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Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937],"containers_ssim":["box 8","folder 89"],"_nest_path_":"/components#3/components#1/components#0","_nest_parent_":"236a3c88b766327883b2e155_aspace_4f9133de605ca3ccd57cb12651bb5875","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_f4cbaf0a35bfb31e329f93b3e30702ca"}},{"id":"a4845bfaa07fb1a2508d4004_aspace_c4b854359a83f7e1f8427a4c683a1160","type":"File","attributes":{"title":"Telegrams, 1928","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a4845bfaa07fb1a2508d4004_aspace_c4b854359a83f7e1f8427a4c683a1160#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c4b854359a83f7e1f8427a4c683a1160","ref_ssm":["aspace_c4b854359a83f7e1f8427a4c683a1160","aspace_c4b854359a83f7e1f8427a4c683a1160"],"id":"a4845bfaa07fb1a2508d4004_aspace_c4b854359a83f7e1f8427a4c683a1160","title_filing_ssi":"Telegrams","title_ssm":["Telegrams"],"title_tesim":["Telegrams"],"unitdate_other_ssim":["1928"],"normalized_date_ssm":["1928"],"normalized_title_ssm":["Telegrams, 1928"],"text":["Telegrams, 1928","Willie Lowry papers, 1873-1946","Correspondence","Correspondence, 1924-1944","/repositories/2/archival_objects/211835","box 10","folder 11"],"component_level_isim":[3],"parent_ids_ssim":["a4845bfaa07fb1a2508d4004","a4845bfaa07fb1a2508d4004_aspace_336b5299af2832e9c2403e900918c048","a4845bfaa07fb1a2508d4004_aspace_214b82a88b2b784411bf20314f43cbfa"],"parent_unittitles_ssm":["Willie Lowry papers, 1873-1946","Correspondence","Correspondence, 1924-1944"],"parent_unittitles_tesim":["Willie Lowry papers, 1873-1946","Correspondence","Correspondence, 1924-1944"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["/repositories/2/archival_objects/211835"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Willie Lowry papers, 1873-1946"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":138,"parent_access_restrict_tesm":["At the donor's request, the collection was previously closed until January 2015. There are no other restrictions on the use of the collection."],"parent_access_terms_tesm":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1928],"containers_ssim":["box 10","folder 11"],"_nest_path_":"/components#0/components#9/components#10","_nest_parent_":"a4845bfaa07fb1a2508d4004_aspace_214b82a88b2b784411bf20314f43cbfa","_root_":"a4845bfaa07fb1a2508d4004","_version_":1875301641343729664,"timestamp":"2026-09-03T09:16:50.862Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a4845bfaa07fb1a2508d4004","title_filing_ssi":"Willie Lowry papers","title_ssm":["Willie Lowry papers"],"title_tesim":["Willie Lowry papers"],"ead_ssi":"a4845bfaa07fb1a2508d4004","unitdate_ssm":["1873-1946"],"unitdate_inclusive_ssm":["1873-1946"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.1989.06","/repositories/2/resources/753"],"text":["MS.1989.06","/repositories/2/resources/753","Willie Lowry papers, 1873-1946","Tampa Bay Region (Fla.) -- History","South Carolina","Palatka (Fla.)","Tampa (Fla.) -- Social life and customs","Military","At the donor's request, the collection was previously closed until January 2015. There are no other restrictions on the use of the collection.","Willie Miller Lowry was born in Raleigh, North Carolina on July 15, 1862. She was the daughter of Dr. William Robards Miller and Mary Frances Britton. Orphaned at an early eage, Willie moved to Rock Hill, South Carolina to live with her married sister, Mrs. Isabella Wilson. She attended Salem Female Academy where she learned secretarial skills. After graduation, she worked as a secretary for various employers such as the Chairman of the Democratice Party in 1888 and the Peace Institute in 1889 as an instructor of typing and shorthand. ","Willie Miller met Sumter Lowry in Rock Hill, South Carolina in 1885. Sumter Lowry was a native of York, South Carolina who was born on February 26, 1861. He attended Kings Mountain Military Academy and, then, the Medical and Pharmaceutical College in Charleston, South Carolina. Lowry moved to Palatka, Florida in 1886 to manage their Florida store while Starr handled their South Carolina business. Willie and Sumter corresponded regularly while he was working in Palatka.","They were married on December 18, 1890, first settling in Palatka, then St. Augustine and finally, in late 1894, Tampa where they built a home on Plant Avenue and had five children: Willie Louise, Sumter, Jr., Blackburn, Loper, and Isabella. Prior to the Lowry's move to Tampa, Sumter had decided to leave the pharmacy business and embark on a career as an insurance agent thorugh the help of his friend, G. Loper Bailey who he had met in Palatka. Sumter frequently traveled as an insurance agent, but reguarly corresponded with his wife. ","Although she enjoyed being a wife and mother, Willie strongely believed in the importance of being active in the community. Willie founded or was active in numerous civic and social activities and, participated in many state and national issues such as the women's suffrage movement, Tampa's Woman's Club, and Tampa's Young Women's Christian Association (YWCA). In 1900 she wrote a letter to Andrew Carnegie and secured $50,000 to establish a local public library.","Willie Lowry was deeply interested in the welfare of young people. She participated in the first kindergarten movement and formation of the first kindergarten association in Tampa. In 1916, she start what was the first Girl Scout troop to be formed in the South after Juliet Lowe had established the organization and served as their first counselor. She also founded two clubs to help her children become more socially and culturally active: the \"Would-Be-Goods\" in 1901 for young girls and the \"Merry Makers\" in 1913 for her son, Loper and his friends. The latter club still exists as an exclusive men's club.","When the United States became invovled in World War I, Willie Lowry volunteered her time to the Red Cross. As a Red Cross volunteer, she held several important chairmanships and helped raise thousands of dollars for supplies and training. In 1928, she was decorated by King Alfonso XIII of Spain with the \"Royal Order of the Lace Isabella Cathlica\" in recognition of her efforts in promoting the role of Spain in the settlement and history of early America, especially, Florida. ","Willie Lowry continued to be active in the community but failing health limited her involvement. She passed away on August 14, 1936.","References:","Dillon, P. (1999). Clubwomen and Civic Activism: Willie Lowry and Tampa's Club Movement. The Florida Historical Quarterly, 77(4), 429–444. http://www.jstor.org/stable/30150827","Mrs. W. L. Lowry, Pioneer Tampa Woman, Is Dead\". Tampa Times. Tampa, FL. August 15, 1946. p. 2 – via Newspapers.com.","Sumter Lowry papers, USF Libraries – Tampa Special Collections, University of South Florida, Tampa, FL.","The Willie Lowry papers have been arranged by the type of materials found in the collection and organized into series. A large portion of the collection is correspondence to and from Willie to Sumter Lowry. The bulk of the material in the collection falls within the period of the 1880s and 1920s with no significant gaps in the documentation.  ","The collection contains a significant volume of information on Tampa Bay and other regions in Florida. Further, a substantial portion of the material is intrinsically significant in that it contains items which are believed to be the only ones in existence. Some examples of these items are the first breakfast and dinner menus of the Tampa Bay Hotel, a program from the Hotel's Opening Ball and a full page of the Tampa Daily Journal with an article on the completion of the Hotel. ","None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","USF Libraries - Tampa Special Collections","Lowry, Willie","Lowry, Sumter de Leon, Jr., 1893-1985","English"],"unitid_tesim":["MS.1989.06","/repositories/2/resources/753"],"normalized_date_ssm":["1873-1946"],"normalized_title_ssm":["Willie Lowry papers, 1873-1946"],"collection_title_tesim":["Willie Lowry papers, 1873-1946"],"collection_ssim":["Willie Lowry papers, 1873-1946"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa Bay Region (Fla.) -- History","South Carolina","Palatka (Fla.)"],"geogname_ssim":["Tampa Bay Region (Fla.) -- History","South Carolina","Palatka (Fla.)"],"creator_ssm":["Lowry, Willie","Lowry, Sumter de Leon, Jr., 1893-1985"],"creator_ssim":["Lowry, Willie","Lowry, Sumter de Leon, Jr., 1893-1985"],"creator_persname_ssim":["Lowry, Willie","Lowry, Sumter de Leon, Jr., 1893-1985"],"creators_ssim":["Lowry, Willie","Lowry, Sumter de Leon, Jr., 1893-1985"],"places_ssim":["Tampa Bay Region (Fla.) -- History","South Carolina","Palatka (Fla.)"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Ann Lowry Murphey, material grandaughter of Willie Lowry"],"access_subjects_ssim":["Tampa (Fla.) -- Social life and customs","Military"],"access_subjects_ssm":["Tampa (Fla.) -- Social life and customs","Military"],"has_online_content_ssim":["false"],"extent_ssm":["22 boxes","13.69 Linear Feet"],"extent_tesim":["22 boxes","13.69 Linear Feet"],"physfacet_tesim":["16 Hollingers and 6 Flat, Oversized Boxes"],"date_range_isim":[1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946],"accessrestrict_html_tesm":["\u003cp\u003eAt the donor's request, the collection was previously closed until January 2015. There are no other restrictions on the use of the collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["At the donor's request, the collection was previously closed until January 2015. There are no other restrictions on the use of the collection."],"bioghist_html_tesm":["\u003cp\u003eWillie Miller Lowry was born in Raleigh, North Carolina on July 15, 1862. She was the daughter of Dr. William Robards Miller and Mary Frances Britton. Orphaned at an early eage, Willie moved to Rock Hill, South Carolina to live with her married sister, Mrs. Isabella Wilson. She attended Salem Female Academy where she learned secretarial skills. After graduation, she worked as a secretary for various employers such as the Chairman of the Democratice Party in 1888 and the Peace Institute in 1889 as an instructor of typing and shorthand. \u003c/p\u003e\n","\u003cp\u003eWillie Miller met Sumter Lowry in Rock Hill, South Carolina in 1885. Sumter Lowry was a native of York, South Carolina who was born on February 26, 1861. He attended Kings Mountain Military Academy and, then, the Medical and Pharmaceutical College in Charleston, South Carolina. Lowry moved to Palatka, Florida in 1886 to manage their Florida store while Starr handled their South Carolina business. Willie and Sumter corresponded regularly while he was working in Palatka.\u003c/p\u003e\n","\u003cp\u003eThey were married on December 18, 1890, first settling in Palatka, then St. Augustine and finally, in late 1894, Tampa where they built a home on Plant Avenue and had five children: Willie Louise, Sumter, Jr., Blackburn, Loper, and Isabella. Prior to the Lowry's move to Tampa, Sumter had decided to leave the pharmacy business and embark on a career as an insurance agent thorugh the help of his friend, G. Loper Bailey who he had met in Palatka. Sumter frequently traveled as an insurance agent, but reguarly corresponded with his wife. \u003c/p\u003e\n","\u003cp\u003eAlthough she enjoyed being a wife and mother, Willie strongely believed in the importance of being active in the community. Willie founded or was active in numerous civic and social activities and, participated in many state and national issues such as the women's suffrage movement, Tampa's Woman's Club, and Tampa's Young Women's Christian Association (YWCA). In 1900 she wrote a letter to Andrew Carnegie and secured $50,000 to establish a local public library.\u003c/p\u003e\n","\u003cp\u003eWillie Lowry was deeply interested in the welfare of young people. She participated in the first kindergarten movement and formation of the first kindergarten association in Tampa. In 1916, she start what was the first Girl Scout troop to be formed in the South after Juliet Lowe had established the organization and served as their first counselor. She also founded two clubs to help her children become more socially and culturally active: the \"Would-Be-Goods\" in 1901 for young girls and the \"Merry Makers\" in 1913 for her son, Loper and his friends. The latter club still exists as an exclusive men's club.\u003c/p\u003e\n","\u003cp\u003eWhen the United States became invovled in World War I, Willie Lowry volunteered her time to the Red Cross. As a Red Cross volunteer, she held several important chairmanships and helped raise thousands of dollars for supplies and training. In 1928, she was decorated by King Alfonso XIII of Spain with the \"Royal Order of the Lace Isabella Cathlica\" in recognition of her efforts in promoting the role of Spain in the settlement and history of early America, especially, Florida. \u003c/p\u003e\n","\u003cp\u003eWillie Lowry continued to be active in the community but failing health limited her involvement. She passed away on August 14, 1936.\u003c/p\u003e\n","\u003cp\u003eReferences:\u003c/p\u003e\n","\u003cp\u003eDillon, P. (1999). Clubwomen and Civic Activism: Willie Lowry and Tampa's Club Movement. The Florida Historical Quarterly, 77(4), 429\u0026#x2013;444. http://www.jstor.org/stable/30150827\u003c/p\u003e\n","\u003cp\u003eMrs. W. L. Lowry, Pioneer Tampa Woman, Is Dead\". Tampa Times. Tampa, FL. August 15, 1946. p. 2 \u0026#x2013; via Newspapers.com.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Willie Miller Lowry was born in Raleigh, North Carolina on July 15, 1862. She was the daughter of Dr. William Robards Miller and Mary Frances Britton. Orphaned at an early eage, Willie moved to Rock Hill, South Carolina to live with her married sister, Mrs. Isabella Wilson. She attended Salem Female Academy where she learned secretarial skills. After graduation, she worked as a secretary for various employers such as the Chairman of the Democratice Party in 1888 and the Peace Institute in 1889 as an instructor of typing and shorthand. ","Willie Miller met Sumter Lowry in Rock Hill, South Carolina in 1885. Sumter Lowry was a native of York, South Carolina who was born on February 26, 1861. He attended Kings Mountain Military Academy and, then, the Medical and Pharmaceutical College in Charleston, South Carolina. Lowry moved to Palatka, Florida in 1886 to manage their Florida store while Starr handled their South Carolina business. Willie and Sumter corresponded regularly while he was working in Palatka.","They were married on December 18, 1890, first settling in Palatka, then St. Augustine and finally, in late 1894, Tampa where they built a home on Plant Avenue and had five children: Willie Louise, Sumter, Jr., Blackburn, Loper, and Isabella. Prior to the Lowry's move to Tampa, Sumter had decided to leave the pharmacy business and embark on a career as an insurance agent thorugh the help of his friend, G. Loper Bailey who he had met in Palatka. Sumter frequently traveled as an insurance agent, but reguarly corresponded with his wife. ","Although she enjoyed being a wife and mother, Willie strongely believed in the importance of being active in the community. Willie founded or was active in numerous civic and social activities and, participated in many state and national issues such as the women's suffrage movement, Tampa's Woman's Club, and Tampa's Young Women's Christian Association (YWCA). In 1900 she wrote a letter to Andrew Carnegie and secured $50,000 to establish a local public library.","Willie Lowry was deeply interested in the welfare of young people. She participated in the first kindergarten movement and formation of the