{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1902\u0026page=39","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1902\u0026page=38","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1902\u0026page=40","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1902\u0026page=94"},"meta":{"pages":{"current_page":39,"next_page":40,"prev_page":38,"total_pages":94,"limit_value":10,"offset_value":380,"total_count":936,"first_page?":false,"last_page?":false}},"data":[{"id":"5d745054e40d7bb54235fac2","type":"collection","attributes":{"title":"Hampton Dunn Collection of Florida Postcards, 1900-1985","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/5d745054e40d7bb54235fac2#creator","type":"document_value","attributes":{"value":["Dunn, Hampton (Henry Hampton), 1916-2002"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/5d745054e40d7bb54235fac2#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection contains approximately 16,100 postcards that represent Florida's culture, environment and history. Postcards depict a variety of images, such as beaches, streets, hotels and government buildings, plants, landmarks, and tourist attractions. The collection primarily consists of postcards from the first half of the twentieth century. Many have been postmarked and mailed.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5d745054e40d7bb54235fac2#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"5d745054e40d7bb54235fac2","title_ssm":["Hampton Dunn Collection of Florida Postcards"],"title_tesim":["Hampton Dunn Collection of Florida Postcards"],"ead_ssi":"5d745054e40d7bb54235fac2","unitdate_ssm":["1900-1985"],"unitdate_inclusive_ssm":["1900-1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1981-02","/repositories/2/resources/422"],"text":["MS-1981-02","/repositories/2/resources/422","Hampton Dunn Collection of Florida Postcards, 1900-1985","Florida -- Pictorial works.","Florida -- History -- 20th Century.","Postcards -- Florida.","Florida -- Social life and customs.","The collection is arranged into four series and then alphabetically by sub-series.  Postcards with a specific location, such as cities or landmarks, are placed in the Counties series. Postcards with no specific location or that span multiple counties, such as rivers, are placed in the Topical series. Digitized postcards are placed in plastic sleeves in their respective boxes.","Henry Hampton Dunn and his twin sister Hazel were born in Floral City, Florida on December 14, 1916. Dunn published his first article in 1932 as a Boy Scout correspondent for the Citrus County Chronicle. During his high school years, which he completed in Tampa, he wrote sports reviews for the  Tampa Tribune  and  Florida Times Union . He attended Mercer University in Macon, Georgia, University of Tampa in Florida and served as a public relations officer and war correspondent with the 12 th  Air Force during World War II. He left the service in November 1945 at the rank of major and with a Bronze Star.","Dunn joined the Tampa Daily Times as a full-time journalist in 1936. In 1946 he received the \"Best News Story Award\" from the Associated Press Association of Florida for his coverage of the Marjorie Kinnan Rawlings invasion of privacy trial.For two years Dunn served as a political commentator and news analyst for station WCKT-TV in Miami.  When he returned to Tampa, he joined the Peninsula Motor Club, an affiliate of the American Automobile Association, as an executive officer and later vice president.","Dunn edited AAA's monthly magazine,  Florida Explorer , and several other journals and newsletters including the  Sunland Tribune  (Tampa Historical Society) and  The Hub  (Rotary Club of Tampa).  His syndicated columns included \"Photouring Florida\" (began in 1966), \"Floridana,\" and \"Palm Tree Politics.\"  During his later years, he presented \"Hampton Dunn's Yesterdays\" – little histories of Florida events – on WTVT, Channel 13. Hampton belonged to many organizations, including the Tampa Historical Society, Florida Historical Society, and Historical Association of Southern Florida.  His talks to many historical and genealogical groups around the state earned him the affectionate title, \"Mr. Florida.\"","Hampton and his wife Charlotte Ruth Rawls Dunn were the parents of three children.  He died February 3, 2002.","Sources:","Berube, Rich.  \"Hampton Dunn Gift Brings Florida's History to Life.\"   Sunland Tribune   7 (November 1982): 65-67.","Camp, Paul.   Collecting Florida: The Hampton Dunn Collection and other Floridiana.  Tampa, FL: University of South Florida Libraries, 2006.","This collection is actively being digitized. You can view the collection on  Digital Commons at USF .","Hampton Dunn collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","This collection contains approximately 16,100 postcards that represent Florida's culture, environment and history. Postcards depict a variety of images, such as beaches, streets, hotels and government buildings, plants, landmarks, and tourist attractions. The collection primarily consists of postcards from the first half of the twentieth century. Many have been postmarked and mailed.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Dunn, Hampton (Henry Hampton), 1916-2002","English"],"unitid_tesim":["MS-1981-02","/repositories/2/resources/422"],"normalized_date_ssm":["1900-1985"],"normalized_title_ssm":["Hampton Dunn Collection of Florida Postcards, 1900-1985"],"collection_title_tesim":["Hampton Dunn Collection of Florida Postcards, 1900-1985"],"collection_ssim":["Hampton Dunn Collection of Florida Postcards, 1900-1985"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Florida -- Pictorial works.","Florida -- History -- 20th Century."],"geogname_ssim":["Florida -- Pictorial works.","Florida -- History -- 20th Century."],"creator_ssm":["Dunn, Hampton (Henry Hampton), 1916-2002"],"creator_ssim":["Dunn, Hampton (Henry Hampton), 1916-2002"],"creator_persname_ssim":["Dunn, Hampton (Henry Hampton), 1916-2002"],"creators_ssim":["Dunn, Hampton (Henry Hampton), 1916-2002"],"places_ssim":["Florida -- Pictorial works.","Florida -- History -- 20th Century."],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Hampton Dunn","Donation"],"access_subjects_ssim":["Postcards -- Florida.","Florida -- Social life and customs."],"access_subjects_ssm":["Postcards -- Florida.","Florida -- Social life and customs."],"has_online_content_ssim":["false"],"extent_ssm":["18.29 Linear Feet","34 boxes"],"extent_tesim":["18.29 Linear Feet","34 boxes"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series and then alphabetically by sub-series.\u0026#xA0; Postcards with a specific location, such as cities or landmarks, are placed in the Counties series. Postcards with no specific location or that span multiple counties, such as rivers, are placed in the Topical series. Digitized postcards are placed in plastic sleeves in their respective boxes.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into four series and then alphabetically by sub-series.  Postcards with a specific location, such as cities or landmarks, are placed in the Counties series. Postcards with no specific location or that span multiple counties, such as rivers, are placed in the Topical series. Digitized postcards are placed in plastic sleeves in their respective boxes."],"bioghist_html_tesm":["\u003cp\u003eHenry Hampton Dunn and his twin sister Hazel were born in Floral City, Florida on December 14, 1916. Dunn published his first article in 1932 as a Boy Scout correspondent for the Citrus County Chronicle. During his high school years, which he completed in Tampa, he wrote sports reviews for the \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eFlorida Times Union\u003c/emph\u003e. He attended Mercer University in Macon, Georgia, University of Tampa in Florida and served as a public relations officer and war correspondent with the 12\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Air Force during World War II. He left the service in November 1945 at the rank of major and with a Bronze Star.\u003c/p\u003e\n","\u003cp\u003eDunn joined the Tampa Daily Times as a full-time journalist in 1936. In 1946 he received the \"Best News Story Award\" from the Associated Press Association of Florida for his coverage of the Marjorie Kinnan Rawlings invasion of privacy trial.For two years Dunn served as a political commentator and news analyst for station WCKT-TV in Miami.\u0026#xA0; When he returned to Tampa, he joined the Peninsula Motor Club, an affiliate of the American Automobile Association, as an executive officer and later vice president.\u003c/p\u003e\n","\u003cp\u003eDunn edited AAA's monthly magazine, \u003cemph render=\"italic\"\u003eFlorida Explorer\u003c/emph\u003e, and several other journals and newsletters including the \u003cemph render=\"italic\"\u003eSunland Tribune \u003c/emph\u003e(Tampa Historical Society) and \u003cemph render=\"italic\"\u003eThe Hub\u003c/emph\u003e (Rotary Club of Tampa).\u0026#xA0; His syndicated columns included \"Photouring Florida\" (began in 1966), \"Floridana,\" and \"Palm Tree Politics.\"\u0026#xA0; During his later years, he presented \"Hampton Dunn's Yesterdays\" \u0026#x2013; little histories of Florida events \u0026#x2013; on WTVT, Channel 13. Hampton belonged to many organizations, including the Tampa Historical Society, Florida Historical Society, and Historical Association of Southern Florida.\u0026#xA0; His talks to many historical and genealogical groups around the state earned him the affectionate title, \"Mr. Florida.\"\u003c/p\u003e\n","\u003cp\u003eHampton and his wife Charlotte Ruth Rawls Dunn were the parents of three children.\u0026#xA0; He died February 3, 2002.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eBerube, Rich.\u0026#xA0; \"Hampton Dunn Gift Brings Florida's History to Life.\"\u0026#xA0; \u003cemph render=\"italic\"\u003eSunland Tribune\u003c/emph\u003e\u0026#xA0; 7 (November 1982): 65-67.\u003c/p\u003e\n","\u003cp\u003eCamp, Paul.\u0026#xA0; \u003cemph render=\"italic\"\u003eCollecting Florida: The Hampton Dunn Collection and other Floridiana.\u003c/emph\u003e Tampa, FL: University of South Florida Libraries, 2006.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Henry Hampton Dunn and his twin sister Hazel were born in Floral City, Florida on December 14, 1916. Dunn published his first article in 1932 as a Boy Scout correspondent for the Citrus County Chronicle. During his high school years, which he completed in Tampa, he wrote sports reviews for the  Tampa Tribune  and  Florida Times Union . He attended Mercer University in Macon, Georgia, University of Tampa in Florida and served as a public relations officer and war correspondent with the 12 th  Air Force during World War II. He left the service in November 1945 at the rank of major and with a Bronze Star.","Dunn joined the Tampa Daily Times as a full-time journalist in 1936. In 1946 he received the \"Best News Story Award\" from the Associated Press Association of Florida for his coverage of the Marjorie Kinnan Rawlings invasion of privacy trial.For two years Dunn served as a political commentator and news analyst for station WCKT-TV in Miami.  When he returned to Tampa, he joined the Peninsula Motor Club, an affiliate of the American Automobile Association, as an executive officer and later vice president.","Dunn edited AAA's monthly magazine,  Florida Explorer , and several other journals and newsletters including the  Sunland Tribune  (Tampa Historical Society) and  The Hub  (Rotary Club of Tampa).  His syndicated columns included \"Photouring Florida\" (began in 1966), \"Floridana,\" and \"Palm Tree Politics.\"  During his later years, he presented \"Hampton Dunn's Yesterdays\" – little histories of Florida events – on WTVT, Channel 13. Hampton belonged to many organizations, including the Tampa Historical Society, Florida Historical Society, and Historical Association of Southern Florida.  His talks to many historical and genealogical groups around the state earned him the affectionate title, \"Mr. Florida.\"","Hampton and his wife Charlotte Ruth Rawls Dunn were the parents of three children.  He died February 3, 2002.","Sources:","Berube, Rich.  \"Hampton Dunn Gift Brings Florida's History to Life.\"   Sunland Tribune   7 (November 1982): 65-67.","Camp, Paul.   Collecting Florida: The Hampton Dunn Collection and other Floridiana.  Tampa, FL: University of South Florida Libraries, 2006."],"prefercite_html_tesm":["\u003cp\u003eHampton Dunn Collection of Florida postcards, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Hampton Dunn Collection of Florida postcards, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection is actively being digitized. You can view the collection on \u003ca href=\"https://digitalcommons.usf.edu/dunn_postcards/\"\u003eDigital Commons at USF\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eHampton Dunn collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Collection","Related Materials"],"relatedmaterial_tesim":["This collection is actively being digitized. You can view the collection on  Digital Commons at USF .","Hampton Dunn collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains approximately 16,100 postcards that represent Florida's culture, environment and history. Postcards depict a variety of images, such as beaches, streets, hotels and government buildings, plants, landmarks, and tourist attractions. The collection primarily consists of postcards from the first half of the twentieth century. Many have been postmarked and mailed.