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P. \"Pat\"), 1905-1974","Bolton, Juanita Jane, 1922-2009. ","Road builders--Florida.","Contractors--Florida.","Airports--Construction--Florida--History--20th century.","World War, 1939-1945--Naval aviation--Airports--Florida.","Financial records.","Photographs.","Business records.","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.","A.P. \"Pat\" Bolton was born in 1905 and the collection has family records including Mr. Bolton's birth Certificate and a family letter dating 1854. Bolton's work began in South Carolina where we have documentation of a few projects he worked on in 1936. In the late 1930's and early 1940's, Bolton moved to Florida to begin work designing and repaving airports for the Navy during WWII. The majority of the collection includes records from his work with the Navy including Banana River, Saufley field, Osceola and Witting Field North and South. Juanita Jane (Bolton) was born in 1922, moved to Lakeland in 1939 to attend school at Florida Southern College. Juanita received her secretary certificate in 1941. Mr. Bolton met Juanita Jane when she worked for him as a secretary at Macasphalt and they later married. Juanita was active in Bolton's companies as she held positions including Secretary-Treasurer and Vice President of one of Macasphalt's spin off companies. Juanita Jane Bolton died in May of 2009. In 1955, Bolton became the owner of Macasphalt. And in 1957 work began on the Daytona Speedway. The Speedway was completed in 1959 and the collection includes pictures of the first practice run. In the mid to late 1950's Bolton began dividing the company into smaller sub companies which he divided among family and friends. According to Glenn C Thompson, Bolton's two daughters (Betty and Glynnie) married and their husbands were set up with their own company with the expectation they would take care of Bolton's daughters. Bolton was long known for using local materials (like sand, crushed stone, and coquina shells) to build asphalt roads in Florida. Bolton retired in 1971 and died in 1974. His legacy lives on,\nhowever, in the form of the A.P. \"Pat\" Bolton award for excellence in paving","This collection spans the date range from 1936 – 1972. However, there are a few personal documents dating to 1854 and 1905. The primary scope of the collection pertains to Bolton's work in World War II and his work with the Daytona Speedway. There are a few ancillary projects in addition to these. There is little information about specific jobs between Bolton's work in WWII and his work on the Daytona Speedway. There is also very little information about specific jobs after the Daytona Speedway project ending in 1959. The lack of information on specific jobs after Bolton's work on the Daytona Speedway may be attributed to Bolton's efforts to divide the company up between his son-in-laws and his friends. There are extensive financial records of Macasphalt and some of the smaller companies The collection is located in shelving unit 10 and contains 15 file boxes, 1 large box and 1 flat file.\nPhysical Description: 15 file boxes, 1 large box and 1 flat file","The A.P. \"Pat\" Bolton Collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions - archives@flsouthern.edu.","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Macasphalt ","English"],"unitid_tesim":["MS1055","/repositories/2/resources/20"],"normalized_date_ssm":["1936-1972"],"normalized_title_ssm":["A.P. \"Pat\" Bolton Collection, 1936-1972"],"collection_title_tesim":["A.P. \"Pat\" Bolton Collection, 1936-1972"],"collection_ssim":["A.P. \"Pat\" Bolton Collection, 1936-1972"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"creator_ssm":["Macasphalt "],"creator_ssim":["Macasphalt "],"creator_corpname_ssim":["Macasphalt "],"creators_ssim":["Macasphalt "],"access_terms_ssm":["The A.P. \"Pat\" Bolton Collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions - archives@flsouthern.edu."],"acqinfo_ssim":["Given to FSC Archives by Glenn C Thompson after his mother, Juanita Bolton, passed away, 2011"],"access_subjects_ssim":["Asphalt","Paving","Construction","Daytona Speedway","Macasphalt","Pav-A-Way","Florida Hot Mix","Bolton, A. P. (A. P. \"Pat\"), 1905-1974","Bolton, Juanita Jane, 1922-2009. ","Road builders--Florida.","Contractors--Florida.","Airports--Construction--Florida--History--20th century.","World War, 1939-1945--Naval aviation--Airports--Florida.","Financial records.","Photographs.","Business records."],"access_subjects_ssm":["Asphalt","Paving","Construction","Daytona Speedway","Macasphalt","Pav-A-Way","Florida Hot Mix","Bolton, A. P. (A. P. \"Pat\"), 1905-1974","Bolton, Juanita Jane, 1922-2009. ","Road builders--Florida.","Contractors--Florida.","Airports--Construction--Florida--History--20th century.","World War, 1939-1945--Naval aviation--Airports--Florida.","Financial records.","Photographs.","Business records."],"has_online_content_ssim":["false"],"extent_ssm":["5 Linear Feet"],"extent_tesim":["5 Linear Feet"],"genreform_ssim":["World War, 1939-1945--Naval aviation--Airports--Florida.","Financial records.","Photographs.","Business records."],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. 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In the late 1930's and early 1940's, Bolton moved to Florida to begin work designing and repaving airports for the Navy during WWII. The majority of the collection includes records from his work with the Navy including Banana River, Saufley field, Osceola and Witting Field North and South. Juanita Jane (Bolton) was born in 1922, moved to Lakeland in 1939 to attend school at Florida Southern College. Juanita received her secretary certificate in 1941. Mr. Bolton met Juanita Jane when she worked for him as a secretary at Macasphalt and they later married. Juanita was active in Bolton's companies as she held positions including Secretary-Treasurer and Vice President of one of Macasphalt's spin off companies. Juanita Jane Bolton died in May of 2009. In 1955, Bolton became the owner of Macasphalt. And in 1957 work began on the Daytona Speedway. The Speedway was completed in 1959 and the collection includes pictures of the first practice run. In the mid to late 1950's Bolton began dividing the company into smaller sub companies which he divided among family and friends. According to Glenn C Thompson, Bolton's two daughters (Betty and Glynnie) married and their husbands were set up with their own company with the expectation they would take care of Bolton's daughters. Bolton was long known for using local materials (like sand, crushed stone, and coquina shells) to build asphalt roads in Florida. Bolton retired in 1971 and died in 1974. His legacy lives