{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1934\u0026page=56\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1934\u0026page=55\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1934\u0026page=57\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1934\u0026page=243\u0026view=compact"},"meta":{"pages":{"current_page":56,"next_page":57,"prev_page":55,"total_pages":243,"limit_value":10,"offset_value":550,"total_count":2423,"first_page?":false,"last_page?":false}},"data":[{"id":"858c2b961d9f21b8a16c10c6_aspace_fb371a98c539f8b19c64b0483bddc457","type":"File","attributes":{"title":"Depression, 1929-1941","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/858c2b961d9f21b8a16c10c6_aspace_fb371a98c539f8b19c64b0483bddc457#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_fb371a98c539f8b19c64b0483bddc457","ref_ssm":["aspace_fb371a98c539f8b19c64b0483bddc457","aspace_fb371a98c539f8b19c64b0483bddc457"],"id":"858c2b961d9f21b8a16c10c6_aspace_fb371a98c539f8b19c64b0483bddc457","title_filing_ssi":"Depression","title_ssm":["Depression"],"title_tesim":["Depression"],"unitdate_inclusive_ssm":["1929-1941"],"normalized_date_ssm":["1929-1941"],"normalized_title_ssm":["Depression, 1929-1941"],"text":["Depression, 1929-1941","Florida Photograph collection, bulk 1883-1977","Hillsborough County","Tampa","18","/repositories/2/archival_objects/142713","box 16","folder 18"],"component_level_isim":[3],"parent_ids_ssim":["858c2b961d9f21b8a16c10c6","858c2b961d9f21b8a16c10c6_aspace_dd414b101de05fad3c673facef509b5f","858c2b961d9f21b8a16c10c6_aspace_25a896596d6b82a3f666e720e20186fb"],"parent_unittitles_ssm":["Florida Photograph collection, bulk 1883-1977","Hillsborough County","Tampa"],"parent_unittitles_tesim":["Florida Photograph collection, bulk 1883-1977","Hillsborough County","Tampa"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["18","/repositories/2/archival_objects/142713"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Florida Photograph collection, bulk 1883-1977"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":379,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941],"containers_ssim":["box 16","folder 18"],"_nest_path_":"/components#48/components#23/components#20","_nest_parent_":"858c2b961d9f21b8a16c10c6_aspace_25a896596d6b82a3f666e720e20186fb","_root_":"858c2b961d9f21b8a16c10c6","timestamp":"2026-06-06T03:16:59.251Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"858c2b961d9f21b8a16c10c6","title_ssm":["Florida Photograph collection"],"title_tesim":["Florida Photograph collection"],"ead_ssi":"858c2b961d9f21b8a16c10c6","unitdate_ssm":["1883-1977"],"unitdate_bulk_ssim":["1883-1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2021-06","/repositories/2/resources/597"],"text":["MS-2021-06","/repositories/2/resources/597","Florida Photograph collection, bulk 1883-1977","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-2021-06","/repositories/2/resources/597"],"normalized_date_ssm":["bulk 1883-1977"],"normalized_title_ssm":["Florida Photograph collection, bulk 1883-1977"],"collection_title_tesim":["Florida Photograph collection, bulk 1883-1977"],"collection_ssim":["Florida Photograph collection, bulk 1883-1977"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"has_online_content_ssim":["false"],"extent_ssm":["8.78 Linear Feet","42 boxes"],"extent_tesim":["8.78 Linear Feet","42 boxes"],"date_range_isim":[1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2014, Christie Riganati, Teresa Van Dyke, and Victoria Thur processed this collection.","The Derna DePamphilis Music Collection includes opera scores (many with her performance notations) and libretti. The libretti collection consists of late nineteenth and early twentieth century libretti from various publishers. The majority of the works are from Italian composers, but there are also some representations of French, German and English works.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00011","/repositories/2/resources/5"],"normalized_date_ssm":["1885-1962, bulk 1935-1950"],"normalized_title_ssm":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950"],"collection_title_tesim":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950"],"collection_ssim":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["10.50 Linear Feet","20 boxes other_unmapped"],"extent_tesim":["10.50 Linear Feet","20 boxes other_unmapped"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2014, Christie Riganati, Teresa Van Dyke, and Victoria Thur processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2014, Christie Riganati, Teresa Van Dyke, and Victoria Thur processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Derna DePamphilis Music Collection includes opera scores (many with her performance notations) and libretti. The libretti collection consists of late nineteenth and early twentieth century libretti from various publishers. The majority of the works are from Italian composers, but there are also some representations of French, German and English works.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Derna DePamphilis Music Collection includes opera scores (many with her performance notations) and libretti. The libretti collection consists of late nineteenth and early twentieth century libretti from various publishers. The majority of the works are from Italian composers, but there are also some representations of French, German and English works."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1053,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"0c6450679382733623a42e56","timestamp":"2026-07-09T02:19:30.349Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"0c6450679382733623a42e56","title_ssm":["Derna DePamphilis Music Collection"],"title_tesim":["Derna DePamphilis Music Collection"],"ead_ssi":"0c6450679382733623a42e56","unitdate_ssm":["1885-1962","1935-1950"],"unitdate_bulk_ssim":["1935-1950"],"unitdate_inclusive_ssm":["1885-1962"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00011","/repositories/2/resources/5"],"text":["PMC00011","/repositories/2/resources/5","Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2014, Christie Riganati, Teresa Van Dyke, and Victoria Thur processed this collection.","The Derna DePamphilis Music Collection includes opera scores (many with her performance notations) and libretti. The libretti collection consists of late nineteenth and early twentieth century libretti from various publishers. The majority of the works are from Italian composers, but there are also some representations of French, German and English works.