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains approximately 16,100 postcards that represent Florida's culture, environment and history. Postcards depict a variety of images, such as beaches, streets, hotels and government buildings, plants, landmarks, and tourist attractions. The collection primarily consists of postcards from the first half of the twentieth century. Many have been postmarked and mailed."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Dunn, Hampton (Henry Hampton), 1916-2002"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Dunn, Hampton (Henry Hampton), 1916-2002"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2823,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879650271648284672,"_root_":"5d745054e40d7bb54235fac2","timestamp":"2026-10-21T09:16:27.807Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5d745054e40d7bb54235fac2","title_ssm":["Hampton Dunn Collection of Florida Postcards"],"title_tesim":["Hampton Dunn Collection of Florida Postcards"],"ead_ssi":"5d745054e40d7bb54235fac2","unitdate_ssm":["1900-1985"],"unitdate_inclusive_ssm":["1900-1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1981-02","/repositories/2/resources/422"],"text":["MS-1981-02","/repositories/2/resources/422","Hampton Dunn Collection of Florida Postcards, 1900-1985","Florida -- Pictorial works.","Florida -- History -- 20th Century.","Postcards -- Florida.","Florida -- Social life and customs.","The collection is arranged into four series and then alphabetically by sub-series.  Postcards with a specific location, such as cities or landmarks, are placed in the Counties series. Postcards with no specific location or that span multiple counties, such as rivers, are placed in the Topical series. Digitized postcards are placed in plastic sleeves in their respective boxes.","Henry Hampton Dunn and his twin sister Hazel were born in Floral City, Florida on December 14, 1916. Dunn published his first article in 1932 as a Boy Scout correspondent for the Citrus County Chronicle. During his high school years, which he completed in Tampa, he wrote sports reviews for the  Tampa Tribune  and  Florida Times Union . He attended Mercer University in Macon, Georgia, University of Tampa in Florida and served as a public relations officer and war correspondent with the 12 th  Air Force during World War II. He left the service in November 1945 at the rank of major and with a Bronze Star.","Dunn joined the Tampa Daily Times as a full-time journalist in 1936. In 1946 he received the \"Best News Story Award\" from the Associated Press Association of Florida for his coverage of the Marjorie Kinnan Rawlings invasion of privacy trial.For two years Dunn served as a political commentator and news analyst for station WCKT-TV in Miami.  When he returned to Tampa, he joined the Peninsula Motor Club, an affiliate of the American Automobile Association, as an executive officer and later vice president.","Dunn edited AAA's monthly magazine,  Florida Explorer , and several other journals and newsletters including the  Sunland Tribune  (Tampa Historical Society) and  The Hub  (Rotary Club of Tampa).  His syndicated columns included \"Photouring Florida\" (began in 1966), \"Floridana,\" and \"Palm Tree Politics.\"  During his later years, he presented \"Hampton Dunn's Yesterdays\" – little histories of Florida events – on WTVT, Channel 13. Hampton belonged to many organizations, including the Tampa Historical Society, Florida Historical Society, and Historical Association of Southern Florida.  His talks to many historical and genealogical groups around the state earned him the affectionate title, \"Mr. Florida.\"","Hampton and his wife Charlotte Ruth Rawls Dunn were the parents of three children.  He died February 3, 2002.","Sources:","Berube, Rich.  \"Hampton Dunn Gift Brings Florida's History to Life.\"   Sunland Tribune   7 (November 1982): 65-67.","Camp, Paul.   Collecting Florida: The Hampton Dunn Collection and other Floridiana.  Tampa, FL: University of South Florida Libraries, 2006.","This collection is actively being digitized. You can view the collection on  Digital Commons at USF .","Hampton Dunn collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","This collection contains approximately 16,100 postcards that represent Florida's culture, environment and history. Postcards depict a variety of images, such as beaches, streets, hotels and government buildings, plants, landmarks, and tourist attractions. The collection primarily consists of postcards from the first half of the twentieth century. Many have been postmarked and mailed.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Dunn, Hampton (Henry Hampton), 1916-2002","English"],"unitid_tesim":["MS-1981-02","/repositories/2/resources/422"],"normalized_date_ssm":["1900-1985"],"normalized_title_ssm":["Hampton Dunn Collection of Florida Postcards, 1900-1985"],"collection_title_tesim":["Hampton Dunn Collection of Florida Postcards, 1900-1985"],"collection_ssim":["Hampton Dunn Collection of Florida Postcards, 1900-1985"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Florida -- Pictorial works.","Florida -- History -- 20th Century."],"geogname_ssim":["Florida -- Pictorial works.","Florida -- History -- 20th Century."],"creator_ssm":["Dunn, Hampton (Henry Hampton), 1916-2002"],"creator_ssim":["Dunn, Hampton (Henry Hampton), 1916-2002"],"creator_persname_ssim":["Dunn, Hampton (Henry Hampton), 1916-2002"],"creators_ssim":["Dunn, Hampton (Henry Hampton), 1916-2002"],"places_ssim":["Florida -- Pictorial works.","Florida -- History -- 20th Century."],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Hampton Dunn","Donation"],"access_subjects_ssim":["Postcards -- Florida.","Florida -- Social life and customs."],"access_subjects_ssm":["Postcards -- Florida.","Florida -- Social life and customs."],"has_online_content_ssim":["false"],"extent_ssm":["18.29 Linear Feet","34 boxes"],"extent_tesim":["18.29 Linear Feet","34 boxes"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series and then alphabetically by sub-series.\u0026#xA0; Postcards with a specific location, such as cities or landmarks, are placed in the Counties series. Postcards with no specific location or that span multiple counties, such as rivers, are placed in the Topical series. Digitized postcards are placed in plastic sleeves in their respective boxes.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into four series and then alphabetically by sub-series.  Postcards with a specific location, such as cities or landmarks, are placed in the Counties series. Postcards with no specific location or that span multiple counties, such as rivers, are placed in the Topical series. Digitized postcards are placed in plastic sleeves in their respective boxes."],"bioghist_html_tesm":["\u003cp\u003eHenry Hampton Dunn and his twin sister Hazel were born in Floral City, Florida on December 14, 1916. Dunn published his first article in 1932 as a Boy Scout correspondent for the Citrus County Chronicle. During his high school years, which he completed in Tampa, he wrote sports reviews for the \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eFlorida Times Union\u003c/emph\u003e. He attended Mercer University in Macon, Georgia, University of Tampa in Florida and served as a public relations officer and war correspondent with the 12\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Air Force during World War II. He left the service in November 1945 at the rank of major and with a Bronze Star.\u003c/p\u003e\n","\u003cp\u003eDunn joined the Tampa Daily Times as a full-time journalist in 1936. In 1946 he received the \"Best News Story Award\" from the Associated Press Association of Florida for his coverage of the Marjorie Kinnan Rawlings invasion of privacy trial.For two years Dunn served as a political commentator and news analyst for station WCKT-TV in Miami.\u0026#xA0; When he returned to Tampa, he joined the Peninsula Motor Club, an affiliate of the American Automobile Association, as an executive officer and later vice president.\u003c/p\u003e\n","\u003cp\u003eDunn edited AAA's monthly magazine, \u003cemph render=\"italic\"\u003eFlorida Explorer\u003c/emph\u003e, and several other journals and newsletters including the \u003cemph render=\"italic\"\u003eSunland Tribune \u003c/emph\u003e(Tampa Historical Society) and \u003cemph render=\"italic\"\u003eThe Hub\u003c/emph\u003e (Rotary Club of Tampa).\u0026#xA0; His syndicated columns included \"Photouring Florida\" (began in 1966), \"Floridana,\" and \"Palm Tree Politics.\"\u0026#xA0; During his later years, he presented \"Hampton Dunn's Yesterdays\" \u0026#x2013; little histories of Florida events \u0026#x2013; on WTVT, Channel 13. Hampton belonged to many organizations, including the Tampa Historical Society, Florida Historical Society, and Historical Association of Southern Florida.\u0026#xA0; His talks to many historical and genealogical groups around the state earned him the affectionate title, \"Mr. Florida.\"\u003c/p\u003e\n","\u003cp\u003eHampton and his wife Charlotte Ruth Rawls Dunn were the parents of three children.\u0026#xA0; He died February 3, 2002.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eBerube, Rich.\u0026#xA0; \"Hampton Dunn Gift Brings Florida's History to Life.\"\u0026#xA0; \u003cemph render=\"italic\"\u003eSunland Tribune\u003c/emph\u003e\u0026#xA0; 7 (November 1982): 65-67.\u003c/p\u003e\n","\u003cp\u003eCamp, Paul.\u0026#xA0; \u003cemph render=\"italic\"\u003eCollecting Florida: The Hampton Dunn Collection and other Floridiana.\u003c/emph\u003e Tampa, FL: University of South Florida Libraries, 2006.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Henry Hampton Dunn and his twin sister Hazel were born in Floral City, Florida on December 14, 1916. Dunn published his first article in 1932 as a Boy Scout correspondent for the Citrus County Chronicle. During his high school years, which he completed in Tampa, he wrote sports reviews for the  Tampa Tribune  and  Florida Times Union . He attended Mercer University in Macon, Georgia, University of Tampa in Florida and served as a public relations officer and war correspondent with the 12 th  Air Force during World War II. He left the service in November 1945 at the rank of major and with a Bronze Star.","Dunn joined the Tampa Daily Times as a full-time journalist in 1936. In 1946 he received the \"Best News Story Award\" from the Associated Press Association of Florida for his coverage of the Marjorie Kinnan Rawlings invasion of privacy trial.For two years Dunn served as a political commentator and news analyst for station WCKT-TV in Miami.  When he returned to Tampa, he joined the Peninsula Motor Club, an affiliate of the American Automobile Association, as an executive officer and later vice president.","Dunn edited AAA's monthly magazine,  Florida Explorer , and several other journals and newsletters including the  Sunland Tribune  (Tampa Historical Society) and  The Hub  (Rotary Club of Tampa).  His syndicated columns included \"Photouring Florida\" (began in 1966), \"Floridana,\" and \"Palm Tree Politics.\"  During his later years, he presented \"Hampton Dunn's Yesterdays\" – little histories of Florida events – on WTVT, Channel 13. Hampton belonged to many organizations, including the Tampa Historical Society, Florida Historical Society, and Historical Association of Southern Florida.  His talks to many historical and genealogical groups around the state earned him the affectionate title, \"Mr. Florida.\"","Hampton and his wife Charlotte Ruth Rawls Dunn were the parents of three children.  He died February 3, 2002.","Sources:","Berube, Rich.  \"Hampton Dunn Gift Brings Florida's History to Life.\"   Sunland Tribune   7 (November 1982): 65-67.","Camp, Paul.   Collecting Florida: The Hampton Dunn Collection and other Floridiana.  Tampa, FL: University of South Florida Libraries, 2006."],"prefercite_html_tesm":["\u003cp\u003eHampton Dunn Collection of Florida postcards, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Hampton Dunn Collection of Florida postcards, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection is actively being digitized. You can view the collection on \u003ca href=\"https://digitalcommons.usf.edu/dunn_postcards/\"\u003eDigital Commons at USF\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eHampton Dunn collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Collection","Related Materials"],"relatedmaterial_tesim":["This collection is actively being digitized. You can view the collection on  Digital Commons at USF .","Hampton Dunn collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains approximately 16,100 postcards that represent Florida's culture, environment and history. Postcards depict a variety of images, such as beaches, streets, hotels and government buildings, plants, landmarks, and tourist attractions. The collection primarily consists of postcards from the first half of the twentieth century. Many have been postmarked and mailed.