{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1928\u0026page=211\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1928\u0026page=210\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1928\u0026page=211\u0026view=compact"},"meta":{"pages":{"current_page":211,"next_page":null,"prev_page":210,"total_pages":211,"limit_value":10,"offset_value":2100,"total_count":2108,"first_page?":false,"last_page?":true}},"data":[{"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_9601eb01a734431c20952067f6d826b7","type":"Subseries","attributes":{"title":"Written Work, 1897-1993, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_9601eb01a734431c20952067f6d826b7#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9601eb01a734431c20952067f6d826b7","ref_ssm":["aspace_9601eb01a734431c20952067f6d826b7","aspace_9601eb01a734431c20952067f6d826b7"],"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_9601eb01a734431c20952067f6d826b7","title_filing_ssi":"Written Work","title_ssm":["Written Work"],"title_tesim":["Written Work"],"unitdate_inclusive_ssm":["1897-1993, Undated"],"normalized_date_ssm":["1897-1993, Undated"],"normalized_title_ssm":["Written Work, 1897-1993, Undated"],"text":["Written Work, 1897-1993, Undated","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Personal Files, 1895-2005, Undated.","Sub-Series 9","/repositories/4/archival_objects/56627"],"component_level_isim":[2],"parent_ids_ssim":["2a6a6aa34a3c99c1b1b95ea9","2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesII"],"parent_unittitles_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Personal Files, 1895-2005, Undated."],"parent_unittitles_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Personal Files, 1895-2005, Undated."],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 9","/repositories/4/archival_objects/56627"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":12,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":243,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"_nest_path_":"/components#1/components#9","_nest_parent_":"2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesII","_root_":"2a6a6aa34a3c99c1b1b95ea9","_version_":1872035374829666304,"timestamp":"2026-07-29T08:00:56.373Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2a6a6aa34a3c99c1b1b95ea9","title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"ead_ssi":"2a6a6aa34a3c99c1b1b95ea9","unitdate_ssm":["1829-2006"],"unitdate_inclusive_ssm":["1829-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.113","/repositories/4/resources/225"],"text":["SC.113","/repositories/4/resources/225","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations","The entire collection is open for research.","This collection is itemized and arranged in alphabetical and chronological order.","Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.","Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog .","This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.","UCF Special Collections","Martin, Francis John, Jr.","The materials are written in English."],"unitid_tesim":["SC.113","/repositories/4/resources/225"],"normalized_date_ssm":["1829-2006"],"normalized_title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Martin, Francis John, Jr."],"creator_ssim":["Martin, Francis John, Jr."],"creator_persname_ssim":["Martin, Francis John, Jr."],"creators_ssim":["Martin, Francis John, Jr."],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Francis Martin Jr. donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_15) and 2020 (CFM2020_02, CFM2020_03, CFM2020_16)."],"access_subjects_ssim":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"access_subjects_ssm":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"extent_tesim":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"genreform_ssim":["manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"date_range_isim":[1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is itemized and arranged in alphabetical and chronological order."],"bioghist_html_tesm":["\u003cp\u003eFrancis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners."],"prefercite_html_tesm":["\u003cp\u003eFred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMarlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e\n","\u003cp\u003eSeries I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026amp; posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.\u003c/p\u003e\n","\u003cp\u003eSeries III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.\u003c/p\u003e\n","\u003cp\u003eSeries IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4a581e455cb123495b610919f342aacb\"\u003eThe Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.\u003c/abstract\u003e"],"abstract_tesim":["The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection."],"names_ssim":["UCF Special Collections","Martin, Francis John, Jr."],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Martin, Francis John, Jr."],"language_ssim":["The materials are written in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":459,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872035374829666304,"_root_":"2a6a6aa34a3c99c1b1b95ea9","timestamp":"2026-07-29T08:00:56.373Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_9601eb01a734431c20952067f6d826b7"}},{"id":"8b037d01cf0e657624cceb24_aspace_65268","type":"Box","attributes":{"title":"Yearbooks, 1905 - 1944","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8b037d01cf0e657624cceb24_aspace_65268#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_65268","ref_ssm":["aspace_65268","aspace_65268"],"id":"8b037d01cf0e657624cceb24_aspace_65268","title_filing_ssi":"Yearbooks","title_ssm":["Yearbooks"],"title_tesim":["Yearbooks"],"unitdate_inclusive_ssm":["1905 - 1944"],"normalized_date_ssm":["1905 - 1944"],"normalized_title_ssm":["Yearbooks, 1905 - 1944"],"text":["Yearbooks, 1905 - 1944","Friday Morning Musicale records, 1905-1984","Yearbooks","1","/repositories/2/archival_objects/55331","box 1"],"component_level_isim":[2],"parent_ids_ssim":["8b037d01cf0e657624cceb24","8b037d01cf0e657624cceb24_aspace_65264"],"parent_unittitles_ssm":["Friday Morning