{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1939\u0026page=147","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1939\u0026page=146","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1939\u0026page=148","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1939\u0026page=319"},"meta":{"pages":{"current_page":147,"next_page":148,"prev_page":146,"total_pages":319,"limit_value":10,"offset_value":1460,"total_count":3187,"first_page?":false,"last_page?":false}},"data":[{"id":"236a3c88b766327883b2e155_aspace_8b808936eedbf472485813203c192de8","type":"File","attributes":{"title":"Incoming, 1935–1977, undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_8b808936eedbf472485813203c192de8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_8b808936eedbf472485813203c192de8","ref_ssm":["aspace_8b808936eedbf472485813203c192de8","aspace_8b808936eedbf472485813203c192de8"],"id":"236a3c88b766327883b2e155_aspace_8b808936eedbf472485813203c192de8","title_filing_ssi":"Incoming","title_ssm":["Incoming"],"title_tesim":["Incoming"],"unitdate_inclusive_ssm":["1935–1977","undated"],"normalized_date_ssm":["1935–1977, undated"],"normalized_title_ssm":["Incoming, 1935–1977, undated"],"text":["Incoming, 1935–1977, undated","Joy Postle papers, 1910-2015","Personal Files, 1910–2015","Correspondence","/repositories/4/archival_objects/87952","/repositories/4/archival_objects/91285","box 8","folder 92"],"component_level_isim":[3],"parent_ids_ssim":["236a3c88b766327883b2e155","236a3c88b766327883b2e155_aspace_5dbb28d34a5754be60933b8120ba5670","236a3c88b766327883b2e155_aspace_11d8d69bea370d639deee8f829169cfc"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015","Personal Files, 1910–2015","Correspondence"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015","Personal Files, 1910–2015","Correspondence"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/87952","/repositories/4/archival_objects/91285"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":403,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"containers_ssim":["box 8","folder 92"],"_nest_path_":"/components#3/components#2/components#0","_nest_parent_":"236a3c88b766327883b2e155_aspace_11d8d69bea370d639deee8f829169cfc","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_8b808936eedbf472485813203c192de8"}},{"id":"b82ed642664903c83a19b1b0_aspace_17166","type":"File","attributes":{"title":"Incoming Letters, 1930-1962","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b82ed642664903c83a19b1b0_aspace_17166#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_17166","ref_ssm":["aspace_17166","aspace_17166"],"id":"b82ed642664903c83a19b1b0_aspace_17166","title_filing_ssi":"Incoming Letters","title_ssm":["Incoming Letters"],"title_tesim":["Incoming Letters"],"unitdate_inclusive_ssm":["1930-1962"],"normalized_date_ssm":["1930-1962"],"normalized_title_ssm":["Incoming Letters, 1930-1962"],"text":["Incoming Letters, 1930-1962","Michael A. Spencer Collection on Julian Nally, 1902-2001","Personal, 1902-2001","Folder 56","/repositories/4/archival_objects/37361","box 1","folder 56"],"component_level_isim":[2],"parent_ids_ssim":["b82ed642664903c83a19b1b0","b82ed642664903c83a19b1b0_aspace_17157"],"parent_unittitles_ssm":["Michael A. Spencer Collection on Julian Nally, 1902-2001","Personal, 1902-2001"],"parent_unittitles_tesim":["Michael A. Spencer Collection on Julian Nally, 1902-2001","Personal, 1902-2001"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 56","/repositories/4/archival_objects/37361"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Michael A. Spencer Collection on Julian Nally, 1902-2001"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":54,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder. Some images were taken by professional photographers; therefore, copyright permission will have to be obtained before publication."],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962],"containers_ssim":["box 1","folder 56"],"_nest_path_":"/components#1/components#6","_nest_parent_":"b82ed642664903c83a19b1b0_aspace_17157","_root_":"b82ed642664903c83a19b1b0","timestamp":"2026-07-09T03:02:45.647Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b82ed642664903c83a19b1b0","title_ssm":["Michael A. Spencer Collection on Julian Nally"],"title_tesim":["Michael A. Spencer Collection on Julian Nally"],"ead_ssi":"b82ed642664903c83a19b1b0","unitdate_ssm":["1902-2001"],"unitdate_inclusive_ssm":["1902-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.071","/repositories/4/resources/155"],"text":["SC.071","/repositories/4/resources/155","Michael A. Spencer Collection on Julian Nally, 1902-2001","Botany -- Florida","Gardening -- Florida","Gardens -- Florida","Horticulture -- Florida","Plants, Ornamental -- Florida","Tropical Plants","Bromeliaceae","Botany","Plant hybridization","Photographic prints","botanical illustrations","The entire collection is open for research.","Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally on Henry Nehrling's former property. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990  summa cum laude  with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Spencer collected these materials on Julian Nally as part of his interest in bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.","Collection processed by Judith Beale; finding aid prepared by Judith Beale. The materials were placed in pH neutral folders and photographs were identified and most were sleeved.","Michael A. Spencer also donated collections on  Henry Nehrling ,  Theodore Mead  and a larger collection on bromeliads focusing on the work of  Mulford B. Foster . Please see the guides to those collections for further information.","This collection is divided into two series by subject.","Series I: Commercial and Botanical, 1935-1988 documents Nally's work in growing plants. Images show the Nally home in Gotha, bromeliad collectors and plants; some of which are shown in exhibitions and commercial displays.","\nSeries II: Personal, 1902-2001 holds photographs, writings and memorabilia that document Nally's family and other interests. Photographs show family, friends and the family home in New York.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder. Some images were taken by professional photographers; therefore, copyright permission will have to be obtained before publication.","Julian Nally grew bromeliads and other plants on the property that had once belonged to Henry Nehrling at Gotha, Florida. This collection documents both his work at the property and his personal life.","UCF Special Collections","Spencer, Michael A.","Nally, Julian, 1903-1977","English"],"unitid_tesim":["SC.071","/repositories/4/resources/155"],"normalized_date_ssm":["1902-2001"],"normalized_title_ssm":["Michael A. Spencer Collection on Julian Nally, 1902-2001"],"collection_title_tesim":["Michael A. Spencer Collection on Julian Nally, 1902-2001"],"collection_ssim":["Michael A. Spencer Collection on Julian Nally, 1902-2001"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Spencer, Michael A."],"creator_ssim":["Spencer, Michael A."],"creator_persname_ssim":["Spencer, Michael A."],"creators_ssim":["Spencer, Michael A."],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder. Some images were taken by professional photographers; therefore, copyright permission will have to be obtained before publication."],"acqinfo_ssim":["Michael A. Spencer donated these materials to the University of Central Florida Libraries, Special Collections and University Archives Department in 2006 (CFM2006_08c) and 2007."],"access_subjects_ssim":["Botany -- Florida","Gardening -- Florida","Gardens -- Florida","Horticulture -- Florida","Plants, Ornamental -- Florida","Tropical Plants","Bromeliaceae","Botany","Plant hybridization","Photographic prints","botanical illustrations"],"access_subjects_ssm":["Botany -- Florida","Gardening -- Florida","Gardens -- Florida","Horticulture -- Florida","Plants, Ornamental -- Florida","Tropical Plants","Bromeliaceae","Botany","Plant hybridization","Photographic prints","botanical illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["1.7 Linear Feet 3 Boxes"],"extent_tesim":["1.7 Linear Feet 3 Boxes"],"genreform_ssim":["Photographic prints","botanical illustrations"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eMichael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally on Henry Nehrling's former property. