{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1934\u0026page=231","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1934\u0026page=230","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1934\u0026page=232","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1934\u0026page=243"},"meta":{"pages":{"current_page":231,"next_page":232,"prev_page":230,"total_pages":243,"limit_value":10,"offset_value":2300,"total_count":2423,"first_page?":false,"last_page?":false}},"data":[{"id":"fcab20b88f8ed86bfbd56dc2_aspace_6fba5306ba5abe0244fd1abc1ee82a13","type":"File","attributes":{"title":"Village Educational and Evangelistic Work, Circa 1930-1942","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/fcab20b88f8ed86bfbd56dc2_aspace_6fba5306ba5abe0244fd1abc1ee82a13#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_6fba5306ba5abe0244fd1abc1ee82a13","ref_ssm":["aspace_6fba5306ba5abe0244fd1abc1ee82a13","aspace_6fba5306ba5abe0244fd1abc1ee82a13"],"id":"fcab20b88f8ed86bfbd56dc2_aspace_6fba5306ba5abe0244fd1abc1ee82a13","title_filing_ssi":"Village Educational and Evangelistic Work","title_ssm":["Village Educational and Evangelistic Work"],"title_tesim":["Village Educational and Evangelistic Work"],"unitdate_inclusive_ssm":["Circa 1930-1942"],"normalized_date_ssm":["Circa 1930-1942"],"normalized_title_ssm":["Village Educational and Evangelistic Work, Circa 1930-1942"],"text":["Village Educational and Evangelistic Work, Circa 1930-1942","Easter Lily Gates Collection, 1898-1982","Correspondence, Circa 1928-1982","General","/repositories/4/archival_objects/3483","box 3","folder 78"],"component_level_isim":[3],"parent_ids_ssim":["fcab20b88f8ed86bfbd56dc2","fcab20b88f8ed86bfbd56dc2_aspace_be6ae9d841b987fd009bbfe4ad2d18b2","fcab20b88f8ed86bfbd56dc2_aspace_200c8099d1b95a440d84a7107f281562"],"parent_unittitles_ssm":["Easter Lily Gates Collection, 1898-1982","Correspondence, Circa 1928-1982","General"],"parent_unittitles_tesim":["Easter Lily Gates Collection, 1898-1982","Correspondence, Circa 1928-1982","General"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/3483"],"repository_ssim":["Broward County Historical Archives"],"collection_ssim":["Easter Lily Gates Collection, 1898-1982"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":80,"parent_access_terms_tesm":["The Easter Lily Gates Collection is open for research."],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942],"containers_ssim":["box 3","folder 78"],"_nest_path_":"/components#0/components#0/components#77","_nest_parent_":"fcab20b88f8ed86bfbd56dc2_aspace_200c8099d1b95a440d84a7107f281562","_root_":"fcab20b88f8ed86bfbd56dc2","_version_":1875370525482549248,"timestamp":"2026-09-04T03:31:43.893Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"fcab20b88f8ed86bfbd56dc2","title_filing_ssi":"Gates, Easter Lily Collection","title_ssm":["Easter Lily Gates Collection"],"title_tesim":["Easter Lily Gates Collection"],"ead_ssi":"fcab20b88f8ed86bfbd56dc2","unitdate_ssm":["1898-1982"],"unitdate_inclusive_ssm":["1898-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.2021.1","/repositories/4/resources/179"],"text":["BCHA.2021.1","/repositories/4/resources/179","Easter Lily Gates Collection, 1898-1982","Broward County (Fla.)","Gates, Easter Lily, 1889-1985 -- Correspondence","Broward County (Fla.). Board of County Commissioners","Voter registration -- Florida -- Broward County","Voting -- Florida -- Broward County","Elections -- Florida -- Broward County","Photographs","Hats","Programs","Maps","Certificates","The collection is arranged into 6 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Printed Materials, Series V. Awards, and Series VI. Ephemera.","Easter Lily Biblo Gates was born on April 21, 1889, in Des Moines, Iowa to parents Elijah and Etta Biblo. Easter Lily Gates travelled west with her family by covered wagon to Utah and Nevada. She made hats as a store clerk at 17 years old. On January 20, 1910, she married George Peter Gates.","Easter and George Gates moved to Fort Lauderdale, Florida in 1918. They had two sons named Robert and Theodore. In 1926, Easter Lily saved her family in a severe hurricane by carrying her husband and two sons to the second floor of their home; they lost everything they owned and two weeks later her husband died from anemia. To provide for her children, Gates became Broward County's first female bus driver. In 1928, she ran for and won the  Supervisor of Elections job.  She maintained this position for 40 years, from 1929 to 1969. Easter Lily Gates registered Broward County's first Seminole and African-American voters.","Easter Lily Gates retired in 1969 at 80 years old. At 92 years old, she moved to Tampa, Florida and Thomasville, Georgia to live with her sons. Easter Lily Gates entered a nursing home in Tampa before her death. She died in February 1985.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Easter Lily Gates Collection in the Broward County Library Digital Archives.","The Easter Lily Gates Collection contains correspondence, photographs, printed materials, maps, prayer books, awards, political and election materials documenting the professional and personal life of Easter Lily Gates.","The Easter Lily Gates Collection is open for research."," Broward County Historical Archives","English"],"unitid_tesim":["BCHA.2021.1","/repositories/4/resources/179"],"normalized_date_ssm":["1898-1982"],"normalized_title_ssm":["Easter Lily Gates Collection, 1898-1982"],"collection_title_tesim":["Easter Lily Gates Collection, 1898-1982"],"collection_ssim":["Easter Lily Gates Collection, 1898-1982"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"geogname_ssm":["Broward County (Fla.)"],"geogname_ssim":["Broward County (Fla.)"],"places_ssim":["Broward County (Fla.)"],"access_terms_ssm":["The Easter Lily Gates Collection is open for research."],"access_subjects_ssim":["Gates, Easter Lily, 1889-1985 -- Correspondence","Broward County (Fla.). Board of County Commissioners","Voter registration -- Florida -- Broward County","Voting -- Florida -- Broward County","Elections -- Florida -- Broward County","Photographs","Hats","Programs","Maps","Certificates"],"access_subjects_ssm":["Gates, Easter Lily, 1889-1985 -- Correspondence","Broward County (Fla.). Board of County Commissioners","Voter registration -- Florida -- Broward County","Voting -- Florida -- Broward County","Elections -- Florida -- Broward County","Photographs","Hats","Programs","Maps","Certificates"],"has_online_content_ssim":["false"],"extent_ssm":["33 Hollinger Boxes"],"extent_tesim":["33 Hollinger Boxes"],"genreform_ssim":["Photographs","Hats","Programs","Maps","Certificates"],"date_range_isim":[1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 6 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Printed Materials, Series V. Awards, and Series VI. Ephemera.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 6 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Printed Materials, Series V. Awards, and Series VI. Ephemera."],"bioghist_html_tesm":["\u003cp\u003eEaster Lily Biblo Gates was born on April 21, 1889, in Des Moines, Iowa to parents Elijah and Etta Biblo. Easter Lily Gates travelled west with her family by covered wagon to Utah and Nevada. She made hats as a store clerk at 17 years old. On January 20, 1910, she married George Peter Gates.\u003c/p\u003e\n","\u003cp\u003eEaster and George Gates moved to Fort Lauderdale, Florida in 1918. They had two sons named Robert and Theodore. In 1926, Easter Lily saved her family in a severe hurricane by carrying her husband and two sons to the second floor of their home; they lost everything they owned and two weeks later her husband died from anemia. To provide for her children, Gates became Broward County's first female bus driver. In 1928, she ran for and won the  Supervisor of Elections job.  She maintained this position for 40 years, from 1929 to 1969. Easter Lily Gates registered Broward County's first Seminole and African-American voters.\u003c/p\u003e\n","\u003cp\u003eEaster Lily Gates retired in 1969 at 80 years old. At 92 years old, she moved to Tampa, Florida and Thomasville, Georgia to live with her sons. Easter Lily Gates entered a nursing home in Tampa before her death. She died in February 1985.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Easter Lily Biblo Gates was born on April 21, 1889, in Des Moines, Iowa to parents Elijah and Etta Biblo. Easter Lily Gates travelled west with her family by covered wagon to Utah and Nevada. She made hats as a store clerk at 17 years old. On January 20, 1910, she married George Peter Gates.","Easter and George Gates moved to Fort Lauderdale, Florida in 1918. They had two sons named Robert and Theodore. In 1926, Easter Lily saved her family in a severe hurricane by carrying her husband and two sons to the second floor of their home; they lost everything they owned and two weeks later her husband died from anemia. To provide for her children, Gates became Broward County's first female bus driver. In 1928, she ran for and won the  Supervisor of Elections job.  She maintained this position for 40 years, from 1929 to 1969. Easter Lily Gates registered Broward County's first Seminole and African-American voters.","Easter Lily Gates retired in 1969 at 80 years old. At 92 years old, she moved to Tampa, Florida and Thomasville, Georgia to live with her sons. Easter Lily Gates entered a nursing home in Tampa before her death. She died in February 1985."],"prefercite_html_tesm":["\u003cp\u003eEaster Lily Gates Collection, Broward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Easter Lily Gates Collection, Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/elgates/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Easter Lily Gates Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Easter Lily Gates Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Easter Lily Gates Collection contains correspondence, photographs, printed materials, maps, prayer books, awards, political and election materials documenting the professional and personal life of Easter Lily Gates.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Easter Lily Gates Collection contains correspondence, photographs, printed materials, maps, prayer books, awards, political and election materials documenting the professional and personal life of Easter Lily Gates."],"userestrict_html_tesm":["\u003cp\u003eThe Easter Lily Gates Collection is open for research.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Easter Lily Gates Collection is open for research."],"names_ssim":[" Broward County Historical Archives"],"corpname_ssim":[" Broward County Historical Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":501,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1875370525482549248,"_root_":"fcab20b88f8ed86bfbd56dc2","timestamp":"2026-09-04T03:31:43.893Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/fcab20b88f8ed86bfbd56dc2_aspace_6fba5306ba5abe0244fd1abc1ee82a13"}},{"id":"403e7dfd5b3828fa1960ebdd","type":"collection","attributes":{"title":"Vincent J. Fonelli Collection, 1906-1985, bulk 1906-1985","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/403e7dfd5b3828fa1960ebdd#creator","type":"document_value","attributes":{"value":["Fonelli, Vincent J., 1906-1972"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/403e7dfd5b3828fa1960ebdd#abstract_or_scope","type":"document_value","attributes":{"value":["The Vincent J. Fonelli Collection includes materials on the life and personal artwork of Fonelli, who lived from 1906 to 1972. The collection consists of architectural drawings, paintings, photographs, hand drawings, and sculptures done by Fonelli around his time at Columbia University. Polish posters and newsletters are also featured in the collection."