{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1925\u0026page=216","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1925\u0026page=215","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1925\u0026page=217","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1925\u0026page=234"},"meta":{"pages":{"current_page":216,"next_page":217,"prev_page":215,"total_pages":234,"limit_value":10,"offset_value":2150,"total_count":2337,"first_page?":false,"last_page?":false}},"data":[{"id":"0507031f382d000a9b2ab900","type":"collection","attributes":{"title":"Taylor-Tilden Collection, 1919-1998","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/0507031f382d000a9b2ab900#creator","type":"document_value","attributes":{"value":["Tilden, Martha Taylor"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/0507031f382d000a9b2ab900#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003ePublications, newsletters, correspondence and textile donated by Martha Tilden nee Taylor. 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Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937],"containers_ssim":["box 8","folder 89"],"_nest_path_":"/components#3/components#1/components#0","_nest_parent_":"236a3c88b766327883b2e155_aspace_4f9133de605ca3ccd57cb12651bb5875","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. 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Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. 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Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_f4cbaf0a35bfb31e329f93b3e30702ca"}},{"id":"a4845bfaa07fb1a2508d4004_aspace_418d012724fd508051f1b90ed180d401","type":"File","attributes":{"title":"Telegrams, 1925","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a4845bfaa07fb1a2508d4004_aspace_418d012724fd508051f1b90ed180d401#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_418d012724fd508051f1b90ed180d401","ref_ssm":["aspace_418d012724fd508051f1b90ed180d401","aspace_418d012724fd508051f1b90ed180d401"],"id":"a4845bfaa07fb1a2508d4004_aspace_418d012724fd508051f1b90ed180d401","title_filing_ssi":"Telegrams","title_ssm":["Telegrams"],"title_tesim":["Telegrams"],"unitdate_other_ssim":["1925"],"normalized_date_ssm":["1925"],"normalized_title_ssm":["Telegrams, 1925"],"text":["Telegrams, 1925","Willie Lowry papers, 1873-1946","Correspondence","Correspondence, 1924-1944","/repositories/2/archival_objects/211829","box 10","folder 5"],"component_level_isim":[3],"parent_ids_ssim":["a4845bfaa07fb1a2508d4004","a4845bfaa07fb1a2508d4004_aspace_336b5299af2832e9c2403e900918c048","a4845bfaa07fb1a2508d4004_aspace_214b82a88b2b784411bf20314f43cbfa"],"parent_unittitles_ssm":["Willie Lowry papers, 1873-1946","Correspondence","Correspondence, 1924-1944"],"parent_unittitles_tesim":["Willie Lowry papers, 1873-1946","Correspondence","Correspondence, 1924-1944"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["/repositories/2/archival_objects/211829"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Willie Lowry papers, 1873-1946"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":132,"parent_access_restrict_tesm":["At the donor's request, the collection was previously closed until January 2015. There are no other restrictions on the use of the collection."],"parent_access_terms_tesm":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1925],"containers_ssim":["box 10","folder 5"],"_nest_path_":"/components#0/components#9/components#4","_nest_parent_":"a4845bfaa07fb1a2508d4004_aspace_214b82a88b2b784411bf20314f43cbfa","_root_":"a4845bfaa07fb1a2508d4004","_version_":1875301641343729664,"timestamp":"2026-09-03T09:16:50.862Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a4845bfaa07fb1a2508d4004","title_filing_ssi":"Willie Lowry papers","title_ssm":["Willie Lowry papers"],"title_tesim":["Willie Lowry papers"],"ead_ssi":"a4845bfaa07fb1a2508d4004","unitdate_ssm":["1873-1946"],"unitdate_inclusive_ssm":["1873-1946"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.1989.06","/repositories/2/resources/753"],"text":["MS.1989.06","/repositories/2/resources/753","Willie Lowry papers, 1873-1946","Tampa Bay Region (Fla.) -- History","South Carolina","Palatka (Fla.)","Tampa (Fla.) -- Social life and customs","Military","At the donor's request, the collection was previously closed until January 2015. There are no other restrictions on the use of the collection.","Willie Miller Lowry was born in Raleigh, North Carolina on July 15, 1862. She was the daughter of Dr. William Robards Miller and Mary Frances Britton. Orphaned at an early eage, Willie moved to Rock Hill, South Carolina to live with her married sister, Mrs. Isabella Wilson. She attended Salem Female Academy where she learned secretarial skills. After graduation, she worked as a secretary for various employers such as the Chairman of the Democratice Party in 1888 and the Peace Institute in 1889 as an instructor of typing and shorthand. ","Willie Miller met Sumter Lowry in Rock Hill, South Carolina in 1885. Sumter Lowry was a native of York, South Carolina who was born on February 26, 1861. He attended Kings Mountain Military Academy and, then, the Medical and Pharmaceutical College in Charleston, South Carolina. Lowry moved to Palatka, Florida in 1886 to manage their Florida store while Starr handled their South Carolina business. Willie and Sumter corresponded regularly while he was working in Palatka.","They were married on December 18, 1890, first settling in Palatka, then St. Augustine and finally, in late 1894, Tampa where they built a home on Plant Avenue