{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographs\u0026f%5Bdate_range%5D%5B%5D=1994\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographs\u0026f%5Bdate_range%5D%5B%5D=1994\u0026page=2\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographs\u0026f%5Bdate_range%5D%5B%5D=1994\u0026page=7\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":7,"limit_value":10,"offset_value":0,"total_count":61,"first_page?":true,"last_page?":false}},"data":[{"id":"d331ed22985bd548fd56cca6","type":"collection","attributes":{"title":"Abril Lamarque Collection, 1883-2001","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6#creator","type":"document_value","attributes":{"value":["Lamarque Sarno, Martha"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip \u003cem\u003eMonguito. \u003c/em\u003e\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"d331ed22985bd548fd56cca6","title_ssm":["Abril Lamarque Collection"],"title_tesim":["Abril Lamarque Collection"],"ead_ssi":"d331ed22985bd548fd56cca6","unitdate_ssm":["1883-2001"],"unitdate_inclusive_ssm":["1883-2001"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["SPC6045","/repositories/2/resources/71"],"text":["SPC6045","/repositories/2/resources/71","Abril Lamarque Collection, 1883-2001","Cuba","Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs","The collection is open for research.","The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.","Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art","Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more","The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society.","Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999","English Spanish; Castilian"],"unitid_tesim":["SPC6045","/repositories/2/resources/71"],"normalized_date_ssm":["1883-2001"],"normalized_title_ssm":["Abril Lamarque Collection, 1883-2001"],"collection_title_tesim":["Abril Lamarque Collection, 1883-2001"],"collection_ssim":["Abril Lamarque Collection, 1883-2001"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"creator_ssm":["Lamarque Sarno, Martha"],"creator_ssim":["Lamarque Sarno, Martha"],"creator_persname_ssim":["Lamarque Sarno, Martha"],"creators_ssim":["Lamarque Sarno, Martha"],"places_ssim":["Cuba"],"access_terms_ssm":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"acqinfo_ssim":["Martha Lamarque Sarno donated her father's papers to Special Collections at Florida International University."],"access_subjects_ssim":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"access_subjects_ssm":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 boxes"],"extent_tesim":["2.00 boxes"],"genreform_ssim":["Works of art","Sketches","Photographs"],"date_range_isim":[1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2.\u0026#xA0;Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs."],"bioghist_html_tesm":["\u003cp\u003eEduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the \u003cemph render=\"italic\"\u003eNew York World-Telegram and Evening Mail\u003c/emph\u003e at age 15. Four years later he created \u003cemph render=\"italic\"\u003eBla-Bla\u003c/emph\u003e, a comic strip that appeared regularly in the \u003cemph render=\"italic\"\u003eNew York Daily News\u003c/emph\u003e. He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character, \u003cemph render=\"italic\"\u003eMonguito\u003c/emph\u003e, was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.\u003c/p\u003e\n","\u003cp\u003eWhen he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e. He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the \u003cemph render=\"italic\"\u003eNew York World Telegram and Evening Mail\u003c/emph\u003e as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.\u003c/p\u003e\n","\u003cp\u003eIn 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included \u003cemph render=\"italic\"\u003eFilm Fun\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eI Confess\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eWar Stories\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eModern Screen\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Song\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eSpotlight\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRadio Stars\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eTheatrical Page\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eBallyhoo\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eModern Romances\u003c/emph\u003e. He continued working there for 14 years.\u003c/p\u003e\n","\u003cp\u003eIn 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.\u003c/p\u003e\n","\u003cp\u003eBetween 1941 and 1946, Lamarque became the first art director for the Sunday edition of the \u003cemph render=\"italic\"\u003eNew York Times\u003c/emph\u003e and redesigned the \u003cemph render=\"italic\"\u003eNew York Times Magazine\u003c/emph\u003e and the \u003cemph render=\"italic\"\u003eNew York Times Book Review\u003c/emph\u003e. Throughout his career, Lamarque designed and redesigned countless magazines and journals, including \u003cemph render=\"italic\"\u003eAmerican Weekly\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eNew York News\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eMetropolitan Life\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Science\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThis Week\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eUS News-World Report\u003c/emph\u003e, and others.