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 \u003cemph render=\"italic\"\u003esumma cum laude\u003c/emph\u003e with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Spencer collected these materials on Julian Nally as part of his interest in bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally on Henry Nehrling's former property. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990  summa cum laude  with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Spencer collected these materials on Julian Nally as part of his interest in bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004."],"prefercite_html_tesm":["\u003cp\u003eMichael A. Spencer Collection on Julian Nally, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Michael A. Spencer Collection on Julian Nally, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Judith Beale; finding aid prepared by Judith Beale. The materials were placed in pH neutral folders and photographs were identified and most were sleeved.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Judith Beale; finding aid prepared by Judith Beale. The materials were placed in pH neutral folders and photographs were identified and most were sleeved."],"relatedmaterial_html_tesm":["\u003cp\u003eMichael A. Spencer also donated collections on \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08a\"\u003eHenry Nehrling\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08b\"\u003eTheodore Mead\u003c/extref\u003e and a larger collection on bromeliads focusing on the work of \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-09\"\u003eMulford B. Foster\u003c/extref\u003e. Please see the guides to those collections for further information.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Michael A. Spencer also donated collections on  Henry Nehrling ,  Theodore Mead  and a larger collection on bromeliads focusing on the work of  Mulford B. Foster . Please see the guides to those collections for further information."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is divided into two series by subject.\u003c/p\u003e\n","\u003cp\u003eSeries I: Commercial and Botanical, 1935-1988 documents Nally's work in growing plants. Images show the Nally home in Gotha, bromeliad collectors and plants; some of which are shown in exhibitions and commercial displays.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Personal, 1902-2001 holds photographs, writings and memorabilia that document Nally's family and other interests. Photographs show family, friends and the family home in New York.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is divided into two series by subject.","Series I: Commercial and Botanical, 1935-1988 documents Nally's work in growing plants. Images show the Nally home in Gotha, bromeliad collectors and plants; some of which are shown in exhibitions and commercial displays.","\nSeries II: Personal, 1902-2001 holds photographs, writings and memorabilia that document Nally's family and other interests. Photographs show family, friends and the family home in New York."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder. Some images were taken by professional photographers; therefore, copyright permission will have to be obtained before publication.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder. Some images were taken by professional photographers; therefore, copyright permission will have to be obtained before publication."],"abstract_html_tesm":["\u003cabstract id=\"aspace_faa706956cdb190e02cf6b784de00973\" label=\"Abstract\"\u003eJulian Nally grew bromeliads and other plants on the property that had once belonged to Henry Nehrling at Gotha, Florida. This collection documents both his work at the property and his personal life.\u003c/abstract\u003e"],"abstract_tesim":["Julian Nally grew bromeliads and other plants on the property that had once belonged to Henry Nehrling at Gotha, Florida. This collection documents both his work at the property and his personal life."],"names_ssim":["UCF Special Collections","Spencer, Michael A.","Nally, Julian, 1903-1977"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Nally, Julian, 1903-1977"],"persname_ssim":["Spencer, Michael A.","Nally, Julian, 1903-1977"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":84,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"b82ed642664903c83a19b1b0","timestamp":"2026-07-09T03:02:45.647Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b82ed642664903c83a19b1b0_aspace_17166"}},{"id":"4674dbbf638dff3316591cb2_aspace_55009","type":"File","attributes":{"title":"Incoming Letters, 1934-1993","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4674dbbf638dff3316591cb2_aspace_55009#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_55009","ref_ssm":["aspace_55009","aspace_55009"],"id":"4674dbbf638dff3316591cb2_aspace_55009","title_filing_ssi":"Incoming Letters","title_ssm":["Incoming Letters"],"title_tesim":["Incoming Letters"],"unitdate_inclusive_ssm":["1934-1993"],"normalized_date_ssm":["1934-1993"],"normalized_title_ssm":["Incoming Letters, 1934-1993"],"text":["Incoming Letters, 1934-1993","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Lyman Smith Files, 1905-1994.","Correspondence, 1923-1993","Folder 3","/repositories/4/archival_objects/32991","box 170","folder 3"],"component_level_isim":[3],"parent_ids_ssim":["4674dbbf638dff3316591cb2","4674dbbf638dff3316591cb2_aspace_54996","4674dbbf638dff3316591cb2_aspace_55004"],"parent_unittitles_ssm":["Michael A. Spencer Bromeliad Research Collection, 1754-2014","Lyman Smith Files, 1905-1994.","Correspondence, 1923-1993"],"parent_unittitles_tesim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014","Lyman Smith Files, 1905-1994.","Correspondence, 1923-1993"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 3","/repositories/4/archival_objects/32991"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"has_online_content_ssim":["false"],"child_component_count_isi":12,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3488,"parent_access_restrict_tesm":["The entire collection is open for research except for the following:\n\n  Boxes 180-181: Personal correspondence\n  Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"\n"],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"containers_ssim":["box 170","folder 3"],"_nest_path_":"/components#6/components#10/components#3","_nest_parent_":"4674dbbf638dff3316591cb2_aspace_55004","_root_":"4674dbbf638dff3316591cb2","timestamp":"2026-07-11T02:53:59.490Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4674dbbf638dff3316591cb2","title_ssm":["Michael