{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1901\u0026page=60\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1901\u0026page=59\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1901\u0026page=61\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1901\u0026page=90\u0026view=compact"},"meta":{"pages":{"current_page":60,"next_page":61,"prev_page":59,"total_pages":90,"limit_value":10,"offset_value":590,"total_count":896,"first_page?":false,"last_page?":false}},"data":[{"id":"62e70642a5088e39d98ef045_aspace_4df5a59004f84c2bfbfc16744fa3fa2d","type":"File","attributes":{"title":"New Colonial March, The; Squirrel, The (Salon Mazurka), 1901","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/62e70642a5088e39d98ef045_aspace_4df5a59004f84c2bfbfc16744fa3fa2d#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains the following parts: \u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/62e70642a5088e39d98ef045_aspace_4df5a59004f84c2bfbfc16744fa3fa2d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_4df5a59004f84c2bfbfc16744fa3fa2d","ref_ssm":["aspace_4df5a59004f84c2bfbfc16744fa3fa2d","aspace_4df5a59004f84c2bfbfc16744fa3fa2d"],"id":"62e70642a5088e39d98ef045_aspace_4df5a59004f84c2bfbfc16744fa3fa2d","title_filing_ssi":"New Colonial March, The; Squirrel, The (Salon Mazurka)\n","title_ssm":["New Colonial March, The; Squirrel, The (Salon Mazurka)\n"],"title_tesim":["New Colonial March, The; Squirrel, The (Salon Mazurka)\n"],"unitdate_other_ssim":["1901"],"normalized_date_ssm":["1901"],"normalized_title_ssm":["New Colonial March, The; Squirrel, The (Salon Mazurka), 1901"],"text":["New Colonial March, The; Squirrel, The (Salon Mazurka), 1901","Early 20th Century Dance Band Music Collection, 1891-1922","Series One: Dance Band Arrangements","Folder 60","/repositories/12/archival_objects/220873","Hall, Robert Browne, 1858-1907","Eilenberg, Richard, 1848-1927","Arnold, J. C.","Dance orchestra music","Florida State College for Women--Songs and music","Sheet music--United States--History","English","This folder contains the following parts: ","1st Violin, Piano, Trombone, 2nd Cornet in Bb, 1st Cornet in Bb, Horns in F, 1st Clarinet in Bb, Flute and Piccolo, Drums, Cello, Bass, Trombone in Bb, 2nd Violin, 2nd Clarinet in Bb, and Viola."],"component_level_isim":[2],"parent_ids_ssim":["62e70642a5088e39d98ef045","62e70642a5088e39d98ef045_aspace_7b2c47102a0088b10ee5233a28812e1f"],"parent_unittitles_ssm":["Early 20th Century Dance Band Music Collection, 1891-1922","Series One: Dance Band Arrangements"],"parent_unittitles_tesim":["Early 20th Century Dance Band Music Collection, 1891-1922","Series One: Dance Band Arrangements"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 60","/repositories/12/archival_objects/220873"],"repository_ssim":["Allen Music Library Special Collections"],"collection_ssim":["Early 20th Century Dance Band Music Collection, 1891-1922"],"creator_ssim":["Hall, Robert Browne, 1858-1907","Eilenberg, Richard, 1848-1927","Arnold, J. 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C."],"access_subjects_ssim":["Dance orchestra music","Florida State College for Women--Songs and music","Sheet music--United States--History"],"access_subjects_ssm":["Dance orchestra music","Florida State College for Women--Songs and music","Sheet music--United States--History"],"language_ssim":["English"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains the following parts: \u003c/p\u003e","\u003cp\u003e1st Violin, Piano, Trombone, 2nd Cornet in Bb, 1st Cornet in Bb, Horns in F, 1st Clarinet in Bb, Flute and Piccolo, Drums, Cello, Bass, Trombone in Bb, 2nd Violin, 2nd Clarinet in Bb, and Viola.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains the following parts: ","1st Violin, Piano, Trombone, 2nd Cornet in Bb, 1st Cornet in Bb, Horns in F, 1st Clarinet in Bb, Flute and Piccolo, Drums, Cello, Bass, Trombone in Bb, 2nd Violin, 2nd Clarinet in Bb, and Viola."],"_nest_path_":"/components#0/components#59","_nest_parent_":"62e70642a5088e39d98ef045_aspace_7b2c47102a0088b10ee5233a28812e1f","_root_":"62e70642a5088e39d98ef045","timestamp":"2026-07-11T02:32:34.404Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"62e70642a5088e39d98ef045","title_ssm":["Early 20th Century Dance Band Music Collection"],"title_tesim":["Early 20th Century Dance Band Music Collection"],"ead_ssi":"62e70642a5088e39d98ef045","unitdate_ssm":["1891-1922"],"unitdate_inclusive_ssm":["1891-1922"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["FSUML-2022-02","/repositories/12/resources/1935"],"text":["FSUML-2022-02","/repositories/12/resources/1935","Early 20th Century Dance Band Music Collection, 1891-1922","Sheet music--United States--History","Dance","Florida State College for Women--Songs and music","This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.","This collection is divided into 218 folders and two series. The first contains published scores and parts, the second contains folios with various scores.","This collection contains 218 popular music dance band selections from the late 19th and early 20th centuries. Composer represented here include: Spencer Adams; Russell Alexander; Harry L. Alford; Egbert van Alstyne; Will R. Anderson; Bert R. Anthony;  Fred T. Ashton;  Charles L. Van Baar;  Ernest R. Ball;  Ashley Ballou;  A.W. Bauer;  C.W. Bennet;  Irving Berlin; Leo E. Berliner;  Milton D. Blake, H.B. Blank and Schwartz;  N. Bousquet;  E.L. Bowman;  Edmund Braham; R.H. Brennen; Louise Breau;  G.B. Brigham;  Fred C. Brooks; Shelton Brooks; Will M.S. Brown;  Ernest Bucalossi;  Benjamin Burt;  Carl Carlton ; Ivan Caryll;  W.P. Chambers; James P. Conlin; Charles L. Cooke ; G.F. Daniels;  Denni; Herbert Dillea;  Will E. Dulmage; O.R. Farrar; Carl Fischer; Bayard E. Foote; A. Ford; Rudolf Friml;  Joseph Gearen; T. Mayo Geary;  Gilbert, Friedland and Morgan;  Gilbert and Muir; L. Wolfe Gilbert;  Vivian Grey (Mabel McKinley);  Gumble and Blake;  Fred W. Hager;  John T. Hall;  R.B. Hall;  Edward Hazel; Milt H. Hall;  H.L. Heartz;  J. Fred Helf; S.R. Henry;  Victor Herbert; Pierre Heyendal;  Williams Hill;  Louis H. Hirsche;  Abe Holzmann;  Joseph E. Howard;   Raymond Hubbell; Fred K. Huffer;  Herbert Ingraham;  Bob Irving;  Victor Jacobi;  Walter Jacobs (publisher);  Carrie Jacobs-Bond;  Jerome and Schwartz;  Ben M. Jerome;  Frank H. Jimerson;  Charles L. Johnson;  Archibald Joyce;  Ruby Kalmar;  Kapulè Kanoa;  Mel Kaufman;  F. Henri Klickmann; John N. Klohr; Clare Kummer;  J. Bodewalt Lampe;  L.P. Laurendeau;  Sidney Leroy;  John Leubrie Hill;  Harry J. Lincoln;  Edward Llewellyn; E.E. Loftis;  F.H. Losey;  Gustav Luders;  Cecil Mack and Chris Smith; W.H. Mackie;  Gifford Mellor;  J.W. Menges;  Roy O. Myers; Kerry Mills; E. Milok;  Neil Moret;  Theo F. Morse;  Theo Moses-Tobani;  Lewis F. Muri and Maurice Abrahams; Gilbert Muir; O'Donnell and Smith; William C. O'Hare; Lee Orean Smith; William Penn and Edward Hutchinson;  Clarence J. Penney;  William Frederick Peters;  Al Piantadosi;  Georg Porepp;  Arthur Pryor;  Add J. Ressegue;  Henry Restorff; F.R. Seltzer;  J. Lawrence Ritchie;  Charles J. Roberts;  Walter Rolfe;  Selden-Ingraham and Kendis-Payley;  Shannon and Johnson;  Albert Sirmay;  Arthur Sizemore and Egbert van Alstyne; Maurice F. Smith, Jack Snyder, Ted Snyder, Richard Stahl, B.H. Starks, George Stevens, G. Van Stone, John Stromberg, Thurban and Berger; Ludomir Thomas, Harry von Tilzer, George J. Trinkaus, C.E. Vadersloot, Paul Wachs, E. Waldteufel, Charles B. Ward, Freddy Watson, R.L. Weaver, Arthur Wellesly, Percy Wenrich, Wenrich and Blanke-Belcher, Wenrich and Dunlap, Werden and Gladdish, E.M. Wheatley, White and Lloyd, H. Lane Wilson, L.O. De Witt, L. Wolfe Gilbert and Robert E. Keiser Arthur Wood, Pedro de Zulueta, Wooster and Smith, Ellen Wright, Jack Yellen and Abe Olman, C.F. Zerbe and Harry Zickel. \n\nArrangers represented include: Harry L. Alford; Hilding Anderson; J.C. Arnold; Emile Asher; Fred T. Ashton; Frank E. Barry; C.F. Bauer; Robert Russell Bennett; J. Lampe Bodewalt; M.I. Brazil; Geo. F. Briegel; Charles F. Carey; Carl Carlton; J.W. Chattaway; Tom Clark; F.W. Clement; James P. Conlin; H.A. Dahlman; Ribé Danmark; Ivan L. Davis; S. Deshon; C. Dotzler; C.A. Egener; Everett J. Evans; Herman Friederich; John T. Hall; R. L. Halle; J.C. Heed; T.W. Hindley; S. Jergensen; Charles L. Johnson; Stephen Jones; Stephen O. Jones; Dave Kaplin; Louis Katzman; Carl Kiefert; F. Henri Klickmann; John N. Klohr; Arthur Lange; Otto Langey; L. P. Laurendeau; F.H. Losey; W.H. Mackie; James C. McCabe; McKee;  J. Messina; Charles Miller; Theo- Moses-Tobani; William C. O'Hare; D. Onivas Charles Puerner; Charles Quinn; William M. Redfield F.; Robert Recker; J. Ringleben Jr.; Charles J. Roberts; E. Rosales; Frank Saddler; 'La Salle;' Schaefer; E. R. Schremser; William Schul; Lee Orean Smith; Maurice S. Smith; Fred White; Carl F. Williams; L. O. Witt; and Arthur Wood. \n\n\nStatement on Potentially Harmful Content: \n\nMany of the items in our collections are reflective of the time period in which they were created, rather than the current beliefs and values of our institution. They may contain offensive or outdated language and imagery because of content relating to ability, gender, race, religion, sexuality, sexual orientation, and other categories. While some descriptions in our finding aids are written by staff, others reflect language that was used by the people and organizations that created the material. When we encounter problematic language that we believe a staff member created, we update it. Language that comes from the original archival material can provide information about the people who created it. In such cases, library staff members strive to provide additional context whenever possible.","Allen Music Library Special Collections","Adams, Spencer L. (Spencer Lionel), 1870-","Smith, Lee Orean, 1874-1942","Alford, Harry L. (Harry LaForest) (1875-08-19390304)","Van Alstyne, Egbert (Egbert Anson), 1882-1951","Anderson, Will R., -1927","O'Hare, William Christopher (1867-05-09-1946-10-22)","Odell, H. F. (Herbert Forrest), 1872-1926","Anthony, Bert R. (Herbert Ray) (18760908-1923)","Brazil, M. I.","Ashton, Fred T.","Van Baar, Chas. L. (Charles L.)","Hindley, T. W.","Ball, Ernest R., 1878-1927","Katzman, Louis","Ballou, Ashley","Davis, Ivan L.","Bauer, A.W. ","Bauer, C.W. ","Bennet, Charles William, 1849-1926","Berlin, Irving, 1888-1989","Schulz, Wm. (William), 1882 or 1883-1945","Snyder, Ted, 1881-1965","Berliner, Leo E.","Blake, Milton D. ","Carey, Chas. F. (Charles F.)","Blanke-Belcher, Henriette (18820216-1958-03)","Lampe, J. B. (Jens Bodewalt), 1869-1929","Schwartz, Jean, 1878-1956","Redfield, William M. (William Moore), 1867-1938","Bousquet, Narcisse (1800?-1869-08-29)","Bowman, Euday L. (Euday Louis), 1887-1949","Braham, Edmund","Hall, John T., (Composer)","Brennen, Robert H.","Puerner, Charles, 1849-1905","Brigham, G. B.","Brooks, Fred C.","Brooks, Shelton (18860504-19750906)","Thurban, T. W. (Thomas W.) (1874-1969)","Brown, Will M. S.","Bucalossi, Ernest, 1863-1933","Burt, Benjamin Hapgood, 1882-1950","Carlton, Carl","Caryll, Ivan, 1861-1921","Deshon, S.","Chambers, William Paris, 1854-1913","Sudds, W. F. (William F.), 1843-1920","Merkler, Andor, 1862-1922","Frey, E. H.","Laurendeau, L. P. (Louis Philippe), 1861-1916","Reeves, G. H.","Chattaway, Jay (Jay A.) (1946-07-08)","Chattaway, Thurland, 1872-1947","Mills, Kerry, 1869-1948","Coogan, Jack","Violinsky","Recker, Robert, (Arranger)","Cruger, Dox","Denni, Lucien, 1886-1947","Dulmage, Will E., 1883-1953","Fischer, Carl von, 1803-1889","Foote, Bayard E.","Ford, A.","Rosales, Eustasio, approximately 1870-1937","Friml, Rudolf, 1879-1972","Gearen, Joseph","Geary, T. Mayo","Evans, James E. ","Gilbert, L. Wolfe (Louis Wolfe), 1886-1970","Friedland, Anatol, 1881-1938","Morgan, Carey, 1885-1960","Onivas, D.","Henry, S. R., 1874-1966","Muir, Lewis F., 1884-1950","Jones, Stephen, 1880-1967","Smith, Chris","Grey, Vivian (Vivian Hoffman)","McKinley, Mabel, -1937","Gumble, Albert, 1883-1946","Hager, Frederick W. (Frederick Wallace), 1874-1958","Ringleben, J., Jr. ","Hall, Robert Browne, 1858-1907","Eilenberg, Richard, 1848-1927","Arnold, J. C.","Clement, F. W.","Halle, Roger","Harris, Sydney P.","Hartz, B.","Hatfield, Roy","Losey, F. H. (Frank Hoyt), 1870-1931","Hazel, Edward","Daniels, G. F. (George Fisher), 1821-","Heartz, H. L. (Harry Lawson)","Anderson, Hilding","Helf, J. Fred (1870)","Herbert, Victor (Victor August), 1859-1924","Langey, Otto, 1851-1922","Heyendal, Pierre","Hill, J. Leubrie (John Leubrie), -1916","McCabe, James C. (James C.) (19)","Klickmann, F. Henri (Frank Henri), 1885-1966","Hirsch, Louis A. (Louis Achille), 1881-1924","Jergensen, S.","Holzmann, Abe, 1874-1939","Mackie, H. W. (Hamish William)","Tobani, Theo. M. (Theodore Moses), 1855-1933","Howard, Joseph E. (Joseph Edgar), -1961","Hubbell, Raymond (John Raymond), 1879-1954","Huffer, Fred","Ingraham, Herbert, 1881-1910","Irving, Bob","White, Fred, (Composer)","Jacobi, Victor (Victor Friedrich Leopold), 1809-1892","Breau, Louis, 1893-1928","Bennett, Robert Russell, 1894-1981","Jacobs, Walter, 1868-1945","Jerome, William, active 1896","Jerome, Benjamin M., 1881-1938","Clark, Thomas, 1854-1943","Dahlman, H.A.","Jimerson, Frank H.","Johnson, Chas. L. (Charles Leslie), 1876-1950","Barry, Frank E. (Frank Edward) (1883-05-27-1937-12-13)","Joyce, Archibald, 1873-1963","Asher, Emile","Kalmar, Bert, 1884-1947","Ahlert, Fred E. (Fred Emil), 1892-1953","Ruby, Harry (1895-01-27-1974-02-23)","Lange, Arthur, 1889-1956","Kanoa, Kapulè","Kaufman, Mel B. (Melville Bernd), 1879-1932","Kaplan, Dave, (Pianist)","Savino, Domenico, 1882-1973","Keiser, Robert A., 1862-1932","Klohr, John N., 1869-1956","Hall, Milt. H.","Kummer, Clare Beecher, 1886-1958","Saddler, Frank (1864-09-09-1921-03-25)","Leroy, Sidney","Lincoln, Harry J., 1878-1937","Loftis, E. E.","Farrar, O. R.","Mack, Cecil, 1883-1944","Dillea, Herbert","Mellor Gifford, Composer","Trevor, Huntley","Menge, J. Wilmer (Joseph Wilmer), 1905-1987","Messina, J.","Conlin, James P.","Milok, E.","Lewis, W.","Moret, Neil, 1878-1943","Abrahams, Maurice, 1883-1931","Myers, Roy O.","O'Donnell, Charley ","Heath, Bobby, 1889-1952","Danmark, Ribé","Penn, William H.","Quinn, Charles","Hutchison, Edward, (Composer)","Egener, C. A.","Penney, Clarence J.","Piantadosi, Al, 1884-1955","Alexander, Russell, 1877-1915","Porepp, Georg (1875-1942)","Roberts, Charles J. (1868-07-25-1957-08-03)","Pryor, Arthur (Arthur Willard), 1870-1942","Ressegue, Addison J.","Restorff, Henry","Seltzer, F. R.","Ritchie, J. Lawrence","Rolfe, Walter, 1880-1944","Friedrich, Herman","Selden, Edgar","Kendis, James, 1883-1946","Paley, Herman, 1879-1955","Shannon, J. R. (James Royce), 1881-1946","Sirmay, Albert (1880-07-02-1967-01-15)","Higgs, H. M.","Wood, Arthur (Arthur Henry), 1875-1953","Sizemore, Arthur, 1891-1954","Smith, Maurice F., 1872-1925","Snyder, Jack, (Composer)","Briegel, George F. (George Frederick), 1890-1968","Stahl, Richard, 1860?