first kindergarten association in Tampa. In 1916, she start what was the first Girl Scout troop to be formed in the South after Juliet Lowe had established the organization and served as their first counselor. She also founded two clubs to help her children become more socially and culturally active: the \"Would-Be-Goods\" in 1901 for young girls and the \"Merry Makers\" in 1913 for her son, Loper and his friends. The latter club still exists as an exclusive men's club.","When the United States became invovled in World War I, Willie Lowry volunteered her time to the Red Cross. As a Red Cross volunteer, she held several important chairmanships and helped raise thousands of dollars for supplies and training. In 1928, she was decorated by King Alfonso XIII of Spain with the \"Royal Order of the Lace Isabella Cathlica\" in recognition of her efforts in promoting the role of Spain in the settlement and history of early America, especially, Florida. ","Willie Lowry continued to be active in the community but failing health limited her involvement. She passed away on August 14, 1936.","References:","Dillon, P. (1999). Clubwomen and Civic Activism: Willie Lowry and Tampa's Club Movement. The Florida Historical Quarterly, 77(4), 429–444. http://www.jstor.org/stable/30150827","Mrs. W. L. Lowry, Pioneer Tampa Woman, Is Dead\". Tampa Times. Tampa, FL. August 15, 1946. p. 2 – via Newspapers.com."],"prefercite_html_tesm":["\u003cp\u003eWillie Lowry papers, USF Libraries \u0026#x2013; Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Willie Lowry papers, USF Libraries – Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eSumter Lowry papers, USF Libraries \u0026#x2013; Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Sumter Lowry papers, USF Libraries – Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe Willie Lowry papers have been arranged by the type of materials found in the collection and organized into series. A large portion of the collection is correspondence to and from Willie to Sumter Lowry. The bulk of the material in the collection falls within the period of the 1880s and 1920s with no significant gaps in the documentation.  \u003c/p\u003e\n","\u003cp\u003eThe collection contains a significant volume of information on Tampa Bay and other regions in Florida. Further, a substantial portion of the material is intrinsically significant in that it contains items which are believed to be the only ones in existence. Some examples of these items are the first breakfast and dinner menus of the Tampa Bay Hotel, a program from the Hotel's Opening Ball and a full page of the Tampa Daily Journal with an article on the completion of the Hotel. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Willie Lowry papers have been arranged by the type of materials found in the collection and organized into series. A large portion of the collection is correspondence to and from Willie to Sumter Lowry. The bulk of the material in the collection falls within the period of the 1880s and 1920s with no significant gaps in the documentation.  ","The collection contains a significant volume of information on Tampa Bay and other regions in Florida. Further, a substantial portion of the material is intrinsically significant in that it contains items which are believed to be the only ones in existence. Some examples of these items are the first breakfast and dinner menus of the Tampa Bay Hotel, a program from the Hotel's Opening Ball and a full page of the Tampa Daily Journal with an article on the completion of the Hotel. "],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Lowry, Willie","Lowry, Sumter de Leon, Jr., 1893-1985"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Lowry, Willie","Lowry, Sumter de Leon, Jr., 1893-1985"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":273,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1875301641343729664,"_root_":"a4845bfaa07fb1a2508d4004","timestamp":"2026-09-03T09:16:50.862Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a4845bfaa07fb1a2508d4004_aspace_c4b854359a83f7e1f8427a4c683a1160"}},{"id":"ef24c6bcc6e3eac7b082603c_aspace_136473","type":"File","attributes":{"title":"\"Te Quiero, Te Adoro\" de E. Suarez de Deza: No. 169, 1928","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ef24c6bcc6e3eac7b082603c_aspace_136473#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_136473","ref_ssm":["aspace_136473","aspace_136473"],"id":"ef24c6bcc6e3eac7b082603c_aspace_136473","title_filing_ssi":"\"Te Quiero, Te Adoro\" de E. Suarez de Deza: No. 169","title_ssm":["\"Te Quiero, Te Adoro\" de E. Suarez de Deza: No. 169"],"title_tesim":["\"Te Quiero, Te Adoro\" de E. Suarez de Deza: No. 169"],"unitdate_other_ssim":["1928"],"normalized_date_ssm":["1928"],"normalized_title_ssm":["\"Te Quiero, Te Adoro\" de E. Suarez de Deza: No. 169, 1928"],"text":["\"Te Quiero, Te Adoro\" de E. Suarez de Deza: No. 169, 1928","El Círculo Cubano (Cuban Club) records, 1852-1989, Date acquired: 00/00/2000, bulk 1902-1959","Ephemera","Obras de Teatro (Plays) by Publisher: \"El Teatro Moderno,\" No. 3-254","23","/repositories/2/archival_objects/133989","box 24","folder 23"],"component_level_isim":[3],"parent_ids_ssim":["ef24c6bcc6e3eac7b082603c","ef24c6bcc6e3eac7b082603c_aspace_83600","ef24c6bcc6e3eac7b082603c_aspace_28d0f2047e737a64b15adfb63ee902b2"],"parent_unittitles_ssm":["El Círculo Cubano (Cuban Club) records, 1852-1989, Date acquired: 00/00/2000, bulk 1902-1959","Ephemera","Obras de Teatro (Plays) by Publisher: \"El Teatro Moderno,\" No. 3-254"],"parent_unittitles_tesim":["El Círculo Cubano (Cuban Club) records, 1852-1989, Date acquired: 00/00/2000, bulk 1902-1959","Ephemera","Obras de Teatro (Plays) by Publisher: \"El Teatro Moderno,\" No. 3-254"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["23","/repositories/2/archival_objects/133989"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["El Círculo Cubano (Cuban Club) records, 1852-1989, Date acquired: 00/00/2000, bulk 1902-1959"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":564,"parent_access_terms_tesm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"date_range_isim":[1928],"containers_ssim":["box 24","folder 23"],"_nest_path_":"/components#1/components#6/components#22","_nest_parent_":"ef24c6bcc6e3eac7b082603c_aspace_28d0f2047e737a64b15adfb63ee902b2","_root_":"ef24c6bcc6e3eac7b082603c","timestamp":"2026-04-23T03:16:49.257Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ef24c6bcc6e3eac7b082603c","title_filing_ssi":"Circulo Cubano records, El","title_ssm":["El Círculo Cubano (Cuban Club) records"],"title_tesim":["El Círculo Cubano (Cuban Club) records"],"ead_ssi":"ef24c6bcc6e3eac7b082603c","unitdate_ssm":["1852-1989","1902-1959","Date acquired: 00/00/2000"],"unitdate_bulk_ssim":["1902-1959"],"unitdate_inclusive_ssm":["1852-1989"],"unitdate_other_ssim":["Date acquired: 00/00/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2000-05","/repositories/2/resources/568"],"text":["MS-2000-05","/repositories/2/resources/568","El Círculo Cubano (Cuban Club) records, 1852-1989, Date acquired: 00/00/2000, bulk 1902-1959","Tampa (Fla.) -- Race relations.","Cuban Americans -- Florida -- Tampa -- History","The collection is arranged into series according to subject. Meeting minutes are arranged in chronological order. Life insurance policies are arranged alphabetically. Plays are arranged alphabetically by Publisher and Titles.","The Cuban Club was founded in 1899 as \"El Club Nacional Cubano October 10,\" and in 1902 the name was changed to \"El Círculo Cubano.