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Mélanie Edwards Collection, 1910-1988","/repositories/3/archival_objects/9247"],"component_level_isim":[1],"parent_ids_ssim":["2d94fe877ac9ba8d0513782c"],"parent_unittitles_ssm":["K. Mélanie Edwards Collection, 1910-1988"],"parent_unittitles_tesim":["K. Mélanie Edwards Collection, 1910-1988"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/9247"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["K. Mélanie Edwards Collection, 1910-1988"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":33,"parent_access_restrict_tesm":["The collection is open for research by appointment only. 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Mildred attended the Ethical Culture and Fieldston Schools and upon graduation, attended the Ethical Culture School's Teacher Training Department. As the first African American graduate of the program, Mildred met resistance when seeking a teaching position. In 1934, at the age of twenty, Mildred founded her own private school in New York City, The Modern School, to fill the gap of educational opportunities afforded to the African American community. ","Mélanie also graduated from the Ethical Culture and Fieldston Schools. She worked with her mother at The Modern School where she taught and served as the Director of Curriculum Development. During her 40-year career as an educator, Mélanie also worked at Fordham University, the Schomburg Library, and the East Harlem Council for Community Improvement.","This collection consists of family materials collected by Mildred Edwards née Johnson. The collection is divided into four series:","Series 1 – Ephemera includes a J. 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Mélanie Edwards, 2015-02-03."],"has_online_content_ssim":["false"],"extent_ssm":["2.00 boxes One (1) document case and one (1) flat oversized box"],"extent_tesim":["2.00 boxes One (1) document case and one (1) flat oversized box"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eK. M\u0026#xE9;lanie Edwards is the only child of Mildred and Hedley Vivian Edwards. Her mother, Mildred Edwards n\u0026#xE9;e Johnson, was the only child of John Rosamond and Nora Floyd Johnson. John Rosamond Johnson and his brother James Weldon Johnston were born in Jacksonville, Florida. They were both composers and educators and are known for their collaborative anthem \"Lift Every Voice and Sing.\" \u003c/p\u003e\n","\u003cp\u003eM\u0026#xE9;lanie's mother Mildred was born in Jacksonville in 1914, and grew up in New York City. Mildred attended the Ethical Culture and Fieldston Schools and upon graduation, attended the Ethical Culture School's Teacher Training Department. As the first African American graduate of the program, Mildred met resistance when seeking a teaching position. In 1934, at the age of twenty, Mildred founded her own private school in New York City, The Modern School, to fill the gap of educational opportunities afforded to the African American community. \u003c/p\u003e\n","\u003cp\u003eM\u0026#xE9;lanie also graduated from the Ethical Culture and Fieldston Schools. She worked with her mother at The Modern School where she taught and served as the Director of Curriculum Development. During her 40-year career as an educator, M\u0026#xE9;lanie also worked at Fordham University, the Schomburg Library, and the East Harlem Council for Community Improvement.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["K. Mélanie Edwards is the only child of Mildred and Hedley Vivian Edwards. Her mother, Mildred Edwards née Johnson, was the only child of John Rosamond and Nora Floyd Johnson. John Rosamond Johnson and his brother James Weldon Johnston were born in Jacksonville, Florida. They were both composers and educators and are known for their collaborative anthem \"Lift Every Voice and Sing.\" ","Mélanie's mother Mildred was born in Jacksonville in 1914, and grew up in New York City. Mildred attended the Ethical Culture and Fieldston Schools and upon graduation, attended the Ethical Culture School's Teacher Training Department. As the first African American graduate of the program, Mildred met resistance when seeking a teaching position. In 1934, at the age of twenty, Mildred founded her own private school in New York City, The Modern School, to fill the gap of educational opportunities afforded to the African American community. ","Mélanie also graduated from the Ethical Culture and Fieldston Schools. She worked with her mother at The Modern School where she taught and served as the Director of Curriculum Development. During her 40-year career as an educator, Mélanie also worked at Fordham University, the Schomburg Library, and the East Harlem Council for Community Improvement."],"prefercite_html_tesm":["\u003cp\u003eK. M\u0026#xE9;lanie Edwards Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["K. Mélanie Edwards Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of family materials collected by Mildred Edwards n\u0026#xE9;e Johnson. The collection is divided into four series:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2013; Ephemera includes a J. Rosamond Johnson calling card, a U.S. War Bonds paper sleeve, a key to the City of Jacksonville, and a felt silverware caddy from Greenleaf and Crosby Co.\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2013; Newspaper Articles consists of four articles about J. Rosamond and James Weldon Johnson.\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2013; Photographs has a number of family photographs, mostly from the early 1910s. The majority of the photographs are not labeled or dated.\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2013; Sheet Music includes one piece of sheet music by J. Rosamond Johnson. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of family materials collected by Mildred Edwards née Johnson. The collection is divided into four series:","Series 1 – Ephemera includes a J. Rosamond Johnson calling card, a U.S. War Bonds paper sleeve, a key to the City of Jacksonville, and a felt silverware caddy from Greenleaf and Crosby Co.","Series 2 – Newspaper Articles consists of four articles about J. Rosamond and James Weldon Johnson.","Series 3 – Photographs has a number of family photographs, mostly from the early 1910s. The majority of the photographs are not labeled or dated.","Series 4 – Sheet Music includes one piece of sheet music by J. Rosamond Johnson. "],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":34,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860571755151360,"_root_":"2d94fe877ac9ba8d0513782c","timestamp":"2026-07-16T08:47:56.859Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2d94fe877ac9ba8d0513782c_aspace_fd20abda119cd1fe7595d6667c593ce8"}},{"id":"5e17dda97e7549e9d9b40539_aspace_cd5ac92ba400e0818dc3f8463a77f8d6","type":"Subseries","attributes":{"title":"Sheet Music, Circa 1912-1972","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_cd5ac92ba400e0818dc3f8463a77f8d6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_cd5ac92ba400e0818dc3f8463a77f8d6","ref_ssm":["aspace_cd5ac92ba400e0818dc3f8463a77f8d6","aspace_cd5ac92ba400e0818dc3f8463a77f8d6"],"id":"5e17dda97e7549e9d9b40539_aspace_cd5ac92ba400e0818dc3f8463a77f8d6","title_filing_ssi":"Sheet Music","title_ssm":["Sheet Music"],"title_tesim":["Sheet Music"],"unitdate_inclusive_ssm":["Circa 1912-1972"],"normalized_date_ssm":["Circa 1912-1972"],"normalized_title_ssm":["Sheet Music, Circa 1912-1972"],"text":["Sheet Music, Circa 1912-1972","Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials","/repositories/2/archival_objects/6325","Notated music"],"component_level_isim":[2],"parent_ids_ssim":["5e17dda97e7549e9d9b40539","5e17dda97e7549e9d9b40539_aspace_ced9b0ebeee47c9fad9a3053c0bdb162"],"parent_unittitles_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials"],"parent_unittitles_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/6325"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":12,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":1498,"parent_access_restrict_tesm":["The Dorothy Porter Wesley Collection is open for research."],"date_range_isim":[1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972],"access_subjects_ssim":["Notated music"],"access_subjects_ssm":["Notated music"],"_nest_path_":"/components#5/components#6","_nest_parent_":"5e17dda97e7549e9d9b40539_aspace_ced9b0ebeee47c9fad9a3053c0bdb162","_root_":"5e17dda97e7549e9d9b40539","_version_":1871563605913108480,"timestamp":"2026-07-24T03:02:22.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5e17dda97e7549e9d9b40539","title_filing_ssi":"Wesley, Dorothy Porter Collection","title_ssm":["Dorothy Porter Wesley Collection"],"title_tesim":["Dorothy Porter Wesley Collection"],"ead_ssi":"5e17dda97e7549e9d9b40539","unitdate_ssm":["Circa 1788-2012"],"unitdate_inclusive_ssm":["Circa 1788-2012"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2003.6","/repositories/2/resources/20"],"text":["AARLCC.2003.6","/repositories/2/resources/20","Dorothy Porter Wesley Collection, Circa 1788-2012","Africa -- Research","Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art","The Dorothy Porter Wesley Collection is open for research.","View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.","The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets","Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.","The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.","Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".","The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.","AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970","English Portuguese German"],"unitid_tesim":["AARLCC.2003.6","/repositories/2/resources/20"],"normalized_date_ssm":["Circa 1788-2012"],"normalized_title_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_title_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Africa -- Research"],"geogname_ssim":["Africa -- Research"],"places_ssim":["Africa -- Research"],"acqinfo_ssim":["Broward County Library purchased the materials from Constance Porter Uzelac (daughter of Dorothy Porter Wesley) in December 2002 (Accession AARLCC-2003.6). Milan Uzelac donated accruals to AARLCC Special Collections on June 29, 2012 (Accession AARLCC-2012.12) and on May 12, 2022 (Accession AARLCC-2022.7)."],"access_subjects_ssim":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"access_subjects_ssm":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes","2800 Books"],"extent_tesim":["67 Hollinger Boxes","2800 Books"],"genreform_ssim":["Photographs","Sound recordings","Correspondence","Art"],"date_range_isim":[1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Dorothy Porter Wesley Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll37/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series and sub-series:\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries I. Correspondence\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. General Correspondence\u003c/p\u003e","\u003cp\u003eSub-series II. Family Correspondence\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries II. Professional Papers\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley professional papers\u003c/p\u003e","\u003cp\u003eSub-series II. Constance Porter Uzelac professional papers \u003c/p\u003e","\u003cp\u003eSub-series III. Charles Harris Wesley professional papers \u003c/p\u003e","\u003cp\u003eSub-series IV. Writings by Dorothy Porter Wesley\u003c/p\u003e","\u003cp\u003eSub-series V. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VI. Writings by James A. Porter\u003c/p\u003e","\u003cp\u003eSub-series VII. