{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1929\u0026page=150\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1929\u0026page=149\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1929\u0026page=151\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1929\u0026page=216\u0026view=compact"},"meta":{"pages":{"current_page":150,"next_page":151,"prev_page":149,"total_pages":216,"limit_value":10,"offset_value":1490,"total_count":2158,"first_page?":false,"last_page?":false}},"data":[{"id":"bf94ada4377f2dbc813062ab_aspace_20487","type":"File","attributes":{"title":"Palm Beach Postcards, bulk 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There is a Civil War history by Mrs. Clarence W. Maxwell that mentions Dr. T. M. Palmer. There are newspaper clippings about Mary Martha Reid, a friend of Dr. Thomas Palmer, dated September 29, 1968. There are also letters from John C. Hill to Dr. Palmer at the Florida State Hospital, from Richmond, Virginia. 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The home he built was thought to be similar to the old family home in Halifax County, Virginia. The house is still owned by the Palmer family and is operated as a bed and breakfast. The Palmer family cemetery is also on the grounds, the only family cemetery in Jefferson County still associated with a family home.\n         One son, Thomas Martin Palmer, was the first physician in a family that went on to have at least 14 physicians. Dr. Thomas Martin Palmer was born in 1821 and served as a surgeon for the 2nd Florida Infantry. His brother, son, and nephew all went on to become physicians. Three Palmer family members have served as President of the Florida Medical Association."],"prefercite_html_tesm":["\u003cp\u003ePalmer Family Papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1-18\u003c/p\u003e"],"prefercite_tesim":["Palmer Family Papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1-18"],"processinfo_html_tesm":["\u003cp\u003eProcessed May 1979.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed May 1979."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains materials about the history of the Palmer family in Halifax County, Virginia, poetry of Mary Bebecca Gassaway Palmer, and an issue of the Florida Medical Association's journal, with an article by Theresa Yaeger Palmer and Hugh Archer Palmer about physicians as a family tradition. 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There are also letters from John C. Hill to Dr. Palmer at the Florida State Hospital, from Richmond, Virginia. Some of these materials are photocopies of a typescript or manuscript."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Palmer family came to Halifax County, Virginia from England with the early settlers in the 17th century. A branch of the Palmer family came to Florida from the Pendleton district of South Carolina, settling in Monticello in 1829. Martin Palmer brought 9 children, enslaved persons, and household goods. He was owner of a plantation, store, and tavern. The home he built was thought to be similar to the old family home in Halifax County, Virginia. The house is still owned by the Palmer family and is operated as a bed and breakfast. The Palmer family cemetery is also on the grounds, the only family cemetery in Jefferson County still associated with a family home.\n         One son, Thomas Martin Palmer, was the first physician in a family that went on to have at least 14 physicians. 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Some of these materials are photocopies of a typescript or manuscript.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["MSS 1-18","/repositories/10/resources/1073"],"normalized_date_ssm":["1924-1968"],"normalized_title_ssm":["Palmer Family papers, 1924-1968"],"collection_title_tesim":["Palmer Family papers, 1924-1968"],"collection_ssim":["Palmer Family papers, 1924-1968"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Monticello (Fla.)"],"geogname_ssim":["Monticello (Fla.)"],"places_ssim":["Monticello (Fla.)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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Three Palmer family members have served as President of the Florida Medical Association."],"prefercite_html_tesm":["\u003cp\u003ePalmer Family Papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1-18\u003c/p\u003e"],"prefercite_tesim":["Palmer Family Papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1-18"],"processinfo_html_tesm":["\u003cp\u003eProcessed May 1979.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed May 1979."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains materials about the history of the Palmer family in Halifax County, Virginia, poetry of Mary Bebecca Gassaway Palmer, and an issue of the Florida Medical Association's journal, with an article by Theresa Yaeger Palmer and Hugh Archer Palmer about physicians as a family tradition. There is a Civil War history by Mrs. Clarence W. Maxwell that mentions Dr. T. M. Palmer. There are newspaper clippings about Mary Martha Reid, a friend of Dr. Thomas Palmer, dated September 29, 1968. There are also letters from John C. Hill to Dr. Palmer at the Florida State Hospital, from Richmond, Virginia. Some of these materials are photocopies of a typescript or manuscript.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains materials about the history of the Palmer family in Halifax County, Virginia, poetry of Mary Bebecca Gassaway Palmer, and an issue of the Florida Medical Association's journal, with an article by Theresa Yaeger Palmer and Hugh Archer Palmer about physicians as a family tradition. There is a Civil War history by Mrs. Clarence W. Maxwell that mentions Dr. T. M. Palmer. There are newspaper clippings about Mary Martha Reid, a friend of Dr. Thomas Palmer, dated September 29, 1968. There are also letters from John C. Hill to Dr. Palmer at the Florida State Hospital, from Richmond, Virginia. Some of these materials are photocopies of a typescript or manuscript."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"d52106b979d5171f0aaf9beb","timestamp":"2026-07-09T03:10:08.409Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d52106b979d5171f0aaf9beb"}},{"id":"236a3c88b766327883b2e155_aspace_6d7350b60719ba4c9919da5f86ae5e0a","type":"Item","attributes":{"title":"\"Palo Duro Canyon near Amarillo, Texas\" [landscape orientation], 1929 July","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_6d7350b60719ba4c9919da5f86ae5e0a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_6d7350b60719ba4c9919da5f86ae5e0a","ref_ssm":["aspace_6d7350b60719ba4c9919da5f86ae5e0a","aspace_6d7350b60719ba4c9919da5f86ae5e0a"],"id":"236a3c88b766327883b2e155_aspace_6d7350b60719ba4c9919da5f86ae5e0a","title_filing_ssi":"\"Palo Duro Canyon near Amarillo, Texas\" [landscape orientation]","title_ssm":["\"Palo Duro Canyon near Amarillo, Texas\" [landscape orientation]"],"title_tesim":["\"Palo Duro Canyon near Amarillo, Texas\" [landscape orientation]"],"unitdate_inclusive_ssm":["1929 July"],"normalized_date_ssm":["1929 July"],"normalized_title_ssm":["\"Palo Duro Canyon near Amarillo, Texas\" [landscape orientation], 1929 July"],"text":["\"Palo Duro Canyon near Amarillo, Texas\" [landscape orientation], 1929 July","Joy Postle papers, 1910-2015","Art, 1921","Watercolors","Texas","/repositories/4/archival_objects/87808","/repositories/4/archival_objects/91418"],"component_level_isim":[4],"parent_ids_ssim":["236a3c88b766327883b2e155","236a3c88b766327883b2e155_aspace_5ab8dfb4bc9fc42fe4ab81752f8bfe14","236a3c88b766327883b2e155_aspace_5ba98316e64b6229c924a90139478d14","236a3c88b766327883b2e155_aspace_9eb8b14b2f8182a313cd0111f4088226"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015","Art, 1921","Watercolors","Texas"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015","Art, 1921","Watercolors","Texas"],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/87808","/repositories/4/archival_objects/91418"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":166,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1929],"_nest_path_":"/components#0/components#2/components#12/components#0","_nest_parent_":"236a3c88b766327883b2e155_aspace_9eb8b14b2f8182a313cd0111f4088226","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_6d7350b60719ba4c9919da5f86ae5e0a"}},{"id":"236a3c88b766327883b2e155_aspace_36ac4577ad5b211e676292024d37b2f0","type":"Item","attributes":{"title":"\"Palo Duro Canyon near Amarillo, Texas\" [portrait orientation], 1929 July","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_36ac4577ad5b211e676292024d37b2f0#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_36ac4577ad5b211e676292024d37b2f0","ref_ssm":["aspace_36ac4577ad5b211e676292024d37b2f0","aspace_36ac4577ad5b211e676292024d37b2f0"],"id":"236a3c88b766327883b2e155_aspace_36ac4577ad5b211e676292024d37b2f0","title_filing_ssi":"\"Palo Duro Canyon near Amarillo, Texas\" [portrait orientation]","title_ssm":["\"Palo Duro Canyon near Amarillo, Texas\" [portrait orientation]"],"title_tesim":["\"Palo Duro Canyon near Amarillo, Texas\" [portrait orientation]"],"unitdate_inclusive_ssm":["1929 July"],"normalized_date_ssm":["1929 July"],"normalized_title_ssm":["\"Palo Duro Canyon near Amarillo, Texas\" [portrait orientation], 1929 July"],"text":["\"Palo Duro Canyon near Amarillo, Texas\" [portrait orientation], 1929 July","Joy Postle papers, 1910-2015","Art, 1921","Watercolors","Texas","/repositories/4/archival_objects/87809","/repositories/4/archival_objects/91419"],"component_level_isim":[4],"parent_ids_ssim":["236a3c88b766327883b2e155","236a3c88b766327883b2e155_aspace_5ab8dfb4bc9fc42fe4ab81752f8bfe14","236a3c88b766327883b2e155_aspace_5ba98316e64b6229c924a90139478d14","236a3c88b766327883b2e155_aspace_9eb8b14b2f8182a313cd0111f4088226"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015","Art, 1921","Watercolors","Texas"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015","Art, 1921","Watercolors","Texas"],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/87809","/repositories/4/archival_objects/91419"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":167,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1929],"_nest_path_":"/components#0/components#2/components#12/components#1","_nest_parent_":"236a3c88b766327883b2e155_aspace_9eb8b14b2f8182a313cd0111f4088226","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_36ac4577ad5b211e676292024d37b2f0"}},{"id":"236a3c88b766327883b2e155_aspace_b7f2ee586335d04d3225e5526a4f4d78","type":"Item","attributes":{"title":"\"Palo Verde (Desert Tree) Near Phoenix, Arizona\", 1929 January","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_b7f2ee586335d04d3225e5526a4f4d78#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b7f2ee586335d04d3225e5526a4f4d78","ref_ssm":["aspace_b7f2ee586335d04d3225e5526a4f4d78","aspace_b7f2ee586335d04d3225e5526a4f4d78"],"id":"236a3c88b766327883b2e155_aspace_b7f2ee586335d04d3225e5526a4f4d78","title_filing_ssi":"\"Palo Verde (Desert Tree) Near Phoenix, Arizona\"","title_ssm":["\"Palo Verde (Desert Tree) Near Phoenix, Arizona\""],"title_tesim":["\"Palo Verde (Desert Tree) Near Phoenix, Arizona\""],"unitdate_inclusive_ssm":["1929 January"],"normalized_date_ssm":["1929 January"],"normalized_title_ssm":["\"Palo Verde (Desert Tree) Near Phoenix, Arizona\", 1929 January"],"text":["\"Palo Verde (Desert Tree) Near Phoenix, Arizona\", 1929 January","Joy Postle papers, 1910-2015","Art, 1921","Watercolors","Arizona","Arizona [1 of 2], 1928–1929","/repositories/4/archival_objects/87763","/repositories/4/archival_objects/91520"],"component_level_isim":[5],"parent_ids_ssim":["236a3c88b766327883b2e155","236a3c88b766327883b2e155_aspace_5ab8dfb4bc9fc42fe4ab81752f8bfe14","236a3c88b766327883b2e155_aspace_5ba98316e64b6229c924a90139478d14","236a3c88b766327883b2e155_aspace_51e0bf21b58df1296819e8fbe9b0b212","236a3c88b766327883b2e155_aspace_dadc1ce156ecd28a4d6a86532ecbbe33"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015","Art, 1921","Watercolors","Arizona","Arizona [1 of 2], 1928–1929"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015","Art, 1921","Watercolors","Arizona","Arizona [1 of 2], 1928–1929"],"parent_levels_ssm":["collection","Series","Subseries","Subseries","File"],"unitid_ssm":["/repositories/4/archival_objects/87763","/repositories/4/archival_objects/91520"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":109,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1929],"_nest_path_":"/components#0/components#2/components#1/components#0/components#4","_nest_parent_":"236a3c88b766327883b2e155_aspace_dadc1ce156ecd28a4d6a86532ecbbe33","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_b7f2ee586335d04d3225e5526a4f4d78"}},{"id":"045d073fac3c2ee36be6e129_aspace_2227","type":"File","attributes":{"title":"Pamphlets, 1910-1934","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/045d073fac3c2ee36be6e129_aspace_2227#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains vintage pamphlets: \"Timely Railroad Topics,\" \"Florida Special,\" \"Tropical Trips,\" \"Florida Celery,\" and \"Atlantic Coastline.\"\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/045d073fac3c2ee36be6e129_aspace_2227#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_2227","ref_ssm":["aspace_2227","aspace_2227"],"id":"045d073fac3c2ee36be6e129_aspace_2227","title_filing_ssi":"Pamphlets","title_ssm":["Pamphlets"],"title_tesim":["Pamphlets"],"unitdate_inclusive_ssm":["1910-1934"],"normalized_date_ssm":["1910-1934"],"normalized_title_ssm":["Pamphlets, 1910-1934"],"text":["Pamphlets, 1910-1934","Turner Railroad Collection, 1809-2007","Railroads, 1830-present","Atlantic Coast Line Railroad","Folder 8","/repositories/2/archival_objects/11492","box 3","folder 8","This folder contains vintage pamphlets: \"Timely Railroad Topics,\" \"Florida Special,\" \"Tropical Trips,\" \"Florida Celery,\" and \"Atlantic Coastline.\""],"component_level_isim":[3],"parent_ids_ssim":["045d073fac3c2ee36be6e129","045d073fac3c2ee36be6e129_aspace_2217","045d073fac3c2ee36be6e129_aspace_2218"],"parent_unittitles_ssm":["Turner Railroad Collection, 1809-2007","Railroads, 1830-present","Atlantic Coast Line Railroad"],"parent_unittitles_tesim":["Turner Railroad Collection, 1809-2007","Railroads, 1830-present","Atlantic Coast Line Railroad"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 8","/repositories/2/archival_objects/11492"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Turner Railroad Collection, 1809-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":59,"parent_access_terms_tesm":["All rights reserved. Material may be used only for research, educational, legal and non-commercial purposes, with acknowledgement of Florida Gulf Coast University Archives and Special Collections."],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934],"containers_ssim":["box 3","folder 8"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains vintage pamphlets: \"Timely Railroad Topics,\" \"Florida Special,\" \"Tropical Trips,\" \"Florida Celery,\" and \"Atlantic Coastline.