cad77720b140698c8fb","_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"aa862cad77720b140698c8fb","title_ssm":["Cuban Stamps Collection"],"title_tesim":["Cuban Stamps Collection"],"ead_ssi":"aa862cad77720b140698c8fb","unitdate_ssm":["1855-1968"],"unitdate_inclusive_ssm":["1855-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9070","/repositories/2/resources/131"],"text":["SPC9070","/repositories/2/resources/131","Cuban Stamps Collection, 1855-1968","The collection is open for research.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana.","Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","Collection of Cuban stamps from the mid-19th century to the mid-20th century.","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9070","/repositories/2/resources/131"],"normalized_date_ssm":["1855-1968"],"normalized_title_ssm":["Cuban Stamps Collection, 1855-1968"],"collection_title_tesim":["Cuban Stamps Collection, 1855-1968"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"has_online_content_ssim":["false"],"extent_ssm":["3 items"],"extent_tesim":["3 items"],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.\u003c/p\u003e\n","\u003cp\u003eAs the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.\u003c/p\u003e\n","\u003cp\u003eThis collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.\u003c/p\u003e\n","\u003cp\u003e\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a trav\u0026#xE9;s de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y pol\u0026#xED;ticos que dieron forma a Cuba durante este per\u0026#xED;odo transformador. Desde el dominio colonial espa\u0026#xF1;ol, pasando por la creaci\u0026#xF3;n de la Rep\u0026#xFA;blica Cubana, hasta el surgimiento de la Revoluci\u0026#xF3;n Cubana, estos eventos hist\u0026#xF3;ricos se reflejan en los sellos mismos. En 1855, Cuba emiti\u0026#xF3; su primer sello postal bajo el dominio espa\u0026#xF1;ol, marcando el comienzo de su servicio postal. Durante este per\u0026#xED;odo, los sellos estuvieron fuertemente influenciados por Espa\u0026#xF1;a e inclu\u0026#xED;an im\u0026#xE1;genes de la monarqu\u0026#xED;a espa\u0026#xF1;ola, reforzando la conexi\u0026#xF3;n entre el Imperio Espa\u0026#xF1;ol y Cuba.\u003c/p\u003e\n","\u003cp\u003eAl final del siglo XIX, la Guerra Hispanoamericana marc\u0026#xF3; un momento clave para Cuba, pasando de ser una colonia a una naci\u0026#xF3;n independiente en 1902. Este per\u0026#xED;odo vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, s\u0026#xED;mbolos de independencia e im\u0026#xE1;genes que celebraban la rica historia y cultura de Cuba. Adem\u0026#xE1;s, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experiment\u0026#xF3; eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresi\u0026#xF3;n. Estos eventos contribuyeron a la inestabilidad pol\u0026#xED;tica y a los frecuentes cambios de gobierno, lo que se\u0026#xF1;al\u0026#xF3; un per\u0026#xED;odo de crisis en la isla. Durante la Guerra Fr\u0026#xED;a, con el auge de la Uni\u0026#xF3;n Sovi\u0026#xE9;tica, la Revoluci\u0026#xF3;n Cubana de 1959 comenz\u0026#xF3; a remodelar la naci\u0026#xF3;n. Los sellos de este per\u0026#xED;odo reflejan la transformaci\u0026#xF3;n del pa\u0026#xED;s, con im\u0026#xE1;genes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revoluci\u0026#xF3;n y su progreso.\u003c/p\u003e\n","\u003cp\u003eEsta colecci\u0026#xF3;n captura la evoluci\u0026#xF3;n de los sellos cubanos como una forma de comunicaci\u0026#xF3;n y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relaci\u0026#xF3;n con las potencias extranjeras. Los sellos presentan im\u0026#xE1;genes de la cultura cubana, el arte, figuras hist\u0026#xF3;ricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colecci\u0026#xF3;n brinda la oportunidad de explorar c\u0026#xF3;mo Cuba se transform\u0026#xF3; a lo largo de un siglo. Los investigadores pueden examinar las ideolog\u0026#xED;as pol\u0026#xED;ticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colecci\u0026#xF3;n de Sellos de Cuba en FIU no es solo un archivo hist\u0026#xF3;rico, sino tambi\u0026#xE9;n un testimonio de los cambios culturales y sociales del siglo XX.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX."],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. \u003c/p\u003e\n","\u003cp\u003e\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilaci\u0026#xF3;n integral de sellos postales que abarca la historia de Cuba durante este per\u0026#xED;odo transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revoluci\u0026#xF3;n Cubana y sus efectos posteriores. Demuestra el cambio social y pol\u0026#xED;tico a trav\u0026#xE9;s de los sellos y c\u0026#xF3;mo se utiliza este medio como propaganda de la revuelta. Tambi\u0026#xE9;n muestra c\u0026#xF3;mo se manejan las relaciones internacionales con otras naciones y c\u0026#xF3;mo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colecci\u0026#xF3;n consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservaci\u0026#xF3;n de estos sellos ofrece a los investigadores la oportunidad de descubrir por s\u0026#xED; mismos c\u0026#xF3;mo evolucionan las im\u0026#xE1;genes y los s\u0026#xED;mbolos a medida que avanza y se desarrolla la Revoluci\u0026#xF3;n Cubana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana."],"userestrict_html_tesm":["\u003cp\u003eRights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4174f2603576483c6691a9df651e17c6\"\u003eCollection of Cuban stamps from the mid-19th century to the mid-20th century.