A. Spencer Bromeliad Research Collection"],"title_tesim":["Michael A. Spencer Bromeliad Research Collection"],"ead_ssi":"4674dbbf638dff3316591cb2","unitdate_ssm":["1754-2014"],"unitdate_inclusive_ssm":["1754-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 068","/repositories/4/resources/148"],"text":["SC 068","/repositories/4/resources/148","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Marineland (Fla.)","Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)","The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"","The collection is divided into eight series by type of file.","Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.","Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.","A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives .","Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.","Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.","UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991","English"],"unitid_tesim":["SC 068","/repositories/4/resources/148"],"normalized_date_ssm":["1754-2014"],"normalized_title_ssm":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_title_tesim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_ssim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Marineland (Fla.)"],"geogname_ssim":["Marineland (Fla.)"],"creator_ssm":["Spencer, Michael A."],"creator_ssim":["Spencer, Michael A."],"creator_persname_ssim":["Spencer, Michael A."],"creators_ssim":["Spencer, Michael A."],"places_ssim":["Marineland (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"acqinfo_ssim":["Some of these materials were donated to and others were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Michael A. Spencer in 2006 (CFM2006_09), 2011 (CFM2011_02), 2012 (CFM2012_10), and 2014 (CFM2014_01)."],"access_subjects_ssim":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"access_subjects_ssm":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["130 Linear Feet 259 boxes, 2 flat files"],"extent_tesim":["130 Linear Feet 259 boxes, 2 flat files"],"genreform_ssim":["botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"date_range_isim":[1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research except for the following:\n\u003cul\u003e\n  \u003cli\u003eBoxes 180-181: Personal correspondence\u003c/li\u003e\n  \u003cli\u003eBoxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\""],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into eight series by type of file.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into eight series by type of file."],"bioghist_html_tesm":["\u003cp\u003eMichael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004."],"prefercite_html_tesm":["\u003cp\u003eMichael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Michael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eA large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e. \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08c\"\u003eMichael A. Spencer Collection on Julian Nally\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08b\"\u003eMichael A. Spencer Collection on Theodore Mead\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08a\"\u003eMichael A. Spencer Collection on Henry Nehrling\u003c/extref\u003e and the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-03\"\u003eHenry Nehrling Papers\u003c/extref\u003e are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the \u003cextref href=\"http://www.leugardens.org/\"\u003eHarry P. Leu Gardens\u003c/extref\u003e. The \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/4\"\u003eHenry Nehrling Collection\u003c/extref\u003e and the \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/97\"\u003eTheodore L. Mead Collection\u003c/extref\u003e are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the \u003cextref href=\"http://siarchives.si.edu/\"\u003eSmithsonian Institution Archives\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8e33310d6b1a70e4d88f1e2d3043cf71\" label=\"Abstract\"\u003eMichael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.\u003c/abstract\u003e"],"abstract_tesim":["Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here."],"names_coll_ssim":["Bromeliad Society","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"names_ssim":["UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"corpname_ssim":["UCF Special Collections","Bromeliad Society"],"persname_ssim":["Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3662,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"4674dbbf638dff3316591cb2","timestamp":"2026-07-11T02:53:59.490Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4674dbbf638dff3316591cb2_aspace_55009"}},{"id":"b82ed642664903c83a19b1b0_aspace_17124","type":"File","attributes":{"title":"Incoming Letters, 1937-1965","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b82ed642664903c83a19b1b0_aspace_17124#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_17124","ref_ssm":["aspace_17124","aspace_17124"],"id":"b82ed642664903c83a19b1b0_aspace_17124","title_filing_ssi":"Incoming Letters","title_ssm":["Incoming Letters"],"title_tesim":["Incoming Letters"],"unitdate_inclusive_ssm":["1937-1965"],"normalized_date_ssm":["1937-1965"],"normalized_title_ssm":["Incoming Letters, 1937-1965"],"text":["Incoming Letters, 1937-1965","Michael A. Spencer Collection on Julian Nally, 1902-2001","Commercial and Botanical, 1935-1988","Folder 16","/repositories/4/archival_objects/37360","box 1","folder 16"],"component_level_isim":[2],"parent_ids_ssim":["b82ed642664903c83a19b1b0","b82ed642664903c83a19b1b0_aspace_17105"],"parent_unittitles_ssm":["Michael A. Spencer Collection on Julian Nally, 1902-2001","Commercial and Botanical, 1935-1988"],"parent_unittitles_tesim":["Michael A. Spencer Collection on Julian Nally, 1902-2001","Commercial and Botanical, 1935-1988"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 16","/repositories/4/archival_objects/37360"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Michael A. Spencer Collection on Julian Nally, 1902-2001"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":17,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder. Some images were taken by professional photographers; therefore, copyright permission will have to be obtained before publication."],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"containers_ssim":["box 1","folder 16"],"_nest_path_":"/components#0/components#6","_nest_parent_":"b82ed642664903c83a19b1b0_aspace_17105","_root_":"b82ed642664903c83a19b1b0","timestamp":"2026-07-09T03:02:45.647Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b82ed642664903c83a19b1b0","title_ssm":["Michael A. Spencer Collection on Julian Nally"],"title_tesim":["Michael A. Spencer Collection on Julian Nally"],"ead_ssi":"b82ed642664903c83a19b1b0","unitdate_ssm":["1902-2001"],"unitdate_inclusive_ssm":["1902-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.071","/repositories/4/resources/155"],"text":["SC.071","/repositories/4/resources/155","Michael A. Spencer Collection on Julian Nally, 1902-2001","Botany -- Florida","Gardening -- Florida","Gardens -- Florida","Horticulture -- Florida","Plants, Ornamental -- Florida","Tropical Plants","Bromeliaceae","Botany","Plant hybridization","Photographic prints","botanical illustrations","The entire collection is open for research.","Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally on Henry Nehrling's former property. