{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1923\u0026page=166","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1923\u0026page=165","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1923\u0026page=167","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1923\u0026page=167"},"meta":{"pages":{"current_page":166,"next_page":167,"prev_page":165,"total_pages":167,"limit_value":10,"offset_value":1650,"total_count":1664,"first_page?":false,"last_page?":false}},"data":[{"id":"7e7730d0a16959bd1212da48_aspace_70763","type":"Item","attributes":{"title":"World War I Cross of Military Service, Number 12009, Circa 1923","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7e7730d0a16959bd1212da48_aspace_70763#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_70763","ref_ssm":["aspace_70763","aspace_70763"],"id":"7e7730d0a16959bd1212da48_aspace_70763","title_filing_ssi":"World War I Cross of Military Service, Number 12009","title_ssm":["World War I Cross of Military Service, Number 12009"],"title_tesim":["World War I Cross of Military Service, Number 12009"],"unitdate_other_ssim":["Circa 1923"],"normalized_date_ssm":["Circa 1923"],"normalized_title_ssm":["World War I Cross of Military Service, Number 12009, Circa 1923"],"text":["World War I Cross of Military Service, Number 12009, Circa 1923","United Daughters of the Confederacy Medal Collection, 1899-1968","United Daughters of the Confederacy Medal Collection, Circa 1899-1968","Crosses of Military Service, Circa 1923-1968","Item 3","/repositories/4/archival_objects/3683","box 1","object 3"],"component_level_isim":[3],"parent_ids_ssim":["7e7730d0a16959bd1212da48","7e7730d0a16959bd1212da48_aspace_70757","7e7730d0a16959bd1212da48_aspace_70761"],"parent_unittitles_ssm":["United Daughters of the Confederacy Medal Collection, 1899-1968","United Daughters of the Confederacy Medal Collection, Circa 1899-1968","Crosses of Military Service, Circa 1923-1968"],"parent_unittitles_tesim":["United Daughters of the Confederacy Medal Collection, 1899-1968","United Daughters of the Confederacy Medal Collection, Circa 1899-1968","Crosses of Military Service, Circa 1923-1968"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Item 3","/repositories/4/archival_objects/3683"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["United Daughters of the Confederacy Medal Collection, 1899-1968"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":5,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1923],"containers_ssim":["box 1","object 3"],"_nest_path_":"/components#0/components#2/components#0","_nest_parent_":"7e7730d0a16959bd1212da48_aspace_70761","_root_":"7e7730d0a16959bd1212da48","timestamp":"2026-07-08T02:56:07.473Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"7e7730d0a16959bd1212da48","title_ssm":["United Daughters of the Confederacy Medal Collection"],"title_tesim":["United Daughters of the Confederacy Medal Collection"],"ead_ssi":"7e7730d0a16959bd1212da48","unitdate_ssm":["1899-1968"],"unitdate_inclusive_ssm":["1899-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.015","/repositories/4/resources/14"],"text":["SC.015","/repositories/4/resources/14","United Daughters of the Confederacy Medal Collection, 1899-1968","Philippines -- History -- Philippine American War, 1899-1902","United States -- History -- Civil War, 1861-1865","Korean War, 1950-1953","Veterans--Confederate States of America","World War, 1914-1918 -- Medals, badges, decorations, etc.","World War, 1939-1945 -- Medals, badges, decorations, etc.","Vietnam War, 1961-1975 -- Medals","The entire collection is open for research.","The collection is arranged in the same way it was originally displayed in the shadow box.","Mrs. Mary Ann Lamar Erwin, the wife of Confederate Captain Alexander S. Erwin, was inspired by the July 20-23, 1898 Confederate Reunion at Atlanta, Georgia to honor Confederate veterans for their service. Mrs. Erwin and Mrs. Sarah E. Gabbett are credited with designing the Southern Cross of Honor. Charles W. Crankshaw of Atlanta, Georgia was chosen as the manufacturer. Crankshaw was a reputable jeweler in the Atlanta region, but he subcontracted Schwaab Stamp \u0026 Seal Company of Milwaukee, Wisconsin to meet the order of 12,500 medals. The crosses that bore Crankshaw's name were actually struck by Schwaab. The medal was presented at the Sixth United Daughters of the Confederacy Convention in 1899. The first cross was bestowed to Captain Alexander S. Erwin on April 26, 1900. Later, the United Daughters of the Confederacy fired the Schwaab Stamp \u0026 Seal Company for striking the 1902-1903 convention badges that appropriated much of the Cross of Honor design without authorization. In 1904, the Daughters hired The Whitehead \u0026 Hoag Company of Newark, New Jersey to produce the medal. In all, 78,761 were produced from 1900 to 1959. The medal in the collection is one from the Crankshaw-Schwaab era (1900-1903), but it may be among the first medals because it has a pinback. It was a feature among the first medals struck.","The badge that commemorates the Twenty-Fourth Annual Reunion of United Confederate Veterans was presented to those who attended the event that took place between May 6-8, 1914 at Jacksonville, Florida. It was produced by the The Whitehead \u0026 Hoag Company of Newark, New Jersey.","\nIn 1918, World War I began and the United Daughters of the Confederacy entered into War Relief work. It was asked of each chapter keep records of all those of Confederate lineage who had enlisted in WWI as in hopes of one day honoring their service. During the Twenty-Fifth Annual Meeting that was held between April 1-5, 1919 in Louisville, Kentucky, Mary B. Poppenheim, the President-General of the United Daughters of the Confederacy, suggested a committee be created. Its purpose would be to explore the \"practicability\" of awarding veterans of the American Expeditionary Forces that were descendants of Confederates \"a suitable medal\" that was comparable to the Southern Cross of Honor. The suggestion was given to her by Major Wallace Streater, an officer in the A.E.F. of Confederate descent. The Convention adopted the resolution and the motion was carried.","\nThe Committee on Insignia for Confederate Descendants of the World War was created at the Twenty Fifth Convention and Mrs. W.B. Scarborough became the head of the committee. They would make their first report at a convention at Tampa, Florida on November 15, 1919. At the Twenty-Seventh Annual Meeting that was held from November 8-12, 1921 at St. Louis, Missouri, the Committee was tasked to find an artist for the medal. At the Twenty-Eighth Annual Meeting that was held from November 14-18, 1922 at Birmingham, Alabama, the Committee reported that they had taken the recommendation from the Numismatic Society of New York to select Chester Beach to design the medal and the Convention approved the motion. The Committee was authorized to order of 5,000 medals. The Medallic Art Company in New York was chosen to produce the orders.","\nThursday afternoon, November 22, 1923, a cross marked by a circle as its number, was placed on the tomb of the Unknown Soldier in Arlington, and that same evening the first two were presented to Major General Robert Lee Bullard and to Major Wallace Streater.","\nDuring Thirty-Third Annual Convention that took place in Richmond, Virginia from November 16-20, 1926, Ms. Mary Lou Gordon White of Tennessee suggested veterans of the Spanish-American War have an award similar to the Cross of Military Service with similar guidelines. At the Thirty-Fourth Annual Convention held in Charleston, South Carolina from November 15 to 19, 1927, the idea was formally approved by the Executive Committee. At the Thirty-Fifth Annual Convention held from November 20-24, 1928 at Houston, Texas, a committee was approved to prepare the rules of bestowal and recommend a design of the medal.","\nMrs. Julia N. Streater, wife of Major Wallace Streater, was the chairman of the committee and submitted a report at the Thirty-Sixth Annual Convention that was held from November 19-23, 1929 at Biloxi, Mississippi. Mrs. Streater's report stated they had consulted Major A. H. Dondero of the U.S. Army Officers Reserve Corps on the design of the medal and estimated that there were 5,000 to 6,000 eligible veterans. The Committee report also suggested that veterans of the \"Cuban Pacification\" and the \"Philippine Insurrection\" be accommodated for their service. After a small debate on whether to include the \"Cuban Pacification\" and \"Philippine Insurrection\" for the same decoration or not, the report and its recommendation were adopted, seconded, and carried by the Convention.","\nAt the Thirty-Seventh Annual Convention that was held from November 18-22, 1930 at Asheville, North Carolina, The Committee submitted a report that advised separate medals be created for the Philippine Insurrection and/or the Cuban Pacification veterans after consultations with experts. The Convention adopted these recommendations and 200 Philippine Insurrection Crosses of Military Service were ordered. The Medallic Art Company produced the crosses. The very first recipient was Major J. Russell Ingram of Florida at the Thirty-Eighth Annual Convention at Jacksonville, Florida in November 17-21, 1931.","\nAt the Forty-Ninth Annual Convention held at St. Louis, Missouri from November 4-6, 1942, President-General Eloise W. Wright recommended a committee be created for the purpose creating a medal for veterans of the Second World War who were descendants of Confederates. Mrs. McFarland of Texas moved the recommendation for adoption, seconded by Mrs. Merchant, and the recommendation was carried.