{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1909\u0026page=72","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1909\u0026page=71","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1909\u0026page=73","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1909\u0026page=108"},"meta":{"pages":{"current_page":72,"next_page":73,"prev_page":71,"total_pages":108,"limit_value":10,"offset_value":710,"total_count":1080,"first_page?":false,"last_page?":false}},"data":[{"id":"045d073fac3c2ee36be6e129_aspace_2226","type":"File","attributes":{"title":"Newspaper Copies, 1851-2001","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/045d073fac3c2ee36be6e129_aspace_2226#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains newspaper clippings regarding the Henry Walter burial service, the Walters art collection, the Naples passenger train, the Louisville and Nashville Coast line, and the North Carolina Southern Railroad System.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/045d073fac3c2ee36be6e129_aspace_2226#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_2226","ref_ssm":["aspace_2226","aspace_2226"],"id":"045d073fac3c2ee36be6e129_aspace_2226","title_filing_ssi":"Newspaper Copies","title_ssm":["Newspaper Copies"],"title_tesim":["Newspaper Copies"],"unitdate_inclusive_ssm":["1851-2001"],"normalized_date_ssm":["1851-2001"],"normalized_title_ssm":["Newspaper Copies, 1851-2001"],"text":["Newspaper Copies, 1851-2001","Turner Railroad Collection, 1809-2007","Railroads, 1830-present","Atlantic Coast Line Railroad","Folder 7","/repositories/2/archival_objects/11478","box 3","folder 7","This folder contains newspaper clippings regarding the Henry Walter burial service, the Walters art collection, the Naples passenger train, the Louisville and Nashville Coast line, and the North Carolina Southern Railroad System."],"component_level_isim":[3],"parent_ids_ssim":["045d073fac3c2ee36be6e129","045d073fac3c2ee36be6e129_aspace_2217","045d073fac3c2ee36be6e129_aspace_2218"],"parent_unittitles_ssm":["Turner Railroad Collection, 1809-2007","Railroads, 1830-present","Atlantic Coast Line Railroad"],"parent_unittitles_tesim":["Turner Railroad Collection, 1809-2007","Railroads, 1830-present","Atlantic Coast Line Railroad"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 7","/repositories/2/archival_objects/11478"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Turner Railroad Collection, 1809-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":58,"parent_access_terms_tesm":["All rights reserved. Material may be used only for research, educational, legal and non-commercial purposes, with acknowledgement of Florida Gulf Coast University Archives and Special Collections."],"date_range_isim":[1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"containers_ssim":["box 3","folder 7"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains newspaper clippings regarding the Henry Walter burial service, the Walters art collection, the Naples passenger train, the Louisville and Nashville Coast line, and the North Carolina Southern Railroad System.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains newspaper clippings regarding the Henry Walter burial service, the Walters art collection, the Naples passenger train, the Louisville and Nashville Coast line, and the North Carolina Southern Railroad System."],"_nest_path_":"/components#1/components#0/components#6","_nest_parent_":"045d073fac3c2ee36be6e129_aspace_2218","_root_":"045d073fac3c2ee36be6e129","timestamp":"2026-04-28T01:56:48.203Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"045d073fac3c2ee36be6e129","title_ssm":["Turner Railroad Collection"],"title_tesim":["Turner Railroad Collection"],"ead_ssi":"045d073fac3c2ee36be6e129","unitdate_ssm":["1809-2007"],"unitdate_inclusive_ssm":["1809-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/16","/repositories/2/resources/19"],"text":["02/01/16","/repositories/2/resources/19","Turner Railroad Collection, 1809-2007","Railroads--Florida--History--20th century.","Organized in four series: Series 1, Rail Road History, 1830-1890; Series 2, Railroads, 1830-Present; Series 3, Plant Systems Co. Inc., 1860-1902; Series 4, Reference Material.","Gregg M. Turner is a former national director of the Railway \u0026 Locomotive Historical Society at Harvard Business School. Turner is on the business faculty of Southwest Florida College. Turner currently lives in Fort Myers.\nHis books include:\n- A Journey Into Florida Railroad History (2008)\n- Florida Railroads in the 1920's (2005) \n- Fort Myers in Vintage Postcards (2005) \n- The Plant System of railroads, steamships and hotels with Seth Bramson (2004) \n- A milestone celebration: the Seaboard Railway to Naples and Miami (2004) \n- Short History of Florida Railroads (2003) \n- Venice in the 1920's (2000) \n- Fort Myers (2000) \n- Railroads of Southwest Florida (1999)","Consists of publications, advertisements, photographs, administration and research on the east coast railroads of the United States collected by history scholar Gregg M. Turner. Consists of four series, including but not limited to documents and photographs of railroad history (1830-1890), the Plant System Co. Inc.(1860-1902), the three primary railroads on the eastern seaboard of the United States (1830-present), and independent railroads. A portion of the collection has been digitized by Florida Gulf Coast University's Library Archives, Special Collections, and Digital Initiatives and is available on  D [url=https://fgcu.digital.flvc.org/islandora/search/?type=edismax\u0026collection=fgcu:0216]igitalFGCU[/url].","All rights reserved. Material may be used only for research, educational, legal and non-commercial purposes, with acknowledgement of Florida Gulf Coast University Archives and Special Collections.","Florida Gulf Coast University Special Collections","Turner, Gregg M.","Plant, Henry Bradley, 1819-1899.","Flagler, Henry Morrison, 1830-1913","English"],"unitid_tesim":["02/01/16","/repositories/2/resources/19"],"normalized_date_ssm":["1809-2007"],"normalized_title_ssm":["Turner Railroad Collection, 1809-2007"],"collection_title_tesim":["Turner Railroad Collection, 1809-2007"],"collection_ssim":["Turner Railroad Collection, 1809-2007"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Railroads--Florida--History--20th century."],"geogname_ssim":["Railroads--Florida--History--20th century."],"places_ssim":["Railroads--Florida--History--20th century."],"access_terms_ssm":["All rights reserved. Material may be used only for research, educational, legal and non-commercial purposes, with acknowledgement of Florida Gulf Coast University Archives and Special Collections."],"acqinfo_ssim":["Gregg M. Turner - Date acquired: 04/18/2014","Gift to Florida Gulf Coast University Archives and Special Collections."],"has_online_content_ssim":["false"],"extent_ssm":["14.00 Linear Feet"],"extent_tesim":["14.00 Linear Feet"],"date_range_isim":[1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eOrganized in four series: Series 1, Rail Road History, 1830-1890; Series 2, Railroads, 1830-Present; Series 3, Plant Systems Co. Inc., 1860-1902; Series 4, Reference Material.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in four series: Series 1, Rail Road History, 1830-1890; Series 2, Railroads, 1830-Present; Series 3, Plant Systems Co. Inc., 1860-1902; Series 4, Reference Material."],"bioghist_html_tesm":["\u003cp\u003eGregg M. Turner is a former national director of the Railway \u0026amp; Locomotive Historical Society at Harvard Business School. Turner is on the business faculty of Southwest Florida College. Turner currently lives in Fort Myers.\nHis books include:\n- A Journey Into Florida Railroad History (2008)\n- Florida Railroads in the 1920's (2005) \n- Fort Myers in Vintage Postcards (2005) \n- The Plant System of railroads, steamships and hotels with Seth Bramson (2004) \n- A milestone celebration: the Seaboard Railway to Naples and Miami (2004) \n- Short History of Florida Railroads (2003) \n- Venice in the 1920's (2000) \n- Fort Myers (2000) \n- Railroads of Southwest Florida (1999)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Gregg M. Turner is a former national director of the Railway \u0026 Locomotive Historical Society at Harvard Business School. Turner is on the business faculty of Southwest Florida College. Turner currently lives in Fort Myers.\nHis books include:\n- A Journey Into Florida Railroad History (2008)\n- Florida Railroads in the 1920's (2005) \n- Fort Myers in Vintage Postcards (2005) \n- The Plant System of railroads, steamships and hotels with Seth Bramson (2004) \n- A milestone celebration: the Seaboard Railway to Naples and Miami (2004) \n- Short History of Florida Railroads (2003) \n- Venice in the 1920's (2000) \n- Fort Myers (2000) \n- Railroads of Southwest Florida (1999)"],"scopecontent_html_tesm":["\u003cp\u003eConsists of publications, advertisements, photographs, administration and research on the east coast railroads of the United States collected by history scholar Gregg M. Turner. Consists of four series, including but not limited to documents and photographs of railroad history (1830-1890), the Plant System Co. Inc.(1860-1902), the three primary railroads on the eastern seaboard of the United States (1830-present), and independent railroads. A portion of the collection has been digitized by Florida Gulf Coast University's Library Archives, Special Collections, and Digital Initiatives and is available on \u003ca href=\"mailto:mailto:http://fgcu.digital.flvc.org/islandora/object/fgcu:root\"\u003eD\u003c/a\u003e[url=https://fgcu.digital.flvc.org/islandora/search/?type=edismax\u0026amp;collection=fgcu:0216]igitalFGCU[/url].\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Consists of publications, advertisements, photographs, administration and research on the east coast railroads of the United States collected by history scholar Gregg M. Turner. Consists of four series, including but not limited to documents and photographs of railroad history (1830-1890), the Plant System Co. Inc.(1860-1902), the three primary railroads on the eastern seaboard of the United States (1830-present), and independent railroads. A portion of the collection has been digitized by Florida Gulf Coast University's Library Archives, Special Collections, and Digital Initiatives and is available on  D [url=https://fgcu.digital.flvc.org/islandora/search/?type=edismax\u0026collection=fgcu:0216]igitalFGCU[/url]."],"userestrict_html_tesm":["\u003cp\u003eAll rights reserved. Material may be used only for research, educational, legal and non-commercial purposes, with acknowledgement of Florida Gulf Coast University Archives and Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All rights reserved. Material may be used only for research, educational, legal and non-commercial purposes, with acknowledgement of Florida Gulf Coast University Archives and Special Collections."],"names_ssim":["Florida Gulf Coast University Special Collections","Turner, Gregg M.","Plant, Henry Bradley, 1819-1899.","Flagler, Henry Morrison, 1830-1913"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"names_coll_ssim":["Turner, Gregg M.","Plant, Henry Bradley, 1819-1899.","Flagler, Henry Morrison, 1830-1913"],"persname_ssim":["Turner, Gregg M.","Plant, Henry Bradley, 1819-1899.","Flagler, Henry Morrison, 1830-1913"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":568,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"045d073fac3c2ee36be6e129","timestamp":"2026-04-28T01:56:48.203Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/045d073fac3c2ee36be6e129_aspace_2226"}},{"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_98cfe7e68335b8883242932880fdbb38","type":"Subseries","attributes":{"title":"Newspapers, 1897-1923","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_98cfe7e68335b8883242932880fdbb38#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_98cfe7e68335b8883242932880fdbb38","ref_ssm":["aspace_98cfe7e68335b8883242932880fdbb38","aspace_98cfe7e68335b8883242932880fdbb38"],"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_98cfe7e68335b8883242932880fdbb38","title_filing_ssi":"Newspapers","title_ssm":["Newspapers"],"title_tesim":["Newspapers"],"unitdate_inclusive_ssm":["1897-1923"],"normalized_date_ssm":["1897-1923"],"normalized_title_ssm":["Newspapers, 