{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1901\u0026page=81","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1901\u0026page=80","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1901\u0026page=82","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1901\u0026page=90"},"meta":{"pages":{"current_page":81,"next_page":82,"prev_page":80,"total_pages":90,"limit_value":10,"offset_value":800,"total_count":896,"first_page?":false,"last_page?":false}},"data":[{"id":"bec408ef355489ed2515918e_aspace_29cdd77ec7de6f56068ade9e8e8873c6","type":"Item","attributes":{"title":"The B.Y.P.U. Guide, For Use in Baptist, 1901","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_29cdd77ec7de6f56068ade9e8e8873c6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_29cdd77ec7de6f56068ade9e8e8873c6","ref_ssm":["aspace_29cdd77ec7de6f56068ade9e8e8873c6","aspace_29cdd77ec7de6f56068ade9e8e8873c6"],"id":"bec408ef355489ed2515918e_aspace_29cdd77ec7de6f56068ade9e8e8873c6","title_filing_ssi":"The B.Y.P.U. Guide, For Use in Baptist","title_ssm":["The B.Y.P.U. Guide, For Use in Baptist"],"title_tesim":["The B.Y.P.U. Guide, For Use in Baptist"],"unitdate_other_ssim":["1901"],"normalized_date_ssm":["1901"],"normalized_title_ssm":["The B.Y.P.U. Guide, For Use in Baptist, 1901"],"text":["The B.Y.P.U. Guide, For Use in Baptist, 1901","African American Legacy: The Carol Mundy collection, 1791-2003","Additional Materials, 1791-1990, Undated","Publications, 1835-1990, Undated","Folder 8","/repositories/4/archival_objects/57410","box 35","folder 8"],"component_level_isim":[3],"parent_ids_ssim":["bec408ef355489ed2515918e","bec408ef355489ed2515918e_aspace_8d9756e691c528284ff3578409880ec9","bec408ef355489ed2515918e_aspace_931e746fe9172e56fab1c41c2a7f0463"],"parent_unittitles_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003","Additional Materials, 1791-1990, Undated","Publications, 1835-1990, Undated"],"parent_unittitles_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003","Additional Materials, 1791-1990, Undated","Publications, 1835-1990, Undated"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 8","/repositories/4/archival_objects/57410"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1648,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1901],"containers_ssim":["box 35","folder 8"],"_nest_path_":"/components#8/components#6/components#17","_nest_parent_":"bec408ef355489ed2515918e_aspace_931e746fe9172e56fab1c41c2a7f0463","_root_":"bec408ef355489ed2515918e","_version_":1879192534963453952,"timestamp":"2026-10-16T08:00:56.160Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bec408ef355489ed2515918e","title_ssm":["African American Legacy: The Carol Mundy collection"],"title_tesim":["African American Legacy: The Carol Mundy collection"],"ead_ssi":"bec408ef355489ed2515918e","unitdate_ssm":["1791-2003"],"unitdate_inclusive_ssm":["1791-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC085","/repositories/4/resources/106"],"text":["SC085","/repositories/4/resources/106","African American Legacy: The Carol Mundy collection, 1791-2003","Apopka (Fla.)--History","African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs","The entire collection is open for research.","Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"","Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog .","This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.","UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-","English"],"unitid_tesim":["SC085","/repositories/4/resources/106"],"normalized_date_ssm":["1791-2003"],"normalized_title_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_title_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Apopka (Fla.)--History"],"geogname_ssim":["Apopka (Fla.)--History"],"creator_ssm":["Mundy, Carol"],"creator_ssim":["Mundy, Carol"],"creator_persname_ssim":["Mundy, Carol"],"creators_ssim":["Mundy, Carol"],"places_ssim":["Apopka (Fla.)--History"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Most of these materials were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Carol Mundy in 2009 (CFM2009_02). Additional materials were donated in 2010/2012 (CFM2012_02) and 2019 (CFM2019_01)."],"access_subjects_ssim":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"access_subjects_ssm":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["26 Linear Feet 36 boxes and 73 flat files"],"extent_tesim":["26 Linear Feet 36 boxes and 73 flat files"],"genreform_ssim":["photographs"],"date_range_isim":[1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eCarol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\""],"prefercite_html_tesm":["\u003cp\u003eAfrican American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["African American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Early America \u0026amp; Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.\u003c/p\u003e\n","\u003cp\u003eSeries IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4cf0eb7fc38bbc5bdebff00649325802\" label=\"Abstract\"\u003eCollector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.\u003c/abstract\u003e"],"abstract_tesim":["Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida."],"names_ssim":["UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"persname_ssim":["Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1675,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879192534963453952,"_root_":"bec408ef355489ed2515918e","timestamp":"2026-10-16T08:00:56.160Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_29cdd77ec7de6f56068ade9e8e8873c6"}},{"id":"7138e2e42a43c313e5d0f3b4","type":"collection","attributes":{"title":"The Florida Randolphs, 1829-1978","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/7138e2e42a43c313e5d0f3b4#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis item is a compiled history of the Florida Randolph family, dating from 1829-1978. Compiled by Randolph Whitfield and John Chipmand, 1978. Names included in the work include: Randolph family, Bratton family, Chipman family, Eppes family, Gass family, Porter family, and Whitfield family. 99 pages, fold-outs, pictures. Photocopy number 36.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7138e2e42a43c313e5d0f3b4#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"7138e2e42a43c313e5d0f3b4","title_ssm":["The Florida Randolphs"],"title_tesim":["The Florida Randolphs"],"ead_ssi":"7138e2e42a43c313e5d0f3b4","unitdate_ssm":["1829-1978"],"unitdate_inclusive_ssm":["1829-1978"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 80-5","/repositories/10/resources/1092"],"text":["MSS 80-5","/repositories/10/resources/1092","The Florida Randolphs, 1829-1978","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Processed January 1981.","This item is a compiled history of the Florida Randolph family, dating from 1829-1978. Compiled by Randolph Whitfield and John Chipmand, 1978. Names included in the work include: Randolph family, Bratton family, Chipman family, Eppes family, Gass family, Porter family, and Whitfield family. 99 pages, fold-outs, pictures. Photocopy number 36.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Randolph family","Eppes Family","English"],"unitid_tesim":["MSS 80-5","/repositories/10/resources/1092"],"normalized_date_ssm":["1829-1978"],"normalized_title_ssm":["The Florida Randolphs, 1829-1978"],"collection_title_tesim":["The Florida Randolphs, 1829-1978"],"collection_ssim":["The Florida Randolphs, 1829-1978"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"prefercite_html_tesm":["\u003cp\u003eThe Florida Randolphs, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS_80-5\"\u003ehttp://purl.fcla.edu/fsu/MSS_80-5\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["The Florida Randolphs, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_80-5"],"processinfo_html_tesm":["\u003cp\u003eProcessed January 1981.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed January 1981."],"scopecontent_html_tesm":["\u003cp\u003eThis item is a compiled history of the Florida Randolph family, dating from 1829-1978. Compiled by Randolph Whitfield and John Chipmand, 1978. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Randolph family","Eppes Family"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Randolph family","Eppes Family"],"famname_ssim":["Randolph family","Eppes Family"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"7138e2e42a43c313e5d0f3b4","timestamp":"2026-04-21T03:22:19.258Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"7138e2e42a43c313e5d0f3b4","title_ssm":["The Florida Randolphs"],"title_tesim":["The Florida Randolphs"],"ead_ssi":"7138e2e42a43c313e5d0f3b4","unitdate_ssm":["1829-1978"],"unitdate_inclusive_ssm":["1829-1978"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 80-5","/repositories/10/resources/1092"],"text":["MSS 80-5","/repositories/10/resources/1092","The Florida Randolphs, 1829-1978","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Processed January 1981.","This item is a compiled history of the Florida Randolph family, dating from 1829-1978. Compiled by Randolph Whitfield and John Chipmand, 1978. Names included in the work include: Randolph family, Bratton family, Chipman family, Eppes family, Gass family, Porter family, and Whitfield family. 99 pages, fold-outs, pictures. Photocopy number 36.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Randolph family","Eppes Family","English"],"unitid_tesim":["MSS 80-5","/repositories/10/resources/1092"],"normalized_date_ssm":["1829-1978"],"normalized_title_ssm":["The Florida Randolphs, 1829-1978"],"collection_title_tesim":["The Florida Randolphs, 1829-1978"],"collection_ssim":["The Florida Randolphs, 1829-1978"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"prefercite_html_tesm":["\u003cp\u003eThe Florida Randolphs, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS_80-5\"\u003ehttp://purl.fcla.edu/fsu/MSS_80-5\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["The Florida Randolphs, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_80-5"],"processinfo_html_tesm":["\u003cp\u003eProcessed January 1981.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed January 1981."],"scopecontent_html_tesm":["\u003cp\u003eThis item is a compiled history of the Florida Randolph family, dating from 1829-1978. Compiled by Randolph Whitfield and John Chipmand, 1978. