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Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ff8bd100c9ed6839db18444ca82c6441\" label=\"Abstract\"\u003eNational Audubon Society Okeechobee/Kissimmee and Chandler Warden records consist of papers of wardens and Florida Audubon and National Audubon Society representatives who worked on the land around Kissimmee Prairie Preserve State Park in Okeechobee County, Florida, as well as Lorida. Included are the field notes and reports of Roderick, Marvin, and Roy Chandler, who patrolled the area. The collection focuses on reports of birds and wildlife, legal matters related to surface water and its effects on nesting patterns of the Florida Grasshopper Sparrow, hydrology data, and land management.\u003c/abstract\u003e"],"abstract_tesim":["National Audubon Society Okeechobee/Kissimmee and Chandler Warden records consist of papers of wardens and Florida Audubon and National Audubon Society representatives who worked on the land around Kissimmee Prairie Preserve State Park in Okeechobee County, Florida, as well as Lorida. Included are the field notes and reports of Roderick, Marvin, and Roy Chandler, who patrolled the area. The collection focuses on reports of birds and wildlife, legal matters related to surface water and its effects on nesting patterns of the Florida Grasshopper Sparrow, hydrology data, and land management."],"names_coll_ssim":["Florida Audubon Society","National Audubon Society","South Florida Water Management District (Fla.)"],"names_ssim":["USF Libraries - Tampa Special Collections","Florida Audubon Society","National Audubon Society","South Florida Water Management District (Fla.)"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Florida Audubon Society","National Audubon Society","South Florida Water Management District (Fla.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":231,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881013021982064640,"_root_":"a4139c0e978fb933f9dbd0a0","timestamp":"2026-11-05T10:16:47.885Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a4139c0e978fb933f9dbd0a0","title_ssm":["National Audubon Society Okeechobee/Kissimmee and Chandler Warden records"],"title_tesim":["National Audubon Society Okeechobee/Kissimmee and Chandler Warden records"],"ead_ssi":"a4139c0e978fb933f9dbd0a0","unitdate_ssm":["1884-2004","1936-2004","Acquired: 04/01/2016"],"unitdate_bulk_ssim":["1936-2004"],"unitdate_inclusive_ssm":["1884-2004"],"unitdate_other_ssim":["Acquired: 04/01/2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2016-08","/repositories/2/resources/29"],"text":["MS-2016-08","/repositories/2/resources/29","National Audubon Society Okeechobee/Kissimmee and Chandler Warden records, 1884-2004, Acquired: 04/01/2016, bulk 1936-2004","Kissimmee River Valley (Fla.) -- Conservation","Watershed hydrology -- Conservation","Grassland conservation","Ranchers -- Law and legislation -- Florida","Ornithology -- Fieldwork","Birds -- Habitat -- Florida","Until 1934, USF Libraries must provide 90 day notice to FAS in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the FAS.","Audubon Florida obtained the property in Lorida / Kissimmee Prairie in 1980, but wardens had been supervising the site since the 1930s.","This collection consists of organizational papers of the Florida Audubon and National Audubon Society, including warden reports, scientific data, published studies, correspondence, photographs, maps, clippings, and legal papers.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","National Audubon Society Okeechobee/Kissimmee and Chandler Warden records consist of papers of wardens and Florida Audubon and National Audubon Society representatives who worked on the land around Kissimmee Prairie Preserve State Park in Okeechobee County, Florida, as well as Lorida. Included are the field notes and reports of Roderick, Marvin, and Roy Chandler, who patrolled the area. The collection focuses on reports of birds and wildlife, legal matters related to surface water and its effects on nesting patterns of the Florida Grasshopper Sparrow, hydrology data, and land management.","USF Libraries - Tampa Special Collections","Florida Audubon Society","National Audubon Society","South Florida Water Management District (Fla.)","English"],"unitid_tesim":["MS-2016-08","/repositories/2/resources/29"],"normalized_date_ssm":["1884-2004, Acquired: 04/01/2016, bulk 1936-2004"],"normalized_title_ssm":["National Audubon Society Okeechobee/Kissimmee and Chandler Warden records, 1884-2004, Acquired: 04/01/2016, bulk 1936-2004"],"collection_title_tesim":["National Audubon Society Okeechobee/Kissimmee and Chandler Warden records, 1884-2004, Acquired: 04/01/2016, bulk 1936-2004"],"collection_ssim":["National Audubon Society Okeechobee/Kissimmee and Chandler Warden records, 1884-2004, Acquired: 04/01/2016, bulk 1936-2004"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Kissimmee River Valley (Fla.) -- Conservation"],"geogname_ssim":["Kissimmee River Valley (Fla.) -- Conservation"],"creator_ssm":["Florida Audubon Society"],"creator_ssim":["Florida Audubon Society"],"creator_corpname_ssim":["Florida Audubon Society"],"creators_ssim":["Florida Audubon Society"],"places_ssim":["Kissimmee River Valley (Fla.) -- Conservation"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Audubon Society of Florida / Paul Gray","Donation."],"access_subjects_ssim":["Watershed hydrology -- Conservation","Grassland conservation","Ranchers -- Law and legislation -- Florida","Ornithology -- Fieldwork","Birds -- Habitat -- Florida"],"access_subjects_ssm":["Watershed hydrology -- Conservation","Grassland conservation","Ranchers -- Law and legislation -- Florida","Ornithology -- Fieldwork","Birds -- Habitat -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["6.25 Linear Feet","13 boxes"],"extent_tesim":["6.25 Linear Feet","13 boxes"],"date_range_isim":[1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eUntil 1934, USF Libraries must provide 90 day notice to FAS in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the FAS.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Until 1934, USF Libraries must provide 90 day notice to FAS in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the FAS."],"bioghist_html_tesm":["\u003cp\u003eAudubon Florida obtained the property in Lorida / Kissimmee Prairie in 1980, but wardens had been supervising the site since the 1930s.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Audubon Florida obtained the property in Lorida / Kissimmee Prairie in 1980, but wardens had been supervising the site since the 1930s."],"prefercite_html_tesm":["\u003cp\u003eNational Audubon Society Okeechobee/Kissimmee and Chandler Warden records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u0026#xA0;\u003c/p\u003e"],"prefercite_tesim":["National Audubon Society Okeechobee/Kissimmee and Chandler Warden records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of organizational papers of the Florida Audubon and National Audubon Society, including warden reports, scientific data, published studies, correspondence, photographs, maps, clippings, and legal papers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of organizational papers of the Florida Audubon and National Audubon Society, including warden reports, scientific data, published studies, correspondence, photographs, maps, clippings, and legal papers."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ff8bd100c9ed6839db18444ca82c6441\" label=\"Abstract\"\u003eNational Audubon Society Okeechobee/Kissimmee and Chandler Warden records consist of papers of wardens and Florida Audubon and National Audubon Society representatives who worked on the land around Kissimmee Prairie Preserve State Park in Okeechobee County, Florida, as well as Lorida. Included are the field notes and reports of Roderick, Marvin, and Roy Chandler, who patrolled the area. The collection focuses on reports of birds and wildlife, legal matters related to surface water and its effects on nesting patterns of the Florida Grasshopper Sparrow, hydrology data, and land management.\u003c/abstract\u003e"],"abstract_tesim":["National Audubon Society Okeechobee/Kissimmee and Chandler Warden records consist of papers of wardens and Florida Audubon and National Audubon Society representatives who worked on the land around Kissimmee Prairie Preserve State Park in Okeechobee County, Florida, as well as Lorida. Included are the field notes and reports of Roderick, Marvin, and Roy Chandler, who patrolled the area. The collection focuses on reports of birds and wildlife, legal matters related to surface water and its effects on nesting patterns of the Florida Grasshopper Sparrow, hydrology data, and land management."],"names_coll_ssim":["Florida Audubon Society","National Audubon Society","South Florida Water Management District (Fla.)"],"names_ssim":["USF Libraries - Tampa Special Collections","Florida Audubon Society","National Audubon Society","South Florida Water Management District (Fla.)"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Florida Audubon Society","National Audubon Society","South Florida Water Management District (Fla.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":231,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881013021982064640,"_root_":"a4139c0e978fb933f9dbd0a0","timestamp":"2026-11-05T10:16:47.885Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a4139c0e978fb933f9dbd0a0"}},{"id":"cd8ed33a4bc1fa03258ea1d7","type":"collection","attributes":{"title":"Neulander Magazine Collection, 1882-2002, Date acquired: 12/11/1968, bulk 1920-1929; 1950-1979","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/cd8ed33a4bc1fa03258ea1d7#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Alan Neulander Magazine Collection consists of weekly, monthly, quarterly, special edition, and one-off  magazine and newsprint publications. Mr. Neulander's magazines span over a century of time with the earliest publication bearing a copyright date of 1882. Of special note are publications issued in the decade, of the last century, often referred to as The Roaring Twenties (1920-1929). Most publications in this block of the collection are dedicated to presenting a forum for then-current literary and fine arts contributors. Some issues of Broom contain writings by several of the notable authors and poets of the day (e.g., John Dos Passos, William Carlos Williams, Gertrude Stein, E.E. Cummings, and Aldous Huxley). In addition, the collection is significant for the number of magazines (and some newspapers) that cover life in America during the mid-part of the 20th Century. These are of a more diverse nature and though many continue to focus on the arts, several are devoted to travel and tourism, while a large number of the magazines published during the 1960's are dedicated to remembering the centennial of the American Civil War.