-1899","Starks, B. H.","Stevens, George A. (George Alex), 1874-1954","Stone, G. Van","Stromberg, John, 1853-1902","Thomas, Ludomir","Von Tilzer, Harry, 1872-1946","Evans, Everett J.","Trinkaus, George J., 1878-1960","Vandersloot, Carl D., 1878-1937","Wachs, Paul, 1851-1915","Waldteufel, Emil, 1837-1915","Ward, Charles B.","De Witt, L. O.","Watson, Freddy","Weaver, R. L.","Hughes, Arthur Wellesley, approximately 1870-approximately 1950","Wenrich, Percy, 1887-1952","Dunlap","McKee","Werden, W. L. ","Gladdish, Frederick E.","Dotzler, C. ","Wheatley, E. M.","White and Lloyd","Zulueta, Pedro de, (Musician)","Wright, Ellen Riley (1859-1904)","Kiefert, Carl","Yellen, Jack, 1892-1991","Olman, Abe","La Salle, Victor","Zerbe, C. F.","Zickel, Harry H.","Schremser, E. R.","English"],"unitid_tesim":["FSUML-2022-02","/repositories/12/resources/1935"],"normalized_date_ssm":["1891-1922"],"normalized_title_ssm":["Early 20th Century Dance Band Music Collection, 1891-1922"],"collection_title_tesim":["Early 20th Century Dance Band Music Collection, 1891-1922"],"collection_ssim":["Early 20th Century Dance Band Music Collection, 1891-1922"],"repository_ssm":["Allen Music Library Special Collections"],"repository_ssim":["Allen Music Library Special Collections"],"acqinfo_ssim":["The provenance is unknown, but markings on these scores suggest that they belonged to students at the Florida State College for Women."],"access_subjects_ssim":["Sheet music--United States--History","Dance","Florida State College for Women--Songs and music"],"access_subjects_ssm":["Sheet music--United States--History","Dance","Florida State College for Women--Songs and music"],"has_online_content_ssim":["false"],"extent_ssm":["218 folders"],"extent_tesim":["218 folders"],"date_range_isim":[1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into 218 folders and two series. The first contains published scores and parts, the second contains folios with various scores.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into 218 folders and two series. The first contains published scores and parts, the second contains folios with various scores."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Early 20th Century Dance Band Music Collection, Warren D. Allen Music Library, Tallahassee, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Early 20th Century Dance Band Music Collection, Warren D. Allen Music Library, Tallahassee, Florida."],"abstract_tesim":["This collection contains 218 popular music dance band selections from the late 19th and early 20th centuries. Composer represented here include: Spencer Adams; Russell Alexander; Harry L. Alford; Egbert van Alstyne; Will R. Anderson; Bert R. Anthony;  Fred T. Ashton;  Charles L. Van Baar;  Ernest R. Ball;  Ashley Ballou;  A.W. Bauer;  C.W. Bennet;  Irving Berlin; Leo E. Berliner;  Milton D. Blake, H.B. Blank and Schwartz;  N. Bousquet;  E.L. Bowman;  Edmund Braham; R.H. Brennen; Louise Breau;  G.B. Brigham;  Fred C. Brooks; Shelton Brooks; Will M.S. Brown;  Ernest Bucalossi;  Benjamin Burt;  Carl Carlton ; Ivan Caryll;  W.P. Chambers; James P. Conlin; Charles L. Cooke ; G.F. Daniels;  Denni; Herbert Dillea;  Will E. Dulmage; O.R. Farrar; Carl Fischer; Bayard E. Foote; A. Ford; Rudolf Friml;  Joseph Gearen; T. Mayo Geary;  Gilbert, Friedland and Morgan;  Gilbert and Muir; L. Wolfe Gilbert;  Vivian Grey (Mabel McKinley);  Gumble and Blake;  Fred W. Hager;  John T. Hall;  R.B. Hall;  Edward Hazel; Milt H. Hall;  H.L. Heartz;  J. Fred Helf; S.R. Henry;  Victor Herbert; Pierre Heyendal;  Williams Hill;  Louis H. Hirsche;  Abe Holzmann;  Joseph E. Howard;   Raymond Hubbell; Fred K. Huffer;  Herbert Ingraham;  Bob Irving;  Victor Jacobi;  Walter Jacobs (publisher);  Carrie Jacobs-Bond;  Jerome and Schwartz;  Ben M. Jerome;  Frank H. Jimerson;  Charles L. Johnson;  Archibald Joyce;  Ruby Kalmar;  Kapulè Kanoa;  Mel Kaufman;  F. Henri Klickmann; John N. Klohr; Clare Kummer;  J. Bodewalt Lampe;  L.P. Laurendeau;  Sidney Leroy;  John Leubrie Hill;  Harry J. Lincoln;  Edward Llewellyn; E.E. Loftis;  F.H. Losey;  Gustav Luders;  Cecil Mack and Chris Smith; W.H. Mackie;  Gifford Mellor;  J.W. Menges;  Roy O. Myers; Kerry Mills; E. Milok;  Neil Moret;  Theo F. Morse;  Theo Moses-Tobani;  Lewis F. Muri and Maurice Abrahams; Gilbert Muir; O'Donnell and Smith; William C. O'Hare; Lee Orean Smith; William Penn and Edward Hutchinson;  Clarence J. Penney;  William Frederick Peters;  Al Piantadosi;  Georg Porepp;  Arthur Pryor;  Add J. Ressegue;  Henry Restorff; F.R. Seltzer;  J. Lawrence Ritchie;  Charles J. Roberts;  Walter Rolfe;  Selden-Ingraham and Kendis-Payley;  Shannon and Johnson;  Albert Sirmay;  Arthur Sizemore and Egbert van Alstyne; Maurice F. Smith, Jack Snyder, Ted Snyder, Richard Stahl, B.H. Starks, George Stevens, G. Van Stone, John Stromberg, Thurban and Berger; Ludomir Thomas, Harry von Tilzer, George J. Trinkaus, C.E. Vadersloot, Paul Wachs, E. Waldteufel, Charles B. Ward, Freddy Watson, R.L. Weaver, Arthur Wellesly, Percy Wenrich, Wenrich and Blanke-Belcher, Wenrich and Dunlap, Werden and Gladdish, E.M. Wheatley, White and Lloyd, H. Lane Wilson, L.O. De Witt, L. Wolfe Gilbert and Robert E. Keiser Arthur Wood, Pedro de Zulueta, Wooster and Smith, Ellen Wright, Jack Yellen and Abe Olman, C.F. Zerbe and Harry Zickel. \n\nArrangers represented include: Harry L. Alford; Hilding Anderson; J.C. Arnold; Emile Asher; Fred T. Ashton; Frank E. Barry; C.F. Bauer; Robert Russell Bennett; J. Lampe Bodewalt; M.I. Brazil; Geo. F. Briegel; Charles F. Carey; Carl Carlton; J.W. Chattaway; Tom Clark; F.W. Clement; James P. Conlin; H.A. Dahlman; Ribé Danmark; Ivan L. Davis; S. Deshon; C. Dotzler; C.A. Egener; Everett J. Evans; Herman Friederich; John T. Hall; R. L. Halle; J.C. Heed; T.W. Hindley; S. Jergensen; Charles L. Johnson; Stephen Jones; Stephen O. Jones; Dave Kaplin; Louis Katzman; Carl Kiefert; F. Henri Klickmann; John N. Klohr; Arthur Lange; Otto Langey; L. P. Laurendeau; F.H. Losey; W.H. Mackie; James C. McCabe; McKee;  J. Messina; Charles Miller; Theo- Moses-Tobani; William C. O'Hare; D. Onivas Charles Puerner; Charles Quinn; William M. Redfield F.; Robert Recker; J. Ringleben Jr.; Charles J. Roberts; E. Rosales; Frank Saddler; 'La Salle;' Schaefer; E. R. Schremser; William Schul; Lee Orean Smith; Maurice S. Smith; Fred White; Carl F. Williams; L. O. Witt; and Arthur Wood. \n\n\nStatement on Potentially Harmful Content: \n\nMany of the items in our collections are reflective of the time period in which they were created, rather than the current beliefs and values of our institution. They may contain offensive or outdated language and imagery because of content relating to ability, gender, race, religion, sexuality, sexual orientation, and other categories. While some descriptions in our finding aids are written by staff, others reflect language that was used by the people and organizations that created the material. When we encounter problematic language that we believe a staff member created, we update it. Language that comes from the original archival material can provide information about the people who created it. In such cases, library staff members strive to provide additional context whenever possible."],"names_ssim":["Allen Music Library Special Collections","Adams, Spencer L. (Spencer Lionel), 1870-","Smith, Lee Orean, 1874-1942","Alford, Harry L. (Harry LaForest) (1875-08-19390304)","Van Alstyne, Egbert (Egbert Anson), 1882-1951","Anderson, Will R., -1927","O'Hare, William Christopher (1867-05-09-1946-10-22)","Odell, H. F. (Herbert Forrest), 1872-1926","Anthony, Bert R. (Herbert Ray) (18760908-1923)","Brazil, M. I.","Ashton, Fred T.","Van Baar, Chas. L. (Charles L.)","Hindley, T. W.","Ball, Ernest R., 1878-1927","Katzman, Louis","Ballou, Ashley","Davis, Ivan L.","Bauer, A.W. ","Bauer, C.W. ","Bennet, Charles William, 1849-1926","Berlin, Irving, 1888-1989","Schulz, Wm. (William), 1882 or 1883-1945","Snyder, Ted, 1881-1965","Berliner, Leo E.","Blake, Milton D. ","Carey, Chas. F. (Charles F.)","Blanke-Belcher, Henriette (18820216-1958-03)","Lampe, J. B. (Jens Bodewalt), 1869-1929","Schwartz, Jean, 1878-1956","Redfield, William M. (William Moore), 1867-1938","Bousquet, Narcisse (1800?-1869-08-29)","Bowman, Euday L. (Euday Louis), 1887-1949","Braham, Edmund","Hall, John T., (Composer)","Brennen, Robert H.","Puerner, Charles, 1849-1905","Brigham, G. B.","Brooks, Fred C.","Brooks, Shelton (18860504-19750906)","Thurban, T. W. (Thomas W.) (1874-1969)","Brown, Will M. S.","Bucalossi, Ernest, 1863-1933","Burt, Benjamin Hapgood, 1882-1950","Carlton, Carl","Caryll, Ivan, 1861-1921","Deshon, S.","Chambers, William Paris, 1854-1913","Sudds, W. F. (William F.), 1843-1920","Merkler, Andor, 1862-1922","Frey, E. H.","Laurendeau, L. P. (Louis Philippe), 1861-1916","Reeves, G. H.","Chattaway, Jay (Jay A.) (1946-07-08)","Chattaway, Thurland, 1872-1947","Mills, Kerry, 1869-1948","Coogan, Jack","Violinsky","Recker, Robert, (Arranger)","Cruger, Dox","Denni, Lucien, 1886-1947","Dulmage, Will E., 1883-1953","Fischer, Carl von, 1803-1889","Foote, Bayard E.","Ford, A.","Rosales, Eustasio, approximately 1870-1937","Friml, Rudolf, 1879-1972","Gearen, Joseph","Geary, T. Mayo","Evans, James E. ","Gilbert, L. Wolfe (Louis Wolfe), 1886-1970","Friedland, Anatol, 1881-1938","Morgan, Carey, 1885-1960","Onivas, D.","Henry, S. R., 1874-1966","Muir, Lewis F., 1884-1950","Jones, Stephen, 1880-1967","Smith, Chris","Grey, Vivian (Vivian Hoffman)","McKinley, Mabel, -1937","Gumble, Albert, 1883-1946","Hager, Frederick W. (Frederick Wallace), 1874-1958","Ringleben, J., Jr. ","Hall, Robert Browne, 1858-1907","Eilenberg, Richard, 1848-1927","Arnold, J. C.","Clement, F. W.","Halle, Roger","Harris, Sydney P.","Hartz, B.","Hatfield, Roy","Losey, F. H. (Frank Hoyt), 1870-1931","Hazel, Edward","Daniels, G. F. (George Fisher), 1821-","Heartz, H. L. (Harry Lawson)","Anderson, Hilding","Helf, J. Fred (1870)","Herbert, Victor (Victor August), 1859-1924","Langey, Otto, 1851-1922","Heyendal, Pierre","Hill, J. Leubrie (John Leubrie), -1916","McCabe, James C. (James C.) (19)","Klickmann, F. Henri (Frank Henri), 1885-1966","Hirsch, Louis A. (Louis Achille), 1881-1924","Jergensen, S.","Holzmann, Abe, 1874-1939","Mackie, H. W. (Hamish William)","Tobani, Theo. M. (Theodore Moses), 1855-1933","Howard, Joseph E. (Joseph Edgar), -1961","Hubbell, Raymond (John Raymond), 1879-1954","Huffer, Fred","Ingraham, Herbert, 1881-1910","Irving, Bob","White, Fred, (Composer)","Jacobi, Victor (Victor Friedrich Leopold), 1809-1892","Breau, Louis, 1893-1928","Bennett, Robert Russell, 1894-1981","Jacobs, Walter, 1868-1945","Jerome, William, active 1896","Jerome, Benjamin M., 1881-1938","Clark, Thomas, 1854-1943","Dahlman, H.A.","Jimerson, Frank H.","Johnson, Chas. L. (Charles Leslie), 1876-1950","Barry, Frank E. (Frank Edward) (1883-05-27-1937-12-13)","Joyce, Archibald, 1873-1963","Asher, Emile","Kalmar, Bert, 1884-1947","Ahlert, Fred E. (Fred Emil), 1892-1953","Ruby, Harry (1895-01-27-1974-02-23)","Lange, Arthur, 1889-1956","Kanoa, Kapulè","Kaufman, Mel B. (Melville Bernd), 1879-1932","Kaplan, Dave, (Pianist)","Savino, Domenico, 1882-1973","Keiser, Robert A., 1862-1932","Klohr, John N., 1869-1956","Hall, Milt. H.","Kummer, Clare Beecher, 1886-1958","Saddler, Frank (1864-09-09-1921-03-25)","Leroy, Sidney","Lincoln, Harry J., 1878-1937","Loftis, E. E.","Farrar, O. R.","Mack, Cecil, 1883-1944","Dillea, Herbert","Mellor Gifford, Composer","Trevor, Huntley","Menge, J. Wilmer (Joseph Wilmer), 1905-1987","Messina, J.","Conlin, James P.","Milok, E.","Lewis, W.","Moret, Neil, 1878-1943","Abrahams, Maurice, 1883-1931","Myers, Roy O.","O'Donnell, Charley ","Heath, Bobby, 1889-1952","Danmark, Ribé","Penn, William H.","Quinn, Charles","Hutchison, Edward, (Composer)","Egener, C. A.","Penney, Clarence J.","Piantadosi, Al, 1884-1955","Alexander, Russell, 1877-1915","Porepp, Georg (1875-1942)","Roberts, Charles J. (1868-07-25-1957-08-03)","Pryor, Arthur (Arthur Willard), 1870-1942","Ressegue, Addison J.","Restorff, Henry","Seltzer, F. R.","Ritchie, J. Lawrence","Rolfe, Walter, 1880-1944","Friedrich, Herman","Selden, Edgar","Kendis, James, 1883-1946","Paley, Herman, 1879-1955","Shannon, J. R. (James Royce), 1881-1946","Sirmay, Albert (1880-07-02-1967-01-15)","Higgs, H. M.","Wood, Arthur (Arthur Henry), 1875-1953","Sizemore, Arthur, 1891-1954","Smith, Maurice F., 1872-1925","Snyder, Jack, (Composer)","Briegel, George F. (George Frederick), 1890-1968","Stahl, Richard, 1860?-1899","Starks, B. H.","Stevens, George A. (George Alex), 1874-1954","Stone, G. Van","Stromberg, John, 1853-1902","Thomas, Ludomir","Von Tilzer, Harry, 1872-1946","Evans, Everett J.","Trinkaus, George J., 1878-1960","Vandersloot, Carl D., 1878-1937","Wachs, Paul, 1851-1915","Waldteufel, Emil, 1837-1915","Ward, Charles B.","De Witt, L. O.","Watson, Freddy","Weaver, R. L.","Hughes, Arthur Wellesley, approximately 1870-approximately 1950","Wenrich, Percy, 1887-1952","Dunlap","McKee","Werden, W. L. ","Gladdish, Frederick E.","Dotzler, C. ","Wheatley, E. M.","White and Lloyd","Zulueta, Pedro de, (Musician)","Wright, Ellen Riley (1859-1904)","Kiefert, Carl","Yellen, Jack, 1892-1991","Olman, Abe","La Salle, Victor","Zerbe, C. F.","Zickel, Harry H.","Schremser, E. R."],"corpname_ssim":["Allen Music Library Special Collections"],"persname_ssim":["Adams, Spencer L. (Spencer Lionel), 1870-","Smith, Lee Orean, 1874-1942","Alford, Harry L. (Harry LaForest) (1875-08-19390304)","Van Alstyne, Egbert (Egbert Anson), 1882-1951","Anderson, Will R., -1927","O'Hare, William Christopher (1867-05-09-1946-10-22)","Odell, H. F. (Herbert Forrest), 1872-1926","Anthony, Bert R. (Herbert Ray) (18760908-1923)","Brazil, M. I.","Ashton, Fred T.","Van Baar, Chas. L. (Charles L.)","Hindley, T. W.","Ball, Ernest R., 1878-1927","Katzman, Louis","Ballou, Ashley","Davis, Ivan L.","Bauer, A.W. ","Bauer, C.W. ","Bennet, Charles William, 1849-1926","Berlin, Irving, 1888-1989","Schulz, Wm. (William), 1882 or 1883-1945","Snyder, Ted, 1881-1965","Berliner, Leo E.","Blake, Milton D. ","Carey, Chas. F. (Charles F.)","Blanke-Belcher, Henriette (18820216-1958-03)","Lampe, J. B. (Jens Bodewalt), 1869-1929","Schwartz, Jean, 1878-1956","Redfield, William M. (William Moore), 1867-1938","Bousquet, Narcisse (1800?