\n    \n    \nDuring the Fiftieth Annual Convention that took place from November 18-21, 1943 at Columbus, Ohio, the Chairman of the Committee for Securing a Military Cross for World War No. 2, Mrs. Katherine Robinson Everett, reported she had contacted Chester A. Beach regarding the design of the medal and Clyde C. Trees, the president of Medallic Art Company, regarding the production of the medal. Mrs. Merchant motioned for the recommendation of Mr. Beach's design, the Medallic Art Company produce the medal, and obtaining permission by the U.S. Government to produce the medal as the allocation of metals were for the war effort. After an argument between members at the convention regarding the medal, Mrs. Woodbury moved the decision be made at a future date and Mrs. Merchant withdrew her recommendation. Mrs. Schuyler seconded Mrs. Woodbury's motion and it was carried.","\nDuring the Fifty-First Annual Convention that took place from November 21-24, 1944 at Nashville, Tennessee, President-General Mary Hadley Woodard reported the past difficulties to unable to produce Crosses of Military Service due to restrictions on the use of metals by the Federal government because of the allocation of metals to be used for the war effort. Mrs. Woodard was confident with the war's end \"imminent,\" restrictions would be lifted. Mrs. Everett, Chairman of the Committee on Cross of Military Service - World War No. 2, reported six design choices for the cross and the recommendation of Chester A. Beach as well as sculptor Roger Noble Burnham to use the Medallic Art Company to produce the cross. It was decided that the Committee and the Executive Board choose the design.","\nDuring the Fifty-Second Annual Convention that took place from November 21-23, 1945 at Houston, Texas, President-General Woodard reported with regulations lifted on metals on July 1, 1945, negotiations with the Medallic Art Company began with order of 5,000 medals. However, the company reported back with there would be delay due to the need for materials to produce the medals. A sketch of the final design of the cross was available for viewing at the convention. During the Fifty-Third Annual Convention that took place from November 18-23, 1946 at Jackson, Mississippi, Mrs. Cecil Brawley Long, Custodian of Crosses of Honor and Service, reported distribution of the crosses had begun and Lieutenant Commander Spencer Downs Wright was the first recipient.","\nDuring the Fifty-Eighth Annual Convention that took place November 7-9, 1951, in Asheville, North Carolina, Recorder-General of Crosses of Honor and Service Liza Ellen Carpenter recommended the Medallic Art Company be authorized to set aside bronze for 3,000 Korean War Crosses of Military Service. At the Fifty-Ninth Annual Convention that took place November 9-13, 1952 in Biloxi, Mississippi, this recommendation was changed from 3,000 to 1,000 and be ordered in lots of 250 twice a year. This extended the final payment to two years from the first shipment. The recommendation was seconded and adopted. At the Sixtieth Annual Convention that took place November 8-12, 1953 in Washington, D.C., the first cross was given to Captain James Cornelius Ruddell, Jr., and was awarded posthumously.","\nThe Vietnam Cross was presented for the first time in 1968 at the Annual Convention in Richmond, Virginia. The first three crosses were presented to General William C. Westmoreland, Lieutenant Colonel John L. Heiss, III, and to Major James Ewell Brown Stuart, IV.","The set of medals were donated by the United Daughters of the Confederacy Jefferson Davis Chapter No. 2173 by President Mrs. Gwen Hadden, and Mrs. Robert E. Drake, the Recorder of Crosses, to the University of Central Florida Associate Dean of Library Development, Dr. W. Rex Brown, and the University of Central Florida Director of Libraries, Anne Marie Allison, during a presentation ceremony that took place May 24, 1988 at the University of Central Florida Library Special Collections Room.","The medals were placed in a shadow box that included incscriptions of the medals. In 2017, Book Conservator Christopher Saclolo removed the medals from the shadow box and the medals were transferred to a more archival appropriate box. The finding aid was created by Steven Trelstad in 2017.","African American Legacy: The Carol Mundy Collection, 1794-2010","William D. Chapman Collection, 1865, 1975","John O. Moench Collection, Circa 1861-1865","United Daughters of the Confederacy Medal Collection, Circa 1899-1968, consists of a set of bronze medals donated by the Jefferson Davis Chapter No. 2173 of the United Daughters of the Confederacy that include the Southern Cross of Honor, five Crosses of Military Service from World War I to the Vietnam War, and a badge from the Twenty-Fourth Annual Convention of the United Confederate Veterans.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The collection contains six bronze medals and one badge from the United Daughters of the Confederacy. The medals were created to honor either Confederate veterans for their service in the Confederate Armed Forces or their descendants who served in the United States military during the Philippine Insurrection (1899-1902), World War I (1917-1918), World War II (1941-1945), the Korean War (1950-1953), and the Vietnam War (1955-1975). The badge commemorates the Twenty-Fourth Annual United Confederate Veterans Reunion in 1914 and was given those in attendance.","UCF Special Collections","United Confederate Veterans","United Daughters of the Confederacy. Jefferson Davis Chapter No. 2173 (Orlando, Fla.)","United Daughters of the Confederacy -- Medals","English"],"unitid_tesim":["SC.015","/repositories/4/resources/14"],"normalized_date_ssm":["1899-1968"],"normalized_title_ssm":["United Daughters of the Confederacy Medal Collection, 1899-1968"],"collection_title_tesim":["United Daughters of the Confederacy Medal Collection, 1899-1968"],"collection_ssim":["United Daughters of the Confederacy Medal Collection, 1899-1968"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Philippines -- History -- Philippine American War, 1899-1902","United States -- History -- Civil War, 1861-1865"],"geogname_ssim":["Philippines -- History -- Philippine American War, 1899-1902","United States -- History -- Civil War, 1861-1865"],"places_ssim":["Philippines -- History -- Philippine American War, 1899-1902","United States -- History -- Civil War, 1861-1865"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Jefferson Davis Chapter No. 2173 of the United Daughters of the Confederacy donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 1988 (CFM1988_01)."],"access_subjects_ssim":["Korean War, 1950-1953","Veterans--Confederate States of America","World War, 1914-1918 -- Medals, badges, decorations, etc.","World War, 1939-1945 -- Medals, badges, decorations, etc.","Vietnam War, 1961-1975 -- Medals"],"access_subjects_ssm":["Korean War, 1950-1953","Veterans--Confederate States of America","World War, 1914-1918 -- Medals, badges, decorations, etc.","World War, 1939-1945 -- Medals, badges, decorations, etc.","Vietnam War, 1961-1975 -- Medals"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet 1 Box"],"extent_tesim":["1.25 Linear Feet 1 Box"],"date_range_isim":[1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in the same way it was originally displayed in the shadow box.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged in the same way it was originally displayed in the shadow box."],"bioghist_html_tesm":["\u003cp\u003eMrs. Mary Ann Lamar Erwin, the wife of Confederate Captain Alexander S. Erwin, was inspired by the July 20-23, 1898 Confederate Reunion at Atlanta, Georgia to honor Confederate veterans for their service. Mrs. Erwin and Mrs. Sarah E. Gabbett are credited with designing the Southern Cross of Honor. Charles W. Crankshaw of Atlanta, Georgia was chosen as the manufacturer. Crankshaw was a reputable jeweler in the Atlanta region, but he subcontracted Schwaab Stamp \u0026amp; Seal Company of Milwaukee, Wisconsin to meet the order of 12,500 medals. The crosses that bore Crankshaw's name were actually struck by Schwaab. The medal was presented at the Sixth United Daughters of the Confederacy Convention in 1899. The first cross was bestowed to Captain Alexander S. Erwin on April 26, 1900. Later, the United Daughters of the Confederacy fired the Schwaab Stamp \u0026amp; Seal Company for striking the 1902-1903 convention badges that appropriated much of the Cross of Honor design without authorization. In 1904, the Daughters hired The Whitehead \u0026amp; Hoag Company of Newark, New Jersey to produce the medal. In all, 78,761 were produced from 1900 to 1959. The medal in the collection is one from the Crankshaw-Schwaab era (1900-1903), but it may be among the first medals because it has a pinback. It was a feature among the first medals struck.\u003c/p\u003e\n","\u003cp\u003eThe badge that commemorates the Twenty-Fourth Annual Reunion of United Confederate Veterans was presented to those who attended the event that took place between May 6-8, 1914 at Jacksonville, Florida. It was produced by the The Whitehead \u0026amp; Hoag Company of Newark, New Jersey.\u003c/p\u003e\n","\u003cp\u003e\nIn 1918, World War I began and the United Daughters of the Confederacy entered into War Relief work. It was asked of each chapter keep records of all those of Confederate lineage who had enlisted in WWI as in hopes of one day honoring their service. During the Twenty-Fifth Annual Meeting that was held between April 1-5, 1919 in Louisville, Kentucky, Mary B. Poppenheim, the President-General of the United Daughters of the Confederacy, suggested a committee be created. Its purpose would be to explore the \"practicability\" of awarding veterans of the American Expeditionary Forces that were descendants of Confederates \"a suitable medal\" that was comparable to the Southern Cross of Honor. The suggestion was given to her by Major Wallace Streater, an officer in the A.E.F. of Confederate descent. The Convention adopted the resolution and the motion was carried.\u003c/p\u003e\n","\u003cp\u003e\nThe Committee on Insignia for Confederate Descendants of the World War was created at the Twenty Fifth Convention and Mrs. W.B. Scarborough became the head of the committee. They would make their first report at a convention at Tampa, Florida on November 15, 1919. At the Twenty-Seventh Annual Meeting that was held from November 8-12, 1921 at St. Louis, Missouri, the Committee was tasked to find an artist for the medal. At the Twenty-Eighth Annual Meeting that was held from November 14-18, 1922 at Birmingham, Alabama, the Committee reported that they had taken the recommendation from the Numismatic Society of New York to select Chester Beach to design the medal and the Convention approved the motion. The Committee was authorized to order of 5,000 medals. The Medallic Art Company in New York was chosen to produce the orders.\u003c/p\u003e\n","\u003cp\u003e\nThursday afternoon, November 22, 1923, a cross marked by a circle as its number, was placed on the tomb of the Unknown Soldier in Arlington, and that same evening the first two were presented to Major General Robert Lee Bullard and to Major Wallace Streater.\u003c/p\u003e\n","\u003cp\u003e\nDuring Thirty-Third Annual Convention that took place in Richmond, Virginia from November 16-20, 1926, Ms. Mary Lou Gordon White of Tennessee suggested veterans of the Spanish-American War have an award similar to the Cross of Military Service with similar guidelines. At the Thirty-Fourth Annual Convention held in Charleston, South Carolina from November 15 to 19, 1927, the idea was formally approved by the Executive Committee. At the Thirty-Fifth Annual Convention held from November 20-24, 1928 at Houston, Texas, a committee was approved to prepare the rules of bestowal and recommend a design of the medal.\u003c/p\u003e\n","\u003cp\u003e\nMrs. Julia N. Streater, wife of Major Wallace Streater, was the chairman of the committee and submitted a report at the Thirty-Sixth Annual Convention that was held from November 19-23, 1929 at Biloxi, Mississippi. Mrs. Streater's report stated they had consulted Major A. H. Dondero of the U.S. Army Officers Reserve Corps on the design of the medal and estimated that there were 5,000 to 6,000 eligible veterans. The Committee report also suggested that veterans of the \"Cuban Pacification\" and the \"Philippine Insurrection\" be accommodated for their service. After a small debate on whether to include the \"Cuban Pacification\" and \"Philippine Insurrection\" for the same decoration or not, the report and its recommendation were adopted, seconded, and carried by the Convention.