{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1918\u0026page=116","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1918\u0026page=115","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1918\u0026page=117","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1918\u0026page=137"},"meta":{"pages":{"current_page":116,"next_page":117,"prev_page":115,"total_pages":137,"limit_value":10,"offset_value":1150,"total_count":1367,"first_page?":false,"last_page?":false}},"data":[{"id":"2e3a4e4f1b5834debed4f6e2_aspace_62af361860af350893494160ab4b3a1b","type":"Subseries","attributes":{"title":"Series 03-sub08: Buildings and streets, Circa 1913-1952","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2e3a4e4f1b5834debed4f6e2_aspace_62af361860af350893494160ab4b3a1b#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eContains photographs of Fort Lauderdale streets and major buildings.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2e3a4e4f1b5834debed4f6e2_aspace_62af361860af350893494160ab4b3a1b#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_62af361860af350893494160ab4b3a1b","ref_ssm":["aspace_62af361860af350893494160ab4b3a1b","aspace_62af361860af350893494160ab4b3a1b"],"id":"2e3a4e4f1b5834debed4f6e2_aspace_62af361860af350893494160ab4b3a1b","title_filing_ssi":"Series 03-sub08: Buildings and streets","title_ssm":["Series 03-sub08: Buildings and streets"],"title_tesim":["Series 03-sub08: Buildings and streets"],"unitdate_inclusive_ssm":["Circa 1913-1952"],"normalized_date_ssm":["Circa 1913-1952"],"normalized_title_ssm":["Series 03-sub08: Buildings and streets, Circa 1913-1952"],"text":["Series 03-sub08: Buildings and streets, Circa 1913-1952","Anthony Kozla Collection, Circa 1930-1950","Series 03: Photographs, 1913-1965","/repositories/4/archival_objects/16749","This sub-series is arranged by locations or buildings.","Contains photographs of Fort Lauderdale streets and major buildings."],"component_level_isim":[2],"parent_ids_ssim":["2e3a4e4f1b5834debed4f6e2","2e3a4e4f1b5834debed4f6e2_aspace_ffb668633d870c30f45161cdeea77bd1"],"parent_unittitles_ssm":["Anthony Kozla Collection, Circa 1930-1950","Series 03: Photographs, 1913-1965"],"parent_unittitles_tesim":["Anthony Kozla Collection, Circa 1930-1950","Series 03: Photographs, 1913-1965"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/4/archival_objects/16749"],"repository_ssim":["Broward County Historical Archives"],"collection_ssim":["Anthony Kozla Collection, Circa 1930-1950"],"has_online_content_ssim":["false"],"child_component_count_isi":60,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":370,"parent_access_restrict_tesm":["The Anthony Kozla Collection is open for research."],"date_range_isim":[1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952],"arrangement_html_tesm":["\u003cp\u003eThis sub-series is arranged by locations or buildings.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This sub-series is arranged by locations or buildings."],"scopecontent_html_tesm":["\u003cp\u003eContains photographs of Fort Lauderdale streets and major buildings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Contains photographs of Fort Lauderdale streets and major buildings."],"_nest_path_":"/components#2/components#7","_nest_parent_":"2e3a4e4f1b5834debed4f6e2_aspace_ffb668633d870c30f45161cdeea77bd1","_root_":"2e3a4e4f1b5834debed4f6e2","_version_":1876457699731832832,"timestamp":"2026-09-16T03:31:53.997Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2e3a4e4f1b5834debed4f6e2","title_filing_ssi":"Kozla, Anthony Collection","title_ssm":["Anthony Kozla Collection"],"title_tesim":["Anthony Kozla Collection"],"ead_ssi":"2e3a4e4f1b5834debed4f6e2","unitdate_ssm":["Circa 1930-1950"],"unitdate_inclusive_ssm":["Circa 1930-1950"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.1980.1","/repositories/4/resources/89"],"text":["BCHA.1980.1","/repositories/4/resources/89","Anthony Kozla Collection, Circa 1930-1950","Fort Lauderdale (Fla.)","Hurricane damage","Hurricanes","Tennis","Seminole Indians","Streets -- Florida -- Fort Lauderdale","School buildings","Buildings","Vehicles","Animals","United States. Army","Church buildings","Boy scouts","Travel","Fire fighters","Group portraits","Portraits","Self-portraits","Photographs","Photograph albums","Aerial views","Clippings","The Anthony Kozla Collection is open for research.","The Anthony Kozla Collection is digitized and available on the  Broward County Library Digital Archives .","The proposed series includes: Series I: Professional Papers, Series II. Personal Papers, Series III. Photographs, Series IV. Slides, Series V. Postcards, Series VI. Documentation.","Anthony Kozla was a Floridian photographer. He was born in Chicago, Illinois in 1909 to a Bohemian father (region of former Czechoslovakia and actual Czech Republic) and an American mother[1]. Anthony Kozla moved with his family to Fort Lauderdale in 1926[2]. He had two sisters, T. J, Clark DeLand, and Anna Barrett, as well as three brothers, Frank, Louis, and Charles. ","Anthony Kozla had his studio on 628 N. W. 3rd Avenue[3]. His photography activities led him to work for newspapers[4]. Starting 1948, many articles from the Fort Lauderdale Daily News and Evening Sentinel credit \"Tony Kozla\" for his photographs. It is mentioned that Anthony Kozla has been an \"official photographer for the Ft. Lauderdale police department\" and for his local group theatre[5]. ","Anthony Kozla was active in Fort Lauderdale's local life. He was part of a Boy Scouts Troop and an amateur actor for Park Temple Civic Players[6]. He was also part of the Knights of Columbus[7] and the Fort Lauderdale Camera Club for which he won the third price during an exhibition in 1946 for his picture \"Sunset\"[8]. ","Anthony Kozla died from a heart attack in 1954. He is buried at Evergreen Cemetery.","Notes:\n[1] 1940 US Federal Census.\n[2] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[3] Anthony Kozla Photo shop business License, 1953.\n[4] The Fort Lauderdale Daily News and Evening Sentinel, July 25, 1936.\n[5] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[6] The Fort Lauderdale Daily News and Evening Sentinel, July 1, 1937 and July 7, 1937. Several other newspaper articles from the 1930s credit Anthony Kozla for his participation in theatre plays.\n[7] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[8] Fort Lauderdale Daily News and Evening Sentinel, February 20, 1947.","The Anthony Kozla Collection was processed at the item level by Axel Surot in September 2024. Additional materials were processed and the finding aid updated by Erin Purdy in March 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Anthony Kozla Collection contains 469 photographs Anthony Kozla took during his professional life and personal activities. These photographs include portraits of groups, individuals, and national and local celebrities. They are also a good source for documenting Fort Lauderdale's local life from the 1930s to the mid-1950s through events, pictures of local communities, and recreational activities. The Anthony Kozla Collection also helps understand the evolution of Fort Lauderdale and Broward County's urban development with 101 aerial views and photographs of buildings and streets."," Broward County Historical Archives","Katherine Rawls, 1917-1982","English"],"unitid_tesim":["BCHA.1980.1","/repositories/4/resources/89"],"normalized_date_ssm":["Circa 1930-1950"],"normalized_title_ssm":["Anthony Kozla Collection, Circa 1930-1950"],"collection_title_tesim":["Anthony Kozla Collection, Circa 1930-1950"],"collection_ssim":["Anthony Kozla Collection, Circa 1930-1950"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"geogname_ssm":["Fort Lauderdale (Fla.)"],"geogname_ssim":["Fort Lauderdale (Fla.)"],"places_ssim":["Fort Lauderdale (Fla.)"],"access_subjects_ssim":["Hurricane damage","Hurricanes","Tennis","Seminole Indians","Streets -- Florida -- Fort Lauderdale","School buildings","Buildings","Vehicles","Animals","United States. Army","Church buildings","Boy scouts","Travel","Fire fighters","Group portraits","Portraits","Self-portraits","Photographs","Photograph albums","Aerial views","Clippings"],"access_subjects_ssm":["Hurricane damage","Hurricanes","Tennis","Seminole Indians","Streets -- Florida -- Fort Lauderdale","School buildings","Buildings","Vehicles","Animals","United States. 