\" Like many of the Ybor City mutual aid societies established at the turn-of-the-century, the Cuban Club provided its members with health care, recreational activities, library services, and English classes. At its peak, membership in the club, which primarily was made up of working-class Cuban immigrants, neared 8,000. Today, membership in El Círculo Cubano is based on one's dedication to preserving Florida's Cuban heritage and culture, not Cuban ancestry. Initially, the club's headquarters was located on the corner of 14th Street and 9th Avenue in Ybor City. In 1907, the organization relocated to 14th Street and 10th Avenue (later renamed Palm Avenue). A fire destroyed the building in 1916.The headquarters was rebuilt and opened to the club in 1918. The Círculo Cubano de Tampa clubhouse, located at 2010 Avenida Republica de Cuba, is listed on the National Register of Historic Places.","Centro Asturiano de Tampa, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Centro Espanol de Tampa, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.","Sociedad de la Union Marti-Maceo,USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","This collection includes organizational documents such as committee meeting notes, financial records, professional correspondence, insurance records, and programs and announcements for special events.  Also includes theatrical playscripts which range in date from the mid-19 th  to early 20 th  century.","None. 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In 1907, the organization relocated to 14th Street and 10th Avenue (later renamed Palm Avenue). A fire destroyed the building in 1916.The headquarters was rebuilt and opened to the club in 1918. The Círculo Cubano de Tampa clubhouse, located at 2010 Avenida Republica de Cuba, is listed on the National Register of Historic Places."],"prefercite_html_tesm":["\u003cp\u003eCuban Club records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Cuban Club records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eCentro Asturiano de Tampa, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e\n","\u003cp\u003eCentro Espanol de Tampa, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e\n","\u003cp\u003eSociedad de la Union Marti-Maceo,USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Centro Asturiano de Tampa, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. 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1928","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9e27db691aadf101ca3f5e37_aspace_7bd819656cb357b7932e22f788ae50a4#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7bd819656cb357b7932e22f788ae50a4","ref_ssm":["aspace_7bd819656cb357b7932e22f788ae50a4","aspace_7bd819656cb357b7932e22f788ae50a4"],"id":"9e27db691aadf101ca3f5e37_aspace_7bd819656cb357b7932e22f788ae50a4","title_filing_ssi":"Thanksgiving Fruit Basket","title_ssm":["Thanksgiving Fruit Basket"],"title_tesim":["Thanksgiving Fruit Basket"],"unitdate_other_ssim":["1928"],"normalized_date_ssm":["1928"],"normalized_title_ssm":["Thanksgiving Fruit Basket, 1928"],"text":["Thanksgiving Fruit Basket, 1928","Holly Hill Grove and Fruit Company Photographs, 1920-1939","Box 3","Textual Materials","Advertising+Marketing","/repositories/3/archival_objects/10046","folder 13"],"component_level_isim":[4],"parent_ids_ssim":["9e27db691aadf101ca3f5e37","9e27db691aadf101ca3f5e37_aspace_b452cf52001b4c466031b51435a7acdb","9e27db691aadf101ca3f5e37_aspace_314368b0e6242b2ba65039cb41cfc7d5","9e27db691aadf101ca3f5e37_aspace_3a164bc7403c246a13450ccfa50f824a"],"parent_unittitles_ssm":["Holly Hill Grove and Fruit Company Photographs, 1920-1939","Box 3","Textual Materials","Advertising+Marketing"],"parent_unittitles_tesim":["Holly Hill Grove and Fruit Company Photographs, 1920-1939","Box 3","Textual Materials","Advertising+Marketing"],"parent_levels_ssm":["collection","Box","Series","Subseries"],"unitid_ssm":["/repositories/3/archival_objects/10046"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"collection_ssim":["Holly Hill Grove and Fruit Company Photographs, 1920-1939"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":65,"parent_access_terms_tesm":["Permission to publish material from the Holly Hill Grove and Fruit Company Photographs must be obtained from Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder. Please inquire if you have questions at 863-680-4453."],"date_range_isim":[1928],"containers_ssim":["folder 13"],"_nest_path_":"/components#2/components#1/components#0/components#5","_nest_parent_":"9e27db691aadf101ca3f5e37_aspace_3a164bc7403c246a13450ccfa50f824a","_root_":"9e27db691aadf101ca3f5e37","_version_":1870852062237949952,"timestamp":"2026-07-16T06:32:41.551Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9e27db691aadf101ca3f5e37","title_ssm":["Holly Hill Grove and Fruit Company Photographs"],"title_tesim":["Holly Hill Grove and Fruit Company Photographs"],"ead_ssi":"9e27db691aadf101ca3f5e37","unitdate_ssm":["1920-1939"],"unitdate_inclusive_ssm":["1920-1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT3015","/repositories/3/resources/36"],"text":["CIT3015","/repositories/3/resources/36","Holly Hill Grove and Fruit Company Photographs, 1920-1939","Davenport (Fla.)--Pictorial works","Holly Hill Grove and Fruit Company","Photographs--Florida--History","Land development--Florida--History--Pictorial works","Citrus groves--Florida--Pictorial works","Advertising--Citrus industry--Florida","Florida--Social life and customs--20th century--Pictorial works","The development of Holly Hill near Davenport, Florida began in December 1919 as part of the Holly Hill Grove and Fruit Company, a subsidiary of the Wilson and Toomer Fertilizer Company. Like other Florida land development companies during the 1920s, the Holly Hill Grove and Fruit Company packaged together the sale of house lots with citrus grove lots. Soon, the deal shifted to if someone bought a grove lot, they would receive a lot in town. Holly Hill Grove and Fruit Company also built multiple amenities in Davenport including the Holly Hill Inn in 1920 as well as the Holly Hill Golf and Country Club in the mid-1920s. In 1927, the Holly Hill Grove and Fruit Company formed Holly Hill Fruit Products, Inc., and soon after its creation, Holly Hill Fruit Products, Inc. bought its business as a citrus fruit marketing company and its trademarks from Holly Hill Grove and Fruit Company. However, Holly Hill Citrus Growers Association started selling citrus as an agent of Holly Hill Grove and\nFruit Company, thus violating the agreement and causing Holly Hill Fruit Products, Inc. to file a successful lawsuit against Holly Hill Grove and Fruit Company. Due to the lawsuit, the effects of the Great Depression, and other economic and ecological disasters in Florida, Holly Hill Grove and Fruit Company faced foreclosure in the 1930s and was bought out by Wilson and\nToomer. The country club that had been built also closed in the 1930s and was turned into housing and citrus groves. In contrast, Holly Hill Fruit Products, Inc. flourished despite these same issues and continues to exist to this day.","Additional Sources:\nHetherington, M.F. History of Polk County Florida: Narrative and Biographical. St. Augustine, Florida: The Record\nCompany, 1928. https://digitalcommons.usf.edu/regional_ebooks/11.\n\"Holly Hill Fruit Products Co. Inc.\" Florida Department of State, Division of Corporations.\nhttps://search.sunbiz.org/Inquiry/CorporationSearch/ByName.