\u003c/p\u003e\n","\u003cp\u003e\nAt the Thirty-Seventh Annual Convention that was held from November 18-22, 1930 at Asheville, North Carolina, The Committee submitted a report that advised separate medals be created for the Philippine Insurrection and/or the Cuban Pacification veterans after consultations with experts. The Convention adopted these recommendations and 200 Philippine Insurrection Crosses of Military Service were ordered. The Medallic Art Company produced the crosses. The very first recipient was Major J. Russell Ingram of Florida at the Thirty-Eighth Annual Convention at Jacksonville, Florida in November 17-21, 1931.\u003c/p\u003e\n","\u003cp\u003e\nAt the Forty-Ninth Annual Convention held at St. Louis, Missouri from November 4-6, 1942, President-General Eloise W. Wright recommended a committee be created for the purpose creating a medal for veterans of the Second World War who were descendants of Confederates. Mrs. McFarland of Texas moved the recommendation for adoption, seconded by Mrs. Merchant, and the recommendation was carried.\n    \n    \nDuring the Fiftieth Annual Convention that took place from November 18-21, 1943 at Columbus, Ohio, the Chairman of the Committee for Securing a Military Cross for World War No. 2, Mrs. Katherine Robinson Everett, reported she had contacted Chester A. Beach regarding the design of the medal and Clyde C. Trees, the president of Medallic Art Company, regarding the production of the medal. Mrs. Merchant motioned for the recommendation of Mr. Beach's design, the Medallic Art Company produce the medal, and obtaining permission by the U.S. Government to produce the medal as the allocation of metals were for the war effort. After an argument between members at the convention regarding the medal, Mrs. Woodbury moved the decision be made at a future date and Mrs. Merchant withdrew her recommendation. Mrs. Schuyler seconded Mrs. Woodbury's motion and it was carried.\u003c/p\u003e\n","\u003cp\u003e\nDuring the Fifty-First Annual Convention that took place from November 21-24, 1944 at Nashville, Tennessee, President-General Mary Hadley Woodard reported the past difficulties to unable to produce Crosses of Military Service due to restrictions on the use of metals by the Federal government because of the allocation of metals to be used for the war effort. Mrs. Woodard was confident with the war's end \"imminent,\" restrictions would be lifted. Mrs. Everett, Chairman of the Committee on Cross of Military Service - World War No. 2, reported six design choices for the cross and the recommendation of Chester A. Beach as well as sculptor Roger Noble Burnham to use the Medallic Art Company to produce the cross. It was decided that the Committee and the Executive Board choose the design.\u003c/p\u003e\n","\u003cp\u003e\nDuring the Fifty-Second Annual Convention that took place from November 21-23, 1945 at Houston, Texas, President-General Woodard reported with regulations lifted on metals on July 1, 1945, negotiations with the Medallic Art Company began with order of 5,000 medals. However, the company reported back with there would be delay due to the need for materials to produce the medals. A sketch of the final design of the cross was available for viewing at the convention. During the Fifty-Third Annual Convention that took place from November 18-23, 1946 at Jackson, Mississippi, Mrs. Cecil Brawley Long, Custodian of Crosses of Honor and Service, reported distribution of the crosses had begun and Lieutenant Commander Spencer Downs Wright was the first recipient.\u003c/p\u003e\n","\u003cp\u003e\nDuring the Fifty-Eighth Annual Convention that took place November 7-9, 1951, in Asheville, North Carolina, Recorder-General of Crosses of Honor and Service Liza Ellen Carpenter recommended the Medallic Art Company be authorized to set aside bronze for 3,000 Korean War Crosses of Military Service. At the Fifty-Ninth Annual Convention that took place November 9-13, 1952 in Biloxi, Mississippi, this recommendation was changed from 3,000 to 1,000 and be ordered in lots of 250 twice a year. This extended the final payment to two years from the first shipment. The recommendation was seconded and adopted. At the Sixtieth Annual Convention that took place November 8-12, 1953 in Washington, D.C., the first cross was given to Captain James Cornelius Ruddell, Jr., and was awarded posthumously.\u003c/p\u003e\n","\u003cp\u003e\nThe Vietnam Cross was presented for the first time in 1968 at the Annual Convention in Richmond, Virginia. The first three crosses were presented to General William C. Westmoreland, Lieutenant Colonel John L. Heiss, III, and to Major James Ewell Brown Stuart, IV.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Mrs. Mary Ann Lamar Erwin, the wife of Confederate Captain Alexander S. Erwin, was inspired by the July 20-23, 1898 Confederate Reunion at Atlanta, Georgia to honor Confederate veterans for their service. Mrs. Erwin and Mrs. Sarah E. Gabbett are credited with designing the Southern Cross of Honor. Charles W. Crankshaw of Atlanta, Georgia was chosen as the manufacturer. Crankshaw was a reputable jeweler in the Atlanta region, but he subcontracted Schwaab Stamp \u0026 Seal Company of Milwaukee, Wisconsin to meet the order of 12,500 medals. The crosses that bore Crankshaw's name were actually struck by Schwaab. The medal was presented at the Sixth United Daughters of the Confederacy Convention in 1899. The first cross was bestowed to Captain Alexander S. Erwin on April 26, 1900. Later, the United Daughters of the Confederacy fired the Schwaab Stamp \u0026 Seal Company for striking the 1902-1903 convention badges that appropriated much of the Cross of Honor design without authorization. In 1904, the Daughters hired The Whitehead \u0026 Hoag Company of Newark, New Jersey to produce the medal. In all, 78,761 were produced from 1900 to 1959. The medal in the collection is one from the Crankshaw-Schwaab era (1900-1903), but it may be among the first medals because it has a pinback. It was a feature among the first medals struck.","The badge that commemorates the Twenty-Fourth Annual Reunion of United Confederate Veterans was presented to those who attended the event that took place between May 6-8, 1914 at Jacksonville, Florida. It was produced by the The Whitehead \u0026 Hoag Company of Newark, New Jersey.","\nIn 1918, World War I began and the United Daughters of the Confederacy entered into War Relief work. It was asked of each chapter keep records of all those of Confederate lineage who had enlisted in WWI as in hopes of one day honoring their service. During the Twenty-Fifth Annual Meeting that was held between April 1-5, 1919 in Louisville, Kentucky, Mary B. Poppenheim, the President-General of the United Daughters of the Confederacy, suggested a committee be created. Its purpose would be to explore the \"practicability\" of awarding veterans of the American Expeditionary Forces that were descendants of Confederates \"a suitable medal\" that was comparable to the Southern Cross of Honor. The suggestion was given to her by Major Wallace Streater, an officer in the A.E.F. of Confederate descent. The Convention adopted the resolution and the motion was carried.","\nThe Committee on Insignia for Confederate Descendants of the World War was created at the Twenty Fifth Convention and Mrs. W.B. Scarborough became the head of the committee. They would make their first report at a convention at Tampa, Florida on November 15, 1919. At the Twenty-Seventh Annual Meeting that was held from November 8-12, 1921 at St. Louis, Missouri, the Committee was tasked to find an artist for the medal. At the Twenty-Eighth Annual Meeting that was held from November 14-18, 1922 at Birmingham, Alabama, the Committee reported that they had taken the recommendation from the Numismatic Society of New York to select Chester Beach to design the medal and the Convention approved the motion. The Committee was authorized to order of 5,000 medals. The Medallic Art Company in New York was chosen to produce the orders.","\nThursday afternoon, November 22, 1923, a cross marked by a circle as its number, was placed on the tomb of the Unknown Soldier in Arlington, and that same evening the first two were presented to Major General Robert Lee Bullard and to Major Wallace Streater.","\nDuring Thirty-Third Annual Convention that took place in Richmond, Virginia from November 16-20, 1926, Ms. Mary Lou Gordon White of Tennessee suggested veterans of the Spanish-American War have an award similar to the Cross of Military Service with similar guidelines. At the Thirty-Fourth Annual Convention held in Charleston, South Carolina from November 15 to 19, 1927, the idea was formally approved by the Executive Committee. At the Thirty-Fifth Annual Convention held from November 20-24, 1928 at Houston, Texas, a committee was approved to prepare the rules of bestowal and recommend a design of the medal.","\nMrs. Julia N. Streater, wife of Major Wallace Streater, was the chairman of the committee and submitted a report at the Thirty-Sixth Annual Convention that was held from November 19-23, 1929 at Biloxi, Mississippi. Mrs. Streater's report stated they had consulted Major A. H. Dondero of the U.S. Army Officers Reserve Corps on the design of the medal and estimated that there were 5,000 to 6,000 eligible veterans. The Committee report also suggested that veterans of the \"Cuban Pacification\" and the \"Philippine Insurrection\" be accommodated for their service. After a small debate on whether to include the \"Cuban Pacification\" and \"Philippine Insurrection\" for the same decoration or not, the report and its recommendation were adopted, seconded, and carried by the Convention.","\nAt the Thirty-Seventh Annual Convention that was held from November 18-22, 1930 at Asheville, North Carolina, The Committee submitted a report that advised separate medals be created for the Philippine Insurrection and/or the Cuban Pacification veterans after consultations with experts. The Convention adopted these recommendations and 200 Philippine Insurrection Crosses of Military Service were ordered. The Medallic Art Company produced the crosses. The very first recipient was Major J. Russell Ingram of Florida at the Thirty-Eighth Annual Convention at Jacksonville, Florida in November 17-21, 1931.","\nAt the Forty-Ninth Annual Convention held at St. Louis, Missouri from November 4-6, 1942, President-General Eloise W. Wright recommended a committee be created for the purpose creating a medal for veterans of the Second World War who were descendants of Confederates. Mrs. McFarland of Texas moved the recommendation for adoption, seconded by Mrs. Merchant, and the recommendation was carried.