and had five children: Willie Louise, Sumter, Jr., Blackburn, Loper, and Isabella. Prior to the Lowry's move to Tampa, Sumter had decided to leave the pharmacy business and embark on a career as an insurance agent thorugh the help of his friend, G. Loper Bailey who he had met in Palatka. Sumter frequently traveled as an insurance agent, but reguarly corresponded with his wife. ","Although she enjoyed being a wife and mother, Willie strongely believed in the importance of being active in the community. Willie founded or was active in numerous civic and social activities and, participated in many state and national issues such as the women's suffrage movement, Tampa's Woman's Club, and Tampa's Young Women's Christian Association (YWCA). In 1900 she wrote a letter to Andrew Carnegie and secured $50,000 to establish a local public library.","Willie Lowry was deeply interested in the welfare of young people. She participated in the first kindergarten movement and formation of the first kindergarten association in Tampa. In 1916, she start what was the first Girl Scout troop to be formed in the South after Juliet Lowe had established the organization and served as their first counselor. She also founded two clubs to help her children become more socially and culturally active: the \"Would-Be-Goods\" in 1901 for young girls and the \"Merry Makers\" in 1913 for her son, Loper and his friends. The latter club still exists as an exclusive men's club.","When the United States became invovled in World War I, Willie Lowry volunteered her time to the Red Cross. As a Red Cross volunteer, she held several important chairmanships and helped raise thousands of dollars for supplies and training. In 1928, she was decorated by King Alfonso XIII of Spain with the \"Royal Order of the Lace Isabella Cathlica\" in recognition of her efforts in promoting the role of Spain in the settlement and history of early America, especially, Florida. ","Willie Lowry continued to be active in the community but failing health limited her involvement. She passed away on August 14, 1936.","References:","Dillon, P. (1999). Clubwomen and Civic Activism: Willie Lowry and Tampa's Club Movement. The Florida Historical Quarterly, 77(4), 429–444. http://www.jstor.org/stable/30150827","Mrs. W. L. Lowry, Pioneer Tampa Woman, Is Dead\". Tampa Times. Tampa, FL. August 15, 1946. p. 2 – via Newspapers.com.","Sumter Lowry papers, USF Libraries – Tampa Special Collections, University of South Florida, Tampa, FL.","The Willie Lowry papers have been arranged by the type of materials found in the collection and organized into series. A large portion of the collection is correspondence to and from Willie to Sumter Lowry. The bulk of the material in the collection falls within the period of the 1880s and 1920s with no significant gaps in the documentation.  ","The collection contains a significant volume of information on Tampa Bay and other regions in Florida. Further, a substantial portion of the material is intrinsically significant in that it contains items which are believed to be the only ones in existence. Some examples of these items are the first breakfast and dinner menus of the Tampa Bay Hotel, a program from the Hotel's Opening Ball and a full page of the Tampa Daily Journal with an article on the completion of the Hotel. ","None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","USF Libraries - Tampa Special Collections","Lowry, Willie","Lowry, Sumter de Leon, Jr., 1893-1985","English"],"unitid_tesim":["MS.1989.06","/repositories/2/resources/753"],"normalized_date_ssm":["1873-1946"],"normalized_title_ssm":["Willie Lowry papers, 1873-1946"],"collection_title_tesim":["Willie Lowry papers, 1873-1946"],"collection_ssim":["Willie Lowry papers, 1873-1946"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa Bay Region (Fla.) -- History","South Carolina","Palatka (Fla.)"],"geogname_ssim":["Tampa Bay Region (Fla.) -- History","South Carolina","Palatka (Fla.)"],"creator_ssm":["Lowry, Willie","Lowry, Sumter de Leon, Jr., 1893-1985"],"creator_ssim":["Lowry, Willie","Lowry, Sumter de Leon, Jr., 1893-1985"],"creator_persname_ssim":["Lowry, Willie","Lowry, Sumter de Leon, Jr., 1893-1985"],"creators_ssim":["Lowry, Willie","Lowry, Sumter de Leon, Jr., 1893-1985"],"places_ssim":["Tampa Bay Region (Fla.) -- History","South Carolina","Palatka (Fla.)"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Ann Lowry Murphey, material grandaughter of Willie Lowry"],"access_subjects_ssim":["Tampa (Fla.) -- Social life and customs","Military"],"access_subjects_ssm":["Tampa (Fla.) -- Social life and customs","Military"],"has_online_content_ssim":["false"],"extent_ssm":["22 boxes","13.69 Linear Feet"],"extent_tesim":["22 boxes","13.69 Linear Feet"],"physfacet_tesim":["16 Hollingers and 6 Flat, Oversized Boxes"],"date_range_isim":[1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946],"accessrestrict_html_tesm":["\u003cp\u003eAt the donor's request, the collection was previously closed until January 2015. There are no other restrictions on the use of the collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["At the donor's request, the collection was previously closed until January 2015. There are no other restrictions on the use of the collection."],"bioghist_html_tesm":["\u003cp\u003eWillie Miller Lowry was born in Raleigh, North Carolina on July 15, 1862. She was the daughter of Dr. William Robards Miller and Mary Frances Britton. Orphaned at an early eage, Willie moved to Rock Hill, South Carolina to live with her married sister, Mrs. Isabella Wilson. She attended Salem Female Academy where she learned secretarial skills. After graduation, she worked as a secretary for various employers such as the Chairman of the Democratice Party in 1888 and the Peace Institute in 1889 as an instructor of typing and shorthand. \u003c/p\u003e\n","\u003cp\u003eWillie Miller met Sumter Lowry in Rock Hill, South Carolina in 1885. Sumter Lowry was a native of York, South Carolina who was born on February 26, 1861. He attended Kings Mountain Military Academy and, then, the Medical and Pharmaceutical College in Charleston, South Carolina. Lowry moved to Palatka, Florida in 1886 to manage their Florida store while Starr handled their South Carolina business. Willie and Sumter corresponded regularly while he was working in Palatka.