{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1812\u0026page=4\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1812\u0026page=3\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1812\u0026page=5\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1812\u0026page=13\u0026view=compact"},"meta":{"pages":{"current_page":4,"next_page":5,"prev_page":3,"total_pages":13,"limit_value":10,"offset_value":30,"total_count":127,"first_page?":false,"last_page?":false}},"data":[{"id":"3eaf7d3e1313dea94138c2f5","type":"collection","attributes":{"title":"Dr. Walter Wadepuhl Faculty Papers Collection, 1781-1989","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/3eaf7d3e1313dea94138c2f5#creator","type":"document_value","attributes":{"value":["Walter Wadepuhl"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/3eaf7d3e1313dea94138c2f5#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cblockquote\u003eDr. Walter Wadepuhl (1895-1989) is well-known for his scholarship on German poets Johann Wolfgang von Goethe and Heinrich Heine. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries","Walter Wadepuhl"],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["Walter Wadepuhl"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1436,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841896407924736,"_root_":"3eaf7d3e1313dea94138c2f5","timestamp":"2026-07-16T03:51:06.366Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3eaf7d3e1313dea94138c2f5"}},{"id":"bac9b6f3b740373d79e5c591","type":"collection","attributes":{"title":"Dry and Smith Papers, 1779-1826","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/bac9b6f3b740373d79e5c591#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection consists of abstracts of the wills of Colonel Dry (1779), G. Benjamin Smith (1824), and his wife, Sarah Dry Smith (1824), who was the daughter of Colonel Dry. Also included in the collection is a letter from Smithville, North Carolina, dated June 22, 1826, pertaining to the wills.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bac9b6f3b740373d79e5c591#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"bac9b6f3b740373d79e5c591","title_ssm":["Dry and Smith Papers"],"title_tesim":["Dry and Smith Papers"],"ead_ssi":"bac9b6f3b740373d79e5c591","unitdate_ssm":["1779-1826"],"unitdate_inclusive_ssm":["1779-1826"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0-98","/repositories/10/resources/1258"],"text":["MSS 0-98","/repositories/10/resources/1258","Dry and Smith Papers, 1779-1826","Brunswick County (N.C.). Board of County Commissioners","Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Processed May 25, 1964.","This collection consists of abstracts of the wills of Colonel Dry (1779), G. Benjamin Smith (1824), and his wife, Sarah Dry Smith (1824), who was the daughter of Colonel Dry. Also included in the collection is a letter from Smithville, North Carolina, dated June 22, 1826, pertaining to the wills.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["MSS 0-98","/repositories/10/resources/1258"],"normalized_date_ssm":["1779-1826"],"normalized_title_ssm":["Dry and Smith Papers, 1779-1826"],"collection_title_tesim":["Dry and Smith Papers, 1779-1826"],"collection_ssim":["Dry and Smith Papers, 1779-1826"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], Dry and Smith Papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-0-98\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], Dry and Smith Papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-0-98"],"processinfo_html_tesm":["\u003cp\u003eProcessed May 25, 1964.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed May 25, 1964."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of abstracts of the wills of Colonel Dry (1779), G. Benjamin Smith (1824), and his wife, Sarah Dry Smith (1824), who was the daughter of Colonel Dry. Also included in the collection is a letter from Smithville, North Carolina, dated June 22, 1826, pertaining to the wills.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of abstracts of the wills of Colonel Dry (1779), G. Benjamin Smith (1824), and his wife, Sarah Dry Smith (1824), who was the daughter of Colonel Dry. Also included in the collection is a letter from Smithville, North Carolina, dated June 22, 1826, pertaining to the wills."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"bac9b6f3b740373d79e5c591","timestamp":"2026-04-21T04:19:08.842Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bac9b6f3b740373d79e5c591","title_ssm":["Dry and Smith Papers"],"title_tesim":["Dry and Smith Papers"],"ead_ssi":"bac9b6f3b740373d79e5c591","unitdate_ssm":["1779-1826"],"unitdate_inclusive_ssm":["1779-1826"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0-98","/repositories/10/resources/1258"],"text":["MSS 0-98","/repositories/10/resources/1258","Dry and Smith Papers, 1779-1826","Brunswick County (N.C.). Board of County Commissioners","Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Processed May 25, 1964.","This collection consists of abstracts of the wills of Colonel Dry (1779), G. Benjamin Smith (1824), and his wife, Sarah Dry Smith (1824), who was the daughter of Colonel Dry. Also included in the collection is a letter from Smithville, North Carolina, dated June 22, 1826, pertaining to the wills.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["MSS 0-98","/repositories/10/resources/1258"],"normalized_date_ssm":["1779-1826"],"normalized_title_ssm":["Dry and Smith Papers, 1779-1826"],"collection_title_tesim":["Dry and Smith Papers, 1779-1826"],"collection_ssim":["Dry and Smith Papers, 1779-1826"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["Brunswick County (N.C.). Board of County Commissioners"],"access_subjects_ssm":["Brunswick County (N.C.). Board of County Commissioners"],"has_online_content_ssim":["false"],"extent_ssm":["3.00 items 1 folder."],"extent_tesim":["3.00 items 1 folder."],"date_range_isim":[1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], Dry and Smith Papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-0-98\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], Dry and Smith Papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-0-98"],"processinfo_html_tesm":["\u003cp\u003eProcessed May 25, 1964.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed May 25, 1964."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of abstracts of the wills of Colonel Dry (1779), G. Benjamin Smith (1824), and his wife, Sarah Dry Smith (1824), who was the daughter of Colonel Dry. Also included in the collection is a letter from Smithville, North Carolina, dated June 22, 1826, pertaining to the wills.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of abstracts of the wills of Colonel Dry (1779), G. Benjamin Smith (1824), and his wife, Sarah Dry Smith (1824), who was the daughter of Colonel Dry. Also included in the collection is a letter from Smithville, North Carolina, dated June 22, 1826, pertaining to the wills."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"bac9b6f3b740373d79e5c591","timestamp":"2026-04-21T04:19:08.842Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bac9b6f3b740373d79e5c591"}},{"id":"bec408ef355489ed2515918e_aspace_9326","type":"Series","attributes":{"title":"Early America/Civil War-era, 1794-1892, 2003, Undated","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_9326#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eConsists of the oldest materials in the collection, both including and bookending the Civil War. Materials range from magazines, newspapers, pamphlets, and an array of visual ephemera. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_9326#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9326","ref_ssm":["aspace_9326","aspace_9326"],"id":"bec408ef355489ed2515918e_aspace_9326","title_filing_ssi":"Early America/Civil War-era","title_ssm":["Early America/Civil War-era"],"title_tesim":["Early America/Civil War-era"],"unitdate_inclusive_ssm":["1794-1892, 2003, Undated"],"normalized_date_ssm":["1794-1892, 2003, Undated"],"normalized_title_ssm":["Early America/Civil War-era, 1794-1892, 2003, Undated"],"text":["Early America/Civil War-era, 1794-1892, 2003, Undated","African American Legacy: The Carol Mundy collection, 1791-2003","Series 4","/repositories/4/archival_objects/24161","Consists of the oldest materials in the collection, both including and bookending the Civil War. Materials range from magazines, newspapers, pamphlets, and an array of visual ephemera. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale."],"component_level_isim":[1],"parent_ids_ssim":["bec408ef355489ed2515918e"],"parent_unittitles_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003"],"parent_unittitles_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 4","/repositories/4/archival_objects/24161"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"has_online_content_ssim":["false"],"child_component_count_isi":49,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":420,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"scopecontent_html_tesm":["\u003cp\u003eConsists of the oldest materials in the collection, both including and bookending the Civil War. Materials range from magazines, newspapers, pamphlets, and an array of visual ephemera. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Consists of the oldest materials in the collection, both including and bookending the Civil War. Materials range from magazines, newspapers, pamphlets, and an array of visual ephemera. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale."],"_nest_path_":"/components#3","_nest_parent_":"bec408ef355489ed2515918e","_root_":"bec408ef355489ed2515918e","_version_":1879192534963453952,"timestamp":"2026-10-16T08:00:56.160Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bec408ef355489ed2515918e","title_ssm":["African American Legacy: The Carol Mundy collection"],"title_tesim":["African American Legacy: The Carol Mundy collection"],"ead_ssi":"bec408ef355489ed2515918e","unitdate_ssm":["1791-2003"],"unitdate_inclusive_ssm":["1791-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC085","/repositories/4/resources/106"],"text":["SC085","/repositories/4/resources/106","African American Legacy: The Carol Mundy collection, 1791-2003","Apopka (Fla.)--History","African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs","The entire collection is open for research.","Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"","Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog .","This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.","UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-","English"],"unitid_tesim":["SC085","/repositories/4/resources/106"],"normalized_date_ssm":["1791-2003"],"normalized_title_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_title_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Apopka (Fla.)--History"],"geogname_ssim":["Apopka (Fla.)--History"],"creator_ssm":["Mundy, Carol"],"creator_ssim":["Mundy, Carol"],"creator_persname_ssim":["Mundy, Carol"],"creators_ssim":["Mundy, Carol"],"places_ssim":["Apopka (Fla.)--History"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Most of these materials were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Carol Mundy in 2009 (CFM2009_02). Additional materials were donated in 2010/2012 (CFM2012_02) and 2019 (CFM2019_01)."],"access_subjects_ssim":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"access_subjects_ssm":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["26 Linear Feet 36 boxes and 73 flat files"],"extent_tesim":["26 Linear Feet 36 boxes and 73 flat files"],"genreform_ssim":["photographs"],"date_range_isim":[1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eCarol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\""],"prefercite_html_tesm":["\u003cp\u003eAfrican American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["African American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Early America \u0026amp; Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.\u003c/p\u003e\n","\u003cp\u003eSeries IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4cf0eb7fc38bbc5bdebff00649325802\" label=\"Abstract\"\u003eCollector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.