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/403e7dfd5b3828fa1960ebdd#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"403e7dfd5b3828fa1960ebdd","title_ssm":["Vincent J. Fonelli Collection"],"title_tesim":["Vincent J. Fonelli Collection"],"ead_ssi":"403e7dfd5b3828fa1960ebdd","unitdate_ssm":["1906-1985","1906-1985"],"unitdate_bulk_ssim":["1906-1985"],"unitdate_inclusive_ssm":["1906-1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.014","/repositories/4/resources/180"],"text":["SC.014","/repositories/4/resources/180","Vincent J. Fonelli Collection, 1906-1985, bulk 1906-1985","Architecture -- Designs and plans","Architecture -- Designs and plans -- Working drawings","Polish Americans -- History -- Periodicals","Posters -- Poland -- Exhibitions","Sculpture, American -- 21st century","The entire collection is open for research.","The collection is arranged in two series, Personal Papers and Poland Files.","Vincent J. Fonelli was born to Francesco Paola and Maria-Antonia Fonelli, on September 28, 1906, in Central Italy, near Salerno. The \"J\" in Fonelli's name stands for \"Jacobus\" in Roman, and \"James\" in English. He was the oldest of three brothers and two sisters. From boyhood, Fonelli had a great desire for art, and while in the Italian grade schools made his best grades in designing various objects. When he was about six years of age he told his father that he wanted to be a great artist. A little while later his father took him to Rome where he had some preliminary training in sculpture from a Roman Sculptor.","In June 1913, Fonelli had successfully convinced his aunt and uncle to take him to America, where he entered school, attending both day and evening classes to learn English. At sixteen, Fonelli obtained his first full-time job in a mechanical shop, while continuing school. He graduated from Bryant High School in Queens, New York and then entered Long Island City Technical School in Long Island, New York, becoming a first-class tool maker. At nineteen, Fonelli was admitted to Cooper Union Institute in New York to study intensively in Motor Vehicle Engineering, and passed his final examination with honors.","At twenty-three, Fonelli received his first United States mechanical patent in auto toys. Later he obtained a Canadian patent. Fonelli studied preliminary Aeronautical Engineering subjects at Daniel Guggenheim School of Aeronautics, at New York University. In 1927, Fonelli opened a small private school of Aeronautics in New York, known as Aviation Engineering School. He received a Government Instructor’s License for Airplane Ground Work and a Civil Aviation Act (CAA) license as Ground Instructor of Aircraft.","In 1947, Fonelli attended the University of California in Oakland, California and in 1951 entered Columbia University in New York to study architecture, art, and sculpture. He furthered his artistic education in Washington, D.C. at the American University and the Corcoran School of Art. He later became Captain for a Navy project and received patents for inventing the heart-shaped bed.","Fonelli married Cleo H. Neher, his second wife in December 1959. Over the course of his lifetime, he was an architect, artist, sculptor, educator, and creative inventor. Later on in life, Fonelli suffered from a severe heart attack from which he never fully recovered. On November 29, 1972, he passed away in Florence, Italy, but was buried in the United States at Mount Saint Mary Cemetery, in Flushing, New York.","Collection processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten. Placed photographs in archival plastic sleeves; removed metal paperclips; placed all materials in acid free folders and boxes.","More materials may be found in University of Central Florida Special Collections Vertical Files (see folder: Polish American Cultural Society).","Series I: Personal Files, 1906-1972 contains a biography of Vincent J. Fonelli; two photographs of Vincent J. Fonelli as Chief Aeronautical Instructor at the Miami Senior High School; black \u0026 white and color photographs of his art work such as busts, sculptures and paintings; architectural design for Dr. L. L. Witmoore Clinic; various home designs and floor plans; charcoal and water color free hand drawings completed as part of home work for the School of Architecture at the Columbia University and School of Art at the George Washington University.","Series II: Poland Files, 1971-1985 includes journals such as The Quarterly Review and The Quarterly Review of Polish Heritage; exhibit brochure related to Polish Master Paintings 19th and 20th Century; and sixteen posters produced by various artists.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Vincent J. Fonelli Collection includes materials on the life and personal artwork of Fonelli, who lived from 1906 to 1972. The collection consists of architectural drawings, paintings, photographs, hand drawings, and sculptures done by Fonelli around his time at Columbia University. Polish posters and newsletters are also featured in the collection.","UCF Special Collections","Fonelli, Vincent J., 1906-1972","English"],"unitid_tesim":["SC.014","/repositories/4/resources/180"],"normalized_date_ssm":["1906-1985, bulk 1906-1985"],"normalized_title_ssm":["Vincent J. Fonelli Collection, 1906-1985, bulk 1906-1985"],"collection_title_tesim":["Vincent J. Fonelli Collection, 1906-1985, bulk 1906-1985"],"collection_ssim":["Vincent J. Fonelli Collection, 1906-1985, bulk 1906-1985"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Fonelli, Vincent J., 1906-1972"],"creator_ssim":["Fonelli, Vincent J., 1906-1972"],"creator_persname_ssim":["Fonelli, Vincent J., 1906-1972"],"creators_ssim":["Fonelli, Vincent J., 1906-1972"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Cleo H. Neher donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 1986 (CFM1986_01)."],"access_subjects_ssim":["Architecture -- Designs and plans","Architecture -- Designs and plans -- Working drawings","Polish Americans -- History -- Periodicals","Posters -- Poland -- Exhibitions","Sculpture, American -- 21st century"],"access_subjects_ssm":["Architecture -- Designs and plans","Architecture -- Designs and plans -- Working drawings","Polish Americans -- History -- Periodicals","Posters -- Poland -- Exhibitions","Sculpture, American -- 21st century"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 4 Boxes"],"extent_tesim":["2 Linear Feet 4 Boxes"],"date_range_isim":[1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in two series, Personal Papers and Poland Files.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged in two series, Personal Papers and Poland Files."],"bioghist_html_tesm":["\u003cp\u003eVincent J. Fonelli was born to Francesco Paola and Maria-Antonia Fonelli, on September 28, 1906, in Central Italy, near Salerno. The \"J\" in Fonelli's name stands for \"Jacobus\" in Roman, and \"James\" in English. He was the oldest of three brothers and two sisters. From boyhood, Fonelli had a great desire for art, and while in the Italian grade schools made his best grades in designing various objects. When he was about six years of age he told his father that he wanted to be a great artist. A little while later his father took him to Rome where he had some preliminary training in sculpture from a Roman Sculptor.\u003c/p\u003e\n","\u003cp\u003eIn June 1913, Fonelli had successfully convinced his aunt and uncle to take him to America, where he entered school, attending both day and evening classes to learn English. At sixteen, Fonelli obtained his first full-time job in a mechanical shop, while continuing school. He graduated from Bryant High School in Queens, New York and then entered Long Island City Technical School in Long Island, New York, becoming a first-class tool maker. At nineteen, Fonelli was admitted to Cooper Union Institute in New York to study intensively in Motor Vehicle Engineering, and passed his final examination with honors.\u003c/p\u003e\n","\u003cp\u003eAt twenty-three, Fonelli received his first United States mechanical patent in auto toys. Later he obtained a Canadian patent. Fonelli studied preliminary Aeronautical Engineering subjects at Daniel Guggenheim School of Aeronautics, at New York University. In 1927, Fonelli opened a small private school of Aeronautics in New York, known as Aviation Engineering School. He received a Government Instructor\u0026#x92;s License for Airplane Ground Work and a Civil Aviation Act (CAA) license as Ground Instructor of Aircraft.\u003c/p\u003e\n","\u003cp\u003eIn 1947, Fonelli attended the University of California in Oakland, California and in 1951 entered Columbia University in New York to study architecture, art, and sculpture. He furthered his artistic education in Washington, D.C. at the American University and the Corcoran School of Art. He later became Captain for a Navy project and received patents for inventing the heart-shaped bed.\u003c/p\u003e\n","\u003cp\u003eFonelli married Cleo H. Neher, his second wife in December 1959. Over the course of his lifetime, he was an architect, artist, sculptor, educator, and creative inventor. Later on in life, Fonelli suffered from a severe heart attack from which he never fully recovered. On November 29, 1972, he passed away in Florence, Italy, but was buried in the United States at Mount Saint Mary Cemetery, in Flushing, New York.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Vincent J. Fonelli was born to Francesco Paola and Maria-Antonia Fonelli, on September 28, 1906, in Central Italy, near Salerno. The \"J\" in Fonelli's name stands for \"Jacobus\" in Roman, and \"James\" in English. He was the oldest of three brothers and two sisters. From boyhood, Fonelli had a great desire for art, and while in the Italian grade schools made his best grades in designing various objects. When he was about six years of age he told his father that he wanted to be a great artist. A little while later his father took him to Rome where he had some preliminary training in sculpture from a Roman Sculptor.","In June 1913, Fonelli had successfully convinced his aunt and uncle to take him to America, where he entered school, attending both day and evening classes to learn English. At sixteen, Fonelli obtained his first full-time job in a mechanical shop, while continuing school. He graduated from Bryant High School in Queens, New York and then entered Long Island City Technical School in Long Island, New York, becoming a first-class tool maker. At nineteen, Fonelli was admitted to Cooper Union Institute in New York to study intensively in Motor Vehicle Engineering, and passed his final examination with honors.","At twenty-three, Fonelli received his first United States mechanical patent in auto toys. Later he obtained a Canadian patent. Fonelli studied preliminary Aeronautical Engineering subjects at Daniel Guggenheim School of Aeronautics, at New York University. In 1927, Fonelli opened a small private school of Aeronautics in New York, known as Aviation Engineering School. He received a Government Instructor’s License for Airplane Ground Work and a Civil Aviation Act (CAA) license as Ground Instructor of Aircraft.","In 1947, Fonelli attended the University of California in Oakland, California and in 1951 entered Columbia University in New York to study architecture, art, and sculpture. He furthered his artistic education in Washington, D.C. at the American University and the Corcoran School of Art. He later became Captain for a Navy project and received patents for inventing the heart-shaped bed.","Fonelli married Cleo H. Neher, his second wife in December 1959. Over the course of his lifetime, he was an architect, artist, sculptor, educator, and creative inventor. Later on in life, Fonelli suffered from a severe heart attack from which he never fully recovered. On November 29, 1972, he passed away in Florence, Italy, but was buried in the United States at Mount Saint Mary Cemetery, in Flushing, New York."],"prefercite_html_tesm":["\u003cp\u003eVincent J. Fonelli Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Vincent J. Fonelli Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten. Placed photographs in archival plastic sleeves; removed metal paperclips; placed all materials in acid free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten. Placed photographs in archival plastic sleeves; removed metal paperclips; placed all materials in acid free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eMore materials may be found in University of Central Florida Special Collections Vertical Files (see folder: Polish American Cultural Society).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["More materials may be found in University of Central Florida Special Collections Vertical Files (see folder: Polish American Cultural Society)."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Personal Files, 1906-1972 contains a biography of Vincent J. Fonelli; two photographs of Vincent J. Fonelli as Chief Aeronautical Instructor at the Miami Senior High School; black \u0026amp; white and color photographs of his art work such as busts, sculptures and paintings; architectural design for Dr. L. L. Witmoore Clinic; various home designs and floor plans; charcoal and water color free hand drawings completed as part of home work for the School of Architecture at the Columbia University and School of Art at the George Washington University.\u003c/p\u003e\n","\u003cp\u003eSeries II: Poland Files, 1971-1985 includes journals such as The Quarterly Review and The Quarterly Review of Polish Heritage; exhibit brochure related to Polish Master Paintings 19th and 20th Century; and sixteen posters produced by various artists.