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In 1925 her Viennese Butterfly debut excited international attention, and in 1926 her milestone engagement in Dresden as the first German-language Turandot (under Fritz Busch) made operatic history. She remained for six seasons in Dresden while intermittently appearing in Berlin, Vienna, London, and Paris. In 1928 Toscanini selected her to sing Turandot at La Scala, and in 1930 the French government conferred upon her the title of Madame for \"service in expanding French art.\" She went to San Francisco for Turandot in 1927 and to Covent Garden for the same role in 1928 and 1929. It was Philadephia and the year 1931 that brought her next milestone: Marie in the American premiere of Wozzeck under Leopold Stokowski. This highly successful production was immediately repeated at the Metropolitan. The next year she sang Elektra--which she had studied extensively with Richard Strauss himself--under Fritz Reiner in Philadelphia. Her musical associations with Alban Berg and Richard Strauss were longstanding and productive--the latter devoting great time and care to her in performance of Don Giovanni (Donna Anna) and his own Die Frau ohne Schatten and Salome. Soon after the dealth of her husband and adviser David Rosner, she moved to the Frank Lloyd Wright campus of Florida Southern College in Lakeland, Florida, to teach voice and opera studies from 1955 until her retirement in 1967. \u003c/p\u003e\n","\u003cp\u003e(Biographical information from collection)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Anne Roselle (born Gyenge Anna; March 20, 1894 – July 31, 1989) was a Hungarian/American operatic dramatic soprano. Daughter of a Hungarian military officer, the dramatic soprano was married as a young girl and came to New York City, where she received the bulk of her vocal training. Baritone Antonio Scotti was credited with her discovery and her initial contract with the Metropolitan Opera. She sang her debut there in December of 1920 as Muestta in La Boheme. Unhappy with the light roles assigned to her, she left the company in 1922 to tour with Scotti in such roles as Tosca and Butterfly, as well as Nedda and Micaela. In 1925 her Viennese Butterfly debut excited international attention, and in 1926 her milestone engagement in Dresden as the first German-language Turandot (under Fritz Busch) made operatic history. She remained for six seasons in Dresden while intermittently appearing in Berlin, Vienna, London, and Paris. In 1928 Toscanini selected her to sing Turandot at La Scala, and in 1930 the French government conferred upon her the title of Madame for \"service in expanding French art.\" She went to San Francisco for Turandot in 1927 and to Covent Garden for the same role in 1928 and 1929. It was Philadephia and the year 1931 that brought her next milestone: Marie in the American premiere of Wozzeck under Leopold Stokowski. This highly successful production was immediately repeated at the Metropolitan. The next year she sang Elektra--which she had studied extensively with Richard Strauss himself--under Fritz Reiner in Philadelphia. Her musical associations with Alban Berg and Richard Strauss were longstanding and productive--the latter devoting great time and care to her in performance of Don Giovanni (Donna Anna) and his own Die Frau ohne Schatten and Salome. Soon after the dealth of her husband and adviser David Rosner, she moved to the Frank Lloyd Wright campus of Florida Southern College in Lakeland, Florida, to teach voice and opera studies from 1955 until her retirement in 1967. ","(Biographical information from collection)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains biographical material, photographs, and sheet music related to Anne Roselle's career as a soprano during the early to mid twentieth century. Most of the sheet music dates from the turn of the century through the 1940s. Biographical information includes awards, lists of performances, news articles, and personal recollections by Ms. Roselle. Promotional material is also included, as well as official portraits and candid photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains biographical material, photographs, and sheet music related to Anne Roselle's career as a soprano during the early to mid twentieth century. Most of the sheet music dates from the turn of the century through the 1940s. Biographical information includes awards, lists of performances, news articles, and personal recollections by Ms. Roselle. Promotional material is also included, as well as official portraits and candid photographs."],"userestrict_html_tesm":["\u003cp\u003eThe Anne Roselle collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). \u003c/p\u003e\n","\u003cp\u003ePlease inquire if you have questions - archives@flsouthern.edu\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Anne Roselle collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu"],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Roselle, Anne"],"corpname_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"persname_ssim":["Roselle, Anne"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":118,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870851077531762688,"_root_":"e46a929ce5d56bf3bf0e5228","timestamp":"2026-07-16T06:17:02.454Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/e46a929ce5d56bf3bf0e5228_aspace_7282f7e1c652eb6b4d8af42e0f5bf8db"}},{"id":"5e17dda97e7549e9d9b40539_aspace_cd5ac92ba400e0818dc3f8463a77f8d6","type":"Subseries","attributes":{"title":"Sheet Music, Circa 1912-1972","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_cd5ac92ba400e0818dc3f8463a77f8d6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_cd5ac92ba400e0818dc3f8463a77f8d6","ref_ssm":["aspace_cd5ac92ba400e0818dc3f8463a77f8d6","aspace_cd5ac92ba400e0818dc3f8463a77f8d6"],"id":"5e17dda97e7549e9d9b40539_aspace_cd5ac92ba400e0818dc3f8463a77f8d6","title_filing_ssi":"Sheet Music","title_ssm":["Sheet Music"],"title_tesim":["Sheet Music"],"unitdate_inclusive_ssm":["Circa 1912-1972"],"normalized_date_ssm":["Circa 1912-1972"],"normalized_title_ssm":["Sheet Music, Circa 1912-1972"],"text":["Sheet Music, Circa 1912-1972","Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials","/repositories/2/archival_objects/6325","Notated music"],"component_level_isim":[2],"parent_ids_ssim":["5e17dda97e7549e9d9b40539","5e17dda97e7549e9d9b40539_aspace_ced9b0ebeee47c9fad9a3053c0bdb162"],"parent_unittitles_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials"],"parent_unittitles_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/6325"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":12,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":1498,"parent_access_restrict_tesm":["The Dorothy Porter Wesley Collection is open for research."],"date_range_isim":[1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972],"access_subjects_ssim":["Notated music"],"access_subjects_ssm":["Notated music"],"_nest_path_":"/components#5/components#6","_nest_parent_":"5e17dda97e7549e9d9b40539_aspace_ced9b0ebeee47c9fad9a3053c0bdb162","_root_":"5e17dda97e7549e9d9b40539","_version_":1871563605913108480,"timestamp":"2026-07-24T03:02:22.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5e17dda97e7549e9d9b40539","title_filing_ssi":"Wesley, Dorothy Porter Collection","title_ssm":["Dorothy Porter Wesley Collection"],"title_tesim":["Dorothy Porter Wesley Collection"],"ead_ssi":"5e17dda97e7549e9d9b40539","unitdate_ssm":["Circa 1788-2012"],"unitdate_inclusive_ssm":["Circa 1788-2012"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2003.6","/repositories/2/resources/20"],"text":["AARLCC.2003.6","/repositories/2/resources/20","Dorothy Porter Wesley Collection, Circa 1788-2012","Africa -- Research","Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art","The Dorothy Porter Wesley Collection is open for research.","View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.","The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets","Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.","The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.","Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".","The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.","AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970","English Portuguese German"],"unitid_tesim":["AARLCC.2003.6","/repositories/2/resources/20"],"normalized_date_ssm":["Circa 1788-2012"],"normalized_title_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_title_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Africa -- Research"],"geogname_ssim":["Africa -- Research"],"places_ssim":["Africa -- Research"],"acqinfo_ssim":["Broward County Library purchased the materials from Constance Porter Uzelac (daughter of Dorothy Porter Wesley) in December 2002 (Accession AARLCC-2003.6). Milan Uzelac donated accruals to AARLCC Special Collections on June 29, 2012 (Accession AARLCC-2012.12) and on May 12, 2022 (Accession AARLCC-2022.7)."],"access_subjects_ssim":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"access_subjects_ssm":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes","2800 Books"],"extent_tesim":["67 Hollinger Boxes","2800 Books"],"genreform_ssim":["Photographs","Sound recordings","Correspondence","Art"],"date_range_isim":[1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Dorothy Porter Wesley Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll37/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series and sub-series:\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries I. Correspondence\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. General Correspondence\u003c/p\u003e","\u003cp\u003eSub-series II. Family Correspondence\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries II. Professional Papers\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley professional papers\u003c/p\u003e","\u003cp\u003eSub-series II. Constance Porter Uzelac professional papers \u003c/p\u003e","\u003cp\u003eSub-series III. Charles Harris Wesley professional papers \u003c/p\u003e","\u003cp\u003eSub-series IV. Writings by Dorothy Porter Wesley\u003c/p\u003e","\u003cp\u003eSub-series V. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VI. Writings by James A. Porter\u003c/p\u003e","\u003cp\u003eSub-series VII. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VIII. Writings by Charles Harris Wesley \u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries III. Research Files\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley general research files\u003c/p\u003e","\u003cp\u003eSub-series II. Dorothy Porter Wesley Brazil research files\u003c/p\u003e","\u003cp\u003eSub-series III. Dorothy Porter Wesley illustrations\u003c/p\u003e","\u003cp\u003eSub-series IV. Constance Porter Uzelac research files\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries IV. Personal Papers\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries V. Photographs\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries VI. Printed Materials\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Calendars and Datebooks\u003c/p\u003e","\u003cp\u003eSub-series II. Catalogs\u003c/p\u003e","\u003cp\u003eSub-series III. General\u003c/p\u003e","\u003cp\u003eSub-series IV. Magazines\u003c/p\u003e","\u003cp\u003eSub-series V. Maps\u003c/p\u003e","\u003cp\u003eSub-series VI. Newspaper Clippings\u003c/p\u003e","\u003cp\u003eSub-series VII. Sheet Music\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries VII. Ephemera and Artwork\u003c/p\u003e\u003c/b\u003e","\u003cp\u003e\u003cb\u003eSeries VIII. Books and Pamphlets\u003c/b\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets"],"bioghist_html_tesm":["\u003cp\u003eDorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. \u003c/p\u003e\n","\u003cp\u003eIn 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work, \u003cemph\u003eModern Negro Art\u003c/emph\u003e, proved to be one of the most informative sources to date on the creativity of the Black artists.