1897-1923"],"text":["Newspapers, 1897-1923","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Publications, 1858-1952, Undated.","Sub-Series 2","/repositories/4/archival_objects/57066"],"component_level_isim":[2],"parent_ids_ssim":["2a6a6aa34a3c99c1b1b95ea9","2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesIV"],"parent_unittitles_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Publications, 1858-1952, Undated."],"parent_unittitles_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Publications, 1858-1952, Undated."],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 2","/repositories/4/archival_objects/57066"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":455,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923],"_nest_path_":"/components#3/components#1","_nest_parent_":"2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesIV","_root_":"2a6a6aa34a3c99c1b1b95ea9","_version_":1872035374829666304,"timestamp":"2026-07-29T08:00:56.373Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2a6a6aa34a3c99c1b1b95ea9","title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"ead_ssi":"2a6a6aa34a3c99c1b1b95ea9","unitdate_ssm":["1829-2006"],"unitdate_inclusive_ssm":["1829-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.113","/repositories/4/resources/225"],"text":["SC.113","/repositories/4/resources/225","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations","The entire collection is open for research.","This collection is itemized and arranged in alphabetical and chronological order.","Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.","Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog .","This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.","UCF Special Collections","Martin, Francis John, Jr.","The materials are written in English."],"unitid_tesim":["SC.113","/repositories/4/resources/225"],"normalized_date_ssm":["1829-2006"],"normalized_title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Martin, Francis John, Jr."],"creator_ssim":["Martin, Francis John, Jr."],"creator_persname_ssim":["Martin, Francis John, Jr."],"creators_ssim":["Martin, Francis John, Jr."],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Francis Martin Jr. donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_15) and 2020 (CFM2020_02, CFM2020_03, CFM2020_16)."],"access_subjects_ssim":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"access_subjects_ssm":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"extent_tesim":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"genreform_ssim":["manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"date_range_isim":[1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is itemized and arranged in alphabetical and chronological order."],"bioghist_html_tesm":["\u003cp\u003eFrancis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners."],"prefercite_html_tesm":["\u003cp\u003eFred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMarlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e\n","\u003cp\u003eSeries I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026amp; posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.\u003c/p\u003e\n","\u003cp\u003eSeries III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.\u003c/p\u003e\n","\u003cp\u003eSeries IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4a581e455cb123495b610919f342aacb\"\u003eThe Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.\u003c/abstract\u003e"],"abstract_tesim":["The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection."],"names_ssim":["UCF Special Collections","Martin, Francis John, Jr."],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Martin, Francis John, Jr."],"language_ssim":["The materials are written in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":459,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872035374829666304,"_root_":"2a6a6aa34a3c99c1b1b95ea9","timestamp":"2026-07-29T08:00:56.373Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_98cfe7e68335b8883242932880fdbb38"}},{"id":"109d167e0f73e776d2d16212_aspace_67486","type":"File","attributes":{"title":"Newspapers -  New York American, August 8, 1909","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/109d167e0f73e776d2d16212_aspace_67486#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_67486","ref_ssm":["aspace_67486","aspace_67486"],"id":"109d167e0f73e776d2d16212_aspace_67486","title_filing_ssi":"Newspapers -  New York American","title_ssm":["Newspapers -  New York American"],"title_tesim":["Newspapers -  New York American"],"unitdate_other_ssim":["August 8, 1909"],"normalized_date_ssm":["August 8, 1909"],"normalized_title_ssm":["Newspapers -  New York American, August 8, 1909"],"text":["Newspapers -  New York American, August 8, 1909","Lue Gim Gong collection, 1886-1935, Acquired","Personal Papers and Photographs","Folder 7","/repositories/2/archival_objects/117212","box 1","folder 7"],"component_level_isim":[2],"parent_ids_ssim":["109d167e0f73e776d2d16212","109d167e0f73e776d2d16212_aspace_67471"],"parent_unittitles_ssm":["Lue Gim Gong collection, 1886-1935, Acquired","Personal Papers and Photographs"],"parent_unittitles_tesim":["Lue Gim Gong collection, 1886-1935, Acquired","Personal Papers and Photographs"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Folder 7","/repositories/2/archival_objects/117212"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Lue Gim Gong collection, 1886-1935, Acquired"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":8,"parent_access_terms_tesm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"date_range_isim":[1909],"containers_ssim":["box 1","folder 7"],"_nest_path_":"/components#0/components#6","_nest_parent_":"109d167e0f73e776d2d16212_aspace_67471","_root_":"109d167e0f73e776d2d16212","timestamp":"2026-07-08T05:07:29.966Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"109d167e0f73e776d2d16212","title_ssm":["Lue Gim Gong collection"],"title_tesim":["Lue Gim Gong collection"],"ead_ssi":"109d167e0f73e776d2d16212","unitdate_ssm":["1886-1935","Acquired"],"unitdate_inclusive_ssm":["1886-1935"],"unitdate_other_ssim":["Acquired"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1988-07","/repositories/2/resources/515"],"text":["MS-1988-07","/repositories/2/resources/515","Lue Gim Gong collection, 1886-1935, Acquired","Citrus -- Florida -- De Land -- History","Horticulture","Fruit growers -- Florida -- De Land (Fla.)","Agriculture -- Florida","Organized by subject.","Lue (pronounced  Loo-ee ) Gim Gong grew up in the southern Chinese village of Lung On, where he first began experimenting with horticulture as a child. In 1872, at the age of twelve, he came to the United States, where he found work in shoe factories, first in San Francisco, and then in North Adams, Massachusetts. His Christian tutor, Fanny Burlingame, took an interest in his gardening skills and became his sponsor, eventually taking Lue into her family's home. When Lue became ill with tuberculosis, Fanny suggested he relocate to her family's citrus groves in DeLand, Florida.  In 1887, with the help of Fanny, Lue became a United States citizen.","Lue developed both an orange and a grapefruit variety that could withstand freezes and were more flavorful than previous varieties. Lue gained much respect and admiration from the horticulture community, receiving the Silver Wilder Medal from the American Pomological Society in 1911. On June 3, 1925, the \"Father of Florida's Citrus Industry\" died in DeLand, FL.\n    ","Arson, Virginia. Gift of the Unicorn: The Story of Lue Gim Gong, Florida's Citrus Wizard. Sarasota, FL: Pineapple Press, 2002.","Lue Gim Gong, 1859-1925: Father of Florida's Citrus Industry. http://www.firn.edu/civiced/games/faces/gong/html. Retrieved April 6, 2005.","Note written by Jenica Ibarra, 2011","Aronson, Virginia.   Gift of the Unicorn: The Story of Lue Gim Gong Florida's Citrus Wizard.   Sarasota, Florida: Pineapple Press, 2002.","Murray, Marian.   Plant Wizard: The Life of Lue Gim Gong.   New York: Macmillan Company, 1970.","The collection primarily consists of photographs of Lue Gim Gong with the Burlingame family, the citrus grove in DeLand, and the many visitors who came to the family home. Also includes newspaper clippings, legal papers, and a Bible study journal.","None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","USF Libraries - Tampa Special Collections","Lue, Gim Gong (1860-1925)","English Chinese"],"unitid_tesim":["MS-1988-07","/repositories/2/resources/515"],"normalized_date_ssm":["1886-1935, Acquired"],"normalized_title_ssm":["Lue Gim Gong collection, 1886-1935, Acquired"],"collection_title_tesim":["Lue Gim Gong collection, 1886-1935, Acquired"],"collection_ssim":["Lue Gim Gong collection, 1886-1935, Acquired"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Lue, Gim Gong (1860-1925)"],"creator_ssim":["Lue, Gim Gong (1860-1925)"],"creator_persname_ssim":["Lue, Gim Gong (1860-1925)"],"creators_ssim":["Lue, Gim Gong (1860-1925)"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Mickler's Floridiana","acquistion"],"access_subjects_ssim":["Citrus -- Florida -- De Land -- History","Horticulture","Fruit growers -- Florida -- De Land (Fla.)","Agriculture -- Florida"],"access_subjects_ssm":["Citrus -- Florida -- De Land -- History","Horticulture","Fruit growers -- Florida -- De Land (Fla.)","Agriculture -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["0.42 Linear Feet","1.00 boxes"],"extent_tesim":["0.42 Linear Feet","1.00 boxes"],"date_range_isim":[1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1988],"arrangement_html_tesm":["\u003cp\u003eOrganized by subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized by subject."],"bioghist_html_tesm":["\u003cp\u003eLue (pronounced \u003cemph render=\"italic\"\u003eLoo-ee\u003c/emph\u003e) Gim Gong grew up in the southern Chinese village of Lung On, where he first began experimenting with horticulture as a child. In 1872, at the age of twelve, he came to the United States, where he found work in shoe factories, first in San Francisco, and then in North Adams, Massachusetts. His Christian tutor, Fanny Burlingame, took an interest in his gardening skills and became his sponsor, eventually taking Lue into her family's home. When Lue became ill with tuberculosis, Fanny suggested he relocate to her family's citrus groves in DeLand, Florida.  In 1887, with the help of Fanny, Lue became a United States citizen.\u003c/p\u003e\n","\u003cp\u003eLue developed both an orange and a grapefruit variety that could withstand freezes and were more flavorful than previous varieties. Lue gained much respect and admiration from the horticulture community, receiving the Silver Wilder Medal from the American Pomological Society in 1911. On June 3, 1925, the \"Father of Florida's Citrus Industry\" died in DeLand, FL.\n    \u003c/p\u003e\n","\u003cp\u003eArson, Virginia. Gift of the Unicorn: The Story of Lue Gim Gong, Florida's Citrus Wizard. Sarasota, FL: Pineapple Press, 2002.\u003c/p\u003e\n","\u003cp\u003eLue Gim Gong, 1859-1925: Father of Florida's Citrus Industry. http://www.firn.edu/civiced/games/faces/gong/html. Retrieved April 6, 2005.\u003c/p\u003e\n","\u003cp\u003eNote written by Jenica Ibarra, 2011\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Lue (pronounced  Loo-ee ) Gim Gong grew up in the southern Chinese village of Lung On, where he first began experimenting with horticulture as a child. In 1872, at the age of twelve, he came to the United States, where he found work in shoe factories, first in San Francisco, and then in North Adams, Massachusetts. His Christian tutor, Fanny Burlingame, took an interest in his gardening skills and became his sponsor, eventually taking Lue into her family's home. When Lue became ill with tuberculosis, Fanny suggested he relocate to her family's citrus groves in DeLand, Florida.  In 1887, with the help of Fanny, Lue became a United States citizen.","Lue developed both an orange and a grapefruit variety that could withstand freezes and were more flavorful than previous varieties. Lue gained much respect and admiration from the horticulture community, receiving the Silver Wilder Medal from the American Pomological Society in 1911. On June 3, 1925, the \"Father of Florida's Citrus Industry\" died in DeLand, FL.