{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1932\u0026page=221","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1932\u0026page=220","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1932\u0026page=222","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1932\u0026page=247"},"meta":{"pages":{"current_page":221,"next_page":222,"prev_page":220,"total_pages":247,"limit_value":10,"offset_value":2200,"total_count":2463,"first_page?":false,"last_page?":false}},"data":[{"id":"d080e65ff7ab7b5f7f86b99e_aspace_70c65bd68b2de5c92761a0e6751f723a","type":"File","attributes":{"title":"Teachers and Salaries, 1930-1951","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d080e65ff7ab7b5f7f86b99e_aspace_70c65bd68b2de5c92761a0e6751f723a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_70c65bd68b2de5c92761a0e6751f723a","ref_ssm":["aspace_70c65bd68b2de5c92761a0e6751f723a","aspace_70c65bd68b2de5c92761a0e6751f723a"],"id":"d080e65ff7ab7b5f7f86b99e_aspace_70c65bd68b2de5c92761a0e6751f723a","title_filing_ssi":"Teachers and Salaries","title_ssm":["Teachers and Salaries"],"title_tesim":["Teachers and Salaries"],"unitdate_inclusive_ssm":["1930-1951"],"normalized_date_ssm":["1930-1951"],"normalized_title_ssm":["Teachers and Salaries, 1930-1951"],"text":["Teachers and Salaries, 1930-1951","Ulrich J. Bennett Collection, Circa 1926-1963","School board records","/repositories/4/archival_objects/2142","box 1","folder 31"],"component_level_isim":[2],"parent_ids_ssim":["d080e65ff7ab7b5f7f86b99e","d080e65ff7ab7b5f7f86b99e_aspace_e4c02a98273a445bbbc75f3e77a2e8dd"],"parent_unittitles_ssm":["Ulrich J. Bennett Collection, Circa 1926-1963","School board records"],"parent_unittitles_tesim":["Ulrich J. Bennett Collection, Circa 1926-1963","School board records"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/4/archival_objects/2142"],"repository_ssim":["Broward County Historical Archives"],"collection_ssim":["Ulrich J. 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Bennett Collection"],"ead_ssi":"d080e65ff7ab7b5f7f86b99e","unitdate_ssm":["Circa 1926-1963"],"unitdate_inclusive_ssm":["Circa 1926-1963"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.2003.10","/repositories/4/resources/94"],"text":["BCHA.2003.10","/repositories/4/resources/94","Ulrich J. Bennett Collection, Circa 1926-1963","Fort Lauderdale (Fla.)","Broward County (Fla.)","Hurricanes","Segregation in education","School buildings","Teachers","The Bennett Collection is open for research.","Ulric Joseph Bennett was born in Georgia on August 28, 1888. He graduated from the University of Georgia and studied public school administration at the University of Chicago, the University of Michigan, and Columbia University. He taught in rural schools in Georgia and also taught mathematics and science at Piedmont College in Athens, Georgia. He was principal of several high schools and later Superintendent of Schools at Fitzgerald, Georgia, and Dalton, Georgia, before he arrived in Fort Lauderdale in 1926. Bennett was principal of the Fort Lauderdale Central Schools until 1931. Bennett served as the Superintendent of the Broward County School District from 1931-1952. To honor the Superintendent, the Bennett Elementary School opened in 1952. Bennett died in Leon, Florida on January 28, 1982.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Ulrich J. Bennett Collection contains books, postcards, photographs and records from the Broward County School system, circa 1926-1963. Content in this collection highlights the career of Ulrich Joseph Bennett, Superintendent of Broward County Schools. It also includes publications, postcards, and ephemera related to Fort Lauderdale."," Broward County Historical Archives","Ulrich J. Bennett (Ulrich Joseph)","English"],"unitid_tesim":["BCHA.2003.10","/repositories/4/resources/94"],"normalized_date_ssm":["Circa 1926-1963"],"normalized_title_ssm":["Ulrich J. Bennett Collection, Circa 1926-1963"],"collection_title_tesim":["Ulrich J. Bennett Collection, Circa 1926-1963"],"collection_ssim":["Ulrich J. Bennett Collection, Circa 1926-1963"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"geogname_ssm":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"geogname_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"places_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"access_subjects_ssim":["Hurricanes","Segregation in education","School buildings","Teachers"],"access_subjects_ssm":["Hurricanes","Segregation in education","School buildings","Teachers"],"has_online_content_ssim":["false"],"extent_ssm":["2 Hollinger Boxes"],"extent_tesim":["2 Hollinger Boxes"],"date_range_isim":[1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963],"accessrestrict_html_tesm":["\u003cp\u003eThe Bennett Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Bennett Collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eUlric Joseph Bennett was born in Georgia on August 28, 1888. He graduated from the University of Georgia and studied public school administration at the University of Chicago, the University of Michigan, and Columbia University. He taught in rural schools in Georgia and also taught mathematics and science at Piedmont College in Athens, Georgia. He was principal of several high schools and later Superintendent of Schools at Fitzgerald, Georgia, and Dalton, Georgia, before he arrived in Fort Lauderdale in 1926. Bennett was principal of the Fort Lauderdale Central Schools until 1931. Bennett served as the Superintendent of the Broward County School District from 1931-1952. To honor the Superintendent, the Bennett Elementary School opened in 1952. Bennett died in Leon, Florida on January 28, 1982.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ulric Joseph Bennett was born in Georgia on August 28, 1888. He graduated from the University of Georgia and studied public school administration at the University of Chicago, the University of Michigan, and Columbia University. He taught in rural schools in Georgia and also taught mathematics and science at Piedmont College in Athens, Georgia. He was principal of several high schools and later Superintendent of Schools at Fitzgerald, Georgia, and Dalton, Georgia, before he arrived in Fort Lauderdale in 1926. Bennett was principal of the Fort Lauderdale Central Schools until 1931. Bennett served as the Superintendent of the Broward County School District from 1931-1952. To honor the Superintendent, the Bennett Elementary School opened in 1952. Bennett died in Leon, Florida on January 28, 1982."],"prefercite_html_tesm":["\u003cp\u003eUlrich J. Bennett Collection, Broward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Ulrich J. Bennett Collection, Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Ulrich J. Bennett Collection contains books, postcards, photographs and records from the Broward County School system, circa 1926-1963. Content in this collection highlights the career of Ulrich Joseph Bennett, Superintendent of Broward County Schools. It also includes publications, postcards, and ephemera related to Fort Lauderdale.