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cd8ed33a4bc1fa03258ea1d7#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"cd8ed33a4bc1fa03258ea1d7","title_ssm":["Neulander Magazine Collection"],"title_tesim":["Neulander Magazine Collection"],"ead_ssi":"cd8ed33a4bc1fa03258ea1d7","unitdate_ssm":["1882-2002","1920-1929; 1950-1979","Date acquired: 12/11/1968"],"unitdate_bulk_ssim":["1920-1929; 1950-1979"],"unitdate_inclusive_ssm":["1882-2002"],"unitdate_other_ssim":["Date acquired: 12/11/1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00025","/repositories/2/resources/34"],"text":["SPC00025","/repositories/2/resources/34","Neulander Magazine Collection, 1882-2002, Date acquired: 12/11/1968, bulk 1920-1929; 1950-1979","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2010, Rick Cullen processed this collection.","The Alan Neulander Magazine Collection consists of weekly, monthly, quarterly, special edition, and one-off  magazine and newsprint publications. Mr. Neulander's magazines span over a century of time with the earliest publication bearing a copyright date of 1882. Of special note are publications issued in the decade, of the last century, often referred to as The Roaring Twenties (1920-1929). Most publications in this block of the collection are dedicated to presenting a forum for then-current literary and fine arts contributors. Some issues of Broom contain writings by several of the notable authors and poets of the day (e.g., John Dos Passos, William Carlos Williams, Gertrude Stein, E.E. Cummings, and Aldous Huxley). In addition, the collection is significant for the number of magazines (and some newspapers) that cover life in America during the mid-part of the 20th Century. These are of a more diverse nature and though many continue to focus on the arts, several are devoted to travel and tourism, while a large number of the magazines published during the 1960's are dedicated to remembering the centennial of the American Civil War.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["SPC00025","/repositories/2/resources/34"],"normalized_date_ssm":["1882-2002, Date acquired: 12/11/1968, bulk 1920-1929; 1950-1979"],"normalized_title_ssm":["Neulander Magazine Collection, 1882-2002, Date acquired: 12/11/1968, bulk 1920-1929; 1950-1979"],"collection_title_tesim":["Neulander Magazine Collection, 1882-2002, Date acquired: 12/11/1968, bulk 1920-1929; 1950-1979"],"collection_ssim":["Neulander Magazine Collection, 1882-2002, Date acquired: 12/11/1968, bulk 1920-1929; 1950-1979"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["4.00 Linear Feet"],"extent_tesim":["4.00 Linear Feet"],"date_range_isim":[1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2010, Rick Cullen processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2010, Rick Cullen processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Alan Neulander Magazine Collection consists of weekly, monthly, quarterly, special edition, and one-off\u0026#xA0; magazine and newsprint publications. Mr. Neulander's magazines span over a century of time with the earliest publication bearing a copyright date of 1882. Of special note are publications issued in the decade, of the last century, often referred to as The Roaring Twenties (1920-1929). Most publications in this block of the collection are dedicated to presenting a forum for then-current literary and fine arts contributors. Some issues of Broom contain writings by several of the notable authors and poets of the day (e.g., John Dos Passos, William Carlos Williams, Gertrude Stein, E.E. Cummings, and Aldous Huxley). In addition, the collection is significant for the number of magazines (and some newspapers) that cover life in America during the mid-part of the 20th Century. These are of a more diverse nature and though many continue to focus on the arts, several are devoted to travel and tourism, while a large number of the magazines published during the 1960's are dedicated to remembering the centennial of the American Civil War.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Alan Neulander Magazine Collection consists of weekly, monthly, quarterly, special edition, and one-off  magazine and newsprint publications. Mr. Neulander's magazines span over a century of time with the earliest publication bearing a copyright date of 1882. Of special note are publications issued in the decade, of the last century, often referred to as The Roaring Twenties (1920-1929). Most publications in this block of the collection are dedicated to presenting a forum for then-current literary and fine arts contributors. Some issues of Broom contain writings by several of the notable authors and poets of the day (e.g., John Dos Passos, William Carlos Williams, Gertrude Stein, E.E. Cummings, and Aldous Huxley). In addition, the collection is significant for the number of magazines (and some newspapers) that cover life in America during the mid-part of the 20th Century. These are of a more diverse nature and though many continue to focus on the arts, several are devoted to travel and tourism, while a large number of the magazines published during the 1960's are dedicated to remembering the centennial of the American Civil War."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":148,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"cd8ed33a4bc1fa03258ea1d7","timestamp":"2026-04-21T17:41:39.271Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cd8ed33a4bc1fa03258ea1d7","title_ssm":["Neulander Magazine Collection"],"title_tesim":["Neulander Magazine Collection"],"ead_ssi":"cd8ed33a4bc1fa03258ea1d7","unitdate_ssm":["1882-2002","1920-1929; 1950-1979","Date acquired: 12/11/1968"],"unitdate_bulk_ssim":["1920-1929; 1950-1979"],"unitdate_inclusive_ssm":["1882-2002"],"unitdate_other_ssim":["Date acquired: 12/11/1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00025","/repositories/2/resources/34"],"text":["SPC00025","/repositories/2/resources/34","Neulander Magazine Collection, 1882-2002, Date acquired: 12/11/1968, bulk 1920-1929; 1950-1979","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2010, Rick Cullen processed this collection.","The Alan Neulander Magazine Collection consists of weekly, monthly, quarterly, special edition, and one-off  magazine and newsprint publications. Mr. Neulander's magazines span over a century of time with the earliest publication bearing a copyright date of 1882. Of special note are publications issued in the decade, of the last century, often referred to as The Roaring Twenties (1920-1929). Most publications in this block of the collection are dedicated to presenting a forum for then-current literary and fine arts contributors. Some issues of Broom contain writings by several of the notable authors and poets of the day (e.g., John Dos Passos, William Carlos Williams, Gertrude Stein, E.E. Cummings, and Aldous Huxley). In addition, the collection is significant for the number of magazines (and some newspapers) that cover life in America during the mid-part of the 20th Century. These are of a more diverse nature and though many continue to focus on the arts, several are devoted to travel and tourism, while a large number of the magazines published during the 1960's are dedicated to remembering the centennial of the American Civil War.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["SPC00025","/repositories/2/resources/34"],"normalized_date_ssm":["1882-2002, Date acquired: 12/11/1968, bulk 1920-1929; 1950-1979"],"normalized_title_ssm":["Neulander Magazine Collection, 1882-2002, Date acquired: 12/11/1968, bulk 1920-1929; 1950-1979"],"collection_title_tesim":["Neulander Magazine Collection, 1882-2002, Date acquired: 12/11/1968, bulk 1920-1929; 1950-1979"],"collection_ssim":["Neulander Magazine Collection, 1882-2002, Date acquired: 12/11/1968, bulk 1920-1929; 1950-1979"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["4.00 Linear Feet"],"extent_tesim":["4.00 Linear Feet"],"date_range_isim":[1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2010, Rick Cullen processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2010, Rick Cullen processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Alan Neulander Magazine Collection consists of weekly, monthly, quarterly, special edition, and one-off\u0026#xA0; magazine and newsprint publications. Mr. Neulander's magazines span over a century of time with the earliest publication bearing a copyright date of 1882. Of special note are publications issued in the decade, of the last century, often referred to as The Roaring Twenties (1920-1929). Most publications in this block of the collection are dedicated to presenting a forum for then-current literary and fine arts contributors. Some issues of Broom contain writings by several of the notable authors and poets of the day (e.g., John Dos Passos, William Carlos Williams, Gertrude Stein, E.E. Cummings, and Aldous Huxley). In addition, the collection is significant for the number of magazines (and some newspapers) that cover life in America during the mid-part of the 20th Century. These are of a more diverse nature and though many continue to focus on the arts, several are devoted to travel and tourism, while a large number of the magazines published during the 1960's are dedicated to remembering the centennial of the American Civil War.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Alan Neulander Magazine Collection consists of weekly, monthly, quarterly, special edition, and one-off  magazine and newsprint publications. Mr. Neulander's magazines span over a century of time with the earliest publication bearing a copyright date of 1882. Of special note are publications issued in the decade, of the last century, often referred to as The Roaring Twenties (1920-1929). Most publications in this block of the collection are dedicated to presenting a forum for then-current literary and fine arts contributors. Some issues of Broom contain writings by several of the notable authors and poets of the day (e.g., John Dos Passos, William Carlos Williams, Gertrude Stein, E.E. Cummings, and Aldous Huxley). In addition, the collection is significant for the number of magazines (and some newspapers) that cover life in America during the mid-part of the 20th Century. These are of a more diverse nature and though many continue to focus on the arts, several are devoted to travel and tourism, while a large number of the magazines published during the 1960's are dedicated to remembering the centennial of the American Civil War."