\n    ","Arson, Virginia. Gift of the Unicorn: The Story of Lue Gim Gong, Florida's Citrus Wizard. Sarasota, FL: Pineapple Press, 2002.","Lue Gim Gong, 1859-1925: Father of Florida's Citrus Industry. http://www.firn.edu/civiced/games/faces/gong/html. Retrieved April 6, 2005.","Note written by Jenica Ibarra, 2011"],"prefercite_html_tesm":["\u003cp\u003eLue Gim Gong Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u0026#xA0;\u003c/p\u003e"],"prefercite_tesim":["Lue Gim Gong Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"relatedmaterial_html_tesm":["\u003cp\u003eAronson, Virginia.\u0026#xA0; \u003cemph render=\"italic\"\u003eGift of the Unicorn: The Story of Lue Gim Gong Florida's Citrus Wizard.\u0026#xA0; \u003c/emph\u003eSarasota, Florida: Pineapple Press, 2002.\u003c/p\u003e\n","\u003cp\u003eMurray, Marian.\u0026#xA0; \u003cemph render=\"italic\"\u003ePlant Wizard: The Life of Lue Gim Gong.\u003c/emph\u003e\u0026#xA0; New York: Macmillan Company, 1970.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Publications"],"relatedmaterial_tesim":["Aronson, Virginia.   Gift of the Unicorn: The Story of Lue Gim Gong Florida's Citrus Wizard.   Sarasota, Florida: Pineapple Press, 2002.","Murray, Marian.   Plant Wizard: The Life of Lue Gim Gong.   New York: Macmillan Company, 1970."],"scopecontent_html_tesm":["\u003cp\u003eThe collection primarily consists of photographs of Lue Gim Gong with the Burlingame family, the citrus grove in DeLand, and the many visitors who came to the family home. Also includes newspaper clippings, legal papers, and a Bible study journal.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection primarily consists of photographs of Lue Gim Gong with the Burlingame family, the citrus grove in DeLand, and the many visitors who came to the family home. Also includes newspaper clippings, legal papers, and a Bible study journal."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Lue, Gim Gong (1860-1925)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Lue, Gim Gong (1860-1925)"],"language_ssim":["English Chinese"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":22,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"109d167e0f73e776d2d16212","timestamp":"2026-07-08T05:07:29.966Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/109d167e0f73e776d2d16212_aspace_67486"}},{"id":"bec408ef355489ed2515918e_aspace_7e04410ad5c81eff6d6d398394046b7f","type":"Item","attributes":{"title":"New Weekly Magazine Harper's Brothers, \"Reciprocity\", by Munkittrick, R.K., 1853-1911","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_7e04410ad5c81eff6d6d398394046b7f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7e04410ad5c81eff6d6d398394046b7f","ref_ssm":["aspace_7e04410ad5c81eff6d6d398394046b7f","aspace_7e04410ad5c81eff6d6d398394046b7f"],"id":"bec408ef355489ed2515918e_aspace_7e04410ad5c81eff6d6d398394046b7f","title_filing_ssi":"New Weekly Magazine Harper's Brothers, \"Reciprocity\", by Munkittrick, R.K.","title_ssm":["New Weekly Magazine Harper's Brothers, \"Reciprocity\", by Munkittrick, R.K."],"title_tesim":["New Weekly Magazine Harper's Brothers, \"Reciprocity\", by Munkittrick, R.K."],"unitdate_inclusive_ssm":["1853-1911"],"normalized_date_ssm":["1853-1911"],"normalized_title_ssm":["New Weekly Magazine Harper's Brothers, \"Reciprocity\", by Munkittrick, R.K., 1853-1911"],"text":["New Weekly Magazine Harper's Brothers, \"Reciprocity\", by Munkittrick, R.K., 1853-1911","African American Legacy: The Carol Mundy collection, 1791-2003","Additional Materials, 1791-1990, Undated","Publications, 1835-1990, Undated","Folder 4","/repositories/4/archival_objects/57403","box 35","folder 4"],"component_level_isim":[3],"parent_ids_ssim":["bec408ef355489ed2515918e","bec408ef355489ed2515918e_aspace_8d9756e691c528284ff3578409880ec9","bec408ef355489ed2515918e_aspace_931e746fe9172e56fab1c41c2a7f0463"],"parent_unittitles_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003","Additional Materials, 1791-1990, Undated","Publications, 1835-1990, Undated"],"parent_unittitles_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003","Additional Materials, 1791-1990, Undated","Publications, 1835-1990, Undated"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 4","/repositories/4/archival_objects/57403"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1638,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911],"containers_ssim":["box 35","folder 4"],"_nest_path_":"/components#8/components#6/components#7","_nest_parent_":"bec408ef355489ed2515918e_aspace_931e746fe9172e56fab1c41c2a7f0463","_root_":"bec408ef355489ed2515918e","_version_":1879192534963453952,"timestamp":"2026-10-16T08:00:56.160Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bec408ef355489ed2515918e","title_ssm":["African American Legacy: The Carol Mundy collection"],"title_tesim":["African American Legacy: The Carol Mundy collection"],"ead_ssi":"bec408ef355489ed2515918e","unitdate_ssm":["1791-2003"],"unitdate_inclusive_ssm":["1791-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC085","/repositories/4/resources/106"],"text":["SC085","/repositories/4/resources/106","African American Legacy: The Carol Mundy collection, 1791-2003","Apopka (Fla.)--History","African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs","The entire collection is open for research.","Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"","Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog .","This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.","UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-","English"],"unitid_tesim":["SC085","/repositories/4/resources/106"],"normalized_date_ssm":["1791-2003"],"normalized_title_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_title_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Apopka (Fla.)--History"],"geogname_ssim":["Apopka (Fla.)--History"],"creator_ssm":["Mundy, Carol"],"creator_ssim":["Mundy, Carol"],"creator_persname_ssim":["Mundy, Carol"],"creators_ssim":["Mundy, Carol"],"places_ssim":["Apopka (Fla.)--History"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Most of these materials were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Carol Mundy in 2009 (CFM2009_02). Additional materials were donated in 2010/2012 (CFM2012_02) and 2019 (CFM2019_01)."],"access_subjects_ssim":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"access_subjects_ssm":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["26 Linear Feet 36 boxes and 73 flat files"],"extent_tesim":["26 Linear Feet 36 boxes and 73 flat files"],"genreform_ssim":["photographs"],"date_range_isim":[1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eCarol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\""],"prefercite_html_tesm":["\u003cp\u003eAfrican American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["African American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Early America \u0026amp; Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.\u003c/p\u003e\n","\u003cp\u003eSeries IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4cf0eb7fc38bbc5bdebff00649325802\" label=\"Abstract\"\u003eCollector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.\u003c/abstract\u003e"],"abstract_tesim":["Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida."],"names_ssim":["UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"persname_ssim":["Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1675,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879192534963453952,"_root_":"bec408ef355489ed2515918e","timestamp":"2026-10-16T08:00:56.160Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_7e04410ad5c81eff6d6d398394046b7f"}},{"id":"f98896827f16d52b3168e472_aspace_0f45cc08c75028f258ec45cd19e20c4f","type":"File","attributes":{"title":"Nils \u0026 Alice Matson, 1908–1942","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f98896827f16d52b3168e472_aspace_0f45cc08c75028f258ec45cd19e20c4f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_0f45cc08c75028f258ec45cd19e20c4f","ref_ssm":["aspace_0f45cc08c75028f258ec45cd19e20c4f","aspace_0f45cc08c75028f258ec45cd19e20c4f"],"id":"f98896827f16d52b3168e472_aspace_0f45cc08c75028f258ec45cd19e20c4f","title_filing_ssi":"Nils \u0026 Alice Matson","title_ssm":["Nils \u0026 Alice Matson"],"title_tesim":["Nils \u0026 Alice Matson"],"unitdate_inclusive_ssm":["1908–1942"],"normalized_date_ssm":["1908–1942"],"normalized_title_ssm":["Nils \u0026 Alice Matson, 1908–1942"],"text":["Nils \u0026 Alice Matson, 1908–1942","Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997","State Organizational Files, 1886-2000","Finance, 1886–1983","Title Deeds, 1886–1983","Property Owners, 1886–1942","/repositories/4/archival_objects/69820","box 49","folder 10"],"component_level_isim":[5],"parent_ids_ssim":["f98896827f16d52b3168e472","f98896827f16d52b3168e472_aspace_fe3154f62b64b6ce0e601b03fcc072df","f98896827f16d52b3168e472_aspace_cd77814ee9471305c49d9b10ba8d5d5e","f98896827f16d52b3168e472_aspace_ee9d5688a3a0e4f632c436314204b67b","f98896827f16d52b3168e472_aspace_d8a4460408c84d3609d8a476201a435e"],"parent_unittitles_ssm":["Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997","State Organizational Files, 1886-2000","Finance, 1886–1983","Title Deeds, 1886–1983","Property Owners, 1886–1942"],"parent_unittitles_tesim":["Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997","State Organizational Files, 1886-2000","Finance, 1886–1983","Title Deeds, 1886–1983","Property Owners, 1886–1942"],"parent_levels_ssm":["collection","Series","Subseries","Subseries","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/69820"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":445,"parent_access_restrict_tesm":["The entire collection is open for research.","Photographs and Audio Visual, 1902-1997 (Series IV) and Additional Materials, 1862-2019 (Series VI) contain fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026 University Archives."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942],"containers_ssim":["box 49","folder 10"],"_nest_path_":"/components#1/components#24/components#11/components#1/components#41","_nest_parent_":"f98896827f16d52b3168e472_aspace_d8a4460408c84d3609d8a476201a435e","_root_":"f98896827f16d52b3168e472","_version_":1870857973089173504,"timestamp":"2026-07-16T08:06:38.475Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f98896827f16d52b3168e472","title_ssm":["Children's Home Society of Florida collection"],"title_tesim":["Children's Home Society of Florida collection"],"ead_ssi":"f98896827f16d52b3168e472","unitdate_ssm":["1862-2019","1902-1997"],"unitdate_bulk_ssim":["1902-1997"],"unitdate_inclusive_ssm":["1862-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 054","/repositories/4/resources/294"],"text":["SC 054","/repositories/4/resources/294","Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997","Abandoned Children","Adoption -- Florida","Adoption -- United States -- History","Child welfare -- Florida","Foster children -- United States -- History","Nonprofit organizations -- Finance","Nonprofit organizations -- Management","Nonprofit organizations -- Planning","Poverty","Orphanages -- Florida","The entire collection is open for research.","Photographs and Audio Visual, 1902-1997 (Series IV) and Additional Materials, 1862-2019 (Series VI) contain fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026 University Archives.","The Children's Home Society of Florida Collection is arranged into 5 series by types of content as well as by types of materials. The first three series feature personal and office files which show the birth and growth of the organization, sorted at the state and local division levels. The last two series holds audio visual and photographic ephemera as well as scrapbooks created by workers at the society.","To be an orphan in Florida at the turn of the twentieth century was a dangerous prospect. Children were being orphaned due to farm and industrial accidents and numerous poor families had to give up children they could no longer afford. Many children were abused and there were few laws that protected children's rights. Homeless children had little place to go where they could be safe, properly cared for, and loved.","\nIn response to this increasing crisis, the National Children's Home Society was formed in Illinois in 1883 to help place children who had been orphaned in farming and industrial accidents, spreading to several other states over the