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains vintage pamphlets: \"Timely Railroad Topics,\" \"Florida Special,\" \"Tropical Trips,\" \"Florida Celery,\" and \"Atlantic Coastline.\""],"_nest_path_":"/components#1/components#0/components#7","_nest_parent_":"045d073fac3c2ee36be6e129_aspace_2218","_root_":"045d073fac3c2ee36be6e129","timestamp":"2026-04-28T01:56:48.203Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"045d073fac3c2ee36be6e129","title_ssm":["Turner Railroad Collection"],"title_tesim":["Turner Railroad Collection"],"ead_ssi":"045d073fac3c2ee36be6e129","unitdate_ssm":["1809-2007"],"unitdate_inclusive_ssm":["1809-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/16","/repositories/2/resources/19"],"text":["02/01/16","/repositories/2/resources/19","Turner Railroad Collection, 1809-2007","Railroads--Florida--History--20th century.","Organized in four series: Series 1, Rail Road History, 1830-1890; Series 2, Railroads, 1830-Present; Series 3, Plant Systems Co. Inc., 1860-1902; Series 4, Reference Material.","Gregg M. Turner is a former national director of the Railway \u0026 Locomotive Historical Society at Harvard Business School. Turner is on the business faculty of Southwest Florida College. Turner currently lives in Fort Myers.\nHis books include:\n- A Journey Into Florida Railroad History (2008)\n- Florida Railroads in the 1920's (2005) \n- Fort Myers in Vintage Postcards (2005) \n- The Plant System of railroads, steamships and hotels with Seth Bramson (2004) \n- A milestone celebration: the Seaboard Railway to Naples and Miami (2004) \n- Short History of Florida Railroads (2003) \n- Venice in the 1920's (2000) \n- Fort Myers (2000) \n- Railroads of Southwest Florida (1999)","Consists of publications, advertisements, photographs, administration and research on the east coast railroads of the United States collected by history scholar Gregg M. Turner. Consists of four series, including but not limited to documents and photographs of railroad history (1830-1890), the Plant System Co. Inc.(1860-1902), the three primary railroads on the eastern seaboard of the United States (1830-present), and independent railroads. A portion of the collection has been digitized by Florida Gulf Coast University's Library Archives, Special Collections, and Digital Initiatives and is available on  D [url=https://fgcu.digital.flvc.org/islandora/search/?type=edismax\u0026collection=fgcu:0216]igitalFGCU[/url].","All rights reserved. Material may be used only for research, educational, legal and non-commercial purposes, with acknowledgement of Florida Gulf Coast University Archives and Special Collections.","Florida Gulf Coast University Special Collections","Turner, Gregg M.","Plant, Henry Bradley, 1819-1899.","Flagler, Henry Morrison, 1830-1913","English"],"unitid_tesim":["02/01/16","/repositories/2/resources/19"],"normalized_date_ssm":["1809-2007"],"normalized_title_ssm":["Turner Railroad Collection, 1809-2007"],"collection_title_tesim":["Turner Railroad Collection, 1809-2007"],"collection_ssim":["Turner Railroad Collection, 1809-2007"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Railroads--Florida--History--20th century."],"geogname_ssim":["Railroads--Florida--History--20th century."],"places_ssim":["Railroads--Florida--History--20th century."],"access_terms_ssm":["All rights reserved. Material may be used only for research, educational, legal and non-commercial purposes, with acknowledgement of Florida Gulf Coast University Archives and Special Collections."],"acqinfo_ssim":["Gregg M. Turner - Date acquired: 04/18/2014","Gift to Florida Gulf Coast University Archives and Special Collections."],"has_online_content_ssim":["false"],"extent_ssm":["14.00 Linear Feet"],"extent_tesim":["14.00 Linear Feet"],"date_range_isim":[1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eOrganized in four series: Series 1, Rail Road History, 1830-1890; Series 2, Railroads, 1830-Present; Series 3, Plant Systems Co. Inc., 1860-1902; Series 4, Reference Material.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in four series: Series 1, Rail Road History, 1830-1890; Series 2, Railroads, 1830-Present; Series 3, Plant Systems Co. Inc., 1860-1902; Series 4, Reference Material."],"bioghist_html_tesm":["\u003cp\u003eGregg M. Turner is a former national director of the Railway \u0026amp; Locomotive Historical Society at Harvard Business School. Turner is on the business faculty of Southwest Florida College. Turner currently lives in Fort Myers.\nHis books include:\n- A Journey Into Florida Railroad History (2008)\n- Florida Railroads in the 1920's (2005) \n- Fort Myers in Vintage Postcards (2005) \n- The Plant System of railroads, steamships and hotels with Seth Bramson (2004) \n- A milestone celebration: the Seaboard Railway to Naples and Miami (2004) \n- Short History of Florida Railroads (2003) \n- Venice in the 1920's (2000) \n- Fort Myers (2000) \n- Railroads of Southwest Florida (1999)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Gregg M. Turner is a former national director of the Railway \u0026 Locomotive Historical Society at Harvard Business School. Turner is on the business faculty of Southwest Florida College. Turner currently lives in Fort Myers.\nHis books include:\n- A Journey Into Florida Railroad History (2008)\n- Florida Railroads in the 1920's (2005) \n- Fort Myers in Vintage Postcards (2005) \n- The Plant System of railroads, steamships and hotels with Seth Bramson (2004) \n- A milestone celebration: the Seaboard Railway to Naples and Miami (2004) \n- Short History of Florida Railroads (2003) \n- Venice in the 1920's (2000) \n- Fort Myers (2000) \n- Railroads of Southwest Florida (1999)"],"scopecontent_html_tesm":["\u003cp\u003eConsists of publications, advertisements, photographs, administration and research on the east coast railroads of the United States collected by history scholar Gregg M. Turner. Consists of four series, including but not limited to documents and photographs of railroad history (1830-1890), the Plant System Co. Inc.(1860-1902), the three primary railroads on the eastern seaboard of the United States (1830-present), and independent railroads. A portion of the collection has been digitized by Florida Gulf Coast University's Library Archives, Special Collections, and Digital Initiatives and is available on \u003ca href=\"mailto:mailto:http://fgcu.digital.flvc.org/islandora/object/fgcu:root\"\u003eD\u003c/a\u003e[url=https://fgcu.digital.flvc.org/islandora/search/?type=edismax\u0026amp;collection=fgcu:0216]igitalFGCU[/url].\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Consists of publications, advertisements, photographs, administration and research on the east coast railroads of the United States collected by history scholar Gregg M. Turner. Consists of four series, including but not limited to documents and photographs of railroad history (1830-1890), the Plant System Co. Inc.(1860-1902), the three primary railroads on the eastern seaboard of the United States (1830-present), and independent railroads. A portion of the collection has been digitized by Florida Gulf Coast University's Library Archives, Special Collections, and Digital Initiatives and is available on  D [url=https://fgcu.digital.flvc.org/islandora/search/?type=edismax\u0026collection=fgcu:0216]igitalFGCU[/url]."],"userestrict_html_tesm":["\u003cp\u003eAll rights reserved. Material may be used only for research, educational, legal and non-commercial purposes, with acknowledgement of Florida Gulf Coast University Archives and Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All rights reserved. Material may be used only for research, educational, legal and non-commercial purposes, with acknowledgement of Florida Gulf Coast University Archives and Special Collections."],"names_ssim":["Florida Gulf Coast University Special Collections","Turner, Gregg M.","Plant, Henry Bradley, 1819-1899.","Flagler, Henry Morrison, 1830-1913"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"names_coll_ssim":["Turner, Gregg M.","Plant, Henry Bradley, 1819-1899.","Flagler, Henry Morrison, 1830-1913"],"persname_ssim":["Turner, Gregg M.","Plant, Henry Bradley, 1819-1899.","Flagler, Henry Morrison, 1830-1913"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":568,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"045d073fac3c2ee36be6e129","timestamp":"2026-04-28T01:56:48.203Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/045d073fac3c2ee36be6e129_aspace_2227"}},{"id":"9e802b8377973d098ec4d4ec_aspace_a681e26c88cfd69d415d97d7d739c6dc","type":"File","attributes":{"title":"Pamphlets, 1917-1943","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/9e802b8377973d098ec4d4ec_aspace_a681e26c88cfd69d415d97d7d739c6dc#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains four prayer books used by Helen B. Strzelczyk.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9e802b8377973d098ec4d4ec_aspace_a681e26c88cfd69d415d97d7d739c6dc#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_a681e26c88cfd69d415d97d7d739c6dc","ref_ssm":["aspace_a681e26c88cfd69d415d97d7d739c6dc","aspace_a681e26c88cfd69d415d97d7d739c6dc"],"id":"9e802b8377973d098ec4d4ec_aspace_a681e26c88cfd69d415d97d7d739c6dc","title_filing_ssi":"Pamphlets","title_ssm":["Pamphlets"],"title_tesim":["Pamphlets"],"unitdate_inclusive_ssm":["1917-1943"],"normalized_date_ssm":["1917-1943"],"normalized_title_ssm":["Pamphlets, 1917-1943"],"text":["Pamphlets, 1917-1943","Helen B. Strzelczyk papers, June 1943-November 1945, Date accessioned: 2020-01-13","019","/repositories/10/archival_objects/184682","02.0065 - Box 1","folder 019","This folder contains four prayer books used by Helen B. Strzelczyk."],"component_level_isim":[1],"parent_ids_ssim":["9e802b8377973d098ec4d4ec"],"parent_unittitles_ssm":["Helen B. Strzelczyk papers, June 1943-November 1945, Date accessioned: 2020-01-13"],"parent_unittitles_tesim":["Helen B. Strzelczyk papers, June 1943-November 1945, Date accessioned: 2020-01-13"],"parent_levels_ssm":["collection"],"unitid_ssm":["019","/repositories/10/archival_objects/184682"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Helen B. Strzelczyk papers, June 1943-November 1945, Date accessioned: 2020-01-13"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":19,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943],"containers_ssim":["02.0065 - Box 1","folder 019"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains four prayer books used by Helen B. Strzelczyk.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains four prayer books used by Helen B. Strzelczyk."],"_nest_path_":"/components#18","_nest_parent_":"9e802b8377973d098ec4d4ec","_root_":"9e802b8377973d098ec4d4ec","timestamp":"2026-04-21T06:01:06.265Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9e802b8377973d098ec4d4ec","title_filing_ssi":"Strzelczyk, Helen B. papers","title_ssm":["Helen B. Strzelczyk papers"],"title_tesim":["Helen B. Strzelczyk papers"],"ead_ssi":"9e802b8377973d098ec4d4ec","unitdate_ssm":["June 1943-November 1945","Date accessioned: 2020-01-13"],"unitdate_inclusive_ssm":["June 1943-November 1945"],"unitdate_other_ssim":["Date accessioned: 2020-01-13"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02.0065","/repositories/10/resources/1588"],"text":["02.0065","/repositories/10/resources/1588","Helen B. Strzelczyk papers, June 1943-November 1945, Date accessioned: 2020-01-13","Admiralty Islands (Papua New Guinea)","World War, 1939-1945","Air bases","Air bases, American","WWII -- (1939-1945)","World War, 1939-1945--Women--United States","World War, 1939-1945--Women","World War, 1939-1945--United States","World War, 1939-1945--United States","World War, 1939-1945--Philippines","World War, 1939-1945--Pacific Area","World War, 1939-1945--Campaigns--New Guinea","World War, 1939-1945--Campaigns--Pacific Area","World War, 1939-1945--Campaigns--Pacific Ocean","World War, 1939-1945--Campaigns--Philippines","World War, 1939-1945 -- United States","Women--United States","This collection is open to all researchers.","Helen B. Strzelczyk served with the United States Women's Army Corps during World War II in the Pacific Theater between June 1943 and November 1945. She was stationed in Oro Bay, New Guinea from September 1944-April 7, 1945. She worked for the Signal Branch Supply Division USASOS General Depot, otherwise referred to as \"The Pentagon,\" in Procurement. She was in chage of the Requisition Typing subsection. She was then transferred to the Philippines. After arriving in Manila on April 25, 1945, she was stationed in Quezon City. Additional items and information on Strzelcyzk can be found at the Pritzer Military Museum and Library: (http://www.pritzkermilitary.org/files/6015/2149/0009/Strzelczyk_Finding_Aid_Feb_2018.pdf).","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","This collection relates to Technician 3 Helen B. Strzelczyk who served with the United States Women's Army Corps during World War II in the Pacific Theater between June 1943 and November 1945. This collection includes a photocopy of a scrapbook, diaries and notebooks during Helen B. Strzelczyk's time in basic training and in serving in the WAAC, as well as several souvenirs during her time of service. Souvenirs include photographs taken in Old Bay, New Guinea and Manila, Philippines; Japanese issued Manila currency, newspapers, pamphlets and postcards. This collection also includes letters to Helen B. Strzelczyk from friends, co-workers, and other military members. Additional identification information and government issued documents are included in this collection.