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00011","/repositories/2/resources/5"],"normalized_date_ssm":["1885-1962, bulk 1935-1950"],"normalized_title_ssm":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950"],"collection_title_tesim":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950"],"collection_ssim":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["10.50 Linear Feet","20 boxes other_unmapped"],"extent_tesim":["10.50 Linear Feet","20 boxes other_unmapped"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. 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In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2014, Christie Riganati, Teresa Van Dyke, and Victoria Thur processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2014, Christie Riganati, Teresa Van Dyke, and Victoria Thur processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Derna DePamphilis Music Collection includes opera scores (many with her performance notations) and libretti. The libretti collection consists of late nineteenth and early twentieth century libretti from various publishers. The majority of the works are from Italian composers, but there are also some representations of French, German and English works.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Derna DePamphilis Music Collection includes opera scores (many with her performance notations) and libretti. The libretti collection consists of late nineteenth and early twentieth century libretti from various publishers. The majority of the works are from Italian composers, but there are also some representations of French, German and English works."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1053,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"0c6450679382733623a42e56","timestamp":"2026-07-09T02:19:30.349Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/0c6450679382733623a42e56"}},{"id":"42f3b43c6ab5b9d9f101d56c","type":"collection","attributes":{"title":"Derrick Joshua Beard Collection, Circa 1854-1986","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/42f3b43c6ab5b9d9f101d56c#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Derrick Joshua Beard Collection contains the \"Fats Waller\" pencil sketch by George E. Neal. 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See also Technical Requirements note.","Interview notes in Box 10 are restricted until January 1, 2045, and until then may only be accessed with written permission from Devery Anderson.","Contents of Box 11 are restricted pending further processing.","Users may access this collection at the Claude Pepper Library.","Devery S. Anderson is an author and editor at Signature Books, a scholarly press in Salt Lake City, Utah. He has published books and articles on Mormon history and the American civil rights movement, including the 1955 kidnapping and murder of Emmett Till. His book  Emmett Till: The Murder That Shocked the World and Propelled the Civil Rights Movement  was released by the University Press of Mississippi in August 2015.","Content of audio, audiovisual, and digital carriers may not be immediately accessible to researchers. Please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu for more information on access to this content.","\tDevery S. Anderson. (2008). A Wallet, A White Woman, and A Whistle: Fact and Fiction in Emmett Till's Encounter in Money, Mississippi.  Southern Quarterly, 45 (4), 10-21.","Devery S. Anderson. (2015).  Emmett Till: The Murder That Shocked the World and Propelled the Civil Rights Movement . Jackson: University Press of Mississippi.  https://fsu.catalog.fcla.edu/permalink.jsp?23FS038009709 \n    Devery Anderson.  https://www.deveryanderson.com/ at the Internet Archive:  https://wayback.archive-it.org/9963/*/https://www.deveryanderson.com/","Newspaper articles, publications, interviews, and notes collected and created by author Devery Anderson during research for publications on Emmett Till, including his 2015 monograph  Emmett Till: The Murder That Shocked the World and Propelled the Civil Rights Movement .","Select materials from the Devery Anderson Papers have been digitized and are available through the  FSU Digital Library .","This collection includes historical and primary sources documenting racism and violence against children. Some content may be traumatic to researchers and difficult to view. We provide access to these materials to preserve the historical record and support research and instruction on difficult topics. See our full Statement on Potentially Harmful Content here:  https://repository.lib.fsu.edu/potentially-harmful-content-statement","Copyrights held by Devery Anderson in donated works have been deeded to Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","Copyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder.","FSU Special Collections \u0026 Archives","Till, Emmett, 1941-1955","English"],"unitid_tesim":["MSS 2015-009","/repositories/10/resources/1063"],"normalized_date_ssm":["1922-2014, bulk 1955-2005"],"normalized_title_ssm":["Devery Anderson Papers, 1922-2014, bulk 1955-2005"],"collection_title_tesim":["Devery Anderson Papers, 1922-2014, bulk 1955-2005"],"collection_ssim":["Devery Anderson Papers, 1922-2014, bulk 1955-2005"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyrights held by Devery Anderson in donated works have been deeded to Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","Copyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder."],"acqinfo_ssim":["Devery S. Anderson","Deed of Gift executed July 15, 2020"],"has_online_content_ssim":["false"],"extent_ssm":["8.25 Linear Feet 11 boxes","9 items","10 Cassettes","1 Cassettes"],"extent_tesim":["8.25 Linear Feet 11 boxes","9 items","10 Cassettes","1 Cassettes"],"physfacet_tesim":["Computer disks: CD-R and DVD-ROM","Sound recordings: 9 compact audiocassettes, one microcassette","8 mm videocassette"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eExcept where specifically noted, content of this collection is open to all researchers.\u003c/p\u003e\n","\u003cp\u003eAudio, audiovisual, and digital content in Box 9 is restricted from reading room use. See also Technical Requirements note.