next decade. The Revered D. W. Comstock came to Jacksonville, Florida in 1902 as a representative of the National Children's Home Society to help organize the state's first child welfare society. On November 17, 1902, with the help of Rev. D. W. Comstock and Jacksonville's city and religious leaders, The Children's Home Society of Florida (CHSFL) was established. The welfare of the child was the society's primary focus, making sure that if the family could not be preserved that the child was placed in a happy and healthy home.","\nThe CHSFL was developed as a non-profit organization, relying solely on donations from the community. Fund-raising efforts began as administrative duties were carried out in private homes around the city. The children were also were being cared for in private residences as there was not yet a home secured for the society to board its charges. The CHSFL committed itself to not only children but to babies who were not accepted until the age of three at state orphanages (Mahoney, 5). Money was tight for the society and within the first few years, the CHSFL found itself in deep debt. By September of 1910, the CHSFL was facing the possibility of ending operations when a new state superintendent for the society entered its doors. Marcus C. Fagg was just 24 when he took control of the CHSFL but within a few short months, he had already obtained funding to start his first appeals drive. Many in the society to this day believe that it was Marcus C. Fagg who saved the CHSFL from closing its doors and built it to the standards that society members and workers adhere to today. Fagg's compassion towards children also did not go unnoticed; from his early years with the CHSFL, many children he helped referred to him as \"Daddy\" Fagg as a token of their appreciation for finding them loving homes.","\nMarcus Fagg brought innovative solutions to a dire financial situation. Using land donated or sold at cost to the society, Fagg either rented or sold land at higher costs to turn a profit. Fagg also helped poor families by renting them homes at drastically reduced rental costs with an option to later buy the homes. Marcus Fagg helped dozens of poor families regain their footing while also helping the CHSFL emerge from a deep hole of financial debt.","\nThough Marcus Fagg began to save the society financially, the society still fell on hard times. The country became entangled in the agony of the Great Depression in the 1930s and the CHSFL suffered with the rest of the nation. The Miami receiving home was lost due to a lack of finances but was thankfully picked up and operated by the Junior League until 1936 when CHSFL was able to once again run the home. Marcus Fagg also made history in 1932 by becoming the first chairman of the new Florida State Welfare Board. Through the 1940s and 1950s, CHSFL was instrumental in securing rights and welfare laws for children nationwide. CHSFL was one of the founding members of the Child Welfare League of America and was one of the only societies in the country to handle state adoptions without the aid of a state agency. The society also saw rapid growth, thanks in part to the massive fund-raising performed by Marcus Fagg; several new division offices opened throughout the state, many of whom offered special services for children. CHSFL also began offering services to unwed mothers, further committing themselves to the family rather than just simply finding homes for children.","\nOne of the saddest moments for the CHSFL was the loss of their mentor and leader, Marcus C. \"Daddy\" Fagg in 1958. After Fagg's passing, newspapers throughout Florida ran headlines announcing the loss of a great state hero. Buried in a simple grave in Jacksonville, Florida, Fagg's life and legacy still serves as a reminder to the CHSFL of their continued effort to help abused and orphaned children in the state of Florida.","\nSegregation and integration played an important role for CHSFL in the 1960s as the society began caring for and adopting out African-American children from their receiving homes. Historically, the society took in mostly white children. As the Civil Rights movement grew in the 1960's, the society re-examined the scope of its adoption policies and began taking in and offering adoption services for the African-American community. This was a significant development both for the society and for the Civil Rights movement; African-American children were being given the same adoption services as white children at a time when the issue of race was dominant in society and politics. As the country rapidly changed, so did the society, offering for the first time services in schools for handicapped, delinquent, and abused children as well children living in racially mixed households. These services would grow and define the society through to the end of the 1990s.","\nJust three years into the new millennium and the society's second century of service, the CHSFL moved its headquarters from its birthplace in Jacksonville to more centrally located offices in Winter Park, Florida. Now over one hundred years old, the CHSFL offers fourteen divisions that serve the entire state of Florida.","Collection processed by Ari Karlene Anderson; finding aid prepared by April Karlene Anderson and Katie Seeler. All paper materials have been placed in acid free folders and stored in archival containers. Some larger paper materials, such as maps and large photographs were also placed in acid free folders but are stored in archival flat files. Paper clips have been removed and replaced with plastic clips. In some cases, rusty staples have also been removed. Post-it notes have been moved to the edges of papers and copies have been made of more fragile materials such as news clippings. Photo blocks have been placed in archival trays, stored in separate bins to prevent them from scraping against one another. Any audio or visual media in cases were kept in their containers but placed collectively in archival boxes. Loose pages and items in the scrapbooks have been secured either with plastic clips or placed in archival folders and the entire book has been wrapped in acid free archival paper. Additional materials processed and integrated into the main collection by Suphi Burak Ogreten. Collection rehoused and container list revised by Asmara Cortes-Caba in 2023.","Blount Family papers , University of West Florida University Archives and West Florida History Center, Pensacola, Florida. ","Adoption Records: This collection does not contain any records on adopted individuals or families from the Children's Home Society of Florida. However, the society does have the CHS Adoptions Archive Unit which is dedicated to the preservation and research of these records. They can be found at  http://www.chsfl.org .","Books:","Georgia Gertrude Ralph,  Elements of Record Keeping for Child-Helping Organizations , (New York: The De Vinne Press, 1915.)","Lawrence Mahoney,  Children and hope : a history of the Children's Home Society of Florida , (Miami: Pickering Press, 1987).","Other Locations:","Pensacola Historical Society's Historical Resource Center, 110 East Church Street, Pensacola, Florida 32502. Phone: (850) 434-5455 Website:  http://www.pensacolahistory.org  (Western Division).","Florida Department of State, State Archives of Florida, R. A. Gray Building 500 South Bronough Street Tallahassee, FL 32399-0250. Website:  https://dos.myflorida.com/library-archives/archives .","The Children's Home Society of Florida Collection contains personal and organizational papers, photographs, audio and visual materials, as well as ledgers and scrapbooks. The collection is arranged by both content and materials types and have been organized into the following series:","\nSeries I: Biographical Files, 1900-1991, contains the files of individuals who were instrumental in the creation and/or the operations of the Children's Home Society of Florida. Correspondence makes up the majority of this series as it show the creation of the society (Comstock, Harkins, Seaton), its resurrection (Fagg), and its continued operations.","\nSeries II: State Organizational Files, 1886-2000, includes files that were used in the operations of the society as a whole. Financial documents, correspondence, reports, as well as the meeting minutes of the various committees that ran the society can be found in this series.","\nSeries III: Division Files, 1921-circa 1995, consists of files for local divisions located throughout the state. Some divisions are no longer in operation, having been closed completely or absorbed into another division. These older divisions can be found here in their original name. Meeting minutes for each division are also located here.","\nSeries IV: Photographs and Audio Visual, 1902-1997, holds both audio and visual media used by the Children's Home Society of Florida in promoting their society as well as raising funds.","\nSeries V: Ledger and Scrapbooks, 1902-1978, includes miscellaneous ledger and scrapbooks created by the Children's Home Society of Florida. The ledger books vary in format but are generally are either inventory or accounting in nature. The scrapbooks are made up of five volumes, all created by workers at the Children's Home Society of Florida. News clippings make up the majority of the scrapbooks contents but some do contain publications made by the Children's Home Society of Florida. There are also four Rose Keller Home scrapbooks made by workers at the Rose Keller Division in Lakeland, Florida. The Rose Keller Home scrapbooks give a brief history of the division as well as chronicle events at the home.","\nSeries VI: Additional Materials, 1862-2012, holds additional materials received from the Children's Home Society of Florida including organizational files, ephemera, photographs and audio/visual materials.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","The Children's Home Society of Florida Collection contains organizational papers and ephemera that document the creation and operations of Florida's oldest non-profit adoption agency. The collection includes organizational papers from its state and local divisions, photographs, news clippings, audio and visual media, scrapbooks, and blueprints of the many receiving homes in the state, but does not contain adoption records. Adoption records remain at the CHSFL Adoption Archive and are available by contacting the society directly.","UCF Special Collections","Children's Home Society of Florida","Florida. Department of Children and Families","Child Welfare League of America","Florida. State Board of Public Welfare","English"],"unitid_tesim":["SC 054","/repositories/4/resources/294"],"normalized_date_ssm":["1862-2019, bulk 1902-1997"],"normalized_title_ssm":["Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997"],"collection_title_tesim":["Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997"],"collection_ssim":["Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Children's Home Society of Florida"],"creator_ssim":["Children's Home Society of Florida"],"creator_corpname_ssim":["Children's Home Society of Florida"],"creators_ssim":["Children's Home Society of Florida"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Children's Home Society of Florida donated these materials to the University of Central Florida Libraries, Special Collections and University Archives Department in 2004 (CFM2004_04). Additional matterials were added in 2015 (CFM2015_06), 2016 (CFM2016_03), 2017 (CFM2017_05), 2020 (CFM2020_11), and 2021 (CFM2021_06)."],"access_subjects_ssim":["Abandoned Children","Adoption -- Florida","Adoption -- United States -- History","Child welfare -- Florida","Foster children -- United States -- History","Nonprofit organizations -- Finance","Nonprofit organizations -- Management","Nonprofit organizations -- Planning","Poverty","Orphanages -- Florida"],"access_subjects_ssm":["Abandoned Children","Adoption -- Florida","Adoption -- United States -- History","Child welfare -- Florida","Foster children -- United States -- History","Nonprofit organizations -- Finance","Nonprofit organizations -- Management","Nonprofit organizations -- Planning","Poverty","Orphanages -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["102.75 Linear Feet 117 boxes, 5 scrapbooks, 13 flat files"],"extent_tesim":["102.75 Linear Feet 117 boxes, 5 scrapbooks, 13 flat files"],"date_range_isim":[1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e\n","\u003cp\u003ePhotographs and Audio Visual, 1902-1997 (Series IV) and Additional Materials, 1862-2019 (Series VI) contain fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026amp; University Archives.