\nHolly Hill Growers' Ass'n et al. v. Holly Hill Fruit Products, Inc., no. 7367, Circuit Court of Appeals, 5th Circuit, 1935. ","The original order was unable to be determined because there is little documentation from the original accessioning. Furthermore, the date range for the collection is an approximation based on the few dated photographs as well as company history. For more information on the Wilson and Toomer Fertilizer Company, the parent company of Holly Hill Grove and Fruit Company, please see the Wilson and Toomer Fertilizer Company Records. For more information on Vaughn Woods, who was a soil chemist for the Wilson and Toomer Company, please see the Vaughn Woods Papers. See also the Col. Bayard F. Floyd Papers, who was a horticulturalist and Vice President of the company.","The collection has been divided into two main series: Photographs and Textual Materials. The Photographs series is divided into sub-series based on subject: Building and Structures, Davenport Locales, Landscapes, and People. The Textual Materials series contains Advertising and Marketing materials as well as Correspondence. All materials in this collection were organized alphabetically due to few dated materials.","Permission to publish material from the Holly Hill Grove and Fruit Company Photographs must be obtained from Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder. Please inquire if you have questions at 863-680-4453.","Thomas B. Mack Florida Citrus Archives","Holly Hill Grove and Fruit Company","English"],"unitid_tesim":["CIT3015","/repositories/3/resources/36"],"normalized_date_ssm":["1920-1939"],"normalized_title_ssm":["Holly Hill Grove and Fruit Company Photographs, 1920-1939"],"collection_title_tesim":["Holly Hill Grove and Fruit Company Photographs, 1920-1939"],"collection_ssim":["Holly Hill Grove and Fruit Company Photographs, 1920-1939"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. 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Mack Citrus Archives were transferred to the Roux Library in 2005 then to the McKay Archives Center in 2009."],"access_subjects_ssim":["Holly Hill Grove and Fruit Company","Photographs--Florida--History","Land development--Florida--History--Pictorial works","Citrus groves--Florida--Pictorial works","Advertising--Citrus industry--Florida","Florida--Social life and customs--20th century--Pictorial works"],"access_subjects_ssm":["Holly Hill Grove and Fruit Company","Photographs--Florida--History","Land development--Florida--History--Pictorial works","Citrus groves--Florida--Pictorial works","Advertising--Citrus industry--Florida","Florida--Social life and customs--20th century--Pictorial works"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet"],"extent_tesim":["1.25 Linear Feet"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939],"bioghist_html_tesm":["\u003cp\u003eThe development of Holly Hill near Davenport, Florida began in December 1919 as part of the Holly Hill Grove and Fruit Company, a subsidiary of the Wilson and Toomer Fertilizer Company. Like other Florida land development companies during the 1920s, the Holly Hill Grove and Fruit Company packaged together the sale of house lots with citrus grove lots. Soon, the deal shifted to if someone bought a grove lot, they would receive a lot in town. Holly Hill Grove and Fruit Company also built multiple amenities in Davenport including the Holly Hill Inn in 1920 as well as the Holly Hill Golf and Country Club in the mid-1920s. In 1927, the Holly Hill Grove and Fruit Company formed Holly Hill Fruit Products, Inc., and soon after its creation, Holly Hill Fruit Products, Inc. bought its business as a citrus fruit marketing company and its trademarks from Holly Hill Grove and Fruit Company. However, Holly Hill Citrus Growers Association started selling citrus as an agent of Holly Hill Grove and\nFruit Company, thus violating the agreement and causing Holly Hill Fruit Products, Inc. to file a successful lawsuit against Holly Hill Grove and Fruit Company. Due to the lawsuit, the effects of the Great Depression, and other economic and ecological disasters in Florida, Holly Hill Grove and Fruit Company faced foreclosure in the 1930s and was bought out by Wilson and\nToomer. The country club that had been built also closed in the 1930s and was turned into housing and citrus groves. In contrast, Holly Hill Fruit Products, Inc. flourished despite these same issues and continues to exist to this day.\u003c/p\u003e\n","\u003cp\u003eAdditional Sources:\nHetherington, M.F. History of Polk County Florida: Narrative and Biographical. St. Augustine, Florida: The Record\nCompany, 1928. https://digitalcommons.usf.edu/regional_ebooks/11.\n\"Holly Hill Fruit Products Co. Inc.\" Florida Department of State, Division of Corporations.\nhttps://search.sunbiz.org/Inquiry/CorporationSearch/ByName.\nHolly Hill Growers' Ass'n et al. v. Holly Hill Fruit Products, Inc., no. 7367, Circuit Court of Appeals, 5th Circuit, 1935. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The development of Holly Hill near Davenport, Florida began in December 1919 as part of the Holly Hill Grove and Fruit Company, a subsidiary of the Wilson and Toomer Fertilizer Company. Like other Florida land development companies during the 1920s, the Holly Hill Grove and Fruit Company packaged together the sale of house lots with citrus grove lots. Soon, the deal shifted to if someone bought a grove lot, they would receive a lot in town. Holly Hill Grove and Fruit Company also built multiple amenities in Davenport including the Holly Hill Inn in 1920 as well as the Holly Hill Golf and Country Club in the mid-1920s. In 1927, the Holly Hill Grove and Fruit Company formed Holly Hill Fruit Products, Inc., and soon after its creation, Holly Hill Fruit Products, Inc. bought its business as a citrus fruit marketing company and its trademarks from Holly Hill Grove and Fruit Company. However, Holly Hill Citrus Growers Association started selling citrus as an agent of Holly Hill Grove and\nFruit Company, thus violating the agreement and causing Holly Hill Fruit Products, Inc. to file a successful lawsuit against Holly Hill Grove and Fruit Company. Due to the lawsuit, the effects of the Great Depression, and other economic and ecological disasters in Florida, Holly Hill Grove and Fruit Company faced foreclosure in the 1930s and was bought out by Wilson and\nToomer. The country club that had been built also closed in the 1930s and was turned into housing and citrus groves. In contrast, Holly Hill Fruit Products, Inc. flourished despite these same issues and continues to exist to this day.","Additional Sources:\nHetherington, M.F. History of Polk County Florida: Narrative and Biographical. St. Augustine, Florida: The Record\nCompany, 1928. https://digitalcommons.usf.edu/regional_ebooks/11.\n\"Holly Hill Fruit Products Co. Inc.\" Florida Department of State, Division of Corporations.\nhttps://search.sunbiz.org/Inquiry/CorporationSearch/ByName.\nHolly Hill Growers' Ass'n et al. v. Holly Hill Fruit Products, Inc., no. 7367, Circuit Court of Appeals, 5th Circuit, 1935. "],"odd_html_tesm":["\u003cp\u003eThe original order was unable to be determined because there is little documentation from the original accessioning. Furthermore, the date range for the collection is an approximation based on the few dated photographs as well as company history. For more information on the Wilson and Toomer Fertilizer Company, the parent company of Holly Hill Grove and Fruit Company, please see the Wilson and Toomer Fertilizer Company Records. For more information on Vaughn Woods, who was a soil chemist for the Wilson and Toomer Company, please see the Vaughn Woods Papers. See also the Col. Bayard F. Floyd Papers, who was a horticulturalist and Vice President of the company.