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990  summa cum laude  with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Spencer collected these materials on Julian Nally as part of his interest in bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.","Collection processed by Judith Beale; finding aid prepared by Judith Beale. The materials were placed in pH neutral folders and photographs were identified and most were sleeved.","Michael A. Spencer also donated collections on  Henry Nehrling ,  Theodore Mead  and a larger collection on bromeliads focusing on the work of  Mulford B. Foster . Please see the guides to those collections for further information.","This collection is divided into two series by subject.","Series I: Commercial and Botanical, 1935-1988 documents Nally's work in growing plants. Images show the Nally home in Gotha, bromeliad collectors and plants; some of which are shown in exhibitions and commercial displays.","\nSeries II: Personal, 1902-2001 holds photographs, writings and memorabilia that document Nally's family and other interests. Photographs show family, friends and the family home in New York.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder. Some images were taken by professional photographers; therefore, copyright permission will have to be obtained before publication.","Julian Nally grew bromeliads and other plants on the property that had once belonged to Henry Nehrling at Gotha, Florida. This collection documents both his work at the property and his personal life.","UCF Special Collections","Spencer, Michael A.","Nally, Julian, 1903-1977","English"],"unitid_tesim":["SC.071","/repositories/4/resources/155"],"normalized_date_ssm":["1902-2001"],"normalized_title_ssm":["Michael A. Spencer Collection on Julian Nally, 1902-2001"],"collection_title_tesim":["Michael A. Spencer Collection on Julian Nally, 1902-2001"],"collection_ssim":["Michael A. Spencer Collection on Julian Nally, 1902-2001"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Spencer, Michael A."],"creator_ssim":["Spencer, Michael A."],"creator_persname_ssim":["Spencer, Michael A."],"creators_ssim":["Spencer, Michael A."],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder. Some images were taken by professional photographers; therefore, copyright permission will have to be obtained before publication."],"acqinfo_ssim":["Michael A. Spencer donated these materials to the University of Central Florida Libraries, Special Collections and University Archives Department in 2006 (CFM2006_08c) and 2007."],"access_subjects_ssim":["Botany -- Florida","Gardening -- Florida","Gardens -- Florida","Horticulture -- Florida","Plants, Ornamental -- Florida","Tropical Plants","Bromeliaceae","Botany","Plant hybridization","Photographic prints","botanical illustrations"],"access_subjects_ssm":["Botany -- Florida","Gardening -- Florida","Gardens -- Florida","Horticulture -- Florida","Plants, Ornamental -- Florida","Tropical Plants","Bromeliaceae","Botany","Plant hybridization","Photographic prints","botanical illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["1.7 Linear Feet 3 Boxes"],"extent_tesim":["1.7 Linear Feet 3 Boxes"],"genreform_ssim":["Photographic prints","botanical illustrations"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eMichael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally on Henry Nehrling's former property. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 \u003cemph render=\"italic\"\u003esumma cum laude\u003c/emph\u003e with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Spencer collected these materials on Julian Nally as part of his interest in bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally on Henry Nehrling's former property. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990  summa cum laude  with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Spencer collected these materials on Julian Nally as part of his interest in bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004."],"prefercite_html_tesm":["\u003cp\u003eMichael A. Spencer Collection on Julian Nally, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Michael A. Spencer Collection on Julian Nally, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Judith Beale; finding aid prepared by Judith Beale. The materials were placed in pH neutral folders and photographs were identified and most were sleeved.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Judith Beale; finding aid prepared by Judith Beale. The materials were placed in pH neutral folders and photographs were identified and most were sleeved."],"relatedmaterial_html_tesm":["\u003cp\u003eMichael A. Spencer also donated collections on \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08a\"\u003eHenry Nehrling\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08b\"\u003eTheodore Mead\u003c/extref\u003e and a larger collection on bromeliads focusing on the work of \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-09\"\u003eMulford B. Foster\u003c/extref\u003e. Please see the guides to those collections for further information.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Michael A. Spencer also donated collections on  Henry Nehrling ,  Theodore Mead  and a larger collection on bromeliads focusing on the work of  Mulford B. Foster . Please see the guides to those collections for further information."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is divided into two series by subject.\u003c/p\u003e\n","\u003cp\u003eSeries I: Commercial and Botanical, 1935-1988 documents Nally's work in growing plants. Images show the Nally home in Gotha, bromeliad collectors and plants; some of which are shown in exhibitions and commercial displays.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Personal, 1902-2001 holds photographs, writings and memorabilia that document Nally's family and other interests. Photographs show family, friends and the family home in New York.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is divided into two series by subject.","Series I: Commercial and Botanical, 1935-1988 documents Nally's work in growing plants. Images show the Nally home in Gotha, bromeliad collectors and plants; some of which are shown in exhibitions and commercial displays.","\nSeries II: Personal, 1902-2001 holds photographs, writings and memorabilia that document Nally's family and other interests. Photographs show family, friends and the family home in New York."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder. Some images were taken by professional photographers; therefore, copyright permission will have to be obtained before publication.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder. Some images were taken by professional photographers; therefore, copyright permission will have to be obtained before publication."],"abstract_html_tesm":["\u003cabstract id=\"aspace_faa706956cdb190e02cf6b784de00973\" label=\"Abstract\"\u003eJulian Nally grew bromeliads and other plants on the property that had once belonged to Henry Nehrling at Gotha, Florida. This collection documents both his work at the property and his personal life.