{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1917\u0026page=10\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1917\u0026page=9\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1917\u0026page=11\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1917\u0026page=134\u0026view=compact"},"meta":{"pages":{"current_page":10,"next_page":11,"prev_page":9,"total_pages":134,"limit_value":10,"offset_value":90,"total_count":1335,"first_page?":false,"last_page?":false}},"data":[{"id":"935b6dc89e49779cccb5a12e","type":"collection","attributes":{"title":"Baars Family Papers, 1857-1960, Date acquired: 08/00/1985","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/935b6dc89e49779cccb5a12e#creator","type":"document_value","attributes":{"value":["Baars Family"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/935b6dc89e49779cccb5a12e#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003ePersonal papers and business records, 1857-1960, of Henry G. 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Baars, his wife, Mary Elison (Minnie) Dunwoody, and their four children:  John Ernest, Theodore Dunwoody, Henry G. S., and Annie E. Baars, of Pensacola Florida.  Records include correspondence, ledgers, photographs, maps, genealogy, and related records documenting family life and the professional life of Henry Baars, an exporter of lumber and timber, a real estate developer, and as vice-consul for the Austro-Hungarian Empire at Pensacola.\u003c/p\u003e\n","\u003cp\u003ePapers include abstracts, contracts, deeds, land patents, land maps, maps of the Pensacola Wharf area and various Spanish land grants, stock certificates, tax records, and other business records for the Baars and Caldwell Realty Company, Baars and Hudson Export Company, Baars Air Field, Baars Export Company, Baars-Caldwell-Freeman Company, Bagdad Shipbuilding Company, Baylen Street Wharf, Bermancald Land Company, Christ Episcopal Church, Cordova Bridge, Cordova Park, Dunwoody-Aiken Towboat Company, Garcon Point, Gulf Export Company, Gulf View Heights Company, H. 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Baars, his wife, Mary Elison (Minnie) Dunwoody, and their four children:  John Ernest, Theodore Dunwoody, Henry G. S., and Annie E. Baars, of Pensacola Florida.  Records include correspondence, ledgers, photographs, maps, genealogy, and related records documenting family life and the professional life of Henry Baars, an exporter of lumber and timber, a real estate developer, and as vice-consul for the Austro-Hungarian Empire at Pensacola.","Papers include abstracts, contracts, deeds, land patents, land maps, maps of the Pensacola Wharf area and various Spanish land grants, stock certificates, tax records, and other business records for the Baars and Caldwell Realty Company, Baars and Hudson Export Company, Baars Air Field, Baars Export Company, Baars-Caldwell-Freeman Company, Bagdad Shipbuilding Company, Baylen Street Wharf, Bermancald Land Company, Christ Episcopal Church, Cordova Bridge, Cordova Park, Dunwoody-Aiken Towboat Company, Garcon Point, Gulf Export Company, Gulf View Heights Company, H. 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Baars and Company, Lakeview Haven Company, Lakeview Property, Lakeview Streetcar Company, Magnolia Bluff Addition, Maura Place, McDavid-Hyer Company, Metro Hat Works, Palafox Shipbuilding Company, Pensacola Apartment House Company, Pensacola Shipbuilding Company, Richland Farms, and the Silver Shores Hotel Company.","Key correspondents include Reverend Henry C. Blandford, Annie E. Baars Blandford, John A. Merritt, and Alexander and Mary D. Stoddard.  Other materials include reminiscences and memoirs of Bryan Dunwoody, and of \"Will\" Jones Dunwoody (1895) on the Civil War, and minutes of the Pensacola City Council, 1948-1949","A detailed Index to the collection is available at the repository.","Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.","UWF University Archives and West Florida History Center","Bagdad Shipbuilding Company.","Bermancald Land Company.","Christ Episcopal Church (Pensacola, Fla.)","Dunwoody-Aiken Towboat Company.","Gulf Export Company.","Gulf View Heights Company.","H. 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Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"acqinfo_ssim":["estate of Henry G. 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Baars, his wife, Mary Elison (Minnie) Dunwoody, and their four children:  John Ernest, Theodore Dunwoody, Henry G. S., and Annie E. Baars, of Pensacola Florida.  Records include correspondence, ledgers, photographs, maps, genealogy, and related records documenting family life and the professional life of Henry Baars, an exporter of lumber and timber, a real estate developer, and as vice-consul for the Austro-Hungarian Empire at Pensacola.\u003c/p\u003e\n","\u003cp\u003ePapers include abstracts, contracts, deeds, land patents, land maps, maps of the Pensacola Wharf area and various Spanish land grants, stock certificates, tax records, and other business records for the Baars and Caldwell Realty Company, Baars and Hudson Export Company, Baars Air Field, Baars Export Company, Baars-Caldwell-Freeman Company, Bagdad Shipbuilding Company, Baylen Street Wharf, Bermancald Land Company, Christ Episcopal Church, Cordova Bridge, Cordova Park, Dunwoody-Aiken Towboat Company, Garcon Point, Gulf Export Company, Gulf View Heights Company, H. Baars and Company, Lakeview Haven Company, Lakeview Property, Lakeview Streetcar Company, Magnolia Bluff Addition, Maura Place, McDavid-Hyer Company, Metro Hat Works, Palafox Shipbuilding Company, Pensacola Apartment House Company, Pensacola Shipbuilding Company, Richland Farms, and the Silver Shores Hotel Company.\u003c/p\u003e\n","\u003cp\u003eKey correspondents include Reverend Henry C. Blandford, Annie E. Baars Blandford, John A. Merritt, and Alexander and Mary D. Stoddard.  Other materials include reminiscences and memoirs of Bryan Dunwoody, and of \"Will\" Jones Dunwoody (1895) on the Civil War, and minutes of the Pensacola City Council, 1948-1949\u003c/p\u003e\n","\u003cp\u003eA detailed Index to the collection is available at the repository.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Personal papers and business records, 1857-1960, of Henry G. S. Baars, his wife, Mary Elison (Minnie) Dunwoody, and their four children:  John Ernest, Theodore Dunwoody, Henry G. S., and Annie E. Baars, of Pensacola Florida.  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Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"names_coll_ssim":["Bagdad Shipbuilding Company.","Bermancald Land Company.","Christ Episcopal Church (Pensacola, Fla.)","Dunwoody-Aiken Towboat Company.","Gulf Export Company.","Gulf View Heights Company.","H. 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Baars and Company.","Lakeview Haven Company.","Lakeview Property (Firm).","Lakeview Streetcar Company.","McDavid-Hyer Company.","Metro Hat Works.","Palafox Shipbuilding Company.","Pensacola Apartment House Company.","Pensacola Shipbuilding Company.","Richland Farms.","Silver Shores Hotel Company.","Pensacola (Fla.)--City Council.","Baars and Caldwell Realty Company.","Baars and Hudson Export Company.","Baars Air Field.","Baars Export Company.","Baars-Caldwell-Freeman Company."],"famname_ssim":["Baars Family","Baars family."],"persname_ssim":["Baars, Annie B.","Blandford, Henry C.--Correspondence.","Merritt, John A.--Correspondence.","Stoddard, Alexander--Correspondence.","Stoddard, Mary Newman--Correspondence.","Blandford, Annie E. Baars.","Dunwoody, Bryan.","Dunwoody, Jones.","Baars, Henry G. S. (Henry Gerhardt Sophus), 1844-1909.","Baars, Mary Elison Dunwoody.","Baars, John Ernest.","Baars, Theodore Dunwoody, 1876-1941.","Baars, Henry G. 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Watson family of Pensacola, Florida. Includes land deeds, conveyances, tax receipts, family letters, lineage chart and photographs. Principal correspondents include James L.G. Baker, James L. Baker, Mary Jane Daffin, James S. Baker, William H. Watson, Jr., James B. 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Occasionally we may need to review a collection before permitting immediate access.","Revised 06/01/1987","Cataloged 1980","Family papers, 1863-1925, relating to the Baker family of Jackson County, Florida and the William H. Watson family of Pensacola, Florida. Includes land deeds, conveyances, tax receipts, family letters, lineage chart and photographs.  Principal correspondents include James L.G. Baker, James L. Baker, Mary Jane Daffin, James S. Baker, William H. Watson, Jr., James B. Watson and Mrs. Elizabeth Dickinson.","Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  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Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"acqinfo_ssim":["Mrs. James B. 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Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"names_coll_ssim":["Pensacola Classical School.","Baker family.","Watson, James B., 1909- --Correspondence.","Watson, William H. (William Henry), 1876-1967--Family.","Watson, William H. (William Henry), 1907-1974--Correspondence.","Watson family.","Dickinson, Elizabeth--Correspondence.","Baker, James L. G.--Correspondence.","Daffin, Mary Jane--Correspondence."],"names_ssim":["UWF University Archives and West Florida History Center","Pensacola Classical School.","Baker Family","Watson Family","Baker family.","Watson, James B., 1909- --Correspondence.","Watson, William H. (William Henry), 1876-1967--Family.","Watson, William H. (William Henry), 1907-1974--Correspondence.","Watson family.","Dickinson, Elizabeth--Correspondence.","Baker, James L. 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Occasionally we may need to review a collection before permitting immediate access.","Revised 06/01/1987","Cataloged 1980","Family papers, 1863-1925, relating to the Baker family of Jackson County, Florida and the William H. Watson family of Pensacola, Florida. Includes land deeds, conveyances, tax receipts, family letters, lineage chart and photographs.  Principal correspondents include James L.G. Baker, James L. Baker, Mary Jane Daffin, James S. Baker, William H. Watson, Jr., James B. Watson and Mrs. Elizabeth Dickinson.","Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.","UWF University Archives and West Florida History Center","Pensacola Classical School.","Baker Family","Watson Family","Baker family.","Watson, James B., 1909- --Correspondence.","Watson, William H. (William Henry), 1876-1967--Family.","Watson, William H. (William Henry), 1907-1974--Correspondence.","Watson family.","Dickinson, Elizabeth--Correspondence.","Baker, James L. G.--Correspondence.","Daffin, Mary Jane--Correspondence.","English"],"unitid_tesim":["M1980-05SC","/repositories/2/resources/236"],"normalized_date_ssm":["1863-1925, Date acquired: 00/00/1980"],"normalized_title_ssm":["Baker-Watson Papers, 1863-1925, Date acquired: 00/00/1980"],"collection_title_tesim":["Baker-Watson Papers, 1863-1925, Date acquired: 00/00/1980"],"collection_ssim":["Baker-Watson Papers, 1863-1925, Date acquired: 00/00/1980"],"repository_ssm":["UWF University Archives and West Florida History Center"],"repository_ssim":["UWF University Archives and West Florida History Center"],"geogname_ssm":["Pensacola (Fla.)","Greenwood (Fla.)","Marianna (Fla.)"],"geogname_ssim":["Pensacola (Fla.)","Greenwood (Fla.)","Marianna (Fla.)"],"creator_ssm":["Baker Family","Watson Family"],"creator_ssim":["Baker Family","Watson Family"],"creator_famname_ssim":["Baker Family","Watson Family"],"creators_ssim":["Baker Family","Watson Family"],"places_ssim":["Pensacola (Fla.)","Greenwood (Fla.)","Marianna (Fla.)"],"access_terms_ssm":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"acqinfo_ssim":["Mrs. James B. Watson, 1980"],"access_subjects_ssim":["Jackson County (Fla.)","Deeds--Florida.","Tax records--Florida.","Conveyances--Florida.","Genealogies--Florida.","Photographs--Florida."],"access_subjects_ssm":["Jackson County (Fla.)","Deeds--Florida.","Tax records--Florida.","Conveyances--Florida.","Genealogies--Florida.","Photographs--Florida."],"has_online_content_ssim":["false"],"extent_ssm":["41.00 items"],"extent_tesim":["41.00 items"],"genreform_ssim":["Deeds--Florida.","Tax records--Florida.","Conveyances--Florida.","Genealogies--Florida.","Photographs--Florida."],"date_range_isim":[1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access."],"processinfo_html_tesm":["\u003cp\u003eRevised 06/01/1987\u003c/p\u003e","\u003cp\u003eCataloged 1980\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Revised 06/01/1987","Cataloged 1980"],"scopecontent_html_tesm":["\u003cp\u003eFamily papers, 1863-1925, relating to the Baker family of Jackson County, Florida and the William H. Watson family of Pensacola, Florida. Includes land deeds, conveyances, tax receipts, family letters, lineage chart and photographs.  