\u003c/p\u003e\n","\u003cp\u003eIn 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.\u003c/p\u003e\n","\u003cp\u003eJames Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. \u003c/p\u003e\n","\u003cp\u003eCharles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.\u003c/p\u003e\n","\u003cp\u003eIn 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.\u003c/p\u003e\n","\u003cp\u003eThe book \u003ci\u003eWilliam Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874\u003c/i\u003e (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.\u003c/p\u003e\n","\u003cp\u003eIn 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012."],"prefercite_html_tesm":["\u003cp\u003eDorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Dorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\n\u003ca href=\"https://archives.yale.edu/repositories/11/resources/994\" target=\"_blank\"\u003ePart of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.\u003c/a\u003e\n\u003c/p\u003e","\u003cp\u003e\n\u003ca href=\"https://archives.libraries.emory.edu/repositories/7/resources/3255\" target=\"_blank\"\u003eDorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.\u003c/a\u003e\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.\u003c/p\u003e\n","\u003cp\u003eCorrespondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.\u003c/p\u003e\n","\u003cp\u003eProfessional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.\u003c/p\u003e\n","\u003cp\u003eConstance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". \u003c/p\u003e\n","\u003cp\u003eThe collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.\u003c/p\u003e\n","\u003cp\u003eResearch files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.\u003c/p\u003e\n","\u003cp\u003ePrinted Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=DPW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_559c404160acc20bdc75d09cde3325a4\"\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets."],"names_ssim":["AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Wesley, Dorothy Porter, 1905-1995"],"persname_ssim":["Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"language_ssim":["English Portuguese German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1539,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563605913108480,"_root_":"5e17dda97e7549e9d9b40539","timestamp":"2026-07-24T03:02:22.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_cd5ac92ba400e0818dc3f8463a77f8d6"}},{"id":"aba7a5dffcfaf50e318f174b","type":"collection","attributes":{"title":"Sheldon Abend American Theater Collection, 1874-1968","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b#creator","type":"document_value","attributes":{"value":["Abend, Sheldon (1929-2003)"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"aba7a5dffcfaf50e318f174b","title_ssm":["Sheldon Abend American Theater Collection"],"title_tesim":["Sheldon Abend American Theater Collection"],"ead_ssi":"aba7a5dffcfaf50e318f174b","unitdate_ssm":["1874-1968"],"unitdate_inclusive_ssm":["1874-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC6030","/repositories/2/resources/37"],"text":["SPC6030","/repositories/2/resources/37","Sheldon Abend American Theater Collection, 1874-1968","Minstrel shows.","Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)","The collection is open for research.","Folders are organized in alphabetical order by author's name.","Sheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA.","Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture.","Related material to the collection may be found in the following repository. ","University of Miami Libraries, Special Collections.","American Play Company Collection","https://atom.library.miami.edu/asm0006","This collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003.","Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Abend, Sheldon (1929-2003)","English"],"unitid_tesim":["SPC6030","/repositories/2/resources/37"],"normalized_date_ssm":["1874-1968"],"normalized_title_ssm":["Sheldon Abend American Theater Collection, 1874-1968"],"collection_title_tesim":["Sheldon Abend American Theater Collection, 1874-1968"],"collection_ssim":["Sheldon Abend American Theater Collection, 1874-1968"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Minstrel shows."],"geogname_ssim":["Minstrel shows."],"creator_ssm":["Abend, Sheldon (1929-2003)"],"creator_ssim":["Abend, Sheldon (1929-2003)"],"creator_persname_ssim":["Abend, Sheldon (1929-2003)"],"creators_ssim":["Abend, Sheldon (1929-2003)"],"places_ssim":["Minstrel shows."],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation","Sheldon Abend"],"access_subjects_ssim":["Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"access_subjects_ssm":["Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes"],"extent_tesim":["47 boxes"],"genreform_ssim":["Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"date_range_isim":[1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eFolders are organized in alphabetical order by author's name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Folders are organized in alphabetical order by author's name."],"bioghist_html_tesm":["\u003cp\u003eSheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA."],"odd_html_tesm":["\u003cp\u003eLanguage from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.\u003c/p\u003e","\u003cp\u003eBlackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement","Historical Note"],"odd_tesim":["Language from the original item is typically transcribed directly and without redaction, especially for titles. 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The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated material to the collection may be found in the following repository. \u003c/p\u003e\n","\u003cp\u003eUniversity of Miami Libraries, Special Collections.\u003c/p\u003e\n","\u003cp\u003eAmerican Play Company Collection\u003c/p\u003e\n","\u003cp\u003ehttps://atom.library.miami.edu/asm0006\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related material to the collection may be found in the following repository. ","University of Miami Libraries, Special Collections.","American Play Company Collection","https://atom.library.miami.edu/asm0006"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains scripts. 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Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Abend, Sheldon (1929-2003)"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Abend, Sheldon (1929-2003)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1996,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844656373202944,"_root_":"aba7a5dffcfaf50e318f174b","timestamp":"2026-07-16T04:34:58.668Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"aba7a5dffcfaf50e318f174b","title_ssm":["Sheldon Abend American Theater Collection"],"title_tesim":["Sheldon Abend American Theater Collection"],"ead_ssi":"aba7a5dffcfaf50e318f174b","unitdate_ssm":["1874-1968"],"unitdate_inclusive_ssm":["1874-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC6030","/repositories/2/resources/37"],"text":["SPC6030","/repositories/2/resources/37","Sheldon Abend American Theater Collection, 1874-1968","Minstrel shows.","Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)","The collection is open for research.","Folders are organized in alphabetical order by author's name.","Sheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA.","Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture.","Related material to the collection may be found in the following repository. ","University of Miami Libraries, Special Collections.","American Play Company Collection","https://atom.library.miami.edu/asm0006","This collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003.","Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Abend, Sheldon (1929-2003)","English"],"unitid_tesim":["SPC6030","/repositories/2/resources/37"],"normalized_date_ssm":["1874-1968"],"normalized_title_ssm":["Sheldon Abend American Theater Collection, 1874-1968"],"collection_title_tesim":["Sheldon Abend American Theater Collection, 1874-1968"],"collection_ssim":["Sheldon Abend American Theater Collection, 1874-1968"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Minstrel shows."],"geogname_ssim":["Minstrel shows."],"creator_ssm":["Abend, Sheldon (1929-2003)"],"creator_ssim":["Abend, Sheldon (1929-2003)"],"creator_persname_ssim":["Abend, Sheldon (1929-2003)"],"creators_ssim":["Abend, Sheldon (1929-2003)"],"places_ssim":["Minstrel shows."],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation","Sheldon Abend"],"access_subjects_ssim":["Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"access_subjects_ssm":["Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes"],"extent_tesim":["47 boxes"],"genreform_ssim":["Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"date_range_isim":[1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eFolders are organized in alphabetical order by author's name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Folders are organized in alphabetical order by author's name."],"bioghist_html_tesm":["\u003cp\u003eSheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA."],"odd_html_tesm":["\u003cp\u003eLanguage from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.\u003c/p\u003e","\u003cp\u003eBlackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement","Historical Note"],"odd_tesim":["Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated material to the collection may be found in the following repository. \u003c/p\u003e\n","\u003cp\u003eUniversity of Miami Libraries, Special Collections.\u003c/p\u003e\n","\u003cp\u003eAmerican Play Company Collection\u003c/p\u003e\n","\u003cp\u003ehttps://atom.library.miami.edu/asm0006\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related material to the collection may be found in the following repository. ","University of Miami Libraries, Special Collections.","American Play Company Collection","https://atom.library.miami.edu/asm0006"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: \u003c/p\u003e\n","\u003cp\u003ehttps://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Abend, Sheldon (1929-2003)"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Abend, Sheldon (1929-2003)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1996,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844656373202944,"_root_":"aba7a5dffcfaf50e318f174b","timestamp":"2026-07-16T04:34:58.668Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b"}},{"id":"a3eabcc4094ea8e02f42af5b_aspace_7106","type":"File","attributes":{"title":"Silver Springs, circa 1885-1965","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a3eabcc4094ea8e02f42af5b_aspace_7106#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7106","ref_ssm":["aspace_7106","aspace_7106"],"id":"a3eabcc4094ea8e02f42af5b_aspace_7106","title_filing_ssi":"Silver Springs","title_ssm":["Silver Springs"],"title_tesim":["Silver Springs"],"unitdate_inclusive_ssm":["circa 1885-1965"],"normalized_date_ssm":["circa 1885-1965"],"normalized_title_ssm":["Silver Springs, circa 1885-1965"],"text":["Silver Springs, circa 1885-1965","Florida Ephemera collection, circa 1813-2007","Subject Files, 1831-2005","State Parks and Historical Markers, 1885-1982","Folder 3-4","/repositories/4/archival_objects/13269","box 22","folder 3-4"],"component_level_isim":[3],"parent_ids_ssim":["a3eabcc4094ea8e02f42af5b","a3eabcc4094ea8e02f42af5b_aspace_6500","a3eabcc4094ea8e02f42af5b_aspace_7046"],"parent_unittitles_ssm":["Florida Ephemera collection, circa 1813-2007","Subject