{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1893\u0026page=72\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1893\u0026page=71\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1893\u0026page=73\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1893\u0026page=75\u0026view=compact"},"meta":{"pages":{"current_page":72,"next_page":73,"prev_page":71,"total_pages":75,"limit_value":10,"offset_value":710,"total_count":747,"first_page?":false,"last_page?":false}},"data":[{"id":"f927b9df25ec0aef2ec17101_aspace_1dbeb9ffe2009e0861a6687d8300aaee","type":"File","attributes":{"title":"University of Havana Diplomas, 1884-1899","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f927b9df25ec0aef2ec17101_aspace_1dbeb9ffe2009e0861a6687d8300aaee#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1dbeb9ffe2009e0861a6687d8300aaee","ref_ssm":["aspace_1dbeb9ffe2009e0861a6687d8300aaee","aspace_1dbeb9ffe2009e0861a6687d8300aaee"],"id":"f927b9df25ec0aef2ec17101_aspace_1dbeb9ffe2009e0861a6687d8300aaee","title_filing_ssi":"University of Havana Diplomas ","title_ssm":["University of Havana Diplomas "],"title_tesim":["University of Havana Diplomas "],"unitdate_inclusive_ssm":["1884-1899"],"normalized_date_ssm":["1884-1899"],"normalized_title_ssm":["University of Havana Diplomas, 1884-1899"],"text":["University of Havana Diplomas, 1884-1899","Ramiro Casañas Collection, 1805-2006","Documents","Box 22","/repositories/2/archival_objects/83398","box 22","folder 28"],"component_level_isim":[3],"parent_ids_ssim":["f927b9df25ec0aef2ec17101","f927b9df25ec0aef2ec17101_aspace_d2fe153488e13d8482f26b90265f4a1e","f927b9df25ec0aef2ec17101_aspace_f4921ad05795b74bedb3d9357e22d546"],"parent_unittitles_ssm":["Ramiro Casañas Collection, 1805-2006","Documents","Box 22"],"parent_unittitles_tesim":["Ramiro Casañas Collection, 1805-2006","Documents","Box 22"],"parent_levels_ssm":["collection","Series","Other level"],"unitid_ssm":["/repositories/2/archival_objects/83398"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Ramiro Casañas Collection, 1805-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":365,"date_range_isim":[1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899],"containers_ssim":["box 22","folder 28"],"_nest_path_":"/components#4/components#0/components#27","_nest_parent_":"f927b9df25ec0aef2ec17101_aspace_f4921ad05795b74bedb3d9357e22d546","_root_":"f927b9df25ec0aef2ec17101","_version_":1870844517756698624,"timestamp":"2026-07-16T04:32:46.553Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f927b9df25ec0aef2ec17101","title_ssm":["Ramiro Casañas Collection"],"title_tesim":["Ramiro Casañas Collection"],"ead_ssi":"f927b9df25ec0aef2ec17101","unitdate_ssm":["1805-2006"],"unitdate_inclusive_ssm":["1805-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9026","/repositories/2/resources/123"],"text":["SPC9026","/repositories/2/resources/123","Ramiro Casañas Collection, 1805-2006","The Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera.","Ramiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring.","The Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. 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Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera."],"bioghist_html_tesm":["\u003cp\u003eRamiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ramiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring."],"scopecontent_html_tesm":["\u003cp\u003eThe Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. 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Also included are artifacts from around the world, such as international banknotes, political ephemera, maps, and photographs."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"total_component_count_is":966,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844517756698624,"_root_":"f927b9df25ec0aef2ec17101","timestamp":"2026-07-16T04:32:46.553Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f927b9df25ec0aef2ec17101_aspace_1dbeb9ffe2009e0861a6687d8300aaee"}},{"id":"2b0d7b1d43de4208737dc561","type":"collection","attributes":{"title":"USF Department of Anthropology African Americans in Florida project, 1864-1998, bulk 1930-1980","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/2b0d7b1d43de4208737dc561#creator","type":"document_value","attributes":{"value":["University of South Florida. Department of Anthropology"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2b0d7b1d43de4208737dc561#abstract_or_scope","type":"document_value","attributes":{"value":["Research materials, including photographs, newspaper clippings, and oral history interviews, compiled by the University of South Florida (USF) Department of Anthropology to support its African Americans in Florida research project (1993-1994)."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2b0d7b1d43de4208737dc561#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"2b0d7b1d43de4208737dc561","title_ssm":["USF Department of Anthropology African Americans in Florida project"],"title_tesim":["USF Department of Anthropology African Americans in Florida project"],"ead_ssi":"2b0d7b1d43de4208737dc561","unitdate_ssm":["1864-1998","1930-1980"],"unitdate_bulk_ssim":["1930-1980"],"unitdate_inclusive_ssm":["1864-1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2009-13","/repositories/2/resources/480"],"text":["MS-2009-13","/repositories/2/resources/480","USF Department of Anthropology African Americans in Florida project, 1864-1998, bulk 1930-1980","Tampa (Fla.) -- History -- 20th century","African Americans -- Florida","Oral history","Organized into the following series:","1) Research Materials","2) Oral History Tape Transcripts","3) News Clippings","4) Photographs","5) Correspondence","6) Oversized Materials"," \nOrganized alphabetically or chronologically within each series.","This collection consists of materials gathered by the University of South Florida (USF) Department of Anthropology to support its African Americans in Florida research project (1993-1994). The project, which included a study of Central Avenue, Tampa's historic, African American business district, led to a number of public events and activities beginning in October 1994. The project was funded by the Florida Humanities Council, with additional support provided by the Tampa Bay History Center. USF Professors Susan Greenbaum, Ph.D. and Cheryl Rodriguez, Ph.D. contributed significantly to the project, along with former USF Anthropology student Geoffrey Mohlman, independent researcher Beverly Ward, and Ginger Barber. ","The majority of materials compiled for the project originally were created by and collected for the Black History of Tampa Project (1977-1978), a collaboration of the Urban League of Hillsborough County and the Hillsborough County Museum. A federally funded initiative sponsored by the Comprehensive Employment and Training Act (CETA), project was directed by Otis R. Anthony. 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[Also referred to as the \"Raper report\" or \"Mays report\"]"],"scopecontent_html_tesm":["\u003cp\u003eContains oral histories, photographs, newspaper clippings, and research materials focusing on African American history in Florida between 1930 and 1980, with an emphasis on Tampa, FL.\u0026#xA0; Such topics as African American-owned businesses in Tampa, Reconstruction, segregation, and the Civil Rights era are covered.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Contains oral histories, photographs, newspaper clippings, and research materials focusing on African American history in Florida between 1930 and 1980, with an emphasis on Tampa, FL.  Such topics as African American-owned businesses in Tampa, Reconstruction, segregation, and the Civil Rights era are covered."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec01ca4df3d9a85533c49f326118798a\" label=\"Abstract\"\u003eResearch materials, including photographs, newspaper clippings, and oral history interviews, compiled by the University of South Florida (USF) Department of Anthropology to support its African Americans in Florida research project (1993-1994).\u003c/abstract\u003e"],"abstract_tesim":["Research materials, including photographs, newspaper clippings, and oral history interviews, compiled by the University of South Florida (USF) Department of Anthropology to support its African Americans in Florida research project (1993-1994)."],"names_coll_ssim":["University of South Florida. 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The project, which included a study of Central Avenue, Tampa's historic, African American business district, led to a number of public events and activities beginning in October 1994. The project was funded by the Florida Humanities Council, with additional support provided by the Tampa Bay History Center. USF Professors Susan Greenbaum, Ph.D. and Cheryl Rodriguez, Ph.D. contributed significantly to the project, along with former USF Anthropology student Geoffrey Mohlman, independent researcher Beverly Ward, and Ginger Barber. ","The majority of materials compiled for the project originally were created by and collected for the Black History of Tampa Project (1977-1978), a collaboration of the Urban League of Hillsborough County and the Hillsborough County Museum. A federally funded initiative sponsored by the Comprehensive Employment and Training Act (CETA), project was directed by Otis R. Anthony. 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The collection contains samples of embossed stationery from 1850-1860 and Rewards of Merrit related to her grandfather, Isaac Gage, and great, great uncle, Horace Randall, both of Vermont. Other names appearing are: Louise Austin, Master Charles Cleveland, Alba Southard, and Albert Egerton. These materials are good examples of the types of envelopes and embossed stationery in use during this time period, and the Rewards of Merrit are especially unique. Also included in the collection are some 30 courtesy cards and a booklet, entitled \"Floral Album and Ladies' Companion.