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Personal Files, 1906-1972 contains a biography of Vincent J. Fonelli; two photographs of Vincent J. Fonelli as Chief Aeronautical Instructor at the Miami Senior High School; black \u0026 white and color photographs of his art work such as busts, sculptures and paintings; architectural design for Dr. L. L. Witmoore Clinic; various home designs and floor plans; charcoal and water color free hand drawings completed as part of home work for the School of Architecture at the Columbia University and School of Art at the George Washington University.","Series II: Poland Files, 1971-1985 includes journals such as The Quarterly Review and The Quarterly Review of Polish Heritage; exhibit brochure related to Polish Master Paintings 19th and 20th Century; and sixteen posters produced by various artists."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a799965194be9b6b84c607e3d2f3aaab\" label=\"Abstract\"\u003eThe Vincent J. Fonelli Collection includes materials on the life and personal artwork of Fonelli, who lived from 1906 to 1972. The collection consists of architectural drawings, paintings, photographs, hand drawings, and sculptures done by Fonelli around his time at Columbia University. Polish posters and newsletters are also featured in the collection.\u003c/abstract\u003e"],"abstract_tesim":["The Vincent J. Fonelli Collection includes materials on the life and personal artwork of Fonelli, who lived from 1906 to 1972. The collection consists of architectural drawings, paintings, photographs, hand drawings, and sculptures done by Fonelli around his time at Columbia University. Polish posters and newsletters are also featured in the collection."],"names_ssim":["UCF Special Collections","Fonelli, Vincent J., 1906-1972"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Fonelli, Vincent J., 1906-1972"],"persname_ssim":["Fonelli, Vincent J., 1906-1972"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":14,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857673609576448,"_root_":"403e7dfd5b3828fa1960ebdd","timestamp":"2026-07-16T08:01:52.973Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"403e7dfd5b3828fa1960ebdd","title_ssm":["Vincent J. Fonelli Collection"],"title_tesim":["Vincent J. Fonelli Collection"],"ead_ssi":"403e7dfd5b3828fa1960ebdd","unitdate_ssm":["1906-1985","1906-1985"],"unitdate_bulk_ssim":["1906-1985"],"unitdate_inclusive_ssm":["1906-1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.014","/repositories/4/resources/180"],"text":["SC.014","/repositories/4/resources/180","Vincent J. Fonelli Collection, 1906-1985, bulk 1906-1985","Architecture -- Designs and plans","Architecture -- Designs and plans -- Working drawings","Polish Americans -- History -- Periodicals","Posters -- Poland -- Exhibitions","Sculpture, American -- 21st century","The entire collection is open for research.","The collection is arranged in two series, Personal Papers and Poland Files.","Vincent J. Fonelli was born to Francesco Paola and Maria-Antonia Fonelli, on September 28, 1906, in Central Italy, near Salerno. The \"J\" in Fonelli's name stands for \"Jacobus\" in Roman, and \"James\" in English. He was the oldest of three brothers and two sisters. From boyhood, Fonelli had a great desire for art, and while in the Italian grade schools made his best grades in designing various objects. When he was about six years of age he told his father that he wanted to be a great artist. A little while later his father took him to Rome where he had some preliminary training in sculpture from a Roman Sculptor.","In June 1913, Fonelli had successfully convinced his aunt and uncle to take him to America, where he entered school, attending both day and evening classes to learn English. At sixteen, Fonelli obtained his first full-time job in a mechanical shop, while continuing school. He graduated from Bryant High School in Queens, New York and then entered Long Island City Technical School in Long Island, New York, becoming a first-class tool maker. At nineteen, Fonelli was admitted to Cooper Union Institute in New York to study intensively in Motor Vehicle Engineering, and passed his final examination with honors.","At twenty-three, Fonelli received his first United States mechanical patent in auto toys. Later he obtained a Canadian patent. Fonelli studied preliminary Aeronautical Engineering subjects at Daniel Guggenheim School of Aeronautics, at New York University. In 1927, Fonelli opened a small private school of Aeronautics in New York, known as Aviation Engineering School. He received a Government Instructor’s License for Airplane Ground Work and a Civil Aviation Act (CAA) license as Ground Instructor of Aircraft.","In 1947, Fonelli attended the University of California in Oakland, California and in 1951 entered Columbia University in New York to study architecture, art, and sculpture. He furthered his artistic education in Washington, D.C. at the American University and the Corcoran School of Art. He later became Captain for a Navy project and received patents for inventing the heart-shaped bed.","Fonelli married Cleo H. Neher, his second wife in December 1959. Over the course of his lifetime, he was an architect, artist, sculptor, educator, and creative inventor. Later on in life, Fonelli suffered from a severe heart attack from which he never fully recovered. On November 29, 1972, he passed away in Florence, Italy, but was buried in the United States at Mount Saint Mary Cemetery, in Flushing, New York.","Collection processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten. Placed photographs in archival plastic sleeves; removed metal paperclips; placed all materials in acid free folders and boxes.","More materials may be found in University of Central Florida Special Collections Vertical Files (see folder: Polish American Cultural Society).","Series I: Personal Files, 1906-1972 contains a biography of Vincent J. Fonelli; two photographs of Vincent J. Fonelli as Chief Aeronautical Instructor at the Miami Senior High School; black \u0026 white and color photographs of his art work such as busts, sculptures and paintings; architectural design for Dr. L. L. Witmoore Clinic; various home designs and floor plans; charcoal and water color free hand drawings completed as part of home work for the School of Architecture at the Columbia University and School of Art at the George Washington University.","Series II: Poland Files, 1971-1985 includes journals such as The Quarterly Review and The Quarterly Review of Polish Heritage; exhibit brochure related to Polish Master Paintings 19th and 20th Century; and sixteen posters produced by various artists.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Vincent J. Fonelli Collection includes materials on the life and personal artwork of Fonelli, who lived from 1906 to 1972. The collection consists of architectural drawings, paintings, photographs, hand drawings, and sculptures done by Fonelli around his time at Columbia University. Polish posters and newsletters are also featured in the collection.","UCF Special Collections","Fonelli, Vincent J., 1906-1972","English"],"unitid_tesim":["SC.014","/repositories/4/resources/180"],"normalized_date_ssm":["1906-1985, bulk 1906-1985"],"normalized_title_ssm":["Vincent J. Fonelli Collection, 1906-1985, bulk 1906-1985"],"collection_title_tesim":["Vincent J. Fonelli Collection, 1906-1985, bulk 1906-1985"],"collection_ssim":["Vincent J. Fonelli Collection, 1906-1985, bulk 1906-1985"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Fonelli, Vincent J., 1906-1972"],"creator_ssim":["Fonelli, Vincent J., 1906-1972"],"creator_persname_ssim":["Fonelli, Vincent J., 1906-1972"],"creators_ssim":["Fonelli, Vincent J., 1906-1972"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Cleo H. 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Fonelli was born to Francesco Paola and Maria-Antonia Fonelli, on September 28, 1906, in Central Italy, near Salerno. The \"J\" in Fonelli's name stands for \"Jacobus\" in Roman, and \"James\" in English. He was the oldest of three brothers and two sisters. From boyhood, Fonelli had a great desire for art, and while in the Italian grade schools made his best grades in designing various objects. When he was about six years of age he told his father that he wanted to be a great artist. A little while later his father took him to Rome where he had some preliminary training in sculpture from a Roman Sculptor.\u003c/p\u003e\n","\u003cp\u003eIn June 1913, Fonelli had successfully convinced his aunt and uncle to take him to America, where he entered school, attending both day and evening classes to learn English. At sixteen, Fonelli obtained his first full-time job in a mechanical shop, while continuing school. He graduated from Bryant High School in Queens, New York and then entered Long Island City Technical School in Long Island, New York, becoming a first-class tool maker. At nineteen, Fonelli was admitted to Cooper Union Institute in New York to study intensively in Motor Vehicle Engineering, and passed his final examination with honors.\u003c/p\u003e\n","\u003cp\u003eAt twenty-three, Fonelli received his first United States mechanical patent in auto toys. Later he obtained a Canadian patent. Fonelli studied preliminary Aeronautical Engineering subjects at Daniel Guggenheim School of Aeronautics, at New York University. In 1927, Fonelli opened a small private school of Aeronautics in New York, known as Aviation Engineering School. He received a Government Instructor\u0026#x92;s License for Airplane Ground Work and a Civil Aviation Act (CAA) license as Ground Instructor of Aircraft.\u003c/p\u003e\n","\u003cp\u003eIn 1947, Fonelli attended the University of California in Oakland, California and in 1951 entered Columbia University in New York to study architecture, art, and sculpture. He furthered his artistic education in Washington, D.C. at the American University and the Corcoran School of Art. He later became Captain for a Navy project and received patents for inventing the heart-shaped bed.\u003c/p\u003e\n","\u003cp\u003eFonelli married Cleo H. Neher, his second wife in December 1959. Over the course of his lifetime, he was an architect, artist, sculptor, educator, and creative inventor. Later on in life, Fonelli suffered from a severe heart attack from which he never fully recovered. On November 29, 1972, he passed away in Florence, Italy, but was buried in the United States at Mount Saint Mary Cemetery, in Flushing, New York.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Vincent J. Fonelli was born to Francesco Paola and Maria-Antonia Fonelli, on September 28, 1906, in Central Italy, near Salerno. The \"J\" in Fonelli's name stands for \"Jacobus\" in Roman, and \"James\" in English. He was the oldest of three brothers and two sisters. From boyhood, Fonelli had a great desire for art, and while in the Italian grade schools made his best grades in designing various objects. When he was about six years of age he told his father that he wanted to be a great artist. A little while later his father took him to Rome where he had some preliminary training in sculpture from a Roman Sculptor.","In June 1913, Fonelli had successfully convinced his aunt and uncle to take him to America, where he entered school, attending both day and evening classes to learn English. At sixteen, Fonelli obtained his first full-time job in a mechanical shop, while continuing school. He graduated from Bryant High School in Queens, New York and then entered Long Island City Technical School in Long Island, New York, becoming a first-class tool maker. At nineteen, Fonelli was admitted to Cooper Union Institute in New York to study intensively in Motor Vehicle Engineering, and passed his final examination with honors.","At twenty-three, Fonelli received his first United States mechanical patent in auto toys. Later he obtained a Canadian patent. Fonelli studied preliminary Aeronautical Engineering subjects at Daniel Guggenheim School of Aeronautics, at New York University. In 1927, Fonelli opened a small private school of Aeronautics in New York, known as Aviation Engineering School. He received a Government Instructor’s License for Airplane Ground Work and a Civil Aviation Act (CAA) license as Ground Instructor of Aircraft.","In 1947, Fonelli attended the University of California in Oakland, California and in 1951 entered Columbia University in New York to study architecture, art, and sculpture. He furthered his artistic education in Washington, D.C. at the American University and the Corcoran School of Art. He later became Captain for a Navy project and received patents for inventing the heart-shaped bed.","Fonelli married Cleo H. Neher, his second wife in December 1959. Over the course of his lifetime, he was an architect, artist, sculptor, educator, and creative inventor. Later on in life, Fonelli suffered from a severe heart attack from which he never fully recovered. On November 29, 1972, he passed away in Florence, Italy, but was buried in the United States at Mount Saint Mary Cemetery, in Flushing, New York."],"prefercite_html_tesm":["\u003cp\u003eVincent J. Fonelli Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Vincent J. Fonelli Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten. Placed photographs in archival plastic sleeves; removed metal paperclips; placed all materials in acid free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten. Placed photographs in archival plastic sleeves; removed metal paperclips; placed all materials in acid free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eMore materials may be found in University of Central Florida Special Collections Vertical Files (see folder: Polish American Cultural Society).