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Strzelczyk, Helen B., 1921-","English"],"unitid_tesim":["02.0065","/repositories/10/resources/1588"],"normalized_date_ssm":["June 1943-November 1945, Date accessioned: 2020-01-13"],"normalized_title_ssm":["Helen B. Strzelczyk papers, June 1943-November 1945, Date accessioned: 2020-01-13"],"collection_title_tesim":["Helen B. Strzelczyk papers, June 1943-November 1945, Date accessioned: 2020-01-13"],"collection_ssim":["Helen B. Strzelczyk papers, June 1943-November 1945, Date accessioned: 2020-01-13"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Admiralty Islands (Papua New Guinea)"],"geogname_ssim":["Admiralty Islands (Papua New Guinea)"],"creator_ssm":["Strzelczyk, Helen B., 1921-"],"creator_ssim":["Strzelczyk, Helen B., 1921-"],"creator_persname_ssim":["Strzelczyk, Helen B., 1921-"],"creators_ssim":["Strzelczyk, Helen B., 1921-"],"places_ssim":["Admiralty Islands (Papua New Guinea)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["This collection was donated by David Gregory to the Institute on World War II and the Human Experience. The collection was acquired in 2002."],"access_subjects_ssim":["World War, 1939-1945","Air bases","Air bases, American","WWII -- (1939-1945)","World War, 1939-1945--Women--United States","World War, 1939-1945--Women","World War, 1939-1945--United States","World War, 1939-1945--United States","World War, 1939-1945--Philippines","World War, 1939-1945--Pacific Area","World War, 1939-1945--Campaigns--New Guinea","World War, 1939-1945--Campaigns--Pacific Area","World War, 1939-1945--Campaigns--Pacific Ocean","World War, 1939-1945--Campaigns--Philippines","World War, 1939-1945 -- United States","Women--United States"],"access_subjects_ssm":["World War, 1939-1945","Air bases","Air bases, American","WWII -- (1939-1945)","World War, 1939-1945--Women--United States","World War, 1939-1945--Women","World War, 1939-1945--United States","World War, 1939-1945--United States","World War, 1939-1945--Philippines","World War, 1939-1945--Pacific Area","World War, 1939-1945--Campaigns--New Guinea","World War, 1939-1945--Campaigns--Pacific Area","World War, 1939-1945--Campaigns--Pacific Ocean","World War, 1939-1945--Campaigns--Philippines","World War, 1939-1945 -- United States","Women--United States"],"has_online_content_ssim":["false"],"extent_ssm":["3.75 Linear Feet 2 full boxes, 1 OS box","1 folders One oversize folder contained in oversize photograph box 5."],"extent_tesim":["3.75 Linear Feet 2 full boxes, 1 OS box","1 folders One oversize folder contained in oversize photograph box 5."],"date_range_isim":[1943,1944,1945],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eHelen B. Strzelczyk served with the United States Women's Army Corps during World War II in the Pacific Theater between June 1943 and November 1945. She was stationed in Oro Bay, New Guinea from September 1944-April 7, 1945. She worked for the Signal Branch Supply Division USASOS General Depot, otherwise referred to as \"The Pentagon,\" in Procurement. She was in chage of the Requisition Typing subsection. She was then transferred to the Philippines. After arriving in Manila on April 25, 1945, she was stationed in Quezon City. Additional items and information on Strzelcyzk can be found at the Pritzer Military Museum and Library: (http://www.pritzkermilitary.org/files/6015/2149/0009/Strzelczyk_Finding_Aid_Feb_2018.pdf).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Helen B. Strzelczyk served with the United States Women's Army Corps during World War II in the Pacific Theater between June 1943 and November 1945. She was stationed in Oro Bay, New Guinea from September 1944-April 7, 1945. She worked for the Signal Branch Supply Division USASOS General Depot, otherwise referred to as \"The Pentagon,\" in Procurement. She was in chage of the Requisition Typing subsection. She was then transferred to the Philippines. After arriving in Manila on April 25, 1945, she was stationed in Quezon City. Additional items and information on Strzelcyzk can be found at the Pritzer Military Museum and Library: (http://www.pritzkermilitary.org/files/6015/2149/0009/Strzelczyk_Finding_Aid_Feb_2018.pdf)."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Helen B. Strzelczyk papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-02-1965\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Helen B. Strzelczyk papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-02-1965"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Technician 3 Helen B. Strzelczyk who served with the United States Women's Army Corps during World War II in the Pacific Theater between June 1943 and November 1945. This collection includes a photocopy of a scrapbook, diaries and notebooks during Helen B. Strzelczyk's time in basic training and in serving in the WAAC, as well as several souvenirs during her time of service. Souvenirs include photographs taken in Old Bay, New Guinea and Manila, Philippines; Japanese issued Manila currency, newspapers, pamphlets and postcards. This collection also includes letters to Helen B. Strzelczyk from friends, co-workers, and other military members. Additional identification information and government issued documents are included in this collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection relates to Technician 3 Helen B. Strzelczyk who served with the United States Women's Army Corps during World War II in the Pacific Theater between June 1943 and November 1945. This collection includes a photocopy of a scrapbook, diaries and notebooks during Helen B. Strzelczyk's time in basic training and in serving in the WAAC, as well as several souvenirs during her time of service. Souvenirs include photographs taken in Old Bay, New Guinea and Manila, Philippines; Japanese issued Manila currency, newspapers, pamphlets and postcards. This collection also includes letters to Helen B. Strzelczyk from friends, co-workers, and other military members. Additional identification information and government issued documents are included in this collection."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Strzelczyk, Helen B., 1921-"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"persname_ssim":["Strzelczyk, Helen B., 1921-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"9e802b8377973d098ec4d4ec","timestamp":"2026-04-21T06:01:06.265Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9e802b8377973d098ec4d4ec_aspace_a681e26c88cfd69d415d97d7d739c6dc"}},{"id":"c5c7a60ad1585ca3dbd593be_aspace_b37801385c12a2a1487211c4e4309b07","type":"File","attributes":{"title":"Pamphlets \u0026 Assorted Publications, 1970-1971, 1927-04, 1929, 1940-01-22, 1973, 1986","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c5c7a60ad1585ca3dbd593be_aspace_b37801385c12a2a1487211c4e4309b07#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b37801385c12a2a1487211c4e4309b07","ref_ssm":["aspace_b37801385c12a2a1487211c4e4309b07","aspace_b37801385c12a2a1487211c4e4309b07"],"id":"c5c7a60ad1585ca3dbd593be_aspace_b37801385c12a2a1487211c4e4309b07","title_filing_ssi":"Pamphlets \u0026 Assorted Publications","title_ssm":["Pamphlets \u0026 Assorted Publications"],"title_tesim":["Pamphlets \u0026 Assorted Publications"],"unitdate_inclusive_ssm":["1970-1971"],"unitdate_other_ssim":["1927-04","1929","1940-01-22","1973","1986"],"normalized_date_ssm":["1970-1971, 1927-04, 1929, 1940-01-22, 1973, 1986"],"normalized_title_ssm":["Pamphlets \u0026 Assorted Publications, 1970-1971, 1927-04, 1929, 1940-01-22, 1973, 1986"],"text":["Pamphlets \u0026 Assorted Publications, 1970-1971, 1927-04, 1929, 1940-01-22, 1973, 1986","Thomas Mack Archives, 1910-2003","Citrus Pest","Control","/repositories/3/archival_objects/38537","box 5","folder 3"],"component_level_isim":[3],"parent_ids_ssim":["c5c7a60ad1585ca3dbd593be","c5c7a60ad1585ca3dbd593be_aspace_adecba61831067a81ca75b145e487903","c5c7a60ad1585ca3dbd593be_aspace_f75d88e35febd03a25fdb771b6d33e1b"],"parent_unittitles_ssm":["Thomas Mack Archives, 1910-2003","Citrus Pest","Control"],"parent_unittitles_tesim":["Thomas Mack Archives, 1910-2003","Citrus Pest","Control"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/3/archival_objects/38537"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"collection_ssim":["Thomas Mack Archives, 1910-2003"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":63,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"parent_access_terms_tesm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"date_range_isim":[1927,1929,1940,1970,1971,1973,1986],"containers_ssim":["box 5","folder 3"],"_nest_path_":"/components#7/components#0/components#2","_nest_parent_":"c5c7a60ad1585ca3dbd593be_aspace_f75d88e35febd03a25fdb771b6d33e1b","_root_":"c5c7a60ad1585ca3dbd593be","_version_":1877193769379430400,"timestamp":"2026-09-24T06:31:24.773Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"c5c7a60ad1585ca3dbd593be","title_ssm":["Thomas Mack Archives"],"title_tesim":["Thomas Mack Archives"],"ead_ssi":"c5c7a60ad1585ca3dbd593be","unitdate_ssm":["1910-2003"],"unitdate_inclusive_ssm":["1910-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT1000","/repositories/3/resources/137"],"text":["CIT1000","/repositories/3/resources/137","Thomas Mack Archives, 1910-2003","Citrus fruit industry--Florida--History.","Nurseries (Horticulture)--Florida--History.","Citrus fruits--Diseases and pests--Control","Citrus--Fertilizers--Florida","Citrus fruits--Processing--Florida","Citrus fruits--Marketing--Florida","Citrus fruit industry--By-products","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials","Thomas B. Mack never owned a grove or operated a packinghouse, but nevertheless was an integral member of Florida's Citrus community for over half a century. Born in Orangeburg, South Carolina, on October 27, 1914, Mack himself always said that he may have been destined to join the citrus world. His family moved to Florida seven years after his birth, initially landing in Wauchula before finally settling in Plant City. Mack's father was involved in agriculture, managing the Wauchula-based Kilgore Seed Company (later known as the Asgrow Florida Company) during the 1920s.","Mack graduated from Plant City High School in 1933 and entered the University of Florida in 1934 with the intention of becoming a doctor. At the urging of a professor, he abandoned his plan and instead declared himself an Ornamental Horticulture major. In 1937, Mack got married and was forced to drop out of school. He worked with a candy company in Plant City before joining the army at the outbreak of World War II. Mack served throughout the war and returned to the University of Florida in 1946, graduating in 1947 with a degree in Ornamental Horticulture with an emphasis in landscape architecture. Prior to graduation, Mack received offers from Florida Southern College to join in the formation of a new Citrus Department, but he considered the salary too low and declined the offer.","Mack gained employment with the Department of Education in what was dubbed a \"veteran's vocational agriculture\" program, designed to allow veterans to utilize their GI Bill of Rights. He was given control of the citrus aspect of the program despite only having a basic knowledge of the subject, leading to an arrangement with Dr. A.F. Camp of the University of Florida Research Center in Lake Alfred, where Dr. Camp would handle the bulk of the teaching while Mack supervised and handled the more rudimentary tasks. The program benefited Mack as much as the veterans, as he gained five years of experience in the field before the program ended in 1951. In this same year, Mack was once again approached by Florida Southern College, and this time he accepted.","Mack and his colleagues had their work cut out for them, as the college's idea of a vocational program, designed to train students for jobs in the field, rather than a research-based program, was not entirely accepted by those in the collegiate community. Nevertheless, Mack and his peers eventually developed a premier citrus program at the school. Florida Southern had the benefit of having a large amount of grove land on campus, which Mack and his colleagues used extensively. Mack and fellow faculty member Raymond Lyle used their connections as University of Florida graduates to set up opportunities for students to learn at the Research Center in Lake Alfred. In addition to regular full-time students, Mack and his colleagues set up a part-time program where students from within the industry could be sent to be educated in the field, often financially backed by their employers. Mack was most effective at gaining industry support for the citrus program as a whole, even reviving the idea of an advisory board composed of industry leaders, known as the Citrus Advisory Committee.","In 1958, the program gained publicity when it moved into the Polk Science Building, designed by renowned architect Frank Lloyd Wright. Mack was often called upon to act as a P.R. man to visitors and as a campus liaison with Wright himself. He was initially excited to hear of plans for the first Wright-designed greenhouse in the world, but was dismayed to find it essentially useless when it was built almost entirely out of concrete, according to the architect's calculations on light needed for plant growth. This forced Mack to adopt the role of fund raiser, and he eventually raised funds to build a functioning greenhouse, which he cheekily dubbed the \"Frank Lloyd Wright Greenhouse.\" Throughout the remainder of his career, Mack was an effective if sometimes eccentric fund raiser, raising money for an even larger greenhouse and eventually an entirely new citrus building, which he dedicated to one of the primary benefactors, naming it the Jack M. Berry Citrus Building. Mack raised funds for a mini-bus for the department at an alumni dinner in 1978, where he convinced those attending that the doors were locked and they would not be opened until money had been raised.","Mack became chair of the Department in 1971, re-naming it the Citrus Institute. He served in this capacity for ten years, retiring from full-time teaching in 1981. In his honor, a \"Roast Professor Mack Night\" was held, upon which he received a $12,000 retirement gift. He continued teaching on a part-time basis until 1999, earning the title of Professor Emeritus. Throughout his half-century of teaching, Mack had taught many of the current industry leaders.","His retirement in 1999 came about so he could spend more time organizing a citrus archives collection which he had been assembling since 1947, when he first entered the citrus field. Throughout the remainder of his life he collected citrus labels, magazines, text books, photographs, business records, and other forms of citrus memorabilia, eventually amassing the world's largest collection of citrus-related items. Over 60,000 photos and 1,000 labels are present, and many books date to the nineteenth century, including an 1881 copy of Orange Culture. Mack's intention was to create an open source of information for the industry. The Jack M. Berry Citrus building was built with room for the collection, but it eventually outgrew these facilities and had to be moved elsewhere on the Florida Southern campus. The collection currently is housed in the Sarah D. and L. Kirk McKay Jr. Archives Center on the Florida Southern campus.","Mack also made a name for himself as a writer. He was dubbed \"Mr. Citrifacts\" for his production of a column called \"Citrifacts,\" which contained random citrus-related trivia. These were later compiled into the books Citrifacts I and Citrifacts II, whose sale benefited Florida Southern College. He also wrote a column called Polk Garden Clinic, where he answered plant-related questions every Saturday for twelve years. He was also a prominent landscaper and community member, once having a day dedicated to him by the city of Lakeland. He was chosen for the honor of building a garden to represent it in the sister-city project with the Japanese city Imabari.","Mack was inducted to the Florida Citrus Hall of Fame in 1997. In 2004, the citrus world said goodbye to one of its most colorful members when Thomas B. Mack passed away due to cancer at the age of 90.