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Randolph family","Eppes Family"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Randolph family","Eppes Family"],"famname_ssim":["Randolph family","Eppes Family"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"7138e2e42a43c313e5d0f3b4","timestamp":"2026-04-21T03:22:19.258Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/7138e2e42a43c313e5d0f3b4"}},{"id":"ea10a278e35b143f130f4d56_aspace_5702ece64b656f41c588dc824095cb65","type":"File","attributes":{"title":"The Freedmen's Bureau Online, includes documents from Out of State including North Carolina, South Carolina, 1865-2006, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ea10a278e35b143f130f4d56_aspace_5702ece64b656f41c588dc824095cb65#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5702ece64b656f41c588dc824095cb65","ref_ssm":["aspace_5702ece64b656f41c588dc824095cb65","aspace_5702ece64b656f41c588dc824095cb65"],"id":"ea10a278e35b143f130f4d56_aspace_5702ece64b656f41c588dc824095cb65","title_filing_ssi":"The Freedmen's Bureau Online, includes documents from Out of State including North Carolina, South Carolina","title_ssm":["The Freedmen's Bureau Online, includes documents from Out of State including North Carolina, South Carolina"],"title_tesim":["The Freedmen's Bureau Online, includes documents from Out of State including North Carolina, South Carolina"],"unitdate_inclusive_ssm":["1865-2006, Undated"],"normalized_date_ssm":["1865-2006, Undated"],"normalized_title_ssm":["The Freedmen's Bureau Online, includes documents from Out of State including North Carolina, South Carolina, 1865-2006, Undated"],"text":["The Freedmen's Bureau Online, includes documents from Out of State including North Carolina, South Carolina, 1865-2006, Undated","Carol Mundy: African American Legacy Research Files, 1790-2012","Research Files, 1790-2012, Undated.","Miscellaneous, 1790-2006, Undated","/repositories/4/archival_objects/55953","Box 5","Folder 1"],"component_level_isim":[3],"parent_ids_ssim":["ea10a278e35b143f130f4d56","ea10a278e35b143f130f4d56_aspace_seriesI","ea10a278e35b143f130f4d56_aspace_30c2eb25445e21413926b0f29295a761"],"parent_unittitles_ssm":["Carol Mundy: African American Legacy Research Files, 1790-2012","Research Files, 1790-2012, Undated.","Miscellaneous, 1790-2006, Undated"],"parent_unittitles_tesim":["Carol Mundy: African American Legacy Research Files, 1790-2012","Research Files, 1790-2012, Undated.","Miscellaneous, 1790-2006, Undated"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/55953"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Carol Mundy: African American Legacy Research Files, 1790-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":46,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. 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Ms. Carol Mundy, a former flight attendant was able to travel the world throughout her career. As a result she was able to compile these documents in this collection and its sister collection also house at the UCF Special Collection and University Archives and known as the African American Legacy: the Carol Mundy Collection which hold about one thousand five hundred pieces of history that Ms. Mundy collected previously. The original collection was obtained by the University of Central Florida Special Collections \u0026 University Archives in 2009.","The research files were given to the University of Central Florida History Department through their program known as Regional Initiative for Collecting the History, Experiences and Stories (RICHES). They were housed in the History Department for a number of years and were donated to the University of Central Florida Special Collections \u0026 University Archives. Ms. Mundy saw the University of Central Florida John C. Hitt Library as the perfect institution to house her collection. She also wanted to bring more attention and educate the public and students about the African American Legacy. In 2009, the University of Central Florida, honored Ms. Mundy through the Burnett Honors College. Within the pages of pamphlet handed out at the event that day. In the pamphlet it discusses the importance of preserving and educating youth.","When the University of Central Florida Special Collection \u0026 University Archives received this collection, most of the documents were in three ring binders. Upon receiving the collection the binders were in no particular order and have been organized by city. Some of the documents were put clear sleeves to keep them safe for the time being within the binders. Upon processing this collection, staples, binder clips, and paperclips were removed. The contents that were once in the binders are now housed in acid free folders and boxes.The photographs and the transparency are also housed in clear archival sleeves.","African American Legacy: The Carol Mundy Collection, 1794-2010","The collection is divided into 3 series.","Series I: Research Files, 1790-2012, Undated, consists of documents from three major areas Apopka, Eatonville, and Ocoee. The documents include articles, historic preservation manuals, land plans, census data, draft registration, and plot summaries.","Series II: Manuscripts, 2006-2009, Undated, consists of manuscripts written by Perrine Slim. The name Perrine Slim was a pseudonym for William Gladden Jr. In this series, there is also an article related to one of the manuscripts.","Series III: Photographs, 1920-Circa. 1950's, Undated, includes several photographs primarily of members of the Boykin family and the Gladden family.","Unpublished manuscripts are protected by copyright. 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Ms. Mundy saw the University of Central Florida John C. Hitt Library as the perfect institution to house her collection. She also wanted to bring more attention and educate the public and students about the African American Legacy. In 2009, the University of Central Florida, honored Ms. Mundy through the Burnett Honors College. Within the pages of pamphlet handed out at the event that day. In the pamphlet it discusses the importance of preserving and educating youth.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Ms. Carol Mundy's mother was an antique dealer and this love that Ms. Mundy had for antiques from a young age helped foster an interest and love of history. Ms. Carol Mundy, a former flight attendant was able to travel the world throughout her career. 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She also wanted to bring more attention and educate the public and students about the African American Legacy. In 2009, the University of Central Florida, honored Ms. Mundy through the Burnett Honors College. Within the pages of pamphlet handed out at the event that day. In the pamphlet it discusses the importance of preserving and educating youth."],"prefercite_html_tesm":["\u003cp\u003eCarol Mundy: African American Legacy Research Files, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Carol Mundy: African American Legacy Research Files, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eWhen the University of Central Florida Special Collection \u0026amp; University Archives received this collection, most of the documents were in three ring binders. Upon receiving the collection the binders were in no particular order and have been organized by city. Some of the documents were put clear sleeves to keep them safe for the time being within the binders. Upon processing this collection, staples, binder clips, and paperclips were removed. The contents that were once in the binders are now housed in acid free folders and boxes.The photographs and the transparency are also housed in clear archival sleeves.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["When the University of Central Florida Special Collection \u0026 University Archives received this collection, most of the documents were in three ring binders. Upon receiving the collection the binders were in no particular order and have been organized by city. Some of the documents were put clear sleeves to keep them safe for the time being within the binders. Upon processing this collection, staples, binder clips, and paperclips were removed. The contents that were once in the binders are now housed in acid free folders and boxes.The photographs and the transparency are also housed in clear archival sleeves."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2009-02\"\u003eAfrican American Legacy: The Carol Mundy Collection, 1794-2010\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["African American Legacy: The Carol Mundy Collection, 1794-2010"],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into 3 series.\u003c/p\u003e\n","\u003cp\u003eSeries I: Research Files, 1790-2012, Undated, consists of documents from three major areas Apopka, Eatonville, and Ocoee. The documents include articles, historic preservation manuals, land plans, census data, draft registration, and plot summaries.\u003c/p\u003e\n","\u003cp\u003eSeries II: Manuscripts, 2006-2009, Undated, consists of manuscripts written by Perrine Slim. The name Perrine Slim was a pseudonym for William Gladden Jr. In this series, there is also an article related to one of the manuscripts.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1920-Circa. 1950's, Undated, includes several photographs primarily of members of the Boykin family and the Gladden family.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["The collection is divided into 3 series.","Series I: Research Files, 1790-2012, Undated, consists of documents from three major areas Apopka, Eatonville, and Ocoee. 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Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a3e726e4ada6767d05cdb00c3da6057b\"\u003eThis research collection primarily looks at African American Legacy in small town Florida, including Eatonville, Apopka, and Ocoee. Through photographs, manuscripts, census data, historic home registers, and so much more; you can dive deep into researching these historic African American cities. Delve into the historic homes and their inhabitance of these historic cities through this collection. The documents in this collection are primarily photocopies, or photographs of original documents. The documents in this collection as a result were printed or created recently.\u003c/abstract\u003e"],"abstract_tesim":["This research collection primarily looks at African American Legacy in small town Florida, including Eatonville, Apopka, and Ocoee. Through photographs, manuscripts, census data, historic home registers, and so much more; you can dive deep into researching these historic African American cities. Delve into the historic homes and their inhabitance of these historic cities through this collection. The documents in this collection are primarily photocopies, or photographs of original documents. The documents in this collection as a result were printed or created recently."],"names_ssim":["UCF Special Collections","Mundy, Carol"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Mundy, Carol"],"persname_ssim":["Mundy, Carol"],"language_ssim":["The materials are written in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":77,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857796524703744,"_root_":"ea10a278e35b143f130f4d56","timestamp":"2026-07-16T08:03:50.193Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ea10a278e35b143f130f4d56_aspace_5702ece64b656f41c588dc824095cb65"}},{"id":"ea10a278e35b143f130f4d56_aspace_b67cd3ac43eac11c92643fe8a1514c45","type":"File","attributes":{"title":"The Ku Klux Klan, and book chapters, 1821-2004, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ea10a278e35b143f130f4d56_aspace_b67cd3ac43eac11c92643fe8a1514c45#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b67cd3ac43eac11c92643fe8a1514c45","ref_ssm":["aspace_b67cd3ac43eac11c92643fe8a1514c45","aspace_b67cd3ac43eac11c92643fe8a1514c45"],"id":"ea10a278e35b143f130f4d56_aspace_b67cd3ac43eac11c92643fe8a1514c45","title_filing_ssi":"The Ku Klux Klan, and book chapters","title_ssm":["The Ku Klux Klan, and book chapters"],"title_tesim":["The Ku Klux Klan, and book chapters"],"unitdate_inclusive_ssm":["1821-2004, Undated"],"normalized_date_ssm":["1821-2004, Undated"],"normalized_title_ssm":["The Ku Klux Klan, and book chapters, 1821-2004, Undated"],"text":["The Ku Klux Klan, and book chapters, 1821-2004, Undated","Carol Mundy: African American Legacy Research Files, 1790-2012","Research Files, 1790-2012, Undated.","Miscellaneous, 1790-2006, Undated","/repositories/4/archival_objects/55954","Box 5","Folder 2"],"component_level_isim":[3],"parent_ids_ssim":["ea10a278e35b143f130f4d56","ea10a278e35b143f130f4d56_aspace_seriesI","ea10a278e35b143f130f4d56_aspace_30c2eb25445e21413926b0f29295a761"],"parent_unittitles_ssm":["Carol Mundy: African American Legacy Research Files, 1790-2012","Research Files, 1790-2012, Undated.","Miscellaneous, 1790-2006, Undated"],"parent_unittitles_tesim":["Carol Mundy: African American Legacy Research Files, 1790-2012","Research Files, 1790-2012, Undated.","Miscellaneous, 1790-2006, Undated"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/55954"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Carol Mundy: African American Legacy Research Files, 1790-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":47,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. 