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["More materials may be found in University of Central Florida Special Collections Vertical Files (see folder: Polish American Cultural Society)."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Personal Files, 1906-1972 contains a biography of Vincent J. Fonelli; two photographs of Vincent J. Fonelli as Chief Aeronautical Instructor at the Miami Senior High School; black \u0026amp; white and color photographs of his art work such as busts, sculptures and paintings; architectural design for Dr. L. L. Witmoore Clinic; various home designs and floor plans; charcoal and water color free hand drawings completed as part of home work for the School of Architecture at the Columbia University and School of Art at the George Washington University.\u003c/p\u003e\n","\u003cp\u003eSeries II: Poland Files, 1971-1985 includes journals such as The Quarterly Review and The Quarterly Review of Polish Heritage; exhibit brochure related to Polish Master Paintings 19th and 20th Century; and sixteen posters produced by various artists.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Personal Files, 1906-1972 contains a biography of Vincent J. Fonelli; two photographs of Vincent J. Fonelli as Chief Aeronautical Instructor at the Miami Senior High School; black \u0026 white and color photographs of his art work such as busts, sculptures and paintings; architectural design for Dr. L. L. Witmoore Clinic; various home designs and floor plans; charcoal and water color free hand drawings completed as part of home work for the School of Architecture at the Columbia University and School of Art at the George Washington University.","Series II: Poland Files, 1971-1985 includes journals such as The Quarterly Review and The Quarterly Review of Polish Heritage; exhibit brochure related to Polish Master Paintings 19th and 20th Century; and sixteen posters produced by various artists."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a799965194be9b6b84c607e3d2f3aaab\" label=\"Abstract\"\u003eThe Vincent J. Fonelli Collection includes materials on the life and personal artwork of Fonelli, who lived from 1906 to 1972. The collection consists of architectural drawings, paintings, photographs, hand drawings, and sculptures done by Fonelli around his time at Columbia University. Polish posters and newsletters are also featured in the collection.\u003c/abstract\u003e"],"abstract_tesim":["The Vincent J. Fonelli Collection includes materials on the life and personal artwork of Fonelli, who lived from 1906 to 1972. The collection consists of architectural drawings, paintings, photographs, hand drawings, and sculptures done by Fonelli around his time at Columbia University. Polish posters and newsletters are also featured in the collection."],"names_ssim":["UCF Special Collections","Fonelli, Vincent J., 1906-1972"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Fonelli, Vincent J., 1906-1972"],"persname_ssim":["Fonelli, Vincent J., 1906-1972"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":14,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857673609576448,"_root_":"403e7dfd5b3828fa1960ebdd","timestamp":"2026-07-16T08:01:52.973Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/403e7dfd5b3828fa1960ebdd"}},{"id":"bf94ada4377f2dbc813062ab","type":"collection","attributes":{"title":"Vintage Florida Postcards, 1930-2025","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/bf94ada4377f2dbc813062ab#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eMaterials 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Court Cases (1 of 2)., 1898-2010, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_acaf5de8f145d8a14e32cadb4f8dede6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_acaf5de8f145d8a14e32cadb4f8dede6","ref_ssm":["aspace_acaf5de8f145d8a14e32cadb4f8dede6","aspace_acaf5de8f145d8a14e32cadb4f8dede6"],"id":"725898a1a41349eb30ec365d_aspace_acaf5de8f145d8a14e32cadb4f8dede6","title_filing_ssi":"Violence and Court Cases (1 of 2).","title_ssm":["Violence and Court Cases (1 of 2)."],"title_tesim":["Violence and Court Cases (1 of 2)."],"unitdate_inclusive_ssm":["1898-2010, Undated"],"normalized_date_ssm":["1898-2010, Undated"],"normalized_title_ssm":["Violence and Court Cases (1 of 2)., 1898-2010, Undated"],"text":["Violence and Court Cases (1 of 2)., 1898-2010, Undated","José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated","Folder 1","/repositories/4/archival_objects/54031","box 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Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"containers_ssim":["box 11","folder 1"],"_nest_path_":"/components#1/components#41","_nest_parent_":"725898a1a41349eb30ec365d_aspace_e0da8a351e89d497ae16650ae623f50e","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_acaf5de8f145d8a14e32cadb4f8dede6"}},{"id":"0f3ff22ed6c6664bd88a5adc","type":"collection","attributes":{"title":"Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/0f3ff22ed6c6664bd88a5adc#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBorn near Winchester, Virginia in 1920, Virginia Artrip Snyder moved to Boca Raton, Florida when she entered the inaugural class at Florida Atlantic University in 1964. She received a degree in government and politics in 1965 and went on to become an investigative reporter for the Ft. Lauderdale News and later the Boca Raton News. During her career in journalism she was accorded seven national, state, and local awards for investigative reporting. Mrs. Snyder gained prominence and credibility following her multi-part series that exposed the inhumane conditions at the South Florida State Mental Hospital. As a community activist, Mrs. Snyder spearheaded the establishment of the South County Neighborhood Center in Boca Raton which, in time, grew into the Florence Fuller Day Care Center and the Mae Volen Senior Center. Subsequent to her career as a reporter, Mrs. Snyder embarked on a new endeavor as private investigator. In 1975 she was named one of fourteen \"Outstanding Women of Florida\" by Governor Ruben Askew and one of \"Florida's Finest\" in 1996 by Governor Lawton Chiles. This collection is a compilation of Mrs. Snyder's work as a poet, news reporter, private investigator, and community activist.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/0f3ff22ed6c6664bd88a5adc#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"0f3ff22ed6c6664bd88a5adc","title_ssm":["Virginia Snyder Collection"],"title_tesim":["Virginia Snyder Collection"],"ead_ssi":"0f3ff22ed6c6664bd88a5adc","unitdate_ssm":["1890-2011","1970-1990","Date acquired: 07/15/2011"],"unitdate_bulk_ssim":["1970-1990"],"unitdate_inclusive_ssm":["1890-2011"],"unitdate_other_ssim":["Date acquired: 07/15/2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00024","/repositories/2/resources/40"],"text":["SPC00024","/repositories/2/resources/40","Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2012, Rrick Cullen, Jaclyn Nowack, and Teresa Van Dyke processed this collection.","Born near Winchester, Virginia in 1920, Virginia Artrip Snyder moved to Boca Raton, Florida when she entered the inaugural class at Florida Atlantic University in 1964. She received a degree in government and politics in 1965 and went on to become an investigative reporter for the Ft. Lauderdale News and later the Boca Raton News. During her career in journalism she was accorded seven national, state, and local awards for investigative reporting. Mrs. Snyder gained prominence and credibility following her multi-part series that exposed the inhumane conditions at the South Florida State Mental Hospital. As a community activist, Mrs. Snyder spearheaded the establishment of the South County Neighborhood Center in Boca Raton which, in time, grew into the Florence Fuller Day Care Center and the Mae Volen Senior Center. Subsequent to her career as a reporter, Mrs. Snyder embarked on a new endeavor as private investigator. In 1975 she was named one of fourteen \"Outstanding Women of Florida\" by Governor Ruben Askew and one of \"Florida's Finest\" in 1996 by Governor Lawton Chiles. This collection is a compilation of Mrs. Snyder's work as a poet, news reporter, private investigator, and community activist.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["SPC00024","/repositories/2/resources/40"],"normalized_date_ssm":["1890-2011, Date acquired: 07/15/2011, bulk 1970-1990"],"normalized_title_ssm":["Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990"],"collection_title_tesim":["Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990"],"collection_ssim":["Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["43.00 Linear Feet","83 boxes other_unmapped"],"extent_tesim":["43.00 Linear Feet","83 boxes other_unmapped"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2012, Rrick Cullen, Jaclyn Nowack, and Teresa Van Dyke processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2012, Rrick Cullen, Jaclyn Nowack, and Teresa Van Dyke processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eBorn near Winchester, Virginia in 1920, Virginia Artrip Snyder moved to Boca Raton, Florida when she entered the inaugural class at Florida Atlantic University in 1964. She received a degree in government and politics in 1965 and went on to become an investigative reporter for the Ft. Lauderdale News and later the Boca Raton News. During her career in journalism she was accorded seven national, state, and local awards for investigative reporting. Mrs. Snyder gained prominence and credibility following her multi-part series that exposed the inhumane conditions at the South Florida State Mental Hospital. As a community activist, Mrs. Snyder spearheaded the establishment of the South County Neighborhood Center in Boca Raton which, in time, grew into the Florence Fuller Day Care Center and the Mae Volen Senior Center. Subsequent to her career as a reporter, Mrs. Snyder embarked on a new endeavor as private investigator. In 1975 she was named one of fourteen \"Outstanding Women of Florida\" by Governor Ruben Askew and one of \"Florida's Finest\" in 1996 by Governor Lawton Chiles. This collection is a compilation of Mrs. Snyder's work as a poet, news reporter, private investigator, and community activist.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Born near Winchester, Virginia in 1920, Virginia Artrip Snyder moved to Boca Raton, Florida when she entered the inaugural class at Florida Atlantic University in 1964. She received a degree in government and politics in 1965 and went on to become an investigative reporter for the Ft. Lauderdale News and later the Boca Raton News. During her career in journalism she was accorded seven national, state, and local awards for investigative reporting. Mrs. Snyder gained prominence and credibility following her multi-part series that exposed the inhumane conditions at the South Florida State Mental Hospital. As a community activist, Mrs. Snyder spearheaded the establishment of the South County Neighborhood Center in Boca Raton which, in time, grew into the Florence Fuller Day Care Center and the Mae Volen Senior Center. Subsequent to her career as a reporter, Mrs. Snyder embarked on a new endeavor as private investigator. In 1975 she was named one of fourteen \"Outstanding Women of Florida\" by Governor Ruben Askew and one of \"Florida's Finest\" in 1996 by Governor Lawton Chiles. This collection is a compilation of Mrs. Snyder's work as a poet, news reporter, private investigator, and community activist."