\u003c/abstract\u003e"],"abstract_tesim":["Collection of Cuban stamps from the mid-19th century to the mid-20th century."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb_aspace_a70ad86405ac225b1752648231eab412"}},{"id":"aa862cad77720b140698c8fb_aspace_82a3f7316e92fc3a656228c49b9e6c08","type":"Item","attributes":{"title":"Volume II, bulk 1855-1968","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb_aspace_82a3f7316e92fc3a656228c49b9e6c08#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_82a3f7316e92fc3a656228c49b9e6c08","ref_ssm":["aspace_82a3f7316e92fc3a656228c49b9e6c08","aspace_82a3f7316e92fc3a656228c49b9e6c08"],"id":"aa862cad77720b140698c8fb_aspace_82a3f7316e92fc3a656228c49b9e6c08","title_filing_ssi":"Volume II","title_ssm":["Volume II"],"title_tesim":["Volume II"],"unitdate_bulk_ssim":["1855-1968"],"normalized_date_ssm":["bulk 1855-1968"],"normalized_title_ssm":["Volume II, bulk 1855-1968"],"text":["Volume II, bulk 1855-1968","Cuban Stamps Collection, 1855-1968","2","/repositories/2/archival_objects/86396","Spanish; Castilian"],"component_level_isim":[1],"parent_ids_ssim":["aa862cad77720b140698c8fb"],"parent_unittitles_ssm":["Cuban Stamps Collection, 1855-1968"],"parent_unittitles_tesim":["Cuban Stamps Collection, 1855-1968"],"parent_levels_ssm":["collection"],"unitid_ssm":["2","/repositories/2/archival_objects/86396"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"language_ssim":["Spanish; Castilian"],"_nest_path_":"/components#1","_nest_parent_":"aa862cad77720b140698c8fb","_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"aa862cad77720b140698c8fb","title_ssm":["Cuban Stamps Collection"],"title_tesim":["Cuban Stamps Collection"],"ead_ssi":"aa862cad77720b140698c8fb","unitdate_ssm":["1855-1968"],"unitdate_inclusive_ssm":["1855-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9070","/repositories/2/resources/131"],"text":["SPC9070","/repositories/2/resources/131","Cuban Stamps Collection, 1855-1968","The collection is open for research.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana.","Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","Collection of Cuban stamps from the mid-19th century to the mid-20th century.","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9070","/repositories/2/resources/131"],"normalized_date_ssm":["1855-1968"],"normalized_title_ssm":["Cuban Stamps Collection, 1855-1968"],"collection_title_tesim":["Cuban Stamps Collection, 1855-1968"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"has_online_content_ssim":["false"],"extent_ssm":["3 items"],"extent_tesim":["3 items"],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.\u003c/p\u003e\n","\u003cp\u003eAs the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.\u003c/p\u003e\n","\u003cp\u003eThis collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.\u003c/p\u003e\n","\u003cp\u003e\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a trav\u0026#xE9;s de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y pol\u0026#xED;ticos que dieron forma a Cuba durante este per\u0026#xED;odo transformador. Desde el dominio colonial espa\u0026#xF1;ol, pasando por la creaci\u0026#xF3;n de la Rep\u0026#xFA;blica Cubana, hasta el surgimiento de la Revoluci\u0026#xF3;n Cubana, estos eventos hist\u0026#xF3;ricos se reflejan en los sellos mismos. En 1855, Cuba emiti\u0026#xF3; su primer sello postal bajo el dominio espa\u0026#xF1;ol, marcando el comienzo de su servicio postal. Durante este per\u0026#xED;odo, los sellos estuvieron fuertemente influenciados por Espa\u0026#xF1;a e inclu\u0026#xED;an im\u0026#xE1;genes de la monarqu\u0026#xED;a espa\u0026#xF1;ola, reforzando la conexi\u0026#xF3;n entre el Imperio Espa\u0026#xF1;ol y Cuba.\u003c/p\u003e\n","\u003cp\u003eAl final del siglo XIX, la Guerra Hispanoamericana marc\u0026#xF3; un momento clave para Cuba, pasando de ser una colonia a una naci\u0026#xF3;n independiente en 1902. Este per\u0026#xED;odo vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, s\u0026#xED;mbolos de independencia e im\u0026#xE1;genes que celebraban la rica historia y cultura de Cuba. Adem\u0026#xE1;s, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experiment\u0026#xF3; eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresi\u0026#xF3;n. Estos eventos contribuyeron a la inestabilidad pol\u0026#xED;tica y a los frecuentes cambios de gobierno, lo que se\u0026#xF1;al\u0026#xF3; un per\u0026#xED;odo de crisis en la isla. Durante la Guerra Fr\u0026#xED;a, con el auge de la Uni\u0026#xF3;n Sovi\u0026#xE9;tica, la Revoluci\u0026#xF3;n Cubana de 1959 comenz\u0026#xF3; a remodelar la naci\u0026#xF3;n. Los sellos de este per\u0026#xED;odo reflejan la transformaci\u0026#xF3;n del pa\u0026#xED;s, con im\u0026#xE1;genes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revoluci\u0026#xF3;n y su progreso.