\" There is an envelope addressed to Mr. James Shores of Vermont, showing post mark West Burke, Vermont, 1895, with a two cents stamp, with a return address of E. A. 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Also included in the collection are some 30 courtesy cards and a booklet, entitled \"Floral Album and Ladies' Companion.\" There is an envelope addressed to Mr. James Shores of Vermont, showing post mark West Burke, Vermont, 1895, with a two cents stamp, with a return address of E. A. Smith \u0026  Co., Spruce and Hard Wood Lumber, West Burke, Vermont.\n Items in this collection were formerly cataloged under MSS 0-226 containing MSS 0-225."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. 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The collection contains samples of embossed stationery from 1850-1860 and Rewards of Merrit related to her grandfather, Isaac Gage, and great, great uncle, Horace Randall, both of Vermont. Other names appearing are: Louise Austin, Master Charles Cleveland, Alba Southard, and Albert Egerton. These materials are good examples of the types of envelopes and embossed stationery in use during this time period, and the Rewards of Merrit are especially unique. Also included in the collection are some 30 courtesy cards and a booklet, entitled \"Floral Album and Ladies' Companion.\" There is an envelope addressed to Mr. James Shores of Vermont, showing post mark West Burke, Vermont, 1895, with a two cents stamp, with a return address of E. A. Smith \u0026amp;  Co., Spruce and Hard Wood Lumber, West Burke, Vermont.\n\u003cbr\u003e\u003cbr\u003eItems in this collection were formerly cataloged under MSS 0-226 containing MSS 0-225.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of various examples of stationery used during the mid-1800s. The collection contains samples of embossed stationery from 1850-1860 and Rewards of Merrit related to her grandfather, Isaac Gage, and great, great uncle, Horace Randall, both of Vermont. Other names appearing are: Louise Austin, Master Charles Cleveland, Alba Southard, and Albert Egerton. These materials are good examples of the types of envelopes and embossed stationery in use during this time period, and the Rewards of Merrit are especially unique. Also included in the collection are some 30 courtesy cards and a booklet, entitled \"Floral Album and Ladies' Companion.\" There is an envelope addressed to Mr. James Shores of Vermont, showing post mark West Burke, Vermont, 1895, with a two cents stamp, with a return address of E. A. Smith \u0026  Co., Spruce and Hard Wood Lumber, West Burke, Vermont.\n Items in this collection were formerly cataloged under MSS 0-226 containing MSS 0-225."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2012, Rrick Cullen, Jaclyn Nowack, and Teresa Van Dyke processed this collection.","Born near Winchester, Virginia in 1920, Virginia Artrip Snyder moved to Boca Raton, Florida when she entered the inaugural class at Florida Atlantic University in 1964. She received a degree in government and politics in 1965 and went on to become an investigative reporter for the Ft. Lauderdale News and later the Boca Raton News. During her career in journalism she was accorded seven national, state, and local awards for investigative reporting. Mrs. Snyder gained prominence and credibility following her multi-part series that exposed the inhumane conditions at the South Florida State Mental Hospital. As a community activist, Mrs. Snyder spearheaded the establishment of the South County Neighborhood Center in Boca Raton which, in time, grew into the Florence Fuller Day Care Center and the Mae Volen Senior Center. Subsequent to her career as a reporter, Mrs. Snyder embarked on a new endeavor as private investigator. In 1975 she was named one of fourteen \"Outstanding Women of Florida\" by Governor Ruben Askew and one of \"Florida's Finest\" in 1996 by Governor Lawton Chiles. This collection is a compilation of Mrs. Snyder's work as a poet, news reporter, private investigator, and community activist.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["43.00 Linear Feet","83 boxes other_unmapped"],"extent_tesim":["43.00 Linear Feet","83 boxes other_unmapped"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2012, Rrick Cullen, Jaclyn Nowack, and Teresa Van Dyke processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2012, Rrick Cullen, Jaclyn Nowack, and Teresa Van Dyke processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eBorn near Winchester, Virginia in 1920, Virginia Artrip Snyder moved to Boca Raton, Florida when she entered the inaugural class at Florida Atlantic University in 1964. She received a degree in government and politics in 1965 and went on to become an investigative reporter for the Ft. Lauderdale News and later the Boca Raton News. During her career in journalism she was accorded seven national, state, and local awards for investigative reporting. Mrs. Snyder gained prominence and credibility following her multi-part series that exposed the inhumane conditions at the South Florida State Mental Hospital. As a community activist, Mrs. Snyder spearheaded the establishment of the South County Neighborhood Center in Boca Raton which, in time, grew into the Florence Fuller Day Care Center and the Mae Volen Senior Center. Subsequent to her career as a reporter, Mrs. Snyder embarked on a new endeavor as private investigator. In 1975 she was named one of fourteen \"Outstanding Women of Florida\" by Governor Ruben Askew and one of \"Florida's Finest\" in 1996 by Governor Lawton Chiles. This collection is a compilation of Mrs. Snyder's work as a poet, news reporter, private investigator, and community activist.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Born near Winchester, Virginia in 1920, Virginia Artrip Snyder moved to Boca Raton, Florida when she entered the inaugural class at Florida Atlantic University in 1964. She received a degree in government and politics in 1965 and went on to become an investigative reporter for the Ft. Lauderdale News and later the Boca Raton News. During her career in journalism she was accorded seven national, state, and local awards for investigative reporting. Mrs. Snyder gained prominence and credibility following her multi-part series that exposed the inhumane conditions at the South Florida State Mental Hospital. As a community activist, Mrs. Snyder spearheaded the establishment of the South County Neighborhood Center in Boca Raton which, in time, grew into the Florence Fuller Day Care Center and the Mae Volen Senior Center. Subsequent to her career as a reporter, Mrs. Snyder embarked on a new endeavor as private investigator. In 1975 she was named one of fourteen \"Outstanding Women of Florida\" by Governor Ruben Askew and one of \"Florida's Finest\" in 1996 by Governor Lawton Chiles. This collection is a compilation of Mrs. Snyder's work as a poet, news reporter, private investigator, and community activist."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2783,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842130979618816,"_root_":"0f3ff22ed6c6664bd88a5adc","timestamp":"2026-07-16T03:54:50.079Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"0f3ff22ed6c6664bd88a5adc","title_ssm":["Virginia Snyder Collection"],"title_tesim":["Virginia Snyder Collection"],"ead_ssi":"0f3ff22ed6c6664bd88a5adc","unitdate_ssm":["1890-2011","1970-1990","Date acquired: 07/15/2011"],"unitdate_bulk_ssim":["1970-1990"],"unitdate_inclusive_ssm":["1890-2011"],"unitdate_other_ssim":["Date acquired: 07/15/2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00024","/repositories/2/resources/40"],"text":["SPC00024","/repositories/2/resources/40","Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2012, Rrick Cullen, Jaclyn Nowack, and Teresa Van Dyke processed this collection.","Born near Winchester, Virginia in 1920, Virginia Artrip Snyder moved to Boca Raton, Florida when she entered the inaugural class at Florida Atlantic University in 1964. She received a degree in government and politics in 1965 and went on to become an investigative reporter for the Ft. Lauderdale News and later the Boca Raton News. During her career in journalism she was accorded seven national, state, and local awards for investigative reporting. Mrs. Snyder gained prominence and credibility following her multi-part series that exposed the inhumane conditions at the South Florida State Mental Hospital. As a community activist, Mrs. Snyder spearheaded the establishment of the South County Neighborhood Center in Boca Raton which, in time, grew into the Florence Fuller Day Care Center and the Mae Volen Senior Center. Subsequent to her career as a reporter, Mrs. Snyder embarked on a new endeavor as private investigator. In 1975 she was named one of fourteen \"Outstanding Women of Florida\" by Governor Ruben Askew and one of \"Florida's Finest\" in 1996 by Governor Lawton Chiles. This collection is a compilation of Mrs. Snyder's work as a poet, news reporter, private investigator, and community activist.