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":148,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"cd8ed33a4bc1fa03258ea1d7","timestamp":"2026-04-21T17:41:39.271Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cd8ed33a4bc1fa03258ea1d7"}},{"id":"5e17dda97e7549e9d9b40539_aspace_4b0da1d948113410a9f785f22d054aab","type":"Subseries","attributes":{"title":"Newspaper Clippings, Circa 1850-2000","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_4b0da1d948113410a9f785f22d054aab#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_4b0da1d948113410a9f785f22d054aab","ref_ssm":["aspace_4b0da1d948113410a9f785f22d054aab","aspace_4b0da1d948113410a9f785f22d054aab"],"id":"5e17dda97e7549e9d9b40539_aspace_4b0da1d948113410a9f785f22d054aab","title_filing_ssi":"Newspaper Clippings","title_ssm":["Newspaper Clippings"],"title_tesim":["Newspaper Clippings"],"unitdate_inclusive_ssm":["Circa 1850-2000"],"normalized_date_ssm":["Circa 1850-2000"],"normalized_title_ssm":["Newspaper Clippings, Circa 1850-2000"],"text":["Newspaper Clippings, Circa 1850-2000","Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials","/repositories/2/archival_objects/6142"],"component_level_isim":[2],"parent_ids_ssim":["5e17dda97e7549e9d9b40539","5e17dda97e7549e9d9b40539_aspace_ced9b0ebeee47c9fad9a3053c0bdb162"],"parent_unittitles_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials"],"parent_unittitles_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/6142"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":9,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":1488,"parent_access_restrict_tesm":["The Dorothy Porter Wesley Collection is open for research."],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"_nest_path_":"/components#5/components#5","_nest_parent_":"5e17dda97e7549e9d9b40539_aspace_ced9b0ebeee47c9fad9a3053c0bdb162","_root_":"5e17dda97e7549e9d9b40539","_version_":1871563605913108480,"timestamp":"2026-07-24T03:02:22.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5e17dda97e7549e9d9b40539","title_filing_ssi":"Wesley, Dorothy Porter Collection","title_ssm":["Dorothy Porter Wesley Collection"],"title_tesim":["Dorothy Porter Wesley Collection"],"ead_ssi":"5e17dda97e7549e9d9b40539","unitdate_ssm":["Circa 1788-2012"],"unitdate_inclusive_ssm":["Circa 1788-2012"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2003.6","/repositories/2/resources/20"],"text":["AARLCC.2003.6","/repositories/2/resources/20","Dorothy Porter Wesley Collection, Circa 1788-2012","Africa -- Research","Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art","The Dorothy Porter Wesley Collection is open for research.","View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.","The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets","Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.","The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.","Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".","The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.","AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970","English Portuguese German"],"unitid_tesim":["AARLCC.2003.6","/repositories/2/resources/20"],"normalized_date_ssm":["Circa 1788-2012"],"normalized_title_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_title_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Africa -- Research"],"geogname_ssim":["Africa -- Research"],"places_ssim":["Africa -- Research"],"acqinfo_ssim":["Broward County Library purchased the materials from Constance Porter Uzelac (daughter of Dorothy Porter Wesley) in December 2002 (Accession AARLCC-2003.6). Milan Uzelac donated accruals to AARLCC Special Collections on June 29, 2012 (Accession AARLCC-2012.12) and on May 12, 2022 (Accession AARLCC-2022.7)."],"access_subjects_ssim":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"access_subjects_ssm":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes","2800 Books"],"extent_tesim":["67 Hollinger Boxes","2800 Books"],"genreform_ssim":["Photographs","Sound recordings","Correspondence","Art"],"date_range_isim":[1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Dorothy Porter Wesley Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll37/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series and sub-series:\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries I. Correspondence\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. General Correspondence\u003c/p\u003e","\u003cp\u003eSub-series II. Family Correspondence\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries II. Professional Papers\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley professional papers\u003c/p\u003e","\u003cp\u003eSub-series II. Constance Porter Uzelac professional papers \u003c/p\u003e","\u003cp\u003eSub-series III. Charles Harris Wesley professional papers \u003c/p\u003e","\u003cp\u003eSub-series IV. Writings by Dorothy Porter Wesley\u003c/p\u003e","\u003cp\u003eSub-series V. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VI. Writings by James A. Porter\u003c/p\u003e","\u003cp\u003eSub-series VII. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VIII. Writings by Charles Harris Wesley \u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries III. Research Files\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley general research files\u003c/p\u003e","\u003cp\u003eSub-series II. Dorothy Porter Wesley Brazil research files\u003c/p\u003e","\u003cp\u003eSub-series III. Dorothy Porter Wesley illustrations\u003c/p\u003e","\u003cp\u003eSub-series IV. Constance Porter Uzelac research files\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries IV. Personal Papers\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries V. Photographs\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries VI. Printed Materials\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Calendars and Datebooks\u003c/p\u003e","\u003cp\u003eSub-series II. Catalogs\u003c/p\u003e","\u003cp\u003eSub-series III. General\u003c/p\u003e","\u003cp\u003eSub-series IV. Magazines\u003c/p\u003e","\u003cp\u003eSub-series V. Maps\u003c/p\u003e","\u003cp\u003eSub-series VI. Newspaper Clippings\u003c/p\u003e","\u003cp\u003eSub-series VII. Sheet Music\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries VII. Ephemera and Artwork\u003c/p\u003e\u003c/b\u003e","\u003cp\u003e\u003cb\u003eSeries VIII. Books and Pamphlets\u003c/b\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets"],"bioghist_html_tesm":["\u003cp\u003eDorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. \u003c/p\u003e\n","\u003cp\u003eIn 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work, \u003cemph\u003eModern Negro Art\u003c/emph\u003e, proved to be one of the most informative sources to date on the creativity of the Black artists.\u003c/p\u003e\n","\u003cp\u003eIn 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.\u003c/p\u003e\n","\u003cp\u003eJames Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. \u003c/p\u003e\n","\u003cp\u003eCharles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.\u003c/p\u003e\n","\u003cp\u003eIn 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.\u003c/p\u003e\n","\u003cp\u003eThe book \u003ci\u003eWilliam Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874\u003c/i\u003e (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.\u003c/p\u003e\n","\u003cp\u003eIn 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012."],"prefercite_html_tesm":["\u003cp\u003eDorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Dorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\n\u003ca href=\"https://archives.yale.edu/repositories/11/resources/994\" target=\"_blank\"\u003ePart of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.\u003c/a\u003e\n\u003c/p\u003e","\u003cp\u003e\n\u003ca href=\"https://archives.libraries.emory.edu/repositories/7/resources/3255\" target=\"_blank\"\u003eDorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.\u003c/a\u003e\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.\u003c/p\u003e\n","\u003cp\u003eCorrespondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.\u003c/p\u003e\n","\u003cp\u003eProfessional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.\u003c/p\u003e\n","\u003cp\u003eConstance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". \u003c/p\u003e\n","\u003cp\u003eThe collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.\u003c/p\u003e\n","\u003cp\u003eResearch files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.\u003c/p\u003e\n","\u003cp\u003ePrinted Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=DPW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_559c404160acc20bdc75d09cde3325a4\"\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets."],"names_ssim":["AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Wesley, Dorothy Porter, 1905-1995"],"persname_ssim":["Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"language_ssim":["English Portuguese German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1539,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563605913108480,"_root_":"5e17dda97e7549e9d9b40539","timestamp":"2026-07-24T03:02:22.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_4b0da1d948113410a9f785f22d054aab"}},{"id":"045d073fac3c2ee36be6e129_aspace_2226","type":"File","attributes":{"title":"Newspaper Copies, 1851-2001","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/045d073fac3c2ee36be6e129_aspace_2226#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains newspaper clippings regarding the Henry Walter burial service, the Walters art collection, the Naples passenger train, the Louisville and Nashville Coast line, and the North Carolina Southern Railroad System.