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2783,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842130979618816,"_root_":"0f3ff22ed6c6664bd88a5adc","timestamp":"2026-07-16T03:54:50.079Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"0f3ff22ed6c6664bd88a5adc","title_ssm":["Virginia Snyder Collection"],"title_tesim":["Virginia Snyder Collection"],"ead_ssi":"0f3ff22ed6c6664bd88a5adc","unitdate_ssm":["1890-2011","1970-1990","Date acquired: 07/15/2011"],"unitdate_bulk_ssim":["1970-1990"],"unitdate_inclusive_ssm":["1890-2011"],"unitdate_other_ssim":["Date acquired: 07/15/2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00024","/repositories/2/resources/40"],"text":["SPC00024","/repositories/2/resources/40","Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2012, Rrick Cullen, Jaclyn Nowack, and Teresa Van Dyke processed this collection.","Born near Winchester, Virginia in 1920, Virginia Artrip Snyder moved to Boca Raton, Florida when she entered the inaugural class at Florida Atlantic University in 1964. She received a degree in government and politics in 1965 and went on to become an investigative reporter for the Ft. Lauderdale News and later the Boca Raton News. During her career in journalism she was accorded seven national, state, and local awards for investigative reporting. Mrs. Snyder gained prominence and credibility following her multi-part series that exposed the inhumane conditions at the South Florida State Mental Hospital. As a community activist, Mrs. Snyder spearheaded the establishment of the South County Neighborhood Center in Boca Raton which, in time, grew into the Florence Fuller Day Care Center and the Mae Volen Senior Center. Subsequent to her career as a reporter, Mrs. Snyder embarked on a new endeavor as private investigator. In 1975 she was named one of fourteen \"Outstanding Women of Florida\" by Governor Ruben Askew and one of \"Florida's Finest\" in 1996 by Governor Lawton Chiles. This collection is a compilation of Mrs. Snyder's work as a poet, news reporter, private investigator, and community activist.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["SPC00024","/repositories/2/resources/40"],"normalized_date_ssm":["1890-2011, Date acquired: 07/15/2011, bulk 1970-1990"],"normalized_title_ssm":["Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990"],"collection_title_tesim":["Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990"],"collection_ssim":["Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["43.00 Linear Feet","83 boxes other_unmapped"],"extent_tesim":["43.00 Linear Feet","83 boxes other_unmapped"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2012, Rrick Cullen, Jaclyn Nowack, and Teresa Van Dyke processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2012, Rrick Cullen, Jaclyn Nowack, and Teresa Van Dyke processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eBorn near Winchester, Virginia in 1920, Virginia Artrip Snyder moved to Boca Raton, Florida when she entered the inaugural class at Florida Atlantic University in 1964. She received a degree in government and politics in 1965 and went on to become an investigative reporter for the Ft. Lauderdale News and later the Boca Raton News. During her career in journalism she was accorded seven national, state, and local awards for investigative reporting. Mrs. Snyder gained prominence and credibility following her multi-part series that exposed the inhumane conditions at the South Florida State Mental Hospital. As a community activist, Mrs. Snyder spearheaded the establishment of the South County Neighborhood Center in Boca Raton which, in time, grew into the Florence Fuller Day Care Center and the Mae Volen Senior Center. Subsequent to her career as a reporter, Mrs. Snyder embarked on a new endeavor as private investigator. In 1975 she was named one of fourteen \"Outstanding Women of Florida\" by Governor Ruben Askew and one of \"Florida's Finest\" in 1996 by Governor Lawton Chiles. This collection is a compilation of Mrs. Snyder's work as a poet, news reporter, private investigator, and community activist.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Born near Winchester, Virginia in 1920, Virginia Artrip Snyder moved to Boca Raton, Florida when she entered the inaugural class at Florida Atlantic University in 1964. She received a degree in government and politics in 1965 and went on to become an investigative reporter for the Ft. Lauderdale News and later the Boca Raton News. During her career in journalism she was accorded seven national, state, and local awards for investigative reporting. Mrs. Snyder gained prominence and credibility following her multi-part series that exposed the inhumane conditions at the South Florida State Mental Hospital. As a community activist, Mrs. Snyder spearheaded the establishment of the South County Neighborhood Center in Boca Raton which, in time, grew into the Florence Fuller Day Care Center and the Mae Volen Senior Center. Subsequent to her career as a reporter, Mrs. Snyder embarked on a new endeavor as private investigator. In 1975 she was named one of fourteen \"Outstanding Women of Florida\" by Governor Ruben Askew and one of \"Florida's Finest\" in 1996 by Governor Lawton Chiles. This collection is a compilation of Mrs. Snyder's work as a poet, news reporter, private investigator, and community activist."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2783,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842130979618816,"_root_":"0f3ff22ed6c6664bd88a5adc","timestamp":"2026-07-16T03:54:50.079Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/0f3ff22ed6c6664bd88a5adc"}},{"id":"bec408ef355489ed2515918e_aspace_10054","type":"Series","attributes":{"title":"Visual and Derogatory Material, 1800s-1969, Undated","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_10054#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe series holds an array of \"visual\" material ranging from the early 1800s to the mid-1900's. Included in this series is the bulk of the more controversial racist items in the collection. Examples include derogatory postcards, advertisements, product packaging, magazine and newspaper illustrations, and other assorted ephemera. Flat file materials that consists of newspapers, and sheet music, are also included.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_10054#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_10054","ref_ssm":["aspace_10054","aspace_10054"],"id":"bec408ef355489ed2515918e_aspace_10054","title_filing_ssi":"Visual and Derogatory Material","title_ssm":["Visual and Derogatory Material"],"title_tesim":["Visual and Derogatory Material"],"unitdate_inclusive_ssm":["1800s-1969, Undated"],"normalized_date_ssm":["1800s-1969, Undated"],"normalized_title_ssm":["Visual and Derogatory Material, 1800s-1969, Undated"],"text":["Visual and Derogatory Material, 1800s-1969, Undated","African American Legacy: The Carol Mundy collection, 1791-2003","Series 7","/repositories/4/archival_objects/24178","The series holds an array of \"visual\" material ranging from the early 1800s to the mid-1900's. Included in this series is the bulk of the more controversial racist items in the collection. Examples include derogatory postcards, advertisements, product packaging, magazine and newspaper illustrations, and other assorted ephemera. Flat file materials that consists of newspapers, and sheet music, are also included."],"component_level_isim":[1],"parent_ids_ssim":["bec408ef355489ed2515918e"],"parent_unittitles_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003"],"parent_unittitles_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 7","/repositories/4/archival_objects/24178"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"has_online_content_ssim":["false"],"child_component_count_isi":127,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1144,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"scopecontent_html_tesm":["\u003cp\u003eThe series holds an array of \"visual\" material ranging from the early 1800s to the mid-1900's. Included in this series is the bulk of the more controversial racist items in the collection. Examples include derogatory postcards, advertisements, product packaging, magazine and newspaper illustrations, and other assorted ephemera. Flat file materials that consists of newspapers, and sheet music, are also included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The series holds an array of \"visual\" material ranging from the early 1800s to the mid-1900's. Included in this series is the bulk of the more controversial racist items in the collection. Examples include derogatory postcards, advertisements, product packaging, magazine and newspaper illustrations, and other assorted ephemera. Flat file materials that consists of newspapers, and sheet music, are also included."],"_nest_path_":"/components#6","_nest_parent_":"bec408ef355489ed2515918e","_root_":"bec408ef355489ed2515918e","_version_":1879192534963453952,"timestamp":"2026-10-16T08:00:56.160Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bec408ef355489ed2515918e","title_ssm":["African American Legacy: The Carol Mundy collection"],"title_tesim":["African American Legacy: The Carol Mundy collection"],"ead_ssi":"bec408ef355489ed2515918e","unitdate_ssm":["1791-2003"],"unitdate_inclusive_ssm":["1791-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC085","/repositories/4/resources/106"],"text":["SC085","/repositories/4/resources/106","African American Legacy: The Carol Mundy collection, 1791-2003","Apopka (Fla.)--History","African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs","The entire collection is open for research.","Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"","Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog .","This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.","UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-","English"],"unitid_tesim":["SC085","/repositories/4/resources/106"],"normalized_date_ssm":["1791-2003"],"normalized_title_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_title_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Apopka (Fla.)--History"],"geogname_ssim":["Apopka (Fla.)--History"],"creator_ssm":["Mundy, Carol"],"creator_ssim":["Mundy, Carol"],"creator_persname_ssim":["Mundy, Carol"],"creators_ssim":["Mundy, Carol"],"places_ssim":["Apopka (Fla.)--History"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Most of these materials were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Carol Mundy in 2009 (CFM2009_02). Additional materials were donated in 2010/2012 (CFM2012_02) and 2019 (CFM2019_01)."],"access_subjects_ssim":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"access_subjects_ssm":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["26 Linear Feet 36 boxes and 73 flat files"],"extent_tesim":["26 Linear Feet 36 boxes and 73 flat files"],"genreform_ssim":["photographs"],"date_range_isim":[1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eCarol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\""],"prefercite_html_tesm":["\u003cp\u003eAfrican American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["African American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Early America \u0026amp; Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.\u003c/p\u003e\n","\u003cp\u003eSeries IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4cf0eb7fc38bbc5bdebff00649325802\" label=\"Abstract\"\u003eCollector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.