\u003c/abstract\u003e"],"abstract_tesim":["Julian Nally grew bromeliads and other plants on the property that had once belonged to Henry Nehrling at Gotha, Florida. This collection documents both his work at the property and his personal life."],"names_ssim":["UCF Special Collections","Spencer, Michael A.","Nally, Julian, 1903-1977"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Nally, Julian, 1903-1977"],"persname_ssim":["Spencer, Michael A.","Nally, Julian, 1903-1977"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":84,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"b82ed642664903c83a19b1b0","timestamp":"2026-07-09T03:02:45.647Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b82ed642664903c83a19b1b0_aspace_17124"}},{"id":"4674dbbf638dff3316591cb2_aspace_54788","type":"File","attributes":{"title":"Indians, North American, 1913-1984","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4674dbbf638dff3316591cb2_aspace_54788#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_54788","ref_ssm":["aspace_54788","aspace_54788"],"id":"4674dbbf638dff3316591cb2_aspace_54788","title_filing_ssi":"Indians, North American","title_ssm":["Indians, North American"],"title_tesim":["Indians, North American"],"unitdate_inclusive_ssm":["1913-1984"],"normalized_date_ssm":["1913-1984"],"normalized_title_ssm":["Indians, North American, 1913-1984"],"text":["Indians, North American, 1913-1984","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Natural History, 1853-1997.","Folder 3","/repositories/4/archival_objects/34144","box 160","folder 3"],"component_level_isim":[2],"parent_ids_ssim":["4674dbbf638dff3316591cb2","4674dbbf638dff3316591cb2_aspace_54625"],"parent_unittitles_ssm":["Michael A. Spencer Bromeliad Research Collection, 1754-2014","Natural History, 1853-1997."],"parent_unittitles_tesim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014","Natural History, 1853-1997."],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 3","/repositories/4/archival_objects/34144"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3277,"parent_access_restrict_tesm":["The entire collection is open for research except for the following:\n\n  Boxes 180-181: Personal correspondence\n  Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"\n"],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"date_range_isim":[1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"containers_ssim":["box 160","folder 3"],"_nest_path_":"/components#4/components#117","_nest_parent_":"4674dbbf638dff3316591cb2_aspace_54625","_root_":"4674dbbf638dff3316591cb2","timestamp":"2026-07-11T02:53:59.490Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4674dbbf638dff3316591cb2","title_ssm":["Michael A. Spencer Bromeliad Research Collection"],"title_tesim":["Michael A. Spencer Bromeliad Research Collection"],"ead_ssi":"4674dbbf638dff3316591cb2","unitdate_ssm":["1754-2014"],"unitdate_inclusive_ssm":["1754-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 068","/repositories/4/resources/148"],"text":["SC 068","/repositories/4/resources/148","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Marineland (Fla.)","Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)","The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"","The collection is divided into eight series by type of file.","Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.","Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.","A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives .","Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.","Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.","UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991","English"],"unitid_tesim":["SC 068","/repositories/4/resources/148"],"normalized_date_ssm":["1754-2014"],"normalized_title_ssm":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_title_tesim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_ssim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Marineland (Fla.)"],"geogname_ssim":["Marineland (Fla.)"],"creator_ssm":["Spencer, Michael A."],"creator_ssim":["Spencer, Michael A."],"creator_persname_ssim":["Spencer, Michael A."],"creators_ssim":["Spencer, Michael A."],"places_ssim":["Marineland (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"acqinfo_ssim":["Some of these materials were donated to and others were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Michael A. Spencer in 2006 (CFM2006_09), 2011 (CFM2011_02), 2012 (CFM2012_10), and 2014 (CFM2014_01)."],"access_subjects_ssim":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"access_subjects_ssm":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["130 Linear Feet 259 boxes, 2 flat files"],"extent_tesim":["130 Linear Feet 259 boxes, 2 flat files"],"genreform_ssim":["botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"date_range_isim":[1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research except for the following:\n\u003cul\u003e\n  \u003cli\u003eBoxes 180-181: Personal correspondence\u003c/li\u003e\n  \u003cli\u003eBoxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\""],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into eight series by type of file.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into eight series by type of file."],"bioghist_html_tesm":["\u003cp\u003eMichael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004."],"prefercite_html_tesm":["\u003cp\u003eMichael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Michael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eA large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e. \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08c\"\u003eMichael A. Spencer Collection on Julian Nally\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08b\"\u003eMichael A. Spencer Collection on Theodore Mead\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08a\"\u003eMichael A. Spencer Collection on Henry Nehrling\u003c/extref\u003e and the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-03\"\u003eHenry Nehrling Papers\u003c/extref\u003e are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the \u003cextref href=\"http://www.leugardens.org/\"\u003eHarry P. Leu Gardens\u003c/extref\u003e. The \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/4\"\u003eHenry Nehrling Collection\u003c/extref\u003e and the \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/97\"\u003eTheodore L. Mead Collection\u003c/extref\u003e are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the \u003cextref href=\"http://siarchives.si.edu/\"\u003eSmithsonian Institution Archives\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8e33310d6b1a70e4d88f1e2d3043cf71\" label=\"Abstract\"\u003eMichael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.