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She also wanted to bring more attention and educate the public and students about the African American Legacy. In 2009, the University of Central Florida, honored Ms. Mundy through the Burnett Honors College. Within the pages of pamphlet handed out at the event that day. In the pamphlet it discusses the importance of preserving and educating youth."],"prefercite_html_tesm":["\u003cp\u003eCarol Mundy: African American Legacy Research Files, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Carol Mundy: African American Legacy Research Files, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eWhen the University of Central Florida Special Collection \u0026amp; University Archives received this collection, most of the documents were in three ring binders. 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The contents that were once in the binders are now housed in acid free folders and boxes.The photographs and the transparency are also housed in clear archival sleeves."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2009-02\"\u003eAfrican American Legacy: The Carol Mundy Collection, 1794-2010\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["African American Legacy: The Carol Mundy Collection, 1794-2010"],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into 3 series.\u003c/p\u003e\n","\u003cp\u003eSeries I: Research Files, 1790-2012, Undated, consists of documents from three major areas Apopka, Eatonville, and Ocoee. 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Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a3e726e4ada6767d05cdb00c3da6057b\"\u003eThis research collection primarily looks at African American Legacy in small town Florida, including Eatonville, Apopka, and Ocoee. Through photographs, manuscripts, census data, historic home registers, and so much more; you can dive deep into researching these historic African American cities. Delve into the historic homes and their inhabitance of these historic cities through this collection. The documents in this collection are primarily photocopies, or photographs of original documents. The documents in this collection as a result were printed or created recently.\u003c/abstract\u003e"],"abstract_tesim":["This research collection primarily looks at African American Legacy in small town Florida, including Eatonville, Apopka, and Ocoee. Through photographs, manuscripts, census data, historic home registers, and so much more; you can dive deep into researching these historic African American cities. Delve into the historic homes and their inhabitance of these historic cities through this collection. The documents in this collection are primarily photocopies, or photographs of original documents. The documents in this collection as a result were printed or created recently."],"names_ssim":["UCF Special Collections","Mundy, Carol"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Mundy, Carol"],"persname_ssim":["Mundy, Carol"],"language_ssim":["The materials are written in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":77,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857796524703744,"_root_":"ea10a278e35b143f130f4d56","timestamp":"2026-07-16T08:03:50.193Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ea10a278e35b143f130f4d56_aspace_b67cd3ac43eac11c92643fe8a1514c45"}},{"id":"ea10a278e35b143f130f4d56_aspace_20c4a86b720660477aac9aed4cef2f14","type":"File","attributes":{"title":"The Ku Klux Klan, Lynching's, and the Federal Bureau of Investigations, 1867-1952, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ea10a278e35b143f130f4d56_aspace_20c4a86b720660477aac9aed4cef2f14#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_20c4a86b720660477aac9aed4cef2f14","ref_ssm":["aspace_20c4a86b720660477aac9aed4cef2f14","aspace_20c4a86b720660477aac9aed4cef2f14"],"id":"ea10a278e35b143f130f4d56_aspace_20c4a86b720660477aac9aed4cef2f14","title_filing_ssi":"The Ku Klux Klan, Lynching's, and the Federal Bureau of Investigations","title_ssm":["The Ku Klux Klan, Lynching's, and the Federal Bureau of Investigations"],"title_tesim":["The Ku Klux Klan, Lynching's, and the Federal Bureau of Investigations"],"unitdate_inclusive_ssm":["1867-1952, Undated"],"normalized_date_ssm":["1867-1952, Undated"],"normalized_title_ssm":["The Ku Klux Klan, Lynching's, and the Federal Bureau of Investigations, 1867-1952, Undated"],"text":["The Ku Klux Klan, Lynching's, and the Federal Bureau of Investigations, 1867-1952, Undated","Carol Mundy: African American Legacy Research Files, 1790-2012","Research Files, 1790-2012, Undated.","Miscellaneous, 1790-2006, Undated","/repositories/4/archival_objects/55955","Box 5","Folder 3"],"component_level_isim":[3],"parent_ids_ssim":["ea10a278e35b143f130f4d56","ea10a278e35b143f130f4d56_aspace_seriesI","ea10a278e35b143f130f4d56_aspace_30c2eb25445e21413926b0f29295a761"],"parent_unittitles_ssm":["Carol Mundy: African American Legacy Research Files, 1790-2012","Research Files, 1790-2012, Undated.","Miscellaneous, 1790-2006, Undated"],"parent_unittitles_tesim":["Carol Mundy: African American Legacy Research Files, 1790-2012","Research Files, 1790-2012, Undated.","Miscellaneous, 1790-2006, Undated"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/55955"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Carol Mundy: African American Legacy Research Files, 1790-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":48,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952],"containers_ssim":["Box 5","Folder 3"],"_nest_path_":"/components#0/components#3/components#11","_nest_parent_":"ea10a278e35b143f130f4d56_aspace_30c2eb25445e21413926b0f29295a761","_root_":"ea10a278e35b143f130f4d56","_version_":1870857796524703744,"timestamp":"2026-07-16T08:03:50.193Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ea10a278e35b143f130f4d56","title_ssm":["Carol Mundy: African American Legacy Research Files"],"title_tesim":["Carol Mundy: African American Legacy Research Files"],"ead_ssi":"ea10a278e35b143f130f4d56","unitdate_ssm":["1790-2012"],"unitdate_inclusive_ssm":["1790-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.121","/repositories/4/resources/220"],"text":["SC.121","/repositories/4/resources/220","Carol Mundy: African American Legacy Research Files, 1790-2012","Apopka (Fla.)--History","Ocoee (Fla.)--History","Eatonville (Fla.)--History","African Americans","African Americans -- Florida -- History","manuscripts (documents)","photographs","The entire collection is open for research.","Ms. Carol Mundy's mother was an antique dealer and this love that Ms. Mundy had for antiques from a young age helped foster an interest and love of history. 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Hitt Library as the perfect institution to house her collection. She also wanted to bring more attention and educate the public and students about the African American Legacy. In 2009, the University of Central Florida, honored Ms. Mundy through the Burnett Honors College. Within the pages of pamphlet handed out at the event that day. In the pamphlet it discusses the importance of preserving and educating youth.","When the University of Central Florida Special Collection \u0026 University Archives received this collection, most of the documents were in three ring binders. Upon receiving the collection the binders were in no particular order and have been organized by city. Some of the documents were put clear sleeves to keep them safe for the time being within the binders. Upon processing this collection, staples, binder clips, and paperclips were removed. The contents that were once in the binders are now housed in acid free folders and boxes.The photographs and the transparency are also housed in clear archival sleeves.","African American Legacy: The Carol Mundy Collection, 1794-2010","The collection is divided into 3 series.","Series I: Research Files, 1790-2012, Undated, consists of documents from three major areas Apopka, Eatonville, and Ocoee. The documents include articles, historic preservation manuals, land plans, census data, draft registration, and plot summaries.","Series II: Manuscripts, 2006-2009, Undated, consists of manuscripts written by Perrine Slim. The name Perrine Slim was a pseudonym for William Gladden Jr. In this series, there is also an article related to one of the manuscripts.","Series III: Photographs, 1920-Circa. 1950's, Undated, includes several photographs primarily of members of the Boykin family and the Gladden family.","Unpublished manuscripts are protected by copyright. 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She also wanted to bring more attention and educate the public and students about the African American Legacy. In 2009, the University of Central Florida, honored Ms. Mundy through the Burnett Honors College. Within the pages of pamphlet handed out at the event that day. In the pamphlet it discusses the importance of preserving and educating youth."],"prefercite_html_tesm":["\u003cp\u003eCarol Mundy: African American Legacy Research Files, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Carol Mundy: African American Legacy Research Files, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eWhen the University of Central Florida Special Collection \u0026amp; University Archives received this collection, most of the documents were in three ring binders. 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The contents that were once in the binders are now housed in acid free folders and boxes.The photographs and the transparency are also housed in clear archival sleeves."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2009-02\"\u003eAfrican American Legacy: The Carol Mundy Collection, 1794-2010\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["African American Legacy: The Carol Mundy Collection, 1794-2010"],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into 3 series.\u003c/p\u003e\n","\u003cp\u003eSeries I: Research Files, 1790-2012, Undated, consists of documents from three major areas Apopka, Eatonville, and Ocoee. The documents include articles, historic preservation manuals, land plans, census data, draft registration, and plot summaries.\u003c/p\u003e\n","\u003cp\u003eSeries II: Manuscripts, 2006-2009, Undated, consists of manuscripts written by Perrine Slim. The name Perrine Slim was a pseudonym for William Gladden Jr. In this series, there is also an article related to one of the manuscripts.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1920-Circa. 1950's, Undated, includes several photographs primarily of members of the Boykin family and the Gladden family.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["The collection is divided into 3 series.","Series I: Research Files, 1790-2012, Undated, consists of documents from three major areas Apopka, Eatonville, and Ocoee. The documents include articles, historic preservation manuals, land plans, census data, draft registration, and plot summaries.","Series II: Manuscripts, 2006-2009, Undated, consists of manuscripts written by Perrine Slim. The name Perrine Slim was a pseudonym for William Gladden Jr. In this series, there is also an article related to one of the manuscripts.","Series III: Photographs, 1920-Circa. 1950's, Undated, includes several photographs primarily of members of the Boykin family and the Gladden family."