{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1938\u0026page=287\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1938\u0026page=286\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1938\u0026page=288\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1938\u0026page=300\u0026view=compact"},"meta":{"pages":{"current_page":287,"next_page":288,"prev_page":286,"total_pages":300,"limit_value":10,"offset_value":2860,"total_count":2998,"first_page?":false,"last_page?":false}},"data":[{"id":"9646530ffefd538c63ce134a","type":"collection","attributes":{"title":"Visual Representation of Women Collection, bulk 1900-2019","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/9646530ffefd538c63ce134a#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Visual Representation of Women Collection is a postcard collection that focuses on representational images of women from around the globe. Covering the gamut of postcard types, images portray the many social constructions of womanhood and their attendant meanings. 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Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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In addition, selected materials are digitized and available electronically through the Digital Library."],"scopecontent_html_tesm":["\u003cp\u003eThe Visual Representation of Women Collection is a postcard collection that focuses on representational images of women from around the globe. Covering the gamut of postcard types, images portray the many social constructions of womanhood and their attendant meanings. Containing a variety of mass produced postcards to unique artist renditions, the collection is an ongoing project of FAU University Libraries' Special Collections that will build over time.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Visual Representation of Women Collection is a postcard collection that focuses on representational images of women from around the globe. Covering the gamut of postcard types, images portray the many social constructions of womanhood and their attendant meanings. Containing a variety of mass produced postcards to unique artist renditions, the collection is an ongoing project of FAU University Libraries' Special Collections that will build over time."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). 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Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"access_subjects_ssim":["Caricatures and cartoons -- United States -- 19th century","Gender matters in U.S. politics"],"access_subjects_ssm":["Caricatures and cartoons -- United States -- 19th century","Gender matters in U.S. politics"],"has_online_content_ssim":["false"],"extent_ssm":["1 boxes"],"extent_tesim":["1 boxes"],"physfacet_tesim":["Postcard collection"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"scopecontent_html_tesm":["\u003cp\u003eThe Visual Representation of Women Collection is a postcard collection that focuses on representational images of women from around the globe. Covering the gamut of postcard types, images portray the many social constructions of womanhood and their attendant meanings. Containing a variety of mass produced postcards to unique artist renditions, the collection is an ongoing project of FAU University Libraries' Special Collections that will build over time.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Visual Representation of Women Collection is a postcard collection that focuses on representational images of women from around the globe. Covering the gamut of postcard types, images portray the many social constructions of womanhood and their attendant meanings. Containing a variety of mass produced postcards to unique artist renditions, the collection is an ongoing project of FAU University Libraries' Special Collections that will build over time."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). 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Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":75,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841767970996224,"_root_":"9646530ffefd538c63ce134a","timestamp":"2026-07-16T03:49:04.170Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9646530ffefd538c63ce134a"}},{"id":"b5e5ea304e199c990da94015","type":"collection","attributes":{"title":"Vojtěch Kubašta Collection, 1937-2013","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/b5e5ea304e199c990da94015#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Vojtěch Kubašta Collection includes more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery. Vojtěch Kubašta (1914-1992) was a Czech paper engineer, children's book illustrator, and graphic designer. The Bienes Museum acquired the materials from various sources, and the collection also includes books and other research materials related to Kubašta's career. \u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=kubasta\u0026amp;qf=LOCATION%09Shelf+Location%091%3ABIENES%09Bienes+Museum+%7C%7C+1%3ASPEC-COLL%09Special+Collections\u0026amp;st=PD\" target=\"_blank\"\u003eBooks and items from this collection are searchable in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".\u003c/a\u003e\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b5e5ea304e199c990da94015#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"b5e5ea304e199c990da94015","title_filing_ssi":"Kubašta, Vojtěch Collection","title_ssm":["Vojtěch Kubašta Collection"],"title_tesim":["Vojtěch Kubašta Collection"],"ead_ssi":"b5e5ea304e199c990da94015","unitdate_ssm":["1937-2013"],"unitdate_inclusive_ssm":["1937-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BIENES.2003.2","/repositories/3/resources/312"],"text":["BIENES.2003.2","/repositories/3/resources/312","Vojtěch Kubašta Collection, 1937-2013","Vojtěch Kubašta was born in Vienna, Austria on October 7, 1914, but grew up, lived, and worked in Prague, Czechoslovakia. In 1933 he enrolled in the architecture program at Czech Polytechnic University in Prague (České vysoké učení technické v Praze, ČVUT). During his time there, he was one of four members of a group of students who called themselves the Quadrifoliacs, who collectively worked on many architectural projects together, winning many prizes, and also worked commercially. He graduated in 1938 with a degree in architecture and engineering, and continued working with the Quadrifoliacs on projects including the design of the Hotel Sykovec.","In addition to his studies at the Polytechnic University and work with the Quadrifoliacs, Kubašta started teaching at the Rotter School of Graphic Design around 1937 and for a local plastics manufacturer, Blaklax designing household objects and advertising materials, transitioning from working as an architect to a graphic designer. He began working on book dust jackets, exlibris, and other illustrations, and also designed puppet stage sets and puppet costumes. ","In 1941, Kubašta illustrated Joyful Stories for Children, written by Vlasta Burian, and Folk Tales of Africa, marking his turn towards another (and long-lasting) career in creating children's books. In the 1940s and early 1950s, he worked primarily with the publishers Aventium and Dolezal, but his illustrations appeared in many works printed by many presses. In 1953, he began illustrating for Artia, where between 1955 and 1965 he illustrated and paper engineered over 90 books. In the 1970s, he paper engineered and illustrated five movie-tie in books for Walt Disney, and also began authoring his own stories. ","In addition to numerous commercial designs, it is estimated that he was responsible for creating over 300 books and that millions of copies in numerous languages have been published and distributed throughout the world. Despite the financial stability that his career brought him, Kubašta continued to work up until his death on July 7, 1992.","The Bienes Museum of the Modern Book (at the time known as the Bienes Center for the Literary Arts) began a pop-up book exhibition series in 2002, and as a result started actively collecting the works of Vojtěch Kubašta in 2003. In 2005, the Bienes held the third exhibition in the series, Pop-up, Illustrated Books, and Graphic Design of Czech Artist and Paper Engineer, Vojtěch Kubašta (1914-1992). It featured 159 items by Kubašta selected from private and public collections. Assistance to the exhibit was offered by Ellen G.K. Rubin who, amongst her massive pop-up book collection,  held a comprehensive collection of Kubašta's books and artworks. Rubin also visited and interviewed Dagmar Kubaštova (Vojtěch Kubašta's daughter) in Sarnia, Ontario, Canada.","By 2012, the Bienes' collection of Kubašta items included more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery, which at the time was the largest public collection of his works in the United States.","Books and items from this collection were cataloged in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".","The Vojtěch Kubašta Collection includes more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery. Vojtěch Kubašta (1914-1992) was a Czech paper engineer, children's book illustrator, and graphic designer. The Bienes Museum acquired the materials from various sources, and the collection also includes books and other research materials related to Kubašta's career.  Books and items from this collection are searchable in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".","Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library","English"],"unitid_tesim":["BIENES.2003.2","/repositories/3/resources/312"],"normalized_date_ssm":["1937-2013"],"normalized_title_ssm":["Vojtěch Kubašta Collection, 1937-2013"],"collection_title_tesim":["Vojtěch Kubašta Collection, 1937-2013"],"collection_ssim":["Vojtěch Kubašta Collection, 1937-2013"],"repository_ssm":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"has_online_content_ssim":["false"],"extent_ssm":["315 Items"],"extent_tesim":["315 Items"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"bioghist_html_tesm":["\u003cp\u003eVojt\u0026#x11B;ch Kuba\u0026#x161;ta was born in Vienna, Austria on October 7, 1914, but grew up, lived, and worked in Prague, Czechoslovakia. In 1933 he enrolled in the architecture program at Czech Polytechnic University in Prague (\u0026#x10C;esk\u0026#xE9; vysok\u0026#xE9; u\u0026#x10D;en\u0026#xED; technick\u0026#xE9; v Praze, \u0026#x10C;VUT). During his time there, he was one of four members of a group of students who called themselves the Quadrifoliacs, who collectively worked on many architectural projects together, winning many prizes, and also worked commercially. He graduated in 1938 with a degree in architecture and engineering, and continued working with the Quadrifoliacs on projects including the design of the Hotel Sykovec.\u003c/p\u003e\n","\u003cp\u003eIn addition to his studies at the Polytechnic University and work with the Quadrifoliacs, Kuba\u0026#x161;ta started teaching at the Rotter School of Graphic Design around 1937 and for a local plastics manufacturer, Blaklax designing household objects and advertising materials, transitioning from working as an architect to a graphic designer. He began working on book dust jackets, exlibris, and other illustrations, and also designed puppet stage sets and puppet costumes. \u003c/p\u003e\n","\u003cp\u003eIn 1941, Kuba\u0026#x161;ta illustrated Joyful Stories for Children, written by Vlasta Burian, and Folk Tales of Africa, marking his turn towards another (and long-lasting) career in creating children's books. In the 1940s and early 1950s, he worked primarily with the publishers Aventium and Dolezal, but his illustrations appeared in many works printed by many presses. In 1953, he began illustrating for Artia, where between 1955 and 1965 he illustrated and paper engineered over 90 books. In the 1970s, he paper engineered and illustrated five movie-tie in books for Walt Disney, and also began authoring his own stories. \u003c/p\u003e\n","\u003cp\u003eIn addition to numerous commercial designs, it is estimated that he was responsible for creating over 300 books and that millions of copies in numerous languages have been published and distributed throughout the world. Despite the financial stability that his career brought him, Kuba\u0026#x161;ta continued to work up until his death on July 7, 1992.\u003c/p\u003e\n","\u003cp\u003eThe Bienes Museum of the Modern Book (at the time known as the Bienes Center for the Literary Arts) began a pop-up book exhibition series in 2002, and as a result started actively collecting the works of Vojt\u0026#x11B;ch Kuba\u0026#x161;ta in 2003. In 2005, the Bienes held the third exhibition in the series, Pop-up, Illustrated Books, and Graphic Design of Czech Artist and Paper Engineer, Vojt\u0026#x11B;ch Kuba\u0026#x161;ta (1914-1992). It featured 159 items by Kuba\u0026#x161;ta selected from private and public collections. Assistance to the exhibit was offered by Ellen G.K. Rubin who, amongst her massive pop-up book collection,  held a comprehensive collection of Kuba\u0026#x161;ta's books and artworks. Rubin also visited and interviewed Dagmar Kuba\u0026#x161;tova (Vojt\u0026#x11B;ch Kuba\u0026#x161;ta's daughter) in Sarnia, Ontario, Canada.\u003c/p\u003e\n","\u003cp\u003eBy 2012, the Bienes' collection of Kuba\u0026#x161;ta items included more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery, which at the time was the largest public collection of his works in the United States.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Vojtěch Kubašta was born in Vienna, Austria on October 7, 1914, but grew up, lived, and worked in Prague, Czechoslovakia. In 1933 he enrolled in the architecture program at Czech Polytechnic University in Prague (České vysoké učení technické v Praze, ČVUT). During his time there, he was one of four members of a group of students who called themselves the Quadrifoliacs, who collectively worked on many architectural projects together, winning many prizes, and also worked commercially. He graduated in 1938 with a degree in architecture and engineering, and continued working with the Quadrifoliacs on projects including the design of the Hotel Sykovec.","In addition to his studies at the Polytechnic University and work with the Quadrifoliacs, Kubašta started teaching at the Rotter School of Graphic Design around 1937 and for a local plastics manufacturer, Blaklax designing household objects and advertising materials, transitioning from working as an architect to a graphic designer. He began working on book dust jackets, exlibris, and other illustrations, and also designed puppet stage sets and puppet costumes. ","In 1941, Kubašta illustrated Joyful Stories for Children, written by Vlasta Burian, and Folk Tales of Africa, marking his turn towards another (and long-lasting) career in creating children's books. In the 1940s and early 1950s, he worked primarily with the publishers Aventium and Dolezal, but his illustrations appeared in many works printed by many presses. In 1953, he began illustrating for Artia, where between 1955 and 1965 he illustrated and paper engineered over 90 books. In the 1970s, he paper engineered and illustrated five movie-tie in books for Walt Disney, and also began authoring his own stories. ","In addition to numerous commercial designs, it is estimated that he was responsible for creating over 300 books and that millions of copies in numerous languages have been published and distributed throughout the world. Despite the financial stability that his career brought him, Kubašta continued to work up until his death on July 7, 1992.","The Bienes Museum of the Modern Book (at the time known as the Bienes Center for the Literary Arts) began a pop-up book exhibition series in 2002, and as a result started actively collecting the works of Vojtěch Kubašta in 2003. In 2005, the Bienes held the third exhibition in the series, Pop-up, Illustrated Books, and Graphic Design of Czech Artist and Paper Engineer, Vojtěch Kubašta (1914-1992). It featured 159 items by Kubašta selected from private and public collections. Assistance to the exhibit was offered by Ellen G.K. Rubin who, amongst her massive pop-up book collection,  held a comprehensive collection of Kubašta's books and artworks. Rubin also visited and interviewed Dagmar Kubaštova (Vojtěch Kubašta's daughter) in Sarnia, Ontario, Canada.","By 2012, the Bienes' collection of Kubašta items included more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery, which at the time was the largest public collection of his works in the United States."],"processinfo_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=kubasta\u0026amp;qf=LOCATION%09Shelf+Location%091%3ABIENES%09Bienes+Museum+%7C%7C+1%3ASPEC-COLL%09Special+Collections\u0026amp;st=PD\" target=\"_blank\"\u003eBooks and items from this collection were cataloged in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".\u003c/a\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Access the Books"],"processinfo_tesim":["Books and items from this collection were cataloged in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\"."],"scopecontent_html_tesm":["\u003cp\u003eThe Vojt\u0026#x11B;ch Kuba\u0026#x161;ta Collection includes more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery. Vojt\u0026#x11B;ch Kuba\u0026#x161;ta (1914-1992) was a Czech paper engineer, children's book illustrator, and graphic designer. The Bienes Museum acquired the materials from various sources, and the collection also includes books and other research materials related to Kuba\u0026#x161;ta's career. \u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=kubasta\u0026amp;qf=LOCATION%09Shelf+Location%091%3ABIENES%09Bienes+Museum+%7C%7C+1%3ASPEC-COLL%09Special+Collections\u0026amp;st=PD\" target=\"_blank\"\u003eBooks and items from this collection are searchable in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".