\u003c/abstract\u003e"],"abstract_tesim":["Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida."],"names_ssim":["UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"persname_ssim":["Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1675,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879192534963453952,"_root_":"bec408ef355489ed2515918e","timestamp":"2026-10-16T08:00:56.160Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_9326"}},{"id":"4ad50bfd693bba5a202c3c11","type":"collection","attributes":{"title":"Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/4ad50bfd693bba5a202c3c11#abstract_or_scope","type":"document_value","attributes":{"value":["Correspondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4ad50bfd693bba5a202c3c11#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"4ad50bfd693bba5a202c3c11","title_ssm":["Ella Scoble Opperman Papers"],"title_tesim":["Ella Scoble Opperman Papers"],"ead_ssi":"4ad50bfd693bba5a202c3c11","unitdate_ssm":["1719-1963","1900-1963"],"unitdate_bulk_ssim":["1900-1963"],"unitdate_inclusive_ssm":["1719-1963"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 1969-196","/repositories/10/resources/738"],"text":["MSS 1969-196","/repositories/10/resources/738","Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963","Florida State College for Women--History","Music--Instruction and Study.","Musicians--Correspondence.","Piano.","Organ--History.","Teaching--Certification.","Account books","Genealogy","Clippings (Books, newspapers, etc.)","Correspondence","Diplomas","Drawing","Lecture notes","Legal documents.","Notebooks.","Photographs","Programs","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Ella Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n Prior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n Opperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n Under Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n Opperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia.","The collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin.","The Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n The collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","Correspondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers.","FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion","English"],"unitid_tesim":["MSS 1969-196","/repositories/10/resources/738"],"normalized_date_ssm":["1719-1963, bulk 1900-1963"],"normalized_title_ssm":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"collection_title_tesim":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"collection_ssim":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"acqinfo_ssim":["Owen F. Sellers","Gift of Owen F. Sellers, Administrator of Estate of Ella Scoble Opperman, May 1969. Additional materials received in 1990, donor unknown."],"access_subjects_ssim":["Florida State College for Women--History","Music--Instruction and Study.","Musicians--Correspondence.","Piano.","Organ--History.","Teaching--Certification.","Account books","Genealogy","Clippings (Books, newspapers, etc.)","Correspondence","Diplomas","Drawing","Lecture notes","Legal documents.","Notebooks.","Photographs","Programs"],"access_subjects_ssm":["Florida State College for Women--History","Music--Instruction and Study.","Musicians--Correspondence.","Piano.","Organ--History.","Teaching--Certification.","Account books","Genealogy","Clippings (Books, newspapers, etc.)","Correspondence","Diplomas","Drawing","Lecture notes","Legal documents.","Notebooks.","Photographs","Programs"],"has_online_content_ssim":["false"],"extent_ssm":["4.48 Linear Feet"],"extent_tesim":["4.48 Linear Feet"],"genreform_ssim":["Clippings (Books, newspapers, etc.)","Correspondence","Diplomas","Drawing","Lecture notes","Legal documents.","Notebooks.","Photographs","Programs"],"date_range_isim":[1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eElla Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n\u003cbr\u003e\u003cbr\u003ePrior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n\u003cbr\u003e\u003cbr\u003eOpperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n\u003cbr\u003e\u003cbr\u003eUnder Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n\u003cbr\u003e\u003cbr\u003eOpperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Ella Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n Prior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n Opperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n Under Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n Opperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia."],"prefercite_html_tesm":["\u003cp\u003eElla Scoble Opperman Papers, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1969-196\u003c/p\u003e"],"prefercite_tesim":["Ella Scoble Opperman Papers, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1969-196"],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin."],"scopecontent_html_tesm":["\u003cp\u003eThe Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n\u003cbr\u003e\u003cbr\u003eThe collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n The collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5679f793022ba9471da8b041c3038756\" label=\"Abstract\"\u003eCorrespondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers.\u003c/abstract\u003e"],"abstract_tesim":["Correspondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers."],"names_coll_ssim":["Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )"],"persname_ssim":["Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":691,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870859392320012288,"_root_":"4ad50bfd693bba5a202c3c11","timestamp":"2026-07-16T08:29:11.978Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4ad50bfd693bba5a202c3c11","title_ssm":["Ella Scoble Opperman Papers"],"title_tesim":["Ella Scoble Opperman Papers"],"ead_ssi":"4ad50bfd693bba5a202c3c11","unitdate_ssm":["1719-1963","1900-1963"],"unitdate_bulk_ssim":["1900-1963"],"unitdate_inclusive_ssm":["1719-1963"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 1969-196","/repositories/10/resources/738"],"text":["MSS 1969-196","/repositories/10/resources/738","Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963","Florida State College for Women--History","Music--Instruction and Study.","Musicians--Correspondence.","Piano.","Organ--History.","Teaching--Certification.","Account books","Genealogy","Clippings (Books, newspapers, etc.)","Correspondence","Diplomas","Drawing","Lecture notes","Legal documents.","Notebooks.","Photographs","Programs","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Ella Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n Prior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n Opperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n Under Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n Opperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia.","The collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin.","The Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n The collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","Correspondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers.","FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion","English"],"unitid_tesim":["MSS 1969-196","/repositories/10/resources/738"],"normalized_date_ssm":["1719-1963, bulk 1900-1963"],"normalized_title_ssm":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"collection_title_tesim":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"collection_ssim":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"acqinfo_ssim":["Owen F. Sellers","Gift of Owen F. Sellers, Administrator of Estate of Ella Scoble Opperman, May 1969. Additional materials received in 1990, donor unknown."],"access_subjects_ssim":["Florida State College for Women--History","Music--Instruction and Study.","Musicians--Correspondence.","Piano.","Organ--History.","Teaching--Certification.","Account books","Genealogy","Clippings (Books, newspapers, etc.)","Correspondence","Diplomas","Drawing","Lecture notes","Legal documents.","Notebooks.","Photographs","Programs"],"access_subjects_ssm":["Florida State College for Women--History","Music--Instruction and Study.","Musicians--Correspondence.","Piano.","Organ--History.","Teaching--Certification.","Account books","Genealogy","Clippings (Books, newspapers, etc.)","Correspondence","Diplomas","Drawing","Lecture notes","Legal documents.","Notebooks.","Photographs","Programs"],"has_online_content_ssim":["false"],"extent_ssm":["4.48 Linear Feet"],"extent_tesim":["4.48 Linear Feet"],"genreform_ssim":["Clippings (Books, newspapers, etc.)","Correspondence","Diplomas","Drawing","Lecture notes","Legal documents.","Notebooks.","Photographs","Programs"],"date_range_isim":[1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eElla Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n\u003cbr\u003e\u003cbr\u003ePrior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n\u003cbr\u003e\u003cbr\u003eOpperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n\u003cbr\u003e\u003cbr\u003eUnder Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n\u003cbr\u003e\u003cbr\u003eOpperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Ella Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n Prior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n Opperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n Under Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n Opperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia."],"prefercite_html_tesm":["\u003cp\u003eElla Scoble Opperman Papers, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1969-196\u003c/p\u003e"],"prefercite_tesim":["Ella Scoble Opperman Papers, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1969-196"],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin."],"scopecontent_html_tesm":["\u003cp\u003eThe Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n\u003cbr\u003e\u003cbr\u003eThe collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n The collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5679f793022ba9471da8b041c3038756\" label=\"Abstract\"\u003eCorrespondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers.\u003c/abstract\u003e"],"abstract_tesim":["Correspondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers."],"names_coll_ssim":["Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )"],"persname_ssim":["Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":691,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870859392320012288,"_root_":"4ad50bfd693bba5a202c3c11","timestamp":"2026-07-16T08:29:11.978Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4ad50bfd693bba5a202c3c11"}},{"id":"bec408ef355489ed2515918e_aspace_080870e3073b6eaf2f106180e22dbde5","type":"Subseries","attributes":{"title":"Ephemera, 1809-1964, Undated","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_080870e3073b6eaf2f106180e22dbde5#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSubseries includes postcards, greeting cards, and birthday cards. Invitations are als included and also deatures letters between family members of Blanche Kalfus and JAmes Brasswell.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_080870e3073b6eaf2f106180e22dbde5#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_080870e3073b6eaf2f106180e22dbde5","ref_ssm":["aspace_080870e3073b6eaf2f106180e22dbde5","aspace_080870e3073b6eaf2f106180e22dbde5"],"id":"bec408ef355489ed2515918e_aspace_080870e3073b6eaf2f106180e22dbde5","title_filing_ssi":"Ephemera","title_ssm":["Ephemera"],"title_tesim":["Ephemera"],"unitdate_inclusive_ssm":["1809-1964, Undated"],"normalized_date_ssm":["1809-1964, Undated"],"normalized_title_ssm":["Ephemera, 1809-1964, Undated"],"text":["Ephemera, 1809-1964, Undated","African American Legacy: The Carol Mundy collection, 1791-2003","Additional Materials, 1791-1990, Undated","Sub-Series 4","/repositories/4/archival_objects/57077","Subseries includes postcards, greeting cards, and birthday cards. Invitations are als included and also deatures letters between family members of Blanche Kalfus and JAmes Brasswell."],"component_level_isim":[2],"parent_ids_ssim":["bec408ef355489ed2515918e","bec408ef355489ed2515918e_aspace_8d9756e691c528284ff3578409880ec9"],"parent_unittitles_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003","Additional Materials, 1791-1990, Undated"],"parent_unittitles_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003","Additional Materials, 1791-1990, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 4","/repositories/4/archival_objects/57077"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"has_online_content_ssim":["false"],"child_component_count_isi":26,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":1389,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964],"scopecontent_html_tesm":["\u003cp\u003eSubseries includes postcards, greeting cards, and birthday cards. Invitations are als included and also deatures letters between family members of Blanche Kalfus and JAmes Brasswell.