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ulrich J. Bennett Collection contains books, postcards, photographs and records from the Broward County School system, circa 1926-1963. Content in this collection highlights the career of Ulrich Joseph Bennett, Superintendent of Broward County Schools. It also includes publications, postcards, and ephemera related to Fort Lauderdale."],"names_ssim":[" Broward County Historical Archives","Ulrich J. Bennett (Ulrich Joseph)"],"corpname_ssim":[" Broward County Historical Archives"],"names_coll_ssim":["Ulrich J. Bennett (Ulrich Joseph)"],"persname_ssim":["Ulrich J. Bennett (Ulrich Joseph)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":61,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1873196202281926656,"_root_":"d080e65ff7ab7b5f7f86b99e","timestamp":"2026-08-11T03:31:47.705Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d080e65ff7ab7b5f7f86b99e_aspace_70c65bd68b2de5c92761a0e6751f723a"}},{"id":"236a3c88b766327883b2e155_aspace_f4cbaf0a35bfb31e329f93b3e30702ca","type":"File","attributes":{"title":"Teaching, 1923–1937","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_f4cbaf0a35bfb31e329f93b3e30702ca#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_f4cbaf0a35bfb31e329f93b3e30702ca","ref_ssm":["aspace_f4cbaf0a35bfb31e329f93b3e30702ca","aspace_f4cbaf0a35bfb31e329f93b3e30702ca"],"id":"236a3c88b766327883b2e155_aspace_f4cbaf0a35bfb31e329f93b3e30702ca","title_filing_ssi":"Teaching","title_ssm":["Teaching"],"title_tesim":["Teaching"],"unitdate_inclusive_ssm":["1923–1937"],"normalized_date_ssm":["1923–1937"],"normalized_title_ssm":["Teaching, 1923–1937"],"text":["Teaching, 1923–1937","Joy Postle papers, 1910-2015","Personal Files, 1910–2015","Biographical documents","/repositories/4/archival_objects/87949","/repositories/4/archival_objects/91282","box 8","folder 89"],"component_level_isim":[3],"parent_ids_ssim":["236a3c88b766327883b2e155","236a3c88b766327883b2e155_aspace_5dbb28d34a5754be60933b8120ba5670","236a3c88b766327883b2e155_aspace_4f9133de605ca3ccd57cb12651bb5875"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015","Personal Files, 1910–2015","Biographical documents"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015","Personal Files, 1910–2015","Biographical documents"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/87949","/repositories/4/archival_objects/91282"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":399,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937],"containers_ssim":["box 8","folder 89"],"_nest_path_":"/components#3/components#1/components#0","_nest_parent_":"236a3c88b766327883b2e155_aspace_4f9133de605ca3ccd57cb12651bb5875","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_f4cbaf0a35bfb31e329f93b3e30702ca"}},{"id":"f0e8fabe2e0cb8f234720eae_aspace_259b10bb0683b91922770453cf5ff0d4","type":"File","attributes":{"title":"Tessin, Louise Correspondence, 1932","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f0e8fabe2e0cb8f234720eae_aspace_259b10bb0683b91922770453cf5ff0d4#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_259b10bb0683b91922770453cf5ff0d4","ref_ssm":["aspace_259b10bb0683b91922770453cf5ff0d4","aspace_259b10bb0683b91922770453cf5ff0d4"],"id":"f0e8fabe2e0cb8f234720eae_aspace_259b10bb0683b91922770453cf5ff0d4","title_filing_ssi":"Tessin, Louise Correspondence","title_ssm":["Tessin, Louise Correspondence"],"title_tesim":["Tessin, Louise Correspondence"],"unitdate_other_ssim":["1932"],"normalized_date_ssm":["1932"],"normalized_title_ssm":["Tessin, Louise Correspondence, 1932"],"text":["Tessin, Louise Correspondence, 1932","Florida Southern College Satellite Campuses, 1930-2008","Ringling College of Art and Design","Faculty-Staff","/repositories/4/archival_objects/44540","box 10","folder 17"],"component_level_isim":[3],"parent_ids_ssim":["f0e8fabe2e0cb8f234720eae","f0e8fabe2e0cb8f234720eae_aspace_fe44fe7728c5e89bfeb102c52f1db733","f0e8fabe2e0cb8f234720eae_aspace_084e2e84992423f0576ba8e0de28c30e"],"parent_unittitles_ssm":["Florida Southern College Satellite Campuses, 1930-2008","Ringling College of Art and Design","Faculty-Staff"],"parent_unittitles_tesim":["Florida Southern College Satellite Campuses, 1930-2008","Ringling College of Art and Design","Faculty-Staff"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/44540"],"repository_ssim":["The Florida Southern College Archives"],"collection_ssim":["Florida Southern College Satellite Campuses, 1930-2008"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":251,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["This collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu"],"date_range_isim":[1932],"containers_ssim":["box 10","folder 17"],"_nest_path_":"/components#7/components#1/components#16","_nest_parent_":"f0e8fabe2e0cb8f234720eae_aspace_084e2e84992423f0576ba8e0de28c30e","_root_":"f0e8fabe2e0cb8f234720eae","_version_":1870846327605166080,"timestamp":"2026-07-16T05:01:32.577Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f0e8fabe2e0cb8f234720eae","title_ssm":["Florida Southern College Satellite Campuses"],"title_tesim":["Florida Southern College Satellite Campuses"],"ead_ssi":"f0e8fabe2e0cb8f234720eae","unitdate_ssm":["1930-2008"],"unitdate_inclusive_ssm":["1930-2008"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["CA10090","/repositories/4/resources/118"],"text":["CA10090","/repositories/4/resources/118","Florida Southern College Satellite Campuses, 1930-2008","Universities and colleges—Florida—History","Florida Southern College—History","Military education—Florida—History","College campuses—Florida—History","Colleges - Florida - Ringling College of Art and Design","Air Force Bases - Florida - McCoy","Air Force Bases - Florida - MacDill","Air Force Bases - Florida - Palm Beach","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.","The materials in this collection are arranged in as logical order as possible. Arrangement is alphabetical by program name, and alphabetical by contents and year within each series. There is one oversize box containing newspapers.","\tFrom 1930-1933, and from the early 1950s through approximately 2008, Florida Southern College operated a series of satellite campuses, which provided classes for military personnel, veterans and dependents, as well as complete degree programs for young professionals and senior citizens.  In most cases, these campuses were small, having an administrative office and a few classrooms. The programs offered by FSC were as follows:  ","\nMacDill Air Force Base, Tampa:  The Florida Southern College of Opportunity began at MacDill AFB in the fall of 1950. Airmen and their dependents were offered seven week courses which awarded three credits each and were primarily held in the evenings.  Classes were taught by FSC professors who commuted to the base from Lakeland.  The program at MacDill lasted until the early 1960s.","\nMcCoy Air Force Base/FSC at Orlando/FSC Orlando-Ocala: For most of its history, this program was located on the west side of what is now the Orlando International Airport.  This was the longest-running series of FSC satellite programs, lasting from 1954 until 2008, and can be best looked at in four phases:\n    ","\tPinecastle Air Force Base: The October 14, 1954 issue of The Southern mentions classes being held here since 1954.  Very little is known about this program, including when it was terminated.  Of special note, Pinecastle AFB was renamed McCoy Air Force base in 1957. ","\n\tFSC at McCoy AFB: The program's official history lists its beginning as September, 1960, however as previously mentioned, classes were held as early as 1954 when the base was still known as Pinecastle.  Classes were held in the base education building, the alert facility, and a building located halfway between the two.  