Musicale records, 1905-1984","Yearbooks"],"parent_unittitles_tesim":["Friday Morning Musicale records, 1905-1984","Yearbooks"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["1","/repositories/2/archival_objects/55331"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Friday Morning Musicale records, 1905-1984"],"has_online_content_ssim":["false"],"child_component_count_isi":25,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":2,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944],"containers_ssim":["box 1"],"_nest_path_":"/components#0/components#0","_nest_parent_":"8b037d01cf0e657624cceb24_aspace_65264","_root_":"8b037d01cf0e657624cceb24","_version_":1870862873195970560,"timestamp":"2026-07-16T09:24:31.682Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8b037d01cf0e657624cceb24","title_ssm":["Friday Morning Musicale records"],"title_tesim":["Friday Morning Musicale records"],"ead_ssi":"8b037d01cf0e657624cceb24","unitdate_ssm":["1905-1984"],"unitdate_inclusive_ssm":["1905-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["F29","/repositories/2/resources/353"],"text":["F29","/repositories/2/resources/353","Friday Morning Musicale records, 1905-1984","Friday Morning Musicale (Tampa, Fla.)","The collection is arranged by material type:","1. Yearbooks","2. Minutes","3. Financial Records","4. Reports","5. Rental Records","6. Scrapbooks","The Friday Morning Musicale serves the civic and cultural needs of the Tampa community by providing educational and artistic activities. Officially established in 1902, the organization was formed as a women's club limited to 25 musically inclined members.  Eventually merging with the Hillsborough County Federation of Women's Clubs, the Friday Morning Musicale opened the Friday Morning Musicale and Federated Clubs building at 809 Horatio Street in 1927. Since its inception, the organization and the building have showcased a wide variety of musical, dance and theatrical performances. Today, the Friday Morning Musicale organization continues to provide community entertainment in the original building, which is now a historic landmark.","Helene Steer Saxby Collection, Special Collections Department,  Tampa Library, University of South Florida, Tampa, Florida.","Hampton Dunn Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Includes materials related to the organizational structure and functionality of the club, club building, and affiliated organizations. Primarily consists of committee reports, yearbooks, member records, and scrapbooks detailing approximately 30 years of the organization's civic interests.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Friday Morning Musicale and Federated Clubs (Tampa, Fla.)","English"],"unitid_tesim":["F29","/repositories/2/resources/353"],"normalized_date_ssm":["1905-1984"],"normalized_title_ssm":["Friday Morning Musicale records, 1905-1984"],"collection_title_tesim":["Friday Morning Musicale records, 1905-1984"],"collection_ssim":["Friday Morning Musicale records, 1905-1984"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"creator_ssim":["Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"creator_corpname_ssim":["Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"creators_ssim":["Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Friday Morning Musicale","Donation"],"access_subjects_ssim":["Friday Morning Musicale (Tampa, Fla.)"],"access_subjects_ssm":["Friday Morning Musicale (Tampa, Fla.)"],"has_online_content_ssim":["false"],"extent_ssm":["14.69 Linear Feet","20 boxes"],"extent_tesim":["14.69 Linear Feet","20 boxes"],"date_range_isim":[1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by material type:\u003c/p\u003e\n","\u003cp\u003e1. 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Today, the Friday Morning Musicale organization continues to provide community entertainment in the original building, which is now a historic landmark."],"prefercite_html_tesm":["\u003cp\u003eFriday Morning Musicale collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Friday Morning Musicale collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eHelene Steer Saxby Collection, Special Collections Department,\u0026#xA0; Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eHampton Dunn Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Helene Steer Saxby Collection, Special Collections Department,  Tampa Library, University of South Florida, Tampa, Florida.","Hampton Dunn Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eIncludes materials related to the organizational structure and functionality of the club, club building, and affiliated organizations. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"containers_ssim":["box 1","item 69"],"scopecontent_html_tesm":["\u003cp\u003eImage of woman in car with a mechanic underneath; 125\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Image of woman in car with a mechanic underneath; 125"],"_nest_path_":"/components#0/components#68","_nest_parent_":"9646530ffefd538c63ce134a_aspace_21805a5defd3bf3c1e3eac3ddedfcab1","_root_":"9646530ffefd538c63ce134a","_version_":1870841767970996224,"timestamp":"2026-07-16T03:49:04.170Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9646530ffefd538c63ce134a","title_ssm":["Visual Representation of Women Collection"],"title_tesim":["Visual Representation of Women Collection"],"ead_ssi":"9646530ffefd538c63ce134a","unitdate_ssm":["1900-2019"],"unitdate_bulk_ssim":["1900-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00043","/repositories/2/resources/178"],"text":["SPC00043","/repositories/2/resources/178","Visual Representation of Women Collection, bulk 1900-2019","Caricatures and cartoons -- United States -- 19th century","Gender matters in U.S. politics","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. 