-1869-08-29)","Bowman, Euday L. (Euday Louis), 1887-1949","Braham, Edmund","Hall, John T., (Composer)","Brennen, Robert H.","Puerner, Charles, 1849-1905","Brigham, G. B.","Brooks, Fred C.","Brooks, Shelton (18860504-19750906)","Thurban, T. W. (Thomas W.) (1874-1969)","Brown, Will M. S.","Bucalossi, Ernest, 1863-1933","Burt, Benjamin Hapgood, 1882-1950","Carlton, Carl","Caryll, Ivan, 1861-1921","Deshon, S.","Chambers, William Paris, 1854-1913","Sudds, W. F. (William F.), 1843-1920","Merkler, Andor, 1862-1922","Frey, E. H.","Laurendeau, L. P. (Louis Philippe), 1861-1916","Reeves, G. H.","Chattaway, Jay (Jay A.) (1946-07-08)","Chattaway, Thurland, 1872-1947","Mills, Kerry, 1869-1948","Coogan, Jack","Violinsky","Recker, Robert, (Arranger)","Cruger, Dox","Denni, Lucien, 1886-1947","Dulmage, Will E., 1883-1953","Fischer, Carl von, 1803-1889","Foote, Bayard E.","Ford, A.","Rosales, Eustasio, approximately 1870-1937","Friml, Rudolf, 1879-1972","Gearen, Joseph","Geary, T. Mayo","Evans, James E. ","Gilbert, L. Wolfe (Louis Wolfe), 1886-1970","Friedland, Anatol, 1881-1938","Morgan, Carey, 1885-1960","Onivas, D.","Henry, S. R., 1874-1966","Muir, Lewis F., 1884-1950","Jones, Stephen, 1880-1967","Smith, Chris","Grey, Vivian (Vivian Hoffman)","McKinley, Mabel, -1937","Gumble, Albert, 1883-1946","Hager, Frederick W. (Frederick Wallace), 1874-1958","Ringleben, J., Jr. ","Hall, Robert Browne, 1858-1907","Eilenberg, Richard, 1848-1927","Arnold, J. C.","Clement, F. W.","Halle, Roger","Harris, Sydney P.","Hartz, B.","Hatfield, Roy","Losey, F. H. (Frank Hoyt), 1870-1931","Hazel, Edward","Daniels, G. F. (George Fisher), 1821-","Heartz, H. L. (Harry Lawson)","Anderson, Hilding","Helf, J. Fred (1870)","Herbert, Victor (Victor August), 1859-1924","Langey, Otto, 1851-1922","Heyendal, Pierre","Hill, J. Leubrie (John Leubrie), -1916","McCabe, James C. (James C.) (19)","Klickmann, F. Henri (Frank Henri), 1885-1966","Hirsch, Louis A. (Louis Achille), 1881-1924","Jergensen, S.","Holzmann, Abe, 1874-1939","Mackie, H. W. (Hamish William)","Tobani, Theo. M. (Theodore Moses), 1855-1933","Howard, Joseph E. (Joseph Edgar), -1961","Hubbell, Raymond (John Raymond), 1879-1954","Huffer, Fred","Ingraham, Herbert, 1881-1910","Irving, Bob","White, Fred, (Composer)","Jacobi, Victor (Victor Friedrich Leopold), 1809-1892","Breau, Louis, 1893-1928","Bennett, Robert Russell, 1894-1981","Jacobs, Walter, 1868-1945","Jerome, William, active 1896","Jerome, Benjamin M., 1881-1938","Clark, Thomas, 1854-1943","Dahlman, H.A.","Jimerson, Frank H.","Johnson, Chas. L. (Charles Leslie), 1876-1950","Barry, Frank E. (Frank Edward) (1883-05-27-1937-12-13)","Joyce, Archibald, 1873-1963","Asher, Emile","Kalmar, Bert, 1884-1947","Ahlert, Fred E. (Fred Emil), 1892-1953","Ruby, Harry (1895-01-27-1974-02-23)","Lange, Arthur, 1889-1956","Kanoa, Kapulè","Kaufman, Mel B. (Melville Bernd), 1879-1932","Kaplan, Dave, (Pianist)","Savino, Domenico, 1882-1973","Keiser, Robert A., 1862-1932","Klohr, John N., 1869-1956","Hall, Milt. H.","Kummer, Clare Beecher, 1886-1958","Saddler, Frank (1864-09-09-1921-03-25)","Leroy, Sidney","Lincoln, Harry J., 1878-1937","Loftis, E. E.","Farrar, O. R.","Mack, Cecil, 1883-1944","Dillea, Herbert","Mellor Gifford, Composer","Trevor, Huntley","Menge, J. Wilmer (Joseph Wilmer), 1905-1987","Messina, J.","Conlin, James P.","Milok, E.","Lewis, W.","Moret, Neil, 1878-1943","Abrahams, Maurice, 1883-1931","Myers, Roy O.","O'Donnell, Charley ","Heath, Bobby, 1889-1952","Danmark, Ribé","Penn, William H.","Quinn, Charles","Hutchison, Edward, (Composer)","Egener, C. A.","Penney, Clarence J.","Piantadosi, Al, 1884-1955","Alexander, Russell, 1877-1915","Porepp, Georg (1875-1942)","Roberts, Charles J. (1868-07-25-1957-08-03)","Pryor, Arthur (Arthur Willard), 1870-1942","Ressegue, Addison J.","Restorff, Henry","Seltzer, F. R.","Ritchie, J. Lawrence","Rolfe, Walter, 1880-1944","Friedrich, Herman","Selden, Edgar","Kendis, James, 1883-1946","Paley, Herman, 1879-1955","Shannon, J. R. (James Royce), 1881-1946","Sirmay, Albert (1880-07-02-1967-01-15)","Higgs, H. M.","Wood, Arthur (Arthur Henry), 1875-1953","Sizemore, Arthur, 1891-1954","Smith, Maurice F., 1872-1925","Snyder, Jack, (Composer)","Briegel, George F. (George Frederick), 1890-1968","Stahl, Richard, 1860?-1899","Starks, B. H.","Stevens, George A. (George Alex), 1874-1954","Stone, G. Van","Stromberg, John, 1853-1902","Thomas, Ludomir","Von Tilzer, Harry, 1872-1946","Evans, Everett J.","Trinkaus, George J., 1878-1960","Vandersloot, Carl D., 1878-1937","Wachs, Paul, 1851-1915","Waldteufel, Emil, 1837-1915","Ward, Charles B.","De Witt, L. O.","Watson, Freddy","Weaver, R. L.","Hughes, Arthur Wellesley, approximately 1870-approximately 1950","Wenrich, Percy, 1887-1952","Dunlap","McKee","Werden, W. L. ","Gladdish, Frederick E.","Dotzler, C. ","Wheatley, E. M.","White and Lloyd","Zulueta, Pedro de, (Musician)","Wright, Ellen Riley (1859-1904)","Kiefert, Carl","Yellen, Jack, 1892-1991","Olman, Abe","La Salle, Victor","Zerbe, C. F.","Zickel, Harry H.","Schremser, E. R."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":219,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"62e70642a5088e39d98ef045","timestamp":"2026-07-11T02:32:34.404Z","abstract_html_tesm":["\u003cabstract id=\"aspace_3544181ffcc00c565587acd79a0919eb\"\u003eThis collection contains 218 popular music dance band selections from the late 19th and early 20th centuries. Composer represented here include: Spencer Adams; Russell Alexander; Harry L. Alford; Egbert van Alstyne; Will R. Anderson; Bert R. Anthony;  Fred T. Ashton;  Charles L. Van Baar;  Ernest R. Ball;  Ashley Ballou;  A.W. Bauer;  C.W. Bennet;  Irving Berlin; Leo E. Berliner;  Milton D. Blake, H.B. Blank and Schwartz;  N. Bousquet;  E.L. Bowman;  Edmund Braham; R.H. Brennen; Louise Breau;  G.B. Brigham;  Fred C. Brooks; Shelton Brooks; Will M.S. Brown;  Ernest Bucalossi;  Benjamin Burt;  Carl Carlton ; Ivan Caryll;  W.P. Chambers; James P. Conlin; Charles L. Cooke ; G.F. Daniels;  Denni; Herbert Dillea;  Will E. Dulmage; O.R. Farrar; Carl Fischer; Bayard E. Foote; A. Ford; Rudolf Friml;  Joseph Gearen; T. Mayo Geary;  Gilbert, Friedland and Morgan;  Gilbert and Muir; L. Wolfe Gilbert;  Vivian Grey (Mabel McKinley);  Gumble and Blake;  Fred W. Hager;  John T. Hall;  R.B. Hall;  Edward Hazel; Milt H. Hall;  H.L. Heartz;  J. Fred Helf; S.R. Henry;  Victor Herbert; Pierre Heyendal;  Williams Hill;  Louis H. Hirsche;  Abe Holzmann;  Joseph E. Howard;   Raymond Hubbell; Fred K. Huffer;  Herbert Ingraham;  Bob Irving;  Victor Jacobi;  Walter Jacobs (publisher);  Carrie Jacobs-Bond;  Jerome and Schwartz;  Ben M. Jerome;  Frank H. Jimerson;  Charles L. Johnson;  Archibald Joyce;  Ruby Kalmar;  Kapul\u0026#xE8; Kanoa;  Mel Kaufman;  F. Henri Klickmann; John N. Klohr; Clare Kummer;  J. Bodewalt Lampe;  L.P. Laurendeau;  Sidney Leroy;  John Leubrie Hill;  Harry J. Lincoln;  Edward Llewellyn; E.E. Loftis;  F.H. Losey;  Gustav Luders;  Cecil Mack and Chris Smith; W.H. Mackie;  Gifford Mellor;  J.W. Menges;  Roy O. Myers; Kerry Mills; E. Milok;  Neil Moret;  Theo F. Morse;  Theo Moses-Tobani;  Lewis F. Muri and Maurice Abrahams; Gilbert Muir; O'Donnell and Smith; William C. O'Hare; Lee Orean Smith; William Penn and Edward Hutchinson;  Clarence J. Penney;  William Frederick Peters;  Al Piantadosi;  Georg Porepp;  Arthur Pryor;  Add J. Ressegue;  Henry Restorff; F.R. Seltzer;  J. Lawrence Ritchie;  Charles J. Roberts;  Walter Rolfe;  Selden-Ingraham and Kendis-Payley;  Shannon and Johnson;  Albert Sirmay;  Arthur Sizemore and Egbert van Alstyne; Maurice F. Smith, Jack Snyder, Ted Snyder, Richard Stahl, B.H. Starks, George Stevens, G. Van Stone, John Stromberg, Thurban and Berger; Ludomir Thomas, Harry von Tilzer, George J. Trinkaus, C.E. Vadersloot, Paul Wachs, E. Waldteufel, Charles B. Ward, Freddy Watson, R.L. Weaver, Arthur Wellesly, Percy Wenrich, Wenrich and Blanke-Belcher, Wenrich and Dunlap, Werden and Gladdish, E.M. Wheatley, White and Lloyd, H. Lane Wilson, L.O. De Witt, L. Wolfe Gilbert and Robert E. Keiser Arthur Wood, Pedro de Zulueta, Wooster and Smith, Ellen Wright, Jack Yellen and Abe Olman, C.F. Zerbe and Harry Zickel. \n\nArrangers represented include: Harry L. Alford; Hilding Anderson; J.C. Arnold; Emile Asher; Fred T. Ashton; Frank E. Barry; C.F. Bauer; Robert Russell Bennett; J. Lampe Bodewalt; M.I. Brazil; Geo. F. Briegel; Charles F. Carey; Carl Carlton; J.W. Chattaway; Tom Clark; F.W. Clement; James P. Conlin; H.A. Dahlman; Rib\u0026#xE9; Danmark; Ivan L. Davis; S. Deshon; C. Dotzler; C.A. Egener; Everett J. Evans; Herman Friederich; John T. Hall; R. L. Halle; J.C. Heed; T.W. Hindley; S. Jergensen; Charles L. Johnson; Stephen Jones; Stephen O. Jones; Dave Kaplin; Louis Katzman; Carl Kiefert; F. Henri Klickmann; John N. Klohr; Arthur Lange; Otto Langey; L. P. Laurendeau; F.H. Losey; W.H. Mackie; James C. McCabe; McKee;  J. Messina; Charles Miller; Theo- Moses-Tobani; William C. O'Hare; D. Onivas Charles Puerner; Charles Quinn; William M. Redfield F.; Robert Recker; J. Ringleben Jr.; Charles J. Roberts; E. Rosales; Frank Saddler; 'La Salle;' Schaefer; E. R. Schremser; William Schul; Lee Orean Smith; Maurice S. Smith; Fred White; Carl F. Williams; L. O. Witt; and Arthur Wood. \n\n\nStatement on Potentially Harmful Content: \n\nMany of the items in our collections are reflective of the time period in which they were created, rather than the current beliefs and values of our institution. They may contain offensive or outdated language and imagery because of content relating to ability, gender, race, religion, sexuality, sexual orientation, and other categories. While some descriptions in our finding aids are written by staff, others reflect language that was used by the people and organizations that created the material. When we encounter problematic language that we believe a staff member created, we update it. Language that comes from the original archival material can provide information about the people who created it. In such cases, library staff members strive to provide additional context whenever possible.\u003c/abstract\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/62e70642a5088e39d98ef045_aspace_4df5a59004f84c2bfbfc16744fa3fa2d"}},{"id":"34e1c2c7c431f5206e979541_aspace_17793","type":"File","attributes":{"title":"News Clippings, circa 1894-circa 1931","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/34e1c2c7c431f5206e979541_aspace_17793#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_17793","ref_ssm":["aspace_17793","aspace_17793"],"id":"34e1c2c7c431f5206e979541_aspace_17793","title_filing_ssi":"News Clippings","title_ssm":["News Clippings"],"title_tesim":["News Clippings"],"unitdate_inclusive_ssm":["circa 1894-circa 1931"],"normalized_date_ssm":["circa 1894-circa 1931"],"normalized_title_ssm":["News Clippings, circa 1894-circa 1931"],"text":["News Clippings, circa 1894-circa 1931","Henry Nehrling Papers, 1886-1970","Business and Personal Documents, 1887-1932","Folder 155-158","/repositories/4/archival_objects/37563","box 2","folder 155-158"],"component_level_isim":[2],"parent_ids_ssim":["34e1c2c7c431f5206e979541","34e1c2c7c431f5206e979541_aspace_17714"],"parent_unittitles_ssm":["Henry Nehrling Papers, 1886-1970","Business and Personal Documents, 1887-1932"],"parent_unittitles_tesim":["Henry Nehrling Papers, 1886-1970","Business and Personal Documents, 1887-1932"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 155-158","/repositories/4/archival_objects/37563"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Henry Nehrling Papers, 1886-1970"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":316,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931],"containers_ssim":["box 2","folder 155-158"],"_nest_path_":"/components#2/components#5","_nest_parent_":"34e1c2c7c431f5206e979541_aspace_17714","_root_":"34e1c2c7c431f5206e979541","timestamp":"2026-07-09T03:02:47.938Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"34e1c2c7c431f5206e979541","title_ssm":["Henry Nehrling Papers"],"title_tesim":["Henry Nehrling Papers"],"ead_ssi":"34e1c2c7c431f5206e979541","unitdate_ssm":["1886-1970"],"unitdate_inclusive_ssm":["1886-1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.029","/repositories/4/resources/158"],"text":["SC.029","/repositories/4/resources/158","Henry Nehrling Papers, 1886-1970","Naples (Fla.)","Birds -- North America","Horticulture -- Florida","Plants, Ornamental -- Florida","Gardens -- Florida","Gardening -- Florida","Tropical Plants","Botany -- Florida","Botany","Bromeliaceae","Plant hybridization","Photographic prints","botanical illustrations","The entire collection is open for research.","Henry Nehrling, an ornithologist and horticulturist, was born on 9 May 1853 in Herman, Wisconsin, to Carl Nehrling and Elizabeth Ruge. His walks to and from a Lutheran parochial school several miles from his home gave him an opportunity to develop a passionate interest in birds and plants. He completed a teacher education program at the Lutheran Teacher's Seminary in Addison, Illinois and taught in Illinois, Missouri and Texas. Nehrling married Sophia Schoff of Oak Park, Illinois on July 20, 1874 and they had nine children. Their eldest son, Walter, became a professor of Botany at Illinois State Normal School. Henry Nehrling was an original member of the American Ornithologist's Union formed in 1883.","\nWhile living in Houston, Texas from 1879, Nehrling first had the opportunity of growing tropical plants. In 1887, he was appointed deputy collector and inspector of customs at the port of Milwaukee where he remained for three years until he accepted the post of Custodian of the Public Museum in Milwaukee where he collected plant specimens for their greenhouse. He purchased land in Gotha, Florida in 1884, but did not visit the property until 1886. Slowly, as his finances allowed, he developed the property into an ornamental garden. At the Columbian Exposition of 1893, Nehrling had the opportunity of examining many tropical plants and trees and became fascinated with the fancy-leafed caladium. Through a South American horticulturist, Adolph Lietz, Nehrling acquired hundreds of Brazilian caladium specimens. These were first housed in his greenhouse in Milwaukee but were later moved to Gotha. Nehrling created new hybrid caladiums which he named in honor of his wife, the \"Mrs. Sophie Nehrling,\" his son the \"Arno Nehrling\" and his daughter-in-law \"Mrs. Arno Nehrling.