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains approximately 16,100 postcards that represent Florida's culture, environment and history. Postcards depict a variety of images, such as beaches, streets, hotels and government buildings, plants, landmarks, and tourist attractions. The collection primarily consists of postcards from the first half of the twentieth century. Many have been postmarked and mailed."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Dunn, Hampton (Henry Hampton), 1916-2002"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Dunn, Hampton (Henry Hampton), 1916-2002"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2823,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879650271648284672,"_root_":"5d745054e40d7bb54235fac2","timestamp":"2026-10-21T09:16:27.807Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5d745054e40d7bb54235fac2"}},{"id":"949504c75ba6663d25604ef1","type":"collection","attributes":{"title":"Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/949504c75ba6663d25604ef1#abstract_or_scope","type":"document_value","attributes":{"value":["Materials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. Includes photographs, books, posters, flyers, pamphlets, circus programs, and related materials dating primarily from the 1940s-1990s.."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/949504c75ba6663d25604ef1#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"949504c75ba6663d25604ef1","title_ssm":["Harrison Sayre Circus Collection"],"title_tesim":["Harrison Sayre Circus Collection"],"ead_ssi":"949504c75ba6663d25604ef1","unitdate_ssm":["1863-2001","1949-1994","Date acquired: 00/00/2010"],"unitdate_bulk_ssim":["1949-1994"],"unitdate_inclusive_ssm":["1863-2001"],"unitdate_other_ssim":["Date acquired: 00/00/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2010-007","/repositories/10/resources/966"],"text":["MSS 2010-007","/repositories/10/resources/966","Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","Circus.","The collection has been appraised, see donor file for details.","While on the surface a quiet, reserved Navy veteran from New England, Harrison Sayre (1913-2005) also had an alter ego that loved the spectacle of the Big Top. For nearly all of his adult life, Sayre visited the circus whenever he could and fastidiously photographed and collected artifacts of all that he experienced. As a member of the Circus Fans of America, he traveled to see circuses in places as far away as Australia, Russia and Hawaii.","Collection was created by Harrison Sayre. After Mr. Sayre's death the collection was donated by his daughter, Carol Sayre Perfit, to the Florida State University Libraries, Special Collections and Archives division, in 2010.","The Harrison Sayre Circus Collection contains approximately 8,000 photographs, including 8\" x 10\" autographs, snapshots, slides and negatives, as well as circus programs, posters and other circus memorabilia collected from circuses attended mostly in the mid-Atlantic region during the second half of the 20th century. As a collection, many of the photographs offer a comprehensive study of circus performer costume design and production style.\n Note to researchers:  This collection is in process, and portions remain unavailable to researchers at this time. Please contact FSU Libraries Special Collections \u0026 Archives for more information.","Select materials from the Sayre Collection have been digitized and are available through the  FSU Digital Library .","Books have been separated from the collection in order to be cataloged. A list of books received is in the donor file.","Materials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. Includes photographs, books, posters, flyers, pamphlets, circus programs, and related materials dating primarily from the 1940s-1990s..","FSU Special Collections \u0026 Archives","Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. Circus","Big Apple Circus","English"],"unitid_tesim":["MSS 2010-007","/repositories/10/resources/966"],"normalized_date_ssm":["1863-2001, Date acquired: 00/00/2010, bulk 1949-1994"],"normalized_title_ssm":["Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994"],"collection_title_tesim":["Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994"],"collection_ssim":["Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"acqinfo_ssim":["Carol Perfit gift."],"access_subjects_ssim":["Circus."],"access_subjects_ssm":["Circus."],"has_online_content_ssim":["false"],"extent_ssm":["34.75 Linear Feet"],"extent_tesim":["34.75 Linear Feet"],"date_range_isim":[1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"appraisal_html_tesm":["\u003cp\u003eThe collection has been appraised, see donor file for details.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Information"],"appraisal_tesim":["The collection has been appraised, see donor file for details."],"bioghist_html_tesm":["\u003cp\u003eWhile on the surface a quiet, reserved Navy veteran from New England, Harrison Sayre (1913-2005) also had an alter ego that loved the spectacle of the Big Top. For nearly all of his adult life, Sayre visited the circus whenever he could and fastidiously photographed and collected artifacts of all that he experienced. As a member of the Circus Fans of America, he traveled to see circuses in places as far away as Australia, Russia and Hawaii.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["While on the surface a quiet, reserved Navy veteran from New England, Harrison Sayre (1913-2005) also had an alter ego that loved the spectacle of the Big Top. For nearly all of his adult life, Sayre visited the circus whenever he could and fastidiously photographed and collected artifacts of all that he experienced. As a member of the Circus Fans of America, he traveled to see circuses in places as far away as Australia, Russia and Hawaii."],"custodhist_html_tesm":["\u003cp\u003eCollection was created by Harrison Sayre. After Mr. Sayre's death the collection was donated by his daughter, Carol Sayre Perfit, to the Florida State University Libraries, Special Collections and Archives division, in 2010.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Collection was created by Harrison Sayre. After Mr. Sayre's death the collection was donated by his daughter, Carol Sayre Perfit, to the Florida State University Libraries, Special Collections and Archives division, in 2010."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Harrison Sayre Circus Collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \nhttps://purl.lib.fsu.edu/fa/MSS-2010-007\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Harrison Sayre Circus Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. \nhttps://purl.lib.fsu.edu/fa/MSS-2010-007"],"scopecontent_html_tesm":["\u003cp\u003eThe Harrison Sayre Circus Collection contains approximately 8,000 photographs, including 8\" x 10\" autographs, snapshots, slides and negatives, as well as circus programs, posters and other circus memorabilia collected from circuses attended mostly in the mid-Atlantic region during the second half of the 20th century. As a collection, many of the photographs offer a comprehensive study of circus performer costume design and production style.\n\u003cbr\u003e\u003cbr\u003e\u003cemph render=\"bold\"\u003eNote to researchers:\u003c/emph\u003e This collection is in process, and portions remain unavailable to researchers at this time. Please contact FSU Libraries Special Collections \u0026amp; Archives for more information.\u003c/p\u003e","\u003cp\u003eSelect materials from the Sayre Collection have been digitized and are available through the \u003cextref href=\"https://diginole.lib.fsu.edu/islandora/object/fsu:sayrecircus\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["The Harrison Sayre Circus Collection contains approximately 8,000 photographs, including 8\" x 10\" autographs, snapshots, slides and negatives, as well as circus programs, posters and other circus memorabilia collected from circuses attended mostly in the mid-Atlantic region during the second half of the 20th century. As a collection, many of the photographs offer a comprehensive study of circus performer costume design and production style.\n Note to researchers:  This collection is in process, and portions remain unavailable to researchers at this time. Please contact FSU Libraries Special Collections \u0026 Archives for more information.","Select materials from the Sayre Collection have been digitized and are available through the  FSU Digital Library ."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks have been separated from the collection in order to be cataloged. A list of books received is in the donor file.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books have been separated from the collection in order to be cataloged. A list of books received is in the donor file."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e8bfdf8f775ea163293ed18613358c3c\" label=\"Abstract\"\u003eMaterials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. Includes photographs, books, posters, flyers, pamphlets, circus programs, and related materials dating primarily from the 1940s-1990s..\u003c/abstract\u003e"],"abstract_tesim":["Materials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. Includes photographs, books, posters, flyers, pamphlets, circus programs, and related materials dating primarily from the 1940s-1990s.."],"names_coll_ssim":["Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. Circus","Big Apple Circus"],"names_ssim":["FSU Special Collections \u0026 Archives","Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. Circus","Big Apple Circus"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. 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For nearly all of his adult life, Sayre visited the circus whenever he could and fastidiously photographed and collected artifacts of all that he experienced. As a member of the Circus Fans of America, he traveled to see circuses in places as far away as Australia, Russia and Hawaii.","Collection was created by Harrison Sayre. After Mr. Sayre's death the collection was donated by his daughter, Carol Sayre Perfit, to the Florida State University Libraries, Special Collections and Archives division, in 2010.","The Harrison Sayre Circus Collection contains approximately 8,000 photographs, including 8\" x 10\" autographs, snapshots, slides and negatives, as well as circus programs, posters and other circus memorabilia collected from circuses attended mostly in the mid-Atlantic region during the second half of the 20th century. 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For nearly all of his adult life, Sayre visited the circus whenever he could and fastidiously photographed and collected artifacts of all that he experienced. As a member of the Circus Fans of America, he traveled to see circuses in places as far away as Australia, Russia and Hawaii.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["While on the surface a quiet, reserved Navy veteran from New England, Harrison Sayre (1913-2005) also had an alter ego that loved the spectacle of the Big Top. For nearly all of his adult life, Sayre visited the circus whenever he could and fastidiously photographed and collected artifacts of all that he experienced. As a member of the Circus Fans of America, he traveled to see circuses in places as far away as Australia, Russia and Hawaii."],"custodhist_html_tesm":["\u003cp\u003eCollection was created by Harrison Sayre. After Mr. Sayre's death the collection was donated by his daughter, Carol Sayre Perfit, to the Florida State University Libraries, Special Collections and Archives division, in 2010.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Collection was created by Harrison Sayre. After Mr. Sayre's death the collection was donated by his daughter, Carol Sayre Perfit, to the Florida State University Libraries, Special Collections and Archives division, in 2010."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Harrison Sayre Circus Collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \nhttps://purl.lib.fsu.edu/fa/MSS-2010-007\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Harrison Sayre Circus Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. \nhttps://purl.lib.fsu.edu/fa/MSS-2010-007"],"scopecontent_html_tesm":["\u003cp\u003eThe Harrison Sayre Circus Collection contains approximately 8,000 photographs, including 8\" x 10\" autographs, snapshots, slides and negatives, as well as circus programs, posters and other circus memorabilia collected from circuses attended mostly in the mid-Atlantic region during the second half of the 20th century. As a collection, many of the photographs offer a comprehensive study of circus performer costume design and production style.\n\u003cbr\u003e\u003cbr\u003e\u003cemph render=\"bold\"\u003eNote to researchers:\u003c/emph\u003e This collection is in process, and portions remain unavailable to researchers at this time. Please contact FSU Libraries Special Collections \u0026amp; Archives for more information.\u003c/p\u003e","\u003cp\u003eSelect materials from the Sayre Collection have been digitized and are available through the \u003cextref href=\"https://diginole.lib.fsu.edu/islandora/object/fsu:sayrecircus\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["The Harrison Sayre Circus Collection contains approximately 8,000 photographs, including 8\" x 10\" autographs, snapshots, slides and negatives, as well as circus programs, posters and other circus memorabilia collected from circuses attended mostly in the mid-Atlantic region during the second half of the 20th century. As a collection, many of the photographs offer a comprehensive study of circus performer costume design and production style.