on,\nhowever, in the form of the A.P. \"Pat\" Bolton award for excellence in paving\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["A.P. \"Pat\" Bolton was born in 1905 and the collection has family records including Mr. Bolton's birth Certificate and a family letter dating 1854. Bolton's work began in South Carolina where we have documentation of a few projects he worked on in 1936. In the late 1930's and early 1940's, Bolton moved to Florida to begin work designing and repaving airports for the Navy during WWII. The majority of the collection includes records from his work with the Navy including Banana River, Saufley field, Osceola and Witting Field North and South. Juanita Jane (Bolton) was born in 1922, moved to Lakeland in 1939 to attend school at Florida Southern College. Juanita received her secretary certificate in 1941. Mr. Bolton met Juanita Jane when she worked for him as a secretary at Macasphalt and they later married. Juanita was active in Bolton's companies as she held positions including Secretary-Treasurer and Vice President of one of Macasphalt's spin off companies. Juanita Jane Bolton died in May of 2009. In 1955, Bolton became the owner of Macasphalt. And in 1957 work began on the Daytona Speedway. The Speedway was completed in 1959 and the collection includes pictures of the first practice run. In the mid to late 1950's Bolton began dividing the company into smaller sub companies which he divided among family and friends. According to Glenn C Thompson, Bolton's two daughters (Betty and Glynnie) married and their husbands were set up with their own company with the expectation they would take care of Bolton's daughters. Bolton was long known for using local materials (like sand, crushed stone, and coquina shells) to build asphalt roads in Florida. Bolton retired in 1971 and died in 1974. His legacy lives on,\nhowever, in the form of the A.P. \"Pat\" Bolton award for excellence in paving"],"scopecontent_html_tesm":["\u003cp\u003eThis collection spans the date range from 1936 \u0026#x2013; 1972. However, there are a few personal documents dating to 1854 and 1905. The primary scope of the collection pertains to Bolton's work in World War II and his work with the Daytona Speedway. There are a few ancillary projects in addition to these. There is little information about specific jobs between Bolton's work in WWII and his work on the Daytona Speedway. There is also very little information about specific jobs after the Daytona Speedway project ending in 1959. The lack of information on specific jobs after Bolton's work on the Daytona Speedway may be attributed to Bolton's efforts to divide the company up between his son-in-laws and his friends. There are extensive financial records of Macasphalt and some of the smaller companies The collection is located in shelving unit 10 and contains 15 file boxes, 1 large box and 1 flat file.\nPhysical Description: 15 file boxes, 1 large box and 1 flat file\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection spans the date range from 1936 – 1972. However, there are a few personal documents dating to 1854 and 1905. The primary scope of the collection pertains to Bolton's work in World War II and his work with the Daytona Speedway. There are a few ancillary projects in addition to these. There is little information about specific jobs between Bolton's work in WWII and his work on the Daytona Speedway. There is also very little information about specific jobs after the Daytona Speedway project ending in 1959. The lack of information on specific jobs after Bolton's work on the Daytona Speedway may be attributed to Bolton's efforts to divide the company up between his son-in-laws and his friends. There are extensive financial records of Macasphalt and some of the smaller companies The collection is located in shelving unit 10 and contains 15 file boxes, 1 large box and 1 flat file.\nPhysical Description: 15 file boxes, 1 large box and 1 flat file"],"userestrict_html_tesm":["\u003cp\u003eThe A.P. \"Pat\" Bolton Collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions - archives@flsouthern.edu.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The A.P. \"Pat\" Bolton Collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions - archives@flsouthern.edu."],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Macasphalt "],"corpname_ssim":["The Sarah D. and L. 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This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. 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Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials. Please note that this is a private institution and is not subject to Florida's Sunshine Laws. The Office of the President reserves the right to restrict access to certain materials.","Access to presidential records after 2004 will be restricted to FSC personnel only.","This collection is arranged alphabetically and in series. Please see the Series Statement for a detailed breakdown.","The materials in this record group contain the records created by the Office of the President. This portion of the collection covers the period of 1883-1957, when the president was the primary administrator of the college and had a much closer relationship with students and faculty than is possible today. 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Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"containers_ssim":["box 4"],"_nest_path_":"/components#2/components#51/components#0","_nest_parent_":"eccf200246c0c0801ef714fb_aspace_47153","_root_":"eccf200246c0c0801ef714fb","timestamp":"2026-04-21T03:53:25.929Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"eccf200246c0c0801ef714fb","title_ssm":["Walter Gaudnek Collection"],"title_tesim":["Walter Gaudnek Collection"],"ead_ssi":"eccf200246c0c0801ef714fb","unitdate_ssm":["1945-2009"],"unitdate_inclusive_ssm":["1945-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.053","/repositories/4/resources/88"],"text":["SC.053","/repositories/4/resources/88","Walter Gaudnek Collection, 1945-2009","University of Central Florida","Artists","The collection is open for research.","Walter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altomünster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries.","News clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.","Collection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.","Flying Horse Editions","University of Central Florida Office of the President Records , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","University of Central Florida Photograph Collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Art