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Subseries includes postcards, greeting cards, and birthday cards. Invitations are als included and also deatures letters between family members of Blanche Kalfus and JAmes Brasswell."],"_nest_path_":"/components#8/components#3","_nest_parent_":"bec408ef355489ed2515918e_aspace_8d9756e691c528284ff3578409880ec9","_root_":"bec408ef355489ed2515918e","_version_":1879192534963453952,"timestamp":"2026-10-16T08:00:56.160Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bec408ef355489ed2515918e","title_ssm":["African American Legacy: The Carol Mundy collection"],"title_tesim":["African American Legacy: The Carol Mundy collection"],"ead_ssi":"bec408ef355489ed2515918e","unitdate_ssm":["1791-2003"],"unitdate_inclusive_ssm":["1791-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC085","/repositories/4/resources/106"],"text":["SC085","/repositories/4/resources/106","African American Legacy: The Carol Mundy collection, 1791-2003","Apopka (Fla.)--History","African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs","The entire collection is open for research.","Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"","Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog .","This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.","UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-","English"],"unitid_tesim":["SC085","/repositories/4/resources/106"],"normalized_date_ssm":["1791-2003"],"normalized_title_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_title_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Apopka (Fla.)--History"],"geogname_ssim":["Apopka (Fla.)--History"],"creator_ssm":["Mundy, Carol"],"creator_ssim":["Mundy, Carol"],"creator_persname_ssim":["Mundy, Carol"],"creators_ssim":["Mundy, Carol"],"places_ssim":["Apopka (Fla.)--History"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Most of these materials were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Carol Mundy in 2009 (CFM2009_02). Additional materials were donated in 2010/2012 (CFM2012_02) and 2019 (CFM2019_01)."],"access_subjects_ssim":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"access_subjects_ssm":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["26 Linear Feet 36 boxes and 73 flat files"],"extent_tesim":["26 Linear Feet 36 boxes and 73 flat files"],"genreform_ssim":["photographs"],"date_range_isim":[1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eCarol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\""],"prefercite_html_tesm":["\u003cp\u003eAfrican American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["African American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Early America \u0026amp; Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.\u003c/p\u003e\n","\u003cp\u003eSeries IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4cf0eb7fc38bbc5bdebff00649325802\" label=\"Abstract\"\u003eCollector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.\u003c/abstract\u003e"],"abstract_tesim":["Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida."],"names_ssim":["UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"persname_ssim":["Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1675,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879192534963453952,"_root_":"bec408ef355489ed2515918e","timestamp":"2026-10-16T08:00:56.160Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_080870e3073b6eaf2f106180e22dbde5"}},{"id":"192a475342f24c5f236bda44","type":"collection","attributes":{"title":"Ethan Allen Hitchcock Collection, 1798-1870","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/192a475342f24c5f236bda44#creator","type":"document_value","attributes":{"value":["Hitchcock, Ethan Allen, 1798-1870"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/192a475342f24c5f236bda44#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe collection contains 70 bound volumes and more than 200 pieces of sheet music. Included are pieces for solo flute, as well as flute duets and trios, with or without piano accompaniment, as well as various miscellaneous pieces.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/192a475342f24c5f236bda44#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"192a475342f24c5f236bda44","title_ssm":["Ethan Allen Hitchcock Collection"],"title_tesim":["Ethan Allen Hitchcock Collection"],"ead_ssi":"192a475342f24c5f236bda44","unitdate_ssm":["1798-1870"],"unitdate_inclusive_ssm":["1798-1870"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["FSUML-2020-017","/repositories/12/resources/1712"],"text":["FSUML-2020-017","/repositories/12/resources/1712","Ethan Allen Hitchcock Collection, 1798-1870","Sheet music","Many of these items are fragile and due to conservation needs may be unavailable at the requested time. For more information or to make a research appointment please contact the Music Special Collections staff at AMLSpec@fsu.edu.","Major-General Ethan Allen Hitchcock (1798-1870), the grandson of the famed Ethan Allen, was a major figure in American military history. He served in the United States Army in the Western frontiers and in the South, and garnered a reputation for great intelligence and particularly strong personal integrity. During the Civil War, according to the Tallahassee Democrat (April 14, 1989), Hitchcock was president Abraham Lincoln's first choice to lead the Union forces, a post which he was forced to decline on account of poor health. He is perhaps best known in Florida for having negotiated the end to the Seminole War in the mid-nineteenth century.","General Hitchcock was also an amateur musician and an avid collector of flute music. A large trunk containing his personal collection of music was discovered in a plantation in Sparta, GA, by FSU flute professor Charles Delaney, who after a more than twenty-year effort negotiated its transfer to the Warren D. Allen Music Library. The donation of the collection was marked, on April 15, 1989, by a recital given by thirteen FSU graduate flute students. Several descendents of General Hitchcock were present for the occasion, where the family formally presented the collection to the university.","Materials related to the Ethan Allen Hitchcock Collection can be found in the FSU Library Catalog.\n Catalog of the Ethan Allen Hitchcock Collection by Nancy A. Schneeloch, ML937.H58 S36 2000,  https://fsu.catalog.fcla.edu/permalink.jsp?23FS028032967 The biographical and socio-historical context for military and dance music in the manuscripts of Ethan Allen Hitchcock (1798-1870)by Karl S. Barton, ML1311.4 .B37 1995,  https://fsu.catalog.fcla.edu/permalink.jsp?23FS030518825","The collection contains 70 bound volumes and more than 200 pieces of sheet music. Included are pieces for solo flute, as well as flute duets and trios, with or without piano accompaniment, as well as various miscellaneous pieces.","Among others, the repertoire includes music by Jean Louis Tulou, Raphael Dressler, Anton Diabelli, Eugene Walckiers, William Forde, Louis Drouet, Charles Cottignies, Tranquille Berbiguier, and Anton Bernhard Furstenaü, all of whom were contemporaries of Hitchcock. Of the bound volumes, 8 are composed of manuscript copies of music which are in Hitchcock's own hand, but for which the source is as yet unascribed.","The music does not appear in the online catalog, but the collection has been cataloged in Nancy A. Schneeloch, \"A Catalog of the Ethan Allen Hitchcock Collection on Nineteenth-Century Flute Music\" (DMA treatise, Florida State University, 2000).","Allen Music Library Special Collections","Hitchcock, Ethan Allen, 1798-1870","English"],"unitid_tesim":["FSUML-2020-017","/repositories/12/resources/1712"],"normalized_date_ssm":["1798-1870"],"normalized_title_ssm":["Ethan Allen Hitchcock Collection, 1798-1870"],"collection_title_tesim":["Ethan Allen Hitchcock Collection, 1798-1870"],"collection_ssim":["Ethan Allen Hitchcock Collection, 1798-1870"],"repository_ssm":["Allen Music Library Special Collections"],"repository_ssim":["Allen Music Library Special Collections"],"creator_ssm":["Hitchcock, Ethan Allen, 1798-1870"],"creator_ssim":["Hitchcock, Ethan Allen, 1798-1870"],"creator_persname_ssim":["Hitchcock, Ethan Allen, 1798-1870"],"creators_ssim":["Hitchcock, Ethan Allen, 1798-1870"],"access_subjects_ssim":["Sheet music"],"access_subjects_ssm":["Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["270 items"],"extent_tesim":["270 items"],"physfacet_tesim":["This collection consists of 62 volumes of printed music, 8 volumes of manuscript music, and 200 individual pieces of music."],"genreform_ssim":["Sheet music"],"date_range_isim":[1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870],"accessrestrict_html_tesm":["\u003cp\u003eMany of these items are fragile and due to conservation needs may be unavailable at the requested time. For more information or to make a research appointment please contact the Music Special Collections staff at AMLSpec@fsu.edu.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Many of these items are fragile and due to conservation needs may be unavailable at the requested time. For more information or to make a research appointment please contact the Music Special Collections staff at AMLSpec@fsu.edu."],"bioghist_html_tesm":["\u003cp\u003eMajor-General Ethan Allen Hitchcock (1798-1870), the grandson of the famed Ethan Allen, was a major figure in American military history. He served in the United States Army in the Western frontiers and in the South, and garnered a reputation for great intelligence and particularly strong personal integrity. During the Civil War, according to the Tallahassee Democrat (April 14, 1989), Hitchcock was president Abraham Lincoln's first choice to lead the Union forces, a post which he was forced to decline on account of poor health. He is perhaps best known in Florida for having negotiated the end to the Seminole War in the mid-nineteenth century.\u003c/p\u003e\n","\u003cp\u003eGeneral Hitchcock was also an amateur musician and an avid collector of flute music. A large trunk containing his personal collection of music was discovered in a plantation in Sparta, GA, by FSU flute professor Charles Delaney, who after a more than twenty-year effort negotiated its transfer to the Warren D. Allen Music Library. The donation of the collection was marked, on April 15, 1989, by a recital given by thirteen FSU graduate flute students. Several descendents of General Hitchcock were present for the occasion, where the family formally presented the collection to the university.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Major-General Ethan Allen Hitchcock (1798-1870), the grandson of the famed Ethan Allen, was a major figure in American military history. He served in the United States Army in the Western frontiers and in the South, and garnered a reputation for great intelligence and particularly strong personal integrity. During the Civil War, according to the Tallahassee Democrat (April 14, 1989), Hitchcock was president Abraham Lincoln's first choice to lead the Union forces, a post which he was forced to decline on account of poor health. He is perhaps best known in Florida for having negotiated the end to the Seminole War in the mid-nineteenth century.","General Hitchcock was also an amateur musician and an avid collector of flute music. A large trunk containing his personal collection of music was discovered in a plantation in Sparta, GA, by FSU flute professor Charles Delaney, who after a more than twenty-year effort negotiated its transfer to the Warren D. Allen Music Library. The donation of the collection was marked, on April 15, 1989, by a recital given by thirteen FSU graduate flute students. Several descendents of General Hitchcock were present for the occasion, where the family formally presented the collection to the university."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Ethan Allen Hitchcock Collection, Warren D. Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-017.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Ethan Allen Hitchcock Collection, Warren D. Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-017."],"relatedmaterial_html_tesm":["\u003cp\u003eMaterials related to the Ethan Allen Hitchcock Collection can be found in the FSU Library Catalog.