Principal correspondents include James L.G. Baker, James L. Baker, Mary Jane Daffin, James S. Baker, William H. Watson, Jr., James B. Watson and Mrs. Elizabeth Dickinson.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Family papers, 1863-1925, relating to the Baker family of Jackson County, Florida and the William H. Watson family of Pensacola, Florida. Includes land deeds, conveyances, tax receipts, family letters, lineage chart and photographs.  Principal correspondents include James L.G. Baker, James L. Baker, Mary Jane Daffin, James S. Baker, William H. Watson, Jr., James B. Watson and Mrs. Elizabeth Dickinson."],"userestrict_html_tesm":["\u003cp\u003eDigital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"names_coll_ssim":["Pensacola Classical School.","Baker family.","Watson, James B., 1909- --Correspondence.","Watson, William H. (William Henry), 1876-1967--Family.","Watson, William H. (William Henry), 1907-1974--Correspondence.","Watson family.","Dickinson, Elizabeth--Correspondence.","Baker, James L. G.--Correspondence.","Daffin, Mary Jane--Correspondence."],"names_ssim":["UWF University Archives and West Florida History Center","Pensacola Classical School.","Baker Family","Watson Family","Baker family.","Watson, James B., 1909- --Correspondence.","Watson, William H. (William Henry), 1876-1967--Family.","Watson, William H. (William Henry), 1907-1974--Correspondence.","Watson family.","Dickinson, Elizabeth--Correspondence.","Baker, James L. G.--Correspondence.","Daffin, Mary Jane--Correspondence."],"corpname_ssim":["UWF University Archives and West Florida History Center","Pensacola Classical School."],"famname_ssim":["Baker Family","Watson Family","Baker family."],"persname_ssim":["Watson, James B., 1909- --Correspondence.","Watson, William H. (William Henry), 1876-1967--Family.","Watson, William H. (William Henry), 1907-1974--Correspondence.","Watson family.","Dickinson, Elizabeth--Correspondence.","Baker, James L. G.--Correspondence.","Daffin, Mary Jane--Correspondence."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863532218646528,"_root_":"5609dcc3c4313de5e2e72cce","timestamp":"2026-07-16T09:35:00.178Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5609dcc3c4313de5e2e72cce"}},{"id":"705dd992dd59874180892d7c","type":"collection","attributes":{"title":"Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/705dd992dd59874180892d7c#abstract_or_scope","type":"document_value","attributes":{"value":["The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs capture scenes of the Baliot aerial performers, acts, and publicity shots, primarily of Emma and Anton Riedler, stage named Erna and Tony Baliot. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/705dd992dd59874180892d7c#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"705dd992dd59874180892d7c","title_ssm":["Baliot Collection, 1902-1997, bulk dates 1910-1928"],"title_tesim":["Baliot Collection, 1902-1997, bulk dates 1910-1928"],"ead_ssi":"705dd992dd59874180892d7c","unitdate_ssm":["1910-1928","1902-1997"],"unitdate_bulk_ssim":["1910-1928"],"unitdate_inclusive_ssm":["1902-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A2021.0027","/repositories/11/resources/1897"],"text":["A2021.0027","/repositories/11/resources/1897","Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928","Acrobats","Aerialists","Circus.","Circus -- History","Circus -- United States -- History","Dog trainers","Gymnasts","Vaudeville","Women circus performers","Women gymnasts","This collection is open to all researchers.","Anton Riedler (1880-1954) and Emma Tremel (1889-1964) were Vaudeville and circus performers under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. Emma and Anton were originally from Munich, Germany and, in 1904, Anton immigrated to the United States from Bremen, Germany. In 1909, Emma married Anton and officially immigrated to the U.S. in 1912. Emma and Anton often performed with a woman named Christa Engelbart as the Baliot Trio. Anna Ziegelbauer and Frieda Tremel, Emma's sister, performed under the Baliot name as well along with a few other unidentified individuals. They performed in cities across Germany and then brought their act to the United States where they performed at various venues such as the Keith-Orpheum Circuit, the New York Hippodrome, the Palace Theatre, the Orpheum Theatre, as well as alongside the Ringling Bros. They performed for approximately 25 years, from the early 1910's to the 1930's. Emma and Anton settled in East Islip, Long Island, New York sometime around 1920. Shortly after the arrival of their daughter, Emma decided to retire and, subsequently, Anton moved on from his aerialist career to a new act—a comedy and athletic dog act.  Emma remarried in 1949 to Alex Reinert and opened a few small businesses, the Blue Bake Shop and the Seabay Restaurant and Bakery. Ten years after Anton's passing in 1954, Emma suffered from a heart attack and died in 1964 at the age of 76.","The Ringling Photography Collection\nThe Tibbals Circus Collection of Photography\nThe Ringling Collection of Wardrobes","This collection contains materials relating to Anton and Emma Riedler's career as equilibrists and gymnasts under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs, ranging in size, capture scenes of the Baliot aerial performers, acts, and publicity shots, most in a studio setting and primarily of Emma and Anton Riedler. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials. The collection documents the performance and career of the Baliots. A large portion of the collection, chiefly the print and photographic materials, consist of advertising and publicity materials for the Baliots and the remainder of the collection is largely comprised of contracts.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026 University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright.","The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs capture scenes of the Baliot aerial performers, acts, and publicity shots, primarily of Emma and Anton Riedler, stage named Erna and Tony Baliot. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials.","The John and Mable Ringling Museum of Art Archives","English German French Spanish; Castilian"],"unitid_tesim":["A2021.0027","/repositories/11/resources/1897"],"normalized_date_ssm":["1902-1997, bulk 1910-1928"],"normalized_title_ssm":["Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928"],"collection_title_tesim":["Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928"],"collection_ssim":["Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928"],"repository_ssm":["The John and Mable Ringling Museum of Art Archives"],"repository_ssim":["The John and Mable Ringling Museum of Art Archives"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026 University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright."],"access_subjects_ssim":["Acrobats","Aerialists","Circus.","Circus -- History","Circus -- United States -- History","Dog trainers","Gymnasts","Vaudeville","Women circus performers","Women gymnasts"],"access_subjects_ssm":["Acrobats","Aerialists","Circus.","Circus -- History","Circus -- United States -- History","Dog trainers","Gymnasts","Vaudeville","Women circus performers","Women gymnasts"],"has_online_content_ssim":["false"],"extent_ssm":["4.5 Linear Feet","219 items"],"extent_tesim":["4.5 Linear Feet","219 items"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bibliography_html_tesm":["\u003cp\u003eAnton Riedler (1880-1954) and Emma Tremel (1889-1964) were Vaudeville and circus performers under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. Emma and Anton were originally from Munich, Germany and, in 1904, Anton immigrated to the United States from Bremen, Germany. In 1909, Emma married Anton and officially immigrated to the U.S. in 1912. Emma and Anton often performed with a woman named Christa Engelbart as the Baliot Trio. Anna Ziegelbauer and Frieda Tremel, Emma's sister, performed under the Baliot name as well along with a few other unidentified individuals. They performed in cities across Germany and then brought their act to the United States where they performed at various venues such as the Keith-Orpheum Circuit, the New York Hippodrome, the Palace Theatre, the Orpheum Theatre, as well as alongside the Ringling Bros. They performed for approximately 25 years, from the early 1910's to the 1930's. Emma and Anton settled in East Islip, Long Island, New York sometime around 1920. Shortly after the arrival of their daughter, Emma decided to retire and, subsequently, Anton moved on from his aerialist career to a new act\u0026#x2014;a comedy and athletic dog act.  Emma remarried in 1949 to Alex Reinert and opened a few small businesses, the Blue Bake Shop and the Seabay Restaurant and Bakery. Ten years after Anton's passing in 1954, Emma suffered from a heart attack and died in 1964 at the age of 76.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Anton Riedler (1880-1954) and Emma Tremel (1889-1964) were Vaudeville and circus performers under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. Emma and Anton were originally from Munich, Germany and, in 1904, Anton immigrated to the United States from Bremen, Germany. In 1909, Emma married Anton and officially immigrated to the U.S. in 1912. Emma and Anton often performed with a woman named Christa Engelbart as the Baliot Trio. Anna Ziegelbauer and Frieda Tremel, Emma's sister, performed under the Baliot name as well along with a few other unidentified individuals. They performed in cities across Germany and then brought their act to the United States where they performed at various venues such as the Keith-Orpheum Circuit, the New York Hippodrome, the Palace Theatre, the Orpheum Theatre, as well as alongside the Ringling Bros. They performed for approximately 25 years, from the early 1910's to the 1930's. Emma and Anton settled in East Islip, Long Island, New York sometime around 1920. Shortly after the arrival of their daughter, Emma decided to retire and, subsequently, Anton moved on from his aerialist career to a new act—a comedy and athletic dog act.  Emma remarried in 1949 to Alex Reinert and opened a few small businesses, the Blue Bake Shop and the Seabay Restaurant and Bakery. Ten years after Anton's passing in 1954, Emma suffered from a heart attack and died in 1964 at the age of 76."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Title of Collection, The\nJohn and Mable Ringling Museum of Art Archives, Florida State University,\nTallahassee, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Title of Collection, The\nJohn and Mable Ringling Museum of Art Archives, Florida State University,\nTallahassee, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Ringling Photography Collection\nThe Tibbals Circus Collection of Photography\nThe Ringling Collection of Wardrobes\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Ringling Photography Collection\nThe Tibbals Circus Collection of Photography\nThe Ringling Collection of Wardrobes"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials relating to Anton and Emma Riedler's career as equilibrists and gymnasts under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs, ranging in size, capture scenes of the Baliot aerial performers, acts, and publicity shots, most in a studio setting and primarily of Emma and Anton Riedler. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials. The collection documents the performance and career of the Baliots. A large portion of the collection, chiefly the print and photographic materials, consist of advertising and publicity materials for the Baliots and the remainder of the collection is largely comprised of contracts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains materials relating to Anton and Emma Riedler's career as equilibrists and gymnasts under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs, ranging in size, capture scenes of the Baliot aerial performers, acts, and publicity shots, most in a studio setting and primarily of Emma and Anton Riedler. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials. The collection documents the performance and career of the Baliots. A large portion of the collection, chiefly the print and photographic materials, consist of advertising and publicity materials for the Baliots and the remainder of the collection is largely comprised of contracts."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026amp; University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026 University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright."],"abstract_html_tesm":["\u003cabstract id=\"aspace_71c45b19e66cb68de0dead99ce87aa42\"\u003eThe Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs capture scenes of the Baliot aerial performers, acts, and publicity shots, primarily of Emma and Anton Riedler, stage named Erna and Tony Baliot. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials.\u003c/abstract\u003e"],"abstract_tesim":["The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs capture scenes of the Baliot aerial performers, acts, and publicity shots, primarily of Emma and Anton Riedler, stage named Erna and Tony Baliot. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English German French Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":133,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"705dd992dd59874180892d7c","timestamp":"2026-07-08T02:41:40.657Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"705dd992dd59874180892d7c","title_ssm":["Baliot Collection, 1902-1997, bulk dates 1910-1928"],"title_tesim":["Baliot Collection, 1902-1997, bulk dates 1910-1928"],"ead_ssi":"705dd992dd59874180892d7c","unitdate_ssm":["1910-1928","1902-1997"],"unitdate_bulk_ssim":["1910-1928"],"unitdate_inclusive_ssm":["1902-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A2021.0027","/repositories/11/resources/1897"],"text":["A2021.0027","/repositories/11/resources/1897","Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928","Acrobats","Aerialists","Circus.","Circus -- History","Circus -- United States -- History","Dog trainers","Gymnasts","Vaudeville","Women circus performers","Women gymnasts","This collection is open to all researchers.","Anton Riedler (1880-1954) and Emma Tremel (1889-1964) were Vaudeville and circus performers under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. Emma and Anton were originally from Munich, Germany and, in 1904, Anton immigrated to the United States from Bremen, Germany. In 1909, Emma married Anton and officially immigrated to the U.S. in 1912. Emma and Anton often performed with a woman named Christa Engelbart as the Baliot Trio. Anna Ziegelbauer and Frieda Tremel, Emma's sister, performed under the Baliot name as well along with a few other unidentified individuals. They performed in cities across Germany and then brought their act to the United States where they performed at various venues such as the Keith-Orpheum Circuit, the New York Hippodrome, the Palace Theatre, the Orpheum Theatre, as well as alongside the Ringling Bros. They performed for approximately 25 years, from the early 1910's to the 1930's. Emma and Anton settled in East Islip, Long Island, New York sometime around 1920. Shortly after the arrival of their daughter, Emma decided to retire and, subsequently, Anton moved on from his aerialist career to a new act—a comedy and athletic dog act.  Emma remarried in 1949 to Alex Reinert and opened a few small businesses, the Blue Bake Shop and the Seabay Restaurant and Bakery. Ten years after Anton's passing in 1954, Emma suffered from a heart attack and died in 1964 at the age of 76.","The Ringling Photography Collection\nThe Tibbals Circus Collection of Photography\nThe Ringling Collection of Wardrobes","This collection contains materials relating to Anton and Emma Riedler's career as equilibrists and gymnasts under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs, ranging in size, capture scenes of the Baliot aerial performers, acts, and publicity shots, most in a studio setting and primarily of Emma and Anton Riedler. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials. The collection documents the performance and career of the Baliots. A large portion of the collection, chiefly the print and photographic materials, consist of advertising and publicity materials for the Baliots and the remainder of the collection is largely comprised of contracts.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026 University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright.","The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs capture scenes of the Baliot aerial performers, acts, and publicity shots, primarily of Emma and Anton Riedler, stage named Erna and Tony Baliot. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials.","The John and Mable Ringling Museum of Art Archives","English German French Spanish; Castilian"],"unitid_tesim":["A2021.0027","/repositories/11/resources/1897"],"normalized_date_ssm":["1902-1997, bulk 1910-1928"],"normalized_title_ssm":["Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928"],"collection_title_tesim":["Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928"],"collection_ssim":["Baliot Collection, 1902-1997, bulk dates 1910-1928, 1902-1997, bulk 1910-1928"],"repository_ssm":["The John and Mable Ringling Museum of Art Archives"],"repository_ssim":["The John and Mable Ringling Museum of Art Archives"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026 University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright."],"access_subjects_ssim":["Acrobats","Aerialists","Circus.","Circus -- History","Circus -- United States -- History","Dog trainers","Gymnasts","Vaudeville","Women circus performers","Women gymnasts"],"access_subjects_ssm":["Acrobats","Aerialists","Circus.","Circus -- History","Circus -- United States -- History","Dog trainers","Gymnasts","Vaudeville","Women circus performers","Women gymnasts"],"has_online_content_ssim":["false"],"extent_ssm":["4.5 Linear Feet","219 items"],"extent_tesim":["4.5 Linear Feet","219 items"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bibliography_html_tesm":["\u003cp\u003eAnton Riedler (1880-1954) and Emma Tremel (1889-1964) were Vaudeville and circus performers under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. Emma and Anton were originally from Munich, Germany and, in 1904, Anton immigrated to the United States from Bremen, Germany. In 1909, Emma married Anton and officially immigrated to the U.S. in 1912. Emma and Anton often performed with a woman named Christa Engelbart as the Baliot Trio. Anna Ziegelbauer and Frieda Tremel, Emma's sister, performed under the Baliot name as well along with a few other unidentified individuals. They performed in cities across Germany and then brought their act to the United States where they performed at various venues such as the Keith-Orpheum Circuit, the New York Hippodrome, the Palace Theatre, the Orpheum Theatre, as well as alongside the Ringling Bros. They performed for approximately 25 years, from the early 1910's to the 1930's. Emma and Anton settled in East Islip, Long Island, New York sometime around 1920. Shortly after the arrival of their daughter, Emma decided to retire and, subsequently, Anton moved on from his aerialist career to a new act\u0026#x2014;a comedy and athletic dog act.  Emma remarried in 1949 to Alex Reinert and opened a few small businesses, the Blue Bake Shop and the Seabay Restaurant and Bakery. Ten years after Anton's passing in 1954, Emma suffered from a heart attack and died in 1964 at the age of 76.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Anton Riedler (1880-1954) and Emma Tremel (1889-1964) were Vaudeville and circus performers under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. Emma and Anton were originally from Munich, Germany and, in 1904, Anton immigrated to the United States from Bremen, Germany. In 1909, Emma married Anton and officially immigrated to the U.S. in 1912. Emma and Anton often performed with a woman named Christa Engelbart as the Baliot Trio. Anna Ziegelbauer and Frieda Tremel, Emma's sister, performed under the Baliot name as well along with a few other unidentified individuals. They performed in cities across Germany and then brought their act to the United States where they performed at various venues such as the Keith-Orpheum Circuit, the New York Hippodrome, the Palace Theatre, the Orpheum Theatre, as well as alongside the Ringling Bros. They performed for approximately 25 years, from the early 1910's to the 1930's. Emma and Anton settled in East Islip, Long Island, New York sometime around 1920. Shortly after the arrival of their daughter, Emma decided to retire and, subsequently, Anton moved on from his aerialist career to a new act—a comedy and athletic dog act.  Emma remarried in 1949 to Alex Reinert and opened a few small businesses, the Blue Bake Shop and the Seabay Restaurant and Bakery. Ten years after Anton's passing in 1954, Emma suffered from a heart attack and died in 1964 at the age of 76."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Title of Collection, The\nJohn and Mable Ringling Museum of Art Archives, Florida State University,\nTallahassee, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Title of Collection, The\nJohn and Mable Ringling Museum of Art Archives, Florida State University,\nTallahassee, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Ringling Photography Collection\nThe Tibbals Circus Collection of Photography\nThe Ringling Collection of Wardrobes\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Ringling Photography Collection\nThe Tibbals Circus Collection of Photography\nThe Ringling Collection of Wardrobes"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials relating to Anton and Emma Riedler's career as equilibrists and gymnasts under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs, ranging in size, capture scenes of the Baliot aerial performers, acts, and publicity shots, most in a studio setting and primarily of Emma and Anton Riedler. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials. The collection documents the performance and career of the Baliots. A large portion of the collection, chiefly the print and photographic materials, consist of advertising and publicity materials for the Baliots and the remainder of the collection is largely comprised of contracts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains materials relating to Anton and Emma Riedler's career as equilibrists and gymnasts under the stage names Tony, sometimes referred to as Anton, and Erna Baliot. The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs, ranging in size, capture scenes of the Baliot aerial performers, acts, and publicity shots, most in a studio setting and primarily of Emma and Anton Riedler. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials. The collection documents the performance and career of the Baliots. A large portion of the collection, chiefly the print and photographic materials, consist of advertising and publicity materials for the Baliots and the remainder of the collection is largely comprised of contracts."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026amp; University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please\ncontact Heritage \u0026 University Archives, Florida State University Libraries,\nTallahassee, Florida. Researchers must obtain separate permission from the\ncopyright holders of material held within University Archives collections for\nwhich the institution does not hold copyright."],"abstract_html_tesm":["\u003cabstract id=\"aspace_71c45b19e66cb68de0dead99ce87aa42\"\u003eThe Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs capture scenes of the Baliot aerial performers, acts, and publicity shots, primarily of Emma and Anton Riedler, stage named Erna and Tony Baliot. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials.\u003c/abstract\u003e"],"abstract_tesim":["The Baliot Collection is comprised of black and white print photographs, performance contracts, card photographs, printed materials, programs, a scrapbook, and a published book. The materials date from 1902 to 1997, the bulk ranging from 1910-1928. A significant portion of card and print photographs capture scenes of the Baliot aerial performers, acts, and publicity shots, primarily of Emma and Anton Riedler, stage named Erna and Tony Baliot. The scrapbook and printed materials consist of clippings, ephemera, and advertising of the Baliots as well as personal photographs and travel related printed materials."