{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1929\u0026page=144","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1929\u0026page=143","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1929\u0026page=145","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1929\u0026page=216"},"meta":{"pages":{"current_page":144,"next_page":145,"prev_page":143,"total_pages":216,"limit_value":10,"offset_value":1430,"total_count":2158,"first_page?":false,"last_page?":false}},"data":[{"id":"948b06a86ad474541ac8aef6","type":"collection","attributes":{"title":"Nita K. 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(Trenton, New Jersey)","Spanish; Castilian","box 1","object 119"],"component_level_isim":[2],"parent_ids_ssim":["88d3b99b89bbf1c44cf508d9","88d3b99b89bbf1c44cf508d9_aspace_180c0b1aea3f820ee43c3d741a28d9bc"],"parent_unittitles_ssm":["Colección de Postales para Album Cuba en 1925","Box 1"],"parent_unittitles_tesim":["Colección de Postales para Album Cuba en 1925","Box 1"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["119","/repositories/2/archival_objects/85147"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Colección de Postales para Album Cuba en 1925"],"creator_ssim":["Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":120,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights. The Cuba en 1925 Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws"],"date_range_isim":[1929],"names_ssim":["Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)"],"corpname_ssim":["Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)"],"language_ssim":["Spanish; Castilian"],"containers_ssim":["box 1","object 119"],"_nest_path_":"/components#0/components#118","_nest_parent_":"88d3b99b89bbf1c44cf508d9_aspace_180c0b1aea3f820ee43c3d741a28d9bc","_root_":"88d3b99b89bbf1c44cf508d9","_version_":1870844485974360064,"timestamp":"2026-07-16T04:32:16.259Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"88d3b99b89bbf1c44cf508d9","title_ssm":["Colección de Postales para Album Cuba en 1925"],"title_tesim":["Colección de Postales para Album Cuba en 1925"],"ead_ssi":"88d3b99b89bbf1c44cf508d9","unitdate_ssm":[""],"unitdate_other_ssim":[""],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC6070","/repositories/2/resources/128"],"text":["SPC6070","/repositories/2/resources/128","Colección de Postales para Album Cuba en 1925","La Habana (Cuba)","Cuba","Objetos coleccionables","Havana (Cuba)","Collectibles","Turismo","Tourism","Fotograficas","Siglo XX","Fotografia de edificios ","Photographs","20th century","Architectural photography","The collection is open for research.","The \"Cuba en 1925\" series is a historical reminder to the cultural and historical fabric of Cuba's capital, Havana. This collection has a total of 265 photographic prints out of the 1,670, it is organized numerically by the number provided on the back of the cards. It capturing the diverse architectural scene and vibrant life across Havana. Originally distributed as collectibles by the renowned cigar company Henry Clay and Bock \u0026 Co., Ltd., this series is a visual marketing tool and historical record providing a snapshot of Cuban society during the early 20th century. During the 1920's, Henry Clay and Bock \u0026 Co., Ltd., came up with an idea to enhance the loyalty to their customer by creating the \"Cuba Series\", an initiative to showcase Cuban culture, society, landscape, and architecture. This collection was designed to be collectibles for consumers to partake in. The cards were printed with a photograph of a known site with the caption \"Postal para el Álbum Cuba en 1925, obsequio de Henry Clay and Bock \u0026 Co., Ltd. de la Habana, a sus favorecedores.\" to emphasize their intentions as a promotional gift to buyers. All of these cards are categorized by numberically, it is an easy way for collectors to purchase them and build up their collection for display, specifically towards cigar consumers and enthusiasts.  ","The photographic prints are organized geographically, dedicating to many historical sites, churches, administrative buildings, public parks, community centers, cemeteries, universities, gardens, palaces, private residences, factories, embassies and more. The point is to capture the visual imagery of  Havana, Cuba's landscape and all that it has to offer and make known their architectural designs throughout the capital. Since this series highlights and focuses all of Havana, it is to promote the city as a cultural epicenter and cultural hub for the natives and for global tourism. Demonstrating both the elegance and grandeur with the juxtaposition of simplistic and daily life for the natives in Havana, Cuba.   ","Despite their historical importance to the country, very few of the original photo-cards have survived to this day. The very delicate nature of the prints and its history has become increasingly rare to find. Whatever is left that survived are treasured artifacts and being sought after by many collectors and historians alike. These pieces of Cuban history offer a window of the past and give the audiences an idea of how Cuba was during its golden years, especially when it came to global tourism. The \"Cuba en 1925\" photographic series lives as a cultural reminder of the emerging art, commerce and the history of Havana. Not only a collection of images but also displays the spirit and diversity of Cuba in 1925, captured forever, giving us a glimpse of the sites and landscapes that shaped the country and the stories that can be found within these prints of history. ","\nLa serie \"Cuba en 1925\" es un recordatorio histórico del tejido cultural e histórico de la capital de Cuba, La Habana. Esta colección consta de un total de 265 impresiones fotográficas de las 1,670 originales, y está organizada numéricamente según el número que aparece en la parte posterior de las tarjetas. Captura la diversa escena arquitectónica y la vida vibrante de La Habana. Originalmente distribuida como coleccionables por la reconocida compañía de cigarros Henry Clay y Bock \u0026 Co., Ltd., esta serie es una herramienta visual de marketing y un registro histórico que ofrece una instantánea de la sociedad cubana a principios del siglo XX. Durante la década de 1920, Henry Clay y Bock \u0026 Co., Ltd. idearon una iniciativa para reforzar la lealtad de sus clientes creando la \"Serie Cuba\", un proyecto que buscaba mostrar la cultura cubana, la sociedad, los paisajes y la arquitectura. Esta colección fue diseñada para ser un artículo coleccionable para que los consumidores pudieran adquirirlo. Las tarjetas estaban impresas con una fotografía de un sitio conocido y la leyenda \"Postal para el Álbum Cuba en 1925, obsequio de Henry Clay y Bock \u0026 Co., Ltd. de La Habana, a sus favorecedores\", para enfatizar sus intenciones como un regalo promocional para los compradores. Todas estas tarjetas están organizadas por un sistema numérico, lo que facilita a los coleccionistas su compra y construcción de una colección para exhibir, especialmente dirigida a los consumidores y entusiastas de los cigarros.","Las impresiones fotográficas están organizadas geográficamente, dedicándose a muchos sitios históricos, iglesias, edificios administrativos, parques públicos, centros comunitarios, cementerios, universidades, jardines, palacios, residencias privadas, fábricas, embajadas y más. El propósito es capturar la imagen visual de La Habana, el paisaje de Cuba y todo lo que tiene para ofrecer, y dar a conocer sus diseños arquitectónicos a lo largo de la capital. Dado que esta serie se centra en La Habana, busca promover la ciudad como un epicentro cultural y un centro para el turismo global. Demuestra tanto la elegancia y grandeza como la yuxtaposición con la vida cotidiana sencilla de los habitantes de La Habana, Cuba.","A pesar de su importancia histórica para el país, muy pocos de los originales fotográficos han sobrevivido hasta el día de hoy. La naturaleza delicada de las impresiones y su historia las ha convertido en piezas cada vez más raras de encontrar. Lo que queda de ellas, que ha sobrevivido, son tesoros muy apreciados y buscados por coleccionistas e historiadores por igual. Estas piezas de la historia cubana ofrecen una ventana al pasado y dan al público una idea de cómo era Cuba durante sus años dorados, especialmente en cuanto al turismo global. La serie fotográfica \"Cuba en 1925\" vive como un recordatorio cultural del arte emergente, el comercio y la historia de La Habana. No solo es una colección de imágenes, sino que también muestra el espíritu y la diversidad de Cuba en 1925, capturada para siempre, dándonos un vistazo a los sitios y paisajes que dieron forma al país y las historias que se encuentran dentro de estas impresiones históricas.","Cuba en 1925 Photograph Album https://dloc.com/AA00003100/00001/images/0","The Cuba en 1925 Collection series at Florida International University (FIU) Special Collections gives viewers an insight into the architectural landscape of Cuba's capital, Havana during the early 20th-century. (This collection starts with print 25, and there are some that are missing from the collection out of 1,670.) These photographic collectible prints showcases all the sights throughout the city of Havana, ranging from government and administrative buildings, private residences and palaces, community centers, gardens, and public parks, cemetaries and historical sites, churches, universities, schools, and embassies. All these prints are labeled numerically and geographically, manufactured by Henry Clay and Bock \u0026 Co., Ltd., as a promotional venture for their cigar clientele and enthusiats alike. A marketing strategy to target consumers and to bring tourism to the golden