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Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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In addition, selected materials are digitized and available electronically through the Digital Library."],"scopecontent_html_tesm":["\u003cp\u003eThe Visual Representation of Women Collection is a postcard collection that focuses on representational images of women from around the globe. Covering the gamut of postcard types, images portray the many social constructions of womanhood and their attendant meanings. Containing a variety of mass produced postcards to unique artist renditions, the collection is an ongoing project of FAU University Libraries' Special Collections that will build over time.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Visual Representation of Women Collection is a postcard collection that focuses on representational images of women from around the globe. Covering the gamut of postcard types, images portray the many social constructions of womanhood and their attendant meanings. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). 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Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":75,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841767970996224,"_root_":"9646530ffefd538c63ce134a","timestamp":"2026-07-16T03:49:04.170Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9646530ffefd538c63ce134a_aspace_62a4c4f910252361e886222900177d6f"}},{"id":"fa91e3b609921e495fffce86_aspace_70962","type":"Item","attributes":{"title":"York County Water Company, Bert Day By Day, Bert, bulk 1920, 1922, 1926, 1928","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/fa91e3b609921e495fffce86_aspace_70962#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eDocuments found in Luther Day Book 1-5\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/fa91e3b609921e495fffce86_aspace_70962#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_70962","ref_ssm":["aspace_70962","aspace_70962"],"id":"fa91e3b609921e495fffce86_aspace_70962","title_filing_ssi":"York County Water Company, Bert Day By Day, Bert","title_ssm":["York County Water Company, Bert Day By Day, Bert"],"title_tesim":["York County Water Company, Bert Day By Day, Bert"],"unitdate_bulk_ssim":["1920, 1922, 1926, 1928"],"normalized_date_ssm":["bulk 1920, 1922, 1926, 1928"],"normalized_title_ssm":["York County Water Company, Bert Day By Day, Bert, bulk 1920, 1922, 1926, 1928"],"text":["York County Water Company, Bert Day By Day, Bert, bulk 1920, 1922, 1926, 1928","Sadoff Collection of Cashbooks and Banking Records, 1805 - 1972","Item 48","/repositories/2/archival_objects/69637","Documents found in Luther Day Book  1-5"],"component_level_isim":[1],"parent_ids_ssim":["fa91e3b609921e495fffce86"],"parent_unittitles_ssm":["Sadoff Collection of Cashbooks and Banking Records, 1805 - 1972"],"parent_unittitles_tesim":["Sadoff Collection of Cashbooks and Banking Records, 1805 - 1972"],"parent_levels_ssm":["collection"],"unitid_ssm":["Item 48","/repositories/2/archival_objects/69637"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Sadoff Collection of Cashbooks and Banking Records, 1805 - 1972"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":48,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928],"scopecontent_html_tesm":["\u003cp\u003eDocuments found in Luther Day Book  1-5\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Documents found in Luther Day Book  1-5"],"_nest_path_":"/components#47","_nest_parent_":"fa91e3b609921e495fffce86","_root_":"fa91e3b609921e495fffce86","_version_":1870844683513495552,"timestamp":"2026-07-16T04:35:24.651Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"fa91e3b609921e495fffce86","title_ssm":["Sadoff Collection of Cashbooks and Banking Records"],"title_tesim":["Sadoff Collection of Cashbooks and Banking Records"],"ead_ssi":"fa91e3b609921e495fffce86","unitdate_ssm":["1805 - 1972"],"unitdate_inclusive_ssm":["1805 - 1972"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC7095","/repositories/2/resources/82"],"text":["SPC7095","/repositories/2/resources/82","Sadoff Collection of Cashbooks and Banking Records, 1805 - 1972","The collection is open for research.","This collection contains banking records from various businesses and banks dating back to the early 19th century. Included are bank receipts, record books, cash and receipt books, and financial ledgers. Such records are from the Gradner Maine General Store, Edwin Robinson, and the York County Water County.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English"],"unitid_tesim":["SPC7095","/repositories/2/resources/82"],"normalized_date_ssm":["1805 - 1972"],"normalized_title_ssm":["Sadoff Collection of Cashbooks and Banking Records, 1805 - 1972"],"collection_title_tesim":["Sadoff Collection of Cashbooks and Banking Records, 1805 - 1972"],"collection_ssim":["Sadoff Collection of Cashbooks and Banking Records, 1805 - 1972"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. 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FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. 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Advertises the benefits of Club Aluminum Utensils and methods (two copies of 20 pg. pamphlet)."],"component_level_isim":[3],"parent_ids_ssim":["34e1c2c7c431f5206e979541","34e1c2c7c431f5206e979541_aspace_17714","34e1c2c7c431f5206e979541_aspace_17803"],"parent_unittitles_ssm":["Henry Nehrling Papers, 1886-1970","Business and Personal Documents, 1887-1932","Pamphlets, 1914-1928"],"parent_unittitles_tesim":["Henry Nehrling Papers, 1886-1970","Business and Personal Documents, 1887-1932","Pamphlets, 1914-1928"],"parent_levels_ssm":["collection","Series","File"],"unitid_ssm":["Folder 161","/repositories/4/archival_objects/37607"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Henry Nehrling Papers, 1886-1970"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":324,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1928],"containers_ssim":["box 2","folder 161"],"odd_html_tesm":["\u003cp\u003eThe Club Aluminum Company. Advertises the benefits of Club Aluminum Utensils and methods (two copies of 20 pg. pamphlet).