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English German French Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":133,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"705dd992dd59874180892d7c","timestamp":"2026-07-08T02:41:40.657Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/705dd992dd59874180892d7c"}},{"id":"45807c67f367973431520ee3_aspace_cbeddf6adf8ca77f910c90c33e19048d","type":"Series","attributes":{"title":"Bank Buildings, 1900-1990, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/45807c67f367973431520ee3_aspace_cbeddf6adf8ca77f910c90c33e19048d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_cbeddf6adf8ca77f910c90c33e19048d","ref_ssm":["aspace_cbeddf6adf8ca77f910c90c33e19048d","aspace_cbeddf6adf8ca77f910c90c33e19048d"],"id":"45807c67f367973431520ee3_aspace_cbeddf6adf8ca77f910c90c33e19048d","title_filing_ssi":"Bank Buildings","title_ssm":["Bank Buildings"],"title_tesim":["Bank Buildings"],"unitdate_inclusive_ssm":["1900-1990"],"unitdate_other_ssim":["Undated"],"normalized_date_ssm":["1900-1990, Undated"],"normalized_title_ssm":["Bank Buildings, 1900-1990, Undated"],"text":["Bank Buildings, 1900-1990, Undated","Northeast Florida Regional Postcard Collection, 1858-2019","/repositories/3/archival_objects/9633","box 1","folder 7"],"component_level_isim":[1],"parent_ids_ssim":["45807c67f367973431520ee3"],"parent_unittitles_ssm":["Northeast Florida Regional Postcard Collection, 1858-2019"],"parent_unittitles_tesim":["Northeast Florida Regional Postcard Collection, 1858-2019"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/9633"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Northeast Florida Regional Postcard Collection, 1858-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":7,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"containers_ssim":["box 1","folder 7"],"_nest_path_":"/components#6","_nest_parent_":"45807c67f367973431520ee3","_root_":"45807c67f367973431520ee3","_version_":1872853597225484288,"timestamp":"2026-08-07T08:46:14.061Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"45807c67f367973431520ee3","title_ssm":["Northeast Florida Regional Postcard Collection"],"title_tesim":["Northeast Florida Regional Postcard Collection"],"ead_ssi":"45807c67f367973431520ee3","unitdate_ssm":["1858-2019"],"unitdate_inclusive_ssm":["1858-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2024.001","/repositories/3/resources/82"],"text":["2024.001","/repositories/3/resources/82","Northeast Florida Regional Postcard Collection, 1858-2019","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. ","\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  ","\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. ","\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. ","Sources:\n New York State Library Postcard Collection-Appendix C","Greetings from the Smithsonian: A Postcard History","This collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:","Series 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.","Series 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida","Series 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.","Series 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.","Series 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.","Series 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.","Series 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.","Series 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.","Series 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.","Series 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.","Series 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.","Series 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. ","Series 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. ","Series 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. ","Series 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. ","Series 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.","Series 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.","Series 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.","Series 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. ","Series 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.","Series 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. ","Series 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. ","Series 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026WB Drew Company, and cards addressed to Jacksonville addresses.","Series 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. ","Series 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. ","Series 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. ","Series 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. ","Series 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. ","Series 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. ","Series 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.","Series 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. ","Series 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. ","Series 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.","Series 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. ","Series 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.","Series 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. ","Series 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.","Series 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.","Series 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. ","Series 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. ","Series 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.","Series 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. ","Series 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.","Series 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. ","Series 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. ","Series 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.","Series 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. ","Series 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. ","Series 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.","Series 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida","Series 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, ","Series 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.","Series 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.","Series 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. ","Series 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.","Series 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. ","Series 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.","Series 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. ","Series 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. ","Series 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.","Series 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.","Series 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. ","Series 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. ","Series 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. ","Series 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. ","Series 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. ","Series 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2024.001","/repositories/3/resources/82"],"normalized_date_ssm":["1858-2019"],"normalized_title_ssm":["Northeast Florida Regional Postcard Collection, 1858-2019"],"collection_title_tesim":["Northeast Florida Regional Postcard Collection, 1858-2019"],"collection_ssim":["Northeast Florida Regional Postcard Collection, 1858-2019"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation."],"has_online_content_ssim":["false"],"extent_ssm":["1.92 Linear Feet"],"extent_tesim":["1.92 Linear Feet"],"date_range_isim":[1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003e\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. \u003c/p\u003e\n","\u003cp\u003e\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  \u003c/p\u003e\n","\u003cp\u003e\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. \u003c/p\u003e\n","\u003cp\u003e\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. \u003c/p\u003e\n","\u003cp\u003eSources:\n\u003cextref href=\"https://www.nysl.nysed.gov/msscfa/qc16510ess.htm\"\u003eNew York State Library Postcard Collection-Appendix C\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://siarchives.si.edu/history/featured-topics/postcard/postcard-history\"\u003eGreetings from the Smithsonian: A Postcard History\u003c/extref\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. ","\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  ","\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. ","\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. ","Sources:\n New York State Library Postcard Collection-Appendix C","Greetings from the Smithsonian: A Postcard History"],"prefercite_html_tesm":["\u003cp\u003eNortheast Florida Regional Postcard Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Northeast Florida Regional Postcard Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.\u003c/p\u003e\n","\u003cp\u003eSeries 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida\u003c/p\u003e\n","\u003cp\u003eSeries 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.\u003c/p\u003e\n","\u003cp\u003eSeries 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.\u003c/p\u003e\n","\u003cp\u003eSeries 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.\u003c/p\u003e\n","\u003cp\u003eSeries 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.\u003c/p\u003e\n","\u003cp\u003eSeries 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.\u003c/p\u003e\n","\u003cp\u003eSeries 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.\u003c/p\u003e\n","\u003cp\u003eSeries 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.\u003c/p\u003e\n","\u003cp\u003eSeries 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. \u003c/p\u003e\n","\u003cp\u003eSeries 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.\u003c/p\u003e\n","\u003cp\u003eSeries 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.\u003c/p\u003e\n","\u003cp\u003eSeries 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. \u003c/p\u003e\n","\u003cp\u003eSeries 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.\u003c/p\u003e\n","\u003cp\u003eSeries 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. \u003c/p\u003e\n","\u003cp\u003eSeries 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. \u003c/p\u003e\n","\u003cp\u003eSeries 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026amp;WB Drew Company, and cards addressed to Jacksonville addresses.\u003c/p\u003e\n","\u003cp\u003eSeries 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. \u003c/p\u003e\n","\u003cp\u003eSeries 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. \u003c/p\u003e\n","\u003cp\u003eSeries 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. \u003c/p\u003e\n","\u003cp\u003eSeries 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. \u003c/p\u003e\n","\u003cp\u003eSeries 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. \u003c/p\u003e\n","\u003cp\u003eSeries 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.\u003c/p\u003e\n","\u003cp\u003eSeries 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. \u003c/p\u003e\n","\u003cp\u003eSeries 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.\u003c/p\u003e\n","\u003cp\u003eSeries 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. \u003c/p\u003e\n","\u003cp\u003eSeries 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.\u003c/p\u003e\n","\u003cp\u003eSeries 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.\u003c/p\u003e\n","\u003cp\u003eSeries 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.\u003c/p\u003e\n","\u003cp\u003eSeries 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. \u003c/p\u003e\n","\u003cp\u003eSeries 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.\u003c/p\u003e\n","\u003cp\u003eSeries 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. \u003c/p\u003e\n","\u003cp\u003eSeries 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.\u003c/p\u003e\n","\u003cp\u003eSeries 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. \u003c/p\u003e\n","\u003cp\u003eSeries 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.\u003c/p\u003e\n","\u003cp\u003eSeries 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.\u003c/p\u003e\n","\u003cp\u003eSeries 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida\u003c/p\u003e\n","\u003cp\u003eSeries 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, \u003c/p\u003e\n","\u003cp\u003eSeries 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.\u003c/p\u003e\n","\u003cp\u003eSeries 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. \u003c/p\u003e\n","\u003cp\u003eSeries 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. \u003c/p\u003e\n","\u003cp\u003eSeries 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.\u003c/p\u003e\n","\u003cp\u003eSeries 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. \u003c/p\u003e\n","\u003cp\u003eSeries 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.