\nBiographical Information found via Florida Citrus Hall of Fame website.","This collection contains information ranging from citrus pest biology to citrus products and byproducts.  It has business data on the industry, including individual groves' records, and photographical and historical accounts of citrus varieties and storage techniques.  It contains information on both pests and various pesticides, as well as soil health.  Other, non-citrus plants are included in this horticultural collection.  Lastly, this collection has a record of its own existence in Florida Southern's Archives.","This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Thomas B. Mack Florida Citrus Archives","English"],"unitid_tesim":["CIT1000","/repositories/3/resources/137"],"normalized_date_ssm":["1910-2003"],"normalized_title_ssm":["Thomas Mack Archives, 1910-2003"],"collection_title_tesim":["Thomas Mack Archives, 1910-2003"],"collection_ssim":["Thomas Mack Archives, 1910-2003"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"access_terms_ssm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["This collection was built by Professor Thomas Mack sometime prior to 2002."],"access_subjects_ssim":["Citrus fruit industry--Florida--History.","Nurseries (Horticulture)--Florida--History.","Citrus fruits--Diseases and pests--Control","Citrus--Fertilizers--Florida","Citrus fruits--Processing--Florida","Citrus fruits--Marketing--Florida","Citrus fruit industry--By-products"],"access_subjects_ssm":["Citrus fruit industry--Florida--History.","Nurseries (Horticulture)--Florida--History.","Citrus fruits--Diseases and pests--Control","Citrus--Fertilizers--Florida","Citrus fruits--Processing--Florida","Citrus fruits--Marketing--Florida","Citrus fruit industry--By-products"],"has_online_content_ssim":["false"],"extent_ssm":["3.45 Linear Feet"],"extent_tesim":["3.45 Linear Feet"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"bioghist_html_tesm":["\u003cp\u003eThomas B. Mack never owned a grove or operated a packinghouse, but nevertheless was an integral member of Florida's Citrus community for over half a century. Born in Orangeburg, South Carolina, on October 27, 1914, Mack himself always said that he may have been destined to join the citrus world. His family moved to Florida seven years after his birth, initially landing in Wauchula before finally settling in Plant City. Mack's father was involved in agriculture, managing the Wauchula-based Kilgore Seed Company (later known as the Asgrow Florida Company) during the 1920s.\u003c/p\u003e\n","\u003cp\u003eMack graduated from Plant City High School in 1933 and entered the University of Florida in 1934 with the intention of becoming a doctor. At the urging of a professor, he abandoned his plan and instead declared himself an Ornamental Horticulture major. In 1937, Mack got married and was forced to drop out of school. He worked with a candy company in Plant City before joining the army at the outbreak of World War II. Mack served throughout the war and returned to the University of Florida in 1946, graduating in 1947 with a degree in Ornamental Horticulture with an emphasis in landscape architecture. Prior to graduation, Mack received offers from Florida Southern College to join in the formation of a new Citrus Department, but he considered the salary too low and declined the offer.\u003c/p\u003e\n","\u003cp\u003eMack gained employment with the Department of Education in what was dubbed a \"veteran's vocational agriculture\" program, designed to allow veterans to utilize their GI Bill of Rights. He was given control of the citrus aspect of the program despite only having a basic knowledge of the subject, leading to an arrangement with Dr. A.F. Camp of the University of Florida Research Center in Lake Alfred, where Dr. Camp would handle the bulk of the teaching while Mack supervised and handled the more rudimentary tasks. The program benefited Mack as much as the veterans, as he gained five years of experience in the field before the program ended in 1951. In this same year, Mack was once again approached by Florida Southern College, and this time he accepted.\u003c/p\u003e\n","\u003cp\u003eMack and his colleagues had their work cut out for them, as the college's idea of a vocational program, designed to train students for jobs in the field, rather than a research-based program, was not entirely accepted by those in the collegiate community. Nevertheless, Mack and his peers eventually developed a premier citrus program at the school. Florida Southern had the benefit of having a large amount of grove land on campus, which Mack and his colleagues used extensively. Mack and fellow faculty member Raymond Lyle used their connections as University of Florida graduates to set up opportunities for students to learn at the Research Center in Lake Alfred. In addition to regular full-time students, Mack and his colleagues set up a part-time program where students from within the industry could be sent to be educated in the field, often financially backed by their employers. Mack was most effective at gaining industry support for the citrus program as a whole, even reviving the idea of an advisory board composed of industry leaders, known as the Citrus Advisory Committee.\u003c/p\u003e\n","\u003cp\u003eIn 1958, the program gained publicity when it moved into the Polk Science Building, designed by renowned architect Frank Lloyd Wright. Mack was often called upon to act as a P.R. man to visitors and as a campus liaison with Wright himself. He was initially excited to hear of plans for the first Wright-designed greenhouse in the world, but was dismayed to find it essentially useless when it was built almost entirely out of concrete, according to the architect's calculations on light needed for plant growth. This forced Mack to adopt the role of fund raiser, and he eventually raised funds to build a functioning greenhouse, which he cheekily dubbed the \"Frank Lloyd Wright Greenhouse.\" Throughout the remainder of his career, Mack was an effective if sometimes eccentric fund raiser, raising money for an even larger greenhouse and eventually an entirely new citrus building, which he dedicated to one of the primary benefactors, naming it the Jack M. Berry Citrus Building. Mack raised funds for a mini-bus for the department at an alumni dinner in 1978, where he convinced those attending that the doors were locked and they would not be opened until money had been raised.\u003c/p\u003e\n","\u003cp\u003eMack became chair of the Department in 1971, re-naming it the Citrus Institute. He served in this capacity for ten years, retiring from full-time teaching in 1981. In his honor, a \"Roast Professor Mack Night\" was held, upon which he received a $12,000 retirement gift. He continued teaching on a part-time basis until 1999, earning the title of Professor Emeritus. Throughout his half-century of teaching, Mack had taught many of the current industry leaders.\u003c/p\u003e\n","\u003cp\u003eHis retirement in 1999 came about so he could spend more time organizing a citrus archives collection which he had been assembling since 1947, when he first entered the citrus field. Throughout the remainder of his life he collected citrus labels, magazines, text books, photographs, business records, and other forms of citrus memorabilia, eventually amassing the world's largest collection of citrus-related items. Over 60,000 photos and 1,000 labels are present, and many books date to the nineteenth century, including an 1881 copy of Orange Culture. Mack's intention was to create an open source of information for the industry. The Jack M. Berry Citrus building was built with room for the collection, but it eventually outgrew these facilities and had to be moved elsewhere on the Florida Southern campus. The collection currently is housed in the Sarah D. and L. Kirk McKay Jr. Archives Center on the Florida Southern campus.\u003c/p\u003e\n","\u003cp\u003eMack also made a name for himself as a writer. He was dubbed \"Mr. Citrifacts\" for his production of a column called \"Citrifacts,\" which contained random citrus-related trivia. These were later compiled into the books Citrifacts I and Citrifacts II, whose sale benefited Florida Southern College. He also wrote a column called Polk Garden Clinic, where he answered plant-related questions every Saturday for twelve years. He was also a prominent landscaper and community member, once having a day dedicated to him by the city of Lakeland. He was chosen for the honor of building a garden to represent it in the sister-city project with the Japanese city Imabari.\u003c/p\u003e\n","\u003cp\u003eMack was inducted to the Florida Citrus Hall of Fame in 1997. In 2004, the citrus world said goodbye to one of its most colorful members when Thomas B. Mack passed away due to cancer at the age of 90.\nBiographical Information found via Florida Citrus Hall of Fame website.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Thomas B. Mack never owned a grove or operated a packinghouse, but nevertheless was an integral member of Florida's Citrus community for over half a century. Born in Orangeburg, South Carolina, on October 27, 1914, Mack himself always said that he may have been destined to join the citrus world. His family moved to Florida seven years after his birth, initially landing in Wauchula before finally settling in Plant City. Mack's father was involved in agriculture, managing the Wauchula-based Kilgore Seed Company (later known as the Asgrow Florida Company) during the 1920s.","Mack graduated from Plant City High School in 1933 and entered the University of Florida in 1934 with the intention of becoming a doctor. At the urging of a professor, he abandoned his plan and instead declared himself an Ornamental Horticulture major. In 1937, Mack got married and was forced to drop out of school. He worked with a candy company in Plant City before joining the army at the outbreak of World War II. Mack served throughout the war and returned to the University of Florida in 1946, graduating in 1947 with a degree in Ornamental Horticulture with an emphasis in landscape architecture. Prior to graduation, Mack received offers from Florida Southern College to join in the formation of a new Citrus Department, but he considered the salary too low and declined the offer.","Mack gained employment with the Department of Education in what was dubbed a \"veteran's vocational agriculture\" program, designed to allow veterans to utilize their GI Bill of Rights. He was given control of the citrus aspect of the program despite only having a basic knowledge of the subject, leading to an arrangement with Dr. A.F. Camp of the University of Florida Research Center in Lake Alfred, where Dr. Camp would handle the bulk of the teaching while Mack supervised and handled the more rudimentary tasks. The program benefited Mack as much as the veterans, as he gained five years of experience in the field before the program ended in 1951. In this same year, Mack was once again approached by Florida Southern College, and this time he accepted.","Mack and his colleagues had their work cut out for them, as the college's idea of a vocational program, designed to train students for jobs in the field, rather than a research-based program, was not entirely accepted by those in the collegiate community. Nevertheless, Mack and his peers eventually developed a premier citrus program at the school. Florida Southern had the benefit of having a large amount of grove land on campus, which Mack and his colleagues used extensively. Mack and fellow faculty member Raymond Lyle used their connections as University of Florida graduates to set up opportunities for students to learn at the Research Center in Lake Alfred. In addition to regular full-time students, Mack and his colleagues set up a part-time program where students from within the industry could be sent to be educated in the field, often financially backed by their employers. Mack was most effective at gaining industry support for the citrus program as a whole, even reviving the idea of an advisory board composed of industry leaders, known as the Citrus Advisory Committee.","In 1958, the program gained publicity when it moved into the Polk Science Building, designed by renowned architect Frank Lloyd Wright. Mack was often called upon to act as a P.R. man to visitors and as a campus liaison with Wright himself. He was initially excited to hear of plans for the first Wright-designed greenhouse in the world, but was dismayed to find it essentially useless when it was built almost entirely out of concrete, according to the architect's calculations on light needed for plant growth. This forced Mack to adopt the role of fund raiser, and he eventually raised funds to build a functioning greenhouse, which he cheekily dubbed the \"Frank Lloyd Wright Greenhouse.\" Throughout the remainder of his career, Mack was an effective if sometimes eccentric fund raiser, raising money for an even larger greenhouse and eventually an entirely new citrus building, which he dedicated to one of the primary benefactors, naming it the Jack M. Berry Citrus Building. Mack raised funds for a mini-bus for the department at an alumni dinner in 1978, where he convinced those attending that the doors were locked and they would not be opened until money had been raised.","Mack became chair of the Department in 1971, re-naming it the Citrus Institute. He served in this capacity for ten years, retiring from full-time teaching in 1981. In his honor, a \"Roast Professor Mack Night\" was held, upon which he received a $12,000 retirement gift. He continued teaching on a part-time basis until 1999, earning the title of Professor Emeritus. Throughout his half-century of teaching, Mack had taught many of the current industry leaders.","His retirement in 1999 came about so he could spend more time organizing a citrus archives collection which he had been assembling since 1947, when he first entered the citrus field. Throughout the remainder of his life he collected citrus labels, magazines, text books, photographs, business records, and other forms of citrus memorabilia, eventually amassing the world's largest collection of citrus-related items. Over 60,000 photos and 1,000 labels are present, and many books date to the nineteenth century, including an 1881 copy of Orange Culture. Mack's intention was to create an open source of information for the industry. The Jack M. Berry Citrus building was built with room for the collection, but it eventually outgrew these facilities and had to be moved elsewhere on the Florida Southern campus. The collection currently is housed in the Sarah D. and L. Kirk McKay Jr. Archives Center on the Florida Southern campus.","Mack also made a name for himself as a writer. He was dubbed \"Mr. Citrifacts\" for his production of a column called \"Citrifacts,\" which contained random citrus-related trivia. These were later compiled into the books Citrifacts I and Citrifacts II, whose sale benefited Florida Southern College. He also wrote a column called Polk Garden Clinic, where he answered plant-related questions every Saturday for twelve years. He was also a prominent landscaper and community member, once having a day dedicated to him by the city of Lakeland. He was chosen for the honor of building a garden to represent it in the sister-city project with the Japanese city Imabari.","Mack was inducted to the Florida Citrus Hall of Fame in 1997. In 2004, the citrus world said goodbye to one of its most colorful members when Thomas B. Mack passed away due to cancer at the age of 90.