\u003c/p\u003e"],"odd_heading_ssm":["Note"],"odd_tesim":["The Club Aluminum Company. Advertises the benefits of Club Aluminum Utensils and methods (two copies of 20 pg. pamphlet)."],"_nest_path_":"/components#2/components#6/components#2","_nest_parent_":"34e1c2c7c431f5206e979541_aspace_17803","_root_":"34e1c2c7c431f5206e979541","timestamp":"2026-07-09T03:02:47.938Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"34e1c2c7c431f5206e979541","title_ssm":["Henry Nehrling Papers"],"title_tesim":["Henry Nehrling Papers"],"ead_ssi":"34e1c2c7c431f5206e979541","unitdate_ssm":["1886-1970"],"unitdate_inclusive_ssm":["1886-1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.029","/repositories/4/resources/158"],"text":["SC.029","/repositories/4/resources/158","Henry Nehrling Papers, 1886-1970","Naples (Fla.)","Birds -- North America","Horticulture -- Florida","Plants, Ornamental -- Florida","Gardens -- Florida","Gardening -- Florida","Tropical Plants","Botany -- Florida","Botany","Bromeliaceae","Plant hybridization","Photographic prints","botanical illustrations","The entire collection is open for research.","Henry Nehrling, an ornithologist and horticulturist, was born on 9 May 1853 in Herman, Wisconsin, to Carl Nehrling and Elizabeth Ruge. His walks to and from a Lutheran parochial school several miles from his home gave him an opportunity to develop a passionate interest in birds and plants. He completed a teacher education program at the Lutheran Teacher's Seminary in Addison, Illinois and taught in Illinois, Missouri and Texas. Nehrling married Sophia Schoff of Oak Park, Illinois on July 20, 1874 and they had nine children. Their eldest son, Walter, became a professor of Botany at Illinois State Normal School. Henry Nehrling was an original member of the American Ornithologist's Union formed in 1883.","\nWhile living in Houston, Texas from 1879, Nehrling first had the opportunity of growing tropical plants. In 1887, he was appointed deputy collector and inspector of customs at the port of Milwaukee where he remained for three years until he accepted the post of Custodian of the Public Museum in Milwaukee where he collected plant specimens for their greenhouse. He purchased land in Gotha, Florida in 1884, but did not visit the property until 1886. Slowly, as his finances allowed, he developed the property into an ornamental garden. At the Columbian Exposition of 1893, Nehrling had the opportunity of examining many tropical plants and trees and became fascinated with the fancy-leafed caladium. Through a South American horticulturist, Adolph Lietz, Nehrling acquired hundreds of Brazilian caladium specimens. These were first housed in his greenhouse in Milwaukee but were later moved to Gotha. Nehrling created new hybrid caladiums which he named in honor of his wife, the \"Mrs. Sophie Nehrling,\" his son the \"Arno Nehrling\" and his daughter-in-law \"Mrs. Arno Nehrling.\"","\nNehrling lost his position with the Public Museum of Milwaukee and permanently settled in Gotha in 1904. where he also began to experiment with the colorful annual flowering Amaryllis. He grew, hybridized, and popularized many unusual and exotic plants for the general public. Caladiums, palms, bamboo, and amaryllis were all introduced to the United States by way of his Palm Cottage Gardens. Nehrling collaborated with the Office of Foreign Seed and Plant Introduction, which was part of what was then called the Bureau of Plant Industry. Through this connection, Nehrling was able to expand his international contacts and gather information, plants and seeds from tropical horticulturists around the world. Nehrling's garden became so well known that people like John Burroughs, Thomas Edison, and Theodore Roosevelt came to visit and learn gardening tips. Nehrling's wife, Sophia, died on November 11, 1911, and on June 7, 1916 he married Betty P. Mitchell. A freeze in 1917 killed many of his most valuable plants; to avoid a recurrence, he purchased property in Naples, Florida where he could safely grow tropical species. He settled there in 1922 and by 1925, Nehrling had over three thousand species of tropical plants. Financial problems forced him to return to Gotha where he died on November 22, 1929 and was buried in Woodlawn cemetery near Gotha. His garden in Naples was preserved as the Jungle Larry's Caribbean Gardens and some efforts have been made to preserve his Palm Cottage Gardens in Gotha.","\nNehrling always wrote about his interests; he wrote articles on birds for the Nuttall Ornithological Club in Texas. In 1922, he began writing columns for The American Eagle, a weekly newspaper published in Estero, Florida. His first book Orchids in South Florida was published in 1890 and was followed a year later by Die Nordamerikanische Vogelwelt (North American Bird Life). Two volumes of Our Native Birds of Song and Beauty were published in 1893 and 1896 respectively. His next work, Die Amaryllis oder Rittersterne (Hippeastrum) (The Amaryllis), was published in 1908.","Collection processed by Judith Beale; finding aid prepared by Judith Beale, Dannie Helm, and Blair Jackson.\t ","Materials were arranged in pH neutral folders and boxes. Damaged, fragile and high use items were placed in polyester sleeves. Some materials have water damage and were freeze dried in August 2006.","Other materials about Henry Nehrling are held in repositories at  Rollins College ,  Winter Park Public Library ,  Fairchild Tropical Botanic Garden Library ,  Orange County Regional History Center  and the Koreshan Collection. Nehrling wrote several books that may be found by searching the library catalog. Michael A. Spencer also donated collections on Henry Nehrling to University of Central Florida Libraries, Special Collections \u0026 University Archives. The finding aid can be found  here .","These papers are divided into three series by type of document.","Series I: Writings, 1894-1970 holds manuscripts, newspaper articles and clippings, outlines, research notes, outgoing correspondence and reviews written by Henry Nehrling.","\nSeries II: Gardening Information, 1886-1930 contains photographs, plant lists, order forms and other information about plants that interested Nehrling.","\nSeries III: Business and Personal Documents, 1887-1932 consists of incoming correspondence, financial papers, photographs, news clippings, a short biography and other materials from the Nehrling household.