\u003c/p\u003e\n","\u003cp\u003eSeries 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. \u003c/p\u003e\n","\u003cp\u003eSeries 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. \u003c/p\u003e\n","\u003cp\u003eSeries 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. \u003c/p\u003e\n","\u003cp\u003eSeries 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. \u003c/p\u003e\n","\u003cp\u003eSeries 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:","Series 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.","Series 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida","Series 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.","Series 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.","Series 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.","Series 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.","Series 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.","Series 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.","Series 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.","Series 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.","Series 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.","Series 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. ","Series 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. ","Series 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. ","Series 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. ","Series 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.","Series 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.","Series 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.","Series 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. ","Series 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.","Series 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. ","Series 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. ","Series 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026WB Drew Company, and cards addressed to Jacksonville addresses.","Series 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. ","Series 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. ","Series 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. ","Series 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. ","Series 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. ","Series 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. ","Series 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.","Series 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. ","Series 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. ","Series 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.","Series 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. ","Series 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.","Series 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. ","Series 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.","Series 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.","Series 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. ","Series 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. ","Series 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.","Series 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. ","Series 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.","Series 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. ","Series 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. ","Series 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.","Series 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. ","Series 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. ","Series 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.","Series 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida","Series 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, ","Series 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.","Series 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.","Series 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. ","Series 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.","Series 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. ","Series 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.","Series 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. ","Series 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. ","Series 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.","Series 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.","Series 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. ","Series 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. ","Series 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. ","Series 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. ","Series 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. ","Series 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":67,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872853597225484288,"_root_":"45807c67f367973431520ee3","timestamp":"2026-08-07T08:46:14.061Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/45807c67f367973431520ee3_aspace_cbeddf6adf8ca77f910c90c33e19048d"}},{"id":"e9b679c8ef2471d028ea2a70_aspace_66f37d0ae835e35b9f7210a14e7798d9","type":"File","attributes":{"title":"Barbara Louise Howard Photograph, 1912-1983","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/e9b679c8ef2471d028ea2a70_aspace_66f37d0ae835e35b9f7210a14e7798d9#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis box contains an oversized photo and copy of an oversized photo of Barbara Louise Howard, who was Norman Conway Benson's wartime girlfriend in 1943-1945.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/e9b679c8ef2471d028ea2a70_aspace_66f37d0ae835e35b9f7210a14e7798d9#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_66f37d0ae835e35b9f7210a14e7798d9","ref_ssm":["aspace_66f37d0ae835e35b9f7210a14e7798d9","aspace_66f37d0ae835e35b9f7210a14e7798d9"],"id":"e9b679c8ef2471d028ea2a70_aspace_66f37d0ae835e35b9f7210a14e7798d9","title_filing_ssi":"Barbara Louise Howard Photograph","title_ssm":["Barbara Louise Howard Photograph"],"title_tesim":["Barbara Louise Howard Photograph"],"unitdate_inclusive_ssm":["1912-1983"],"normalized_date_ssm":["1912-1983"],"normalized_title_ssm":["Barbara Louise Howard Photograph, 1912-1983"],"text":["Barbara Louise Howard Photograph, 1912-1983","Norman Conway Benson collection, 1943-1947, Date accessioned: 2019-09-19","001","/repositories/10/archival_objects/179492","Oversize Photos Box 3","oversize 001","This box contains an oversized photo  and copy of an oversized photo of Barbara Louise Howard, who was Norman Conway Benson's wartime girlfriend in 1943-1945."],"component_level_isim":[1],"parent_ids_ssim":["e9b679c8ef2471d028ea2a70"],"parent_unittitles_ssm":["Norman Conway Benson collection, 1943-1947, Date accessioned: 2019-09-19"],"parent_unittitles_tesim":["Norman Conway Benson collection, 1943-1947, Date accessioned: 2019-09-19"],"parent_levels_ssm":["collection"],"unitid_ssm":["001","/repositories/10/archival_objects/179492"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Norman Conway Benson collection, 1943-1947, Date accessioned: 2019-09-19"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":24,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"date_range_isim":[1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"containers_ssim":["Oversize Photos Box 3","oversize 001"],"scopecontent_html_tesm":["\u003cp\u003eThis box contains an oversized photo  and copy of an oversized photo of Barbara Louise Howard, who was Norman Conway Benson's wartime girlfriend in 1943-1945.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This box contains an oversized photo  and copy of an oversized photo of Barbara Louise Howard, who was Norman Conway Benson's wartime girlfriend in 1943-1945."],"_nest_path_":"/components#23","_nest_parent_":"e9b679c8ef2471d028ea2a70","_root_":"e9b679c8ef2471d028ea2a70","timestamp":"2026-04-21T05:35:55.966Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"e9b679c8ef2471d028ea2a70","title_filing_ssi":"Benson, Norman Conway Collection","title_ssm":["Norman Conway Benson collection"],"title_tesim":["Norman Conway Benson collection"],"ead_ssi":"e9b679c8ef2471d028ea2a70","unitdate_ssm":["1943-1947","Date accessioned: 2019-09-19"],"unitdate_inclusive_ssm":["1943-1947"],"unitdate_other_ssim":["Date accessioned: 2019-09-19"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["00.0101","/repositories/10/resources/1508"],"text":["00.0101","/repositories/10/resources/1508","Norman Conway Benson collection, 1943-1947, Date accessioned: 2019-09-19","Hollandia (Netherlands New Guinea)","World War, 1939-1945--Philippines","World War, 1939-1945--Campaigns--Philippines--Luzon","World War, 1939-1945--Campaigns--Philippines--Manila","World War, 1939-1945--Campaigns--New Guinea","This collection is open to all researchers.","Norman Conway Benson was born on November 20, 1924 in Iron Mountain, Michigan to Delbert Benson and Lillian Benson. He grew up in Iron Mountain, MI. Benson was drafted into the U.S. Army in 1944 as a Technician 5th Grade and served with Company A, 1st Battalion, General Headquarters, United States Army Forces Pacific in the Philippine Islands (PTO) in 1944 and 1946. Benson received his Honorable Discharge on January 18, 1946. After his service, Benson returned to the upper Peninsula of Michigan and attended college at the Michigan College of Mining and Technology in Houghton, where he received a degree in engineering. He worked for Ford Motor Company and then Westinghouse in Lima, Ohio, where he was living during his retirement. Benson married his second wife, Yolanda Benson and moved to Texas until his death. Benson passed away on Decemamber 22, 1994 in El Paso, TX.","This collection relates to Technician 5th Grade Norman Conway Benson who served with Company A, 1st Battalion, General Headquarters, United States Army Forces Pacific during World War II. The collection includes the contents of two scrapbooks, letters, government and identification information, and additional photographs during Norman Conway Benson's time serving the Army in the Philippines in 1944 and 1946. The letters and photographs originate from Norman Conway Benson's family, friends, and wartime girlfriend, Barbara Louise Howard. Photographs in the collection include family, friends, and Benson's time spent in the Philippines, Leyte, Luzon, Hollandia, New Guinea, and Canada. Additional identification information of Benson's mother, Lillian Benson is included in the collection.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Benson, Norman Conway, 1924-1994","MacArthur, Douglas, 1880-1964","English"],"unitid_tesim":["00.0101","/repositories/10/resources/1508"],"normalized_date_ssm":["1943-1947, Date accessioned: 2019-09-19"],"normalized_title_ssm":["Norman Conway Benson collection, 1943-1947, Date accessioned: 2019-09-19"],"collection_title_tesim":["Norman Conway Benson collection, 1943-1947, Date accessioned: 2019-09-19"],"collection_ssim":["Norman Conway Benson collection, 1943-1947, Date accessioned: 2019-09-19"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Hollandia (Netherlands New Guinea)"],"geogname_ssim":["Hollandia (Netherlands New Guinea)"],"creator_ssm":["Benson, Norman Conway, 1924-1994"],"creator_ssim":["Benson, Norman Conway, 1924-1994"],"creator_persname_ssim":["Benson, Norman Conway, 1924-1994"],"creators_ssim":["Benson, Norman Conway, 1924-1994"],"places_ssim":["Hollandia (Netherlands New Guinea)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["World War, 1939-1945--Philippines","World War, 1939-1945--Campaigns--Philippines--Luzon","World War, 1939-1945--Campaigns--Philippines--Manila","World War, 1939-1945--Campaigns--New Guinea"],"access_subjects_ssm":["World War, 1939-1945--Philippines","World War, 1939-1945--Campaigns--Philippines--Luzon","World War, 1939-1945--Campaigns--Philippines--Manila","World War, 1939-1945--Campaigns--New Guinea"],"has_online_content_ssim":["false"],"extent_ssm":[".75 Linear Feet 1 half box and 1 quarter box"],"extent_tesim":[".75 Linear Feet 1 half box and 1 quarter box"],"date_range_isim":[1943,1944,1945,1946,1947],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eNorman Conway Benson was born on November 20, 1924 in Iron Mountain, Michigan to Delbert Benson and Lillian Benson. He grew up in Iron Mountain, MI. Benson was drafted into the U.S. Army in 1944 as a Technician 5th Grade and served with Company A, 1st Battalion, General Headquarters, United States Army Forces Pacific in the Philippine Islands (PTO) in 1944 and 1946. Benson received his Honorable Discharge on January 18, 1946. After his service, Benson returned to the upper Peninsula of Michigan and attended college at the Michigan College of Mining and Technology in Houghton, where he received a degree in engineering. He worked for Ford Motor Company and then Westinghouse in Lima, Ohio, where he was living during his retirement. Benson married his second wife, Yolanda Benson and moved to Texas until his death. Benson passed away on Decemamber 22, 1994 in El Paso, TX.