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Personal Papers, Series III. Photographs, Series IV. Slides, Series V. Postcards, Series VI. Documentation.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The proposed series includes: Series I: Professional Papers, Series II. Personal Papers, Series III. Photographs, Series IV. Slides, Series V. Postcards, Series VI. Documentation."],"bioghist_html_tesm":["\u003cp\u003eAnthony Kozla was a Floridian photographer. He was born in Chicago, Illinois in 1909 to a Bohemian father (region of former Czechoslovakia and actual Czech Republic) and an American mother[1]. Anthony Kozla moved with his family to Fort Lauderdale in 1926[2]. He had two sisters, T. J, Clark DeLand, and Anna Barrett, as well as three brothers, Frank, Louis, and Charles. \u003c/p\u003e\n","\u003cp\u003eAnthony Kozla had his studio on 628 N. W. 3rd Avenue[3]. His photography activities led him to work for newspapers[4]. Starting 1948, many articles from the Fort Lauderdale Daily News and Evening Sentinel credit \"Tony Kozla\" for his photographs. It is mentioned that Anthony Kozla has been an \"official photographer for the Ft. Lauderdale police department\" and for his local group theatre[5]. \u003c/p\u003e\n","\u003cp\u003eAnthony Kozla was active in Fort Lauderdale's local life. He was part of a Boy Scouts Troop and an amateur actor for Park Temple Civic Players[6]. He was also part of the Knights of Columbus[7] and the Fort Lauderdale Camera Club for which he won the third price during an exhibition in 1946 for his picture \"Sunset\"[8]. \u003c/p\u003e\n","\u003cp\u003eAnthony Kozla died from a heart attack in 1954. He is buried at Evergreen Cemetery.\u003c/p\u003e\n","\u003cp\u003eNotes:\n[1] 1940 US Federal Census.\n[2] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[3] Anthony Kozla Photo shop business License, 1953.\n[4] The Fort Lauderdale Daily News and Evening Sentinel, July 25, 1936.\n[5] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[6] The Fort Lauderdale Daily News and Evening Sentinel, July 1, 1937 and July 7, 1937. Several other newspaper articles from the 1930s credit Anthony Kozla for his participation in theatre plays.\n[7] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[8] Fort Lauderdale Daily News and Evening Sentinel, February 20, 1947.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Anthony Kozla was a Floridian photographer. He was born in Chicago, Illinois in 1909 to a Bohemian father (region of former Czechoslovakia and actual Czech Republic) and an American mother[1]. Anthony Kozla moved with his family to Fort Lauderdale in 1926[2]. He had two sisters, T. J, Clark DeLand, and Anna Barrett, as well as three brothers, Frank, Louis, and Charles. ","Anthony Kozla had his studio on 628 N. W. 3rd Avenue[3]. His photography activities led him to work for newspapers[4]. Starting 1948, many articles from the Fort Lauderdale Daily News and Evening Sentinel credit \"Tony Kozla\" for his photographs. It is mentioned that Anthony Kozla has been an \"official photographer for the Ft. Lauderdale police department\" and for his local group theatre[5]. ","Anthony Kozla was active in Fort Lauderdale's local life. He was part of a Boy Scouts Troop and an amateur actor for Park Temple Civic Players[6]. He was also part of the Knights of Columbus[7] and the Fort Lauderdale Camera Club for which he won the third price during an exhibition in 1946 for his picture \"Sunset\"[8]. ","Anthony Kozla died from a heart attack in 1954. He is buried at Evergreen Cemetery.","Notes:\n[1] 1940 US Federal Census.\n[2] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[3] Anthony Kozla Photo shop business License, 1953.\n[4] The Fort Lauderdale Daily News and Evening Sentinel, July 25, 1936.\n[5] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[6] The Fort Lauderdale Daily News and Evening Sentinel, July 1, 1937 and July 7, 1937. Several other newspaper articles from the 1930s credit Anthony Kozla for his participation in theatre plays.\n[7] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[8] Fort Lauderdale Daily News and Evening Sentinel, February 20, 1947."],"prefercite_html_tesm":["\u003cp\u003eAnthony Kozla Collection, Broward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Anthony Kozla Collection, Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Anthony Kozla Collection was processed at the item level by Axel Surot in September 2024. Additional materials were processed and the finding aid updated by Erin Purdy in March 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Anthony Kozla Collection was processed at the item level by Axel Surot in September 2024. Additional materials were processed and the finding aid updated by Erin Purdy in March 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Anthony Kozla Collection contains 469 photographs Anthony Kozla took during his professional life and personal activities. These photographs include portraits of groups, individuals, and national and local celebrities. They are also a good source for documenting Fort Lauderdale's local life from the 1930s to the mid-1950s through events, pictures of local communities, and recreational activities. The Anthony Kozla Collection also helps understand the evolution of Fort Lauderdale and Broward County's urban development with 101 aerial views and photographs of buildings and streets.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Anthony Kozla Collection contains 469 photographs Anthony Kozla took during his professional life and personal activities. These photographs include portraits of groups, individuals, and national and local celebrities. They are also a good source for documenting Fort Lauderdale's local life from the 1930s to the mid-1950s through events, pictures of local communities, and recreational activities. The Anthony Kozla Collection also helps understand the evolution of Fort Lauderdale and Broward County's urban development with 101 aerial views and photographs of buildings and streets."],"names_ssim":[" Broward County Historical Archives","Katherine Rawls, 1917-1982"],"corpname_ssim":[" Broward County Historical Archives"],"names_coll_ssim":["Katherine Rawls, 1917-1982"],"persname_ssim":["Katherine Rawls, 1917-1982"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":558,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876457699731832832,"_root_":"2e3a4e4f1b5834debed4f6e2","timestamp":"2026-09-16T03:31:53.997Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2e3a4e4f1b5834debed4f6e2_aspace_62af361860af350893494160ab4b3a1b"}},{"id":"2e3a4e4f1b5834debed4f6e2_aspace_87998cc07c953cce110c062754b9d2f8","type":"Series","attributes":{"title":"Series 04: Slides, Circa 1913-1950","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2e3a4e4f1b5834debed4f6e2_aspace_87998cc07c953cce110c062754b9d2f8#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eContains 47 slides in context with Anthony Kozla's photographs series.