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["SPC00024","/repositories/2/resources/40"],"normalized_date_ssm":["1890-2011, Date acquired: 07/15/2011, bulk 1970-1990"],"normalized_title_ssm":["Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990"],"collection_title_tesim":["Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990"],"collection_ssim":["Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["43.00 Linear Feet","83 boxes other_unmapped"],"extent_tesim":["43.00 Linear Feet","83 boxes other_unmapped"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2012, Rrick Cullen, Jaclyn Nowack, and Teresa Van Dyke processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2012, Rrick Cullen, Jaclyn Nowack, and Teresa Van Dyke processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eBorn near Winchester, Virginia in 1920, Virginia Artrip Snyder moved to Boca Raton, Florida when she entered the inaugural class at Florida Atlantic University in 1964. She received a degree in government and politics in 1965 and went on to become an investigative reporter for the Ft. Lauderdale News and later the Boca Raton News. During her career in journalism she was accorded seven national, state, and local awards for investigative reporting. Mrs. Snyder gained prominence and credibility following her multi-part series that exposed the inhumane conditions at the South Florida State Mental Hospital. As a community activist, Mrs. Snyder spearheaded the establishment of the South County Neighborhood Center in Boca Raton which, in time, grew into the Florence Fuller Day Care Center and the Mae Volen Senior Center. Subsequent to her career as a reporter, Mrs. Snyder embarked on a new endeavor as private investigator. In 1975 she was named one of fourteen \"Outstanding Women of Florida\" by Governor Ruben Askew and one of \"Florida's Finest\" in 1996 by Governor Lawton Chiles. This collection is a compilation of Mrs. Snyder's work as a poet, news reporter, private investigator, and community activist.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Born near Winchester, Virginia in 1920, Virginia Artrip Snyder moved to Boca Raton, Florida when she entered the inaugural class at Florida Atlantic University in 1964. She received a degree in government and politics in 1965 and went on to become an investigative reporter for the Ft. Lauderdale News and later the Boca Raton News. During her career in journalism she was accorded seven national, state, and local awards for investigative reporting. Mrs. Snyder gained prominence and credibility following her multi-part series that exposed the inhumane conditions at the South Florida State Mental Hospital. As a community activist, Mrs. Snyder spearheaded the establishment of the South County Neighborhood Center in Boca Raton which, in time, grew into the Florence Fuller Day Care Center and the Mae Volen Senior Center. Subsequent to her career as a reporter, Mrs. Snyder embarked on a new endeavor as private investigator. In 1975 she was named one of fourteen \"Outstanding Women of Florida\" by Governor Ruben Askew and one of \"Florida's Finest\" in 1996 by Governor Lawton Chiles. This collection is a compilation of Mrs. Snyder's work as a poet, news reporter, private investigator, and community activist."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2783,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842130979618816,"_root_":"0f3ff22ed6c6664bd88a5adc","timestamp":"2026-07-16T03:54:50.079Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/0f3ff22ed6c6664bd88a5adc"}},{"id":"bec408ef355489ed2515918e_aspace_10054","type":"Series","attributes":{"title":"Visual and Derogatory Material, 1800s-1969, Undated","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_10054#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe series holds an array of \"visual\" material ranging from the early 1800s to the mid-1900's. Included in this series is the bulk of the more controversial racist items in the collection. Examples include derogatory postcards, advertisements, product packaging, magazine and newspaper illustrations, and other assorted ephemera. Flat file materials that consists of newspapers, and sheet music, are also included.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_10054#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_10054","ref_ssm":["aspace_10054","aspace_10054"],"id":"bec408ef355489ed2515918e_aspace_10054","title_filing_ssi":"Visual and Derogatory Material","title_ssm":["Visual and Derogatory Material"],"title_tesim":["Visual and Derogatory Material"],"unitdate_inclusive_ssm":["1800s-1969, Undated"],"normalized_date_ssm":["1800s-1969, Undated"],"normalized_title_ssm":["Visual and Derogatory Material, 1800s-1969, Undated"],"text":["Visual and Derogatory Material, 1800s-1969, Undated","African American Legacy: The Carol Mundy collection, 1791-2003","Series 7","/repositories/4/archival_objects/24178","The series holds an array of \"visual\" material ranging from the early 1800s to the mid-1900's. Included in this series is the bulk of the more controversial racist items in the collection. Examples include derogatory postcards, advertisements, product packaging, magazine and newspaper illustrations, and other assorted ephemera. Flat file materials that consists of newspapers, and sheet music, are also included."],"component_level_isim":[1],"parent_ids_ssim":["bec408ef355489ed2515918e"],"parent_unittitles_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003"],"parent_unittitles_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 7","/repositories/4/archival_objects/24178"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"has_online_content_ssim":["false"],"child_component_count_isi":127,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1144,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"scopecontent_html_tesm":["\u003cp\u003eThe series holds an array of \"visual\" material ranging from the early 1800s to the mid-1900's. Included in this series is the bulk of the more controversial racist items in the collection. Examples include derogatory postcards, advertisements, product packaging, magazine and newspaper illustrations, and other assorted ephemera. Flat file materials that consists of newspapers, and sheet music, are also included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The series holds an array of \"visual\" material ranging from the early 1800s to the mid-1900's. Included in this series is the bulk of the more controversial racist items in the collection. Examples include derogatory postcards, advertisements, product packaging, magazine and newspaper illustrations, and other assorted ephemera. Flat file materials that consists of newspapers, and sheet music, are also included."],"_nest_path_":"/components#6","_nest_parent_":"bec408ef355489ed2515918e","_root_":"bec408ef355489ed2515918e","_version_":1879192534963453952,"timestamp":"2026-10-16T08:00:56.160Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bec408ef355489ed2515918e","title_ssm":["African American Legacy: The Carol Mundy collection"],"title_tesim":["African American Legacy: The Carol Mundy collection"],"ead_ssi":"bec408ef355489ed2515918e","unitdate_ssm":["1791-2003"],"unitdate_inclusive_ssm":["1791-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC085","/repositories/4/resources/106"],"text":["SC085","/repositories/4/resources/106","African American Legacy: The Carol Mundy collection, 1791-2003","Apopka (Fla.)--History","African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs","The entire collection is open for research.","Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"","Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog .","This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.","UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-","English"],"unitid_tesim":["SC085","/repositories/4/resources/106"],"normalized_date_ssm":["1791-2003"],"normalized_title_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_title_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Apopka (Fla.)--History"],"geogname_ssim":["Apopka (Fla.)--History"],"creator_ssm":["Mundy, Carol"],"creator_ssim":["Mundy, Carol"],"creator_persname_ssim":["Mundy, Carol"],"creators_ssim":["Mundy, Carol"],"places_ssim":["Apopka (Fla.)--History"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Most of these materials were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Carol Mundy in 2009 (CFM2009_02). Additional materials were donated in 2010/2012 (CFM2012_02) and 2019 (CFM2019_01)."],"access_subjects_ssim":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"access_subjects_ssm":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["26 Linear Feet 36 boxes and 73 flat files"],"extent_tesim":["26 Linear Feet 36 boxes and 73 flat files"],"genreform_ssim":["photographs"],"date_range_isim":[1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eCarol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\""],"prefercite_html_tesm":["\u003cp\u003eAfrican American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["African American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Early America \u0026amp; Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.\u003c/p\u003e\n","\u003cp\u003eSeries IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4cf0eb7fc38bbc5bdebff00649325802\" label=\"Abstract\"\u003eCollector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.