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a3e726e4ada6767d05cdb00c3da6057b\"\u003eThis research collection primarily looks at African American Legacy in small town Florida, including Eatonville, Apopka, and Ocoee. Through photographs, manuscripts, census data, historic home registers, and so much more; you can dive deep into researching these historic African American cities. Delve into the historic homes and their inhabitance of these historic cities through this collection. The documents in this collection are primarily photocopies, or photographs of original documents. The documents in this collection as a result were printed or created recently.\u003c/abstract\u003e"],"abstract_tesim":["This research collection primarily looks at African American Legacy in small town Florida, including Eatonville, Apopka, and Ocoee. 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The documents in this collection as a result were printed or created recently."],"names_ssim":["UCF Special Collections","Mundy, Carol"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Mundy, Carol"],"persname_ssim":["Mundy, Carol"],"language_ssim":["The materials are written in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":77,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857796524703744,"_root_":"ea10a278e35b143f130f4d56","timestamp":"2026-07-16T08:03:50.193Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ea10a278e35b143f130f4d56_aspace_20c4a86b720660477aac9aed4cef2f14"}},{"id":"78d91059a06a44bf17a1497c_aspace_259f3acc63fb0171de85505bc4f4d744","type":"Item","attributes":{"title":"The Ledger Monthly, 1901-03","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/78d91059a06a44bf17a1497c_aspace_259f3acc63fb0171de85505bc4f4d744#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_259f3acc63fb0171de85505bc4f4d744","ref_ssm":["aspace_259f3acc63fb0171de85505bc4f4d744","aspace_259f3acc63fb0171de85505bc4f4d744"],"id":"78d91059a06a44bf17a1497c_aspace_259f3acc63fb0171de85505bc4f4d744","title_filing_ssi":"The Ledger Monthly","title_ssm":["The Ledger Monthly"],"title_tesim":["The Ledger Monthly"],"unitdate_other_ssim":["1901-03"],"normalized_date_ssm":["1901-03"],"normalized_title_ssm":["The Ledger Monthly, 1901-03"],"text":["The Ledger Monthly, 1901-03","Florida graphics collection, 1850-1990","Florida tourism graphics","Item 2","/repositories/2/archival_objects/219520","folder 6","Item 2"],"component_level_isim":[2],"parent_ids_ssim":["78d91059a06a44bf17a1497c","78d91059a06a44bf17a1497c_aspace_1947e736cb0055d972b069ad72346354"],"parent_unittitles_ssm":["Florida graphics collection, 1850-1990","Florida tourism graphics"],"parent_unittitles_tesim":["Florida graphics collection, 1850-1990","Florida tourism graphics"],"parent_levels_ssm":["collection","File"],"unitid_ssm":["Item 2","/repositories/2/archival_objects/219520"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Florida graphics collection, 1850-1990"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":71,"parent_access_restrict_tesm":["None."],"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1901],"containers_ssim":["folder 6","Item 2"],"_nest_path_":"/components#5/components#1","_nest_parent_":"78d91059a06a44bf17a1497c_aspace_1947e736cb0055d972b069ad72346354","_root_":"78d91059a06a44bf17a1497c","_version_":1878381911072571392,"timestamp":"2026-10-07T09:16:24.990Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"78d91059a06a44bf17a1497c","title_ssm":["Florida graphics collection"],"title_tesim":["Florida graphics collection"],"ead_ssi":"78d91059a06a44bf17a1497c","unitdate_ssm":["1850-1990"],"unitdate_inclusive_ssm":["1850-1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2023-05","/repositories/2/resources/624"],"text":["MS-2023-05","/repositories/2/resources/624","Florida graphics collection, 1850-1990","Florida -- Description and travel","Spanish-American War, 1898","Architecture, Domestic -- Designs and plans","None.","Materials in this collection are arranged by topic.","This collection contains assorted over-sized illustrations and graphics for a number of topics of Florida's history. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["uknown","unknown"],"access_subjects_ssim":["Paper."],"access_subjects_ssm":["Paper."],"has_online_content_ssim":["false"],"extent_ssm":["22.70 Linear Feet"],"extent_tesim":["22.70 Linear Feet"],"genreform_ssim":["Paper."],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"arrangement_html_tesm":["\u003cp\u003eChronological, then alphabetical.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Chronological, then alphabetical."],"prefercite_html_tesm":["\u003cp\u003eThe Maurice Givens Papers, Special Collections, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1974-010\u003c/p\u003e"],"prefercite_tesim":["The Maurice Givens Papers, Special Collections, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1974-010"],"scopecontent_html_tesm":["\u003cp\u003eThe Maurice Givens papers are a collection of manuscripts dating from as early as 1885 up until 1969. Beginning with his education, Givens attended Yale University in the 1900s, from where he later graduated with his PhD in 1917. He began as an instructor in biochemistry at Cornell University from 1909-1914. He also worked as an assistant in the U.S Department of Public Health Service where he conducted various experiments that aided the government with food safety. He then went to The University of Rochester to work as an assistant professor of biochemistry. From 1919 to 1921 he was the chief biochemist for the Western Pennsylvania Hospital in Pittsburg. Lastly from 1921 to 1943 he worked as the Chief Biochemist at the Western Yeast Company, where he performed countless experiments using yeast foam tablets. In all the papers highlight Dr. Maurice Given's career as a biochemical doctor who was successful with working in the academic sphere. In the 1950s he was also known for his orange growing business . During this time he developed a chemical preservative that increased the shelf life of oranges, allowing orange growers to ship Florida oranges across the country for the first time without fear of rotting.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Maurice Givens papers are a collection of manuscripts dating from as early as 1885 up until 1969. Beginning with his education, Givens attended Yale University in the 1900s, from where he later graduated with his PhD in 1917. He began as an instructor in biochemistry at Cornell University from 1909-1914. He also worked as an assistant in the U.S Department of Public Health Service where he conducted various experiments that aided the government with food safety. He then went to The University of Rochester to work as an assistant professor of biochemistry. From 1919 to 1921 he was the chief biochemist for the Western Pennsylvania Hospital in Pittsburg. Lastly from 1921 to 1943 he worked as the Chief Biochemist at the Western Yeast Company, where he performed countless experiments using yeast foam tablets. In all the papers highlight Dr. Maurice Given's career as a biochemical doctor who was successful with working in the academic sphere. In the 1950s he was also known for his orange growing business . During this time he developed a chemical preservative that increased the shelf life of oranges, allowing orange growers to ship Florida oranges across the country for the first time without fear of rotting."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast, or otherwise reproduced from manuscripts must be submitted in writing to the Director of University Libraries. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast, or otherwise reproduced from manuscripts must be submitted in writing to the Director of University Libraries. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a9fd8bac3ea672770332c755125a96bd\" label=\"Abstract\"\u003eThe Maurice Givens papers are a collection of manuscripts, research, notebooks, experiment results, and academic course work with a variety of professional and personal correspondence.\u003c/abstract\u003e"],"abstract_tesim":["The Maurice Givens papers are a collection of manuscripts, research, notebooks, experiment results, and academic course work with a variety of professional and personal correspondence."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870859423566528512,"_root_":"f1f7eb24884910f8a3338916","timestamp":"2026-07-16T08:29:41.781Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f1f7eb24884910f8a3338916"}},{"id":"9b1a44caeacea9fdc5f72fbb","type":"collection","attributes":{"title":"Theodore Pratt Collection, 1901-2025","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/9b1a44caeacea9fdc5f72fbb#creator","type":"document_value","attributes":{"value":["Theodore Pratt"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/9b1a44caeacea9fdc5f72fbb#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cblockquote\u003eFlorida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs. In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet. Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle. In 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work.\u003c/blockquote\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9b1a44caeacea9fdc5f72fbb#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"9b1a44caeacea9fdc5f72fbb","title_ssm":["Theodore Pratt Collection"],"title_tesim":["Theodore Pratt Collection"],"ead_ssi":"9b1a44caeacea9fdc5f72fbb","unitdate_ssm":["1901-2025"],"unitdate_inclusive_ssm":["1901-2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00022","/repositories/2/resources/154"],"text":["SPC00022","/repositories/2/resources/154","Theodore Pratt Collection, 1901-2025","Pratt, Theodore, 1901-1969"," Florida -- Fiction"," Palm Beach (Fla.)","Florida -- In literature","Novelists, American -- 20th century ","Pratt, Theodore, 1901- Barefoot mailman"," Pratt, Theodore, 1901- Flame tree"," Fiction"," Mystery fiction","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2011, this collection processed by Jaclyn M. Nowak, Kerline Dameus, Teresa Van Dyke and Victoria Thur. Additional materials added by Robert Feeney.","Florida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs.  In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","Theodore Pratt","Taylor Hagood","English"],"unitid_tesim":["SPC00022","/repositories/2/resources/154"],"normalized_date_ssm":["1901-2025"],"normalized_title_ssm":["Theodore Pratt Collection, 1901-2025"],"collection_title_tesim":["Theodore Pratt Collection, 1901-2025"],"collection_ssim":["Theodore Pratt Collection, 1901-2025"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"creator_ssm":["Theodore Pratt","Taylor Hagood"],"creator_ssim":["Theodore Pratt","Taylor Hagood"],"creator_persname_ssim":["Theodore Pratt","Taylor Hagood"],"creators_ssim":["Theodore Pratt","Taylor Hagood"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["Pratt, Theodore, 1901-1969"," Florida -- Fiction"," Palm Beach (Fla.)","Florida -- In literature","Novelists, American -- 20th century ","Pratt, Theodore, 1901- Barefoot mailman"," Pratt, Theodore, 1901- Flame tree"," Fiction"," Mystery fiction"],"access_subjects_ssm":["Pratt, Theodore, 1901-1969"," Florida -- Fiction"," Palm Beach (Fla.)","Florida -- In literature","Novelists, American -- 20th century ","Pratt, Theodore, 1901- Barefoot mailman"," Pratt, Theodore, 1901- Flame tree"," Fiction"," Mystery fiction"],"has_online_content_ssim":["false"],"extent_ssm":["72.00 Linear Feet"],"extent_tesim":["72.00 Linear Feet"],"genreform_ssim":[" Fiction"," Mystery fiction"],"date_range_isim":[1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2011, this collection processed by Jaclyn M. Nowak, Kerline Dameus, Teresa Van Dyke and Victoria Thur. Additional materials added by Robert Feeney.