\n Note to researchers:  This collection is in process, and portions remain unavailable to researchers at this time. Please contact FSU Libraries Special Collections \u0026 Archives for more information.","Select materials from the Sayre Collection have been digitized and are available through the  FSU Digital Library ."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks have been separated from the collection in order to be cataloged. A list of books received is in the donor file.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books have been separated from the collection in order to be cataloged. A list of books received is in the donor file."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e8bfdf8f775ea163293ed18613358c3c\" label=\"Abstract\"\u003eMaterials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. Includes photographs, books, posters, flyers, pamphlets, circus programs, and related materials dating primarily from the 1940s-1990s..\u003c/abstract\u003e"],"abstract_tesim":["Materials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. Includes photographs, books, posters, flyers, pamphlets, circus programs, and related materials dating primarily from the 1940s-1990s.."],"names_coll_ssim":["Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. Circus","Big Apple Circus"],"names_ssim":["FSU Special Collections \u0026 Archives","Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. Circus","Big Apple Circus"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. Circus","Big Apple Circus"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":969,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"949504c75ba6663d25604ef1","timestamp":"2026-07-11T07:57:44.734Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/949504c75ba6663d25604ef1"}},{"id":"8a73df5bac3fcd9650e65378_aspace_9e9e5c4bd7af224fba1466af70bf19be","type":"File","attributes":{"title":"Hasterlik Family Books, 1601-1965","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378_aspace_9e9e5c4bd7af224fba1466af70bf19be#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains four publications which belonged to the Hasterlik-Hine family. The first is a book called Der Juden Spiegel (The Jew's Mirror), written by Johannes Pfefferkorn and published in 1601. The second is a book called Maerchen (Fairy Tales), which was published by Hilda Koritschoner in 1919 (Item 5127). The third is an edition of a magazine titled Wort in der Zeit (Word in the Time), an Austrian literary magazine which was published in 1956 (Item 4991). Finally, there is a copy of the L'Express Magazine from March 1965. This specific edition address the communist party in France and around the globe.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378_aspace_9e9e5c4bd7af224fba1466af70bf19be#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9e9e5c4bd7af224fba1466af70bf19be","ref_ssm":["aspace_9e9e5c4bd7af224fba1466af70bf19be","aspace_9e9e5c4bd7af224fba1466af70bf19be"],"id":"8a73df5bac3fcd9650e65378_aspace_9e9e5c4bd7af224fba1466af70bf19be","title_filing_ssi":"Hasterlik Family Books","title_ssm":["Hasterlik Family Books"],"title_tesim":["Hasterlik Family Books"],"unitdate_inclusive_ssm":["1601-1965"],"normalized_date_ssm":["1601-1965"],"normalized_title_ssm":["Hasterlik Family Books, 1601-1965"],"text":["Hasterlik Family Books, 1601-1965","Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04","004","/repositories/10/archival_objects/180893","98.0729 Box 14","folder 004","This folder contains four publications which belonged to the Hasterlik-Hine family. The first is a book called  Der Juden Spiegel (The Jew's Mirror), written by Johannes Pfefferkorn and published in 1601. The second is a book called Maerchen (Fairy Tales), which was published by Hilda Koritschoner in 1919 (Item 5127). The third is an edition of a magazine titled Wort in der Zeit (Word in the Time), an Austrian literary magazine which was published in 1956 (Item 4991). Finally, there is a copy of the L'Express Magazine from March 1965. This specific edition address the communist party in France and around the globe."],"component_level_isim":[1],"parent_ids_ssim":["8a73df5bac3fcd9650e65378"],"parent_unittitles_ssm":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"parent_unittitles_tesim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"parent_levels_ssm":["collection"],"unitid_ssm":["004","/repositories/10/archival_objects/180893"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":155,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"date_range_isim":[1601,1602,1603,1604,1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"containers_ssim":["98.0729 Box 14","folder 004"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains four publications which belonged to the Hasterlik-Hine family. The first is a book called  Der Juden Spiegel (The Jew's Mirror), written by Johannes Pfefferkorn and published in 1601. The second is a book called Maerchen (Fairy Tales), which was published by Hilda Koritschoner in 1919 (Item 5127). The third is an edition of a magazine titled Wort in der Zeit (Word in the Time), an Austrian literary magazine which was published in 1956 (Item 4991). Finally, there is a copy of the L'Express Magazine from March 1965. This specific edition address the communist party in France and around the globe.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains four publications which belonged to the Hasterlik-Hine family. The first is a book called  Der Juden Spiegel (The Jew's Mirror), written by Johannes Pfefferkorn and published in 1601. The second is a book called Maerchen (Fairy Tales), which was published by Hilda Koritschoner in 1919 (Item 5127). The third is an edition of a magazine titled Wort in der Zeit (Word in the Time), an Austrian literary magazine which was published in 1956 (Item 4991). Finally, there is a copy of the L'Express Magazine from March 1965. This specific edition address the communist party in France and around the globe."],"_nest_path_":"/components#154","_nest_parent_":"8a73df5bac3fcd9650e65378","_root_":"8a73df5bac3fcd9650e65378","timestamp":"2026-05-21T02:46:35.829Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8a73df5bac3fcd9650e65378","title_filing_ssi":"Hasterlik-Hine collection","title_ssm":["Hasterlik-Hine collection"],"title_tesim":["Hasterlik-Hine collection"],"ead_ssi":"8a73df5bac3fcd9650e65378","unitdate_ssm":["1700-2000","Date accessioned: 2019-12-04"],"unitdate_inclusive_ssm":["1700-2000"],"unitdate_other_ssim":["Date accessioned: 2019-12-04"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["98.0729","/repositories/10/resources/110"],"text":["98.0729","/repositories/10/resources/110","Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04","World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards.","This collection is open to all researchers.","Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll","The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.","FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul","English German"],"unitid_tesim":["98.0729","/repositories/10/resources/110"],"normalized_date_ssm":["1700-2000, Date accessioned: 2019-12-04"],"normalized_title_ssm":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_title_tesim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_ssim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_ssim":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"creator_famname_ssim":["Christansen"],"creators_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul","Christansen"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"access_subjects_ssim":["World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards."],"access_subjects_ssm":["World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards."],"has_online_content_ssim":["false"],"extent_ssm":["15.5 Linear Feet 18 boxes, 13 1LF boxes and 5 .5LF boxes"],"extent_tesim":["15.5 Linear Feet 18 boxes, 13 1LF boxes and 5 .5LF boxes"],"genreform_ssim":["Personal correspondence","Postcards."],"date_range_isim":[1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_98_0729\"\u003ehttp://purl.fcla.edu/fsu/WWII_98_0729\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_98_0729 ."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\" target=\"_blank\"\u003ehttps://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Link to selected digitized materials from this collection."],"relatedmaterial_tesim":["https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll"],"scopecontent_html_tesm":["\u003cp\u003eThe Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"names_ssim":["FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Christansen","Hasterlik, Paul"],"famname_ssim":["Christansen"],"persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"language_ssim":["English German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":169,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8a73df5bac3fcd9650e65378","timestamp":"2026-05-21T02:46:35.829Z","bioghist_html_tesm":["\u003cp\u003eGiulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado. \u003cbr\u003e\u003cbr\u003e\nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless.\u003cbr\u003e\u003cbr\u003e\nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as \u0026#xC4;ll\u0026#xE4;gg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna.\u003cbr\u003e\u003cbr\u003e\nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life.\u003cbr\u003e\u003cbr\u003e\nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of\u0026#x2026; all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna.\u003cbr\u003e\u003cbr\u003e\nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal.\u003cbr\u003e\u003cbr\u003e\nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you\u0026#x2026; about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things\u0026#x2026;\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378_aspace_9e9e5c4bd7af224fba1466af70bf19be"}},{"id":"8a73df5bac3fcd9650e65378","type":"collection","attributes":{"title":"Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378#creator","type":"document_value","attributes":{"value":["Hine, Giulia, 1925-2015"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"8a73df5bac3fcd9650e65378","title_filing_ssi":"Hasterlik-Hine collection","title_ssm":["Hasterlik-Hine collection"],"title_tesim":["Hasterlik-Hine collection"],"ead_ssi":"8a73df5bac3fcd9650e65378","unitdate_ssm":["1700-2000","Date accessioned: 2019-12-04"],"unitdate_inclusive_ssm":["1700-2000"],"unitdate_other_ssim":["Date accessioned: 2019-12-04"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["98.0729","/repositories/10/resources/110"],"text":["98.0729","/repositories/10/resources/110","Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04","World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards.","This collection is open to all researchers.","Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll","The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.","FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul","English German"],"unitid_tesim":["98.0729","/repositories/10/resources/110"],"normalized_date_ssm":["1700-2000, Date accessioned: 2019-12-04"],"normalized_title_ssm":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_title_tesim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_ssim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_ssim":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"creator_famname_ssim":["Christansen"],"creators_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul","Christansen"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"access_subjects_ssim":["World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards."],"access_subjects_ssm":["World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards."],"has_online_content_ssim":["false"],"extent_ssm":["15.5 Linear Feet 18 boxes, 13 1LF boxes and 5 .5LF boxes"],"extent_tesim":["15.5 Linear Feet 18 boxes, 13 1LF boxes and 5 .5LF boxes"],"genreform_ssim":["Personal correspondence","Postcards."],"date_range_isim":[1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_98_0729\"\u003ehttp://purl.fcla.edu/fsu/WWII_98_0729\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_98_0729 ."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\" target=\"_blank\"\u003ehttps://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Link to selected digitized materials from this collection."],"relatedmaterial_tesim":["https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll"],"scopecontent_html_tesm":["\u003cp\u003eThe Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"names_ssim":["FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Christansen","Hasterlik, Paul"],"famname_ssim":["Christansen"],"persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"language_ssim":["English German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":169,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8a73df5bac3fcd9650e65378","timestamp":"2026-05-21T02:46:35.829Z","bioghist_html_tesm":["\u003cp\u003eGiulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado. \u003cbr\u003e\u003cbr\u003e\nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless.\u003cbr\u003e\u003cbr\u003e\nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as \u0026#xC4;ll\u0026#xE4;gg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna.\u003cbr\u003e\u003cbr\u003e\nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life.\u003cbr\u003e\u003cbr\u003e\nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of\u0026#x2026; all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna.\u003cbr\u003e\u003cbr\u003e\nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal.\u003cbr\u003e\u003cbr\u003e\nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you\u0026#x2026; about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things\u0026#x2026;\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.\u003c/p\u003e"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8a73df5bac3fcd9650e65378","title_filing_ssi":"Hasterlik-Hine collection","title_ssm":["Hasterlik-Hine collection"],"title_tesim":["Hasterlik-Hine collection"],"ead_ssi":"8a73df5bac3fcd9650e65378","unitdate_ssm":["1700-2000","Date accessioned: 2019-12-04"],"unitdate_inclusive_ssm":["1700-2000"],"unitdate_other_ssim":["Date accessioned: 2019-12-04"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["98.0729","/repositories/10/resources/110"],"text":["98.0729","/repositories/10/resources/110","Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04","World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards.","This collection is open to all researchers.","Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll","The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.","FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul","English German"],"unitid_tesim":["98.0729","/repositories/10/resources/110"],"normalized_date_ssm":["1700-2000, Date accessioned: 2019-12-04"],"normalized_title_ssm":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_title_tesim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_ssim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_ssim":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"creator_famname_ssim":["Christansen"],"creators_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul","Christansen"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"access_subjects_ssim":["World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards."],"access_subjects_ssm":["World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards."],"has_online_content_ssim":["false"],"extent_ssm":["15.5 Linear Feet 18 boxes, 13 1LF boxes and 5 .5LF boxes"],"extent_tesim":["15.5 Linear Feet 18 boxes, 13 1LF boxes and 5 .5LF boxes"],"genreform_ssim":["Personal correspondence","Postcards."],"date_range_isim":[1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_98_0729\"\u003ehttp://purl.fcla.edu/fsu/WWII_98_0729\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_98_0729 ."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\" target=\"_blank\"\u003ehttps://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Link to selected digitized materials from this collection."],"relatedmaterial_tesim":["https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll"],"scopecontent_html_tesm":["\u003cp\u003eThe Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"names_ssim":["FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Christansen","Hasterlik, Paul"],"famname_ssim":["Christansen"],"persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"language_ssim":["English German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":169,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8a73df5bac3fcd9650e65378","timestamp":"2026-05-21T02:46:35.829Z","bioghist_html_tesm":["\u003cp\u003eGiulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado. \u003cbr\u003e\u003cbr\u003e\nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless.\u003cbr\u003e\u003cbr\u003e\nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as \u0026#xC4;ll\u0026#xE4;gg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna.\u003cbr\u003e\u003cbr\u003e\nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life.\u003cbr\u003e\u003cbr\u003e\nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of\u0026#x2026; all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna.\u003cbr\u003e\u003cbr\u003e\nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal.\u003cbr\u003e\u003cbr\u003e\nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you\u0026#x2026; about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things\u0026#x2026;\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378"}},{"id":"8a73df5bac3fcd9650e65378_aspace_06afd59e9c639377b29853acd04533fe","type":"File","attributes":{"title":"Hasterlik Photographs, 1900-2000","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378_aspace_06afd59e9c639377b29853acd04533fe#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains two portfolios which contain photographs of the Hasterlik-Hine family. This includes photographs of unidentified family members, in addition to landscape photographs which have handwritten notes in German on the back of them.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378_aspace_06afd59e9c639377b29853acd04533fe#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_06afd59e9c639377b29853acd04533fe","ref_ssm":["aspace_06afd59e9c639377b29853acd04533fe","aspace_06afd59e9c639377b29853acd04533fe"],"id":"8a73df5bac3fcd9650e65378_aspace_06afd59e9c639377b29853acd04533fe","title_filing_ssi":"Hasterlik Photographs","title_ssm":["Hasterlik Photographs"],"title_tesim":["Hasterlik Photographs"],"unitdate_inclusive_ssm":["1900-2000"],"normalized_date_ssm":["1900-2000"],"normalized_title_ssm":["Hasterlik Photographs, 1900-2000"],"text":["Hasterlik Photographs, 1900-2000","Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04","004","/repositories/10/archival_objects/180897","98.0729 Box 15","folder 004","This folder contains two portfolios which contain photographs of the Hasterlik-Hine family. This includes photographs of unidentified family members, in addition to landscape photographs which have handwritten notes in German on the back of them."],"component_level_isim":[1],"parent_ids_ssim":["8a73df5bac3fcd9650e65378"],"parent_unittitles_ssm":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"parent_unittitles_tesim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"parent_levels_ssm":["collection"],"unitid_ssm":["004","/repositories/10/archival_objects/180897"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":159,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"containers_ssim":["98.0729 Box 15","folder 004"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains two portfolios which contain photographs of the Hasterlik-Hine family. This includes photographs of unidentified family members, in addition to landscape photographs which have handwritten notes in German on the back of them.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains two portfolios which contain photographs of the Hasterlik-Hine family. This includes photographs of unidentified family members, in addition to landscape photographs which have handwritten notes in German on the back of them."],"_nest_path_":"/components#158","_nest_parent_":"8a73df5bac3fcd9650e65378","_root_":"8a73df5bac3fcd9650e65378","timestamp":"2026-05-21T02:46:35.829Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8a73df5bac3fcd9650e65378","title_filing_ssi":"Hasterlik-Hine collection","title_ssm":["Hasterlik-Hine collection"],"title_tesim":["Hasterlik-Hine collection"],"ead_ssi":"8a73df5bac3fcd9650e65378","unitdate_ssm":["1700-2000","Date accessioned: 2019-12-04"],"unitdate_inclusive_ssm":["1700-2000"],"unitdate_other_ssim":["Date accessioned: 2019-12-04"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["98.0729","/repositories/10/resources/110"],"text":["98.0729","/repositories/10/resources/110","Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04","World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards.","This collection is open to all researchers.","Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll","The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.","FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul","English German"],"unitid_tesim":["98.0729","/repositories/10/resources/110"],"normalized_date_ssm":["1700-2000, Date accessioned: 2019-12-04"],"normalized_title_ssm":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_title_tesim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_ssim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_ssim":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"creator_famname_ssim":["Christansen"],"creators_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul","Christansen"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"access_subjects_ssim":["World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards."],"access_subjects_ssm":["World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards."],"has_online_content_ssim":["false"],"extent_ssm":["15.5 Linear Feet 18 boxes, 13 1LF boxes and 5 .5LF boxes"],"extent_tesim":["15.5 Linear Feet 18 boxes, 13 1LF boxes and 5 .5LF boxes"],"genreform_ssim":["Personal correspondence","Postcards."],"date_range_isim":[1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_98_0729\"\u003ehttp://purl.fcla.edu/fsu/WWII_98_0729\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_98_0729 ."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\" target=\"_blank\"\u003ehttps://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Link to selected digitized materials from this collection."],"relatedmaterial_tesim":["https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll"],"scopecontent_html_tesm":["\u003cp\u003eThe Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"names_ssim":["FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Christansen","Hasterlik, Paul"],"famname_ssim":["Christansen"],"persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"language_ssim":["English German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":169,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8a73df5bac3fcd9650e65378","timestamp":"2026-05-21T02:46:35.829Z","bioghist_html_tesm":["\u003cp\u003eGiulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado. \u003cbr\u003e\u003cbr\u003e\nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless.\u003cbr\u003e\u003cbr\u003e\nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as \u0026#xC4;ll\u0026#xE4;gg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna.\u003cbr\u003e\u003cbr\u003e\nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life.\u003cbr\u003e\u003cbr\u003e\nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of\u0026#x2026; all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna.\u003cbr\u003e\u003cbr\u003e\nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal.\u003cbr\u003e\u003cbr\u003e\nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you\u0026#x2026; about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things\u0026#x2026;\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378_aspace_06afd59e9c639377b29853acd04533fe"}},{"id":"bfa7236bae6e7421b9f9e217","type":"collection","attributes":{"title":"Haya papers, 1874-1935","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/bfa7236bae6e7421b9f9e217#creator","type":"document_value","attributes":{"value":["Haya, Ignacio (1842-1906)"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/bfa7236bae6e7421b9f9e217#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eContents of the collection include a marriage certificate, warranty deeds, and other papers belonging to Ignacio and Fannie Haya, dating from 1874 to 1932. 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After visiting the Tampa Bay area at the urging of Gavino Gutierrez, Haya and Sanchez moved their factory to Tampa, along with Vicente Martinez Ybor, to escape unionizing forces in New York and to take advantage of Tampa's warm, humid climate. Haya married Fannie Milledor in 1874. In addition to establishing the cigar industry in Tampa, Haya was instrumental in the creation of the Centro Español, a mutual aid society for Spanish immigrants, donating land and serving as the club's first president. Sanchez and Haya also created the Sanchez and Haya Real Estate Company in 1895 which was finally dissolved in 1935 following the death of Fannie Haya Sierra, Ignacio Haya's widow.","Fanny Milledolor married Ignacio Haya, noted cigar manufacturer, on March 6, 1874. After their only child died at birth, Ignacio and Fanny adopted the daughter of Ignacio's brother, Ramon, a two-year old girl named Marina. After Ignacio's death in 1906, Fanny became president of Sanchez and Haya Real Estate, notably the first female executive of a large corporation in Tampa. She donated land along the Hillsborough River to the city of Tampa as a park in 1928. Sanchez and Haya Real Estate was finally dissolved in 1935, following Fanny's death.","Centro Español de Tampa Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","National Park Service. Ybor City: Cigar capitol of the world. U.S. Department of the Interior. Retrieved from: http://www.nps.gov/nr/twhp/wwwlps/lessons/51ybor/51facts1.htm","Tampas first cigar factory. (1982.) Cigar City Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida. http://ufdc.ufl.edu/SF70000339/00001","Westfall, L. Glenn. (1980). Ignacio Haya, pioneer cigar entrepreneur.  