\u003c/p\u003e\n","\u003cp\u003eEsta colecci\u0026#xF3;n captura la evoluci\u0026#xF3;n de los sellos cubanos como una forma de comunicaci\u0026#xF3;n y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relaci\u0026#xF3;n con las potencias extranjeras. Los sellos presentan im\u0026#xE1;genes de la cultura cubana, el arte, figuras hist\u0026#xF3;ricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colecci\u0026#xF3;n brinda la oportunidad de explorar c\u0026#xF3;mo Cuba se transform\u0026#xF3; a lo largo de un siglo. Los investigadores pueden examinar las ideolog\u0026#xED;as pol\u0026#xED;ticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colecci\u0026#xF3;n de Sellos de Cuba en FIU no es solo un archivo hist\u0026#xF3;rico, sino tambi\u0026#xE9;n un testimonio de los cambios culturales y sociales del siglo XX.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX."],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. \u003c/p\u003e\n","\u003cp\u003e\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilaci\u0026#xF3;n integral de sellos postales que abarca la historia de Cuba durante este per\u0026#xED;odo transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revoluci\u0026#xF3;n Cubana y sus efectos posteriores. Demuestra el cambio social y pol\u0026#xED;tico a trav\u0026#xE9;s de los sellos y c\u0026#xF3;mo se utiliza este medio como propaganda de la revuelta. Tambi\u0026#xE9;n muestra c\u0026#xF3;mo se manejan las relaciones internacionales con otras naciones y c\u0026#xF3;mo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colecci\u0026#xF3;n consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservaci\u0026#xF3;n de estos sellos ofrece a los investigadores la oportunidad de descubrir por s\u0026#xED; mismos c\u0026#xF3;mo evolucionan las im\u0026#xE1;genes y los s\u0026#xED;mbolos a medida que avanza y se desarrolla la Revoluci\u0026#xF3;n Cubana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana."],"userestrict_html_tesm":["\u003cp\u003eRights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4174f2603576483c6691a9df651e17c6\"\u003eCollection of Cuban stamps from the mid-19th century to the mid-20th century.\u003c/abstract\u003e"],"abstract_tesim":["Collection of Cuban stamps from the mid-19th century to the mid-20th century."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb_aspace_82a3f7316e92fc3a656228c49b9e6c08"}},{"id":"aa862cad77720b140698c8fb_aspace_620a3f9a12cadc8456710765f96a9581","type":"Item","attributes":{"title":"Volume III, bulk 1855-1968","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb_aspace_620a3f9a12cadc8456710765f96a9581#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_620a3f9a12cadc8456710765f96a9581","ref_ssm":["aspace_620a3f9a12cadc8456710765f96a9581","aspace_620a3f9a12cadc8456710765f96a9581"],"id":"aa862cad77720b140698c8fb_aspace_620a3f9a12cadc8456710765f96a9581","title_filing_ssi":"Volume III","title_ssm":["Volume III"],"title_tesim":["Volume III"],"unitdate_bulk_ssim":["1855-1968"],"normalized_date_ssm":["bulk 1855-1968"],"normalized_title_ssm":["Volume III, bulk 1855-1968"],"text":["Volume III, bulk 1855-1968","Cuban Stamps Collection, 1855-1968","3","/repositories/2/archival_objects/86400","Spanish; Castilian"],"component_level_isim":[1],"parent_ids_ssim":["aa862cad77720b140698c8fb"],"parent_unittitles_ssm":["Cuban Stamps Collection, 1855-1968"],"parent_unittitles_tesim":["Cuban Stamps Collection, 1855-1968"],"parent_levels_ssm":["collection"],"unitid_ssm":["3","/repositories/2/archival_objects/86400"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":3,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"language_ssim":["Spanish; Castilian"],"_nest_path_":"/components#2","_nest_parent_":"aa862cad77720b140698c8fb","_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"aa862cad77720b140698c8fb","title_ssm":["Cuban Stamps Collection"],"title_tesim":["Cuban Stamps Collection"],"ead_ssi":"aa862cad77720b140698c8fb","unitdate_ssm":["1855-1968"],"unitdate_inclusive_ssm":["1855-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9070","/repositories/2/resources/131"],"text":["SPC9070","/repositories/2/resources/131","Cuban Stamps Collection, 1855-1968","The collection is open for research.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana.","Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","Collection of Cuban stamps from the mid-19th century to the mid-20th century.","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9070","/repositories/2/resources/131"],"normalized_date_ssm":["1855-1968"],"normalized_title_ssm":["Cuban Stamps Collection, 1855-1968"],"collection_title_tesim":["Cuban Stamps Collection, 1855-1968"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"has_online_content_ssim":["false"],"extent_ssm":["3 items"],"extent_tesim":["3 items"],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.\u003c/p\u003e\n","\u003cp\u003eAs the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.\u003c/p\u003e\n","\u003cp\u003eThis collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.