\n    \n    \nDuring the Fiftieth Annual Convention that took place from November 18-21, 1943 at Columbus, Ohio, the Chairman of the Committee for Securing a Military Cross for World War No. 2, Mrs. Katherine Robinson Everett, reported she had contacted Chester A. Beach regarding the design of the medal and Clyde C. Trees, the president of Medallic Art Company, regarding the production of the medal. Mrs. Merchant motioned for the recommendation of Mr. Beach's design, the Medallic Art Company produce the medal, and obtaining permission by the U.S. Government to produce the medal as the allocation of metals were for the war effort. After an argument between members at the convention regarding the medal, Mrs. Woodbury moved the decision be made at a future date and Mrs. Merchant withdrew her recommendation. Mrs. Schuyler seconded Mrs. Woodbury's motion and it was carried.","\nDuring the Fifty-First Annual Convention that took place from November 21-24, 1944 at Nashville, Tennessee, President-General Mary Hadley Woodard reported the past difficulties to unable to produce Crosses of Military Service due to restrictions on the use of metals by the Federal government because of the allocation of metals to be used for the war effort. Mrs. Woodard was confident with the war's end \"imminent,\" restrictions would be lifted. Mrs. Everett, Chairman of the Committee on Cross of Military Service - World War No. 2, reported six design choices for the cross and the recommendation of Chester A. Beach as well as sculptor Roger Noble Burnham to use the Medallic Art Company to produce the cross. It was decided that the Committee and the Executive Board choose the design.","\nDuring the Fifty-Second Annual Convention that took place from November 21-23, 1945 at Houston, Texas, President-General Woodard reported with regulations lifted on metals on July 1, 1945, negotiations with the Medallic Art Company began with order of 5,000 medals. However, the company reported back with there would be delay due to the need for materials to produce the medals. A sketch of the final design of the cross was available for viewing at the convention. During the Fifty-Third Annual Convention that took place from November 18-23, 1946 at Jackson, Mississippi, Mrs. Cecil Brawley Long, Custodian of Crosses of Honor and Service, reported distribution of the crosses had begun and Lieutenant Commander Spencer Downs Wright was the first recipient.","\nDuring the Fifty-Eighth Annual Convention that took place November 7-9, 1951, in Asheville, North Carolina, Recorder-General of Crosses of Honor and Service Liza Ellen Carpenter recommended the Medallic Art Company be authorized to set aside bronze for 3,000 Korean War Crosses of Military Service. At the Fifty-Ninth Annual Convention that took place November 9-13, 1952 in Biloxi, Mississippi, this recommendation was changed from 3,000 to 1,000 and be ordered in lots of 250 twice a year. This extended the final payment to two years from the first shipment. The recommendation was seconded and adopted. At the Sixtieth Annual Convention that took place November 8-12, 1953 in Washington, D.C., the first cross was given to Captain James Cornelius Ruddell, Jr., and was awarded posthumously.","\nThe Vietnam Cross was presented for the first time in 1968 at the Annual Convention in Richmond, Virginia. The first three crosses were presented to General William C. Westmoreland, Lieutenant Colonel John L. Heiss, III, and to Major James Ewell Brown Stuart, IV."],"prefercite_html_tesm":["\u003cp\u003eUnited Daughters of the Confederacy Medal Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["United Daughters of the Confederacy Medal Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eThe set of medals were donated by the United Daughters of the Confederacy Jefferson Davis Chapter No. 2173 by President Mrs. Gwen Hadden, and Mrs. Robert E. Drake, the Recorder of Crosses, to the University of Central Florida Associate Dean of Library Development, Dr. W. Rex Brown, and the University of Central Florida Director of Libraries, Anne Marie Allison, during a presentation ceremony that took place May 24, 1988 at the University of Central Florida Library Special Collections Room.\u003c/p\u003e","\u003cp\u003eThe medals were placed in a shadow box that included incscriptions of the medals. In 2017, Book Conservator Christopher Saclolo removed the medals from the shadow box and the medals were transferred to a more archival appropriate box. The finding aid was created by Steven Trelstad in 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The set of medals were donated by the United Daughters of the Confederacy Jefferson Davis Chapter No. 2173 by President Mrs. Gwen Hadden, and Mrs. Robert E. Drake, the Recorder of Crosses, to the University of Central Florida Associate Dean of Library Development, Dr. W. Rex Brown, and the University of Central Florida Director of Libraries, Anne Marie Allison, during a presentation ceremony that took place May 24, 1988 at the University of Central Florida Library Special Collections Room.","The medals were placed in a shadow box that included incscriptions of the medals. In 2017, Book Conservator Christopher Saclolo removed the medals from the shadow box and the medals were transferred to a more archival appropriate box. The finding aid was created by Steven Trelstad in 2017."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2009-02\"\u003eAfrican American Legacy: The Carol Mundy Collection, 1794-2010\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-20\"\u003eWilliam D. Chapman Collection, 1865, 1975\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1995_02\"\u003eJohn O. Moench Collection, Circa 1861-1865\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["African American Legacy: The Carol Mundy Collection, 1794-2010","William D. Chapman Collection, 1865, 1975","John O. Moench Collection, Circa 1861-1865"],"scopecontent_html_tesm":["\u003cp\u003eUnited Daughters of the Confederacy Medal Collection, Circa 1899-1968, consists of a set of bronze medals donated by the Jefferson Davis Chapter No. 2173 of the United Daughters of the Confederacy that include the Southern Cross of Honor, five Crosses of Military Service from World War I to the Vietnam War, and a badge from the Twenty-Fourth Annual Convention of the United Confederate Veterans.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["United Daughters of the Confederacy Medal Collection, Circa 1899-1968, consists of a set of bronze medals donated by the Jefferson Davis Chapter No. 2173 of the United Daughters of the Confederacy that include the Southern Cross of Honor, five Crosses of Military Service from World War I to the Vietnam War, and a badge from the Twenty-Fourth Annual Convention of the United Confederate Veterans."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_26056843807eb84600eff1e8f6b3007f\" label=\"Abstract\"\u003eThe collection contains six bronze medals and one badge from the United Daughters of the Confederacy. The medals were created to honor either Confederate veterans for their service in the Confederate Armed Forces or their descendants who served in the United States military during the Philippine Insurrection (1899-1902), World War I (1917-1918), World War II (1941-1945), the Korean War (1950-1953), and the Vietnam War (1955-1975). The badge commemorates the Twenty-Fourth Annual United Confederate Veterans Reunion in 1914 and was given those in attendance.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains six bronze medals and one badge from the United Daughters of the Confederacy. The medals were created to honor either Confederate veterans for their service in the Confederate Armed Forces or their descendants who served in the United States military during the Philippine Insurrection (1899-1902), World War I (1917-1918), World War II (1941-1945), the Korean War (1950-1953), and the Vietnam War (1955-1975). The badge commemorates the Twenty-Fourth Annual United Confederate Veterans Reunion in 1914 and was given those in attendance."],"names_coll_ssim":["United Confederate Veterans","United Daughters of the Confederacy. Jefferson Davis Chapter No. 2173 (Orlando, Fla.)","United Daughters of the Confederacy -- Medals"],"names_ssim":["UCF Special Collections","United Confederate Veterans","United Daughters of the Confederacy. Jefferson Davis Chapter No. 2173 (Orlando, Fla.)","United Daughters of the Confederacy -- Medals"],"corpname_ssim":["UCF Special Collections","United Confederate Veterans","United Daughters of the Confederacy. Jefferson Davis Chapter No. 2173 (Orlando, Fla.)","United Daughters of the Confederacy -- Medals"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":9,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"7e7730d0a16959bd1212da48","timestamp":"2026-07-08T02:56:07.473Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/7e7730d0a16959bd1212da48_aspace_70763"}},{"id":"5707ae6f66706545a765c40b_aspace_73cc1f053863d1a6f4008c5d8382ebc3","type":"Item","attributes":{"title":"World War I German Veteran's Medal Ribbon Bar, 1919-1945","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/5707ae6f66706545a765c40b_aspace_73cc1f053863d1a6f4008c5d8382ebc3#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis German World War I veteran's medal ribbon bar with pin attachment includes the Iron Cross and World War I veteran service medal.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5707ae6f66706545a765c40b_aspace_73cc1f053863d1a6f4008c5d8382ebc3#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_73cc1f053863d1a6f4008c5d8382ebc3","ref_ssm":["aspace_73cc1f053863d1a6f4008c5d8382ebc3","aspace_73cc1f053863d1a6f4008c5d8382ebc3"],"id":"5707ae6f66706545a765c40b_aspace_73cc1f053863d1a6f4008c5d8382ebc3","title_filing_ssi":"World War I German Veteran's Medal Ribbon Bar","title_ssm":["World War I German Veteran's Medal Ribbon Bar"],"title_tesim":["World War I German Veteran's Medal Ribbon Bar"],"unitdate_inclusive_ssm":["1919-1945"],"normalized_date_ssm":["1919-1945"],"normalized_title_ssm":["World War I German Veteran's Medal Ribbon Bar, 1919-1945"],"text":["World War I German Veteran's Medal Ribbon Bar, 1919-1945","Jack Rifkin collection, 1889-1999, Date accessioned: 1999-10-07, bulk 1943-1946","/repositories/10/archival_objects/190987","box 99.0626-Box 1","object 014","This German World War I veteran's medal ribbon bar with pin attachment includes the Iron Cross and World War I veteran service medal."],"component_level_isim":[1],"parent_ids_ssim":["5707ae6f66706545a765c40b"],"parent_unittitles_ssm":["Jack Rifkin collection, 1889-1999, Date accessioned: 1999-10-07, bulk 1943-1946"],"parent_unittitles_tesim":["Jack Rifkin collection, 1889-1999, Date accessioned: 1999-10-07, bulk 1943-1946"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/10/archival_objects/190987"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Jack Rifkin collection, 1889-1999, Date accessioned: 1999-10-07, bulk 1943-1946"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":15,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"date_range_isim":[1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945],"containers_ssim":["box 99.0626-Box 1","object 014"],"scopecontent_html_tesm":["\u003cp\u003eThis German World War I veteran's medal ribbon bar with pin attachment includes the Iron Cross and World War I veteran service medal.