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Henry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature.","UCF Special Collections","Nehrling, Henry, 1853-1929","English"],"unitid_tesim":["SC.029","/repositories/4/resources/158"],"normalized_date_ssm":["1886-1970"],"normalized_title_ssm":["Henry Nehrling Papers, 1886-1970"],"collection_title_tesim":["Henry Nehrling Papers, 1886-1970"],"collection_ssim":["Henry Nehrling Papers, 1886-1970"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Naples (Fla.)"],"geogname_ssim":["Naples (Fla.)"],"creator_ssm":["Nehrling, Henry, 1853-1929"],"creator_ssim":["Nehrling, Henry, 1853-1929"],"creator_persname_ssim":["Nehrling, Henry, 1853-1929"],"creators_ssim":["Nehrling, Henry, 1853-1929"],"places_ssim":["Naples (Fla.)"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The University of Central Florida Libraries, Special Collections and University Archives Department purchased these materials from the Mickler estate in 1999 (CFM1999_03). Some copies of the American Eagle were donated by the Florida Audubon Society."],"access_subjects_ssim":["Birds -- North America","Horticulture -- Florida","Plants, Ornamental -- Florida","Gardens -- Florida","Gardening -- Florida","Tropical Plants","Botany -- Florida","Botany","Bromeliaceae","Plant hybridization","Photographic prints","botanical illustrations"],"access_subjects_ssm":["Birds -- North America","Horticulture -- Florida","Plants, Ornamental -- Florida","Gardens -- Florida","Gardening -- Florida","Tropical Plants","Botany -- Florida","Botany","Bromeliaceae","Plant hybridization","Photographic prints","botanical illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 5 Boxes"],"extent_tesim":["3.25 Linear Feet 5 Boxes"],"genreform_ssim":["Photographic prints","botanical illustrations"],"date_range_isim":[1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eHenry Nehrling, an ornithologist and horticulturist, was born on 9 May 1853 in Herman, Wisconsin, to Carl Nehrling and Elizabeth Ruge. His walks to and from a Lutheran parochial school several miles from his home gave him an opportunity to develop a passionate interest in birds and plants. He completed a teacher education program at the Lutheran Teacher's Seminary in Addison, Illinois and taught in Illinois, Missouri and Texas. Nehrling married Sophia Schoff of Oak Park, Illinois on July 20, 1874 and they had nine children. Their eldest son, Walter, became a professor of Botany at Illinois State Normal School. Henry Nehrling was an original member of the American Ornithologist's Union formed in 1883.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Houston, Texas from 1879, Nehrling first had the opportunity of growing tropical plants. In 1887, he was appointed deputy collector and inspector of customs at the port of Milwaukee where he remained for three years until he accepted the post of Custodian of the Public Museum in Milwaukee where he collected plant specimens for their greenhouse. He purchased land in Gotha, Florida in 1884, but did not visit the property until 1886. Slowly, as his finances allowed, he developed the property into an ornamental garden. At the Columbian Exposition of 1893, Nehrling had the opportunity of examining many tropical plants and trees and became fascinated with the fancy-leafed caladium. Through a South American horticulturist, Adolph Lietz, Nehrling acquired hundreds of Brazilian caladium specimens. These were first housed in his greenhouse in Milwaukee but were later moved to Gotha. Nehrling created new hybrid caladiums which he named in honor of his wife, the \"Mrs. Sophie Nehrling,\" his son the \"Arno Nehrling\" and his daughter-in-law \"Mrs. Arno Nehrling.\"\u003c/p\u003e\n","\u003cp\u003e\nNehrling lost his position with the Public Museum of Milwaukee and permanently settled in Gotha in 1904. where he also began to experiment with the colorful annual flowering Amaryllis. He grew, hybridized, and popularized many unusual and exotic plants for the general public. Caladiums, palms, bamboo, and amaryllis were all introduced to the United States by way of his Palm Cottage Gardens. Nehrling collaborated with the Office of Foreign Seed and Plant Introduction, which was part of what was then called the Bureau of Plant Industry. Through this connection, Nehrling was able to expand his international contacts and gather information, plants and seeds from tropical horticulturists around the world. Nehrling's garden became so well known that people like John Burroughs, Thomas Edison, and Theodore Roosevelt came to visit and learn gardening tips. Nehrling's wife, Sophia, died on November 11, 1911, and on June 7, 1916 he married Betty P. Mitchell. A freeze in 1917 killed many of his most valuable plants; to avoid a recurrence, he purchased property in Naples, Florida where he could safely grow tropical species. He settled there in 1922 and by 1925, Nehrling had over three thousand species of tropical plants. Financial problems forced him to return to Gotha where he died on November 22, 1929 and was buried in Woodlawn cemetery near Gotha. His garden in Naples was preserved as the Jungle Larry's Caribbean Gardens and some efforts have been made to preserve his Palm Cottage Gardens in Gotha.\u003c/p\u003e\n","\u003cp\u003e\nNehrling always wrote about his interests; he wrote articles on birds for the Nuttall Ornithological Club in Texas. In 1922, he began writing columns for The American Eagle, a weekly newspaper published in Estero, Florida. His first book Orchids in South Florida was published in 1890 and was followed a year later by Die Nordamerikanische Vogelwelt (North American Bird Life). Two volumes of Our Native Birds of Song and Beauty were published in 1893 and 1896 respectively. His next work, Die Amaryllis oder Rittersterne (Hippeastrum) (The Amaryllis), was published in 1908.