\n\u003cli\u003eCatalog of the Ethan Allen Hitchcock Collection by Nancy A. Schneeloch, ML937.H58 S36 2000, \u003cextref href=\"https://fsu.catalog.fcla.edu/permalink.jsp?23FS028032967\"\u003ehttps://fsu.catalog.fcla.edu/permalink.jsp?23FS028032967\u003c/extref\u003e\n\u003c/li\u003e\n\u003cli\u003eThe biographical and socio-historical context for military and dance music in the manuscripts of Ethan Allen Hitchcock (1798-1870)by Karl S. Barton, ML1311.4 .B37 1995, \u003cextref href=\"https://fsu.catalog.fcla.edu/permalink.jsp?23FS030518825\"\u003ehttps://fsu.catalog.fcla.edu/permalink.jsp?23FS030518825\u003c/extref\u003e \u003c/li\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Materials related to the Ethan Allen Hitchcock Collection can be found in the FSU Library Catalog.\n Catalog of the Ethan Allen Hitchcock Collection by Nancy A. Schneeloch, ML937.H58 S36 2000,  https://fsu.catalog.fcla.edu/permalink.jsp?23FS028032967 The biographical and socio-historical context for military and dance music in the manuscripts of Ethan Allen Hitchcock (1798-1870)by Karl S. Barton, ML1311.4 .B37 1995,  https://fsu.catalog.fcla.edu/permalink.jsp?23FS030518825"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains 70 bound volumes and more than 200 pieces of sheet music. Included are pieces for solo flute, as well as flute duets and trios, with or without piano accompaniment, as well as various miscellaneous pieces.\u003c/p\u003e\n","\u003cp\u003eAmong others, the repertoire includes music by Jean Louis Tulou, Raphael Dressler, Anton Diabelli, Eugene Walckiers, William Forde, Louis Drouet, Charles Cottignies, Tranquille Berbiguier, and Anton Bernhard Furstena\u0026#xFC;, all of whom were contemporaries of Hitchcock. Of the bound volumes, 8 are composed of manuscript copies of music which are in Hitchcock's own hand, but for which the source is as yet unascribed.\u003c/p\u003e\n","\u003cp\u003eThe music does not appear in the online catalog, but the collection has been cataloged in Nancy A. Schneeloch, \"A Catalog of the Ethan Allen Hitchcock Collection on Nineteenth-Century Flute Music\" (DMA treatise, Florida State University, 2000).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains 70 bound volumes and more than 200 pieces of sheet music. Included are pieces for solo flute, as well as flute duets and trios, with or without piano accompaniment, as well as various miscellaneous pieces.","Among others, the repertoire includes music by Jean Louis Tulou, Raphael Dressler, Anton Diabelli, Eugene Walckiers, William Forde, Louis Drouet, Charles Cottignies, Tranquille Berbiguier, and Anton Bernhard Furstenaü, all of whom were contemporaries of Hitchcock. Of the bound volumes, 8 are composed of manuscript copies of music which are in Hitchcock's own hand, but for which the source is as yet unascribed.","The music does not appear in the online catalog, but the collection has been cataloged in Nancy A. Schneeloch, \"A Catalog of the Ethan Allen Hitchcock Collection on Nineteenth-Century Flute Music\" (DMA treatise, Florida State University, 2000)."],"names_ssim":["Allen Music Library Special Collections","Hitchcock, Ethan Allen, 1798-1870"],"corpname_ssim":["Allen Music Library Special Collections"],"persname_ssim":["Hitchcock, Ethan Allen, 1798-1870"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"192a475342f24c5f236bda44","timestamp":"2026-04-21T02:32:19.227Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"192a475342f24c5f236bda44","title_ssm":["Ethan Allen Hitchcock Collection"],"title_tesim":["Ethan Allen Hitchcock Collection"],"ead_ssi":"192a475342f24c5f236bda44","unitdate_ssm":["1798-1870"],"unitdate_inclusive_ssm":["1798-1870"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["FSUML-2020-017","/repositories/12/resources/1712"],"text":["FSUML-2020-017","/repositories/12/resources/1712","Ethan Allen Hitchcock Collection, 1798-1870","Sheet music","Many of these items are fragile and due to conservation needs may be unavailable at the requested time. For more information or to make a research appointment please contact the Music Special Collections staff at AMLSpec@fsu.edu.","Major-General Ethan Allen Hitchcock (1798-1870), the grandson of the famed Ethan Allen, was a major figure in American military history. He served in the United States Army in the Western frontiers and in the South, and garnered a reputation for great intelligence and particularly strong personal integrity. During the Civil War, according to the Tallahassee Democrat (April 14, 1989), Hitchcock was president Abraham Lincoln's first choice to lead the Union forces, a post which he was forced to decline on account of poor health. He is perhaps best known in Florida for having negotiated the end to the Seminole War in the mid-nineteenth century.","General Hitchcock was also an amateur musician and an avid collector of flute music. A large trunk containing his personal collection of music was discovered in a plantation in Sparta, GA, by FSU flute professor Charles Delaney, who after a more than twenty-year effort negotiated its transfer to the Warren D. Allen Music Library. The donation of the collection was marked, on April 15, 1989, by a recital given by thirteen FSU graduate flute students. Several descendents of General Hitchcock were present for the occasion, where the family formally presented the collection to the university.","Materials related to the Ethan Allen Hitchcock Collection can be found in the FSU Library Catalog.\n Catalog of the Ethan Allen Hitchcock Collection by Nancy A. Schneeloch, ML937.H58 S36 2000,  https://fsu.catalog.fcla.edu/permalink.jsp?23FS028032967 The biographical and socio-historical context for military and dance music in the manuscripts of Ethan Allen Hitchcock (1798-1870)by Karl S. Barton, ML1311.4 .B37 1995,  https://fsu.catalog.fcla.edu/permalink.jsp?23FS030518825","The collection contains 70 bound volumes and more than 200 pieces of sheet music. Included are pieces for solo flute, as well as flute duets and trios, with or without piano accompaniment, as well as various miscellaneous pieces.","Among others, the repertoire includes music by Jean Louis Tulou, Raphael Dressler, Anton Diabelli, Eugene Walckiers, William Forde, Louis Drouet, Charles Cottignies, Tranquille Berbiguier, and Anton Bernhard Furstenaü, all of whom were contemporaries of Hitchcock. Of the bound volumes, 8 are composed of manuscript copies of music which are in Hitchcock's own hand, but for which the source is as yet unascribed.","The music does not appear in the online catalog, but the collection has been cataloged in Nancy A. Schneeloch, \"A Catalog of the Ethan Allen Hitchcock Collection on Nineteenth-Century Flute Music\" (DMA treatise, Florida State University, 2000).","Allen Music Library Special Collections","Hitchcock, Ethan Allen, 1798-1870","English"],"unitid_tesim":["FSUML-2020-017","/repositories/12/resources/1712"],"normalized_date_ssm":["1798-1870"],"normalized_title_ssm":["Ethan Allen Hitchcock Collection, 1798-1870"],"collection_title_tesim":["Ethan Allen Hitchcock Collection, 1798-1870"],"collection_ssim":["Ethan Allen Hitchcock Collection, 1798-1870"],"repository_ssm":["Allen Music Library Special Collections"],"repository_ssim":["Allen Music Library Special Collections"],"creator_ssm":["Hitchcock, Ethan Allen, 1798-1870"],"creator_ssim":["Hitchcock, Ethan Allen, 1798-1870"],"creator_persname_ssim":["Hitchcock, Ethan Allen, 1798-1870"],"creators_ssim":["Hitchcock, Ethan Allen, 1798-1870"],"access_subjects_ssim":["Sheet music"],"access_subjects_ssm":["Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["270 items"],"extent_tesim":["270 items"],"physfacet_tesim":["This collection consists of 62 volumes of printed music, 8 volumes of manuscript music, and 200 individual pieces of music."],"genreform_ssim":["Sheet music"],"date_range_isim":[1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870],"accessrestrict_html_tesm":["\u003cp\u003eMany of these items are fragile and due to conservation needs may be unavailable at the requested time. For more information or to make a research appointment please contact the Music Special Collections staff at AMLSpec@fsu.edu.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Many of these items are fragile and due to conservation needs may be unavailable at the requested time. For more information or to make a research appointment please contact the Music Special Collections staff at AMLSpec@fsu.edu."],"bioghist_html_tesm":["\u003cp\u003eMajor-General Ethan Allen Hitchcock (1798-1870), the grandson of the famed Ethan Allen, was a major figure in American military history. He served in the United States Army in the Western frontiers and in the South, and garnered a reputation for great intelligence and particularly strong personal integrity. During the Civil War, according to the Tallahassee Democrat (April 14, 1989), Hitchcock was president Abraham Lincoln's first choice to lead the Union forces, a post which he was forced to decline on account of poor health. He is perhaps best known in Florida for having negotiated the end to the Seminole War in the mid-nineteenth century.\u003c/p\u003e\n","\u003cp\u003eGeneral Hitchcock was also an amateur musician and an avid collector of flute music. A large trunk containing his personal collection of music was discovered in a plantation in Sparta, GA, by FSU flute professor Charles Delaney, who after a more than twenty-year effort negotiated its transfer to the Warren D. Allen Music Library. The donation of the collection was marked, on April 15, 1989, by a recital given by thirteen FSU graduate flute students. Several descendents of General Hitchcock were present for the occasion, where the family formally presented the collection to the university.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Major-General Ethan Allen Hitchcock (1798-1870), the grandson of the famed Ethan Allen, was a major figure in American military history. He served in the United States Army in the Western frontiers and in the South, and garnered a reputation for great intelligence and particularly strong personal integrity. During the Civil War, according to the Tallahassee Democrat (April 14, 1989), Hitchcock was president Abraham Lincoln's first choice to lead the Union forces, a post which he was forced to decline on account of poor health. He is perhaps best known in Florida for having negotiated the end to the Seminole War in the mid-nineteenth century.","General Hitchcock was also an amateur musician and an avid collector of flute music. A large trunk containing his personal collection of music was discovered in a plantation in Sparta, GA, by FSU flute professor Charles Delaney, who after a more than twenty-year effort negotiated its transfer to the Warren D. Allen Music Library. The donation of the collection was marked, on April 15, 1989, by a recital given by thirteen FSU graduate flute students. Several descendents of General Hitchcock were present for the occasion, where the family formally presented the collection to the university."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Ethan Allen Hitchcock Collection, Warren D. Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-017.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Ethan Allen Hitchcock Collection, Warren D. Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-017."],"relatedmaterial_html_tesm":["\u003cp\u003eMaterials related to the Ethan Allen Hitchcock Collection can be found in the FSU Library Catalog.\n\u003cli\u003eCatalog of the Ethan Allen Hitchcock Collection by Nancy A. Schneeloch, ML937.H58 S36 2000, \u003cextref href=\"https://fsu.catalog.fcla.edu/permalink.jsp?23FS028032967\"\u003ehttps://fsu.catalog.fcla.edu/permalink.jsp?23FS028032967\u003c/extref\u003e\n\u003c/li\u003e\n\u003cli\u003eThe biographical and socio-historical context for military and dance music in the manuscripts of Ethan Allen Hitchcock (1798-1870)by Karl S. Barton, ML1311.4 .B37 1995, \u003cextref href=\"https://fsu.catalog.fcla.edu/permalink.jsp?23FS030518825\"\u003ehttps://fsu.catalog.fcla.edu/permalink.jsp?23FS030518825\u003c/extref\u003e \u003c/li\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Materials related to the Ethan Allen Hitchcock Collection can be found in the FSU Library Catalog.\n Catalog of the Ethan Allen Hitchcock Collection by Nancy A. Schneeloch, ML937.H58 S36 2000,  https://fsu.catalog.fcla.edu/permalink.jsp?23FS028032967 The biographical and socio-historical context for military and dance music in the manuscripts of Ethan Allen Hitchcock (1798-1870)by Karl S. Barton, ML1311.4 .B37 1995,  https://fsu.catalog.fcla.edu/permalink.jsp?23FS030518825"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains 70 bound volumes and more than 200 pieces of sheet music. Included are pieces for solo flute, as well as flute duets and trios, with or without piano accompaniment, as well as various miscellaneous pieces.