\"","\nNehrling lost his position with the Public Museum of Milwaukee and permanently settled in Gotha in 1904. where he also began to experiment with the colorful annual flowering Amaryllis. He grew, hybridized, and popularized many unusual and exotic plants for the general public. Caladiums, palms, bamboo, and amaryllis were all introduced to the United States by way of his Palm Cottage Gardens. Nehrling collaborated with the Office of Foreign Seed and Plant Introduction, which was part of what was then called the Bureau of Plant Industry. Through this connection, Nehrling was able to expand his international contacts and gather information, plants and seeds from tropical horticulturists around the world. Nehrling's garden became so well known that people like John Burroughs, Thomas Edison, and Theodore Roosevelt came to visit and learn gardening tips. Nehrling's wife, Sophia, died on November 11, 1911, and on June 7, 1916 he married Betty P. Mitchell. A freeze in 1917 killed many of his most valuable plants; to avoid a recurrence, he purchased property in Naples, Florida where he could safely grow tropical species. He settled there in 1922 and by 1925, Nehrling had over three thousand species of tropical plants. Financial problems forced him to return to Gotha where he died on November 22, 1929 and was buried in Woodlawn cemetery near Gotha. His garden in Naples was preserved as the Jungle Larry's Caribbean Gardens and some efforts have been made to preserve his Palm Cottage Gardens in Gotha.","\nNehrling always wrote about his interests; he wrote articles on birds for the Nuttall Ornithological Club in Texas. In 1922, he began writing columns for The American Eagle, a weekly newspaper published in Estero, Florida. His first book Orchids in South Florida was published in 1890 and was followed a year later by Die Nordamerikanische Vogelwelt (North American Bird Life). Two volumes of Our Native Birds of Song and Beauty were published in 1893 and 1896 respectively. His next work, Die Amaryllis oder Rittersterne (Hippeastrum) (The Amaryllis), was published in 1908.","Collection processed by Judith Beale; finding aid prepared by Judith Beale, Dannie Helm, and Blair Jackson.\t ","Materials were arranged in pH neutral folders and boxes. Damaged, fragile and high use items were placed in polyester sleeves. Some materials have water damage and were freeze dried in August 2006.","Other materials about Henry Nehrling are held in repositories at  Rollins College ,  Winter Park Public Library ,  Fairchild Tropical Botanic Garden Library ,  Orange County Regional History Center  and the Koreshan Collection. Nehrling wrote several books that may be found by searching the library catalog. Michael A. Spencer also donated collections on Henry Nehrling to University of Central Florida Libraries, Special Collections \u0026 University Archives. The finding aid can be found  here .","These papers are divided into three series by type of document.","Series I: Writings, 1894-1970 holds manuscripts, newspaper articles and clippings, outlines, research notes, outgoing correspondence and reviews written by Henry Nehrling.","\nSeries II: Gardening Information, 1886-1930 contains photographs, plant lists, order forms and other information about plants that interested Nehrling.","\nSeries III: Business and Personal Documents, 1887-1932 consists of incoming correspondence, financial papers, photographs, news clippings, a short biography and other materials from the Nehrling household.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Henry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature.","UCF Special Collections","Nehrling, Henry, 1853-1929","English"],"unitid_tesim":["SC.029","/repositories/4/resources/158"],"normalized_date_ssm":["1886-1970"],"normalized_title_ssm":["Henry Nehrling Papers, 1886-1970"],"collection_title_tesim":["Henry Nehrling Papers, 1886-1970"],"collection_ssim":["Henry Nehrling Papers, 1886-1970"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Naples (Fla.)"],"geogname_ssim":["Naples (Fla.)"],"creator_ssm":["Nehrling, Henry, 1853-1929"],"creator_ssim":["Nehrling, Henry, 1853-1929"],"creator_persname_ssim":["Nehrling, Henry, 1853-1929"],"creators_ssim":["Nehrling, Henry, 1853-1929"],"places_ssim":["Naples (Fla.)"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The University of Central Florida Libraries, Special Collections and University Archives Department purchased these materials from the Mickler estate in 1999 (CFM1999_03). Some copies of the American Eagle were donated by the Florida Audubon Society."],"access_subjects_ssim":["Birds -- North America","Horticulture -- Florida","Plants, Ornamental -- Florida","Gardens -- Florida","Gardening -- Florida","Tropical Plants","Botany -- Florida","Botany","Bromeliaceae","Plant hybridization","Photographic prints","botanical illustrations"],"access_subjects_ssm":["Birds -- North America","Horticulture -- Florida","Plants, Ornamental -- Florida","Gardens -- Florida","Gardening -- Florida","Tropical Plants","Botany -- Florida","Botany","Bromeliaceae","Plant hybridization","Photographic prints","botanical illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 5 Boxes"],"extent_tesim":["3.25 Linear Feet 5 Boxes"],"genreform_ssim":["Photographic prints","botanical illustrations"],"date_range_isim":[1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eHenry Nehrling, an ornithologist and horticulturist, was born on 9 May 1853 in Herman, Wisconsin, to Carl Nehrling and Elizabeth Ruge. His walks to and from a Lutheran parochial school several miles from his home gave him an opportunity to develop a passionate interest in birds and plants. He completed a teacher education program at the Lutheran Teacher's Seminary in Addison, Illinois and taught in Illinois, Missouri and Texas. Nehrling married Sophia Schoff of Oak Park, Illinois on July 20, 1874 and they had nine children. Their eldest son, Walter, became a professor of Botany at Illinois State Normal School. Henry Nehrling was an original member of the American Ornithologist's Union formed in 1883.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Houston, Texas from 1879, Nehrling first had the opportunity of growing tropical plants. In 1887, he was appointed deputy collector and inspector of customs at the port of Milwaukee where he remained for three years until he accepted the post of Custodian of the Public Museum in Milwaukee where he collected plant specimens for their greenhouse. He purchased land in Gotha, Florida in 1884, but did not visit the property until 1886. Slowly, as his finances allowed, he developed the property into an ornamental garden. At the Columbian Exposition of 1893, Nehrling had the opportunity of examining many tropical plants and trees and became fascinated with the fancy-leafed caladium. Through a South American horticulturist, Adolph Lietz, Nehrling acquired hundreds of Brazilian caladium specimens. These were first housed in his greenhouse in Milwaukee but were later moved to Gotha. Nehrling created new hybrid caladiums which he named in honor of his wife, the \"Mrs. Sophie Nehrling,\" his son the \"Arno Nehrling\" and his daughter-in-law \"Mrs. Arno Nehrling.\"\u003c/p\u003e\n","\u003cp\u003e\nNehrling lost his position with the Public Museum of Milwaukee and permanently settled in Gotha in 1904. where he also began to experiment with the colorful annual flowering Amaryllis. He grew, hybridized, and popularized many unusual and exotic plants for the general public. Caladiums, palms, bamboo, and amaryllis were all introduced to the United States by way of his Palm Cottage Gardens. Nehrling collaborated with the Office of Foreign Seed and Plant Introduction, which was part of what was then called the Bureau of Plant Industry. Through this connection, Nehrling was able to expand his international contacts and gather information, plants and seeds from tropical horticulturists around the world. Nehrling's garden became so well known that people like John Burroughs, Thomas Edison, and Theodore Roosevelt came to visit and learn gardening tips. Nehrling's wife, Sophia, died on November 11, 1911, and on June 7, 1916 he married Betty P. Mitchell. A freeze in 1917 killed many of his most valuable plants; to avoid a recurrence, he purchased property in Naples, Florida where he could safely grow tropical species. He settled there in 1922 and by 1925, Nehrling had over three thousand species of tropical plants. Financial problems forced him to return to Gotha where he died on November 22, 1929 and was buried in Woodlawn cemetery near Gotha. His garden in Naples was preserved as the Jungle Larry's Caribbean Gardens and some efforts have been made to preserve his Palm Cottage Gardens in Gotha.\u003c/p\u003e\n","\u003cp\u003e\nNehrling always wrote about his interests; he wrote articles on birds for the Nuttall Ornithological Club in Texas. In 1922, he began writing columns for The American Eagle, a weekly newspaper published in Estero, Florida. His first book Orchids in South Florida was published in 1890 and was followed a year later by Die Nordamerikanische Vogelwelt (North American Bird Life). Two volumes of Our Native Birds of Song and Beauty were published in 1893 and 1896 respectively. His next work, Die Amaryllis oder Rittersterne (Hippeastrum) (The Amaryllis), was published in 1908.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Henry Nehrling, an ornithologist and horticulturist, was born on 9 May 1853 in Herman, Wisconsin, to Carl Nehrling and Elizabeth Ruge. His walks to and from a Lutheran parochial school several miles from his home gave him an opportunity to develop a passionate interest in birds and plants. He completed a teacher education program at the Lutheran Teacher's Seminary in Addison, Illinois and taught in Illinois, Missouri and Texas. Nehrling married Sophia Schoff of Oak Park, Illinois on July 20, 1874 and they had nine children. Their eldest son, Walter, became a professor of Botany at Illinois State Normal School. Henry Nehrling was an original member of the American Ornithologist's Union formed in 1883.","\nWhile living in Houston, Texas from 1879, Nehrling first had the opportunity of growing tropical plants. In 1887, he was appointed deputy collector and inspector of customs at the port of Milwaukee where he remained for three years until he accepted the post of Custodian of the Public Museum in Milwaukee where he collected plant specimens for their greenhouse. He purchased land in Gotha, Florida in 1884, but did not visit the property until 1886. Slowly, as his finances allowed, he developed the property into an ornamental garden. At the Columbian Exposition of 1893, Nehrling had the opportunity of examining many tropical plants and trees and became fascinated with the fancy-leafed caladium. Through a South American horticulturist, Adolph Lietz, Nehrling acquired hundreds of Brazilian caladium specimens. These were first housed in his greenhouse in Milwaukee but were later moved to Gotha. Nehrling created new hybrid caladiums which he named in honor of his wife, the \"Mrs. Sophie Nehrling,\" his son the \"Arno Nehrling\" and his daughter-in-law \"Mrs. Arno Nehrling.\"","\nNehrling lost his position with the Public Museum of Milwaukee and permanently settled in Gotha in 1904. where he also began to experiment with the colorful annual flowering Amaryllis. He grew, hybridized, and popularized many unusual and exotic plants for the general public. Caladiums, palms, bamboo, and amaryllis were all introduced to the United States by way of his Palm Cottage Gardens. Nehrling collaborated with the Office of Foreign Seed and Plant Introduction, which was part of what was then called the Bureau of Plant Industry. Through this connection, Nehrling was able to expand his international contacts and gather information, plants and seeds from tropical horticulturists around the world. Nehrling's garden became so well known that people like John Burroughs, Thomas Edison, and Theodore Roosevelt came to visit and learn gardening tips. Nehrling's wife, Sophia, died on November 11, 1911, and on June 7, 1916 he married Betty P. Mitchell. A freeze in 1917 killed many of his most valuable plants; to avoid a recurrence, he purchased property in Naples, Florida where he could safely grow tropical species. He settled there in 1922 and by 1925, Nehrling had over three thousand species of tropical plants. Financial problems forced him to return to Gotha where he died on November 22, 1929 and was buried in Woodlawn cemetery near Gotha. His garden in Naples was preserved as the Jungle Larry's Caribbean Gardens and some efforts have been made to preserve his Palm Cottage Gardens in Gotha.","\nNehrling always wrote about his interests; he wrote articles on birds for the Nuttall Ornithological Club in Texas. In 1922, he began writing columns for The American Eagle, a weekly newspaper published in Estero, Florida. His first book Orchids in South Florida was published in 1890 and was followed a year later by Die Nordamerikanische Vogelwelt (North American Bird Life). Two volumes of Our Native Birds of Song and Beauty were published in 1893 and 1896 respectively. His next work, Die Amaryllis oder Rittersterne (Hippeastrum) (The Amaryllis), was published in 1908."],"prefercite_html_tesm":["\u003cp\u003eHenry Nehrling Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Henry Nehrling Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Judith Beale; finding aid prepared by Judith Beale, Dannie Helm, and Blair Jackson.\t \u003c/p\u003e","\u003cp\u003eMaterials were arranged in pH neutral folders and boxes. Damaged, fragile and high use items were placed in polyester sleeves. Some materials have water damage and were freeze dried in August 2006.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Judith Beale; finding aid prepared by Judith Beale, Dannie Helm, and Blair Jackson.