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Henry Nehrling, an ornithologist and horticulturist, was born on 9 May 1853 in Herman, Wisconsin, to Carl Nehrling and Elizabeth Ruge. His walks to and from a Lutheran parochial school several miles from his home gave him an opportunity to develop a passionate interest in birds and plants. He completed a teacher education program at the Lutheran Teacher's Seminary in Addison, Illinois and taught in Illinois, Missouri and Texas. Nehrling married Sophia Schoff of Oak Park, Illinois on July 20, 1874 and they had nine children. Their eldest son, Walter, became a professor of Botany at Illinois State Normal School. Henry Nehrling was an original member of the American Ornithologist's Union formed in 1883.","\nWhile living in Houston, Texas from 1879, Nehrling first had the opportunity of growing tropical plants. In 1887, he was appointed deputy collector and inspector of customs at the port of Milwaukee where he remained for three years until he accepted the post of Custodian of the Public Museum in Milwaukee where he collected plant specimens for their greenhouse. He purchased land in Gotha, Florida in 1884, but did not visit the property until 1886. Slowly, as his finances allowed, he developed the property into an ornamental garden. At the Columbian Exposition of 1893, Nehrling had the opportunity of examining many tropical plants and trees and became fascinated with the fancy-leafed caladium. Through a South American horticulturist, Adolph Lietz, Nehrling acquired hundreds of Brazilian caladium specimens. These were first housed in his greenhouse in Milwaukee but were later moved to Gotha. Nehrling created new hybrid caladiums which he named in honor of his wife, the \"Mrs. Sophie Nehrling,\" his son the \"Arno Nehrling\" and his daughter-in-law \"Mrs. Arno Nehrling.\"","\nNehrling lost his position with the Public Museum of Milwaukee and permanently settled in Gotha in 1904. where he also began to experiment with the colorful annual flowering Amaryllis. He grew, hybridized, and popularized many unusual and exotic plants for the general public. Caladiums, palms, bamboo, and amaryllis were all introduced to the United States by way of his Palm Cottage Gardens. Nehrling collaborated with the Office of Foreign Seed and Plant Introduction, which was part of what was then called the Bureau of Plant Industry. Through this connection, Nehrling was able to expand his international contacts and gather information, plants and seeds from tropical horticulturists around the world. Nehrling's garden became so well known that people like John Burroughs, Thomas Edison, and Theodore Roosevelt came to visit and learn gardening tips. Nehrling's wife, Sophia, died on November 11, 1911, and on June 7, 1916 he married Betty P. Mitchell. A freeze in 1917 killed many of his most valuable plants; to avoid a recurrence, he purchased property in Naples, Florida where he could safely grow tropical species. He settled there in 1922 and by 1925, Nehrling had over three thousand species of tropical plants. Financial problems forced him to return to Gotha where he died on November 22, 1929 and was buried in Woodlawn cemetery near Gotha. His garden in Naples was preserved as the Jungle Larry's Caribbean Gardens and some efforts have been made to preserve his Palm Cottage Gardens in Gotha.","\nNehrling always wrote about his interests; he wrote articles on birds for the Nuttall Ornithological Club in Texas. In 1922, he began writing columns for The American Eagle, a weekly newspaper published in Estero, Florida. His first book Orchids in South Florida was published in 1890 and was followed a year later by Die Nordamerikanische Vogelwelt (North American Bird Life). Two volumes of Our Native Birds of Song and Beauty were published in 1893 and 1896 respectively. His next work, Die Amaryllis oder Rittersterne (Hippeastrum) (The Amaryllis), was published in 1908."],"prefercite_html_tesm":["\u003cp\u003eHenry Nehrling Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Henry Nehrling Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Judith Beale; finding aid prepared by Judith Beale, Dannie Helm, and Blair Jackson.\t \u003c/p\u003e","\u003cp\u003eMaterials were arranged in pH neutral folders and boxes. Damaged, fragile and high use items were placed in polyester sleeves. Some materials have water damage and were freeze dried in August 2006.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Judith Beale; finding aid prepared by Judith Beale, Dannie Helm, and Blair Jackson.\t ","Materials were arranged in pH neutral folders and boxes. Damaged, fragile and high use items were placed in polyester sleeves. Some materials have water damage and were freeze dried in August 2006."],"relatedmaterial_html_tesm":["\u003cp\u003eOther materials about Henry Nehrling are held in repositories at \u003cextref href=\"http://www.rollins.edu/olin/archives/index.html\"\u003eRollins College\u003c/extref\u003e, \u003cextref href=\"https://omeka.wppl.librarymarket.com/\"\u003eWinter Park Public Library\u003c/extref\u003e, \u003cextref href=\"http://www.fairchildgarden.org/research/SmithCollection.html\"\u003eFairchild Tropical Botanic Garden Library\u003c/extref\u003e, \u003cextref href=\"https://www.thehistorycenter.org/collections/research-center/\"\u003eOrange County Regional History Center\u003c/extref\u003e and the Koreshan Collection. Nehrling wrote several books that may be found by searching the library catalog. Michael A. Spencer also donated collections on Henry Nehrling to University of Central Florida Libraries, Special Collections \u0026amp; University Archives. The finding aid can be found \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08a\"\u003ehere\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other materials about Henry Nehrling are held in repositories at  Rollins College ,  Winter Park Public Library ,  Fairchild Tropical Botanic Garden Library ,  Orange County Regional History Center  and the Koreshan Collection. Nehrling wrote several books that may be found by searching the library catalog. Michael A. Spencer also donated collections on Henry Nehrling to University of Central Florida Libraries, Special Collections \u0026 University Archives. The finding aid can be found  here ."],"scopecontent_html_tesm":["\u003cp\u003eThese papers are divided into three series by type of document.