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Norman Conway Benson was born on November 20, 1924 in Iron Mountain, Michigan to Delbert Benson and Lillian Benson. He grew up in Iron Mountain, MI. Benson was drafted into the U.S. Army in 1944 as a Technician 5th Grade and served with Company A, 1st Battalion, General Headquarters, United States Army Forces Pacific in the Philippine Islands (PTO) in 1944 and 1946. Benson received his Honorable Discharge on January 18, 1946. After his service, Benson returned to the upper Peninsula of Michigan and attended college at the Michigan College of Mining and Technology in Houghton, where he received a degree in engineering. He worked for Ford Motor Company and then Westinghouse in Lima, Ohio, where he was living during his retirement. Benson married his second wife, Yolanda Benson and moved to Texas until his death. Benson passed away on Decemamber 22, 1994 in El Paso, TX."],"custodhist_heading_ssm":["Custodial History"],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Norman Conway Benson collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_00_0001\"\u003ehttp://purl.fcla.edu/fsu/WWII_00_0001\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Norman Conway Benson collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_00_0001"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Technician 5th Grade Norman Conway Benson who served with Company A, 1st Battalion, General Headquarters, United States Army Forces Pacific during World War II. The collection includes the contents of two scrapbooks, letters, government and identification information, and additional photographs during Norman Conway Benson's time serving the Army in the Philippines in 1944 and 1946. The letters and photographs originate from Norman Conway Benson's family, friends, and wartime girlfriend, Barbara Louise Howard. Photographs in the collection include family, friends, and Benson's time spent in the Philippines, Leyte, Luzon, Hollandia, New Guinea, and Canada. Additional identification information of Benson's mother, Lillian Benson is included in the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection relates to Technician 5th Grade Norman Conway Benson who served with Company A, 1st Battalion, General Headquarters, United States Army Forces Pacific during World War II. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Benson, Norman Conway, 1924-1994","MacArthur, Douglas, 1880-1964"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["MacArthur, Douglas, 1880-1964"],"persname_ssim":["Benson, Norman Conway, 1924-1994","MacArthur, Douglas, 1880-1964"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":24,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"e9b679c8ef2471d028ea2a70","timestamp":"2026-04-21T05:35:55.966Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/e9b679c8ef2471d028ea2a70_aspace_66f37d0ae835e35b9f7210a14e7798d9"}},{"id":"ed4649883123bfa4926abf3c","type":"collection","attributes":{"title":"Barbara McCrimmon Research Collection, 1895-1993, Date acquired: 06/06/2011, bulk 1975-1993","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/ed4649883123bfa4926abf3c#creator","type":"document_value","attributes":{"value":["Barbara McCrimmon"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/ed4649883123bfa4926abf3c#abstract_or_scope","type":"document_value","attributes":{"value":["Letters and research materials of Barbara McCrimmon, Florida State University alumna, mainly concerning her time spent drafting the biography of Dr. Richard Garnett."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ed4649883123bfa4926abf3c#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"ed4649883123bfa4926abf3c","title_ssm":["Barbara McCrimmon Research Collection"],"title_tesim":["Barbara McCrimmon Research Collection"],"ead_ssi":"ed4649883123bfa4926abf3c","unitdate_ssm":["1895-1993","1975-1993","Date acquired: 06/06/2011"],"unitdate_bulk_ssim":["1975-1993"],"unitdate_inclusive_ssm":["1895-1993"],"unitdate_other_ssim":["Date acquired: 06/06/2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2001-01","/repositories/10/resources/732"],"text":["MSS 2001-01","/repositories/10/resources/732","Barbara McCrimmon Research Collection, 1895-1993, Date acquired: 06/06/2011, bulk 1975-1993","Letters","This collection is housed in two boxes and broken down into three series. The folders within each series are arranged alphabetically.","Barbara Smith McCrimmon, daughter of Webster R. and Jessie Smith, was born May 3, 1918 in Anoka, Minnesota. She earned her Bachelor of Arts degree from the University of Minnesota in 1939. Several years later, in 1961, McCrimmon would go on to earn her Master of Science in Library Science from the University of Illinois followed by a Ph.D. from Florida State University in 1973.\n \tMcCrimmon started her career in 1961 as an Assistant Librarian at the Illinios State Natural History Survey. In 1962 she accepted a position as a Research Associate with the Bureau of Community Planning in Urbana, IL. Then, in 1964, McCrimmon attained her first full-time Librarian position at the Illinoise State Water Survey followed by a two-year stint as Librarian at the Amierican Meteorological Society in Boston. From 1967-1969, McCrimmon was the Editorial Assistant for the  Journal of Library History . After recieving her Ph.D., she returned from 1973-1974 to be the Acting Managing Editor of the  Journal . Her last position before taking up writing full-time in 1977 was as an Acting Adjunct Professor of Library Science at Florida State University.","Memberships","League of Women Voters (Vice President, 1961-63)","Manuscript Society (Board of Directors, 1974-75; Vice President, 1975-78;President 1978-80)","Beta Phi Mu Gamma Chapter (Vice President, 1978-79; President, 1979-80)","American Library Association","Private Library Association","Bibliographical Society of America\n \nNote written by Joshua Somers","Original donation date is unknown. Processing began June 4, 2011.","This collection is comprised mainly of letters written and received by Barbara S. 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The folders within each series are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is housed in two boxes and broken down into three series. The folders within each series are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eBarbara Smith McCrimmon, daughter of Webster R. and Jessie Smith, was born May 3, 1918 in Anoka, Minnesota. She earned her Bachelor of Arts degree from the University of Minnesota in 1939. Several years later, in 1961, McCrimmon would go on to earn her Master of Science in Library Science from the University of Illinois followed by a Ph.D. from Florida State University in 1973.\n\u003cbr\u003e\u003cbr\u003e\tMcCrimmon started her career in 1961 as an Assistant Librarian at the Illinios State Natural History Survey. In 1962 she accepted a position as a Research Associate with the Bureau of Community Planning in Urbana, IL. Then, in 1964, McCrimmon attained her first full-time Librarian position at the Illinoise State Water Survey followed by a two-year stint as Librarian at the Amierican Meteorological Society in Boston. From 1967-1969, McCrimmon was the Editorial Assistant for the \u003cemph render=\"italic\"\u003eJournal of Library History\u003c/emph\u003e. After recieving her Ph.D., she returned from 1973-1974 to be the Acting Managing Editor of the \u003cemph render=\"italic\"\u003eJournal\u003c/emph\u003e. Her last position before taking up writing full-time in 1977 was as an Acting Adjunct Professor of Library Science at Florida State University.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"underline\"\u003eMemberships\u003c/emph\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eLeague of Women Voters (Vice President, 1961-63)\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eManuscript Society (Board of Directors, 1974-75; Vice President, 1975-78;President 1978-80)\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eBeta Phi Mu Gamma Chapter (Vice President, 1978-79; President, 1979-80)\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eAmerican Library Association\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003ePrivate Library Association\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eBibliographical Society of America\n\u003cbr\u003e\u003cbr\u003e\nNote written by Joshua Somers\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Barbara Smith McCrimmon, daughter of Webster R. and Jessie Smith, was born May 3, 1918 in Anoka, Minnesota. She earned her Bachelor of Arts degree from the University of Minnesota in 1939. Several years later, in 1961, McCrimmon would go on to earn her Master of Science in Library Science from the University of Illinois followed by a Ph.D. from Florida State University in 1973.\n \tMcCrimmon started her career in 1961 as an Assistant Librarian at the Illinios State Natural History Survey. In 1962 she accepted a position as a Research Associate with the Bureau of Community Planning in Urbana, IL. Then, in 1964, McCrimmon attained her first full-time Librarian position at the Illinoise State Water Survey followed by a two-year stint as Librarian at the Amierican Meteorological Society in Boston. From 1967-1969, McCrimmon was the Editorial Assistant for the  Journal of Library History . After recieving her Ph.D., she returned from 1973-1974 to be the Acting Managing Editor of the  Journal . Her last position before taking up writing full-time in 1977 was as an Acting Adjunct Professor of Library Science at Florida State University.","Memberships","League of Women Voters (Vice President, 1961-63)","Manuscript Society (Board of Directors, 1974-75; Vice President, 1975-78;President 1978-80)","Beta Phi Mu Gamma Chapter (Vice President, 1978-79; President, 1979-80)","American Library Association","Private Library Association","Bibliographical Society of America\n \nNote written by Joshua Somers"],"processinfo_html_tesm":["\u003cp\u003eOriginal donation date is unknown. Processing began June 4, 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original donation date is unknown. Processing began June 4, 2011."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is comprised mainly of letters written and received by Barbara S. 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McCrimmon during the years she was writing the biography of Dr. Richard Garnett, an author, philologist and assistant keeper of Printed Books in the British Museum."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fa5c0dde04b5f37b71343abc3996e975\" label=\"Abstract\"\u003eLetters and research materials of Barbara McCrimmon, Florida State University alumna, mainly concerning her time spent drafting the biography of Dr. Richard Garnett.\u003c/abstract\u003e"],"abstract_tesim":["Letters and research materials of Barbara McCrimmon, Florida State University alumna, mainly concerning her time spent drafting the biography of Dr. Richard Garnett."],"names_coll_ssim":["British Museum","Barbara McCrimmon","Garnett, Richard"],"names_ssim":["FSU Special Collections \u0026 Archives","British Museum","Barbara McCrimmon","Garnett, Richard"],"corpname_ssim":["FSU Special Collections \u0026 Archives","British Museum"],"persname_ssim":["Barbara McCrimmon","Garnett, Richard"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":13,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"ed4649883123bfa4926abf3c","timestamp":"2026-07-08T12:17:08.313Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ed4649883123bfa4926abf3c","title_ssm":["Barbara McCrimmon Research Collection"],"title_tesim":["Barbara McCrimmon Research Collection"],"ead_ssi":"ed4649883123bfa4926abf3c","unitdate_ssm":["1895-1993","1975-1993","Date acquired: 06/06/2011"],"unitdate_bulk_ssim":["1975-1993"],"unitdate_inclusive_ssm":["1895-1993"],"unitdate_other_ssim":["Date acquired: 06/06/2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2001-01","/repositories/10/resources/732"],"text":["MSS 2001-01","/repositories/10/resources/732","Barbara McCrimmon Research Collection, 1895-1993, Date acquired: 06/06/2011, bulk 1975-1993","Letters","This collection is housed in two boxes and broken down into three series. The folders within each series are arranged alphabetically.","Barbara Smith McCrimmon, daughter of Webster R. and Jessie Smith, was born May 3, 1918 in Anoka, Minnesota. She earned her Bachelor of Arts degree from the University of Minnesota in 1939. Several years later, in 1961, McCrimmon would go on to earn her Master of Science in Library Science from the University of Illinois followed by a Ph.D. from Florida State University in 1973.\n \tMcCrimmon started her career in 1961 as an Assistant Librarian at the Illinios State Natural History Survey. In 1962 she accepted a position as a Research Associate with the Bureau of Community Planning in Urbana, IL. Then, in 1964, McCrimmon attained her first full-time Librarian position at the Illinoise State Water Survey followed by a two-year stint as Librarian at the Amierican Meteorological Society in Boston. From 1967-1969, McCrimmon was the Editorial Assistant for the  Journal of Library History . 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This includes personal letters, immigration papers, photographs, negatives of photographs, obituaries, and personal mementos, including of religious beliefs.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. 