years of Havana, Cuba. Originally, this series composes of 1,670 prints, but in this collection in total offer 265 prints on display for researchers to have a chance to see these photographs and offer a window of Havana, Cuba in 1925. ","\nLa colección \"Cuba en 1925\" en las Special Collections de la Florida International University (FIU) ofrece a los espectadores una visión del paisaje arquitectónico de La Habana, la capital de Cuba, durante el siglo XX. (Esta colección comienza con la impresión 25, y hay algunas que faltan de la colección de un total de 1,670.) Estas impresiones fotográficas coleccionables muestran todos los sitios de la ciudad de La Habana, que van desde edificios gubernamentales y administrativos, residencias privadas y palacios, hasta centros comunitarios, jardines, parques públicos, cementerios y sitios históricos, iglesias, universidades, escuelas y embajadas. Todas estas impresiones están etiquetadas numéricamente y geográficamente, fabricadas por Henry Clay y Bock \u0026 Co., Ltd., como una iniciativa promocional para su clientela de cigarros y entusiastas por igual. Una estrategia de marketing destinada a atraer consumidores y a promover el turismo en los años dorados de La Habana, Cuba. Originalmente, esta serie consta de 1,670 impresiones, pero en esta colección se ofrecen un total de 265 impresiones en exhibición, brindando a los investigadores la oportunidad de ver estas fotografías y ofrecer una ventana a La Habana, Cuba, en 1925.","Rights. The Cuba en 1925 Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws","Photographic collectible prints of all the sights in Havana, Cuba in the year 1925.","FIU Special Collections","Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","Spanish; Castilian"],"unitid_tesim":["SPC6070","/repositories/2/resources/128"],"normalized_title_ssm":["Colección de Postales para Album Cuba en 1925"],"collection_title_tesim":["Colección de Postales para Album Cuba en 1925"],"collection_ssim":["Colección de Postales para Album Cuba en 1925"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["La Habana (Cuba)","Cuba","Objetos coleccionables","Havana (Cuba)","Collectibles"],"geogname_ssim":["La Habana (Cuba)","Cuba","Objetos coleccionables","Havana (Cuba)","Collectibles"],"places_ssim":["La Habana (Cuba)","Cuba","Objetos coleccionables","Havana (Cuba)","Collectibles"],"access_terms_ssm":["Rights. The Cuba en 1925 Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws"],"access_subjects_ssim":["Turismo","Tourism","Fotograficas","Siglo XX","Fotografia de edificios ","Photographs","20th century","Architectural photography"],"access_subjects_ssm":["Turismo","Tourism","Fotograficas","Siglo XX","Fotografia de edificios ","Photographs","20th century","Architectural photography"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"genreform_ssim":["Fotograficas","Siglo XX","Fotografia de edificios ","Photographs","20th century","Architectural photography"],"date_range_isim":[1925],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe \"Cuba en 1925\" series is a historical reminder to the cultural and historical fabric of Cuba's capital, Havana. This collection has a total of 265 photographic prints out of the 1,670, it is organized numerically by the number provided on the back of the cards. It capturing the diverse architectural scene and vibrant life across Havana. Originally distributed as collectibles by the renowned cigar company Henry Clay and Bock \u0026amp; Co., Ltd., this series is a visual marketing tool and historical record providing a snapshot of Cuban society during the early 20th century. During the 1920's, Henry Clay and Bock \u0026amp; Co., Ltd., came up with an idea to enhance the loyalty to their customer by creating the \"Cuba Series\", an initiative to showcase Cuban culture, society, landscape, and architecture. This collection was designed to be collectibles for consumers to partake in. The cards were printed with a photograph of a known site with the caption \"Postal para el \u0026#xC1;lbum Cuba en 1925, obsequio de Henry Clay and Bock \u0026amp; Co., Ltd. de la Habana, a sus favorecedores.\" to emphasize their intentions as a promotional gift to buyers. All of these cards are categorized by numberically, it is an easy way for collectors to purchase them and build up their collection for display, specifically towards cigar consumers and enthusiasts.  \u003c/p\u003e\n","\u003cp\u003eThe photographic prints are organized geographically, dedicating to many historical sites, churches, administrative buildings, public parks, community centers, cemeteries, universities, gardens, palaces, private residences, factories, embassies and more. The point is to capture the visual imagery of \u0026#xA0;Havana, Cuba's landscape and all that it has to offer and make known their architectural designs throughout the capital. Since this series highlights and focuses all of Havana, it is to promote the city as a cultural epicenter and cultural hub for the natives and for global tourism. Demonstrating both the elegance and grandeur with the juxtaposition of simplistic and daily life for the natives in Havana, Cuba. \u0026#xA0; \u003c/p\u003e\n","\u003cp\u003eDespite their historical importance to the country, very few of the original photo-cards have survived to this day. The very delicate nature of the prints and its history has become increasingly rare to find. Whatever is left that survived are treasured artifacts and being sought after by many collectors and historians alike. These pieces of Cuban history offer a window of the past and give the audiences an idea of how Cuba was during its golden years, especially when it came to global tourism. The \"Cuba en 1925\" photographic series lives as a cultural reminder of the emerging art, commerce and the history of Havana. Not only a collection of images but also displays the spirit and diversity of Cuba in 1925, captured forever, giving us a glimpse of the sites and landscapes that shaped the country and the stories that can be found within these prints of history.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003e\nLa serie \"Cuba en 1925\" es un recordatorio hist\u0026#xF3;rico del tejido cultural e hist\u0026#xF3;rico de la capital de Cuba, La Habana. Esta colecci\u0026#xF3;n consta de un total de 265 impresiones fotogr\u0026#xE1;ficas de las 1,670 originales, y est\u0026#xE1; organizada num\u0026#xE9;ricamente seg\u0026#xFA;n el n\u0026#xFA;mero que aparece en la parte posterior de las tarjetas. Captura la diversa escena arquitect\u0026#xF3;nica y la vida vibrante de La Habana. Originalmente distribuida como coleccionables por la reconocida compa\u0026#xF1;\u0026#xED;a de cigarros Henry Clay y Bock \u0026amp; Co., Ltd., esta serie es una herramienta visual de marketing y un registro hist\u0026#xF3;rico que ofrece una instant\u0026#xE1;nea de la sociedad cubana a principios del siglo XX. Durante la d\u0026#xE9;cada de 1920, Henry Clay y Bock \u0026amp; Co., Ltd. idearon una iniciativa para reforzar la lealtad de sus clientes creando la \"Serie Cuba\", un proyecto que buscaba mostrar la cultura cubana, la sociedad, los paisajes y la arquitectura. Esta colecci\u0026#xF3;n fue dise\u0026#xF1;ada para ser un art\u0026#xED;culo coleccionable para que los consumidores pudieran adquirirlo. Las tarjetas estaban impresas con una fotograf\u0026#xED;a de un sitio conocido y la leyenda \"Postal para el \u0026#xC1;lbum Cuba en 1925, obsequio de Henry Clay y Bock \u0026amp; Co., Ltd. de La Habana, a sus favorecedores\", para enfatizar sus intenciones como un regalo promocional para los compradores. Todas estas tarjetas est\u0026#xE1;n organizadas por un sistema num\u0026#xE9;rico, lo que facilita a los coleccionistas su compra y construcci\u0026#xF3;n de una colecci\u0026#xF3;n para exhibir, especialmente dirigida a los consumidores y entusiastas de los cigarros.\u003c/p\u003e\n","\u003cp\u003eLas impresiones fotogr\u0026#xE1;ficas est\u0026#xE1;n organizadas geogr\u0026#xE1;ficamente, dedic\u0026#xE1;ndose a muchos sitios hist\u0026#xF3;ricos, iglesias, edificios administrativos, parques p\u0026#xFA;blicos, centros comunitarios, cementerios, universidades, jardines, palacios, residencias privadas, f\u0026#xE1;bricas, embajadas y m\u0026#xE1;s. El prop\u0026#xF3;sito es capturar la imagen visual de La Habana, el paisaje de Cuba y todo lo que tiene para ofrecer, y dar a conocer sus dise\u0026#xF1;os arquitect\u0026#xF3;nicos a lo largo de la capital. Dado que esta serie se centra en La Habana, busca promover la ciudad como un epicentro cultural y un centro para el turismo global. Demuestra tanto la elegancia y grandeza como la yuxtaposici\u0026#xF3;n con la vida cotidiana sencilla de los habitantes de La Habana, Cuba.\u003c/p\u003e\n","\u003cp\u003eA pesar de su importancia hist\u0026#xF3;rica para el pa\u0026#xED;s, muy pocos de los originales fotogr\u0026#xE1;ficos han sobrevivido hasta el d\u0026#xED;a de hoy. La naturaleza delicada de las impresiones y su historia las ha convertido en piezas cada vez m\u0026#xE1;s raras de encontrar. Lo que queda de ellas, que ha sobrevivido, son tesoros muy apreciados y buscados por coleccionistas e historiadores por igual. Estas piezas de la historia cubana ofrecen una ventana al pasado y dan al p\u0026#xFA;blico una idea de c\u0026#xF3;mo era Cuba durante sus a\u0026#xF1;os dorados, especialmente en cuanto al turismo global. La serie fotogr\u0026#xE1;fica \"Cuba en 1925\" vive como un recordatorio cultural del arte emergente, el comercio y la historia de La Habana. No solo es una colecci\u0026#xF3;n de im\u0026#xE1;genes, sino que tambi\u0026#xE9;n muestra el esp\u0026#xED;ritu y la diversidad de Cuba en 1925, capturada para siempre, d\u0026#xE1;ndonos un vistazo a los sitios y paisajes que dieron forma al pa\u0026#xED;s y las historias que se encuentran dentro de estas impresiones hist\u0026#xF3;ricas.