\nBiographical Information found via Florida Citrus Hall of Fame website."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains information ranging from citrus pest biology to citrus products and byproducts.  It has business data on the industry, including individual groves' records, and photographical and historical accounts of citrus varieties and storage techniques.  It contains information on both pests and various pesticides, as well as soil health.  Other, non-citrus plants are included in this horticultural collection.  Lastly, this collection has a record of its own existence in Florida Southern's Archives.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains information ranging from citrus pest biology to citrus products and byproducts.  It has business data on the industry, including individual groves' records, and photographical and historical accounts of citrus varieties and storage techniques.  It contains information on both pests and various pesticides, as well as soil health.  Other, non-citrus plants are included in this horticultural collection.  Lastly, this collection has a record of its own existence in Florida Southern's Archives."],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["Thomas B. Mack Florida Citrus Archives"],"corpname_ssim":["Thomas B. Mack Florida Citrus Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":194,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877193769379430400,"_root_":"c5c7a60ad1585ca3dbd593be","timestamp":"2026-09-24T06:31:24.773Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/c5c7a60ad1585ca3dbd593be_aspace_b37801385c12a2a1487211c4e4309b07"}},{"id":"a83b71ad27f9fa1c46e09043_aspace_4d633999dc708d4222734bd315fa44e6","type":"Series","attributes":{"title":"Pamphlets, Booklets, and Brochures, 1870-1950","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a83b71ad27f9fa1c46e09043_aspace_4d633999dc708d4222734bd315fa44e6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_4d633999dc708d4222734bd315fa44e6","ref_ssm":["aspace_4d633999dc708d4222734bd315fa44e6","aspace_4d633999dc708d4222734bd315fa44e6"],"id":"a83b71ad27f9fa1c46e09043_aspace_4d633999dc708d4222734bd315fa44e6","title_filing_ssi":"Pamphlets, Booklets, and Brochures","title_ssm":["Pamphlets, Booklets, and Brochures"],"title_tesim":["Pamphlets, Booklets, and Brochures"],"unitdate_inclusive_ssm":["1870-1950"],"normalized_date_ssm":["1870-1950"],"normalized_title_ssm":["Pamphlets, Booklets, and Brochures, 1870-1950"],"text":["Pamphlets, Booklets, and Brochures, 1870-1950","Richard H. Mette Collection, 1826-2007","/repositories/3/archival_objects/7868","box 4","box 12","Florida Ostrich Farm; Story of Jacksonville; Fountain of Youth; Florida Agricultural Experiment Station; \nThe Great 1901 Fire"],"component_level_isim":[1],"parent_ids_ssim":["a83b71ad27f9fa1c46e09043"],"parent_unittitles_ssm":["Richard H. Mette Collection, 1826-2007"],"parent_unittitles_tesim":["Richard H. Mette Collection, 1826-2007"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/7868"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Richard H. 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Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950],"containers_ssim":["box 4","box 12"],"odd_html_tesm":["\u003cp\u003eFlorida Ostrich Farm; Story of Jacksonville; Fountain of Youth; Florida Agricultural Experiment Station; \nThe Great 1901 Fire\u003c/p\u003e"],"odd_heading_ssm":["Keywords:"],"odd_tesim":["Florida Ostrich Farm; Story of Jacksonville; Fountain of Youth; Florida Agricultural Experiment Station; \nThe Great 1901 Fire"],"_nest_path_":"/components#9","_nest_parent_":"a83b71ad27f9fa1c46e09043","_root_":"a83b71ad27f9fa1c46e09043","_version_":1870860594513444864,"timestamp":"2026-07-16T08:48:18.562Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a83b71ad27f9fa1c46e09043","title_ssm":["Richard H. Mette Collection"],"title_tesim":["Richard H. Mette Collection"],"ead_ssi":"a83b71ad27f9fa1c46e09043","unitdate_ssm":["1826-2007"],"unitdate_inclusive_ssm":["1826-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":[" 2017.003","/repositories/3/resources/68"],"text":[" 2017.003","/repositories/3/resources/68","Richard H. Mette Collection, 1826-2007","Jacksonville (Fla.) -- Antiquities","Jacksonville (Fla.) -- Description and travel -- Tourism","Saint Johns River (Fla.)","African Americans -- Florida","Souvenir china -- Florida -- Jacksonville (Fla.)","Souvenirs (Keepsakes) -- Florida -- Saint Augustine (Fla.)","Souvenirs (Keepsakes) -- Florida -- Jacksonville (Fla.)","The collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment.","Richard Mette was a lifelong residence of Jacksonville, Florida, his family having lived in the area since the early 1800's. His grandfather, Robert Joseph Mette, was a fireman in Jacksonville during the 1901 fire and his father Robert Holland Mette captained a tugboat for over 50 years on the St. Johns River.  ","Mette went to school and college locally, eventually settling in Jacksonville near the San Marco area where he was born. While in junior college he became involved in politics, working on Bruce Smathers' Campaign during his bid for State Senate. He later worked as Senator Smathers' administrative aide.  He continued his involvement in local politics and managed Congressman Bill Chappell's reelection to Congress.  ","Richard Mette worked for the Amtrak Regional Jacksonville Office during the 1980's and, in 1986, worked in marketing as a lobbyist to maintain Amtrak's Jacksonville office. He was appointed by Mayor Tommy Hazouri as a Division Chief for the city of Jacksonville and later worked for the State Attorney's Office as an administrator in the Special Prosecution Division targeting consumer fraud in Jacksonville. Mette worked from 1991-2015 in the State Attorney's Office.  ","Richard Mette was involved in the local Jacksonville community. He was a founder and President of the Northeast Florida Consumer Council. Mette served as a Trustee for the Robert A. Mette Memorial Award and Scholarship, which is awarded annually.","Upon retirement Mette was able to spend more time collecting and selling antiques. He focused on locating historic Jacksonville memorabilia. His goal was to use these special historical treasures to show the history of our city.","The materials in this collection were collected and curated by Richard H. Mette. Mette was a lifelong Jacksonville resident and has family ties to the area going back several generations. ","He channeled his interest in the region in to collecting memorabilia and ephemera that are representative of the businesses and attractions of the region. The majority of the collection served as souvenirs to Jacksonville and the surrounding cities in Northeast Florida. ","Included in the collection is Mr. Mette's research materials that provide additional background of the items represented in this collection.","The Collection consists of 3-dimensional objects, correspondence, printed materials and books covering a variety of topics on Northeast Florida. The majority of the collection relates to local businesses and attractions in Jacksonville, Jacksonville Beach, and St. Augustine.","Objects in the collection orginate from Jacksonville area hotels and businesses and includes flatware, plates, ginger beer bottles, and a commemorative engraved pitcher.","The postcard and stereograph card collection features images and illustrations from locations in Jacksonville, Pablo and Jacksonville Beach, Mandarin, Palatka, and St. Augustine.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":[" 2017.003","/repositories/3/resources/68"],"normalized_date_ssm":["1826-2007"],"normalized_title_ssm":["Richard H. Mette Collection, 1826-2007"],"collection_title_tesim":["Richard H. Mette Collection, 1826-2007"],"collection_ssim":["Richard H. Mette Collection, 1826-2007"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"geogname_ssm":["Jacksonville (Fla.) -- Antiquities","Jacksonville (Fla.) -- Description and travel -- Tourism","Saint Johns River (Fla.)"],"geogname_ssim":["Jacksonville (Fla.) -- Antiquities","Jacksonville (Fla.) -- Description and travel -- Tourism","Saint Johns River (Fla.)"],"places_ssim":["Jacksonville (Fla.) -- Antiquities","Jacksonville (Fla.) -- Description and travel -- Tourism","Saint Johns River (Fla.)"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Richard Mette, 2017."],"access_subjects_ssim":["African Americans -- Florida","Souvenir china -- Florida -- Jacksonville (Fla.)","Souvenirs (Keepsakes) -- Florida -- Saint Augustine (Fla.)","Souvenirs (Keepsakes) -- Florida -- Jacksonville (Fla.)"],"access_subjects_ssm":["African Americans -- Florida","Souvenir china -- Florida -- Jacksonville (Fla.)","Souvenirs (Keepsakes) -- Florida -- Saint Augustine (Fla.)","Souvenirs (Keepsakes) -- Florida -- Jacksonville (Fla.)"],"has_online_content_ssim":["false"],"extent_ssm":["36.00 Linear Feet"],"extent_tesim":["36.00 Linear Feet"],"date_range_isim":[1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eRichard Mette was a lifelong residence of Jacksonville, Florida, his family having lived in the area since the early 1800's. His grandfather, Robert Joseph Mette, was a fireman in Jacksonville during the 1901 fire and his father Robert Holland Mette captained a tugboat for over 50 years on the St. Johns River.  \u003c/p\u003e\n","\u003cp\u003eMette went to school and college locally, eventually settling in Jacksonville near the San Marco area where he was born. While in junior college he became involved in politics, working on Bruce Smathers' Campaign during his bid for State Senate. He later worked as Senator Smathers' administrative aide.  He continued his involvement in local politics and managed Congressman Bill Chappell's reelection to Congress.  \u003c/p\u003e\n","\u003cp\u003eRichard Mette worked for the Amtrak Regional Jacksonville Office during the 1980's and, in 1986, worked in marketing as a lobbyist to maintain Amtrak's Jacksonville office. He was appointed by Mayor Tommy Hazouri as a Division Chief for the city of Jacksonville and later worked for the State Attorney's Office as an administrator in the Special Prosecution Division targeting consumer fraud in Jacksonville. Mette worked from 1991-2015 in the State Attorney's Office.  \u003c/p\u003e\n","\u003cp\u003eRichard Mette was involved in the local Jacksonville community. He was a founder and President of the Northeast Florida Consumer Council. Mette served as a Trustee for the Robert A. Mette Memorial Award and Scholarship, which is awarded annually.\u003c/p\u003e\n","\u003cp\u003eUpon retirement Mette was able to spend more time collecting and selling antiques. He focused on locating historic Jacksonville memorabilia. His goal was to use these special historical treasures to show the history of our city.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Mette was a lifelong residence of Jacksonville, Florida, his family having lived in the area since the early 1800's. His grandfather, Robert Joseph Mette, was a fireman in Jacksonville during the 1901 fire and his father Robert Holland Mette captained a tugboat for over 50 years on the St. Johns River.  ","Mette went to school and college locally, eventually settling in Jacksonville near the San Marco area where he was born. While in junior college he became involved in politics, working on Bruce Smathers' Campaign during his bid for State Senate. He later worked as Senator Smathers' administrative aide.  He continued his involvement in local politics and managed Congressman Bill Chappell's reelection to Congress.  ","Richard Mette worked for the Amtrak Regional Jacksonville Office during the 1980's and, in 1986, worked in marketing as a lobbyist to maintain Amtrak's Jacksonville office. He was appointed by Mayor Tommy Hazouri as a Division Chief for the city of Jacksonville and later worked for the State Attorney's Office as an administrator in the Special Prosecution Division targeting consumer fraud in Jacksonville. Mette worked from 1991-2015 in the State Attorney's Office.  ","Richard Mette was involved in the local Jacksonville community. He was a founder and President of the Northeast Florida Consumer Council. Mette served as a Trustee for the Robert A. Mette Memorial Award and Scholarship, which is awarded annually.","Upon retirement Mette was able to spend more time collecting and selling antiques. He focused on locating historic Jacksonville memorabilia. His goal was to use these special historical treasures to show the history of our city."],"prefercite_html_tesm":["\u003cp\u003eRichard H. Mette Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Richard H. Mette Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection were collected and curated by Richard H. Mette. Mette was a lifelong Jacksonville resident and has family ties to the area going back several generations. \u003c/p\u003e\n","\u003cp\u003eHe channeled his interest in the region in to collecting memorabilia and ephemera that are representative of the businesses and attractions of the region. The majority of the collection served as souvenirs to Jacksonville and the surrounding cities in Northeast Florida. \u003c/p\u003e\n","\u003cp\u003eIncluded in the collection is Mr. Mette's research materials that provide additional background of the items represented in this collection.\u003c/p\u003e\n","\u003cp\u003eThe Collection consists of 3-dimensional objects, correspondence, printed materials and books covering a variety of topics on Northeast Florida. The majority of the collection relates to local businesses and attractions in Jacksonville, Jacksonville Beach, and St. Augustine.\u003c/p\u003e\n","\u003cp\u003eObjects in the collection orginate from Jacksonville area hotels and businesses and includes flatware, plates, ginger beer bottles, and a commemorative engraved pitcher.\u003c/p\u003e\n","\u003cp\u003eThe postcard and stereograph card collection features images and illustrations from locations in Jacksonville, Pablo and Jacksonville Beach, Mandarin, Palatka, and St. Augustine.