\u003c/p\u003e\n","\u003cp\u003eAmong others, the repertoire includes music by Jean Louis Tulou, Raphael Dressler, Anton Diabelli, Eugene Walckiers, William Forde, Louis Drouet, Charles Cottignies, Tranquille Berbiguier, and Anton Bernhard Furstena\u0026#xFC;, all of whom were contemporaries of Hitchcock. Of the bound volumes, 8 are composed of manuscript copies of music which are in Hitchcock's own hand, but for which the source is as yet unascribed.\u003c/p\u003e\n","\u003cp\u003eThe music does not appear in the online catalog, but the collection has been cataloged in Nancy A. Schneeloch, \"A Catalog of the Ethan Allen Hitchcock Collection on Nineteenth-Century Flute Music\" (DMA treatise, Florida State University, 2000).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains 70 bound volumes and more than 200 pieces of sheet music. Included are pieces for solo flute, as well as flute duets and trios, with or without piano accompaniment, as well as various miscellaneous pieces.","Among others, the repertoire includes music by Jean Louis Tulou, Raphael Dressler, Anton Diabelli, Eugene Walckiers, William Forde, Louis Drouet, Charles Cottignies, Tranquille Berbiguier, and Anton Bernhard Furstenaü, all of whom were contemporaries of Hitchcock. Of the bound volumes, 8 are composed of manuscript copies of music which are in Hitchcock's own hand, but for which the source is as yet unascribed.","The music does not appear in the online catalog, but the collection has been cataloged in Nancy A. Schneeloch, \"A Catalog of the Ethan Allen Hitchcock Collection on Nineteenth-Century Flute Music\" (DMA treatise, Florida State University, 2000)."],"names_ssim":["Allen Music Library Special Collections","Hitchcock, Ethan Allen, 1798-1870"],"corpname_ssim":["Allen Music Library Special Collections"],"persname_ssim":["Hitchcock, Ethan Allen, 1798-1870"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"192a475342f24c5f236bda44","timestamp":"2026-04-21T02:32:19.227Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/192a475342f24c5f236bda44"}},{"id":"ea10a278e35b143f130f4d56_aspace_646cc27b5feb4775d9626ce2117fa468","type":"File","attributes":{"title":"Federal and State Census Data, 1790-2001, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ea10a278e35b143f130f4d56_aspace_646cc27b5feb4775d9626ce2117fa468#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_646cc27b5feb4775d9626ce2117fa468","ref_ssm":["aspace_646cc27b5feb4775d9626ce2117fa468","aspace_646cc27b5feb4775d9626ce2117fa468"],"id":"ea10a278e35b143f130f4d56_aspace_646cc27b5feb4775d9626ce2117fa468","title_filing_ssi":"Federal and State Census Data","title_ssm":["Federal and State Census Data"],"title_tesim":["Federal and State Census Data"],"unitdate_inclusive_ssm":["1790-2001, Undated"],"normalized_date_ssm":["1790-2001, Undated"],"normalized_title_ssm":["Federal and State Census Data, 1790-2001, Undated"],"text":["Federal and State Census Data, 1790-2001, Undated","Carol Mundy: African American Legacy Research Files, 1790-2012","Research Files, 1790-2012, Undated.","Miscellaneous, 1790-2006, Undated","/repositories/4/archival_objects/55947","Box 4","Folder 10"],"component_level_isim":[3],"parent_ids_ssim":["ea10a278e35b143f130f4d56","ea10a278e35b143f130f4d56_aspace_seriesI","ea10a278e35b143f130f4d56_aspace_30c2eb25445e21413926b0f29295a761"],"parent_unittitles_ssm":["Carol Mundy: African American Legacy Research Files, 1790-2012","Research Files, 1790-2012, Undated.","Miscellaneous, 1790-2006, Undated"],"parent_unittitles_tesim":["Carol Mundy: African American Legacy Research Files, 1790-2012","Research Files, 1790-2012, Undated.","Miscellaneous, 1790-2006, Undated"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/55947"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Carol Mundy: African American Legacy Research Files, 1790-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":40,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"containers_ssim":["Box 4","Folder 10"],"_nest_path_":"/components#0/components#3/components#3","_nest_parent_":"ea10a278e35b143f130f4d56_aspace_30c2eb25445e21413926b0f29295a761","_root_":"ea10a278e35b143f130f4d56","_version_":1870857796524703744,"timestamp":"2026-07-16T08:03:50.193Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ea10a278e35b143f130f4d56","title_ssm":["Carol Mundy: African American Legacy Research Files"],"title_tesim":["Carol Mundy: African American Legacy Research Files"],"ead_ssi":"ea10a278e35b143f130f4d56","unitdate_ssm":["1790-2012"],"unitdate_inclusive_ssm":["1790-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.121","/repositories/4/resources/220"],"text":["SC.121","/repositories/4/resources/220","Carol Mundy: African American Legacy Research Files, 1790-2012","Apopka (Fla.)--History","Ocoee (Fla.)--History","Eatonville (Fla.)--History","African Americans","African Americans -- Florida -- History","manuscripts (documents)","photographs","The entire collection is open for research.","Ms. Carol Mundy's mother was an antique dealer and this love that Ms. Mundy had for antiques from a young age helped foster an interest and love of history. Ms. Carol Mundy, a former flight attendant was able to travel the world throughout her career. As a result she was able to compile these documents in this collection and its sister collection also house at the UCF Special Collection and University Archives and known as the African American Legacy: the Carol Mundy Collection which hold about one thousand five hundred pieces of history that Ms. Mundy collected previously. The original collection was obtained by the University of Central Florida Special Collections \u0026 University Archives in 2009.","The research files were given to the University of Central Florida History Department through their program known as Regional Initiative for Collecting the History, Experiences and Stories (RICHES). They were housed in the History Department for a number of years and were donated to the University of Central Florida Special Collections \u0026 University Archives. Ms. Mundy saw the University of Central Florida John C. Hitt Library as the perfect institution to house her collection. She also wanted to bring more attention and educate the public and students about the African American Legacy. In 2009, the University of Central Florida, honored Ms. Mundy through the Burnett Honors College. Within the pages of pamphlet handed out at the event that day. In the pamphlet it discusses the importance of preserving and educating youth.","When the University of Central Florida Special Collection \u0026 University Archives received this collection, most of the documents were in three ring binders. Upon receiving the collection the binders were in no particular order and have been organized by city. Some of the documents were put clear sleeves to keep them safe for the time being within the binders. Upon processing this collection, staples, binder clips, and paperclips were removed. The contents that were once in the binders are now housed in acid free folders and boxes.The photographs and the transparency are also housed in clear archival sleeves.","African American Legacy: The Carol Mundy Collection, 1794-2010","The collection is divided into 3 series.","Series I: Research Files, 1790-2012, Undated, consists of documents from three major areas Apopka, Eatonville, and Ocoee. The documents include articles, historic preservation manuals, land plans, census data, draft registration, and plot summaries.","Series II: Manuscripts, 2006-2009, Undated, consists of manuscripts written by Perrine Slim. The name Perrine Slim was a pseudonym for William Gladden Jr. In this series, there is also an article related to one of the manuscripts.","Series III: Photographs, 1920-Circa. 1950's, Undated, includes several photographs primarily of members of the Boykin family and the Gladden family.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","This research collection primarily looks at African American Legacy in small town Florida, including Eatonville, Apopka, and Ocoee. Through photographs, manuscripts, census data, historic home registers, and so much more; you can dive deep into researching these historic African American cities. Delve into the historic homes and their inhabitance of these historic cities through this collection. The documents in this collection are primarily photocopies, or photographs of original documents. The documents in this collection as a result were printed or created recently.","UCF Special Collections","Mundy, Carol","The materials are written in English"],"unitid_tesim":["SC.121","/repositories/4/resources/220"],"normalized_date_ssm":["1790-2012"],"normalized_title_ssm":["Carol Mundy: African American Legacy Research Files, 1790-2012"],"collection_title_tesim":["Carol Mundy: African American Legacy Research Files, 1790-2012"],"collection_ssim":["Carol Mundy: African American Legacy Research Files, 1790-2012"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Apopka (Fla.)--History","Ocoee (Fla.)--History","Eatonville (Fla.)--History"],"geogname_ssim":["Apopka (Fla.)--History","Ocoee (Fla.)--History","Eatonville (Fla.)--History"],"places_ssim":["Apopka (Fla.)--History","Ocoee (Fla.)--History","Eatonville (Fla.)--History"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Regional Initiative for Collecting the History, Experiences and Stories (RICHES) of Central Florida transferred these materials to the University of Central Florida Libraries, Special Collections \u0026 University Archives in 2020 (CFM2020_05)."],"access_subjects_ssim":["African Americans","African Americans -- Florida -- History","manuscripts (documents)","photographs"],"access_subjects_ssm":["African Americans","African Americans -- Florida -- History","manuscripts (documents)","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["2.25 Linear Feet 5 Boxes"],"extent_tesim":["2.25 Linear Feet 5 Boxes"],"genreform_ssim":["manuscripts (documents)","photographs"],"date_range_isim":[1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eMs. Carol Mundy's mother was an antique dealer and this love that Ms. Mundy had for antiques from a young age helped foster an interest and love of history. Ms. Carol Mundy, a former flight attendant was able to travel the world throughout her career. As a result she was able to compile these documents in this collection and its sister collection also house at the UCF Special Collection and University Archives and known as the African American Legacy: the Carol Mundy Collection which hold about one thousand five hundred pieces of history that Ms. Mundy collected previously. The original collection was obtained by the University of Central Florida Special Collections \u0026amp; University Archives in 2009.\u003c/p\u003e\n","\u003cp\u003eThe research files were given to the University of Central Florida History Department through their program known as Regional Initiative for Collecting the History, Experiences and Stories (RICHES). They were housed in the History Department for a number of years and were donated to the University of Central Florida Special Collections \u0026amp; University Archives. Ms. Mundy saw the University of Central Florida John C. Hitt Library as the perfect institution to house her collection. She also wanted to bring more attention and educate the public and students about the African American Legacy. In 2009, the University of Central Florida, honored Ms. Mundy through the Burnett Honors College. Within the pages of pamphlet handed out at the event that day. In the pamphlet it discusses the importance of preserving and educating youth.