\u003c/p\u003e\n","\u003cp\u003e\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a trav\u0026#xE9;s de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y pol\u0026#xED;ticos que dieron forma a Cuba durante este per\u0026#xED;odo transformador. Desde el dominio colonial espa\u0026#xF1;ol, pasando por la creaci\u0026#xF3;n de la Rep\u0026#xFA;blica Cubana, hasta el surgimiento de la Revoluci\u0026#xF3;n Cubana, estos eventos hist\u0026#xF3;ricos se reflejan en los sellos mismos. En 1855, Cuba emiti\u0026#xF3; su primer sello postal bajo el dominio espa\u0026#xF1;ol, marcando el comienzo de su servicio postal. Durante este per\u0026#xED;odo, los sellos estuvieron fuertemente influenciados por Espa\u0026#xF1;a e inclu\u0026#xED;an im\u0026#xE1;genes de la monarqu\u0026#xED;a espa\u0026#xF1;ola, reforzando la conexi\u0026#xF3;n entre el Imperio Espa\u0026#xF1;ol y Cuba.\u003c/p\u003e\n","\u003cp\u003eAl final del siglo XIX, la Guerra Hispanoamericana marc\u0026#xF3; un momento clave para Cuba, pasando de ser una colonia a una naci\u0026#xF3;n independiente en 1902. Este per\u0026#xED;odo vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, s\u0026#xED;mbolos de independencia e im\u0026#xE1;genes que celebraban la rica historia y cultura de Cuba. Adem\u0026#xE1;s, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experiment\u0026#xF3; eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresi\u0026#xF3;n. Estos eventos contribuyeron a la inestabilidad pol\u0026#xED;tica y a los frecuentes cambios de gobierno, lo que se\u0026#xF1;al\u0026#xF3; un per\u0026#xED;odo de crisis en la isla. Durante la Guerra Fr\u0026#xED;a, con el auge de la Uni\u0026#xF3;n Sovi\u0026#xE9;tica, la Revoluci\u0026#xF3;n Cubana de 1959 comenz\u0026#xF3; a remodelar la naci\u0026#xF3;n. Los sellos de este per\u0026#xED;odo reflejan la transformaci\u0026#xF3;n del pa\u0026#xED;s, con im\u0026#xE1;genes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revoluci\u0026#xF3;n y su progreso.\u003c/p\u003e\n","\u003cp\u003eEsta colecci\u0026#xF3;n captura la evoluci\u0026#xF3;n de los sellos cubanos como una forma de comunicaci\u0026#xF3;n y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relaci\u0026#xF3;n con las potencias extranjeras. Los sellos presentan im\u0026#xE1;genes de la cultura cubana, el arte, figuras hist\u0026#xF3;ricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colecci\u0026#xF3;n brinda la oportunidad de explorar c\u0026#xF3;mo Cuba se transform\u0026#xF3; a lo largo de un siglo. Los investigadores pueden examinar las ideolog\u0026#xED;as pol\u0026#xED;ticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colecci\u0026#xF3;n de Sellos de Cuba en FIU no es solo un archivo hist\u0026#xF3;rico, sino tambi\u0026#xE9;n un testimonio de los cambios culturales y sociales del siglo XX.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX."],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. \u003c/p\u003e\n","\u003cp\u003e\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilaci\u0026#xF3;n integral de sellos postales que abarca la historia de Cuba durante este per\u0026#xED;odo transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revoluci\u0026#xF3;n Cubana y sus efectos posteriores. Demuestra el cambio social y pol\u0026#xED;tico a trav\u0026#xE9;s de los sellos y c\u0026#xF3;mo se utiliza este medio como propaganda de la revuelta. Tambi\u0026#xE9;n muestra c\u0026#xF3;mo se manejan las relaciones internacionales con otras naciones y c\u0026#xF3;mo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colecci\u0026#xF3;n consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservaci\u0026#xF3;n de estos sellos ofrece a los investigadores la oportunidad de descubrir por s\u0026#xED; mismos c\u0026#xF3;mo evolucionan las im\u0026#xE1;genes y los s\u0026#xED;mbolos a medida que avanza y se desarrolla la Revoluci\u0026#xF3;n Cubana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana."],"userestrict_html_tesm":["\u003cp\u003eRights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4174f2603576483c6691a9df651e17c6\"\u003eCollection of Cuban stamps from the mid-19th century to the mid-20th century.\u003c/abstract\u003e"],"abstract_tesim":["Collection of Cuban stamps from the mid-19th century to the mid-20th century."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb_aspace_620a3f9a12cadc8456710765f96a9581"}},{"id":"a3eabcc4094ea8e02f42af5b_aspace_6043","type":"File","attributes":{"title":"Volusia County, 1900-1967","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a3eabcc4094ea8e02f42af5b_aspace_6043#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_6043","ref_ssm":["aspace_6043","aspace_6043"],"id":"a3eabcc4094ea8e02f42af5b_aspace_6043","title_filing_ssi":"Volusia County","title_ssm":["Volusia County"],"title_tesim":["Volusia County"],"unitdate_inclusive_ssm":["1900-1967"],"normalized_date_ssm":["1900-1967"],"normalized_title_ssm":["Volusia County, 1900-1967"],"text":["Volusia County, 1900-1967","Florida Ephemera collection, circa 1813-2007","Geographic Files, circa 1813-2007","Central Florida, 1887-2007","Box 5, Folder 4-6; Box 6, Folder 1-3; Box 27, Folder 7","/repositories/4/archival_objects/13174","box 5","folder 4-6","box 6","folder 1-3","box 27","folder 7"],"component_level_isim":[3],"parent_ids_ssim":["a3eabcc4094ea8e02f42af5b","a3eabcc4094ea8e02f42af5b_aspace_5649","a3eabcc4094ea8e02f42af5b_aspace_5650"],"parent_unittitles_ssm":["Florida Ephemera collection, circa 1813-2007","Geographic Files, circa 1813-2007","Central Florida, 1887-2007"],"parent_unittitles_tesim":["Florida Ephemera collection, circa 