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The \"Cuba en 1925\" series is a historical reminder to the cultural and historical fabric of Cuba's capital, Havana. This collection has a total of 265 photographic prints out of the 1,670, it is organized numerically by the number provided on the back of the cards. It capturing the diverse architectural scene and vibrant life across Havana. Originally distributed as collectibles by the renowned cigar company Henry Clay and Bock \u0026 Co., Ltd., this series is a visual marketing tool and historical record providing a snapshot of Cuban society during the early 20th century. During the 1920's, Henry Clay and Bock \u0026 Co., Ltd., came up with an idea to enhance the loyalty to their customer by creating the \"Cuba Series\", an initiative to showcase Cuban culture, society, landscape, and architecture. This collection was designed to be collectibles for consumers to partake in. The cards were printed with a photograph of a known site with the caption \"Postal para el Álbum Cuba en 1925, obsequio de Henry Clay and Bock \u0026 Co., Ltd. de la Habana, a sus favorecedores.\" to emphasize their intentions as a promotional gift to buyers. All of these cards are categorized by numberically, it is an easy way for collectors to purchase them and build up their collection for display, specifically towards cigar consumers and enthusiasts.  ","The photographic prints are organized geographically, dedicating to many historical sites, churches, administrative buildings, public parks, community centers, cemeteries, universities, gardens, palaces, private residences, factories, embassies and more. The point is to capture the visual imagery of  Havana, Cuba's landscape and all that it has to offer and make known their architectural designs throughout the capital. Since this series highlights and focuses all of Havana, it is to promote the city as a cultural epicenter and cultural hub for the natives and for global tourism. Demonstrating both the elegance and grandeur with the juxtaposition of simplistic and daily life for the natives in Havana, Cuba.   ","Despite their historical importance to the country, very few of the original photo-cards have survived to this day. The very delicate nature of the prints and its history has become increasingly rare to find. Whatever is left that survived are treasured artifacts and being sought after by many collectors and historians alike. These pieces of Cuban history offer a window of the past and give the audiences an idea of how Cuba was during its golden years, especially when it came to global tourism. The \"Cuba en 1925\" photographic series lives as a cultural reminder of the emerging art, commerce and the history of Havana. Not only a collection of images but also displays the spirit and diversity of Cuba in 1925, captured forever, giving us a glimpse of the sites and landscapes that shaped the country and the stories that can be found within these prints of history. ","\nLa serie \"Cuba en 1925\" es un recordatorio histórico del tejido cultural e histórico de la capital de Cuba, La Habana. Esta colección consta de un total de 265 impresiones fotográficas de las 1,670 originales, y está organizada numéricamente según el número que aparece en la parte posterior de las tarjetas. Captura la diversa escena arquitectónica y la vida vibrante de La Habana. Originalmente distribuida como coleccionables por la reconocida compañía de cigarros Henry Clay y Bock \u0026 Co., Ltd., esta serie es una herramienta visual de marketing y un registro histórico que ofrece una instantánea de la sociedad cubana a principios del siglo XX. Durante la década de 1920, Henry Clay y Bock \u0026 Co., Ltd. idearon una iniciativa para reforzar la lealtad de sus clientes creando la \"Serie Cuba\", un proyecto que buscaba mostrar la cultura cubana, la sociedad, los paisajes y la arquitectura. Esta colección fue diseñada para ser un artículo coleccionable para que los consumidores pudieran adquirirlo. Las tarjetas estaban impresas con una fotografía de un sitio conocido y la leyenda \"Postal para el Álbum Cuba en 1925, obsequio de Henry Clay y Bock \u0026 Co., Ltd. de La Habana, a sus favorecedores\", para enfatizar sus intenciones como un regalo promocional para los compradores. Todas estas tarjetas están organizadas por un sistema numérico, lo que facilita a los coleccionistas su compra y construcción de una colección para exhibir, especialmente dirigida a los consumidores y entusiastas de los cigarros.","Las impresiones fotográficas están organizadas geográficamente, dedicándose a muchos sitios históricos, iglesias, edificios administrativos, parques públicos, centros comunitarios, cementerios, universidades, jardines, palacios, residencias privadas, fábricas, embajadas y más. El propósito es capturar la imagen visual de La Habana, el paisaje de Cuba y todo lo que tiene para ofrecer, y dar a conocer sus diseños arquitectónicos a lo largo de la capital. Dado que esta serie se centra en La Habana, busca promover la ciudad como un epicentro cultural y un centro para el turismo global. Demuestra tanto la elegancia y grandeza como la yuxtaposición con la vida cotidiana sencilla de los habitantes de La Habana, Cuba.","A pesar de su importancia histórica para el país, muy pocos de los originales fotográficos han sobrevivido hasta el día de hoy. La naturaleza delicada de las impresiones y su historia las ha convertido en piezas cada vez más raras de encontrar. Lo que queda de ellas, que ha sobrevivido, son tesoros muy apreciados y buscados por coleccionistas e historiadores por igual. Estas piezas de la historia cubana ofrecen una ventana al pasado y dan al público una idea de cómo era Cuba durante sus años dorados, especialmente en cuanto al turismo global. La serie fotográfica \"Cuba en 1925\" vive como un recordatorio cultural del arte emergente, el comercio y la historia de La Habana. No solo es una colección de imágenes, sino que también muestra el espíritu y la diversidad de Cuba en 1925, capturada para siempre, dándonos un vistazo a los sitios y paisajes que dieron forma al país y las historias que se encuentran dentro de estas impresiones históricas."],"relatedmaterial_html_tesm":["\u003cp\u003eCuba en 1925 Photograph Album https://dloc.com/AA00003100/00001/images/0\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Cuba en 1925 Photograph Album https://dloc.com/AA00003100/00001/images/0"],"scopecontent_html_tesm":["\u003cp\u003eThe Cuba en 1925 Collection series at Florida International University (FIU) Special Collections gives viewers an insight into the architectural landscape of Cuba's capital, Havana during the early 20th-century. (This collection starts with print 25, and there are some that are missing from the collection out of 1,670.) These photographic collectible prints showcases all the sights throughout the city of Havana, ranging from government and administrative buildings, private residences and palaces, community centers, gardens, and public parks, cemetaries and historical sites, churches, universities, schools, and embassies. All these prints are labeled numerically and geographically, manufactured by Henry Clay and Bock \u0026amp; Co., Ltd., as a promotional venture for their cigar clientele and enthusiats alike. A marketing strategy to target consumers and to bring tourism to the golden years of Havana, Cuba. Originally, this series composes of 1,670 prints, but in this collection in total offer 265 prints on display for researchers to have a chance to see these photographs and offer a window of Havana, Cuba in 1925. \u003c/p\u003e\n","\u003cp\u003e\nLa colecci\u0026#xF3;n \"Cuba en 1925\" en las Special Collections de la Florida International University (FIU) ofrece a los espectadores una visi\u0026#xF3;n del paisaje arquitect\u0026#xF3;nico de La Habana, la capital de Cuba, durante el siglo XX. (Esta colecci\u0026#xF3;n comienza con la impresi\u0026#xF3;n 25, y hay algunas que faltan de la colecci\u0026#xF3;n de un total de 1,670.) Estas impresiones fotogr\u0026#xE1;ficas coleccionables muestran todos los sitios de la ciudad de La Habana, que van desde edificios gubernamentales y administrativos, residencias privadas y palacios, hasta centros comunitarios, jardines, parques p\u0026#xFA;blicos, cementerios y sitios hist\u0026#xF3;ricos, iglesias, universidades, escuelas y embajadas. Todas estas impresiones est\u0026#xE1;n etiquetadas num\u0026#xE9;ricamente y geogr\u0026#xE1;ficamente, fabricadas por Henry Clay y Bock \u0026amp; Co., Ltd., como una iniciativa promocional para su clientela de cigarros y entusiastas por igual. Una estrategia de marketing destinada a atraer consumidores y a promover el turismo en los a\u0026#xF1;os dorados de La Habana, Cuba. Originalmente, esta serie consta de 1,670 impresiones, pero en esta colecci\u0026#xF3;n se ofrecen un total de 265 impresiones en exhibici\u0026#xF3;n, brindando a los investigadores la oportunidad de ver estas fotograf\u0026#xED;as y ofrecer una ventana a La Habana, Cuba, en 1925.