\u003c/p\u003e\n","\u003cp\u003eInterview notes in Box 10 are restricted until January 1, 2045, and until then may only be accessed with written permission from Devery Anderson.\u003c/p\u003e\n","\u003cp\u003eContents of Box 11 are restricted pending further processing.\u003c/p\u003e\n","\u003cp\u003eUsers may access this collection at the Claude Pepper Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Except where specifically noted, content of this collection is open to all researchers.","Audio, audiovisual, and digital content in Box 9 is restricted from reading room use. See also Technical Requirements note.","Interview notes in Box 10 are restricted until January 1, 2045, and until then may only be accessed with written permission from Devery Anderson.","Contents of Box 11 are restricted pending further processing.","Users may access this collection at the Claude Pepper Library."],"bioghist_html_tesm":["\u003cp\u003eDevery S. Anderson is an author and editor at Signature Books, a scholarly press in Salt Lake City, Utah. He has published books and articles on Mormon history and the American civil rights movement, including the 1955 kidnapping and murder of Emmett Till. His book \u003cemph render=\"italic\"\u003eEmmett Till: The Murder That Shocked the World and Propelled the Civil Rights Movement\u003c/emph\u003e was released by the University Press of Mississippi in August 2015.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Devery S. Anderson is an author and editor at Signature Books, a scholarly press in Salt Lake City, Utah. He has published books and articles on Mormon history and the American civil rights movement, including the 1955 kidnapping and murder of Emmett Till. His book  Emmett Till: The Murder That Shocked the World and Propelled the Civil Rights Movement  was released by the University Press of Mississippi in August 2015."],"phystech_html_tesm":["\u003cp\u003eContent of audio, audiovisual, and digital carriers may not be immediately accessible to researchers. Please contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu for more information on access to this content.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["Content of audio, audiovisual, and digital carriers may not be immediately accessible to researchers. Please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu for more information on access to this content."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Devery Anderson Papers, MSS 2015-009, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"https://purl.lib.fsu.edu/fa/MSS_2015-009\"\u003ehttps://purl.lib.fsu.edu/fa/MSS_2015-009\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Devery Anderson Papers, MSS 2015-009, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  https://purl.lib.fsu.edu/fa/MSS_2015-009"],"relatedmaterial_html_tesm":["\u003cp\u003e\tDevery S. Anderson. (2008). A Wallet, A White Woman, and A Whistle: Fact and Fiction in Emmett Till's Encounter in Money, Mississippi. \u003cemph render=\"italic\"\u003eSouthern Quarterly, 45\u003c/emph\u003e(4), 10-21.\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eDevery S. Anderson. (2015). \u003cemph render=\"italic\"\u003eEmmett Till: The Murder That Shocked the World and Propelled the Civil Rights Movement\u003c/emph\u003e. Jackson: University Press of Mississippi. \u003cextref href=\"https://fsu.catalog.fcla.edu/permalink.jsp?23FS038009709\"\u003ehttps://fsu.catalog.fcla.edu/permalink.jsp?23FS038009709\u003c/extref\u003e\u003cbr\u003e\u003cbr\u003e\n    Devery Anderson. \u003cextref href=\"https://www.deveryanderson.com/\"\u003ehttps://www.deveryanderson.com/\u003c/extref\u003e\u003cbr\u003eat the Internet Archive: \u003cextref href=\"https://wayback.archive-it.org/9963/*/https://www.deveryanderson.com/\"\u003ehttps://wayback.archive-it.org/9963/*/https://www.deveryanderson.com/\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Publications"],"relatedmaterial_tesim":["\tDevery S. Anderson. (2008). A Wallet, A White Woman, and A Whistle: Fact and Fiction in Emmett Till's Encounter in Money, Mississippi.  Southern Quarterly, 45 (4), 10-21.","Devery S. Anderson. (2015).  Emmett Till: The Murder That Shocked the World and Propelled the Civil Rights Movement . Jackson: University Press of Mississippi.  https://fsu.catalog.fcla.edu/permalink.jsp?23FS038009709 \n    Devery Anderson.  https://www.deveryanderson.com/ at the Internet Archive:  https://wayback.archive-it.org/9963/*/https://www.deveryanderson.com/"],"scopecontent_html_tesm":["\u003cp\u003eNewspaper articles, publications, interviews, and notes collected and created by author Devery Anderson during research for publications on Emmett Till, including his 2015 monograph \u003cemph render=\"italic\"\u003eEmmett Till: The Murder That Shocked the World and Propelled the Civil Rights Movement\u003c/emph\u003e.\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e","\u003cp\u003eSelect materials from the Devery Anderson Papers have been digitized and are available through the \u003cextref href=\"https://repository.lib.fsu.edu/islandora/object/fsu:deveryandersoncoll\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e","\u003cp\u003eThis collection includes historical and primary sources documenting racism and violence against children. Some content may be traumatic to researchers and difficult to view. We provide access to these materials to preserve the historical record and support research and instruction on difficult topics. See our full Statement on Potentially Harmful Content here: \u003cextref href=\"https://repository.lib.fsu.edu/potentially-harmful-content-statement\"\u003ehttps://repository.lib.fsu.edu/potentially-harmful-content-statement\u003c/extref\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available","Potentially Harmful Content"],"scopecontent_tesim":["Newspaper articles, publications, interviews, and notes collected and created by author Devery Anderson during research for publications on Emmett Till, including his 2015 monograph  Emmett Till: The Murder That Shocked the World and Propelled the Civil Rights Movement .","Select materials from the Devery Anderson Papers have been digitized and are available through the  FSU Digital Library .","This collection includes historical and primary sources documenting racism and violence against children. Some content may be traumatic to researchers and difficult to