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2e3a4e4f1b5834debed4f6e2_aspace_87998cc07c953cce110c062754b9d2f8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_87998cc07c953cce110c062754b9d2f8","ref_ssm":["aspace_87998cc07c953cce110c062754b9d2f8","aspace_87998cc07c953cce110c062754b9d2f8"],"id":"2e3a4e4f1b5834debed4f6e2_aspace_87998cc07c953cce110c062754b9d2f8","title_filing_ssi":"Series 04: Slides","title_ssm":["Series 04: Slides"],"title_tesim":["Series 04: Slides"],"unitdate_inclusive_ssm":["Circa 1913-1950"],"normalized_date_ssm":["Circa 1913-1950"],"normalized_title_ssm":["Series 04: Slides, Circa 1913-1950"],"text":["Series 04: Slides, Circa 1913-1950","Anthony Kozla Collection, Circa 1930-1950","/repositories/4/archival_objects/16868","This series is arranged by categories (portraits, celebrities, recreational activities, events, buildings and streets, animals, vehicles) and chronological order.","Contains 47 slides in context with Anthony Kozla's photographs series."],"component_level_isim":[1],"parent_ids_ssim":["2e3a4e4f1b5834debed4f6e2"],"parent_unittitles_ssm":["Anthony Kozla Collection, Circa 1930-1950"],"parent_unittitles_tesim":["Anthony Kozla Collection, Circa 1930-1950"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/4/archival_objects/16868"],"repository_ssim":["Broward County Historical Archives"],"collection_ssim":["Anthony Kozla Collection, Circa 1930-1950"],"has_online_content_ssim":["false"],"child_component_count_isi":47,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":491,"parent_access_restrict_tesm":["The Anthony Kozla Collection is open for research."],"date_range_isim":[1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950],"arrangement_html_tesm":["\u003cp\u003eThis series is arranged by categories (portraits, celebrities, recreational activities, events, buildings and streets, animals, vehicles) and chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This series is arranged by categories (portraits, celebrities, recreational activities, events, buildings and streets, animals, vehicles) and chronological order."],"scopecontent_html_tesm":["\u003cp\u003eContains 47 slides in context with Anthony Kozla's photographs series.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Contains 47 slides in context with Anthony Kozla's photographs series."],"_nest_path_":"/components#3","_nest_parent_":"2e3a4e4f1b5834debed4f6e2","_root_":"2e3a4e4f1b5834debed4f6e2","_version_":1876457699731832832,"timestamp":"2026-09-16T03:31:53.997Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2e3a4e4f1b5834debed4f6e2","title_filing_ssi":"Kozla, Anthony Collection","title_ssm":["Anthony Kozla Collection"],"title_tesim":["Anthony Kozla Collection"],"ead_ssi":"2e3a4e4f1b5834debed4f6e2","unitdate_ssm":["Circa 1930-1950"],"unitdate_inclusive_ssm":["Circa 1930-1950"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.1980.1","/repositories/4/resources/89"],"text":["BCHA.1980.1","/repositories/4/resources/89","Anthony Kozla Collection, Circa 1930-1950","Fort Lauderdale (Fla.)","Hurricane damage","Hurricanes","Tennis","Seminole Indians","Streets -- Florida -- Fort Lauderdale","School buildings","Buildings","Vehicles","Animals","United States. Army","Church buildings","Boy scouts","Travel","Fire fighters","Group portraits","Portraits","Self-portraits","Photographs","Photograph albums","Aerial views","Clippings","The Anthony Kozla Collection is open for research.","The Anthony Kozla Collection is digitized and available on the  Broward County Library Digital Archives .","The proposed series includes: Series I: Professional Papers, Series II. Personal Papers, Series III. Photographs, Series IV. Slides, Series V. Postcards, Series VI. Documentation.","Anthony Kozla was a Floridian photographer. He was born in Chicago, Illinois in 1909 to a Bohemian father (region of former Czechoslovakia and actual Czech Republic) and an American mother[1]. Anthony Kozla moved with his family to Fort Lauderdale in 1926[2]. He had two sisters, T. J, Clark DeLand, and Anna Barrett, as well as three brothers, Frank, Louis, and Charles. ","Anthony Kozla had his studio on 628 N. W. 3rd Avenue[3]. His photography activities led him to work for newspapers[4]. Starting 1948, many articles from the Fort Lauderdale Daily News and Evening Sentinel credit \"Tony Kozla\" for his photographs. It is mentioned that Anthony Kozla has been an \"official photographer for the Ft. Lauderdale police department\" and for his local group theatre[5]. ","Anthony Kozla was active in Fort Lauderdale's local life. He was part of a Boy Scouts Troop and an amateur actor for Park Temple Civic Players[6]. He was also part of the Knights of Columbus[7] and the Fort Lauderdale Camera Club for which he won the third price during an exhibition in 1946 for his picture \"Sunset\"[8]. ","Anthony Kozla died from a heart attack in 1954. He is buried at Evergreen Cemetery.","Notes:\n[1] 1940 US Federal Census.\n[2] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[3] Anthony Kozla Photo shop business License, 1953.\n[4] The Fort Lauderdale Daily News and Evening Sentinel, July 25, 1936.\n[5] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[6] The Fort Lauderdale Daily News and Evening Sentinel, July 1, 1937 and July 7, 1937. Several other newspaper articles from the 1930s credit Anthony Kozla for his participation in theatre plays.\n[7] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[8] Fort Lauderdale Daily News and Evening Sentinel, February 20, 1947.","The Anthony Kozla Collection was processed at the item level by Axel Surot in September 2024. Additional materials were processed and the finding aid updated by Erin Purdy in March 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Anthony Kozla Collection contains 469 photographs Anthony Kozla took during his professional life and personal activities. These photographs include portraits of groups, individuals, and national and local celebrities. They are also a good source for documenting Fort Lauderdale's local life from the 1930s to the mid-1950s through events, pictures of local communities, and recreational activities. The Anthony Kozla Collection also helps understand the evolution of Fort Lauderdale and Broward County's urban development with 101 aerial views and photographs of buildings and streets."," Broward County Historical Archives","Katherine Rawls, 1917-1982","English"],"unitid_tesim":["BCHA.1980.1","/repositories/4/resources/89"],"normalized_date_ssm":["Circa 1930-1950"],"normalized_title_ssm":["Anthony Kozla Collection, Circa 1930-1950"],"collection_title_tesim":["Anthony Kozla Collection, Circa 1930-1950"],"collection_ssim":["Anthony Kozla Collection, Circa 1930-1950"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"geogname_ssm":["Fort Lauderdale (Fla.)"],"geogname_ssim":["Fort Lauderdale (Fla.)"],"places_ssim":["Fort Lauderdale (Fla.)"],"access_subjects_ssim":["Hurricane damage","Hurricanes","Tennis","Seminole Indians","Streets -- Florida -- Fort Lauderdale","School buildings","Buildings","Vehicles","Animals","United States. Army","Church buildings","Boy scouts","Travel","Fire fighters","Group portraits","Portraits","Self-portraits","Photographs","Photograph albums","Aerial views","Clippings"],"access_subjects_ssm":["Hurricane damage","Hurricanes","Tennis","Seminole Indians","Streets -- Florida -- Fort Lauderdale","School buildings","Buildings","Vehicles","Animals","United States. Army","Church buildings","Boy scouts","Travel","Fire fighters","Group portraits","Portraits","Self-portraits","Photographs","Photograph albums","Aerial views","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["3 Hollinger Boxes"],"extent_tesim":["3 Hollinger Boxes"],"genreform_ssim":["Group portraits","Portraits","Self-portraits","Photographs","Photograph albums","Aerial views","Clippings"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950],"accessrestrict_html_tesm":["\u003cp\u003eThe Anthony Kozla Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Anthony Kozla Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003eThe Anthony Kozla Collection is digitized and available on the \u003ca href=\"https://digitalarchives.broward.org/digital/collection/kozla/search\"\u003eBroward County Library Digital Archives\u003c/a\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["The Anthony Kozla Collection is digitized and available on the  Broward County Library Digital Archives ."],"arrangement_html_tesm":["\u003cp\u003eThe proposed series includes: Series I: Professional Papers, Series II. Personal Papers, Series III. Photographs, Series IV. Slides, Series V. Postcards, Series VI. Documentation.