\u003c/abstract\u003e"],"abstract_tesim":["Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida."],"names_ssim":["UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"persname_ssim":["Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1675,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879192534963453952,"_root_":"bec408ef355489ed2515918e","timestamp":"2026-10-16T08:00:56.160Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_10054"}},{"id":"aa862cad77720b140698c8fb_aspace_a70ad86405ac225b1752648231eab412","type":"Item","attributes":{"title":"Volume I, bulk 1855-1968","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb_aspace_a70ad86405ac225b1752648231eab412#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_a70ad86405ac225b1752648231eab412","ref_ssm":["aspace_a70ad86405ac225b1752648231eab412","aspace_a70ad86405ac225b1752648231eab412"],"id":"aa862cad77720b140698c8fb_aspace_a70ad86405ac225b1752648231eab412","title_filing_ssi":"Volume I","title_ssm":["Volume I"],"title_tesim":["Volume I"],"unitdate_bulk_ssim":["1855-1968"],"normalized_date_ssm":["bulk 1855-1968"],"normalized_title_ssm":["Volume I, bulk 1855-1968"],"text":["Volume I, bulk 1855-1968","Cuban Stamps Collection, 1855-1968","1","/repositories/2/archival_objects/86394","Spanish; Castilian"],"component_level_isim":[1],"parent_ids_ssim":["aa862cad77720b140698c8fb"],"parent_unittitles_ssm":["Cuban Stamps Collection, 1855-1968"],"parent_unittitles_tesim":["Cuban Stamps Collection, 1855-1968"],"parent_levels_ssm":["collection"],"unitid_ssm":["1","/repositories/2/archival_objects/86394"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"language_ssim":["Spanish; Castilian"],"_nest_path_":"/components#0","_nest_parent_":"aa862cad77720b140698c8fb","_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"aa862cad77720b140698c8fb","title_ssm":["Cuban Stamps Collection"],"title_tesim":["Cuban Stamps Collection"],"ead_ssi":"aa862cad77720b140698c8fb","unitdate_ssm":["1855-1968"],"unitdate_inclusive_ssm":["1855-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9070","/repositories/2/resources/131"],"text":["SPC9070","/repositories/2/resources/131","Cuban Stamps Collection, 1855-1968","The collection is open for research.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana.","Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","Collection of Cuban stamps from the mid-19th century to the mid-20th century.","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9070","/repositories/2/resources/131"],"normalized_date_ssm":["1855-1968"],"normalized_title_ssm":["Cuban Stamps Collection, 1855-1968"],"collection_title_tesim":["Cuban Stamps Collection, 1855-1968"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"has_online_content_ssim":["false"],"extent_ssm":["3 items"],"extent_tesim":["3 items"],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.\u003c/p\u003e\n","\u003cp\u003eAs the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.\u003c/p\u003e\n","\u003cp\u003eThis collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.\u003c/p\u003e\n","\u003cp\u003e\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a trav\u0026#xE9;s de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y pol\u0026#xED;ticos que dieron forma a Cuba durante este per\u0026#xED;odo transformador. Desde el dominio colonial espa\u0026#xF1;ol, pasando por la creaci\u0026#xF3;n de la Rep\u0026#xFA;blica Cubana, hasta el surgimiento de la Revoluci\u0026#xF3;n Cubana, estos eventos hist\u0026#xF3;ricos se reflejan en los sellos mismos. En 1855, Cuba emiti\u0026#xF3; su primer sello postal bajo el dominio espa\u0026#xF1;ol, marcando el comienzo de su servicio postal. Durante este per\u0026#xED;odo, los sellos estuvieron fuertemente influenciados por Espa\u0026#xF1;a e inclu\u0026#xED;an im\u0026#xE1;genes de la monarqu\u0026#xED;a espa\u0026#xF1;ola, reforzando la conexi\u0026#xF3;n entre el Imperio Espa\u0026#xF1;ol y Cuba.\u003c/p\u003e\n","\u003cp\u003eAl final del siglo XIX, la Guerra Hispanoamericana marc\u0026#xF3; un momento clave para Cuba, pasando de ser una colonia a una naci\u0026#xF3;n independiente en 1902. Este per\u0026#xED;odo vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, s\u0026#xED;mbolos de independencia e im\u0026#xE1;genes que celebraban la rica historia y cultura de Cuba. Adem\u0026#xE1;s, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experiment\u0026#xF3; eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresi\u0026#xF3;n. Estos eventos contribuyeron a la inestabilidad pol\u0026#xED;tica y a los frecuentes cambios de gobierno, lo que se\u0026#xF1;al\u0026#xF3; un per\u0026#xED;odo de crisis en la isla. Durante la Guerra Fr\u0026#xED;a, con el auge de la Uni\u0026#xF3;n Sovi\u0026#xE9;tica, la Revoluci\u0026#xF3;n Cubana de 1959 comenz\u0026#xF3; a remodelar la naci\u0026#xF3;n. Los sellos de este per\u0026#xED;odo reflejan la transformaci\u0026#xF3;n del pa\u0026#xED;s, con im\u0026#xE1;genes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revoluci\u0026#xF3;n y su progreso.\u003c/p\u003e\n","\u003cp\u003eEsta colecci\u0026#xF3;n captura la evoluci\u0026#xF3;n de los sellos cubanos como una forma de comunicaci\u0026#xF3;n y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relaci\u0026#xF3;n con las potencias extranjeras. Los sellos presentan im\u0026#xE1;genes de la cultura cubana, el arte, figuras hist\u0026#xF3;ricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colecci\u0026#xF3;n brinda la oportunidad de explorar c\u0026#xF3;mo Cuba se transform\u0026#xF3; a lo largo de un siglo. Los investigadores pueden examinar las ideolog\u0026#xED;as pol\u0026#xED;ticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colecci\u0026#xF3;n de Sellos de Cuba en FIU no es solo un archivo hist\u0026#xF3;rico, sino tambi\u0026#xE9;n un testimonio de los cambios culturales y sociales del siglo XX.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX."],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. \u003c/p\u003e\n","\u003cp\u003e\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilaci\u0026#xF3;n integral de sellos postales que abarca la historia de Cuba durante este per\u0026#xED;odo transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revoluci\u0026#xF3;n Cubana y sus efectos posteriores. Demuestra el cambio social y pol\u0026#xED;tico a trav\u0026#xE9;s de los sellos y c\u0026#xF3;mo se utiliza este medio como propaganda de la revuelta. Tambi\u0026#xE9;n muestra c\u0026#xF3;mo se manejan las relaciones internacionales con otras naciones y c\u0026#xF3;mo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colecci\u0026#xF3;n consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservaci\u0026#xF3;n de estos sellos ofrece a los investigadores la oportunidad de descubrir por s\u0026#xED; mismos c\u0026#xF3;mo evolucionan las im\u0026#xE1;genes y los s\u0026#xED;mbolos a medida que avanza y se desarrolla la Revoluci\u0026#xF3;n Cubana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana."],"userestrict_html_tesm":["\u003cp\u003eRights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4174f2603576483c6691a9df651e17c6\"\u003eCollection of Cuban stamps from the mid-19th century to the mid-20th century.\u003c/abstract\u003e"],"abstract_tesim":["Collection of Cuban stamps from the mid-19th century to the mid-20th century."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb_aspace_a70ad86405ac225b1752648231eab412"}},{"id":"aa862cad77720b140698c8fb_aspace_82a3f7316e92fc3a656228c49b9e6c08","type":"Item","attributes":{"title":"Volume II, bulk 1855-1968","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb_aspace_82a3f7316e92fc3a656228c49b9e6c08#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_82a3f7316e92fc3a656228c49b9e6c08","ref_ssm":["aspace_82a3f7316e92fc3a656228c49b9e6c08","aspace_82a3f7316e92fc3a656228c49b9e6c08"],"id":"aa862cad77720b140698c8fb_aspace_82a3f7316e92fc3a656228c49b9e6c08","title_filing_ssi":"Volume II","title_ssm":["Volume II"],"title_tesim":["Volume II"],"unitdate_bulk_ssim":["1855-1968"],"normalized_date_ssm":["bulk 1855-1968"],"normalized_title_ssm":["Volume II, bulk 1855-1968"],"text":["Volume II, bulk 1855-1968","Cuban Stamps Collection, 1855-1968","2","/repositories/2/archival_objects/86396","Spanish; Castilian"],"component_level_isim":[1],"parent_ids_ssim":["aa862cad77720b140698c8fb"],"parent_unittitles_ssm":["Cuban Stamps Collection, 1855-1968"],"parent_unittitles_tesim":["Cuban Stamps Collection, 1855-1968"],"parent_levels_ssm":["collection"],"unitid_ssm":["2","/repositories/2/archival_objects/86396"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"language_ssim":["Spanish; Castilian"],"_nest_path_":"/components#1","_nest_parent_":"aa862cad77720b140698c8fb","_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"aa862cad77720b140698c8fb","title_ssm":["Cuban Stamps Collection"],"title_tesim":["Cuban Stamps Collection"],"ead_ssi":"aa862cad77720b140698c8fb","unitdate_ssm":["1855-1968"],"unitdate_inclusive_ssm":["1855-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9070","/repositories/2/resources/131"],"text":["SPC9070","/repositories/2/resources/131","Cuban Stamps Collection, 1855-1968","The collection is open for research.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana.","Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","Collection of Cuban stamps from the mid-19th century to the mid-20th century.","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9070","/repositories/2/resources/131"],"normalized_date_ssm":["1855-1968"],"normalized_title_ssm":["Cuban Stamps Collection, 1855-1968"],"collection_title_tesim":["Cuban Stamps Collection, 1855-1968"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"has_online_content_ssim":["false"],"extent_ssm":["3 items"],"extent_tesim":["3 items"],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.\u003c/p\u003e\n","\u003cp\u003eAs the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.\u003c/p\u003e\n","\u003cp\u003eThis collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.\u003c/p\u003e\n","\u003cp\u003e\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a trav\u0026#xE9;s de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y pol\u0026#xED;ticos que dieron forma a Cuba durante este per\u0026#xED;odo transformador. Desde el dominio colonial espa\u0026#xF1;ol, pasando por la creaci\u0026#xF3;n de la Rep\u0026#xFA;blica Cubana, hasta el surgimiento de la Revoluci\u0026#xF3;n Cubana, estos eventos hist\u0026#xF3;ricos se reflejan en los sellos mismos. En 1855, Cuba emiti\u0026#xF3; su primer sello postal bajo el dominio espa\u0026#xF1;ol, marcando el comienzo de su servicio postal. Durante este per\u0026#xED;odo, los sellos estuvieron fuertemente influenciados por Espa\u0026#xF1;a e inclu\u0026#xED;an im\u0026#xE1;genes de la monarqu\u0026#xED;a espa\u0026#xF1;ola, reforzando la conexi\u0026#xF3;n entre el Imperio Espa\u0026#xF1;ol y Cuba.