1813-2007","Geographic Files, circa 1813-2007","Central Florida, 1887-2007"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Box 5, Folder 4-6; Box 6, Folder 1-3; Box 27, Folder 7","/repositories/4/archival_objects/13174"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Florida Ephemera collection, circa 1813-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":31,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":373,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967],"containers_ssim":["box 5","folder 4-6","box 6","folder 1-3","box 27","folder 7"],"_nest_path_":"/components#0/components#0/components#9","_nest_parent_":"a3eabcc4094ea8e02f42af5b_aspace_5650","_root_":"a3eabcc4094ea8e02f42af5b","_version_":1876384024848498688,"timestamp":"2026-09-15T08:00:52.198Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a3eabcc4094ea8e02f42af5b","title_ssm":["Florida Ephemera collection"],"title_tesim":["Florida Ephemera collection"],"ead_ssi":"a3eabcc4094ea8e02f42af5b","unitdate_ssm":["circa 1813-2007"],"unitdate_inclusive_ssm":["circa 1813-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.032","/repositories/4/resources/60"],"text":["SC.032","/repositories/4/resources/60","Florida Ephemera collection, circa 1813-2007","Florida","Florida -- Politics and government","Orlando (Fla.)","Agriculture -- Florida","Business -- Florida","Gardening -- Florida","Parks -- Florida","Tourism","The entire collection is open for research.","The collection is divided into three series, Geographic Files, Artifacts and Subject Files. Geographic Files are arranged in three subseries, Central, North and South Florida, with Central Florida organized alphabetically by county. General information about a region begins each subseries, followed by cities and counties that have a high volume of information. Subject Files are arranged alphabetically.","Thomas and Georgine Mickler ran a small publishing company, Mickler House, and a thriving mail-order business, Mickler's Antiquarian Books, out of their Chuluota home for almost 40 years. The Mickler's focused on tracing out-of-print publications about Florida and ultimately collected more than 40,000 books and other historical pieces of paper memorabilia that filled their home. Thomas Mickler was a native Floridian but Georgine was born in Chicago. She moved to Orlando in 1961, and they married the following year. Both of them lived until they were 84 years old; Thomas died in 1997 and Georgine died a year later.","Collection processed by Jessica Achberger; finding aid prepared by Jessica Achberger and Jeffrey Baumiller.","This collection was processed by both geographic area and subject matter. Materials related to a specific location within Florida were divided out, while materials related to Florida as a whole were separated into specific subject matter. All materials are foldered, with special attention being paid to newspaper clippings and delicate manuscript materials. Sheets of acid free paper were put between clippings, and some materials have been sleeved for preservation.","Other materials collected by the Micklers are held in the University of Central Florida Libraries Special Collections and University Archives, and other collections provide information about Florida. For a complete list of collections please consult the  Special Collections \u0026 University Archives  website.","The Florida Ephemera Collection consists of materials about or produced in Florida collected by Thomas and Georgine Mickler through their mail-order business, Mickler's Antiquarian Books, as well as additional purchases made by the University of Central Florida Libraries Special Collections. These materials are all related in some way to Florida, either geographically or through the subject matter.","\nSeries I: Geographic Files, circa 1813-2007 contain tourism brochures, information on local historical societies, local business advertisements and newspaper clippings related to the different geographic areas of Florida, loosely divided into Central, North and South Florida. Some information may also be found in a Subject file; however, generally the Subject Files consist of information about Florida as a whole.","\nSeries II: Subject Files, 1831-2005 consist of booklets and brochures, newspaper and journal articles, business cards and advertisements, and periodicals related to Florida, arranged by subject alphabetically. Topics include Agricultural Literature, Arts and Humanities, Gardening Literature, History, Politics and Government, Real Estate and Development, State Parks and Historical Markers, Tourism, and Wildlife.","Series III: Artifacts, Undated, 1971, contains larger items that pertain to geographical and subject files \nconcerning Florida. Included thus far are a cork mat depicting Bok Tower and a bottle commemorating \nthe Apollo 14 mission.