This last building was needed as aircrews serving on alert were required to remain within a certain \"reaction distance\" from their aircraft.  McCoy was a large Strategic Air Command base, and on numerous occasions classes were interrupted by nuclear alert drills.  More than 500 members of the military and civilian employees at McCoy could be taking classes at any one time, and classes met every weekday evening as well as Saturday mornings.  There was also what was known as a \"brown bag\" class, where professors would offer portions of a class during the official base lunch hour. As with the program at MacDill, some of the FSC professors from the main campus commuted to Orlando to teach.  This portion of the program lasted until the Air Force closed the base in 1974.\n ","\tFSC at Orlando/FSC Orlando-Ocala:  When the Air Force closed McCoy, the runways were ceded to the City of Orlando for use in what is now known as Orlando International Airport.  The west side of the base was ceded to the Navy for use as housing and other activities in support of its training center near Winter Park.  In 1974-1975, the college received permission to continue a similar program with the Navy as they had had with the Air Force.  Additionally, classes were opened for non-military affiliated civilians for the first time, assuring the program's continuance regardless of any future base closings. The Orlando program was geared towards working professionals, with majors in Accounting, Business Administration, Nursing, as well as a few social sciences. Students from FSC's main campus in Lakeland could also take courses in Orlando if needed. In the late 1990s/early 2000s, the college left its facilities at the airport and located on Rio Grande Avenue in the Oak Ridge area of Orlando.  In the early 2000s, the Orlando program expanded to include classes in Ocala.  The classes were held at what is now the College for Central Florida-Ocala campus.  As with the main program in Orlando, classes were geared towards working professionals and were primarily held in the evenings.  Classes in Business, Accounting, and Nursing were offered.  The Orlando-Ocala program ended in 2008.   \n ","Palm Beach Air Force Base:  Little is known about this program other than it commenced operations in 1955. The Air Force began operations to close the base starting in 1959, so it is assumed that the program ended around this time.  ","\nPort Charlotte/Charlotte-De Soto:  This program was initially started by West Virginia Wesleyan University in 1980 as an attempt to offer a liberal arts education to senior citizens.  It was known as Wesleyan in Southwest Florida. The director, Dr. Sidney Davis and his wife, Dr. Marian Davis, began classes at the cultural center in Port Charlotte.  In 1983, classes were moved to a facility in Lake Suzy, near Port Charlotte.  In the fall of 1992, the school moved to yet another location in nearby De Soto County.  Thus, the name was changed to the Charlotte-De Soto Program.  For the first five years of operations, the college fell under the administration of West Virginia Wesleyan.  In 1986, Florida Southern College assumed administrative responsibility at the request of the United Methodist Church's University Senate.  The Florida Conference of the UMC felt that since this school was being administered by an out of state Methodist College, it was unfairly competing with both Florida Southern College and Bethune-Cookman College. For the first several years, the college marketed towards retirees, however changing demographics in the Charlotte-De Soto area encouraged the college to open classes to young professionals.  Towards the end of the program, nearly 90% of students fell into this demographic.  The program was phased out in 1999-2000 due to the distance from the main campus in Lakeland with the challenge of maintaining close linkage with full time faculty. This expense, coupled with the need to construct new facilities, as well as new competition with other degree-granting institutions in the area, led Florida Southern to phase-out the program.  No other college wished to take over the program, and it finally ended on December 3, 2000.     ","\nIn addition to these campuses, there exists the relationship between Florida Southern College and the Ringling College of Art and Design in Sarasota. In the late 1920s, Dr. Ludd M. Spivey explored the idea of moving what was then known as Southern College from Lakeland to Sarasota. Spivey had sought the financial support of circus magnate John Ringling, who while reluctant to donate to Southern College, was interested in developing an art school. After much discussion and negotiation, it was agreed that Southern College would open its own art school in Sarasota as a branch. With much reluctance, Ringling agreed that it could be known as the School of Fine and Applied Art of the John and Mable Ringling Art Museum, lending his name and that of his recently departed wife (she had passed away in 1929) to the school, to associate the Florida Southern art school with the more famous name of the Ringlings and their museum.","The first class had only 75 students and 13 faculty members. Each student paid $783 per year for tuition, board, room, fees, and books. Students also attended chapel services every day, and the school's president or dean had to receive written permission if a student wanted to leave town.","The art school separated from Southern College and became an independent nonprofit institution in 1933, changing its name to Ringling School of Art, which still exists today with an enrollment of over 1,000 students--quite a journey from the first class of 75!","The background information and chronology provided is based off of the information in the collections as well as a handful of outside sources, such as The Southern newspaper and the Ringling College of Art and Design.","This collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record.","The materials in this collection cover the approximate time period of the satellite programs, 1930-1933 and 1950-2008. While there are a handful of materials from MacDill and Palm Beach Air Force Bases, most of the materials in this collection are from the McCoy AFB-Orlando-Ocala program, the Port Charlotte/Charlotte-De Soto program, and the Ringling College of Art and Design.  Materials include, but are not limited to course bulletins, correspondence, brochures, and news articles.  