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VIII. Writings by Charles Harris Wesley \u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries III. Research Files\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley general research files\u003c/p\u003e","\u003cp\u003eSub-series II. Dorothy Porter Wesley Brazil research files\u003c/p\u003e","\u003cp\u003eSub-series III. Dorothy Porter Wesley illustrations\u003c/p\u003e","\u003cp\u003eSub-series IV. Constance Porter Uzelac research files\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries IV. Personal Papers\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries V. Photographs\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries VI. Printed Materials\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Calendars and Datebooks\u003c/p\u003e","\u003cp\u003eSub-series II. Catalogs\u003c/p\u003e","\u003cp\u003eSub-series III. General\u003c/p\u003e","\u003cp\u003eSub-series IV. Magazines\u003c/p\u003e","\u003cp\u003eSub-series V. Maps\u003c/p\u003e","\u003cp\u003eSub-series VI. Newspaper Clippings\u003c/p\u003e","\u003cp\u003eSub-series VII. Sheet Music\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries VII. Ephemera and Artwork\u003c/p\u003e\u003c/b\u003e","\u003cp\u003e\u003cb\u003eSeries VIII. Books and Pamphlets\u003c/b\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets"],"bioghist_html_tesm":["\u003cp\u003eDorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. \u003c/p\u003e\n","\u003cp\u003eIn 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work, \u003cemph\u003eModern Negro Art\u003c/emph\u003e, proved to be one of the most informative sources to date on the creativity of the Black artists.\u003c/p\u003e\n","\u003cp\u003eIn 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.\u003c/p\u003e\n","\u003cp\u003eJames Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. \u003c/p\u003e\n","\u003cp\u003eCharles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.\u003c/p\u003e\n","\u003cp\u003eIn 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.\u003c/p\u003e\n","\u003cp\u003eThe book \u003ci\u003eWilliam Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874\u003c/i\u003e (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.\u003c/p\u003e\n","\u003cp\u003eIn 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012."],"prefercite_html_tesm":["\u003cp\u003eDorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Dorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\n\u003ca href=\"https://archives.yale.edu/repositories/11/resources/994\" target=\"_blank\"\u003ePart of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.\u003c/a\u003e\n\u003c/p\u003e","\u003cp\u003e\n\u003ca href=\"https://archives.libraries.emory.edu/repositories/7/resources/3255\" target=\"_blank\"\u003eDorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.\u003c/a\u003e\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.\u003c/p\u003e\n","\u003cp\u003eCorrespondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.\u003c/p\u003e\n","\u003cp\u003eProfessional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.\u003c/p\u003e\n","\u003cp\u003eConstance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". \u003c/p\u003e\n","\u003cp\u003eThe collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.\u003c/p\u003e\n","\u003cp\u003eResearch files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.\u003c/p\u003e\n","\u003cp\u003ePrinted Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=DPW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_559c404160acc20bdc75d09cde3325a4\"\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets."],"names_ssim":["AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Wesley, Dorothy Porter, 1905-1995"],"persname_ssim":["Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"language_ssim":["English Portuguese German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1539,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563605913108480,"_root_":"5e17dda97e7549e9d9b40539","timestamp":"2026-07-24T03:02:22.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_cd5ac92ba400e0818dc3f8463a77f8d6"}},{"id":"aba7a5dffcfaf50e318f174b","type":"collection","attributes":{"title":"Sheldon Abend American Theater Collection, 1874-1968","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b#creator","type":"document_value","attributes":{"value":["Abend, Sheldon (1929-2003)"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"aba7a5dffcfaf50e318f174b","title_ssm":["Sheldon Abend American Theater Collection"],"title_tesim":["Sheldon Abend American Theater Collection"],"ead_ssi":"aba7a5dffcfaf50e318f174b","unitdate_ssm":["1874-1968"],"unitdate_inclusive_ssm":["1874-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC6030","/repositories/2/resources/37"],"text":["SPC6030","/repositories/2/resources/37","Sheldon Abend American Theater Collection, 1874-1968","Minstrel shows.","Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)","The collection is open for research.","Folders are organized in alphabetical order by author's name.","Sheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA.","Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture.","Related material to the collection may be found in the following repository. ","University of Miami Libraries, Special Collections.","American Play Company Collection","https://atom.library.miami.edu/asm0006","This collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003.","Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Abend, Sheldon (1929-2003)","English"],"unitid_tesim":["SPC6030","/repositories/2/resources/37"],"normalized_date_ssm":["1874-1968"],"normalized_title_ssm":["Sheldon Abend American Theater Collection, 1874-1968"],"collection_title_tesim":["Sheldon Abend American Theater Collection, 1874-1968"],"collection_ssim":["Sheldon Abend American Theater Collection, 1874-1968"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Minstrel shows."],"geogname_ssim":["Minstrel shows."],"creator_ssm":["Abend, Sheldon (1929-2003)"],"creator_ssim":["Abend, Sheldon (1929-2003)"],"creator_persname_ssim":["Abend, Sheldon (1929-2003)"],"creators_ssim":["Abend, Sheldon (1929-2003)"],"places_ssim":["Minstrel shows."],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. 