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This German World War I veteran's medal ribbon bar with pin attachment includes the Iron Cross and World War I veteran service medal."],"_nest_path_":"/components#14","_nest_parent_":"5707ae6f66706545a765c40b","_root_":"5707ae6f66706545a765c40b","_version_":1870857715540033536,"timestamp":"2026-07-16T08:02:32.961Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5707ae6f66706545a765c40b","title_filing_ssi":"Rifkin, Jack collection","title_ssm":["Jack Rifkin collection"],"title_tesim":["Jack Rifkin collection"],"ead_ssi":"5707ae6f66706545a765c40b","unitdate_ssm":["1943-1946","1889-1999","Date accessioned: 1999-10-07"],"unitdate_bulk_ssim":["1943-1946"],"unitdate_inclusive_ssm":["1889-1999"],"unitdate_other_ssim":["Date accessioned: 1999-10-07"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["99.0626","/repositories/10/resources/1821"],"text":["99.0626","/repositories/10/resources/1821","Jack Rifkin collection, 1889-1999, Date accessioned: 1999-10-07, bulk 1943-1946","Philadelphia (Pa.)","World War, 1939-1945 -- Campaigns -- Europe, Northern","World War, 1939-1945--Campaigns--France--Alsace","World War, 1939-1945--Campaigns--Germany","This collection is open to all researchers.","Jack Rifkin was born on January 7, 1922 in Philadelphia, Pennsylvania. His parents were Russian\nImmigrants who spoke Russian, Yiddish, and English in his household. He had three brothers\nWilliam, Abraham, and Joseph, as well as one sister, Marion. His family subsisted below the poverty\nline for most his childhood. Jack was working at the Frankford Arsenal in Philadelphia manufacturing ammunition when he was drafted into the U.S. Army on October 10, 1942. He entered the Army Specialized Training Progam at the University of St. Louis from July 20, 1943 until March 16, 1944. He held various assignments within the Continental United States until he was shipped overseas to the European Theater of Operations with the 324th Infantry Regiment, 44th Infantry Division, as a Squad Leader (E-5, Sergeant) of a light weapons squad. He landed in France with the Division on September 15, 1944 and participated in campaigns in France and Germany, eventually earning five \"battle stars,\"  the Combat Infantry Badge, and a Bronze Star Medal.\n \nIt was during his time in France that Rifkin acquired most of his war souvenirs. He was involved in\noperations that freed French Freedom Fighters from German POW camps.  Most of the German\ndecorations and badges were taken from German Prisoners of War. The Walther PP pistol in this collection was given to Rifkin by the Free French in appreciation for their liberation. Rifkin served as part of the American forces that occupied Germany immediately after the war ended in Europe.  Upon departure from France, all of the soldiers were told they were forbidden to bring guns to the United States as war  souvenirs. A warning was issued that stated anyone caught with weapons in their seabag would be detained from departing on the ship returning to the United States.  Hundreds of weapons were voluntarily removed from seabags and placed on the dock. Jack refused to go along, and took his chances due to the high regard he had for the Walther pistol. The warning was a bluff. No searches were conducted, and thus he successfully brought the weapon home.\n \nAfter discharge, Jack met and married Marilyn Weiner in Philadelphia on October 12, 1947. After\nexperiencing some health related issues, Jack and Marilyn moved to Miami, Florida in the early\n1950's. They had a daughter (Roberta) on December 25, 1956 and a son (Donald) on May 25,\n1960. Marilyn remained a homemaker her entire life. Jack was a salesman of building supplies to Cynaman Bros. Construction. He and Marilyn retired to Pompano Beach from Miami, where he enjoyed fishing from the Pompano Beach fishing pier three days a week. Marilyn passed away at the age of 66 in 1993 from a stroke in Pompano Beach. FL. They were married 47 years. Jack remained active\nin his retirement until he was debilitated by a stroke.  His daughter Roberta had him transferred\nto a hospice facility near her home in Georgia where he passed away six months later from his illness on June 29, 2002 in Riverside, GA.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","This collection relates to Sergeant Jack Rifkin who served with the 324th Infantry Regiment, 44th Infantry Division, in the European Theater of Operations during World War II.  Rifkin received the Bronze Star Medal and Combat Infantry Badge. The collection includes an oral history interview transcript,  military documents, newspaper, photograph of Rifkin in uniform, artifacts, and a digital compact disc recording of the award ceremony for the posthumous presentation of the Bronze Star Medal to Rifkin's family.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Army Specialized Training Program (U.S.)","Rifkin, Jack, 1922-2002","English"],"unitid_tesim":["99.0626","/repositories/10/resources/1821"],"normalized_date_ssm":["1889-1999, Date accessioned: 1999-10-07, bulk 1943-1946"],"normalized_title_ssm":["Jack Rifkin collection, 1889-1999, Date accessioned: 1999-10-07, bulk 1943-1946"],"collection_title_tesim":["Jack Rifkin collection, 1889-1999, Date accessioned: 1999-10-07, bulk 1943-1946"],"collection_ssim":["Jack Rifkin collection, 1889-1999, Date accessioned: 1999-10-07, bulk 1943-1946"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Philadelphia (Pa.)"],"geogname_ssim":["Philadelphia (Pa.)"],"creator_ssm":["Rifkin, Jack, 1922-2002"],"creator_ssim":["Rifkin, Jack, 1922-2002"],"creator_persname_ssim":["Rifkin, Jack, 1922-2002"],"creators_ssim":["Rifkin, Jack, 1922-2002"],"places_ssim":["Philadelphia (Pa.)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["World War, 1939-1945 -- Campaigns -- Europe, Northern","World War, 1939-1945--Campaigns--France--Alsace","World War, 1939-1945--Campaigns--Germany"],"access_subjects_ssm":["World War, 1939-1945 -- Campaigns -- Europe, Northern","World War, 1939-1945--Campaigns--France--Alsace","World War, 1939-1945--Campaigns--Germany"],"has_online_content_ssim":["false"],"extent_ssm":["1 folders","2 items German Walther PP pistol with holster and German Fireman's dress dagger with leather frog and portepee.","1 boxes This box contains objects."],"extent_tesim":["1 folders","2 items German Walther PP pistol with holster and German Fireman's dress dagger with leather frog and portepee.","1 boxes This box contains objects."],"date_range_isim":[1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eJack Rifkin was born on January 7, 1922 in Philadelphia, Pennsylvania. His parents were Russian\nImmigrants who spoke Russian, Yiddish, and English in his household. He had three brothers\nWilliam, Abraham, and Joseph, as well as one sister, Marion. His family subsisted below the poverty\nline for most his childhood. Jack was working at the Frankford Arsenal in Philadelphia manufacturing ammunition when he was drafted into the U.S. Army on October 10, 1942. He entered the Army Specialized Training Progam at the University of St. Louis from July 20, 1943 until March 16, 1944. He held various assignments within the Continental United States until he was shipped overseas to the European Theater of Operations with the 324th Infantry Regiment, 44th Infantry Division, as a Squad Leader (E-5, Sergeant) of a light weapons squad. He landed in France with the Division on September 15, 1944 and participated in campaigns in France and Germany, eventually earning five \"battle stars,\"  the Combat Infantry Badge, and a Bronze Star Medal.\n\u003cbr\u003e\u003cbr\u003e\nIt was during his time in France that Rifkin acquired most of his war souvenirs. He was involved in\noperations that freed French Freedom Fighters from German POW camps.  Most of the German\ndecorations and badges were taken from German Prisoners of War. The Walther PP pistol in this collection was given to Rifkin by the Free French in appreciation for their liberation. Rifkin served as part of the American forces that occupied Germany immediately after the war ended in Europe.  Upon departure from France, all of the soldiers were told they were forbidden to bring guns to the United States as war  souvenirs. A warning was issued that stated anyone caught with weapons in their seabag would be detained from departing on the ship returning to the United States.  Hundreds of weapons were voluntarily removed from seabags and placed on the dock. Jack refused to go along, and took his chances due to the high regard he had for the Walther pistol. The warning was a bluff. No searches were conducted, and thus he successfully brought the weapon home.\n\u003cbr\u003e\u003cbr\u003e\nAfter discharge, Jack met and married Marilyn Weiner in Philadelphia on October 12, 1947. After\nexperiencing some health related issues, Jack and Marilyn moved to Miami, Florida in the early\n1950's. They had a daughter (Roberta) on December 25, 1956 and a son (Donald) on May 25,\n1960. Marilyn remained a homemaker her entire life. Jack was a salesman of building supplies to Cynaman Bros. Construction. He and Marilyn retired to Pompano Beach from Miami, where he enjoyed fishing from the Pompano Beach fishing pier three days a week. Marilyn passed away at the age of 66 in 1993 from a stroke in Pompano Beach. FL. They were married 47 years. Jack remained active\nin his retirement until he was debilitated by a stroke.  His daughter Roberta had him transferred\nto a hospice facility near her home in Georgia where he passed away six months later from his illness on June 29, 2002 in Riverside, GA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Jack Rifkin was born on January 7, 1922 in Philadelphia, Pennsylvania. His parents were Russian\nImmigrants who spoke Russian, Yiddish, and English in his household. He had three brothers\nWilliam, Abraham, and Joseph, as well as one sister, Marion. His family subsisted below the poverty\nline for most his childhood. Jack was working at the Frankford Arsenal in Philadelphia manufacturing ammunition when he was drafted into the U.S. Army on October 10, 1942. He entered the Army Specialized Training Progam at the University of St. Louis from July 20, 1943 until March 16, 1944. He held various assignments within the Continental United States until he was shipped overseas to the European Theater of Operations with the 324th Infantry Regiment, 44th Infantry Division, as a Squad Leader (E-5, Sergeant) of a light weapons squad. He landed in France with the Division on September 15, 1944 and participated in campaigns in France and Germany, eventually earning five \"battle stars,\"  the Combat Infantry Badge, and a Bronze Star Medal.\n \nIt was during his time in France that Rifkin acquired most of his war souvenirs. He was involved in\noperations that freed French Freedom Fighters from German POW camps.  Most of the German\ndecorations and badges were taken from German Prisoners of War. The Walther PP pistol in this collection was given to Rifkin by the Free French in appreciation for their liberation. Rifkin served as part of the American forces that occupied Germany immediately after the war ended in Europe.  Upon departure from France, all of the soldiers were told they were forbidden to bring guns to the United States as war  souvenirs. A warning was issued that stated anyone caught with weapons in their seabag would be detained from departing on the ship returning to the United States.  