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection were collected and curated by Richard H. Mette. Mette was a lifelong Jacksonville resident and has family ties to the area going back several generations. ","He channeled his interest in the region in to collecting memorabilia and ephemera that are representative of the businesses and attractions of the region. The majority of the collection served as souvenirs to Jacksonville and the surrounding cities in Northeast Florida. ","Included in the collection is Mr. Mette's research materials that provide additional background of the items represented in this collection.","The Collection consists of 3-dimensional objects, correspondence, printed materials and books covering a variety of topics on Northeast Florida. The majority of the collection relates to local businesses and attractions in Jacksonville, Jacksonville Beach, and St. Augustine.","Objects in the collection orginate from Jacksonville area hotels and businesses and includes flatware, plates, ginger beer bottles, and a commemorative engraved pitcher.","The postcard and stereograph card collection features images and illustrations from locations in Jacksonville, Pablo and Jacksonville Beach, Mandarin, Palatka, and St. Augustine."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":114,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860594513444864,"_root_":"a83b71ad27f9fa1c46e09043","timestamp":"2026-07-16T08:48:18.562Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a83b71ad27f9fa1c46e09043_aspace_4d633999dc708d4222734bd315fa44e6"}},{"id":"f98896827f16d52b3168e472_aspace_a93608dc4788fd027be35bceb90a7804","type":"File","attributes":{"title":"Pamphlets \u0026 Brochures, 1921–1980","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f98896827f16d52b3168e472_aspace_a93608dc4788fd027be35bceb90a7804#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_a93608dc4788fd027be35bceb90a7804","ref_ssm":["aspace_a93608dc4788fd027be35bceb90a7804","aspace_a93608dc4788fd027be35bceb90a7804"],"id":"f98896827f16d52b3168e472_aspace_a93608dc4788fd027be35bceb90a7804","title_filing_ssi":"Pamphlets \u0026 Brochures","title_ssm":["Pamphlets \u0026 Brochures"],"title_tesim":["Pamphlets \u0026 Brochures"],"unitdate_inclusive_ssm":["1921–1980"],"normalized_date_ssm":["1921–1980"],"normalized_title_ssm":["Pamphlets \u0026 Brochures, 1921–1980"],"text":["Pamphlets \u0026 Brochures, 1921–1980","Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997","Division Files, 1921-circa 1995","Western (Pensacola), 1920–1983","/repositories/4/archival_objects/69088","box 71","folder 9"],"component_level_isim":[3],"parent_ids_ssim":["f98896827f16d52b3168e472","f98896827f16d52b3168e472_aspace_eae888aaabb88a8b5182e3a73aba29ef","f98896827f16d52b3168e472_aspace_d2aba75f03d803df83a2b31d032264a6"],"parent_unittitles_ssm":["Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997","Division Files, 1921-circa 1995","Western (Pensacola), 1920–1983"],"parent_unittitles_tesim":["Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997","Division Files, 1921-circa 1995","Western (Pensacola), 1920–1983"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/69088"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":708,"parent_access_restrict_tesm":["The entire collection is open for research.","Photographs and Audio Visual, 1902-1997 (Series IV) and Additional Materials, 1862-2019 (Series VI) contain fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026 University Archives."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"containers_ssim":["box 71","folder 9"],"_nest_path_":"/components#2/components#22/components#21","_nest_parent_":"f98896827f16d52b3168e472_aspace_d2aba75f03d803df83a2b31d032264a6","_root_":"f98896827f16d52b3168e472","_version_":1870857973089173504,"timestamp":"2026-07-16T08:06:38.475Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f98896827f16d52b3168e472","title_ssm":["Children's Home Society of Florida collection"],"title_tesim":["Children's Home Society of Florida collection"],"ead_ssi":"f98896827f16d52b3168e472","unitdate_ssm":["1862-2019","1902-1997"],"unitdate_bulk_ssim":["1902-1997"],"unitdate_inclusive_ssm":["1862-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 054","/repositories/4/resources/294"],"text":["SC 054","/repositories/4/resources/294","Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997","Abandoned Children","Adoption -- Florida","Adoption -- United States -- History","Child welfare -- Florida","Foster children -- United States -- History","Nonprofit organizations -- Finance","Nonprofit organizations -- Management","Nonprofit organizations -- Planning","Poverty","Orphanages -- Florida","The entire collection is open for research.","Photographs and Audio Visual, 1902-1997 (Series IV) and Additional Materials, 1862-2019 (Series VI) contain fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026 University Archives.","The Children's Home Society of Florida Collection is arranged into 5 series by types of content as well as by types of materials. The first three series feature personal and office files which show the birth and growth of the organization, sorted at the state and local division levels. The last two series holds audio visual and photographic ephemera as well as scrapbooks created by workers at the society.","To be an orphan in Florida at the turn of the twentieth century was a dangerous prospect. Children were being orphaned due to farm and industrial accidents and numerous poor families had to give up children they could no longer afford. Many children were abused and there were few laws that protected children's rights. Homeless children had little place to go where they could be safe, properly cared for, and loved.","\nIn response to this increasing crisis, the National Children's Home Society was formed in Illinois in 1883 to help place children who had been orphaned in farming and industrial accidents, spreading to several other states over the next decade. The Revered D. W. Comstock came to Jacksonville, Florida in 1902 as a representative of the National Children's Home Society to help organize the state's first child welfare society. On November 17, 1902, with the help of Rev. D. W. Comstock and Jacksonville's city and religious leaders, The Children's Home Society of Florida (CHSFL) was established. The welfare of the child was the society's primary focus, making sure that if the family could not be preserved that the child was placed in a happy and healthy home.","\nThe CHSFL was developed as a non-profit organization, relying solely on donations from the community. Fund-raising efforts began as administrative duties were carried out in private homes around the city. The children were also were being cared for in private residences as there was not yet a home secured for the society to board its charges. The CHSFL committed itself to not only children but to babies who were not accepted until the age of three at state orphanages (Mahoney, 5). Money was tight for the society and within the first few years, the CHSFL found itself in deep debt. By September of 1910, the CHSFL was facing the possibility of ending operations when a new state superintendent for the society entered its doors. Marcus C. Fagg was just 24 when he took control of the CHSFL but within a few short months, he had already obtained funding to start his first appeals drive. Many in the society to this day believe that it was Marcus C. Fagg who saved the CHSFL from closing its doors and built it to the standards that society members and workers adhere to today. Fagg's compassion towards children also did not go unnoticed; from his early years with the CHSFL, many children he helped referred to him as \"Daddy\" Fagg as a token of their appreciation for finding them loving homes.","\nMarcus Fagg brought innovative solutions to a dire financial situation. Using land donated or sold at cost to the society, Fagg either rented or sold land at higher costs to turn a profit. Fagg also helped poor families by renting them homes at drastically reduced rental costs with an option to later buy the homes. Marcus Fagg helped dozens of poor families regain their footing while also helping the CHSFL emerge from a deep hole of financial debt.","\nThough Marcus Fagg began to save the society financially, the society still fell on hard times. The country became entangled in the agony of the Great Depression in the 1930s and the CHSFL suffered with the rest of the nation. The Miami receiving home was lost due to a lack of finances but was thankfully picked up and operated by the Junior League until 1936 when CHSFL was able to once again run the home. Marcus Fagg also made history in 1932 by becoming the first chairman of the new Florida State Welfare Board. Through the 1940s and 1950s, CHSFL was instrumental in securing rights and welfare laws for children nationwide. CHSFL was one of the founding members of the Child Welfare League of America and was one of the only societies in the country to handle state adoptions without the aid of a state agency. The society also saw rapid growth, thanks in part to the massive fund-raising performed by Marcus Fagg; several new division offices opened throughout the state, many of whom offered special services for children. CHSFL also began offering services to unwed mothers, further committing themselves to the family rather than just simply finding homes for children.","\nOne of the saddest moments for the CHSFL was the loss of their mentor and leader, Marcus C. \"Daddy\" Fagg in 1958. After Fagg's passing, newspapers throughout Florida ran headlines announcing the loss of a great state hero. Buried in a simple grave in Jacksonville, Florida, Fagg's life and legacy still serves as a reminder to the CHSFL of their continued effort to help abused and orphaned children in the state of Florida.","\nSegregation and integration played an important role for CHSFL in the 1960s as the society began caring for and adopting out African-American children from their receiving homes. Historically, the society took in mostly white children. As the Civil Rights movement grew in the 1960's, the society re-examined the scope of its adoption policies and began taking in and offering adoption services for the African-American community. This was a significant development both for the society and for the Civil Rights movement; African-American children were being given the same adoption services as white children at a time when the issue of race was dominant in society and politics. As the country rapidly changed, so did the society, offering for the first time services in schools for handicapped, delinquent, and abused children as well children living in racially mixed households. These services would grow and define the society through to the end of the 1990s.","\nJust three years into the new millennium and the society's second century of service, the CHSFL moved its headquarters from its birthplace in Jacksonville to more centrally located offices in Winter Park, Florida. Now over one hundred years old, the CHSFL offers fourteen divisions that serve the entire state of Florida.","Collection processed by Ari Karlene Anderson; finding aid prepared by April Karlene Anderson and Katie Seeler. All paper materials have been placed in acid free folders and stored in archival containers. Some larger paper materials, such as maps and large photographs were also placed in acid free folders but are stored in archival flat files. Paper clips have been removed and replaced with plastic clips. In some cases, rusty staples have also been removed. Post-it notes have been moved to the edges of papers and copies have been made of more fragile materials such as news clippings. Photo blocks have been placed in archival trays, stored in separate bins to prevent them from scraping against one another. Any audio or visual media in cases were kept in their containers but placed collectively in archival boxes. Loose pages and items in the scrapbooks have been secured either with plastic clips or placed in archival folders and the entire book has been wrapped in acid free archival paper. Additional materials processed and integrated into the main collection by Suphi Burak Ogreten. Collection rehoused and container list revised by Asmara Cortes-Caba in 2023.","Blount Family papers , University of West Florida University Archives and West Florida History Center, Pensacola, Florida. ","Adoption Records: This collection does not contain any records on adopted individuals or families from the Children's Home Society of Florida. However, the society does have the CHS Adoptions Archive Unit which is dedicated to the preservation and research of these records. They can be found at  http://www.chsfl.org .","Books:","Georgia Gertrude Ralph,  Elements of Record Keeping for Child-Helping Organizations , (New York: The De Vinne Press, 1915.)","Lawrence Mahoney,  Children and hope : a history of the Children's Home Society of Florida , (Miami: Pickering Press, 1987).","Other Locations:","Pensacola Historical Society's Historical Resource Center, 110 East Church Street, Pensacola, Florida 32502. Phone: (850) 434-5455 Website:  http://www.pensacolahistory.org  (Western Division).","Florida Department of State, State Archives of Florida, R. A. Gray Building 500 South Bronough Street Tallahassee, FL 32399-0250. Website:  https://dos.myflorida.com/library-archives/archives .","The Children's Home Society of Florida Collection contains personal and organizational papers, photographs, audio and visual materials, as well as ledgers and scrapbooks. The collection is arranged by both content and materials types and have been organized into the following series:","\nSeries I: Biographical Files, 1900-1991, contains the files of individuals who were instrumental in the creation and/or the operations of the Children's Home Society of Florida. Correspondence makes up the majority of this series as it show the creation of the society (Comstock, Harkins, Seaton), its resurrection (Fagg), and its continued operations.","\nSeries II: State Organizational Files, 1886-2000, includes files that were used in the operations of the society as a whole. Financial documents, correspondence, reports, as well as the meeting minutes of the various committees that ran the society can be found in this series.","\nSeries III: Division Files, 1921-circa 1995, consists of files for local divisions located throughout the state. Some divisions are no longer in operation, having been closed completely or absorbed into another division. These older divisions can be found here in their original name. Meeting minutes for each division are also located here.","\nSeries IV: Photographs and Audio Visual, 1902-1997, holds both audio and visual media used by the Children's Home Society of Florida in promoting their society as well as raising funds.","\nSeries V: Ledger and Scrapbooks, 1902-1978, includes miscellaneous ledger and scrapbooks created by the Children's Home Society of Florida. The ledger books vary in format but are generally are either inventory or accounting in nature. The scrapbooks are made up of five volumes, all created by workers at the Children's Home Society of Florida. News clippings make up the majority of the scrapbooks contents but some do contain publications made by the Children's Home Society of Florida. There are also four Rose Keller Home scrapbooks made by workers at the Rose Keller Division in Lakeland, Florida. The Rose Keller Home scrapbooks give a brief history of the division as well as chronicle events at the home.","\nSeries VI: Additional Materials, 1862-2012, holds additional materials received from the Children's Home Society of Florida including organizational files, ephemera, photographs and audio/visual materials.