\u003c/p\u003e\n","\u003cp\u003eThey were married on December 18, 1890, first settling in Palatka, then St. Augustine and finally, in late 1894, Tampa where they built a home on Plant Avenue and had five children: Willie Louise, Sumter, Jr., Blackburn, Loper, and Isabella. Prior to the Lowry's move to Tampa, Sumter had decided to leave the pharmacy business and embark on a career as an insurance agent thorugh the help of his friend, G. Loper Bailey who he had met in Palatka. Sumter frequently traveled as an insurance agent, but reguarly corresponded with his wife. \u003c/p\u003e\n","\u003cp\u003eAlthough she enjoyed being a wife and mother, Willie strongely believed in the importance of being active in the community. Willie founded or was active in numerous civic and social activities and, participated in many state and national issues such as the women's suffrage movement, Tampa's Woman's Club, and Tampa's Young Women's Christian Association (YWCA). In 1900 she wrote a letter to Andrew Carnegie and secured $50,000 to establish a local public library.\u003c/p\u003e\n","\u003cp\u003eWillie Lowry was deeply interested in the welfare of young people. She participated in the first kindergarten movement and formation of the first kindergarten association in Tampa. In 1916, she start what was the first Girl Scout troop to be formed in the South after Juliet Lowe had established the organization and served as their first counselor. She also founded two clubs to help her children become more socially and culturally active: the \"Would-Be-Goods\" in 1901 for young girls and the \"Merry Makers\" in 1913 for her son, Loper and his friends. The latter club still exists as an exclusive men's club.\u003c/p\u003e\n","\u003cp\u003eWhen the United States became invovled in World War I, Willie Lowry volunteered her time to the Red Cross. As a Red Cross volunteer, she held several important chairmanships and helped raise thousands of dollars for supplies and training. In 1928, she was decorated by King Alfonso XIII of Spain with the \"Royal Order of the Lace Isabella Cathlica\" in recognition of her efforts in promoting the role of Spain in the settlement and history of early America, especially, Florida. \u003c/p\u003e\n","\u003cp\u003eWillie Lowry continued to be active in the community but failing health limited her involvement. She passed away on August 14, 1936.\u003c/p\u003e\n","\u003cp\u003eReferences:\u003c/p\u003e\n","\u003cp\u003eDillon, P. (1999). Clubwomen and Civic Activism: Willie Lowry and Tampa's Club Movement. The Florida Historical Quarterly, 77(4), 429\u0026#x2013;444. http://www.jstor.org/stable/30150827\u003c/p\u003e\n","\u003cp\u003eMrs. W. L. Lowry, Pioneer Tampa Woman, Is Dead\". Tampa Times. Tampa, FL. August 15, 1946. p. 2 \u0026#x2013; via Newspapers.com.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Willie Miller Lowry was born in Raleigh, North Carolina on July 15, 1862. She was the daughter of Dr. William Robards Miller and Mary Frances Britton. Orphaned at an early eage, Willie moved to Rock Hill, South Carolina to live with her married sister, Mrs. Isabella Wilson. She attended Salem Female Academy where she learned secretarial skills. After graduation, she worked as a secretary for various employers such as the Chairman of the Democratice Party in 1888 and the Peace Institute in 1889 as an instructor of typing and shorthand. ","Willie Miller met Sumter Lowry in Rock Hill, South Carolina in 1885. Sumter Lowry was a native of York, South Carolina who was born on February 26, 1861. He attended Kings Mountain Military Academy and, then, the Medical and Pharmaceutical College in Charleston, South Carolina. Lowry moved to Palatka, Florida in 1886 to manage their Florida store while Starr handled their South Carolina business. Willie and Sumter corresponded regularly while he was working in Palatka.","They were married on December 18, 1890, first settling in Palatka, then St. Augustine and finally, in late 1894, Tampa where they built a home on Plant Avenue and had five children: Willie Louise, Sumter, Jr., Blackburn, Loper, and Isabella. Prior to the Lowry's move to Tampa, Sumter had decided to leave the pharmacy business and embark on a career as an insurance agent thorugh the help of his friend, G. Loper Bailey who he had met in Palatka. Sumter frequently traveled as an insurance agent, but reguarly corresponded with his wife. ","Although she enjoyed being a wife and mother, Willie strongely believed in the importance of being active in the community. Willie founded or was active in numerous civic and social activities and, participated in many state and national issues such as the women's suffrage movement, Tampa's Woman's Club, and Tampa's Young Women's Christian