\u003c/p\u003e\n","\u003cp\u003eAl final del siglo XIX, la Guerra Hispanoamericana marc\u0026#xF3; un momento clave para Cuba, pasando de ser una colonia a una naci\u0026#xF3;n independiente en 1902. Este per\u0026#xED;odo vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, s\u0026#xED;mbolos de independencia e im\u0026#xE1;genes que celebraban la rica historia y cultura de Cuba. Adem\u0026#xE1;s, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experiment\u0026#xF3; eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresi\u0026#xF3;n. Estos eventos contribuyeron a la inestabilidad pol\u0026#xED;tica y a los frecuentes cambios de gobierno, lo que se\u0026#xF1;al\u0026#xF3; un per\u0026#xED;odo de crisis en la isla. Durante la Guerra Fr\u0026#xED;a, con el auge de la Uni\u0026#xF3;n Sovi\u0026#xE9;tica, la Revoluci\u0026#xF3;n Cubana de 1959 comenz\u0026#xF3; a remodelar la naci\u0026#xF3;n. Los sellos de este per\u0026#xED;odo reflejan la transformaci\u0026#xF3;n del pa\u0026#xED;s, con im\u0026#xE1;genes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revoluci\u0026#xF3;n y su progreso.\u003c/p\u003e\n","\u003cp\u003eEsta colecci\u0026#xF3;n captura la evoluci\u0026#xF3;n de los sellos cubanos como una forma de comunicaci\u0026#xF3;n y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relaci\u0026#xF3;n con las potencias extranjeras. Los sellos presentan im\u0026#xE1;genes de la cultura cubana, el arte, figuras hist\u0026#xF3;ricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colecci\u0026#xF3;n brinda la oportunidad de explorar c\u0026#xF3;mo Cuba se transform\u0026#xF3; a lo largo de un siglo. Los investigadores pueden examinar las ideolog\u0026#xED;as pol\u0026#xED;ticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colecci\u0026#xF3;n de Sellos de Cuba en FIU no es solo un archivo hist\u0026#xF3;rico, sino tambi\u0026#xE9;n un testimonio de los cambios culturales y sociales del siglo XX.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX."],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. \u003c/p\u003e\n","\u003cp\u003e\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilaci\u0026#xF3;n integral de sellos postales que abarca la historia de Cuba durante este per\u0026#xED;odo transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revoluci\u0026#xF3;n Cubana y sus efectos posteriores. Demuestra el cambio social y pol\u0026#xED;tico a trav\u0026#xE9;s de los sellos y c\u0026#xF3;mo se utiliza este medio como propaganda de la revuelta. Tambi\u0026#xE9;n muestra c\u0026#xF3;mo se manejan las relaciones internacionales con otras naciones y c\u0026#xF3;mo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colecci\u0026#xF3;n consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservaci\u0026#xF3;n de estos sellos ofrece a los investigadores la oportunidad de descubrir por s\u0026#xED; mismos c\u0026#xF3;mo evolucionan las im\u0026#xE1;genes y los s\u0026#xED;mbolos a medida que avanza y se desarrolla la Revoluci\u0026#xF3;n Cubana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana."],"userestrict_html_tesm":["\u003cp\u003eRights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4174f2603576483c6691a9df651e17c6\"\u003eCollection of Cuban stamps from the mid-19th century to the mid-20th century.\u003c/abstract\u003e"],"abstract_tesim":["Collection of Cuban stamps from the mid-19th century to the mid-20th century."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb_aspace_82a3f7316e92fc3a656228c49b9e6c08"}},{"id":"aa862cad77720b140698c8fb_aspace_620a3f9a12cadc8456710765f96a9581","type":"Item","attributes":{"title":"Volume III, bulk 1855-1968","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb_aspace_620a3f9a12cadc8456710765f96a9581#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_620a3f9a12cadc8456710765f96a9581","ref_ssm":["aspace_620a3f9a12cadc8456710765f96a9581","aspace_620a3f9a12cadc8456710765f96a9581"],"id":"aa862cad77720b140698c8fb_aspace_620a3f9a12cadc8456710765f96a9581","title_filing_ssi":"Volume III","title_ssm":["Volume III"],"title_tesim":["Volume III"],"unitdate_bulk_ssim":["1855-1968"],"normalized_date_ssm":["bulk 1855-1968"],"normalized_title_ssm":["Volume III, bulk 1855-1968"],"text":["Volume III, bulk 1855-1968","Cuban Stamps Collection, 1855-1968","3","/repositories/2/archival_objects/86400","Spanish; Castilian"],"component_level_isim":[1],"parent_ids_ssim":["aa862cad77720b140698c8fb"],"parent_unittitles_ssm":["Cuban Stamps Collection, 1855-1968"],"parent_unittitles_tesim":["Cuban Stamps Collection, 1855-1968"],"parent_levels_ssm":["collection"],"unitid_ssm":["3","/repositories/2/archival_objects/86400"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":3,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"language_ssim":["Spanish; Castilian"],"_nest_path_":"/components#2","_nest_parent_":"aa862cad77720b140698c8fb","_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"aa862cad77720b140698c8fb","title_ssm":["Cuban Stamps Collection"],"title_tesim":["Cuban Stamps Collection"],"ead_ssi":"aa862cad77720b140698c8fb","unitdate_ssm":["1855-1968"],"unitdate_inclusive_ssm":["1855-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9070","/repositories/2/resources/131"],"text":["SPC9070","/repositories/2/resources/131","Cuban Stamps Collection, 1855-1968","The collection is open for research.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX.","The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana.","Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","Collection of Cuban stamps from the mid-19th century to the mid-20th century.","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9070","/repositories/2/resources/131"],"normalized_date_ssm":["1855-1968"],"normalized_title_ssm":["Cuban Stamps Collection, 1855-1968"],"collection_title_tesim":["Cuban Stamps Collection, 1855-1968"],"collection_ssim":["Cuban Stamps Collection, 1855-1968"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"has_online_content_ssim":["false"],"extent_ssm":["3 items"],"extent_tesim":["3 items"],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.\u003c/p\u003e\n","\u003cp\u003eAs the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.\u003c/p\u003e\n","\u003cp\u003eThis collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.\u003c/p\u003e\n","\u003cp\u003e\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a trav\u0026#xE9;s de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y pol\u0026#xED;ticos que dieron forma a Cuba durante este per\u0026#xED;odo transformador. Desde el dominio colonial espa\u0026#xF1;ol, pasando por la creaci\u0026#xF3;n de la Rep\u0026#xFA;blica Cubana, hasta el surgimiento de la Revoluci\u0026#xF3;n Cubana, estos eventos hist\u0026#xF3;ricos se reflejan en los sellos mismos. En 1855, Cuba emiti\u0026#xF3; su primer sello postal bajo el dominio espa\u0026#xF1;ol, marcando el comienzo de su servicio postal. Durante este per\u0026#xED;odo, los sellos estuvieron fuertemente influenciados por Espa\u0026#xF1;a e inclu\u0026#xED;an im\u0026#xE1;genes de la monarqu\u0026#xED;a espa\u0026#xF1;ola, reforzando la conexi\u0026#xF3;n entre el Imperio Espa\u0026#xF1;ol y Cuba.\u003c/p\u003e\n","\u003cp\u003eAl final del siglo XIX, la Guerra Hispanoamericana marc\u0026#xF3; un momento clave para Cuba, pasando de ser una colonia a una naci\u0026#xF3;n independiente en 1902. Este per\u0026#xED;odo vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, s\u0026#xED;mbolos de independencia e im\u0026#xE1;genes que celebraban la rica historia y cultura de Cuba. Adem\u0026#xE1;s, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experiment\u0026#xF3; eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresi\u0026#xF3;n. Estos eventos contribuyeron a la inestabilidad pol\u0026#xED;tica y a los frecuentes cambios de gobierno, lo que se\u0026#xF1;al\u0026#xF3; un per\u0026#xED;odo de crisis en la isla. Durante la Guerra Fr\u0026#xED;a, con el auge de la Uni\u0026#xF3;n Sovi\u0026#xE9;tica, la Revoluci\u0026#xF3;n Cubana de 1959 comenz\u0026#xF3; a remodelar la naci\u0026#xF3;n. Los sellos de este per\u0026#xED;odo reflejan la transformaci\u0026#xF3;n del pa\u0026#xED;s, con im\u0026#xE1;genes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revoluci\u0026#xF3;n y su progreso.\u003c/p\u003e\n","\u003cp\u003eEsta colecci\u0026#xF3;n captura la evoluci\u0026#xF3;n de los sellos cubanos como una forma de comunicaci\u0026#xF3;n y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relaci\u0026#xF3;n con las potencias extranjeras. Los sellos presentan im\u0026#xE1;genes de la cultura cubana, el arte, figuras hist\u0026#xF3;ricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colecci\u0026#xF3;n brinda la oportunidad de explorar c\u0026#xF3;mo Cuba se transform\u0026#xF3; a lo largo de un siglo. Los investigadores pueden examinar las ideolog\u0026#xED;as pol\u0026#xED;ticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colecci\u0026#xF3;n de Sellos de Cuba en FIU no es solo un archivo hist\u0026#xF3;rico, sino tambi\u0026#xE9;n un testimonio de los cambios culturales y sociales del siglo XX.