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The proposed series includes: Series I: Professional Papers, Series II. Personal Papers, Series III. Photographs, Series IV. Slides, Series V. Postcards, Series VI. Documentation."],"bioghist_html_tesm":["\u003cp\u003eAnthony Kozla was a Floridian photographer. He was born in Chicago, Illinois in 1909 to a Bohemian father (region of former Czechoslovakia and actual Czech Republic) and an American mother[1]. Anthony Kozla moved with his family to Fort Lauderdale in 1926[2]. He had two sisters, T. J, Clark DeLand, and Anna Barrett, as well as three brothers, Frank, Louis, and Charles. \u003c/p\u003e\n","\u003cp\u003eAnthony Kozla had his studio on 628 N. W. 3rd Avenue[3]. His photography activities led him to work for newspapers[4]. Starting 1948, many articles from the Fort Lauderdale Daily News and Evening Sentinel credit \"Tony Kozla\" for his photographs. It is mentioned that Anthony Kozla has been an \"official photographer for the Ft. Lauderdale police department\" and for his local group theatre[5]. \u003c/p\u003e\n","\u003cp\u003eAnthony Kozla was active in Fort Lauderdale's local life. He was part of a Boy Scouts Troop and an amateur actor for Park Temple Civic Players[6]. He was also part of the Knights of Columbus[7] and the Fort Lauderdale Camera Club for which he won the third price during an exhibition in 1946 for his picture \"Sunset\"[8]. \u003c/p\u003e\n","\u003cp\u003eAnthony Kozla died from a heart attack in 1954. He is buried at Evergreen Cemetery.\u003c/p\u003e\n","\u003cp\u003eNotes:\n[1] 1940 US Federal Census.\n[2] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[3] Anthony Kozla Photo shop business License, 1953.\n[4] The Fort Lauderdale Daily News and Evening Sentinel, July 25, 1936.\n[5] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[6] The Fort Lauderdale Daily News and Evening Sentinel, July 1, 1937 and July 7, 1937. Several other newspaper articles from the 1930s credit Anthony Kozla for his participation in theatre plays.\n[7] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[8] Fort Lauderdale Daily News and Evening Sentinel, February 20, 1947.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Anthony Kozla was a Floridian photographer. He was born in Chicago, Illinois in 1909 to a Bohemian father (region of former Czechoslovakia and actual Czech Republic) and an American mother[1]. Anthony Kozla moved with his family to Fort Lauderdale in 1926[2]. He had two sisters, T. J, Clark DeLand, and Anna Barrett, as well as three brothers, Frank, Louis, and Charles. ","Anthony Kozla had his studio on 628 N. W. 3rd Avenue[3]. His photography activities led him to work for newspapers[4]. Starting 1948, many articles from the Fort Lauderdale Daily News and Evening Sentinel credit \"Tony Kozla\" for his photographs. It is mentioned that Anthony Kozla has been an \"official photographer for the Ft. Lauderdale police department\" and for his local group theatre[5]. ","Anthony Kozla was active in Fort Lauderdale's local life. He was part of a Boy Scouts Troop and an amateur actor for Park Temple Civic Players[6]. He was also part of the Knights of Columbus[7] and the Fort Lauderdale Camera Club for which he won the third price during an exhibition in 1946 for his picture \"Sunset\"[8]. ","Anthony Kozla died from a heart attack in 1954. He is buried at Evergreen Cemetery.","Notes:\n[1] 1940 US Federal Census.\n[2] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[3] Anthony Kozla Photo shop business License, 1953.\n[4] The Fort Lauderdale Daily News and Evening Sentinel, July 25, 1936.\n[5] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[6] The Fort Lauderdale Daily News and Evening Sentinel, July 1, 1937 and July 7, 1937. Several other newspaper articles from the 1930s credit Anthony Kozla for his participation in theatre plays.\n[7] Fort Lauderdale Daily News and Evening Sentinel, September 29, 1954.\n[8] Fort Lauderdale Daily News and Evening Sentinel, February 20, 1947."],"prefercite_html_tesm":["\u003cp\u003eAnthony Kozla Collection, Broward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Anthony Kozla Collection, Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Anthony Kozla Collection was processed at the item level by Axel Surot in September 2024. Additional materials were processed and the finding aid updated by Erin Purdy in March 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Anthony Kozla Collection was processed at the item level by Axel Surot in September 2024. Additional materials were processed and the finding aid updated by Erin Purdy in March 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Anthony Kozla Collection contains 469 photographs Anthony Kozla took during his professional life and personal activities. These photographs include portraits of groups, individuals, and national and local celebrities. They are also a good source for documenting Fort Lauderdale's local life from the 1930s to the mid-1950s through events, pictures of local communities, and recreational activities. The Anthony Kozla Collection also helps understand the evolution of Fort Lauderdale and Broward County's urban development with 101 aerial views and photographs of buildings and streets.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Anthony Kozla Collection contains 469 photographs Anthony Kozla took during his professional life and personal activities. These photographs include portraits of groups, individuals, and national and local celebrities. They are also a good source for documenting Fort Lauderdale's local life from the 1930s to the mid-1950s through events, pictures of local communities, and recreational activities. The Anthony Kozla Collection also helps understand the evolution of Fort Lauderdale and Broward County's urban development with 101 aerial views and photographs of buildings and streets."],"names_ssim":[" Broward County Historical Archives","Katherine Rawls, 1917-1982"],"corpname_ssim":[" Broward County Historical Archives"],"names_coll_ssim":["Katherine Rawls, 1917-1982"],"persname_ssim":["Katherine Rawls, 1917-1982"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":558,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876457699731832832,"_root_":"2e3a4e4f1b5834debed4f6e2","timestamp":"2026-09-16T03:31:53.997Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2e3a4e4f1b5834debed4f6e2_aspace_87998cc07c953cce110c062754b9d2f8"}},{"id":"c62033b9da482f42de6f1d29_aspace_83107027ba2e547fbc24aa88f01d15e8","type":"Series","attributes":{"title":"Series I: Florida, 1900–2013","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/c62033b9da482f42de6f1d29_aspace_83107027ba2e547fbc24aa88f01d15e8#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis series contains postcards, brochures, flyers, presskits, visitor's guides, maps, and other tourist papers related to theme parks and attractions in the state of Florida. Subseries 1 chiefly contains postcards organized alphabetically by city location, then by subject. Subseries 2 contains postcards from established tourist attractions, arranged alphabetically in boxes and binder sleeves as they were originally received. Subseries 3 contains vertical files of various Florida attractions in original order. Subseries 4 contains brochures and presskits, arranged alphabetically. This series does not contain material for the Walt Disney World resort, which can be found in Series II.