Association (YWCA). In 1900 she wrote a letter to Andrew Carnegie and secured $50,000 to establish a local public library.","Willie Lowry was deeply interested in the welfare of young people. She participated in the first kindergarten movement and formation of the first kindergarten association in Tampa. In 1916, she start what was the first Girl Scout troop to be formed in the South after Juliet Lowe had established the organization and served as their first counselor. She also founded two clubs to help her children become more socially and culturally active: the \"Would-Be-Goods\" in 1901 for young girls and the \"Merry Makers\" in 1913 for her son, Loper and his friends. The latter club still exists as an exclusive men's club.","When the United States became invovled in World War I, Willie Lowry volunteered her time to the Red Cross. As a Red Cross volunteer, she held several important chairmanships and helped raise thousands of dollars for supplies and training. In 1928, she was decorated by King Alfonso XIII of Spain with the \"Royal Order of the Lace Isabella Cathlica\" in recognition of her efforts in promoting the role of Spain in the settlement and history of early America, especially, Florida. ","Willie Lowry continued to be active in the community but failing health limited her involvement. She passed away on August 14, 1936.","References:","Dillon, P. (1999). Clubwomen and Civic Activism: Willie Lowry and Tampa's Club Movement. The Florida Historical Quarterly, 77(4), 429–444. http://www.jstor.org/stable/30150827","Mrs. W. L. Lowry, Pioneer Tampa Woman, Is Dead\". Tampa Times. Tampa, FL. August 15, 1946. p. 2 – via Newspapers.com."],"prefercite_html_tesm":["\u003cp\u003eWillie Lowry papers, USF Libraries \u0026#x2013; Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Willie Lowry papers, USF Libraries – Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eSumter Lowry papers, USF Libraries \u0026#x2013; Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Sumter Lowry papers, USF Libraries – Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe Willie Lowry papers have been arranged by the type of materials found in the collection and organized into series. A large portion of the collection is correspondence to and from Willie to Sumter Lowry. 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Grannan first served in the United States Navy before pursuing a degree at the University of South Florida. While studying, Grannan was a founding member and officer of the USF Gay Coalition and was an activist for LGBTQ+ rights at the local and national level. Grannan became a Licensed Mental Health Counselor and served the State of Florida for 27 years. His work was affiliated with the Florida Mental Health Institute at the University of South Florida. Much of Grannan's work occurred during the AIDS crisis and he was a founding member of the Tampa AIDS Network (TAN), which provided support services and advocacy for individuals living with HIV/AIDS. Grannan ran for Tampa City Council in 1983, though he did not win the race. ","Grannan retired to Citrus County. While living there, he served as President of the Citrus County Historical Society and was an active volunteer in the community. Grannan passed away on January 31, 2018.","The John Grannan collection consists of organizations records (including meeting minutes, administrative documents, financial records and expenditure reports), correspondence, photographs, programs, flyers, ephemera, publications, newspapers and news clippings, HIV/AIDS data and statistics, sexual wellness pamphlets, legislative files, and research files. The collection also includes a series of reel to reel audio tapes of Gay Space, a radio show produced by the USF Gay Coalition.","Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. 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Additional subjects covered include Pride events, social clubs and outings for the LGBTQ+ community, state and national legislation affecting the queer community, protests and activist groups, women's rights organizations, conferences, mental health and wellness resources, and LGBTQ+ friendly religious organizations.","USF Libraries - Tampa Special Collections","Grannan. John (1947-2018)","English"],"unitid_tesim":["MS-2021-04","/repositories/2/resources/591"],"normalized_date_ssm":["1970s-2005, bulk 1975-2005"],"normalized_title_ssm":["John Grannan collection, 1970s-2005, bulk 1975-2005"],"collection_title_tesim":["John Grannan collection, 1970s-2005, bulk 1975-2005"],"collection_ssim":["John Grannan collection, 1970s-2005, bulk 1975-2005"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Grannan. John (1947-2018)"],"creator_ssim":["Grannan. John (1947-2018)"],"creator_persname_ssim":["Grannan. John (1947-2018)"],"creators_ssim":["Grannan. John (1947-2018)"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["LGBTQ+","Lesbian and gay experience","Queer studies","Gay and lesbian dance parties","Queer studies -- United States -- History","Queer community ","LGBTQ+ activists","Queer identity ","HIV/AIDS","HIV/AIDS awareness","HIV-positive people","University of South Florida -- History","LGBTQ+ college students","College students -- Florida","Clubs -- Florida -- Tampa"],"access_subjects_ssm":["LGBTQ+","Lesbian and gay experience","Queer studies","Gay and lesbian dance parties","Queer studies -- United States -- History","Queer community ","LGBTQ+ activists","Queer identity ","HIV/AIDS","HIV/AIDS awareness","HIV-positive people","University of