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","The Children's Home Society of Florida Collection contains organizational papers and ephemera that document the creation and operations of Florida's oldest non-profit adoption agency. The collection includes organizational papers from its state and local divisions, photographs, news clippings, audio and visual media, scrapbooks, and blueprints of the many receiving homes in the state, but does not contain adoption records. Adoption records remain at the CHSFL Adoption Archive and are available by contacting the society directly.","UCF Special Collections","Children's Home Society of Florida","Florida. Department of Children and Families","Child Welfare League of America","Florida. State Board of Public Welfare","English"],"unitid_tesim":["SC 054","/repositories/4/resources/294"],"normalized_date_ssm":["1862-2019, bulk 1902-1997"],"normalized_title_ssm":["Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997"],"collection_title_tesim":["Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997"],"collection_ssim":["Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Children's Home Society of Florida"],"creator_ssim":["Children's Home Society of Florida"],"creator_corpname_ssim":["Children's Home Society of Florida"],"creators_ssim":["Children's Home Society of Florida"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Children's Home Society of Florida donated these materials to the University of Central Florida Libraries, Special Collections and University Archives Department in 2004 (CFM2004_04). Additional matterials were added in 2015 (CFM2015_06), 2016 (CFM2016_03), 2017 (CFM2017_05), 2020 (CFM2020_11), and 2021 (CFM2021_06)."],"access_subjects_ssim":["Abandoned Children","Adoption -- Florida","Adoption -- United States -- History","Child welfare -- Florida","Foster children -- United States -- History","Nonprofit organizations -- Finance","Nonprofit organizations -- Management","Nonprofit organizations -- Planning","Poverty","Orphanages -- Florida"],"access_subjects_ssm":["Abandoned Children","Adoption -- Florida","Adoption -- United States -- History","Child welfare -- Florida","Foster children -- United States -- History","Nonprofit organizations -- Finance","Nonprofit organizations -- Management","Nonprofit organizations -- Planning","Poverty","Orphanages -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["102.75 Linear Feet 117 boxes, 5 scrapbooks, 13 flat files"],"extent_tesim":["102.75 Linear Feet 117 boxes, 5 scrapbooks, 13 flat files"],"date_range_isim":[1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e\n","\u003cp\u003ePhotographs and Audio Visual, 1902-1997 (Series IV) and Additional Materials, 1862-2019 (Series VI) contain fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026amp; University Archives.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research.","Photographs and Audio Visual, 1902-1997 (Series IV) and Additional Materials, 1862-2019 (Series VI) contain fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026 University Archives."],"arrangement_html_tesm":["\u003cp\u003eThe Children's Home Society of Florida Collection is arranged into 5 series by types of content as well as by types of materials. The first three series feature personal and office files which show the birth and growth of the organization, sorted at the state and local division levels. The last two series holds audio visual and photographic ephemera as well as scrapbooks created by workers at the society.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Children's Home Society of Florida Collection is arranged into 5 series by types of content as well as by types of materials. The first three series feature personal and office files which show the birth and growth of the organization, sorted at the state and local division levels. The last two series holds audio visual and photographic ephemera as well as scrapbooks created by workers at the society."],"bioghist_html_tesm":["\u003cp\u003eTo be an orphan in Florida at the turn of the twentieth century was a dangerous prospect. Children were being orphaned due to farm and industrial accidents and numerous poor families had to give up children they could no longer afford. Many children were abused and there were few laws that protected children's rights. Homeless children had little place to go where they could be safe, properly cared for, and loved.\u003c/p\u003e\n","\u003cp\u003e\nIn response to this increasing crisis, the National Children's Home Society was formed in Illinois in 1883 to help place children who had been orphaned in farming and industrial accidents, spreading to several other states over the next decade. The Revered D. W. Comstock came to Jacksonville, Florida in 1902 as a representative of the National Children's Home Society to help organize the state's first child welfare society. On November 17, 1902, with the help of Rev. D. W. Comstock and Jacksonville's city and religious leaders, The Children's Home Society of Florida (CHSFL) was established. The welfare of the child was the society's primary focus, making sure that if the family could not be preserved that the child was placed in a happy and healthy home.\u003c/p\u003e\n","\u003cp\u003e\nThe CHSFL was developed as a non-profit organization, relying solely on donations from the community. Fund-raising efforts began as administrative duties were carried out in private homes around the city. The children were also were being cared for in private residences as there was not yet a home secured for the society to board its charges. The CHSFL committed itself to not only children but to babies who were not accepted until the age of three at state orphanages (Mahoney, 5). Money was tight for the society and within the first few years, the CHSFL found itself in deep debt. By September of 1910, the CHSFL was facing the possibility of ending operations when a new state superintendent for the society entered its doors. Marcus C. Fagg was just 24 when he took control of the CHSFL but within a few short months, he had already obtained funding to start his first appeals drive. Many in the society to this day believe that it was Marcus C. Fagg who saved the CHSFL from closing its doors and built it to the standards that society members and workers adhere to today. Fagg's compassion towards children also did not go unnoticed; from his early years with the CHSFL, many children he helped referred to him as \"Daddy\" Fagg as a token of their appreciation for finding them loving homes.\u003c/p\u003e\n","\u003cp\u003e\nMarcus Fagg brought innovative solutions to a dire financial situation. Using land donated or sold at cost to the society, Fagg either rented or sold land at higher costs to turn a profit. Fagg also helped poor families by renting them homes at drastically reduced rental costs with an option to later buy the homes. Marcus Fagg helped dozens of poor families regain their footing while also helping the CHSFL emerge from a deep hole of financial debt.\u003c/p\u003e\n","\u003cp\u003e\nThough Marcus Fagg began to save the society financially, the society still fell on hard times. The country became entangled in the agony of the Great Depression in the 1930s and the CHSFL suffered with the rest of the nation. The Miami receiving home was lost due to a lack of finances but was thankfully picked up and operated by the Junior League until 1936 when CHSFL was able to once again run the home. Marcus Fagg also made history in 1932 by becoming the first chairman of the new Florida State Welfare Board. Through the 1940s and 1950s, CHSFL was instrumental in securing rights and welfare laws for children nationwide. CHSFL was one of the founding members of the Child Welfare League of America and was one of the only societies in the country to handle state adoptions without the aid of a state agency. The society also saw rapid growth, thanks in part to the massive fund-raising performed by Marcus Fagg; several new division offices opened throughout the state, many of whom offered special services for children. CHSFL also began offering services to unwed mothers, further committing themselves to the family rather than just simply finding homes for children.\u003c/p\u003e\n","\u003cp\u003e\nOne of the saddest moments for the CHSFL was the loss of their mentor and leader, Marcus C. \"Daddy\" Fagg in 1958. After Fagg's passing, newspapers throughout Florida ran headlines announcing the loss of a great state hero. Buried in a simple grave in Jacksonville, Florida, Fagg's life and legacy still serves as a reminder to the CHSFL of their continued effort to help abused and orphaned children in the state of Florida.\u003c/p\u003e\n","\u003cp\u003e\nSegregation and integration played an important role for CHSFL in the 1960s as the society began caring for and adopting out African-American children from their receiving homes. Historically, the society took in mostly white children. As the Civil Rights movement grew in the 1960's, the society re-examined the scope of its adoption policies and began taking in and offering adoption services for the African-American community. This was a significant development both for the society and for the Civil Rights movement; African-American children were being given the same adoption services as white children at a time when the issue of race was dominant in society and politics. As the country rapidly changed, so did the society, offering for the first time services in schools for handicapped, delinquent, and abused children as well children living in racially mixed households. These services would grow and define the society through to the end of the 1990s.\u003c/p\u003e\n","\u003cp\u003e\nJust three years into the new millennium and the society's second century of service, the CHSFL moved its headquarters from its birthplace in Jacksonville to more centrally located offices in Winter Park, Florida. Now over one hundred years old, the CHSFL offers fourteen divisions that serve the entire state of Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["To be an orphan in Florida at the turn of the twentieth century was a dangerous prospect. Children were being orphaned due to farm and industrial accidents and numerous poor families had to give up children they could no longer afford. Many children were abused and there were few laws that protected children's rights. Homeless children had little place to go where they could be safe, properly cared for, and loved.","\nIn response to this increasing crisis, the National Children's Home Society was formed in Illinois in 1883 to help place children who had been orphaned in farming and industrial accidents, spreading to several other states over the next decade. The Revered D. W. Comstock came to Jacksonville, Florida in 1902 as a representative of the National Children's Home Society to help organize the state's first child welfare society. On November 17, 1902, with the help of Rev. D. W. Comstock and Jacksonville's city and religious leaders, The Children's Home Society of Florida (CHSFL) was established. The welfare of the child was the society's primary focus, making sure that if the family could not be preserved that the child was placed in a happy and healthy home.","\nThe CHSFL was developed as a non-profit organization, relying solely on donations from the community. Fund-raising efforts began as administrative duties were carried out in private homes around the city. The children were also were being cared for in private residences as there was not yet a home secured for the society to board its charges. The CHSFL committed itself to not only children but to babies who were not accepted until the age of three at state orphanages (Mahoney, 5). Money was tight for the society and within the first few years, the CHSFL found itself in deep debt. By September of 1910, the CHSFL was facing the possibility of ending operations when a new state superintendent for the society entered its doors. Marcus C. Fagg was just 24 when he took control of the CHSFL but within a few short months, he had already obtained funding to start his first appeals drive. Many in the society to this day believe that it was Marcus C. Fagg who saved the CHSFL from closing its doors and built it to the standards that society members and workers adhere to today. Fagg's compassion towards children also did not go unnoticed; from his early years with the CHSFL, many children he helped referred to him as \"Daddy\" Fagg as a token of their appreciation for finding them loving homes.","\nMarcus Fagg brought innovative solutions to a dire financial situation. Using land donated or sold at cost to the society, Fagg either rented or sold land at higher costs to turn a profit. Fagg also helped poor families by renting them homes at drastically reduced rental costs with an option to later buy the homes. Marcus Fagg helped dozens of poor families regain their footing while also helping the CHSFL emerge from a deep hole of financial debt.","\nThough Marcus Fagg began to save the society financially, the society still fell on hard times. The country became entangled in the agony of the Great Depression in the 1930s and the CHSFL suffered with the rest of the nation. The Miami receiving home was lost due to a lack of finances but was thankfully picked up and operated by the Junior League until 1936 when CHSFL was able to once again run the home. Marcus Fagg also made history in 1932 by becoming the first chairman of the new Florida State Welfare Board. Through the 1940s and 1950s, CHSFL was instrumental in securing rights and welfare laws for children nationwide. CHSFL was one of the founding members of the Child Welfare League of America and was one of the only societies in the country to handle state adoptions without the aid of a state agency. The society also saw rapid growth, thanks in part to the massive fund-raising performed by Marcus Fagg; several new division offices opened throughout the state, many of whom offered special services for children. CHSFL also began offering services to unwed mothers, further committing themselves to the family rather than just simply finding homes for children.","\nOne of the saddest moments for the CHSFL was the loss of their mentor and leader, Marcus C. \"Daddy\" Fagg in 1958. After Fagg's passing, newspapers throughout Florida ran