view. We provide access to these materials to preserve the historical record and support research and instruction on difficult topics. See our full Statement on Potentially Harmful Content here:  https://repository.lib.fsu.edu/potentially-harmful-content-statement"],"userestrict_html_tesm":["\u003cp\u003eCopyrights held by Devery Anderson in donated works have been deeded to Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e\n","\u003cp\u003eCopyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyrights held by Devery Anderson in donated works have been deeded to Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","Copyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder."],"names_ssim":["FSU Special Collections \u0026 Archives","Till, Emmett, 1941-1955"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Till, Emmett, 1941-1955"],"persname_ssim":["Till, Emmett, 1941-1955"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":427,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870856772244209664,"_root_":"8c11efef5354cd1c3b727817","timestamp":"2026-07-16T07:47:33.279Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8c11efef5354cd1c3b727817","title_filing_ssi":"Anderson, Devery Papers","title_ssm":["Devery Anderson Papers"],"title_tesim":["Devery Anderson Papers"],"ead_ssi":"8c11efef5354cd1c3b727817","unitdate_ssm":["1922-2014","1955-2005"],"unitdate_bulk_ssim":["1955-2005"],"unitdate_inclusive_ssm":["1922-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2015-009","/repositories/10/resources/1063"],"text":["MSS 2015-009","/repositories/10/resources/1063","Devery Anderson Papers, 1922-2014, bulk 1955-2005","Except where specifically noted, content of this collection is open to all researchers.","Audio, audiovisual, and digital content in Box 9 is restricted from reading room use. See also Technical Requirements note.","Interview notes in Box 10 are restricted until January 1, 2045, and until then may only be accessed with written permission from Devery Anderson.","Contents of Box 11 are restricted pending further processing.","Users may access this collection at the Claude Pepper Library.","Devery S. Anderson is an author and editor at Signature Books, a scholarly press in Salt Lake City, Utah. He has published books and articles on Mormon history and the American civil rights movement, including the 1955 kidnapping and murder of Emmett Till. His book  Emmett Till: The Murder That Shocked the World and Propelled the Civil Rights Movement  was released by the University Press of Mississippi in August 2015.","Content of audio, audiovisual, and digital carriers may not be immediately accessible to researchers. Please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu for more information on access to this content.","\tDevery S. Anderson. (2008). A Wallet, A White Woman, and A Whistle: Fact and Fiction in Emmett Till's Encounter in Money, Mississippi.  Southern Quarterly, 45 (4), 10-21.","Devery S. Anderson. (2015).  Emmett Till: The Murder That Shocked the World and Propelled the Civil Rights Movement . Jackson: University Press of Mississippi.  https://fsu.catalog.fcla.edu/permalink.jsp?23FS038009709 \n    Devery Anderson.  https://www.deveryanderson.com/ at the Internet Archive:  https://wayback.archive-it.org/9963/*/https://www.deveryanderson.com/","Newspaper articles, publications, interviews, and notes collected and created by author Devery Anderson during research for publications on Emmett Till, including his 2015 monograph  Emmett Till: The Murder That Shocked the World and Propelled the Civil Rights Movement .","Select materials from the Devery Anderson Papers have been digitized and are available through the  FSU Digital Library .","This collection includes historical and primary sources documenting racism and violence against children. Some content may be traumatic to researchers and difficult to view. We provide access to these materials to preserve the historical record and support research and instruction on difficult topics. See our full Statement on Potentially Harmful Content here:  https://repository.lib.fsu.edu/potentially-harmful-content-statement","Copyrights held by Devery Anderson in donated works have been deeded to Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","Copyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder.","FSU Special Collections \u0026 Archives","Till, Emmett, 1941-1955","English"],"unitid_tesim":["MSS 2015-009","/repositories/10/resources/1063"],"normalized_date_ssm":["1922-2014, bulk 1955-2005"],"normalized_title_ssm":["Devery Anderson Papers, 1922-2014, bulk 1955-2005"],"collection_title_tesim":["Devery Anderson Papers, 1922-2014, bulk 1955-2005"],"collection_ssim":["Devery Anderson Papers, 1922-2014, bulk 1955-2005"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyrights held by Devery Anderson in donated works have been deeded to Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","Copyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder."],"acqinfo_ssim":["Devery S. Anderson","Deed of Gift executed July 15, 2020"],"has_online_content_ssim":["false"],"extent_ssm":["8.25 Linear Feet 11 boxes","9 items","10 Cassettes","1 Cassettes"],"extent_tesim":["8.25 Linear Feet 11 boxes","9 items","10 Cassettes","1 Cassettes"],"physfacet_tesim":["Computer disks: CD-R and DVD-ROM","Sound recordings: 9 compact audiocassettes, one microcassette","8 mm videocassette"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eExcept where specifically noted, content of this collection is open to all researchers.\u003c/p\u003e\n","\u003cp\u003eAudio, audiovisual, and digital content in Box 9 is restricted from reading room use. See also Technical Requirements note.\u003c/p\u003e\n","\u003cp\u003eInterview notes in Box 10 are restricted until January 1, 2045, and until then may only be accessed with written permission from Devery Anderson.\u003c/p\u003e\n","\u003cp\u003eContents of Box 11 are restricted pending further processing.