{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":1,"first_page?":true,"last_page?":true}},"data":[{"id":"aba7a5dffcfaf50e318f174b","type":"collection","attributes":{"title":"Sheldon Abend American Theater Collection, 1874-1968","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b#creator","type":"document_value","attributes":{"value":["Abend, Sheldon (1929-2003)"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"aba7a5dffcfaf50e318f174b","title_ssm":["Sheldon Abend American Theater Collection"],"title_tesim":["Sheldon Abend American Theater Collection"],"ead_ssi":"aba7a5dffcfaf50e318f174b","unitdate_ssm":["1874-1968"],"unitdate_inclusive_ssm":["1874-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC6030","/repositories/2/resources/37"],"text":["SPC6030","/repositories/2/resources/37","Sheldon Abend American Theater Collection, 1874-1968","Minstrel shows.","Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)","The collection is open for research.","Folders are organized in alphabetical order by author's name.","Sheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA.","Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture.","Related material to the collection may be found in the following repository. ","University of Miami Libraries, Special Collections.","American Play Company Collection","https://atom.library.miami.edu/asm0006","This collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003.","Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Abend, Sheldon (1929-2003)","English"],"unitid_tesim":["SPC6030","/repositories/2/resources/37"],"normalized_date_ssm":["1874-1968"],"normalized_title_ssm":["Sheldon Abend American Theater Collection, 1874-1968"],"collection_title_tesim":["Sheldon Abend American Theater Collection, 1874-1968"],"collection_ssim":["Sheldon Abend American Theater Collection, 1874-1968"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Minstrel shows."],"geogname_ssim":["Minstrel shows."],"creator_ssm":["Abend, Sheldon (1929-2003)"],"creator_ssim":["Abend, Sheldon (1929-2003)"],"creator_persname_ssim":["Abend, Sheldon (1929-2003)"],"creators_ssim":["Abend, Sheldon (1929-2003)"],"places_ssim":["Minstrel shows."],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation","Sheldon Abend"],"access_subjects_ssim":["Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"access_subjects_ssm":["Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes"],"extent_tesim":["47 boxes"],"genreform_ssim":["Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"date_range_isim":[1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eFolders are organized in alphabetical order by author's name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Folders are organized in alphabetical order by author's name."],"bioghist_html_tesm":["\u003cp\u003eSheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA."],"odd_html_tesm":["\u003cp\u003eLanguage from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.\u003c/p\u003e","\u003cp\u003eBlackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement","Historical Note"],"odd_tesim":["Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated material to the collection may be found in the following repository. \u003c/p\u003e\n","\u003cp\u003eUniversity of Miami Libraries, Special Collections.\u003c/p\u003e\n","\u003cp\u003eAmerican Play Company Collection\u003c/p\u003e\n","\u003cp\u003ehttps://atom.library.miami.edu/asm0006\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related material to the collection may be found in the following repository. ","University of Miami Libraries, Special Collections.","American Play Company Collection","https://atom.library.miami.edu/asm0006"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: \u003c/p\u003e\n","\u003cp\u003ehttps://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Abend, Sheldon (1929-2003)"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Abend, Sheldon (1929-2003)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1996,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844656373202944,"_root_":"aba7a5dffcfaf50e318f174b","timestamp":"2026-07-16T04:34:58.668Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"aba7a5dffcfaf50e318f174b","title_ssm":["Sheldon Abend American Theater Collection"],"title_tesim":["Sheldon Abend American Theater Collection"],"ead_ssi":"aba7a5dffcfaf50e318f174b","unitdate_ssm":["1874-1968"],"unitdate_inclusive_ssm":["1874-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC6030","/repositories/2/resources/37"],"text":["SPC6030","/repositories/2/resources/37","Sheldon Abend American Theater Collection, 1874-1968","Minstrel shows.","Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)","The collection is open for research.","Folders are organized in alphabetical order by author's name.","Sheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA.","Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture.","Related material to the collection may be found in the following repository. ","University of Miami Libraries, Special Collections.","American Play Company Collection","https://atom.library.miami.edu/asm0006","This collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003.","Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Abend, Sheldon (1929-2003)","English"],"unitid_tesim":["SPC6030","/repositories/2/resources/37"],"normalized_date_ssm":["1874-1968"],"normalized_title_ssm":["Sheldon Abend American Theater Collection, 1874-1968"],"collection_title_tesim":["Sheldon Abend American Theater Collection, 1874-1968"],"collection_ssim":["Sheldon Abend American Theater Collection, 1874-1968"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Minstrel shows."],"geogname_ssim":["Minstrel shows."],"creator_ssm":["Abend, Sheldon (1929-2003)"],"creator_ssim":["Abend, Sheldon (1929-2003)"],"creator_persname_ssim":["Abend, Sheldon (1929-2003)"],"creators_ssim":["Abend, Sheldon (1929-2003)"],"places_ssim":["Minstrel shows."],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation","Sheldon Abend"],"access_subjects_ssim":["Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"access_subjects_ssm":["Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes"],"extent_tesim":["47 boxes"],"genreform_ssim":["Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"date_range_isim":[1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eFolders are organized in alphabetical order by author's name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Folders are organized in alphabetical order by author's name."],"bioghist_html_tesm":["\u003cp\u003eSheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA."],"odd_html_tesm":["\u003cp\u003eLanguage from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.\u003c/p\u003e","\u003cp\u003eBlackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement","Historical Note"],"odd_tesim":["Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated material to the collection may be found in the following repository. \u003c/p\u003e\n","\u003cp\u003eUniversity of Miami Libraries, Special Collections.