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2011, this collection processed by Jaclyn M. Nowak, Kerline Dameus, Teresa Van Dyke and Victoria Thur. Additional materials added by Robert Feeney."],"scopecontent_html_tesm":["\u003cblockquote\u003eFlorida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs.  In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work.\u003c/blockquote\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Florida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs.  In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries","Theodore Pratt","Taylor Hagood"],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["Theodore Pratt","Taylor Hagood"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4096,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841986919956480,"_root_":"9b1a44caeacea9fdc5f72fbb","timestamp":"2026-07-16T03:52:32.760Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9b1a44caeacea9fdc5f72fbb","title_ssm":["Theodore Pratt Collection"],"title_tesim":["Theodore Pratt Collection"],"ead_ssi":"9b1a44caeacea9fdc5f72fbb","unitdate_ssm":["1901-2025"],"unitdate_inclusive_ssm":["1901-2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00022","/repositories/2/resources/154"],"text":["SPC00022","/repositories/2/resources/154","Theodore Pratt Collection, 1901-2025","Pratt, Theodore, 1901-1969"," Florida -- Fiction"," Palm Beach (Fla.)","Florida -- In literature","Novelists, American -- 20th century ","Pratt, Theodore, 1901- Barefoot mailman"," Pratt, Theodore, 1901- Flame tree"," Fiction"," Mystery fiction","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2011, this collection processed by Jaclyn M. Nowak, Kerline Dameus, Teresa Van Dyke and Victoria Thur. Additional materials added by Robert Feeney.","Florida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs.  In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","Theodore Pratt","Taylor Hagood","English"],"unitid_tesim":["SPC00022","/repositories/2/resources/154"],"normalized_date_ssm":["1901-2025"],"normalized_title_ssm":["Theodore Pratt Collection, 1901-2025"],"collection_title_tesim":["Theodore Pratt Collection, 1901-2025"],"collection_ssim":["Theodore Pratt Collection, 1901-2025"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"creator_ssm":["Theodore Pratt","Taylor Hagood"],"creator_ssim":["Theodore Pratt","Taylor Hagood"],"creator_persname_ssim":["Theodore Pratt","Taylor Hagood"],"creators_ssim":["Theodore Pratt","Taylor Hagood"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["Pratt, Theodore, 1901-1969"," Florida -- Fiction"," Palm Beach (Fla.)","Florida -- In literature","Novelists, American -- 20th century ","Pratt, Theodore, 1901- Barefoot mailman"," Pratt, Theodore, 1901- Flame tree"," Fiction"," Mystery fiction"],"access_subjects_ssm":["Pratt, Theodore, 1901-1969"," Florida -- Fiction"," Palm Beach (Fla.)","Florida -- In literature","Novelists, American -- 20th century ","Pratt, Theodore, 1901- Barefoot mailman"," Pratt, Theodore, 1901- Flame tree"," Fiction"," Mystery fiction"],"has_online_content_ssim":["false"],"extent_ssm":["72.00 Linear Feet"],"extent_tesim":["72.00 Linear Feet"],"genreform_ssim":[" Fiction"," Mystery fiction"],"date_range_isim":[1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2011, this collection processed by Jaclyn M. Nowak, Kerline Dameus, Teresa Van Dyke and Victoria Thur. Additional materials added by Robert Feeney.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2011, this collection processed by Jaclyn M. Nowak, Kerline Dameus, Teresa Van Dyke and Victoria Thur. Additional materials added by Robert Feeney."],"scopecontent_html_tesm":["\u003cblockquote\u003eFlorida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs.  In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work.\u003c/blockquote\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Florida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs.  In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries","Theodore Pratt","Taylor Hagood"],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["Theodore Pratt","Taylor Hagood"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4096,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841986919956480,"_root_":"9b1a44caeacea9fdc5f72fbb","timestamp":"2026-07-16T03:52:32.760Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9b1a44caeacea9fdc5f72fbb"}},{"id":"7e7730d0a16959bd1212da48_aspace_70759","type":"Item","attributes":{"title":"The Southern Cross of Honor, Circa 1899-1903","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7e7730d0a16959bd1212da48_aspace_70759#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_70759","ref_ssm":["aspace_70759","aspace_70759"],"id":"7e7730d0a16959bd1212da48_aspace_70759","title_filing_ssi":"The Southern Cross of Honor","title_ssm":["The Southern Cross of Honor"],"title_tesim":["The Southern Cross of Honor"],"unitdate_inclusive_ssm":["Circa 1899-1903"],"normalized_date_ssm":["Circa 1899-1903"],"normalized_title_ssm":["The Southern Cross of Honor, Circa 1899-1903"],"text":["The Southern Cross of Honor, Circa 1899-1903","United Daughters of the Confederacy Medal Collection, 1899-1968","United Daughters of the Confederacy Medal Collection, Circa 1899-1968","Item 1","/repositories/4/archival_objects/3680","box 1","object 1"],"component_level_isim":[2],"parent_ids_ssim":["7e7730d0a16959bd1212da48","7e7730d0a16959bd1212da48_aspace_70757"],"parent_unittitles_ssm":["United Daughters of the Confederacy Medal Collection, 1899-1968","United Daughters of the Confederacy Medal Collection, Circa 1899-1968"],"parent_unittitles_tesim":["United Daughters of the Confederacy Medal Collection, 1899-1968","United Daughters of the Confederacy Medal Collection, Circa 1899-1968"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Item 1","/repositories/4/archival_objects/3680"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["United Daughters of the Confederacy Medal Collection, 1899-1968"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1899,1900,1901,1902,1903],"containers_ssim":["box 1","object 1"],"_nest_path_":"/components#0/components#0","_nest_parent_":"7e7730d0a16959bd1212da48_aspace_70757","_root_":"7e7730d0a16959bd1212da48","timestamp":"2026-07-08T02:56:07.473Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"7e7730d0a16959bd1212da48","title_ssm":["United Daughters of the Confederacy Medal Collection"],"title_tesim":["United Daughters of the Confederacy Medal Collection"],"ead_ssi":"7e7730d0a16959bd1212da48","unitdate_ssm":["1899-1968"],"unitdate_inclusive_ssm":["1899-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.015","/repositories/4/resources/14"],"text":["SC.015","/repositories/4/resources/14","United Daughters of the Confederacy Medal Collection, 1899-1968","Philippines -- History -- Philippine American War, 1899-1902","United States -- History -- Civil War, 1861-1865","Korean War, 1950-1953","Veterans--Confederate States of America","World War, 1914-1918 -- Medals, badges, decorations, etc.","World War, 1939-1945 -- Medals, badges, decorations, etc.","Vietnam War, 1961-1975 -- Medals","The entire collection is open for research.","The collection is arranged in the same way it was originally displayed in the shadow box.","Mrs. Mary Ann Lamar Erwin, the wife of Confederate Captain Alexander S. Erwin, was inspired by the July 20-23, 1898 Confederate Reunion at Atlanta, Georgia to honor Confederate veterans for their service. Mrs. Erwin and Mrs. Sarah E. Gabbett are credited with designing the Southern Cross of Honor. Charles W. Crankshaw of Atlanta, Georgia was chosen as the manufacturer. Crankshaw was a reputable jeweler in the Atlanta region, but he subcontracted Schwaab Stamp \u0026 Seal Company of Milwaukee, Wisconsin to meet the order of 12,500 medals. The crosses that bore Crankshaw's name were actually struck by Schwaab. The medal was presented at the Sixth United Daughters of the Confederacy Convention in 1899. The first cross was bestowed to Captain Alexander S. Erwin on April 26, 1900. Later, the United Daughters of the Confederacy fired the Schwaab Stamp \u0026 Seal Company for striking the 1902-1903 convention badges that appropriated much of the Cross of Honor design without authorization. In 1904, the Daughters hired The Whitehead \u0026 Hoag Company of Newark, New Jersey to produce the medal. In all, 78,761 were produced from 1900 to 1959. The medal in the collection is one from the Crankshaw-Schwaab era (1900-1903), but it may be among the first medals because it has a pinback. It was a feature among the first medals struck.","The badge that commemorates the Twenty-Fourth Annual Reunion of United Confederate Veterans was presented to those who attended the event that took place between May 6-8, 1914 at Jacksonville, Florida. It was produced by the The Whitehead \u0026 Hoag Company of Newark, New Jersey.","\nIn 1918, World War I began and the United Daughters of the Confederacy entered into War Relief work. It was asked of each chapter keep records of all those of Confederate lineage who had enlisted in WWI as in hopes of one day honoring their service. During the Twenty-Fifth Annual Meeting that was held between April 1-5, 1919 in Louisville, Kentucky, Mary B. Poppenheim, the President-General of the United Daughters of the Confederacy, suggested a committee be created. Its purpose would be to explore the \"practicability\" of awarding veterans of the American Expeditionary Forces that were descendants of Confederates \"a suitable medal\" that was comparable to the Southern Cross of Honor. The suggestion was given to her by Major Wallace Streater, an officer in the A.E.F. of Confederate descent. The Convention adopted the resolution and the motion was carried.","\nThe Committee on Insignia for Confederate Descendants of the World War was created at the Twenty Fifth Convention and Mrs. W.B. Scarborough became the head of the committee. They would make their first report at a convention at Tampa, Florida on November 15, 1919. At the Twenty-Seventh Annual Meeting that was held from November 8-12, 1921 at St. Louis, Missouri, the Committee was tasked to find an artist for the medal. At the Twenty-Eighth Annual Meeting that was held from November 14-18, 1922 at Birmingham, Alabama, the Committee reported that they had taken the recommendation from the Numismatic Society of New York to select Chester Beach to design the medal and the Convention approved the motion. The Committee was authorized to order of 5,000 medals. The Medallic Art Company in New York was chosen to produce the orders.","\nThursday afternoon, November 22, 1923, a cross marked by a circle as its number, was placed on the tomb of the Unknown Soldier in Arlington, and that same evening the first two were presented to Major General Robert Lee Bullard and to Major Wallace Streater.","\nDuring Thirty-Third Annual Convention that took place in Richmond, Virginia from November 16-20, 1926, Ms. Mary Lou Gordon White of Tennessee suggested veterans of the Spanish-American War have an award similar to the Cross of Military Service with similar guidelines. At the Thirty-Fourth Annual Convention held in Charleston, South Carolina from November 15 to 19, 1927, the idea was formally approved by the Executive Committee. At the Thirty-Fifth Annual Convention held from November 20-24, 1928 at Houston, Texas, a committee was approved to prepare the rules of bestowal and recommend a design of the medal.","\nMrs. Julia N. Streater, wife of Major Wallace Streater, was the chairman of the committee and submitted a report at the Thirty-Sixth Annual Convention that was held from November 19-23, 1929 at Biloxi, Mississippi. Mrs. Streater's report stated they had consulted Major A. H. Dondero of the U.S. Army Officers Reserve Corps on the design of the medal and estimated that there were 5,000 to 6,000 eligible veterans. The Committee report also suggested that veterans of the \"Cuban Pacification\" and the \"Philippine Insurrection\" be accommodated for their service. After a small debate on whether to include the \"Cuban Pacification\" and \"Philippine Insurrection\" for the same decoration or not, the report and its recommendation were adopted, seconded, and carried by the Convention.","\nAt the Thirty-Seventh Annual Convention that was held from November 18-22, 1930 at Asheville, North Carolina, The Committee submitted a report that advised separate medals be created for the Philippine Insurrection and/or the Cuban Pacification veterans after consultations with experts. The Convention adopted these recommendations and 200 Philippine Insurrection Crosses of Military Service were ordered. The Medallic Art Company produced the crosses. The very first recipient was Major J. Russell Ingram of Florida at the Thirty-Eighth Annual Convention at Jacksonville, Florida in November 17-21, 1931.","\nAt the Forty-Ninth Annual Convention held at St. Louis, Missouri from November 4-6, 1942, President-General Eloise W. Wright recommended a committee be created for the purpose creating a medal for veterans of the Second World War who were descendants of Confederates. Mrs. McFarland of Texas moved the recommendation for adoption, seconded by Mrs. Merchant, and the recommendation was carried.