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuba en 1925 Collection series at Florida International University (FIU) Special Collections gives viewers an insight into the architectural landscape of Cuba's capital, Havana during the early 20th-century. (This collection starts with print 25, and there are some that are missing from the collection out of 1,670.) These photographic collectible prints showcases all the sights throughout the city of Havana, ranging from government and administrative buildings, private residences and palaces, community centers, gardens, and public parks, cemetaries and historical sites, churches, universities, schools, and embassies. All these prints are labeled numerically and geographically, manufactured by Henry Clay and Bock \u0026 Co., Ltd., as a promotional venture for their cigar clientele and enthusiats alike. A marketing strategy to target consumers and to bring tourism to the golden years of Havana, Cuba. Originally, this series composes of 1,670 prints, but in this collection in total offer 265 prints on display for researchers to have a chance to see these photographs and offer a window of Havana, Cuba in 1925. ","\nLa colección \"Cuba en 1925\" en las Special Collections de la Florida International University (FIU) ofrece a los espectadores una visión del paisaje arquitectónico de La Habana, la capital de Cuba, durante el siglo XX. (Esta colección comienza con la impresión 25, y hay algunas que faltan de la colección de un total de 1,670.) Estas impresiones fotográficas coleccionables muestran todos los sitios de la ciudad de La Habana, que van desde edificios gubernamentales y administrativos, residencias privadas y palacios, hasta centros comunitarios, jardines, parques públicos, cementerios y sitios históricos, iglesias, universidades, escuelas y embajadas. Todas estas impresiones están etiquetadas numéricamente y geográficamente, fabricadas por Henry Clay y Bock \u0026 Co., Ltd., como una iniciativa promocional para su clientela de cigarros y entusiastas por igual. Una estrategia de marketing destinada a atraer consumidores y a promover el turismo en los años dorados de La Habana, Cuba. Originalmente, esta serie consta de 1,670 impresiones, pero en esta colección se ofrecen un total de 265 impresiones en exhibición, brindando a los investigadores la oportunidad de ver estas fotografías y ofrecer una ventana a La Habana, Cuba, en 1925."],"userestrict_html_tesm":["\u003cp\u003eRights. The Cuba en 1925 Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Cuba en 1925 Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws"],"abstract_html_tesm":["\u003cabstract id=\"aspace_875c348bfe0ad7bab4f0e1ffb279cd3b\"\u003ePhotographic collectible prints of all the sights in Havana, Cuba in the year 1925.\u003c/abstract\u003e"],"abstract_tesim":["Photographic collectible prints of all the sights in Havana, Cuba in the year 1925."],"names_ssim":["FIU Special Collections","Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)"],"corpname_ssim":["FIU Special Collections","Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)"],"language_ssim":["Spanish; Castilian"],"total_component_count_is":265,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844485974360064,"_root_":"88d3b99b89bbf1c44cf508d9","timestamp":"2026-07-16T04:32:16.259Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/88d3b99b89bbf1c44cf508d9_aspace_242803b4db9e614656f08f23709aaad6"}},{"id":"1390eefc000fb40ed2475e88","type":"collection","attributes":{"title":"Noel Sainsbury collection, 1928-1945, Date acquired: 10/15/2017","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/1390eefc000fb40ed2475e88#creator","type":"document_value","attributes":{"value":["Sainsbury, Noel (1884-1955)"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/1390eefc000fb40ed2475e88#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection is comprised of manuscripts, personal letters and dust jackets related to Sainsbury's literary works. Included are typed manuscripts of early book drafts. Also included are correspondence and personal letters between Noel and family, business associates, and fans with a personal scrapbook of newspaper clippings that mention Noel. Also included are dust jackets for Sainsbury's published works.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1390eefc000fb40ed2475e88#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"1390eefc000fb40ed2475e88","title_ssm":["Noel Sainsbury collection"],"title_tesim":["Noel Sainsbury collection"],"ead_ssi":"1390eefc000fb40ed2475e88","unitdate_ssm":["1928-1945","Date acquired: 10/15/2017"],"unitdate_inclusive_ssm":["1928-1945"],"unitdate_other_ssim":["Date acquired: 10/15/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2017-06","/repositories/2/resources/45"],"text":["MS-2017-06","/repositories/2/resources/45","Noel Sainsbury collection, 1928-1945, Date acquired: 10/15/2017","Children's literature, American","Children's literature in series","Sainsbury, Noel, 1884- -- Correspondence","Adventure stories","Aeronautics -- Juvenile fiction","Airplanes -- Juvenile fiction","Noel Everingham Sainsbury, Jr. was born in New York City on June 11, 1884. He received formal education in both Switzerland and the United States, finishing college in 1905. Sainsbury worked as an engineer before joining the US Navy and serving in World War 1. During the war he flew missions as one of the first generations of US combat pilots. Sainsbury took his experience with flight and used his technical knowledge as the basis for several children's book series based on flying and adventure, including the Bill Bolton, Dorothy Dixon, and Billy Smith flying adventure series. Sainsbury also is known for the Sorak jungle series and the Champion Sport stories series. Noel Sainsbury spent the last years of his life in Florida where he died in 1955.","Erisman, Fred. Boys' Books, Boys' Dreams, and the Mystique of Flight. Fort Worth, Texas: TCU Press, 2006. p. 187.","published","Processed","This collection is comprised of manuscripts, personal letters and dust jackets related to Sainsbury's literary works. Included are typed manuscripts of early book drafts. 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Also included are dust jackets for Sainsbury's published works.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Sainsbury, Noel (1884-1955)","English"],"unitid_tesim":["MS-2017-06","/repositories/2/resources/45"],"normalized_date_ssm":["1928-1945, Date acquired: 10/15/2017"],"normalized_title_ssm":["Noel Sainsbury collection, 1928-1945, Date acquired: 10/15/2017"],"collection_title_tesim":["Noel Sainsbury collection, 1928-1945, Date acquired: 10/15/2017"],"collection_ssim":["Noel Sainsbury collection, 1928-1945, Date acquired: 10/15/2017"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Sainsbury, Noel (1884-1955)"],"creator_ssim":["Sainsbury, Noel (1884-1955)"],"creator_persname_ssim":["Sainsbury, Noel (1884-1955)"],"creators_ssim":["Sainsbury, Noel (1884-1955)"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Purchase"],"access_subjects_ssim":["Children's literature, American","Children's literature in series","Sainsbury, Noel, 1884- -- Correspondence","Adventure stories","Aeronautics -- Juvenile fiction","Airplanes -- Juvenile fiction"],"access_subjects_ssm":["Children's literature, American","Children's literature in series","Sainsbury, Noel, 1884- -- Correspondence","Adventure stories","Aeronautics -- Juvenile fiction","Airplanes -- Juvenile fiction"],"has_online_content_ssim":["false"],"extent_ssm":["0.63 Linear Feet","2 boxes"],"extent_tesim":["0.63 Linear Feet","2 boxes"],"genreform_ssim":["Adventure stories","Aeronautics -- Juvenile fiction","Airplanes -- Juvenile fiction"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945],"bioghist_html_tesm":["\u003cp\u003eNoel Everingham Sainsbury, Jr. was born in New York City on June 11, 1884. He received formal education in both Switzerland and the United States, finishing college in 1905. Sainsbury worked as an engineer before joining the US Navy and serving in World War 1. During the war he flew missions as one of the first generations of US combat pilots. Sainsbury took his experience with flight and used his technical knowledge as the basis for several children's book series based on flying and adventure, including the Bill Bolton, Dorothy Dixon, and Billy Smith flying adventure series. Sainsbury also is known for the Sorak jungle series and the Champion Sport stories series. Noel Sainsbury spent the last years of his life in Florida where he died in 1955.\u003c/p\u003e\n","\u003cp\u003eErisman, Fred. Boys' Books, Boys' Dreams, and the Mystique of Flight. 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Fort Worth, Texas: TCU Press, 2006. p. 187."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eNoel Sainsbury Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Noel Sainsbury Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"processinfo_html_tesm":["\u003cp\u003eProcessed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed"],"scopecontent_html_tesm":["\u003cp\u003eThis collection is comprised of manuscripts, personal letters and dust jackets related to Sainsbury's literary works. Included are typed manuscripts of early book drafts. 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Also included are dust jackets for Sainsbury's published works."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Sainsbury, Noel (1884-1955)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Sainsbury, Noel (1884-1955)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":59,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"1390eefc000fb40ed2475e88","timestamp":"2026-04-21T04:52:44.814Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1390eefc000fb40ed2475e88","title_ssm":["Noel Sainsbury collection"],"title_tesim":["Noel Sainsbury collection"],"ead_ssi":"1390eefc000fb40ed2475e88","unitdate_ssm":["1928-1945","Date acquired: 10/15/2017"],"unitdate_inclusive_ssm":["1928-1945"],"unitdate_other_ssim":["Date acquired: 10/15/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2017-06","/repositories/2/resources/45"],"text":["MS-2017-06","/repositories/2/resources/45","Noel Sainsbury collection, 1928-1945, Date acquired: 10/15/2017","Children's literature, American","Children's literature in series","Sainsbury, Noel, 1884- -- Correspondence","Adventure stories","Aeronautics -- Juvenile fiction","Airplanes -- Juvenile fiction","Noel Everingham Sainsbury, Jr. was born in New York City on June 11, 1884. 