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/045d073fac3c2ee36be6e129_aspace_2226#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_2226","ref_ssm":["aspace_2226","aspace_2226"],"id":"045d073fac3c2ee36be6e129_aspace_2226","title_filing_ssi":"Newspaper Copies","title_ssm":["Newspaper Copies"],"title_tesim":["Newspaper Copies"],"unitdate_inclusive_ssm":["1851-2001"],"normalized_date_ssm":["1851-2001"],"normalized_title_ssm":["Newspaper Copies, 1851-2001"],"text":["Newspaper Copies, 1851-2001","Turner Railroad Collection, 1809-2007","Railroads, 1830-present","Atlantic Coast Line Railroad","Folder 7","/repositories/2/archival_objects/11478","box 3","folder 7","This folder contains newspaper clippings regarding the Henry Walter burial service, the Walters art collection, the Naples passenger train, the Louisville and Nashville Coast line, and the North Carolina Southern Railroad System."],"component_level_isim":[3],"parent_ids_ssim":["045d073fac3c2ee36be6e129","045d073fac3c2ee36be6e129_aspace_2217","045d073fac3c2ee36be6e129_aspace_2218"],"parent_unittitles_ssm":["Turner Railroad Collection, 1809-2007","Railroads, 1830-present","Atlantic Coast Line Railroad"],"parent_unittitles_tesim":["Turner Railroad Collection, 1809-2007","Railroads, 1830-present","Atlantic Coast Line Railroad"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 7","/repositories/2/archival_objects/11478"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Turner Railroad Collection, 1809-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":58,"parent_access_terms_tesm":["All rights reserved. Material may be used only for research, educational, legal and non-commercial purposes, with acknowledgement of Florida Gulf Coast University Archives and Special Collections."],"date_range_isim":[1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"containers_ssim":["box 3","folder 7"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains newspaper clippings regarding the Henry Walter burial service, the Walters art collection, the Naples passenger train, the Louisville and Nashville Coast line, and the North Carolina Southern Railroad System.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains newspaper clippings regarding the Henry Walter burial service, the Walters art collection, the Naples passenger train, the Louisville and Nashville Coast line, and the North Carolina Southern Railroad System."],"_nest_path_":"/components#1/components#0/components#6","_nest_parent_":"045d073fac3c2ee36be6e129_aspace_2218","_root_":"045d073fac3c2ee36be6e129","timestamp":"2026-04-28T01:56:48.203Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"045d073fac3c2ee36be6e129","title_ssm":["Turner Railroad Collection"],"title_tesim":["Turner Railroad Collection"],"ead_ssi":"045d073fac3c2ee36be6e129","unitdate_ssm":["1809-2007"],"unitdate_inclusive_ssm":["1809-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/16","/repositories/2/resources/19"],"text":["02/01/16","/repositories/2/resources/19","Turner Railroad Collection, 1809-2007","Railroads--Florida--History--20th century.","Organized in four series: Series 1, Rail Road History, 1830-1890; Series 2, Railroads, 1830-Present; Series 3, Plant Systems Co. Inc., 1860-1902; Series 4, Reference Material.","Gregg M. Turner is a former national director of the Railway \u0026 Locomotive Historical Society at Harvard Business School. Turner is on the business faculty of Southwest Florida College. Turner currently lives in Fort Myers.\nHis books include:\n- A Journey Into Florida Railroad History (2008)\n- Florida Railroads in the 1920's (2005) \n- Fort Myers in Vintage Postcards (2005) \n- The Plant System of railroads, steamships and hotels with Seth Bramson (2004) \n- A milestone celebration: the Seaboard Railway to Naples and Miami (2004) \n- Short History of Florida Railroads (2003) \n- Venice in the 1920's (2000) \n- Fort Myers (2000) \n- Railroads of Southwest Florida (1999)","Consists of publications, advertisements, photographs, administration and research on the east coast railroads of the United States collected by history scholar Gregg M. Turner. Consists of four series, including but not limited to documents and photographs of railroad history (1830-1890), the Plant System Co. Inc.(1860-1902), the three primary railroads on the eastern seaboard of the United States (1830-present), and independent railroads. A portion of the collection has been digitized by Florida Gulf Coast University's Library Archives, Special Collections, and Digital Initiatives and is available on  D [url=https://fgcu.digital.flvc.org/islandora/search/?type=edismax\u0026collection=fgcu:0216]igitalFGCU[/url].","All rights reserved. Material may be used only for research, educational, legal and non-commercial purposes, with acknowledgement of Florida Gulf Coast University Archives and Special Collections.","Florida Gulf Coast University Special Collections","Turner, Gregg M.","Plant, Henry Bradley, 1819-1899.","Flagler, Henry Morrison, 1830-1913","English"],"unitid_tesim":["02/01/16","/repositories/2/resources/19"],"normalized_date_ssm":["1809-2007"],"normalized_title_ssm":["Turner Railroad Collection, 1809-2007"],"collection_title_tesim":["Turner Railroad Collection, 1809-2007"],"collection_ssim":["Turner Railroad Collection, 1809-2007"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Railroads--Florida--History--20th century."],"geogname_ssim":["Railroads--Florida--History--20th century."],"places_ssim":["Railroads--Florida--History--20th century."],"access_terms_ssm":["All rights reserved. Material may be used only for research, educational, legal and non-commercial purposes, with acknowledgement of Florida Gulf Coast University Archives and Special Collections."],"acqinfo_ssim":["Gregg M. Turner - Date acquired: 04/18/2014","Gift to Florida Gulf Coast University Archives and Special Collections."],"has_online_content_ssim":["false"],"extent_ssm":["14.00 Linear Feet"],"extent_tesim":["14.00 Linear Feet"],"date_range_isim":[1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eOrganized in four series: Series 1, Rail Road History, 1830-1890; Series 2, Railroads, 1830-Present; Series 3, Plant Systems Co. Inc., 1860-1902; Series 4, Reference Material.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in four series: Series 1, Rail Road History, 1830-1890; Series 2, Railroads, 1830-Present; Series 3, Plant Systems Co. Inc., 1860-1902; Series 4, Reference Material."],"bioghist_html_tesm":["\u003cp\u003eGregg M. Turner is a former national director of the Railway \u0026amp; Locomotive Historical Society at Harvard Business School. Turner is on the business faculty of Southwest Florida College. Turner currently lives in Fort Myers.\nHis books include:\n- A Journey Into Florida Railroad History (2008)\n- Florida Railroads in the 1920's (2005) \n- Fort Myers in Vintage Postcards (2005) \n- The Plant System of railroads, steamships and hotels with Seth Bramson (2004) \n- A milestone celebration: the Seaboard Railway to Naples and Miami (2004) \n- Short History of Florida Railroads (2003) \n- Venice in the 1920's (2000) \n- Fort Myers (2000) \n- Railroads of Southwest Florida (1999)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Gregg M. Turner is a former national director of the Railway \u0026 Locomotive Historical Society at Harvard Business School. Turner is on the business faculty of Southwest Florida College. Turner currently lives in Fort Myers.\nHis books include:\n- A Journey Into Florida Railroad History (2008)\n- Florida Railroads in the 1920's (2005) \n- Fort Myers in Vintage Postcards (2005) \n- The Plant System of railroads, steamships and hotels with Seth Bramson (2004) \n- A milestone celebration: the Seaboard Railway to Naples and Miami (2004) \n- Short History of Florida Railroads (2003) \n- Venice in the 1920's (2000) \n- Fort Myers (2000) \n- Railroads of Southwest Florida (1999)"],"scopecontent_html_tesm":["\u003cp\u003eConsists of publications, advertisements, photographs, administration and research on the east coast railroads of the United States collected by history scholar Gregg M. Turner. Consists of four series, including but not limited to documents and photographs of railroad history (1830-1890), the Plant System Co. Inc.(1860-1902), the three primary railroads on the eastern seaboard of the United States (1830-present), and independent railroads. A portion of the collection has been digitized by Florida Gulf Coast University's Library Archives, Special Collections, and Digital Initiatives and is available on \u003ca href=\"mailto:mailto:http://fgcu.digital.flvc.org/islandora/object/fgcu:root\"\u003eD\u003c/a\u003e[url=https://fgcu.digital.flvc.org/islandora/search/?type=edismax\u0026amp;collection=fgcu:0216]igitalFGCU[/url].\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Consists of publications, advertisements, photographs, administration and research on the east coast railroads of the United States collected by history scholar Gregg M. Turner. Consists of four series, including but not limited to documents and photographs of railroad history (1830-1890), the Plant System Co. Inc.