The Sunland Tribune Journal of the Tampa Historical Society, 6  (1), pp. 12-14.","Note written by Bullers, K., 2012","Barrio Latino Commission, Report to the Barrio Latino Commission recommending the designation of Berriman Brothers/Sanchez and Haya/Gradiaz Annis Cigar Factory as a significant structure in the Ybor City Historic District. Tampa Floridiana Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida","Centro Español de Tampa collection, 1891-1955, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida","The Sanchez and Haya Cigar Company. Burgert Brothers Collection of Tampa Photographs, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida","Contents of the collection include a marriage certificate, warranty deeds, and other papers belonging to Ignacio and Fannie Haya, dating from 1874 to 1932. 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Ignacio Haya, pioneer cigar entrepreneur. \u003cemph render=\"italic\"\u003eThe Sunland Tribune Journal of the Tampa Historical Society, 6 \u003c/emph\u003e(1), pp. 12-14.\u003c/p\u003e\n","\u003cp\u003eNote written by Bullers, K., 2012\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Born in Escalante, Santanter, Spain, December 8, 1842, Ignacio Haya originally moved to New York, where he built a cigar factory with partner Serafin Sanchez. After visiting the Tampa Bay area at the urging of Gavino Gutierrez, Haya and Sanchez moved their factory to Tampa, along with Vicente Martinez Ybor, to escape unionizing forces in New York and to take advantage of Tampa's warm, humid climate. Haya married Fannie Milledor in 1874. In addition to establishing the cigar industry in Tampa, Haya was instrumental in the creation of the Centro Español, a mutual aid society for Spanish immigrants, donating land and serving as the club's first president. Sanchez and Haya also created the Sanchez and Haya Real Estate Company in 1895 which was finally dissolved in 1935 following the death of Fannie Haya Sierra, Ignacio Haya's widow.","Fanny Milledolor married Ignacio Haya, noted cigar manufacturer, on March 6, 1874. After their only child died at birth, Ignacio and Fanny adopted the daughter of Ignacio's brother, Ramon, a two-year old girl named Marina. After Ignacio's death in 1906, Fanny became president of Sanchez and Haya Real Estate, notably the first female executive of a large corporation in Tampa. She donated land along the Hillsborough River to the city of Tampa as a park in 1928. Sanchez and Haya Real Estate was finally dissolved in 1935, following Fanny's death.","Centro Español de Tampa Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","National Park Service. Ybor City: Cigar capitol of the world. U.S. Department of the Interior. Retrieved from: http://www.nps.gov/nr/twhp/wwwlps/lessons/51ybor/51facts1.htm","Tampas first cigar factory. (1982.) Cigar City Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida. http://ufdc.ufl.edu/SF70000339/00001","Westfall, L. Glenn. (1980). Ignacio Haya, pioneer cigar entrepreneur.  The Sunland Tribune Journal of the Tampa Historical Society, 6  (1), pp. 12-14.","Note written by Bullers, K., 2012"],"prefercite_html_tesm":["\u003cp\u003eHaya Family Papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Haya Family Papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eBarrio Latino Commission, Report to the Barrio Latino Commission recommending the designation of Berriman Brothers/Sanchez and Haya/Gradiaz Annis Cigar Factory as a significant structure in the Ybor City Historic District. 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After Ignacio's death in 1906, Fanny became president of Sanchez and Haya Real Estate, notably the first female executive of a large corporation in Tampa. She donated land along the Hillsborough River to the city of Tampa as a park in 1928. Sanchez and Haya Real Estate was finally dissolved in 1935, following Fanny's death.","Centro Español de Tampa Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","National Park Service. Ybor City: Cigar capitol of the world. U.S. Department of the Interior. Retrieved from: http://www.nps.gov/nr/twhp/wwwlps/lessons/51ybor/51facts1.htm","Tampas first cigar factory. (1982.) Cigar City Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida. http://ufdc.ufl.edu/SF70000339/00001","Westfall, L. Glenn. (1980). Ignacio Haya, pioneer cigar entrepreneur.  The Sunland Tribune Journal of the Tampa Historical Society, 6  (1), pp. 12-14.","Note written by Bullers, K., 2012","Barrio Latino Commission, Report to the Barrio Latino Commission recommending the designation of Berriman Brothers/Sanchez and Haya/Gradiaz Annis Cigar Factory as a significant structure in the Ybor City Historic District. Tampa Floridiana Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida","Centro Español de Tampa collection, 1891-1955, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida","The Sanchez and Haya Cigar Company. Burgert Brothers Collection of Tampa Photographs, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida","Contents of the collection include a marriage certificate, warranty deeds, and other papers belonging to Ignacio and Fannie Haya, dating from 1874 to 1932. The papers relate primarily to the management, purchase, and sale of properties belonging to Sanchez and Haya Real Estate.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Haya, Ignacio (1842-1906)","Haya, Fannie (Fannie Milledoler Haya Sierra)","English"],"unitid_tesim":["H27","/repositories/2/resources/314"],"normalized_date_ssm":["1874-1935"],"normalized_title_ssm":["Haya papers, 1874-1935"],"collection_title_tesim":["Haya papers, 1874-1935"],"collection_ssim":["Haya papers, 1874-1935"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.) -- History","Ybor City (Tampa, Fla.)"],"geogname_ssim":["Tampa (Fla.) -- History","Ybor City (Tampa, Fla.)"],"creator_ssm":["Haya, Ignacio (1842-1906)","Haya, Fannie (Fannie Milledoler Haya Sierra)"],"creator_ssim":["Haya, Ignacio (1842-1906)","Haya, Fannie (Fannie Milledoler Haya Sierra)"],"creator_persname_ssim":["Haya, Ignacio (1842-1906)","Haya, Fannie (Fannie Milledoler Haya Sierra)"],"creators_ssim":["Haya, Ignacio (1842-1906)","Haya, Fannie (Fannie Milledoler Haya Sierra)"],"places_ssim":["Tampa (Fla.) -- History","Ybor City (Tampa, Fla.)"],"access_terms_ssm":["None. 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Retrieved from: http://www.nps.gov/nr/twhp/wwwlps/lessons/51ybor/51facts1.htm","Tampas first cigar factory. (1982.) Cigar City Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida. http://ufdc.ufl.edu/SF70000339/00001","Westfall, L. Glenn. (1980). Ignacio Haya, pioneer cigar entrepreneur.  The Sunland Tribune Journal of the Tampa Historical Society, 6  (1), pp. 12-14.","Note written by Bullers, K., 2012"],"prefercite_html_tesm":["\u003cp\u003eHaya Family Papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Haya Family Papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eBarrio Latino Commission, Report to the Barrio Latino Commission recommending the designation of Berriman Brothers/Sanchez and Haya/Gradiaz Annis Cigar Factory as a significant structure in the Ybor City Historic District. 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Tampa Floridiana Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida","Centro Español de Tampa collection, 1891-1955, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida","The Sanchez and Haya Cigar Company. Burgert Brothers Collection of Tampa Photographs, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida"],"scopecontent_html_tesm":["\u003cp\u003eContents of the collection include a marriage certificate, warranty deeds, and other papers belonging to Ignacio and Fannie Haya, dating from 1874 to 1932. The papers relate primarily to the management, purchase, and sale of properties belonging to Sanchez and Haya Real Estate.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Contents of the collection include a marriage certificate, warranty deeds, and other papers belonging to Ignacio and Fannie Haya, dating from 1874 to 1932. The papers relate primarily to the management, purchase, and sale of properties belonging to Sanchez and Haya Real Estate."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Haya, Ignacio (1842-1906)","Haya, Fannie (Fannie Milledoler Haya Sierra)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Haya, Ignacio (1842-1906)","Haya, Fannie (Fannie Milledoler Haya Sierra)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"bfa7236bae6e7421b9f9e217","timestamp":"2026-07-08T04:14:57.267Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bfa7236bae6e7421b9f9e217"}},{"id":"07e10fbaa868c82ec681775a","type":"collection","attributes":{"title":"Hemmer and Yates Business Imprints, 1885-1946, Date acquired: 00/00/1980","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/07e10fbaa868c82ec681775a#creator","type":"document_value","attributes":{"value":["Hemmer and Yates"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/07e10fbaa868c82ec681775a#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003ePublicity distributed by Hemmer and Yates, local advertising firm, depicting Pensacola traditions and Employment records, 1885-1946, of the Louisville and Nashville Railroad.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/07e10fbaa868c82ec681775a#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"07e10fbaa868c82ec681775a","title_ssm":["Hemmer and Yates Business Imprints"],"title_tesim":["Hemmer and Yates Business Imprints"],"ead_ssi":"07e10fbaa868c82ec681775a","unitdate_ssm":["1885-1946","Date acquired: 00/00/1980"],"unitdate_inclusive_ssm":["1885-1946"],"unitdate_other_ssim":["Date acquired: 00/00/1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M1980-18SC","/repositories/2/resources/216"],"text":["M1980-18SC","/repositories/2/resources/216","Hemmer and Yates Business Imprints, 1885-1946, Date acquired: 00/00/1980","Open to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  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Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.","UWF University Archives and West Florida History Center","Hemmer and Yates","English"],"unitid_tesim":["M1980-18SC","/repositories/2/resources/216"],"normalized_date_ssm":["1885-1946, Date acquired: 00/00/1980"],"normalized_title_ssm":["Hemmer and Yates Business Imprints, 1885-1946, Date acquired: 00/00/1980"],"collection_title_tesim":["Hemmer and Yates Business Imprints, 1885-1946, Date acquired: 00/00/1980"],"collection_ssim":["Hemmer and Yates Business Imprints, 1885-1946, Date acquired: 00/00/1980"],"repository_ssm":["UWF University Archives and West Florida History Center"],"repository_ssim":["UWF University Archives and West Florida History Center"],"creator_ssm":["Hemmer and Yates"],"creator_ssim":["Hemmer and Yates"],"creator_corpname_ssim":["Hemmer and Yates"],"creators_ssim":["Hemmer and Yates"],"access_terms_ssm":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"acqinfo_ssim":["Requested from Hemmer and Yates."],"has_online_content_ssim":["false"],"extent_ssm":["10.00 items"],"extent_tesim":["10.00 items"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  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Occasionally we may need to review a collection before permitting immediate access."],"accruals_html_tesm":["\u003cp\u003eAddition 02/06/1981.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Addition 02/06/1981."],"processinfo_html_tesm":["\u003cp\u003eRevised 05/07/2007\u003c/p\u003e","\u003cp\u003eRevised 06/23/1994\u003c/p\u003e","\u003cp\u003eCataloged 1980\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Revised 05/07/2007","Revised 06/23/1994","Cataloged 1980"],"scopecontent_html_tesm":["\u003cp\u003ePublicity distributed by Hemmer and Yates, local advertising firm, depicting Pensacola traditions and Employment records, 1885-1946, of the Louisville and Nashville Railroad.