\u003c/a\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Vojtěch Kubašta Collection includes more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery. Vojtěch Kubašta (1914-1992) was a Czech paper engineer, children's book illustrator, and graphic designer. The Bienes Museum acquired the materials from various sources, and the collection also includes books and other research materials related to Kubašta's career.  Books and items from this collection are searchable in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\"."],"names_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"corpname_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870839696693657600,"_root_":"b5e5ea304e199c990da94015","timestamp":"2026-07-16T03:16:08.850Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b5e5ea304e199c990da94015","title_filing_ssi":"Kubašta, Vojtěch Collection","title_ssm":["Vojtěch Kubašta Collection"],"title_tesim":["Vojtěch Kubašta Collection"],"ead_ssi":"b5e5ea304e199c990da94015","unitdate_ssm":["1937-2013"],"unitdate_inclusive_ssm":["1937-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BIENES.2003.2","/repositories/3/resources/312"],"text":["BIENES.2003.2","/repositories/3/resources/312","Vojtěch Kubašta Collection, 1937-2013","Vojtěch Kubašta was born in Vienna, Austria on October 7, 1914, but grew up, lived, and worked in Prague, Czechoslovakia. In 1933 he enrolled in the architecture program at Czech Polytechnic University in Prague (České vysoké učení technické v Praze, ČVUT). During his time there, he was one of four members of a group of students who called themselves the Quadrifoliacs, who collectively worked on many architectural projects together, winning many prizes, and also worked commercially. He graduated in 1938 with a degree in architecture and engineering, and continued working with the Quadrifoliacs on projects including the design of the Hotel Sykovec.","In addition to his studies at the Polytechnic University and work with the Quadrifoliacs, Kubašta started teaching at the Rotter School of Graphic Design around 1937 and for a local plastics manufacturer, Blaklax designing household objects and advertising materials, transitioning from working as an architect to a graphic designer. He began working on book dust jackets, exlibris, and other illustrations, and also designed puppet stage sets and puppet costumes. ","In 1941, Kubašta illustrated Joyful Stories for Children, written by Vlasta Burian, and Folk Tales of Africa, marking his turn towards another (and long-lasting) career in creating children's books. In the 1940s and early 1950s, he worked primarily with the publishers Aventium and Dolezal, but his illustrations appeared in many works printed by many presses. In 1953, he began illustrating for Artia, where between 1955 and 1965 he illustrated and paper engineered over 90 books. In the 1970s, he paper engineered and illustrated five movie-tie in books for Walt Disney, and also began authoring his own stories. ","In addition to numerous commercial designs, it is estimated that he was responsible for creating over 300 books and that millions of copies in numerous languages have been published and distributed throughout the world. Despite the financial stability that his career brought him, Kubašta continued to work up until his death on July 7, 1992.","The Bienes Museum of the Modern Book (at the time known as the Bienes Center for the Literary Arts) began a pop-up book exhibition series in 2002, and as a result started actively collecting the works of Vojtěch Kubašta in 2003. In 2005, the Bienes held the third exhibition in the series, Pop-up, Illustrated Books, and Graphic Design of Czech Artist and Paper Engineer, Vojtěch Kubašta (1914-1992). It featured 159 items by Kubašta selected from private and public collections. Assistance to the exhibit was offered by Ellen G.K. Rubin who, amongst her massive pop-up book collection,  held a comprehensive collection of Kubašta's books and artworks. Rubin also visited and interviewed Dagmar Kubaštova (Vojtěch Kubašta's daughter) in Sarnia, Ontario, Canada.","By 2012, the Bienes' collection of Kubašta items included more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery, which at the time was the largest public collection of his works in the United States.","Books and items from this collection were cataloged in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".","The Vojtěch Kubašta Collection includes more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery. Vojtěch Kubašta (1914-1992) was a Czech paper engineer, children's book illustrator, and graphic designer. The Bienes Museum acquired the materials from various sources, and the collection also includes books and other research materials related to Kubašta's career.  Books and items from this collection are searchable in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".","Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library","English"],"unitid_tesim":["BIENES.2003.2","/repositories/3/resources/312"],"normalized_date_ssm":["1937-2013"],"normalized_title_ssm":["Vojtěch Kubašta Collection, 1937-2013"],"collection_title_tesim":["Vojtěch Kubašta Collection, 1937-2013"],"collection_ssim":["Vojtěch Kubašta Collection, 1937-2013"],"repository_ssm":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"has_online_content_ssim":["false"],"extent_ssm":["315 Items"],"extent_tesim":["315 Items"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"bioghist_html_tesm":["\u003cp\u003eVojt\u0026#x11B;ch Kuba\u0026#x161;ta was born in Vienna, Austria on October 7, 1914, but grew up, lived, and worked in Prague, Czechoslovakia. In 1933 he enrolled in the architecture program at Czech Polytechnic University in Prague (\u0026#x10C;esk\u0026#xE9; vysok\u0026#xE9; u\u0026#x10D;en\u0026#xED; technick\u0026#xE9; v Praze, \u0026#x10C;VUT). During his time there, he was one of four members of a group of students who called themselves the Quadrifoliacs, who collectively worked on many architectural projects together, winning many prizes, and also worked commercially. He graduated in 1938 with a degree in architecture and engineering, and continued working with the Quadrifoliacs on projects including the design of the Hotel Sykovec.\u003c/p\u003e\n","\u003cp\u003eIn addition to his studies at the Polytechnic University and work with the Quadrifoliacs, Kuba\u0026#x161;ta started teaching at the Rotter School of Graphic Design around 1937 and for a local plastics manufacturer, Blaklax designing household objects and advertising materials, transitioning from working as an architect to a graphic designer. He began working on book dust jackets, exlibris, and other illustrations, and also designed puppet stage sets and puppet costumes. \u003c/p\u003e\n","\u003cp\u003eIn 1941, Kuba\u0026#x161;ta illustrated Joyful Stories for Children, written by Vlasta Burian, and Folk Tales of Africa, marking his turn towards another (and long-lasting) career in creating children's books. In the 1940s and early 1950s, he worked primarily with the publishers Aventium and Dolezal, but his illustrations appeared in many works printed by many presses. In 1953, he began illustrating for Artia, where between 1955 and 1965 he illustrated and paper engineered over 90 books. In the 1970s, he paper engineered and illustrated five movie-tie in books for Walt Disney, and also began authoring his own stories. \u003c/p\u003e\n","\u003cp\u003eIn addition to numerous commercial designs, it is estimated that he was responsible for creating over 300 books and that millions of copies in numerous languages have been published and distributed throughout the world. Despite the financial stability that his career brought him, Kuba\u0026#x161;ta continued to work up until his death on July 7, 1992.\u003c/p\u003e\n","\u003cp\u003eThe Bienes Museum of the Modern Book (at the time known as the Bienes Center for the Literary Arts) began a pop-up book exhibition series in 2002, and as a result started actively collecting the works of Vojt\u0026#x11B;ch Kuba\u0026#x161;ta in 2003. In 2005, the Bienes held the third exhibition in the series, Pop-up, Illustrated Books, and Graphic Design of Czech Artist and Paper Engineer, Vojt\u0026#x11B;ch Kuba\u0026#x161;ta (1914-1992). It featured 159 items by Kuba\u0026#x161;ta selected from private and public collections. Assistance to the exhibit was offered by Ellen G.K. Rubin who, amongst her massive pop-up book collection,  held a comprehensive collection of Kuba\u0026#x161;ta's books and artworks. Rubin also visited and interviewed Dagmar Kuba\u0026#x161;tova (Vojt\u0026#x11B;ch Kuba\u0026#x161;ta's daughter) in Sarnia, Ontario, Canada.\u003c/p\u003e\n","\u003cp\u003eBy 2012, the Bienes' collection of Kuba\u0026#x161;ta items included more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery, which at the time was the largest public collection of his works in the United States.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Vojtěch Kubašta was born in Vienna, Austria on October 7, 1914, but grew up, lived, and worked in Prague, Czechoslovakia. In 1933 he enrolled in the architecture program at Czech Polytechnic University in Prague (České vysoké učení technické v Praze, ČVUT). During his time there, he was one of four members of a group of students who called themselves the Quadrifoliacs, who collectively worked on many architectural projects together, winning many prizes, and also worked commercially. He graduated in 1938 with a degree in architecture and engineering, and continued working with the Quadrifoliacs on projects including the design of the Hotel Sykovec.","In addition to his studies at the Polytechnic University and work with the Quadrifoliacs, Kubašta started teaching at the Rotter School of Graphic Design around 1937 and for a local plastics manufacturer, Blaklax designing household objects and advertising materials, transitioning from working as an architect to a graphic designer. He began working on book dust jackets, exlibris, and other illustrations, and also designed puppet stage sets and puppet costumes. ","In 1941, Kubašta illustrated Joyful Stories for Children, written by Vlasta Burian, and Folk Tales of Africa, marking his turn towards another (and long-lasting) career in creating children's books. In the 1940s and early 1950s, he worked primarily with the publishers Aventium and Dolezal, but his illustrations appeared in many works printed by many presses. In 1953, he began illustrating for Artia, where between 1955 and 1965 he illustrated and paper engineered over 90 books. In the 1970s, he paper engineered and illustrated five movie-tie in books for Walt Disney, and also began authoring his own stories. ","In addition to numerous commercial designs, it is estimated that he was responsible for creating over 300 books and that millions of copies in numerous languages have been published and distributed throughout the world. Despite the financial stability that his career brought him, Kubašta continued to work up until his death on July 7, 1992.","The Bienes Museum of the Modern Book (at the time known as the Bienes Center for the Literary Arts) began a pop-up book exhibition series in 2002, and as a result started actively collecting the works of Vojtěch Kubašta in 2003. In 2005, the Bienes held the third exhibition in the series, Pop-up, Illustrated Books, and Graphic Design of Czech Artist and Paper Engineer, Vojtěch Kubašta (1914-1992). It featured 159 items by Kubašta selected from private and public collections. Assistance to the exhibit was offered by Ellen G.K. Rubin who, amongst her massive pop-up book collection,  held a comprehensive collection of Kubašta's books and artworks. Rubin also visited and interviewed Dagmar Kubaštova (Vojtěch Kubašta's daughter) in Sarnia, Ontario, Canada.","By 2012, the Bienes' collection of Kubašta items included more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery, which at the time was the largest public collection of his works in the United States."],"processinfo_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=kubasta\u0026amp;qf=LOCATION%09Shelf+Location%091%3ABIENES%09Bienes+Museum+%7C%7C+1%3ASPEC-COLL%09Special+Collections\u0026amp;st=PD\" target=\"_blank\"\u003eBooks and items from this collection were cataloged in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".\u003c/a\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Access the Books"],"processinfo_tesim":["Books and items from this collection were cataloged in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\"."],"scopecontent_html_tesm":["\u003cp\u003eThe Vojt\u0026#x11B;ch Kuba\u0026#x161;ta Collection includes more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery. Vojt\u0026#x11B;ch Kuba\u0026#x161;ta (1914-1992) was a Czech paper engineer, children's book illustrator, and graphic designer. The Bienes Museum acquired the materials from various sources, and the collection also includes books and other research materials related to Kuba\u0026#x161;ta's career. \u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=kubasta\u0026amp;qf=LOCATION%09Shelf+Location%091%3ABIENES%09Bienes+Museum+%7C%7C+1%3ASPEC-COLL%09Special+Collections\u0026amp;st=PD\" target=\"_blank\"\u003eBooks and items from this collection are searchable in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".\u003c/a\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Vojtěch Kubašta Collection includes more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery. Vojtěch Kubašta (1914-1992) was a Czech paper engineer, children's book illustrator, and graphic designer. The Bienes Museum acquired the materials from various sources, and the collection also includes books and other research materials related to Kubašta's career.  Books and items from this collection are searchable in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\"."],"names_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"corpname_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870839696693657600,"_root_":"b5e5ea304e199c990da94015","timestamp":"2026-07-16T03:16:08.850Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b5e5ea304e199c990da94015"}},{"id":"34e1c2c7c431f5206e979541_aspace_17305","type":"File","attributes":{"title":"Vol. 33 nos. 26-27, 45, 47, 49, 51, 1938-1939","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/34e1c2c7c431f5206e979541_aspace_17305#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_17305","ref_ssm":["aspace_17305","aspace_17305"],"id":"34e1c2c7c431f5206e979541_aspace_17305","title_filing_ssi":"Vol. 33 nos. 26-27, 45, 47, 49, 51","title_ssm":["Vol. 33 nos. 26-27, 45, 47, 49, 51"],"title_tesim":["Vol. 33 nos. 26-27, 45, 47, 49, 51"],"unitdate_inclusive_ssm":["1938-1939"],"normalized_date_ssm":["1938-1939"],"normalized_title_ssm":["Vol. 33 nos. 26-27, 45, 47, 49, 51, 1938-1939"],"text":["Vol. 33 nos. 26-27, 45, 47, 49, 51, 1938-1939","Henry Nehrling Papers, 1886-1970","Writings, 1894-1970.","American Eagle, 1923-1970.","Newspapers, 1922-1970","Folder 3","/repositories/4/archival_objects/37622","box 4","folder 3"],"component_level_isim":[4],"parent_ids_ssim":["34e1c2c7c431f5206e979541","34e1c2c7c431f5206e979541_aspace_17265","34e1c2c7c431f5206e979541_aspace_17295","34e1c2c7c431f5206e979541_aspace_17297"],"parent_unittitles_ssm":["Henry Nehrling Papers, 1886-1970","Writings, 1894-1970.","American Eagle, 1923-1970.","Newspapers, 1922-1970"],"parent_unittitles_tesim":["Henry Nehrling Papers, 1886-1970","Writings, 1894-1970.","American Eagle, 1923-1970.","Newspapers, 1922-1970"],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["Folder 3","/repositories/4/archival_objects/37622"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Henry Nehrling Papers, 1886-1970"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":28,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1938,1939],"containers_ssim":["box 4","folder 3"],"_nest_path_":"/components#0/components#5/components#0/components#7","_nest_parent_":"34e1c2c7c431f5206e979541_aspace_17297","_root_":"34e1c2c7c431f5206e979541","timestamp":"2026-07-09T03:02:47.938Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"34e1c2c7c431f5206e979541","title_ssm":["Henry Nehrling Papers"],"title_tesim":["Henry Nehrling Papers"],"ead_ssi":"34e1c2c7c431f5206e979541","unitdate_ssm":["1886-1970"],"unitdate_inclusive_ssm":["1886-1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.029","/repositories/4/resources/158"],"text":["SC.029","/repositories/4/resources/158","Henry Nehrling Papers, 1886-1970","Naples (Fla.)","Birds -- North America","Horticulture -- Florida","Plants, Ornamental -- Florida","Gardens -- Florida","Gardening -- Florida","Tropical Plants","Botany -- Florida","Botany","Bromeliaceae","Plant hybridization","Photographic prints","botanical illustrations","The entire collection is open for research.","Henry Nehrling, an ornithologist and horticulturist, was born on 9 May 1853 in Herman, Wisconsin, to Carl Nehrling and Elizabeth Ruge. His walks to and from a Lutheran parochial school several miles from his home gave him an opportunity to develop a passionate interest in birds and plants. He completed a teacher education program at the Lutheran Teacher's Seminary in Addison, Illinois and taught in Illinois, Missouri and Texas. Nehrling married Sophia Schoff of Oak Park, Illinois on July 20, 1874 and they had nine children. Their eldest son, Walter, became a professor of Botany at Illinois State Normal School. Henry Nehrling was an original member of the American Ornithologist's Union formed in 1883.","\nWhile living in Houston, Texas from 1879, Nehrling first had the opportunity of growing tropical plants. In 1887, he was appointed deputy collector and inspector of customs at the port of Milwaukee where he remained for three years until he accepted the post of Custodian of the Public Museum in Milwaukee where he collected plant specimens for their greenhouse. He purchased land in Gotha, Florida in 1884, but did not visit the property until 1886. Slowly, as his finances allowed, he developed the property into an ornamental garden. At the Columbian Exposition of 1893, Nehrling had the opportunity of examining many tropical plants and trees and became fascinated with the fancy-leafed caladium. Through a South American horticulturist, Adolph Lietz, Nehrling acquired hundreds of Brazilian caladium specimens. These were first housed in his greenhouse in Milwaukee but were later moved to Gotha. Nehrling created new hybrid caladiums which he named in honor of his wife, the \"Mrs. Sophie Nehrling,\" his son the \"Arno Nehrling\" and his daughter-in-law \"Mrs. Arno Nehrling.