(1860-1902), the three primary railroads on the eastern seaboard of the United States (1830-present), and independent railroads. A portion of the collection has been digitized by Florida Gulf Coast University's Library Archives, Special Collections, and Digital Initiatives and is available on  D [url=https://fgcu.digital.flvc.org/islandora/search/?type=edismax\u0026collection=fgcu:0216]igitalFGCU[/url]."],"userestrict_html_tesm":["\u003cp\u003eAll rights reserved. Material may be used only for research, educational, legal and non-commercial purposes, with acknowledgement of Florida Gulf Coast University Archives and Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All rights reserved. Material may be used only for research, educational, legal and non-commercial purposes, with acknowledgement of Florida Gulf Coast University Archives and Special Collections."],"names_ssim":["Florida Gulf Coast University Special Collections","Turner, Gregg M.","Plant, Henry Bradley, 1819-1899.","Flagler, Henry Morrison, 1830-1913"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"names_coll_ssim":["Turner, Gregg M.","Plant, Henry Bradley, 1819-1899.","Flagler, Henry Morrison, 1830-1913"],"persname_ssim":["Turner, Gregg M.","Plant, Henry Bradley, 1819-1899.","Flagler, Henry Morrison, 1830-1913"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":568,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"045d073fac3c2ee36be6e129","timestamp":"2026-04-28T01:56:48.203Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/045d073fac3c2ee36be6e129_aspace_2226"}},{"id":"a83b71ad27f9fa1c46e09043_aspace_4aa6ecef82c17755151f29307795dedb","type":"Series","attributes":{"title":"Newspapers, 1839-1899","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a83b71ad27f9fa1c46e09043_aspace_4aa6ecef82c17755151f29307795dedb#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_4aa6ecef82c17755151f29307795dedb","ref_ssm":["aspace_4aa6ecef82c17755151f29307795dedb","aspace_4aa6ecef82c17755151f29307795dedb"],"id":"a83b71ad27f9fa1c46e09043_aspace_4aa6ecef82c17755151f29307795dedb","title_filing_ssi":"Newspapers","title_ssm":["Newspapers"],"title_tesim":["Newspapers"],"unitdate_inclusive_ssm":["1839-1899"],"normalized_date_ssm":["1839-1899"],"normalized_title_ssm":["Newspapers, 1839-1899"],"text":["Newspapers, 1839-1899","Richard H. Mette Collection, 1826-2007","/repositories/3/archival_objects/7856"],"component_level_isim":[1],"parent_ids_ssim":["a83b71ad27f9fa1c46e09043"],"parent_unittitles_ssm":["Richard H. Mette Collection, 1826-2007"],"parent_unittitles_tesim":["Richard H. Mette Collection, 1826-2007"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/7856"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Richard H. Mette Collection, 1826-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":11,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":47,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899],"_nest_path_":"/components#8","_nest_parent_":"a83b71ad27f9fa1c46e09043","_root_":"a83b71ad27f9fa1c46e09043","_version_":1870860594513444864,"timestamp":"2026-07-16T08:48:18.562Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a83b71ad27f9fa1c46e09043","title_ssm":["Richard H. Mette Collection"],"title_tesim":["Richard H. Mette Collection"],"ead_ssi":"a83b71ad27f9fa1c46e09043","unitdate_ssm":["1826-2007"],"unitdate_inclusive_ssm":["1826-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":[" 2017.003","/repositories/3/resources/68"],"text":[" 2017.003","/repositories/3/resources/68","Richard H. Mette Collection, 1826-2007","Jacksonville (Fla.) -- Antiquities","Jacksonville (Fla.) -- Description and travel -- Tourism","Saint Johns River (Fla.)","African Americans -- Florida","Souvenir china -- Florida -- Jacksonville (Fla.)","Souvenirs (Keepsakes) -- Florida -- Saint Augustine (Fla.)","Souvenirs (Keepsakes) -- Florida -- Jacksonville (Fla.)","The collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment.","Richard Mette was a lifelong residence of Jacksonville, Florida, his family having lived in the area since the early 1800's. His grandfather, Robert Joseph Mette, was a fireman in Jacksonville during the 1901 fire and his father Robert Holland Mette captained a tugboat for over 50 years on the St. Johns River.  ","Mette went to school and college locally, eventually settling in Jacksonville near the San Marco area where he was born. While in junior college he became involved in politics, working on Bruce Smathers' Campaign during his bid for State Senate. He later worked as Senator Smathers' administrative aide.  He continued his involvement in local politics and managed Congressman Bill Chappell's reelection to Congress.  ","Richard Mette worked for the Amtrak Regional Jacksonville Office during the 1980's and, in 1986, worked in marketing as a lobbyist to maintain Amtrak's Jacksonville office. He was appointed by Mayor Tommy Hazouri as a Division Chief for the city of Jacksonville and later worked for the State Attorney's Office as an administrator in the Special Prosecution Division targeting consumer fraud in Jacksonville. Mette worked from 1991-2015 in the State Attorney's Office.  ","Richard Mette was involved in the local Jacksonville community. He was a founder and President of the Northeast Florida Consumer Council. Mette served as a Trustee for the Robert A. Mette Memorial Award and Scholarship, which is awarded annually.","Upon retirement Mette was able to spend more time collecting and selling antiques. He focused on locating historic Jacksonville memorabilia. His goal was to use these special historical treasures to show the history of our city.","The materials in this collection were collected and curated by Richard H. Mette. Mette was a lifelong Jacksonville resident and has family ties to the area going back several generations. ","He channeled his interest in the region in to collecting memorabilia and ephemera that are representative of the businesses and attractions of the region. The majority of the collection served as souvenirs to Jacksonville and the surrounding cities in Northeast Florida. ","Included in the collection is Mr. Mette's research materials that provide additional background of the items represented in this collection.","The Collection consists of 3-dimensional objects, correspondence, printed materials and books covering a variety of topics on Northeast Florida. The majority of the collection relates to local businesses and attractions in Jacksonville, Jacksonville Beach, and St. Augustine.","Objects in the collection orginate from Jacksonville area hotels and businesses and includes flatware, plates, ginger beer bottles, and a commemorative engraved pitcher.","The postcard and stereograph card collection features images and illustrations from locations in Jacksonville, Pablo and Jacksonville Beach, Mandarin, Palatka, and St. Augustine.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":[" 2017.003","/repositories/3/resources/68"],"normalized_date_ssm":["1826-2007"],"normalized_title_ssm":["Richard H. Mette Collection, 1826-2007"],"collection_title_tesim":["Richard H. Mette Collection, 1826-2007"],"collection_ssim":["Richard H. Mette Collection, 1826-2007"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"geogname_ssm":["Jacksonville (Fla.) -- Antiquities","Jacksonville (Fla.) -- Description and travel -- Tourism","Saint Johns River (Fla.)"],"geogname_ssim":["Jacksonville (Fla.) -- Antiquities","Jacksonville (Fla.) -- Description and travel -- Tourism","Saint Johns River (Fla.)"],"places_ssim":["Jacksonville (Fla.) -- Antiquities","Jacksonville (Fla.) -- Description and travel -- Tourism","Saint Johns River (Fla.)"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Richard Mette, 2017."],"access_subjects_ssim":["African Americans -- Florida","Souvenir china -- Florida -- Jacksonville (Fla.)","Souvenirs (Keepsakes) -- Florida -- Saint Augustine (Fla.)","Souvenirs (Keepsakes) -- Florida -- Jacksonville (Fla.)"],"access_subjects_ssm":["African Americans -- Florida","Souvenir china -- Florida -- Jacksonville (Fla.)","Souvenirs (Keepsakes) -- Florida -- Saint Augustine (Fla.)","Souvenirs (Keepsakes) -- Florida -- Jacksonville (Fla.)"],"has_online_content_ssim":["false"],"extent_ssm":["36.00 Linear Feet"],"extent_tesim":["36.00 Linear Feet"],"date_range_isim":[1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eRichard Mette was a lifelong residence of Jacksonville, Florida, his family having lived in the area since the early 1800's. His grandfather, Robert Joseph Mette, was a fireman in Jacksonville during the 1901 fire and his father Robert Holland Mette captained a tugboat for over 50 years on the St. Johns River.  \u003c/p\u003e\n","\u003cp\u003eMette went to school and college locally, eventually settling in Jacksonville near the San Marco area where he was born. While in junior college he became involved in politics, working on Bruce Smathers' Campaign during his bid for State Senate. He later worked as Senator Smathers' administrative aide.  He continued his involvement in local politics and managed Congressman Bill Chappell's reelection to Congress.  \u003c/p\u003e\n","\u003cp\u003eRichard Mette worked for the Amtrak Regional Jacksonville Office during the 1980's and, in 1986, worked in marketing as a lobbyist to maintain Amtrak's Jacksonville office. He was appointed by Mayor Tommy Hazouri as a Division Chief for the city of Jacksonville and later worked for the State Attorney's Office as an administrator in the Special Prosecution Division targeting consumer fraud in Jacksonville. Mette worked from 1991-2015 in the State Attorney's Office.  \u003c/p\u003e\n","\u003cp\u003eRichard Mette was involved in the local Jacksonville community. He was a founder and President of the Northeast Florida Consumer Council. Mette served as a Trustee for the Robert A. Mette Memorial Award and Scholarship, which is awarded annually.\u003c/p\u003e\n","\u003cp\u003eUpon retirement Mette was able to spend more time collecting and selling antiques. He focused on locating historic Jacksonville memorabilia. His goal was to use these special historical treasures to show the history of our city.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Mette was a lifelong residence of Jacksonville, Florida, his family having lived in the area since the early 1800's. His grandfather, Robert Joseph Mette, was a fireman in Jacksonville during the 1901 fire and his father Robert Holland Mette captained a tugboat for over 50 years on the St. Johns River.  ","Mette went to school and college locally, eventually settling in Jacksonville near the San Marco area where he was born. While in junior college he became involved in politics, working on Bruce Smathers' Campaign during his bid for State Senate. He later worked as Senator Smathers' administrative aide.  He continued his involvement in local politics and managed Congressman Bill Chappell's reelection to Congress.  ","Richard Mette worked for the Amtrak Regional Jacksonville Office during the 1980's and, in 1986, worked in marketing as a lobbyist to maintain Amtrak's Jacksonville office. He was appointed by Mayor Tommy Hazouri as a Division Chief for the city of Jacksonville and later worked for the State Attorney's Office as an administrator in the Special Prosecution Division targeting consumer fraud in Jacksonville. Mette worked from 1991-2015 in the State Attorney's Office.  ","Richard Mette was involved in the local Jacksonville community. He was a founder and President of the Northeast Florida Consumer Council. Mette served as a Trustee for the Robert A. Mette Memorial Award and Scholarship, which is awarded annually.","Upon retirement Mette was able to spend more time collecting and selling antiques. He focused on locating historic Jacksonville memorabilia. His goal was to use these special historical treasures to show the history of our city."],"prefercite_html_tesm":["\u003cp\u003eRichard H. Mette Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Richard H. Mette Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection were collected and curated by Richard H. Mette. Mette was a lifelong Jacksonville resident and has family ties to the area going back several generations. \u003c/p\u003e\n","\u003cp\u003eHe channeled his interest in the region in to collecting memorabilia and ephemera that are representative of the businesses and attractions of the region. The majority of the collection served as souvenirs to Jacksonville and the surrounding cities in Northeast Florida. \u003c/p\u003e\n","\u003cp\u003eIncluded in the collection is Mr. Mette's research materials that provide additional background of the items represented in this collection.\u003c/p\u003e\n","\u003cp\u003eThe Collection consists of 3-dimensional objects, correspondence, printed materials and books covering a variety of topics on Northeast Florida. The majority of the collection relates to local businesses and attractions in Jacksonville, Jacksonville Beach, and St. Augustine.\u003c/p\u003e\n","\u003cp\u003eObjects in the collection orginate from Jacksonville area hotels and businesses and includes flatware, plates, ginger beer bottles, and a commemorative engraved pitcher.\u003c/p\u003e\n","\u003cp\u003eThe postcard and stereograph card collection features images and illustrations from locations in Jacksonville, Pablo and Jacksonville Beach, Mandarin, Palatka, and St. Augustine.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection were collected and curated by Richard H. Mette. Mette was a lifelong Jacksonville resident and has family ties to the area going back several generations. ","He channeled his interest in the region in to collecting memorabilia and ephemera that are representative of the businesses and attractions of the region. The majority of the collection served as souvenirs to Jacksonville and the surrounding cities in Northeast Florida. ","Included in the collection is Mr. Mette's research materials that provide additional background of the items represented in this collection.","The Collection consists of 3-dimensional objects, correspondence, printed materials and books covering a variety of topics on Northeast Florida. The majority of the collection relates to local businesses and attractions in Jacksonville, Jacksonville Beach, and St. Augustine.","Objects in the collection orginate from Jacksonville area hotels and businesses and includes flatware, plates, ginger beer bottles, and a commemorative engraved pitcher.","The postcard and stereograph card collection features images and illustrations from locations in Jacksonville, Pablo and Jacksonville Beach, Mandarin, Palatka, and St. Augustine."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":114,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860594513444864,"_root_":"a83b71ad27f9fa1c46e09043","timestamp":"2026-07-16T08:48:18.562Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a83b71ad27f9fa1c46e09043_aspace_4aa6ecef82c17755151f29307795dedb"}},{"id":"bec408ef355489ed2515918e_aspace_7e04410ad5c81eff6d6d398394046b7f","type":"Item","attributes":{"title":"New Weekly Magazine Harper's Brothers, \"Reciprocity\", by Munkittrick, R.K., 1853-1911","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_7e04410ad5c81eff6d6d398394046b7f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7e04410ad5c81eff6d6d398394046b7f","ref_ssm":["aspace_7e04410ad5c81eff6d6d398394046b7f","aspace_7e04410ad5c81eff6d6d398394046b7f"],"id":"bec408ef355489ed2515918e_aspace_7e04410ad5c81eff6d6d398394046b7f","title_filing_ssi":"New Weekly Magazine Harper's Brothers, \"Reciprocity\", by Munkittrick, R.K.","title_ssm":["New Weekly Magazine Harper's Brothers, \"Reciprocity\", by Munkittrick, R.K."],"title_tesim":["New Weekly Magazine Harper's Brothers, \"Reciprocity\", by Munkittrick, R.K."],"unitdate_inclusive_ssm":["1853-1911"],"normalized_date_ssm":["1853-1911"],"normalized_title_ssm":["New Weekly Magazine Harper's Brothers, \"Reciprocity\", by Munkittrick, R.K., 1853-1911"],"text":["New Weekly Magazine Harper's Brothers, \"Reciprocity\", by Munkittrick, R.K., 1853-1911","African American Legacy: The Carol Mundy collection, 1791-2003","Additional Materials, 1791-1990, Undated","Publications, 1835-1990, Undated","Folder 4","/repositories/4/archival_objects/57403","box 35","folder 4"],"component_level_isim":[3],"parent_ids_ssim":["bec408ef355489ed2515918e","bec408ef355489ed2515918e_aspace_8d9756e691c528284ff3578409880ec9","bec408ef355489ed2515918e_aspace_931e746fe9172e56fab1c41c2a7f0463"],"parent_unittitles_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003","Additional Materials, 1791-1990, Undated","Publications, 1835-1990, Undated"],"parent_unittitles_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003","Additional Materials, 1791-1990, Undated","Publications, 1835-1990, Undated"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 4","/repositories/4/archival_objects/57403"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1638,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911],"containers_ssim":["box 35","folder 4"],"_nest_path_":"/components#8/components#6/components#7","_nest_parent_":"bec408ef355489ed2515918e_aspace_931e746fe9172e56fab1c41c2a7f0463","_root_":"bec408ef355489ed2515918e","_version_":1879192534963453952,"timestamp":"2026-10-16T08:00:56.160Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bec408ef355489ed2515918e","title_ssm":["African American Legacy: The Carol Mundy collection"],"title_tesim":["African American Legacy: The Carol Mundy collection"],"ead_ssi":"bec408ef355489ed2515918e","unitdate_ssm":["1791-2003"],"unitdate_inclusive_ssm":["1791-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC085","/repositories/4/resources/106"],"text":["SC085","/repositories/4/resources/106","African American Legacy: The Carol Mundy collection, 1791-2003","Apopka (Fla.)--History","African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs","The entire collection is open for research.","Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"","Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog .","This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.","UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-","English"],"unitid_tesim":["SC085","/repositories/4/resources/106"],"normalized_date_ssm":["1791-2003"],"normalized_title_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_title_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Apopka (Fla.)--History"],"geogname_ssim":["Apopka (Fla.)--History"],"creator_ssm":["Mundy, Carol"],"creator_ssim":["Mundy, Carol"],"creator_persname_ssim":["Mundy, Carol"],"creators_ssim":["Mundy, Carol"],"places_ssim":["Apopka (Fla.)--History"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Most of these materials were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Carol Mundy in 2009 (CFM2009_02). Additional materials were donated in 2010/2012 (CFM2012_02) and 2019 (CFM2019_01)."],"access_subjects_ssim":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"access_subjects_ssm":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["26 Linear Feet 36 boxes and 73 flat files"],"extent_tesim":["26 Linear Feet 36 boxes and 73 flat files"],"genreform_ssim":["photographs"],"date_range_isim":[1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eCarol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\""],"prefercite_html_tesm":["\u003cp\u003eAfrican American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["African American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Early America \u0026amp; Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.\u003c/p\u003e\n","\u003cp\u003eSeries IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4cf0eb7fc38bbc5bdebff00649325802\" label=\"Abstract\"\u003eCollector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.\u003c/abstract\u003e"],"abstract_tesim":["Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida."],"names_ssim":["UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"persname_ssim":["Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1675,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879192534963453952,"_root_":"bec408ef355489ed2515918e","timestamp":"2026-10-16T08:00:56.160Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_7e04410ad5c81eff6d6d398394046b7f"}},{"id":"5e17dda97e7549e9d9b40539_aspace_03897c19c2df39b99b49c39bf09f4eb0","type":"File","attributes":{"title":"New York African Society of Mutual Relief historical sketch (copies), Circa 1808-1887","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_03897c19c2df39b99b49c39bf09f4eb0#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_03897c19c2df39b99b49c39bf09f4eb0","ref_ssm":["aspace_03897c19c2df39b99b49c39bf09f4eb0","aspace_03897c19c2df39b99b49c39bf09f4eb0"],"id":"5e17dda97e7549e9d9b40539_aspace_03897c19c2df39b99b49c39bf09f4eb0","title_filing_ssi":"New York African Society of Mutual Relief historical sketch (copies)","title_ssm":["New York African Society of Mutual Relief historical sketch (copies)"],"title_tesim":["New York African Society of Mutual Relief historical sketch (copies)"],"unitdate_inclusive_ssm":["Circa 1808-1887"],"normalized_date_ssm":["Circa 1808-1887"],"normalized_title_ssm":["New York African Society of Mutual Relief historical sketch (copies), Circa 1808-1887"],"text":["New York African Society of Mutual Relief historical sketch (copies), Circa 1808-1887","Dorothy Porter Wesley Collection, Circa 1788-2012","Research Files","Dorothy Porter Wesley, Circa 1760-2000","General Research Files, Circa 1760-2000","/repositories/2/archival_objects/5272","box 37","folder 840"],"component_level_isim":[4],"parent_ids_ssim":["5e17dda97e7549e9d9b40539","5e17dda97e7549e9d9b40539_aspace_1571a54c27a10bca175f2df337fb743a","5e17dda97e7549e9d9b40539_aspace_a298a495456596ad78317c99fed94fdb","5e17dda97e7549e9d9b40539_aspace_d375208a4fb8f6ae61f4cf54138dd0c8"],"parent_unittitles_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012","Research Files","Dorothy Porter Wesley, Circa 1760-2000","General Research Files, Circa 1760-2000"],"parent_unittitles_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012","Research Files","Dorothy Porter Wesley, Circa 1760-2000","General Research Files, Circa 1760-2000"],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/5272"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":860,"parent_access_restrict_tesm":["The Dorothy Porter Wesley Collection is open for research."],"date_range_isim":[1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887],"containers_ssim":["box 37","folder 840"],"_nest_path_":"/components#2/components#0/components#0/components#423","_nest_parent_":"5e17dda97e7549e9d9b40539_aspace_d375208a4fb8f6ae61f4cf54138dd0c8","_root_":"5e17dda97e7549e9d9b40539","_version_":1871563605913108480,"timestamp":"2026-07-24T03:02:22.