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Berlow collection, 1934-1980, Date accessioned: 2019-10-07","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/8d020996372c911f5f24128a#creator","type":"document_value","attributes":{"value":["Berlow, Sheldon F., 1917-1991"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8d020996372c911f5f24128a#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection relates to Sheldon F. Berlow who served with the 352nd Fighter Group, 8th Air Force, as the chief public information officer. This collection contains letters, photographs, newspapers, and official documents from Sheldon F. Berlow's time in England and Belgium. Numerous photographs document the activities of the 352nd Fighter Group. 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Army Air Forces--Military life","United States. Air Force--History","World War, 1939-1945--Campaigns--Europe","Courtship.","This collection is open to all researchers.","Sheldon F. Berlow was born on May 17, 1917 in Newark, New Jersey. He enlisted in the U.S. Army Air Force on December 9, 1942. He became a Public Relations Officer for the 352nd Fighter Group stationed in England. After the war he worked in an advertising in New York before moving to Florida where he entered realty. Sheldon F. Berlow was buried in Broward Country, Florida on January 6, 1991.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","This collection relates to Sheldon F. Berlow who served with the 352nd Fighter Group, 8th Air Force, as the chief public information officer. This collection contains letters, photographs, newspapers, and official documents from Sheldon F. Berlow's time in England and Belgium. 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Requests to view materials containing sensitive or private information require approval from a representative of the Hillsborough County Sheriff's Office.","Materials are arranged by identifiers assigned by the USF Institute for Digital Exploration rather than by subject. To access materials related to a specific research topic, please contact USF Special Collections to schedule a consultation. Staff can assist with browsing the database and locating identifiers associated with particular subjects, time periods, individuals, incidents, and related topics.","The Hillsborough County Sheriff's Office (HCSO) is one of Florida's oldest continuously operating law enforcement agencies. Established in 1845, the same year Florida became a state, the agency provides law enforcement services throughout Hillsborough County, including Tampa, Plant City, Temple Terrace, and the county's many unincorporated communities. Over nearly two centuries, the sheriff's office has evolved from a frontier-era operation into one of the largest and most technologically advanced law enforcement agencies in the state.","The Hillsborough County Sheriff's Office was created following legislation passed by the Florida Legislature requiring each county in the newly admitted state to elect a sheriff. At the time, Hillsborough County had only 47 eligible voters. John Parker, a captain during the Seminole Indian Wars, became the county's first sheriff in 1845. Parker effectively operated as a one-man department and also served as the county's ex-officio tax collector.","In 1847, John Irving Hooker was elected sheriff, and by 1848 the county constructed its first jail, at a time when Tampa's population was only about 100 residents. The office gradually expanded as the county grew. Deputies were not officially added until 1857 during the administration of Sheriff Henry Parker. Three years later, under Sheriff William S. Spencer, a new jailhouse was built on Jefferson Street in 1860 to accommodate the county's increasing population and legal demands.","During the late nineteenth century, the sheriff's office reflected broader social changes taking place across Florida and the South. In 1895, Sheriff Thomas K. Spencer deputized Levin Arwood as the first Black deputy sheriff in Hillsborough County, marking a significant milestone in the agency's history. The county continued to modernize into the twentieth century, and in May 1926 a new Hillsborough County Jail opened on Pierce Street under Sheriff Luther M. Heirs.","Additional changes followed in the decades ahead. In 1929, under Sheriff Luther Hatton, Eleanor E. Robinson became the first female deputy sheriff employed by the agency, representing another important step in the department's diversification.","In 1941, Hugh Culbreath was elected sheriff and established the agency's first substation in Plant City to better serve eastern Hillsborough County. He also became the first sheriff in 53 years to win reelection when he secured a second term in 1944. In 1961, Sheriff Ed Blackburn implemented the agency's first marine unit, featuring a patrol boat known as the \"Keystone Cop.