that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). ","The Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.","\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.","\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.","\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.","\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.","\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.","\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy.","UCF Special Collections","Gaudnek, Walter, 1931-","English"],"unitid_tesim":["SC.053","/repositories/4/resources/88"],"normalized_date_ssm":["1945-2009"],"normalized_title_ssm":["Walter Gaudnek Collection, 1945-2009"],"collection_title_tesim":["Walter Gaudnek Collection, 1945-2009"],"collection_ssim":["Walter Gaudnek Collection, 1945-2009"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were transferred to the Special Collections and University Archives by Dr. Walter Gaudnek in 2004 (CFM2004_01), 2006, and 2007 (CFM2007_XX)."],"access_subjects_ssim":["University of Central Florida","Artists"],"access_subjects_ssm":["University of Central Florida","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["7.25 Linear Feet 7 Boxes, 6 Portfolios, 1 Flat File"],"extent_tesim":["7.25 Linear Feet 7 Boxes, 6 Portfolios, 1 Flat File"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eWalter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altom\u0026#xFC;nster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Walter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altomünster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries."],"prefercite_html_tesm":["\u003cp\u003eWalter Gaudnek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Walter Gaudnek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eNews clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.\u003c/p\u003e","\u003cp\u003eCollection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["News clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.","Collection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://flyinghorse.cah.ucf.edu\"\u003eFlying Horse Editions\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://library.ucf.edu/about/departments/special-collections-university-archives/university-archives/university-archives-collection-guides/#UniversityPresidentsRecords\"\u003eUniversity of Central Florida Office of the President Records\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/ead/UCFPhotographs\"\u003eUniversity of Central Florida Photograph Collection\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003eArt that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Flying Horse Editions","University of Central Florida Office of the President Records , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","University of Central Florida Photograph Collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Art that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). "],"scopecontent_html_tesm":["\u003cp\u003eThe Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.","\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.","\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.","\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.","\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.","\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.","\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4f11a3ccc45b185611fc52b134bae889\" label=\"Abstract\"\u003eThe Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy.\u003c/abstract\u003e"],"abstract_tesim":["The Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy."],"names_ssim":["UCF Special Collections","Gaudnek, Walter, 1931-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Gaudnek, Walter, 1931-"],"persname_ssim":["Gaudnek, Walter, 1931-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":412,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"eccf200246c0c0801ef714fb","timestamp":"2026-04-21T03:53:25.929Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/eccf200246c0c0801ef714fb_aspace_47155"}},{"id":"5c1d3cacb20af4c5d0f16be1_aspace_209338","type":"File","attributes":{"title":"Fine Art, 1940-1948","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/5c1d3cacb20af4c5d0f16be1_aspace_209338#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eIncludes military cartoons, hand-drawn cards, short stories, and poems.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5c1d3cacb20af4c5d0f16be1_aspace_209338#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_209338","ref_ssm":["aspace_209338","aspace_209338"],"id":"5c1d3cacb20af4c5d0f16be1_aspace_209338","title_filing_ssi":"Fine Art","title_ssm":["Fine Art"],"title_tesim":["Fine Art"],"unitdate_inclusive_ssm":["1940-1948"],"normalized_date_ssm":["1940-1948"],"normalized_title_ssm":["Fine Art, 1940-1948"],"text":["Fine Art, 1940-1948","Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957","Folder 001","/repositories/10/archival_objects/44466","box 08.0158 - Box 1","folder 001","Includes military cartoons, hand-drawn cards, short stories, and poems."],"component_level_isim":[1],"parent_ids_ssim":["5c1d3cacb20af4c5d0f16be1"],"parent_unittitles_ssm":["Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"parent_unittitles_tesim":["Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"parent_levels_ssm":["collection"],"unitid_ssm":["Folder 001","/repositories/10/archival_objects/44466"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948],"containers_ssim":["box 08.0158 - Box 1","folder 001"],"scopecontent_html_tesm":["\u003cp\u003eIncludes military cartoons, hand-drawn cards, short stories, and poems.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Includes military cartoons, hand-drawn cards, short stories, and poems."],"_nest_path_":"/components#0","_nest_parent_":"5c1d3cacb20af4c5d0f16be1","_root_":"5c1d3cacb20af4c5d0f16be1","timestamp":"2026-07-09T08:47:20.226Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5c1d3cacb20af4c5d0f16be1","title_filing_ssi":"Mansfield, Charlotte D. collection","title_ssm":["Charlotte D. Mansfield collection"],"title_tesim":["Charlotte D. Mansfield collection"],"ead_ssi":"5c1d3cacb20af4c5d0f16be1","unitdate_ssm":["1915-2017","1942-1957","Date acquired: 09/10/2008","Date accessioned: 2020-06-07"],"unitdate_bulk_ssim":["1942-1957"],"unitdate_inclusive_ssm":["1915-2017"],"unitdate_other_ssim":["Date acquired: 09/10/2008","Date accessioned: 2020-06-07"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["08.0158","/repositories/10/resources/362"],"text":["08.0158","/repositories/10/resources/362","Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957","Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)","World War, 1939-1945--Great Britain","World War, 1939-1945--Germany","World War, 