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["The original order was unable to be determined because there is little documentation from the original accessioning. Furthermore, the date range for the collection is an approximation based on the few dated photographs as well as company history. For more information on the Wilson and Toomer Fertilizer Company, the parent company of Holly Hill Grove and Fruit Company, please see the Wilson and Toomer Fertilizer Company Records. For more information on Vaughn Woods, who was a soil chemist for the Wilson and Toomer Company, please see the Vaughn Woods Papers. See also the Col. Bayard F. Floyd Papers, who was a horticulturalist and Vice President of the company."],"scopecontent_html_tesm":["\u003cp\u003eThe collection has been divided into two main series: Photographs and Textual Materials. The Photographs series is divided into sub-series based on subject: Building and Structures, Davenport Locales, Landscapes, and People. The Textual Materials series contains Advertising and Marketing materials as well as Correspondence. All materials in this collection were organized alphabetically due to few dated materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection has been divided into two main series: Photographs and Textual Materials. The Photographs series is divided into sub-series based on subject: Building and Structures, Davenport Locales, Landscapes, and People. The Textual Materials series contains Advertising and Marketing materials as well as Correspondence. All materials in this collection were organized alphabetically due to few dated materials."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Holly Hill Grove and Fruit Company Photographs must be obtained from Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder. Please inquire if you have questions at 863-680-4453.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish material from the Holly Hill Grove and Fruit Company Photographs must be obtained from Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder. Please inquire if you have questions at 863-680-4453."],"names_ssim":["Thomas B. Mack Florida Citrus Archives","Holly Hill Grove and Fruit Company"],"corpname_ssim":["Thomas B. Mack Florida Citrus Archives","Holly Hill Grove and Fruit Company"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":68,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870852062237949952,"_root_":"9e27db691aadf101ca3f5e37","timestamp":"2026-07-16T06:32:41.551Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9e27db691aadf101ca3f5e37_aspace_7bd819656cb357b7932e22f788ae50a4"}},{"id":"735bec4a462886318646d79a","type":"collection","attributes":{"title":"Theater and Music programs and ephemera collection, 1876-1958, bulk 1925-1940","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/735bec4a462886318646d79a#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe collection consists of theater programs, press clippings, flyers, and other ephemera documenting the theater scene of New York City and, to a lesser extent, Tampa, Florida during the 1930s to 1940s. The collection also includes an assortment of playbills, flyers, circulars, and picturization books, in addition to a photoplay book, theater makeup tip pamphlets, a scrapbook, songbook, and company souvenir books.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/735bec4a462886318646d79a#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"735bec4a462886318646d79a","title_ssm":["Theater and Music programs and ephemera collection"],"title_tesim":["Theater and Music programs and ephemera collection"],"ead_ssi":"735bec4a462886318646d79a","unitdate_ssm":["1876-1958","1925-1940"],"unitdate_bulk_ssim":["1925-1940"],"unitdate_inclusive_ssm":["1876-1958"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2010-14","/repositories/2/resources/332"],"text":["MS-2010-14","/repositories/2/resources/332","Theater and Music programs and ephemera collection, 1876-1958, bulk 1925-1940","Playbills -- Florida -- Tampa","Playbills -- Massachusetts -- Boston","Playbills -- New York (State) -- New York","Playbills -- United Kingdom -- London","Playbills -- Maryland -- Baltimore","Playbills -- Washington, D.C.","Theater programs","Theater programs are arranged alphabetically by name of theater, with programs for the same theater listed chronologically.","The collection consists of theater programs, press clippings, flyers, and other ephemera documenting the theater scene of New York City and, to a lesser extent, Tampa, Florida during the 1930s to 1940s. The collection also includes an assortment of playbills, flyers, circulars, and picturization books, in addition to a photoplay book, theater makeup tip pamphlets, a scrapbook, songbook, and company souvenir books.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-2010-14","/repositories/2/resources/332"],"normalized_date_ssm":["1876-1958, bulk 1925-1940"],"normalized_title_ssm":["Theater and Music programs and ephemera collection, 1876-1958, bulk 1925-1940"],"collection_title_tesim":["Theater and Music programs and ephemera collection, 1876-1958, bulk 1925-1940"],"collection_ssim":["Theater and Music programs and ephemera collection, 1876-1958, bulk 1925-1940"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Playbills -- Florida -- Tampa","Playbills -- Massachusetts -- Boston","Playbills -- New York (State) -- New York","Playbills -- United Kingdom -- London","Playbills -- Maryland -- Baltimore","Playbills -- Washington, D.C.","Theater programs"],"access_subjects_ssm":["Playbills -- Florida -- Tampa","Playbills -- Massachusetts -- Boston","Playbills -- New York (State) -- New York","Playbills -- United Kingdom -- London","Playbills -- Maryland -- Baltimore","Playbills -- Washington, D.C.","Theater programs"],"has_online_content_ssim":["false"],"extent_ssm":["1.67 Linear Feet","5 boxes"],"extent_tesim":["1.67 Linear Feet","5 boxes"],"genreform_ssim":["Playbills -- Florida -- Tampa","Playbills -- Massachusetts -- Boston","Playbills -- New York (State) -- New York","Playbills -- United Kingdom -- London","Playbills -- Maryland -- Baltimore","Playbills -- Washington, D.C.","Theater programs"],"date_range_isim":[1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958],"arrangement_html_tesm":["\u003cp\u003eTheater programs are arranged alphabetically by name of theater, with programs for the same theater listed chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Theater programs are arranged alphabetically by name of theater, with programs for the same theater listed chronologically."],"prefercite_html_tesm":["\u003cp\u003eTheater Programs and Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Theater Programs and Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of theater programs, press clippings, flyers, and other ephemera documenting the theater scene of New York City and, to a lesser extent, Tampa, Florida during the 1930s to 1940s. The collection also includes an assortment of playbills, flyers, circulars, and picturization books, in addition to a photoplay book, theater makeup tip pamphlets, a scrapbook, songbook, and company souvenir books.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of theater programs, press clippings, flyers, and other ephemera documenting the theater scene of New York City and, to a lesser extent, Tampa, Florida during the 1930s to 1940s. The collection also includes an assortment of playbills, flyers, circulars, and picturization books, in addition to a photoplay book, theater makeup tip pamphlets, a scrapbook, songbook, and company souvenir books."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":150,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"735bec4a462886318646d79a","timestamp":"2026-04-21T04:15:26.780Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"735bec4a462886318646d79a","title_ssm":["Theater and Music programs and ephemera collection"],"title_tesim":["Theater and Music programs and ephemera collection"],"ead_ssi":"735bec4a462886318646d79a","unitdate_ssm":["1876-1958","1925-1940"],"unitdate_bulk_ssim":["1925-1940"],"unitdate_inclusive_ssm":["1876-1958"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2010-14","/repositories/2/resources/332"],"text":["MS-2010-14","/repositories/2/resources/332","Theater and Music programs and ephemera collection, 1876-1958, bulk 1925-1940","Playbills -- Florida -- Tampa","Playbills -- Massachusetts -- Boston","Playbills -- New York (State) -- New York","Playbills -- United Kingdom -- London","Playbills -- Maryland -- Baltimore","Playbills -- Washington, D.C.","Theater programs","Theater programs are arranged alphabetically by name of theater, with programs for the same theater listed chronologically.","The collection consists of theater programs, press clippings, flyers, and other ephemera documenting the theater scene of New York City and, to a lesser extent, Tampa, Florida during the 1930s to 1940s. The collection also includes an assortment of playbills, flyers, circulars, and picturization books, in addition to a photoplay book, theater makeup tip pamphlets, a scrapbook, songbook, and company souvenir books.