\"","During the tenure of Sheriff Malcolm Beard from 1965 to 1978, the agency established the Mounted Posse, created the School Crossing Guard program, and opened the new Morgan Street Jail in 1965. Under Sheriff Walter Heinrich, the Hillsborough County Sheriff's Office became the first sheriff's office in the southeastern United States and the third in the nation to earn accreditation from the Commission on Accreditation for Law Enforcement Agencies (CALEA). In 1991, the agency became the first sheriff's office in the country to receive \"unconditional\" reaccreditation.","Throughout the twentieth and twenty-first centuries, the Hillsborough County Sheriff's Office expanded alongside the rapid growth of the Tampa Bay region. What began as a frontier law enforcement office evolved into a full-service agency responsible for patrol operations, criminal investigations, detention services, courthouse security, aviation and marine operations, emergency response, and numerous community programs. Under current Sheriff Chad Chronister, the agency partnered with University of South Florida's Institute for Digital Exploration to digitize and preserve thousands of historical records dating back to the nineteenth century. These records are now housed in the university's Special Collections Library in Tampa.","References: ","Hillsborough County Sheriff's Office: 150 Years, 1845-1995. 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(2023) University of South Florida.","Historical records, photographs, scrapbooks and training materials from the Hillsborough County Sheriff's Office.","Artifacts and various documents and photographs are on display at the HCSO History Museum.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","USF Libraries - Tampa Special Collections","Hillsborough County Sheriff's Office","Chronister, Chad","English"],"unitid_tesim":["MS.2026.04","/repositories/2/resources/740"],"normalized_date_ssm":["1920-2000"],"normalized_title_ssm":["Sheriff Chad Chronister Hillsborough County Sheriff's Office (HCSO) historical collection, 1920-2000"],"collection_title_tesim":["Sheriff Chad Chronister Hillsborough County Sheriff's Office (HCSO) historical collection, 1920-2000"],"collection_ssim":["Sheriff Chad Chronister Hillsborough County Sheriff's Office (HCSO) historical collection, 1920-2000"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Florida -- Politics and government","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History"],"geogname_ssim":["Florida -- Politics and government","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History"],"creator_ssm":["Hillsborough County Sheriff's Office","Chronister, Chad"],"creator_ssim":["Hillsborough County Sheriff's Office","Chronister, Chad"],"creator_persname_ssim":["Chronister, Chad"],"creator_corpname_ssim":["Hillsborough County Sheriff's Office"],"creators_ssim":["Chronister, Chad","Hillsborough County Sheriff's Office"],"places_ssim":["Florida -- Politics and government","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"access_subjects_ssim":["Crime and criminals -- Florida","Correctional institutions","Jails"],"access_subjects_ssm":["Crime and criminals -- Florida","Correctional institutions","Jails"],"has_online_content_ssim":["false"],"extent_ssm":["130 Linear Feet","175 boxes"],"extent_tesim":["130 Linear Feet","175 boxes"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is currently accessible only in our reading room. 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Under Sheriff Walter Heinrich, the Hillsborough County Sheriff's Office became the first sheriff's office in the southeastern United States and the third in the nation to earn accreditation from the Commission on Accreditation for Law Enforcement Agencies (CALEA). In 1991, the agency became the first sheriff's office in the country to receive \"unconditional\" reaccreditation.\u003c/p\u003e\n","\u003cp\u003eThroughout the twentieth and twenty-first centuries, the Hillsborough County Sheriff's Office expanded alongside the rapid growth of the Tampa Bay region. What began as a frontier law enforcement office evolved into a full-service agency responsible for patrol operations, criminal investigations, detention services, courthouse security, aviation and marine operations, emergency response, and numerous community programs. 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Established in 1845, the same year Florida became a state, the agency provides law enforcement services throughout Hillsborough County, including Tampa, Plant City, Temple Terrace, and the county's many unincorporated communities. Over nearly two centuries, the sheriff's office has evolved from a frontier-era operation into one of the largest and most technologically advanced law enforcement agencies in the state.","The Hillsborough County Sheriff's Office was created following legislation passed by the Florida Legislature requiring each county in the newly admitted state to elect a sheriff. At the time, Hillsborough County had only 47 eligible voters. John Parker, a captain during the Seminole Indian Wars, became the county's first sheriff in 1845. Parker effectively operated as a one-man department and also served as the county's ex-officio tax collector.","In 1847, John Irving Hooker was elected sheriff, and by 1848 the county constructed its first jail, at a time when Tampa's population was only about 100 residents. The office gradually expanded as the county grew. Deputies were not officially added until 1857 during the administration of Sheriff Henry Parker. Three years later, under Sheriff William S. Spencer, a new jailhouse was built on Jefferson Street in 1860 to accommodate the county's increasing population and legal demands.","During the late nineteenth century, the sheriff's office reflected broader social changes taking place across Florida and the South. In 1895, Sheriff Thomas K. Spencer deputized Levin Arwood as the first Black deputy sheriff in Hillsborough County, marking a significant milestone in the agency's history. The county continued to modernize into the twentieth century, and in May 1926 a new Hillsborough County Jail opened on Pierce Street under Sheriff Luther M. Heirs.","Additional changes followed in the decades ahead. In 1929, under Sheriff Luther Hatton, Eleanor E. Robinson became the first female deputy sheriff employed by the agency, representing another important step in the department's diversification.","In 1941, Hugh Culbreath was elected sheriff and established the agency's first substation in Plant City to better serve eastern Hillsborough County. He also became the first sheriff in 53 years to win reelection when he secured a second term in 1944. In 1961, Sheriff Ed Blackburn implemented the agency's first marine unit, featuring a patrol boat known as the \"Keystone Cop.