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Also included are dust jackets for Sainsbury's published works.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Sainsbury, Noel (1884-1955)","English"],"unitid_tesim":["MS-2017-06","/repositories/2/resources/45"],"normalized_date_ssm":["1928-1945, Date acquired: 10/15/2017"],"normalized_title_ssm":["Noel Sainsbury collection, 1928-1945, Date acquired: 10/15/2017"],"collection_title_tesim":["Noel Sainsbury collection, 1928-1945, Date acquired: 10/15/2017"],"collection_ssim":["Noel Sainsbury collection, 1928-1945, Date acquired: 10/15/2017"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Sainsbury, Noel (1884-1955)"],"creator_ssim":["Sainsbury, Noel (1884-1955)"],"creator_persname_ssim":["Sainsbury, Noel (1884-1955)"],"creators_ssim":["Sainsbury, Noel (1884-1955)"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Purchase"],"access_subjects_ssim":["Children's literature, American","Children's literature in series","Sainsbury, Noel, 1884- -- Correspondence","Adventure stories","Aeronautics -- Juvenile fiction","Airplanes -- Juvenile fiction"],"access_subjects_ssm":["Children's literature, American","Children's literature in series","Sainsbury, Noel, 1884- -- Correspondence","Adventure stories","Aeronautics -- Juvenile fiction","Airplanes -- Juvenile fiction"],"has_online_content_ssim":["false"],"extent_ssm":["0.63 Linear Feet","2 boxes"],"extent_tesim":["0.63 Linear Feet","2 boxes"],"genreform_ssim":["Adventure stories","Aeronautics -- Juvenile fiction","Airplanes -- Juvenile fiction"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945],"bioghist_html_tesm":["\u003cp\u003eNoel Everingham Sainsbury, Jr. was born in New York City on June 11, 1884. He received formal education in both Switzerland and the United States, finishing college in 1905. Sainsbury worked as an engineer before joining the US Navy and serving in World War 1. During the war he flew missions as one of the first generations of US combat pilots. Sainsbury took his experience with flight and used his technical knowledge as the basis for several children's book series based on flying and adventure, including the Bill Bolton, Dorothy Dixon, and Billy Smith flying adventure series. Sainsbury also is known for the Sorak jungle series and the Champion Sport stories series. Noel Sainsbury spent the last years of his life in Florida where he died in 1955.\u003c/p\u003e\n","\u003cp\u003eErisman, Fred. Boys' Books, Boys' Dreams, and the Mystique of Flight. 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Fort Worth, Texas: TCU Press, 2006. p. 187."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eNoel Sainsbury Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Noel Sainsbury Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"processinfo_html_tesm":["\u003cp\u003eProcessed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed"],"scopecontent_html_tesm":["\u003cp\u003eThis collection is comprised of manuscripts, personal letters and dust jackets related to Sainsbury's literary works. Included are typed manuscripts of early book drafts. 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Also included are dust jackets for Sainsbury's published works."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Sainsbury, Noel (1884-1955)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Sainsbury, Noel (1884-1955)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":59,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"1390eefc000fb40ed2475e88","timestamp":"2026-04-21T04:52:44.814Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1390eefc000fb40ed2475e88"}},{"id":"9814e559b5e5e7e356011795","type":"collection","attributes":{"title":"Noel Wisdom collection, 1915-1982","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/9814e559b5e5e7e356011795#creator","type":"document_value","attributes":{"value":["Wisdom, Noel (1897-1983)"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/9814e559b5e5e7e356011795#abstract_or_scope","type":"document_value","attributes":{"value":["This collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript, \u003cem\u003eAround The World On Scissors\u003c/em\u003e. It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9814e559b5e5e7e356011795#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"9814e559b5e5e7e356011795","title_ssm":["Noel Wisdom collection"],"title_tesim":["Noel Wisdom collection"],"ead_ssi":"9814e559b5e5e7e356011795","unitdate_ssm":["1915-1982"],"unitdate_inclusive_ssm":["1915-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1976-02","/repositories/2/resources/191"],"text":["MS-1976-02","/repositories/2/resources/191","Noel Wisdom collection, 1915-1982","Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists","This collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2.","Noel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.  His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches.  Most of what he did in the trenches consisited of sketching profiles of his platoon.  One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.  In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.  He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.  Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.  At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.  He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.   Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.  He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.  During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.  About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist.  In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.  Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve","Noel Wisdom Collection of Chromolithographic Prints","This collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","This collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript,  Around The World On Scissors . It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom.","USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)","English"],"unitid_tesim":["MS-1976-02","/repositories/2/resources/191"],"normalized_date_ssm":["1915-1982"],"normalized_title_ssm":["Noel Wisdom collection, 1915-1982"],"collection_title_tesim":["Noel Wisdom collection, 1915-1982"],"collection_ssim":["Noel Wisdom collection, 1915-1982"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Wisdom, Noel (1897-1983)"],"creator_ssim":["Wisdom, Noel (1897-1983)"],"creator_persname_ssim":["Wisdom, Noel (1897-1983)"],"creators_ssim":["Wisdom, Noel (1897-1983)"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Noel Wisdom","Donation."],"access_subjects_ssim":["Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists"],"access_subjects_ssm":["Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["0.83 Linear Feet","2 boxes"],"extent_tesim":["0.83 Linear Feet","2 boxes"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2."],"bioghist_html_tesm":["\u003cp\u003eNoel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.\u0026#xA0; His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.\u003c/p\u003e\n","\u003cp\u003eWisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"\u003c/p\u003e\n","\u003cp\u003eIn 1915 Wisdom was accepted for service and found himself in the British trenches.\u0026#xA0; Most of what he did in the trenches consisited of sketching profiles of his platoon.\u0026#xA0; One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.\u003c/p\u003e\n","\u003cp\u003eWhen the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.\u0026#xA0; In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.\u0026#xA0; He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.\u0026#xA0; Within six weeks, Noel Wisdom had landed on the shores of Australia.\u003c/p\u003e\n","\u003cp\u003eHe worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.\u0026#xA0; At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.\u0026#xA0; He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.\u0026#xA0;  Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.\u003c/p\u003e\n","\u003cp\u003eUpon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.\u0026#xA0; He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.\u0026#xA0; During World War II he snipped hundreds of servicemen for free.\u003c/p\u003e\n","\u003cp\u003eWisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.\u0026#xA0; About this time he penned his still unpublished \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e, a retrospective of his life as a soldier and silhouette artist.\u0026#xA0; In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.\u0026#xA0; Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.\u003c/p\u003e\n","\u003cp\u003eNote written by Rebecca Rieve\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Noel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.  His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches.  Most of what he did in the trenches consisited of sketching profiles of his platoon.  One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.  In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.  He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.  Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.  At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.  He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.   Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.  He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.  During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.  About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist.  In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.  Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve"],"prefercite_html_tesm":["\u003cp\u003eNoel Wisdom Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Noel Wisdom Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eNoel Wisdom Collection of Chromolithographic Prints\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Noel Wisdom Collection of Chromolithographic Prints"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_85dd84c4f239c5db38df45c917446121\" label=\"Abstract\"\u003eThis collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript, \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e. It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript,  Around The World On Scissors . It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom."],"names_ssim":["USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Wisdom, Noel (1897-1983)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":22,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"9814e559b5e5e7e356011795","timestamp":"2026-07-10T03:34:50.892Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9814e559b5e5e7e356011795","title_ssm":["Noel Wisdom collection"],"title_tesim":["Noel Wisdom collection"],"ead_ssi":"9814e559b5e5e7e356011795","unitdate_ssm":["1915-1982"],"unitdate_inclusive_ssm":["1915-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1976-02","/repositories/2/resources/191"],"text":["MS-1976-02","/repositories/2/resources/191","Noel Wisdom collection, 1915-1982","Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists","This collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2.","Noel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.  His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches.  Most of what he did in the trenches consisited of sketching profiles of his platoon.  One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.  In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.  He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.  Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.  At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.  He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.   Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.  He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.  During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.  About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist.  In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.  Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve","Noel Wisdom Collection of Chromolithographic Prints","This collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","This collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript,  Around The World On Scissors . It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom.","USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)","English"],"unitid_tesim":["MS-1976-02","/repositories/2/resources/191"],"normalized_date_ssm":["1915-1982"],"normalized_title_ssm":["Noel Wisdom collection, 1915-1982"],"collection_title_tesim":["Noel Wisdom collection, 1915-1982"],"collection_ssim":["Noel Wisdom collection, 1915-1982"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Wisdom, Noel (1897-1983)"],"creator_ssim":["Wisdom, Noel (1897-1983)"],"creator_persname_ssim":["Wisdom, Noel (1897-1983)"],"creators_ssim":["Wisdom, Noel (1897-1983)"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Noel Wisdom","Donation."],"access_subjects_ssim":["Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists"],"access_subjects_ssm":["Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["0.83 Linear Feet","2 boxes"],"extent_tesim":["0.83 Linear Feet","2 boxes"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2."],"bioghist_html_tesm":["\u003cp\u003eNoel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.\u0026#xA0; His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.\u003c/p\u003e\n","\u003cp\u003eWisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"\u003c/p\u003e\n","\u003cp\u003eIn 1915 Wisdom was accepted for service and found himself in the British trenches.\u0026#xA0; Most of what he did in the trenches consisited of sketching profiles of his platoon.\u0026#xA0; One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.\u003c/p\u003e\n","\u003cp\u003eWhen the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.\u0026#xA0; In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.\u0026#xA0; He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.\u0026#xA0; Within six weeks, Noel Wisdom had landed on the shores of Australia.\u003c/p\u003e\n","\u003cp\u003eHe worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.\u0026#xA0; At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.\u0026#xA0; He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.\u0026#xA0;  Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.\u003c/p\u003e\n","\u003cp\u003eUpon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.\u0026#xA0; He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.\u0026#xA0; During World War II he snipped hundreds of servicemen for free.\u003c/p\u003e\n","\u003cp\u003eWisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.\u0026#xA0; About this time he penned his still unpublished \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e, a retrospective of his life as a soldier and silhouette artist.\u0026#xA0; In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.\u0026#xA0; Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.\u003c/p\u003e\n","\u003cp\u003eNote written by Rebecca Rieve\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Noel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.  His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches.  Most of what he did in the trenches consisited of sketching profiles of his platoon.  One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.  In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.  He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.  Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.  At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.  He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.   Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.  He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.  During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.  About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist.  In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.  Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve"],"prefercite_html_tesm":["\u003cp\u003eNoel Wisdom Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Noel Wisdom Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eNoel Wisdom Collection of Chromolithographic Prints\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Noel Wisdom Collection of Chromolithographic Prints"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_85dd84c4f239c5db38df45c917446121\" label=\"Abstract\"\u003eThis collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript, \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e. It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript,  Around The World On Scissors . It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom."],"names_ssim":["USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Wisdom, Noel (1897-1983)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":22,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"9814e559b5e5e7e356011795","timestamp":"2026-07-10T03:34:50.892Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9814e559b5e5e7e356011795"}},{"id":"447ae9521c4837535607444d","type":"collection","attributes":{"title":"Nonesuch Press Collection, 1924-1963, Date acquired: 00/00/1998, bulk 1924-1939","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/447ae9521c4837535607444d#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBook prospectus pamphlets from Nonesuch Press (1924-1963) and two letters of correspondence from the Nonesuch Press to book buyers. The prospectuses include detailed descriptions of the selections of literary works that will be made available through the Nonesuch Press for the determined year. Information about each publication includes the original author, the quality of the paper, the materials used to bind the book, the size of the book, and information about the illustrations.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/447ae9521c4837535607444d#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"447ae9521c4837535607444d","title_ssm":["Nonesuch Press Collection"],"title_tesim":["Nonesuch Press Collection"],"ead_ssi":"447ae9521c4837535607444d","unitdate_ssm":["1924-1963","1924-1939","Date acquired: 00/00/1998"],"unitdate_bulk_ssim":["1924-1939"],"unitdate_inclusive_ssm":["1924-1963"],"unitdate_other_ssim":["Date acquired: 00/00/1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2011-0518","/repositories/10/resources/932"],"text":["MSS 2011-0518","/repositories/10/resources/932","Nonesuch Press Collection, 1924-1963, Date acquired: 00/00/1998, bulk 1924-1939","Chronological order","The Nonesuch Press was established in 1922 in London by Francis Meynell, Vera Mendel, and David Garnett. Although Nonesuch Press was operational until the 1960's, it hit its peak in the 20's and 30's. Using a small handpress to design the books with the quality of a fine press, the books were actually printed by commercial printers so that they would be more accessible by the general public. Meynell believed that machine presses could be made to achieve fine quality. This is in contrast to earlier designer book printers, such as William Morris and the Kelmscott Press, which believed that only handpress books could achieve exquisite quality.","Book prospectus pamphlets from Nonesuch Press (1924-1963) and two letters of correspondence from the Nonesuch Press to book buyers. The prospectuses include detailed descriptions of the selections of literary works that will be made available through the Nonesuch Press for the determined year. 