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5e17dda97e7549e9d9b40539","title_filing_ssi":"Wesley, Dorothy Porter Collection","title_ssm":["Dorothy Porter Wesley Collection"],"title_tesim":["Dorothy Porter Wesley Collection"],"ead_ssi":"5e17dda97e7549e9d9b40539","unitdate_ssm":["Circa 1788-2012"],"unitdate_inclusive_ssm":["Circa 1788-2012"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2003.6","/repositories/2/resources/20"],"text":["AARLCC.2003.6","/repositories/2/resources/20","Dorothy Porter Wesley Collection, Circa 1788-2012","Africa -- Research","Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art","The Dorothy Porter Wesley Collection is open for research.","View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.","The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets","Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.","The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.","Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".","The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.","AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970","English Portuguese German"],"unitid_tesim":["AARLCC.2003.6","/repositories/2/resources/20"],"normalized_date_ssm":["Circa 1788-2012"],"normalized_title_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_title_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Africa -- Research"],"geogname_ssim":["Africa -- Research"],"places_ssim":["Africa -- Research"],"acqinfo_ssim":["Broward County Library purchased the materials from Constance Porter Uzelac (daughter of Dorothy Porter Wesley) in December 2002 (Accession AARLCC-2003.6). Milan Uzelac donated accruals to AARLCC Special Collections on June 29, 2012 (Accession AARLCC-2012.12) and on May 12, 2022 (Accession AARLCC-2022.7)."],"access_subjects_ssim":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"access_subjects_ssm":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes","2800 Books"],"extent_tesim":["67 Hollinger Boxes","2800 Books"],"genreform_ssim":["Photographs","Sound recordings","Correspondence","Art"],"date_range_isim":[1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Dorothy Porter Wesley Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll37/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series and sub-series:\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries I. Correspondence\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. General Correspondence\u003c/p\u003e","\u003cp\u003eSub-series II. Family Correspondence\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries II. Professional Papers\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley professional papers\u003c/p\u003e","\u003cp\u003eSub-series II. Constance Porter Uzelac professional papers \u003c/p\u003e","\u003cp\u003eSub-series III. Charles Harris Wesley professional papers \u003c/p\u003e","\u003cp\u003eSub-series IV. Writings by Dorothy Porter Wesley\u003c/p\u003e","\u003cp\u003eSub-series V. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VI. Writings by James A. Porter\u003c/p\u003e","\u003cp\u003eSub-series VII. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VIII. Writings by Charles Harris Wesley \u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries III. Research Files\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley general research files\u003c/p\u003e","\u003cp\u003eSub-series II. Dorothy Porter Wesley Brazil research files\u003c/p\u003e","\u003cp\u003eSub-series III. Dorothy Porter Wesley illustrations\u003c/p\u003e","\u003cp\u003eSub-series IV. Constance Porter Uzelac research files\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries IV. Personal Papers\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries V. Photographs\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries VI. Printed Materials\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Calendars and Datebooks\u003c/p\u003e","\u003cp\u003eSub-series II. Catalogs\u003c/p\u003e","\u003cp\u003eSub-series III. General\u003c/p\u003e","\u003cp\u003eSub-series IV. Magazines\u003c/p\u003e","\u003cp\u003eSub-series V. Maps\u003c/p\u003e","\u003cp\u003eSub-series VI. Newspaper Clippings\u003c/p\u003e","\u003cp\u003eSub-series VII. Sheet Music\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries VII. Ephemera and Artwork\u003c/p\u003e\u003c/b\u003e","\u003cp\u003e\u003cb\u003eSeries VIII. Books and Pamphlets\u003c/b\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets"],"bioghist_html_tesm":["\u003cp\u003eDorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. \u003c/p\u003e\n","\u003cp\u003eIn 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work, \u003cemph\u003eModern Negro Art\u003c/emph\u003e, proved to be one of the most informative sources to date on the creativity of the Black artists.\u003c/p\u003e\n","\u003cp\u003eIn 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.\u003c/p\u003e\n","\u003cp\u003eJames Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. \u003c/p\u003e\n","\u003cp\u003eCharles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.\u003c/p\u003e\n","\u003cp\u003eIn 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.\u003c/p\u003e\n","\u003cp\u003eThe book \u003ci\u003eWilliam Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874\u003c/i\u003e (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.\u003c/p\u003e\n","\u003cp\u003eIn 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012."],"prefercite_html_tesm":["\u003cp\u003eDorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Dorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\n\u003ca href=\"https://archives.yale.edu/repositories/11/resources/994\" target=\"_blank\"\u003ePart of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.\u003c/a\u003e\n\u003c/p\u003e","\u003cp\u003e\n\u003ca href=\"https://archives.libraries.emory.edu/repositories/7/resources/3255\" target=\"_blank\"\u003eDorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.\u003c/a\u003e\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.\u003c/p\u003e\n","\u003cp\u003eCorrespondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.\u003c/p\u003e\n","\u003cp\u003eProfessional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.\u003c/p\u003e\n","\u003cp\u003eConstance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". \u003c/p\u003e\n","\u003cp\u003eThe collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.\u003c/p\u003e\n","\u003cp\u003eResearch files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.\u003c/p\u003e\n","\u003cp\u003ePrinted Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=DPW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_559c404160acc20bdc75d09cde3325a4\"\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets."],"names_ssim":["AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Wesley, Dorothy Porter, 1905-1995"],"persname_ssim":["Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"language_ssim":["English Portuguese German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1539,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563605913108480,"_root_":"5e17dda97e7549e9d9b40539","timestamp":"2026-07-24T03:02:22.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_03897c19c2df39b99b49c39bf09f4eb0"}},{"id":"948b06a86ad474541ac8aef6","type":"collection","attributes":{"title":"Nita K. Pyburn Papers, 1822-1960","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/948b06a86ad474541ac8aef6#creator","type":"document_value","attributes":{"value":["Pyburn, Nita Katharine"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/948b06a86ad474541ac8aef6#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eCorrespondence, dissertation, manuscripts, and research notes related to the research and writing of Nita K. Pyburn. Correspondence subjects include Florida, public education, Florida State University, Leighton K. Johnson, Edgar W. Knight, New Orleans, North Carolina, South Carolina education, and Tennessee. The dissertation in the collection is entitled \"Antecedents of the North Carolina School Law of 1839.\" The manuscripts cover subjects such as high schools in Monticello, Florida, public schools in Escambia County, Florida education, public schools in Mississippi, Robert Grosstest, the Bishop of Lincoln, M. R. Hinson, and Tallahassee schools. Her research notes discuss Alabama, Arkansas, common schools, comparative education, Texas, and David S. Walker. Other subjects of note include: Edwin B. Browning, Concord Missionary Baptist Church, Mary Shad Button, reading difficulties, Jacksonville, and education in Walton County. \u003cbr\u003e\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/948b06a86ad474541ac8aef6#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"948b06a86ad474541ac8aef6","title_ssm":["Nita K. Pyburn Papers"],"title_tesim":["Nita K. 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The dissertation in the collection is entitled \"Antecedents of the North Carolina School Law of 1839.\" The manuscripts cover subjects such as high schools in Monticello, Florida, public schools in Escambia County, Florida education, public schools in Mississippi, Robert Grosstest, the Bishop of Lincoln, M. R. Hinson, and Tallahassee schools. Her research notes discuss Alabama, Arkansas, common schools, comparative education, Texas, and David S. Walker. Other subjects of note include: Edwin B. Browning, Concord Missionary Baptist Church, Mary Shad Button, reading difficulties, Jacksonville, and education in Walton County.\n Also includes materials accessioned as MSS 92-3.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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Her research notes discuss Alabama, Arkansas, common schools, comparative education, Texas, and David S. Walker. Other subjects of note include: Edwin B. Browning, Concord Missionary Baptist Church, Mary Shad Button, reading difficulties, Jacksonville, and education in Walton County.