\u003c/abstract\u003e"],"abstract_tesim":["Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida."],"names_ssim":["UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"persname_ssim":["Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1675,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879192534963453952,"_root_":"bec408ef355489ed2515918e","timestamp":"2026-10-16T08:00:56.160Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_10054"}},{"id":"3990c8b0263ef7e4284c134d_aspace_4c324cbce860844b377ae099a4de9933","type":"File","attributes":{"title":"Visual Discrimination, Circa 1931-1988","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3990c8b0263ef7e4284c134d_aspace_4c324cbce860844b377ae099a4de9933#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_4c324cbce860844b377ae099a4de9933","ref_ssm":["aspace_4c324cbce860844b377ae099a4de9933","aspace_4c324cbce860844b377ae099a4de9933"],"id":"3990c8b0263ef7e4284c134d_aspace_4c324cbce860844b377ae099a4de9933","title_filing_ssi":"Visual Discrimination","title_ssm":["Visual Discrimination"],"title_tesim":["Visual Discrimination"],"unitdate_inclusive_ssm":["Circa 1931-1988"],"normalized_date_ssm":["Circa 1931-1988"],"normalized_title_ssm":["Visual Discrimination, Circa 1931-1988"],"text":["Visual Discrimination, Circa 1931-1988","Stetson Kennedy Papers, Circa 1936-1995","Works Progress Administration (WPA) Federal Writer's Project Research Papers","/repositories/3/archival_objects/1627","box 7","folder 138"],"component_level_isim":[2],"parent_ids_ssim":["3990c8b0263ef7e4284c134d","3990c8b0263ef7e4284c134d_aspace_2195af3280fdd14f76e6dc29fbbb2f37"],"parent_unittitles_ssm":["Stetson Kennedy Papers, Circa 1936-1995","Works Progress Administration (WPA) Federal Writer's Project Research Papers"],"parent_unittitles_tesim":["Stetson Kennedy Papers, Circa 1936-1995","Works Progress Administration (WPA) Federal Writer's Project Research Papers"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/1627"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"collection_ssim":["Stetson Kennedy Papers, Circa 1936-1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":139,"parent_access_restrict_tesm":["The Stetson Kennedy Collection is open for research."],"date_range_isim":[1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"containers_ssim":["box 7","folder 138"],"_nest_path_":"/components#1/components#105","_nest_parent_":"3990c8b0263ef7e4284c134d_aspace_2195af3280fdd14f76e6dc29fbbb2f37","_root_":"3990c8b0263ef7e4284c134d","_version_":1870839703710728192,"timestamp":"2026-07-16T03:16:15.540Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3990c8b0263ef7e4284c134d","title_filing_ssi":"Kennedy, Stetson Papers","title_ssm":["Stetson Kennedy Papers"],"title_tesim":["Stetson Kennedy Papers"],"ead_ssi":"3990c8b0263ef7e4284c134d","unitdate_ssm":["Circa 1936-1995"],"unitdate_inclusive_ssm":["Circa 1936-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BIENES.1996.1","/repositories/3/resources/33"],"text":["BIENES.1996.1","/repositories/3/resources/33","Stetson Kennedy Papers, Circa 1936-1995","The Stetson Kennedy Collection is open for research.","The series is arranged into two series: Series I. Correspondence and Series II. Works Progress Administration Federal Writers Project Research Papers.","William Stetson Kennedy also known as Stetson Kennedy, was born on October 5, 1911 in Jacksonville, Florida to Willye Stetson and George Wallace Kennedy. He was an American author, folklorist and human rights activist. In 1937, Kennedy worked for the Works Progress Administration's Federal Writer's Project where he collected and recorded folklore in Florida, U.S.A. He is also remembered for infiltrating the Ku Klux Klan during the 1940s, exposing its secrets to authorities and the world.","The Stetson Kennedy Collection was processed at the file level. The finding aid may be updated to reflect new descriptions as well as aquisitions to the collection.","The Stetson Kennedy Papers contains correspondence, research papers, writings and photographs that document his time within the Works Progress Administration's  Federal Writers Project.","Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library","English"],"unitid_tesim":["BIENES.1996.1","/repositories/3/resources/33"],"normalized_date_ssm":["Circa 1936-1995"],"normalized_title_ssm":["Stetson Kennedy Papers, Circa 1936-1995"],"collection_title_tesim":["Stetson Kennedy Papers, Circa 1936-1995"],"collection_ssim":["Stetson Kennedy Papers, Circa 1936-1995"],"repository_ssm":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"acqinfo_ssim":["The Stetson Kennedy papers was donated to the Bienes Museum of the Modern Book by Stetson Kennnedy."],"has_online_content_ssim":["false"],"extent_ssm":["3.34 Linear Feet"],"extent_tesim":["3.34 Linear Feet"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eThe Stetson Kennedy Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Stetson Kennedy Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe series is arranged into two series: Series I. Correspondence and Series II. Works Progress Administration Federal Writers Project Research Papers.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The series is arranged into two series: Series I. Correspondence and Series II. Works Progress Administration Federal Writers Project Research Papers."],"bioghist_html_tesm":["\u003cp\u003eWilliam Stetson Kennedy also known as Stetson Kennedy, was born on October 5, 1911 in Jacksonville, Florida to Willye Stetson and George Wallace Kennedy. He was an American author, folklorist and human rights activist. In 1937, Kennedy worked for the Works Progress Administration's Federal Writer's Project where he collected and recorded folklore in Florida, U.S.A. He is also remembered for infiltrating the Ku Klux Klan during the 1940s, exposing its secrets to authorities and the world.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["William Stetson Kennedy also known as Stetson Kennedy, was born on October 5, 1911 in Jacksonville, Florida to Willye Stetson and George Wallace Kennedy. He was an American author, folklorist and human rights activist. In 1937, Kennedy worked for the Works Progress Administration's Federal Writer's Project where he collected and recorded folklore in Florida, U.S.A. He is also remembered for infiltrating the Ku Klux Klan during the 1940s, exposing its secrets to authorities and the world."],"prefercite_html_tesm":["\u003cp\u003eThe Stetson Kennedy Papers, Bienes Museum of the Modern Book, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Stetson Kennedy Papers, Bienes Museum of the Modern Book, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Stetson Kennedy Collection was processed at the file level. The finding aid may be updated to reflect new descriptions as well as aquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Stetson Kennedy Collection was processed at the file level. The finding aid may be updated to reflect new descriptions as well as aquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Stetson Kennedy Papers contains correspondence, research papers, writings and photographs that document his time within the Works Progress Administration's  Federal Writers Project.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Stetson Kennedy Papers contains correspondence, research papers, writings and photographs that document his time within the Works Progress Administration's  Federal Writers Project."],"names_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"corpname_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"language_ssim":["English"],"total_component_count_is":165,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870839703710728192,"_root_":"3990c8b0263ef7e4284c134d","timestamp":"2026-07-16T03:16:15.540Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3990c8b0263ef7e4284c134d_aspace_4c324cbce860844b377ae099a4de9933"}},{"id":"725898a1a41349eb30ec365d_aspace_7c7243b4d414f992a8def17111639498","type":"Series","attributes":{"title":"Visual Materials, Circa 1900-Circa 2000","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_7c7243b4d414f992a8def17111639498#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis series includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_7c7243b4d414f992a8def17111639498#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7c7243b4d414f992a8def17111639498","ref_ssm":["aspace_7c7243b4d414f992a8def17111639498","aspace_7c7243b4d414f992a8def17111639498"],"id":"725898a1a41349eb30ec365d_aspace_7c7243b4d414f992a8def17111639498","title_filing_ssi":"Visual Materials","title_ssm":["Visual Materials"],"title_tesim":["Visual Materials"],"unitdate_inclusive_ssm":["Circa 1900-Circa 2000"],"normalized_date_ssm":["Circa 1900-Circa 2000"],"normalized_title_ssm":["Visual Materials, Circa 1900-Circa 2000"],"text":["Visual Materials, Circa 1900-Circa 2000","José Guerra Alemán Collection, 1887-2013","5","/repositories/4/archival_objects/54111","This series includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\"."],"component_level_isim":[1],"parent_ids_ssim":["725898a1a41349eb30ec365d"],"parent_unittitles_ssm":["José Guerra Alemán Collection, 1887-2013"],"parent_unittitles_tesim":["José Guerra Alemán Collection, 1887-2013"],"parent_levels_ssm":["collection"],"unitid_ssm":["5","/repositories/4/archival_objects/54111"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":232,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"scopecontent_html_tesm":["\u003cp\u003eThis series includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This series includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\"."],"_nest_path_":"/components#4","_nest_parent_":"725898a1a41349eb30ec365d","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_7c7243b4d414f992a8def17111639498"}},{"id":"9646530ffefd538c63ce134a","type":"collection","attributes":{"title":"Visual Representation of Women Collection, bulk 1900-2019","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/9646530ffefd538c63ce134a#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Visual Representation of Women Collection is a postcard collection that focuses on representational images of women from around the globe. Covering the gamut of postcard types, images portray the many social constructions of womanhood and their attendant meanings. Containing a variety of mass produced postcards to unique artist renditions, the collection is an ongoing project of FAU University Libraries' Special Collections that will build over time.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9646530ffefd538c63ce134a#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"9646530ffefd538c63ce134a","title_ssm":["Visual Representation of Women Collection"],"title_tesim":["Visual Representation of Women Collection"],"ead_ssi":"9646530ffefd538c63ce134a","unitdate_ssm":["1900-2019"],"unitdate_bulk_ssim":["1900-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00043","/repositories/2/resources/178"],"text":["SPC00043","/repositories/2/resources/178","Visual Representation of Women Collection, bulk 1900-2019","Caricatures and cartoons -- United States -- 19th century","Gender matters in U.S. politics","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","The Visual Representation of Women Collection is a postcard collection that focuses on representational images of women from around the globe. Covering the gamut of postcard types, images portray the many social constructions of womanhood and their attendant meanings. Containing a variety of mass produced postcards to unique artist renditions, the collection is an ongoing project of FAU University Libraries' Special Collections that will build over time.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["SPC00043","/repositories/2/resources/178"],"normalized_date_ssm":["bulk 1900-2019"],"normalized_title_ssm":["Visual Representation of Women Collection, bulk 1900-2019"],"collection_title_tesim":["Visual Representation of Women Collection, bulk 1900-2019"],"collection_ssim":["Visual Representation of Women Collection, bulk 1900-2019"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"access_subjects_ssim":["Caricatures and cartoons -- United States -- 19th century","Gender matters in U.S. politics"],"access_subjects_ssm":["Caricatures and cartoons -- United States -- 19th century","Gender matters in U.S. politics"],"has_online_content_ssim":["false"],"extent_ssm":["1 boxes"],"extent_tesim":["1 boxes"],"physfacet_tesim":["Postcard collection"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"scopecontent_html_tesm":["\u003cp\u003eThe Visual Representation of Women Collection is a postcard collection that focuses on representational images of women from around the globe. Covering the gamut of postcard types, images portray the many social constructions of womanhood and their attendant meanings. Containing a variety of mass produced postcards to unique artist renditions, the collection is an ongoing project of FAU University Libraries' Special Collections that will build over time.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Visual Representation of Women Collection is a postcard collection that focuses on representational images of women from around the globe. Covering the gamut of postcard types, images portray the many social constructions of womanhood and their attendant meanings. Containing a variety of mass produced postcards to unique artist renditions, the collection is an ongoing project of FAU University Libraries' Special Collections that will build over time."