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research.","Photographs and Audio Visual, 1902-1997 (Series IV) and Additional Materials, 1862-2019 (Series VI) contain fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026 University Archives."],"arrangement_html_tesm":["\u003cp\u003eThe Children's Home Society of Florida Collection is arranged into 5 series by types of content as well as by types of materials. The first three series feature personal and office files which show the birth and growth of the organization, sorted at the state and local division levels. The last two series holds audio visual and photographic ephemera as well as scrapbooks created by workers at the society.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Children's Home Society of Florida Collection is arranged into 5 series by types of content as well as by types of materials. The first three series feature personal and office files which show the birth and growth of the organization, sorted at the state and local division levels. The last two series holds audio visual and photographic ephemera as well as scrapbooks created by workers at the society."],"bioghist_html_tesm":["\u003cp\u003eTo be an orphan in Florida at the turn of the twentieth century was a dangerous prospect. Children were being orphaned due to farm and industrial accidents and numerous poor families had to give up children they could no longer afford. Many children were abused and there were few laws that protected children's rights. Homeless children had little place to go where they could be safe, properly cared for, and loved.\u003c/p\u003e\n","\u003cp\u003e\nIn response to this increasing crisis, the National Children's Home Society was formed in Illinois in 1883 to help place children who had been orphaned in farming and industrial accidents, spreading to several other states over the next decade. The Revered D. W. Comstock came to Jacksonville, Florida in 1902 as a representative of the National Children's Home Society to help organize the state's first child welfare society. On November 17, 1902, with the help of Rev. D. W. Comstock and Jacksonville's city and religious leaders, The Children's Home Society of Florida (CHSFL) was established. The welfare of the child was the society's primary focus, making sure that if the family could not be preserved that the child was placed in a happy and healthy home.\u003c/p\u003e\n","\u003cp\u003e\nThe CHSFL was developed as a non-profit organization, relying solely on donations from the community. Fund-raising efforts began as administrative duties were carried out in private homes around the city. The children were also were being cared for in private residences as there was not yet a home secured for the society to board its charges. The CHSFL committed itself to not only children but to babies who were not accepted until the age of three at state orphanages (Mahoney, 5). Money was tight for the society and within the first few years, the CHSFL found itself in deep debt. By September of 1910, the CHSFL was facing the possibility of ending operations when a new state superintendent for the society entered its doors. Marcus C. Fagg was just 24 when he took control of the CHSFL but within a few short months, he had already obtained funding to start his first appeals drive. Many in the society to this day believe that it was Marcus C. Fagg who saved the CHSFL from closing its doors and built it to the standards that society members and workers adhere to today. Fagg's compassion towards children also did not go unnoticed; from his early years with the CHSFL, many children he helped referred to him as \"Daddy\" Fagg as a token of their appreciation for finding them loving homes.\u003c/p\u003e\n","\u003cp\u003e\nMarcus Fagg brought innovative solutions to a dire financial situation. Using land donated or sold at cost to the society, Fagg either rented or sold land at higher costs to turn a profit. Fagg also helped poor families by renting them homes at drastically reduced rental costs with an option to later buy the homes. Marcus Fagg helped dozens of poor families regain their footing while also helping the CHSFL emerge from a deep hole of financial debt.\u003c/p\u003e\n","\u003cp\u003e\nThough Marcus Fagg began to save the society financially, the society still fell on hard times. The country became entangled in the agony of the Great Depression in the 1930s and the CHSFL suffered with the rest of the nation. The Miami receiving home was lost due to a lack of finances but was thankfully picked up and operated by the Junior League until 1936 when CHSFL was able to once again run the home. Marcus Fagg also made history in 1932 by becoming the first chairman of the new Florida State Welfare Board. Through the 1940s and 1950s, CHSFL was instrumental in securing rights and welfare laws for children nationwide. CHSFL was one of the founding members of the Child Welfare League of America and was one of the only societies in the country to handle state adoptions without the aid of a state agency. The society also saw rapid growth, thanks in part to the massive fund-raising performed by Marcus Fagg; several new division offices opened throughout the state, many of whom offered special services for children. CHSFL also began offering services to unwed mothers, further committing themselves to the family rather than just simply finding homes for children.\u003c/p\u003e\n","\u003cp\u003e\nOne of the saddest moments for the CHSFL was the loss of their mentor and leader, Marcus C. \"Daddy\" Fagg in 1958. After Fagg's passing, newspapers throughout Florida ran headlines announcing the loss of a great state hero. Buried in a simple grave in Jacksonville, Florida, Fagg's life and legacy still serves as a reminder to the CHSFL of their continued effort to help abused and orphaned children in the state of Florida.\u003c/p\u003e\n","\u003cp\u003e\nSegregation and integration played an important role for CHSFL in the 1960s as the society began caring for and adopting out African-American children from their receiving homes. Historically, the society took in mostly white children. As the Civil Rights movement grew in the 1960's, the society re-examined the scope of its adoption policies and began taking in and offering adoption services for the African-American community. This was a significant development both for the society and for the Civil Rights movement; African-American children were being given the same adoption services as white children at a time when the issue of race was dominant in society and politics. As the country rapidly changed, so did the society, offering for the first time services in schools for handicapped, delinquent, and abused children as well children living in racially mixed households. These services would grow and define the society through to the end of the 1990s.\u003c/p\u003e\n","\u003cp\u003e\nJust three years into the new millennium and the society's second century of service, the CHSFL moved its headquarters from its birthplace in Jacksonville to more centrally located offices in Winter Park, Florida. Now over one hundred years old, the CHSFL offers fourteen divisions that serve the entire state of Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["To be an orphan in Florida at the turn of the twentieth century was a dangerous prospect. Children were being orphaned due to farm and industrial accidents and numerous poor families had to give up children they could no longer afford. Many children were abused and there were few laws that protected children's rights. Homeless children had little place to go where they could be safe, properly cared for, and loved.","\nIn response to this increasing crisis, the National Children's Home Society was formed in Illinois in 1883 to help place children who had been orphaned in farming and industrial accidents, spreading to several other states over the next decade. The Revered D. W. Comstock came to Jacksonville, Florida in 1902 as a representative of the National Children's Home Society to help organize the state's first child welfare society. On November 17, 1902, with the help of Rev. D. W. Comstock and Jacksonville's city and religious leaders, The Children's Home Society of Florida (CHSFL) was established. The welfare of the child was the society's primary focus, making sure that if the family could not be preserved that the child was placed in a happy and healthy home.","\nThe CHSFL was developed as a non-profit organization, relying solely on donations from the community. Fund-raising efforts began as administrative duties were carried out in private homes around the city. The children were also were being cared for in private residences as there was not yet a home secured for the society to board its charges. The CHSFL committed itself to not only children but to babies who were not accepted until the age of three at state orphanages (Mahoney, 5). Money was tight for the society and within the first few years, the CHSFL found itself in deep debt. By September of 1910, the CHSFL was facing the possibility of ending operations when a new state superintendent for the society entered its doors. Marcus C. Fagg was just 24 when he took control of the CHSFL but within a few short months, he had already obtained funding to start his first appeals drive. Many in the society to this day believe that it was Marcus C. Fagg who saved the CHSFL from closing its doors and built it to the standards that society members and workers adhere to today. Fagg's compassion towards children also did not go unnoticed; from his early years with the CHSFL, many children he helped referred to him as \"Daddy\" Fagg as a token of their appreciation for finding them loving homes.","\nMarcus Fagg brought innovative solutions to a dire financial situation. Using land donated or sold at cost to the society, Fagg either rented or sold land at higher costs to turn a profit. Fagg also helped poor families by renting them homes at drastically reduced rental costs with an option to later buy the homes. Marcus Fagg helped dozens of poor families regain their footing while also helping the CHSFL emerge from a deep hole of financial debt.","\nThough Marcus Fagg began to save the society financially, the society still fell on hard times. The country became entangled in the agony of the Great Depression in the 1930s and the CHSFL suffered with the rest of the nation. The Miami receiving home was lost due to a lack of finances but was thankfully picked up and operated by the Junior League until 1936 when CHSFL was able to once again run the home. Marcus Fagg also made history in 1932 by becoming the first chairman of the new Florida State Welfare Board. Through the 1940s and 1950s, CHSFL was instrumental in securing rights and welfare laws for children nationwide. CHSFL was one of the founding members of the Child Welfare League of America and was one of the only societies in the country to handle state adoptions without the aid of a state agency. The society also saw rapid growth, thanks in part to the massive fund-raising performed by Marcus Fagg; several new division offices opened throughout the state, many of whom offered special services for children. CHSFL also began offering services to unwed mothers, further committing themselves to the family rather than just simply finding homes for children.","\nOne of the saddest moments for the CHSFL was the loss of their mentor and leader, Marcus C. \"Daddy\" Fagg in 1958. After Fagg's passing, newspapers throughout Florida ran headlines announcing the loss of a great state hero. Buried in a simple grave in Jacksonville, Florida, Fagg's life and legacy still serves as a reminder to the CHSFL of their continued effort to help abused and orphaned children in the state of Florida.","\nSegregation and integration played an important role for CHSFL in the 1960s as the society began caring for and adopting out African-American children from their receiving homes. Historically, the society took in mostly white