\u003c/p\u003e\n","\u003cp\u003eSeries I: Writings, 1894-1970 holds manuscripts, newspaper articles and clippings, outlines, research notes, outgoing correspondence and reviews written by Henry Nehrling.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Gardening Information, 1886-1930 contains photographs, plant lists, order forms and other information about plants that interested Nehrling.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Business and Personal Documents, 1887-1932 consists of incoming correspondence, financial papers, photographs, news clippings, a short biography and other materials from the Nehrling household.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["These papers are divided into three series by type of document.","Series I: Writings, 1894-1970 holds manuscripts, newspaper articles and clippings, outlines, research notes, outgoing correspondence and reviews written by Henry Nehrling.","\nSeries II: Gardening Information, 1886-1930 contains photographs, plant lists, order forms and other information about plants that interested Nehrling.","\nSeries III: Business and Personal Documents, 1887-1932 consists of incoming correspondence, financial papers, photographs, news clippings, a short biography and other materials from the Nehrling household."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_53b53e589e16583d7a6d8277baa2fa23\" label=\"Abstract\"\u003eHenry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature.\u003c/abstract\u003e"],"abstract_tesim":["Henry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature."],"names_ssim":["UCF Special Collections","Nehrling, Henry, 1853-1929"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Nehrling, Henry, 1853-1929"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":341,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"34e1c2c7c431f5206e979541","timestamp":"2026-07-09T03:02:47.938Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/34e1c2c7c431f5206e979541_aspace_17809"}},{"id":"bec408ef355489ed2515918e_aspace_b1221a4f5728df6064118fbe8c446984","type":"Item","attributes":{"title":"Young Female with Marcelled Hair and Pearls, Cincinnati, Ohio, 1928","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_b1221a4f5728df6064118fbe8c446984#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b1221a4f5728df6064118fbe8c446984","ref_ssm":["aspace_b1221a4f5728df6064118fbe8c446984","aspace_b1221a4f5728df6064118fbe8c446984"],"id":"bec408ef355489ed2515918e_aspace_b1221a4f5728df6064118fbe8c446984","title_filing_ssi":"Young Female with Marcelled Hair and Pearls, Cincinnati, Ohio","title_ssm":["Young Female with Marcelled Hair and Pearls, Cincinnati, Ohio"],"title_tesim":["Young Female with Marcelled Hair and Pearls, Cincinnati, Ohio"],"unitdate_other_ssim":["1928"],"normalized_date_ssm":["1928"],"normalized_title_ssm":["Young Female with Marcelled Hair and Pearls, Cincinnati, Ohio, 1928"],"text":["Young Female with Marcelled Hair and Pearls, Cincinnati, Ohio, 1928","African American Legacy: The Carol Mundy collection, 1791-2003","Additional Materials, 1791-1990, Undated","Photographs, 1860-1970, Undated","Women, 1860-1946, Undated","Folder 43","/repositories/4/archival_objects/57390","box 34","folder 43"],"component_level_isim":[4],"parent_ids_ssim":["bec408ef355489ed2515918e","bec408ef355489ed2515918e_aspace_8d9756e691c528284ff3578409880ec9","bec408ef355489ed2515918e_aspace_76e21af1947a6fa46c9729ae6aa29a89","bec408ef355489ed2515918e_aspace_205191e44d892ceddfc0b58da49ba494"],"parent_unittitles_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003","Additional Materials, 1791-1990, Undated","Photographs, 1860-1970, Undated","Women, 1860-1946, Undated"],"parent_unittitles_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003","Additional Materials, 1791-1990, Undated","Photographs, 1860-1970, Undated","Women, 1860-1946, Undated"],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["Folder 43","/repositories/4/archival_objects/57390"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1623,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1928],"containers_ssim":["box 34","folder 43"],"_nest_path_":"/components#8/components#5/components#5/components#42","_nest_parent_":"bec408ef355489ed2515918e_aspace_205191e44d892ceddfc0b58da49ba494","_root_":"bec408ef355489ed2515918e","_version_":1879192534963453952,"timestamp":"2026-10-16T08:00:56.160Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bec408ef355489ed2515918e","title_ssm":["African American Legacy: The Carol Mundy collection"],"title_tesim":["African American Legacy: The Carol Mundy collection"],"ead_ssi":"bec408ef355489ed2515918e","unitdate_ssm":["1791-2003"],"unitdate_inclusive_ssm":["1791-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC085","/repositories/4/resources/106"],"text":["SC085","/repositories/4/resources/106","African American Legacy: The Carol Mundy collection, 1791-2003","Apopka (Fla.)--History","African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs","The entire collection is open for research.","Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"","Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog .","This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.","UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-","English"],"unitid_tesim":["SC085","/repositories/4/resources/106"],"normalized_date_ssm":["1791-2003"],"normalized_title_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_title_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Apopka (Fla.)--History"],"geogname_ssim":["Apopka (Fla.)--History"],"creator_ssm":["Mundy, Carol"],"creator_ssim":["Mundy, Carol"],"creator_persname_ssim":["Mundy, Carol"],"creators_ssim":["Mundy, Carol"],"places_ssim":["Apopka (Fla.)