\"","During the tenure of Sheriff Malcolm Beard from 1965 to 1978, the agency established the Mounted Posse, created the School Crossing Guard program, and opened the new Morgan Street Jail in 1965. Under Sheriff Walter Heinrich, the Hillsborough County Sheriff's Office became the first sheriff's office in the southeastern United States and the third in the nation to earn accreditation from the Commission on Accreditation for Law Enforcement Agencies (CALEA). In 1991, the agency became the first sheriff's office in the country to receive \"unconditional\" reaccreditation.","Throughout the twentieth and twenty-first centuries, the Hillsborough County Sheriff's Office expanded alongside the rapid growth of the Tampa Bay region. What began as a frontier law enforcement office evolved into a full-service agency responsible for patrol operations, criminal investigations, detention services, courthouse security, aviation and marine operations, emergency response, and numerous community programs. Under current Sheriff Chad Chronister, the agency partnered with University of South Florida's Institute for Digital Exploration to digitize and preserve thousands of historical records dating back to the nineteenth century. These records are now housed in the university's Special Collections Library in Tampa.","References: ","Hillsborough County Sheriff's Office: 150 Years, 1845-1995. (1995)","Hillsborough County Sheriff's Office, Partnership: Institute of Digital Exploration. (2023) University of South Florida."],"scopecontent_html_tesm":["\u003cp\u003eHistorical records, photographs, scrapbooks and training materials from the Hillsborough County Sheriff's Office.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Historical records, photographs, scrapbooks and training materials from the Hillsborough County Sheriff's Office."],"separatedmaterial_html_tesm":["\u003cp\u003eArtifacts and various documents and photographs are on display at the HCSO History Museum.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Artifacts and various documents and photographs are on display at the HCSO History Museum."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Hillsborough County Sheriff's Office","Chronister, Chad"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Hillsborough County Sheriff's Office"],"names_coll_ssim":["Chronister, Chad"],"persname_ssim":["Chronister, Chad"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":452,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1878381912655921152,"_root_":"89a014763df1a74a641b88b7","timestamp":"2026-10-07T09:16:26.495Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"89a014763df1a74a641b88b7","title_ssm":["Sheriff Chad Chronister Hillsborough County Sheriff's Office (HCSO) historical collection"],"title_tesim":["Sheriff Chad Chronister Hillsborough County Sheriff's Office (HCSO) historical collection"],"ead_ssi":"89a014763df1a74a641b88b7","unitdate_ssm":["1920-2000"],"unitdate_inclusive_ssm":["1920-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.2026.04","/repositories/2/resources/740"],"text":["MS.2026.04","/repositories/2/resources/740","Sheriff Chad Chronister Hillsborough County Sheriff's Office (HCSO) historical collection, 1920-2000","Florida -- Politics and government","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","Crime and criminals -- Florida","Correctional institutions","Jails","This collection is currently accessible only in our reading room. Requests to view materials containing sensitive or private information require approval from a representative of the Hillsborough County Sheriff's Office.","Materials are arranged by identifiers assigned by the USF Institute for Digital Exploration rather than by subject. To access materials related to a specific research topic, please contact USF Special Collections to schedule a consultation. Staff can assist with browsing the database and locating identifiers associated with particular subjects, time periods, individuals, incidents, and related topics.","The Hillsborough County Sheriff's Office (HCSO) is one of Florida's oldest continuously operating law enforcement agencies. Established in 1845, the same year Florida became a state, the agency provides law enforcement services throughout Hillsborough County, including Tampa, Plant City, Temple Terrace, and the county's many unincorporated communities. Over nearly two centuries, the sheriff's office has evolved from a frontier-era operation into one of the largest and most technologically advanced law enforcement agencies in the state.","The Hillsborough County Sheriff's Office was created following legislation passed by the Florida Legislature requiring each county in the newly admitted state to elect a sheriff. At the time, Hillsborough County had only 47 eligible voters. John Parker, a captain during the Seminole Indian Wars, became the county's first sheriff in 1845. Parker effectively operated as a one-man department and also served as the county's ex-officio tax collector.","In 1847, John Irving Hooker was elected sheriff, and