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections offers valuable insight into Cuban history through postage stamps spanning the mid-19th to mid-20th century. These stamps reflect the cultural, social, and political events that shaped Cuba during this transformative period. From being under Spanish colonial rule, to the establishment of the Cuban Republic, and the rise of the Cuban Revolution, these historical events are mirrored in the stamps themselves. In 1855, Cuba issued its first postage stamp under Spanish rule, marking the beginning of its postal service. During this period, the stamps were heavily influenced by Spain and featured imagery of the Spanish monarchy, reinforcing the connection between the Spanish Empire and Cuba.","As the 19th century came to a close, the Spanish-American War marked a pivotal moment for Cuba, shifting from a colony to an independent nation in 1902. This period saw significant changes on the island, reflected in stamps that showcased national pride, symbols of independence, and images celebrating Cuba's rich history and culture. Additionally, these stamps were used to promote tourism to Cuba. Throughout the 20th century, Cuba experienced global events such as World War I, World War II, and the Great Depression. These events contributed to political instability and frequent government changes, signaling a period of crisis on the island. During the Cold War, as the Soviet Union rose to power, the Cuban Revolution of 1959 began to reshape the nation. The stamps from this period reflect the country's transformation, with imagery of revolutionary figures like Castro and Cienfuegos, and messaging that glorified the revolution and its progress.","This collection captures the evolution of Cuban stamps as a form of communication and propaganda, mirroring the island's growing sense of self-identity and its changing relationship with foreign powers. The stamps feature images of Cuban culture, art, historical figures, national flora and fauna, and the tourism industry, all serving as tools to promote Cuba to the world. Preserving this collection provides an opportunity to explore how Cuba transformed over the course of a century. Researchers can examine the shifting political ideologies, international relations, and national identities reflected in the stamps. The Cuban Stamp Collection at FIU is not only a historical archive but also a testament to the cultural and social changes of the 20th century.","\nEl Cuban Stamp Collection del Florida International University (FIU) Special Collections ofrece una valiosa perspectiva de la historia de Cuba a través de los sellos postales que abarcan desde mediados del siglo XIX hasta mediados del siglo XX. Estos sellos reflejan los eventos culturales, sociales y políticos que dieron forma a Cuba durante este período transformador. Desde el dominio colonial español, pasando por la creación de la República Cubana, hasta el surgimiento de la Revolución Cubana, estos eventos históricos se reflejan en los sellos mismos. En 1855, Cuba emitió su primer sello postal bajo el dominio español, marcando el comienzo de su servicio postal. Durante este período, los sellos estuvieron fuertemente influenciados por España e incluían imágenes de la monarquía española, reforzando la conexión entre el Imperio Español y Cuba.","Al final del siglo XIX, la Guerra Hispanoamericana marcó un momento clave para Cuba, pasando de ser una colonia a una nación independiente en 1902. Este período vio cambios significativos en la isla, reflejados en los sellos que mostraban el orgullo nacional, símbolos de independencia e imágenes que celebraban la rica historia y cultura de Cuba. Además, estos sellos fueron utilizados para promover el turismo hacia Cuba. A lo largo del siglo XX, Cuba experimentó eventos globales como la Primera y Segunda Guerra Mundial, y la Gran Depresión. Estos eventos contribuyeron a la inestabilidad política y a los frecuentes cambios de gobierno, lo que señaló un período de crisis en la isla. Durante la Guerra Fría, con el auge de la Unión Soviética, la Revolución Cubana de 1959 comenzó a remodelar la nación. Los sellos de este período reflejan la transformación del país, con imágenes de figuras revolucionarias como Castro y Cienfuegos, y mensajes que glorificaban la revolución y su progreso.","Esta colección captura la evolución de los sellos cubanos como una forma de comunicación y propaganda, reflejando el creciente sentido de identidad nacional de la isla y su cambiante relación con las potencias extranjeras. Los sellos presentan imágenes de la cultura cubana, el arte, figuras históricas, la flora y fauna nacional, y la industria del turismo, todas sirviendo como herramientas para promover Cuba al mundo. Preservar esta colección brinda la oportunidad de explorar cómo Cuba se transformó a lo largo de un siglo. Los investigadores pueden examinar las ideologías políticas cambiantes, las relaciones internacionales y las identidades nacionales reflejadas en los sellos. La Colección de Sellos de Cuba en FIU no es solo un archivo histórico, sino también un testimonio de los cambios culturales y sociales del siglo XX."],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. \u003c/p\u003e\n","\u003cp\u003e\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilaci\u0026#xF3;n integral de sellos postales que abarca la historia de Cuba durante este per\u0026#xED;odo transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revoluci\u0026#xF3;n Cubana y sus efectos posteriores. Demuestra el cambio social y pol\u0026#xED;tico a trav\u0026#xE9;s de los sellos y c\u0026#xF3;mo se utiliza este medio como propaganda de la revuelta. Tambi\u0026#xE9;n muestra c\u0026#xF3;mo se manejan las relaciones internacionales con otras naciones y c\u0026#xF3;mo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colecci\u0026#xF3;n consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservaci\u0026#xF3;n de estos sellos ofrece a los investigadores la oportunidad de descubrir por s\u0026#xED; mismos c\u0026#xF3;mo evolucionan las im\u0026#xE1;genes y los s\u0026#xED;mbolos a medida que avanza y se desarrolla la Revoluci\u0026#xF3;n Cubana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuban Stamp Collection at Florida International University (FIU) Special Collections is a comprehensive assortment of postage stamps throughout the history of Cuba during this transformative period during the 20th century. It spans from the mid-19th century to the beginnings of the Cuban Revolution and its after effects. It demonstrates social political change through stamps and how they use this form of media to create propaganda of the revolt. It also shows how they handle international relations with other nations and how it promotes cultural figures, the arts, tourism, animal and plant species, and worldwide events. This collection offers three books worth of stamp collections, ranging from 500-600 individual stamps per book. Preserving these stamps gives opportunity for researchers to find out themselves how the imagery and symbolism evolve as the Cuban Revolution progresses and develops. ","\nLa Cuban Stamp Collection en las Florida International University (FIU) Special Collections es una recopilación integral de sellos postales que abarca la historia de Cuba durante este período transformador del siglo XX. Se extiende desde mediados del siglo XIX hasta los comienzos de la Revolución Cubana y sus efectos posteriores. Demuestra el cambio social y político a través de los sellos y cómo se utiliza este medio como propaganda de la revuelta. También muestra cómo se manejan las relaciones internacionales con otras naciones y cómo se promueven figuras culturales, las artes, el turismo, especies animales y plantas, y eventos mundiales. Esta colección consta de tres libros que contienen colecciones de sellos, con un rango de 500-600 sellos individuales por libro. La preservación de estos sellos ofrece a los investigadores la oportunidad de descubrir por sí mismos cómo evolucionan las imágenes y los símbolos a medida que avanza y se desarrolla la Revolución Cubana."],"userestrict_html_tesm":["\u003cp\u003eRights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Cuban Stamps Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4174f2603576483c6691a9df651e17c6\"\u003eCollection of Cuban stamps from the mid-19th century to the mid-20th century.\u003c/abstract\u003e"],"abstract_tesim":["Collection of Cuban stamps from the mid-19th century to the mid-20th century."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"aa862cad77720b140698c8fb","timestamp":"2026-04-21T02:12:13.039Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/aa862cad77720b140698c8fb_aspace_620a3f9a12cadc8456710765f96a9581"}},{"id":"6678d1ef17eb0b784725a98a","type":"collection","attributes":{"title":"Vreeland Collection, Circa 1839-2000, bulk 1920-1960","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/6678d1ef17eb0b784725a98a#creator","type":"document_value","attributes":{"value":["Vreeland, Harold"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/6678d1ef17eb0b784725a98a#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003ePersonal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6678d1ef17eb0b784725a98a#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"6678d1ef17eb0b784725a98a","title_filing_ssi":"Vreeland Collection","title_ssm":["Vreeland Collection"],"title_tesim":["Vreeland Collection"],"ead_ssi":"6678d1ef17eb0b784725a98a","unitdate_ssm":["Circa 1839-2000, bulk 1920-1960"],"unitdate_inclusive_ssm":["Circa 1839-2000, bulk 1920-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.1985.6","/repositories/4/resources/275"],"text":["BCHA.1985.6","/repositories/4/resources/275","Vreeland Collection, Circa 1839-2000, bulk 1920-1960","Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing","Good condition. Some items fragile, broken, or damaged.","Collection is open for