Files, 1831-2005","State Parks and Historical Markers, 1885-1982"],"parent_unittitles_tesim":["Florida Ephemera collection, circa 1813-2007","Subject Files, 1831-2005","State Parks and Historical Markers, 1885-1982"],"parent_levels_ssm":["collection","Series","File"],"unitid_ssm":["Folder 3-4","/repositories/4/archival_objects/13269"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Florida Ephemera collection, circa 1813-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":29,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1334,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"containers_ssim":["box 22","folder 3-4"],"_nest_path_":"/components#1/components#19/components#22","_nest_parent_":"a3eabcc4094ea8e02f42af5b_aspace_7046","_root_":"a3eabcc4094ea8e02f42af5b","_version_":1876384024848498688,"timestamp":"2026-09-15T08:00:52.198Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a3eabcc4094ea8e02f42af5b","title_ssm":["Florida Ephemera collection"],"title_tesim":["Florida Ephemera collection"],"ead_ssi":"a3eabcc4094ea8e02f42af5b","unitdate_ssm":["circa 1813-2007"],"unitdate_inclusive_ssm":["circa 1813-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.032","/repositories/4/resources/60"],"text":["SC.032","/repositories/4/resources/60","Florida Ephemera collection, circa 1813-2007","Florida","Florida -- Politics and government","Orlando (Fla.)","Agriculture -- Florida","Business -- Florida","Gardening -- Florida","Parks -- Florida","Tourism","The entire collection is open for research.","The collection is divided into three series, Geographic Files, Artifacts and Subject Files. Geographic Files are arranged in three subseries, Central, North and South Florida, with Central Florida organized alphabetically by county. General information about a region begins each subseries, followed by cities and counties that have a high volume of information. Subject Files are arranged alphabetically.","Thomas and Georgine Mickler ran a small publishing company, Mickler House, and a thriving mail-order business, Mickler's Antiquarian Books, out of their Chuluota home for almost 40 years. The Mickler's focused on tracing out-of-print publications about Florida and ultimately collected more than 40,000 books and other historical pieces of paper memorabilia that filled their home. Thomas Mickler was a native Floridian but Georgine was born in Chicago. She moved to Orlando in 1961, and they married the following year. Both of them lived until they were 84 years old; Thomas died in 1997 and Georgine died a year later.","Collection processed by Jessica Achberger; finding aid prepared by Jessica Achberger and Jeffrey Baumiller.","This collection was processed by both geographic area and subject matter. Materials related to a specific location within Florida were divided out, while materials related to Florida as a whole were separated into specific subject matter. All materials are foldered, with special attention being paid to newspaper clippings and delicate manuscript materials. Sheets of acid free paper were put between clippings, and some materials have been sleeved for preservation.","Other materials collected by the Micklers are held in the University of Central Florida Libraries Special Collections and University Archives, and other collections provide information about Florida. For a complete list of collections please consult the  Special Collections \u0026 University Archives  website.","The Florida Ephemera Collection consists of materials about or produced in Florida collected by Thomas and Georgine Mickler through their mail-order business, Mickler's Antiquarian Books, as well as additional purchases made by the University of Central Florida Libraries Special Collections. These materials are all related in some way to Florida, either geographically or through the subject matter.","\nSeries I: Geographic Files, circa 1813-2007 contain tourism brochures, information on local historical societies, local business advertisements and newspaper clippings related to the different geographic areas of Florida, loosely divided into Central, North and South Florida. Some information may also be found in a Subject file; however, generally the Subject Files consist of information about Florida as a whole.","\nSeries II: Subject Files, 1831-2005 consist of booklets and brochures, newspaper and journal articles, business cards and advertisements, and periodicals related to Florida, arranged by subject alphabetically. Topics include Agricultural Literature, Arts and Humanities, Gardening Literature, History, Politics and Government, Real Estate and Development, State Parks and Historical Markers, Tourism, and Wildlife.","Series III: Artifacts, Undated, 1971, contains larger items that pertain to geographical and subject files \nconcerning Florida. Included thus far are a cork mat depicting Bok Tower and a bottle commemorating \nthe Apollo 14 mission.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Florida Ephemera Collection is a collection of brochures, advertisements and news clippings documenting the history of Florida. Although the collection includes information about Florida as a whole, it focuses on the Central Florida area, and Orlando in particular. The collection contains information about most aspects of life in Florida including business and industry, real estate and development, tourism and wildlife.","UCF Special Collections","Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998","English"],"unitid_tesim":["SC.032","/repositories/4/resources/60"],"normalized_date_ssm":["circa 1813-2007"],"normalized_title_ssm":["Florida Ephemera collection, circa 1813-2007"],"collection_title_tesim":["Florida Ephemera collection, circa 1813-2007"],"collection_ssim":["Florida Ephemera collection, circa 1813-2007"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida","Florida -- Politics and government","Orlando (Fla.)"],"geogname_ssim":["Florida","Florida -- Politics and government","Orlando (Fla.)"],"creator_ssm":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creator_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creator_persname_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creators_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"places_ssim":["Florida","Florida -- Politics and government","Orlando (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The ephemera was mostly collected by Thomas and Georgine Mickler of Micklers Antiquarian Books. These materials were purchased by the University of Central Florida Libraries, Special Collections and University Archives in 1999 (CFM1999_06). Ephemera from a variety of sources will continue to be purchased to create a collection relevant to Florida's history."],"access_subjects_ssim":["Agriculture -- Florida","Business -- Florida","Gardening -- Florida","Parks -- Florida","Tourism"],"access_subjects_ssm":["Agriculture -- Florida","Business -- Florida","Gardening -- Florida","Parks -- Florida","Tourism"],"has_online_content_ssim":["false"],"extent_ssm":["13 Linear Feet 26 Boxes, 1 Flat File"],"extent_tesim":["13 Linear Feet 26 Boxes, 1 Flat File"],"date_range_isim":[1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into three series, Geographic Files, Artifacts and Subject Files. Geographic Files are arranged in three subseries, Central, North and South Florida, with Central Florida organized alphabetically by county. General information about a region begins each subseries, followed by cities and counties that have a high volume of information. Subject Files are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into three series, Geographic Files, Artifacts and Subject Files. Geographic Files are arranged in three subseries, Central, North and South Florida, with Central Florida organized alphabetically by county. General information about a region begins each subseries, followed by cities and counties that have a high volume of information. Subject Files are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eThomas and Georgine Mickler ran a small publishing company, Mickler House, and a thriving mail-order business, Mickler's Antiquarian Books, out of their Chuluota home for almost 40 years. The Mickler's focused on tracing out-of-print publications about Florida and ultimately collected more than 40,000 books and other historical pieces of paper memorabilia that filled their home. Thomas Mickler was a native Floridian but Georgine was born in Chicago. She moved to Orlando in 1961, and they married the following year. Both of them lived until they were 84 years old; Thomas died in 1997 and Georgine died a year later.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Thomas and Georgine Mickler ran a small publishing company, Mickler House, and a thriving mail-order business, Mickler's Antiquarian Books, out of their Chuluota home for almost 40 years. The Mickler's focused on tracing out-of-print publications about Florida and ultimately collected more than 40,000 books and other historical pieces of paper memorabilia that filled their home. Thomas Mickler was a native Floridian but Georgine was born in Chicago. She moved to Orlando in 1961, and they married the following year. Both of them lived until they were 84 years old; Thomas died in 1997 and Georgine died a year later."],"prefercite_html_tesm":["\u003cp\u003eFlorida Ephemera Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Florida Ephemera Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Jessica Achberger; finding aid prepared by Jessica Achberger and Jeffrey Baumiller.\u003c/p\u003e","\u003cp\u003eThis collection was processed by both geographic area and subject matter. Materials related to a specific location within Florida were divided out, while materials related to Florida as a whole were separated into specific subject matter. All materials are foldered, with special attention being paid to newspaper clippings and delicate manuscript materials. Sheets of acid free paper were put between clippings, and some materials have been sleeved for preservation.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Jessica Achberger; finding aid prepared by Jessica Achberger and Jeffrey Baumiller.","This collection was processed by both geographic area and subject matter. Materials related to a specific location within Florida were divided out, while materials related to Florida as a whole were separated into specific subject matter. All materials are foldered, with special attention being paid to newspaper clippings and delicate manuscript materials. Sheets of acid free paper were put between clippings, and some materials have been sleeved for preservation."],"relatedmaterial_html_tesm":["\u003cp\u003eOther materials collected by the Micklers are held in the University of Central Florida Libraries Special Collections and University Archives, and other collections provide information about Florida. For a complete list of collections please consult the \u003cextref href=\"http://library.ucf.edu/about/departments/special-collections-university-archives/\"\u003eSpecial Collections \u0026amp; University Archives\u003c/extref\u003e website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other materials collected by the Micklers are held in the University of Central Florida Libraries Special Collections and University Archives, and other collections provide information about Florida. For a complete list of collections please consult the  Special Collections \u0026 University Archives  website."],"scopecontent_html_tesm":["\u003cp\u003eThe Florida Ephemera Collection consists of materials about or produced in Florida collected by Thomas and Georgine Mickler through their mail-order business, Mickler's Antiquarian Books, as well as additional purchases made by the University of Central Florida Libraries Special Collections. These materials are all related in some way to Florida, either geographically or through the subject matter.