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Ms. Carol Mundy's mother was an antique dealer and this love that Ms. Mundy had for antiques from a young age helped foster an interest and love of history. Ms. Carol Mundy, a former flight attendant was able to travel the world throughout her career. As a result she was able to compile these documents in this collection and its sister collection also house at the UCF Special Collection and University Archives and known as the African American Legacy: the Carol Mundy Collection which hold about one thousand five hundred pieces of history that Ms. Mundy collected previously. The original collection was obtained by the University of Central Florida Special Collections \u0026 University Archives in 2009.","The research files were given to the University of Central Florida History Department through their program known as Regional Initiative for Collecting the History, Experiences and Stories (RICHES). They were housed in the History Department for a number of years and were donated to the University of Central Florida Special Collections \u0026 University Archives. Ms. Mundy saw the University of Central Florida John C. Hitt Library as the perfect institution to house her collection. She also wanted to bring more attention and educate the public and students about the African American Legacy. In 2009, the University of Central Florida, honored Ms. Mundy through the Burnett Honors College. Within the pages of pamphlet handed out at the event that day. In the pamphlet it discusses the importance of preserving and educating youth."],"prefercite_html_tesm":["\u003cp\u003eCarol Mundy: African American Legacy Research Files, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Carol Mundy: African American Legacy Research Files, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eWhen the University of Central Florida Special Collection \u0026amp; University Archives received this collection, most of the documents were in three ring binders. Upon receiving the collection the binders were in no particular order and have been organized by city. Some of the documents were put clear sleeves to keep them safe for the time being within the binders. Upon processing this collection, staples, binder clips, and paperclips were removed. The contents that were once in the binders are now housed in acid free folders and boxes.The photographs and the transparency are also housed in clear archival sleeves.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["When the University of Central Florida Special Collection \u0026 University Archives received this collection, most of the documents were in three ring binders. Upon receiving the collection the binders were in no particular order and have been organized by city. Some of the documents were put clear sleeves to keep them safe for the time being within the binders. Upon processing this collection, staples, binder clips, and paperclips were removed. The contents that were once in the binders are now housed in acid free folders and boxes.The photographs and the transparency are also housed in clear archival sleeves."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2009-02\"\u003eAfrican American Legacy: The Carol Mundy Collection, 1794-2010\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["African American Legacy: The Carol Mundy Collection, 1794-2010"],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into 3 series.\u003c/p\u003e\n","\u003cp\u003eSeries I: Research Files, 1790-2012, Undated, consists of documents from three major areas Apopka, Eatonville, and Ocoee. The documents include articles, historic preservation manuals, land plans, census data, draft registration, and plot summaries.\u003c/p\u003e\n","\u003cp\u003eSeries II: Manuscripts, 2006-2009, Undated, consists of manuscripts written by Perrine Slim. The name Perrine Slim was a pseudonym for William Gladden Jr. In this series, there is also an article related to one of the manuscripts.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1920-Circa. 1950's, Undated, includes several photographs primarily of members of the Boykin family and the Gladden family.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["The collection is divided into 3 series.","Series I: Research Files, 1790-2012, Undated, consists of documents from three major areas Apopka, Eatonville, and Ocoee. The documents include articles, historic preservation manuals, land plans, census data, draft registration, and plot summaries.","Series II: Manuscripts, 2006-2009, Undated, consists of manuscripts written by Perrine Slim. The name Perrine Slim was a pseudonym for William Gladden Jr. In this series, there is also an article related to one of the manuscripts.","Series III: Photographs, 1920-Circa. 1950's, Undated, includes several photographs primarily of members of the Boykin family and the Gladden family."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a3e726e4ada6767d05cdb00c3da6057b\"\u003eThis research collection primarily looks at African American Legacy in small town Florida, including Eatonville, Apopka, and Ocoee. Through photographs, manuscripts, census data, historic home registers, and so much more; you can dive deep into researching these historic African American cities. Delve into the historic homes and their inhabitance of these historic cities through this collection. The documents in this collection are primarily photocopies, or photographs of original documents. The documents in this collection as a result were printed or created recently.\u003c/abstract\u003e"],"abstract_tesim":["This research collection primarily looks at African American Legacy in small town Florida, including Eatonville, Apopka, and Ocoee. Through photographs, manuscripts, census data, historic home registers, and so much more; you can dive deep into researching these historic African American cities. Delve into the historic homes and their inhabitance of these historic cities through this collection. The documents in this collection are primarily photocopies, or photographs of original documents. The documents in this collection as a result were printed or created recently."],"names_ssim":["UCF Special Collections","Mundy, Carol"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Mundy, Carol"],"persname_ssim":["Mundy, Carol"],"language_ssim":["The materials are written in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":77,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857796524703744,"_root_":"ea10a278e35b143f130f4d56","timestamp":"2026-07-16T08:03:50.193Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ea10a278e35b143f130f4d56_aspace_646cc27b5feb4775d9626ce2117fa468"}},{"id":"8a73df5bac3fcd9650e65378_aspace_157e46fe939722690090852595f1f2cd","type":"File","attributes":{"title":"Financial Documents for Juda Hasterlik, 1800-1850","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378_aspace_157e46fe939722690090852595f1f2cd#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains five documents attesting to Juda Hasterlik's circumcision; four documents allowing Juda Hasterlik to operate an agricultural business; and financial documents attesting to the Hasterlik family inheritance and Juda Hasterlik's final will.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378_aspace_157e46fe939722690090852595f1f2cd#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_157e46fe939722690090852595f1f2cd","ref_ssm":["aspace_157e46fe939722690090852595f1f2cd","aspace_157e46fe939722690090852595f1f2cd"],"id":"8a73df5bac3fcd9650e65378_aspace_157e46fe939722690090852595f1f2cd","title_filing_ssi":"Financial Documents for Juda Hasterlik","title_ssm":["Financial Documents for Juda Hasterlik"],"title_tesim":["Financial Documents for Juda Hasterlik"],"unitdate_inclusive_ssm":["1800-1850"],"normalized_date_ssm":["1800-1850"],"normalized_title_ssm":["Financial Documents for Juda Hasterlik, 1800-1850"],"text":["Financial Documents for Juda Hasterlik, 1800-1850","Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04","002","/repositories/10/archival_objects/180739","98.0729 Box 1","folder 002","This folder contains five documents attesting to Juda Hasterlik's circumcision; four documents allowing Juda Hasterlik to operate an agricultural business; and financial documents attesting to the Hasterlik family inheritance and Juda Hasterlik's final will."],"component_level_isim":[1],"parent_ids_ssim":["8a73df5bac3fcd9650e65378"],"parent_unittitles_ssm":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"parent_unittitles_tesim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"parent_levels_ssm":["collection"],"unitid_ssm":["002","/repositories/10/archival_objects/180739"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"date_range_isim":[1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850],"containers_ssim":["98.0729 Box 1","folder 002"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains five documents attesting to Juda Hasterlik's circumcision; four documents allowing Juda Hasterlik to operate an agricultural business; and financial documents attesting to the Hasterlik family inheritance and Juda Hasterlik's final will.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains five documents attesting to Juda Hasterlik's circumcision; four documents allowing Juda Hasterlik to operate an agricultural business; and financial documents attesting to the Hasterlik family inheritance and Juda Hasterlik's final will."],"_nest_path_":"/components#1","_nest_parent_":"8a73df5bac3fcd9650e65378","_root_":"8a73df5bac3fcd9650e65378","timestamp":"2026-05-21T02:46:35.829Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8a73df5bac3fcd9650e65378","title_filing_ssi":"Hasterlik-Hine collection","title_ssm":["Hasterlik-Hine collection"],"title_tesim":["Hasterlik-Hine collection"],"ead_ssi":"8a73df5bac3fcd9650e65378","unitdate_ssm":["1700-2000","Date accessioned: 2019-12-04"],"unitdate_inclusive_ssm":["1700-2000"],"unitdate_other_ssim":["Date accessioned: 2019-12-04"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["98.0729","/repositories/10/resources/110"],"text":["98.0729","/repositories/10/resources/110","Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04","World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards.","This collection is open to all researchers.","Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll","The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.","FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul","English German"],"unitid_tesim":["98.0729","/repositories/10/resources/110"],"normalized_date_ssm":["1700-2000, Date accessioned: 2019-12-04"],"normalized_title_ssm":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_title_tesim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_ssim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_ssim":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"creator_famname_ssim":["Christansen"],"creators_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul","Christansen"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"access_subjects_ssim":["World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's 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collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_98_0729\"\u003ehttp://purl.fcla.edu/fsu/WWII_98_0729\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_98_0729 ."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\" target=\"_blank\"\u003ehttps://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Link to selected digitized materials from this collection."],"relatedmaterial_tesim":["https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll"],"scopecontent_html_tesm":["\u003cp\u003eThe Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"names_ssim":["FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Christansen","Hasterlik, Paul"],"famname_ssim":["Christansen"],"persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"language_ssim":["English German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":169,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8a73df5bac3fcd9650e65378","timestamp":"2026-05-21T02:46:35.829Z","bioghist_html_tesm":["\u003cp\u003eGiulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado. \u003cbr\u003e\u003cbr\u003e\nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless.\u003cbr\u003e\u003cbr\u003e\nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as \u0026#xC4;ll\u0026#xE4;gg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna.\u003cbr\u003e\u003cbr\u003e\nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life.\u003cbr\u003e\u003cbr\u003e\nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of\u0026#x2026; all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna.\u003cbr\u003e\u003cbr\u003e\nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal.\u003cbr\u003e\u003cbr\u003e\nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you\u0026#x2026; about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things\u0026#x2026;\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378_aspace_157e46fe939722690090852595f1f2cd"}},{"id":"5ef8481fcbe7411d92b35d1b","type":"collection","attributes":{"title":"Florida Land Office Records, 1781-1931, Date acquired: 00/00/1985","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/5ef8481fcbe7411d92b35d1b#creator","type":"document_value","attributes":{"value":["Florida Land Office"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/5ef8481fcbe7411d92b35d1b#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eLand records, plat maps, proceedings, papers, correspondence.