by 1848 the county constructed its first jail, at a time when Tampa's population was only about 100 residents. The office gradually expanded as the county grew. Deputies were not officially added until 1857 during the administration of Sheriff Henry Parker. Three years later, under Sheriff William S. Spencer, a new jailhouse was built on Jefferson Street in 1860 to accommodate the county's increasing population and legal demands.","During the late nineteenth century, the sheriff's office reflected broader social changes taking place across Florida and the South. In 1895, Sheriff Thomas K. Spencer deputized Levin Arwood as the first Black deputy sheriff in Hillsborough County, marking a significant milestone in the agency's history. The county continued to modernize into the twentieth century, and in May 1926 a new Hillsborough County Jail opened on Pierce Street under Sheriff Luther M. Heirs.","Additional changes followed in the decades ahead. In 1929, under Sheriff Luther Hatton, Eleanor E. Robinson became the first female deputy sheriff employed by the agency, representing another important step in the department's diversification.","In 1941, Hugh Culbreath was elected sheriff and established the agency's first substation in Plant City to better serve eastern Hillsborough County. He also became the first sheriff in 53 years to win reelection when he secured a second term in 1944. In 1961, Sheriff Ed Blackburn implemented the agency's first marine unit, featuring a patrol boat known as the \"Keystone Cop.\"","During the tenure of Sheriff Malcolm Beard from 1965 to 1978, the agency established the Mounted Posse, created the School Crossing Guard program, and opened the new Morgan Street Jail in 1965. Under Sheriff Walter Heinrich, the Hillsborough County Sheriff's Office became the first sheriff's office in the southeastern United States and the third in the nation to earn accreditation from the Commission on Accreditation for Law Enforcement Agencies (CALEA). In 1991, the agency became the first sheriff's office in the country to receive \"unconditional\" reaccreditation.","Throughout the twentieth and twenty-first centuries, the Hillsborough County Sheriff's Office expanded alongside the rapid growth of the Tampa Bay region. What began as a frontier law enforcement office evolved into a full-service agency responsible for patrol operations, criminal investigations, detention services, courthouse security, aviation and marine operations, emergency response, and numerous community programs. Under current Sheriff Chad Chronister, the agency partnered with University of South Florida's Institute for Digital Exploration to digitize and preserve thousands of historical records dating back to the nineteenth century. These records are now housed in the university's Special Collections Library in Tampa.","References: ","Hillsborough County Sheriff's Office: 150 Years, 1845-1995. 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(2023) University of South Florida.","Historical records, photographs, scrapbooks and training materials from the Hillsborough County Sheriff's Office.","Artifacts and various documents and photographs are on display at the HCSO History Museum.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","USF Libraries - Tampa Special Collections","Hillsborough County Sheriff's Office","Chronister, Chad","English"],"unitid_tesim":["MS.2026.04","/repositories/2/resources/740"],"normalized_date_ssm":["1920-2000"],"normalized_title_ssm":["Sheriff Chad Chronister Hillsborough County Sheriff's Office (HCSO) historical collection, 1920-2000"],"collection_title_tesim":["Sheriff Chad Chronister Hillsborough County Sheriff's Office (HCSO) historical collection, 1920-2000"],"collection_ssim":["Sheriff Chad Chronister Hillsborough County Sheriff's Office (HCSO) historical collection, 1920-2000"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Florida -- Politics and government","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History"],"geogname_ssim":["Florida -- Politics and government","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History"],"creator_ssm":["Hillsborough County Sheriff's Office","Chronister, Chad"],"creator_ssim":["Hillsborough County Sheriff's Office","Chronister, Chad"],"creator_persname_ssim":["Chronister, Chad"],"creator_corpname_ssim":["Hillsborough County Sheriff's Office"],"creators_ssim":["Chronister, Chad","Hillsborough County Sheriff's Office"],"places_ssim":["Florida -- Politics and government","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"access_subjects_ssim":["Crime and criminals -- Florida","Correctional institutions","Jails"],"access_subjects_ssm":["Crime and criminals -- Florida","Correctional institutions","Jails"],"has_online_content_ssim":["false"],"extent_ssm":["130 Linear Feet","175 boxes"],"extent_tesim":["130 Linear Feet","175 boxes"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is currently accessible only in our reading room. 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Over nearly two centuries, the sheriff's office has evolved from a frontier-era operation into one of the largest and most technologically advanced law enforcement agencies in the state.\u003c/p\u003e\n","\u003cp\u003eThe Hillsborough County Sheriff's Office was created following legislation passed by the Florida Legislature requiring each county in the newly admitted state to elect a sheriff. At the time, Hillsborough County had only 47 eligible voters. John Parker, a captain during the Seminole Indian Wars, became the county's first sheriff in 1845. Parker effectively operated as a one-man department and also served as the county's ex-officio tax collector.