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Geographic Files, circa 1813-2007 contain tourism brochures, information on local historical societies, local business advertisements and newspaper clippings related to the different geographic areas of Florida, loosely divided into Central, North and South Florida. Some information may also be found in a Subject file; however, generally the Subject Files consist of information about Florida as a whole.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Subject Files, 1831-2005 consist of booklets and brochures, newspaper and journal articles, business cards and advertisements, and periodicals related to Florida, arranged by subject alphabetically. Topics include Agricultural Literature, Arts and Humanities, Gardening Literature, History, Politics and Government, Real Estate and Development, State Parks and Historical Markers, Tourism, and Wildlife.\u003c/p\u003e\n","\u003cp\u003eSeries III: Artifacts, Undated, 1971, contains larger items that pertain to geographical and subject files \nconcerning Florida. Included thus far are a cork mat depicting Bok Tower and a bottle commemorating \nthe Apollo 14 mission.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Florida Ephemera Collection consists of materials about or produced in Florida collected by Thomas and Georgine Mickler through their mail-order business, Mickler's Antiquarian Books, as well as additional purchases made by the University of Central Florida Libraries Special Collections. These materials are all related in some way to Florida, either geographically or through the subject matter.","\nSeries I: Geographic Files, circa 1813-2007 contain tourism brochures, information on local historical societies, local business advertisements and newspaper clippings related to the different geographic areas of Florida, loosely divided into Central, North and South Florida. Some information may also be found in a Subject file; however, generally the Subject Files consist of information about Florida as a whole.","\nSeries II: Subject Files, 1831-2005 consist of booklets and brochures, newspaper and journal articles, business cards and advertisements, and periodicals related to Florida, arranged by subject alphabetically. Topics include Agricultural Literature, Arts and Humanities, Gardening Literature, History, Politics and Government, Real Estate and Development, State Parks and Historical Markers, Tourism, and Wildlife.","Series III: Artifacts, Undated, 1971, contains larger items that pertain to geographical and subject files \nconcerning Florida. Included thus far are a cork mat depicting Bok Tower and a bottle commemorating \nthe Apollo 14 mission."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_64c3d62675ae88c59d40c8d1db049bf2\" label=\"Abstract\"\u003eThe Florida Ephemera Collection is a collection of brochures, advertisements and news clippings documenting the history of Florida. Although the collection includes information about Florida as a whole, it focuses on the Central Florida area, and Orlando in particular. The collection contains information about most aspects of life in Florida including business and industry, real estate and development, tourism and wildlife.\u003c/abstract\u003e"],"abstract_tesim":["The Florida Ephemera Collection is a collection of brochures, advertisements and news clippings documenting the history of Florida. Although the collection includes information about Florida as a whole, it focuses on the Central Florida area, and Orlando in particular. The collection contains information about most aspects of life in Florida including business and industry, real estate and development, tourism and wildlife."],"names_ssim":["UCF Special Collections","Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876384024848498688,"_root_":"a3eabcc4094ea8e02f42af5b","timestamp":"2026-09-15T08:00:52.198Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a3eabcc4094ea8e02f42af5b_aspace_7106"}},{"id":"5c664f35ba84cce3023f6a62_aspace_594da61a0a148db9aaedbbf5897623ce","type":"File","attributes":{"title":"Simmel, Georg, 1902-1949","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_594da61a0a148db9aaedbbf5897623ce#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_594da61a0a148db9aaedbbf5897623ce","ref_ssm":["aspace_594da61a0a148db9aaedbbf5897623ce","aspace_594da61a0a148db9aaedbbf5897623ce"],"id":"5c664f35ba84cce3023f6a62_aspace_594da61a0a148db9aaedbbf5897623ce","title_filing_ssi":"Simmel, Georg","title_ssm":["Simmel, Georg"],"title_tesim":["Simmel, Georg"],"unitdate_inclusive_ssm":["1902-1949"],"normalized_date_ssm":["1902-1949"],"normalized_title_ssm":["Simmel, Georg, 1902-1949"],"text":["Simmel, Georg, 1902-1949","Niara Sudarkasa Collection, 1934-2006","Writings by others","/repositories/2/archival_objects/30230","box 85","folder 6"],"component_level_isim":[2],"parent_ids_ssim":["5c664f35ba84cce3023f6a62","5c664f35ba84cce3023f6a62_aspace_60421e776c845bf7cd0dc7e916c56d99"],"parent_unittitles_ssm":["Niara Sudarkasa Collection, 1934-2006","Writings by others"],"parent_unittitles_tesim":["Niara Sudarkasa Collection, 1934-2006","Writings by others"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/30230"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2213,"parent_access_restrict_tesm":["The Niara Sudarkasa Collection is open for research."],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949],"containers_ssim":["box 85","folder 6"],"_nest_path_":"/components#4/components#1362","_nest_parent_":"5c664f35ba84cce3023f6a62_aspace_60421e776c845bf7cd0dc7e916c56d99","_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5c664f35ba84cce3023f6a62","title_filing_ssi":"Sudarkasa, Niara Collection","title_ssm":["Niara Sudarkasa Collection"],"title_tesim":["Niara Sudarkasa Collection"],"ead_ssi":"5c664f35ba84cce3023f6a62","unitdate_ssm":["1934-2006"],"unitdate_inclusive_ssm":["1934-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2006.4","/repositories/2/resources/51"],"text":["AARLCC.2006.4","/repositories/2/resources/51","Niara Sudarkasa Collection, 1934-2006","Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals","The Niara Sudarkasa Collection is open for research.","View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.","Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.","The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.","The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.","Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".","AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara","English"],"unitid_tesim":["AARLCC.2006.4","/repositories/2/resources/51"],"normalized_date_ssm":["1934-2006"],"normalized_title_ssm":["Niara Sudarkasa Collection, 1934-2006"],"collection_title_tesim":["Niara Sudarkasa Collection, 1934-2006"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"creator_ssm":["Sudarkasa, Niara"],"creator_ssim":["Sudarkasa, Niara"],"creator_persname_ssim":["Sudarkasa, Niara"],"creators_ssim":["Sudarkasa, Niara"],"acqinfo_ssim":["Dr. Niara Sudarkasa donated the materials to the AARLCC Special Collections on October 17, 2006 (Accession AARLCC-2006.4)."],"access_subjects_ssim":["Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals"],"access_subjects_ssm":["Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals"],"has_online_content_ssim":["false"],"extent_ssm":["400 Hollinger Boxes","410 Linear Feet"],"extent_tesim":["400 Hollinger Boxes","410 Linear Feet"],"genreform_ssim":["Correspondence","Photographs","plaques (flat objects)","Periodicals"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Niara Sudarkasa Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/nsb\" target=\"_blank\"\u003eView a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives."],"bioghist_html_tesm":["\u003cp\u003eNiara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.\u003c/p\u003e\n","\u003cp\u003eGloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. \u003c/p\u003e\n","\u003cp\u003eGloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.\u003c/p\u003e\n","\u003cp\u003eIn 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Al\u0026#xE1;y\u0026#xE9;l\u0026#xFA;w\u0026#xE0; \u0026#x1ECC;ba \u0026#x1ECC;k\u0026#xFA;nad\u0026#xE9; Sijuwade Ol\u0026#xFA;b\u0026#xF9;s\u0026#x1EB9; II of the Royal Court of If\u0026#x1EB9;\u0026#x301; conferred upon her the chieftaincy title Y\u0026#xE8;y\u0026#xE9; Ol\u0026#xF3;kun \u0026#xCC;gb\u0026#xE0;d\u0026#xE9;r\u0026#xF2;. She was the first African American to receive this honor from the If\u0026#x1EB9;\u0026#x301; Kingdom.\u003c/p\u003e\n","\u003cp\u003eFollowing her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship."],"prefercite_html_tesm":["\u003cp\u003eNiara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Niara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. \u003c/p\u003e","\u003cp\u003eParts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant."],"scopecontent_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=SUD\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\"."],"names_coll_ssim":["University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"names_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara"],"corpname_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"persname_ssim":["Sudarkasa, Niara"],"language_ssim":["English"],"total_component_count_is":2760,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_594da61a0a148db9aaedbbf5897623ce"}},{"id":"2a9de0d614d8ebdd7576f738","type":"collection","attributes":{"title":"Simmons family papers, 1772-1951, Date acquired: 02/00/1962","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/2a9de0d614d8ebdd7576f738#creator","type":"document_value","attributes":{"value":["Simmons Family"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2a9de0d614d8ebdd7576f738#abstract_or_scope","type":"document_value","attributes":{"value":["A collection of documents about the Simmons Family of Rutherford County, North Carolina."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2a9de0d614d8ebdd7576f738#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"2a9de0d614d8ebdd7576f738","title_ssm":["Simmons family papers"],"title_tesim":["Simmons family papers"],"ead_ssi":"2a9de0d614d8ebdd7576f738","unitdate_ssm":["1772-1951","Date acquired: 02/00/1962"],"unitdate_inclusive_ssm":["1772-1951"],"unitdate_other_ssim":["Date acquired: 02/00/1962"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1962-03","/repositories/2/resources/258"],"text":["MS-1962-03","/repositories/2/resources/258","Simmons family papers, 1772-1951, Date acquired: 02/00/1962","United States -- History -- Civil War, 1861 - 1865 -- Personal narratives","United States -- History -- Civil War, 1861 - 1865 -- Social aspects","North Carolina -- Genealogy","Reconstruction (U.S. history, 1865-1877)","The collection is arranged by material type:","1. Correspondence","2. Financial Records","3. Miscellaneous","Cook, Robert.  Civil War America: Making a Nation, 1848-1877 . London: Longman, 2003. Print.","Simpson, Brooks D, and Arthur S. Link.  America's Civil War . Wheeling, Ill: Harlan Davidson, 1996. Print.","Finseth, Ian F. The American Civil War: An Anthology of Essential Writings. New York: Routledge, 2006. Print.","This collection contains business, legal papers and personal correspondence of the Simmons Family of Rutherford County, North Carolina. The bulk of the collection concerns Moses Simmons (1785 - 1856) and his son, Moses W. Simmons (1823 - 1903).  There are a number of letters from the field during the Civil War, as well as a number of letters from members of the family in Georgia and South Carolina written during the Reconstruction period.  