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c62033b9da482f42de6f1d29_aspace_83107027ba2e547fbc24aa88f01d15e8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_83107027ba2e547fbc24aa88f01d15e8","ref_ssm":["aspace_83107027ba2e547fbc24aa88f01d15e8","aspace_83107027ba2e547fbc24aa88f01d15e8"],"id":"c62033b9da482f42de6f1d29_aspace_83107027ba2e547fbc24aa88f01d15e8","title_filing_ssi":"Series I: Florida","title_ssm":["Series I: Florida"],"title_tesim":["Series I: Florida"],"unitdate_inclusive_ssm":["1900–2013"],"normalized_date_ssm":["1900–2013"],"normalized_title_ssm":["Series I: Florida, 1900–2013"],"text":["Series I: Florida, 1900–2013","Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010","1","/repositories/4/archival_objects/88931","This series contains postcards, brochures, flyers, presskits, visitor's guides, maps, and other tourist papers related to theme parks and attractions in the state of Florida. Subseries 1 chiefly contains postcards organized alphabetically by city location, then by subject. Subseries 2 contains postcards from established tourist attractions, arranged alphabetically in boxes and binder sleeves as they were originally received. Subseries 3 contains vertical files of various Florida attractions in original order. Subseries 4 contains brochures and presskits, arranged alphabetically. This series does not contain material for the Walt Disney World resort, which can be found in Series II."],"component_level_isim":[1],"parent_ids_ssim":["c62033b9da482f42de6f1d29"],"parent_unittitles_ssm":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010"],"parent_unittitles_tesim":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010"],"parent_levels_ssm":["collection"],"unitid_ssm":["1","/repositories/4/archival_objects/88931"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["The entire collection is open for research. This minimally processed collection may require further processing and is subject to change."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"scopecontent_html_tesm":["\u003cp\u003eThis series contains postcards, brochures, flyers, presskits, visitor's guides, maps, and other tourist papers related to theme parks and attractions in the state of Florida. Subseries 1 chiefly contains postcards organized alphabetically by city location, then by subject. Subseries 2 contains postcards from established tourist attractions, arranged alphabetically in boxes and binder sleeves as they were originally received. Subseries 3 contains vertical files of various Florida attractions in original order. Subseries 4 contains brochures and presskits, arranged alphabetically. This series does not contain material for the Walt Disney World resort, which can be found in Series II.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This series contains postcards, brochures, flyers, presskits, visitor's guides, maps, and other tourist papers related to theme parks and attractions in the state of Florida. Subseries 1 chiefly contains postcards organized alphabetically by city location, then by subject. Subseries 2 contains postcards from established tourist attractions, arranged alphabetically in boxes and binder sleeves as they were originally received. Subseries 3 contains vertical files of various Florida attractions in original order. Subseries 4 contains brochures and presskits, arranged alphabetically. This series does not contain material for the Walt Disney World resort, which can be found in Series II."],"_nest_path_":"/components#0","_nest_parent_":"c62033b9da482f42de6f1d29","_root_":"c62033b9da482f42de6f1d29","_version_":1879011331377463296,"timestamp":"2026-10-14T08:00:46.958Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"c62033b9da482f42de6f1d29","title_ssm":["Robert H. Brown tourism collection"],"title_tesim":["Robert H. Brown tourism collection"],"ead_ssi":"c62033b9da482f42de6f1d29","unitdate_ssm":["1900-2013","1970-2010"],"unitdate_bulk_ssim":["1970-2010"],"unitdate_inclusive_ssm":["1900-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 169","/repositories/4/resources/323"],"text":["SC 169","/repositories/4/resources/323","Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010","Walt Disney World (Fla.) -- Guidebooks","Busch Gardens (Tampa, Fla.)","Disneyland (Calif.)","Walt Disney World (Fla.)","Tourism -- Florida","Amusement parks -- Florida","Amusement parks","Tourism -- United States","Advertising -- Tourism","Resorts -- Florida","brochures","fliers (printed matter)","Guidebooks","picture postcards","postcards","maps (documents)","press kits ","The entire collection is open for research. This minimally processed collection may require further processing and is subject to change.","The collection is arranged into two series: \n I. Florida, 1900-2013  II. United States, 1962-2012 ","Robert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. Of his work on the website, Brown writes, \"Tourist attractions have a way of springing up on the Florida roadside... only to wither and die when they just can't quite sustain the magic. You will find no historical marker to mark their passing, no footnote in the history book, only the occasional exotic plant, or shopping center, or oddly named road.\" His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism.  ","In 1997, Brown created a travel website for The Mining Company (later known as About.com or Dotdash), a digital media company, writing about theme parks around the world and the amusement park industry. As a result, he also collected materials from attractions located across the United States, the United Kingdom, and Germany. Brown worked as an actor in film, television, and theater productions. He was a cast member of Second Thought Improv and On the Edge Improvisational Theatre. As of 2024, Brown is retired and currently resides in Ocoee, Florida. ","Processed by and finding aid prepared by Sofia Arias in 2024. Additional processing by Simone DeLuque in 2025.","Other materials related to theme parks and the tourism industry can be found in the  Disney Ephemera collection , the  George and Anne Millay collection , and the  Al Turner, Splash Magazine collection .","The Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. ","Series I: Florida, 1900-2013, contains postcards, brochures, flyers, presskits, visitor's guides, maps, and other tourist papers related to theme parks and attractions in the state of Florida. Subseries 1 chiefly contains postcards organized alphabetically by city location, then by subject. Subseries 2 contains postcards from established tourist attractions, arranged alphabetically in boxes and binder sleeves as they were originally received. Subseries 3 contains vertical files of various Florida attractions in original order. Subseries 4 contains brochures and presskits, arranged alphabetically. This series does not contain material for the Walt Disney World resort, which can be found in Series II.","Series II: United States, 1962-2012, contains collected postcards, brochures, and tourist papers related to theme parks and attractions outside of the state of Florida. Subseries 1 contains vertical files of various American attractions in original order. Subseries 2 and 3 are arranged by like item, then alphabetically. Also of interest is the Disney subseries, which contains records relating to Walt Disney World and Disneyland, as well as financial reports for the Walt Disney Company. The AAA subseries contains guidebooks for the state of Florida and beyond, as well as a number of Rand McNally guides.","Books donated with the Robert H. Brown tourism collection have been cataloged individually. Please search the Library Catalog using the series Robert H. Brown tourism collection.