Of special note is the correspondence in the Port Charlotte program, which includes letters to and from the Program Director(s) and the Board of Directors, as well as the correspondence in the Ringling College program. Additionally, three full years of The Coyote, the official newspaper of the Orlando program in the late 1970s are included.","This collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu","The Florida Southern College Archives","Florida Southern College","English"],"unitid_tesim":["CA10090","/repositories/4/resources/118"],"normalized_date_ssm":["1930-2008"],"normalized_title_ssm":["Florida Southern College Satellite Campuses, 1930-2008"],"collection_title_tesim":["Florida Southern College Satellite Campuses, 1930-2008"],"collection_ssim":["Florida Southern College Satellite Campuses, 1930-2008"],"repository_ssm":["The Florida Southern College Archives"],"repository_ssim":["The Florida Southern College Archives"],"creator_ssm":["Florida Southern College"],"creator_ssim":["Florida Southern College"],"creator_corpname_ssim":["Florida Southern College"],"creators_ssim":["Florida Southern College"],"access_terms_ssm":["This collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu"],"acqinfo_ssim":["The materials in this collection were generated by the college over the period of time the events took place."],"access_subjects_ssim":["Universities and colleges—Florida—History","Florida Southern College—History","Military education—Florida—History","College campuses—Florida—History","Colleges - Florida - Ringling College of Art and Design","Air Force Bases - Florida - McCoy","Air Force Bases - Florida - MacDill","Air Force Bases - Florida - Palm Beach"],"access_subjects_ssm":["Universities and colleges—Florida—History","Florida Southern College—History","Military education—Florida—History","College campuses—Florida—History","Colleges - Florida - Ringling College of Art and Design","Air Force Bases - Florida - McCoy","Air Force Bases - Florida - MacDill","Air Force Bases - Florida - Palm Beach"],"has_online_content_ssim":["false"],"extent_ssm":["5 Linear Feet 9 Standard Legal Archival Containers\n1 Oversize Flat Box"],"extent_tesim":["5 Linear Feet 9 Standard Legal Archival Containers\n1 Oversize Flat Box"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged in as logical order as possible. Arrangement is alphabetical by program name, and alphabetical by contents and year within each series. There is one oversize box containing newspapers.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged in as logical order as possible. Arrangement is alphabetical by program name, and alphabetical by contents and year within each series. There is one oversize box containing newspapers."],"bioghist_html_tesm":["\u003cp\u003e\tFrom 1930-1933, and from the early 1950s through approximately 2008, Florida Southern College operated a series of satellite campuses, which provided classes for military personnel, veterans and dependents, as well as complete degree programs for young professionals and senior citizens.  In most cases, these campuses were small, having an administrative office and a few classrooms. The programs offered by FSC were as follows:  \u003c/p\u003e\n","\u003cp\u003e\nMacDill Air Force Base, Tampa:  The Florida Southern College of Opportunity began at MacDill AFB in the fall of 1950. Airmen and their dependents were offered seven week courses which awarded three credits each and were primarily held in the evenings.  Classes were taught by FSC professors who commuted to the base from Lakeland.  The program at MacDill lasted until the early 1960s.\u003c/p\u003e\n","\u003cp\u003e\nMcCoy Air Force Base/FSC at Orlando/FSC Orlando-Ocala: For most of its history, this program was located on the west side of what is now the Orlando International Airport.  This was the longest-running series of FSC satellite programs, lasting from 1954 until 2008, and can be best looked at in four phases:\n    \u003c/p\u003e\n","\u003cp\u003e\tPinecastle Air Force Base: The October 14, 1954 issue of The Southern mentions classes being held here since 1954.  Very little is known about this program, including when it was terminated.  Of special note, Pinecastle AFB was renamed McCoy Air Force base in 1957. \u003c/p\u003e\n","\u003cp\u003e\n\tFSC at McCoy AFB: The program's official history lists its beginning as September, 1960, however as previously mentioned, classes were held as early as 1954 when the base was still known as Pinecastle.  Classes were held in the base education building, the alert facility, and a building located halfway between the two.  This last building was needed as aircrews serving on alert were required to remain within a certain \"reaction distance\" from their aircraft.  McCoy was a large Strategic Air Command base, and on numerous occasions classes were interrupted by nuclear alert drills.  More than 500 members of the military and civilian employees at McCoy could be taking classes at any one time, and classes met every weekday evening as well as Saturday mornings.  There was also what was known as a \"brown bag\" class, where professors would offer portions of a class during the official base lunch hour. As with the program at MacDill, some of the FSC professors from the main campus commuted to Orlando to teach.  This portion of the program lasted until the Air Force closed the base in 1974.\n \u003c/p\u003e\n","\u003cp\u003e\tFSC at Orlando/FSC Orlando-Ocala:  When the Air Force closed McCoy, the runways were ceded to the City of Orlando for use in what is now known as Orlando International Airport.  The west side of the base was ceded to the Navy for use as housing and other activities in support of its training center near Winter Park.  In 1974-1975, the college received permission to continue a similar program with the Navy as they had had with the Air Force.  Additionally, classes were opened for non-military affiliated civilians for the first time, assuring the program's continuance regardless of any future base closings. The Orlando program was geared towards working professionals, with majors in Accounting, Business Administration, Nursing, as well as a few social sciences. Students from FSC's main campus in Lakeland could also take courses in Orlando if needed. In the late 1990s/early 2000s, the college left its facilities at the airport and located on Rio Grande Avenue in the Oak Ridge area of Orlando.  In the early 2000s, the Orlando program expanded to include classes in Ocala.  The classes were held at what is now the College for Central Florida-Ocala campus.  As with the main program in Orlando, classes were geared towards working professionals and were primarily held in the evenings.  Classes in Business, Accounting, and Nursing were offered.  The Orlando-Ocala program ended in 2008.   \n \u003c/p\u003e\n","\u003cp\u003ePalm Beach Air Force Base:  Little is known about this program other than it commenced operations in 1955. The Air Force began operations to close the base starting in 1959, so it is assumed that the program ended around this time.  \u003c/p\u003e\n","\u003cp\u003e\nPort Charlotte/Charlotte-De Soto:  This program was initially started by West Virginia Wesleyan University in 1980 as an attempt to offer a liberal arts education to senior citizens.  It was known as Wesleyan in Southwest Florida. The director, Dr. Sidney Davis and his wife, Dr. Marian Davis, began classes at the cultural center in Port Charlotte.  In 1983, classes were moved to a facility in Lake Suzy, near Port Charlotte.  In the fall of 1992, the school moved to yet another location in nearby De Soto County.  Thus, the name was changed to the Charlotte-De Soto Program.  For the first five years of operations, the college fell under the administration of West Virginia Wesleyan.  In 1986, Florida Southern College assumed administrative responsibility at the request of the United Methodist Church's University Senate.  The Florida Conference of the UMC felt that since this school was being administered by an out of state Methodist College, it was unfairly competing with both Florida Southern College and Bethune-Cookman College. For the first several years, the college marketed towards retirees, however changing demographics in the Charlotte-De Soto area encouraged the college to open classes to young professionals.  Towards the end of the program, nearly 90% of students fell into this demographic.  