\u003c/p\u003e\n","\u003cp\u003eIn 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.\u003c/p\u003e\n","\u003cp\u003eHis success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.\u003c/p\u003e\n","\u003cp\u003eLamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.\u003c/p\u003e\n","\u003cp\u003eLamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art"],"odd_html_tesm":["\u003cp\u003eLanguage from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated material to the collection may be found in the following repository. \u003c/p\u003e\n","\u003cp\u003eArchives of the American Art.\u003c/p\u003e\n","\u003cp\u003ehttp://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more"],"scopecontent_html_tesm":["\u003cp\u003eThe Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito. \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eThe collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito \u003c/emph\u003eand editions of the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e.In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.\u003c/p\u003e\n","\u003cp\u003eThe collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, a segment that included Massaguer's caricatures of prominent members of Cuban high society.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society."],"userestrict_html_tesm":["\u003cp\u003eRights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"names_coll_ssim":["Society of American Magicians","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"names_ssim":["FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"corpname_ssim":["FIU Special Collections","Society of American Magicians"],"persname_ssim":["Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":247,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844705641594880,"_root_":"d331ed22985bd548fd56cca6","timestamp":"2026-07-16T04:35:45.752Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d331ed22985bd548fd56cca6","title_ssm":["Abril Lamarque Collection"],"title_tesim":["Abril Lamarque Collection"],"ead_ssi":"d331ed22985bd548fd56cca6","unitdate_ssm":["1883-2001"],"unitdate_inclusive_ssm":["1883-2001"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["SPC6045","/repositories/2/resources/71"],"text":["SPC6045","/repositories/2/resources/71","Abril Lamarque Collection, 1883-2001","Cuba","Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs","The collection is open for research.","The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.","Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art","Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more","The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society.","Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999","English Spanish; Castilian"],"unitid_tesim":["SPC6045","/repositories/2/resources/71"],"normalized_date_ssm":["1883-2001"],"normalized_title_ssm":["Abril Lamarque Collection, 1883-2001"],"collection_title_tesim":["Abril Lamarque Collection, 1883-2001"],"collection_ssim":["Abril Lamarque Collection, 1883-2001"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"creator_ssm":["Lamarque Sarno, Martha"],"creator_ssim":["Lamarque Sarno, Martha"],"creator_persname_ssim":["Lamarque Sarno, Martha"],"creators_ssim":["Lamarque Sarno, Martha"],"places_ssim":["Cuba"],"access_terms_ssm":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"acqinfo_ssim":["Martha Lamarque Sarno donated her father's papers to Special Collections at Florida International University."],"access_subjects_ssim":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"access_subjects_ssm":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 boxes"],"extent_tesim":["2.00 boxes"],"genreform_ssim":["Works of art","Sketches","Photographs"],"date_range_isim":[1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2.\u0026#xA0;Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs."],"bioghist_html_tesm":["\u003cp\u003eEduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the \u003cemph render=\"italic\"\u003eNew York World-Telegram and Evening Mail\u003c/emph\u003e at age 15. Four years later he created \u003cemph render=\"italic\"\u003eBla-Bla\u003c/emph\u003e, a comic strip that appeared regularly in the \u003cemph render=\"italic\"\u003eNew York Daily News\u003c/emph\u003e. He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character, \u003cemph render=\"italic\"\u003eMonguito\u003c/emph\u003e, was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.\u003c/p\u003e\n","\u003cp\u003eWhen he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e. He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the \u003cemph render=\"italic\"\u003eNew York World Telegram and Evening Mail\u003c/emph\u003e as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.