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. \n\nRobert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism. As of 2024, Brown is retired and currently resides in Ocoee, Florida.","UCF Special Collections","Walt Disney Company","Six Flags Theme Parks Inc","Brown, Robert H. (Robert Hugh)","English"],"unitid_tesim":["SC 169","/repositories/4/resources/323"],"normalized_date_ssm":["1900-2013, bulk 1970-2010"],"normalized_title_ssm":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010"],"collection_title_tesim":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010"],"collection_ssim":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Walt Disney World (Fla.) -- Guidebooks","Busch Gardens (Tampa, Fla.)","Disneyland (Calif.)","Walt Disney World (Fla.)"],"geogname_ssim":["Walt Disney World (Fla.) -- Guidebooks","Busch Gardens (Tampa, Fla.)","Disneyland (Calif.)","Walt Disney World (Fla.)"],"creator_ssm":["Brown, Robert H. (Robert Hugh)"],"creator_ssim":["Brown, Robert H. (Robert Hugh)"],"creator_persname_ssim":["Brown, Robert H. (Robert Hugh)"],"creators_ssim":["Brown, Robert H. (Robert Hugh)"],"places_ssim":["Walt Disney World (Fla.) -- Guidebooks","Busch Gardens (Tampa, Fla.)","Disneyland (Calif.)","Walt Disney World (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of Robert H. Brown in 2023 (Accession no. CFM2023_06)."],"access_subjects_ssim":["Tourism -- Florida","Amusement parks -- Florida","Amusement parks","Tourism -- United States","Advertising -- Tourism","Resorts -- Florida","brochures","fliers (printed matter)","Guidebooks","picture postcards","postcards","maps (documents)","press kits "],"access_subjects_ssm":["Tourism -- Florida","Amusement parks -- Florida","Amusement parks","Tourism -- United States","Advertising -- Tourism","Resorts -- Florida","brochures","fliers (printed matter)","Guidebooks","picture postcards","postcards","maps (documents)","press kits "],"has_online_content_ssim":["false"],"extent_ssm":["39.6 Linear Feet 97 boxes; 2 flat files; 2 flash drives"],"extent_tesim":["39.6 Linear Feet 97 boxes; 2 flat files; 2 flash drives"],"genreform_ssim":["brochures","fliers (printed matter)","Guidebooks","picture postcards","postcards","maps (documents)","press kits "],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research. This minimally processed collection may require further processing and is subject to change.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research. This minimally processed collection may require further processing and is subject to change."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series: \n\u003cul style=\"list-style-type: none\"\u003e\n   \u003cli\u003eI. Florida, 1900-2013 \u003c/li\u003e\n   \u003cli\u003eII. United States, 1962-2012 \u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series: \n I. Florida, 1900-2013  II. United States, 1962-2012 "],"bioghist_html_tesm":["\u003cp\u003eRobert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. Of his work on the website, Brown writes, \"Tourist attractions have a way of springing up on the Florida roadside... only to wither and die when they just can't quite sustain the magic. You will find no historical marker to mark their passing, no footnote in the history book, only the occasional exotic plant, or shopping center, or oddly named road.\" His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism.  \u003c/p\u003e\n","\u003cp\u003eIn 1997, Brown created a travel website for The Mining Company (later known as About.com or Dotdash), a digital media company, writing about theme parks around the world and the amusement park industry. As a result, he also collected materials from attractions located across the United States, the United Kingdom, and Germany. Brown worked as an actor in film, television, and theater productions. He was a cast member of Second Thought Improv and On the Edge Improvisational Theatre. As of 2024, Brown is retired and currently resides in Ocoee, Florida. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Robert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. Of his work on the website, Brown writes, \"Tourist attractions have a way of springing up on the Florida roadside... only to wither and die when they just can't quite sustain the magic. You will find no historical marker to mark their passing, no footnote in the history book, only the occasional exotic plant, or shopping center, or oddly named road.\" His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism.  ","In 1997, Brown created a travel website for The Mining Company (later known as About.com or Dotdash), a digital media company, writing about theme parks around the world and the amusement park industry. As a result, he also collected materials from attractions located across the United States, the United Kingdom, and Germany. Brown worked as an actor in film, television, and theater productions. He was a cast member of Second Thought Improv and On the Edge Improvisational Theatre. As of 2024, Brown is retired and currently resides in Ocoee, Florida. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Robert H. Brown tourism collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Robert H. Brown tourism collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Sofia Arias in 2024. Additional processing by Simone DeLuque in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Sofia Arias in 2024. Additional processing by Simone DeLuque in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eOther materials related to theme parks and the tourism industry can be found in the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/21\"\u003eDisney Ephemera collection\u003c/extref\u003e, the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/154\"\u003eGeorge and Anne Millay collection\u003c/extref\u003e, and the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/9\"\u003eAl Turner, Splash Magazine collection\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other materials related to theme parks and the tourism industry can be found in the  Disney Ephemera collection , the  George and Anne Millay collection , and the  Al Turner, Splash Magazine collection ."],"scopecontent_html_tesm":["\u003cp\u003eThe Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. \u003c/p\u003e\n","\u003cp\u003eSeries I: Florida, 1900-2013, contains postcards, brochures, flyers, presskits, visitor's guides, maps, and other tourist papers related to theme parks and attractions in the state of Florida. Subseries 1 chiefly contains postcards organized alphabetically by city location, then by subject. Subseries 2 contains postcards from established tourist attractions, arranged alphabetically in boxes and binder sleeves as they were originally received. Subseries 3 contains vertical files of various Florida attractions in original order. Subseries 4 contains brochures and presskits, arranged alphabetically. This series does not contain material for the Walt Disney World resort, which can be found in Series II.\u003c/p\u003e\n","\u003cp\u003eSeries II: United States, 1962-2012, contains collected postcards, brochures, and tourist papers related to theme parks and attractions outside of the state of Florida. Subseries 1 contains vertical files of various American attractions in original order. Subseries 2 and 3 are arranged by like item, then alphabetically. Also of interest is the Disney subseries, which contains records relating to Walt Disney World and Disneyland, as well as financial reports for the Walt Disney Company. The AAA subseries contains guidebooks for the state of Florida and beyond, as well as a number of Rand McNally guides.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. ","Series I: Florida, 1900-2013, contains postcards, brochures, flyers, presskits, visitor's guides, maps, and other tourist papers related to theme parks and attractions in the state of Florida. Subseries 1 chiefly contains postcards organized alphabetically by city location, then by subject. Subseries 2 contains postcards from established tourist attractions, arranged alphabetically in boxes and binder sleeves as they were originally received. Subseries 3 contains vertical files of various Florida attractions in original order. Subseries 4 contains brochures and presskits, arranged alphabetically. This series does not contain material for the Walt Disney World resort, which can be found in Series II.","Series II: United States, 1962-2012, contains collected postcards, brochures, and tourist papers related to theme parks and attractions outside of the state of Florida. Subseries 1 contains vertical files of various American attractions in original order. Subseries 2 and 3 are arranged by like item, then alphabetically. Also of interest is the Disney subseries, which contains records relating to Walt Disney World and Disneyland, as well as financial reports for the Walt Disney Company. The AAA subseries contains guidebooks for the state of Florida and beyond, as well as a number of Rand McNally guides."