\n    \n    \nDuring the Fiftieth Annual Convention that took place from November 18-21, 1943 at Columbus, Ohio, the Chairman of the Committee for Securing a Military Cross for World War No. 2, Mrs. Katherine Robinson Everett, reported she had contacted Chester A. Beach regarding the design of the medal and Clyde C. Trees, the president of Medallic Art Company, regarding the production of the medal. Mrs. Merchant motioned for the recommendation of Mr. Beach's design, the Medallic Art Company produce the medal, and obtaining permission by the U.S. Government to produce the medal as the allocation of metals were for the war effort. After an argument between members at the convention regarding the medal, Mrs. Woodbury moved the decision be made at a future date and Mrs. Merchant withdrew her recommendation. Mrs. Schuyler seconded Mrs. Woodbury's motion and it was carried.","\nDuring the Fifty-First Annual Convention that took place from November 21-24, 1944 at Nashville, Tennessee, President-General Mary Hadley Woodard reported the past difficulties to unable to produce Crosses of Military Service due to restrictions on the use of metals by the Federal government because of the allocation of metals to be used for the war effort. Mrs. Woodard was confident with the war's end \"imminent,\" restrictions would be lifted. Mrs. Everett, Chairman of the Committee on Cross of Military Service - World War No. 2, reported six design choices for the cross and the recommendation of Chester A. Beach as well as sculptor Roger Noble Burnham to use the Medallic Art Company to produce the cross. It was decided that the Committee and the Executive Board choose the design.","\nDuring the Fifty-Second Annual Convention that took place from November 21-23, 1945 at Houston, Texas, President-General Woodard reported with regulations lifted on metals on July 1, 1945, negotiations with the Medallic Art Company began with order of 5,000 medals. However, the company reported back with there would be delay due to the need for materials to produce the medals. A sketch of the final design of the cross was available for viewing at the convention. During the Fifty-Third Annual Convention that took place from November 18-23, 1946 at Jackson, Mississippi, Mrs. Cecil Brawley Long, Custodian of Crosses of Honor and Service, reported distribution of the crosses had begun and Lieutenant Commander Spencer Downs Wright was the first recipient.","\nDuring the Fifty-Eighth Annual Convention that took place November 7-9, 1951, in Asheville, North Carolina, Recorder-General of Crosses of Honor and Service Liza Ellen Carpenter recommended the Medallic Art Company be authorized to set aside bronze for 3,000 Korean War Crosses of Military Service. At the Fifty-Ninth Annual Convention that took place November 9-13, 1952 in Biloxi, Mississippi, this recommendation was changed from 3,000 to 1,000 and be ordered in lots of 250 twice a year. This extended the final payment to two years from the first shipment. The recommendation was seconded and adopted. At the Sixtieth Annual Convention that took place November 8-12, 1953 in Washington, D.C., the first cross was given to Captain James Cornelius Ruddell, Jr., and was awarded posthumously.","\nThe Vietnam Cross was presented for the first time in 1968 at the Annual Convention in Richmond, Virginia. The first three crosses were presented to General William C. Westmoreland, Lieutenant Colonel John L. Heiss, III, and to Major James Ewell Brown Stuart, IV.","The set of medals were donated by the United Daughters of the Confederacy Jefferson Davis Chapter No. 2173 by President Mrs. Gwen Hadden, and Mrs. Robert E. Drake, the Recorder of Crosses, to the University of Central Florida Associate Dean of Library Development, Dr. W. Rex Brown, and the University of Central Florida Director of Libraries, Anne Marie Allison, during a presentation ceremony that took place May 24, 1988 at the University of Central Florida Library Special Collections Room.","The medals were placed in a shadow box that included incscriptions of the medals. In 2017, Book Conservator Christopher Saclolo removed the medals from the shadow box and the medals were transferred to a more archival appropriate box. The finding aid was created by Steven Trelstad in 2017.","African American Legacy: The Carol Mundy Collection, 1794-2010","William D. Chapman Collection, 1865, 1975","John O. Moench Collection, Circa 1861-1865","United Daughters of the Confederacy Medal Collection, Circa 1899-1968, consists of a set of bronze medals donated by the Jefferson Davis Chapter No. 2173 of the United Daughters of the Confederacy that include the Southern Cross of Honor, five Crosses of Military Service from World War I to the Vietnam War, and a badge from the Twenty-Fourth Annual Convention of the United Confederate Veterans.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The collection contains six bronze medals and one badge from the United Daughters of the Confederacy. The medals were created to honor either Confederate veterans for their service in the Confederate Armed Forces or their descendants who served in the United States military during the Philippine Insurrection (1899-1902), World War I (1917-1918), World War II (1941-1945), the Korean War (1950-1953), and the Vietnam War (1955-1975). The badge commemorates the Twenty-Fourth Annual United Confederate Veterans Reunion in 1914 and was given those in attendance.","UCF Special Collections","United Confederate Veterans","United Daughters of the Confederacy. Jefferson Davis Chapter No. 2173 (Orlando, Fla.)","United Daughters of the Confederacy -- Medals","English"],"unitid_tesim":["SC.015","/repositories/4/resources/14"],"normalized_date_ssm":["1899-1968"],"normalized_title_ssm":["United Daughters of the Confederacy Medal Collection, 1899-1968"],"collection_title_tesim":["United Daughters of the Confederacy Medal Collection, 1899-1968"],"collection_ssim":["United Daughters of the Confederacy Medal Collection, 1899-1968"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Philippines -- History -- Philippine American War, 1899-1902","United States -- History -- Civil War, 1861-1865"],"geogname_ssim":["Philippines -- History -- Philippine American War, 1899-1902","United States -- History -- Civil War, 1861-1865"],"places_ssim":["Philippines -- History -- Philippine American War, 1899-1902","United States -- History -- Civil War, 1861-1865"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Jefferson Davis Chapter No. 2173 of the United Daughters of the Confederacy donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 1988 (CFM1988_01)."],"access_subjects_ssim":["Korean War, 1950-1953","Veterans--Confederate States of America","World War, 1914-1918 -- Medals, badges, decorations, etc.","World War, 1939-1945 -- Medals, badges, decorations, etc.","Vietnam War, 1961-1975 -- Medals"],"access_subjects_ssm":["Korean War, 1950-1953","Veterans--Confederate States of America","World War, 1914-1918 -- Medals, badges, decorations, etc.","World War, 1939-1945 -- Medals, badges, decorations, etc.","Vietnam War, 1961-1975 -- Medals"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet 1 Box"],"extent_tesim":["1.25 Linear Feet 1 Box"],"date_range_isim":[1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in the same way it was originally displayed in the shadow box.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged in the same way it was originally displayed in the shadow box."],"bioghist_html_tesm":["\u003cp\u003eMrs. Mary Ann Lamar Erwin, the wife of Confederate Captain Alexander S. Erwin, was inspired by the July 20-23, 1898 Confederate Reunion at Atlanta, Georgia to honor Confederate veterans for their service. Mrs. Erwin and Mrs. Sarah E. Gabbett are credited with designing the Southern Cross of Honor. Charles W. Crankshaw of Atlanta, Georgia was chosen as the manufacturer. Crankshaw was a reputable jeweler in the Atlanta region, but he subcontracted Schwaab Stamp \u0026amp; Seal Company of Milwaukee, Wisconsin to meet the order of 12,500 medals. The crosses that bore Crankshaw's name were actually struck by Schwaab. The medal was presented at the Sixth United Daughters of the Confederacy Convention in 1899. The first cross was bestowed to Captain Alexander S. Erwin on April 26, 1900. Later, the United Daughters of the Confederacy fired the Schwaab Stamp \u0026amp; Seal Company for striking the 1902-1903 convention badges that appropriated much of the Cross of Honor design without authorization. In 1904, the Daughters hired The Whitehead \u0026amp; Hoag Company of Newark, New Jersey to produce the medal. In all, 78,761 were produced from 1900 to 1959. The medal in the collection is one from the Crankshaw-Schwaab era (1900-1903), but it may be among the first medals because it has a pinback. It was a feature among the first medals struck.\u003c/p\u003e\n","\u003cp\u003eThe badge that commemorates the Twenty-Fourth Annual Reunion of United Confederate Veterans was presented to those who attended the event that took place between May 6-8, 1914 at Jacksonville, Florida. It was produced by the The Whitehead \u0026amp; Hoag Company of Newark, New Jersey.\u003c/p\u003e\n","\u003cp\u003e\nIn 1918, World War I began and the United Daughters of the Confederacy entered into War Relief work. It was asked of each chapter keep records of all those of Confederate lineage who had enlisted in WWI as in hopes of one day honoring their service. During the Twenty-Fifth Annual Meeting that was held between April 1-5, 1919 in Louisville, Kentucky, Mary B. Poppenheim, the President-General of the United Daughters of the Confederacy, suggested a committee be created. Its purpose would be to explore the \"practicability\" of awarding veterans of the American Expeditionary Forces that were descendants of Confederates \"a suitable medal\" that was comparable to the Southern Cross of Honor. The suggestion was given to her by Major Wallace Streater, an officer in the A.E.F. of Confederate descent. The Convention adopted the resolution and the motion was carried.