1939-1945--Personal narratives, American","World War, 1939-1945--Women","Photography, Military","World War, 1939-1945--England--London","Europe--Description and Travel","World War, 1939-1945--Europe","Sports for women","Military sports","Friendship","Meritorious Service Medal","United States, Oklahoma--Military records","Oktoberfest","Military Discharge--United States","United States. Army Air Forces--Military life","Sexism","Retirement","V-E Day, 1945","Dogs","Awards","United States. Army Air Forces. Medals, badges, decorations, etc","Photojournalism","World War, 1939-1945--Photography","Basic training (Military education)","Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques","This collection is open to all researchers.","Early Life - Charlotte Dee Mansfield was born in Hanford, CA, August 31, 1915, and moved to Oklahoma when she was eight years old. She had been an avid photographer ever since her father took her to the darkroom of an old Army buddy, and she saw strips of film hanging on a line. She graduated from Garber High School in 1934, and then went on to Tonkawa College before receiving her Bachelor's degree in English from the University of Central Oklahoma in 1941. Mansfield was a reporter, writer, and editor for the college newspaper, which demonstrated how her fascination for photography followed her throughout her educational years. It was an article in  Popular Photography  Magazine about British military women photographers and their work in aerial photography that inspired her to enlist in the Women's Army Auxiliary Corps (W.A.A.C.) when World War II began.\n          World War II Service - Mansfield enlisted as a W.A.A.C. on October 17, 1942. She attended basic training at Ft. Des Moines, Iowa until February 1943 and then transferred to Lowry Field Photo School in Denver, Colorado. She was one of fifty who made up the first all-women class to be trained as aerial photo technicians. The women did better academically than the men who doubted them, as well as handled the cameras and darkroom work well. After graduating in April 1943, Mansfield went to Felts Field in Spokane, Washington for further training. While there, W.A.A.C. was converted to full status as a branch of the United States Army and became the Women's Army Corps (W.A.C.) in July 1943. Mansfield was also stationed at Peterson Field, Colorado Springs, Colorado and Fort Oglethorpe, Georgia before being assigned overseas work in May 1944. Throughout her service, Mansfield kept her Graflex 4x5 Pacemaker Speed Graphic camera and a supply of personal film provided by her father, who was incredibly supportive of her photographic endeavors throughout her life. She used these to document her experience at each location in the states, photographing her friends and surroundings. The pictures Mansfield took feature the women training, completing their work, and socializing.","      Mansfield was assigned to the 8 th  Air Force under James Doolittle stationed in High Wycombe, England. The codename for the camp was \"Pinetree,\" with Mansfield interchanging between the two location names in documents and on her pictures. The majority of the correspondence in the collection is from her time in England, where she described to her parents her visit to London and conditions at the camp. Food was a common topic for Mansfield, as well as conditions in the lab. Mansfield continued to take personal photographs, documenting the English countryside and life in the military huts where the women were housed. She celebrated Victory in Europe Day at this station, and there are numerous pictures of the service members rejoicing. Though the war on the western front was over, Mansfield stated in a letter to her parents that W.A.C.s were essential for the army of occupation and were scheduled to transfer to Germany.","      Mansfield was then transferred to the 9 th  Air Force stationed in Bad Kissingen, Germany to work with the 13 th  Photo Tech Unit. This resort town was occupied by the United States Army, and Mansfield noted the barbed wire and boarded up shops in letters. The lab was in a large, empty house and took considerable time to construct. Before it was finished, Mansfield worked mainly in the contact printing room or other labs in the region that needed assistance. She mentioned in letters that she and her peers often had to prove they could do the work, as many officers seemed doubtful. This testified to the sexism the W.A.C.s experienced, and that they did their job, and did it well, regardless of the obstacles. Mansfield continued her routine of taking personal photographs, which included several pictures of local Germans that accompanied the usual shots of friends and surroundings. She remained in Germany from July to November 1945, then returned to the United States after being honorably discharged from the military.","Post-War U.S. Air Force Service - After being discharged, Mansfield remained a civilian for fifteen months. Most of that time was spent helping a friend, Bertha Brownback. The two had become very close friends while in the military together but towards the end of their service, Bertha found herself pregnant without a husband. This meant she was automatically discharged from the military. When Mansfield returned to the United States, she moved with Bertha and the baby to Philadelphia where she worked for a short while with a photofinishing company. They then moved to Oklahoma because Mansfield wanted to be near family again. Soon after, Bertha died in a car accident, leaving Mansfield guardian of her child. She arranged for a couple related to her to adopt the baby, which freed her to reenlist in the military. This entire situation served as a testament to Mansfield's character; she was willing to put her career on hold to help a friend in need. It is this quality of love and friendship that stood out most strongly in her photography.","      In September 1946, Mansfield re-enlisted in the W.A.C. where she worked in Photo Labs at U.S. Bases and in Germany. When the U.S. Air Force became a separate service, she became part of the Women in the Air Force. Mansfield was stationed in Erding, Germany from 1952 to 1955. While there, she toured Europe, visiting Berlin, Paris, and Rome as well as the scenic countryside of Germany and Austria. She took numerous photographs and assembled them into a scrapbook, accompanied with historical commentary and descriptions of events. Mansfield was even able to revisit Bad Kissingen, Germany, where she had been stationed during the war, and commented on its marked difference in appearance.","      Mansfield remained in the U.S. Air Force until her retirement in 1973, after thirty years of military service where she earned