\t ","Materials were arranged in pH neutral folders and boxes. Damaged, fragile and high use items were placed in polyester sleeves. Some materials have water damage and were freeze dried in August 2006."],"relatedmaterial_html_tesm":["\u003cp\u003eOther materials about Henry Nehrling are held in repositories at \u003cextref href=\"http://www.rollins.edu/olin/archives/index.html\"\u003eRollins College\u003c/extref\u003e, \u003cextref href=\"https://omeka.wppl.librarymarket.com/\"\u003eWinter Park Public Library\u003c/extref\u003e, \u003cextref href=\"http://www.fairchildgarden.org/research/SmithCollection.html\"\u003eFairchild Tropical Botanic Garden Library\u003c/extref\u003e, \u003cextref href=\"https://www.thehistorycenter.org/collections/research-center/\"\u003eOrange County Regional History Center\u003c/extref\u003e and the Koreshan Collection. Nehrling wrote several books that may be found by searching the library catalog. Michael A. Spencer also donated collections on Henry Nehrling to University of Central Florida Libraries, Special Collections \u0026amp; University Archives. The finding aid can be found \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08a\"\u003ehere\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other materials about Henry Nehrling are held in repositories at  Rollins College ,  Winter Park Public Library ,  Fairchild Tropical Botanic Garden Library ,  Orange County Regional History Center  and the Koreshan Collection. Nehrling wrote several books that may be found by searching the library catalog. Michael A. Spencer also donated collections on Henry Nehrling to University of Central Florida Libraries, Special Collections \u0026 University Archives. The finding aid can be found  here ."],"scopecontent_html_tesm":["\u003cp\u003eThese papers are divided into three series by type of document.\u003c/p\u003e\n","\u003cp\u003eSeries I: Writings, 1894-1970 holds manuscripts, newspaper articles and clippings, outlines, research notes, outgoing correspondence and reviews written by Henry Nehrling.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Gardening Information, 1886-1930 contains photographs, plant lists, order forms and other information about plants that interested Nehrling.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Business and Personal Documents, 1887-1932 consists of incoming correspondence, financial papers, photographs, news clippings, a short biography and other materials from the Nehrling household.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["These papers are divided into three series by type of document.","Series I: Writings, 1894-1970 holds manuscripts, newspaper articles and clippings, outlines, research notes, outgoing correspondence and reviews written by Henry Nehrling.","\nSeries II: Gardening Information, 1886-1930 contains photographs, plant lists, order forms and other information about plants that interested Nehrling.","\nSeries III: Business and Personal Documents, 1887-1932 consists of incoming correspondence, financial papers, photographs, news clippings, a short biography and other materials from the Nehrling household."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_53b53e589e16583d7a6d8277baa2fa23\" label=\"Abstract\"\u003eHenry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature.\u003c/abstract\u003e"],"abstract_tesim":["Henry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature."],"names_ssim":["UCF Special Collections","Nehrling, Henry, 1853-1929"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Nehrling, Henry, 1853-1929"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":341,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"34e1c2c7c431f5206e979541","timestamp":"2026-07-09T03:02:47.938Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/34e1c2c7c431f5206e979541_aspace_17793"}},{"id":"8a2081f4c0fa74596c6cf5ed_aspace_2157194f5d728d970d2a1c515ce73472","type":"File","attributes":{"title":"Newspaper clippings (1893-1956), 1893-1956","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8a2081f4c0fa74596c6cf5ed_aspace_2157194f5d728d970d2a1c515ce73472#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_2157194f5d728d970d2a1c515ce73472","ref_ssm":["aspace_2157194f5d728d970d2a1c515ce73472","aspace_2157194f5d728d970d2a1c515ce73472"],"id":"8a2081f4c0fa74596c6cf5ed_aspace_2157194f5d728d970d2a1c515ce73472","title_filing_ssi":"Newspaper clippings (1893-1956)","title_ssm":["Newspaper clippings (1893-1956)"],"title_tesim":["Newspaper clippings (1893-1956)"],"unitdate_inclusive_ssm":["1893-1956"],"normalized_date_ssm":["1893-1956"],"normalized_title_ssm":["Newspaper clippings (1893-1956), 1893-1956"],"text":["Newspaper clippings (1893-1956), 1893-1956","Olin Downes Papers Collection, 1956","Series III. Research Materials","Folder 1","/repositories/12/archival_objects/223077","Downes, Olin, 1886-1955","Downes, Olin, 1886-1955","Musical criticism","Musicology","Music publishing","English French"],"component_level_isim":[2],"parent_ids_ssim":["8a2081f4c0fa74596c6cf5ed","8a2081f4c0fa74596c6cf5ed_aspace_f1adb3fde9d9f69f734d4240b74f0b1c"],"parent_unittitles_ssm":["Olin Downes Papers Collection, 1956","Series III. Research Materials"],"parent_unittitles_tesim":["Olin Downes Papers Collection, 1956","Series III. 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It contains research notes, correspondence, newspaper clippings, programs, lecture notes, handwritten music, as well as other published and unpublished written materials.","Allen Music Library Special Collections","Downes, Olin, 1886-1955","Falla, Manuel de, 1876-1946","Binder, Abraham Wolf, 1895-1966","Cherubini, Luigi, 1760-1842","Dowland, John, 1563?-1626","Chopin, Frédéric (Frédéric François), 1810-1849","Barber, Samuel (Samuel Osborne), 1910-1981","Verdi, Giuseppe, 1813-1901","Wagner, Richard, 1813-1883","Rossini, Gioacchino, 1792-1868","English German Finnish"],"unitid_tesim":["FSUML-2023-001","/repositories/12/resources/2632"],"normalized_date_ssm":["1956"],"normalized_title_ssm":["Olin Downes Papers Collection, 1956"],"collection_title_tesim":["Olin Downes Papers Collection, 1956"],"collection_ssim":["Olin Downes Papers Collection, 1956"],"repository_ssm":["Allen Music Library Special Collections"],"repository_ssim":["Allen Music Library Special Collections"],"creator_ssm":["Downes, Olin, 1886-1955"],"creator_ssim":["Downes, Olin, 1886-1955"],"creator_persname_ssim":["Downes, Olin, 1886-1955"],"creators_ssim":["Downes, Olin, 1886-1955"],"access_subjects_ssim":["Art music","Music theory","Musicology","Musical criticism"],"access_subjects_ssm":["Art music","Music theory","Musicology","Musical criticism"],"has_online_content_ssim":["false"],"extent_ssm":["2 boxes 2 boxes; 226 items"],"extent_tesim":["2 boxes 2 boxes; 226 items"],"date_range_isim":[1956],"scopecontent_html_tesm":["\u003cp\u003eThis collection belonged to music critic Olin Downes (1886-1955) and was gifted to the Florida State University Music Library by his widow Irene Miles Downes after his death. It contains research notes, correspondence, newspaper clippings, programs, lecture notes, handwritten music, as well as other published and unpublished written materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection belonged to music critic Olin Downes (1886-1955) and was gifted to the Florida State University Music Library by his widow Irene Miles Downes after his death. It contains research notes, correspondence, newspaper clippings, programs, lecture notes, handwritten music, as well as other published and unpublished written materials."],"names_ssim":["Allen Music Library Special Collections","Downes, Olin, 1886-1955","Falla, Manuel de, 1876-1946","Binder, Abraham Wolf, 1895-1966","Cherubini, Luigi, 1760-1842","Dowland, John, 1563?-1626","Chopin, Frédéric (Frédéric François), 1810-1849","Barber, Samuel (Samuel Osborne), 1910-1981","Verdi, Giuseppe, 1813-1901","Wagner, Richard, 1813-1883","Rossini, Gioacchino, 1792-1868"],"corpname_ssim":["Allen Music Library Special Collections"],"persname_ssim":["Downes, Olin, 1886-1955","Falla, Manuel de, 1876-1946","Binder, Abraham Wolf, 1895-1966","Cherubini, Luigi, 1760-1842","Dowland, John, 1563?-1626","Chopin, Frédéric (Frédéric François), 1810-1849","Barber, Samuel (Samuel Osborne), 1910-1981","Verdi, Giuseppe, 1813-1901","Wagner, Richard, 1813-1883","Rossini, Gioacchino, 1792-1868"],"language_ssim":["English German Finnish"],"total_component_count_is":32,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8a2081f4c0fa74596c6cf5ed","timestamp":"2026-07-11T02:32:30.307Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8a2081f4c0fa74596c6cf5ed_aspace_2157194f5d728d970d2a1c515ce73472"}},{"id":"5e17dda97e7549e9d9b40539_aspace_4b0da1d948113410a9f785f22d054aab","type":"Subseries","attributes":{"title":"Newspaper Clippings, Circa 1850-2000","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_4b0da1d948113410a9f785f22d054aab#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_4b0da1d948113410a9f785f22d054aab","ref_ssm":["aspace_4b0da1d948113410a9f785f22d054aab","aspace_4b0da1d948113410a9f785f22d054aab"],"id":"5e17dda97e7549e9d9b40539_aspace_4b0da1d948113410a9f785f22d054aab","title_filing_ssi":"Newspaper Clippings","title_ssm":["Newspaper Clippings"],"title_tesim":["Newspaper Clippings"],"unitdate_inclusive_ssm":["Circa 1850-2000"],"normalized_date_ssm":["Circa 1850-2000"],"normalized_title_ssm":["Newspaper Clippings, Circa 1850-2000"],"text":["Newspaper Clippings, Circa 1850-2000","Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials","/repositories/2/archival_objects/6142"],"component_level_isim":[2],"parent_ids_ssim":["5e17dda97e7549e9d9b40539","5e17dda97e7549e9d9b40539_aspace_ced9b0ebeee47c9fad9a3053c0bdb162"],"parent_unittitles_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials"],"parent_unittitles_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/6142"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":9,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":1488,"parent_access_restrict_tesm":["The Dorothy Porter Wesley Collection is open for research."],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"_nest_path_":"/components#5/components#5","_nest_parent_":"5e17dda97e7549e9d9b40539_aspace_ced9b0ebeee47c9fad9a3053c0bdb162","_root_":"5e17dda97e7549e9d9b40539","_version_":1871563605913108480,"timestamp":"2026-07-24T03:02:22.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5e17dda97e7549e9d9b40539","title_filing_ssi":"Wesley, Dorothy Porter Collection","title_ssm":["Dorothy Porter Wesley Collection"],"title_tesim":["Dorothy Porter Wesley Collection"],"ead_ssi":"5e17dda97e7549e9d9b40539","unitdate_ssm":["Circa 1788-2012"],"unitdate_inclusive_ssm":["Circa 1788-2012"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2003.6","/repositories/2/resources/20"],"text":["AARLCC.2003.6","/repositories/2/resources/20","Dorothy Porter Wesley Collection, Circa 1788-2012","Africa -- Research","Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art","The Dorothy Porter Wesley Collection is open for research.","View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.","The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets","Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.","The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.","Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".","The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.","AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970","English Portuguese German"],"unitid_tesim":["AARLCC.2003.6","/repositories/2/resources/20"],"normalized_date_ssm":["Circa 1788-2012"],"normalized_title_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_title_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Africa -- Research"],"geogname_ssim":["Africa -- Research"],"places_ssim":["Africa -- Research"],"acqinfo_ssim":["Broward County Library purchased the materials from Constance Porter Uzelac (daughter of Dorothy Porter Wesley) in December 2002 (Accession AARLCC-2003.6). Milan Uzelac donated accruals to AARLCC Special Collections on June 29, 2012 (Accession AARLCC-2012.12) and on May 12, 2022 (Accession AARLCC-2022.7)."],"access_subjects_ssim":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"access_subjects_ssm":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes","2800 Books"],"extent_tesim":["67 Hollinger Boxes","2800 Books"],"genreform_ssim":["Photographs","Sound recordings","Correspondence","Art"],"date_range_isim":[1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Dorothy Porter Wesley Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll37/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series and sub-series:\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries I. Correspondence\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. General Correspondence\u003c/p\u003e","\u003cp\u003eSub-series II. Family Correspondence\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries II. Professional Papers\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley professional papers\u003c/p\u003e","\u003cp\u003eSub-series II. Constance Porter Uzelac professional papers \u003c/p\u003e","\u003cp\u003eSub-series III. Charles Harris Wesley professional papers \u003c/p\u003e","\u003cp\u003eSub-series IV. Writings by Dorothy Porter Wesley\u003c/p\u003e","\u003cp\u003eSub-series V. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VI. Writings by James A. Porter\u003c/p\u003e","\u003cp\u003eSub-series VII. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VIII. Writings by Charles Harris Wesley \u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries III. Research Files\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley general research files\u003c/p\u003e","\u003cp\u003eSub-series II. Dorothy Porter Wesley Brazil research files\u003c/p\u003e","\u003cp\u003eSub-series III. Dorothy Porter Wesley illustrations\u003c/p\u003e","\u003cp\u003eSub-series IV. Constance Porter Uzelac research files\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries IV. Personal Papers\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries V. Photographs\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries VI. Printed Materials\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Calendars and Datebooks\u003c/p\u003e","\u003cp\u003eSub-series II. Catalogs\u003c/p\u003e","\u003cp\u003eSub-series III. General\u003c/p\u003e","\u003cp\u003eSub-series IV. Magazines\u003c/p\u003e","\u003cp\u003eSub-series V. Maps\u003c/p\u003e","\u003cp\u003eSub-series VI. Newspaper Clippings\u003c/p\u003e","\u003cp\u003eSub-series VII. Sheet Music\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries VII. Ephemera and Artwork\u003c/p\u003e\u003c/b\u003e","\u003cp\u003e\u003cb\u003eSeries VIII. Books and Pamphlets\u003c/b\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets"],"bioghist_html_tesm":["\u003cp\u003eDorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. \u003c/p\u003e\n","\u003cp\u003eIn 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work, \u003cemph\u003eModern Negro Art\u003c/emph\u003e, proved to be one of the most informative sources to date on the creativity of the Black artists.