\u003c/p\u003e\n","\u003cp\u003e\nThe Committee on Insignia for Confederate Descendants of the World War was created at the Twenty Fifth Convention and Mrs. W.B. Scarborough became the head of the committee. They would make their first report at a convention at Tampa, Florida on November 15, 1919. At the Twenty-Seventh Annual Meeting that was held from November 8-12, 1921 at St. Louis, Missouri, the Committee was tasked to find an artist for the medal. At the Twenty-Eighth Annual Meeting that was held from November 14-18, 1922 at Birmingham, Alabama, the Committee reported that they had taken the recommendation from the Numismatic Society of New York to select Chester Beach to design the medal and the Convention approved the motion. The Committee was authorized to order of 5,000 medals. The Medallic Art Company in New York was chosen to produce the orders.\u003c/p\u003e\n","\u003cp\u003e\nThursday afternoon, November 22, 1923, a cross marked by a circle as its number, was placed on the tomb of the Unknown Soldier in Arlington, and that same evening the first two were presented to Major General Robert Lee Bullard and to Major Wallace Streater.\u003c/p\u003e\n","\u003cp\u003e\nDuring Thirty-Third Annual Convention that took place in Richmond, Virginia from November 16-20, 1926, Ms. Mary Lou Gordon White of Tennessee suggested veterans of the Spanish-American War have an award similar to the Cross of Military Service with similar guidelines. At the Thirty-Fourth Annual Convention held in Charleston, South Carolina from November 15 to 19, 1927, the idea was formally approved by the Executive Committee. At the Thirty-Fifth Annual Convention held from November 20-24, 1928 at Houston, Texas, a committee was approved to prepare the rules of bestowal and recommend a design of the medal.\u003c/p\u003e\n","\u003cp\u003e\nMrs. Julia N. Streater, wife of Major Wallace Streater, was the chairman of the committee and submitted a report at the Thirty-Sixth Annual Convention that was held from November 19-23, 1929 at Biloxi, Mississippi. Mrs. Streater's report stated they had consulted Major A. H. Dondero of the U.S. Army Officers Reserve Corps on the design of the medal and estimated that there were 5,000 to 6,000 eligible veterans. The Committee report also suggested that veterans of the \"Cuban Pacification\" and the \"Philippine Insurrection\" be accommodated for their service. After a small debate on whether to include the \"Cuban Pacification\" and \"Philippine Insurrection\" for the same decoration or not, the report and its recommendation were adopted, seconded, and carried by the Convention.\u003c/p\u003e\n","\u003cp\u003e\nAt the Thirty-Seventh Annual Convention that was held from November 18-22, 1930 at Asheville, North Carolina, The Committee submitted a report that advised separate medals be created for the Philippine Insurrection and/or the Cuban Pacification veterans after consultations with experts. The Convention adopted these recommendations and 200 Philippine Insurrection Crosses of Military Service were ordered. The Medallic Art Company produced the crosses. The very first recipient was Major J. Russell Ingram of Florida at the Thirty-Eighth Annual Convention at Jacksonville, Florida in November 17-21, 1931.\u003c/p\u003e\n","\u003cp\u003e\nAt the Forty-Ninth Annual Convention held at St. Louis, Missouri from November 4-6, 1942, President-General Eloise W. Wright recommended a committee be created for the purpose creating a medal for veterans of the Second World War who were descendants of Confederates. Mrs. McFarland of Texas moved the recommendation for adoption, seconded by Mrs. Merchant, and the recommendation was carried.\n    \n    \nDuring the Fiftieth Annual Convention that took place from November 18-21, 1943 at Columbus, Ohio, the Chairman of the Committee for Securing a Military Cross for World War No. 2, Mrs. Katherine Robinson Everett, reported she had contacted Chester A. Beach regarding the design of the medal and Clyde C. Trees, the president of Medallic Art Company, regarding the production of the medal. Mrs. Merchant motioned for the recommendation of Mr. Beach's design, the Medallic Art Company produce the medal, and obtaining permission by the U.S. Government to produce the medal as the allocation of metals were for the war effort. After an argument between members at the convention regarding the medal, Mrs. Woodbury moved the decision be made at a future date and Mrs. Merchant withdrew her recommendation. Mrs. Schuyler seconded Mrs. Woodbury's motion and it was carried.\u003c/p\u003e\n","\u003cp\u003e\nDuring the Fifty-First Annual Convention that took place from November 21-24, 1944 at Nashville, Tennessee, President-General Mary Hadley Woodard reported the past difficulties to unable to produce Crosses of Military Service due to restrictions on the use of metals by the Federal government because of the allocation of metals to be used for the war effort. Mrs. Woodard was confident with the war's end \"imminent,\" restrictions would be lifted. Mrs. Everett, Chairman of the Committee on Cross of Military Service - World War No. 2, reported six design choices for the cross and the recommendation of Chester A. Beach as well as sculptor Roger Noble Burnham to use the Medallic Art Company to produce the cross. It was decided that the Committee and the Executive Board choose the design.\u003c/p\u003e\n","\u003cp\u003e\nDuring the Fifty-Second Annual Convention that took place from November 21-23, 1945 at Houston, Texas, President-General Woodard reported with regulations lifted on metals on July 1, 1945, negotiations with the Medallic Art Company began with order of 5,000 medals. However, the company reported back with there would be delay due to the need for materials to produce the medals. A sketch of the final design of the cross was available for viewing at the convention. During the Fifty-Third Annual Convention that took place from November 18-23, 1946 at Jackson, Mississippi, Mrs. Cecil Brawley Long, Custodian of Crosses of Honor and Service, reported distribution of the crosses had begun and Lieutenant Commander Spencer Downs Wright was the first recipient.\u003c/p\u003e\n","\u003cp\u003e\nDuring the Fifty-Eighth Annual Convention that took place November 7-9, 1951, in Asheville, North Carolina, Recorder-General of Crosses of Honor and Service Liza Ellen Carpenter recommended the Medallic Art Company be authorized to set aside bronze for 3,000 Korean War Crosses of Military Service. At the Fifty-Ninth Annual Convention that took place November 9-13, 1952 in Biloxi, Mississippi, this recommendation was changed from 3,000 to 1,000 and be ordered in lots of 250 twice a year. This extended the final payment to two years from the first shipment. The recommendation was seconded and adopted. At the Sixtieth Annual Convention that took place November 8-12, 1953 in Washington, D.C., the first cross was given to Captain James Cornelius Ruddell, Jr., and was awarded posthumously.\u003c/p\u003e\n","\u003cp\u003e\nThe Vietnam Cross was presented for the first time in 1968 at the Annual Convention in Richmond, Virginia. The first three crosses were presented to General William C. Westmoreland, Lieutenant Colonel John L. Heiss, III, and to Major James Ewell Brown Stuart, IV.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Mrs. Mary Ann Lamar Erwin, the wife of Confederate Captain Alexander S. Erwin, was inspired by the July 20-23, 1898 Confederate Reunion at Atlanta, Georgia to honor Confederate veterans for their service. Mrs. Erwin and Mrs. Sarah E. Gabbett are credited with designing the Southern Cross of Honor. Charles W. Crankshaw of Atlanta, Georgia was chosen as the manufacturer. Crankshaw was a reputable jeweler in the Atlanta region, but he subcontracted Schwaab Stamp \u0026 Seal Company of Milwaukee, Wisconsin to meet the order of 12,500 medals. The crosses that bore Crankshaw's name were actually struck by Schwaab. The medal was presented at the Sixth United Daughters of the Confederacy Convention in 1899. The first cross was bestowed to Captain Alexander S. Erwin on April 26, 1900. Later, the United Daughters of the Confederacy fired the Schwaab Stamp \u0026 Seal Company for striking the 1902-1903 convention badges that appropriated much of the Cross of Honor design without authorization. In 1904, the Daughters hired The Whitehead \u0026 Hoag Company of Newark, New Jersey to produce the medal. In all, 78,761 were produced from 1900 to 1959. The medal in the collection is one from the Crankshaw-Schwaab era (1900-1903), but it may be among the first medals because it has a pinback. It was a feature among the first medals struck.","The badge that commemorates the Twenty-Fourth Annual Reunion of United Confederate Veterans was presented to those who attended the event that took place between May 6-8, 1914 at Jacksonville, Florida. It was produced by the The Whitehead \u0026 Hoag Company of Newark, New Jersey.","\nIn 1918, World War I began and the United Daughters of the Confederacy entered into War Relief work. It was asked of each chapter keep records of all those of Confederate lineage who had enlisted in WWI as in hopes of one day honoring their service. During the Twenty-Fifth Annual Meeting that was held between April 1-5, 1919 in Louisville, Kentucky, Mary B. Poppenheim, the President-General of the United Daughters of the Confederacy, suggested a committee be created. Its purpose would be to explore the \"practicability\" of awarding veterans of the American Expeditionary Forces that were descendants of Confederates \"a suitable medal\" that was comparable to the Southern Cross of Honor. The suggestion was given to her by Major Wallace Streater, an officer in the A.E.F. of Confederate descent. The Convention adopted the resolution and the motion was carried.","\nThe Committee on Insignia for Confederate Descendants of the World War was created at the Twenty Fifth Convention and Mrs. W.B. Scarborough became the head of the committee. They would make their first report at a convention at Tampa, Florida on November 15, 1919. At the Twenty-Seventh Annual Meeting that was held from November 8-12, 1921 at St. Louis, Missouri, the Committee was tasked to find an artist for the medal. At the Twenty-Eighth Annual Meeting that was held from November 14-18, 1922 at Birmingham, Alabama, the Committee reported that they had taken the recommendation from the Numismatic Society of New York to select Chester Beach to design the medal and the Convention approved the motion. The Committee was authorized to order of 5,000 medals. The Medallic Art Company in New York was chosen to produce the orders.","\nThursday afternoon, November 22, 1923, a cross marked by a circle as its number, was placed on the tomb of the Unknown Soldier in Arlington, and that same evening the first two were presented to Major General Robert Lee Bullard and to Major Wallace Streater.","\nDuring Thirty-Third Annual Convention that took place in Richmond, Virginia from November 16-20, 1926, Ms. Mary Lou Gordon White of Tennessee suggested veterans of the Spanish-American War have an award similar to the Cross of Military Service with similar guidelines. At the Thirty-Fourth Annual Convention held in Charleston, South Carolina from November 15 to 19, 1927, the idea was formally approved by the Executive Committee. At the Thirty-Fifth Annual Convention held from November 20-24, 1928 at Houston, Texas, a committee was approved to prepare the rules of bestowal and recommend a design of the medal.","\nMrs. Julia N. Streater, wife of Major Wallace Streater, was the chairman of the committee and submitted a report at the Thirty-Sixth Annual Convention that was held from November 19-23, 1929 at Biloxi, Mississippi. Mrs. Streater's report stated they had consulted Major A. H. Dondero of the U.S. Army Officers Reserve Corps on the design of the medal and estimated that there were 5,000 to 6,000 eligible veterans. The Committee report also suggested that veterans of the \"Cuban Pacification\" and the \"Philippine Insurrection\" be accommodated for their service. After a small debate on whether to include the \"Cuban Pacification\" and \"Philippine Insurrection\" for the same decoration or not, the report and its recommendation were adopted, seconded, and carried by the Convention.","\nAt the Thirty-Seventh Annual Convention that was held from November 18-22, 1930 at Asheville, North Carolina, The Committee submitted a report that advised separate medals be created for the Philippine Insurrection and/or the Cuban Pacification veterans after consultations with experts. The Convention adopted these recommendations and 200 Philippine Insurrection Crosses of Military Service were ordered. The Medallic Art Company produced the crosses. The very first recipient was Major J. Russell Ingram of Florida at the Thirty-Eighth Annual Convention at Jacksonville, Florida in November 17-21, 1931.","\nAt the Forty-Ninth Annual Convention held at St. Louis, Missouri from November 4-6, 1942, President-General Eloise W. Wright recommended a committee be created for the purpose creating a medal for veterans of the Second World War who were descendants of Confederates. Mrs. McFarland of Texas moved the recommendation for adoption, seconded by Mrs. Merchant, and the recommendation was carried.