\u003c/p\u003e\n","\u003cp\u003eAmerican Play Company Collection\u003c/p\u003e\n","\u003cp\u003ehttps://atom.library.miami.edu/asm0006\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related material to the collection may be found in the following repository. ","University of Miami Libraries, Special Collections.","American Play Company Collection","https://atom.library.miami.edu/asm0006"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: \u003c/p\u003e\n","\u003cp\u003ehttps://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Abend, Sheldon (1929-2003)"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Abend, Sheldon (1929-2003)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1996,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844656373202944,"_root_":"aba7a5dffcfaf50e318f174b","timestamp":"2026-07-16T04:34:58.668Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Sheldon Abend American Theater Collection, 1874-1968","value":"Sheldon Abend American Theater Collection, 1874-1968","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bcollection%5D%5B%5D=Sheldon+Abend+American+Theater+Collection%2C+1874-1968\u0026f%5Bdate_range%5D%5B%5D=1908"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/collection_ssim.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Abend, Sheldon (1929-2003)","value":"Abend, Sheldon (1929-2003)","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bcreators%5D%5B%5D=Abend%2C+Sheldon+%281929-2003%29\u0026f%5Bdate_range%5D%5B%5D=1908"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/creator_ssim.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1874","value":"1874","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1874"}},{"attributes":{"label":"1875","value":"1875","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1875"}},{"attributes":{"label":"1876","value":"1876","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1876"}},{"attributes":{"label":"1877","value":"1877","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1877"}},{"attributes":{"label":"1878","value":"1878","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1878"}},{"attributes":{"label":"1879","value":"1879","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1879"}},{"attributes":{"label":"1880","value":"1880","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1880"}},{"attributes":{"label":"1881","value":"1881","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1881"}},{"attributes":{"label":"1882","value":"1882","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1882"}},{"attributes":{"label":"1883","value":"1883","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1883"}},{"attributes":{"label":"1884","value":"1884","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1884"}},{"attributes":{"label":"1885","value":"1885","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1885"}},{"attributes":{"label":"1886","value":"1886","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1886"}},{"attributes":{"label":"1887","value":"1887","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1887"}},{"attributes":{"label":"1888","value":"1888","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1888"}},{"attributes":{"label":"1889","value":"1889","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1889"}},{"attributes":{"label":"1890","value":"1890","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1890"}},{"attributes":{"label":"1891","value":"1891","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1891"}},{"attributes":{"label":"1892","value":"1892","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1892"}},{"attributes":{"label":"1893","value":"1893","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1893"}},{"attributes":{"label":"1894","value":"1894","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1894"}},{"attributes":{"label":"1895","value":"1895","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1895"}},{"attributes":{"label":"1896","value":"1896","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1896"}},{"attributes":{"label":"1897","value":"1897","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1897"}},{"attributes":{"label":"1898","value":"1898","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1898"}},{"attributes":{"label":"1899","value":"1899","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1899"}},{"attributes":{"label":"1900","value":"1900","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1900"}},{"attributes":{"label":"1901","value":"1901","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1901"}},{"attributes":{"label":"1902","value":"1902","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1902"}},{"attributes":{"label":"1903","value":"1903","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1903"}},{"attributes":{"label":"1904","value":"1904","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1904"}},{"attributes":{"label":"1905","value":"1905","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1905"}},{"attributes":{"label":"1906","value":"1906","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1906"}},{"attributes":{"label":"1907","value":"1907","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1907"}},{"attributes":{"label":"1908","value":"1908","hits":1},"links":{"remove":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908"}},{"attributes":{"label":"1909","value":"1909","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1909"}},{"attributes":{"label":"1910","value":"1910","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1910"}},{"attributes":{"label":"1911","value":"1911","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1911"}},{"attributes":{"label":"1912","value":"1912","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1912"}},{"attributes":{"label":"1913","value":"1913","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1913"}},{"attributes":{"label":"1914","value":"1914","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1914"}},{"attributes":{"label":"1915","value":"1915","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1915"}},{"attributes":{"label":"1916","value":"1916","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1916"}},{"attributes":{"label":"1917","value":"1917","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1917"}},{"attributes":{"label":"1918","value":"1918","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1918"}},{"attributes":{"label":"1919","value":"1919","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1919"}},{"attributes":{"label":"1920","value":"1920","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1920"}},{"attributes":{"label":"1921","value":"1921","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1921"}},{"attributes":{"label":"1922","value":"1922","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1922"}},{"attributes":{"label":"1923","value":"1923","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1923"}},{"attributes":{"label":"1924","value":"1924","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1924"}},{"attributes":{"label":"1925","value":"1925","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1925"}},{"attributes":{"label":"1926","value":"1926","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1926"}},{"attributes":{"label":"1927","value":"1927","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1927"}},{"attributes":{"label":"1928","value":"1928","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1928"}},{"attributes":{"label":"1929","value":"1929","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1929"}},{"attributes":{"label":"1930","value":"1930","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