\"","\nNehrling lost his position with the Public Museum of Milwaukee and permanently settled in Gotha in 1904. where he also began to experiment with the colorful annual flowering Amaryllis. He grew, hybridized, and popularized many unusual and exotic plants for the general public. Caladiums, palms, bamboo, and amaryllis were all introduced to the United States by way of his Palm Cottage Gardens. Nehrling collaborated with the Office of Foreign Seed and Plant Introduction, which was part of what was then called the Bureau of Plant Industry. Through this connection, Nehrling was able to expand his international contacts and gather information, plants and seeds from tropical horticulturists around the world. Nehrling's garden became so well known that people like John Burroughs, Thomas Edison, and Theodore Roosevelt came to visit and learn gardening tips. Nehrling's wife, Sophia, died on November 11, 1911, and on June 7, 1916 he married Betty P. Mitchell. A freeze in 1917 killed many of his most valuable plants; to avoid a recurrence, he purchased property in Naples, Florida where he could safely grow tropical species. He settled there in 1922 and by 1925, Nehrling had over three thousand species of tropical plants. Financial problems forced him to return to Gotha where he died on November 22, 1929 and was buried in Woodlawn cemetery near Gotha. His garden in Naples was preserved as the Jungle Larry's Caribbean Gardens and some efforts have been made to preserve his Palm Cottage Gardens in Gotha.","\nNehrling always wrote about his interests; he wrote articles on birds for the Nuttall Ornithological Club in Texas. In 1922, he began writing columns for The American Eagle, a weekly newspaper published in Estero, Florida. His first book Orchids in South Florida was published in 1890 and was followed a year later by Die Nordamerikanische Vogelwelt (North American Bird Life). Two volumes of Our Native Birds of Song and Beauty were published in 1893 and 1896 respectively. His next work, Die Amaryllis oder Rittersterne (Hippeastrum) (The Amaryllis), was published in 1908.","Collection processed by Judith Beale; finding aid prepared by Judith Beale, Dannie Helm, and Blair Jackson.\t ","Materials were arranged in pH neutral folders and boxes. Damaged, fragile and high use items were placed in polyester sleeves. Some materials have water damage and were freeze dried in August 2006.","Other materials about Henry Nehrling are held in repositories at  Rollins College ,  Winter Park Public Library ,  Fairchild Tropical Botanic Garden Library ,  Orange County Regional History Center  and the Koreshan Collection. Nehrling wrote several books that may be found by searching the library catalog. Michael A. Spencer also donated collections on Henry Nehrling to University of Central Florida Libraries, Special Collections \u0026 University Archives. The finding aid can be found  here .","These papers are divided into three series by type of document.","Series I: Writings, 1894-1970 holds manuscripts, newspaper articles and clippings, outlines, research notes, outgoing correspondence and reviews written by Henry Nehrling.","\nSeries II: Gardening Information, 1886-1930 contains photographs, plant lists, order forms and other information about plants that interested Nehrling.","\nSeries III: Business and Personal Documents, 1887-1932 consists of incoming correspondence, financial papers, photographs, news clippings, a short biography and other materials from the Nehrling household.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Henry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature.","UCF Special Collections","Nehrling, Henry, 1853-1929","English"],"unitid_tesim":["SC.029","/repositories/4/resources/158"],"normalized_date_ssm":["1886-1970"],"normalized_title_ssm":["Henry Nehrling Papers, 1886-1970"],"collection_title_tesim":["Henry Nehrling Papers, 1886-1970"],"collection_ssim":["Henry Nehrling Papers, 1886-1970"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Naples (Fla.)"],"geogname_ssim":["Naples (Fla.)"],"creator_ssm":["Nehrling, Henry, 1853-1929"],"creator_ssim":["Nehrling, Henry, 1853-1929"],"creator_persname_ssim":["Nehrling, Henry, 1853-1929"],"creators_ssim":["Nehrling, Henry, 1853-1929"],"places_ssim":["Naples (Fla.)"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The University of Central Florida Libraries, Special Collections and University Archives Department purchased these materials from the Mickler estate in 1999 (CFM1999_03). Some copies of the American Eagle were donated by the Florida Audubon Society."],"access_subjects_ssim":["Birds -- North America","Horticulture -- Florida","Plants, Ornamental -- Florida","Gardens -- Florida","Gardening -- Florida","Tropical Plants","Botany -- Florida","Botany","Bromeliaceae","Plant hybridization","Photographic prints","botanical illustrations"],"access_subjects_ssm":["Birds -- North America","Horticulture -- Florida","Plants, Ornamental -- Florida","Gardens -- Florida","Gardening -- Florida","Tropical Plants","Botany -- Florida","Botany","Bromeliaceae","Plant hybridization","Photographic prints","botanical illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 5 Boxes"],"extent_tesim":["3.25 Linear Feet 5 Boxes"],"genreform_ssim":["Photographic prints","botanical illustrations"],"date_range_isim":[1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eHenry Nehrling, an ornithologist and horticulturist, was born on 9 May 1853 in Herman, Wisconsin, to Carl Nehrling and Elizabeth Ruge. His walks to and from a Lutheran parochial school several miles from his home gave him an opportunity to develop a passionate interest in birds and plants. He completed a teacher education program at the Lutheran Teacher's Seminary in Addison, Illinois and taught in Illinois, Missouri and Texas. Nehrling married Sophia Schoff of Oak Park, Illinois on July 20, 1874 and they had nine children. Their eldest son, Walter, became a professor of Botany at Illinois State Normal School. Henry Nehrling was an original member of the American Ornithologist's Union formed in 1883.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Houston, Texas from 1879, Nehrling first had the opportunity of growing tropical plants. In 1887, he was appointed deputy collector and inspector of customs at the port of Milwaukee where he remained for three years until he accepted the post of Custodian of the Public Museum in Milwaukee where he collected plant specimens for their greenhouse. He purchased land in Gotha, Florida in 1884, but did not visit the property until 1886. Slowly, as his finances allowed, he developed the property into an ornamental garden. At the Columbian Exposition of 1893, Nehrling had the opportunity of examining many tropical plants and trees and became fascinated with the fancy-leafed caladium. Through a South American horticulturist, Adolph Lietz, Nehrling acquired hundreds of Brazilian caladium specimens. These were first housed in his greenhouse in Milwaukee but were later moved to Gotha. Nehrling created new hybrid caladiums which he named in honor of his wife, the \"Mrs. Sophie Nehrling,\" his son the \"Arno Nehrling\" and his daughter-in-law \"Mrs. Arno Nehrling.\"\u003c/p\u003e\n","\u003cp\u003e\nNehrling lost his position with the Public Museum of Milwaukee and permanently settled in Gotha in 1904. where he also began to experiment with the colorful annual flowering Amaryllis. He grew, hybridized, and popularized many unusual and exotic plants for the general public. Caladiums, palms, bamboo, and amaryllis were all introduced to the United States by way of his Palm Cottage Gardens. Nehrling collaborated with the Office of Foreign Seed and Plant Introduction, which was part of what was then called the Bureau of Plant Industry. Through this connection, Nehrling was able to expand his international contacts and gather information, plants and seeds from tropical horticulturists around the world. Nehrling's garden became so well known that people like John Burroughs, Thomas Edison, and Theodore Roosevelt came to visit and learn gardening tips. Nehrling's wife, Sophia, died on November 11, 1911, and on June 7, 1916 he married Betty P. Mitchell. A freeze in 1917 killed many of his most valuable plants; to avoid a recurrence, he purchased property in Naples, Florida where he could safely grow tropical species. He settled there in 1922 and by 1925, Nehrling had over three thousand species of tropical plants. Financial problems forced him to return to Gotha where he died on November 22, 1929 and was buried in Woodlawn cemetery near Gotha. His garden in Naples was preserved as the Jungle Larry's Caribbean Gardens and some efforts have been made to preserve his Palm Cottage Gardens in Gotha.\u003c/p\u003e\n","\u003cp\u003e\nNehrling always wrote about his interests; he wrote articles on birds for the Nuttall Ornithological Club in Texas. In 1922, he began writing columns for The American Eagle, a weekly newspaper published in Estero, Florida. His first book Orchids in South Florida was published in 1890 and was followed a year later by Die Nordamerikanische Vogelwelt (North American Bird Life). Two volumes of Our Native Birds of Song and Beauty were published in 1893 and 1896 respectively. His next work, Die Amaryllis oder Rittersterne (Hippeastrum) (The Amaryllis), was published in 1908.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Henry Nehrling, an ornithologist and horticulturist, was born on 9 May 1853 in Herman, Wisconsin, to Carl Nehrling and Elizabeth Ruge. His walks to and from a Lutheran parochial school several miles from his home gave him an opportunity to develop a passionate interest in birds and plants. He completed a teacher education program at the Lutheran Teacher's Seminary in Addison, Illinois and taught in Illinois, Missouri and Texas. Nehrling married Sophia Schoff of Oak Park, Illinois on July 20, 1874 and they had nine children. Their eldest son, Walter, became a professor of Botany at Illinois State Normal School. Henry Nehrling was an original member of the American Ornithologist's Union formed in 1883.","\nWhile living in Houston, Texas from 1879, Nehrling first had the opportunity of growing tropical plants. In 1887, he was appointed deputy collector and inspector of customs at the port of Milwaukee where he remained for three years until he accepted the post of Custodian of the Public Museum in Milwaukee where he collected plant specimens for their greenhouse. He purchased land in Gotha, Florida in 1884, but did not visit the property until 1886. Slowly, as his finances allowed, he developed the property into an ornamental garden. At the Columbian Exposition of 1893, Nehrling had the opportunity of examining many tropical plants and trees and became fascinated with the fancy-leafed caladium. Through a South American horticulturist, Adolph Lietz, Nehrling acquired hundreds of Brazilian caladium specimens. These were first housed in his greenhouse in Milwaukee but were later moved to Gotha. Nehrling created new hybrid caladiums which he named in honor of his wife, the \"Mrs. Sophie Nehrling,\" his son the \"Arno Nehrling\" and his daughter-in-law \"Mrs. Arno Nehrling.\"","\nNehrling lost his position with the Public Museum of Milwaukee and permanently settled in Gotha in 1904. where he also began to experiment with the colorful annual flowering Amaryllis. He grew, hybridized, and popularized many unusual and exotic plants for the general public. Caladiums, palms, bamboo, and amaryllis were all introduced to the United States by way of his Palm Cottage Gardens. Nehrling collaborated with the Office of Foreign Seed and Plant Introduction, which was part of what was then called the Bureau of Plant Industry. Through this connection, Nehrling was able to expand his international contacts and gather information, plants and seeds from tropical horticulturists around the world. Nehrling's garden became so well known that people like John Burroughs, Thomas Edison, and Theodore Roosevelt came to visit and learn gardening tips. Nehrling's wife, Sophia, died on November 11, 1911, and on June 7, 1916 he married Betty P. Mitchell. A freeze in 1917 killed many of his most valuable plants; to avoid a recurrence, he purchased property in Naples, Florida where he could safely grow tropical species. He settled there in 1922 and by 1925, Nehrling had over three thousand species of tropical plants. Financial problems forced him to return to Gotha where he died on November 22, 1929 and was buried in Woodlawn cemetery near Gotha. His garden in Naples was preserved as the Jungle Larry's Caribbean Gardens and some efforts have been made to preserve his Palm Cottage Gardens in Gotha.","\nNehrling always wrote about his interests; he wrote articles on birds for the Nuttall Ornithological Club in Texas. In 1922, he began writing columns for The American Eagle, a weekly newspaper published in Estero, Florida. His first book Orchids in South Florida was published in 1890 and was followed a year later by Die Nordamerikanische Vogelwelt (North American Bird Life). Two volumes of Our Native Birds of Song and Beauty were published in 1893 and 1896 respectively. His next work, Die Amaryllis oder Rittersterne (Hippeastrum) (The Amaryllis), was published in 1908."],"prefercite_html_tesm":["\u003cp\u003eHenry Nehrling Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Henry Nehrling Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Judith Beale; finding aid prepared by Judith Beale, Dannie Helm, and Blair Jackson.\t \u003c/p\u003e","\u003cp\u003eMaterials were arranged in pH neutral folders and boxes. Damaged, fragile and high use items were placed in polyester sleeves. Some materials have water damage and were freeze dried in August 2006.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Judith Beale; finding aid prepared by Judith Beale, Dannie Helm, and Blair Jackson.\t ","Materials were arranged in pH neutral folders and boxes. Damaged, fragile and high use items were placed in polyester sleeves. Some materials have water damage and were freeze dried in August 2006."],"relatedmaterial_html_tesm":["\u003cp\u003eOther materials about Henry Nehrling are held in repositories at \u003cextref href=\"http://www.rollins.edu/olin/archives/index.html\"\u003eRollins College\u003c/extref\u003e, \u003cextref href=\"https://omeka.wppl.librarymarket.com/\"\u003eWinter Park Public Library\u003c/extref\u003e, \u003cextref href=\"http://www.fairchildgarden.org/research/SmithCollection.html\"\u003eFairchild Tropical Botanic Garden Library\u003c/extref\u003e, \u003cextref href=\"https://www.thehistorycenter.org/collections/research-center/\"\u003eOrange County Regional History Center\u003c/extref\u003e and the Koreshan Collection. Nehrling wrote several books that may be found by searching the library catalog. Michael A. Spencer also donated collections on Henry Nehrling to University of Central Florida Libraries, Special Collections \u0026amp; University Archives. The finding aid can be found \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08a\"\u003ehere\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other materials about Henry Nehrling are held in repositories at  Rollins College ,  Winter Park Public Library ,  Fairchild Tropical Botanic Garden Library ,  Orange County Regional History Center  and the Koreshan Collection. Nehrling wrote several books that may be found by searching the library catalog. Michael A. Spencer also donated collections on Henry Nehrling to University of Central Florida Libraries, Special Collections \u0026 University Archives. The finding aid can be found  here ."],"scopecontent_html_tesm":["\u003cp\u003eThese papers are divided into three series by type of document.\u003c/p\u003e\n","\u003cp\u003eSeries I: Writings, 1894-1970 holds manuscripts, newspaper articles and clippings, outlines, research notes, outgoing correspondence and reviews written by Henry Nehrling.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Gardening Information, 1886-1930 contains photographs, plant lists, order forms and other information about plants that interested Nehrling.