Hundreds of weapons were voluntarily removed from seabags and placed on the dock. Jack refused to go along, and took his chances due to the high regard he had for the Walther pistol. The warning was a bluff. No searches were conducted, and thus he successfully brought the weapon home.\n \nAfter discharge, Jack met and married Marilyn Weiner in Philadelphia on October 12, 1947. After\nexperiencing some health related issues, Jack and Marilyn moved to Miami, Florida in the early\n1950's. They had a daughter (Roberta) on December 25, 1956 and a son (Donald) on May 25,\n1960. Marilyn remained a homemaker her entire life. Jack was a salesman of building supplies to Cynaman Bros. Construction. He and Marilyn retired to Pompano Beach from Miami, where he enjoyed fishing from the Pompano Beach fishing pier three days a week. Marilyn passed away at the age of 66 in 1993 from a stroke in Pompano Beach. FL. They were married 47 years. Jack remained active\nin his retirement until he was debilitated by a stroke.  His daughter Roberta had him transferred\nto a hospice facility near her home in Georgia where he passed away six months later from his illness on June 29, 2002 in Riverside, GA."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Jack Rifkin collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-99-0626\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Jack Rifkin collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-99-0626"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Sergeant Jack Rifkin who served with the 324th Infantry Regiment, 44th Infantry Division, in the European Theater of Operations during World War II.  Rifkin received the Bronze Star Medal and Combat Infantry Badge. The collection includes an oral history interview transcript,  military documents, newspaper, photograph of Rifkin in uniform, artifacts, and a digital compact disc recording of the award ceremony for the posthumous presentation of the Bronze Star Medal to Rifkin's family.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection relates to Sergeant Jack Rifkin who served with the 324th Infantry Regiment, 44th Infantry Division, in the European Theater of Operations during World War II.  Rifkin received the Bronze Star Medal and Combat Infantry Badge. The collection includes an oral history interview transcript,  military documents, newspaper, photograph of Rifkin in uniform, artifacts, and a digital compact disc recording of the award ceremony for the posthumous presentation of the Bronze Star Medal to Rifkin's family."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["Army Specialized Training Program (U.S.)","Rifkin, Jack, 1922-2002"],"names_ssim":["FSU Special Collections \u0026 Archives","Army Specialized Training Program (U.S.)","Rifkin, Jack, 1922-2002"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Army Specialized Training Program (U.S.)"],"persname_ssim":["Rifkin, Jack, 1922-2002"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":24,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857715540033536,"_root_":"5707ae6f66706545a765c40b","timestamp":"2026-07-16T08:02:32.961Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5707ae6f66706545a765c40b_aspace_73cc1f053863d1a6f4008c5d8382ebc3"}},{"id":"b45fd26994277ce465acef6c","type":"collection","attributes":{"title":"World War II Collection, bulk 1920-1980","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/b45fd26994277ce465acef6c#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe World War II Collection consists of material from throughout the war, as well as the two decades preceeding and the immediate postwar period of the 1940s. 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Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The contents of this collection may be subject to copyright.  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They also produced the film Dark Rapture (Magie Africaine) (1938) based on their travels to the Congo. The couple also founded the Anthropoid Ape Research Foundation in Dania Beach, Florida. The chimpanzees on the farm were used for medical research and attracted tourists. Armand Denis and Leila Roosevelt divorced and Armand later married Michaela Holdsworth. In 1963 Denis became editor of a magazine entitled Animals which later became BBC Wildlife. Armand Denis died on April 15, 1971.  ","The Denis Lomax collection consists of photographs, photograph negatives, scrapbooks, printed materials, correspondence and writings that document the lives of filmmakers Leila Roosevelt and Armand Denis as well as their families. The collection contains materials related to Leila Roosevelt's parents, filmmaker, entrepreneur and sportsman Cornelius Louis André Roosevelt (Andre Roosevelt), as well as architect and artist Adelheid Lange Roosevelt. The collection highlights Leila Roosevelt and Armand Denis's travels and film productions such as the documentary film based on the Democratic Republic of the Congo entitled Dark Rapture (Magie Africaine) (1938) and a film based in Bali, Indonesia entitled Goona Goona (Love Powder) (1932). 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Leila Roosevelt died in 1976. \u003c/p\u003e\n","\u003cp\u003eArmand Georges Denis was born on December 2, 1896 to Belgian parents in Brussels, Belgium. He was a filmmaker, writer and magazine editor. He traveled, and worked with Andre Roosevelt on the film, Goona Goona (Love Powder) (1932). Armand Denis and Leila Roosevelt also traveled to North Africa as well as the Democratic Republic of the Congo, to film a documentary sponsored by Belgian King Leopold III entitled Wheels of Africa (1936). They also produced the film Dark Rapture (Magie Africaine) (1938) based on their travels to the Congo. The couple also founded the Anthropoid Ape Research Foundation in Dania Beach, Florida. The chimpanzees on the farm were used for medical research and attracted tourists. Armand Denis and Leila Roosevelt divorced and Armand later married Michaela Holdsworth. In 1963 Denis became editor of a magazine entitled Animals which later became BBC Wildlife. Armand Denis died on April 15, 1971.  \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Cornelius Louis André Roosevelt (Andre Roosevelt), was born on April 24, 1879. He was the son of Cornelius Roosevelt sr. (1847–1902), and Anna Roosevelt. Cornelius Roosevelt sr. (1847–1902) was a cousin of U.S. President Theodore Roosevelt (1858-1919). Andre Roosevelt was an Olympic athlete, filmmaker and entrepreneur. He played multiple sports and won the gold medal in the 1900 Olympic Games for his performance in Rugby. In 1905, Andre Roosevelt married Adelheid Lange (1880-1962) and they had a daughter named Leila Roosevelt (1906-1976). Between 1928 and 1930, Andre Roosevelt, along with daughter Leila Roosevelt and son-in-law Armand Denis, traveled to Bali, Indonesia to produce and film Goona Goona (Love Powder), which premiered to audiences in 1932. Andre Roosevelt also managed a hotel in  Haiti named Ibo Lele. In his later life, Andre divorced from Adelheid Lange Roosevelt and had a second marriage to Alice La Fontant. Andre Roosevelt died on July 21, 1962 in Haiti.","Adelheid Lange Roosevelt was born on October 23, 1880 in St. Louis, Missouri to Mathilde Follenius Lange and William C. Lange. William C. Lange, was a German chemist and banker. Adelheid was an architect and became one of the first women to earn a degree in architecture at the Zurich Polytechnic Institute in Switzerland. She worked with St. Louis architect Theodore Link for four years before marrying Andre Roosevelt. Adelheid was also a cubist artist and sculptor who exhibited her work in galleries including the Modern Gallery in New York City, New York. Adelheid Lange Roosevelt died on February 15, 1962 in Thompson, Connecticut. ","Leila Roosevelt was born on July 9, 1906 in St. Louis, Missouri to Adelheid Lange and Andre Roosevelt. She was a director, screenwriter and filmmaker. Leila worked with, and accompanied her husband, Armand Denis and father Andre Roosevelt on multiple expeditions around the world including Bali, Indonesia and the Democratic Republic of the Congo. She also traveled on her own, completing an around the world by truck expedition with associate and mechanic Edna Olmstead. Leila Roosevelt and Armand Denis had four children: Renee, Armand jr., David, and Heidi Denis. Armand Denis and Leila later divorced and she married William Westley. Leila Roosevelt died in 1976. ","Armand Georges Denis was born on December 2, 1896 to Belgian parents in Brussels, Belgium. He was a filmmaker, writer and magazine editor. He traveled, and worked with Andre Roosevelt on the film, Goona Goona (Love Powder) (1932). Armand Denis and Leila Roosevelt also traveled to North Africa as well as the Democratic Republic of the Congo, to film a documentary sponsored by Belgian King Leopold III entitled Wheels of Africa (1936). They also produced the film Dark Rapture (Magie Africaine) (1938) based on their travels to the Congo. The couple also founded the Anthropoid Ape Research Foundation in Dania Beach, Florida. The chimpanzees on the farm were used for medical research and attracted tourists. Armand Denis and Leila Roosevelt divorced and Armand later married Michaela Holdsworth. In 1963 Denis became editor of a magazine entitled Animals which later became BBC Wildlife. Armand Denis died on April 15, 1971.  "],"prefercite_html_tesm":["\u003cp\u003eDenis Lomax Collection, Broward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Denis Lomax Collection, Broward County Historical Archives, Broward County Library."],"scopecontent_html_tesm":["\u003cp\u003eThe Denis Lomax collection consists of photographs, photograph negatives, scrapbooks, printed materials, correspondence and writings that document the lives of filmmakers Leila Roosevelt and Armand Denis as well as their families. The collection contains materials related to Leila Roosevelt's parents, filmmaker, entrepreneur and sportsman Cornelius Louis Andr\u0026#xE9; Roosevelt (Andre Roosevelt), as well as architect and artist Adelheid Lange Roosevelt. The collection highlights Leila Roosevelt and Armand Denis's travels and film productions such as the documentary film based on the Democratic Republic of the Congo entitled Dark Rapture (Magie Africaine) (1938) and a film based in Bali, Indonesia entitled Goona Goona (Love Powder) (1932). Materials documenting the Anthropoid Ape Research foundation in Dania Beach, Florida, founded by Leila Roosevelt and Armand Denis, along with personal papers of their families are also included in this collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Denis Lomax collection consists of photographs, photograph negatives, scrapbooks, printed materials, correspondence and writings that document the lives of filmmakers Leila Roosevelt and Armand Denis as well as their families. The collection contains materials related to Leila Roosevelt's parents, filmmaker, entrepreneur and sportsman Cornelius Louis André Roosevelt (Andre Roosevelt), as well as architect and artist Adelheid Lange Roosevelt. The collection highlights Leila Roosevelt and Armand Denis's travels and film productions such as the documentary film based on the Democratic Republic of the Congo entitled Dark Rapture (Magie Africaine) (1938) and a film based in