the rank of Senior Master Sergeant(E-8). Throughout her military documents, Mansfield received numerous letters of praise and strong recommendations based on her work ethic. Because of her strong record, Mansfield was awarded the Meritorious Service Medal upon retirement, which is the highest award for military service during peacetime. This demonstrated to Mansfield that her hard work was appreciated, and she was very proud of it.","Retirement - Shortly before retirement, in 1970, Mansfield met Lorraine Caddy and the two became best friends. They decided that they liked each other enough to live together, and while Caddy was still in the military, they moved wherever she was stationed until her retirement in 1977. They decided to settle in Oklahoma outside Oklahoma City due to Mansfield's familial connection to the area. Mansfield returned to the University of Central Oklahoma in 1981 to complete a Bachelor of Science in Photo Journalism and a Master's Degree in Journalism in 1983. Photography remained her first love throughout her life, and she was an active member of the Oklahoma Camera Club since 1963. Mansfield passed away Sunday, December 30, 2007, at the age of 92. She is survived by her companion of 37 years, Lorraine Caddy.","This collection was donated by Lorraine A. Caddy. The collection was acquired by the Institute on World War II and the Human Experience on September 10, 2008.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Processed Summer and Fall 2017","This collection relates to Charlotte D. Mansfield who served in the Women's Army Corps during World War II in the European Theater as a photographer and photograph processor. She subsequently retired from the U.S. Air Force. This collection contains documents, photographs, scrapbooks, and artifacts. The documents include personal correspondence, military records, newspaper clippings, newsletters, magazines, and certificates for military service. Various military medals and patches, mugs from U.S. Air Force service, and Graflex 4x5 Pacemaker Speed Graphic camera make up the artifacts. There are eight scrapbooks that Mansfield assembled documenting her military service, primarily overseas, both during World War II and after. Photographs make up the majority of the collection, with one box of loose photographs in separate folders and five archival scrapbooks filled with pictures. There are also four enlarged portraits of Mansfield.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","Charlotte Mansfield enlisted in the Women's Army Auxiliary Corps (W.A.A.C.) in 1942 to pursue work in photograph processing for the military. She was part of the first all-women graduating class from Lowry Field Photo School in Colorado, where she was trained to be a photo technician that developed primarily aerial shots in photography labs. Mansfield was stationed at various locations throughout the United States before being transferred to lab work overseas in England and Germany. By this time, W.A.A.C. had transitioned to Women's Army Corps (W.A.C.). Throughout her military service, Mansfield took numerous personal photographs that featured her friends and surroundings. They provide an unparalleled amount of insight into the private lives of W.A.C.s as they negotiated what it meant to serve in World War II. Mansfield reenlisted after the war, eventually becoming part of the Women in the Air Force (W.A.F.), and retired in 1973. Photography remained her passion until her death in 2007.","FSU Special Collections \u0026 Archives","United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government","Mansfield, Charlotte D.","Doolittle, James Harold, 1896-1993","English"],"unitid_tesim":["08.0158","/repositories/10/resources/362"],"normalized_date_ssm":["1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"normalized_title_ssm":["Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"collection_title_tesim":["Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"collection_ssim":["Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)"],"geogname_ssim":["Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)"],"creator_ssm":["Mansfield, Charlotte D."],"creator_ssim":["Mansfield, Charlotte D."],"creator_persname_ssim":["Mansfield, Charlotte D."],"creators_ssim":["Mansfield, Charlotte D."],"places_ssim":["Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["World War, 1939-1945--Great Britain","World War, 1939-1945--Germany","World War, 1939-1945--Personal narratives, American","World War, 1939-1945--Women","Photography, Military","World War, 1939-1945--England--London","Europe--Description and Travel","World War, 1939-1945--Europe","Sports for women","Military sports","Friendship","Meritorious Service Medal","United States, Oklahoma--Military records","Oktoberfest","Military Discharge--United States","United States. Army Air Forces--Military life","Sexism","Retirement","V-E Day, 1945","Dogs","Awards","United States. Army Air Forces. Medals, badges, decorations, etc","Photojournalism","World War, 1939-1945--Photography","Basic training (Military education)","Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques"],"access_subjects_ssm":["World War, 1939-1945--Great Britain","World War, 1939-1945--Germany","World War, 1939-1945--Personal narratives, American","World War, 1939-1945--Women","Photography, Military","World War, 1939-1945--England--London","Europe--Description and Travel","World War, 1939-1945--Europe","Sports for women","Military sports","Friendship","Meritorious Service Medal","United States, Oklahoma--Military records","Oktoberfest","Military Discharge--United States","United States. Army Air Forces--Military life","Sexism","Retirement","V-E Day, 1945","Dogs","Awards","United States. Army Air Forces. Medals, badges, decorations, etc","Photojournalism","World War, 1939-1945--Photography","Basic training (Military education)","Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques"],"has_online_content_ssim":["false"],"extent_ssm":["14 Linear Feet","1 items 1 camera case"],"extent_tesim":["14 Linear Feet","1 items 1 camera case"],"dimensions_tesim":["21x9.75"],"genreform_ssim":["Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003e\u003ctitle\u003eEarly Life\u003c/title\u003e- Charlotte Dee Mansfield was born in Hanford, CA, August 31, 1915, and moved to Oklahoma when she was eight years old. She had been an avid photographer ever since her father took her to the darkroom of an old Army buddy, and she saw strips of film hanging on a line. She graduated from Garber High School in 1934, and then went on to Tonkawa College before receiving her Bachelor's degree in English from the University of Central Oklahoma in 1941. Mansfield was a reporter, writer, and editor for the college newspaper, which demonstrated how her fascination for photography followed her throughout her educational years. It was an article in \u003cemph render=\"italic\"\u003ePopular Photography\u003c/emph\u003e Magazine about British military women photographers and their work in aerial photography that inspired her to enlist in the Women's Army Auxiliary Corps (W.A.A.C.) when World War II began.