The program was phased out in 1999-2000 due to the distance from the main campus in Lakeland with the challenge of maintaining close linkage with full time faculty. This expense, coupled with the need to construct new facilities, as well as new competition with other degree-granting institutions in the area, led Florida Southern to phase-out the program.  No other college wished to take over the program, and it finally ended on December 3, 2000.     \u003c/p\u003e\n","\u003cp\u003e\nIn addition to these campuses, there exists the relationship between Florida Southern College and the Ringling College of Art and Design in Sarasota. In the late 1920s, Dr. Ludd M. Spivey explored the idea of moving what was then known as Southern College from Lakeland to Sarasota. Spivey had sought the financial support of circus magnate John Ringling, who while reluctant to donate to Southern College, was interested in developing an art school. After much discussion and negotiation, it was agreed that Southern College would open its own art school in Sarasota as a branch. With much reluctance, Ringling agreed that it could be known as the School of Fine and Applied Art of the John and Mable Ringling Art Museum, lending his name and that of his recently departed wife (she had passed away in 1929) to the school, to associate the Florida Southern art school with the more famous name of the Ringlings and their museum.\u003c/p\u003e\n","\u003cp\u003eThe first class had only 75 students and 13 faculty members. Each student paid $783 per year for tuition, board, room, fees, and books. Students also attended chapel services every day, and the school's president or dean had to receive written permission if a student wanted to leave town.\u003c/p\u003e\n","\u003cp\u003eThe art school separated from Southern College and became an independent nonprofit institution in 1933, changing its name to Ringling School of Art, which still exists today with an enrollment of over 1,000 students--quite a journey from the first class of 75!\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\tFrom 1930-1933, and from the early 1950s through approximately 2008, Florida Southern College operated a series of satellite campuses, which provided classes for military personnel, veterans and dependents, as well as complete degree programs for young professionals and senior citizens.  In most cases, these campuses were small, having an administrative office and a few classrooms. The programs offered by FSC were as follows:  ","\nMacDill Air Force Base, Tampa:  The Florida Southern College of Opportunity began at MacDill AFB in the fall of 1950. Airmen and their dependents were offered seven week courses which awarded three credits each and were primarily held in the evenings.  Classes were taught by FSC professors who commuted to the base from Lakeland.  The program at MacDill lasted until the early 1960s.","\nMcCoy Air Force Base/FSC at Orlando/FSC Orlando-Ocala: For most of its history, this program was located on the west side of what is now the Orlando International Airport.  This was the longest-running series of FSC satellite programs, lasting from 1954 until 2008, and can be best looked at in four phases:\n    ","\tPinecastle Air Force Base: The October 14, 1954 issue of The Southern mentions classes being held here since 1954.  Very little is known about this program, including when it was terminated.  Of special note, Pinecastle AFB was renamed McCoy Air Force base in 1957. ","\n\tFSC at McCoy AFB: The program's official history lists its beginning as September, 1960, however as previously mentioned, classes were held as early as 1954 when the base was still known as Pinecastle.  Classes were held in the base education building, the alert facility, and a building located halfway between the two.  This last building was needed as aircrews serving on alert were required to remain within a certain \"reaction distance\" from their aircraft.  McCoy was a large Strategic Air Command base, and on numerous occasions classes were interrupted by nuclear alert drills.  More than 500 members of the military and civilian employees at McCoy could be taking classes at any one time, and classes met every weekday evening as well as Saturday mornings.  There was also what was known as a \"brown bag\" class, where professors would offer portions of a class during the official base lunch hour. As with the program at MacDill, some of the FSC professors from the main campus commuted to Orlando to teach.  This portion of the program lasted until the Air Force closed the base in 1974.\n ","\tFSC at Orlando/FSC Orlando-Ocala:  When the Air Force closed McCoy, the runways were ceded to the City of Orlando for use in what is now known as Orlando International Airport.  The west side of the base was ceded to the Navy for use as housing and other activities in support of its training center near Winter Park.  In 1974-1975, the college received permission to continue a similar program with the Navy as they had had with the Air Force.  Additionally, classes were opened for non-military affiliated civilians for the first time, assuring the program's continuance regardless of any future base closings. The Orlando program was geared towards working professionals, with majors in Accounting, Business Administration, Nursing, as well as a few social sciences. Students from FSC's main campus in Lakeland could also take courses in Orlando if needed. In the late 1990s/early 2000s, the college left its facilities at the airport and located on Rio Grande Avenue in the Oak Ridge area of Orlando.  In the early 2000s, the Orlando program expanded to include classes in Ocala.  The classes were held at what is now the College for Central Florida-Ocala campus.  As with the main program in Orlando, classes were geared towards working professionals and were primarily held in the evenings.  Classes in Business, Accounting, and Nursing were offered.  The Orlando-Ocala program ended in 2008.   \n ","Palm Beach Air Force Base:  Little is known about this program other than it commenced operations in 1955. The Air Force began operations to close the base starting in 1959, so it is assumed that the program ended around this time.  ","\nPort Charlotte/Charlotte-De Soto:  This program was initially started by West Virginia Wesleyan University in 1980 as an attempt to offer a liberal arts education to senior citizens.  It was known as Wesleyan in Southwest Florida. The director, Dr. Sidney Davis and his wife, Dr. Marian Davis, began classes at the cultural center in Port Charlotte.  In 1983, classes were moved to a facility in Lake Suzy, near Port Charlotte.  In the fall of 1992, the school moved to yet another location in nearby De Soto County.  Thus, the name was changed to the Charlotte-De Soto Program.  For the first five years of operations, the college fell under the administration of West Virginia Wesleyan.  In 1986, Florida Southern College assumed administrative responsibility at the request of the United Methodist Church's University Senate.  The Florida Conference of the UMC felt that since this school was being administered by an out of state Methodist College, it was unfairly competing with both Florida Southern College and Bethune-Cookman College. For the first several years, the college marketed towards retirees, however changing demographics in the Charlotte-De Soto area encouraged the college to open classes to young professionals.  