South Florida -- History","LGBTQ+ college students","College students -- Florida","Clubs -- Florida -- Tampa"],"has_online_content_ssim":["false"],"physdesc_tesim":["Evidence of live pests upon accession."],"extent_ssm":["11 boxes","6.44 Linear Feet"],"extent_tesim":["11 boxes","6.44 Linear Feet"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged according to type, with attention to location and chronology within series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged according to type, with attention to location and chronology within series."],"bioghist_html_tesm":["\u003cp\u003eJohn Aubrey Grannan was born in on February 16, 1947 in Orlando, Florida. Grannan first served in the United States Navy before pursuing a degree at the University of South Florida. While studying, Grannan was a founding member and officer of the USF Gay Coalition and was an activist for LGBTQ+ rights at the local and national level. Grannan became a Licensed Mental Health Counselor and served the State of Florida for 27 years. His work was affiliated with the Florida Mental Health Institute at the University of South Florida. Much of Grannan's work occurred during the AIDS crisis and he was a founding member of the Tampa AIDS Network (TAN), which provided support services and advocacy for individuals living with HIV/AIDS. Grannan ran for Tampa City Council in 1983, though he did not win the race. \u003c/p\u003e\n","\u003cp\u003eGrannan retired to Citrus County. While living there, he served as President of the Citrus County Historical Society and was an active volunteer in the community. Grannan passed away on January 31, 2018.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["John Aubrey Grannan was born in on February 16, 1947 in Orlando, Florida. Grannan first served in the United States Navy before pursuing a degree at the University of South Florida. While studying, Grannan was a founding member and officer of the USF Gay Coalition and was an activist for LGBTQ+ rights at the local and national level. Grannan became a Licensed Mental Health Counselor and served the State of Florida for 27 years. His work was affiliated with the Florida Mental Health Institute at the University of South Florida. Much of Grannan's work occurred during the AIDS crisis and he was a founding member of the Tampa AIDS Network (TAN), which provided support services and advocacy for individuals living with HIV/AIDS. Grannan ran for Tampa City Council in 1983, though he did not win the race. ","Grannan retired to Citrus County. While living there, he served as President of the Citrus County Historical Society and was an active volunteer in the community. Grannan passed away on January 31, 2018."],"prefercite_html_tesm":["\u003cp\u003eJohn Grannan collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["John Grannan collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe John Grannan collection consists of organizations records (including meeting minutes, administrative documents, financial records and expenditure reports), correspondence, photographs, programs, flyers, ephemera, publications, newspapers and news clippings, HIV/AIDS data and statistics, sexual wellness pamphlets, legislative files, and research files. The collection also includes a series of reel to reel audio tapes of Gay Space, a radio show produced by the USF Gay Coalition.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The John Grannan collection consists of organizations records (including meeting minutes, administrative documents, financial records and expenditure reports), correspondence, photographs, programs, flyers, ephemera, publications, newspapers and news clippings, HIV/AIDS data and statistics, sexual wellness pamphlets, legislative files, and research files. The collection also includes a series of reel to reel audio tapes of Gay Space, a radio show produced by the USF Gay Coalition."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ecb63e2df9d61ab1a2e884cdc2416dcc\"\u003eThe John Grannan collection includes personal and professional papers, including institutional and financial records, publications, and graphic materials. The collection reflects Grannan's role as a local and national LGBTQ+ activist, as well as his tenures in associated organizations. Grannan served as an officer for USF's Gay Coalition, the Tampa AIDS Network, and the Florida Task Force/Florida Gay Task Force. Related material to his service is represented. Other areas of emphasis include LGBTQ+ sexual wellness resources and the papers of support and health organizations for the queer community during the AIDS crisis (at both the national and state level). Additional subjects covered include Pride events, social clubs and outings for the LGBTQ+ community, state and national legislation affecting the queer community, protests and activist groups, women's rights organizations, conferences, mental health and wellness resources, and LGBTQ+ friendly religious organizations.