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks donated with the Robert H. Brown tourism collection have been cataloged individually. Please search the Library Catalog using the series Robert H. Brown tourism collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books donated with the Robert H. Brown tourism collection have been cataloged individually. Please search the Library Catalog using the series Robert H. Brown tourism collection."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_21cfff8d77476940979232257b1d9959\"\u003eThe Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. \n\nRobert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism. As of 2024, Brown is retired and currently resides in Ocoee, Florida.\u003c/abstract\u003e"],"abstract_tesim":["The Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. \n\nRobert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism. As of 2024, Brown is retired and currently resides in Ocoee, Florida."],"names_coll_ssim":["Walt Disney Company","Six Flags Theme Parks Inc"],"names_ssim":["UCF Special Collections","Walt Disney Company","Six Flags Theme Parks Inc","Brown, Robert H. (Robert Hugh)"],"corpname_ssim":["UCF Special Collections","Walt Disney Company","Six Flags Theme Parks Inc"],"persname_ssim":["Brown, Robert H. 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Epperson is a retired transportation planner, with published technical works on various aspects of urban transportation planning for the Federal Highway Administration, the Transportation Research Board and the Institute of Transportation Engineers.","This collection includes a manuscript of Bruce D. Epperson's book about the finance and technology of the first modern highways in the South including: Ingraham Highway, Tamiami Trail, and Conners Highway. It includes news articles and magazine clippings, ranging from 1899 to 1953, that detail the advancement of the road systems through Florida due to the 1920s Florida land boom and the creation of a highway funding system based on fuel taxes. 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Beethoven, Vincenzo Bellini, Georges Bizet, François-Adrien Boieldieu, Arrigo Boito, Benjamin Britten, Charles Wakefield Cadman, Francesco Cavalli, Gustave Charpentier, Domenico Chimarosa, Frederick Shepherd Converse, Walter Damrosch, Claude Debussy, Léo Delibes, Gaetano Donizetti, Frank Dumont, Manuel De Falla, Henry Fevrier, Carlisle Floyd, Alberto Franchetti, Vittorio Giannini, Umberto Giordano, Christophe Willibald Von Gluck, Charles Gounod, Henry Hadley, Jacques F. 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Beethoven, Vincenzo Bellini, Georges Bizet, Fran\u0026#xE7;ois-Adrien Boieldieu, Arrigo Boito, Benjamin Britten, Charles Wakefield Cadman, Francesco Cavalli, Gustave Charpentier, Domenico Chimarosa, Frederick Shepherd Converse, Walter Damrosch, Claude Debussy, L\u0026#xE9;o Delibes, Gaetano Donizetti, Frank Dumont, Manuel De Falla, Henry Fevrier, Carlisle Floyd, Alberto Franchetti, Vittorio Giannini, Umberto Giordano, Christophe Willibald Von Gluck, Charles Gounod, Henry Hadley, Jacques F. Haley, George Frederick Handel, Howard Hanson, Frederic Hart, Ferdinand, H\u0026#xE9;rold, Paul Hindemith, Arthur Honegger, Engelbert Humperdinck, Leo\u0026#x161; Jan\u0026#xE1;\u0026#x10D;ek, Sidney Jones, Erich Wolfgang Korngold, Ernst Krenek, Reginald De Koven, Charles Lecocq, Franz Lehar, Ruggero Leoncavallo, Franco Leoni, Luigi Mancinelli, Pietro Mascagni, Victor Masse, Jules Massenet, Gian-Carlo Menotti, Isaac Hickman Meredith, Giancarlo Meyerbeer, Darius Milhaud, Italo Montemezzi, Claudio Monteverdi, Modest Moussorgsky, Wolfgang Amadeus Mozart, Jacques Offenbach, Giovanni Battista Pergolesi, Errico Petrella,  Amilcare Ponchielli, Sergei Prokofieff, Giacomo Puccini, Henri Rabaud, Maurice Ravel, Ottorino Respighi, Ernest Reyer, Nikolay Rimsky-Korsakov, Lodovico Rocca, Richard Rodgers and Oscar Hammerstein II, Bernard Rogers, Ludwig Roselius, Gioacchino Rossini, Anton Grigorievich Rubinstein, Camille Saint-Sa\u0026#xEB;ns, Shanghai Shi Long jiang song ju zuo, Arnold Sch\u0026#xF6;nberg, Friedrich Smetana, Gaspare Spontini, William Grant Still, Deems Taylor, Peter Ilyich Tchaikovsky, The Ukrainian National Chorus, Guiseppe Verdi, Giovanni Verga, Ignatz Waghalter, Richard Wagner, David Ward-Steinman, Carl Maria von Weber, Jaromir Weinberger Ermanno Wolf-Ferrari, Kurt Weill, Riccardo Zandonai, along with the United States Army.\u003c/abstract\u003e"],"abstract_tesim":["This collection primarily contains published opera, oratorio, and musical theatre libretti, along with a few programs and Metropolitan Opera House Grand Opera Season guides. These are of particular interest in terms of their covers, publication materials, and performance information. Many of the libretti were donated by music critic Olin Downes; these contain handwritten research notes, drafts of reviews, miscellaneous programs and cast lists for the Metropolitan Opera Company. \n\nPublication dates range from 1804-1960s, and composers represented include Eugen D'Albert, Louise Aubert, J.S. Bach, L.V. Beethoven, Vincenzo Bellini, Georges Bizet, François-Adrien Boieldieu, Arrigo Boito, Benjamin Britten, Charles Wakefield Cadman, Francesco Cavalli, Gustave Charpentier, Domenico Chimarosa, Frederick Shepherd Converse, Walter Damrosch, Claude Debussy, Léo Delibes, Gaetano Donizetti, Frank Dumont, Manuel De Falla, Henry Fevrier, Carlisle Floyd, Alberto Franchetti, Vittorio Giannini, Umberto Giordano, Christophe Willibald Von Gluck, Charles Gounod, Henry Hadley, Jacques F. Haley, George Frederick Handel, Howard Hanson, Frederic Hart, Ferdinand, Hérold, Paul Hindemith, Arthur Honegger, Engelbert Humperdinck, Leoš Janáček, Sidney Jones, Erich Wolfgang Korngold, Ernst Krenek, Reginald De Koven, Charles Lecocq, Franz Lehar, Ruggero Leoncavallo, Franco Leoni, Luigi Mancinelli, Pietro Mascagni, Victor Masse, Jules Massenet, Gian-Carlo Menotti, Isaac Hickman Meredith, Giancarlo Meyerbeer, Darius Milhaud, Italo Montemezzi, Claudio Monteverdi, Modest Moussorgsky, Wolfgang Amadeus Mozart, Jacques Offenbach, Giovanni Battista Pergolesi, Errico Petrella,  Amilcare Ponchielli, Sergei Prokofieff, Giacomo Puccini, Henri Rabaud, Maurice Ravel, Ottorino Respighi, Ernest Reyer, Nikolay Rimsky-Korsakov, Lodovico Rocca, Richard Rodgers and Oscar Hammerstein II, Bernard Rogers, Ludwig Roselius, Gioacchino Rossini, Anton Grigorievich Rubinstein, Camille Saint-Saëns, Shanghai Shi Long jiang song ju zuo, Arnold Schönberg, Friedrich Smetana, Gaspare Spontini, William Grant Still, Deems Taylor, Peter Ilyich Tchaikovsky, The Ukrainian National Chorus, Guiseppe Verdi, Giovanni Verga, Ignatz Waghalter, Richard Wagner, David Ward-Steinman, Carl Maria von Weber, Jaromir Weinberger Ermanno Wolf-Ferrari, Kurt Weill, Riccardo Zandonai, along with the United States Army."],"names_ssim":["Allen Music Library Special Collections","Falla, Manuel de, 1876-1946","Rossini, Gioacchino, 1792-1868","Verdi, Giuseppe, 1813-1901","Wagner, Richard, 1813-1883"],"corpname_ssim":["Allen Music Library Special Collections"],"persname_ssim":["Falla, Manuel de, 1876-1946","Rossini, Gioacchino, 1792-1868","Verdi, Giuseppe, 1813-1901","Wagner, Richard, 1813-1883"],"language_ssim":["French English German Italian Russian Chinese"],"descrules_ssm":["Describing Archives: A Content 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Music"],"unitdate_inclusive_ssm":["Circa 1912-1972"],"normalized_date_ssm":["Circa 1912-1972"],"normalized_title_ssm":["Sheet Music, Circa 1912-1972"],"text":["Sheet Music, Circa 1912-1972","Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials","/repositories/2/archival_objects/6325","Notated music"],"component_level_isim":[2],"parent_ids_ssim":["5e17dda97e7549e9d9b40539","5e17dda97e7549e9d9b40539_aspace_ced9b0ebeee47c9fad9a3053c0bdb162"],"parent_unittitles_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials"],"parent_unittitles_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/6325"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 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music"],"_nest_path_":"/components#5/components#6","_nest_parent_":"5e17dda97e7549e9d9b40539_aspace_ced9b0ebeee47c9fad9a3053c0bdb162","_root_":"5e17dda97e7549e9d9b40539","_version_":1871563605913108480,"timestamp":"2026-07-24T03:02:22.