\u003c/p\u003e\n","\u003cp\u003eIn 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.\u003c/p\u003e\n","\u003cp\u003eJames Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. \u003c/p\u003e\n","\u003cp\u003eCharles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.\u003c/p\u003e\n","\u003cp\u003eIn 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.\u003c/p\u003e\n","\u003cp\u003eThe book \u003ci\u003eWilliam Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874\u003c/i\u003e (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.\u003c/p\u003e\n","\u003cp\u003eIn 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012."],"prefercite_html_tesm":["\u003cp\u003eDorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Dorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\n\u003ca href=\"https://archives.yale.edu/repositories/11/resources/994\" target=\"_blank\"\u003ePart of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.\u003c/a\u003e\n\u003c/p\u003e","\u003cp\u003e\n\u003ca href=\"https://archives.libraries.emory.edu/repositories/7/resources/3255\" target=\"_blank\"\u003eDorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.\u003c/a\u003e\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.\u003c/p\u003e\n","\u003cp\u003eCorrespondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.\u003c/p\u003e\n","\u003cp\u003eProfessional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.\u003c/p\u003e\n","\u003cp\u003eConstance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". \u003c/p\u003e\n","\u003cp\u003eThe collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.\u003c/p\u003e\n","\u003cp\u003eResearch files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.\u003c/p\u003e\n","\u003cp\u003ePrinted Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=DPW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_559c404160acc20bdc75d09cde3325a4\"\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets."],"names_ssim":["AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Wesley, Dorothy Porter, 1905-1995"],"persname_ssim":["Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"language_ssim":["English Portuguese German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1539,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563605913108480,"_root_":"5e17dda97e7549e9d9b40539","timestamp":"2026-07-24T03:02:22.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_4b0da1d948113410a9f785f22d054aab"}},{"id":"045d073fac3c2ee36be6e129_aspace_2226","type":"File","attributes":{"title":"Newspaper Copies, 1851-2001","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/045d073fac3c2ee36be6e129_aspace_2226#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains newspaper clippings regarding the Henry Walter burial service, the Walters art collection, the Naples passenger train, the Louisville and Nashville Coast line, and the North Carolina Southern Railroad System.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/045d073fac3c2ee36be6e129_aspace_2226#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_2226","ref_ssm":["aspace_2226","aspace_2226"],"id":"045d073fac3c2ee36be6e129_aspace_2226","title_filing_ssi":"Newspaper Copies","title_ssm":["Newspaper Copies"],"title_tesim":["Newspaper Copies"],"unitdate_inclusive_ssm":["1851-2001"],"normalized_date_ssm":["1851-2001"],"normalized_title_ssm":["Newspaper Copies, 1851-2001"],"text":["Newspaper Copies, 1851-2001","Turner Railroad Collection, 1809-2007","Railroads, 1830-present","Atlantic Coast Line Railroad","Folder 7","/repositories/2/archival_objects/11478","box 3","folder 7","This folder contains newspaper clippings regarding the Henry Walter burial service, the Walters art collection, the Naples passenger train, the Louisville and Nashville Coast line, and the North Carolina Southern Railroad System."],"component_level_isim":[3],"parent_ids_ssim":["045d073fac3c2ee36be6e129","045d073fac3c2ee36be6e129_aspace_2217","045d073fac3c2ee36be6e129_aspace_2218"],"parent_unittitles_ssm":["Turner Railroad Collection, 1809-2007","Railroads, 1830-present","Atlantic Coast Line Railroad"],"parent_unittitles_tesim":["Turner Railroad Collection, 1809-2007","Railroads, 1830-present","Atlantic Coast Line Railroad"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 7","/repositories/2/archival_objects/11478"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Turner Railroad Collection, 1809-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":58,"parent_access_terms_tesm":["All rights reserved. Material may be used only for research, educational, legal and non-commercial purposes, with acknowledgement of Florida Gulf Coast University Archives and Special Collections."],"date_range_isim":[1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"containers_ssim":["box 3","folder 7"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains newspaper clippings regarding the Henry Walter burial service, the Walters art collection, the Naples passenger train, the Louisville and Nashville Coast line, and the North Carolina Southern Railroad System.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains newspaper clippings regarding the Henry Walter burial service, the Walters art collection, the Naples passenger train, the Louisville and Nashville Coast line, and the North Carolina Southern Railroad System."],"_nest_path_":"/components#1/components#0/components#6","_nest_parent_":"045d073fac3c2ee36be6e129_aspace_2218","_root_":"045d073fac3c2ee36be6e129","timestamp":"2026-04-28T01:56:48.203Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"045d073fac3c2ee36be6e129","title_ssm":["Turner Railroad Collection"],"title_tesim":["Turner Railroad Collection"],"ead_ssi":"045d073fac3c2ee36be6e129","unitdate_ssm":["1809-2007"],"unitdate_inclusive_ssm":["1809-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/16","/repositories/2/resources/19"],"text":["02/01/16","/repositories/2/resources/19","Turner Railroad Collection, 1809-2007","Railroads--Florida--History--20th century.","Organized in four series: Series 1, Rail Road History, 1830-1890; Series 2, Railroads, 1830-Present; Series 3, Plant Systems Co. Inc., 1860-1902; Series 4, Reference Material.","Gregg M. Turner is a former national director of the Railway \u0026 Locomotive Historical Society at Harvard Business School. Turner is on the business faculty of Southwest Florida College. Turner currently lives in Fort Myers.\nHis books include:\n- A Journey Into Florida Railroad History (2008)\n- Florida Railroads in the 1920's (2005) \n- Fort Myers in Vintage Postcards (2005) \n- The Plant System of railroads, steamships and hotels with Seth Bramson (2004) \n- A milestone celebration: the Seaboard Railway to Naples and Miami (2004) \n- Short History of Florida Railroads (2003) \n- Venice in the 1920's (2000) \n- Fort Myers (2000) \n- Railroads of Southwest Florida (1999)","Consists of publications, advertisements, photographs, administration and research on the east coast railroads of the United States collected by history scholar Gregg M. Turner. Consists of four series, including but not limited to documents and photographs of railroad history (1830-1890), the Plant System Co. Inc.(1860-1902), the three primary railroads on the eastern seaboard of the United States (1830-present), and independent railroads. A portion of the collection has been digitized by Florida Gulf Coast University's Library Archives, Special Collections, and Digital Initiatives and is available on  D [url=https://fgcu.digital.flvc.org/islandora/search/?type=edismax\u0026collection=fgcu:0216]igitalFGCU[/url].","All rights reserved. Material may be used only for research, educational, legal and non-commercial purposes, with acknowledgement of Florida Gulf Coast University Archives and Special Collections.","Florida Gulf Coast University Special Collections","Turner, Gregg M.","Plant, Henry Bradley, 1819-1899.","Flagler, Henry Morrison, 1830-1913","English"],"unitid_tesim":["02/01/16","/repositories/2/resources/19"],"normalized_date_ssm":["1809-2007"],"normalized_title_ssm":["Turner Railroad Collection, 1809-2007"],"collection_title_tesim":["Turner Railroad Collection, 1809-2007"],"collection_ssim":["Turner Railroad Collection, 1809-2007"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Railroads--Florida--History--20th century."],"geogname_ssim":["Railroads--Florida--History--20th century."],"places_ssim":["Railroads--Florida--History--20th century."],"access_terms_ssm":["All rights reserved. Material may be used only for research, educational, legal and non-commercial purposes, with acknowledgement of Florida Gulf Coast University Archives and Special Collections."],"acqinfo_ssim":["Gregg M. Turner - Date acquired: 04/18/2014","Gift to Florida Gulf Coast University Archives and Special Collections."],"has_online_content_ssim":["false"],"extent_ssm":["14.00 Linear Feet"],"extent_tesim":["14.00 Linear Feet"],"date_range_isim":[1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eOrganized in four series: Series 1, Rail Road History, 1830-1890; Series 2, Railroads, 1830-Present; Series 3, Plant Systems Co. Inc., 1860-1902; Series 4, Reference Material.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in four series: Series 1, Rail Road History, 1830-1890; Series 2, Railroads, 1830-Present; Series 3, Plant Systems Co. Inc., 1860-1902; Series 4, Reference Material."],"bioghist_html_tesm":["\u003cp\u003eGregg M. Turner is a former national director of the Railway \u0026amp; Locomotive Historical Society at Harvard Business School. Turner is on the business faculty of Southwest Florida College. Turner currently lives in Fort Myers.\nHis books include:\n- A Journey Into Florida Railroad History (2008)\n- Florida Railroads in the 1920's (2005) \n- Fort Myers in Vintage Postcards (2005) \n- The Plant System of railroads, steamships and hotels with Seth Bramson (2004) \n- A milestone celebration: the Seaboard Railway to Naples and Miami (2004) \n- Short History of Florida Railroads (2003) \n- Venice in the 1920's (2000) \n- Fort Myers (2000) \n- Railroads of Southwest Florida (1999)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Gregg M. Turner is a former national director of the Railway \u0026 Locomotive Historical Society at Harvard Business School. Turner is on the business faculty of Southwest Florida College. Turner currently lives in Fort Myers.\nHis books include:\n- A Journey Into Florida Railroad History (2008)\n- Florida Railroads in the 1920's (2005) \n- Fort Myers in Vintage Postcards (2005) \n- The Plant System of railroads, steamships and hotels with Seth Bramson (2004) \n- A milestone celebration: the Seaboard Railway to Naples and Miami (2004) \n- Short History of Florida Railroads (2003) \n- Venice in the 1920's (2000) \n- Fort Myers (2000) \n- Railroads of Southwest Florida (1999)"],"scopecontent_html_tesm":["\u003cp\u003eConsists of publications, advertisements, photographs, administration and research on the east coast railroads of the United States collected by history scholar Gregg M. Turner. Consists of four series, including but not limited to documents and photographs of railroad history (1830-1890), the Plant System Co. Inc.(1860-1902), the three primary railroads on the eastern seaboard of the United States (1830-present), and independent railroads. A portion of the collection has been digitized by Florida Gulf Coast University's Library Archives, Special Collections, and Digital Initiatives and is available on \u003ca href=\"mailto:mailto:http://fgcu.digital.flvc.org/islandora/object/fgcu:root\"\u003eD\u003c/a\u003e[url=https://fgcu.digital.flvc.org/islandora/search/?type=edismax\u0026amp;collection=fgcu:0216]igitalFGCU[/url].\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Consists of publications, advertisements, photographs, administration and research on the east coast railroads of the United States collected by history scholar Gregg M. Turner. Consists of four series, including but not limited to documents and photographs of railroad history (1830-1890), the Plant System Co. Inc.