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This includes personal letters, immigration papers, photographs, negatives of photographs, obituaries, and personal mementos, including of religious beliefs.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. 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Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["In the summer of 1998, Arsenault donated some of his research files and miscellaneous materials to the Nelson Poynter Memorial Library. In 2001 and again in 2004, he sent additional materials for preservation as part of this collection. 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Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.","UWF University Archives and West Florida History Center","Pensacola Navy Yard (Fla.)","Battle, Josephine","English"],"unitid_tesim":["M1981-30SC","/repositories/2/resources/371"],"normalized_date_ssm":["1906-1980, Date acquired: 10/00/1981"],"normalized_title_ssm":["Battle, Josephine, Papers, 1906-1980, Date acquired: 10/00/1981"],"collection_title_tesim":["Battle, Josephine, Papers, 1906-1980, Date acquired: 10/00/1981"],"collection_ssim":["Battle, Josephine, Papers, 1906-1980, Date acquired: 10/00/1981"],"repository_ssm":["UWF University Archives and West Florida History Center"],"repository_ssim":["UWF University Archives and West Florida History Center"],"geogname_ssm":["Warrington (Fla.)--History."],"geogname_ssim":["Warrington (Fla.)--History."],"creator_ssm":["Battle, Josephine"],"creator_ssim":["Battle, Josephine"],"creator_persname_ssim":["Battle, Josephine"],"creators_ssim":["Battle, Josephine"],"places_ssim":["Warrington (Fla.)--History."],"access_terms_ssm":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"acqinfo_ssim":["Mrs. John R. 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Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"names_coll_ssim":["Pensacola Navy Yard (Fla.)"],"names_ssim":["UWF University Archives and West Florida History Center","Pensacola Navy Yard (Fla.)","Battle, Josephine"],"corpname_ssim":["UWF University Archives and West Florida History Center","Pensacola Navy Yard (Fla.)"],"persname_ssim":["Battle, Josephine"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"0eaab343346b957a3ef40094","timestamp":"2026-07-10T04:34:15.959Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"0eaab343346b957a3ef40094","title_ssm":["Battle, Josephine, Papers"],"title_tesim":["Battle, Josephine, Papers"],"ead_ssi":"0eaab343346b957a3ef40094","unitdate_ssm":["1906-1980","Date acquired: 10/00/1981"],"unitdate_inclusive_ssm":["1906-1980"],"unitdate_other_ssim":["Date acquired: 10/00/1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M1981-30SC","/repositories/2/resources/371"],"text":["M1981-30SC","/repositories/2/resources/371","Battle, Josephine, Papers, 1906-1980, Date acquired: 10/00/1981","Warrington (Fla.)--History.","Postmasters--Florida--Warrington.","Photographs--Florida.","Open to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  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Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.","UWF University Archives and West Florida History Center","Pensacola Navy Yard (Fla.)","Battle, Josephine","English"],"unitid_tesim":["M1981-30SC","/repositories/2/resources/371"],"normalized_date_ssm":["1906-1980, Date acquired: 10/00/1981"],"normalized_title_ssm":["Battle, Josephine, Papers, 1906-1980, Date acquired: 10/00/1981"],"collection_title_tesim":["Battle, Josephine, Papers, 1906-1980, Date acquired: 10/00/1981"],"collection_ssim":["Battle, Josephine, Papers, 1906-1980, Date acquired: 10/00/1981"],"repository_ssm":["UWF University Archives and West Florida History Center"],"repository_ssim":["UWF University Archives and West Florida History Center"],"geogname_ssm":["Warrington (Fla.)--History."],"geogname_ssim":["Warrington (Fla.)--History."],"creator_ssm":["Battle, Josephine"],"creator_ssim":["Battle, Josephine"],"creator_persname_ssim":["Battle, Josephine"],"creators_ssim":["Battle, Josephine"],"places_ssim":["Warrington (Fla.)--History."],"access_terms_ssm":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"acqinfo_ssim":["Mrs. John R. Battle, Warrington, Fla., October 1981"],"access_subjects_ssim":["Postmasters--Florida--Warrington.","Photographs--Florida."],"access_subjects_ssm":["Postmasters--Florida--Warrington.","Photographs--Florida."],"has_online_content_ssim":["false"],"extent_ssm":["16.00 items"],"extent_tesim":["16.00 items"],"genreform_ssim":["Photographs--Florida."],"date_range_isim":[1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access."],"processinfo_html_tesm":["\u003cp\u003eRevised 11/21/2006 \u003c/p\u003e","\u003cp\u003eCataloged 05/14/1982\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Revised 11/21/2006 ","Cataloged 05/14/1982"],"scopecontent_html_tesm":["\u003cp\u003ePersonal papers including photocopies and photographs of biographical information and materials concerning the history of Pensacola Navy Yard and Warrington, Florida.\u003c/p\u003e\n","\u003cp\u003ePhotographs are indexed in the Photograph Collection Index by subject and personal names.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Personal papers including photocopies and photographs of biographical information and materials concerning the history of Pensacola Navy Yard and Warrington, Florida.","Photographs are indexed in the Photograph Collection Index by subject and personal names."],"userestrict_html_tesm":["\u003cp\u003eDigital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"names_coll_ssim":["Pensacola Navy Yard (Fla.)"],"names_ssim":["UWF University Archives and West Florida History Center","Pensacola Navy Yard (Fla.)","Battle, Josephine"],"corpname_ssim":["UWF University Archives and West Florida History Center","Pensacola Navy Yard (Fla.)"],"persname_ssim":["Battle, Josephine"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"0eaab343346b957a3ef40094","timestamp":"2026-07-10T04:34:15.959Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/0eaab343346b957a3ef40094"}},{"id":"4d2c02ddc39c14a3e08e6e44","type":"collection","attributes":{"title":"Baynard Hardwick Kendrick collection, 1915-1972, bulk 1930-1972","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/4d2c02ddc39c14a3e08e6e44#creator","type":"document_value","attributes":{"value":["Kendrick, Baynard (1894-1977)"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/4d2c02ddc39c14a3e08e6e44#abstract_or_scope","type":"document_value","attributes":{"value":["This collection contains manuscripts of most of Kendrick's writings, including his detective stories, histories, and other novels. It also contains materials on Kendrick's work with the blind, including the Blinded Veterans Association and the American Association for Workers for the Blind, as well as newspaper clippings, correspondence, photos, scrapbooks, items concerning Cuban refugees, interview transcripts, and phonograph dictation records."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4d2c02ddc39c14a3e08e6e44#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"4d2c02ddc39c14a3e08e6e44","title_ssm":["Baynard Hardwick Kendrick collection"],"title_tesim":["Baynard Hardwick Kendrick collection"],"ead_ssi":"4d2c02ddc39c14a3e08e6e44","unitdate_ssm":["1915-1972","1930-1972"],"unitdate_bulk_ssim":["1930-1972"],"unitdate_inclusive_ssm":["1915-1972"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1978-01","/repositories/2/resources/143"],"text":["MS-1978-01","/repositories/2/resources/143","Baynard Hardwick Kendrick collection, 1915-1972, bulk 1930-1972","Cuban Americans -- Florida -- Tampa -- History","Detective and mystery stories -- American","Lumber trade","Cities and towns -- Florida -- growth","Generally, the collection is arranged with Kendrick's mystery novels first, followed by his histories, then several boxes of correspondence, personal records, and newspaper clippings. The final few boxes contain his dictation records,  Florida's Fabulous Past  series,  Cousin Lotta, A Novel  manuscripts, with the last two boxes containing scrapbooks and research materials for  Flight from a Firing Wall.","Baynard Kendrick was perhaps best well known for his detective novels and his character Captain Duncan Maclain, the blind detective. Kendrick was the first American citizen to enlist in the Canadian army in WWI, and following his experience during that war, became involved with services to those who had been blinded. One experience that must have had an impact on Kendrick was encountering a British soldier who had been blinded who was able to tell him the history of his military service and every unit he'd served with, simply by feeling Kendrick's buttons, uniform, and insignia. Due to the extent on his research with the blind while creating Cpt. Maclain, the U. S. Army asked Kendrick to serve as a consultant on the rehabilitation of the blind during WWII, which became the basis for his novel Lights Out. Kendrick spent years traveling Florida as a salesman during the interwar years, which gave him an intimate knowledge of Florida history and geography. He later went on to write local history, including topics such as Florida's highway system, lumber industry (which was published posthumously in 2007), and a series of articles entitled  Florida's Fabulous Past , some of which detail his own experiences in Florida throughout the years.","Note written by Justin M. White","published","processed","Kendrick's correspondence spans 1934-1972, with his writing contracts and accounting records covering the same years.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection contains manuscripts of most of Kendrick's writings, including his detective stories, histories, and other novels. It also contains materials on Kendrick's work with the blind, including the Blinded Veterans Association and the American Association for Workers for the Blind, as well as newspaper clippings, correspondence, photos, scrapbooks, items concerning Cuban refugees, interview transcripts, and phonograph dictation records.","USF Libraries - Tampa Special Collections","Blinded Veterans Association","Florida. State Road Department","Mystery Writers of America","Kendrick, Baynard (1894-1977)","English"],"unitid_tesim":["MS-1978-01","/repositories/2/resources/143"],"normalized_date_ssm":["1915-1972, bulk 1930-1972"],"normalized_title_ssm":["Baynard Hardwick Kendrick collection, 1915-1972, bulk 1930-1972"],"collection_title_tesim":["Baynard Hardwick Kendrick collection, 1915-1972, bulk 1930-1972"],"collection_ssim":["Baynard Hardwick Kendrick collection, 1915-1972, bulk 1930-1972"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Kendrick, Baynard (1894-1977)"],"creator_ssim":["Kendrick, Baynard (1894-1977)"],"creator_persname_ssim":["Kendrick, Baynard (1894-1977)"],"creators_ssim":["Kendrick, Baynard (1894-1977)"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation."],"access_subjects_ssim":["Cuban Americans -- Florida -- Tampa -- History","Detective and mystery stories -- American","Lumber trade","Cities and towns -- Florida -- growth"],"access_subjects_ssm":["Cuban Americans -- Florida -- Tampa -- History","Detective and mystery stories -- American","Lumber trade","Cities and towns -- Florida -- growth"],"has_online_content_ssim":["false"],"extent_ssm":["8.27 Linear Feet","18 boxes"],"extent_tesim":["8.27 Linear Feet","18 boxes"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972],"arrangement_html_tesm":["\u003cp\u003eGenerally, the collection is arranged with Kendrick's mystery novels first, followed by his histories, then several boxes of correspondence, personal records, and newspaper clippings. The final few boxes contain his dictation records, \u003cemph render=\"italic\"\u003eFlorida's Fabulous Past\u003c/emph\u003e series, \u003cemph render=\"italic\"\u003eCousin Lotta, A Novel\u003c/emph\u003e manuscripts, with the last two boxes containing scrapbooks and research materials for\u003cemph render=\"italic\"\u003e Flight from a Firing Wall.