\u003c/abstract\u003e"],"abstract_tesim":["Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here."],"names_coll_ssim":["Bromeliad Society","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"names_ssim":["UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"corpname_ssim":["UCF Special Collections","Bromeliad Society"],"persname_ssim":["Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3662,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"4674dbbf638dff3316591cb2","timestamp":"2026-07-11T02:53:59.490Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4674dbbf638dff3316591cb2_aspace_54788"}},{"id":"8b33a8c5177804a4b9511a5f_aspace_c45803360409e7fd24c9663d2c303f95","type":"File","attributes":{"title":"\"Indice- Hombres\", 1939-1941","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_c45803360409e7fd24c9663d2c303f95#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c45803360409e7fd24c9663d2c303f95","ref_ssm":["aspace_c45803360409e7fd24c9663d2c303f95","aspace_c45803360409e7fd24c9663d2c303f95"],"id":"8b33a8c5177804a4b9511a5f_aspace_c45803360409e7fd24c9663d2c303f95","title_filing_ssi":"\"Indice- Hombres\"","title_ssm":["\"Indice- Hombres\""],"title_tesim":["\"Indice- Hombres\""],"unitdate_inclusive_ssm":["1939-1941"],"normalized_date_ssm":["1939-1941"],"normalized_title_ssm":["\"Indice- Hombres\", 1939-1941"],"text":["\"Indice- Hombres\", 1939-1941","Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Records","\"Indice- Hombres\", 1939-1951","1","/repositories/2/archival_objects/181445","box 44","folder 1"],"component_level_isim":[3],"parent_ids_ssim":["8b33a8c5177804a4b9511a5f","8b33a8c5177804a4b9511a5f_aspace_84381","8b33a8c5177804a4b9511a5f_aspace_85767"],"parent_unittitles_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Records","\"Indice- Hombres\", 1939-1951"],"parent_unittitles_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Records","\"Indice- Hombres\", 1939-1951"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["1","/repositories/2/archival_objects/181445"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":168,"parent_access_terms_tesm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"date_range_isim":[1939,1940,1941],"containers_ssim":["box 44","folder 1"],"_nest_path_":"/components#0/components#43/components#0","_nest_parent_":"8b33a8c5177804a4b9511a5f_aspace_85767","_root_":"8b33a8c5177804a4b9511a5f","_version_":1875301659078295552,"timestamp":"2026-09-03T09:17:07.659Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8b33a8c5177804a4b9511a5f","title_ssm":["Centro Asturiano de Tampa collection"],"title_tesim":["Centro Asturiano de Tampa collection"],"ead_ssi":"8b33a8c5177804a4b9511a5f","unitdate_ssm":["1902-2007","1902-1987","Date acquired: 00/00/1989"],"unitdate_bulk_ssim":["1902-1987"],"unitdate_inclusive_ssm":["1902-2007"],"unitdate_other_ssim":["Date acquired: 00/00/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1989-02","/repositories/2/resources/542"],"text":["MS-1989-02","/repositories/2/resources/542","Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Tampa (Fla.) -- History","Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa","The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.","When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011.","Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.","None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.","USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","English"],"unitid_tesim":["MS-1989-02","/repositories/2/resources/542"],"normalized_date_ssm":["1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"normalized_title_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_title_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.) -- History"],"geogname_ssim":["Tampa (Fla.) -- History"],"creator_ssm":["Centro Asturiano de Tampa"],"creator_ssim":["Centro Asturiano de Tampa"],"creator_corpname_ssim":["Centro Asturiano de Tampa"],"creators_ssim":["Centro Asturiano de Tampa"],"places_ssim":["Tampa (Fla.) -- History"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"acqinfo_ssim":["Centro Asturiano de Tampa","Donation"],"access_subjects_ssim":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"access_subjects_ssm":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"has_online_content_ssim":["false"],"extent_ssm":["164.7 Linear Feet","241 boxes"],"extent_tesim":["164.7 Linear Feet","241 boxes"],"genreform_ssim":["Playbills -- Florida -- Tampa"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records."],"bioghist_html_tesm":["\u003cp\u003eWhen Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Espa\u0026#xF1;ol, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Espa\u0026#xF1;ol to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.\u003c/p\u003e\n","\u003cp\u003eOn January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the \u003cemph render=\"italic\"\u003eTampa Morning Tribune\u003c/emph\u003e called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.\u003c/p\u003e\n","\u003cp\u003eA central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.\u003c/p\u003e\n","\u003cp\u003eThe largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.\u003c/p\u003e\n","\u003cp\u003eNote written by Paul Camp, 2006; Joe Tamargo, 2011.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011."],"prefercite_html_tesm":["\u003cp\u003eCentro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Centro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano De Tampa Membership Records Photograph Collection\u003c/emph\u003e. Tampa, Florida: University of South Florida Libraries, 2003.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano Library Collection,\u003c/emph\u003e Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Espan\u0026#x303;ol De Tampa Collection\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCuban Club Records\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"names_coll_ssim":["Centro Asturiano de Tampa"],"names_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1038,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1875301659078295552,"_root_":"8b33a8c5177804a4b9511a5f","timestamp":"2026-09-03T09:17:07.659Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_c45803360409e7fd24c9663d2c303f95"}},{"id":"8b33a8c5177804a4b9511a5f_aspace_85767","type":"Box","attributes":{"title":"\"Indice- Hombres\", 1939-1951","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_85767#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_85767","ref_ssm":["aspace_85767","aspace_85767"],"id":"8b33a8c5177804a4b9511a5f_aspace_85767","title_filing_ssi":"\"Indice- Hombres\"","title_ssm":["\"Indice- Hombres\""],"title_tesim":["\"Indice- Hombres\""],"unitdate_inclusive_ssm":["1939-1951"],"normalized_date_ssm":["1939-1951"],"normalized_title_ssm":["\"Indice- Hombres\", 1939-1951"],"text":["\"Indice- Hombres\", 1939-1951","Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Records","44","/repositories/2/archival_objects/125447","box 44"],"component_level_isim":[2],"parent_ids_ssim":["8b33a8c5177804a4b9511a5f","8b33a8c5177804a4b9511a5f_aspace_84381"],"parent_unittitles_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Records"],"parent_unittitles_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Records"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["44","/repositories/2/archival_objects/125447"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":167,"parent_access_terms_tesm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951],"containers_ssim":["box 44"],"_nest_path_":"/components#0/components#43","_nest_parent_":"8b33a8c5177804a4b9511a5f_aspace_84381","_root_":"8b33a8c5177804a4b9511a5f","_version_":1875301659078295552,"timestamp":"2026-09-03T09:17:07.659Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8b33a8c5177804a4b9511a5f","title_ssm":["Centro Asturiano de Tampa collection"],"title_tesim":["Centro Asturiano de Tampa collection"],"ead_ssi":"8b33a8c5177804a4b9511a5f","unitdate_ssm":["1902-2007","1902-1987","Date acquired: 00/00/1989"],"unitdate_bulk_ssim":["1902-1987"],"unitdate_inclusive_ssm":["1902-2007"],"unitdate_other_ssim":["Date acquired: 00/00/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1989-02","/repositories/2/resources/542"],"text":["MS-1989-02","/repositories/2/resources/542","Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Tampa (Fla.) -- History","Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa","The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.","When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011.","Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.","None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.","USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","English"],"unitid_tesim":["MS-1989-02","/repositories/2/resources/542"],"normalized_date_ssm":["1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"normalized_title_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_title_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.) -- History"],"geogname_ssim":["Tampa (Fla.) -- History"],"creator_ssm":["Centro Asturiano de Tampa"],"creator_ssim":["Centro Asturiano de Tampa"],"creator_corpname_ssim":["Centro Asturiano de Tampa"],"creators_ssim":["Centro Asturiano de Tampa"],"places_ssim":["Tampa (Fla.) -- History"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"acqinfo_ssim":["Centro Asturiano de Tampa","Donation"],"access_subjects_ssim":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"access_subjects_ssm":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"has_online_content_ssim":["false"],"extent_ssm":["164.7 Linear Feet","241 boxes"],"extent_tesim":["164.7 Linear Feet","241 boxes"],"genreform_ssim":["Playbills -- Florida -- Tampa"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records."],"bioghist_html_tesm":["\u003cp\u003eWhen Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Espa\u0026#xF1;ol, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Espa\u0026#xF1;ol to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.\u003c/p\u003e\n","\u003cp\u003eOn January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the \u003cemph render=\"italic\"\u003eTampa Morning Tribune\u003c/emph\u003e called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.\u003c/p\u003e\n","\u003cp\u003eA central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.\u003c/p\u003e\n","\u003cp\u003eThe largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.\u003c/p\u003e\n","\u003cp\u003eNote written by Paul Camp, 2006; Joe Tamargo, 2011.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011."],"prefercite_html_tesm":["\u003cp\u003eCentro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Centro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano De Tampa Membership Records Photograph Collection\u003c/emph\u003e. Tampa, Florida: University of South Florida Libraries, 2003.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano Library Collection,\u003c/emph\u003e Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Espan\u0026#x303;ol De Tampa Collection\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCuban Club Records\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"names_coll_ssim":["Centro Asturiano de Tampa"],"names_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1038,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1875301659078295552,"_root_":"8b33a8c5177804a4b9511a5f","timestamp":"2026-09-03T09:17:07.659Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_85767"}},{"id":"8b33a8c5177804a4b9511a5f_aspace_4328e7ba93fef709849cd159958fb7de","type":"File","attributes":{"title":"\"Indice-Mujeres\", 1937-1939","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_4328e7ba93fef709849cd159958fb7de#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_4328e7ba93fef709849cd159958fb7de","ref_ssm":["aspace_4328e7ba93fef709849cd159958fb7de","aspace_4328e7ba93fef709849cd159958fb7de"],"id":"8b33a8c5177804a4b9511a5f_aspace_4328e7ba93fef709849cd159958fb7de","title_filing_ssi":"\"Indice-Mujeres\"","title_ssm":["\"Indice-Mujeres\""],"title_tesim":["\"Indice-Mujeres\""],"unitdate_inclusive_ssm":["1937-1939"],"normalized_date_ssm":["1937-1939"],"normalized_title_ssm":["\"Indice-Mujeres\", 1937-1939"],"text":["\"Indice-Mujeres\", 1937-1939","Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Records","\"Indice-Mujeres\", 1937-1941","1","/repositories/2/archival_objects/181449","box 45","folder 1"],"component_level_isim":[3],"parent_ids_ssim":["8b33a8c5177804a4b9511a5f","8b33a8c5177804a4b9511a5f_aspace_84381","8b33a8c5177804a4b9511a5f_aspace_85768"],"parent_unittitles_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Records","\"Indice-Mujeres\", 1937-1941"],"parent_unittitles_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Records","\"Indice-Mujeres\", 1937-1941"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["1","/repositories/2/archival_objects/181449"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":173,"parent_access_terms_tesm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"date_range_isim":[1937,1938,1939],"containers_ssim":["box 45","folder 1"],"_nest_path_":"/components#0/components#44/components#0","_nest_parent_":"8b33a8c5177804a4b9511a5f_aspace_85768","_root_":"8b33a8c5177804a4b9511a5f","_version_":1875301659078295552,"timestamp":"2026-09-03T09:17:07.659Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8b33a8c5177804a4b9511a5f","title_ssm":["Centro Asturiano de Tampa collection"],"title_tesim":["Centro Asturiano de Tampa collection"],"ead_ssi":"8b33a8c5177804a4b9511a5f","unitdate_ssm":["1902-2007","1902-1987","Date acquired: 00/00/1989"],"unitdate_bulk_ssim":["1902-1987"],"unitdate_inclusive_ssm":["1902-2007"],"unitdate_other_ssim":["Date acquired: 00/00/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1989-02","/repositories/2/resources/542"],"text":["MS-1989-02","/repositories/2/resources/542","Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Tampa (Fla.) -- History","Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa","The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.","When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011.","Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.","None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.","USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","English"],"unitid_tesim":["MS-1989-02","/repositories/2/resources/542"],"normalized_date_ssm":["1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"normalized_title_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_title_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.) -- History"],"geogname_ssim":["Tampa (Fla.) -- History"],"creator_ssm":["Centro Asturiano de Tampa"],"creator_ssim":["Centro Asturiano de Tampa"],"creator_corpname_ssim":["Centro Asturiano de Tampa"],"creators_ssim":["Centro Asturiano de Tampa"],"places_ssim":["Tampa (Fla.) -- History"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"acqinfo_ssim":["Centro Asturiano de Tampa","Donation"],"access_subjects_ssim":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"access_subjects_ssm":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"has_online_content_ssim":["false"],"extent_ssm":["164.7 Linear Feet","241 boxes"],"extent_tesim":["164.7 Linear Feet","241 boxes"],"genreform_ssim":["Playbills -- Florida -- Tampa"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records."],"bioghist_html_tesm":["\u003cp\u003eWhen Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Espa\u0026#xF1;ol, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Espa\u0026#xF1;ol to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.\u003c/p\u003e\n","\u003cp\u003eOn January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the \u003cemph render=\"italic\"\u003eTampa Morning Tribune\u003c/emph\u003e called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.\u003c/p\u003e\n","\u003cp\u003eA central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.