Also included in the collection are business ledgers, a school ledger, and other miscellaneous papers.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","A collection of documents about the Simmons Family of Rutherford County, North Carolina.","USF Libraries - Tampa Special Collections","Simmons Family","English"],"unitid_tesim":["MS-1962-03","/repositories/2/resources/258"],"normalized_date_ssm":["1772-1951, Date acquired: 02/00/1962"],"normalized_title_ssm":["Simmons family papers, 1772-1951, Date acquired: 02/00/1962"],"collection_title_tesim":["Simmons family papers, 1772-1951, Date acquired: 02/00/1962"],"collection_ssim":["Simmons family papers, 1772-1951, Date acquired: 02/00/1962"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Simmons Family"],"creator_ssim":["Simmons Family"],"creator_famname_ssim":["Simmons Family"],"creators_ssim":["Simmons Family"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Randolph Simmons, Jr.","Donation"],"access_subjects_ssim":["United States -- History -- Civil War, 1861 - 1865 -- Personal narratives","United States -- History -- Civil War, 1861 - 1865 -- Social aspects","North Carolina -- Genealogy","Reconstruction (U.S. history, 1865-1877)"],"access_subjects_ssm":["United States -- History -- Civil War, 1861 - 1865 -- Personal narratives","United States -- History -- Civil War, 1861 - 1865 -- Social aspects","North Carolina -- Genealogy","Reconstruction (U.S. history, 1865-1877)"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet","3 boxes"],"extent_tesim":["1.25 Linear Feet","3 boxes"],"date_range_isim":[1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by material type:\u003c/p\u003e\n","\u003cp\u003e1. Correspondence\u003c/p\u003e\n","\u003cp\u003e2. Financial Records\u003c/p\u003e\n","\u003cp\u003e3. Miscellaneous\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged by material type:","1. Correspondence","2. Financial Records","3. Miscellaneous"],"prefercite_html_tesm":["\u003cp\u003eSimmons Family Papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Simmons Family Papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eCook, Robert. \u003cemph render=\"italic\"\u003eCivil War America: Making a Nation, 1848-1877\u003c/emph\u003e. London: Longman, 2003. Print.\u003c/p\u003e\n","\u003cp\u003eSimpson, Brooks D, and Arthur S. Link. \u003cemph render=\"italic\"\u003eAmerica's Civil War\u003c/emph\u003e. Wheeling, Ill: Harlan Davidson, 1996. Print.\u003c/p\u003e\n","\u003cp\u003eFinseth, Ian F. The American Civil War: An Anthology of Essential Writings. New York: Routledge, 2006. Print.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Publications"],"relatedmaterial_tesim":["Cook, Robert.  Civil War America: Making a Nation, 1848-1877 . London: Longman, 2003. Print.","Simpson, Brooks D, and Arthur S. Link.  America's Civil War . Wheeling, Ill: Harlan Davidson, 1996. Print.","Finseth, Ian F. The American Civil War: An Anthology of Essential Writings. New York: Routledge, 2006. Print."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains business, legal papers and personal correspondence of the Simmons Family of Rutherford County, North Carolina. The bulk of the collection concerns Moses Simmons (1785 - 1856) and his son, Moses W. Simmons (1823 - 1903).\u0026#xA0; There are a number of letters from the field during the Civil War, as well as a number of letters from members of the family in Georgia and South Carolina written during the Reconstruction period.\u0026#xA0; Also included in the collection are business ledgers, a school ledger, and other miscellaneous papers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains business, legal papers and personal correspondence of the Simmons Family of Rutherford County, North Carolina. The bulk of the collection concerns Moses Simmons (1785 - 1856) and his son, Moses W. Simmons (1823 - 1903).  There are a number of letters from the field during the Civil War, as well as a number of letters from members of the family in Georgia and South Carolina written during the Reconstruction period.  Also included in the collection are business ledgers, a school ledger, and other miscellaneous papers."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e5cb39aee41888bc6a33ea315c608e09\" label=\"Abstract\"\u003eA collection of documents about the Simmons Family of Rutherford County, North Carolina.\u003c/abstract\u003e"],"abstract_tesim":["A collection of documents about the Simmons Family of Rutherford County, North Carolina."],"names_ssim":["USF Libraries - Tampa Special Collections","Simmons Family"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"famname_ssim":["Simmons Family"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":60,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"2a9de0d614d8ebdd7576f738","timestamp":"2026-07-10T03:47:03.807Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2a9de0d614d8ebdd7576f738","title_ssm":["Simmons family papers"],"title_tesim":["Simmons family papers"],"ead_ssi":"2a9de0d614d8ebdd7576f738","unitdate_ssm":["1772-1951","Date acquired: 02/00/1962"],"unitdate_inclusive_ssm":["1772-1951"],"unitdate_other_ssim":["Date acquired: 02/00/1962"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1962-03","/repositories/2/resources/258"],"text":["MS-1962-03","/repositories/2/resources/258","Simmons family papers, 1772-1951, Date acquired: 02/00/1962","United States -- History -- Civil War, 1861 - 1865 -- Personal narratives","United States -- History -- Civil War, 1861 - 1865 -- Social aspects","North Carolina -- Genealogy","Reconstruction (U.S. history, 1865-1877)","The collection is arranged by material type:","1. Correspondence","2. Financial Records","3. Miscellaneous","Cook, Robert.  Civil War America: Making a Nation, 1848-1877 . London: Longman, 2003. Print.","Simpson, Brooks D, and Arthur S. Link.  America's Civil War . Wheeling, Ill: Harlan Davidson, 1996. Print.","Finseth, Ian F. The American Civil War: An Anthology of Essential Writings. New York: Routledge, 2006. Print.","This collection contains business, legal papers and personal correspondence of the Simmons Family of Rutherford County, North Carolina. The bulk of the collection concerns Moses Simmons (1785 - 1856) and his son, Moses W. Simmons (1823 - 1903).  There are a number of letters from the field during the Civil War, as well as a number of letters from members of the family in Georgia and South Carolina written during the Reconstruction period.  Also included in the collection are business ledgers, a school ledger, and other miscellaneous papers.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","A collection of documents about the Simmons Family of Rutherford County, North Carolina.","USF Libraries - Tampa Special Collections","Simmons Family","English"],"unitid_tesim":["MS-1962-03","/repositories/2/resources/258"],"normalized_date_ssm":["1772-1951, Date acquired: 02/00/1962"],"normalized_title_ssm":["Simmons family papers, 1772-1951, Date acquired: 02/00/1962"],"collection_title_tesim":["Simmons family papers, 1772-1951, Date acquired: 02/00/1962"],"collection_ssim":["Simmons family papers, 1772-1951, Date acquired: 02/00/1962"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Simmons Family"],"creator_ssim":["Simmons Family"],"creator_famname_ssim":["Simmons Family"],"creators_ssim":["Simmons Family"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Randolph Simmons, Jr.","Donation"],"access_subjects_ssim":["United States -- History -- Civil War, 1861 - 1865 -- Personal narratives","United States -- History -- Civil War, 1861 - 1865 -- Social aspects","North Carolina -- Genealogy","Reconstruction (U.S. history, 1865-1877)"],"access_subjects_ssm":["United States -- History -- Civil War, 1861 - 1865 -- Personal narratives","United States -- History -- Civil War, 1861 - 1865 -- Social aspects","North Carolina -- Genealogy","Reconstruction (U.S. history, 1865-1877)"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet","3 boxes"],"extent_tesim":["1.25 Linear Feet","3 boxes"],"date_range_isim":[1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by material type:\u003c/p\u003e\n","\u003cp\u003e1. Correspondence\u003c/p\u003e\n","\u003cp\u003e2. Financial Records\u003c/p\u003e\n","\u003cp\u003e3. Miscellaneous\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged by material type:","1. Correspondence","2. Financial Records","3. Miscellaneous"],"prefercite_html_tesm":["\u003cp\u003eSimmons Family Papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Simmons Family Papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eCook, Robert. \u003cemph render=\"italic\"\u003eCivil War America: Making a Nation, 1848-1877\u003c/emph\u003e. London: Longman, 2003. Print.\u003c/p\u003e\n","\u003cp\u003eSimpson, Brooks D, and Arthur S. Link. \u003cemph render=\"italic\"\u003eAmerica's Civil War\u003c/emph\u003e. Wheeling, Ill: Harlan Davidson, 1996. Print.\u003c/p\u003e\n","\u003cp\u003eFinseth, Ian F. The American Civil War: An Anthology of Essential Writings. New York: Routledge, 2006. Print.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Publications"],"relatedmaterial_tesim":["Cook, Robert.  Civil War America: Making a Nation, 1848-1877 . London: Longman, 2003. Print.","Simpson, Brooks D, and Arthur S. Link.  America's Civil War . Wheeling, Ill: Harlan Davidson, 1996. Print.","Finseth, Ian F. The American Civil War: An Anthology of Essential Writings. New York: Routledge, 2006. Print."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains business, legal papers and personal correspondence of the Simmons Family of Rutherford County, North Carolina. The bulk of the collection concerns Moses Simmons (1785 - 1856) and his son, Moses W. Simmons (1823 - 1903).\u0026#xA0; There are a number of letters from the field during the Civil War, as well as a number of letters from members of the family in Georgia and South Carolina written during the Reconstruction period.\u0026#xA0; Also included in the collection are business ledgers, a school ledger, and other miscellaneous papers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains business, legal papers and personal correspondence of the Simmons Family of Rutherford County, North Carolina. The bulk of the collection concerns Moses Simmons (1785 - 1856) and his son, Moses W. Simmons (1823 - 1903).  There are a number of letters from the field during the Civil War, as well as a number of letters from members of the family in Georgia and South Carolina written during the Reconstruction period.  Also included in the collection are business ledgers, a school ledger, and other miscellaneous papers."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e5cb39aee41888bc6a33ea315c608e09\" label=\"Abstract\"\u003eA collection of documents about the Simmons Family of Rutherford County, North Carolina.\u003c/abstract\u003e"],"abstract_tesim":["A collection of documents about the Simmons Family of Rutherford County, North Carolina."],"names_ssim":["USF Libraries - Tampa Special Collections","Simmons Family"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"famname_ssim":["Simmons Family"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":60,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"2a9de0d614d8ebdd7576f738","timestamp":"2026-07-10T03:47:03.807Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2a9de0d614d8ebdd7576f738"}},{"id":"e02d0be55fa90f2d17244d4e","type":"collection","attributes":{"title":"Sixto Campano Collection, Circa 1848-1974","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/e02d0be55fa90f2d17244d4e#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Sixto Campano Collection contains 1,076 pieces of original American sheet music dating from 1848 to 1974, with almost 900 titles published before 1924. The bulk of the collection contains pre- and post-Civil War minstrel pieces, commomnly known as \"plantation melodies\", as well as ragtime, vaudeville, blues, and jazz pieces. Noted composers and songwriters include W.C. Handy, Scott Joplin, John Rosamond Johnson, Bob Cole and Bert Williams. Images, illustrations and photographs demonstrate 19th and early 20th century attitudes towards African Americans and include Gene Buck, Walter Dittmar and the Starmer Brothers.