(1860-1902), the three primary railroads on the eastern seaboard of the United States (1830-present), and independent railroads. A portion of the collection has been digitized by Florida Gulf Coast University's Library Archives, Special Collections, and Digital Initiatives and is available on  D [url=https://fgcu.digital.flvc.org/islandora/search/?type=edismax\u0026collection=fgcu:0216]igitalFGCU[/url]."],"userestrict_html_tesm":["\u003cp\u003eAll rights reserved. Material may be used only for research, educational, legal and non-commercial purposes, with acknowledgement of Florida Gulf Coast University Archives and Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All rights reserved. Material may be used only for research, educational, legal and non-commercial purposes, with acknowledgement of Florida Gulf Coast University Archives and Special Collections."],"names_ssim":["Florida Gulf Coast University Special Collections","Turner, Gregg M.","Plant, Henry Bradley, 1819-1899.","Flagler, Henry Morrison, 1830-1913"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"names_coll_ssim":["Turner, Gregg M.","Plant, Henry Bradley, 1819-1899.","Flagler, Henry Morrison, 1830-1913"],"persname_ssim":["Turner, Gregg M.","Plant, Henry Bradley, 1819-1899.","Flagler, Henry Morrison, 1830-1913"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":568,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"045d073fac3c2ee36be6e129","timestamp":"2026-04-28T01:56:48.203Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/045d073fac3c2ee36be6e129_aspace_2226"}},{"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_98cfe7e68335b8883242932880fdbb38","type":"Subseries","attributes":{"title":"Newspapers, 1897-1923","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_98cfe7e68335b8883242932880fdbb38#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_98cfe7e68335b8883242932880fdbb38","ref_ssm":["aspace_98cfe7e68335b8883242932880fdbb38","aspace_98cfe7e68335b8883242932880fdbb38"],"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_98cfe7e68335b8883242932880fdbb38","title_filing_ssi":"Newspapers","title_ssm":["Newspapers"],"title_tesim":["Newspapers"],"unitdate_inclusive_ssm":["1897-1923"],"normalized_date_ssm":["1897-1923"],"normalized_title_ssm":["Newspapers, 1897-1923"],"text":["Newspapers, 1897-1923","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Publications, 1858-1952, Undated.","Sub-Series 2","/repositories/4/archival_objects/57066"],"component_level_isim":[2],"parent_ids_ssim":["2a6a6aa34a3c99c1b1b95ea9","2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesIV"],"parent_unittitles_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Publications, 1858-1952, Undated."],"parent_unittitles_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Publications, 1858-1952, Undated."],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 2","/repositories/4/archival_objects/57066"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":455,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923],"_nest_path_":"/components#3/components#1","_nest_parent_":"2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesIV","_root_":"2a6a6aa34a3c99c1b1b95ea9","_version_":1872035374829666304,"timestamp":"2026-07-29T08:00:56.373Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2a6a6aa34a3c99c1b1b95ea9","title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"ead_ssi":"2a6a6aa34a3c99c1b1b95ea9","unitdate_ssm":["1829-2006"],"unitdate_inclusive_ssm":["1829-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.113","/repositories/4/resources/225"],"text":["SC.113","/repositories/4/resources/225","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations","The entire collection is open for research.","This collection is itemized and arranged in alphabetical and chronological order.","Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.","Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog .","This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.","UCF Special Collections","Martin, Francis John, Jr.","The materials are written in English."],"unitid_tesim":["SC.113","/repositories/4/resources/225"],"normalized_date_ssm":["1829-2006"],"normalized_title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Martin, Francis John, Jr."],"creator_ssim":["Martin, Francis John, Jr."],"creator_persname_ssim":["Martin, Francis John, Jr."],"creators_ssim":["Martin, Francis John, Jr."],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Francis Martin Jr. donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_15) and 2020 (CFM2020_02, CFM2020_03, CFM2020_16)."],"access_subjects_ssim":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"access_subjects_ssm":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"extent_tesim":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"genreform_ssim":["manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"date_range_isim":[1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is itemized and arranged in alphabetical and chronological order."],"bioghist_html_tesm":["\u003cp\u003eFrancis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners."],"prefercite_html_tesm":["\u003cp\u003eFred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMarlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e\n","\u003cp\u003eSeries I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026amp; posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.\u003c/p\u003e\n","\u003cp\u003eSeries III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.\u003c/p\u003e\n","\u003cp\u003eSeries IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4a581e455cb123495b610919f342aacb\"\u003eThe Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.\u003c/abstract\u003e"],"abstract_tesim":["The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection."],"names_ssim":["UCF Special Collections","Martin, Francis John, Jr."],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Martin, Francis John, Jr."],"language_ssim":["The materials are written in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":459,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872035374829666304,"_root_":"2a6a6aa34a3c99c1b1b95ea9","timestamp":"2026-07-29T08:00:56.373Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_98cfe7e68335b8883242932880fdbb38"}},{"id":"bec408ef355489ed2515918e_aspace_7e04410ad5c81eff6d6d398394046b7f","type":"Item","attributes":{"title":"New Weekly Magazine Harper's Brothers, \"Reciprocity\", by Munkittrick, R.K., 1853-1911","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_7e04410ad5c81eff6d6d398394046b7f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7e04410ad5c81eff6d6d398394046b7f","ref_ssm":["aspace_7e04410ad5c81eff6d6d398394046b7f","aspace_7e04410ad5c81eff6d6d398394046b7f"],"id":"bec408ef355489ed2515918e_aspace_7e04410ad5c81eff6d6d398394046b7f","title_filing_ssi":"New Weekly Magazine Harper's Brothers, \"Reciprocity\", by Munkittrick, R.K.","title_ssm":["New Weekly Magazine Harper's Brothers, \"Reciprocity\", by Munkittrick, R.K."],"title_tesim":["New Weekly Magazine Harper's Brothers, \"Reciprocity\", by Munkittrick, R.K."],"unitdate_inclusive_ssm":["1853-1911"],"normalized_date_ssm":["1853-1911"],"normalized_title_ssm":["New Weekly Magazine Harper's Brothers, \"Reciprocity\", by Munkittrick, R.K., 1853-1911"],"text":["New Weekly Magazine Harper's Brothers, \"Reciprocity\", by Munkittrick, R.K., 1853-1911","African American Legacy: The Carol Mundy collection, 1791-2003","Additional Materials, 1791-1990, Undated","Publications, 1835-1990, Undated","Folder 4","/repositories/4/archival_objects/57403","box 35","folder 4"],"component_level_isim":[3],"parent_ids_ssim":["bec408ef355489ed2515918e","bec408ef355489ed2515918e_aspace_8d9756e691c528284ff3578409880ec9","bec408ef355489ed2515918e_aspace_931e746fe9172e56fab1c41c2a7f0463"],"parent_unittitles_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003","Additional Materials, 1791-1990, Undated","Publications, 1835-1990, Undated"],"parent_unittitles_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003","Additional Materials, 1791-1990, Undated","Publications, 1835-1990, Undated"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 4","/repositories/4/archival_objects/57403"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1638,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911],"containers_ssim":["box 35","folder 4"],"_nest_path_":"/components#8/components#6/components#7","_nest_parent_":"bec408ef355489ed2515918e_aspace_931e746fe9172e56fab1c41c2a7f0463","_root_":"bec408ef355489ed2515918e","_version_":1879192534963453952,"timestamp":"2026-10-16T08:00:56.160Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bec408ef355489ed2515918e","title_ssm":["African American Legacy: The Carol Mundy collection"],"title_tesim":["African American Legacy: The Carol Mundy collection"],"ead_ssi":"bec408ef355489ed2515918e","unitdate_ssm":["1791-2003"],"unitdate_inclusive_ssm":["1791-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC085","/repositories/4/resources/106"],"text":["SC085","/repositories/4/resources/106","African American Legacy: The Carol Mundy collection, 1791-2003","Apopka (Fla.)--History","African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs","The entire collection is open for research.","Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"","Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog .","This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.","UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-","English"],"unitid_tesim":["SC085","/repositories/4/resources/106"],"normalized_date_ssm":["1791-2003"],"normalized_title_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_title_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Apopka (Fla.)--History"],"geogname_ssim":["Apopka (Fla.)--History"],"creator_ssm":["Mundy, Carol"],"creator_ssim":["Mundy, Carol"],"creator_persname_ssim":["Mundy, Carol"],"creators_ssim":["Mundy, Carol"],"places_ssim":["Apopka (Fla.)--History"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Most of these materials were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Carol Mundy in 2009 (CFM2009_02). Additional materials were donated in 2010/2012 (CFM2012_02) and 2019 (CFM2019_01)."],"access_subjects_ssim":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"access_subjects_ssm":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["26 Linear Feet 36 boxes and 73 flat files"],"extent_tesim":["26 Linear Feet 36 boxes and 73 flat files"],"genreform_ssim":["photographs"],"date_range_isim":[1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eCarol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\""],"prefercite_html_tesm":["\u003cp\u003eAfrican American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["African American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Early America \u0026amp; Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.\u003c/p\u003e\n","\u003cp\u003eSeries IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4cf0eb7fc38bbc5bdebff00649325802\" label=\"Abstract\"\u003eCollector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.\u003c/abstract\u003e"],"abstract_tesim":["Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida."],"names_ssim":["UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"persname_ssim":["Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1675,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879192534963453952,"_root_":"bec408ef355489ed2515918e","timestamp":"2026-10-16T08:00:56.160Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_7e04410ad5c81eff6d6d398394046b7f"}},{"id":"948b06a86ad474541ac8aef6","type":"collection","attributes":{"title":"Nita K. Pyburn Papers, 1822-1960","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/948b06a86ad474541ac8aef6#creator","type":"document_value","attributes":{"value":["Pyburn, Nita Katharine"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/948b06a86ad474541ac8aef6#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eCorrespondence, dissertation, manuscripts, and research notes related to the research and writing of Nita K. Pyburn. Correspondence subjects include Florida, public education, Florida State University, Leighton K. Johnson, Edgar W. Knight, New Orleans, North Carolina, South Carolina education, and Tennessee. The dissertation in the collection is entitled \"Antecedents of the North Carolina School Law of 1839.\" The manuscripts cover subjects such as high schools in Monticello, Florida, public schools in Escambia County, Florida education, public schools in Mississippi, Robert Grosstest, the Bishop of Lincoln, M. R. Hinson, and Tallahassee schools. Her research notes discuss Alabama, Arkansas, common schools, comparative education, Texas, and David S. Walker. Other subjects of note include: Edwin B. Browning, Concord Missionary Baptist Church, Mary Shad Button, reading difficulties, Jacksonville, and education in Walton County. \u003cbr\u003e\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/948b06a86ad474541ac8aef6#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"948b06a86ad474541ac8aef6","title_ssm":["Nita K. Pyburn Papers"],"title_tesim":["Nita K. 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The dissertation in the collection is entitled \"Antecedents of the North Carolina School Law of 1839.\" The manuscripts cover subjects such as high schools in Monticello, Florida, public schools in Escambia County, Florida education, public schools in Mississippi, Robert Grosstest, the Bishop of Lincoln, M. R. Hinson, and Tallahassee schools. Her research notes discuss Alabama, Arkansas, common schools, comparative education, Texas, and David S. Walker. Other subjects of note include: Edwin B. Browning, Concord Missionary Baptist Church, Mary Shad Button, reading difficulties, Jacksonville, and education in Walton County.\n Also includes materials accessioned as MSS 92-3.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Pyburn, Nita Katharine","Pyburn, Nita Katherine","English"],"unitid_tesim":["MSS 90-5","/repositories/10/resources/1188"],"normalized_date_ssm":["1822-1960"],"normalized_title_ssm":["Nita K. Pyburn Papers, 1822-1960"],"collection_title_tesim":["Nita K. Pyburn Papers, 1822-1960"],"collection_ssim":["Nita K. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["Education"],"access_subjects_ssm":["Education"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 Linear Feet"],"extent_tesim":["2.00 Linear Feet"],"date_range_isim":[1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"prefercite_html_tesm":["\u003cp\u003eNita K. Pyburn Papers, Special Collections and Archives, Florida State University Libraries, Tallahassee, Florida.https://purl.lib.fsu.edu/fa/MSS-90-5\u003c/p\u003e"],"prefercite_tesim":["Nita K. Pyburn Papers, Special Collections and Archives, Florida State University Libraries, Tallahassee, Florida.https://purl.lib.fsu.edu/fa/MSS-90-5"],"scopecontent_html_tesm":["\u003cp\u003eCorrespondence, dissertation, manuscripts, and research notes related to the research and writing of Nita K. Pyburn. 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Browning, Concord Missionary Baptist Church, Mary Shad Button, reading difficulties, Jacksonville, and education in Walton County.\n\u003cbr\u003e\u003cbr\u003eAlso includes materials accessioned as MSS 92-3.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Correspondence, dissertation, manuscripts, and research notes related to the research and writing of Nita K. Pyburn. Correspondence subjects include Florida, public education, Florida State University, Leighton K. Johnson, Edgar W. Knight, New Orleans, North Carolina, South Carolina education, and Tennessee. The dissertation in the collection is entitled \"Antecedents of the North Carolina School Law of 1839.\" The manuscripts cover subjects such as high schools in Monticello, Florida, public schools in Escambia County, Florida education, public schools in Mississippi, Robert Grosstest, the Bishop of Lincoln, M. R. Hinson, and Tallahassee schools. Her research notes discuss Alabama, Arkansas, common schools, comparative education, Texas, and David S. Walker. Other subjects of note include: Edwin B. Browning, Concord Missionary Baptist Church, Mary Shad Button, reading difficulties, Jacksonville, and education in Walton County.