\u003c/p\u003e\n","\u003cp\u003eUsers may access this collection at the Claude Pepper Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Except where specifically noted, content of this collection is open to all researchers.","Audio, audiovisual, and digital content in Box 9 is restricted from reading room use. See also Technical Requirements note.","Interview notes in Box 10 are restricted until January 1, 2045, and until then may only be accessed with written permission from Devery Anderson.","Contents of Box 11 are restricted pending further processing.","Users may access this collection at the Claude Pepper Library."],"bioghist_html_tesm":["\u003cp\u003eDevery S. Anderson is an author and editor at Signature Books, a scholarly press in Salt Lake City, Utah. He has published books and articles on Mormon history and the American civil rights movement, including the 1955 kidnapping and murder of Emmett Till. His book \u003cemph render=\"italic\"\u003eEmmett Till: The Murder That Shocked the World and Propelled the Civil Rights Movement\u003c/emph\u003e was released by the University Press of Mississippi in August 2015.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Devery S. Anderson is an author and editor at Signature Books, a scholarly press in Salt Lake City, Utah. He has published books and articles on Mormon history and the American civil rights movement, including the 1955 kidnapping and murder of Emmett Till. His book  Emmett Till: The Murder That Shocked the World and Propelled the Civil Rights Movement  was released by the University Press of Mississippi in August 2015."],"phystech_html_tesm":["\u003cp\u003eContent of audio, audiovisual, and digital carriers may not be immediately accessible to researchers. Please contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu for more information on access to this content.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["Content of audio, audiovisual, and digital carriers may not be immediately accessible to researchers. Please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu for more information on access to this content."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Devery Anderson Papers, MSS 2015-009, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"https://purl.lib.fsu.edu/fa/MSS_2015-009\"\u003ehttps://purl.lib.fsu.edu/fa/MSS_2015-009\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Devery Anderson Papers, MSS 2015-009, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  https://purl.lib.fsu.edu/fa/MSS_2015-009"],"relatedmaterial_html_tesm":["\u003cp\u003e\tDevery S. Anderson. (2008). A Wallet, A White Woman, and A Whistle: Fact and Fiction in Emmett Till's Encounter in Money, Mississippi. \u003cemph render=\"italic\"\u003eSouthern Quarterly, 45\u003c/emph\u003e(4), 10-21.\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eDevery S. Anderson. (2015). \u003cemph render=\"italic\"\u003eEmmett Till: The Murder That Shocked the World and Propelled the Civil Rights Movement\u003c/emph\u003e. Jackson: University Press of Mississippi. \u003cextref href=\"https://fsu.catalog.fcla.edu/permalink.jsp?23FS038009709\"\u003ehttps://fsu.catalog.fcla.edu/permalink.jsp?23FS038009709\u003c/extref\u003e\u003cbr\u003e\u003cbr\u003e\n    Devery Anderson. \u003cextref href=\"https://www.deveryanderson.com/\"\u003ehttps://www.deveryanderson.com/\u003c/extref\u003e\u003cbr\u003eat the Internet Archive: \u003cextref href=\"https://wayback.archive-it.org/9963/*/https://www.deveryanderson.com/\"\u003ehttps://wayback.archive-it.org/9963/*/https://www.deveryanderson.com/\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Publications"],"relatedmaterial_tesim":["\tDevery S. Anderson. (2008). A Wallet, A White Woman, and A Whistle: Fact and Fiction in Emmett Till's Encounter in Money, Mississippi.  Southern Quarterly, 45 (4), 10-21.","Devery S. Anderson. (2015).  Emmett Till: The Murder That Shocked the World and Propelled the Civil Rights Movement . Jackson: University Press of Mississippi.  https://fsu.catalog.fcla.edu/permalink.jsp?23FS038009709 \n    Devery Anderson.  https://www.deveryanderson.com/ at the Internet Archive:  https://wayback.archive-it.org/9963/*/https://www.deveryanderson.com/"],"scopecontent_html_tesm":["\u003cp\u003eNewspaper articles, publications, interviews, and notes collected and created by author Devery Anderson during research for publications on Emmett Till, including his 2015 monograph \u003cemph render=\"italic\"\u003eEmmett Till: The Murder That Shocked the World and Propelled the Civil Rights Movement\u003c/emph\u003e.\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e","\u003cp\u003eSelect materials from the Devery Anderson Papers have been digitized and are available through the \u003cextref href=\"https://repository.lib.fsu.edu/islandora/object/fsu:deveryandersoncoll\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e","\u003cp\u003eThis collection includes historical and primary sources documenting racism and violence against children. Some content may be traumatic to researchers and difficult to view. We provide access to these materials to preserve the historical record and support research and instruction on difficult topics. See our full Statement on Potentially Harmful Content here: \u003cextref href=\"https://repository.lib.fsu.edu/potentially-harmful-content-statement\"\u003ehttps://repository.lib.fsu.edu/potentially-harmful-content-statement\u003c/extref\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available","Potentially Harmful Content"],"scopecontent_tesim":["Newspaper articles, publications, interviews, and notes collected and created by author Devery Anderson during research for publications on Emmett Till, including his 2015 monograph  Emmett Till: The Murder That Shocked the World and Propelled the Civil Rights Movement .","Select materials from the Devery Anderson Papers have been digitized and are available through the  FSU Digital Library .","This collection includes historical and primary sources documenting racism and violence against children. Some content may be traumatic to researchers and difficult to view. We provide access to these materials to preserve the historical record and support research and instruction on difficult topics. See our full Statement on Potentially Harmful Content here:  https://repository.lib.fsu.edu/potentially-harmful-content-statement"],"userestrict_html_tesm":["\u003cp\u003eCopyrights held by Devery Anderson in donated works have been deeded to Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e\n","\u003cp\u003eCopyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyrights held by Devery Anderson in donated works have been deeded to Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","Copyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder."],"names_ssim":["FSU