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Business and Personal Documents, 1887-1932 consists of incoming correspondence, financial papers, photographs, news clippings, a short biography and other materials from the Nehrling household.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["These papers are divided into three series by type of document.","Series I: Writings, 1894-1970 holds manuscripts, newspaper articles and clippings, outlines, research notes, outgoing correspondence and reviews written by Henry Nehrling.","\nSeries II: Gardening Information, 1886-1930 contains photographs, plant lists, order forms and other information about plants that interested Nehrling.","\nSeries III: Business and Personal Documents, 1887-1932 consists of incoming correspondence, financial papers, photographs, news clippings, a short biography and other materials from the Nehrling household."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_53b53e589e16583d7a6d8277baa2fa23\" label=\"Abstract\"\u003eHenry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature.\u003c/abstract\u003e"],"abstract_tesim":["Henry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature."],"names_ssim":["UCF Special Collections","Nehrling, Henry, 1853-1929"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Nehrling, Henry, 1853-1929"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":341,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"34e1c2c7c431f5206e979541","timestamp":"2026-07-09T03:02:47.938Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/34e1c2c7c431f5206e979541_aspace_17305"}},{"id":"e35b9770c12b98b283c97ed3_aspace_77819","type":"File","attributes":{"title":"Volume 22 Book 12, April 20, 1937 - February 18, 1938","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/e35b9770c12b98b283c97ed3_aspace_77819#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_77819","ref_ssm":["aspace_77819","aspace_77819"],"id":"e35b9770c12b98b283c97ed3_aspace_77819","title_filing_ssi":"Volume 22 Book 12","title_ssm":["Volume 22 Book 12"],"title_tesim":["Volume 22 Book 12"],"unitdate_inclusive_ssm":["April 20, 1937 - February 18, 1938"],"normalized_date_ssm":["April 20, 1937 - February 18, 1938"],"normalized_title_ssm":["Volume 22 Book 12, April 20, 1937 - February 18, 1938"],"text":["Volume 22 Book 12, April 20, 1937 - February 18, 1938","Carey Hand Funeral Home Records, 1891-1955","Funeral Registers, January 1919-December 1952","Folder 21","/repositories/4/archival_objects/3901","box 9","folder 21"],"component_level_isim":[2],"parent_ids_ssim":["e35b9770c12b98b283c97ed3","e35b9770c12b98b283c97ed3_aspace_1328"],"parent_unittitles_ssm":["Carey Hand Funeral Home Records, 1891-1955","Funeral Registers, January 1919-December 1952"],"parent_unittitles_tesim":["Carey Hand Funeral Home Records, 1891-1955","Funeral Registers, January 1919-December 1952"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 21","/repositories/4/archival_objects/3901"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Carey Hand Funeral Home Records, 1891-1955"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":242,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1937,1938],"containers_ssim":["box 9","folder 21"],"_nest_path_":"/components#2/components#54","_nest_parent_":"e35b9770c12b98b283c97ed3_aspace_1328","_root_":"e35b9770c12b98b283c97ed3","_version_":1870857691873673216,"timestamp":"2026-07-16T08:02:10.387Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"e35b9770c12b98b283c97ed3","title_ssm":["Carey Hand Funeral Home Records"],"title_tesim":["Carey Hand Funeral Home Records"],"ead_ssi":"e35b9770c12b98b283c97ed3","unitdate_ssm":["1891-1955"],"unitdate_inclusive_ssm":["1891-1955"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.041","/repositories/4/resources/17"],"text":["SC.041","/repositories/4/resources/17","Carey Hand Funeral Home Records, 1891-1955","Brevard County (Fla.)--Genealogy","Osceola County (Fla.)--Genealogy","Seminole County (Fla.)--Genealogy","Orange County (Fla.)--Genealogy","Orlando-(Fla.)--Genealogy","Florida -- Genealogy -- Archival Resources","Orlando (Fla.) -- History","Hillsborough County (Fla.) -- Genealogy","Funeral homes","Undertakers and undertaking","Registers of birth, etc. -- Florida -- Orange County","Cemeteries","The entire collection is open for research.","The Carey Hand mortuary business began when Elijah Hand moved to Orlando, Florida from Indiana in 1885. Hand was the young city's first embalmer. Hand formed a partnership with E. A. Richards, the city's first undertaker. Richards \u0026 Hand combined Richards's furniture business and Hand's embalming. When Richards left the partnership in 1890, the business was renamed Elijah Hand's furniture, undertaking and livery stable. The business was located on Pine Street in downtown Orlando.","\nIn 1907 Hand's son Carey, a trained embalmer, moved to Orlando and joined his father's business, buying out his father in 1914. He continued to run the business until his death in 1946. His wife sold the business the following year, and subsequent owners have kept the Carey Hand name. In 1969 the Carey Hand and Cox-Parker Funeral Homes merged. The company is still in operation. During the first half of the twentieth century, the Carey Hand funeral home was the largest in Central Florida, serving a five-county area, including Orange, Seminole, Osceola, Polk and Hillsborough. The modernized funeral home built by the company in 1918 now houses the University of Central Florida's Downtown Campus located at 39 West Pine Street. It was the first funeral home in Florida to have a chapel, and housed the first crematorium built south of Cincinnati and Washington, D.C.","Collection processed by Nadine Helm; finding aid created by Nadine Helm. Courtney Toelle edited finding aid in January 2019. Minimal preservation work was necessary; records are bound in books, and were properly housed in archival boxes or storage.","The Carey Hand Funeral Home Records include a variety of records created during the course of work at the Funeral Home, including Undertakers' Memoranda, documentation of the deceased that moved through the undertaker, Funeral Registers that included payment information and next of kin, Cremation Records, records for the Palm and Greenwood Cemeteries, as well as other materials relating to the operations of the Orlando mortuary business. The collection is particularly useful in Central Florida genealogy as one of the main funeral homes in the area.","\nSeries 1: Undertakers' Memoranda. 182 Volumes. June 1891-December 1946. Records are not indexed and arranged in imperfect, but general chronological order as recorded by the undertaker. Information relating to the death and burial of the deceased individual is recorded.","\nSeries 2: Greenwood and Palm Cemetery Records: Circa 1900-1944. 2 Volumes. These volumes contain the records of plots sold in the Greenwood and Palm Cemeteries. Records are indexed and arranged by plot. One volume includes a Greenwood Cemetery plat book.","\nSeries 3: Funeral Registers. 34 Volumes. January 1919-December 1952. Each volume is indexed and in chronological order. Records detail death, burial and payment information for services provided through the Carey Hand Funeral Home.","\nSeries 4: Bills. 4 Volumes. 1920-1932. Financial Records detailing payments received on various accounts. Volumes titled Local Bills, Out-of-Town Bills, and Bills.","\nSeries 5: Cremation Records. 4 Volumes. 1926-1949. These volumes contain the records of the cremation service operated by Carey Hand. The first crematorium to be located south of Cincinnati, Ohio and Washington, DC, it began operating in 1925. The records are in chronological order, with the first volume serving as an index. In addition, there is a folder with records of cremations stored in the vaults and those whose ashes were scattered.","\nSeries 6: Ambulance Records. 10 Volumes. January 1934-May 1955. These volumes contain the records of the ambulance service operated by Carey Hand. In addition to paid services, free ambulance service was offered to new mothers and babies from the hospital to their homes. One volume titled Veteran's Ambulance, 1948.","\nSeries 7: Storage Vault Records. 1 Volume. October 1935-October 1947. Records document individuals stored in Carey Hand storage vaults, listing the amount of time stored and payments on accounts.","\nSeries 8: Veteran's and Orlando Air Base Records. 1 Volume. January 1938-March 1952. Records are not indexed but are arranged in chronological order. These records contain death, burial and military service information for Central Florida Veteran's and Orlando Air Base Serviceman.","\nSeries 9: Miscellanea. 6 Folders. 1927-1947, 2003, Undated. Materials relating to the Carey Hand Funeral Home including brochures, disposition of ashes, newsclippings, miscellaneous ephemera, mule pendant, and samples of original wall coverings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Contains records and ledgers on services provided at the Carey Hand Funeral Home. Materials include memoranda regarding the death and burial of deceased individuals, registers of the death, burial and payment information, plots in the Greenwood and Palm cemeteries, financial records, cremation records, ambulance service records, vault storage records, and Central Florida Veterans and Orlando Airbase Servicemen's death, burial, and military information. The records are particularly useful in historical and genealogical research on the Orlando and Central Florida area from 1891 to 1955.","UCF Special Collections","Carey Hand Funeral Home","Greenwood Cemetery (Orlando, Fla.)","Palm Cemetery (Orlando, Fla.)","English"],"unitid_tesim":["SC.041","/repositories/4/resources/17"],"normalized_date_ssm":["1891-1955"],"normalized_title_ssm":["Carey Hand Funeral Home Records, 1891-1955"],"collection_title_tesim":["Carey Hand Funeral Home Records, 1891-1955"],"collection_ssim":["Carey Hand Funeral Home Records, 1891-1955"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Brevard County (Fla.)--Genealogy","Osceola County (Fla.)--Genealogy","Seminole County (Fla.)--Genealogy","Orange County (Fla.)--Genealogy","Orlando-(Fla.)--Genealogy","Florida -- Genealogy -- Archival Resources","Orlando (Fla.) -- History","Hillsborough County (Fla.) -- Genealogy"],"geogname_ssim":["Brevard County (Fla.)--Genealogy","Osceola County (Fla.)--Genealogy","Seminole County (Fla.)--Genealogy","Orange County (Fla.)--Genealogy","Orlando-(Fla.)--Genealogy","Florida -- Genealogy -- Archival Resources","Orlando (Fla.) -- History","Hillsborough County (Fla.) -- Genealogy"],"creator_ssm":["Carey Hand Funeral Home"],"creator_ssim":["Carey Hand Funeral Home"],"creator_corpname_ssim":["Carey Hand Funeral Home"],"creators_ssim":["Carey Hand Funeral Home"],"places_ssim":["Brevard County (Fla.)--Genealogy","Osceola County (Fla.)--Genealogy","Seminole County (Fla.)--Genealogy","Orange County (Fla.)--Genealogy","Orlando-(Fla.)--Genealogy","Florida -- Genealogy -- Archival Resources","Orlando (Fla.) -- History","Hillsborough County (Fla.) -- Genealogy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Carey Hand Funeral Home Records have been held in the UCF Library Special Collections since 1978. The records were donated to Department by the Carey Hand Cox-Parker Funeral Home in 2003 (CFM2003_01)."],"access_subjects_ssim":["Funeral homes","Undertakers and undertaking","Registers of birth, etc. -- Florida -- Orange County","Cemeteries"],"access_subjects_ssm":["Funeral homes","Undertakers and undertaking","Registers of birth, etc. -- Florida -- Orange County","Cemeteries"],"has_online_content_ssim":["false"],"extent_ssm":["22 Linear Feet 9 Boxes, 1 Flat File, and 34 Funeral Registers"],"extent_tesim":["22 Linear Feet 9 Boxes, 1 Flat File, and 34 Funeral Registers"],"date_range_isim":[1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Carey Hand mortuary business began when Elijah Hand moved to Orlando, Florida from Indiana in 1885. Hand was the young city's first embalmer. Hand formed a partnership with E. A. Richards, the city's first undertaker. Richards \u0026amp; Hand combined Richards's furniture business and Hand's embalming. When Richards left the partnership in 1890, the business was renamed Elijah Hand's furniture, undertaking and livery stable. The business was located on Pine Street in downtown Orlando.\u003c/p\u003e\n","\u003cp\u003e\nIn 1907 Hand's son Carey, a trained embalmer, moved to Orlando and joined his father's business, buying out his father in 1914. He continued to run the business until his death in 1946. His wife sold the business the following year, and subsequent owners have kept the Carey Hand name. In 1969 the Carey Hand and Cox-Parker Funeral Homes merged. The company is still in operation. During the first half of the twentieth century, the Carey Hand funeral home was the largest in Central Florida, serving a five-county area, including Orange, Seminole, Osceola, Polk and Hillsborough. The modernized funeral home built by the company in 1918 now houses the University of Central Florida's Downtown Campus located at 39 West Pine Street. It was the first funeral home in Florida to have a chapel, and housed the first crematorium built south of Cincinnati and Washington, D.C.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Carey Hand mortuary business began when Elijah Hand moved to Orlando, Florida from Indiana in 1885. Hand was the young city's first embalmer. Hand formed a partnership with E. A. Richards, the city's first undertaker. Richards \u0026 Hand combined Richards's furniture business and Hand's embalming. When Richards left the partnership in 1890, the business was renamed Elijah Hand's furniture, undertaking and livery stable. The business was located on Pine Street in downtown Orlando.","\nIn 1907 Hand's son Carey, a trained embalmer, moved to Orlando and joined his father's business, buying out his father in 1914. He continued to run the business until his death in 1946. His wife sold the business the following year, and subsequent owners have kept the Carey Hand name. In 1969 the Carey Hand and Cox-Parker Funeral Homes merged. The company is still in operation. During the first half of the twentieth century, the Carey Hand funeral home was the largest in Central Florida, serving a five-county area, including Orange, Seminole, Osceola, Polk and Hillsborough. The modernized funeral home built by the company in 1918 now houses the University of Central Florida's Downtown Campus located at 39 West Pine Street. It was the first funeral home in Florida to have a chapel, and housed the first crematorium built south of Cincinnati and Washington, D.C."],"prefercite_html_tesm":["\u003cp\u003eCarey Hand Funeral Home Records, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Carey Hand Funeral Home Records, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadine Helm; finding aid created by Nadine Helm. Courtney Toelle edited finding aid in January 2019. Minimal preservation work was necessary; records are bound in books, and were properly housed in archival boxes or storage.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadine Helm; finding aid created by Nadine Helm. Courtney Toelle edited finding aid in January 2019. Minimal preservation work was necessary; records are bound in books, and were properly housed in archival boxes or storage."],"scopecontent_html_tesm":["\u003cp\u003eThe Carey Hand Funeral Home Records include a variety of records created during the course of work at the Funeral Home, including Undertakers' Memoranda, documentation of the deceased that moved through the undertaker, Funeral Registers that included payment information and next of kin, Cremation Records, records for the Palm and Greenwood Cemeteries, as well as other materials relating to the operations of the Orlando mortuary business. The collection is particularly useful in Central Florida genealogy as one of the main funeral homes in the area.\u003c/p\u003e\n","\u003cp\u003e\nSeries 1: Undertakers' Memoranda. 182 Volumes. June 1891-December 1946. Records are not indexed and arranged in imperfect, but general chronological order as recorded by the undertaker. Information relating to the death and burial of the deceased individual is recorded.\u003c/p\u003e\n","\u003cp\u003e\nSeries 2: Greenwood and Palm Cemetery Records: Circa 1900-1944. 2 Volumes. These volumes contain the records of plots sold in the Greenwood and Palm Cemeteries. Records are indexed and arranged by plot. One volume includes a Greenwood Cemetery plat book.\u003c/p\u003e\n","\u003cp\u003e\nSeries 3: Funeral Registers. 34 Volumes. January 1919-December 1952. Each volume is indexed and in chronological order. Records detail death, burial and payment information for services provided through the Carey Hand Funeral Home.\u003c/p\u003e\n","\u003cp\u003e\nSeries 4: Bills. 4 Volumes. 1920-1932. Financial Records detailing payments received on various accounts. Volumes titled Local Bills, Out-of-Town Bills, and Bills.\u003c/p\u003e\n","\u003cp\u003e\nSeries 5: Cremation Records. 4 Volumes. 1926-1949. These volumes contain the records of the cremation service operated by Carey Hand. The first crematorium to be located south of Cincinnati, Ohio and Washington, DC, it began operating in 1925. The records are in chronological order, with the first volume serving as an index. In addition, there is a folder with records of cremations stored in the vaults and those whose ashes were scattered.\u003c/p\u003e\n","\u003cp\u003e\nSeries 6: Ambulance Records. 