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/e02d0be55fa90f2d17244d4e#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"e02d0be55fa90f2d17244d4e","title_filing_ssi":"Campano, Sixto Collection","title_ssm":["Sixto Campano Collection"],"title_tesim":["Sixto Campano Collection"],"ead_ssi":"e02d0be55fa90f2d17244d4e","unitdate_ssm":["Circa 1848-1974"],"unitdate_inclusive_ssm":["Circa 1848-1974"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2001.2","/repositories/2/resources/50"],"text":["AARLCC.2001.2","/repositories/2/resources/50","Sixto Campano Collection, Circa 1848-1974","Notated music","The Sixto Campano Collection is open for research.","View a selection of digitized materials from the Sixto Campano Collection in the Broward County Library Digital Archives.","The Sixto Campano Collection is currently arranged according to MARC catalog records in 17 binders.  The collection records can be searched in the Broward County Library catalog.","Sixto Campano Luelmo (1930-2007) was born on Januuary 10, 1930 in Havana, Cuba to a Cuban born mother and a Spanish father. Campano studied to be a Certified Public Account at the University of Havana, Cuba and relocated to Miami, Florida in 1960. In Florida, he became a hardware merchant and realtor. Campano had a strong interest in collecting Black historical artifacts including sheet music.  He died on January 18, 2007 at the age of 77.","This collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Sixto Campano Collection contains 1,076 pieces of original American sheet music dating from 1848 to 1974, with almost 900 titles published before 1924. The bulk of the collection contains pre- and post-Civil War minstrel pieces, commomnly known as \"plantation melodies\", as well as ragtime, vaudeville, blues, and jazz pieces. Noted composers and songwriters include W.C. Handy, Scott Joplin, John Rosamond Johnson, Bob Cole and Bert Williams. Images, illustrations and photographs demonstrate 19th and early 20th century attitudes towards African Americans and include Gene Buck, Walter Dittmar and the Starmer Brothers.","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2001.2","/repositories/2/resources/50"],"normalized_date_ssm":["Circa 1848-1974"],"normalized_title_ssm":["Sixto Campano Collection, Circa 1848-1974"],"collection_title_tesim":["Sixto Campano Collection, Circa 1848-1974"],"collection_ssim":["Sixto Campano Collection, Circa 1848-1974"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["The AARLCC Special Collections purchased the Sixto Campano Sheet Music Collection from Sixto Campano on October 9, 2001."],"access_subjects_ssim":["Notated music"],"access_subjects_ssm":["Notated music"],"has_online_content_ssim":["false"],"extent_ssm":["17 Volumes"],"extent_tesim":["17 Volumes"],"genreform_ssim":["Notated music"],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974],"accessrestrict_html_tesm":["\u003cp\u003eThe Sixto Campano Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Sixto Campano Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll21/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Sixto Campano Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Sixto Campano Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe Sixto Campano Collection is currently arranged according to MARC catalog records in 17 binders. \u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=R%20780.263\" target=\"_blank\"\u003eThe collection records can be searched in the Broward County Library catalog.\u003c/a\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Sixto Campano Collection is currently arranged according to MARC catalog records in 17 binders.  The collection records can be searched in the Broward County Library catalog."],"bioghist_html_tesm":["\u003cp\u003eSixto Campano Luelmo (1930-2007) was born on Januuary 10, 1930 in Havana, Cuba to a Cuban born mother and a Spanish father. Campano studied to be a Certified Public Account at the University of Havana, Cuba and relocated to Miami, Florida in 1960. In Florida, he became a hardware merchant and realtor. Campano had a strong interest in collecting Black historical artifacts including sheet music.  He died on January 18, 2007 at the age of 77.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sixto Campano Luelmo (1930-2007) was born on Januuary 10, 1930 in Havana, Cuba to a Cuban born mother and a Spanish father. Campano studied to be a Certified Public Account at the University of Havana, Cuba and relocated to Miami, Florida in 1960. In Florida, he became a hardware merchant and realtor. Campano had a strong interest in collecting Black historical artifacts including sheet music.  He died on January 18, 2007 at the age of 77."],"prefercite_html_tesm":["\u003cp\u003eThe Sixto Campano Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Sixto Campano Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Sixto Campano Collection contains 1,076 pieces of original American sheet music dating from 1848 to 1974, with almost 900 titles published before 1924. The bulk of the collection contains pre- and post-Civil War minstrel pieces, commomnly known as \"plantation melodies\", as well as ragtime, vaudeville, blues, and jazz pieces. Noted composers and songwriters include W.C. Handy, Scott Joplin, John Rosamond Johnson, Bob Cole and Bert Williams. Images, illustrations and photographs demonstrate 19th and early 20th century attitudes towards African Americans and include Gene Buck, Walter Dittmar and the Starmer Brothers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Sixto Campano Collection contains 1,076 pieces of original American sheet music dating from 1848 to 1974, with almost 900 titles published before 1924. The bulk of the collection contains pre- and post-Civil War minstrel pieces, commomnly known as \"plantation melodies\", as well as ragtime, vaudeville, blues, and jazz pieces. Noted composers and songwriters include W.C. Handy, Scott Joplin, John Rosamond Johnson, Bob Cole and Bert Williams. Images, illustrations and photographs demonstrate 19th and early 20th century attitudes towards African Americans and include Gene Buck, Walter Dittmar and the Starmer Brothers."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"e02d0be55fa90f2d17244d4e","timestamp":"2026-07-08T01:54:06.610Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"e02d0be55fa90f2d17244d4e","title_filing_ssi":"Campano, Sixto Collection","title_ssm":["Sixto Campano Collection"],"title_tesim":["Sixto Campano Collection"],"ead_ssi":"e02d0be55fa90f2d17244d4e","unitdate_ssm":["Circa 1848-1974"],"unitdate_inclusive_ssm":["Circa 1848-1974"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2001.2","/repositories/2/resources/50"],"text":["AARLCC.2001.2","/repositories/2/resources/50","Sixto Campano Collection, Circa 1848-1974","Notated music","The Sixto Campano Collection is open for research.","View a selection of digitized materials from the Sixto Campano Collection in the Broward County Library Digital Archives.","The Sixto Campano Collection is currently arranged according to MARC catalog records in 17 binders.  The collection records can be searched in the Broward County Library catalog.","Sixto Campano Luelmo (1930-2007) was born on Januuary 10, 1930 in Havana, Cuba to a Cuban born mother and a Spanish father. Campano studied to be a Certified Public Account at the University of Havana, Cuba and relocated to Miami, Florida in 1960. In Florida, he became a hardware merchant and realtor. Campano had a strong interest in collecting Black historical artifacts including sheet music.  He died on January 18, 2007 at the age of 77.","This collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Sixto Campano Collection contains 1,076 pieces of original American sheet music dating from 1848 to 1974, with almost 900 titles published before 1924. The bulk of the collection contains pre- and post-Civil War minstrel pieces, commomnly known as \"plantation melodies\", as well as ragtime, vaudeville, blues, and jazz pieces. Noted composers and songwriters include W.C. Handy, Scott Joplin, John Rosamond Johnson, Bob Cole and Bert Williams. Images, illustrations and photographs demonstrate 19th and early 20th century attitudes towards African Americans and include Gene Buck, Walter Dittmar and the Starmer Brothers.","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2001.2","/repositories/2/resources/50"],"normalized_date_ssm":["Circa 1848-1974"],"normalized_title_ssm":["Sixto Campano Collection, Circa 1848-1974"],"collection_title_tesim":["Sixto Campano Collection, Circa 1848-1974"],"collection_ssim":["Sixto Campano Collection, Circa 1848-1974"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["The AARLCC Special Collections purchased the Sixto Campano Sheet Music Collection from Sixto Campano on October 9, 2001."],"access_subjects_ssim":["Notated music"],"access_subjects_ssm":["Notated music"],"has_online_content_ssim":["false"],"extent_ssm":["17 Volumes"],"extent_tesim":["17 Volumes"],"genreform_ssim":["Notated music"],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974],"accessrestrict_html_tesm":["\u003cp\u003eThe Sixto Campano Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Sixto Campano Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll21/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Sixto Campano Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Sixto Campano Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe Sixto Campano Collection is currently arranged according to MARC catalog records in 17 binders. \u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=R%20780.263\" target=\"_blank\"\u003eThe collection records can be searched in the Broward County Library catalog.\u003c/a\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Sixto Campano Collection is currently arranged according to MARC catalog records in 17 binders.  The collection records can be searched in the Broward County Library catalog."],"bioghist_html_tesm":["\u003cp\u003eSixto Campano Luelmo (1930-2007) was born on Januuary 10, 1930 in Havana, Cuba to a Cuban born mother and a Spanish father. Campano studied to be a Certified Public Account at the University of Havana, Cuba and relocated to Miami, Florida in 1960. In Florida, he became a hardware merchant and realtor. Campano had a strong interest in collecting Black historical artifacts including sheet music.  He died on January 18, 2007 at the age of 77.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sixto Campano Luelmo (1930-2007) was born on Januuary 10, 1930 in Havana, Cuba to a Cuban born mother and a Spanish father. Campano studied to be a Certified Public Account at the University of Havana, Cuba and relocated to Miami, Florida in 1960. In Florida, he became a hardware merchant and realtor. Campano had a strong interest in collecting Black historical artifacts including sheet music.  