research.","Harold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1).","The Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864–1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862–1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899–1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.","In 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.","During the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.","His wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.","Their son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish—sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.","During WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.","His son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida.","This collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Personal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.","The collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.","The Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships—such as cruisers and destroyers—navigating off the coast of Fort Lauderdale during World War II. ","It also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.","The boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game‑fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.","The Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.","The Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.","Finally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories.","Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."," Broward County Historical Archives","Vreeland, Harold","English"],"unitid_tesim":["BCHA.1985.6","/repositories/4/resources/275"],"normalized_date_ssm":["Circa 1839-2000, bulk 1920-1960"],"normalized_title_ssm":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"collection_title_tesim":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"collection_ssim":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"creator_ssm":["Vreeland, Harold"],"creator_ssim":["Vreeland, Harold"],"creator_persname_ssim":["Vreeland, Harold"],"creators_ssim":["Vreeland, Harold"],"access_terms_ssm":["Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."],"access_subjects_ssim":["Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing"],"access_subjects_ssm":["Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good condition. Some items fragile, broken, or damaged."],"extent_ssm":["19 Boxes (irregular size) The collection contains 19 boxes, including seven albums (consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes of different sizes containing artifacts and objects."],"extent_tesim":["19 Boxes (irregular size) The collection contains 19 boxes, including seven albums (consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes of different sizes containing artifacts and objects."],"date_range_isim":[1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"accruals_html_tesm":["\u003cp\u003eHarold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1).\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Harold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1)."],"bioghist_html_tesm":["\u003cp\u003eThe Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864\u0026#x2013;1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862\u0026#x2013;1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899\u0026#x2013;1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.\u003c/p\u003e\n","\u003cp\u003eIn 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.\u003c/p\u003e\n","\u003cp\u003eDuring the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.\u003c/p\u003e\n","\u003cp\u003eHis wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.\u003c/p\u003e\n","\u003cp\u003eTheir son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish\u0026#x2014;sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.\u003c/p\u003e\n","\u003cp\u003eDuring WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.\u003c/p\u003e\n","\u003cp\u003eHis son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864–1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862–1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899–1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.","In 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.","During the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.","His wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.","Their son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish—sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.","During WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.","His son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida."],"prefercite_html_tesm":["\u003cp\u003eBroward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003ePersonal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.\u003c/p\u003e\n","\u003cp\u003eThe Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships\u0026#x2014;such as cruisers and destroyers\u0026#x2014;navigating off the coast of Fort Lauderdale during World War II. \u003c/p\u003e\n","\u003cp\u003eIt also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.\u003c/p\u003e\n","\u003cp\u003eThe boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game\u0026#x2011;fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.\u003c/p\u003e\n","\u003cp\u003eThe Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.\u003c/p\u003e\n","\u003cp\u003eThe Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.\u003c/p\u003e\n","\u003cp\u003eFinally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Personal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.","The collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.","The Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships—such as cruisers and destroyers—navigating off the coast of Fort Lauderdale during World War II. ","It also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.","The boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game‑fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.","The Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.","The Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.","Finally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories."],"userestrict_html_tesm":["\u003cp\u003eAccess to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."],"names_ssim":[" Broward County Historical Archives","Vreeland, Harold"],"corpname_ssim":[" Broward County Historical Archives"],"names_coll_ssim":["Vreeland, Harold"],"persname_ssim":["Vreeland, Harold"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":708,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877635433981018112,"_root_":"6678d1ef17eb0b784725a98a","timestamp":"2026-09-29T03:31:28.954Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6678d1ef17eb0b784725a98a","title_filing_ssi":"Vreeland Collection","title_ssm":["Vreeland Collection"],"title_tesim":["Vreeland Collection"],"ead_ssi":"6678d1ef17eb0b784725a98a","unitdate_ssm":["Circa 1839-2000, bulk 1920-1960"],"unitdate_inclusive_ssm":["Circa 1839-2000, bulk 1920-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.1985.6","/repositories/4/resources/275"],"text":["BCHA.1985.6","/repositories/4/resources/275","Vreeland Collection, Circa 1839-2000, bulk 1920-1960","Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing","Good condition. Some items fragile, broken, or damaged.","Collection is open for research.","Harold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1).","The Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864–1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862–1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899–1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.","In 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.","During the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.","His wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.","Their son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish—sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.","During WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.","His son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida.","This collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Personal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.","The collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.","The Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships—such as cruisers and destroyers—navigating off the coast of Fort Lauderdale during World War II. ","It also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.","The boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game‑fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.","The Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.","The Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.","Finally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories.","Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."," Broward County Historical Archives","Vreeland, Harold","English"],"unitid_tesim":["BCHA.1985.6","/repositories/4/resources/275"],"normalized_date_ssm":["Circa 1839-2000, bulk 1920-1960"],"normalized_title_ssm":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"collection_title_tesim":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"collection_ssim":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"creator_ssm":["Vreeland, Harold"],"creator_ssim":["Vreeland, Harold"],"creator_persname_ssim":["Vreeland, Harold"],"creators_ssim":["Vreeland, Harold"],"access_terms_ssm":["Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."],"access_subjects_ssim":["Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing"],"access_subjects_ssm":["Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good condition. Some items fragile, broken, or damaged."],"extent_ssm":["19 Boxes (irregular size) The collection contains 19 boxes, including seven albums (consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes of different sizes containing artifacts and objects."],"extent_tesim":["19 Boxes (irregular size) The collection contains 19 boxes, including seven albums (consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes of different sizes containing artifacts and objects."],"date_range_isim":[1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"accruals_html_tesm":["\u003cp\u003eHarold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1).