Towards the end of the program, nearly 90% of students fell into this demographic.  The program was phased out in 1999-2000 due to the distance from the main campus in Lakeland with the challenge of maintaining close linkage with full time faculty. This expense, coupled with the need to construct new facilities, as well as new competition with other degree-granting institutions in the area, led Florida Southern to phase-out the program.  No other college wished to take over the program, and it finally ended on December 3, 2000.     ","\nIn addition to these campuses, there exists the relationship between Florida Southern College and the Ringling College of Art and Design in Sarasota. In the late 1920s, Dr. Ludd M. Spivey explored the idea of moving what was then known as Southern College from Lakeland to Sarasota. Spivey had sought the financial support of circus magnate John Ringling, who while reluctant to donate to Southern College, was interested in developing an art school. After much discussion and negotiation, it was agreed that Southern College would open its own art school in Sarasota as a branch. With much reluctance, Ringling agreed that it could be known as the School of Fine and Applied Art of the John and Mable Ringling Art Museum, lending his name and that of his recently departed wife (she had passed away in 1929) to the school, to associate the Florida Southern art school with the more famous name of the Ringlings and their museum.","The first class had only 75 students and 13 faculty members. Each student paid $783 per year for tuition, board, room, fees, and books. Students also attended chapel services every day, and the school's president or dean had to receive written permission if a student wanted to leave town.","The art school separated from Southern College and became an independent nonprofit institution in 1933, changing its name to Ringling School of Art, which still exists today with an enrollment of over 1,000 students--quite a journey from the first class of 75!"],"odd_html_tesm":["\u003cp\u003eThe background information and chronology provided is based off of the information in the collections as well as a handful of outside sources, such as The Southern newspaper and the Ringling College of Art and Design.\u003c/p\u003e","\u003cp\u003eThis collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record.\u003c/p\u003e"],"odd_heading_ssm":["General","General"],"odd_tesim":["The background information and chronology provided is based off of the information in the collections as well as a handful of outside sources, such as The Southern newspaper and the Ringling College of Art and Design.","This collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection cover the approximate time period of the satellite programs, 1930-1933 and 1950-2008. While there are a handful of materials from MacDill and Palm Beach Air Force Bases, most of the materials in this collection are from the McCoy AFB-Orlando-Ocala program, the Port Charlotte/Charlotte-De Soto program, and the Ringling College of Art and Design.  Materials include, but are not limited to course bulletins, correspondence, brochures, and news articles.  Of special note is the correspondence in the Port Charlotte program, which includes letters to and from the Program Director(s) and the Board of Directors, as well as the correspondence in the Ringling College program. Additionally, three full years of The Coyote, the official newspaper of the Orlando program in the late 1970s are included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection cover the approximate time period of the satellite programs, 1930-1933 and 1950-2008. While there are a handful of materials from MacDill and Palm Beach Air Force Bases, most of the materials in this collection are from the McCoy AFB-Orlando-Ocala program, the Port Charlotte/Charlotte-De Soto program, and the Ringling College of Art and Design.  Materials include, but are not limited to course bulletins, correspondence, brochures, and news articles.  Of special note is the correspondence in the Port Charlotte program, which includes letters to and from the Program Director(s) and the Board of Directors, as well as the correspondence in the Ringling College program. Additionally, three full years of The Coyote, the official newspaper of the Orlando program in the late 1970s are included."],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. 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The collection also includes an assortment of playbills, flyers, circulars, and picturization books, in addition to a photoplay book, theater makeup tip pamphlets, a scrapbook, songbook, and company souvenir books.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of theater programs, press clippings, flyers, and other ephemera documenting the theater scene of New York City and, to a lesser extent, Tampa, Florida during the 1930s to 1940s. The collection also includes an assortment of playbills, flyers, circulars, and picturization books, in addition to a photoplay book, theater makeup tip pamphlets, a scrapbook, songbook, and company souvenir books."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":151,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881194199242506240,"_root_":"735bec4a462886318646d79a","timestamp":"2026-11-07T10:16:31.986Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"735bec4a462886318646d79a","title_ssm":["Theater and Music programs and ephemera collection"],"title_tesim":["Theater and Music programs and ephemera collection"],"ead_ssi":"735bec4a462886318646d79a","unitdate_ssm":["1876-1958","1925-1940"],"unitdate_bulk_ssim":["1925-1940"],"unitdate_inclusive_ssm":["1876-1958"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2010-14","/repositories/2/resources/332"],"text":["MS-2010-14","/repositories/2/resources/332","Theater and Music programs and ephemera collection, 1876-1958, bulk 1925-1940","Playbills -- Florida -- Tampa","Playbills -- Massachusetts -- Boston","Playbills -- New York (State) -- New York","Playbills -- United Kingdom -- London","Playbills -- Maryland -- Baltimore","Playbills -- Washington, D.C.","Theater programs","Theater programs are arranged alphabetically by name of theater, with programs for the same theater listed chronologically.","The collection consists of theater programs, press clippings, flyers, and other ephemera documenting the theater scene of New York City and, to a lesser extent, Tampa, Florida during the 1930s to 1940s. The collection also includes an assortment of playbills, flyers, circulars, and picturization books, in addition to a photoplay book, theater makeup tip pamphlets, a scrapbook, songbook, and company souvenir books.