children. As the Civil Rights movement grew in the 1960's, the society re-examined the scope of its adoption policies and began taking in and offering adoption services for the African-American community. This was a significant development both for the society and for the Civil Rights movement; African-American children were being given the same adoption services as white children at a time when the issue of race was dominant in society and politics. As the country rapidly changed, so did the society, offering for the first time services in schools for handicapped, delinquent, and abused children as well children living in racially mixed households. These services would grow and define the society through to the end of the 1990s.","\nJust three years into the new millennium and the society's second century of service, the CHSFL moved its headquarters from its birthplace in Jacksonville to more centrally located offices in Winter Park, Florida. Now over one hundred years old, the CHSFL offers fourteen divisions that serve the entire state of Florida."],"prefercite_html_tesm":["\u003cp\u003eThe Children's Home Society of Florida Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["The Children's Home Society of Florida Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Ari Karlene Anderson; finding aid prepared by April Karlene Anderson and Katie Seeler. All paper materials have been placed in acid free folders and stored in archival containers. Some larger paper materials, such as maps and large photographs were also placed in acid free folders but are stored in archival flat files. Paper clips have been removed and replaced with plastic clips. In some cases, rusty staples have also been removed. Post-it notes have been moved to the edges of papers and copies have been made of more fragile materials such as news clippings. Photo blocks have been placed in archival trays, stored in separate bins to prevent them from scraping against one another. Any audio or visual media in cases were kept in their containers but placed collectively in archival boxes. Loose pages and items in the scrapbooks have been secured either with plastic clips or placed in archival folders and the entire book has been wrapped in acid free archival paper. Additional materials processed and integrated into the main collection by Suphi Burak Ogreten. Collection rehoused and container list revised by Asmara Cortes-Caba in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Ari Karlene Anderson; finding aid prepared by April Karlene Anderson and Katie Seeler. All paper materials have been placed in acid free folders and stored in archival containers. Some larger paper materials, such as maps and large photographs were also placed in acid free folders but are stored in archival flat files. Paper clips have been removed and replaced with plastic clips. In some cases, rusty staples have also been removed. Post-it notes have been moved to the edges of papers and copies have been made of more fragile materials such as news clippings. Photo blocks have been placed in archival trays, stored in separate bins to prevent them from scraping against one another. Any audio or visual media in cases were kept in their containers but placed collectively in archival boxes. Loose pages and items in the scrapbooks have been secured either with plastic clips or placed in archival folders and the entire book has been wrapped in acid free archival paper. Additional materials processed and integrated into the main collection by Suphi Burak Ogreten. Collection rehoused and container list revised by Asmara Cortes-Caba in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://uwf.lyrasistechnology.org/repositories/2/resources/350\"\u003eBlount Family papers\u003c/extref\u003e, University of West Florida University Archives and West Florida History Center, Pensacola, Florida. \u003c/p\u003e\n","\u003cp\u003eAdoption Records: This collection does not contain any records on adopted individuals or families from the Children's Home Society of Florida. However, the society does have the CHS Adoptions Archive Unit which is dedicated to the preservation and research of these records. They can be found at \u003cextref href=\"http://www.chsfl.org\"\u003ehttp://www.chsfl.org\u003c/extref\u003e.\u003c/p\u003e\n","\u003cp\u003eBooks:\u003c/p\u003e\n","\u003cp\u003eGeorgia Gertrude Ralph, \u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990260914050306596\"\u003eElements of Record Keeping for Child-Helping Organizations\u003c/extref\u003e, (New York: The De Vinne Press, 1915.)\u003c/p\u003e\n","\u003cp\u003eLawrence Mahoney, \u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990211238530306596\"\u003eChildren and hope : a history of the Children's Home Society of Florida\u003c/extref\u003e, (Miami: Pickering Press, 1987).\u003c/p\u003e\n","\u003cp\u003eOther Locations:\u003c/p\u003e\n","\u003cp\u003ePensacola Historical Society's Historical Resource Center, 110 East Church Street, Pensacola, Florida 32502. Phone: (850) 434-5455 Website: \u003cextref href=\"http://www.pensacolahistory.org\"\u003ehttp://www.pensacolahistory.org\u003c/extref\u003e (Western Division).\u003c/p\u003e\n","\u003cp\u003eFlorida Department of State, State Archives of Florida, R. A. Gray Building 500 South Bronough Street Tallahassee, FL 32399-0250. Website: \u003cextref href=\"https://dos.myflorida.com/library-archives/archives\"\u003ehttps://dos.myflorida.com/library-archives/archives\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Blount Family papers , University of West Florida University Archives and West Florida History Center, Pensacola, Florida. ","Adoption Records: This collection does not contain any records on adopted individuals or families from the Children's Home Society of Florida. However, the society does have the CHS Adoptions Archive Unit which is dedicated to the preservation and research of these records. They can be found at  http://www.chsfl.org .","Books:","Georgia Gertrude Ralph,  Elements of Record Keeping for Child-Helping Organizations , (New York: The De Vinne Press, 1915.)","Lawrence Mahoney,  Children and hope : a history of the Children's Home Society of Florida , (Miami: Pickering Press, 1987).","Other Locations:","Pensacola Historical Society's Historical Resource Center, 110 East Church Street, Pensacola, Florida 32502. Phone: (850) 434-5455 Website:  http://www.pensacolahistory.org  (Western Division).","Florida Department of State, State Archives of Florida, R. A. Gray Building 500 South Bronough Street Tallahassee, FL 32399-0250. Website:  https://dos.myflorida.com/library-archives/archives ."],"scopecontent_html_tesm":["\u003cp\u003eThe Children's Home Society of Florida Collection contains personal and organizational papers, photographs, audio and visual materials, as well as ledgers and scrapbooks. The collection is arranged by both content and materials types and have been organized into the following series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Biographical Files, 1900-1991, contains the files of individuals who were instrumental in the creation and/or the operations of the Children's Home Society of Florida. Correspondence makes up the majority of this series as it show the creation of the society (Comstock, Harkins, Seaton), its resurrection (Fagg), and its continued operations.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: State Organizational Files, 1886-2000, includes files that were used in the operations of the society as a whole. Financial documents, correspondence, reports, as well as the meeting minutes of the various committees that ran the society can be found in this series.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Division Files, 1921-circa 1995, consists of files for local divisions located throughout the state. Some divisions are no longer in operation, having been closed completely or absorbed into another division. These older divisions can be found here in their original name. Meeting minutes for each division are also located here.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Photographs and Audio Visual, 1902-1997, holds both audio and visual media used by the Children's Home Society of Florida in promoting their society as well as raising funds.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Ledger and Scrapbooks, 1902-1978, includes miscellaneous ledger and scrapbooks created by the Children's Home Society of Florida. The ledger books vary in format but are generally are either inventory or accounting in nature. The scrapbooks are made up of five volumes, all created by workers at the Children's Home Society of Florida. News clippings make up the majority of the scrapbooks contents but some do contain publications made by the Children's Home Society of Florida. There are also four Rose Keller Home scrapbooks made by workers at the Rose Keller Division in Lakeland, Florida. The Rose Keller Home scrapbooks give a brief history of the division as well as chronicle events at the home.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Additional Materials, 1862-2012, holds additional materials received from the Children's Home Society of Florida including organizational files, ephemera, photographs and audio/visual materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Children's Home Society of Florida Collection contains personal and organizational papers, photographs, audio and visual materials, as well as ledgers and scrapbooks. The collection is arranged by both content and materials types and have been organized into the following series:","\nSeries I: Biographical Files, 1900-1991, contains the files of individuals who were instrumental in the creation and/or the operations of the Children's Home Society of Florida. Correspondence makes up the majority of this series as it show the creation of the society (Comstock, Harkins, Seaton), its resurrection (Fagg), and its continued operations.","\nSeries II: State Organizational Files, 1886-2000, includes files that were used in the operations of the society as a whole. Financial documents, correspondence, reports, as well as the meeting minutes of the various committees that ran the society can be found in this series.","\nSeries III: Division Files, 1921-circa 1995, consists of files for local divisions located throughout the state. Some divisions are no longer in operation, having been closed completely or absorbed into another division. These older divisions can be found here in their original name. Meeting minutes for each division are also located here.","\nSeries IV: Photographs and Audio Visual, 1902-1997, holds both audio and visual media used by the Children's Home Society of Florida in promoting their society as well as raising funds.","\nSeries V: Ledger and Scrapbooks, 1902-1978, includes miscellaneous ledger and scrapbooks created by the Children's Home Society of Florida. The ledger books vary in format but are generally are either inventory or accounting in nature. The scrapbooks are made up of five volumes, all created by workers at the Children's Home Society of Florida. News clippings make up the majority of the scrapbooks contents but some do contain publications made by the Children's Home Society of Florida. There are also four Rose Keller Home scrapbooks made by workers at the Rose Keller Division in Lakeland, Florida. The Rose Keller Home scrapbooks give a brief history of the division as well as chronicle events at the home.","\nSeries VI: Additional Materials, 1862-2012, holds additional materials received from the Children's Home Society of Florida including organizational files, ephemera, photographs and audio/visual materials."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_116bbdee47170dbab5d0053b5cc9d529\"\u003eThe Children's Home Society of Florida Collection contains organizational papers and ephemera that document the creation and operations of Florida's oldest non-profit adoption agency. The collection includes organizational papers from its state and local divisions, photographs, news clippings, audio and visual media, scrapbooks, and blueprints of the many receiving homes in the state, but does not contain adoption records. Adoption records remain at the CHSFL Adoption Archive and are available by contacting the society directly.