--History"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Most of these materials were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Carol Mundy in 2009 (CFM2009_02). Additional materials were donated in 2010/2012 (CFM2012_02) and 2019 (CFM2019_01)."],"access_subjects_ssim":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"access_subjects_ssm":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["26 Linear Feet 36 boxes and 73 flat files"],"extent_tesim":["26 Linear Feet 36 boxes and 73 flat files"],"genreform_ssim":["photographs"],"date_range_isim":[1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eCarol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\""],"prefercite_html_tesm":["\u003cp\u003eAfrican American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["African American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Early America \u0026amp; Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.\u003c/p\u003e\n","\u003cp\u003eSeries IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4cf0eb7fc38bbc5bdebff00649325802\" label=\"Abstract\"\u003eCollector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.\u003c/abstract\u003e"],"abstract_tesim":["Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida."],"names_ssim":["UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"persname_ssim":["Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1675,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879192534963453952,"_root_":"bec408ef355489ed2515918e","timestamp":"2026-10-16T08:00:56.160Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_b1221a4f5728df6064118fbe8c446984"}},{"id":"9646530ffefd538c63ce134a_aspace_460466b7382f1352af5ac7389516915e","type":"Item","attributes":{"title":"You See Honey…, bulk undated","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/9646530ffefd538c63ce134a_aspace_460466b7382f1352af5ac7389516915e#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eImage of a couple sitting at a table. Woman holding a tea cup and man looking in a bowl of vegetables; Text reads, 'You See Honey I thought That You Might Eat Like a Rabbit Too'; 115\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9646530ffefd538c63ce134a_aspace_460466b7382f1352af5ac7389516915e#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_460466b7382f1352af5ac7389516915e","ref_ssm":["aspace_460466b7382f1352af5ac7389516915e","aspace_460466b7382f1352af5ac7389516915e"],"id":"9646530ffefd538c63ce134a_aspace_460466b7382f1352af5ac7389516915e","title_filing_ssi":"You See Honey…","title_ssm":["You See Honey…"],"title_tesim":["You See Honey…"],"unitdate_bulk_ssim":["undated"],"normalized_date_ssm":["bulk undated"],"normalized_title_ssm":["You See Honey…, bulk undated"],"text":["You See Honey…, bulk undated","Visual Representation of Women Collection, bulk 1900-2019","Ephemera-Postcards","/repositories/2/archival_objects/68220","Card stock, 3 1/2\" x 5 1/2\"","box 1","item 64","Image of a couple sitting at a table. Woman holding a tea cup and man looking in a bowl of vegetables; Text reads, 'You See Honey I thought That You Might Eat Like a Rabbit Too'; 115"],"component_level_isim":[2],"parent_ids_ssim":["9646530ffefd538c63ce134a","9646530ffefd538c63ce134a_aspace_21805a5defd3bf3c1e3eac3ddedfcab1"],"parent_unittitles_ssm":["Visual Representation of Women Collection, bulk 1900-2019","Ephemera-Postcards"],"parent_unittitles_tesim":["Visual Representation of Women Collection, bulk 1900-2019","Ephemera-Postcards"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/68220"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Visual Representation of Women Collection, bulk 1900-2019"],"physdesc_tesim":["Card stock, 3 1/2\" x 5 1/2\""],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":65,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950],"containers_ssim":["box 1","item 64"],"scopecontent_html_tesm":["\u003cp\u003eImage of a couple sitting at a table. Woman holding a tea cup and man looking in a bowl of vegetables; Text reads, 'You See Honey I thought That You Might Eat Like a Rabbit Too'; 115\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Image of a couple sitting at a table. Woman holding a tea cup and man looking in a bowl of vegetables; Text reads, 'You See Honey I thought That You Might Eat Like a Rabbit Too'; 115"],"_nest_path_":"/components#0/components#63","_nest_parent_":"9646530ffefd538c63ce134a_aspace_21805a5defd3bf3c1e3eac3ddedfcab1","_root_":"9646530ffefd538c63ce134a","_version_":1870841767970996224,"timestamp":"2026-07-16T03:49:04.170Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9646530ffefd538c63ce134a","title_ssm":["Visual Representation of Women Collection"],"title_tesim":["Visual Representation of Women Collection"],"ead_ssi":"9646530ffefd538c63ce134a","unitdate_ssm":["1900-2019"],"unitdate_bulk_ssim":["1900-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00043","/repositories/2/resources/178"],"text":["SPC00043","/repositories/2/resources/178","Visual Representation of Women Collection, bulk 1900-2019","Caricatures and cartoons -- United States -- 19th century","Gender matters in U.S. politics","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","The Visual Representation of Women Collection is a postcard collection that focuses on representational images of women from around the globe. Covering the gamut of postcard types, images portray the many social constructions of womanhood and their attendant meanings. Containing a variety of mass produced postcards to unique artist renditions, the collection is an ongoing project of FAU University Libraries' Special Collections that will build over time.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["SPC00043","/repositories/2/resources/178"],"normalized_date_ssm":["bulk 1900-2019"],"normalized_title_ssm":["Visual Representation of Women Collection, bulk 1900-2019"],"collection_title_tesim":["Visual Representation of Women Collection, bulk 1900-2019"],"collection_ssim":["Visual Representation of Women Collection, bulk 1900-2019"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"access_subjects_ssim":["Caricatures and cartoons -- United States -- 19th century","Gender matters in U.S. politics"],"access_subjects_ssm":["Caricatures and cartoons -- United States -- 19th century","Gender matters in U.S. politics"],"has_online_content_ssim":["false"],"extent_ssm":["1 boxes"],"extent_tesim":["1 boxes"],"physfacet_tesim":["Postcard collection"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. 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