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Florida Ephemera Collection is a collection of brochures, advertisements and news clippings documenting the history of Florida. Although the collection includes information about Florida as a whole, it focuses on the Central Florida area, and Orlando in particular. The collection contains information about most aspects of life in Florida including business and industry, real estate and development, tourism and wildlife.","UCF Special Collections","Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998","English"],"unitid_tesim":["SC.032","/repositories/4/resources/60"],"normalized_date_ssm":["circa 1813-2007"],"normalized_title_ssm":["Florida Ephemera collection, circa 1813-2007"],"collection_title_tesim":["Florida Ephemera collection, circa 1813-2007"],"collection_ssim":["Florida Ephemera collection, circa 1813-2007"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida","Florida -- Politics and government","Orlando (Fla.)"],"geogname_ssim":["Florida","Florida -- Politics and government","Orlando (Fla.)"],"creator_ssm":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creator_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creator_persname_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creators_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"places_ssim":["Florida","Florida -- Politics and government","Orlando (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The ephemera was mostly collected by Thomas and Georgine Mickler of Micklers Antiquarian Books. These materials were purchased by the University of Central Florida Libraries, Special Collections and University Archives in 1999 (CFM1999_06). Ephemera from a variety of sources will continue to be purchased to create a collection relevant to Florida's history."],"access_subjects_ssim":["Agriculture -- Florida","Business -- Florida","Gardening -- Florida","Parks -- Florida","Tourism"],"access_subjects_ssm":["Agriculture -- Florida","Business -- Florida","Gardening -- Florida","Parks -- Florida","Tourism"],"has_online_content_ssim":["false"],"extent_ssm":["13 Linear Feet 26 Boxes, 1 Flat File"],"extent_tesim":["13 Linear Feet 26 Boxes, 1 Flat File"],"date_range_isim":[1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into three series, Geographic Files, Artifacts and Subject Files. Geographic Files are arranged in three subseries, Central, North and South Florida, with Central Florida organized alphabetically by county. General information about a region begins each subseries, followed by cities and counties that have a high volume of information. Subject Files are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into three series, Geographic Files, Artifacts and Subject Files. Geographic Files are arranged in three subseries, Central, North and South Florida, with Central Florida organized alphabetically by county. General information about a region begins each subseries, followed by cities and counties that have a high volume of information. Subject Files are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eThomas and Georgine Mickler ran a small publishing company, Mickler House, and a thriving mail-order business, Mickler's Antiquarian Books, out of their Chuluota home for almost 40 years. The Mickler's focused on tracing out-of-print publications about Florida and ultimately collected more than 40,000 books and other historical pieces of paper memorabilia that filled their home. Thomas Mickler was a native Floridian but Georgine was born in Chicago. She moved to Orlando in 1961, and they married the following year. Both of them lived until they were 84 years old; Thomas died in 1997 and Georgine died a year later.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Thomas and Georgine Mickler ran a small publishing company, Mickler House, and a thriving mail-order business, Mickler's Antiquarian Books, out of their Chuluota home for almost 40 years. The Mickler's focused on tracing out-of-print publications about Florida and ultimately collected more than 40,000 books and other historical pieces of paper memorabilia that filled their home. Thomas Mickler was a native Floridian but Georgine was born in Chicago. She moved to Orlando in 1961, and they married the following year. Both of them lived until they were 84 years old; Thomas died in 1997 and Georgine died a year later."],"prefercite_html_tesm":["\u003cp\u003eFlorida Ephemera Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Florida Ephemera Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Jessica Achberger; finding aid prepared by Jessica Achberger and Jeffrey Baumiller.\u003c/p\u003e","\u003cp\u003eThis collection was processed by both geographic area and subject matter. Materials related to a specific location within Florida were divided out, while materials related to Florida as a whole were separated into specific subject matter. All materials are foldered, with special attention being paid to newspaper clippings and delicate manuscript materials. Sheets of acid free paper were put between clippings, and some materials have been sleeved for preservation.