He died on January 18, 2007 at the age of 77."],"prefercite_html_tesm":["\u003cp\u003eThe Sixto Campano Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Sixto Campano Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Sixto Campano Collection contains 1,076 pieces of original American sheet music dating from 1848 to 1974, with almost 900 titles published before 1924. The bulk of the collection contains pre- and post-Civil War minstrel pieces, commomnly known as \"plantation melodies\", as well as ragtime, vaudeville, blues, and jazz pieces. Noted composers and songwriters include W.C. Handy, Scott Joplin, John Rosamond Johnson, Bob Cole and Bert Williams. Images, illustrations and photographs demonstrate 19th and early 20th century attitudes towards African Americans and include Gene Buck, Walter Dittmar and the Starmer Brothers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Sixto Campano Collection contains 1,076 pieces of original American sheet music dating from 1848 to 1974, with almost 900 titles published before 1924. The bulk of the collection contains pre- and post-Civil War minstrel pieces, commomnly known as \"plantation melodies\", as well as ragtime, vaudeville, blues, and jazz pieces. Noted composers and songwriters include W.C. Handy, Scott Joplin, John Rosamond Johnson, Bob Cole and Bert Williams. Images, illustrations and photographs demonstrate 19th and early 20th century attitudes towards African Americans and include Gene Buck, Walter Dittmar and the Starmer Brothers."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"e02d0be55fa90f2d17244d4e","timestamp":"2026-07-08T01:54:06.610Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/e02d0be55fa90f2d17244d4e"}},{"id":"14db475840c3f0514acc0559_aspace_9a2a9a2349aa95902ea994937078cb42","type":"File","attributes":{"title":"Snell Papers, 1898, 1912, 1898-1912","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/14db475840c3f0514acc0559_aspace_9a2a9a2349aa95902ea994937078cb42#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9a2a9a2349aa95902ea994937078cb42","ref_ssm":["aspace_9a2a9a2349aa95902ea994937078cb42","aspace_9a2a9a2349aa95902ea994937078cb42"],"id":"14db475840c3f0514acc0559_aspace_9a2a9a2349aa95902ea994937078cb42","title_filing_ssi":"Snell Papers, 1898, 1912","title_ssm":["Snell Papers, 1898, 1912"],"title_tesim":["Snell Papers, 1898, 1912"],"unitdate_inclusive_ssm":["1898-1912"],"normalized_date_ssm":["1898-1912"],"normalized_title_ssm":["Snell Papers, 1898, 1912, 1898-1912"],"text":["Snell Papers, 1898, 1912, 1898-1912","C. Perry Snell papers, 1898-1951, bulk 1912-1924","Snell Papers","/repositories/3/archival_objects/186530","box 1","folder 1"],"component_level_isim":[2],"parent_ids_ssim":["14db475840c3f0514acc0559","14db475840c3f0514acc0559_aspace_a145ddd41e8f23180fb0bc7c347725cd"],"parent_unittitles_ssm":["C. Perry Snell papers, 1898-1951, bulk 1912-1924","Snell Papers"],"parent_unittitles_tesim":["C. Perry Snell papers, 1898-1951, bulk 1912-1924","Snell Papers"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/3/archival_objects/186530"],"repository_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"collection_ssim":["C. Perry Snell papers, 1898-1951, bulk 1912-1924"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2,"parent_access_restrict_tesm":["None."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912],"containers_ssim":["box 1","folder 1"],"_nest_path_":"/components#0/components#0","_nest_parent_":"14db475840c3f0514acc0559_aspace_a145ddd41e8f23180fb0bc7c347725cd","_root_":"14db475840c3f0514acc0559","_version_":1875844232478982144,"timestamp":"2026-09-09T09:01:06.094Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"14db475840c3f0514acc0559","title_ssm":["C. Perry Snell papers"],"title_tesim":["C. Perry Snell papers"],"ead_ssi":"14db475840c3f0514acc0559","unitdate_ssm":["1898-1951","1912-1924"],"unitdate_bulk_ssim":["1912-1924"],"unitdate_inclusive_ssm":["1898-1951"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["SP-MS-2007-02","/repositories/3/resources/649"],"text":["SP-MS-2007-02","/repositories/3/resources/649","C. Perry Snell papers, 1898-1951, bulk 1912-1924","Pinellas County (Fla.)","Architecture -- Conservation and restoration -- Florida","Historic preservation","None.","C. Perry Snell became a prominent developer of St. Petersburg's North Shore, the Old Northeast, and Snell Isle communities. Snell acquired tracts of land between 26th Avenue North and 30 th Avenue North, east of First Street North to Coffee Pot Bayou from the Erastus A. Barnard family of Chicago. Although documents in this collection have inclusive dates from 1898 through 1951, most of the materials relate to the 1913 land sale. These materials were acquired by purchase from Lighthouse Books through the Society for Advancement of Poynter Library. ","Notable materials in this collection include correspondence between George T. Turner and Barnard from 1912. Barnard asked for a $40,000 deposit, which represented one-quarter of the price. The full $160,000 was expected to be paid in ten years, at six percent interest, before the deed would be granted. Turner, who later developed Sunken Gardens in St. Petersburg, acted as an intermediary and was to receive a commission of 2.5 percent. Turner protested requiring the amount to be paid in full, since apparently it would deter buyers. Barnard, however, insisted on the full amount, fearing that he would be left holding undesirable portions of land. ","In November 1912, Turner found someone, presumably Snell, willing to agree to a binder of $20,000, and apparently Turner decided to front the rest until the full amount was paid. On December 6, 1912, Erastus Barnard transmitted the deed for \"the Northeast one-quarter, (1/4,) of Section Seven (7), and the West one-half, (½,) of the Northwest one-quarter, (1/4,) of Section Eight, (8,) Township Thirty-One (31,) South, Range Seventeen, (17,) East in Pinellas County Florida and another lot from the deceased Alice Barnard for $160,000 to the Central National Bank of St. Petersburg, Florida. ","A Central National Bank representative described Snell as an eastern syndicate who \"now seems more interested in Tampa property who was willing to bargain if Barnard would accept $25,000 now and another $25,000 in thirty days.\" ","Correspondence from Snell to Barnard in December 1912 suggested they were well-acquainted. \"I trust that your health will improve enough for you to come down for your usual winters stay,\" Snell mentioned in a letter. Barnard's responses had a more businesslike tone. A January 8, 1913 letter from Barnard to J.J. Berry tells Berry to stop working on his orange grove on the land, presumably since Snell would soon take control of the parcel. ","Most of the correspondence is in \"land-deal-legalese,\" but some of the letters are more personal. In one, Snell asked E.A. Barnard for financial assistance and apparently tried to win his trust over Turner, who Snell claimed was acting dishonorably and selfishly. Snell ran into some trouble with Turner in 1913 when showing some of Barnard's land to a Mr. Johnson of Washington. Turner and Snell agreed to split any commissions on this sale, but then Snell accused Turner of trying to claim it all. On a related deal, Snell said that Turner asked him to claim a commission and split it with Turner so that Turner would not have to split his share with his own business partner. In the same letter to Barnard, Snell asked for an extension for $4,000 from his $25,000 bill. Barnard later granted the request but clearly was not pleased. ","In the fall of 1913, Snell wrote that progress was being made on the land, but that it was expensive and therefore asked for an extension. \"I have before me 24 contracts all past due upon which the parties have asked an extension and there is nothing to do but grant it. [...] We have 24 teams and 40 men going now. We have hard surfaced streets, curbs, and cement walks and every block graded on all streets East of Locust Street. Lot of property ready for the market this winter. Mr. Hamlett and myself will both build nice homes on the Bayou this winter.\" ","All of Snell's correspondence after 1913 is typed on letterhead, and more formal. The years of World War I were apparently bad for Snell. \"Our losses in the depression of the past 4 years caused by the war will run into the hundreds of thousands of dollars, but we have taken our losses; and believe that a new era of prosperity in St. Petersburg is just arriving [...]\" On March 13, 1919, Snell wrote that he has \"recently purchased Mr. Hamlett's interest in the firm.\" In correspondence between Snell and Alice Howe, Snell is sometimes late on his payments. Each time Howe reminds him he will have to pay interest on the accumulating interest. ","This collection was originally published in 2007 and was updated in 2024.","Materials related to real estate transaction and construction of the C. Perry Snell House.","None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","This collection consists of letters and documents related to the Snell/Barnard land transaction in 1913, as well as other documents and an architectural rendering of the Snell House from 1913-1951.","USF Libraries - St. Petersburg Special Collections \u0026 University Archives","Snell, C. Perry, 1869-1942","Cunningham, Harry F. (Harry Francis Cunningham), 1888-1959","Barnard, E. A. (Erastus A. Barnard)","English"],"unitid_tesim":["SP-MS-2007-02","/repositories/3/resources/649"],"normalized_date_ssm":["1898-1951, bulk 1912-1924"],"normalized_title_ssm":["C. Perry Snell papers, 1898-1951, bulk 1912-1924"],"collection_title_tesim":["C. Perry Snell papers, 1898-1951, bulk 1912-1924"],"collection_ssim":["C. Perry Snell papers, 1898-1951, bulk 1912-1924"],"repository_ssm":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"repository_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"geogname_ssm":["Pinellas County (Fla.)"],"geogname_ssim":["Pinellas County (Fla.)"],"creator_ssm":["Snell, C. Perry, 1869-1942","Cunningham, Harry F. (Harry Francis Cunningham), 1888-1959"],"creator_ssim":["Snell, C. Perry, 1869-1942","Cunningham, Harry F. (Harry Francis Cunningham), 1888-1959"],"creator_persname_ssim":["Snell, C. Perry, 1869-1942","Cunningham, Harry F. (Harry Francis Cunningham), 1888-1959"],"creators_ssim":["Snell, C. Perry, 1869-1942","Cunningham, Harry F. (Harry Francis Cunningham), 1888-1959"],"places_ssim":["Pinellas County (Fla.)"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"access_subjects_ssim":["Architecture -- Conservation and restoration -- Florida","Historic preservation"],"access_subjects_ssm":["Architecture -- Conservation and restoration -- Florida","Historic preservation"],"has_online_content_ssim":["false"],"extent_ssm":["2 boxes"],"extent_tesim":["2 boxes"],"physfacet_tesim":["1 half-size document box and 1 oversized archival box"],"date_range_isim":[1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951],"accessrestrict_html_tesm":["\u003cp\u003eNone.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["None."],"bioghist_html_tesm":["\u003cp\u003eC. Perry Snell became a prominent developer of St. Petersburg's North Shore, the Old Northeast, and Snell Isle communities. Snell acquired tracts of land between 26th Avenue North and 30 th Avenue North, east of First Street North to Coffee Pot Bayou from the Erastus A. Barnard family of Chicago. Although documents in this collection have inclusive dates from 1898 through 1951, most of the materials relate to the 1913 land sale. These materials were acquired by purchase from Lighthouse Books through the Society for Advancement of Poynter Library. \u003c/p\u003e\n","\u003cp\u003eNotable materials in this collection include correspondence between George T. Turner and Barnard from 1912. Barnard asked for a $40,000 deposit, which represented one-quarter of the price. The full $160,000 was expected to be paid in ten years, at six percent interest, before the deed would be granted. Turner, who later developed Sunken Gardens in St. Petersburg, acted as an intermediary and was to receive a commission of 2.5 percent. Turner protested requiring the amount to be paid in full, since apparently it would deter buyers. Barnard, however, insisted on the full amount, fearing that he would be left holding undesirable portions of land. \u003c/p\u003e\n","\u003cp\u003eIn November 1912, Turner found someone, presumably Snell, willing to agree to a binder of $20,000, and apparently Turner decided to front the rest until the full amount was paid. On December 6, 1912, Erastus Barnard transmitted the deed for \"the Northeast one-quarter, (1/4,) of Section Seven (7), and the West one-half, (\u0026#xBD;,) of the Northwest one-quarter, (1/4,) of Section Eight, (8,) Township Thirty-One (31,) South, Range Seventeen, (17,) East in Pinellas County Florida and another lot from the deceased Alice Barnard for $160,000 to the Central National Bank of St. Petersburg, Florida. \u003c/p\u003e\n","\u003cp\u003eA Central National Bank representative described Snell as an eastern syndicate who \"now seems more interested in Tampa property who was willing to bargain if Barnard would accept $25,000 now and another $25,000 in thirty days.