\u003c/abstract\u003e"],"abstract_tesim":["The John Grannan collection includes personal and professional papers, including institutional and financial records, publications, and graphic materials. The collection reflects Grannan's role as a local and national LGBTQ+ activist, as well as his tenures in associated organizations. Grannan served as an officer for USF's Gay Coalition, the Tampa AIDS Network, and the Florida Task Force/Florida Gay Task Force. Related material to his service is represented. Other areas of emphasis include LGBTQ+ sexual wellness resources and the papers of support and health organizations for the queer community during the AIDS crisis (at both the national and state level). Additional subjects covered include Pride events, social clubs and outings for the LGBTQ+ community, state and national legislation affecting the queer community, protests and activist groups, women's rights organizations, conferences, mental health and wellness resources, and LGBTQ+ friendly religious organizations."],"names_ssim":["USF Libraries - Tampa Special Collections","Grannan. John (1947-2018)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Grannan. John (1947-2018)"],"language_ssim":["English"],"total_component_count_is":394,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872040144467394560,"_root_":"db1c2396ff96649adafd3788","timestamp":"2026-07-29T09:16:45.052Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/db1c2396ff96649adafd3788_aspace_c7fb2626200df1e38b5aba5e8338764e"}},{"id":"735bec4a462886318646d79a","type":"collection","attributes":{"title":"Theater and Music programs and ephemera collection, 1876-1958, bulk 1925-1940","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/735bec4a462886318646d79a#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe collection consists of theater programs, press clippings, flyers, and other ephemera documenting the theater scene of New York City and, to a lesser extent, Tampa, Florida during the 1930s to 1940s. The collection also includes an assortment of playbills, flyers, circulars, and picturization books, in addition to a photoplay book, theater makeup tip pamphlets, a scrapbook, songbook, and company souvenir books.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/735bec4a462886318646d79a#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"735bec4a462886318646d79a","title_ssm":["Theater and Music programs and ephemera collection"],"title_tesim":["Theater and Music programs and ephemera collection"],"ead_ssi":"735bec4a462886318646d79a","unitdate_ssm":["1876-1958","1925-1940"],"unitdate_bulk_ssim":["1925-1940"],"unitdate_inclusive_ssm":["1876-1958"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2010-14","/repositories/2/resources/332"],"text":["MS-2010-14","/repositories/2/resources/332","Theater and Music programs and ephemera collection, 1876-1958, bulk 1925-1940","Playbills -- Florida -- Tampa","Playbills -- Massachusetts -- Boston","Playbills -- New York (State) -- New York","Playbills -- United Kingdom -- London","Playbills -- Maryland -- Baltimore","Playbills -- Washington, D.C.","Theater programs","Theater programs are arranged alphabetically by name of theater, with programs for the same theater listed chronologically.","The collection consists of theater programs, press clippings, flyers, and other ephemera documenting the theater scene of New York City and, to a lesser extent, Tampa, Florida during the 1930s to 1940s. The collection also includes an assortment of playbills, flyers, circulars, and picturization books, in addition to a photoplay book, theater makeup tip pamphlets, a scrapbook, songbook, and company souvenir books.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-2010-14","/repositories/2/resources/332"],"normalized_date_ssm":["1876-1958, bulk 1925-1940"],"normalized_title_ssm":["Theater and Music programs and ephemera collection, 1876-1958, bulk 1925-1940"],"collection_title_tesim":["Theater and Music programs and ephemera collection, 1876-1958, bulk 1925-1940"],"collection_ssim":["Theater and Music programs and ephemera collection, 1876-1958, bulk 1925-1940"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Playbills -- Florida -- Tampa","Playbills -- Massachusetts -- Boston","Playbills -- New York (State) -- New York","Playbills -- United Kingdom -- London","Playbills -- Maryland -- Baltimore","Playbills -- Washington, D.C.","Theater programs"],"access_subjects_ssm":["Playbills -- Florida -- Tampa","Playbills -- Massachusetts -- Boston","Playbills -- New York (State) -- New York","Playbills -- United Kingdom -- London","Playbills -- Maryland -- Baltimore","Playbills -- Washington, D.C.","Theater programs"],"has_online_content_ssim":["false"],"extent_ssm":["1.67 Linear Feet","5 boxes"],"extent_tesim":["1.67 Linear Feet","5 boxes"],"genreform_ssim":["Playbills -- Florida -- Tampa","Playbills -- Massachusetts -- Boston","Playbills -- New York (State) -- New York","Playbills -- United Kingdom -- London","Playbills -- Maryland -- Baltimore","Playbills -- Washington, D.C.","Theater programs"],"date_range_isim":[1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958],"arrangement_html_tesm":["\u003cp\u003eTheater programs are arranged alphabetically by name of theater, with programs for the same theater listed chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Theater programs are arranged alphabetically by name of theater, with programs for the same theater listed chronologically."],"prefercite_html_tesm":["\u003cp\u003eTheater Programs and Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Theater Programs and Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of theater programs, press clippings, flyers, and other ephemera documenting the theater scene of New York City and, to a lesser extent, Tampa, Florida during the 1930s to 1940s. The collection also includes an assortment of playbills, flyers, circulars, and picturization books, in addition to a photoplay book, theater makeup tip pamphlets, a scrapbook, songbook, and company souvenir books.