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5ef8481fcbe7411d92b35d1b#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"5ef8481fcbe7411d92b35d1b","title_ssm":["Florida Land Office Records"],"title_tesim":["Florida Land Office Records"],"ead_ssi":"5ef8481fcbe7411d92b35d1b","unitdate_ssm":["1781-1931","Date acquired: 00/00/1985"],"unitdate_inclusive_ssm":["1781-1931"],"unitdate_other_ssim":["Date acquired: 00/00/1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M1985-15","/repositories/2/resources/28"],"text":["M1985-15","/repositories/2/resources/28","Florida Land Office Records, 1781-1931, Date acquired: 00/00/1985","Escambia--12033--FIPS.","Okeechobee--12093--FIPS.","Collier--12021--FIPS.","Franklin--12037--FIPS.","Land grants--Florida.","Spanish Florida claims.","Forbes Purchase, Fla., 1804-1835.","Real property--Florida.","Land titles--Florida.","Land titles--Spain--Colonies.","Land titles--Great Britain--Colonies.","Public lands--Florida.","Okeechobee, Lake (Fla.)--Maps.","Everglades (Fla.)--Maps.","Carrabelle (Fla.)--History--19th century.","Carrera Grant (Fla.)--History--19th century.","Fort Barrancas (Fla.)--History--19th century.","European Discovery and Settlement in Florida, 1492-1821--British Florida, 1763-1783.","European Discovery and Settlement in Florida, 1492-1821--The Second Spanish Period, 1783-1821.","Territorial Florida, 1821-1845.","Ante-Bellum Florida, 1845-1861.","Civil War in Florida, 1861-1865.","Economics and Society: Post-Civil War Florida, 1865-1913.","Florida During World War I, 1914-1918.","Open to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access.","Cataloged 01/27/1986","Land records, plat maps, proceedings, papers, correspondence.","This collection consists of microfilm of land records of the Surveyor General's Office for East and West Florida, starting from 1781.  It includes plat maps of Lake Okeechobee shoreline, dating 1913-1915, The Forbes Purchase, private land claims, 1855-1858, the American State Papers on Public Lands, the proceedings of the Land Commissioners, 1822-1824, with records of British and Spanish land claims, and correspondence of the Surveyor General's Office, 1825-1848.  Some subjects or persons relevant to this collection include the Florida Everglades, Lord John Nisbet, Apalachicola Land Company, J. P. Williams, Carrabelle, Florida, Andrew Jackson, The Carrera Grant, Colonel Robert Butler, Romeo Lewis, Fort Barrancas, St. Michael's Catholic Church, San Carlos de Barrancas, and Joseph Caro.","NOTES:  Some confusion in titles between box labels, microfilm targets, typescript targets, and actual records are discernible.  Study inventory carefully.","The following reels of microfilm were copied from records in the Florida Department of Natural Resources.  A study of the reels shows some discrepancies in the titles as given on the box labels, on handwritten targets on the film, on typed targets on the film, and the actual records themselves.  For cataloging purposes, each reel is carefully annotated so that the user may identify the reel by box label or location on the film.  Label means box label.  Target means a handdrawn sheet on the film.  Typed target is a typed sheet on the film.  Mss. target is a target on the film which was probably the original \"title page\" of the item being filmed.  Mss. means the manuscript records or books being filmed.","Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.","UWF University Archives and West Florida History Center","Florida Land Office","Florida. Office of the Surveyor General--Correspondence.","Apalachicola Land Company.","St. Michael's Catholic Church (Pensacola, Fla.)","Nisbet, John, Lord.","Williams, J. P.","Jackson, Andrew, 1767-1845.","Butler, Robert, Colonel.","Lewis, Romeo.","Caro, Joseph.","English"],"unitid_tesim":["M1985-15","/repositories/2/resources/28"],"normalized_date_ssm":["1781-1931, Date acquired: 00/00/1985"],"normalized_title_ssm":["Florida Land Office Records, 1781-1931, Date acquired: 00/00/1985"],"collection_title_tesim":["Florida Land Office Records, 1781-1931, Date acquired: 00/00/1985"],"collection_ssim":["Florida Land Office Records, 1781-1931, Date acquired: 00/00/1985"],"repository_ssm":["UWF University Archives and West Florida History Center"],"repository_ssim":["UWF University Archives and West Florida History Center"],"geogname_ssm":["Escambia--12033--FIPS.","Okeechobee--12093--FIPS.","Collier--12021--FIPS.","Franklin--12037--FIPS."],"geogname_ssim":["Escambia--12033--FIPS.","Okeechobee--12093--FIPS.","Collier--12021--FIPS.","Franklin--12037--FIPS."],"creator_ssm":["Florida Land Office"],"creator_ssim":["Florida Land Office"],"creator_corpname_ssim":["Florida Land Office"],"creators_ssim":["Florida Land Office"],"places_ssim":["Escambia--12033--FIPS.","Okeechobee--12093--FIPS.","Collier--12021--FIPS.","Franklin--12037--FIPS."],"access_terms_ssm":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"acqinfo_ssim":["purchased from Florida Department of Natural Resources, 1985"],"access_subjects_ssim":["Land grants--Florida.","Spanish Florida claims.","Forbes Purchase, Fla., 1804-1835.","Real property--Florida.","Land titles--Florida.","Land titles--Spain--Colonies.","Land titles--Great Britain--Colonies.","Public lands--Florida.","Okeechobee, Lake (Fla.)--Maps.","Everglades (Fla.)--Maps.","Carrabelle (Fla.)--History--19th century.","Carrera Grant (Fla.)--History--19th century.","Fort Barrancas (Fla.)--History--19th century.","European Discovery and Settlement in Florida, 1492-1821--British Florida, 1763-1783.","European Discovery and Settlement in Florida, 1492-1821--The Second Spanish Period, 1783-1821.","Territorial Florida, 1821-1845.","Ante-Bellum Florida, 1845-1861.","Civil War in Florida, 1861-1865.","Economics and Society: Post-Civil War Florida, 1865-1913.","Florida During World War I, 1914-1918."],"access_subjects_ssm":["Land grants--Florida.","Spanish Florida claims.","Forbes Purchase, Fla., 1804-1835.","Real property--Florida.","Land titles--Florida.","Land titles--Spain--Colonies.","Land titles--Great Britain--Colonies.","Public lands--Florida.","Okeechobee, Lake (Fla.)--Maps.","Everglades (Fla.)--Maps.","Carrabelle (Fla.)--History--19th century.","Carrera Grant (Fla.)--History--19th century.","Fort Barrancas (Fla.)--History--19th century.","European Discovery and Settlement in Florida, 1492-1821--British Florida, 1763-1783.","European Discovery and Settlement in Florida, 1492-1821--The Second Spanish Period, 1783-1821.","Territorial Florida, 1821-1845.","Ante-Bellum Florida, 1845-1861.","Civil War in Florida, 1861-1865.","Economics and Society: Post-Civil War Florida, 1865-1913.","Florida During World War I, 1914-1918."],"has_online_content_ssim":["false"],"extent_ssm":["7.00 items"],"extent_tesim":["7.00 items"],"date_range_isim":[1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access."],"processinfo_html_tesm":["\u003cp\u003eCataloged 01/27/1986\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Cataloged 01/27/1986"],"scopecontent_html_tesm":["\u003cp\u003eLand records, plat maps, proceedings, papers, correspondence.\u003c/p\u003e\n","\u003cp\u003eThis collection consists of microfilm of land records of the Surveyor General's Office for East and West Florida, starting from 1781.  It includes plat maps of Lake Okeechobee shoreline, dating 1913-1915, The Forbes Purchase, private land claims, 1855-1858, the American State Papers on Public Lands, the proceedings of the Land Commissioners, 1822-1824, with records of British and Spanish land claims, and correspondence of the Surveyor General's Office, 1825-1848.  Some subjects or persons relevant to this collection include the Florida Everglades, Lord John Nisbet, Apalachicola Land Company, J. P. Williams, Carrabelle, Florida, Andrew Jackson, The Carrera Grant, Colonel Robert Butler, Romeo Lewis, Fort Barrancas, St. Michael's Catholic Church, San Carlos de Barrancas, and Joseph Caro.\u003c/p\u003e\n","\u003cp\u003eNOTES:  Some confusion in titles between box labels, microfilm targets, typescript targets, and actual records are discernible.  Study inventory carefully.\u003c/p\u003e\n","\u003cp\u003eThe following reels of microfilm were copied from records in the Florida Department of Natural Resources.  A study of the reels shows some discrepancies in the titles as given on the box labels, on handwritten targets on the film, on typed targets on the film, and the actual records themselves.  For cataloging purposes, each reel is carefully annotated so that the user may identify the reel by box label or location on the film.  Label means box label.  Target means a handdrawn sheet on the film.  Typed target is a typed sheet on the film.  Mss. target is a target on the film which was probably the original \"title page\" of the item being filmed.  Mss. means the manuscript records or books being filmed.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Land records, plat maps, proceedings, papers, correspondence.","This collection consists of microfilm of land records of the Surveyor General's Office for East and West Florida, starting from 1781.  It includes plat maps of Lake Okeechobee shoreline, dating 1913-1915, The Forbes Purchase, private land claims, 1855-1858, the American State Papers on Public Lands, the proceedings of the Land Commissioners, 1822-1824, with records of British and Spanish land claims, and correspondence of the Surveyor General's Office, 1825-1848.  Some subjects or persons relevant to this collection include the Florida Everglades, Lord John Nisbet, Apalachicola Land Company, J. P. Williams, Carrabelle, Florida, Andrew Jackson, The Carrera Grant, Colonel Robert Butler, Romeo Lewis, Fort Barrancas, St. Michael's Catholic Church, San Carlos de Barrancas, and Joseph Caro.","NOTES:  Some confusion in titles between box labels, microfilm targets, typescript targets, and actual records are discernible.  Study inventory carefully.","The following reels of microfilm were copied from records in the Florida Department of Natural Resources.  A study of the reels shows some discrepancies in the titles as given on the box labels, on handwritten targets on the film, on typed targets on the film, and the actual records themselves.  For cataloging purposes, each reel is carefully annotated so that the user may identify the reel by box label or location on the film.  Label means box label.  Target means a handdrawn sheet on the film.  Typed target is a typed sheet on the film.  Mss. target is a target on the film which was probably the original \"title page\" of the item being filmed.  Mss. means the manuscript records or books being filmed."],"userestrict_html_tesm":["\u003cp\u003eDigital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"names_coll_ssim":["Florida. Office of the Surveyor General--Correspondence.","Apalachicola Land Company.","St. Michael's Catholic Church (Pensacola, Fla.)","Nisbet, John, Lord.","Williams, J. P.","Jackson, Andrew, 1767-1845.","Butler, Robert, Colonel.","Lewis, Romeo.","Caro, Joseph."],"names_ssim":["UWF University Archives and West Florida History Center","Florida Land Office","Florida. Office of the Surveyor General--Correspondence.","Apalachicola Land Company.","St. Michael's Catholic Church (Pensacola, Fla.)","Nisbet, John, Lord.","Williams, J. P.","Jackson, Andrew, 1767-1845.","Butler, Robert, Colonel.","Lewis, Romeo.","Caro, Joseph."],"corpname_ssim":["UWF University Archives and West Florida History Center","Florida Land Office","Florida. Office of the Surveyor General--Correspondence.","Apalachicola Land Company.","St. Michael's Catholic Church (Pensacola, Fla.)"],"persname_ssim":["Nisbet, John, Lord.","Williams, J. P.","Jackson, Andrew, 1767-1845.","Butler, Robert, Colonel.","Lewis, Romeo.","Caro, Joseph."