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Jessica Achberger; finding aid prepared by Jessica Achberger and Jeffrey Baumiller.","This collection was processed by both geographic area and subject matter. Materials related to a specific location within Florida were divided out, while materials related to Florida as a whole were separated into specific subject matter. All materials are foldered, with special attention being paid to newspaper clippings and delicate manuscript materials. Sheets of acid free paper were put between clippings, and some materials have been sleeved for preservation."],"relatedmaterial_html_tesm":["\u003cp\u003eOther materials collected by the Micklers are held in the University of Central Florida Libraries Special Collections and University Archives, and other collections provide information about Florida. For a complete list of collections please consult the \u003cextref href=\"http://library.ucf.edu/about/departments/special-collections-university-archives/\"\u003eSpecial Collections \u0026amp; University Archives\u003c/extref\u003e website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other materials collected by the Micklers are held in the University of Central Florida Libraries Special Collections and University Archives, and other collections provide information about Florida. For a complete list of collections please consult the  Special Collections \u0026 University Archives  website."],"scopecontent_html_tesm":["\u003cp\u003eThe Florida Ephemera Collection consists of materials about or produced in Florida collected by Thomas and Georgine Mickler through their mail-order business, Mickler's Antiquarian Books, as well as additional purchases made by the University of Central Florida Libraries Special Collections. These materials are all related in some way to Florida, either geographically or through the subject matter.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Geographic Files, circa 1813-2007 contain tourism brochures, information on local historical societies, local business advertisements and newspaper clippings related to the different geographic areas of Florida, loosely divided into Central, North and South Florida. Some information may also be found in a Subject file; however, generally the Subject Files consist of information about Florida as a whole.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Subject Files, 1831-2005 consist of booklets and brochures, newspaper and journal articles, business cards and advertisements, and periodicals related to Florida, arranged by subject alphabetically. Topics include Agricultural Literature, Arts and Humanities, Gardening Literature, History, Politics and Government, Real Estate and Development, State Parks and Historical Markers, Tourism, and Wildlife.\u003c/p\u003e\n","\u003cp\u003eSeries III: Artifacts, Undated, 1971, contains larger items that pertain to geographical and subject files \nconcerning Florida. Included thus far are a cork mat depicting Bok Tower and a bottle commemorating \nthe Apollo 14 mission.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Florida Ephemera Collection consists of materials about or produced in Florida collected by Thomas and Georgine Mickler through their mail-order business, Mickler's Antiquarian Books, as well as additional purchases made by the University of Central Florida Libraries Special Collections. These materials are all related in some way to Florida, either geographically or through the subject matter.","\nSeries I: Geographic Files, circa 1813-2007 contain tourism brochures, information on local historical societies, local business advertisements and newspaper clippings related to the different geographic areas of Florida, loosely divided into Central, North and South Florida. Some information may also be found in a Subject file; however, generally the Subject Files consist of information about Florida as a whole.","\nSeries II: Subject Files, 1831-2005 consist of booklets and brochures, newspaper and journal articles, business cards and advertisements, and periodicals related to Florida, arranged by subject alphabetically. Topics include Agricultural Literature, Arts and Humanities, Gardening Literature, History, Politics and Government, Real Estate and Development, State Parks and Historical Markers, Tourism, and Wildlife.","Series III: Artifacts, Undated, 1971, contains larger items that pertain to geographical and subject files \nconcerning Florida. Included thus far are a cork mat depicting Bok Tower and a bottle commemorating \nthe Apollo 14 mission."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_64c3d62675ae88c59d40c8d1db049bf2\" label=\"Abstract\"\u003eThe Florida Ephemera Collection is a collection of brochures, advertisements and news clippings documenting the history of Florida. Although the collection includes information about Florida as a whole, it focuses on the Central Florida area, and Orlando in particular. The collection contains information about most aspects of life in Florida including business and industry, real estate and development, tourism and wildlife.