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of theater programs, press clippings, flyers, and other ephemera documenting the theater scene of New York City and, to a lesser extent, Tampa, Florida during the 1930s to 1940s. The collection also includes an assortment of playbills, flyers, circulars, and picturization books, in addition to a photoplay book, theater makeup tip pamphlets, a scrapbook, songbook, and company souvenir books."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":150,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"735bec4a462886318646d79a","timestamp":"2026-04-21T04:15:26.780Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"735bec4a462886318646d79a","title_ssm":["Theater and Music programs and ephemera collection"],"title_tesim":["Theater and Music programs and ephemera collection"],"ead_ssi":"735bec4a462886318646d79a","unitdate_ssm":["1876-1958","1925-1940"],"unitdate_bulk_ssim":["1925-1940"],"unitdate_inclusive_ssm":["1876-1958"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2010-14","/repositories/2/resources/332"],"text":["MS-2010-14","/repositories/2/resources/332","Theater and Music programs and ephemera collection, 1876-1958, bulk 1925-1940","Playbills -- Florida -- Tampa","Playbills -- Massachusetts -- Boston","Playbills -- New York (State) -- New York","Playbills -- United Kingdom -- London","Playbills -- Maryland -- Baltimore","Playbills -- Washington, D.C.","Theater programs","Theater programs are arranged alphabetically by name of theater, with programs for the same theater listed chronologically.","The collection consists of theater programs, press clippings, flyers, and other ephemera documenting the theater scene of New York City and, to a lesser extent, Tampa, Florida during the 1930s to 1940s. The collection also includes an assortment of playbills, flyers, circulars, and picturization books, in addition to a photoplay book, theater makeup tip pamphlets, a scrapbook, songbook, and company souvenir books.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-2010-14","/repositories/2/resources/332"],"normalized_date_ssm":["1876-1958, bulk 1925-1940"],"normalized_title_ssm":["Theater and Music programs and ephemera collection, 1876-1958, bulk 1925-1940"],"collection_title_tesim":["Theater and Music programs and ephemera collection, 1876-1958, bulk 1925-1940"],"collection_ssim":["Theater and Music programs and ephemera collection, 1876-1958, bulk 1925-1940"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Playbills -- Florida -- Tampa","Playbills -- Massachusetts -- Boston","Playbills -- New York (State) -- New York","Playbills -- United Kingdom -- London","Playbills -- Maryland -- Baltimore","Playbills -- Washington, D.C.","Theater programs"],"access_subjects_ssm":["Playbills -- Florida -- Tampa","Playbills -- Massachusetts -- Boston","Playbills -- New York (State) -- New York","Playbills -- United Kingdom -- London","Playbills -- Maryland -- Baltimore","Playbills -- Washington, D.C.","Theater programs"],"has_online_content_ssim":["false"],"extent_ssm":["1.67 Linear Feet","5 boxes"],"extent_tesim":["1.67 Linear Feet","5 boxes"],"genreform_ssim":["Playbills -- Florida -- Tampa","Playbills -- Massachusetts -- Boston","Playbills -- New York (State) -- New York","Playbills -- United Kingdom -- London","Playbills -- Maryland -- Baltimore","Playbills -- Washington, D.C.","Theater programs"],"date_range_isim":[1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958],"arrangement_html_tesm":["\u003cp\u003eTheater programs are arranged alphabetically by name of theater, with programs for the same theater listed chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Theater programs are arranged alphabetically by name of theater, with programs for the same theater listed chronologically."],"prefercite_html_tesm":["\u003cp\u003eTheater Programs and Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Theater Programs and Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of theater programs, press clippings, flyers, and other ephemera documenting the theater scene of New York City and, to a lesser extent, Tampa, Florida during the 1930s to 1940s. 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The collection also includes an assortment of playbills, flyers, circulars, and picturization books, in addition to a photoplay book, theater makeup tip pamphlets, a scrapbook, songbook, and company souvenir books."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":150,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"735bec4a462886318646d79a","timestamp":"2026-04-21T04:15:26.780Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/735bec4a462886318646d79a"}},{"id":"8b33a8c5177804a4b9511a5f_aspace_1125375505b9ea838a26c88221c9afde","type":"Box","attributes":{"title":"Theater (Teatro) Flyers \u0026 Programs, 1909-2002","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_1125375505b9ea838a26c88221c9afde#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1125375505b9ea838a26c88221c9afde","ref_ssm":["aspace_1125375505b9ea838a26c88221c9afde","aspace_1125375505b9ea838a26c88221c9afde"],"id":"8b33a8c5177804a4b9511a5f_aspace_1125375505b9ea838a26c88221c9afde","title_filing_ssi":"Theater (Teatro) Flyers \u0026 Programs","title_ssm":["Theater (Teatro) Flyers \u0026 Programs"],"title_tesim":["Theater (Teatro) Flyers \u0026 Programs"],"unitdate_inclusive_ssm":["1909-2002"],"normalized_date_ssm":["1909-2002"],"normalized_title_ssm":["Theater (Teatro) Flyers \u0026 Programs, 1909-2002"],"text":["Theater (Teatro) Flyers \u0026 Programs, 