Special Collections \u0026 Archives","Till, Emmett, 1941-1955"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Till, Emmett, 1941-1955"],"persname_ssim":["Till, Emmett, 1941-1955"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":427,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870856772244209664,"_root_":"8c11efef5354cd1c3b727817","timestamp":"2026-07-16T07:47:33.279Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8c11efef5354cd1c3b727817"}},{"id":"612308c3b783ab5cfe56a5e7","type":"collection","attributes":{"title":"D. Harold Oliver Collection, 1924-1968","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/612308c3b783ab5cfe56a5e7#creator","type":"document_value","attributes":{"value":["D. Harold Oliver"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/612308c3b783ab5cfe56a5e7#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eDavid Harold Oliver (1897-1972) was a White House correspondent and political reporter for the Associated Press. He began working at the AP at the age of 15 in 1913. Before becoming a reporter he worked as copy boy, in the AP library, and took diction from reporters over the phone. In 1920 he became a reporter. He traveled with and covered presidents from Warren G. Harding to Dwight Eisenhower. He was a well-respected journalist, and, this was especially true for his skills covering elections. He was one of the reporters in Warm Springs, Georgia with Roosevelt during the April 1945 visit when the President died. Oliver retired from the AP on December 1, 1962 when he reached the mandatory retirement age of 65. A Washington, D.C. native, upon his retirement he moved to Fort Lauderdale, Florida where he continued to write and publish. He also voted for the first time as a Broward County resident. He passed away in Fort Lauderdale and was survived by his wife Myrtle. The collection is divided into five series; series one and two are the two scrapbooks, series three consists of 87 Franklin D. Roosevelt campaign buttons, buttons are both for and against Roosevelt, series 4 consists of political and campaign buttons not pertaining to Roosevelt, and series five consists of two framed photographs of Roosevelt. The scrapbook items consist of press passes, invitation, letters, newspaper clippings, and photographs. The predominate material from the scrapbooks covers his years with e Roosevelt.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/612308c3b783ab5cfe56a5e7#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"612308c3b783ab5cfe56a5e7","title_ssm":["D. Harold Oliver Collection"],"title_tesim":["D. Harold Oliver Collection"],"ead_ssi":"612308c3b783ab5cfe56a5e7","unitdate_ssm":["1924-1968"],"unitdate_inclusive_ssm":["1924-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00023","/repositories/2/resources/46"],"text":["SPC00023","/repositories/2/resources/46","D. Harold Oliver Collection, 1924-1968","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2013, Leslie Siegel processed the collection.","David Harold Oliver (1897-1972) was a White House correspondent and political reporter for the Associated Press. He began working at the AP at the age of 15 in 1913. Before becoming a reporter he worked as copy boy, in the AP library, and took diction from reporters over the phone. In 1920 he became a reporter. He traveled with and covered presidents from Warren G. Harding to Dwight Eisenhower. He was a well-respected journalist, and, this was especially true for his skills covering elections. He was one of the reporters in Warm Springs, Georgia with Roosevelt during the April 1945 visit when the President died. Oliver retired from the AP on December 1, 1962 when he reached the mandatory retirement age of 65. A Washington, D.C. native, upon his retirement he moved to Fort Lauderdale, Florida where he continued to write and publish. He also voted for the first time as a Broward County resident. He passed away in Fort Lauderdale and was survived by his wife Myrtle. The collection is divided into five series; series one and two are the two scrapbooks, series three consists of 87 Franklin D. Roosevelt campaign buttons, buttons are both for and against Roosevelt, series 4 consists of political and campaign buttons not pertaining to Roosevelt, and series five consists of two framed photographs of Roosevelt. The scrapbook items consist of press passes, invitation, letters, newspaper clippings, and photographs. The predominate material from the scrapbooks covers his years with e Roosevelt.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","D. Harold Oliver","English"],"unitid_tesim":["SPC00023","/repositories/2/resources/46"],"normalized_date_ssm":["1924-1968"],"normalized_title_ssm":["D. Harold Oliver Collection, 1924-1968"],"collection_title_tesim":["D. Harold Oliver Collection, 1924-1968"],"collection_ssim":["D. Harold Oliver Collection, 1924-1968"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"creator_ssm":["D. Harold Oliver"],"creator_ssim":["D. Harold Oliver"],"creator_persname_ssim":["D. Harold Oliver"],"creators_ssim":["D. Harold Oliver"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["2.50 Linear Feet"],"extent_tesim":["2.50 Linear Feet"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2013, Leslie Siegel processed the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2013, Leslie Siegel processed the collection."],"scopecontent_html_tesm":["\u003cp\u003eDavid Harold Oliver (1897-1972) was a White House correspondent and political reporter for the Associated Press. He began working at the AP at the age of 15 in 1913. Before becoming a reporter he worked as copy boy, in the AP library, and took diction from reporters over the phone. In 1920 he became a reporter. He traveled with and covered presidents from Warren G. Harding to Dwight Eisenhower. He was a well-respected journalist, and, this was especially true for his skills covering elections. He was one of the reporters in Warm Springs, Georgia with Roosevelt during the April 1945 visit when the President died. Oliver retired from the AP on December 1, 1962 when he reached the mandatory retirement age of 65. A Washington, D.C. native, upon his retirement he moved to Fort Lauderdale, Florida where he continued to write and publish. He also voted for the first time as a Broward County resident. He passed away in Fort Lauderdale and was survived by his wife Myrtle. The collection is divided into five series; series one and two are the two scrapbooks, series three consists of 87 Franklin D. Roosevelt campaign buttons, buttons are both for and against Roosevelt, series 4 consists of political and campaign buttons not pertaining to Roosevelt, and series five consists of two framed photographs of Roosevelt. The scrapbook items consist of press passes, invitation, letters, newspaper clippings, and photographs. The predominate material from the scrapbooks covers his years with e Roosevelt.