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Publicity distributed by Hemmer and Yates, local advertising firm, depicting Pensacola traditions and Employment records, 1885-1946, of the Louisville and Nashville Railroad."],"userestrict_html_tesm":["\u003cp\u003eDigital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"names_ssim":["UWF University Archives and West Florida History Center","Hemmer and Yates"],"corpname_ssim":["UWF University Archives and West Florida History Center","Hemmer and Yates"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"07e10fbaa868c82ec681775a","timestamp":"2026-07-09T03:57:18.994Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"07e10fbaa868c82ec681775a","title_ssm":["Hemmer and Yates Business Imprints"],"title_tesim":["Hemmer and Yates Business Imprints"],"ead_ssi":"07e10fbaa868c82ec681775a","unitdate_ssm":["1885-1946","Date acquired: 00/00/1980"],"unitdate_inclusive_ssm":["1885-1946"],"unitdate_other_ssim":["Date acquired: 00/00/1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M1980-18SC","/repositories/2/resources/216"],"text":["M1980-18SC","/repositories/2/resources/216","Hemmer and Yates Business Imprints, 1885-1946, Date acquired: 00/00/1980","Open to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access.","Addition 02/06/1981.","Revised 05/07/2007","Revised 06/23/1994","Cataloged 1980","Publicity distributed by Hemmer and Yates, local advertising firm, depicting Pensacola traditions and Employment records, 1885-1946, of the Louisville and Nashville Railroad.","Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.","UWF University Archives and West Florida History Center","Hemmer and Yates","English"],"unitid_tesim":["M1980-18SC","/repositories/2/resources/216"],"normalized_date_ssm":["1885-1946, Date acquired: 00/00/1980"],"normalized_title_ssm":["Hemmer and Yates Business Imprints, 1885-1946, Date acquired: 00/00/1980"],"collection_title_tesim":["Hemmer and Yates Business Imprints, 1885-1946, Date acquired: 00/00/1980"],"collection_ssim":["Hemmer and Yates Business Imprints, 1885-1946, Date acquired: 00/00/1980"],"repository_ssm":["UWF University Archives and West Florida History Center"],"repository_ssim":["UWF University Archives and West Florida History Center"],"creator_ssm":["Hemmer and Yates"],"creator_ssim":["Hemmer and Yates"],"creator_corpname_ssim":["Hemmer and Yates"],"creators_ssim":["Hemmer and Yates"],"access_terms_ssm":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"acqinfo_ssim":["Requested from Hemmer and Yates."],"has_online_content_ssim":["false"],"extent_ssm":["10.00 items"],"extent_tesim":["10.00 items"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access."],"accruals_html_tesm":["\u003cp\u003eAddition 02/06/1981.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Addition 02/06/1981."],"processinfo_html_tesm":["\u003cp\u003eRevised 05/07/2007\u003c/p\u003e","\u003cp\u003eRevised 06/23/1994\u003c/p\u003e","\u003cp\u003eCataloged 1980\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Revised 05/07/2007","Revised 06/23/1994","Cataloged 1980"],"scopecontent_html_tesm":["\u003cp\u003ePublicity distributed by Hemmer and Yates, local advertising firm, depicting Pensacola traditions and Employment records, 1885-1946, of the Louisville and Nashville Railroad.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Publicity distributed by Hemmer and Yates, local advertising firm, depicting Pensacola traditions and Employment records, 1885-1946, of the Louisville and Nashville Railroad."],"userestrict_html_tesm":["\u003cp\u003eDigital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"names_ssim":["UWF University Archives and West Florida History Center","Hemmer and Yates"],"corpname_ssim":["UWF University Archives and West Florida History Center","Hemmer and Yates"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"07e10fbaa868c82ec681775a","timestamp":"2026-07-09T03:57:18.994Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/07e10fbaa868c82ec681775a"}},{"id":"45807c67f367973431520ee3_aspace_191f21b0be33c4de0b50d219c2447852","type":"Series","attributes":{"title":"Hemming Park; Jacksonville, Florida, 1900-2019, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/45807c67f367973431520ee3_aspace_191f21b0be33c4de0b50d219c2447852#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_191f21b0be33c4de0b50d219c2447852","ref_ssm":["aspace_191f21b0be33c4de0b50d219c2447852","aspace_191f21b0be33c4de0b50d219c2447852"],"id":"45807c67f367973431520ee3_aspace_191f21b0be33c4de0b50d219c2447852","title_filing_ssi":"Hemming Park; Jacksonville, Florida","title_ssm":["Hemming Park; Jacksonville, Florida"],"title_tesim":["Hemming Park; Jacksonville, Florida"],"unitdate_inclusive_ssm":["1900-2019"],"unitdate_other_ssim":["Undated"],"normalized_date_ssm":["1900-2019, Undated"],"normalized_title_ssm":["Hemming Park; Jacksonville, Florida, 1900-2019, Undated"],"text":["Hemming Park; Jacksonville, Florida, 1900-2019, Undated","Northeast Florida Regional Postcard Collection, 1858-2019","/repositories/3/archival_objects/9651","box 1","folder 25"],"component_level_isim":[1],"parent_ids_ssim":["45807c67f367973431520ee3"],"parent_unittitles_ssm":["Northeast Florida Regional Postcard Collection, 1858-2019"],"parent_unittitles_tesim":["Northeast Florida Regional Postcard Collection, 1858-2019"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/9651"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Northeast Florida Regional Postcard Collection, 1858-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":25,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"containers_ssim":["box 1","folder 25"],"_nest_path_":"/components#24","_nest_parent_":"45807c67f367973431520ee3","_root_":"45807c67f367973431520ee3","_version_":1872853597225484288,"timestamp":"2026-08-07T08:46:14.061Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"45807c67f367973431520ee3","title_ssm":["Northeast Florida Regional Postcard Collection"],"title_tesim":["Northeast Florida Regional Postcard Collection"],"ead_ssi":"45807c67f367973431520ee3","unitdate_ssm":["1858-2019"],"unitdate_inclusive_ssm":["1858-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2024.001","/repositories/3/resources/82"],"text":["2024.001","/repositories/3/resources/82","Northeast Florida Regional Postcard Collection, 1858-2019","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. ","\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  ","\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. ","\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. ","Sources:\n New York State Library Postcard Collection-Appendix C","Greetings from the Smithsonian: A Postcard History","This collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:","Series 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.","Series 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida","Series 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.","Series 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.","Series 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.","Series 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.","Series 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.","Series 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.","Series 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.","Series 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.","Series 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.","Series 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. ","Series 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. ","Series 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. ","Series 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. ","Series 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.","Series 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.","Series 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.","Series 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. ","Series 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.","Series 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. ","Series 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. ","Series 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026WB Drew Company, and cards addressed to Jacksonville addresses.","Series 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. ","Series 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. ","Series 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. ","Series 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. ","Series 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. ","Series 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. ","Series 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.","Series 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. ","Series 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. ","Series 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.","Series 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. ","Series 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.","Series 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. ","Series 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.","Series 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.","Series 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. ","Series 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. ","Series 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.","Series 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. ","Series 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.","Series 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. ","Series 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. ","Series 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.","Series 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. ","Series 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. ","Series 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.","Series 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida","Series 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, ","Series 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.","Series 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.","Series 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. ","Series 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.","Series 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. ","Series 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.","Series 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. ","Series 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. ","Series 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.","Series 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.","Series 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. ","Series 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. ","Series 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. ","Series 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. ","Series 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. ","Series 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2024.001","/repositories/3/resources/82"],"normalized_date_ssm":["1858-2019"],"normalized_title_ssm":["Northeast Florida Regional Postcard Collection, 1858-2019"],"collection_title_tesim":["Northeast Florida Regional Postcard Collection, 1858-2019"],"collection_ssim":["Northeast Florida Regional Postcard Collection, 1858-2019"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation."],"has_online_content_ssim":["false"],"extent_ssm":["1.92 Linear Feet"],"extent_tesim":["1.92 Linear Feet"],"date_range_isim":[1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003e\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. \u003c/p\u003e\n","\u003cp\u003e\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  \u003c/p\u003e\n","\u003cp\u003e\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. \u003c/p\u003e\n","\u003cp\u003e\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. \u003c/p\u003e\n","\u003cp\u003eSources:\n\u003cextref href=\"https://www.nysl.nysed.gov/msscfa/qc16510ess.htm\"\u003eNew York State Library Postcard Collection-Appendix C\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://siarchives.si.edu/history/featured-topics/postcard/postcard-history\"\u003eGreetings from the Smithsonian: A Postcard History\u003c/extref\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. ","\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  ","\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. ","\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. ","Sources:\n New York State Library Postcard Collection-Appendix C","Greetings from the Smithsonian: A Postcard History"],"prefercite_html_tesm":["\u003cp\u003eNortheast Florida Regional Postcard Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Northeast Florida Regional Postcard Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.\u003c/p\u003e\n","\u003cp\u003eSeries 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida\u003c/p\u003e\n","\u003cp\u003eSeries 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.\u003c/p\u003e\n","\u003cp\u003eSeries 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.\u003c/p\u003e\n","\u003cp\u003eSeries 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.\u003c/p\u003e\n","\u003cp\u003eSeries 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.\u003c/p\u003e\n","\u003cp\u003eSeries 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.\u003c/p\u003e\n","\u003cp\u003eSeries 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.\u003c/p\u003e\n","\u003cp\u003eSeries 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.\u003c/p\u003e\n","\u003cp\u003eSeries 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. \u003c/p\u003e\n","\u003cp\u003eSeries 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.\u003c/p\u003e\n","\u003cp\u003eSeries 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.\u003c/p\u003e\n","\u003cp\u003eSeries 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. \u003c/p\u003e\n","\u003cp\u003eSeries 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.\u003c/p\u003e\n","\u003cp\u003eSeries 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. \u003c/p\u003e\n","\u003cp\u003eSeries 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. \u003c/p\u003e\n","\u003cp\u003eSeries 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026amp;WB Drew Company, and cards addressed to Jacksonville addresses.