\u003c/abstract\u003e"],"abstract_tesim":["The Children's Home Society of Florida Collection contains organizational papers and ephemera that document the creation and operations of Florida's oldest non-profit adoption agency. The collection includes organizational papers from its state and local divisions, photographs, news clippings, audio and visual media, scrapbooks, and blueprints of the many receiving homes in the state, but does not contain adoption records. Adoption records remain at the CHSFL Adoption Archive and are available by contacting the society directly."],"names_coll_ssim":["Florida. Department of Children and Families","Child Welfare League of America","Florida. State Board of Public Welfare"],"names_ssim":["UCF Special Collections","Children's Home Society of Florida","Florida. Department of Children and Families","Child Welfare League of America","Florida. State Board of Public Welfare"],"corpname_ssim":["UCF Special Collections","Children's Home Society of Florida","Florida. Department of Children and Families","Child Welfare League of America","Florida. State Board of Public Welfare"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1225,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857973089173504,"_root_":"f98896827f16d52b3168e472","timestamp":"2026-07-16T08:06:38.475Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f98896827f16d52b3168e472_aspace_0f45cc08c75028f258ec45cd19e20c4f"}},{"id":"ef24c6bcc6e3eac7b082603c_aspace_dbc644d4dc168604e245c17d5454a531","type":"File","attributes":{"title":"\"Ninfas y Satiros\" de Jose Lopez Silva y Julio Pellicer, 1909","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ef24c6bcc6e3eac7b082603c_aspace_dbc644d4dc168604e245c17d5454a531#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_dbc644d4dc168604e245c17d5454a531","ref_ssm":["aspace_dbc644d4dc168604e245c17d5454a531","aspace_dbc644d4dc168604e245c17d5454a531"],"id":"ef24c6bcc6e3eac7b082603c_aspace_dbc644d4dc168604e245c17d5454a531","title_filing_ssi":"\"Ninfas y Satiros\" de Jose Lopez Silva y Julio Pellicer","title_ssm":["\"Ninfas y Satiros\" de Jose Lopez Silva y Julio Pellicer"],"title_tesim":["\"Ninfas y Satiros\" de Jose Lopez Silva y Julio Pellicer"],"unitdate_other_ssim":["1909"],"normalized_date_ssm":["1909"],"normalized_title_ssm":["\"Ninfas y Satiros\" de Jose Lopez Silva y Julio Pellicer, 1909"],"text":["\"Ninfas y Satiros\" de Jose Lopez Silva y Julio Pellicer, 1909","El Círculo Cubano (Cuban Club) records, 1852-1989, Date acquired: 00/00/2000, bulk 1902-1959","Ephemera","Obras de Teatro (Plays) by Title: G-V","10","/repositories/2/archival_objects/182064","box 28","folder 10"],"component_level_isim":[3],"parent_ids_ssim":["ef24c6bcc6e3eac7b082603c","ef24c6bcc6e3eac7b082603c_aspace_83600","ef24c6bcc6e3eac7b082603c_aspace_8f79595431f2095eb5870975364921f7"],"parent_unittitles_ssm":["El Círculo Cubano (Cuban Club) records, 1852-1989, Date acquired: 00/00/2000, bulk 1902-1959","Ephemera","Obras de Teatro (Plays) by Title: G-V"],"parent_unittitles_tesim":["El Círculo Cubano (Cuban Club) records, 1852-1989, Date acquired: 00/00/2000, bulk 1902-1959","Ephemera","Obras de Teatro (Plays) by Title: G-V"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["10","/repositories/2/archival_objects/182064"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["El Círculo Cubano (Cuban Club) records, 1852-1989, Date acquired: 00/00/2000, bulk 1902-1959"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":658,"parent_access_terms_tesm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"date_range_isim":[1909],"containers_ssim":["box 28","folder 10"],"_nest_path_":"/components#1/components#10/components#9","_nest_parent_":"ef24c6bcc6e3eac7b082603c_aspace_8f79595431f2095eb5870975364921f7","_root_":"ef24c6bcc6e3eac7b082603c","timestamp":"2026-04-23T03:16:49.257Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ef24c6bcc6e3eac7b082603c","title_filing_ssi":"Circulo Cubano records, El","title_ssm":["El Círculo Cubano (Cuban Club) records"],"title_tesim":["El Círculo Cubano (Cuban Club) records"],"ead_ssi":"ef24c6bcc6e3eac7b082603c","unitdate_ssm":["1852-1989","1902-1959","Date acquired: 00/00/2000"],"unitdate_bulk_ssim":["1902-1959"],"unitdate_inclusive_ssm":["1852-1989"],"unitdate_other_ssim":["Date acquired: 00/00/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2000-05","/repositories/2/resources/568"],"text":["MS-2000-05","/repositories/2/resources/568","El Círculo Cubano (Cuban Club) records, 1852-1989, Date acquired: 00/00/2000, bulk 1902-1959","Tampa (Fla.) -- Race relations.","Cuban Americans -- Florida -- Tampa -- History","The collection is arranged into series according to subject. Meeting minutes are arranged in chronological order. Life insurance policies are arranged alphabetically. Plays are arranged alphabetically by Publisher and Titles.","The Cuban Club was founded in 1899 as \"El Club Nacional Cubano October 10,\" and in 1902 the name was changed to \"El Círculo Cubano.\" Like many of the Ybor City mutual aid societies established at the turn-of-the-century, the Cuban Club provided its members with health care, recreational activities, library services, and English classes. At its peak, membership in the club, which primarily was made up of working-class Cuban immigrants, neared 8,000. Today, membership in El Círculo Cubano is based on one's dedication to preserving Florida's Cuban heritage and culture, not Cuban ancestry. Initially, the club's headquarters was located on the corner of 14th Street and 9th Avenue in Ybor City. In 1907, the organization relocated to 14th Street and 10th Avenue (later renamed Palm Avenue). A fire destroyed the building in 1916.The headquarters was rebuilt and opened to the club in 1918. The Círculo Cubano de Tampa clubhouse, located at 2010 Avenida Republica de Cuba, is listed on the National Register of Historic Places.","Centro Asturiano de Tampa, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Centro Espanol de Tampa, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.","Sociedad de la Union Marti-Maceo,USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","This collection includes organizational documents such as committee meeting notes, financial records, professional correspondence, insurance records, and programs and announcements for special events.  Also includes theatrical playscripts which range in date from the mid-19 th  to early 20 th  century.","None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","USF Libraries - Tampa Special Collections","Circulo Cubano de Tampa","English"],"unitid_tesim":["MS-2000-05","/repositories/2/resources/568"],"normalized_date_ssm":["1852-1989, Date acquired: 00/00/2000, bulk 1902-1959"],"normalized_title_ssm":["El Círculo Cubano (Cuban Club) records, 1852-1989, Date acquired: 00/00/2000, bulk 1902-1959"],"collection_title_tesim":["El Círculo Cubano (Cuban Club) records, 1852-1989, Date acquired: 00/00/2000, bulk 1902-1959"],"collection_ssim":["El Círculo Cubano (Cuban Club) records, 1852-1989, Date acquired: 00/00/2000, bulk 1902-1959"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.) -- Race relations."],"geogname_ssim":["Tampa (Fla.) -- Race relations."],"creator_ssm":["Circulo Cubano de Tampa"],"creator_ssim":["Circulo Cubano de Tampa"],"creator_corpname_ssim":["Circulo Cubano de Tampa"],"creators_ssim":["Circulo Cubano de Tampa"],"places_ssim":["Tampa (Fla.) -- Race relations."],"access_terms_ssm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Circulo Cubano de Tampa","Donation"],"access_subjects_ssim":["Cuban Americans -- Florida -- Tampa -- History"],"access_subjects_ssm":["Cuban Americans -- Florida -- Tampa -- History"],"has_online_content_ssim":["false"],"extent_ssm":["19.5 Linear Feet","27 boxes"],"extent_tesim":["19.5 Linear Feet","27 boxes"],"date_range_isim":[1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into series according to subject. Meeting minutes are arranged in chronological order. Life insurance policies are arranged alphabetically. Plays are arranged alphabetically by Publisher and Titles.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into series according to subject. Meeting minutes are arranged in chronological order. Life insurance policies are arranged alphabetically. Plays are arranged alphabetically by Publisher and Titles."],"bioghist_html_tesm":["\u003cp\u003eThe Cuban Club was founded in 1899 as \"El Club Nacional Cubano October 10,\" and in 1902 the name was changed to \"El C\u0026#xED;rculo Cubano.\" Like many of the Ybor City mutual aid societies established at the turn-of-the-century, the Cuban Club provided its members with health care, recreational activities, library services, and English classes. At its peak, membership in the club, which primarily was made up of working-class Cuban immigrants, neared 8,000. Today, membership in El C\u0026#xED;rculo Cubano is based on one's dedication to preserving Florida's Cuban heritage and culture, not Cuban ancestry. Initially, the club's headquarters was located on the corner of 14th Street and 9th Avenue in Ybor City. In 1907, the organization relocated to 14th Street and 10th Avenue (later renamed Palm Avenue). A fire destroyed the building in 1916.The headquarters was rebuilt and opened to the club in 1918. The C\u0026#xED;rculo Cubano de Tampa clubhouse, located at 2010 Avenida Republica de Cuba, is listed on the National Register of Historic Places.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Cuban Club was founded in 1899 as \"El Club Nacional Cubano October 10,\" and in 1902 the name was changed to \"El Círculo Cubano.\" Like many of the Ybor City mutual aid societies established at the turn-of-the-century, the Cuban Club provided its members with health care, recreational activities, library services, and English classes. At its peak, membership in the club, which primarily was made up of working-class Cuban immigrants, neared 8,000. Today, membership in El Círculo Cubano is based on one's dedication to preserving Florida's Cuban heritage and culture, not Cuban ancestry. Initially, the club's headquarters was located on the corner of 14th Street and 9th Avenue in Ybor City. In 1907, the organization relocated to 14th Street and 10th Avenue (later renamed Palm Avenue). A fire destroyed the building in 1916.The headquarters was rebuilt and opened to the club in 1918. The Círculo Cubano de Tampa clubhouse, located at 2010 Avenida Republica de Cuba, is listed on the National Register of Historic Places."],"prefercite_html_tesm":["\u003cp\u003eCuban Club records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Cuban Club records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eCentro Asturiano de Tampa, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e\n","\u003cp\u003eCentro Espanol de Tampa, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e\n","\u003cp\u003eSociedad de la Union Marti-Maceo,USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Centro Asturiano de Tampa, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Centro Espanol de Tampa, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.","Sociedad de la Union Marti-Maceo,USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes organizational documents such as committee meeting notes, financial records, professional correspondence, insurance records, and programs and announcements for special events.\u0026#xA0; Also includes theatrical playscripts which range in date from the mid-19\u003cemph render=\"super\"\u003eth\u003c/emph\u003e to early 20\u003cemph render=\"super\"\u003eth\u003c/emph\u003e century.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes organizational documents such as committee meeting notes, financial records, professional correspondence, insurance records, and programs and announcements for special events.  Also includes theatrical playscripts which range in date from the mid-19 th  to early 20 th  century."