10 Volumes. January 1934-May 1955. These volumes contain the records of the ambulance service operated by Carey Hand. In addition to paid services, free ambulance service was offered to new mothers and babies from the hospital to their homes. One volume titled Veteran's Ambulance, 1948.\u003c/p\u003e\n","\u003cp\u003e\nSeries 7: Storage Vault Records. 1 Volume. October 1935-October 1947. Records document individuals stored in Carey Hand storage vaults, listing the amount of time stored and payments on accounts.\u003c/p\u003e\n","\u003cp\u003e\nSeries 8: Veteran's and Orlando Air Base Records. 1 Volume. January 1938-March 1952. Records are not indexed but are arranged in chronological order. These records contain death, burial and military service information for Central Florida Veteran's and Orlando Air Base Serviceman.\u003c/p\u003e\n","\u003cp\u003e\nSeries 9: Miscellanea. 6 Folders. 1927-1947, 2003, Undated. Materials relating to the Carey Hand Funeral Home including brochures, disposition of ashes, newsclippings, miscellaneous ephemera, mule pendant, and samples of original wall coverings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Carey Hand Funeral Home Records include a variety of records created during the course of work at the Funeral Home, including Undertakers' Memoranda, documentation of the deceased that moved through the undertaker, Funeral Registers that included payment information and next of kin, Cremation Records, records for the Palm and Greenwood Cemeteries, as well as other materials relating to the operations of the Orlando mortuary business. The collection is particularly useful in Central Florida genealogy as one of the main funeral homes in the area.","\nSeries 1: Undertakers' Memoranda. 182 Volumes. June 1891-December 1946. Records are not indexed and arranged in imperfect, but general chronological order as recorded by the undertaker. Information relating to the death and burial of the deceased individual is recorded.","\nSeries 2: Greenwood and Palm Cemetery Records: Circa 1900-1944. 2 Volumes. These volumes contain the records of plots sold in the Greenwood and Palm Cemeteries. Records are indexed and arranged by plot. One volume includes a Greenwood Cemetery plat book.","\nSeries 3: Funeral Registers. 34 Volumes. January 1919-December 1952. Each volume is indexed and in chronological order. Records detail death, burial and payment information for services provided through the Carey Hand Funeral Home.","\nSeries 4: Bills. 4 Volumes. 1920-1932. Financial Records detailing payments received on various accounts. Volumes titled Local Bills, Out-of-Town Bills, and Bills.","\nSeries 5: Cremation Records. 4 Volumes. 1926-1949. These volumes contain the records of the cremation service operated by Carey Hand. The first crematorium to be located south of Cincinnati, Ohio and Washington, DC, it began operating in 1925. The records are in chronological order, with the first volume serving as an index. In addition, there is a folder with records of cremations stored in the vaults and those whose ashes were scattered.","\nSeries 6: Ambulance Records. 10 Volumes. January 1934-May 1955. These volumes contain the records of the ambulance service operated by Carey Hand. In addition to paid services, free ambulance service was offered to new mothers and babies from the hospital to their homes. One volume titled Veteran's Ambulance, 1948.","\nSeries 7: Storage Vault Records. 1 Volume. October 1935-October 1947. Records document individuals stored in Carey Hand storage vaults, listing the amount of time stored and payments on accounts.","\nSeries 8: Veteran's and Orlando Air Base Records. 1 Volume. January 1938-March 1952. Records are not indexed but are arranged in chronological order. These records contain death, burial and military service information for Central Florida Veteran's and Orlando Air Base Serviceman.","\nSeries 9: Miscellanea. 6 Folders. 1927-1947, 2003, Undated. Materials relating to the Carey Hand Funeral Home including brochures, disposition of ashes, newsclippings, miscellaneous ephemera, mule pendant, and samples of original wall coverings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fa577db5d45e49aa27c31d9ca4a94ebc\" label=\"Abstract\"\u003eContains records and ledgers on services provided at the Carey Hand Funeral Home. Materials include memoranda regarding the death and burial of deceased individuals, registers of the death, burial and payment information, plots in the Greenwood and Palm cemeteries, financial records, cremation records, ambulance service records, vault storage records, and Central Florida Veterans and Orlando Airbase Servicemen's death, burial, and military information. The records are particularly useful in historical and genealogical research on the Orlando and Central Florida area from 1891 to 1955.\u003c/abstract\u003e"],"abstract_tesim":["Contains records and ledgers on services provided at the Carey Hand Funeral Home. Materials include memoranda regarding the death and burial of deceased individuals, registers of the death, burial and payment information, plots in the Greenwood and Palm cemeteries, financial records, cremation records, ambulance service records, vault storage records, and Central Florida Veterans and Orlando Airbase Servicemen's death, burial, and military information. The records are particularly useful in historical and genealogical research on the Orlando and Central Florida area from 1891 to 1955."],"names_coll_ssim":["Greenwood Cemetery (Orlando, Fla.)","Palm Cemetery (Orlando, Fla.)"],"names_ssim":["UCF Special Collections","Carey Hand Funeral Home","Greenwood Cemetery (Orlando, Fla.)","Palm Cemetery (Orlando, Fla.)"],"corpname_ssim":["UCF Special Collections","Carey Hand Funeral Home","Greenwood Cemetery (Orlando, Fla.)","Palm Cemetery (Orlando, Fla.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":274,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857691873673216,"_root_":"e35b9770c12b98b283c97ed3","timestamp":"2026-07-16T08:02:10.387Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/e35b9770c12b98b283c97ed3_aspace_77819"}},{"id":"aa862cad77720b140698c8fb_aspace_a70ad86405ac225b1752648231eab412","type":"Item","attributes":{"title":"Volume I, bulk 1855-1968","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb_aspace_a70ad86405ac225b1752648231eab412#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_a70ad86405ac225b1752648231eab412","ref_ssm":["aspace_a70ad86405ac225b1752648231eab412","aspace_a70ad86405ac225b1752648231eab412"],"id":"aa862cad77720b140698c8fb_aspace_a70ad86405ac225b1752648231eab412","title_filing_ssi":"Volume I","title_ssm":["Volume I"],"title_tesim":["Volume I"],"unitdate_bulk_ssim":["1855-1968"],"normalized_date_ssm":["bulk 1855-1968"],"normalized_title_ssm":["Volume I, bulk 1855-1968"],"text":["Volume I, bulk 1855-1968","Cuban Stamps Collection, 1855-1968","1","/repositories/2/archival_objects/86394","Spanish; Castilian"],"component_level_isim":[1],"parent_ids_ssim":["aa862cad77720b140698c8fb"],"parent_unittitles_ssm":["Cuban Stamps Collection, 1855-1968"],"parent_unittitles_tesim":["Cuban Stamps Collection, 1855-1968"],"parent_levels_ssm":["collection"],"unitid_ssm":["1","/repositories/2/archival_objects/86394"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"language_ssim":["Spanish; Castilian"],"_nest_path_":"/components#0","_nest_parent_":"aa862cad77720b140698c8fb","_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"aa862cad77720b140698c8fb","title_ssm":["Cuban Stamps Collection"],"title_tesim":["Cuban Stamps Collection"],"ead_ssi":"aa862cad77720b140698c8fb","unitdate_ssm":["1855-1968"],"unitdate_inclusive_ssm":["1855-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9070","/repositories/2/resources/131"],"text":["SPC9070","/repositories/2/resources/131","Cuban Stamps Collection, 1855-1968","The collection is open for research.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana.","Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","Collection of Cuban stamps from the mid-19th century to the mid-20th century.","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9070","/repositories/2/resources/131"],"normalized_date_ssm":["1855-1968"],"normalized_title_ssm":["Cuban Stamps Collection, 1855-1968"],"collection_title_tesim":["Cuban Stamps Collection, 1855-1968"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"has_online_content_ssim":["false"],"extent_ssm":["3 items"],"extent_tesim":["3 items"],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.\u003c/p\u003e\n","\u003cp\u003eAs the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.\u003c/p\u003e\n","\u003cp\u003eThis collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.\u003c/p\u003e\n","\u003cp\u003e\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a trav\u0026#xE9;s de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y pol\u0026#xED;ticos que dieron forma a Cuba durante este per\u0026#xED;odo transformador. Desde el dominio colonial espa\u0026#xF1;ol, pasando por la creaci\u0026#xF3;n de la Rep\u0026#xFA;blica Cubana, hasta el surgimiento de la Revoluci\u0026#xF3;n Cubana, estos eventos hist\u0026#xF3;ricos se reflejan en los sellos mismos. En 1855, Cuba emiti\u0026#xF3; su primer sello postal bajo el dominio espa\u0026#xF1;ol, marcando el comienzo de su servicio postal. Durante este per\u0026#xED;odo, los sellos estuvieron fuertemente influenciados por Espa\u0026#xF1;a e inclu\u0026#xED;an im\u0026#xE1;genes de la monarqu\u0026#xED;a espa\u0026#xF1;ola, reforzando la conexi\u0026#xF3;n entre el Imperio Espa\u0026#xF1;ol y Cuba.\u003c/p\u003e\n","\u003cp\u003eAl final del siglo XIX, la Guerra Hispanoamericana marc\u0026#xF3; un momento clave para Cuba, pasando de ser una colonia a una naci\u0026#xF3;n independiente en 1902. Este per\u0026#xED;odo vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, s\u0026#xED;mbolos de independencia e im\u0026#xE1;genes que celebraban la rica historia y cultura de Cuba. Adem\u0026#xE1;s, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experiment\u0026#xF3; eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresi\u0026#xF3;n. Estos eventos contribuyeron a la inestabilidad pol\u0026#xED;tica y a los frecuentes cambios de gobierno, lo que se\u0026#xF1;al\u0026#xF3; un per\u0026#xED;odo de crisis en la isla. Durante la Guerra Fr\u0026#xED;a, con el auge de la Uni\u0026#xF3;n Sovi\u0026#xE9;tica, la Revoluci\u0026#xF3;n Cubana de 1959 comenz\u0026#xF3; a remodelar la naci\u0026#xF3;n. Los sellos de este per\u0026#xED;odo reflejan la transformaci\u0026#xF3;n del pa\u0026#xED;s, con im\u0026#xE1;genes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revoluci\u0026#xF3;n y su progreso.\u003c/p\u003e\n","\u003cp\u003eEsta colecci\u0026#xF3;n captura la evoluci\u0026#xF3;n de los sellos cubanos como una forma de comunicaci\u0026#xF3;n y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relaci\u0026#xF3;n con las potencias extranjeras. Los sellos presentan im\u0026#xE1;genes de la cultura cubana, el arte, figuras hist\u0026#xF3;ricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colecci\u0026#xF3;n brinda la oportunidad de explorar c\u0026#xF3;mo Cuba se transform\u0026#xF3; a lo largo de un siglo. Los investigadores pueden examinar las ideolog\u0026#xED;as pol\u0026#xED;ticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colecci\u0026#xF3;n de Sellos de Cuba en FIU no es solo un archivo hist\u0026#xF3;rico, sino tambi\u0026#xE9;n un testimonio de los cambios culturales y sociales del siglo XX.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX."],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. \u003c/p\u003e\n","\u003cp\u003e\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilaci\u0026#xF3;n integral de sellos postales que abarca la historia de Cuba durante este per\u0026#xED;odo transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revoluci\u0026#xF3;n Cubana y sus efectos posteriores. Demuestra el cambio social y pol\u0026#xED;tico a trav\u0026#xE9;s de los sellos y c\u0026#xF3;mo se utiliza este medio como propaganda de la revuelta. Tambi\u0026#xE9;n muestra c\u0026#xF3;mo se manejan las relaciones internacionales con otras naciones y c\u0026#xF3;mo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colecci\u0026#xF3;n consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservaci\u0026#xF3;n de estos sellos ofrece a los investigadores la oportunidad de descubrir por s\u0026#xED; mismos c\u0026#xF3;mo evolucionan las im\u0026#xE1;genes y los s\u0026#xED;mbolos a medida que avanza y se desarrolla la Revoluci\u0026#xF3;n Cubana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana."],"userestrict_html_tesm":["\u003cp\u003eRights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4174f2603576483c6691a9df651e17c6\"\u003eCollection of Cuban stamps from the mid-19th century to the mid-20th century.\u003c/abstract\u003e"],"abstract_tesim":["Collection of Cuban stamps from the mid-19th century to the mid-20th century."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb_aspace_a70ad86405ac225b1752648231eab412"}},{"id":"aa862cad77720b140698c8fb_aspace_82a3f7316e92fc3a656228c49b9e6c08","type":"Item","attributes":{"title":"Volume II, bulk 1855-1968","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb_aspace_82a3f7316e92fc3a656228c49b9e6c08#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_82a3f7316e92fc3a656228c49b9e6c08","ref_ssm":["aspace_82a3f7316e92fc3a656228c49b9e6c08","aspace_82a3f7316e92fc3a656228c49b9e6c08"],"id":"aa862cad77720b140698c8fb_aspace_82a3f7316e92fc3a656228c49b9e6c08","title_filing_ssi":"Volume II","title_ssm":["Volume II"],"title_tesim":["Volume II"],"unitdate_bulk_ssim":["1855-1968"],"normalized_date_ssm":["bulk 1855-1968"],"normalized_title_ssm":["Volume II, bulk 1855-1968"],"text":["Volume II, bulk 1855-1968","Cuban Stamps Collection, 1855-1968","2","/repositories/2/archival_objects/86396","Spanish; Castilian"],"component_level_isim":[1],"parent_ids_ssim":["aa862cad77720b140698c8fb"],"parent_unittitles_ssm":["Cuban Stamps Collection, 1855-1968"],"parent_unittitles_tesim":["Cuban Stamps Collection, 1855-1968"],"parent_levels_ssm":["collection"],"unitid_ssm":["2","/repositories/2/archival_objects/86396"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"language_ssim":["Spanish; Castilian"],"_nest_path_":"/components#1","_nest_parent_":"aa862cad77720b140698c8fb","_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"aa862cad77720b140698c8fb","title_ssm":["Cuban Stamps Collection"],"title_tesim":["Cuban Stamps Collection"],"ead_ssi":"aa862cad77720b140698c8fb","unitdate_ssm":["1855-1968"],"unitdate_inclusive_ssm":["1855-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9070","/repositories/2/resources/131"],"text":["SPC9070","/repositories/2/resources/131","Cuban Stamps Collection, 1855-1968","The collection is open for research.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana.","Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","Collection of Cuban stamps from the mid-19th century to the mid-20th century.","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9070","/repositories/2/resources/131"],"normalized_date_ssm":["1855-1968"],"normalized_title_ssm":["Cuban Stamps Collection, 1855-1968"],"collection_title_tesim":["Cuban Stamps Collection, 1855-1968"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"has_online_content_ssim":["false"],"extent_ssm":["3 items"],"extent_tesim":["3 items"],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.\u003c/p\u003e\n","\u003cp\u003eAs the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.\u003c/p\u003e\n","\u003cp\u003eThis collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.\u003c/p\u003e\n","\u003cp\u003e\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a trav\u0026#xE9;s de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y pol\u0026#xED;ticos que dieron forma a Cuba durante este per\u0026#xED;odo transformador. Desde el dominio colonial espa\u0026#xF1;ol, pasando por la creaci\u0026#xF3;n de la Rep\u0026#xFA;blica Cubana, hasta el surgimiento de la Revoluci\u0026#xF3;n Cubana, estos eventos hist\u0026#xF3;ricos se reflejan en los sellos mismos. En 1855, Cuba emiti\u0026#xF3; su primer sello postal bajo el dominio espa\u0026#xF1;ol, marcando el comienzo de su servicio postal. Durante este per\u0026#xED;odo, los sellos estuvieron fuertemente influenciados por Espa\u0026#xF1;a e inclu\u0026#xED;an im\u0026#xE1;genes de la monarqu\u0026#xED;a espa\u0026#xF1;ola, reforzando la conexi\u0026#xF3;n entre el Imperio Espa\u0026#xF1;ol y Cuba.\u003c/p\u003e\n","\u003cp\u003eAl final del siglo XIX, la Guerra Hispanoamericana marc\u0026#xF3; un momento clave para Cuba, pasando de ser una colonia a una naci\u0026#xF3;n independiente en 1902. Este per\u0026#xED;odo vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, s\u0026#xED;mbolos de independencia e im\u0026#xE1;genes que celebraban la rica historia y cultura de Cuba. Adem\u0026#xE1;s, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experiment\u0026#xF3; eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresi\u0026#xF3;n. Estos eventos contribuyeron a la inestabilidad pol\u0026#xED;tica y a los frecuentes cambios de gobierno, lo que se\u0026#xF1;al\u0026#xF3; un per\u0026#xED;odo de crisis en la isla. Durante la Guerra Fr\u0026#xED;a, con el auge de la Uni\u0026#xF3;n Sovi\u0026#xE9;tica, la Revoluci\u0026#xF3;n Cubana de 1959 comenz\u0026#xF3; a remodelar la naci\u0026#xF3;n. Los sellos de este per\u0026#xED;odo reflejan la transformaci\u0026#xF3;n del pa\u0026#xED;s, con im\u0026#xE1;genes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revoluci\u0026#xF3;n y su progreso.