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":75,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841767970996224,"_root_":"9646530ffefd538c63ce134a","timestamp":"2026-07-16T03:49:04.170Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9646530ffefd538c63ce134a","title_ssm":["Visual Representation of Women Collection"],"title_tesim":["Visual Representation of Women Collection"],"ead_ssi":"9646530ffefd538c63ce134a","unitdate_ssm":["1900-2019"],"unitdate_bulk_ssim":["1900-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00043","/repositories/2/resources/178"],"text":["SPC00043","/repositories/2/resources/178","Visual Representation of Women Collection, bulk 1900-2019","Caricatures and cartoons -- United States -- 19th century","Gender matters in U.S. politics","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","The Visual Representation of Women Collection is a postcard collection that focuses on representational images of women from around the globe. Covering the gamut of postcard types, images portray the many social constructions of womanhood and their attendant meanings. Containing a variety of mass produced postcards to unique artist renditions, the collection is an ongoing project of FAU University Libraries' Special Collections that will build over time.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["SPC00043","/repositories/2/resources/178"],"normalized_date_ssm":["bulk 1900-2019"],"normalized_title_ssm":["Visual Representation of Women Collection, bulk 1900-2019"],"collection_title_tesim":["Visual Representation of Women Collection, bulk 1900-2019"],"collection_ssim":["Visual Representation of Women Collection, bulk 1900-2019"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"access_subjects_ssim":["Caricatures and cartoons -- United States -- 19th century","Gender matters in U.S. politics"],"access_subjects_ssm":["Caricatures and cartoons -- United States -- 19th century","Gender matters in U.S. politics"],"has_online_content_ssim":["false"],"extent_ssm":["1 boxes"],"extent_tesim":["1 boxes"],"physfacet_tesim":["Postcard collection"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"scopecontent_html_tesm":["\u003cp\u003eThe Visual Representation of Women Collection is a postcard collection that focuses on representational images of women from around the globe. Covering the gamut of postcard types, images portray the many social constructions of womanhood and their attendant meanings. Containing a variety of mass produced postcards to unique artist renditions, the collection is an ongoing project of FAU University Libraries' Special Collections that will build over time.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Visual Representation of Women Collection is a postcard collection that focuses on representational images of women from around the globe. Covering the gamut of postcard types, images portray the many social constructions of womanhood and their attendant meanings. Containing a variety of mass produced postcards to unique artist renditions, the collection is an ongoing project of FAU University Libraries' Special Collections that will build over time."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":75,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841767970996224,"_root_":"9646530ffefd538c63ce134a","timestamp":"2026-07-16T03:49:04.170Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9646530ffefd538c63ce134a"}},{"id":"e35b9770c12b98b283c97ed3_aspace_77815","type":"File","attributes":{"title":"Volume 19 Book 8, December 9, 1933 - November 22, 1934","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/e35b9770c12b98b283c97ed3_aspace_77815#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_77815","ref_ssm":["aspace_77815","aspace_77815"],"id":"e35b9770c12b98b283c97ed3_aspace_77815","title_filing_ssi":"Volume 19 Book 8","title_ssm":["Volume 19 Book 8"],"title_tesim":["Volume 19 Book 8"],"unitdate_inclusive_ssm":["December 9, 1933 - November 22, 1934"],"normalized_date_ssm":["December 9, 1933 - November 22, 1934"],"normalized_title_ssm":["Volume 19 Book 8, December 9, 1933 - November 22, 1934"],"text":["Volume 19 Book 8, December 9, 1933 - November 22, 1934","Carey Hand Funeral Home Records, 1891-1955","Funeral Registers, January 1919-December 1952","Folder 17","/repositories/4/archival_objects/3897","box 9","folder 17"],"component_level_isim":[2],"parent_ids_ssim":["e35b9770c12b98b283c97ed3","e35b9770c12b98b283c97ed3_aspace_1328"],"parent_unittitles_ssm":["Carey Hand Funeral Home Records, 1891-1955","Funeral Registers, January 1919-December 1952"],"parent_unittitles_tesim":["Carey Hand Funeral Home Records, 1891-1955","Funeral Registers, January 1919-December 1952"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 17","/repositories/4/archival_objects/3897"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Carey Hand Funeral Home Records, 1891-1955"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":238,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1933,1934],"containers_ssim":["box 9","folder 17"],"_nest_path_":"/components#2/components#50","_nest_parent_":"e35b9770c12b98b283c97ed3_aspace_1328","_root_":"e35b9770c12b98b283c97ed3","_version_":1870857691873673216,"timestamp":"2026-07-16T08:02:10.387Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"e35b9770c12b98b283c97ed3","title_ssm":["Carey Hand Funeral Home Records"],"title_tesim":["Carey Hand Funeral Home Records"],"ead_ssi":"e35b9770c12b98b283c97ed3","unitdate_ssm":["1891-1955"],"unitdate_inclusive_ssm":["1891-1955"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.041","/repositories/4/resources/17"],"text":["SC.041","/repositories/4/resources/17","Carey Hand Funeral Home Records, 1891-1955","Brevard County (Fla.)--Genealogy","Osceola County (Fla.)--Genealogy","Seminole County (Fla.)--Genealogy","Orange County (Fla.)--Genealogy","Orlando-(Fla.)--Genealogy","Florida -- Genealogy -- Archival Resources","Orlando (Fla.) -- History","Hillsborough County (Fla.) -- Genealogy","Funeral homes","Undertakers and undertaking","Registers of birth, etc. -- Florida -- Orange County","Cemeteries","The entire collection is open for research.","The Carey Hand mortuary business began when Elijah Hand moved to Orlando, Florida from Indiana in 1885. Hand was the young city's first embalmer. Hand formed a partnership with E. A. Richards, the city's first undertaker. Richards \u0026 Hand combined Richards's furniture business and Hand's embalming. When Richards left the partnership in 1890, the business was renamed Elijah Hand's furniture, undertaking and livery stable. The business was located on Pine Street in downtown Orlando.","\nIn 1907 Hand's son Carey, a trained embalmer, moved to Orlando and joined his father's business, buying out his father in 1914. He continued to run the business until his death in 1946. His wife sold the business the following year, and subsequent owners have kept the Carey Hand name. In 1969 the Carey Hand and Cox-Parker Funeral Homes merged. The company is still in operation. During the first half of the twentieth century, the Carey Hand funeral home was the largest in Central Florida, serving a five-county area, including Orange, Seminole, Osceola, Polk and Hillsborough. The modernized funeral home built by the company in 1918 now houses the University of Central Florida's Downtown Campus located at 39 West Pine Street. It was the first funeral home in Florida to have a chapel, and housed the first crematorium built south of Cincinnati and Washington, D.C.","Collection processed by Nadine Helm; finding aid created by Nadine Helm. Courtney Toelle edited finding aid in January 2019. Minimal preservation work was necessary; records are bound in books, and were properly housed in archival boxes or storage.","The Carey Hand Funeral Home Records include a variety of records created during the course of work at the Funeral Home, including Undertakers' Memoranda, documentation of the deceased that moved through the undertaker, Funeral Registers that included payment information and next of kin, Cremation Records, records for the Palm and Greenwood Cemeteries, as well as other materials relating to the operations of the Orlando mortuary business. The collection is particularly useful in Central Florida genealogy as one of the main funeral homes in the area.","\nSeries 1: Undertakers' Memoranda. 182 Volumes. June 1891-December 1946. Records are not indexed and arranged in imperfect, but general chronological order as recorded by the undertaker. Information relating to the death and burial of the deceased individual is recorded.","\nSeries 2: Greenwood and Palm Cemetery Records: Circa 1900-1944. 2 Volumes. These volumes contain the records of plots sold in the Greenwood and Palm Cemeteries. Records are indexed and arranged by plot. One volume includes a Greenwood Cemetery plat book.","\nSeries 3: Funeral Registers. 34 Volumes. January 1919-December 1952. Each volume is indexed and in chronological order. Records detail death, burial and payment information for services provided through the Carey Hand Funeral Home.","\nSeries 4: Bills. 4 Volumes. 1920-1932. Financial Records detailing payments received on various accounts. Volumes titled Local Bills, Out-of-Town Bills, and Bills.","\nSeries 5: Cremation Records. 4 Volumes. 1926-1949. These volumes contain the records of the cremation service operated by Carey Hand. The first crematorium to be located south of Cincinnati, Ohio and Washington, DC, it began operating in 1925. The records are in chronological order, with the first volume serving as an index. In addition, there is a folder with records of cremations stored in the vaults and those whose ashes were scattered.","\nSeries 6: Ambulance Records. 10 Volumes. January 1934-May 1955. These volumes contain the records of the ambulance service operated by Carey Hand. In addition to paid services, free ambulance service was offered to new mothers and babies from the hospital to their homes. One volume titled Veteran's Ambulance, 1948.","\nSeries 7: Storage Vault Records. 1 Volume. October 1935-October 1947. Records document individuals stored in Carey Hand storage vaults, listing the amount of time stored and payments on accounts.","\nSeries 8: Veteran's and Orlando Air Base Records. 1 Volume. January 1938-March 1952. Records are not indexed but are arranged in chronological order. These records contain death, burial and military service information for Central Florida Veteran's and Orlando Air Base Serviceman.","\nSeries 9: Miscellanea. 6 Folders. 1927-1947, 2003, Undated. Materials relating to the Carey Hand Funeral Home including brochures, disposition of ashes, newsclippings, miscellaneous ephemera, mule pendant, and samples of original wall coverings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Contains records and ledgers on services provided at the Carey Hand Funeral Home. Materials include memoranda regarding the death and burial of deceased individuals, registers of the death, burial and payment information, plots in the Greenwood and Palm cemeteries, financial records, cremation records, ambulance service records, vault storage records, and Central Florida Veterans and Orlando Airbase Servicemen's death, burial, and military information. The records are particularly useful in historical and genealogical research on the Orlando and Central Florida area from 1891 to 1955.","UCF Special Collections","Carey Hand Funeral Home","Greenwood Cemetery (Orlando, Fla.)","Palm Cemetery (Orlando, Fla.)","English"],"unitid_tesim":["SC.041","/repositories/4/resources/17"],"normalized_date_ssm":["1891-1955"],"normalized_title_ssm":["Carey Hand Funeral Home Records, 1891-1955"],"collection_title_tesim":["Carey Hand Funeral Home Records, 1891-1955"],"collection_ssim":["Carey Hand Funeral Home Records, 1891-1955"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Brevard County (Fla.)--Genealogy","Osceola County (Fla.)--Genealogy","Seminole County (Fla.)--Genealogy","Orange County (Fla.)--Genealogy","Orlando-(Fla.)--Genealogy","Florida -- Genealogy -- Archival Resources","Orlando (Fla.) -- History","Hillsborough County (Fla.) -- Genealogy"],"geogname_ssim":["Brevard County (Fla.)--Genealogy","Osceola County (Fla.)--Genealogy","Seminole County (Fla.)--Genealogy","Orange County (Fla.)--Genealogy","Orlando-(Fla.)--Genealogy","Florida -- Genealogy -- Archival Resources","Orlando (Fla.) -- History","Hillsborough County (Fla.) -- Genealogy"],"creator_ssm":["Carey Hand Funeral Home"],"creator_ssim":["Carey Hand Funeral Home"],"creator_corpname_ssim":["Carey Hand Funeral Home"],"creators_ssim":["Carey Hand Funeral Home"],"places_ssim":["Brevard County (Fla.)--Genealogy","Osceola County (Fla.)--Genealogy","Seminole County (Fla.)--Genealogy","Orange County (Fla.)--Genealogy","Orlando-(Fla.)