headlines announcing the loss of a great state hero. Buried in a simple grave in Jacksonville, Florida, Fagg's life and legacy still serves as a reminder to the CHSFL of their continued effort to help abused and orphaned children in the state of Florida.","\nSegregation and integration played an important role for CHSFL in the 1960s as the society began caring for and adopting out African-American children from their receiving homes. Historically, the society took in mostly white children. As the Civil Rights movement grew in the 1960's, the society re-examined the scope of its adoption policies and began taking in and offering adoption services for the African-American community. This was a significant development both for the society and for the Civil Rights movement; African-American children were being given the same adoption services as white children at a time when the issue of race was dominant in society and politics. As the country rapidly changed, so did the society, offering for the first time services in schools for handicapped, delinquent, and abused children as well children living in racially mixed households. These services would grow and define the society through to the end of the 1990s.","\nJust three years into the new millennium and the society's second century of service, the CHSFL moved its headquarters from its birthplace in Jacksonville to more centrally located offices in Winter Park, Florida. Now over one hundred years old, the CHSFL offers fourteen divisions that serve the entire state of Florida."],"prefercite_html_tesm":["\u003cp\u003eThe Children's Home Society of Florida Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["The Children's Home Society of Florida Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Ari Karlene Anderson; finding aid prepared by April Karlene Anderson and Katie Seeler. All paper materials have been placed in acid free folders and stored in archival containers. Some larger paper materials, such as maps and large photographs were also placed in acid free folders but are stored in archival flat files. Paper clips have been removed and replaced with plastic clips. In some cases, rusty staples have also been removed. Post-it notes have been moved to the edges of papers and copies have been made of more fragile materials such as news clippings. Photo blocks have been placed in archival trays, stored in separate bins to prevent them from scraping against one another. Any audio or visual media in cases were kept in their containers but placed collectively in archival boxes. Loose pages and items in the scrapbooks have been secured either with plastic clips or placed in archival folders and the entire book has been wrapped in acid free archival paper. Additional materials processed and integrated into the main collection by Suphi Burak Ogreten. Collection rehoused and container list revised by Asmara Cortes-Caba in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Ari Karlene Anderson; finding aid prepared by April Karlene Anderson and Katie Seeler. All paper materials have been placed in acid free folders and stored in archival containers. Some larger paper materials, such as maps and large photographs were also placed in acid free folders but are stored in archival flat files. Paper clips have been removed and replaced with plastic clips. In some cases, rusty staples have also been removed. Post-it notes have been moved to the edges of papers and copies have been made of more fragile materials such as news clippings. Photo blocks have been placed in archival trays, stored in separate bins to prevent them from scraping against one another. Any audio or visual media in cases were kept in their containers but placed collectively in archival boxes. Loose pages and items in the scrapbooks have been secured either with plastic clips or placed in archival folders and the entire book has been wrapped in acid free archival paper. Additional materials processed and integrated into the main collection by Suphi Burak Ogreten. Collection rehoused and container list revised by Asmara Cortes-Caba in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://uwf.lyrasistechnology.org/repositories/2/resources/350\"\u003eBlount Family papers\u003c/extref\u003e, University of West Florida University Archives and West Florida History Center, Pensacola, Florida. \u003c/p\u003e\n","\u003cp\u003eAdoption Records: This collection does not contain any records on adopted individuals or families from the Children's Home Society of Florida. However, the society does have the CHS Adoptions Archive Unit which is dedicated to the preservation and research of these records. They can be found at \u003cextref href=\"http://www.chsfl.org\"\u003ehttp://www.chsfl.org\u003c/extref\u003e.\u003c/p\u003e\n","\u003cp\u003eBooks:\u003c/p\u003e\n","\u003cp\u003eGeorgia Gertrude Ralph, \u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990260914050306596\"\u003eElements of Record Keeping for Child-Helping Organizations\u003c/extref\u003e, (New York: The De Vinne Press, 1915.)\u003c/p\u003e\n","\u003cp\u003eLawrence Mahoney, \u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990211238530306596\"\u003eChildren and hope : a history of the Children's Home Society of Florida\u003c/extref\u003e, (Miami: Pickering Press, 1987).\u003c/p\u003e\n","\u003cp\u003eOther Locations:\u003c/p\u003e\n","\u003cp\u003ePensacola Historical Society's Historical Resource Center, 110 East Church Street, Pensacola, Florida 32502. Phone: (850) 434-5455 Website: \u003cextref href=\"http://www.pensacolahistory.org\"\u003ehttp://www.pensacolahistory.org\u003c/extref\u003e (Western Division).\u003c/p\u003e\n","\u003cp\u003eFlorida Department of State, State Archives of Florida, R. A. Gray Building 500 South Bronough Street Tallahassee, FL 32399-0250. Website: \u003cextref href=\"https://dos.myflorida.com/library-archives/archives\"\u003ehttps://dos.myflorida.com/library-archives/archives\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Blount Family papers , University of West Florida University Archives and West Florida History Center, Pensacola, Florida. ","Adoption Records: This collection does not contain any records on adopted individuals or families from the Children's Home Society of Florida. However, the society does have the CHS Adoptions Archive Unit which is dedicated to the preservation and research of these records. They can be found at  http://www.chsfl.org .","Books:","Georgia Gertrude Ralph,  Elements of Record Keeping for Child-Helping Organizations , (New York: The De Vinne Press, 1915.)","Lawrence Mahoney,  Children and hope : a history of the Children's Home Society of Florida , (Miami: Pickering Press, 1987).","Other Locations:","Pensacola Historical Society's Historical Resource Center, 110 East Church Street, Pensacola, Florida 32502. Phone: (850) 434-5455 Website:  http://www.pensacolahistory.org  (Western Division).","Florida Department of State, State Archives of Florida, R. A. Gray Building 500 South Bronough Street Tallahassee, FL 32399-0250. Website:  https://dos.myflorida.com/library-archives/archives ."],"scopecontent_html_tesm":["\u003cp\u003eThe Children's Home Society of Florida Collection contains personal and organizational papers, photographs, audio and visual materials, as well as ledgers and scrapbooks. The collection is arranged by both content and materials types and have been organized into the following series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Biographical Files, 1900-1991, contains the files of individuals who were instrumental in the creation and/or the operations of the Children's Home Society of Florida. Correspondence makes up the majority of this series as it show the creation of the society (Comstock, Harkins, Seaton), its resurrection (Fagg), and its continued operations.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: State Organizational Files, 1886-2000, includes files that were used in the operations of the society as a whole. Financial documents, correspondence, reports, as well as the meeting minutes of the various committees that ran the society can be found in this series.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Division Files, 1921-circa 1995, consists of files for local divisions located throughout the state. Some divisions are no longer in operation, having been closed completely or absorbed into another division. These older divisions can be found here in their original name. Meeting minutes for each division are also located here.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Photographs and Audio Visual, 1902-1997, holds both audio and visual media used by the Children's Home Society of Florida in promoting their society as well as raising funds.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Ledger and Scrapbooks, 1902-1978, includes miscellaneous ledger and scrapbooks created by the Children's Home Society of Florida. The ledger books vary in format but are generally are either inventory or accounting in nature. The scrapbooks are made up of five volumes, all created by workers at the Children's Home Society of Florida. News clippings make up the majority of the scrapbooks contents but some do contain publications made by the Children's Home Society of Florida. There are also four Rose Keller Home scrapbooks made by workers at the Rose Keller Division in Lakeland, Florida. The Rose Keller Home scrapbooks give a brief history of the division as well as chronicle events at the home.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Additional Materials, 1862-2012, holds additional materials received from the Children's Home Society of Florida including organizational files, ephemera, photographs and audio/visual materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Children's Home Society of Florida Collection contains personal and organizational papers, photographs, audio and visual materials, as well as ledgers and scrapbooks. The collection is arranged by both content and materials types and have been organized into the following series:","\nSeries I: Biographical Files, 1900-1991, contains the files of individuals who were instrumental in the creation and/or the operations of the Children's Home Society of Florida. Correspondence makes up the majority of this series as it show the creation of the society (Comstock, Harkins, Seaton), its resurrection (Fagg), and its continued operations.","\nSeries II: State Organizational Files, 1886-2000, includes files that were used in the operations of the society as a whole. Financial documents, correspondence, reports, as well as the meeting minutes of the various committees that ran the society can be found in this series.","\nSeries III: Division Files, 1921-circa 1995, consists of files for local divisions located throughout the state. Some divisions are no longer in operation, having been closed completely or absorbed into another division. These older divisions can be found here in their original name. Meeting minutes for each division are also located here.","\nSeries IV: Photographs and Audio Visual, 1902-1997, holds both audio and visual media used by the Children's Home Society of Florida in promoting their society as well as raising funds.","\nSeries V: Ledger and Scrapbooks, 1902-1978, includes miscellaneous ledger and scrapbooks created by the Children's Home Society of Florida. The ledger books vary in format but are generally are either inventory or accounting in nature. The scrapbooks are made up of five volumes, all created by workers at the Children's Home Society of Florida. News clippings make up the majority of the scrapbooks contents but some do contain publications made by the Children's Home Society of Florida. There are also four Rose Keller Home scrapbooks made by workers at the Rose Keller Division in Lakeland, Florida. The Rose Keller Home scrapbooks give a brief history of the division as well as chronicle events at the home.","\nSeries VI: Additional Materials, 1862-2012, holds additional materials received from the Children's Home Society of Florida including organizational files, ephemera, photographs and audio/visual materials."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_116bbdee47170dbab5d0053b5cc9d529\"\u003eThe Children's Home Society of Florida Collection contains organizational papers and ephemera that document the creation and operations of Florida's oldest non-profit adoption agency. The collection includes organizational papers from its state and local divisions, photographs, news clippings, audio and visual media, scrapbooks, and blueprints of the many receiving homes in the state, but does not contain adoption records. Adoption records remain at the CHSFL Adoption Archive and are available by contacting the society directly.\u003c/abstract\u003e"],"abstract_tesim":["The Children's Home Society of Florida Collection contains organizational papers and ephemera that document the creation and operations of Florida's oldest non-profit adoption agency. The collection includes organizational papers from its state and local divisions, photographs, news clippings, audio and visual media, scrapbooks, and blueprints of the many receiving homes in the state, but does not contain adoption records. Adoption records remain at the CHSFL Adoption Archive and are available by contacting the society directly."],"names_coll_ssim":["Florida. Department of Children and Families","Child Welfare League of America","Florida. State Board of Public Welfare"],"names_ssim":["UCF Special Collections","Children's Home Society of Florida","Florida. Department of Children and Families","Child Welfare League of America","Florida. State Board of Public Welfare"],"corpname_ssim":["UCF Special Collections","Children's Home Society of Florida","Florida. Department of Children and Families","Child Welfare League of America","Florida. State Board of Public Welfare"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1225,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857973089173504,"_root_":"f98896827f16d52b3168e472","timestamp":"2026-07-16T08:06:38.475Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f98896827f16d52b3168e472_aspace_a93608dc4788fd027be35bceb90a7804"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Office of the President, 1883-1957","value":"Office of the President, 1883-1957","hits":189},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Office+of+the+President%2C+1883-1957\u0026f%5Bdate_range%5D%5B%5D=1929\u0026view=compact"}},{"attributes":{"label":"Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997","value":"Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997","hits":80},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Children%27s+Home+Society+of+Florida+collection%2C+1862-2019%2C+bulk+1902-1997\u0026f%5Bdate_range%5D%5B%5D=1929\u0026view=compact"}},{"attributes":{"label":"Michael A. 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