\n         \u003cbr\u003e\u003cbr\u003e\u003ctitle\u003eWorld War II Service\u003c/title\u003e- Mansfield enlisted as a W.A.A.C. on October 17, 1942. She attended basic training at Ft. Des Moines, Iowa until February 1943 and then transferred to Lowry Field Photo School in Denver, Colorado. She was one of fifty who made up the first all-women class to be trained as aerial photo technicians. The women did better academically than the men who doubted them, as well as handled the cameras and darkroom work well. After graduating in April 1943, Mansfield went to Felts Field in Spokane, Washington for further training. While there, W.A.A.C. was converted to full status as a branch of the United States Army and became the Women's Army Corps (W.A.C.) in July 1943. Mansfield was also stationed at Peterson Field, Colorado Springs, Colorado and Fort Oglethorpe, Georgia before being assigned overseas work in May 1944. Throughout her service, Mansfield kept her Graflex 4x5 Pacemaker Speed Graphic camera and a supply of personal film provided by her father, who was incredibly supportive of her photographic endeavors throughout her life. She used these to document her experience at each location in the states, photographing her friends and surroundings. The pictures Mansfield took feature the women training, completing their work, and socializing.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eMansfield was assigned to the 8\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Air Force under James Doolittle stationed in High Wycombe, England. The codename for the camp was \"Pinetree,\" with Mansfield interchanging between the two location names in documents and on her pictures. The majority of the correspondence in the collection is from her time in England, where she described to her parents her visit to London and conditions at the camp. Food was a common topic for Mansfield, as well as conditions in the lab. Mansfield continued to take personal photographs, documenting the English countryside and life in the military huts where the women were housed. She celebrated Victory in Europe Day at this station, and there are numerous pictures of the service members rejoicing. Though the war on the western front was over, Mansfield stated in a letter to her parents that W.A.C.s were essential for the army of occupation and were scheduled to transfer to Germany.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eMansfield was then transferred to the 9\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Air Force stationed in Bad Kissingen, Germany to work with the 13\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Photo Tech Unit. This resort town was occupied by the United States Army, and Mansfield noted the barbed wire and boarded up shops in letters. The lab was in a large, empty house and took considerable time to construct. Before it was finished, Mansfield worked mainly in the contact printing room or other labs in the region that needed assistance. She mentioned in letters that she and her peers often had to prove they could do the work, as many officers seemed doubtful. This testified to the sexism the W.A.C.s experienced, and that they did their job, and did it well, regardless of the obstacles. Mansfield continued her routine of taking personal photographs, which included several pictures of local Germans that accompanied the usual shots of friends and surroundings. She remained in Germany from July to November 1945, then returned to the United States after being honorably discharged from the military.\u003c/p\u003e\n","\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003ctitle\u003ePost-War U.S. Air Force Service\u003c/title\u003e- After being discharged, Mansfield remained a civilian for fifteen months. Most of that time was spent helping a friend, Bertha Brownback. The two had become very close friends while in the military together but towards the end of their service, Bertha found herself pregnant without a husband. This meant she was automatically discharged from the military. When Mansfield returned to the United States, she moved with Bertha and the baby to Philadelphia where she worked for a short while with a photofinishing company. They then moved to Oklahoma because Mansfield wanted to be near family again. Soon after, Bertha died in a car accident, leaving Mansfield guardian of her child. She arranged for a couple related to her to adopt the baby, which freed her to reenlist in the military. This entire situation served as a testament to Mansfield's character; she was willing to put her career on hold to help a friend in need. It is this quality of love and friendship that stood out most strongly in her photography.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eIn September 1946, Mansfield re-enlisted in the W.A.C. where she worked in Photo Labs at U.S. Bases and in Germany. When the U.S. Air Force became a separate service, she became part of the Women in the Air Force. Mansfield was stationed in Erding, Germany from 1952 to 1955. While there, she toured Europe, visiting Berlin, Paris, and Rome as well as the scenic countryside of Germany and Austria. She took numerous photographs and assembled them into a scrapbook, accompanied with historical commentary and descriptions of events. Mansfield was even able to revisit Bad Kissingen, Germany, where she had been stationed during the war, and commented on its marked difference in appearance.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eMansfield remained in the U.S. Air Force until her retirement in 1973, after thirty years of military service where she earned the rank of Senior Master Sergeant(E-8). Throughout her military documents, Mansfield received numerous letters of praise and strong recommendations based on her work ethic. Because of her strong record, Mansfield was awarded the Meritorious Service Medal upon retirement, which is the highest award for military service during peacetime. This demonstrated to Mansfield that her hard work was appreciated, and she was very proud of it.