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-2010-14","/repositories/2/resources/332"],"normalized_date_ssm":["1876-1958, bulk 1925-1940"],"normalized_title_ssm":["Theater and Music programs and ephemera collection, 1876-1958, bulk 1925-1940"],"collection_title_tesim":["Theater and Music programs and ephemera collection, 1876-1958, bulk 1925-1940"],"collection_ssim":["Theater and Music programs and ephemera collection, 1876-1958, bulk 1925-1940"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Playbills -- Florida -- Tampa","Playbills -- Massachusetts -- Boston","Playbills -- New York (State) -- New York","Playbills -- United Kingdom -- London","Playbills -- Maryland -- Baltimore","Playbills -- Washington, D.C.","Theater programs"],"access_subjects_ssm":["Playbills -- Florida -- Tampa","Playbills -- Massachusetts -- Boston","Playbills -- New York (State) -- New York","Playbills -- United Kingdom -- London","Playbills -- Maryland -- Baltimore","Playbills -- Washington, D.C.","Theater programs"],"has_online_content_ssim":["false"],"extent_ssm":["1.67 Linear Feet","5 boxes"],"extent_tesim":["1.67 Linear Feet","5 boxes"],"genreform_ssim":["Playbills -- Florida -- Tampa","Playbills -- Massachusetts -- Boston","Playbills -- New York (State) -- New York","Playbills -- United Kingdom -- London","Playbills -- Maryland -- Baltimore","Playbills -- Washington, D.C.","Theater programs"],"date_range_isim":[1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958],"arrangement_html_tesm":["\u003cp\u003eTheater programs are arranged alphabetically by name of theater, with programs for the same theater listed chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Theater programs are arranged alphabetically by name of theater, with programs for the same theater listed chronologically."],"prefercite_html_tesm":["\u003cp\u003eTheater Programs and Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Theater Programs and Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of theater programs, press clippings, flyers, and other ephemera documenting the theater scene of New York City and, to a lesser extent, Tampa, Florida during the 1930s to 1940s. 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The collection also includes an assortment of playbills, flyers, circulars, and picturization books, in addition to a photoplay book, theater makeup tip pamphlets, a scrapbook, songbook, and company souvenir books."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":151,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881194199242506240,"_root_":"735bec4a462886318646d79a","timestamp":"2026-11-07T10:16:31.986Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/735bec4a462886318646d79a"}},{"id":"8b33a8c5177804a4b9511a5f_aspace_1125375505b9ea838a26c88221c9afde","type":"Box","attributes":{"title":"Theater (Teatro) Flyers \u0026 Programs, 1909-2002","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_1125375505b9ea838a26c88221c9afde#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1125375505b9ea838a26c88221c9afde","ref_ssm":["aspace_1125375505b9ea838a26c88221c9afde","aspace_1125375505b9ea838a26c88221c9afde"],"id":"8b33a8c5177804a4b9511a5f_aspace_1125375505b9ea838a26c88221c9afde","title_filing_ssi":"Theater (Teatro) Flyers \u0026 Programs","title_ssm":["Theater (Teatro) Flyers \u0026 Programs"],"title_tesim":["Theater (Teatro) Flyers \u0026 Programs"],"unitdate_inclusive_ssm":["1909-2002"],"normalized_date_ssm":["1909-2002"],"normalized_title_ssm":["Theater (Teatro) Flyers \u0026 Programs, 1909-2002"],"text":["Theater (Teatro) Flyers \u0026 Programs, 1909-2002","Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Ephemera","103","/repositories/2/archival_objects/181457","box 103"],"component_level_isim":[2],"parent_ids_ssim":["8b33a8c5177804a4b9511a5f","8b33a8c5177804a4b9511a5f_aspace_86440"],"parent_unittitles_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Ephemera"],"parent_unittitles_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Ephemera"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["103","/repositories/2/archival_objects/181457"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"has_online_content_ssim":["false"],"child_component_count_isi":73,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":427,"parent_access_terms_tesm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"date_range_isim":[1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"containers_ssim":["box 103"],"_nest_path_":"/components#1/components#17","_nest_parent_":"8b33a8c5177804a4b9511a5f_aspace_86440","_root_":"8b33a8c5177804a4b9511a5f","_version_":1875301659078295552,"timestamp":"2026-09-03T09:17:07.659Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8b33a8c5177804a4b9511a5f","title_ssm":["Centro Asturiano de Tampa collection"],"title_tesim":["Centro Asturiano de Tampa collection"],"ead_ssi":"8b33a8c5177804a4b9511a5f","unitdate_ssm":["1902-2007","1902-1987","Date acquired: 00/00/1989"],"unitdate_bulk_ssim":["1902-1987"],"unitdate_inclusive_ssm":["1902-2007"],"unitdate_other_ssim":["Date acquired: 00/00/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1989-02","/repositories/2/resources/542"],"text":["MS-1989-02","/repositories/2/resources/542","Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Tampa (Fla.) -- History","Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa","The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.","When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011.","Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.","None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.","USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","English"],"unitid_tesim":["MS-1989-02","/repositories/2/resources/542"],"normalized_date_ssm":["1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"normalized_title_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_title_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.) -- History"],"geogname_ssim":["Tampa (Fla.) -- History"],"creator_ssm":["Centro Asturiano de Tampa"],"creator_ssim":["Centro Asturiano de Tampa"],"creator_corpname_ssim":["Centro Asturiano de Tampa"],"creators_ssim":["Centro Asturiano de Tampa"],"places_ssim":["Tampa (Fla.) -- History"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"acqinfo_ssim":["Centro Asturiano de Tampa","Donation"],"access_subjects_ssim":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"access_subjects_ssm":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"has_online_content_ssim":["false"],"extent_ssm":["164.7 Linear Feet","241 boxes"],"extent_tesim":["164.7 Linear Feet","241 boxes"],"genreform_ssim":["Playbills -- Florida -- Tampa"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records."],"bioghist_html_tesm":["\u003cp\u003eWhen Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Espa\u0026#xF1;ol, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Espa\u0026#xF1;ol to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.\u003c/p\u003e\n","\u003cp\u003eOn January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the \u003cemph render=\"italic\"\u003eTampa Morning Tribune\u003c/emph\u003e called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.\u003c/p\u003e\n","\u003cp\u003eA central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.\u003c/p\u003e\n","\u003cp\u003eThe largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.\u003c/p\u003e\n","\u003cp\u003eNote written by Paul Camp, 2006; Joe Tamargo, 2011.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011."],"prefercite_html_tesm":["\u003cp\u003eCentro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Centro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano De Tampa Membership Records Photograph Collection\u003c/emph\u003e. Tampa, Florida: University of South Florida Libraries, 2003.