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-2010-14","/repositories/2/resources/332"],"normalized_date_ssm":["1876-1958, bulk 1925-1940"],"normalized_title_ssm":["Theater and Music programs and ephemera collection, 1876-1958, bulk 1925-1940"],"collection_title_tesim":["Theater and Music programs and ephemera collection, 1876-1958, bulk 1925-1940"],"collection_ssim":["Theater and Music programs and ephemera collection, 1876-1958, bulk 1925-1940"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Playbills -- Florida -- Tampa","Playbills -- Massachusetts -- Boston","Playbills -- New York (State) -- New York","Playbills -- United Kingdom -- London","Playbills -- Maryland -- Baltimore","Playbills -- Washington, D.C.","Theater programs"],"access_subjects_ssm":["Playbills -- Florida -- Tampa","Playbills -- Massachusetts -- Boston","Playbills -- New York (State) -- New York","Playbills -- United Kingdom -- London","Playbills -- Maryland -- Baltimore","Playbills -- Washington, D.C.","Theater programs"],"has_online_content_ssim":["false"],"extent_ssm":["1.67 Linear Feet","5 boxes"],"extent_tesim":["1.67 Linear Feet","5 boxes"],"genreform_ssim":["Playbills -- Florida -- Tampa","Playbills -- Massachusetts -- Boston","Playbills -- New York (State) -- New York","Playbills -- United Kingdom -- London","Playbills -- Maryland -- Baltimore","Playbills -- Washington, D.C.","Theater programs"],"date_range_isim":[1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958],"arrangement_html_tesm":["\u003cp\u003eTheater programs are arranged alphabetically by name of theater, with programs for the same theater listed chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Theater programs are arranged alphabetically by name of theater, with programs for the same theater listed chronologically."],"prefercite_html_tesm":["\u003cp\u003eTheater Programs and Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Theater Programs and Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of theater programs, press clippings, flyers, and other ephemera documenting the theater scene of New York City and, to a lesser extent, Tampa, Florida during the 1930s to 1940s. The collection also includes an assortment of playbills, flyers, circulars, and picturization books, in addition to a photoplay book, theater makeup tip pamphlets, a scrapbook, songbook, and company souvenir books.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of theater programs, press clippings, flyers, and other ephemera documenting the theater scene of New York City and, to a lesser extent, Tampa, Florida during the 1930s to 1940s. The collection also includes an assortment of playbills, flyers, circulars, and picturization books, in addition to a photoplay book, theater makeup tip pamphlets, a scrapbook, songbook, and company souvenir books."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":150,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"735bec4a462886318646d79a","timestamp":"2026-04-21T04:15:26.780Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/735bec4a462886318646d79a"}},{"id":"8b33a8c5177804a4b9511a5f_aspace_1125375505b9ea838a26c88221c9afde","type":"Box","attributes":{"title":"Theater (Teatro) Flyers \u0026 Programs, 1909-2002","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_1125375505b9ea838a26c88221c9afde#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1125375505b9ea838a26c88221c9afde","ref_ssm":["aspace_1125375505b9ea838a26c88221c9afde","aspace_1125375505b9ea838a26c88221c9afde"],"id":"8b33a8c5177804a4b9511a5f_aspace_1125375505b9ea838a26c88221c9afde","title_filing_ssi":"Theater (Teatro) Flyers \u0026 Programs","title_ssm":["Theater (Teatro) Flyers \u0026 Programs"],"title_tesim":["Theater (Teatro) Flyers \u0026 Programs"],"unitdate_inclusive_ssm":["1909-2002"],"normalized_date_ssm":["1909-2002"],"normalized_title_ssm":["Theater (Teatro) Flyers \u0026 Programs, 1909-2002"],"text":["Theater (Teatro) Flyers \u0026 Programs, 1909-2002","Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Ephemera","103","/repositories/2/archival_objects/181457","box 103"],"component_level_isim":[2],"parent_ids_ssim":["8b33a8c5177804a4b9511a5f","8b33a8c5177804a4b9511a5f_aspace_86440"],"parent_unittitles_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Ephemera"],"parent_unittitles_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Ephemera"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["103","/repositories/2/archival_objects/181457"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"has_online_content_ssim":["false"],"child_component_count_isi":73,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":427,"parent_access_terms_tesm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"date_range_isim":[1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"containers_ssim":["box 103"],"_nest_path_":"/components#1/components#17","_nest_parent_":"8b33a8c5177804a4b9511a5f_aspace_86440","_root_":"8b33a8c5177804a4b9511a5f","_version_":1875301659078295552,"timestamp":"2026-09-03T09:17:07.659Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8b33a8c5177804a4b9511a5f","title_ssm":["Centro Asturiano de Tampa collection"],"title_tesim":["Centro Asturiano de Tampa collection"],"ead_ssi":"8b33a8c5177804a4b9511a5f","unitdate_ssm":["1902-2007","1902-1987","Date acquired: 00/00/1989"],"unitdate_bulk_ssim":["1902-1987"],"unitdate_inclusive_ssm":["1902-2007"],"unitdate_other_ssim":["Date acquired: 00/00/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1989-02","/repositories/2/resources/542"],"text":["MS-1989-02","/repositories/2/resources/542","Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Tampa (Fla.) -- History","Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa","The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.","When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011.","Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.","None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.","USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","English"],"unitid_tesim":["MS-1989-02","/repositories/2/resources/542"],"normalized_date_ssm":["1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"normalized_title_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_title_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.) -- History"],"geogname_ssim":["Tampa (Fla.) -- History"],"creator_ssm":["Centro Asturiano de Tampa"],"creator_ssim":["Centro Asturiano de Tampa"],"creator_corpname_ssim":["Centro Asturiano de Tampa"],"creators_ssim":["Centro Asturiano de Tampa"],"places_ssim":["Tampa (Fla.) -- History"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"acqinfo_ssim":["Centro Asturiano de Tampa","Donation"],"access_subjects_ssim":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"access_subjects_ssm":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"has_online_content_ssim":["false"],"extent_ssm":["164.7 Linear Feet","241 boxes"],"extent_tesim":["164.7 Linear Feet","241 boxes"],"genreform_ssim":["Playbills -- Florida -- Tampa"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records."],"bioghist_html_tesm":["\u003cp\u003eWhen Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Espa\u0026#xF1;ol, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Espa\u0026#xF1;ol to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.