\u003c/p\u003e\n","\u003cp\u003eIn 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included \u003cemph render=\"italic\"\u003eFilm Fun\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eI Confess\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eWar Stories\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eModern Screen\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Song\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eSpotlight\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRadio Stars\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eTheatrical Page\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eBallyhoo\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eModern Romances\u003c/emph\u003e. He continued working there for 14 years.\u003c/p\u003e\n","\u003cp\u003eIn 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.\u003c/p\u003e\n","\u003cp\u003eBetween 1941 and 1946, Lamarque became the first art director for the Sunday edition of the \u003cemph render=\"italic\"\u003eNew York Times\u003c/emph\u003e and redesigned the \u003cemph render=\"italic\"\u003eNew York Times Magazine\u003c/emph\u003e and the \u003cemph render=\"italic\"\u003eNew York Times Book Review\u003c/emph\u003e. Throughout his career, Lamarque designed and redesigned countless magazines and journals, including \u003cemph render=\"italic\"\u003eAmerican Weekly\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eNew York News\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eMetropolitan Life\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Science\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThis Week\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eUS News-World Report\u003c/emph\u003e, and others.\u003c/p\u003e\n","\u003cp\u003eIn 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.\u003c/p\u003e\n","\u003cp\u003eHis success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.\u003c/p\u003e\n","\u003cp\u003eLamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.\u003c/p\u003e\n","\u003cp\u003eLamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art"],"odd_html_tesm":["\u003cp\u003eLanguage from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated material to the collection may be found in the following repository. \u003c/p\u003e\n","\u003cp\u003eArchives of the American Art.\u003c/p\u003e\n","\u003cp\u003ehttp://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more"],"scopecontent_html_tesm":["\u003cp\u003eThe Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito. \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eThe collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito \u003c/emph\u003eand editions of the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e.In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.\u003c/p\u003e\n","\u003cp\u003eThe collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, a segment that included Massaguer's caricatures of prominent members of Cuban high society.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society."],"userestrict_html_tesm":["\u003cp\u003eRights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"names_coll_ssim":["Society of American Magicians","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"names_ssim":["FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"corpname_ssim":["FIU Special Collections","Society of American Magicians"],"persname_ssim":["Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":247,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844705641594880,"_root_":"d331ed22985bd548fd56cca6","timestamp":"2026-07-16T04:35:45.752Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6"}},{"id":"cfe589384758583d08a814b1","type":"collection","attributes":{"title":"Alcee Hastings Collection, 1977-2011","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/cfe589384758583d08a814b1#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Alcee Hastings Collection contains materials that document the career of Broward County lawyer, judge, and U.S. House of Representatives Congressman Alcee L. Hastings, such as photographs, printed materials, books, artwork, plaques, certificates, and award objects. The majority of the materials in the collection came from Congressman Hasting's congressional office.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cfe589384758583d08a814b1#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"cfe589384758583d08a814b1","title_filing_ssi":"Hastings, Alcee Collection","title_ssm":["Alcee Hastings Collection"],"title_tesim":["Alcee Hastings Collection"],"ead_ssi":"cfe589384758583d08a814b1","unitdate_ssm":["1977-2011"],"unitdate_inclusive_ssm":["1977-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2003.10","/repositories/2/resources/95"],"text":["AARLCC.2003.10","/repositories/2/resources/95","Alcee Hastings Collection, 1977-2011","Legislators -- United States","Judges -- Florida -- Broward County","Photographs","Certificates","plaques (flat objects)","Proclamations","The Alcee Hastings Collection is open for research.","View a selection of digitized materials from the Alcee Hastings Collection in the Broward County Library Digital Archives.","Alcee L. (Lamar) Hastings was born on September 5, 1936 in Altamonte Springs, Florida to Mildred and Julius \"J. C.