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Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"1e33ca2b144cabf20231651b","timestamp":"2026-04-21T03:52:24.020Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1e33ca2b144cabf20231651b","title_ssm":["Non-Florida photograph collection"],"title_tesim":["Non-Florida photograph collection"],"ead_ssi":"1e33ca2b144cabf20231651b","unitdate_ssm":["1890-1930"],"unitdate_inclusive_ssm":["1890-1930"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["N13","/repositories/2/resources/244"],"text":["N13","/repositories/2/resources/244","Non-Florida photograph collection, 1890-1930","Haiti","South Carolina","Items are arranged by topic.","The photographs in this collection portray a large amount of landscape and architecture of late 19th and early 20th century Haiti and South Carolina , as well other unidentified places.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","An assortment of Non-Florida photographic miscellany, with a large amount of early 20th century photographs of Haiti.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["N13","/repositories/2/resources/244"],"normalized_date_ssm":["1890-1930"],"normalized_title_ssm":["Non-Florida photograph collection, 1890-1930"],"collection_title_tesim":["Non-Florida photograph collection, 1890-1930"],"collection_ssim":["Non-Florida photograph collection, 1890-1930"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Haiti","South Carolina"],"geogname_ssim":["Haiti","South Carolina"],"places_ssim":["Haiti","South Carolina"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["0.42 Linear Feet","1 boxes"],"extent_tesim":["0.42 Linear Feet","1 boxes"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930],"arrangement_html_tesm":["\u003cp\u003eItems are arranged by topic.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Items are arranged by topic."],"prefercite_html_tesm":["\u003cp\u003eNon-Florida Photographs Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Non-Florida Photographs Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe photographs in this collection portray a large amount of landscape and architecture of late 19th and early 20th century Haiti and South Carolina , as well other unidentified places.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The photographs in this collection portray a large amount of landscape and architecture of late 19th and early 20th century Haiti and South Carolina , as well other unidentified places."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d6fadc9ba734701fffc6dea2941ac4\" label=\"Abstract\"\u003eAn assortment of Non-Florida photographic miscellany, with a large amount of early 20th century photographs of Haiti.\u003c/abstract\u003e"],"abstract_tesim":["An assortment of Non-Florida photographic miscellany, with a large amount of early 20th century photographs of Haiti."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"1e33ca2b144cabf20231651b","timestamp":"2026-04-21T03:52:24.020Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1e33ca2b144cabf20231651b"}},{"id":"5c664f35ba84cce3023f6a62_aspace_b6e583f278301fe2addb2618856210f6","type":"File","attributes":{"title":"Nordenskiold, Erland, 1929","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_b6e583f278301fe2addb2618856210f6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b6e583f278301fe2addb2618856210f6","ref_ssm":["aspace_b6e583f278301fe2addb2618856210f6","aspace_b6e583f278301fe2addb2618856210f6"],"id":"5c664f35ba84cce3023f6a62_aspace_b6e583f278301fe2addb2618856210f6","title_filing_ssi":"Nordenskiold, Erland","title_ssm":["Nordenskiold, Erland"],"title_tesim":["Nordenskiold, Erland"],"unitdate_inclusive_ssm":["1929"],"normalized_date_ssm":["1929"],"normalized_title_ssm":["Nordenskiold, Erland, 1929"],"text":["Nordenskiold, Erland, 1929","Niara Sudarkasa Collection, 1934-2006","Writings by others","/repositories/2/archival_objects/29931","box 75","folder 8"],"component_level_isim":[2],"parent_ids_ssim":["5c664f35ba84cce3023f6a62","5c664f35ba84cce3023f6a62_aspace_60421e776c845bf7cd0dc7e916c56d99"],"parent_unittitles_ssm":["Niara Sudarkasa Collection, 1934-2006","Writings by others"],"parent_unittitles_tesim":["Niara Sudarkasa Collection, 1934-2006","Writings by others"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/29931"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1914,"parent_access_restrict_tesm":["The Niara Sudarkasa Collection is open for research."],"date_range_isim":[1929],"containers_ssim":["box 75","folder 8"],"_nest_path_":"/components#4/components#1063","_nest_parent_":"5c664f35ba84cce3023f6a62_aspace_60421e776c845bf7cd0dc7e916c56d99","_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5c664f35ba84cce3023f6a62","title_filing_ssi":"Sudarkasa, Niara Collection","title_ssm":["Niara Sudarkasa Collection"],"title_tesim":["Niara Sudarkasa Collection"],"ead_ssi":"5c664f35ba84cce3023f6a62","unitdate_ssm":["1934-2006"],"unitdate_inclusive_ssm":["1934-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2006.4","/repositories/2/resources/51"],"text":["AARLCC.2006.4","/repositories/2/resources/51","Niara Sudarkasa Collection, 1934-2006","Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals","The Niara Sudarkasa Collection is open for research.","View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.","Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.","The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.","The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.","Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".","AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara","English"],"unitid_tesim":["AARLCC.2006.4","/repositories/2/resources/51"],"normalized_date_ssm":["1934-2006"],"normalized_title_ssm":["Niara Sudarkasa Collection, 1934-2006"],"collection_title_tesim":["Niara Sudarkasa Collection, 1934-2006"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"creator_ssm":["Sudarkasa, Niara"],"creator_ssim":["Sudarkasa, Niara"],"creator_persname_ssim":["Sudarkasa, Niara"],"creators_ssim":["Sudarkasa, Niara"],"acqinfo_ssim":["Dr. Niara Sudarkasa donated the materials to the AARLCC Special Collections on October 17, 2006 (Accession AARLCC-2006.4)."],"access_subjects_ssim":["Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals"],"access_subjects_ssm":["Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals"],"has_online_content_ssim":["false"],"extent_ssm":["400 Hollinger Boxes","410 Linear Feet"],"extent_tesim":["400 Hollinger Boxes","410 Linear Feet"],"genreform_ssim":["Correspondence","Photographs","plaques (flat objects)","Periodicals"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Niara Sudarkasa Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/nsb\" target=\"_blank\"\u003eView a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives."],"bioghist_html_tesm":["\u003cp\u003eNiara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.\u003c/p\u003e\n","\u003cp\u003eGloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. \u003c/p\u003e\n","\u003cp\u003eGloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.\u003c/p\u003e\n","\u003cp\u003eIn 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Al\u0026#xE1;y\u0026#xE9;l\u0026#xFA;w\u0026#xE0; \u0026#x1ECC;ba \u0026#x1ECC;k\u0026#xFA;nad\u0026#xE9; Sijuwade Ol\u0026#xFA;b\u0026#xF9;s\u0026#x1EB9; II of the Royal Court of If\u0026#x1EB9;\u0026#x301; conferred upon her the chieftaincy title Y\u0026#xE8;y\u0026#xE9; Ol\u0026#xF3;kun \u0026#xCC;gb\u0026#xE0;d\u0026#xE9;r\u0026#xF2;. She was the first African American to receive this honor from the If\u0026#x1EB9;\u0026#x301; Kingdom.\u003c/p\u003e\n","\u003cp\u003eFollowing her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship."],"prefercite_html_tesm":["\u003cp\u003eNiara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Niara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. \u003c/p\u003e","\u003cp\u003eParts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant."],"scopecontent_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=SUD\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\"."],"names_coll_ssim":["University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"names_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara"],"corpname_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"persname_ssim":["Sudarkasa, Niara"],"language_ssim":["English"],"total_component_count_is":2760,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_b6e583f278301fe2addb2618856210f6"}},{"id":"693eee852c94e3df86d7d07a_aspace_c8b6bd5f5431e1e1034e372d7c0bbe3a","type":"Item","attributes":{"title":"Norman Film Manufacturing Co. Colored movies advertisement, 1922-1929","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/693eee852c94e3df86d7d07a_aspace_c8b6bd5f5431e1e1034e372d7c0bbe3a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c8b6bd5f5431e1e1034e372d7c0bbe3a","ref_ssm":["aspace_c8b6bd5f5431e1e1034e372d7c0bbe3a","aspace_c8b6bd5f5431e1e1034e372d7c0bbe3a"],"id":"693eee852c94e3df86d7d07a_aspace_c8b6bd5f5431e1e1034e372d7c0bbe3a","title_filing_ssi":"Norman Film Manufacturing Co. Colored