\u003c/p\u003e\n","\u003cp\u003eEsta colecci\u0026#xF3;n captura la evoluci\u0026#xF3;n de los sellos cubanos como una forma de comunicaci\u0026#xF3;n y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relaci\u0026#xF3;n con las potencias extranjeras. Los sellos presentan im\u0026#xE1;genes de la cultura cubana, el arte, figuras hist\u0026#xF3;ricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colecci\u0026#xF3;n brinda la oportunidad de explorar c\u0026#xF3;mo Cuba se transform\u0026#xF3; a lo largo de un siglo. Los investigadores pueden examinar las ideolog\u0026#xED;as pol\u0026#xED;ticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colecci\u0026#xF3;n de Sellos de Cuba en FIU no es solo un archivo hist\u0026#xF3;rico, sino tambi\u0026#xE9;n un testimonio de los cambios culturales y sociales del siglo XX.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX."],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. \u003c/p\u003e\n","\u003cp\u003e\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilaci\u0026#xF3;n integral de sellos postales que abarca la historia de Cuba durante este per\u0026#xED;odo transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revoluci\u0026#xF3;n Cubana y sus efectos posteriores. Demuestra el cambio social y pol\u0026#xED;tico a trav\u0026#xE9;s de los sellos y c\u0026#xF3;mo se utiliza este medio como propaganda de la revuelta. Tambi\u0026#xE9;n muestra c\u0026#xF3;mo se manejan las relaciones internacionales con otras naciones y c\u0026#xF3;mo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colecci\u0026#xF3;n consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservaci\u0026#xF3;n de estos sellos ofrece a los investigadores la oportunidad de descubrir por s\u0026#xED; mismos c\u0026#xF3;mo evolucionan las im\u0026#xE1;genes y los s\u0026#xED;mbolos a medida que avanza y se desarrolla la Revoluci\u0026#xF3;n Cubana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana."],"userestrict_html_tesm":["\u003cp\u003eRights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4174f2603576483c6691a9df651e17c6\"\u003eCollection of Cuban stamps from the mid-19th century to the mid-20th century.\u003c/abstract\u003e"],"abstract_tesim":["Collection of Cuban stamps from the mid-19th century to the mid-20th century."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb_aspace_82a3f7316e92fc3a656228c49b9e6c08"}},{"id":"aa862cad77720b140698c8fb_aspace_620a3f9a12cadc8456710765f96a9581","type":"Item","attributes":{"title":"Volume III, bulk 1855-1968","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb_aspace_620a3f9a12cadc8456710765f96a9581#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_620a3f9a12cadc8456710765f96a9581","ref_ssm":["aspace_620a3f9a12cadc8456710765f96a9581","aspace_620a3f9a12cadc8456710765f96a9581"],"id":"aa862cad77720b140698c8fb_aspace_620a3f9a12cadc8456710765f96a9581","title_filing_ssi":"Volume III","title_ssm":["Volume III"],"title_tesim":["Volume III"],"unitdate_bulk_ssim":["1855-1968"],"normalized_date_ssm":["bulk 1855-1968"],"normalized_title_ssm":["Volume III, bulk 1855-1968"],"text":["Volume III, bulk 1855-1968","Cuban Stamps Collection, 1855-1968","3","/repositories/2/archival_objects/86400","Spanish; Castilian"],"component_level_isim":[1],"parent_ids_ssim":["aa862cad77720b140698c8fb"],"parent_unittitles_ssm":["Cuban Stamps Collection, 1855-1968"],"parent_unittitles_tesim":["Cuban Stamps Collection, 1855-1968"],"parent_levels_ssm":["collection"],"unitid_ssm":["3","/repositories/2/archival_objects/86400"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":3,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"language_ssim":["Spanish; Castilian"],"_nest_path_":"/components#2","_nest_parent_":"aa862cad77720b140698c8fb","_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"aa862cad77720b140698c8fb","title_ssm":["Cuban Stamps Collection"],"title_tesim":["Cuban Stamps Collection"],"ead_ssi":"aa862cad77720b140698c8fb","unitdate_ssm":["1855-1968"],"unitdate_inclusive_ssm":["1855-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9070","/repositories/2/resources/131"],"text":["SPC9070","/repositories/2/resources/131","Cuban Stamps Collection, 1855-1968","The collection is open for research.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana.","Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","Collection of Cuban stamps from the mid-19th century to the mid-20th century.","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9070","/repositories/2/resources/131"],"normalized_date_ssm":["1855-1968"],"normalized_title_ssm":["Cuban Stamps Collection, 1855-1968"],"collection_title_tesim":["Cuban Stamps Collection, 1855-1968"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"has_online_content_ssim":["false"],"extent_ssm":["3 items"],"extent_tesim":["3 items"],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.\u003c/p\u003e\n","\u003cp\u003eAs the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.\u003c/p\u003e\n","\u003cp\u003eThis collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.\u003c/p\u003e\n","\u003cp\u003e\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a trav\u0026#xE9;s de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y pol\u0026#xED;ticos que dieron forma a Cuba durante este per\u0026#xED;odo transformador. Desde el dominio colonial espa\u0026#xF1;ol, pasando por la creaci\u0026#xF3;n de la Rep\u0026#xFA;blica Cubana, hasta el surgimiento de la Revoluci\u0026#xF3;n Cubana, estos eventos hist\u0026#xF3;ricos se reflejan en los sellos mismos. En 1855, Cuba emiti\u0026#xF3; su primer sello postal bajo el dominio espa\u0026#xF1;ol, marcando el comienzo de su servicio postal. Durante este per\u0026#xED;odo, los sellos estuvieron fuertemente influenciados por Espa\u0026#xF1;a e inclu\u0026#xED;an im\u0026#xE1;genes de la monarqu\u0026#xED;a espa\u0026#xF1;ola, reforzando la conexi\u0026#xF3;n entre el Imperio Espa\u0026#xF1;ol y Cuba.\u003c/p\u003e\n","\u003cp\u003eAl final del siglo XIX, la Guerra Hispanoamericana marc\u0026#xF3; un momento clave para Cuba, pasando de ser una colonia a una naci\u0026#xF3;n independiente en 1902. Este per\u0026#xED;odo vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, s\u0026#xED;mbolos de independencia e im\u0026#xE1;genes que celebraban la rica historia y cultura de Cuba. Adem\u0026#xE1;s, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experiment\u0026#xF3; eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresi\u0026#xF3;n. Estos eventos contribuyeron a la inestabilidad pol\u0026#xED;tica y a los frecuentes cambios de gobierno, lo que se\u0026#xF1;al\u0026#xF3; un per\u0026#xED;odo de crisis en la isla. Durante la Guerra Fr\u0026#xED;a, con el auge de la Uni\u0026#xF3;n Sovi\u0026#xE9;tica, la Revoluci\u0026#xF3;n Cubana de 1959 comenz\u0026#xF3; a remodelar la naci\u0026#xF3;n. Los sellos de este per\u0026#xED;odo reflejan la transformaci\u0026#xF3;n del pa\u0026#xED;s, con im\u0026#xE1;genes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revoluci\u0026#xF3;n y su progreso.\u003c/p\u003e\n","\u003cp\u003eEsta colecci\u0026#xF3;n captura la evoluci\u0026#xF3;n de los sellos cubanos como una forma de comunicaci\u0026#xF3;n y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relaci\u0026#xF3;n con las potencias extranjeras. Los sellos presentan im\u0026#xE1;genes de la cultura cubana, el arte, figuras hist\u0026#xF3;ricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colecci\u0026#xF3;n brinda la oportunidad de explorar c\u0026#xF3;mo Cuba se transform\u0026#xF3; a lo largo de un siglo. Los investigadores pueden examinar las ideolog\u0026#xED;as pol\u0026#xED;ticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colecci\u0026#xF3;n de Sellos de Cuba en FIU no es solo un archivo hist\u0026#xF3;rico, sino tambi\u0026#xE9;n un testimonio de los cambios culturales y sociales del siglo XX.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX."],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. \u003c/p\u003e\n","\u003cp\u003e\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilaci\u0026#xF3;n integral de sellos postales que abarca la historia de Cuba durante este per\u0026#xED;odo transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revoluci\u0026#xF3;n Cubana y sus efectos posteriores. Demuestra el cambio social y pol\u0026#xED;tico a trav\u0026#xE9;s de los sellos y c\u0026#xF3;mo se utiliza este medio como propaganda de la revuelta. Tambi\u0026#xE9;n muestra c\u0026#xF3;mo se manejan las relaciones internacionales con otras naciones y c\u0026#xF3;mo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colecci\u0026#xF3;n consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservaci\u0026#xF3;n de estos sellos ofrece a los investigadores la oportunidad de descubrir por s\u0026#xED; mismos c\u0026#xF3;mo evolucionan las im\u0026#xE1;genes y los s\u0026#xED;mbolos a medida que avanza y se desarrolla la Revoluci\u0026#xF3;n Cubana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana."],"userestrict_html_tesm":["\u003cp\u003eRights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4174f2603576483c6691a9df651e17c6\"\u003eCollection of Cuban stamps from the mid-19th century to the mid-20th century.\u003c/abstract\u003e"],"abstract_tesim":["Collection of Cuban stamps from the mid-19th century to the mid-20th century."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb_aspace_620a3f9a12cadc8456710765f96a9581"}},{"id":"a3eabcc4094ea8e02f42af5b_aspace_6043","type":"File","attributes":{"title":"Volusia County, 1900-1967","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a3eabcc4094ea8e02f42af5b_aspace_6043#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_6043","ref_ssm":["aspace_6043","aspace_6043"],"id":"a3eabcc4094ea8e02f42af5b_aspace_6043","title_filing_ssi":"Volusia County","title_ssm":["Volusia County"],"title_tesim":["Volusia County"],"unitdate_inclusive_ssm":["1900-1967"],"normalized_date_ssm":["1900-1967"],"normalized_title_ssm":["Volusia County, 1900-1967"],"text":["Volusia County, 1900-1967","Florida Ephemera collection, circa 1813-2007","Geographic Files, circa 1813-2007","Central Florida, 1887-2007","Box 5, Folder 4-6; Box 6, Folder 1-3; Box 27, Folder 7","/repositories/4/archival_objects/13174","box 5","folder 4-6","box 6","folder 1-3","box 27","folder 7"],"component_level_isim":[3],"parent_ids_ssim":["a3eabcc4094ea8e02f42af5b","a3eabcc4094ea8e02f42af5b_aspace_5649","a3eabcc4094ea8e02f42af5b_aspace_5650"],"parent_unittitles_ssm":["Florida Ephemera collection, circa 1813-2007","Geographic Files, circa 1813-2007","Central Florida, 1887-2007"],"parent_unittitles_tesim":["Florida Ephemera collection, circa 1813-2007","Geographic Files, circa 1813-2007","Central Florida, 1887-2007"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Box 5, Folder 4-6; Box 6, Folder 1-3; Box 27, Folder 7","/repositories/4/archival_objects/13174"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Florida Ephemera collection, circa 1813-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":31,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":373,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967],"containers_ssim":["box 5","folder 4-6","box 6","folder 1-3","box 27","folder 7"],"_nest_path_":"/components#0/components#0/components#9","_nest_parent_":"a3eabcc4094ea8e02f42af5b_aspace_5650","_root_":"a3eabcc4094ea8e02f42af5b","_version_":1876384024848498688,"timestamp":"2026-09-15T08:00:52.198Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a3eabcc4094ea8e02f42af5b","title_ssm":["Florida Ephemera collection"],"title_tesim":["Florida Ephemera collection"],"ead_ssi":"a3eabcc4094ea8e02f42af5b","unitdate_ssm":["circa 1813-2007"],"unitdate_inclusive_ssm":["circa 1813-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.032","/repositories/4/resources/60"],"text":["SC.032","/repositories/4/resources/60","Florida Ephemera collection, circa 1813-2007","Florida","Florida -- Politics and government","Orlando (Fla.)","Agriculture -- Florida","Business -- Florida","Gardening -- Florida","Parks -- Florida","Tourism","The entire collection is open for research.","The collection is divided into three series, Geographic Files, Artifacts and Subject Files. Geographic Files are arranged in three subseries, Central, North and South Florida, with Central Florida organized alphabetically by county. General information about a region begins each subseries, followed by cities and counties that have a high volume of information. Subject Files are arranged alphabetically.","Thomas and Georgine Mickler ran a small publishing company, Mickler House, and a thriving mail-order business, Mickler's Antiquarian Books, out of their Chuluota home for almost 40 years. The Mickler's focused on tracing out-of-print publications about Florida and ultimately collected more than 40,000 books and other historical pieces of paper memorabilia that filled their home. Thomas Mickler was a native Floridian but Georgine was born in Chicago. She moved to Orlando in 1961, and they married the following year. Both of them lived until they were 84 years old; Thomas died in 1997 and Georgine died a year later.","Collection processed by Jessica Achberger; finding aid prepared by Jessica Achberger and Jeffrey Baumiller.","This collection was processed by both geographic area and subject matter. Materials related to a specific location within Florida were divided out, while materials related to Florida as a whole were separated into specific subject matter. All materials are foldered, with special attention being paid to newspaper clippings and delicate manuscript materials. Sheets of acid free paper were put between clippings, and some materials have been sleeved for preservation.","Other materials collected by the Micklers are held in the University of Central Florida Libraries Special Collections and University Archives, and other collections provide information about Florida. For a complete list of collections please consult the  Special Collections \u0026 University Archives  website.","The Florida Ephemera Collection consists of materials about or produced in Florida collected by Thomas and Georgine Mickler through their mail-order business, Mickler's Antiquarian Books, as well as additional purchases made by the University of Central Florida Libraries Special Collections. These materials are all related in some way to Florida, either geographically or through the subject matter.","\nSeries I: Geographic Files, circa 1813-2007 contain tourism brochures, information on local historical societies, local business advertisements and newspaper clippings related to the different geographic areas of Florida, loosely divided into Central, North and South Florida. Some information may also be found in a Subject file; however, generally the Subject Files consist of information about Florida as a whole.","\nSeries II: Subject Files, 1831-2005 consist of booklets and brochures, newspaper and journal articles, business cards and advertisements, and periodicals related to Florida, arranged by subject alphabetically. Topics include Agricultural Literature, Arts and Humanities, Gardening Literature, History, Politics and Government, Real Estate and Development, State Parks and Historical Markers, Tourism, and Wildlife.","Series III: Artifacts, Undated, 1971, contains larger items that pertain to geographical and subject files \nconcerning Florida. Included thus far are a cork mat depicting Bok Tower and a bottle commemorating \nthe Apollo 14 mission.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Florida Ephemera Collection is a collection of brochures, advertisements and news clippings documenting the history of Florida. Although the collection includes information about Florida as a whole, it focuses on the Central Florida area, and Orlando in particular. The collection contains information about most aspects of life in Florida including business and industry, real estate and development, tourism and wildlife.","UCF Special Collections","Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998","English"],"unitid_tesim":["SC.032","/repositories/4/resources/60"],"normalized_date_ssm":["circa 1813-2007"],"normalized_title_ssm":["Florida Ephemera collection, circa 1813-2007"],"collection_title_tesim":["Florida Ephemera collection, circa 1813-2007"],"collection_ssim":["Florida Ephemera collection, circa 1813-2007"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida","Florida -- Politics and government","Orlando (Fla.)"],"geogname_ssim":["Florida","Florida -- Politics and government","Orlando (Fla.)"],"creator_ssm":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creator_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creator_persname_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creators_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"places_ssim":["Florida","Florida -- Politics and government","Orlando (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The ephemera was mostly collected by Thomas and Georgine Mickler of Micklers Antiquarian Books. These materials were purchased by the University of Central Florida Libraries, Special Collections and University Archives in 1999 (CFM1999_06). Ephemera from a variety of sources will continue to be purchased to create a collection relevant to Florida's history."],"access_subjects_ssim":["Agriculture -- Florida","Business -- Florida","Gardening -- Florida","Parks -- Florida","Tourism"],"access_subjects_ssm":["Agriculture -- Florida","Business -- Florida","Gardening -- Florida","Parks -- Florida","Tourism"],"has_online_content_ssim":["false"],"extent_ssm":["13 Linear Feet 26 Boxes, 1 Flat File"],"extent_tesim":["13 Linear Feet 26 Boxes, 1 Flat File"],"date_range_isim":[1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into three series, Geographic Files, Artifacts and Subject Files. Geographic Files are arranged in three subseries, Central, North and South Florida, with Central Florida organized alphabetically by county. General information about a region begins each subseries, followed by cities and counties that have a high volume of information. Subject Files are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into three series, Geographic Files, Artifacts and Subject Files. Geographic Files are arranged in three subseries, Central, North and South Florida, with Central Florida organized alphabetically by county. General information about a region begins each subseries, followed by cities and counties that have a high volume of information. Subject Files are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eThomas and Georgine Mickler ran a small publishing company, Mickler House, and a thriving mail-order business, Mickler's Antiquarian Books, out of their Chuluota home for almost 40 years. The Mickler's focused on tracing out-of-print publications about Florida and ultimately collected more than 40,000 books and other historical pieces of paper memorabilia that filled their home. Thomas Mickler was a native Floridian but Georgine was born in Chicago. She moved to Orlando in 1961, and they married the following year. Both of them lived until they were 84 years old; Thomas died in 1997 and Georgine died a year later.