\" Hastings. He received a B.A. degree in Zoology and Botany from Fisk University in 1958. From 1958 to 1960, Hastings attended Howard University School of Law and earned his Juris Doctorate degree in 1963 from Florida A\u0026M University School of Law. ","After practicing law, Hastings became a judge in the circuit court of Broward County, Florida in 1977. He was nominated by President Jimmy Carter to the United States District Court for the Southern District of Florida and held this position from 1979 to 1989. ","In 1992, Alcee L. Hastings was elected to the U.S. House of Representatives, representing Florida's 23rd district (1993-2013) and 20th district (2013-2021). These congressional districts cover Fort Lauderdale and West Palm Beach. Congressman Hastings, Carrie Meek and Corrine Brown were the first black representatives from Florida elected to Congress in 1992.","Congressman Hastings participated in several community and political organizations and events such as the Urban League of Broward County inaugural \"Achievement Matters…Salute to Scholars\", the National Advancement for the Association of Colored People (NAACP), Broward County Young Democrats, Little Haiti Housing Association, Inc., and Kappa Alpha Psi fraternity alumni chapter gatherings. He was a member of Kappa Alpha Psi fraternity and the Congressional Black Caucus. ","Alcee L. Hastings was diagnosed with pancreatic cancer in 2019. He died on April 6, 2021.","This collection received file level processing by Emily Calderon in May 2021. Additional materials were processed at the file level and the finding aid updated by Adam Anderson in March 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Alcee Hastings Collection contains materials that document the career of Broward County lawyer, judge, and U.S. House of Representatives Congressman Alcee L. Hastings, such as photographs, printed materials, books, artwork, plaques, certificates, and award objects. The majority of the materials in the collection came from Congressman Hasting's congressional office.","AARLCC Special Collections","Hastings, Alcee L.","English"],"unitid_tesim":["AARLCC.2003.10","/repositories/2/resources/95"],"normalized_date_ssm":["1977-2011"],"normalized_title_ssm":["Alcee Hastings Collection, 1977-2011"],"collection_title_tesim":["Alcee Hastings Collection, 1977-2011"],"collection_ssim":["Alcee Hastings Collection, 1977-2011"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Art W. Kennedy donated the materials on behalf of Alcee L. Hastings to the AARLCC Special Collections on April 10, 2003 (Accession AARLCC-2003.10). An accrual was donated on April 29 and May 6, 2021 (Accession AARLCC-2021.8). Alcee L. Hastings II donated an accrual on March 8, 2025 (Accession AARLCC-2025.5)."],"access_subjects_ssim":["Legislators -- United States","Judges -- Florida -- Broward County","Photographs","Certificates","plaques (flat objects)","Proclamations"],"access_subjects_ssm":["Legislators -- United States","Judges -- Florida -- Broward County","Photographs","Certificates","plaques (flat objects)","Proclamations"],"has_online_content_ssim":["false"],"extent_ssm":["23 Hollinger Boxes"],"extent_tesim":["23 Hollinger Boxes"],"genreform_ssim":["Photographs","Certificates","plaques (flat objects)","Proclamations"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThe Alcee Hastings Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Alcee Hastings Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll22/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Alcee Hastings Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digital Materials"],"altformavail_tesim":["View a selection of digitized materials from the Alcee Hastings Collection in the Broward County Library Digital Archives."],"bioghist_html_tesm":["\u003cp\u003eAlcee L. (Lamar) Hastings was born on September 5, 1936 in Altamonte Springs, Florida to Mildred and Julius \"J. C.\" Hastings. He received a B.A. degree in Zoology and Botany from Fisk University in 1958. From 1958 to 1960, Hastings attended Howard University School of Law and earned his Juris Doctorate degree in 1963 from Florida A\u0026amp;M University School of Law. \u003c/p\u003e\n","\u003cp\u003eAfter practicing law, Hastings became a judge in the circuit court of Broward County, Florida in 1977. He was nominated by President Jimmy Carter to the United States District Court for the Southern District of Florida and held this position from 1979 to 1989. \u003c/p\u003e\n","\u003cp\u003eIn 1992, Alcee L. Hastings was elected to the U.S. House of Representatives, representing Florida's 23rd district (1993-2013) and 20th district (2013-2021). These congressional districts cover Fort Lauderdale and West Palm Beach. Congressman Hastings, Carrie Meek and Corrine Brown were the first black representatives from Florida elected to Congress in 1992.\u003c/p\u003e\n","\u003cp\u003eCongressman Hastings participated in several community and political organizations and events such as the Urban League of Broward County inaugural \"Achievement Matters\u0026#x2026;Salute to Scholars\", the National Advancement for the Association of Colored People (NAACP), Broward County Young Democrats, Little Haiti Housing Association, Inc., and Kappa Alpha Psi fraternity alumni chapter gatherings. He was a member of Kappa Alpha Psi fraternity and the Congressional Black Caucus. \u003c/p\u003e\n","\u003cp\u003eAlcee L. Hastings was diagnosed with pancreatic cancer in 2019. He died on April 6, 2021.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Alcee L. (Lamar) Hastings was born on September 5, 1936 in Altamonte Springs, Florida to Mildred and Julius \"J. C.