\u003c/p\u003e\n","\u003cp\u003eThe largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.\u003c/p\u003e\n","\u003cp\u003eNote written by Paul Camp, 2006; Joe Tamargo, 2011.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011."],"prefercite_html_tesm":["\u003cp\u003eCentro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Centro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano De Tampa Membership Records Photograph Collection\u003c/emph\u003e. Tampa, Florida: University of South Florida Libraries, 2003.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano Library Collection,\u003c/emph\u003e Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Espan\u0026#x303;ol De Tampa Collection\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCuban Club Records\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"names_coll_ssim":["Centro Asturiano de Tampa"],"names_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1038,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1875301659078295552,"_root_":"8b33a8c5177804a4b9511a5f","timestamp":"2026-09-03T09:17:07.659Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_4328e7ba93fef709849cd159958fb7de"}},{"id":"8b33a8c5177804a4b9511a5f_aspace_85768","type":"Box","attributes":{"title":"\"Indice-Mujeres\", 1937-1941","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_85768#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_85768","ref_ssm":["aspace_85768","aspace_85768"],"id":"8b33a8c5177804a4b9511a5f_aspace_85768","title_filing_ssi":"\"Indice-Mujeres\"","title_ssm":["\"Indice-Mujeres\""],"title_tesim":["\"Indice-Mujeres\""],"unitdate_inclusive_ssm":["1937-1941"],"normalized_date_ssm":["1937-1941"],"normalized_title_ssm":["\"Indice-Mujeres\", 1937-1941"],"text":["\"Indice-Mujeres\", 1937-1941","Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Records","45","/repositories/2/archival_objects/125459","box 45"],"component_level_isim":[2],"parent_ids_ssim":["8b33a8c5177804a4b9511a5f","8b33a8c5177804a4b9511a5f_aspace_84381"],"parent_unittitles_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Records"],"parent_unittitles_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Records"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["45","/repositories/2/archival_objects/125459"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":172,"parent_access_terms_tesm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"date_range_isim":[1937,1938,1939,1940,1941],"containers_ssim":["box 45"],"_nest_path_":"/components#0/components#44","_nest_parent_":"8b33a8c5177804a4b9511a5f_aspace_84381","_root_":"8b33a8c5177804a4b9511a5f","_version_":1875301659078295552,"timestamp":"2026-09-03T09:17:07.659Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8b33a8c5177804a4b9511a5f","title_ssm":["Centro Asturiano de Tampa collection"],"title_tesim":["Centro Asturiano de Tampa collection"],"ead_ssi":"8b33a8c5177804a4b9511a5f","unitdate_ssm":["1902-2007","1902-1987","Date acquired: 00/00/1989"],"unitdate_bulk_ssim":["1902-1987"],"unitdate_inclusive_ssm":["1902-2007"],"unitdate_other_ssim":["Date acquired: 00/00/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1989-02","/repositories/2/resources/542"],"text":["MS-1989-02","/repositories/2/resources/542","Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Tampa (Fla.) -- History","Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa","The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.","When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011.","Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.","None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.","USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","English"],"unitid_tesim":["MS-1989-02","/repositories/2/resources/542"],"normalized_date_ssm":["1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"normalized_title_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_title_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.) -- History"],"geogname_ssim":["Tampa (Fla.) -- History"],"creator_ssm":["Centro Asturiano de Tampa"],"creator_ssim":["Centro Asturiano de Tampa"],"creator_corpname_ssim":["Centro Asturiano de Tampa"],"creators_ssim":["Centro Asturiano de Tampa"],"places_ssim":["Tampa (Fla.) -- History"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"acqinfo_ssim":["Centro Asturiano de Tampa","Donation"],"access_subjects_ssim":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"access_subjects_ssm":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"has_online_content_ssim":["false"],"extent_ssm":["164.7 Linear Feet","241 boxes"],"extent_tesim":["164.7 Linear Feet","241 boxes"],"genreform_ssim":["Playbills -- Florida -- Tampa"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records."],"bioghist_html_tesm":["\u003cp\u003eWhen Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Espa\u0026#xF1;ol, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Espa\u0026#xF1;ol to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.\u003c/p\u003e\n","\u003cp\u003eOn January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the \u003cemph render=\"italic\"\u003eTampa Morning Tribune\u003c/emph\u003e called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.\u003c/p\u003e\n","\u003cp\u003eA central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.\u003c/p\u003e\n","\u003cp\u003eThe largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.\u003c/p\u003e\n","\u003cp\u003eNote written by Paul Camp, 2006; Joe Tamargo, 2011.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011."],"prefercite_html_tesm":["\u003cp\u003eCentro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Centro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano De Tampa Membership Records Photograph Collection\u003c/emph\u003e. Tampa, Florida: University of South Florida Libraries, 2003.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano Library Collection,\u003c/emph\u003e Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Espan\u0026#x303;ol De Tampa Collection\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCuban Club Records\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. 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These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.","When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. 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These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records."],"bioghist_html_tesm":["\u003cp\u003eWhen Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Espa\u0026#xF1;ol, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Espa\u0026#xF1;ol to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.\u003c/p\u003e\n","\u003cp\u003eOn January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the \u003cemph render=\"italic\"\u003eTampa Morning Tribune\u003c/emph\u003e called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.\u003c/p\u003e\n","\u003cp\u003eA central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.\u003c/p\u003e\n","\u003cp\u003eThe largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.\u003c/p\u003e\n","\u003cp\u003eNote written by Paul Camp, 2006; Joe Tamargo, 2011.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011."],"prefercite_html_tesm":["\u003cp\u003eCentro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Centro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano De Tampa Membership Records Photograph Collection\u003c/emph\u003e. 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