\u003c/p\u003e\n","\u003cp\u003eOn January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the \u003cemph render=\"italic\"\u003eTampa Morning Tribune\u003c/emph\u003e called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.\u003c/p\u003e\n","\u003cp\u003eA central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.\u003c/p\u003e\n","\u003cp\u003eThe largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.\u003c/p\u003e\n","\u003cp\u003eNote written by Paul Camp, 2006; Joe Tamargo, 2011.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011."],"prefercite_html_tesm":["\u003cp\u003eCentro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Centro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano De Tampa Membership Records Photograph Collection\u003c/emph\u003e. Tampa, Florida: University of South Florida Libraries, 2003.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano Library Collection,\u003c/emph\u003e Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Espan\u0026#x303;ol De Tampa Collection\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCuban Club Records\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"names_coll_ssim":["Centro Asturiano de Tampa"],"names_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1038,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1875301659078295552,"_root_":"8b33a8c5177804a4b9511a5f","timestamp":"2026-09-03T09:17:07.659Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_1125375505b9ea838a26c88221c9afde"}},{"id":"4d7cae626c9c3b6d0c3d55d0_aspace_8e9661006ac47f15bc9330e489549cd0","type":"File","attributes":{"title":"\"The Dawn Brought Me Love and You\" Lynn Merrick and Richard Kountz, 1928","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4d7cae626c9c3b6d0c3d55d0_aspace_8e9661006ac47f15bc9330e489549cd0#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_8e9661006ac47f15bc9330e489549cd0","ref_ssm":["aspace_8e9661006ac47f15bc9330e489549cd0","aspace_8e9661006ac47f15bc9330e489549cd0"],"id":"4d7cae626c9c3b6d0c3d55d0_aspace_8e9661006ac47f15bc9330e489549cd0","title_filing_ssi":"\"The Dawn Brought Me Love and You\" Lynn Merrick and Richard Kountz ","title_ssm":["\"The Dawn Brought Me Love and You\" Lynn Merrick and Richard Kountz "],"title_tesim":["\"The Dawn Brought Me Love and You\" Lynn Merrick and Richard Kountz "],"unitdate_other_ssim":["1928"],"normalized_date_ssm":["1928"],"normalized_title_ssm":["\"The Dawn Brought Me Love and You\" Lynn Merrick and Richard Kountz, 1928"],"text":["\"The Dawn Brought Me Love and You\" Lynn Merrick and Richard Kountz, 1928","First United Methodist Church of Fort Myers, bulk 1872-2016","Community","Sheet Music","56","/repositories/2/archival_objects/21525","Box 5","folder 56"],"component_level_isim":[3],"parent_ids_ssim":["4d7cae626c9c3b6d0c3d55d0","4d7cae626c9c3b6d0c3d55d0_aspace_5c88bd373f3c4f18c3e3521b9ff7eb14","4d7cae626c9c3b6d0c3d55d0_aspace_ede8b55cc14d884de169712c576b7574"],"parent_unittitles_ssm":["First United Methodist Church of Fort Myers, bulk 1872-2016","Community","Sheet Music"],"parent_unittitles_tesim":["First United Methodist Church of Fort Myers, bulk 1872-2016","Community","Sheet Music"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["56","/repositories/2/archival_objects/21525"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["First United Methodist Church of Fort Myers, bulk 1872-2016"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":187,"parent_access_restrict_tesm":["The collection is open and available for research."],"date_range_isim":[1928],"containers_ssim":["Box 5","folder 56"],"_nest_path_":"/components#1/components#1/components#55","_nest_parent_":"4d7cae626c9c3b6d0c3d55d0_aspace_ede8b55cc14d884de169712c576b7574","_root_":"4d7cae626c9c3b6d0c3d55d0","_version_":1880356200447475712,"timestamp":"2026-10-29T04:16:54.055Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4d7cae626c9c3b6d0c3d55d0","title_filing_ssi":"First United Methodist Church of Fort Myers","title_ssm":["First United Methodist Church of Fort Myers"],"title_tesim":["First United Methodist Church of Fort Myers"],"ead_ssi":"4d7cae626c9c3b6d0c3d55d0","unitdate_ssm":["1872-2016"],"unitdate_bulk_ssim":["1872-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/02/19","/repositories/2/resources/26"],"text":["02/02/19","/repositories/2/resources/26","First United Methodist Church of Fort Myers, bulk 1872-2016","Religion.","Administration","Social science.","The collection is open and available for research.","The collection is arranged in four different series: Series 1, Church History; Series 2, Community; Series 3, Administration; Series 4, Ephemera and Large Items.","This collection consists of documents, photographs, and ephemera belonging to the First United Methodist Church of Fort Myers, located in Downtown Fort Myers, Florida. This collections documents the history, evolution, and eventual conclusion of this church, from the time it was first established in 1872 until its conclusion in 2016.","Florida Gulf Coast University Special Collections","English"],"unitid_tesim":["02/02/19","/repositories/2/resources/26"],"normalized_date_ssm":["bulk 1872-2016"],"normalized_title_ssm":["First United Methodist Church of Fort Myers, bulk 1872-2016"],"collection_title_tesim":["First United Methodist Church of Fort Myers, bulk 1872-2016"],"collection_ssim":["First United Methodist Church of Fort Myers, bulk 1872-2016"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Religion."],"geogname_ssim":["Religion."],"places_ssim":["Religion."],"access_subjects_ssim":["Administration","Social science."],"access_subjects_ssm":["Administration","Social science."],"has_online_content_ssim":["false"],"extent_ssm":["16.5 Linear Feet"],"extent_tesim":["16.5 Linear Feet"],"genreform_ssim":["Social science."],"date_range_isim":[1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open and available for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open and available for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in four different series: Series 1, Church History; Series 2, Community; Series 3, Administration; Series 4, Ephemera and Large Items.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged in four different series: Series 1, Church History; Series 2, Community; Series 3, Administration; Series 4, Ephemera and Large Items."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of documents, photographs, and ephemera belonging to the First United Methodist Church of Fort Myers, located in Downtown Fort Myers, Florida. This collections documents the history, evolution, and eventual conclusion of this church, from the time it was first established in 1872 until its conclusion in 2016.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of documents, photographs, and ephemera belonging to the First United Methodist Church of Fort Myers, located in Downtown Fort Myers, Florida. This collections documents the history, evolution, and eventual conclusion of this church, from the time it was first established in 1872 until its conclusion in 2016."],"names_ssim":["Florida Gulf Coast University Special Collections"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":402,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1880356200447475712,"_root_":"4d7cae626c9c3b6d0c3d55d0","timestamp":"2026-10-29T04:16:54.055Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4d7cae626c9c3b6d0c3d55d0_aspace_8e9661006ac47f15bc9330e489549cd0"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Office of the President, 1883-1957","value":"Office of the President, 1883-1957","hits":188},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Office+of+the+President%2C+1883-1957\u0026f%5Bdate_range%5D%5B%5D=1928"}},{"attributes":{"label":"Michael A. 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