\" Hastings. He received a B.A. degree in Zoology and Botany from Fisk University in 1958. From 1958 to 1960, Hastings attended Howard University School of Law and earned his Juris Doctorate degree in 1963 from Florida A\u0026M University School of Law. ","After practicing law, Hastings became a judge in the circuit court of Broward County, Florida in 1977. He was nominated by President Jimmy Carter to the United States District Court for the Southern District of Florida and held this position from 1979 to 1989. ","In 1992, Alcee L. Hastings was elected to the U.S. House of Representatives, representing Florida's 23rd district (1993-2013) and 20th district (2013-2021). These congressional districts cover Fort Lauderdale and West Palm Beach. Congressman Hastings, Carrie Meek and Corrine Brown were the first black representatives from Florida elected to Congress in 1992.","Congressman Hastings participated in several community and political organizations and events such as the Urban League of Broward County inaugural \"Achievement Matters…Salute to Scholars\", the National Advancement for the Association of Colored People (NAACP), Broward County Young Democrats, Little Haiti Housing Association, Inc., and Kappa Alpha Psi fraternity alumni chapter gatherings. He was a member of Kappa Alpha Psi fraternity and the Congressional Black Caucus. ","Alcee L. Hastings was diagnosed with pancreatic cancer in 2019. He died on April 6, 2021."],"prefercite_html_tesm":["\u003cp\u003eAlcee Hastings Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Alcee Hastings Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing by Emily Calderon in May 2021. Additional materials were processed at the file level and the finding aid updated by Adam Anderson in March 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing by Emily Calderon in May 2021. Additional materials were processed at the file level and the finding aid updated by Adam Anderson in March 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Alcee Hastings Collection contains materials that document the career of Broward County lawyer, judge, and U.S. House of Representatives Congressman Alcee L. Hastings, such as photographs, printed materials, books, artwork, plaques, certificates, and award objects. The majority of the materials in the collection came from Congressman Hasting's congressional office.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Alcee Hastings Collection contains materials that document the career of Broward County lawyer, judge, and U.S. House of Representatives Congressman Alcee L. Hastings, such as photographs, printed materials, books, artwork, plaques, certificates, and award objects. The majority of the materials in the collection came from Congressman Hasting's congressional office."],"names_ssim":["AARLCC Special Collections","Hastings, Alcee L."],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Hastings, Alcee L."],"persname_ssim":["Hastings, Alcee L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":315,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"cfe589384758583d08a814b1","timestamp":"2026-05-03T01:31:27.177Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cfe589384758583d08a814b1","title_filing_ssi":"Hastings, Alcee Collection","title_ssm":["Alcee Hastings Collection"],"title_tesim":["Alcee Hastings Collection"],"ead_ssi":"cfe589384758583d08a814b1","unitdate_ssm":["1977-2011"],"unitdate_inclusive_ssm":["1977-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2003.10","/repositories/2/resources/95"],"text":["AARLCC.2003.10","/repositories/2/resources/95","Alcee Hastings Collection, 1977-2011","Legislators -- United States","Judges -- Florida -- Broward County","Photographs","Certificates","plaques (flat objects)","Proclamations","The Alcee Hastings Collection is open for research.","View a selection of digitized materials from the Alcee Hastings Collection in the Broward County Library Digital Archives.","Alcee L. (Lamar) Hastings was born on September 5, 1936 in Altamonte Springs, Florida to Mildred and Julius \"J. C.\" Hastings. He received a B.A. degree in Zoology and Botany from Fisk University in 1958. From 1958 to 1960, Hastings attended Howard University School of Law and earned his Juris Doctorate degree in 1963 from Florida A\u0026M University School of Law. ","After practicing law, Hastings became a judge in the circuit court of Broward County, Florida in 1977. He was nominated by President Jimmy Carter to the United States District Court for the Southern District of Florida and held this position from 1979 to 1989. ","In 1992, Alcee L. Hastings was elected to the U.S. House of Representatives, representing Florida's 23rd district (1993-2013) and 20th district (2013-2021). These congressional districts cover Fort Lauderdale and West Palm Beach. Congressman Hastings, Carrie Meek and Corrine Brown were the first black representatives from Florida elected to Congress in 1992.","Congressman Hastings participated in several community and political organizations and events such as the Urban League of Broward County inaugural \"Achievement Matters…Salute to Scholars\", the National Advancement for the Association of Colored People (NAACP), Broward County Young Democrats, Little Haiti Housing Association, Inc., and Kappa