\u003c/p\u003e\n","\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003ctitle\u003eRetirement\u003c/title\u003e- Shortly before retirement, in 1970, Mansfield met Lorraine Caddy and the two became best friends. They decided that they liked each other enough to live together, and while Caddy was still in the military, they moved wherever she was stationed until her retirement in 1977. They decided to settle in Oklahoma outside Oklahoma City due to Mansfield's familial connection to the area. Mansfield returned to the University of Central Oklahoma in 1981 to complete a Bachelor of Science in Photo Journalism and a Master's Degree in Journalism in 1983. Photography remained her first love throughout her life, and she was an active member of the Oklahoma Camera Club since 1963. Mansfield passed away Sunday, December 30, 2007, at the age of 92. She is survived by her companion of 37 years, Lorraine Caddy.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Early Life - Charlotte Dee Mansfield was born in Hanford, CA, August 31, 1915, and moved to Oklahoma when she was eight years old. She had been an avid photographer ever since her father took her to the darkroom of an old Army buddy, and she saw strips of film hanging on a line. She graduated from Garber High School in 1934, and then went on to Tonkawa College before receiving her Bachelor's degree in English from the University of Central Oklahoma in 1941. Mansfield was a reporter, writer, and editor for the college newspaper, which demonstrated how her fascination for photography followed her throughout her educational years. It was an article in  Popular Photography  Magazine about British military women photographers and their work in aerial photography that inspired her to enlist in the Women's Army Auxiliary Corps (W.A.A.C.) when World War II began.\n          World War II Service - Mansfield enlisted as a W.A.A.C. on October 17, 1942. She attended basic training at Ft. Des Moines, Iowa until February 1943 and then transferred to Lowry Field Photo School in Denver, Colorado. She was one of fifty who made up the first all-women class to be trained as aerial photo technicians. The women did better academically than the men who doubted them, as well as handled the cameras and darkroom work well. After graduating in April 1943, Mansfield went to Felts Field in Spokane, Washington for further training. While there, W.A.A.C. was converted to full status as a branch of the United States Army and became the Women's Army Corps (W.A.C.) in July 1943. Mansfield was also stationed at Peterson Field, Colorado Springs, Colorado and Fort Oglethorpe, Georgia before being assigned overseas work in May 1944. Throughout her service, Mansfield kept her Graflex 4x5 Pacemaker Speed Graphic camera and a supply of personal film provided by her father, who was incredibly supportive of her photographic endeavors throughout her life. She used these to document her experience at each location in the states, photographing her friends and surroundings. The pictures Mansfield took feature the women training, completing their work, and socializing.","      Mansfield was assigned to the 8 th  Air Force under James Doolittle stationed in High Wycombe, England. The codename for the camp was \"Pinetree,\" with Mansfield interchanging between the two location names in documents and on her pictures. The majority of the correspondence in the collection is from her time in England, where she described to her parents her visit to London and conditions at the camp. Food was a common topic for Mansfield, as well as conditions in the lab. Mansfield continued to take personal photographs, documenting the English countryside and life in the military huts where the women were housed. She celebrated Victory in Europe Day at this station, and there are numerous pictures of the service members rejoicing. Though the war on the western front was over, Mansfield stated in a letter to her parents that W.A.C.s were essential for the army of occupation and were scheduled to transfer to Germany.","      Mansfield was then transferred to the 9 th  Air Force stationed in Bad Kissingen, Germany to work with the 13 th  Photo Tech Unit. This resort town was occupied by the United States Army, and Mansfield noted the barbed wire and boarded up shops in letters. The lab was in a large, empty house and took considerable time to construct. Before it was finished, Mansfield worked mainly in the contact printing room or other labs in the region that needed assistance. She mentioned in letters that she and her peers often had to prove they could do the work, as many officers seemed doubtful. This testified to the sexism the W.A.C.s experienced, and that they did their job, and did it well, regardless of the obstacles. Mansfield continued her routine of taking personal photographs, which included several pictures of local Germans that accompanied the usual shots of friends and surroundings. She remained in Germany from July to November 1945, then returned to the United States after being honorably discharged from the military.","Post-War U.S. Air Force Service - After being discharged, Mansfield remained a civilian for fifteen months. Most of that time was spent helping a friend, Bertha Brownback. The two had become very close friends while in the military together but towards the end of their service, Bertha found herself pregnant without a husband. This meant she was automatically discharged from the military. When Mansfield returned to the United States, she moved with Bertha and the baby to Philadelphia where she worked for a short while with a photofinishing company. They then moved to Oklahoma because Mansfield wanted to be near family again. Soon after, Bertha died in a car accident, leaving Mansfield guardian of her child. She arranged for a couple related to her to adopt the baby, which freed her to reenlist in the military. This entire situation served as a testament to Mansfield's character; she was willing to put her career on hold to help a friend in need. It is this quality of love and friendship that stood out most strongly in her photography.","      In September 1946, Mansfield re-enlisted in the W.A.C. where she worked in Photo Labs at U.S. Bases and in Germany. When the U.S. Air Force became a separate service, she became part of the Women in the Air Force. Mansfield was stationed in Erding, Germany from 1952 to 1955. While there, she toured Europe, visiting Berlin, Paris, and Rome as well as the scenic countryside of Germany and Austria. She took numerous photographs and assembled them into a scrapbook, accompanied with historical commentary and descriptions of events. Mansfield was even able to revisit Bad Kissingen, Germany, where she had been stationed during the war, and commented on its marked difference in appearance.","      Mansfield remained in the U.S. Air Force until her retirement in 1973, after thirty years of military service where she earned the rank of Senior Master