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Circulo Cubano de Tampa"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Circulo Cubano de Tampa"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":674,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"ef24c6bcc6e3eac7b082603c","timestamp":"2026-04-23T03:16:49.257Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ef24c6bcc6e3eac7b082603c_aspace_dbc644d4dc168604e245c17d5454a531"}},{"id":"948b06a86ad474541ac8aef6","type":"collection","attributes":{"title":"Nita K. Pyburn Papers, 1822-1960","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/948b06a86ad474541ac8aef6#creator","type":"document_value","attributes":{"value":["Pyburn, Nita Katharine"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/948b06a86ad474541ac8aef6#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eCorrespondence, dissertation, manuscripts, and research notes related to the research and writing of Nita K. Pyburn. Correspondence subjects include Florida, public education, Florida State University, Leighton K. Johnson, Edgar W. Knight, New Orleans, North Carolina, South Carolina education, and Tennessee. The dissertation in the collection is entitled \"Antecedents of the North Carolina School Law of 1839.\" The manuscripts cover subjects such as high schools in Monticello, Florida, public schools in Escambia County, Florida education, public schools in Mississippi, Robert Grosstest, the Bishop of Lincoln, M. R. Hinson, and Tallahassee schools. Her research notes discuss Alabama, Arkansas, common schools, comparative education, Texas, and David S. Walker. Other subjects of note include: Edwin B. Browning, Concord Missionary Baptist Church, Mary Shad Button, reading difficulties, Jacksonville, and education in Walton County. \u003cbr\u003e\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/948b06a86ad474541ac8aef6#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"948b06a86ad474541ac8aef6","title_ssm":["Nita K. Pyburn Papers"],"title_tesim":["Nita K. Pyburn Papers"],"ead_ssi":"948b06a86ad474541ac8aef6","unitdate_ssm":["1822-1960"],"unitdate_inclusive_ssm":["1822-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 90-5","/repositories/10/resources/1188"],"text":["MSS 90-5","/repositories/10/resources/1188","Nita K. Pyburn Papers, 1822-1960","Education","Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Correspondence, dissertation, manuscripts, and research notes related to the research and writing of Nita K. Pyburn. Correspondence subjects include Florida, public education, Florida State University, Leighton K. Johnson, Edgar W. Knight, New Orleans, North Carolina, South Carolina education, and Tennessee. The dissertation in the collection is entitled \"Antecedents of the North Carolina School Law of 1839.\" The manuscripts cover subjects such as high schools in Monticello, Florida, public schools in Escambia County, Florida education, public schools in Mississippi, Robert Grosstest, the Bishop of Lincoln, M. R. Hinson, and Tallahassee schools. Her research notes discuss Alabama, Arkansas, common schools, comparative education, Texas, and David S. Walker. Other subjects of note include: Edwin B. Browning, Concord Missionary Baptist Church, Mary Shad Button, reading difficulties, Jacksonville, and education in Walton County.\n Also includes materials accessioned as MSS 92-3.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Pyburn, Nita Katharine","Pyburn, Nita Katherine","English"],"unitid_tesim":["MSS 90-5","/repositories/10/resources/1188"],"normalized_date_ssm":["1822-1960"],"normalized_title_ssm":["Nita K. Pyburn Papers, 1822-1960"],"collection_title_tesim":["Nita K. Pyburn Papers, 1822-1960"],"collection_ssim":["Nita K. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Pyburn, Nita Katharine","Pyburn, Nita Katherine"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Pyburn, Nita Katherine"],"persname_ssim":["Pyburn, Nita Katharine","Pyburn, Nita Katherine"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":53,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857000743600128,"_root_":"948b06a86ad474541ac8aef6","timestamp":"2026-07-16T07:51:11.277Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"948b06a86ad474541ac8aef6","title_ssm":["Nita K. Pyburn Papers"],"title_tesim":["Nita K. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Pyburn, Nita Katharine","Pyburn, Nita Katherine","English"],"unitid_tesim":["MSS 90-5","/repositories/10/resources/1188"],"normalized_date_ssm":["1822-1960"],"normalized_title_ssm":["Nita K. Pyburn Papers, 1822-1960"],"collection_title_tesim":["Nita K. Pyburn Papers, 1822-1960"],"collection_ssim":["Nita K. 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This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4831053176f6f3dd0c1ca247#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"4831053176f6f3dd0c1ca247","title_ssm":["Noel Wisdom Collection of Chromolithographic Prints"],"title_tesim":["Noel Wisdom Collection of Chromolithographic Prints"],"ead_ssi":"4831053176f6f3dd0c1ca247","unitdate_ssm":["1860-1910"],"unitdate_inclusive_ssm":["1860-1910"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1976-03","/repositories/2/resources/128"],"text":["MS-1976-03","/repositories/2/resources/128","Noel Wisdom Collection of Chromolithographic Prints, 1860-1910","Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines","Alphabetical by maker, when identified. Alphabetical by subject when maker is not identified.","Cuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve","Noel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","This collection consists of more than 3,500 individual prints of varied size and format.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","This collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials.","USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)","English"],"unitid_tesim":["MS-1976-03","/repositories/2/resources/128"],"normalized_date_ssm":["1860-1910"],"normalized_title_ssm":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"collection_title_tesim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"collection_ssim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Wisdom, Noel (1897-1983)"],"creator_ssim":["Wisdom, Noel (1897-1983)"],"creator_persname_ssim":["Wisdom, Noel (1897-1983)"],"creators_ssim":["Wisdom, Noel (1897-1983)"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Noel Wisdom","Donation."],"access_subjects_ssim":["Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines"],"access_subjects_ssm":["Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines"],"has_online_content_ssim":["false"],"extent_ssm":["4.88 Linear Feet","9 boxes"],"extent_tesim":["4.88 Linear Feet","9 boxes"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910],"arrangement_html_tesm":["\u003cp\u003eAlphabetical by maker, when identified. Alphabetical by subject when maker is not identified.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetical by maker, when identified. Alphabetical by subject when maker is not identified."],"bioghist_html_tesm":["\u003cp\u003eCuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.\u003c/p\u003e\n","\u003cp\u003eWisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"\u003c/p\u003e\n","\u003cp\u003eIn 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.\u003c/p\u003e\n","\u003cp\u003eWhen the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.\u003c/p\u003e\n","\u003cp\u003eHe worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.\u003c/p\u003e\n","\u003cp\u003eUpon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.\u003c/p\u003e\n","\u003cp\u003eWisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e, a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.\u003c/p\u003e\n","\u003cp\u003eNote written by Rebecca Rieve\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Cuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve"],"prefercite_html_tesm":["\u003cp\u003eNoel Wisdom Collection of Chromolithographic Prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Noel Wisdom Collection of Chromolithographic Prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eNoel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Noel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of more than 3,500 individual prints of varied size and format.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of more than 3,500 individual prints of varied size and format."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9f2715520ed32739b5cf2e74598db5ae\" label=\"Abstract\"\u003eThis collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials."],"names_ssim":["USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Wisdom, Noel (1897-1983)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":81,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862436233379840,"_root_":"4831053176f6f3dd0c1ca247","timestamp":"2026-07-16T09:17:34.964Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4831053176f6f3dd0c1ca247","title_ssm":["Noel Wisdom Collection of Chromolithographic Prints"],"title_tesim":["Noel Wisdom Collection of Chromolithographic Prints"],"ead_ssi":"4831053176f6f3dd0c1ca247","unitdate_ssm":["1860-1910"],"unitdate_inclusive_ssm":["1860-1910"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1976-03","/repositories/2/resources/128"],"text":["MS-1976-03","/repositories/2/resources/128","Noel Wisdom Collection of Chromolithographic Prints, 1860-1910","Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines","Alphabetical by maker, when identified. Alphabetical by subject when maker is not identified.","Cuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve","Noel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","This collection consists of more than 3,500 individual prints of varied size and format.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","This collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials.","USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)","English"],"unitid_tesim":["MS-1976-03","/repositories/2/resources/128"],"normalized_date_ssm":["1860-1910"],"normalized_title_ssm":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"collection_title_tesim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"collection_ssim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Wisdom, Noel (1897-1983)"],"creator_ssim":["Wisdom, Noel (1897-1983)"],"creator_persname_ssim":["Wisdom, Noel (1897-1983)"],"creators_ssim":["Wisdom, Noel (1897-1983)"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Noel Wisdom","Donation."],"access_subjects_ssim":["Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines"],"access_subjects_ssm":["Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines"],"has_online_content_ssim":["false"],"extent_ssm":["4.88 Linear Feet","9 boxes"],"extent_tesim":["4.88 Linear Feet","9 boxes"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910],"arrangement_html_tesm":["\u003cp\u003eAlphabetical by maker, when identified. Alphabetical by subject when maker is not identified.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetical by maker, when identified. Alphabetical by subject when maker is not identified."],"bioghist_html_tesm":["\u003cp\u003eCuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.\u003c/p\u003e\n","\u003cp\u003eWisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"\u003c/p\u003e\n","\u003cp\u003eIn 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.\u003c/p\u003e\n","\u003cp\u003eWhen the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.\u003c/p\u003e\n","\u003cp\u003eHe worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.\u003c/p\u003e\n","\u003cp\u003eUpon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.\u003c/p\u003e\n","\u003cp\u003eWisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e, a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.\u003c/p\u003e\n","\u003cp\u003eNote written by Rebecca Rieve\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Cuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve"],"prefercite_html_tesm":["\u003cp\u003eNoel Wisdom Collection of Chromolithographic Prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Noel Wisdom Collection of Chromolithographic Prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eNoel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Noel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of more than 3,500 individual prints of varied size and format.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of more than 3,500 individual prints of varied size and format."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9f2715520ed32739b5cf2e74598db5ae\" label=\"Abstract\"\u003eThis collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. 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