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Thomas and Georgine Mickler ran a small publishing company, Mickler House, and a thriving mail-order business, Mickler's Antiquarian Books, out of their Chuluota home for almost 40 years. The Mickler's focused on tracing out-of-print publications about Florida and ultimately collected more than 40,000 books and other historical pieces of paper memorabilia that filled their home. Thomas Mickler was a native Floridian but Georgine was born in Chicago. She moved to Orlando in 1961, and they married the following year. Both of them lived until they were 84 years old; Thomas died in 1997 and Georgine died a year later."],"prefercite_html_tesm":["\u003cp\u003eFlorida Ephemera Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Florida Ephemera Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Jessica Achberger; finding aid prepared by Jessica Achberger and Jeffrey Baumiller.\u003c/p\u003e","\u003cp\u003eThis collection was processed by both geographic area and subject matter. Materials related to a specific location within Florida were divided out, while materials related to Florida as a whole were separated into specific subject matter. All materials are foldered, with special attention being paid to newspaper clippings and delicate manuscript materials. Sheets of acid free paper were put between clippings, and some materials have been sleeved for preservation.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Jessica Achberger; finding aid prepared by Jessica Achberger and Jeffrey Baumiller.","This collection was processed by both geographic area and subject matter. Materials related to a specific location within Florida were divided out, while materials related to Florida as a whole were separated into specific subject matter. All materials are foldered, with special attention being paid to newspaper clippings and delicate manuscript materials. Sheets of acid free paper were put between clippings, and some materials have been sleeved for preservation."],"relatedmaterial_html_tesm":["\u003cp\u003eOther materials collected by the Micklers are held in the University of Central Florida Libraries Special Collections and University Archives, and other collections provide information about Florida. For a complete list of collections please consult the \u003cextref href=\"http://library.ucf.edu/about/departments/special-collections-university-archives/\"\u003eSpecial Collections \u0026amp; University Archives\u003c/extref\u003e website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other materials collected by the Micklers are held in the University of Central Florida Libraries Special Collections and University Archives, and other collections provide information about Florida. For a complete list of collections please consult the  Special Collections \u0026 University Archives  website."],"scopecontent_html_tesm":["\u003cp\u003eThe Florida Ephemera Collection consists of materials about or produced in Florida collected by Thomas and Georgine Mickler through their mail-order business, Mickler's Antiquarian Books, as well as additional purchases made by the University of Central Florida Libraries Special Collections. These materials are all related in some way to Florida, either geographically or through the subject matter.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Geographic Files, circa 1813-2007 contain tourism brochures, information on local historical societies, local business advertisements and newspaper clippings related to the different geographic areas of Florida, loosely divided into Central, North and South Florida. Some information may also be found in a Subject file; however, generally the Subject Files consist of information about Florida as a whole.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Subject Files, 1831-2005 consist of booklets and brochures, newspaper and journal articles, business cards and advertisements, and periodicals related to Florida, arranged by subject alphabetically. Topics include Agricultural Literature, Arts and Humanities, Gardening Literature, History, Politics and Government, Real Estate and Development, State Parks and Historical Markers, Tourism, and Wildlife.\u003c/p\u003e\n","\u003cp\u003eSeries III: Artifacts, Undated, 1971, contains larger items that pertain to geographical and subject files \nconcerning Florida. Included thus far are a cork mat depicting Bok Tower and a bottle commemorating \nthe Apollo 14 mission.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Florida Ephemera Collection consists of materials about or produced in Florida collected by Thomas and Georgine Mickler through their mail-order business, Mickler's Antiquarian Books, as well as additional purchases made by the University of Central Florida Libraries Special Collections. These materials are all related in some way to Florida, either geographically or through the subject matter.","\nSeries I: Geographic Files, circa 1813-2007 contain tourism brochures, information on local historical societies, local business advertisements and newspaper clippings related to the different geographic areas of Florida, loosely divided into Central, North and South Florida. Some information may also be found in a Subject file; however, generally the Subject Files consist of information about Florida as a whole.","\nSeries II: Subject Files, 1831-2005 consist of booklets and brochures, newspaper and journal articles, business cards and advertisements, and periodicals related to Florida, arranged by subject alphabetically. Topics include Agricultural Literature, Arts and Humanities, Gardening Literature, History, Politics and Government, Real Estate and Development, State Parks and Historical Markers, Tourism, and Wildlife.","Series III: Artifacts, Undated, 1971, contains larger items that pertain to geographical and subject files \nconcerning Florida. Included thus far are a cork mat depicting Bok Tower and a bottle commemorating \nthe Apollo 14 mission."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_64c3d62675ae88c59d40c8d1db049bf2\" label=\"Abstract\"\u003eThe Florida Ephemera Collection is a collection of brochures, advertisements and news clippings documenting the history of Florida. Although the collection includes information about Florida as a whole, it focuses on the Central Florida area, and Orlando in particular. The collection contains information about most aspects of life in Florida including business and industry, real estate and development, tourism and wildlife.\u003c/abstract\u003e"],"abstract_tesim":["The Florida Ephemera Collection is a collection of brochures, advertisements and news clippings documenting the history of Florida. Although the collection includes information about Florida as a whole, it focuses on the Central Florida area, and Orlando in particular. The collection contains information about most aspects of life in Florida including business and industry, real estate and development, tourism and wildlife."],"names_ssim":["UCF Special Collections","Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876384024848498688,"_root_":"a3eabcc4094ea8e02f42af5b","timestamp":"2026-09-15T08:00:52.198Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a3eabcc4094ea8e02f42af5b_aspace_6043"}},{"id":"fcab20b88f8ed86bfbd56dc2_aspace_98e9c3e8da5c15c43f7ac687b4e6c9f4","type":"File","attributes":{"title":"Voter registration lists, 1929 - 1960","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/fcab20b88f8ed86bfbd56dc2_aspace_98e9c3e8da5c15c43f7ac687b4e6c9f4#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_98e9c3e8da5c15c43f7ac687b4e6c9f4","ref_ssm":["aspace_98e9c3e8da5c15c43f7ac687b4e6c9f4","aspace_98e9c3e8da5c15c43f7ac687b4e6c9f4"],"id":"fcab20b88f8ed86bfbd56dc2_aspace_98e9c3e8da5c15c43f7ac687b4e6c9f4","title_filing_ssi":"Voter registration lists","title_ssm":["Voter registration lists"],"title_tesim":["Voter registration lists"],"unitdate_inclusive_ssm":["1929 - 1960"],"normalized_date_ssm":["1929 - 1960"],"normalized_title_ssm":["Voter registration lists, 1929 - 1960"],"text":["Voter registration lists, 1929 - 1960","Easter Lily Gates Collection, 1898-1982","Professional Papers, Circa 1898-1979","/repositories/4/archival_objects/3719","box 14","folder 225"],"component_level_isim":[2],"parent_ids_ssim":["fcab20b88f8ed86bfbd56dc2","fcab20b88f8ed86bfbd56dc2_aspace_466aff297e2e90dde111ffa8f99c03a3"],"parent_unittitles_ssm":["Easter Lily Gates Collection, 1898-1982","Professional Papers, Circa 1898-1979"],"parent_unittitles_tesim":["Easter Lily Gates Collection, 1898-1982","Professional Papers, Circa 1898-1979"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/4/archival_objects/3719"],"repository_ssim":["Broward County Historical Archives"],"collection_ssim":["Easter Lily Gates Collection, 1898-1982"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":229,"parent_access_terms_tesm":["The Easter Lily Gates Collection is open for research."],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"containers_ssim":["box 14","folder 225"],"_nest_path_":"/components#1/components#39","_nest_parent_":"fcab20b88f8ed86bfbd56dc2_aspace_466aff297e2e90dde111ffa8f99c03a3","_root_":"fcab20b88f8ed86bfbd56dc2","_version_":1875370525482549248,"timestamp":"2026-09-04T03:31:43.893Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"fcab20b88f8ed86bfbd56dc2","title_filing_ssi":"Gates, Easter Lily Collection","title_ssm":["Easter Lily Gates Collection"],"title_tesim":["Easter Lily Gates Collection"],"ead_ssi":"fcab20b88f8ed86bfbd56dc2","unitdate_ssm":["1898-1982"],"unitdate_inclusive_ssm":["1898-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.2021.1","/repositories/4/resources/179"],"text":["BCHA.2021.1","/repositories/4/resources/179","Easter Lily Gates Collection, 1898-1982","Broward County (Fla.)","Gates, Easter Lily, 1889-1985 -- Correspondence","Broward County (Fla.). Board of County Commissioners","Voter registration -- Florida -- Broward County","Voting -- Florida -- Broward County","Elections -- Florida -- Broward County","Photographs","Hats","Programs","Maps","Certificates","The collection is arranged into 6 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Printed Materials, Series V. Awards, and Series VI. Ephemera.","Easter Lily Biblo Gates was born on April 21, 1889, in Des Moines, Iowa to parents Elijah and Etta Biblo. Easter Lily Gates travelled west with her family by covered wagon to Utah and Nevada. She made hats as a store clerk at 17 years old. On January 20, 1910, she married George Peter Gates.","Easter and George Gates moved to Fort Lauderdale, Florida in 1918. They had two sons named Robert and Theodore. In 1926, Easter Lily saved her family in a severe hurricane by carrying her husband and two sons to the second floor of their home; they lost everything they owned and two weeks later her husband died from anemia. To provide for her children, Gates became Broward County's first female bus driver. In 1928, she ran for and won the  Supervisor of Elections job.  She maintained this position for 40 years, from 1929 to 1969. Easter Lily Gates registered Broward County's first Seminole and African-American voters.","Easter Lily Gates retired in 1969 at 80 years old. At 92 years old, she moved to Tampa, Florida and Thomasville, Georgia to live with her sons. Easter Lily Gates entered a nursing home in Tampa before her death. She died in February 1985.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Easter Lily Gates Collection in the Broward County Library Digital Archives.","The Easter Lily Gates Collection contains correspondence, photographs, printed materials, maps, prayer books, awards, political and election materials documenting the professional and personal life of Easter Lily Gates.","The Easter Lily Gates Collection is open for research."," Broward County Historical Archives","English"],"unitid_tesim":["BCHA.2021.1","/repositories/4/resources/179"],"normalized_date_ssm":["1898-1982"],"normalized_title_ssm":["Easter Lily Gates Collection, 1898-1982"],"collection_title_tesim":["Easter Lily Gates Collection, 1898-1982"],"collection_ssim":["Easter Lily Gates Collection, 1898-1982"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"geogname_ssm":["Broward County (Fla.)"],"geogname_ssim":["Broward County (Fla.)"],"places_ssim":["Broward County (Fla.)"],"access_terms_ssm":["The Easter Lily Gates Collection is open for research."],"access_subjects_ssim":["Gates, Easter Lily, 1889-1985 -- Correspondence","Broward County (Fla.). Board of County Commissioners","Voter registration -- Florida -- Broward County","Voting -- Florida -- Broward County","Elections -- Florida -- Broward County","Photographs","Hats","Programs","Maps","Certificates"],"access_subjects_ssm":["Gates, Easter Lily, 1889-1985 -- Correspondence","Broward County (Fla.). Board of County Commissioners","Voter registration -- Florida -- Broward County","Voting -- Florida -- Broward County","Elections -- Florida -- Broward County","Photographs","Hats","Programs","Maps","Certificates"],"has_online_content_ssim":["false"],"extent_ssm":["33 Hollinger Boxes"],"extent_tesim":["33 Hollinger Boxes"],"genreform_ssim":["Photographs","Hats","Programs","Maps","Certificates"],"date_range_isim":[1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 6 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Printed Materials, Series V. Awards, and Series VI. Ephemera.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 6 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Printed Materials, Series V. Awards, and Series VI. Ephemera."],"bioghist_html_tesm":["\u003cp\u003eEaster Lily Biblo Gates was born on April 21, 1889, in Des Moines, Iowa to parents Elijah and Etta Biblo. Easter Lily Gates travelled west with her family by covered wagon to Utah and Nevada. She made hats as a store clerk at 17 years old. On January 20, 1910, she married George Peter Gates.\u003c/p\u003e\n","\u003cp\u003eEaster and George Gates moved to Fort Lauderdale, Florida in 1918. They had two sons named Robert and Theodore. In 1926, Easter Lily saved her family in a severe hurricane by carrying her husband and two sons to the second floor of their home; they lost everything they owned and two weeks later her husband died from anemia. To provide for her children, Gates became Broward County's first female bus driver. In 1928, she ran for and won the  Supervisor of Elections job.  She maintained this position for 40 years, from 1929 to 1969. Easter Lily Gates registered Broward County's first Seminole and African-American voters.\u003c/p\u003e\n","\u003cp\u003eEaster Lily Gates retired in 1969 at 80 years old. At 92 years old, she moved to Tampa, Florida and Thomasville, Georgia to live with her sons. Easter Lily Gates entered a nursing home in Tampa before her death. She died in February 1985.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Easter Lily Biblo Gates was born on April 21, 1889, in Des Moines, Iowa to parents Elijah and Etta Biblo. Easter Lily Gates travelled west with her family by covered wagon to Utah and Nevada. She made hats as a store clerk at 17 years old. On January 20, 1910, she married George Peter Gates.","Easter and George Gates moved to Fort Lauderdale, Florida in 1918. They had two sons named Robert and Theodore. In 1926, Easter Lily saved her family in a severe hurricane by carrying her husband and two sons to the second floor of their home; they lost everything they owned and two weeks later her husband died from anemia. To provide for her children, Gates became Broward County's first female bus driver. In 1928, she ran for and won the  Supervisor of Elections job.  