Alpha Psi fraternity alumni chapter gatherings. He was a member of Kappa Alpha Psi fraternity and the Congressional Black Caucus. ","Alcee L. Hastings was diagnosed with pancreatic cancer in 2019. He died on April 6, 2021.","This collection received file level processing by Emily Calderon in May 2021. Additional materials were processed at the file level and the finding aid updated by Adam Anderson in March 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Alcee Hastings Collection contains materials that document the career of Broward County lawyer, judge, and U.S. House of Representatives Congressman Alcee L. Hastings, such as photographs, printed materials, books, artwork, plaques, certificates, and award objects. The majority of the materials in the collection came from Congressman Hasting's congressional office.","AARLCC Special Collections","Hastings, Alcee L.","English"],"unitid_tesim":["AARLCC.2003.10","/repositories/2/resources/95"],"normalized_date_ssm":["1977-2011"],"normalized_title_ssm":["Alcee Hastings Collection, 1977-2011"],"collection_title_tesim":["Alcee Hastings Collection, 1977-2011"],"collection_ssim":["Alcee Hastings Collection, 1977-2011"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Art W. Kennedy donated the materials on behalf of Alcee L. Hastings to the AARLCC Special Collections on April 10, 2003 (Accession AARLCC-2003.10). An accrual was donated on April 29 and May 6, 2021 (Accession AARLCC-2021.8). Alcee L. Hastings II donated an accrual on March 8, 2025 (Accession AARLCC-2025.5)."],"access_subjects_ssim":["Legislators -- United States","Judges -- Florida -- Broward County","Photographs","Certificates","plaques (flat objects)","Proclamations"],"access_subjects_ssm":["Legislators -- United States","Judges -- Florida -- Broward County","Photographs","Certificates","plaques (flat objects)","Proclamations"],"has_online_content_ssim":["false"],"extent_ssm":["23 Hollinger Boxes"],"extent_tesim":["23 Hollinger Boxes"],"genreform_ssim":["Photographs","Certificates","plaques (flat objects)","Proclamations"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThe Alcee Hastings Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Alcee Hastings Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll22/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Alcee Hastings Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digital Materials"],"altformavail_tesim":["View a selection of digitized materials from the Alcee Hastings Collection in the Broward County Library Digital Archives."],"bioghist_html_tesm":["\u003cp\u003eAlcee L. (Lamar) Hastings was born on September 5, 1936 in Altamonte Springs, Florida to Mildred and Julius \"J. C.\" Hastings. He received a B.A. degree in Zoology and Botany from Fisk University in 1958. From 1958 to 1960, Hastings attended Howard University School of Law and earned his Juris Doctorate degree in 1963 from Florida A\u0026amp;M University School of Law. \u003c/p\u003e\n","\u003cp\u003eAfter practicing law, Hastings became a judge in the circuit court of Broward County, Florida in 1977. He was nominated by President Jimmy Carter to the United States District Court for the Southern District of Florida and held this position from 1979 to 1989. \u003c/p\u003e\n","\u003cp\u003eIn 1992, Alcee L. Hastings was elected to the U.S. House of Representatives, representing Florida's 23rd district (1993-2013) and 20th district (2013-2021). These congressional districts cover Fort Lauderdale and West Palm Beach. Congressman Hastings, Carrie Meek and Corrine Brown were the first black representatives from Florida elected to Congress in 1992.\u003c/p\u003e\n","\u003cp\u003eCongressman Hastings participated in several community and political organizations and events such as the Urban League of Broward County inaugural \"Achievement Matters\u0026#x2026;Salute to Scholars\", the National Advancement for the Association of Colored People (NAACP), Broward County Young Democrats, Little Haiti Housing Association, Inc., and Kappa Alpha Psi fraternity alumni chapter gatherings. He was a member of Kappa Alpha Psi fraternity and the Congressional Black Caucus. \u003c/p\u003e\n","\u003cp\u003eAlcee L. Hastings was diagnosed with pancreatic cancer in 2019. He died on April 6, 2021.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Alcee L. (Lamar) Hastings was born on September 5, 1936 in Altamonte Springs, Florida to Mildred and Julius \"J. C.\" Hastings. He received a B.A. degree in Zoology and Botany from Fisk University in 1958. From 1958 to 1960, Hastings attended Howard University School of Law and earned his Juris Doctorate degree in 1963 from Florida A\u0026M University School of Law. ","After practicing law, Hastings became a judge in the circuit court of Broward County, Florida in 1977. He was nominated by President Jimmy Carter to the United States District Court for the Southern District of Florida and held this position from 1979 to 1989. ","In 1992, Alcee L. Hastings was elected to the U.S. House of Representatives, representing Florida's 23rd district (1993-2013) and 20th district (2013-2021). These congressional districts cover Fort Lauderdale and West Palm Beach. Congressman Hastings, Carrie Meek and Corrine Brown were the first black representatives from Florida elected to