\n Also includes materials accessioned as MSS 92-3."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Pyburn, Nita Katharine","Pyburn, Nita Katherine"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Pyburn, Nita Katherine"],"persname_ssim":["Pyburn, Nita Katharine","Pyburn, Nita Katherine"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":53,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857000743600128,"_root_":"948b06a86ad474541ac8aef6","timestamp":"2026-07-16T07:51:11.277Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"948b06a86ad474541ac8aef6","title_ssm":["Nita K. Pyburn Papers"],"title_tesim":["Nita K. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Pyburn, Nita Katharine","Pyburn, Nita Katherine","English"],"unitid_tesim":["MSS 90-5","/repositories/10/resources/1188"],"normalized_date_ssm":["1822-1960"],"normalized_title_ssm":["Nita K. Pyburn Papers, 1822-1960"],"collection_title_tesim":["Nita K. Pyburn Papers, 1822-1960"],"collection_ssim":["Nita K. 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Correspondence subjects include Florida, public education, Florida State University, Leighton K. Johnson, Edgar W. Knight, New Orleans, North Carolina, South Carolina education, and Tennessee. The dissertation in the collection is entitled \"Antecedents of the North Carolina School Law of 1839.\" The manuscripts cover subjects such as high schools in Monticello, Florida, public schools in Escambia County, Florida education, public schools in Mississippi, Robert Grosstest, the Bishop of Lincoln, M. R. Hinson, and Tallahassee schools. Her research notes discuss Alabama, Arkansas, common schools, comparative education, Texas, and David S. Walker. Other subjects of note include: Edwin B. 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Her research notes discuss Alabama, Arkansas, common schools, comparative education, Texas, and David S. Walker. Other subjects of note include: Edwin B. Browning, Concord Missionary Baptist Church, Mary Shad Button, reading difficulties, Jacksonville, and education in Walton County.\n Also includes materials accessioned as MSS 92-3."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. 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This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4831053176f6f3dd0c1ca247#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"4831053176f6f3dd0c1ca247","title_ssm":["Noel Wisdom Collection of Chromolithographic Prints"],"title_tesim":["Noel Wisdom Collection of Chromolithographic Prints"],"ead_ssi":"4831053176f6f3dd0c1ca247","unitdate_ssm":["1860-1910"],"unitdate_inclusive_ssm":["1860-1910"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1976-03","/repositories/2/resources/128"],"text":["MS-1976-03","/repositories/2/resources/128","Noel Wisdom Collection of Chromolithographic Prints, 1860-1910","Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines","Alphabetical by maker, when identified. Alphabetical by subject when maker is not identified.","Cuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve","Noel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","This collection consists of more than 3,500 individual prints of varied size and format.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","This collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials.","USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)","English"],"unitid_tesim":["MS-1976-03","/repositories/2/resources/128"],"normalized_date_ssm":["1860-1910"],"normalized_title_ssm":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"collection_title_tesim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"collection_ssim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Wisdom, Noel (1897-1983)"],"creator_ssim":["Wisdom, Noel (1897-1983)"],"creator_persname_ssim":["Wisdom, Noel (1897-1983)"],"creators_ssim":["Wisdom, Noel (1897-1983)"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Noel Wisdom","Donation."],"access_subjects_ssim":["Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines"],"access_subjects_ssm":["Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines"],"has_online_content_ssim":["false"],"extent_ssm":["4.88 Linear Feet","9 boxes"],"extent_tesim":["4.88 Linear Feet","9 boxes"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910],"arrangement_html_tesm":["\u003cp\u003eAlphabetical by maker, when identified. Alphabetical by subject when maker is not identified.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetical by maker, when identified. Alphabetical by subject when maker is not identified."],"bioghist_html_tesm":["\u003cp\u003eCuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.\u003c/p\u003e\n","\u003cp\u003eWisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"\u003c/p\u003e\n","\u003cp\u003eIn 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.\u003c/p\u003e\n","\u003cp\u003eWhen the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.\u003c/p\u003e\n","\u003cp\u003eHe worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.\u003c/p\u003e\n","\u003cp\u003eUpon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.\u003c/p\u003e\n","\u003cp\u003eWisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e, a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.\u003c/p\u003e\n","\u003cp\u003eNote written by Rebecca Rieve\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Cuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve"],"prefercite_html_tesm":["\u003cp\u003eNoel Wisdom Collection of Chromolithographic Prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Noel Wisdom Collection of Chromolithographic Prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eNoel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Noel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of more than 3,500 individual prints of varied size and format.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of more than 3,500 individual prints of varied size and format."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9f2715520ed32739b5cf2e74598db5ae\" label=\"Abstract\"\u003eThis collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials."],"names_ssim":["USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Wisdom, Noel (1897-1983)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":81,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862436233379840,"_root_":"4831053176f6f3dd0c1ca247","timestamp":"2026-07-16T09:17:34.964Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4831053176f6f3dd0c1ca247","title_ssm":["Noel Wisdom Collection of Chromolithographic Prints"],"title_tesim":["Noel Wisdom Collection of Chromolithographic Prints"],"ead_ssi":"4831053176f6f3dd0c1ca247","unitdate_ssm":["1860-1910"],"unitdate_inclusive_ssm":["1860-1910"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1976-03","/repositories/2/resources/128"],"text":["MS-1976-03","/repositories/2/resources/128","Noel Wisdom Collection of Chromolithographic Prints, 1860-1910","Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines","Alphabetical by maker, when identified. Alphabetical by subject when maker is not identified.","Cuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve","Noel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","This collection consists of more than 3,500 individual prints of varied size and format.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","This collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials.","USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)","English"],"unitid_tesim":["MS-1976-03","/repositories/2/resources/128"],"normalized_date_ssm":["1860-1910"],"normalized_title_ssm":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"collection_title_tesim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"collection_ssim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Wisdom, Noel (1897-1983)"],"creator_ssim":["Wisdom, Noel (1897-1983)"],"creator_persname_ssim":["Wisdom, Noel (1897-1983)"],"creators_ssim":["Wisdom, Noel (1897-1983)"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Noel Wisdom","Donation."],"access_subjects_ssim":["Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines"],"access_subjects_ssm":["Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines"],"has_online_content_ssim":["false"],"extent_ssm":["4.88 Linear Feet","9 boxes"],"extent_tesim":["4.88 Linear Feet","9 boxes"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910],"arrangement_html_tesm":["\u003cp\u003eAlphabetical by maker, when identified. Alphabetical by subject when maker is not identified.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetical by maker, when identified. Alphabetical by subject when maker is not identified."],"bioghist_html_tesm":["\u003cp\u003eCuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.\u003c/p\u003e\n","\u003cp\u003eWisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"\u003c/p\u003e\n","\u003cp\u003eIn 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.\u003c/p\u003e\n","\u003cp\u003eWhen the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.\u003c/p\u003e\n","\u003cp\u003eHe worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.\u003c/p\u003e\n","\u003cp\u003eUpon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.\u003c/p\u003e\n","\u003cp\u003eWisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e, a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.\u003c/p\u003e\n","\u003cp\u003eNote written by Rebecca Rieve\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Cuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve"],"prefercite_html_tesm":["\u003cp\u003eNoel Wisdom Collection of Chromolithographic Prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Noel Wisdom Collection of Chromolithographic Prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eNoel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Noel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of more than 3,500 individual prints of varied size and format.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of more than 3,500 individual prints of varied size and format."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9f2715520ed32739b5cf2e74598db5ae\" label=\"Abstract\"\u003eThis collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. 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