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863612102311936,"_root_":"5ef8481fcbe7411d92b35d1b","timestamp":"2026-07-16T09:36:16.360Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5ef8481fcbe7411d92b35d1b","title_ssm":["Florida Land Office Records"],"title_tesim":["Florida Land Office Records"],"ead_ssi":"5ef8481fcbe7411d92b35d1b","unitdate_ssm":["1781-1931","Date acquired: 00/00/1985"],"unitdate_inclusive_ssm":["1781-1931"],"unitdate_other_ssim":["Date acquired: 00/00/1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M1985-15","/repositories/2/resources/28"],"text":["M1985-15","/repositories/2/resources/28","Florida Land Office Records, 1781-1931, Date acquired: 00/00/1985","Escambia--12033--FIPS.","Okeechobee--12093--FIPS.","Collier--12021--FIPS.","Franklin--12037--FIPS.","Land grants--Florida.","Spanish Florida claims.","Forbes Purchase, Fla., 1804-1835.","Real property--Florida.","Land titles--Florida.","Land titles--Spain--Colonies.","Land titles--Great Britain--Colonies.","Public lands--Florida.","Okeechobee, Lake (Fla.)--Maps.","Everglades (Fla.)--Maps.","Carrabelle (Fla.)--History--19th century.","Carrera Grant (Fla.)--History--19th century.","Fort Barrancas (Fla.)--History--19th century.","European Discovery and Settlement in Florida, 1492-1821--British Florida, 1763-1783.","European Discovery and Settlement in Florida, 1492-1821--The Second Spanish Period, 1783-1821.","Territorial Florida, 1821-1845.","Ante-Bellum Florida, 1845-1861.","Civil War in Florida, 1861-1865.","Economics and Society: Post-Civil War Florida, 1865-1913.","Florida During World War I, 1914-1918.","Open to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access.","Cataloged 01/27/1986","Land records, plat maps, proceedings, papers, correspondence.","This collection consists of microfilm of land records of the Surveyor General's Office for East and West Florida, starting from 1781.  It includes plat maps of Lake Okeechobee shoreline, dating 1913-1915, The Forbes Purchase, private land claims, 1855-1858, the American State Papers on Public Lands, the proceedings of the Land Commissioners, 1822-1824, with records of British and Spanish land claims, and correspondence of the Surveyor General's Office, 1825-1848.  Some subjects or persons relevant to this collection include the Florida Everglades, Lord John Nisbet, Apalachicola Land Company, J. P. Williams, Carrabelle, Florida, Andrew Jackson, The Carrera Grant, Colonel Robert Butler, Romeo Lewis, Fort Barrancas, St. Michael's Catholic Church, San Carlos de Barrancas, and Joseph Caro.","NOTES:  Some confusion in titles between box labels, microfilm targets, typescript targets, and actual records are discernible.  Study inventory carefully.","The following reels of microfilm were copied from records in the Florida Department of Natural Resources.  A study of the reels shows some discrepancies in the titles as given on the box labels, on handwritten targets on the film, on typed targets on the film, and the actual records themselves.  For cataloging purposes, each reel is carefully annotated so that the user may identify the reel by box label or location on the film.  Label means box label.  Target means a handdrawn sheet on the film.  Typed target is a typed sheet on the film.  Mss. target is a target on the film which was probably the original \"title page\" of the item being filmed.  Mss. means the manuscript records or books being filmed.","Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.","UWF University Archives and West Florida History Center","Florida Land Office","Florida. Office of the Surveyor General--Correspondence.","Apalachicola Land Company.","St. Michael's Catholic Church (Pensacola, Fla.)","Nisbet, John, Lord.","Williams, J. P.","Jackson, Andrew, 1767-1845.","Butler, Robert, Colonel.","Lewis, Romeo.","Caro, Joseph.","English"],"unitid_tesim":["M1985-15","/repositories/2/resources/28"],"normalized_date_ssm":["1781-1931, Date acquired: 00/00/1985"],"normalized_title_ssm":["Florida Land Office Records, 1781-1931, Date acquired: 00/00/1985"],"collection_title_tesim":["Florida Land Office Records, 1781-1931, Date acquired: 00/00/1985"],"collection_ssim":["Florida Land Office Records, 1781-1931, Date acquired: 00/00/1985"],"repository_ssm":["UWF University Archives and West Florida History Center"],"repository_ssim":["UWF University Archives and West Florida History Center"],"geogname_ssm":["Escambia--12033--FIPS.","Okeechobee--12093--FIPS.","Collier--12021--FIPS.","Franklin--12037--FIPS."],"geogname_ssim":["Escambia--12033--FIPS.","Okeechobee--12093--FIPS.","Collier--12021--FIPS.","Franklin--12037--FIPS."],"creator_ssm":["Florida Land Office"],"creator_ssim":["Florida Land Office"],"creator_corpname_ssim":["Florida Land Office"],"creators_ssim":["Florida Land Office"],"places_ssim":["Escambia--12033--FIPS.","Okeechobee--12093--FIPS.","Collier--12021--FIPS.","Franklin--12037--FIPS."],"access_terms_ssm":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"acqinfo_ssim":["purchased from Florida Department of Natural Resources, 1985"],"access_subjects_ssim":["Land grants--Florida.","Spanish Florida claims.","Forbes Purchase, Fla., 1804-1835.","Real property--Florida.","Land titles--Florida.","Land titles--Spain--Colonies.","Land titles--Great Britain--Colonies.","Public lands--Florida.","Okeechobee, Lake (Fla.)--Maps.","Everglades (Fla.)--Maps.","Carrabelle (Fla.)--History--19th century.","Carrera Grant (Fla.)--History--19th century.","Fort Barrancas (Fla.)--History--19th century.","European Discovery and Settlement in Florida, 1492-1821--British Florida, 1763-1783.","European Discovery and Settlement in Florida, 1492-1821--The Second Spanish Period, 1783-1821.","Territorial Florida, 1821-1845.","Ante-Bellum Florida, 1845-1861.","Civil War in Florida, 1861-1865.","Economics and Society: Post-Civil War Florida, 1865-1913.","Florida During World War I, 1914-1918."],"access_subjects_ssm":["Land grants--Florida.","Spanish Florida claims.","Forbes Purchase, Fla., 1804-1835.","Real property--Florida.","Land titles--Florida.","Land titles--Spain--Colonies.","Land titles--Great Britain--Colonies.","Public lands--Florida.","Okeechobee, Lake (Fla.)--Maps.","Everglades (Fla.)--Maps.","Carrabelle (Fla.)--History--19th century.","Carrera Grant (Fla.)--History--19th century.","Fort Barrancas (Fla.)--History--19th century.","European Discovery and Settlement in Florida, 1492-1821--British Florida, 1763-1783.","European Discovery and Settlement in Florida, 1492-1821--The Second Spanish Period, 1783-1821.","Territorial Florida, 1821-1845.","Ante-Bellum Florida, 1845-1861.","Civil War in Florida, 1861-1865.","Economics and Society: Post-Civil War Florida, 1865-1913.","Florida During World War I, 1914-1918."],"has_online_content_ssim":["false"],"extent_ssm":["7.00 items"],"extent_tesim":["7.00 items"],"date_range_isim":[1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access."],"processinfo_html_tesm":["\u003cp\u003eCataloged 01/27/1986\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Cataloged 01/27/1986"],"scopecontent_html_tesm":["\u003cp\u003eLand records, plat maps, proceedings, papers, correspondence.\u003c/p\u003e\n","\u003cp\u003eThis collection consists of microfilm of land records of the Surveyor General's Office for East and West Florida, starting from 1781.  It includes plat maps of Lake Okeechobee shoreline, dating 1913-1915, The Forbes Purchase, private land claims, 1855-1858, the American State Papers on Public Lands, the proceedings of the Land Commissioners, 1822-1824, with records of British and Spanish land claims, and correspondence of the Surveyor General's Office, 1825-1848.  Some subjects or persons relevant to this collection include the Florida Everglades, Lord John Nisbet, Apalachicola Land Company, J. P. Williams, Carrabelle, Florida, Andrew Jackson, The Carrera Grant, Colonel Robert Butler, Romeo Lewis, Fort Barrancas, St. Michael's Catholic Church, San Carlos de Barrancas, and Joseph Caro.\u003c/p\u003e\n","\u003cp\u003eNOTES:  Some confusion in titles between box labels, microfilm targets, typescript targets, and actual records are discernible.  Study inventory carefully.\u003c/p\u003e\n","\u003cp\u003eThe following reels of microfilm were copied from records in the Florida Department of Natural Resources.  A study of the reels shows some discrepancies in the titles as given on the box labels, on handwritten targets on the film, on typed targets on the film, and the actual records themselves.  For cataloging purposes, each reel is carefully annotated so that the user may identify the reel by box label or location on the film.  Label means box label.  Target means a handdrawn sheet on the film.  Typed target is a typed sheet on the film.  Mss. target is a target on the film which was probably the original \"title page\" of the item being filmed.  Mss. means the manuscript records or books being filmed.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Land records, plat maps, proceedings, papers, correspondence.","This collection consists of microfilm of land records of the Surveyor General's Office for East and West Florida, starting from 1781.  It includes plat maps of Lake Okeechobee shoreline, dating 1913-1915, The Forbes Purchase, private land claims, 1855-1858, the American State Papers on Public Lands, the proceedings of the Land Commissioners, 1822-1824, with records of British and Spanish land claims, and correspondence of the Surveyor General's Office, 1825-1848.  Some subjects or persons relevant to this collection include the Florida Everglades, Lord John Nisbet, Apalachicola Land Company, J. P. Williams, Carrabelle, Florida, Andrew Jackson, The Carrera Grant, Colonel Robert Butler, Romeo Lewis, Fort Barrancas, St. Michael's Catholic Church, San Carlos de Barrancas, and Joseph Caro.","NOTES:  Some confusion in titles between box labels, microfilm targets, typescript targets, and actual records are discernible.  Study inventory carefully.","The following reels of microfilm were copied from records in the Florida Department of Natural Resources.  A study of the reels shows some discrepancies in the titles as given on the box labels, on handwritten targets on the film, on typed targets on the film, and the actual records themselves.  For cataloging purposes, each reel is carefully annotated so that the user may identify the reel by box label or location on the film.  Label means box label.  Target means a handdrawn sheet on the film.  Typed target is a typed sheet on the film.  Mss. target is a target on the film which was probably the original \"title page\" of the item being filmed.  Mss. means the manuscript records or books being filmed."],"userestrict_html_tesm":["\u003cp\u003eDigital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"names_coll_ssim":["Florida. Office of the Surveyor General--Correspondence.","Apalachicola Land Company.","St. Michael's Catholic Church (Pensacola, Fla.)","Nisbet, John, Lord.","Williams, J. P.","Jackson, Andrew, 1767-1845.","Butler, Robert, Colonel.","Lewis, Romeo.","Caro, Joseph."],"names_ssim":["UWF University Archives and West Florida History Center","Florida Land Office","Florida. Office of the Surveyor General--Correspondence.","Apalachicola Land Company.","St. Michael's Catholic Church (Pensacola, Fla.)","Nisbet, John, Lord.","Williams, J. P.","Jackson, Andrew, 1767-1845.","Butler, Robert, Colonel.","Lewis, Romeo.","Caro, Joseph."],"corpname_ssim":["UWF University Archives and West Florida History Center","Florida Land Office","Florida. Office of the Surveyor General--Correspondence.","Apalachicola Land Company.","St. Michael's Catholic Church (Pensacola, Fla.)"],"persname_ssim":["Nisbet, John, Lord.","Williams, J. P.","Jackson, Andrew, 1767-1845.","Butler, Robert, Colonel.","Lewis, Romeo.","Caro, Joseph."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863612102311936,"_root_":"5ef8481fcbe7411d92b35d1b","timestamp":"2026-07-16T09:36:16.360Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5ef8481fcbe7411d92b35d1b"}},{"id":"01eb6c2351e499ceae328269","type":"collection","attributes":{"title":"Floridiana Collection, 1730-1970","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/01eb6c2351e499ceae328269#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eMaterials included in the Floridiana collection include maps, correspondence, photographs, and publications (1730-1970) pertaining to the development of Florida, government ordinances, and government reports relating to Florida.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/01eb6c2351e499ceae328269#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"01eb6c2351e499ceae328269","title_ssm":["Floridiana Collection"],"title_tesim":["Floridiana Collection"],"ead_ssi":"01eb6c2351e499ceae328269","unitdate_ssm":["1730-1970"],"unitdate_inclusive_ssm":["1730-1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/29","/repositories/2/resources/10"],"text":["02/01/29","/repositories/2/resources/10","Floridiana Collection, 1730-1970","Florida.","Jackson, Andrew, 1767-1845. 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