\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Harold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1)."],"bioghist_html_tesm":["\u003cp\u003eThe Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864\u0026#x2013;1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862\u0026#x2013;1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899\u0026#x2013;1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.\u003c/p\u003e\n","\u003cp\u003eIn 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.\u003c/p\u003e\n","\u003cp\u003eDuring the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.\u003c/p\u003e\n","\u003cp\u003eHis wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.\u003c/p\u003e\n","\u003cp\u003eTheir son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish\u0026#x2014;sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.\u003c/p\u003e\n","\u003cp\u003eDuring WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.\u003c/p\u003e\n","\u003cp\u003eHis son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864–1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862–1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899–1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.","In 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.","During the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.","His wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.","Their son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish—sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.","During WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.","His son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida."],"prefercite_html_tesm":["\u003cp\u003eBroward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003ePersonal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.\u003c/p\u003e\n","\u003cp\u003eThe Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships\u0026#x2014;such as cruisers and destroyers\u0026#x2014;navigating off the coast of Fort Lauderdale during World War II. \u003c/p\u003e\n","\u003cp\u003eIt also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.\u003c/p\u003e\n","\u003cp\u003eThe boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game\u0026#x2011;fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.\u003c/p\u003e\n","\u003cp\u003eThe Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.\u003c/p\u003e\n","\u003cp\u003eThe Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.\u003c/p\u003e\n","\u003cp\u003eFinally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Personal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.","The collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.","The Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships—such as cruisers and destroyers—navigating off the coast of Fort Lauderdale during World War II. ","It also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.","The boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game‑fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.","The Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.","The Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.","Finally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories."],"userestrict_html_tesm":["\u003cp\u003eAccess to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."],"names_ssim":[" Broward County Historical Archives","Vreeland, Harold"],"corpname_ssim":[" Broward County Historical Archives"],"names_coll_ssim":["Vreeland, Harold"],"persname_ssim":["Vreeland, Harold"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":708,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877635433981018112,"_root_":"6678d1ef17eb0b784725a98a","timestamp":"2026-09-29T03:31:28.954Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6678d1ef17eb0b784725a98a"}},{"id":"beeb4bdf7fe267ffefc880c6","type":"collection","attributes":{"title":"Wakulla Plantation records, 1891-1901, Date acquired: 07/25/1956","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/beeb4bdf7fe267ffefc880c6#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection consists of the accounting books of the Wakulla Plantation. The two items are in poor condition and incomplete. The account book dated 1891-1901. The Epping Hanserd \u0026amp; Co. account, dated 1866, is legible but the bottom part of the page has been torn off. However, there is a Tax Return for 1895, and the other legible papers appear to be individual accounts with various persons. The items listed in the accounts are such as would be listed by the keeper of a commissary. The name \"Rehwinkle\" also appears in the document, possible as the name of the plantation.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/beeb4bdf7fe267ffefc880c6#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"beeb4bdf7fe267ffefc880c6","title_ssm":["Wakulla Plantation records"],"title_tesim":["Wakulla Plantation records"],"ead_ssi":"beeb4bdf7fe267ffefc880c6","unitdate_ssm":["1891-1901","Date acquired: 07/25/1956"],"unitdate_inclusive_ssm":["1891-1901"],"unitdate_other_ssim":["Date acquired: 07/25/1956"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0-253","/repositories/10/resources/402"],"text":["MSS 0-253","/repositories/10/resources/402","Wakulla Plantation records, 1891-1901, Date acquired: 07/25/1956","Wakulla County (Fla.)","Plantations--Florida","Account books","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Processed March 4, 1964","This collection consists of the accounting books of the Wakulla Plantation. The two items are in poor condition and incomplete. The account book dated 1891-1901. The Epping Hanserd \u0026 Co. account, dated 1866, is legible but the bottom part of the page has been torn off. However, there is a Tax Return for 1895, and the other legible papers appear to be individual accounts with various persons. The items listed in the accounts are such as would be listed by the keeper of a commissary. The name \"Rehwinkle\" also appears in the document, possible as the name of the plantation.","Materials from this collection are digitized and are available through the  FSU Digital Library .","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["MSS 0-253","/repositories/10/resources/402"],"normalized_date_ssm":["1891-1901, Date acquired: 07/25/1956"],"normalized_title_ssm":["Wakulla Plantation records, 1891-1901, Date acquired: 07/25/1956"],"collection_title_tesim":["Wakulla Plantation records, 1891-1901, Date acquired: 07/25/1956"],"collection_ssim":["Wakulla Plantation records, 1891-1901, Date acquired: 07/25/1956"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Wakulla County (Fla.)"],"geogname_ssim":["Wakulla County (Fla.)"],"places_ssim":["Wakulla County (Fla.)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Campus mail envelope in which items were kept shows the name of Professor N. K. Pyburn, 205 Education, but positive source of acquisition not indicated."],"access_subjects_ssim":["Plantations--Florida","Account books"],"access_subjects_ssm":["Plantations--Florida","Account books"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 items 1 folder.","0 Linear Feet"],"extent_tesim":["2.00 items 1 folder.","0 Linear Feet"],"date_range_isim":[1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Wakulla Plantation records, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-0-253\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Wakulla Plantation records, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-0-253"],"processinfo_html_tesm":["\u003cp\u003eProcessed March 4, 1964\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed March 4, 1964"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of the accounting books of the Wakulla Plantation. The two items are in poor condition and incomplete. The account book dated 1891-1901. The Epping Hanserd \u0026amp; Co. account, dated 1866, is legible but the bottom part of the page has been torn off. However, there is a Tax Return for 1895, and the other legible papers appear to be individual accounts with various persons. The items listed in the accounts are such as would be listed by the keeper of a commissary. The name \"Rehwinkle\" also appears in the document, possible as the name of the plantation.\u003c/p\u003e","\u003cp\u003eMaterials from this collection are digitized and are available through the \u003cextref href=\"http://fsu.digital.flvc.org/islandora/object/fsu:fhhwakullaplantationrecords\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["This collection consists of the accounting books of the Wakulla Plantation. The two items are in poor condition and incomplete. The account book dated 1891-1901. The Epping Hanserd \u0026 Co. account, dated 1866, is legible but the bottom part of the page has been torn off. However, there is a Tax Return for 1895, and the other legible papers appear to be individual accounts with various persons. The items listed in the accounts are such as would be listed by the keeper of a commissary. The name \"Rehwinkle\" also appears in the document, possible as the name of the plantation.","Materials from this collection are digitized and are available through the  FSU Digital Library ."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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