\u003c/emph\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Generally, the collection is arranged with Kendrick's mystery novels first, followed by his histories, then several boxes of correspondence, personal records, and newspaper clippings. The final few boxes contain his dictation records,  Florida's Fabulous Past  series,  Cousin Lotta, A Novel  manuscripts, with the last two boxes containing scrapbooks and research materials for  Flight from a Firing Wall."],"bioghist_html_tesm":["\u003cp\u003eBaynard Kendrick was perhaps best well known for his detective novels and his character Captain Duncan Maclain, the blind detective. Kendrick was the first American citizen to enlist in the Canadian army in WWI, and following his experience during that war, became involved with services to those who had been blinded. One experience that must have had an impact on Kendrick was encountering a British soldier who had been blinded who was able to tell him the history of his military service and every unit he'd served with, simply by feeling Kendrick's buttons, uniform, and insignia. Due to the extent on his research with the blind while creating Cpt. Maclain, the U. S. Army asked Kendrick to serve as a consultant on the rehabilitation of the blind during WWII, which became the basis for his novel Lights Out. Kendrick spent years traveling Florida as a salesman during the interwar years, which gave him an intimate knowledge of Florida history and geography. He later went on to write local history, including topics such as Florida's highway system, lumber industry (which was published posthumously in 2007), and a series of articles entitled \u003cemph render=\"italic\"\u003eFlorida's Fabulous Past\u003c/emph\u003e, some of which detail his own experiences in Florida throughout the years.\u003c/p\u003e\n","\u003cp\u003eNote written by Justin M. White\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Baynard Kendrick was perhaps best well known for his detective novels and his character Captain Duncan Maclain, the blind detective. Kendrick was the first American citizen to enlist in the Canadian army in WWI, and following his experience during that war, became involved with services to those who had been blinded. One experience that must have had an impact on Kendrick was encountering a British soldier who had been blinded who was able to tell him the history of his military service and every unit he'd served with, simply by feeling Kendrick's buttons, uniform, and insignia. Due to the extent on his research with the blind while creating Cpt. Maclain, the U. S. Army asked Kendrick to serve as a consultant on the rehabilitation of the blind during WWII, which became the basis for his novel Lights Out. Kendrick spent years traveling Florida as a salesman during the interwar years, which gave him an intimate knowledge of Florida history and geography. He later went on to write local history, including topics such as Florida's highway system, lumber industry (which was published posthumously in 2007), and a series of articles entitled  Florida's Fabulous Past , some of which detail his own experiences in Florida throughout the years.","Note written by Justin M. White"],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eBaynard Hardwick Kendrick Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Baynard Hardwick Kendrick Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"processinfo_html_tesm":["\u003cp\u003eprocessed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["processed"],"scopecontent_html_tesm":["\u003cp\u003eKendrick's correspondence spans 1934-1972, with his writing contracts and accounting records covering the same years.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Kendrick's correspondence spans 1934-1972, with his writing contracts and accounting records covering the same years."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a527a5432110b4646ba496a3257b0821\" label=\"Abstract\"\u003eThis collection contains manuscripts of most of Kendrick's writings, including his detective stories, histories, and other novels. It also contains materials on Kendrick's work with the blind, including the Blinded Veterans Association and the American Association for Workers for the Blind, as well as newspaper clippings, correspondence, photos, scrapbooks, items concerning Cuban refugees, interview transcripts, and phonograph dictation records.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains manuscripts of most of Kendrick's writings, including his detective stories, histories, and other novels. It also contains materials on Kendrick's work with the blind, including the Blinded Veterans Association and the American Association for Workers for the Blind, as well as newspaper clippings, correspondence, photos, scrapbooks, items concerning Cuban refugees, interview transcripts, and phonograph dictation records."],"names_coll_ssim":["Blinded Veterans Association","Florida. State Road Department","Mystery Writers of America"],"names_ssim":["USF Libraries - Tampa Special Collections","Blinded Veterans Association","Florida. State Road Department","Mystery Writers of America","Kendrick, Baynard (1894-1977)"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Blinded Veterans Association","Florida. State Road Department","Mystery Writers of America"],"persname_ssim":["Kendrick, Baynard (1894-1977)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":221,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"4d2c02ddc39c14a3e08e6e44","timestamp":"2026-07-08T03:31:06.108Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4d2c02ddc39c14a3e08e6e44","title_ssm":["Baynard Hardwick Kendrick collection"],"title_tesim":["Baynard Hardwick Kendrick collection"],"ead_ssi":"4d2c02ddc39c14a3e08e6e44","unitdate_ssm":["1915-1972","1930-1972"],"unitdate_bulk_ssim":["1930-1972"],"unitdate_inclusive_ssm":["1915-1972"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1978-01","/repositories/2/resources/143"],"text":["MS-1978-01","/repositories/2/resources/143","Baynard Hardwick Kendrick collection, 1915-1972, bulk 1930-1972","Cuban Americans -- Florida -- Tampa -- History","Detective and mystery stories -- American","Lumber trade","Cities and towns -- Florida -- growth","Generally, the collection is arranged with Kendrick's mystery novels first, followed by his histories, then several boxes of correspondence, personal records, and newspaper clippings. The final few boxes contain his dictation records,  Florida's Fabulous Past  series,  Cousin Lotta, A Novel  manuscripts, with the last two boxes containing scrapbooks and research materials for  Flight from a Firing Wall.","Baynard Kendrick was perhaps best well known for his detective novels and his character Captain Duncan Maclain, the blind detective. Kendrick was the first American citizen to enlist in the Canadian army in WWI, and following his experience during that war, became involved with services to those who had been blinded. One experience that must have had an impact on Kendrick was encountering a British soldier who had been blinded who was able to tell him the history of his military service and every unit he'd served with, simply by feeling Kendrick's buttons, uniform, and insignia. Due to the extent on his research with the blind while creating Cpt. Maclain, the U. S. Army asked Kendrick to serve as a consultant on the rehabilitation of the blind during WWII, which became the basis for his novel Lights Out. Kendrick spent years traveling Florida as a salesman during the interwar years, which gave him an intimate knowledge of Florida history and geography. He later went on to write local history, including topics such as Florida's highway system, lumber industry (which was published posthumously in 2007), and a series of articles entitled  Florida's Fabulous Past , some of which detail his own experiences in Florida throughout the years.","Note written by Justin M. White","published","processed","Kendrick's correspondence spans 1934-1972, with his writing contracts and accounting records covering the same years.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection contains manuscripts of most of Kendrick's writings, including his detective stories, histories, and other novels. It also contains materials on Kendrick's work with the blind, including the Blinded Veterans Association and the American Association for Workers for the Blind, as well as newspaper clippings, correspondence, photos, scrapbooks, items concerning Cuban refugees, interview transcripts, and phonograph dictation records.","USF Libraries - Tampa Special Collections","Blinded Veterans Association","Florida. State Road Department","Mystery Writers of America","Kendrick, Baynard (1894-1977)","English"],"unitid_tesim":["MS-1978-01","/repositories/2/resources/143"],"normalized_date_ssm":["1915-1972, bulk 1930-1972"],"normalized_title_ssm":["Baynard Hardwick Kendrick collection, 1915-1972, bulk 1930-1972"],"collection_title_tesim":["Baynard Hardwick Kendrick collection, 1915-1972, bulk 1930-1972"],"collection_ssim":["Baynard Hardwick Kendrick collection, 1915-1972, bulk 1930-1972"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Kendrick, Baynard (1894-1977)"],"creator_ssim":["Kendrick, Baynard (1894-1977)"],"creator_persname_ssim":["Kendrick, Baynard (1894-1977)"],"creators_ssim":["Kendrick, Baynard (1894-1977)"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation."],"access_subjects_ssim":["Cuban Americans -- Florida -- Tampa -- History","Detective and mystery stories -- American","Lumber trade","Cities and towns -- Florida -- growth"],"access_subjects_ssm":["Cuban Americans -- Florida -- Tampa -- History","Detective and mystery stories -- American","Lumber trade","Cities and towns -- Florida -- growth"],"has_online_content_ssim":["false"],"extent_ssm":["8.27 Linear Feet","18 boxes"],"extent_tesim":["8.27 Linear Feet","18 boxes"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972],"arrangement_html_tesm":["\u003cp\u003eGenerally, the collection is arranged with Kendrick's mystery novels first, followed by his histories, then several boxes of correspondence, personal records, and newspaper clippings. The final few boxes contain his dictation records, \u003cemph render=\"italic\"\u003eFlorida's Fabulous Past\u003c/emph\u003e series, \u003cemph render=\"italic\"\u003eCousin Lotta, A Novel\u003c/emph\u003e manuscripts, with the last two boxes containing scrapbooks and research materials for\u003cemph render=\"italic\"\u003e Flight from a Firing Wall.\u003c/emph\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Generally, the collection is arranged with Kendrick's mystery novels first, followed by his histories, then several boxes of correspondence, personal records, and newspaper clippings. The final few boxes contain his dictation records,  Florida's Fabulous Past  series,  Cousin Lotta, A Novel  manuscripts, with the last two boxes containing scrapbooks and research materials for  Flight from a Firing Wall."],"bioghist_html_tesm":["\u003cp\u003eBaynard Kendrick was perhaps best well known for his detective novels and his character Captain Duncan Maclain, the blind detective. Kendrick was the first American citizen to enlist in the Canadian army in WWI, and following his experience during that war, became involved with services to those who had been blinded. One experience that must have had an impact on Kendrick was encountering a British soldier who had been blinded who was able to tell him the history of his military service and every unit he'd served with, simply by feeling Kendrick's buttons, uniform, and insignia. Due to the extent on his research with the blind while creating Cpt. Maclain, the U. S. Army asked Kendrick to serve as a consultant on the rehabilitation of the blind during WWII, which became the basis for his novel Lights Out. Kendrick spent years traveling Florida as a salesman during the interwar years, which gave him an intimate knowledge of Florida history and geography. He later went on to write local history, including topics such as Florida's highway system, lumber industry (which was published posthumously in 2007), and a series of articles entitled \u003cemph render=\"italic\"\u003eFlorida's Fabulous Past\u003c/emph\u003e, some of which detail his own experiences in Florida throughout the years.\u003c/p\u003e\n","\u003cp\u003eNote written by Justin M. White\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Baynard Kendrick was perhaps best well known for his detective novels and his character Captain Duncan Maclain, the blind detective. Kendrick was the first American citizen to enlist in the Canadian army in WWI, and following his experience during that war, became involved with services to those who had been blinded. One experience that must have had an impact on Kendrick was encountering a British soldier who had been blinded who was able to tell him the history of his military service and every unit he'd served with, simply by feeling Kendrick's buttons, uniform, and insignia. Due to the extent on his research with the blind while creating Cpt. Maclain, the U. S. Army asked Kendrick to serve as a consultant on the rehabilitation of the blind during WWII, which became the basis for his novel Lights Out. Kendrick spent years traveling Florida as a salesman during the interwar years, which gave him an intimate knowledge of Florida history and geography. He later went on to write local history, including topics such as Florida's highway system, lumber industry (which was published posthumously in 2007), and a series of articles entitled  Florida's Fabulous Past , some of which detail his own experiences in Florida throughout the years.","Note written by Justin M. 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