\" \u003c/p\u003e\n","\u003cp\u003eCorrespondence from Snell to Barnard in December 1912 suggested they were well-acquainted. \"I trust that your health will improve enough for you to come down for your usual winters stay,\" Snell mentioned in a letter. Barnard's responses had a more businesslike tone. A January 8, 1913 letter from Barnard to J.J. Berry tells Berry to stop working on his orange grove on the land, presumably since Snell would soon take control of the parcel. \u003c/p\u003e\n","\u003cp\u003eMost of the correspondence is in \"land-deal-legalese,\" but some of the letters are more personal. In one, Snell asked E.A. Barnard for financial assistance and apparently tried to win his trust over Turner, who Snell claimed was acting dishonorably and selfishly. Snell ran into some trouble with Turner in 1913 when showing some of Barnard's land to a Mr. Johnson of Washington. Turner and Snell agreed to split any commissions on this sale, but then Snell accused Turner of trying to claim it all. On a related deal, Snell said that Turner asked him to claim a commission and split it with Turner so that Turner would not have to split his share with his own business partner. In the same letter to Barnard, Snell asked for an extension for $4,000 from his $25,000 bill. Barnard later granted the request but clearly was not pleased. \u003c/p\u003e\n","\u003cp\u003eIn the fall of 1913, Snell wrote that progress was being made on the land, but that it was expensive and therefore asked for an extension. \"I have before me 24 contracts all past due upon which the parties have asked an extension and there is nothing to do but grant it. [...] We have 24 teams and 40 men going now. We have hard surfaced streets, curbs, and cement walks and every block graded on all streets East of Locust Street. Lot of property ready for the market this winter. Mr. Hamlett and myself will both build nice homes on the Bayou this winter.\" \u003c/p\u003e\n","\u003cp\u003eAll of Snell's correspondence after 1913 is typed on letterhead, and more formal. The years of World War I were apparently bad for Snell. \"Our losses in the depression of the past 4 years caused by the war will run into the hundreds of thousands of dollars, but we have taken our losses; and believe that a new era of prosperity in St. Petersburg is just arriving [...]\" On March 13, 1919, Snell wrote that he has \"recently purchased Mr. Hamlett's interest in the firm.\" In correspondence between Snell and Alice Howe, Snell is sometimes late on his payments. Each time Howe reminds him he will have to pay interest on the accumulating interest. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["C. Perry Snell became a prominent developer of St. Petersburg's North Shore, the Old Northeast, and Snell Isle communities. Snell acquired tracts of land between 26th Avenue North and 30 th Avenue North, east of First Street North to Coffee Pot Bayou from the Erastus A. Barnard family of Chicago. Although documents in this collection have inclusive dates from 1898 through 1951, most of the materials relate to the 1913 land sale. These materials were acquired by purchase from Lighthouse Books through the Society for Advancement of Poynter Library. ","Notable materials in this collection include correspondence between George T. Turner and Barnard from 1912. Barnard asked for a $40,000 deposit, which represented one-quarter of the price. The full $160,000 was expected to be paid in ten years, at six percent interest, before the deed would be granted. Turner, who later developed Sunken Gardens in St. Petersburg, acted as an intermediary and was to receive a commission of 2.5 percent. Turner protested requiring the amount to be paid in full, since apparently it would deter buyers. Barnard, however, insisted on the full amount, fearing that he would be left holding undesirable portions of land. ","In November 1912, Turner found someone, presumably Snell, willing to agree to a binder of $20,000, and apparently Turner decided to front the rest until the full amount was paid. On December 6, 1912, Erastus Barnard transmitted the deed for \"the Northeast one-quarter, (1/4,) of Section Seven (7), and the West one-half, (½,) of the Northwest one-quarter, (1/4,) of Section Eight, (8,) Township Thirty-One (31,) South, Range Seventeen, (17,) East in Pinellas County Florida and another lot from the deceased Alice Barnard for $160,000 to the Central National Bank of St. Petersburg, Florida. ","A Central National Bank representative described Snell as an eastern syndicate who \"now seems more interested in Tampa property who was willing to bargain if Barnard would accept $25,000 now and another $25,000 in thirty days.\" ","Correspondence from Snell to Barnard in December 1912 suggested they were well-acquainted. \"I trust that your health will improve enough for you to come down for your usual winters stay,\" Snell mentioned in a letter. Barnard's responses had a more businesslike tone. A January 8, 1913 letter from Barnard to J.J. Berry tells Berry to stop working on his orange grove on the land, presumably since Snell would soon take control of the parcel. ","Most of the correspondence is in \"land-deal-legalese,\" but some of the letters are more personal. In one, Snell asked E.A. Barnard for financial assistance and apparently tried to win his trust over Turner, who Snell claimed was acting dishonorably and selfishly. Snell ran into some trouble with Turner in 1913 when showing some of Barnard's land to a Mr. Johnson of Washington. Turner and Snell agreed to split any commissions on this sale, but then Snell accused Turner of trying to claim it all. On a related deal, Snell said that Turner asked him to claim a commission and split it with Turner so that Turner would not have to split his share with his own business partner. In the same letter to Barnard, Snell asked for an extension for $4,000 from his $25,000 bill. Barnard later granted the request but clearly was not pleased. ","In the fall of 1913, Snell wrote that progress was being made on the land, but that it was expensive and therefore asked for an extension. \"I have before me 24 contracts all past due upon which the parties have asked an extension and there is nothing to do but grant it. [...] We have 24 teams and 40 men going now. We have hard surfaced streets, curbs, and cement walks and every block graded on all streets East of Locust Street. Lot of property ready for the market this winter. Mr. Hamlett and myself will both build nice homes on the Bayou this winter.\" ","All of Snell's correspondence after 1913 is typed on letterhead, and more formal. The years of World War I were apparently bad for Snell. \"Our losses in the depression of the past 4 years caused by the war will run into the hundreds of thousands of dollars, but we have taken our losses; and believe that a new era of prosperity in St. Petersburg is just arriving [...]\" On March 13, 1919, Snell wrote that he has \"recently purchased Mr. Hamlett's interest in the firm.\" In correspondence between Snell and Alice Howe, Snell is sometimes late on his payments. Each time Howe reminds him he will have to pay interest on the accumulating interest. "],"prefercite_html_tesm":["\u003cp\u003eC. Perry Snell Papers collection, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL.\u003c/p\u003e"],"prefercite_tesim":["C. Perry Snell Papers collection, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL."],"processinfo_html_tesm":["\u003cp\u003eThis collection was originally published in 2007 and was updated in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was originally published in 2007 and was updated in 2024."],"scopecontent_html_tesm":["\u003cp\u003eMaterials related to real estate transaction and construction of the C. Perry Snell House.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials related to real estate transaction and construction of the C. Perry Snell House."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d5d1e3a2df3b9f23ab3a4a367fae2ebf\"\u003eThis collection consists of letters and documents related to the Snell/Barnard land transaction in 1913, as well as other documents and an architectural rendering of the Snell House from 1913-1951.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of letters and documents related to the Snell/Barnard land transaction in 1913, as well as other documents and an architectural rendering of the Snell House from 1913-1951."],"names_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives","Snell, C. Perry, 1869-1942","Cunningham, Harry F. (Harry Francis Cunningham), 1888-1959","Barnard, E. A. (Erastus A. Barnard)"],"corpname_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"names_coll_ssim":["Snell, C. Perry, 1869-1942","Barnard, E. A. (Erastus A. Barnard)"],"persname_ssim":["Snell, C. Perry, 1869-1942","Cunningham, Harry F. (Harry Francis Cunningham), 1888-1959","Barnard, E. A. (Erastus A. Barnard)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1875844232478982144,"_root_":"14db475840c3f0514acc0559","timestamp":"2026-09-09T09:01:06.094Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/14db475840c3f0514acc0559_aspace_9a2a9a2349aa95902ea994937078cb42"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Dorothy Porter Wesley Collection, Circa 1788-2012","value":"Dorothy Porter Wesley Collection, Circa 1788-2012","hits":47},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Dorothy+Porter+Wesley+Collection%2C+Circa+1788-2012\u0026f%5Bdate_range%5D%5B%5D=1912"}},{"attributes":{"label":"Florida Ephemera collection, circa 1813-2007","value":"Florida Ephemera collection, circa 1813-2007","hits":41},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Florida+Ephemera+collection%2C+circa+1813-2007\u0026f%5Bdate_range%5D%5B%5D=1912"}},{"attributes":{"label":"Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997","value":"Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997","hits":40},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Children%27s+Home+Society+of+Florida+collection%2C+1862-2019%2C+bulk+1902-1997\u0026f%5Bdate_range%5D%5B%5D=1912"}},{"attributes":{"label":"African American Legacy: The Carol Mundy collection, 1791-2003","value":"African American Legacy: The Carol Mundy collection, 1791-2003","hits":39},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=African+American+Legacy%3A+The+Carol+Mundy+collection%2C+1791-2003\u0026f%5Bdate_range%5D%5B%5D=1912"}},{"attributes":{"label":"Northeast Florida Regional Postcard Collection, 1858-2019","value":"Northeast Florida Regional Postcard Collection, 1858-2019","hits":36},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Northeast+Florida+Regional+Postcard+Collection%2C+1858-2019\u0026f%5Bdate_range%5D%5B%5D=1912"}},{"attributes":{"label":"Richard H. 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