\u003c/p\u003e\n","\u003cp\u003eIn 1847, John Irving Hooker was elected sheriff, and by 1848 the county constructed its first jail, at a time when Tampa's population was only about 100 residents. The office gradually expanded as the county grew. 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Under Sheriff Walter Heinrich, the Hillsborough County Sheriff's Office became the first sheriff's office in the southeastern United States and the third in the nation to earn accreditation from the Commission on Accreditation for Law Enforcement Agencies (CALEA). In 1991, the agency became the first sheriff's office in the country to receive \"unconditional\" reaccreditation.\u003c/p\u003e\n","\u003cp\u003eThroughout the twentieth and twenty-first centuries, the Hillsborough County Sheriff's Office expanded alongside the rapid growth of the Tampa Bay region. What began as a frontier law enforcement office evolved into a full-service agency responsible for patrol operations, criminal investigations, detention services, courthouse security, aviation and marine operations, emergency response, and numerous community programs. Under current Sheriff Chad Chronister, the agency partnered with University of South Florida's Institute for Digital Exploration to digitize and preserve thousands of historical records dating back to the nineteenth century. These records are now housed in the university's Special Collections Library in Tampa.\u003c/p\u003e\n","\u003cp\u003eReferences: \u003c/p\u003e\n","\u003cp\u003eHillsborough County Sheriff's Office: 150 Years, 1845-1995. (1995)\u003c/p\u003e\n","\u003cp\u003eHillsborough County Sheriff's Office, Partnership: Institute of Digital Exploration. (2023) University of South Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Hillsborough County Sheriff's Office (HCSO) is one of Florida's oldest continuously operating law enforcement agencies. Established in 1845, the same year Florida became a state, the agency provides law enforcement services throughout Hillsborough County, including Tampa, Plant City, Temple Terrace, and the county's many unincorporated communities. Over nearly two centuries, the sheriff's office has evolved from a frontier-era operation into one of the largest and most technologically advanced law enforcement agencies in the state.","The Hillsborough County Sheriff's Office was created following legislation passed by the Florida Legislature requiring each county in the newly admitted state to elect a sheriff. At the time, Hillsborough County had only 47 eligible voters. John Parker, a captain during the Seminole Indian Wars, became the county's first sheriff in 1845. Parker effectively operated as a one-man department and also served as the county's ex-officio tax collector.","In 1847, John Irving Hooker was elected sheriff, and by 1848 the county constructed its first jail, at a time when Tampa's population was only about 100 residents. The office gradually expanded as the county grew. Deputies were not officially added until 1857 during the administration of Sheriff Henry Parker. Three years later, under Sheriff William S. Spencer, a new jailhouse was built on Jefferson Street in 1860 to accommodate the county's increasing population and legal demands.","During the late nineteenth century, the sheriff's office reflected broader social changes taking place across Florida and the South. In 1895, Sheriff Thomas K. Spencer deputized Levin Arwood as the first Black deputy sheriff in Hillsborough County, marking a significant milestone in the agency's history. The county continued to modernize into the twentieth century, and in May 1926 a new Hillsborough County Jail opened on Pierce Street under Sheriff Luther M. Heirs.","Additional changes followed in the decades ahead. In 1929, under Sheriff Luther Hatton, Eleanor E. Robinson became the first female deputy sheriff employed by the agency, representing another important step in the department's diversification.","In 1941, Hugh Culbreath was elected sheriff and established the agency's first substation in Plant City to better serve eastern Hillsborough County. He also became the first sheriff in 53 years to win reelection when he secured a second term in 1944. In 1961, Sheriff Ed Blackburn implemented the agency's first marine unit, featuring a patrol boat known as the \"Keystone Cop.\"","During the tenure of Sheriff Malcolm Beard from 1965 to 1978, the agency established the Mounted Posse, created the School Crossing Guard program, and opened the new Morgan Street Jail in 1965. Under Sheriff Walter Heinrich, the Hillsborough County Sheriff's Office became the first sheriff's office in the southeastern United States and the third in the nation to earn accreditation from the Commission on Accreditation for Law Enforcement Agencies (CALEA). In 1991, the agency became the first sheriff's office in the country to receive \"unconditional\" reaccreditation.","Throughout the twentieth and twenty-first centuries, the Hillsborough County Sheriff's Office expanded alongside the rapid growth of the Tampa Bay region. What began as a frontier law enforcement office evolved into a full-service agency responsible for patrol operations, criminal investigations, detention services, courthouse security, aviation and marine operations, emergency response, and numerous community programs. Under current Sheriff Chad Chronister, the agency partnered with University of South Florida's Institute for Digital Exploration to digitize and preserve thousands of historical records dating back to the nineteenth century. These records are now housed in the university's Special Collections Library in Tampa.","References: ","Hillsborough County Sheriff's Office: 150 Years, 1845-1995. (1995)","Hillsborough County Sheriff's Office, Partnership: Institute of Digital Exploration. 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