She maintained this position for 40 years, from 1929 to 1969. Easter Lily Gates registered Broward County's first Seminole and African-American voters.","Easter Lily Gates retired in 1969 at 80 years old. At 92 years old, she moved to Tampa, Florida and Thomasville, Georgia to live with her sons. Easter Lily Gates entered a nursing home in Tampa before her death. She died in February 1985."],"prefercite_html_tesm":["\u003cp\u003eEaster Lily Gates Collection, Broward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Easter Lily Gates Collection, Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/elgates/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Easter Lily Gates Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Easter Lily Gates Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Easter Lily Gates Collection contains correspondence, photographs, printed materials, maps, prayer books, awards, political and election materials documenting the professional and personal life of Easter Lily Gates.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Easter Lily Gates Collection contains correspondence, photographs, printed materials, maps, prayer books, awards, political and election materials documenting the professional and personal life of Easter Lily Gates."],"userestrict_html_tesm":["\u003cp\u003eThe Easter Lily Gates Collection is open for research.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Easter Lily Gates Collection is open for research."],"names_ssim":[" Broward County Historical Archives"],"corpname_ssim":[" Broward County Historical Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":501,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1875370525482549248,"_root_":"fcab20b88f8ed86bfbd56dc2","timestamp":"2026-09-04T03:31:43.893Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/fcab20b88f8ed86bfbd56dc2_aspace_98e9c3e8da5c15c43f7ac687b4e6c9f4"}},{"id":"6678d1ef17eb0b784725a98a","type":"collection","attributes":{"title":"Vreeland Collection, Circa 1839-2000, bulk 1920-1960","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/6678d1ef17eb0b784725a98a#creator","type":"document_value","attributes":{"value":["Vreeland, Harold"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/6678d1ef17eb0b784725a98a#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003ePersonal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6678d1ef17eb0b784725a98a#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"6678d1ef17eb0b784725a98a","title_filing_ssi":"Vreeland Collection","title_ssm":["Vreeland Collection"],"title_tesim":["Vreeland Collection"],"ead_ssi":"6678d1ef17eb0b784725a98a","unitdate_ssm":["Circa 1839-2000, bulk 1920-1960"],"unitdate_inclusive_ssm":["Circa 1839-2000, bulk 1920-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.1985.6","/repositories/4/resources/275"],"text":["BCHA.1985.6","/repositories/4/resources/275","Vreeland Collection, Circa 1839-2000, bulk 1920-1960","Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing","Good condition. Some items fragile, broken, or damaged.","Collection is open for research.","Harold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1).","The Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864–1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862–1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899–1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.","In 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.","During the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.","His wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.","Their son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish—sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.","During WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.","His son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida.","This collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Personal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.","The collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.","The Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships—such as cruisers and destroyers—navigating off the coast of Fort Lauderdale during World War II. ","It also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.","The boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game‑fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.","The Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.","The Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.","Finally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories.","Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."," Broward County Historical Archives","Vreeland, Harold","English"],"unitid_tesim":["BCHA.1985.6","/repositories/4/resources/275"],"normalized_date_ssm":["Circa 1839-2000, bulk 1920-1960"],"normalized_title_ssm":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"collection_title_tesim":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"collection_ssim":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"creator_ssm":["Vreeland, Harold"],"creator_ssim":["Vreeland, Harold"],"creator_persname_ssim":["Vreeland, Harold"],"creators_ssim":["Vreeland, Harold"],"access_terms_ssm":["Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."],"access_subjects_ssim":["Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing"],"access_subjects_ssm":["Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good condition. Some items fragile, broken, or damaged."],"extent_ssm":["19 Boxes (irregular size) The collection contains 19 boxes, including seven albums (consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes of different sizes containing artifacts and objects."],"extent_tesim":["19 Boxes (irregular size) The collection contains 19 boxes, including seven albums (consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes of different sizes containing artifacts and objects."],"date_range_isim":[1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"accruals_html_tesm":["\u003cp\u003eHarold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1).\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Harold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1)."],"bioghist_html_tesm":["\u003cp\u003eThe Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864\u0026#x2013;1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862\u0026#x2013;1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899\u0026#x2013;1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.\u003c/p\u003e\n","\u003cp\u003eIn 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.\u003c/p\u003e\n","\u003cp\u003eDuring the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.\u003c/p\u003e\n","\u003cp\u003eHis wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.\u003c/p\u003e\n","\u003cp\u003eTheir son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish\u0026#x2014;sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.\u003c/p\u003e\n","\u003cp\u003eDuring WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.\u003c/p\u003e\n","\u003cp\u003eHis son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864–1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862–1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899–1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.","In 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.","During the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.","His wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.","Their son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish—sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.","During WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.","His son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida."],"prefercite_html_tesm":["\u003cp\u003eBroward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003ePersonal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.\u003c/p\u003e\n","\u003cp\u003eThe Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships\u0026#x2014;such as cruisers and destroyers\u0026#x2014;navigating off the coast of Fort Lauderdale during World War II. \u003c/p\u003e\n","\u003cp\u003eIt also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.\u003c/p\u003e\n","\u003cp\u003eThe boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game\u0026#x2011;fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.\u003c/p\u003e\n","\u003cp\u003eThe Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.\u003c/p\u003e\n","\u003cp\u003eThe Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.\u003c/p\u003e\n","\u003cp\u003eFinally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Personal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.","The collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.","The Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships—such as cruisers and destroyers—navigating off the coast of Fort Lauderdale during World War II. ","It also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.","The boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game‑fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.","The Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.","The Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.","Finally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories."],"userestrict_html_tesm":["\u003cp\u003eAccess to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."],"names_ssim":[" Broward County Historical Archives","Vreeland, Harold"],"corpname_ssim":[" Broward County Historical Archives"],"names_coll_ssim":["Vreeland, Harold"],"persname_ssim":["Vreeland, Harold"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":708,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877635433981018112,"_root_":"6678d1ef17eb0b784725a98a","timestamp":"2026-09-29T03:31:28.954Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6678d1ef17eb0b784725a98a","title_filing_ssi":"Vreeland Collection","title_ssm":["Vreeland Collection"],"title_tesim":["Vreeland Collection"],"ead_ssi":"6678d1ef17eb0b784725a98a","unitdate_ssm":["Circa 1839-2000, bulk 1920-1960"],"unitdate_inclusive_ssm":["Circa 1839-2000, bulk 1920-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.1985.6","/repositories/4/resources/275"],"text":["BCHA.1985.6","/repositories/4/resources/275","Vreeland Collection, Circa 1839-2000, bulk 1920-1960","Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing","Good condition. Some items fragile, broken, or damaged.","Collection is open for research.","Harold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1).","The Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864–1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862–1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899–1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.","In 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.","During the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.","His wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.","Their son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish—sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.","During WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.","His son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida.","This collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Personal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.","The collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.","The Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships—such as cruisers and destroyers—navigating off the coast of Fort Lauderdale during World War II. ","It also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.","The boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game‑fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.","The Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.","The Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.","Finally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories.","Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."," Broward County Historical Archives","Vreeland, Harold","English"],"unitid_tesim":["BCHA.1985.6","/repositories/4/resources/275"],"normalized_date_ssm":["Circa 1839-2000, bulk 1920-1960"],"normalized_title_ssm":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"collection_title_tesim":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"collection_ssim":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"creator_ssm":["Vreeland, Harold"],"creator_ssim":["Vreeland, Harold"],"creator_persname_ssim":["Vreeland, Harold"],"creators_ssim":["Vreeland, Harold"],"access_terms_ssm":["Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."],"access_subjects_ssim":["Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing"],"access_subjects_ssm":["Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good condition. Some items fragile, broken, or damaged."],"extent_ssm":["19 Boxes (irregular size) The collection contains 19 boxes, including seven albums (consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes of different sizes containing artifacts and objects."],"extent_tesim":["19 Boxes (irregular size) The collection contains 19 boxes, including seven albums (consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes of different sizes containing artifacts and objects."],"date_range_isim":[1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"accruals_html_tesm":["\u003cp\u003eHarold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1).\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Harold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1)."],"bioghist_html_tesm":["\u003cp\u003eThe Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864\u0026#x2013;1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862\u0026#x2013;1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899\u0026#x2013;1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.\u003c/p\u003e\n","\u003cp\u003eIn 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.\u003c/p\u003e\n","\u003cp\u003eDuring the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.\u003c/p\u003e\n","\u003cp\u003eHis wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.\u003c/p\u003e\n","\u003cp\u003eTheir son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish\u0026#x2014;sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.\u003c/p\u003e\n","\u003cp\u003eDuring WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.\u003c/p\u003e\n","\u003cp\u003eHis son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864–1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862–1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899–1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.","In 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.","During the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.","His wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.","Their son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish—sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.","During WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.","His son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida."],"prefercite_html_tesm":["\u003cp\u003eBroward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003ePersonal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.\u003c/p\u003e\n","\u003cp\u003eThe Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships\u0026#x2014;such as cruisers and destroyers\u0026#x2014;navigating off the coast of Fort Lauderdale during World War II. \u003c/p\u003e\n","\u003cp\u003eIt also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.\u003c/p\u003e\n","\u003cp\u003eThe boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game\u0026#x2011;fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.\u003c/p\u003e\n","\u003cp\u003eThe Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.\u003c/p\u003e\n","\u003cp\u003eThe Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.\u003c/p\u003e\n","\u003cp\u003eFinally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Personal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.","The collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.","The Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships—such as cruisers and destroyers—navigating off the coast of Fort Lauderdale during World War II. ","It also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.","The boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game‑fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.","The Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.","The Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.","Finally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories."],"userestrict_html_tesm":["\u003cp\u003eAccess to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."],"names_ssim":[" Broward County Historical Archives","Vreeland, Harold"],"corpname_ssim":[" Broward County Historical Archives"],"names_coll_ssim":["Vreeland, Harold"],"persname_ssim":["Vreeland, Harold"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":708,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877635433981018112,"_root_":"6678d1ef17eb0b784725a98a","timestamp":"2026-09-29T03:31:28.954Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6678d1ef17eb0b784725a98a"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Office of the President, 1883-1957","value":"Office of the President, 1883-1957","hits":219},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Office+of+the+President%2C+1883-1957\u0026f%5Bdate_range%5D%5B%5D=1938\u0026view=compact"}},{"attributes":{"label":"Michael A. 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