movies advertisement ","title_ssm":["Norman Film Manufacturing Co. Colored movies advertisement "],"title_tesim":["Norman Film Manufacturing Co. Colored movies advertisement "],"unitdate_inclusive_ssm":["1922-1929"],"normalized_date_ssm":["1922-1929"],"normalized_title_ssm":["Norman Film Manufacturing Co. Colored movies advertisement, 1922-1929"],"text":["Norman Film Manufacturing Co. Colored movies advertisement, 1922-1929","Florida Ephemera collection, 1905-2011","Box 7","/repositories/2/archival_objects/141702","English","box 7","object 7"],"component_level_isim":[2],"parent_ids_ssim":["693eee852c94e3df86d7d07a","693eee852c94e3df86d7d07a_aspace_06a86f69ea363a1937238f2ecfcb9cc9"],"parent_unittitles_ssm":["Florida Ephemera collection, 1905-2011","Box 7"],"parent_unittitles_tesim":["Florida Ephemera collection, 1905-2011","Box 7"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/2/archival_objects/141702"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Florida Ephemera collection, 1905-2011"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":224,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929],"language_ssim":["English"],"containers_ssim":["box 7","object 7"],"_nest_path_":"/components#6/components#6","_nest_parent_":"693eee852c94e3df86d7d07a_aspace_06a86f69ea363a1937238f2ecfcb9cc9","_root_":"693eee852c94e3df86d7d07a","_version_":1873580292622516224,"timestamp":"2026-08-15T09:16:44.720Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"693eee852c94e3df86d7d07a","title_ssm":["Florida Ephemera collection"],"title_tesim":["Florida Ephemera collection"],"ead_ssi":"693eee852c94e3df86d7d07a","unitdate_ssm":["1905-2011"],"unitdate_inclusive_ssm":["1905-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["F23","/repositories/2/resources/254"],"text":["F23","/repositories/2/resources/254","Florida Ephemera collection, 1905-2011","Florida","Tampa (Fla.)","Florida -- Politics and government","Tampa (Fla.) -- Politics and government","Hillsborough County (Fla.)","Hillsborough County (Fla.) -- Politics and government.","Tampa athletics","State universities and colleges -- Florida","Businesses -- Florida","Businesses -- Tampa","Plays","Organized by subject and then date.","Commemorations for individuals related to Florida are also included. Works are composed by businesses, organizations, and government entities. Examples of items include documents, pamphlets, books and other bound items.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","Contains publications related to Tampa, other locations in Florida, and the state as a whole.","USF Libraries - Tampa Special Collections","University of South Florida. Library. Special Collections Department","English"],"unitid_tesim":["F23","/repositories/2/resources/254"],"normalized_date_ssm":["1905-2011"],"normalized_title_ssm":["Florida Ephemera collection, 1905-2011"],"collection_title_tesim":["Florida Ephemera collection, 1905-2011"],"collection_ssim":["Florida Ephemera collection, 1905-2011"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Florida","Tampa (Fla.)","Florida -- Politics and government","Tampa (Fla.) -- Politics and government","Hillsborough County (Fla.)","Hillsborough County (Fla.) -- Politics and government."],"geogname_ssim":["Florida","Tampa (Fla.)","Florida -- Politics and government","Tampa (Fla.) -- Politics and government","Hillsborough County (Fla.)","Hillsborough County (Fla.) -- Politics and government."],"creator_ssm":["University of South Florida. Library. Special Collections Department"],"creator_ssim":["University of South Florida. Library. Special Collections Department"],"creator_corpname_ssim":["University of South Florida. Library. Special Collections Department"],"creators_ssim":["University of South Florida. Library. Special Collections Department"],"places_ssim":["Florida","Tampa (Fla.)","Florida -- Politics and government","Tampa (Fla.) -- Politics and government","Hillsborough County (Fla.)","Hillsborough County (Fla.) -- Politics and government."],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["This collection is comprised of multiple accruals and was curated by employees of Special Collections."],"access_subjects_ssim":["Tampa athletics","State universities and colleges -- Florida","Businesses -- Florida","Businesses -- Tampa","Plays"],"access_subjects_ssm":["Tampa athletics","State universities and colleges -- Florida","Businesses -- Florida","Businesses -- Tampa","Plays"],"has_online_content_ssim":["false"],"extent_ssm":["4.81 Linear Feet","7 boxes"],"extent_tesim":["4.81 Linear Feet","7 boxes"],"date_range_isim":[1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"arrangement_html_tesm":["\u003cp\u003eOrganized by subject and then date.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized by subject and then date."],"prefercite_html_tesm":["\u003cp\u003eFlorida Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Florida Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eCommemorations for individuals related to Florida are also included. Works are composed by businesses, organizations, and government entities. Examples of items include documents, pamphlets, books and other bound items.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Commemorations for individuals related to Florida are also included. Works are composed by businesses, organizations, and government entities. Examples of items include documents, pamphlets, books and other bound items."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a709067a0576a7716a50d0a2ec86670a\" label=\"Abstract\"\u003eContains publications related to Tampa, other locations in Florida, and the state as a whole.\u003c/abstract\u003e"],"abstract_tesim":["Contains publications related to Tampa, other locations in Florida, and the state as a whole."],"names_ssim":["USF Libraries - Tampa Special Collections","University of South Florida. Library. Special Collections Department"],"corpname_ssim":["USF Libraries - Tampa Special Collections","University of South Florida. Library. Special Collections Department"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":253,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1873580292622516224,"_root_":"693eee852c94e3df86d7d07a","timestamp":"2026-08-15T09:16:44.720Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/693eee852c94e3df86d7d07a_aspace_c8b6bd5f5431e1e1034e372d7c0bbe3a"}},{"id":"693eee852c94e3df86d7d07a_aspace_c33b923382874ee20dc1d02da81c1dec","type":"Item","attributes":{"title":"Norman Film Manufacturing Co. Colored movies advertisement v2, 1920-1929","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/693eee852c94e3df86d7d07a_aspace_c33b923382874ee20dc1d02da81c1dec#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c33b923382874ee20dc1d02da81c1dec","ref_ssm":["aspace_c33b923382874ee20dc1d02da81c1dec","aspace_c33b923382874ee20dc1d02da81c1dec"],"id":"693eee852c94e3df86d7d07a_aspace_c33b923382874ee20dc1d02da81c1dec","title_filing_ssi":"Norman Film Manufacturing Co. Colored movies advertisement v2 ","title_ssm":["Norman Film Manufacturing Co. Colored movies advertisement v2 "],"title_tesim":["Norman Film Manufacturing Co. Colored movies advertisement v2 "],"unitdate_inclusive_ssm":["1920-1929"],"normalized_date_ssm":["1920-1929"],"normalized_title_ssm":["Norman Film Manufacturing Co. Colored movies advertisement v2, 1920-1929"],"text":["Norman Film Manufacturing Co. Colored movies advertisement v2, 1920-1929","Florida Ephemera collection, 1905-2011","Box 7","/repositories/2/archival_objects/141703","English","box 7","object 8"],"component_level_isim":[2],"parent_ids_ssim":["693eee852c94e3df86d7d07a","693eee852c94e3df86d7d07a_aspace_06a86f69ea363a1937238f2ecfcb9cc9"],"parent_unittitles_ssm":["Florida Ephemera collection, 1905-2011","Box 7"],"parent_unittitles_tesim":["Florida Ephemera collection, 1905-2011","Box 7"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/2/archival_objects/141703"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Florida Ephemera collection, 1905-2011"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":225,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"language_ssim":["English"],"containers_ssim":["box 7","object 8"],"_nest_path_":"/components#6/components#7","_nest_parent_":"693eee852c94e3df86d7d07a_aspace_06a86f69ea363a1937238f2ecfcb9cc9","_root_":"693eee852c94e3df86d7d07a","_version_":1873580292622516224,"timestamp":"2026-08-15T09:16:44.720Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"693eee852c94e3df86d7d07a","title_ssm":["Florida Ephemera collection"],"title_tesim":["Florida Ephemera collection"],"ead_ssi":"693eee852c94e3df86d7d07a","unitdate_ssm":["1905-2011"],"unitdate_inclusive_ssm":["1905-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["F23","/repositories/2/resources/254"],"text":["F23","/repositories/2/resources/254","Florida Ephemera collection, 1905-2011","Florida","Tampa (Fla.)","Florida -- Politics and government","Tampa (Fla.) -- Politics and government","Hillsborough County (Fla.)","Hillsborough County (Fla.) -- Politics and government.","Tampa athletics","State universities and colleges -- Florida","Businesses -- Florida","Businesses -- Tampa","Plays","Organized by subject and then date.","Commemorations for individuals related to Florida are also included. Works are composed by businesses, organizations, and government entities. Examples of items include documents, pamphlets, books and other bound items.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","Contains publications related to Tampa, other locations in Florida, and the state as a whole.","USF Libraries - Tampa Special Collections","University of South Florida. Library. 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