\n    \n    \nDuring the Fiftieth Annual Convention that took place from November 18-21, 1943 at Columbus, Ohio, the Chairman of the Committee for Securing a Military Cross for World War No. 2, Mrs. Katherine Robinson Everett, reported she had contacted Chester A. Beach regarding the design of the medal and Clyde C. Trees, the president of Medallic Art Company, regarding the production of the medal. Mrs. Merchant motioned for the recommendation of Mr. Beach's design, the Medallic Art Company produce the medal, and obtaining permission by the U.S. Government to produce the medal as the allocation of metals were for the war effort. After an argument between members at the convention regarding the medal, Mrs. Woodbury moved the decision be made at a future date and Mrs. Merchant withdrew her recommendation. Mrs. Schuyler seconded Mrs. Woodbury's motion and it was carried.","\nDuring the Fifty-First Annual Convention that took place from November 21-24, 1944 at Nashville, Tennessee, President-General Mary Hadley Woodard reported the past difficulties to unable to produce Crosses of Military Service due to restrictions on the use of metals by the Federal government because of the allocation of metals to be used for the war effort. Mrs. Woodard was confident with the war's end \"imminent,\" restrictions would be lifted. Mrs. Everett, Chairman of the Committee on Cross of Military Service - World War No. 2, reported six design choices for the cross and the recommendation of Chester A. Beach as well as sculptor Roger Noble Burnham to use the Medallic Art Company to produce the cross. It was decided that the Committee and the Executive Board choose the design.","\nDuring the Fifty-Second Annual Convention that took place from November 21-23, 1945 at Houston, Texas, President-General Woodard reported with regulations lifted on metals on July 1, 1945, negotiations with the Medallic Art Company began with order of 5,000 medals. However, the company reported back with there would be delay due to the need for materials to produce the medals. A sketch of the final design of the cross was available for viewing at the convention. During the Fifty-Third Annual Convention that took place from November 18-23, 1946 at Jackson, Mississippi, Mrs. Cecil Brawley Long, Custodian of Crosses of Honor and Service, reported distribution of the crosses had begun and Lieutenant Commander Spencer Downs Wright was the first recipient.","\nDuring the Fifty-Eighth Annual Convention that took place November 7-9, 1951, in Asheville, North Carolina, Recorder-General of Crosses of Honor and Service Liza Ellen Carpenter recommended the Medallic Art Company be authorized to set aside bronze for 3,000 Korean War Crosses of Military Service. At the Fifty-Ninth Annual Convention that took place November 9-13, 1952 in Biloxi, Mississippi, this recommendation was changed from 3,000 to 1,000 and be ordered in lots of 250 twice a year. This extended the final payment to two years from the first shipment. The recommendation was seconded and adopted. At the Sixtieth Annual Convention that took place November 8-12, 1953 in Washington, D.C., the first cross was given to Captain James Cornelius Ruddell, Jr., and was awarded posthumously.","\nThe Vietnam Cross was presented for the first time in 1968 at the Annual Convention in Richmond, Virginia. The first three crosses were presented to General William C. Westmoreland, Lieutenant Colonel John L. Heiss, III, and to Major James Ewell Brown Stuart, IV."],"prefercite_html_tesm":["\u003cp\u003eUnited Daughters of the Confederacy Medal Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["United Daughters of the Confederacy Medal Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eThe set of medals were donated by the United Daughters of the Confederacy Jefferson Davis Chapter No. 2173 by President Mrs. Gwen Hadden, and Mrs. Robert E. Drake, the Recorder of Crosses, to the University of Central Florida Associate Dean of Library Development, Dr. W. Rex Brown, and the University of Central Florida Director of Libraries, Anne Marie Allison, during a presentation ceremony that took place May 24, 1988 at the University of Central Florida Library Special Collections Room.\u003c/p\u003e","\u003cp\u003eThe medals were placed in a shadow box that included incscriptions of the medals. In 2017, Book Conservator Christopher Saclolo removed the medals from the shadow box and the medals were transferred to a more archival appropriate box. The finding aid was created by Steven Trelstad in 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The set of medals were donated by the United Daughters of the Confederacy Jefferson Davis Chapter No. 2173 by President Mrs. Gwen Hadden, and Mrs. Robert E. Drake, the Recorder of Crosses, to the University of Central Florida Associate Dean of Library Development, Dr. W. Rex Brown, and the University of Central Florida Director of Libraries, Anne Marie Allison, during a presentation ceremony that took place May 24, 1988 at the University of Central Florida Library Special Collections Room.","The medals were placed in a shadow box that included incscriptions of the medals. In 2017, Book Conservator Christopher Saclolo removed the medals from the shadow box and the medals were transferred to a more archival appropriate box. The finding aid was created by Steven Trelstad in 2017."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2009-02\"\u003eAfrican American Legacy: The Carol Mundy Collection, 1794-2010\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-20\"\u003eWilliam D. Chapman Collection, 1865, 1975\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1995_02\"\u003eJohn O. Moench Collection, Circa 1861-1865\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["African American Legacy: The Carol Mundy Collection, 1794-2010","William D. Chapman Collection, 1865, 1975","John O. Moench Collection, Circa 1861-1865"],"scopecontent_html_tesm":["\u003cp\u003eUnited Daughters of the Confederacy Medal Collection, Circa 1899-1968, consists of a set of bronze medals donated by the Jefferson Davis Chapter No. 2173 of the United Daughters of the Confederacy that include the Southern Cross of Honor, five Crosses of Military Service from World War I to the Vietnam War, and a badge from the Twenty-Fourth Annual Convention of the United Confederate Veterans.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["United Daughters of the Confederacy Medal Collection, Circa 1899-1968, consists of a set of bronze medals donated by the Jefferson Davis Chapter No. 2173 of the United Daughters of the Confederacy that include the Southern Cross of Honor, five Crosses of Military Service from World War I to the Vietnam War, and a badge from the Twenty-Fourth Annual Convention of the United Confederate Veterans."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_26056843807eb84600eff1e8f6b3007f\" label=\"Abstract\"\u003eThe collection contains six bronze medals and one badge from the United Daughters of the Confederacy. The medals were created to honor either Confederate veterans for their service in the Confederate Armed Forces or their descendants who served in the United States military during the Philippine Insurrection (1899-1902), World War I (1917-1918), World War II (1941-1945), the Korean War (1950-1953), and the Vietnam War (1955-1975). The badge commemorates the Twenty-Fourth Annual United Confederate Veterans Reunion in 1914 and was given those in attendance.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains six bronze medals and one badge from the United Daughters of the Confederacy. The medals were created to honor either Confederate veterans for their service in the Confederate Armed Forces or their descendants who served in the United States military during the Philippine Insurrection (1899-1902), World War I (1917-1918), World War II (1941-1945), the Korean War (1950-1953), and the Vietnam War (1955-1975). The badge commemorates the Twenty-Fourth Annual United Confederate Veterans Reunion in 1914 and was given those in attendance."],"names_coll_ssim":["United Confederate Veterans","United Daughters of the Confederacy. Jefferson Davis Chapter No. 2173 (Orlando, Fla.)","United Daughters of the Confederacy -- Medals"],"names_ssim":["UCF Special Collections","United Confederate Veterans","United Daughters of the Confederacy. Jefferson Davis Chapter No. 2173 (Orlando, Fla.)","United Daughters of the Confederacy -- Medals"],"corpname_ssim":["UCF Special Collections","United Confederate Veterans","United Daughters of the Confederacy. Jefferson Davis Chapter No. 2173 (Orlando, Fla.)","United Daughters of the Confederacy -- Medals"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":9,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"7e7730d0a16959bd1212da48","timestamp":"2026-07-08T02:56:07.473Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/7e7730d0a16959bd1212da48_aspace_70759"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"African American Legacy: The Carol Mundy collection, 1791-2003","value":"African American Legacy: The Carol Mundy collection, 1791-2003","hits":38},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=African+American+Legacy%3A+The+Carol+Mundy+collection%2C+1791-2003\u0026f%5Bdate_range%5D%5B%5D=1901"}},{"attributes":{"label":"Dorothy Porter Wesley Collection, Circa 1788-2012","value":"Dorothy Porter Wesley Collection, Circa 1788-2012","hits":38},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Dorothy+Porter+Wesley+Collection%2C+Circa+1788-2012\u0026f%5Bdate_range%5D%5B%5D=1901"}},{"attributes":{"label":"Florida Ephemera collection, circa 1813-2007","value":"Florida Ephemera collection, circa 1813-2007","hits":38},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Florida+Ephemera+collection%2C+circa+1813-2007\u0026f%5Bdate_range%5D%5B%5D=1901"}},{"attributes":{"label":"Richard H. Mette Collection, 1826-2007","value":"Richard H. 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