Sergeant(E-8). Throughout her military documents, Mansfield received numerous letters of praise and strong recommendations based on her work ethic. Because of her strong record, Mansfield was awarded the Meritorious Service Medal upon retirement, which is the highest award for military service during peacetime. This demonstrated to Mansfield that her hard work was appreciated, and she was very proud of it.","Retirement - Shortly before retirement, in 1970, Mansfield met Lorraine Caddy and the two became best friends. They decided that they liked each other enough to live together, and while Caddy was still in the military, they moved wherever she was stationed until her retirement in 1977. They decided to settle in Oklahoma outside Oklahoma City due to Mansfield's familial connection to the area. Mansfield returned to the University of Central Oklahoma in 1981 to complete a Bachelor of Science in Photo Journalism and a Master's Degree in Journalism in 1983. Photography remained her first love throughout her life, and she was an active member of the Oklahoma Camera Club since 1963. Mansfield passed away Sunday, December 30, 2007, at the age of 92. She is survived by her companion of 37 years, Lorraine Caddy."],"custodhist_html_tesm":["\u003cp\u003eThis collection was donated by Lorraine A. Caddy. The collection was acquired by the Institute on World War II and the Human Experience on September 10, 2008.\u003c/p\u003e","\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History","Custodial History"],"custodhist_tesim":["This collection was donated by Lorraine A. Caddy. The collection was acquired by the Institute on World War II and the Human Experience on September 10, 2008.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Charlotte D. Mansfield collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_08_0158\"\u003ehttp://purl.fcla.edu/fsu/WWII_08_0158\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Charlotte D. Mansfield collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_08_0158 ."],"processinfo_html_tesm":["\u003cp\u003eProcessed Summer and Fall 2017\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed Summer and Fall 2017"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Charlotte D. Mansfield who served in the Women's Army Corps during World War II in the European Theater as a photographer and photograph processor. She subsequently retired from the U.S. Air Force. This collection contains documents, photographs, scrapbooks, and artifacts. The documents include personal correspondence, military records, newspaper clippings, newsletters, magazines, and certificates for military service. Various military medals and patches, mugs from U.S. Air Force service, and Graflex 4x5 Pacemaker Speed Graphic camera make up the artifacts. There are eight scrapbooks that Mansfield assembled documenting her military service, primarily overseas, both during World War II and after. Photographs make up the majority of the collection, with one box of loose photographs in separate folders and five archival scrapbooks filled with pictures. There are also four enlarged portraits of Mansfield.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection relates to Charlotte D. Mansfield who served in the Women's Army Corps during World War II in the European Theater as a photographer and photograph processor. She subsequently retired from the U.S. Air Force. This collection contains documents, photographs, scrapbooks, and artifacts. The documents include personal correspondence, military records, newspaper clippings, newsletters, magazines, and certificates for military service. Various military medals and patches, mugs from U.S. Air Force service, and Graflex 4x5 Pacemaker Speed Graphic camera make up the artifacts. There are eight scrapbooks that Mansfield assembled documenting her military service, primarily overseas, both during World War II and after. Photographs make up the majority of the collection, with one box of loose photographs in separate folders and five archival scrapbooks filled with pictures. There are also four enlarged portraits of Mansfield."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4c0fe496351ee46fff18977354e86118\" label=\"Abstract\"\u003eCharlotte Mansfield enlisted in the Women's Army Auxiliary Corps (W.A.A.C.) in 1942 to pursue work in photograph processing for the military. She was part of the first all-women graduating class from Lowry Field Photo School in Colorado, where she was trained to be a photo technician that developed primarily aerial shots in photography labs. Mansfield was stationed at various locations throughout the United States before being transferred to lab work overseas in England and Germany. By this time, W.A.A.C. had transitioned to Women's Army Corps (W.A.C.). Throughout her military service, Mansfield took numerous personal photographs that featured her friends and surroundings. They provide an unparalleled amount of insight into the private lives of W.A.C.s as they negotiated what it meant to serve in World War II. Mansfield reenlisted after the war, eventually becoming part of the Women in the Air Force (W.A.F.), and retired in 1973. Photography remained her passion until her death in 2007.\u003c/abstract\u003e"],"abstract_tesim":["Charlotte Mansfield enlisted in the Women's Army Auxiliary Corps (W.A.A.C.) in 1942 to pursue work in photograph processing for the military. She was part of the first all-women graduating class from Lowry Field Photo School in Colorado, where she was trained to be a photo technician that developed primarily aerial shots in photography labs. Mansfield was stationed at various locations throughout the United States before being transferred to lab work overseas in England and Germany. By this time, W.A.A.C. had transitioned to Women's Army Corps (W.A.C.). Throughout her military service, Mansfield took numerous personal photographs that featured her friends and surroundings. They provide an unparalleled amount of insight into the private lives of W.A.C.s as they negotiated what it meant to serve in World War II. Mansfield reenlisted after the war, eventually becoming part of the Women in the Air Force (W.A.F.), and retired in 1973. Photography remained her passion until her death in 2007."],"names_coll_ssim":["United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government","Doolittle, James Harold, 1896-1993"],"names_ssim":["FSU Special Collections \u0026 Archives","United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government","Mansfield, Charlotte D.","Doolittle, James Harold, 1896-1993"],"corpname_ssim":["FSU Special Collections \u0026 Archives","United States. Army. 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