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5e17dda97e7549e9d9b40539","title_filing_ssi":"Wesley, Dorothy Porter Collection","title_ssm":["Dorothy Porter Wesley Collection"],"title_tesim":["Dorothy Porter Wesley Collection"],"ead_ssi":"5e17dda97e7549e9d9b40539","unitdate_ssm":["Circa 1788-2012"],"unitdate_inclusive_ssm":["Circa 1788-2012"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2003.6","/repositories/2/resources/20"],"text":["AARLCC.2003.6","/repositories/2/resources/20","Dorothy Porter Wesley Collection, Circa 1788-2012","Africa -- Research","Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art","The Dorothy Porter Wesley Collection is open for research.","View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.","The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets","Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.","The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.","Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".","The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.","AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970","English Portuguese German"],"unitid_tesim":["AARLCC.2003.6","/repositories/2/resources/20"],"normalized_date_ssm":["Circa 1788-2012"],"normalized_title_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_title_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Africa -- Research"],"geogname_ssim":["Africa -- Research"],"places_ssim":["Africa -- Research"],"acqinfo_ssim":["Broward County Library purchased the materials from Constance Porter Uzelac (daughter of Dorothy Porter Wesley) in December 2002 (Accession AARLCC-2003.6). Milan Uzelac donated accruals to AARLCC Special Collections on June 29, 2012 (Accession AARLCC-2012.12) and on May 12, 2022 (Accession AARLCC-2022.7)."],"access_subjects_ssim":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"access_subjects_ssm":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes","2800 Books"],"extent_tesim":["67 Hollinger Boxes","2800 Books"],"genreform_ssim":["Photographs","Sound recordings","Correspondence","Art"],"date_range_isim":[1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Dorothy Porter Wesley Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll37/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series and sub-series:\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries I. Correspondence\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. General Correspondence\u003c/p\u003e","\u003cp\u003eSub-series II. Family Correspondence\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries II. Professional Papers\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley professional papers\u003c/p\u003e","\u003cp\u003eSub-series II. Constance Porter Uzelac professional papers \u003c/p\u003e","\u003cp\u003eSub-series III. Charles Harris Wesley professional papers \u003c/p\u003e","\u003cp\u003eSub-series IV. Writings by Dorothy Porter Wesley\u003c/p\u003e","\u003cp\u003eSub-series V. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VI. Writings by James A. Porter\u003c/p\u003e","\u003cp\u003eSub-series VII. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VIII. Writings by Charles Harris Wesley \u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries III. Research Files\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley general research files\u003c/p\u003e","\u003cp\u003eSub-series II. Dorothy Porter Wesley Brazil research files\u003c/p\u003e","\u003cp\u003eSub-series III. Dorothy Porter Wesley illustrations\u003c/p\u003e","\u003cp\u003eSub-series IV. Constance Porter Uzelac research files\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries IV. Personal Papers\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries V. Photographs\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries VI. Printed Materials\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Calendars and Datebooks\u003c/p\u003e","\u003cp\u003eSub-series II. Catalogs\u003c/p\u003e","\u003cp\u003eSub-series III. General\u003c/p\u003e","\u003cp\u003eSub-series IV. Magazines\u003c/p\u003e","\u003cp\u003eSub-series V. Maps\u003c/p\u003e","\u003cp\u003eSub-series VI. Newspaper Clippings\u003c/p\u003e","\u003cp\u003eSub-series VII. Sheet Music\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries VII. Ephemera and Artwork\u003c/p\u003e\u003c/b\u003e","\u003cp\u003e\u003cb\u003eSeries VIII. Books and Pamphlets\u003c/b\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets"],"bioghist_html_tesm":["\u003cp\u003eDorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. \u003c/p\u003e\n","\u003cp\u003eIn 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work, \u003cemph\u003eModern Negro Art\u003c/emph\u003e, proved to be one of the most informative sources to date on the creativity of the Black artists.\u003c/p\u003e\n","\u003cp\u003eIn 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.\u003c/p\u003e\n","\u003cp\u003eJames Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. \u003c/p\u003e\n","\u003cp\u003eCharles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.\u003c/p\u003e\n","\u003cp\u003eIn 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.\u003c/p\u003e\n","\u003cp\u003eThe book \u003ci\u003eWilliam Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874\u003c/i\u003e (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.\u003c/p\u003e\n","\u003cp\u003eIn 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012."],"prefercite_html_tesm":["\u003cp\u003eDorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Dorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\n\u003ca href=\"https://archives.yale.edu/repositories/11/resources/994\" target=\"_blank\"\u003ePart of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.\u003c/a\u003e\n\u003c/p\u003e","\u003cp\u003e\n\u003ca href=\"https://archives.libraries.emory.edu/repositories/7/resources/3255\" target=\"_blank\"\u003eDorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.\u003c/a\u003e\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.\u003c/p\u003e\n","\u003cp\u003eCorrespondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.\u003c/p\u003e\n","\u003cp\u003eProfessional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.\u003c/p\u003e\n","\u003cp\u003eConstance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". \u003c/p\u003e\n","\u003cp\u003eThe collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.\u003c/p\u003e\n","\u003cp\u003eResearch files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.\u003c/p\u003e\n","\u003cp\u003ePrinted Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=DPW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_559c404160acc20bdc75d09cde3325a4\"\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets."],"names_ssim":["AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Wesley, Dorothy Porter, 1905-1995"],"persname_ssim":["Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"language_ssim":["English Portuguese German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1539,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563605913108480,"_root_":"5e17dda97e7549e9d9b40539","timestamp":"2026-07-24T03:02:22.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_cd5ac92ba400e0818dc3f8463a77f8d6"}},{"id":"aba7a5dffcfaf50e318f174b","type":"collection","attributes":{"title":"Sheldon Abend American Theater Collection, 1874-1968","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b#creator","type":"document_value","attributes":{"value":["Abend, Sheldon (1929-2003)"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. 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Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. 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This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: \u003c/p\u003e\n","\u003cp\u003ehttps://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. 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