\u003c/p\u003e\n","\u003cp\u003eSeries 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. \u003c/p\u003e\n","\u003cp\u003eSeries 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. \u003c/p\u003e\n","\u003cp\u003eSeries 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. \u003c/p\u003e\n","\u003cp\u003eSeries 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. \u003c/p\u003e\n","\u003cp\u003eSeries 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. \u003c/p\u003e\n","\u003cp\u003eSeries 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.\u003c/p\u003e\n","\u003cp\u003eSeries 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. \u003c/p\u003e\n","\u003cp\u003eSeries 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.\u003c/p\u003e\n","\u003cp\u003eSeries 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. \u003c/p\u003e\n","\u003cp\u003eSeries 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.\u003c/p\u003e\n","\u003cp\u003eSeries 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.\u003c/p\u003e\n","\u003cp\u003eSeries 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.\u003c/p\u003e\n","\u003cp\u003eSeries 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. \u003c/p\u003e\n","\u003cp\u003eSeries 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.\u003c/p\u003e\n","\u003cp\u003eSeries 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. \u003c/p\u003e\n","\u003cp\u003eSeries 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.\u003c/p\u003e\n","\u003cp\u003eSeries 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. \u003c/p\u003e\n","\u003cp\u003eSeries 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.\u003c/p\u003e\n","\u003cp\u003eSeries 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.\u003c/p\u003e\n","\u003cp\u003eSeries 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida\u003c/p\u003e\n","\u003cp\u003eSeries 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, \u003c/p\u003e\n","\u003cp\u003eSeries 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.\u003c/p\u003e\n","\u003cp\u003eSeries 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. \u003c/p\u003e\n","\u003cp\u003eSeries 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. \u003c/p\u003e\n","\u003cp\u003eSeries 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.\u003c/p\u003e\n","\u003cp\u003eSeries 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. \u003c/p\u003e\n","\u003cp\u003eSeries 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.\u003c/p\u003e\n","\u003cp\u003eSeries 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. \u003c/p\u003e\n","\u003cp\u003eSeries 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. \u003c/p\u003e\n","\u003cp\u003eSeries 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. \u003c/p\u003e\n","\u003cp\u003eSeries 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. \u003c/p\u003e\n","\u003cp\u003eSeries 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:","Series 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.","Series 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida","Series 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.","Series 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.","Series 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.","Series 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.","Series 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.","Series 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.","Series 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.","Series 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.","Series 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.","Series 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. ","Series 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. ","Series 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. ","Series 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. ","Series 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.","Series 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.","Series 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.","Series 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. ","Series 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.","Series 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. ","Series 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. ","Series 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026WB Drew Company, and cards addressed to Jacksonville addresses.","Series 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. ","Series 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. ","Series 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. ","Series 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. ","Series 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. ","Series 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. ","Series 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.","Series 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. ","Series 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. ","Series 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.","Series 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. ","Series 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.","Series 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. ","Series 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.","Series 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.","Series 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. ","Series 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. ","Series 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.","Series 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. ","Series 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.","Series 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. ","Series 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. ","Series 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.","Series 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. ","Series 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. ","Series 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.","Series 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida","Series 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, ","Series 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.","Series 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.","Series 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. ","Series 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.","Series 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. ","Series 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.","Series 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. ","Series 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. ","Series 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.","Series 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.","Series 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. ","Series 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. ","Series 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. ","Series 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. ","Series 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. ","Series 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":67,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872853597225484288,"_root_":"45807c67f367973431520ee3","timestamp":"2026-08-07T08:46:14.061Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/45807c67f367973431520ee3_aspace_191f21b0be33c4de0b50d219c2447852"}},{"id":"b2bc81c7d4785a91d35451e1","type":"collection","attributes":{"title":"Henry A. Dobson papers, 1897-1904, bulk 1897-1898","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/b2bc81c7d4785a91d35451e1#creator","type":"document_value","attributes":{"value":["Dobson, Henry A. 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The collection also contains photographs of the Dobson family, as well as photos of Dobson in uniform, and a photo of the grave marker erected for him in 1904.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection consists of the personal papers and letters of Henry A. Dobson, a soldier during the Spanish-American War.","USF Libraries - Tampa Special Collections","Dobson, Henry A. (1878-1898)","English"],"unitid_tesim":["D15","/repositories/2/resources/156"],"normalized_date_ssm":["1897-1904, bulk 1897-1898"],"normalized_title_ssm":["Henry A. Dobson papers, 1897-1904, bulk 1897-1898"],"collection_title_tesim":["Henry A. Dobson papers, 1897-1904, bulk 1897-1898"],"collection_ssim":["Henry A. 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Clippings taken after his death contain information on the community response, as well as the investigation by the Department of War into his death as a result of potential medical malpractice. 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Clippings taken after his death contain information on the community response, as well as the investigation by the Department of War into his death as a result of potential medical malpractice. The collection also contains photographs of the Dobson family, as well as photos of Dobson in uniform, and a photo of the grave marker erected for him in 1904.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection consists of the personal papers and letters of Henry A. Dobson, a soldier during the Spanish-American War.","USF Libraries - Tampa Special Collections","Dobson, Henry A. (1878-1898)","English"],"unitid_tesim":["D15","/repositories/2/resources/156"],"normalized_date_ssm":["1897-1904, bulk 1897-1898"],"normalized_title_ssm":["Henry A. Dobson papers, 1897-1904, bulk 1897-1898"],"collection_title_tesim":["Henry A. 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Clippings taken after his death contain information on the community response, as well as the investigation by the Department of War into his death as a result of potential medical malpractice. The collection also contains photographs of the Dobson family, as well as photos of Dobson in uniform, and a photo of the grave marker erected for him in 1904."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fcf3270f274a2c3fd0abd7f451e1d3d9\" label=\"Abstract\"\u003eThis collection consists of the personal papers and letters of Henry A. 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(1878-1898)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"b2bc81c7d4785a91d35451e1","timestamp":"2026-04-21T03:30:59.878Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b2bc81c7d4785a91d35451e1"}},{"id":"4396e04e3a127184557ba8db","type":"collection","attributes":{"title":"Henry Green Barnett Papers, 1888-1976","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/4396e04e3a127184557ba8db#creator","type":"document_value","attributes":{"value":["Barnett, Henry Green"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/4396e04e3a127184557ba8db#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection contains handwritten journals, typescripts, and other materials produced and collected by Henry Green Barnett.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4396e04e3a127184557ba8db#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"4396e04e3a127184557ba8db","title_ssm":["Henry Green Barnett Papers"],"title_tesim":["Henry Green Barnett Papers"],"ead_ssi":"4396e04e3a127184557ba8db","unitdate_ssm":["1888-1976"],"unitdate_inclusive_ssm":["1888-1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS1015","/repositories/2/resources/12"],"text":["MS1015","/repositories/2/resources/12","Henry Green Barnett Papers, 1888-1976","Leesburg (Fla.)--Biography.","Lakeland (Fla.)--Biography.","Dallas (Tex.)--Biography.","Syria--History--20th century.","Japan--History--20th century.","China--History--20th century.","India--History--20th century.","Barnett, Henry Green, 1891-1987.","Authors, American.","College teachers--United States.","Emory University--Alumni and alumnae.","Columbia University--Alumni and alumnae.","College Heights Methodist Church--History.","Florida Southern College--Faculty.","Journals (diaries).","Typescripts.","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.","Henry Green Barnett was born in Leesburg, Florida in 1891. He graduated from Emory University with a Bachelor's of Arts and a Master of Arts from Columbia University. Professor Barnett taught for a number of years in mission schools in Syria, Japan, China, and India. He was also a faculty member at Southern Methodist University in Dallas. In 1927 he joined the faculty at Florida Southern College, where he taught for the next 38 years as a Literature professor. He was the author of a number of books. He was a member of the College Heights Methodist Church for 60 years, and he passed away at the age of 96 on July 13, 1987.","This collection contains handwritten journals, typescripts, and other materials produced and collected by Henry Green Barnett.","The Henry Green Barnett Papers are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Please inquire if you have questions -\narchives@flsouthern.edu.","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Barnett, Henry Green","English"],"unitid_tesim":["MS1015","/repositories/2/resources/12"],"normalized_date_ssm":["1888-1976"],"normalized_title_ssm":["Henry Green Barnett Papers, 1888-1976"],"collection_title_tesim":["Henry Green Barnett Papers, 1888-1976"],"collection_ssim":["Henry Green Barnett Papers, 1888-1976"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. 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