Bali, Indonesia entitled Goona Goona (Love Powder) (1932). Materials documenting the Anthropoid Ape Research foundation in Dania Beach, Florida, founded by Leila Roosevelt and Armand Denis, along with personal papers of their families are also included in this collection."],"names_ssim":[" Broward County Historical Archives"],"corpname_ssim":[" Broward County Historical Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":128,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"17ec102ff08bd100785127f3","timestamp":"2026-04-21T01:44:00.846Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/17ec102ff08bd100785127f3_aspace_e04690a0025ab954b414255fa6a9cf59"}},{"id":"5e17dda97e7549e9d9b40539_aspace_c42fcae22d8b38c2c55283d9beb7268a","type":"File","attributes":{"title":"Writings of Wilbur H. Siebert (copies), Circa 1903-1935","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_c42fcae22d8b38c2c55283d9beb7268a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c42fcae22d8b38c2c55283d9beb7268a","ref_ssm":["aspace_c42fcae22d8b38c2c55283d9beb7268a","aspace_c42fcae22d8b38c2c55283d9beb7268a"],"id":"5e17dda97e7549e9d9b40539_aspace_c42fcae22d8b38c2c55283d9beb7268a","title_filing_ssi":"Writings of Wilbur H. Siebert (copies)","title_ssm":["Writings of Wilbur H. Siebert (copies)"],"title_tesim":["Writings of Wilbur H. Siebert (copies)"],"unitdate_inclusive_ssm":["Circa 1903-1935"],"normalized_date_ssm":["Circa 1903-1935"],"normalized_title_ssm":["Writings of Wilbur H. Siebert (copies), Circa 1903-1935"],"text":["Writings of Wilbur H. Siebert (copies), Circa 1903-1935","Dorothy Porter Wesley Collection, Circa 1788-2012","Research Files","Dorothy Porter Wesley, Circa 1760-2000","General Research Files, Circa 1760-2000","/repositories/2/archival_objects/5556","box 42","folder 977"],"component_level_isim":[4],"parent_ids_ssim":["5e17dda97e7549e9d9b40539","5e17dda97e7549e9d9b40539_aspace_1571a54c27a10bca175f2df337fb743a","5e17dda97e7549e9d9b40539_aspace_a298a495456596ad78317c99fed94fdb","5e17dda97e7549e9d9b40539_aspace_d375208a4fb8f6ae61f4cf54138dd0c8"],"parent_unittitles_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012","Research Files","Dorothy Porter Wesley, Circa 1760-2000","General Research Files, Circa 1760-2000"],"parent_unittitles_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012","Research Files","Dorothy Porter Wesley, Circa 1760-2000","General Research Files, Circa 1760-2000"],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/5556"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":997,"parent_access_restrict_tesm":["The Dorothy Porter Wesley Collection is open for research."],"date_range_isim":[1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935],"containers_ssim":["box 42","folder 977"],"_nest_path_":"/components#2/components#0/components#0/components#560","_nest_parent_":"5e17dda97e7549e9d9b40539_aspace_d375208a4fb8f6ae61f4cf54138dd0c8","_root_":"5e17dda97e7549e9d9b40539","_version_":1871563605913108480,"timestamp":"2026-07-24T03:02:22.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5e17dda97e7549e9d9b40539","title_filing_ssi":"Wesley, Dorothy Porter Collection","title_ssm":["Dorothy Porter Wesley Collection"],"title_tesim":["Dorothy Porter Wesley Collection"],"ead_ssi":"5e17dda97e7549e9d9b40539","unitdate_ssm":["Circa 1788-2012"],"unitdate_inclusive_ssm":["Circa 1788-2012"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2003.6","/repositories/2/resources/20"],"text":["AARLCC.2003.6","/repositories/2/resources/20","Dorothy Porter Wesley Collection, Circa 1788-2012","Africa -- Research","Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art","The Dorothy Porter Wesley Collection is open for research.","View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.","The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets","Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.","The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.","Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".","The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.","AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970","English Portuguese German"],"unitid_tesim":["AARLCC.2003.6","/repositories/2/resources/20"],"normalized_date_ssm":["Circa 1788-2012"],"normalized_title_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_title_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Africa -- Research"],"geogname_ssim":["Africa -- Research"],"places_ssim":["Africa -- Research"],"acqinfo_ssim":["Broward County Library purchased the materials from Constance Porter Uzelac (daughter of Dorothy Porter Wesley) in December 2002 (Accession AARLCC-2003.6). Milan Uzelac donated accruals to AARLCC Special Collections on June 29, 2012 (Accession AARLCC-2012.12) and on May 12, 2022 (Accession AARLCC-2022.7)."],"access_subjects_ssim":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"access_subjects_ssm":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes","2800 Books"],"extent_tesim":["67 Hollinger Boxes","2800 Books"],"genreform_ssim":["Photographs","Sound recordings","Correspondence","Art"],"date_range_isim":[1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Dorothy Porter Wesley Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll37/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series and sub-series:\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries I. Correspondence\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. General Correspondence\u003c/p\u003e","\u003cp\u003eSub-series II. Family Correspondence\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries II. Professional Papers\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley professional papers\u003c/p\u003e","\u003cp\u003eSub-series II. Constance Porter Uzelac professional papers \u003c/p\u003e","\u003cp\u003eSub-series III. Charles Harris Wesley professional papers \u003c/p\u003e","\u003cp\u003eSub-series IV. Writings by Dorothy Porter Wesley\u003c/p\u003e","\u003cp\u003eSub-series V. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VI. Writings by James A. Porter\u003c/p\u003e","\u003cp\u003eSub-series VII. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VIII. Writings by Charles Harris Wesley \u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries III. Research Files\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley general research files\u003c/p\u003e","\u003cp\u003eSub-series II. Dorothy Porter Wesley Brazil research files\u003c/p\u003e","\u003cp\u003eSub-series III. Dorothy Porter Wesley illustrations\u003c/p\u003e","\u003cp\u003eSub-series IV. Constance Porter Uzelac research files\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries IV. Personal Papers\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries V. Photographs\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries VI. Printed Materials\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Calendars and Datebooks\u003c/p\u003e","\u003cp\u003eSub-series II. Catalogs\u003c/p\u003e","\u003cp\u003eSub-series III. General\u003c/p\u003e","\u003cp\u003eSub-series IV. Magazines\u003c/p\u003e","\u003cp\u003eSub-series V. Maps\u003c/p\u003e","\u003cp\u003eSub-series VI. Newspaper Clippings\u003c/p\u003e","\u003cp\u003eSub-series VII. Sheet Music\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries VII. Ephemera and Artwork\u003c/p\u003e\u003c/b\u003e","\u003cp\u003e\u003cb\u003eSeries VIII. Books and Pamphlets\u003c/b\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets"],"bioghist_html_tesm":["\u003cp\u003eDorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. \u003c/p\u003e\n","\u003cp\u003eIn 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work, \u003cemph\u003eModern Negro Art\u003c/emph\u003e, proved to be one of the most informative sources to date on the creativity of the Black artists.\u003c/p\u003e\n","\u003cp\u003eIn 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.\u003c/p\u003e\n","\u003cp\u003eJames Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. \u003c/p\u003e\n","\u003cp\u003eCharles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.\u003c/p\u003e\n","\u003cp\u003eIn 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.\u003c/p\u003e\n","\u003cp\u003eThe book \u003ci\u003eWilliam Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874\u003c/i\u003e (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.\u003c/p\u003e\n","\u003cp\u003eIn 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012."],"prefercite_html_tesm":["\u003cp\u003eDorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Dorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\n\u003ca href=\"https://archives.yale.edu/repositories/11/resources/994\" target=\"_blank\"\u003ePart of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.\u003c/a\u003e\n\u003c/p\u003e","\u003cp\u003e\n\u003ca href=\"https://archives.libraries.emory.edu/repositories/7/resources/3255\" target=\"_blank\"\u003eDorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.\u003c/a\u003e\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.\u003c/p\u003e\n","\u003cp\u003eCorrespondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.\u003c/p\u003e\n","\u003cp\u003eProfessional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.\u003c/p\u003e\n","\u003cp\u003eConstance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". \u003c/p\u003e\n","\u003cp\u003eThe collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.\u003c/p\u003e\n","\u003cp\u003eResearch files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.\u003c/p\u003e\n","\u003cp\u003ePrinted Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=DPW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_559c404160acc20bdc75d09cde3325a4\"\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets."],"names_ssim":["AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Wesley, Dorothy Porter, 1905-1995"],"persname_ssim":["Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"language_ssim":["English Portuguese German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1539,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563605913108480,"_root_":"5e17dda97e7549e9d9b40539","timestamp":"2026-07-24T03:02:22.