--Genealogy","Florida -- Genealogy -- Archival Resources","Orlando (Fla.) -- History","Hillsborough County (Fla.) -- Genealogy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Carey Hand Funeral Home Records have been held in the UCF Library Special Collections since 1978. The records were donated to Department by the Carey Hand Cox-Parker Funeral Home in 2003 (CFM2003_01)."],"access_subjects_ssim":["Funeral homes","Undertakers and undertaking","Registers of birth, etc. -- Florida -- Orange County","Cemeteries"],"access_subjects_ssm":["Funeral homes","Undertakers and undertaking","Registers of birth, etc. -- Florida -- Orange County","Cemeteries"],"has_online_content_ssim":["false"],"extent_ssm":["22 Linear Feet 9 Boxes, 1 Flat File, and 34 Funeral Registers"],"extent_tesim":["22 Linear Feet 9 Boxes, 1 Flat File, and 34 Funeral Registers"],"date_range_isim":[1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Carey Hand mortuary business began when Elijah Hand moved to Orlando, Florida from Indiana in 1885. Hand was the young city's first embalmer. Hand formed a partnership with E. A. Richards, the city's first undertaker. Richards \u0026amp; Hand combined Richards's furniture business and Hand's embalming. When Richards left the partnership in 1890, the business was renamed Elijah Hand's furniture, undertaking and livery stable. The business was located on Pine Street in downtown Orlando.\u003c/p\u003e\n","\u003cp\u003e\nIn 1907 Hand's son Carey, a trained embalmer, moved to Orlando and joined his father's business, buying out his father in 1914. He continued to run the business until his death in 1946. His wife sold the business the following year, and subsequent owners have kept the Carey Hand name. In 1969 the Carey Hand and Cox-Parker Funeral Homes merged. The company is still in operation. During the first half of the twentieth century, the Carey Hand funeral home was the largest in Central Florida, serving a five-county area, including Orange, Seminole, Osceola, Polk and Hillsborough. The modernized funeral home built by the company in 1918 now houses the University of Central Florida's Downtown Campus located at 39 West Pine Street. It was the first funeral home in Florida to have a chapel, and housed the first crematorium built south of Cincinnati and Washington, D.C.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Carey Hand mortuary business began when Elijah Hand moved to Orlando, Florida from Indiana in 1885. Hand was the young city's first embalmer. Hand formed a partnership with E. A. Richards, the city's first undertaker. Richards \u0026 Hand combined Richards's furniture business and Hand's embalming. When Richards left the partnership in 1890, the business was renamed Elijah Hand's furniture, undertaking and livery stable. The business was located on Pine Street in downtown Orlando.","\nIn 1907 Hand's son Carey, a trained embalmer, moved to Orlando and joined his father's business, buying out his father in 1914. He continued to run the business until his death in 1946. His wife sold the business the following year, and subsequent owners have kept the Carey Hand name. In 1969 the Carey Hand and Cox-Parker Funeral Homes merged. The company is still in operation. During the first half of the twentieth century, the Carey Hand funeral home was the largest in Central Florida, serving a five-county area, including Orange, Seminole, Osceola, Polk and Hillsborough. The modernized funeral home built by the company in 1918 now houses the University of Central Florida's Downtown Campus located at 39 West Pine Street. It was the first funeral home in Florida to have a chapel, and housed the first crematorium built south of Cincinnati and Washington, D.C."],"prefercite_html_tesm":["\u003cp\u003eCarey Hand Funeral Home Records, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Carey Hand Funeral Home Records, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadine Helm; finding aid created by Nadine Helm. Courtney Toelle edited finding aid in January 2019. Minimal preservation work was necessary; records are bound in books, and were properly housed in archival boxes or storage.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadine Helm; finding aid created by Nadine Helm. Courtney Toelle edited finding aid in January 2019. Minimal preservation work was necessary; records are bound in books, and were properly housed in archival boxes or storage."],"scopecontent_html_tesm":["\u003cp\u003eThe Carey Hand Funeral Home Records include a variety of records created during the course of work at the Funeral Home, including Undertakers' Memoranda, documentation of the deceased that moved through the undertaker, Funeral Registers that included payment information and next of kin, Cremation Records, records for the Palm and Greenwood Cemeteries, as well as other materials relating to the operations of the Orlando mortuary business. The collection is particularly useful in Central Florida genealogy as one of the main funeral homes in the area.\u003c/p\u003e\n","\u003cp\u003e\nSeries 1: Undertakers' Memoranda. 182 Volumes. June 1891-December 1946. Records are not indexed and arranged in imperfect, but general chronological order as recorded by the undertaker. Information relating to the death and burial of the deceased individual is recorded.\u003c/p\u003e\n","\u003cp\u003e\nSeries 2: Greenwood and Palm Cemetery Records: Circa 1900-1944. 2 Volumes. These volumes contain the records of plots sold in the Greenwood and Palm Cemeteries. Records are indexed and arranged by plot. One volume includes a Greenwood Cemetery plat book.\u003c/p\u003e\n","\u003cp\u003e\nSeries 3: Funeral Registers. 34 Volumes. January 1919-December 1952. Each volume is indexed and in chronological order. Records detail death, burial and payment information for services provided through the Carey Hand Funeral Home.\u003c/p\u003e\n","\u003cp\u003e\nSeries 4: Bills. 4 Volumes. 1920-1932. Financial Records detailing payments received on various accounts. Volumes titled Local Bills, Out-of-Town Bills, and Bills.\u003c/p\u003e\n","\u003cp\u003e\nSeries 5: Cremation Records. 4 Volumes. 1926-1949. These volumes contain the records of the cremation service operated by Carey Hand. The first crematorium to be located south of Cincinnati, Ohio and Washington, DC, it began operating in 1925. The records are in chronological order, with the first volume serving as an index. In addition, there is a folder with records of cremations stored in the vaults and those whose ashes were scattered.\u003c/p\u003e\n","\u003cp\u003e\nSeries 6: Ambulance Records. 10 Volumes. January 1934-May 1955. These volumes contain the records of the ambulance service operated by Carey Hand. In addition to paid services, free ambulance service was offered to new mothers and babies from the hospital to their homes. One volume titled Veteran's Ambulance, 1948.\u003c/p\u003e\n","\u003cp\u003e\nSeries 7: Storage Vault Records. 1 Volume. October 1935-October 1947. Records document individuals stored in Carey Hand storage vaults, listing the amount of time stored and payments on accounts.\u003c/p\u003e\n","\u003cp\u003e\nSeries 8: Veteran's and Orlando Air Base Records. 1 Volume. January 1938-March 1952. Records are not indexed but are arranged in chronological order. These records contain death, burial and military service information for Central Florida Veteran's and Orlando Air Base Serviceman.\u003c/p\u003e\n","\u003cp\u003e\nSeries 9: Miscellanea. 6 Folders. 1927-1947, 2003, Undated. Materials relating to the Carey Hand Funeral Home including brochures, disposition of ashes, newsclippings, miscellaneous ephemera, mule pendant, and samples of original wall coverings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Carey Hand Funeral Home Records include a variety of records created during the course of work at the Funeral Home, including Undertakers' Memoranda, documentation of the deceased that moved through the undertaker, Funeral Registers that included payment information and next of kin, Cremation Records, records for the Palm and Greenwood Cemeteries, as well as other materials relating to the operations of the Orlando mortuary business. The collection is particularly useful in Central Florida genealogy as one of the main funeral homes in the area.","\nSeries 1: Undertakers' Memoranda. 182 Volumes. June 1891-December 1946. Records are not indexed and arranged in imperfect, but general chronological order as recorded by the undertaker. Information relating to the death and burial of the deceased individual is recorded.","\nSeries 2: Greenwood and Palm Cemetery Records: Circa 1900-1944. 2 Volumes. These volumes contain the records of plots sold in the Greenwood and Palm Cemeteries. Records are indexed and arranged by plot. One volume includes a Greenwood Cemetery plat book.","\nSeries 3: Funeral Registers. 34 Volumes. January 1919-December 1952. Each volume is indexed and in chronological order. Records detail death, burial and payment information for services provided through the Carey Hand Funeral Home.","\nSeries 4: Bills. 4 Volumes. 1920-1932. Financial Records detailing payments received on various accounts. Volumes titled Local Bills, Out-of-Town Bills, and Bills.","\nSeries 5: Cremation Records. 4 Volumes. 1926-1949. These volumes contain the records of the cremation service operated by Carey Hand. The first crematorium to be located south of Cincinnati, Ohio and Washington, DC, it began operating in 1925. The records are in chronological order, with the first volume serving as an index. In addition, there is a folder with records of cremations stored in the vaults and those whose ashes were scattered.","\nSeries 6: Ambulance Records. 10 Volumes. January 1934-May 1955. These volumes contain the records of the ambulance service operated by Carey Hand. In addition to paid services, free ambulance service was offered to new mothers and babies from the hospital to their homes. One volume titled Veteran's Ambulance, 1948.","\nSeries 7: Storage Vault Records. 1 Volume. October 1935-October 1947. Records document individuals stored in Carey Hand storage vaults, listing the amount of time stored and payments on accounts.","\nSeries 8: Veteran's and Orlando Air Base Records. 1 Volume. January 1938-March 1952. Records are not indexed but are arranged in chronological order. These records contain death, burial and military service information for Central Florida Veteran's and Orlando Air Base Serviceman.","\nSeries 9: Miscellanea. 6 Folders. 1927-1947, 2003, Undated. Materials relating to the Carey Hand Funeral Home including brochures, disposition of ashes, newsclippings, miscellaneous ephemera, mule pendant, and samples of original wall coverings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fa577db5d45e49aa27c31d9ca4a94ebc\" label=\"Abstract\"\u003eContains records and ledgers on services provided at the Carey Hand Funeral Home. Materials include memoranda regarding the death and burial of deceased individuals, registers of the death, burial and payment information, plots in the Greenwood and Palm cemeteries, financial records, cremation records, ambulance service records, vault storage records, and Central Florida Veterans and Orlando Airbase Servicemen's death, burial, and military information. The records are particularly useful in historical and genealogical research on the Orlando and Central Florida area from 1891 to 1955.\u003c/abstract\u003e"],"abstract_tesim":["Contains records and ledgers on services provided at the Carey Hand Funeral Home. Materials include memoranda regarding the death and burial of deceased individuals, registers of the death, burial and payment information, plots in the Greenwood and Palm cemeteries, financial records, cremation records, ambulance service records, vault storage records, and Central Florida Veterans and Orlando Airbase Servicemen's death, burial, and military information. The records are particularly useful in historical and genealogical research on the Orlando and Central Florida area from 1891 to 1955."],"names_coll_ssim":["Greenwood Cemetery (Orlando, Fla.)","Palm Cemetery (Orlando, Fla.)"],"names_ssim":["UCF Special Collections","Carey Hand Funeral Home","Greenwood Cemetery (Orlando, Fla.)","Palm Cemetery (Orlando, Fla.)"],"corpname_ssim":["UCF Special Collections","Carey Hand Funeral Home","Greenwood Cemetery (Orlando, Fla.)","Palm Cemetery (Orlando, Fla.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":274,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857691873673216,"_root_":"e35b9770c12b98b283c97ed3","timestamp":"2026-07-16T08:02:10.387Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/e35b9770c12b98b283c97ed3_aspace_77815"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Office of the President, 1883-1957","value":"Office of the President, 1883-1957","hits":170},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Office+of+the+President%2C+1883-1957\u0026f%5Bdate_range%5D%5B%5D=1934"}},{"attributes":{"label":"Michael A. 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