\u003c/abstract\u003e"],"abstract_tesim":["The Florida Ephemera Collection is a collection of brochures, advertisements and news clippings documenting the history of Florida. Although the collection includes information about Florida as a whole, it focuses on the Central Florida area, and Orlando in particular. The collection contains information about most aspects of life in Florida including business and industry, real estate and development, tourism and wildlife."],"names_ssim":["UCF Special Collections","Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876384024848498688,"_root_":"a3eabcc4094ea8e02f42af5b","timestamp":"2026-09-15T08:00:52.198Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a3eabcc4094ea8e02f42af5b_aspace_6043"}},{"id":"ff356dbaacdcfdefc960630f_aspace_14dee7cf0922f269c165634f20ca77a1","type":"File","attributes":{"title":"Voter Registration, 1946","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ff356dbaacdcfdefc960630f_aspace_14dee7cf0922f269c165634f20ca77a1#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_14dee7cf0922f269c165634f20ca77a1","ref_ssm":["aspace_14dee7cf0922f269c165634f20ca77a1","aspace_14dee7cf0922f269c165634f20ca77a1"],"id":"ff356dbaacdcfdefc960630f_aspace_14dee7cf0922f269c165634f20ca77a1","title_filing_ssi":"Voter Registration","title_ssm":["Voter Registration"],"title_tesim":["Voter Registration"],"unitdate_other_ssim":["1946"],"normalized_date_ssm":["1946"],"normalized_title_ssm":["Voter Registration, 1946"],"text":["Voter Registration, 1946","Ludd M. Spivey Personal Papers, 1925-1957","/repositories/2/archival_objects/25102","box 3","folder 14"],"component_level_isim":[1],"parent_ids_ssim":["ff356dbaacdcfdefc960630f"],"parent_unittitles_ssm":["Ludd M. Spivey Personal Papers, 1925-1957"],"parent_unittitles_tesim":["Ludd M. Spivey Personal Papers, 1925-1957"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/25102"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"collection_ssim":["Ludd M. Spivey Personal Papers, 1925-1957"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":47,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["This collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Please inquire if you have questions - archives@flsouthern.edu"],"date_range_isim":[1946],"containers_ssim":["box 3","folder 14"],"_nest_path_":"/components#46","_nest_parent_":"ff356dbaacdcfdefc960630f","_root_":"ff356dbaacdcfdefc960630f","_version_":1870851043419488256,"timestamp":"2026-07-16T06:16:29.928Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ff356dbaacdcfdefc960630f","title_ssm":["Ludd M. Spivey Personal Papers"],"title_tesim":["Ludd M. Spivey Personal Papers"],"ead_ssi":"ff356dbaacdcfdefc960630f","unitdate_ssm":["1925-1957"],"unitdate_inclusive_ssm":["1925-1957"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS4085","/repositories/2/resources/132"],"text":["MS4085","/repositories/2/resources/132","Ludd M. Spivey Personal Papers, 1925-1957","Spivey, Ludd M., 1886-1962","College presidents—Florida—Biography","Educators—United States—Biography","Florida Southern College—History","Progressive education—United States—History—20th century","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.","Ludd Myrl Spivey (December 5, 1886 - December 27, 1962) was president of Florida Southern College from 1925-1957. He was born in Eclectic, Alabama, and educated at the University of Chicago. He was a friend and deciple of noted American educator John Dewey. Prior to becoming president of FSC, he was the academic dean of Birmingham Southern. ","When Dr. Spivey became president at what was then known as Southern College, the campus had one brick building and several small, temporary structures. Enrollment was only a few hundred students. Almost immediately, he faced financial challenges, as first the Florida Land Boom bubble burst which was followed by the collapse of the global economy. However, Spivey's fundraising abilities were unmatched, and the college was able to survive and grow despite these serious financial headwinds. In the late 1930s, Dr. Spivey was looking for a way to \"put Florida Southern College on the map.\" He decided that he needed to build something unique to set it apart from other colleges of similar size and mission. Out of the blue, he contacted renowned architect Frank Lloyd Wright, and together the two spent the next twenty years designing and building the \"College of Tomorrow.\" ","In 1931, Ludd Spivey established an art school in Sarasota as a remote branch of Florida Southern College and he served as its chief director. This college eventually became known as the Ringling College of Art and Design. ","Dr. Spivey's legacy goes beyond his impact on the physical plant of Florida Southern College. He was also an innovative and progressive educator who believed in the development of the whole person--mind, body, and soul. He was a leader in the progress towards racial equality, forming a close relationship with Mary Mcleod Bethune and Bethune-Cookman College. He developed a strong science program at FSC, with a focus on the citrus industry as well as cancer research. ","When he retired in 1957, the college was a very different place than when he started. Enrollment approached 2000 students, and many new programs had been added. He remained connected to the college, and was awarded the distinction of President Emeritus. He passed away in Palm Beach in 1962 after a brief illness. ","These materials were originally housed within the Office of the President Records. Intially, the files of Doctors Spivey, Thrift, and Davis were housed separately, however, there was enough overlap that it was determined to create an Office of the President record group to keep the official materials in one collection, while separating out the more personal stuff in the process. 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