\n Also includes materials accessioned as MSS 92-3."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Pyburn, Nita Katharine","Pyburn, Nita Katherine"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Pyburn, Nita Katherine"],"persname_ssim":["Pyburn, Nita Katharine","Pyburn, Nita Katherine"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":53,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857000743600128,"_root_":"948b06a86ad474541ac8aef6","timestamp":"2026-07-16T07:51:11.277Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"948b06a86ad474541ac8aef6","title_ssm":["Nita K. Pyburn Papers"],"title_tesim":["Nita K. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Pyburn, Nita Katharine","Pyburn, Nita Katherine","English"],"unitid_tesim":["MSS 90-5","/repositories/10/resources/1188"],"normalized_date_ssm":["1822-1960"],"normalized_title_ssm":["Nita K. Pyburn Papers, 1822-1960"],"collection_title_tesim":["Nita K. Pyburn Papers, 1822-1960"],"collection_ssim":["Nita K. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["Education"],"access_subjects_ssm":["Education"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 Linear Feet"],"extent_tesim":["2.00 Linear Feet"],"date_range_isim":[1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. 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Correspondence subjects include Florida, public education, Florida State University, Leighton K. Johnson, Edgar W. Knight, New Orleans, North Carolina, South Carolina education, and Tennessee. The dissertation in the collection is entitled \"Antecedents of the North Carolina School Law of 1839.\" The manuscripts cover subjects such as high schools in Monticello, Florida, public schools in Escambia County, Florida education, public schools in Mississippi, Robert Grosstest, the Bishop of Lincoln, M. R. Hinson, and Tallahassee schools. Her research notes discuss Alabama, Arkansas, common schools, comparative education, Texas, and David S. Walker. Other subjects of note include: Edwin B. Browning, Concord Missionary Baptist Church, Mary Shad Button, reading difficulties, Jacksonville, and education in Walton County.\n\u003cbr\u003e\u003cbr\u003eAlso includes materials accessioned as MSS 92-3.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Correspondence, dissertation, manuscripts, and research notes related to the research and writing of Nita K. Pyburn. Correspondence subjects include Florida, public education, Florida State University, Leighton K. Johnson, Edgar W. Knight, New Orleans, North Carolina, South Carolina education, and Tennessee. The dissertation in the collection is entitled \"Antecedents of the North Carolina School Law of 1839.\" The manuscripts cover subjects such as high schools in Monticello, Florida, public schools in Escambia County, Florida education, public schools in Mississippi, Robert Grosstest, the Bishop of Lincoln, M. R. Hinson, and Tallahassee schools. Her research notes discuss Alabama, Arkansas, common schools, comparative education, Texas, and David S. Walker. Other subjects of note include: Edwin B. Browning, Concord Missionary Baptist Church, Mary Shad Button, reading difficulties, Jacksonville, and education in Walton County.\n Also includes materials accessioned as MSS 92-3."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Pyburn, Nita Katharine","Pyburn, Nita Katherine"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Pyburn, Nita Katherine"],"persname_ssim":["Pyburn, Nita Katharine","Pyburn, Nita Katherine"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":53,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857000743600128,"_root_":"948b06a86ad474541ac8aef6","timestamp":"2026-07-16T07:51:11.277Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/948b06a86ad474541ac8aef6"}},{"id":"4831053176f6f3dd0c1ca247","type":"collection","attributes":{"title":"Noel Wisdom Collection of Chromolithographic Prints, 1860-1910","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/4831053176f6f3dd0c1ca247#creator","type":"document_value","attributes":{"value":["Wisdom, Noel (1897-1983)"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/4831053176f6f3dd0c1ca247#abstract_or_scope","type":"document_value","attributes":{"value":["This collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4831053176f6f3dd0c1ca247#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"4831053176f6f3dd0c1ca247","title_ssm":["Noel Wisdom Collection of Chromolithographic Prints"],"title_tesim":["Noel Wisdom Collection of Chromolithographic Prints"],"ead_ssi":"4831053176f6f3dd0c1ca247","unitdate_ssm":["1860-1910"],"unitdate_inclusive_ssm":["1860-1910"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1976-03","/repositories/2/resources/128"],"text":["MS-1976-03","/repositories/2/resources/128","Noel Wisdom Collection of Chromolithographic Prints, 1860-1910","Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines","Alphabetical by maker, when identified. Alphabetical by subject when maker is not identified.","Cuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve","Noel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","This collection consists of more than 3,500 individual prints of varied size and format.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","This collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials.","USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)","English"],"unitid_tesim":["MS-1976-03","/repositories/2/resources/128"],"normalized_date_ssm":["1860-1910"],"normalized_title_ssm":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"collection_title_tesim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"collection_ssim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Wisdom, Noel (1897-1983)"],"creator_ssim":["Wisdom, Noel (1897-1983)"],"creator_persname_ssim":["Wisdom, Noel (1897-1983)"],"creators_ssim":["Wisdom, Noel (1897-1983)"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Noel Wisdom","Donation."],"access_subjects_ssim":["Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines"],"access_subjects_ssm":["Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines"],"has_online_content_ssim":["false"],"extent_ssm":["4.88 Linear Feet","9 boxes"],"extent_tesim":["4.88 Linear Feet","9 boxes"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910],"arrangement_html_tesm":["\u003cp\u003eAlphabetical by maker, when identified. Alphabetical by subject when maker is not identified.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetical by maker, when identified. Alphabetical by subject when maker is not identified."],"bioghist_html_tesm":["\u003cp\u003eCuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.\u003c/p\u003e\n","\u003cp\u003eWisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"\u003c/p\u003e\n","\u003cp\u003eIn 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.\u003c/p\u003e\n","\u003cp\u003eWhen the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.\u003c/p\u003e\n","\u003cp\u003eHe worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.\u003c/p\u003e\n","\u003cp\u003eUpon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.\u003c/p\u003e\n","\u003cp\u003eWisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e, a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.\u003c/p\u003e\n","\u003cp\u003eNote written by Rebecca Rieve\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Cuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve"],"prefercite_html_tesm":["\u003cp\u003eNoel Wisdom Collection of Chromolithographic Prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Noel Wisdom Collection of Chromolithographic Prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eNoel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Noel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of more than 3,500 individual prints of varied size and format.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of more than 3,500 individual prints of varied size and format."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9f2715520ed32739b5cf2e74598db5ae\" label=\"Abstract\"\u003eThis collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials."],"names_ssim":["USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Wisdom, Noel (1897-1983)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":81,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862436233379840,"_root_":"4831053176f6f3dd0c1ca247","timestamp":"2026-07-16T09:17:34.964Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4831053176f6f3dd0c1ca247","title_ssm":["Noel Wisdom Collection of Chromolithographic Prints"],"title_tesim":["Noel Wisdom Collection of Chromolithographic Prints"],"ead_ssi":"4831053176f6f3dd0c1ca247","unitdate_ssm":["1860-1910"],"unitdate_inclusive_ssm":["1860-1910"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1976-03","/repositories/2/resources/128"],"text":["MS-1976-03","/repositories/2/resources/128","Noel Wisdom Collection of Chromolithographic Prints, 1860-1910","Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines","Alphabetical by maker, when identified. Alphabetical by subject when maker is not identified.","Cuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve","Noel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","This collection consists of more than 3,500 individual prints of varied size and format.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","This collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials.","USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)","English"],"unitid_tesim":["MS-1976-03","/repositories/2/resources/128"],"normalized_date_ssm":["1860-1910"],"normalized_title_ssm":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"collection_title_tesim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"collection_ssim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Wisdom, Noel (1897-1983)"],"creator_ssim":["Wisdom, Noel (1897-1983)"],"creator_persname_ssim":["Wisdom, Noel (1897-1983)"],"creators_ssim":["Wisdom, Noel (1897-1983)"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Noel Wisdom","Donation."],"access_subjects_ssim":["Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines"],"access_subjects_ssm":["Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines"],"has_online_content_ssim":["false"],"extent_ssm":["4.88 Linear Feet","9 boxes"],"extent_tesim":["4.88 Linear Feet","9 boxes"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910],"arrangement_html_tesm":["\u003cp\u003eAlphabetical by maker, when identified. Alphabetical by subject when maker is not identified.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetical by maker, when identified. Alphabetical by subject when maker is not identified."],"bioghist_html_tesm":["\u003cp\u003eCuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.\u003c/p\u003e\n","\u003cp\u003eWisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"\u003c/p\u003e\n","\u003cp\u003eIn 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.\u003c/p\u003e\n","\u003cp\u003eWhen the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.\u003c/p\u003e\n","\u003cp\u003eHe worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.\u003c/p\u003e\n","\u003cp\u003eUpon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.\u003c/p\u003e\n","\u003cp\u003eWisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e, a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.\u003c/p\u003e\n","\u003cp\u003eNote written by Rebecca Rieve\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Cuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve"],"prefercite_html_tesm":["\u003cp\u003eNoel Wisdom Collection of Chromolithographic Prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Noel Wisdom Collection of Chromolithographic Prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eNoel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Noel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of more than 3,500 individual prints of varied size and format.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of more than 3,500 individual prints of varied size and format."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9f2715520ed32739b5cf2e74598db5ae\" label=\"Abstract\"\u003eThis collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials."],"names_ssim":["USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Wisdom, Noel (1897-1983)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":81,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862436233379840,"_root_":"4831053176f6f3dd0c1ca247","timestamp":"2026-07-16T09:17:34.964Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4831053176f6f3dd0c1ca247"}},{"id":"2bb3983b5e939fe12a4bfbd3","type":"collection","attributes":{"title":"Non-Florida Broadsides and Printed Ephemera, bulk 1743-2003","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2bb3983b5e939fe12a4bfbd3#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection contains assorted over-sized illustrations and graphics for a number of topics not related to Florida history.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2bb3983b5e939fe12a4bfbd3#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"2bb3983b5e939fe12a4bfbd3","title_ssm":["Non-Florida Broadsides and Printed Ephemera"],"title_tesim":["Non-Florida Broadsides and Printed Ephemera"],"ead_ssi":"2bb3983b5e939fe12a4bfbd3","unitdate_ssm":["1743-2003"],"unitdate_bulk_ssim":["1743-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1962-02","/repositories/2/resources/75"],"text":["MS-1962-02","/repositories/2/resources/75","Non-Florida Broadsides and Printed Ephemera, bulk 1743-2003","Holidays","Poetry","Flags","Religion.","Metaphysics","Restaurants","Advertisements","World's Columbian Exposition (1893 : Chicago, Ill.).","Children's literature","Children -- Posters","Indigenous peoples -- North America","Graphic design (Typography) -- History","Political cartoons","Encyclopedias","Children's literature -- Illustrations","Documents in this collection are arranged by topic.","This collection contains assorted over-sized illustrations and graphics for a number of topics not related to Florida history.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","Map case 7, drawer 8","USF Libraries - Tampa Special Collections","English Dutch; 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