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano Library Collection,\u003c/emph\u003e Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Espan\u0026#x303;ol De Tampa Collection\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCuban Club Records\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"names_coll_ssim":["Centro Asturiano de Tampa"],"names_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1038,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1875301659078295552,"_root_":"8b33a8c5177804a4b9511a5f","timestamp":"2026-09-03T09:17:07.659Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_1125375505b9ea838a26c88221c9afde"}},{"id":"85034764a3a62698e3eb3a0b_aspace_cc740c7fb374be630139dc37a90618fa","type":"Item","attributes":{"title":"The Cattle Problem as it Affects the Sheldon Sanctuary, 1932-01","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/85034764a3a62698e3eb3a0b_aspace_cc740c7fb374be630139dc37a90618fa#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eErnest J. 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Greenwalt.  "],"component_level_isim":[3],"parent_ids_ssim":["85034764a3a62698e3eb3a0b","85034764a3a62698e3eb3a0b_aspace_be8ccfc123a109266220041501d83608","85034764a3a62698e3eb3a0b_aspace_7f6179c412e8ba373f3c73f87b7755d2"],"parent_unittitles_ssm":["National Audubon Society Warden Reports and Property records, 1893-1982","Robert Porter Allen II - Warden Reports I","Sheldon National Wildlife Refuge, Nevada, 1930-1932"],"parent_unittitles_tesim":["National Audubon Society Warden Reports and Property records, 1893-1982","Robert Porter Allen II - Warden Reports I","Sheldon National Wildlife Refuge, Nevada, 1930-1932"],"parent_levels_ssm":["collection","Box","File"],"unitid_ssm":["Item 1","/repositories/2/archival_objects/208578"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["National Audubon Society Warden Reports and Property records, 1893-1982"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":184,"parent_access_restrict_tesm":["Until 2034, USF Libraries must provide 90 days notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the FAS."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1932],"containers_ssim":["box 6","folder 6","Item 1"],"scopecontent_html_tesm":["\u003cp\u003eErnest J. 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Within material type, items are arranged chronologically.","\"For 120 years and counting, the National Audubon Society has preserved bird habitats, conducted scientific research, influenced policymakers to enact commonsense conservation laws, and engaged communities across the hemisphere to protect the natural resources upon which birds—and we—depend. By \"bending the bird curve,\" we are working to halt, and ultimately reverse, the decline of birds across the Americas.\" ","https://www.audubon.org/about","This collection consists of organizational papers, warden reports, scientific data, published studies, correspondence, photographs, maps, clippings, and illustrations.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The National Audubon Society Warden Reports and Property records consist of data and records of Florida Audubon and National Audubon Society representatives. Primarily, this collection includes annual, weekly, and daily reports of wardens in the United States. Also included are administrative and other working documents.","USF Libraries - Tampa Special Collections","Florida Audubon Society","National Audubon Society","English"],"unitid_tesim":["MS-2014-01","/repositories/2/resources/215"],"normalized_date_ssm":["1893-1982"],"normalized_title_ssm":["National Audubon Society Warden Reports and Property records, 1893-1982"],"collection_title_tesim":["National Audubon Society Warden Reports and Property records, 1893-1982"],"collection_ssim":["National Audubon Society Warden Reports and Property records, 1893-1982"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Gulf Coast (Fla.) -- History -- 20th century"],"geogname_ssim":["Gulf Coast (Fla.) -- History -- 20th century"],"creator_ssm":["Florida Audubon Society"],"creator_ssim":["Florida Audubon Society"],"creator_corpname_ssim":["Florida Audubon Society"],"creators_ssim":["Florida Audubon Society"],"places_ssim":["Gulf Coast (Fla.) -- History -- 20th century"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Audubon Society of Florida","Donation"],"access_subjects_ssim":["Ecology -- Florida","Birds","Birds -- Habitat","Birds -- Habitat -- Florida","Environmental protection"],"access_subjects_ssm":["Ecology -- Florida","Birds","Birds -- Habitat","Birds -- Habitat -- Florida","Environmental protection"],"has_online_content_ssim":["false"],"extent_ssm":["9.75 Linear Feet","20 boxes"],"extent_tesim":["9.75 Linear Feet","20 boxes"],"date_range_isim":[1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"accessrestrict_html_tesm":["\u003cp\u003eUntil 2034, USF Libraries must provide 90 days notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the FAS.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Until 2034, USF Libraries must provide 90 days notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the FAS."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically. Within material type, items are arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically. Within material type, items are arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003e\"For 120 years and counting, the National Audubon Society has preserved bird habitats, conducted scientific research, influenced policymakers to enact commonsense conservation laws, and engaged communities across the hemisphere to protect the natural resources upon which birds\u0026#x2014;and we\u0026#x2014;depend. By \"bending the bird curve,\" we are working to halt, and ultimately reverse, the decline of birds across the Americas.\" \u003c/p\u003e\n","\u003cp\u003ehttps://www.audubon.org/about\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["\"For 120 years and counting, the National Audubon Society has preserved bird habitats, conducted scientific research, influenced policymakers to enact commonsense conservation laws, and engaged communities across the hemisphere to protect the natural resources upon which birds—and we—depend. By \"bending the bird curve,\" we are working to halt, and ultimately reverse, the decline of birds across the Americas.\" ","https://www.audubon.org/about"],"prefercite_html_tesm":["\u003cp\u003eNational Audubon Society Warden Reports and Property records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["National Audubon Society Warden Reports and Property records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of organizational papers, warden reports, scientific data, published studies, correspondence, photographs, maps, clippings, and illustrations.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of organizational papers, warden reports, scientific data, published studies, correspondence, photographs, maps, clippings, and illustrations."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f32b20937d983879468a55ae09131fba\" label=\"Abstract\"\u003eThe National Audubon Society Warden Reports and Property records consist of data and records of Florida Audubon and National Audubon Society representatives. Primarily, this collection includes annual, weekly, and daily reports of wardens in the United States. Also included are administrative and other working documents.\u003c/abstract\u003e"],"abstract_tesim":["The National Audubon Society Warden Reports and Property records consist of data and records of Florida Audubon and National Audubon Society representatives. Primarily, this collection includes annual, weekly, and daily reports of wardens in the United States. 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