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["David Harold Oliver (1897-1972) was a White House correspondent and political reporter for the Associated Press. He began working at the AP at the age of 15 in 1913. Before becoming a reporter he worked as copy boy, in the AP library, and took diction from reporters over the phone. In 1920 he became a reporter. He traveled with and covered presidents from Warren G. Harding to Dwight Eisenhower. He was a well-respected journalist, and, this was especially true for his skills covering elections. He was one of the reporters in Warm Springs, Georgia with Roosevelt during the April 1945 visit when the President died. Oliver retired from the AP on December 1, 1962 when he reached the mandatory retirement age of 65. A Washington, D.C. native, upon his retirement he moved to Fort Lauderdale, Florida where he continued to write and publish. He also voted for the first time as a Broward County resident. He passed away in Fort Lauderdale and was survived by his wife Myrtle. The collection is divided into five series; series one and two are the two scrapbooks, series three consists of 87 Franklin D. Roosevelt campaign buttons, buttons are both for and against Roosevelt, series 4 consists of political and campaign buttons not pertaining to Roosevelt, and series five consists of two framed photographs of Roosevelt. The scrapbook items consist of press passes, invitation, letters, newspaper clippings, and photographs. The predominate material from the scrapbooks covers his years with e Roosevelt."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries","D. Harold Oliver"],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["D. Harold Oliver"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":545,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842042705248256,"_root_":"612308c3b783ab5cfe56a5e7","timestamp":"2026-07-16T03:53:26.171Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"612308c3b783ab5cfe56a5e7","title_ssm":["D. Harold Oliver Collection"],"title_tesim":["D. Harold Oliver Collection"],"ead_ssi":"612308c3b783ab5cfe56a5e7","unitdate_ssm":["1924-1968"],"unitdate_inclusive_ssm":["1924-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00023","/repositories/2/resources/46"],"text":["SPC00023","/repositories/2/resources/46","D. Harold Oliver Collection, 1924-1968","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2013, Leslie Siegel processed the collection.","David Harold Oliver (1897-1972) was a White House correspondent and political reporter for the Associated Press. He began working at the AP at the age of 15 in 1913. Before becoming a reporter he worked as copy boy, in the AP library, and took diction from reporters over the phone. In 1920 he became a reporter. He traveled with and covered presidents from Warren G. Harding to Dwight Eisenhower. He was a well-respected journalist, and, this was especially true for his skills covering elections. He was one of the reporters in Warm Springs, Georgia with Roosevelt during the April 1945 visit when the President died. Oliver retired from the AP on December 1, 1962 when he reached the mandatory retirement age of 65. A Washington, D.C. native, upon his retirement he moved to Fort Lauderdale, Florida where he continued to write and publish. He also voted for the first time as a Broward County resident. He passed away in Fort Lauderdale and was survived by his wife Myrtle. The collection is divided into five series; series one and two are the two scrapbooks, series three consists of 87 Franklin D. Roosevelt campaign buttons, buttons are both for and against Roosevelt, series 4 consists of political and campaign buttons not pertaining to Roosevelt, and series five consists of two framed photographs of Roosevelt. The scrapbook items consist of press passes, invitation, letters, newspaper clippings, and photographs. The predominate material from the scrapbooks covers his years with e Roosevelt.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","D. Harold Oliver","English"],"unitid_tesim":["SPC00023","/repositories/2/resources/46"],"normalized_date_ssm":["1924-1968"],"normalized_title_ssm":["D. Harold Oliver Collection, 1924-1968"],"collection_title_tesim":["D. Harold Oliver Collection, 1924-1968"],"collection_ssim":["D. Harold Oliver Collection, 1924-1968"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"creator_ssm":["D. Harold Oliver"],"creator_ssim":["D. Harold Oliver"],"creator_persname_ssim":["D. Harold Oliver"],"creators_ssim":["D. Harold Oliver"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["2.50 Linear Feet"],"extent_tesim":["2.50 Linear Feet"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2013, Leslie Siegel processed the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2013, Leslie Siegel processed the collection."],"scopecontent_html_tesm":["\u003cp\u003eDavid Harold Oliver (1897-1972) was a White House correspondent and political reporter for the Associated Press. He began working at the AP at the age of 15 in 1913. Before becoming a reporter he worked as copy boy, in the AP library, and took diction from reporters over the phone. In 1920 he became a reporter. He traveled with and covered presidents from Warren G. Harding to Dwight Eisenhower. He was a well-respected journalist, and, this was especially true for his skills covering elections. He was one of the reporters in Warm Springs, Georgia with Roosevelt during the April 1945 visit when the President died. Oliver retired from the AP on December 1, 1962 when he reached the mandatory retirement age of 65. A Washington, D.C. native, upon his retirement he moved to Fort Lauderdale, Florida where he continued to write and publish. He also voted for the first time as a Broward County resident. He passed away in Fort Lauderdale and was survived by his wife Myrtle. The collection is divided into five series; series one and two are the two scrapbooks, series three consists of 87 Franklin D. Roosevelt campaign buttons, buttons are both for and against Roosevelt, series 4 consists of political and campaign buttons not pertaining to Roosevelt, and series five consists of two framed photographs of Roosevelt. The scrapbook items consist of press passes, invitation, letters, newspaper clippings, and photographs. The predominate material from the scrapbooks covers his years with e Roosevelt.