1909-2002","Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Ephemera","103","/repositories/2/archival_objects/181457","box 103"],"component_level_isim":[2],"parent_ids_ssim":["8b33a8c5177804a4b9511a5f","8b33a8c5177804a4b9511a5f_aspace_86440"],"parent_unittitles_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Ephemera"],"parent_unittitles_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Ephemera"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["103","/repositories/2/archival_objects/181457"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"has_online_content_ssim":["false"],"child_component_count_isi":73,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":427,"parent_access_terms_tesm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"date_range_isim":[1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"containers_ssim":["box 103"],"_nest_path_":"/components#1/components#17","_nest_parent_":"8b33a8c5177804a4b9511a5f_aspace_86440","_root_":"8b33a8c5177804a4b9511a5f","_version_":1875301659078295552,"timestamp":"2026-09-03T09:17:07.659Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8b33a8c5177804a4b9511a5f","title_ssm":["Centro Asturiano de Tampa collection"],"title_tesim":["Centro Asturiano de Tampa collection"],"ead_ssi":"8b33a8c5177804a4b9511a5f","unitdate_ssm":["1902-2007","1902-1987","Date acquired: 00/00/1989"],"unitdate_bulk_ssim":["1902-1987"],"unitdate_inclusive_ssm":["1902-2007"],"unitdate_other_ssim":["Date acquired: 00/00/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1989-02","/repositories/2/resources/542"],"text":["MS-1989-02","/repositories/2/resources/542","Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Tampa (Fla.) -- History","Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa","The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.","When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011.","Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.","None. 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The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"acqinfo_ssim":["Centro Asturiano de Tampa","Donation"],"access_subjects_ssim":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"access_subjects_ssm":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"has_online_content_ssim":["false"],"extent_ssm":["164.7 Linear Feet","241 boxes"],"extent_tesim":["164.7 Linear Feet","241 boxes"],"genreform_ssim":["Playbills -- Florida -- Tampa"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records."],"bioghist_html_tesm":["\u003cp\u003eWhen Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Espa\u0026#xF1;ol, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Espa\u0026#xF1;ol to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.\u003c/p\u003e\n","\u003cp\u003eOn January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the \u003cemph render=\"italic\"\u003eTampa Morning Tribune\u003c/emph\u003e called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.\u003c/p\u003e\n","\u003cp\u003eA central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.\u003c/p\u003e\n","\u003cp\u003eThe largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.\u003c/p\u003e\n","\u003cp\u003eNote written by Paul Camp, 2006; Joe Tamargo, 2011.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011."],"prefercite_html_tesm":["\u003cp\u003eCentro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Centro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano De Tampa Membership Records Photograph Collection\u003c/emph\u003e. Tampa, Florida: University of South Florida Libraries, 2003.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano Library Collection,\u003c/emph\u003e Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Espan\u0026#x303;ol De Tampa Collection\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCuban Club Records\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"names_coll_ssim":["Centro Asturiano de Tampa"],"names_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1038,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1875301659078295552,"_root_":"8b33a8c5177804a4b9511a5f","timestamp":"2026-09-03T09:17:07.659Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_1125375505b9ea838a26c88221c9afde"}},{"id":"ca9c14f74d0679dd69250140","type":"collection","attributes":{"title":"The Drapkin collection, 1903-1969","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/ca9c14f74d0679dd69250140#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eVinyl album collection consisting of nearly 20,000 78 RPM records produced in the United States during the early-mid 20th century.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ca9c14f74d0679dd69250140#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"ca9c14f74d0679dd69250140","title_filing_ssi":"Drapkin Collection, The","title_ssm":["The Drapkin collection"],"title_tesim":["The Drapkin collection"],"ead_ssi":"ca9c14f74d0679dd69250140","unitdate_ssm":["1903-1969"],"unitdate_inclusive_ssm":["1903-1969"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2003-18","/repositories/2/resources/640"],"text":["MS-2003-18","/repositories/2/resources/640","The Drapkin collection, 1903-1969","Jazz Music","Blues (Music)","Vinyl album collection consisting of nearly 20,000 78 RPM records produced in the United States during the early-mid 20th century.","A detailed inventory of titles and artists for sides A and B of each record is available by contacting the USF Libraries Tampa Special Collections at spcinfo@usf.edu.","USF Libraries - 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