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_c42fcae22d8b38c2c55283d9beb7268a"}},{"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_9601eb01a734431c20952067f6d826b7","type":"Subseries","attributes":{"title":"Written Work, 1897-1993, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_9601eb01a734431c20952067f6d826b7#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9601eb01a734431c20952067f6d826b7","ref_ssm":["aspace_9601eb01a734431c20952067f6d826b7","aspace_9601eb01a734431c20952067f6d826b7"],"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_9601eb01a734431c20952067f6d826b7","title_filing_ssi":"Written Work","title_ssm":["Written Work"],"title_tesim":["Written Work"],"unitdate_inclusive_ssm":["1897-1993, Undated"],"normalized_date_ssm":["1897-1993, Undated"],"normalized_title_ssm":["Written Work, 1897-1993, Undated"],"text":["Written Work, 1897-1993, Undated","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Personal Files, 1895-2005, Undated.","Sub-Series 9","/repositories/4/archival_objects/56627"],"component_level_isim":[2],"parent_ids_ssim":["2a6a6aa34a3c99c1b1b95ea9","2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesII"],"parent_unittitles_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Personal Files, 1895-2005, Undated."],"parent_unittitles_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Personal Files, 1895-2005, Undated."],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 9","/repositories/4/archival_objects/56627"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":12,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":243,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"_nest_path_":"/components#1/components#9","_nest_parent_":"2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesII","_root_":"2a6a6aa34a3c99c1b1b95ea9","_version_":1872035374829666304,"timestamp":"2026-07-29T08:00:56.373Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2a6a6aa34a3c99c1b1b95ea9","title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"ead_ssi":"2a6a6aa34a3c99c1b1b95ea9","unitdate_ssm":["1829-2006"],"unitdate_inclusive_ssm":["1829-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.113","/repositories/4/resources/225"],"text":["SC.113","/repositories/4/resources/225","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations","The entire collection is open for research.","This collection is itemized and arranged in alphabetical and chronological order.","Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.","Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog .","This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.","UCF Special Collections","Martin, Francis John, Jr.","The materials are written in English."],"unitid_tesim":["SC.113","/repositories/4/resources/225"],"normalized_date_ssm":["1829-2006"],"normalized_title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Martin, Francis John, Jr."],"creator_ssim":["Martin, Francis John, Jr."],"creator_persname_ssim":["Martin, Francis John, Jr."],"creators_ssim":["Martin, Francis John, Jr."],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Francis Martin Jr. donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_15) and 2020 (CFM2020_02, CFM2020_03, CFM2020_16)."],"access_subjects_ssim":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"access_subjects_ssm":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"extent_tesim":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"genreform_ssim":["manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"date_range_isim":[1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is itemized and arranged in alphabetical and chronological order."],"bioghist_html_tesm":["\u003cp\u003eFrancis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners."],"prefercite_html_tesm":["\u003cp\u003eFred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMarlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e\n","\u003cp\u003eSeries I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026amp; posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.\u003c/p\u003e\n","\u003cp\u003eSeries III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.\u003c/p\u003e\n","\u003cp\u003eSeries IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4a581e455cb123495b610919f342aacb\"\u003eThe Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.\u003c/abstract\u003e"],"abstract_tesim":["The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection."],"names_ssim":["UCF Special Collections","Martin, Francis John, Jr."],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Martin, Francis John, Jr."],"language_ssim":["The materials are written in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":459,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872035374829666304,"_root_":"2a6a6aa34a3c99c1b1b95ea9","timestamp":"2026-07-29T08:00:56.373Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_9601eb01a734431c20952067f6d826b7"}},{"id":"8b037d01cf0e657624cceb24_aspace_65268","type":"Box","attributes":{"title":"Yearbooks, 1905 - 1944","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8b037d01cf0e657624cceb24_aspace_65268#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_65268","ref_ssm":["aspace_65268","aspace_65268"],"id":"8b037d01cf0e657624cceb24_aspace_65268","title_filing_ssi":"Yearbooks","title_ssm":["Yearbooks"],"title_tesim":["Yearbooks"],"unitdate_inclusive_ssm":["1905 - 1944"],"normalized_date_ssm":["1905 - 1944"],"normalized_title_ssm":["Yearbooks, 1905 - 1944"],"text":["Yearbooks, 1905 - 1944","Friday Morning Musicale records, 1905-1984","Yearbooks","1","/repositories/2/archival_objects/55331","box 1"],"component_level_isim":[2],"parent_ids_ssim":["8b037d01cf0e657624cceb24","8b037d01cf0e657624cceb24_aspace_65264"],"parent_unittitles_ssm":["Friday Morning Musicale records, 1905-1984","Yearbooks"],"parent_unittitles_tesim":["Friday Morning Musicale records, 1905-1984","Yearbooks"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["1","/repositories/2/archival_objects/55331"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Friday Morning Musicale records, 1905-1984"],"has_online_content_ssim":["false"],"child_component_count_isi":25,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":2,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944],"containers_ssim":["box 1"],"_nest_path_":"/components#0/components#0","_nest_parent_":"8b037d01cf0e657624cceb24_aspace_65264","_root_":"8b037d01cf0e657624cceb24","_version_":1870862873195970560,"timestamp":"2026-07-16T09:24:31.682Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8b037d01cf0e657624cceb24","title_ssm":["Friday Morning Musicale records"],"title_tesim":["Friday Morning Musicale records"],"ead_ssi":"8b037d01cf0e657624cceb24","unitdate_ssm":["1905-1984"],"unitdate_inclusive_ssm":["1905-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["F29","/repositories/2/resources/353"],"text":["F29","/repositories/2/resources/353","Friday Morning Musicale records, 1905-1984","Friday Morning Musicale (Tampa, Fla.)","The collection is arranged by material type:","1. Yearbooks","2. Minutes","3. Financial Records","4. Reports","5. Rental Records","6. Scrapbooks","The Friday Morning Musicale serves the civic and cultural needs of the Tampa community by providing educational and artistic activities. Officially established in 1902, the organization was formed as a women's club limited to 25 musically inclined members.  Eventually merging with the Hillsborough County Federation of Women's Clubs, the Friday Morning Musicale opened the Friday Morning Musicale and Federated Clubs building at 809 Horatio Street in 1927. Since its inception, the organization and the building have showcased a wide variety of musical, dance and theatrical performances. Today, the Friday Morning Musicale organization continues to provide community entertainment in the original building, which is now a historic landmark.","Helene Steer Saxby Collection, Special Collections Department,  Tampa Library, University of South Florida, Tampa, Florida.","Hampton Dunn Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Includes materials related to the organizational structure and functionality of the club, club building, and affiliated organizations. Primarily consists of committee reports, yearbooks, member records, and scrapbooks detailing approximately 30 years of the organization's civic interests.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Friday Morning Musicale and Federated Clubs (Tampa, Fla.)","English"],"unitid_tesim":["F29","/repositories/2/resources/353"],"normalized_date_ssm":["1905-1984"],"normalized_title_ssm":["Friday Morning Musicale records, 1905-1984"],"collection_title_tesim":["Friday Morning Musicale records, 1905-1984"],"collection_ssim":["Friday Morning Musicale records, 1905-1984"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"creator_ssim":["Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"creator_corpname_ssim":["Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"creators_ssim":["Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Friday Morning Musicale","Donation"],"access_subjects_ssim":["Friday Morning Musicale (Tampa, Fla.)"],"access_subjects_ssm":["Friday Morning Musicale (Tampa, Fla.)"],"has_online_content_ssim":["false"],"extent_ssm":["14.69 Linear Feet","20 boxes"],"extent_tesim":["14.69 Linear Feet","20 boxes"],"date_range_isim":[1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by material type:\u003c/p\u003e\n","\u003cp\u003e1. Yearbooks\u003c/p\u003e\n","\u003cp\u003e2. Minutes\u003c/p\u003e\n","\u003cp\u003e3. Financial Records\u003c/p\u003e\n","\u003cp\u003e4. Reports\u003c/p\u003e\n","\u003cp\u003e5. Rental Records\u003c/p\u003e\n","\u003cp\u003e6. Scrapbooks\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged by material type:","1. Yearbooks","2. Minutes","3. Financial Records","4. Reports","5. Rental Records","6. Scrapbooks"],"bioghist_html_tesm":["\u003cp\u003eThe Friday Morning Musicale serves the civic and cultural needs of the Tampa community by providing educational and artistic activities. Officially established in 1902, the organization was formed as a women's club limited to 25 musically inclined members.  Eventually merging with the Hillsborough County Federation of Women's Clubs, the Friday Morning Musicale opened the Friday Morning Musicale and Federated Clubs building at 809 Horatio Street in 1927. Since its inception, the organization and the building have showcased a wide variety of musical, dance and theatrical performances. Today, the Friday Morning Musicale organization continues to provide community entertainment in the original building, which is now a historic landmark.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Friday Morning Musicale serves the civic and cultural needs of the Tampa community by providing educational and artistic activities. Officially established in 1902, the organization was formed as a women's club limited to 25 musically inclined members.  Eventually merging with the Hillsborough County Federation of Women's Clubs, the Friday Morning Musicale opened the Friday Morning Musicale and Federated Clubs building at 809 Horatio Street in 1927. Since its inception, the organization and the building have showcased a wide variety of musical, dance and theatrical performances. Today, the Friday Morning Musicale organization continues to provide community entertainment in the original building, which is now a historic landmark."],"prefercite_html_tesm":["\u003cp\u003eFriday Morning Musicale collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Friday Morning Musicale collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eHelene Steer Saxby Collection, Special Collections Department,\u0026#xA0; Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eHampton Dunn Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Helene Steer Saxby Collection, Special Collections Department,  Tampa Library, University of South Florida, Tampa, Florida.","Hampton Dunn Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eIncludes materials related to the organizational structure and functionality of the club, club building, and affiliated organizations. 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