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["David Harold Oliver (1897-1972) was a White House correspondent and political reporter for the Associated Press. He began working at the AP at the age of 15 in 1913. Before becoming a reporter he worked as copy boy, in the AP library, and took diction from reporters over the phone. In 1920 he became a reporter. He traveled with and covered presidents from Warren G. Harding to Dwight Eisenhower. He was a well-respected journalist, and, this was especially true for his skills covering elections. He was one of the reporters in Warm Springs, Georgia with Roosevelt during the April 1945 visit when the President died. Oliver retired from the AP on December 1, 1962 when he reached the mandatory retirement age of 65. A Washington, D.C. native, upon his retirement he moved to Fort Lauderdale, Florida where he continued to write and publish. He also voted for the first time as a Broward County resident. He passed away in Fort Lauderdale and was survived by his wife Myrtle. The collection is divided into five series; series one and two are the two scrapbooks, series three consists of 87 Franklin D. Roosevelt campaign buttons, buttons are both for and against Roosevelt, series 4 consists of political and campaign buttons not pertaining to Roosevelt, and series five consists of two framed photographs of Roosevelt. The scrapbook items consist of press passes, invitation, letters, newspaper clippings, and photographs. The predominate material from the scrapbooks covers his years with e Roosevelt."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). 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Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries","D. Harold Oliver"],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["D. 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She married Broward County Commissioner Gerald Thompson. Dianne Thompson was the civic and social contributor as well as the President of the Historical Society.","This collection received container level processing. 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Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1933,1934],"containers_ssim":["box 8","folder 95"],"_nest_path_":"/components#3/components#3","_nest_parent_":"236a3c88b766327883b2e155_aspace_5dbb28d34a5754be60933b8120ba5670","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. 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Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_cd0732129f6aa51b53028ef425592de4"}},{"id":"2de7bf0bc7aad96c477465cb_aspace_e7a7b92ba5d4a98834429406c6d7eb25","type":"Item","attributes":{"title":"Diary of Ramon Tapia, 1880-1934","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2de7bf0bc7aad96c477465cb_aspace_e7a7b92ba5d4a98834429406c6d7eb25#abstract_or_scope","type":"document_value","attributes":{"value":["Diary of Ramon Tapia, a Tampa cigar worker, at the turn of the 20th century. The diary is in Spanish. An English-language transcript is available in the USF Libraries Reading Room, but is not yet available online. The diary is a photocopy of the original"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2de7bf0bc7aad96c477465cb_aspace_e7a7b92ba5d4a98834429406c6d7eb25#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_e7a7b92ba5d4a98834429406c6d7eb25","ref_ssm":["aspace_e7a7b92ba5d4a98834429406c6d7eb25","aspace_e7a7b92ba5d4a98834429406c6d7eb25"],"id":"2de7bf0bc7aad96c477465cb_aspace_e7a7b92ba5d4a98834429406c6d7eb25","title_filing_ssi":"Diary of Ramon Tapia","title_ssm":["Diary of Ramon Tapia"],"title_tesim":["Diary of Ramon Tapia"],"unitdate_inclusive_ssm":["1880-1934"],"normalized_date_ssm":["1880-1934"],"normalized_title_ssm":["Diary of Ramon Tapia, 1880-1934"],"text":["Diary of Ramon Tapia, 1880-1934","Florida Historical papers, 1777-1959","Tampa Area Historical Documents - Part I","Tapia, Ramon, 1880-1983","/repositories/2/archival_objects/186128","box 2","folder 245","object 1","Diary of Ramon Tapia, a Tampa cigar worker, at the turn of the 20th century. 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The diary is in Spanish. An English-language transcript is available in the USF Libraries Reading Room, but is not yet available online. The diary is a photocopy of the original\u003c/abstract\u003e"],"abstract_tesim":["Diary of Ramon Tapia, a Tampa cigar worker, at the turn of the 20th century. The diary is in Spanish. An English-language transcript is available in the USF Libraries Reading Room, but is not yet available online. 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Included is correspondence, land deeds, finanicals, and assorted documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection of documents is an artifical collection of historic materials collected by Special Collections. Included is correspondence, land deeds, finanicals, and assorted documents."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_4eb71af96f76717fce5abbfcb23314cf\"\u003eOversized materials located in Map Case 2, Drawer 6.\u003c/physloc\u003e"],"physloc_tesim":["Oversized materials located in Map Case 2, Drawer 6."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["other_unmapped"],"total_component_count_is":84,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"2de7bf0bc7aad96c477465cb","timestamp":"2026-06-26T03:16:38.843Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2de7bf0bc7aad96c477465cb_aspace_e7a7b92ba5d4a98834429406c6d7eb25"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Office of the President, 1883-1957","value":"Office of the President, 1883-1957","hits":170},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Office+of+the+President%2C+1883-1957\u0026f%5Bdate_range%5D%5B%5D=1934\u0026view=compact"}},{"attributes":{"label":"Michael A. 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