1930"}},{"attributes":{"label":"1931","value":"1931","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1931"}},{"attributes":{"label":"1932","value":"1932","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1932"}},{"attributes":{"label":"1933","value":"1933","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1933"}},{"attributes":{"label":"1934","value":"1934","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1934"}},{"attributes":{"label":"1935","value":"1935","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1935"}},{"attributes":{"label":"1936","value":"1936","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"1937","value":"1937","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1937"}},{"attributes":{"label":"1938","value":"1938","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1938"}},{"attributes":{"label":"1939","value":"1939","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1939"}},{"attributes":{"label":"1940","value":"1940","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1940"}},{"attributes":{"label":"1941","value":"1941","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1941"}},{"attributes":{"label":"1942","value":"1942","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1942"}},{"attributes":{"label":"1943","value":"1943","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1943"}},{"attributes":{"label":"1944","value":"1944","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1944"}},{"attributes":{"label":"1945","value":"1945","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1945"}},{"attributes":{"label":"1946","value":"1946","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1946"}},{"attributes":{"label":"1947","value":"1947","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1947"}},{"attributes":{"label":"1948","value":"1948","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1948"}},{"attributes":{"label":"1949","value":"1949","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1949"}},{"attributes":{"label":"1950","value":"1950","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1950"}},{"attributes":{"label":"1951","value":"1951","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1951"}},{"attributes":{"label":"1952","value":"1952","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1952"}},{"attributes":{"label":"1953","value":"1953","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1953"}},{"attributes":{"label":"1954","value":"1954","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1954"}},{"attributes":{"label":"1955","value":"1955","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1955"}},{"attributes":{"label":"1956","value":"1956","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1956"}},{"attributes":{"label":"1957","value":"1957","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1957"}},{"attributes":{"label":"1958","value":"1958","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1958"}},{"attributes":{"label":"1959","value":"1959","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1959"}},{"attributes":{"label":"1960","value":"1960","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1960"}},{"attributes":{"label":"1961","value":"1961","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"1962","value":"1962","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1962"}},{"attributes":{"label":"1963","value":"1963","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1963"}},{"attributes":{"label":"1964","value":"1964","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1964"}},{"attributes":{"label":"1965","value":"1965","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1965"}},{"attributes":{"label":"1966","value":"1966","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1966"}},{"attributes":{"label":"1967","value":"1967","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1967"}},{"attributes":{"label":"1968","value":"1968","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bdate_range%5D%5B%5D=1968"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/date_range_isim.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Collection","value":"Collection","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Blevel%5D%5B%5D=Collection"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/level_ssim.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"Abend, Sheldon (1929-2003)","value":"Abend, Sheldon (1929-2003)","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bnames%5D%5B%5D=Abend%2C+Sheldon+%281929-2003%29"}},{"attributes":{"label":"FIU Special Collections","value":"FIU Special Collections","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bnames%5D%5B%5D=FIU+Special+Collections"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/names_ssim.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908"}},{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"FIU Special Collections","value":"FIU Special Collections","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Brepository%5D%5B%5D=FIU+Special+Collections"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"Minstrel shows.","value":"Minstrel shows.","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026f%5Bplaces%5D%5B%5D=Minstrel+shows."}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/geogname_ssim.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"Motion picture producers and directors.","value":"Motion picture producers and directors.","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Baccess_subjects%5D%5B%5D=Motion+picture+producers+and+directors.\u0026f%5Bdate_range%5D%5B%5D=1908"}},{"attributes":{"label":"Playbills.","value":"Playbills.","hits":1},"links":{"remove":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908"}},{"attributes":{"label":"Theater Playbills and Programs Collection (Library of Congress)","value":"Theater Playbills and Programs Collection (Library of Congress)","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Baccess_subjects%5D%5B%5D=Theater+Playbills+and+Programs+Collection+%28Library+of+Congress%29\u0026f%5Bdate_range%5D%5B%5D=1908"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/access_subjects_ssim.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026search_field=all_fields"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026search_field=keyword"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026search_field=name"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026search_field=place"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026search_field=subject"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026search_field=title"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026search_field=container"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026search_field=identifier"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026sort=score+desc%2C+title_sort+asc"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026sort=date_sort+asc"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026sort=date_sort+desc"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026sort=creator_sort+asc"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026sort=creator_sort+desc"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026sort=title_sort+asc"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Playbills.\u0026f%5Bdate_range%5D%5B%5D=1908\u0026sort=title_sort+desc"}}]}