Congress in 1992.","Congressman Hastings participated in several community and political organizations and events such as the Urban League of Broward County inaugural \"Achievement Matters…Salute to Scholars\", the National Advancement for the Association of Colored People (NAACP), Broward County Young Democrats, Little Haiti Housing Association, Inc., and Kappa Alpha Psi fraternity alumni chapter gatherings. He was a member of Kappa Alpha Psi fraternity and the Congressional Black Caucus. ","Alcee L. Hastings was diagnosed with pancreatic cancer in 2019. He died on April 6, 2021."],"prefercite_html_tesm":["\u003cp\u003eAlcee Hastings Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Alcee Hastings Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing by Emily Calderon in May 2021. Additional materials were processed at the file level and the finding aid updated by Adam Anderson in March 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing by Emily Calderon in May 2021. Additional materials were processed at the file level and the finding aid updated by Adam Anderson in March 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Alcee Hastings Collection contains materials that document the career of Broward County lawyer, judge, and U.S. House of Representatives Congressman Alcee L. Hastings, such as photographs, printed materials, books, artwork, plaques, certificates, and award objects. The majority of the materials in the collection came from Congressman Hasting's congressional office.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Alcee Hastings Collection contains materials that document the career of Broward County lawyer, judge, and U.S. House of Representatives Congressman Alcee L. Hastings, such as photographs, printed materials, books, artwork, plaques, certificates, and award objects. The majority of the materials in the collection came from Congressman Hasting's congressional office."],"names_ssim":["AARLCC Special Collections","Hastings, Alcee L."],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Hastings, Alcee L."],"persname_ssim":["Hastings, Alcee L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":315,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"cfe589384758583d08a814b1","timestamp":"2026-05-03T01:31:27.177Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cfe589384758583d08a814b1"}},{"id":"6dc93a5e1f7df314e4f7e51e","type":"collection","attributes":{"title":"Bobby G. Glenn Collection, Circa 1970-2023","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/6dc93a5e1f7df314e4f7e51e#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe collection is comprised of Bobby G. Glenn's correspondence, awards and honors, newspaper clippings, Lieutenant uniform and hat, funeral program, and one photograph. Glenn served as Fort Lauderdale's first Black firefighter.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6dc93a5e1f7df314e4f7e51e#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"6dc93a5e1f7df314e4f7e51e","title_filing_ssi":"Glenn, Bobby G. Collection","title_ssm":["Bobby G. Glenn Collection"],"title_tesim":["Bobby G. Glenn Collection"],"ead_ssi":"6dc93a5e1f7df314e4f7e51e","unitdate_ssm":["Circa 1970-2023"],"unitdate_inclusive_ssm":["Circa 1970-2023"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2024.3","/repositories/2/resources/272"],"text":["AARLCC.2024.3","/repositories/2/resources/272","Bobby G. Glenn Collection, Circa 1970-2023","Fort Lauderdale (Fla.)","Broward County (Fla.)","African American fire fighters","Uniforms","Funeral rites and ceremonies","Correspondence","Photographs","Proclamations","Certificates","Bobby G. Glenn Collection is open for research.","The Bobby G. Glenn Collection is digitized and available on the Broward County Library Digital Archives .","The collection is arranged into four series: Series I. Correspondence, Series II. Awards and Honors, Series III. Personal Papers, and Series IV. Objects.","Lieutenant Robert \"Bobby\" G. Glenn was born in Milledgeville, Georgia on December 29, 1941 to parents Stutson and Rosie Lee Glenn. He graduated from Blanche Ely High School in Pompano Beach, Florida and attended Fort Valley State College in Georgia. He ran track in college and came in second place to Olympian Bob Hayes in the 100 and 200-yard race. He received his Bachelor of Arts degree in Business Administration from Fort Lauderdale University.","Bobby began his professional career as a Meter Reader for the City of Fort Lauderdale. On September 20, 1970, he became the first Black firefighter for the City of Fort Lauderdale and Broward County. He was promoted to Driver Engineer and then later Lieutenant. He retired from the Fort Lauderdale Fire Department in 1992 and rejoined the workforce in 1993 as a Fire Inspector with the City of Tamarac. In 1994, Bobby worked as the Loss Prevention Coordinator for Broward County Public Schools. He held this position for 25 years and retired in June 2019. Throughout his life, Bobby Glenn served his community and coached girls' basketball teams, particularly in the Amateur Athletic Union (AAU) from 1972 to 1996 and at Broward College Central Campus in 1979. He was a member of Welcome Baptist Church, Mount Nebo Baptist Church, and the Liberal Black Firefighters Association. Bobby was an active member of the Zeta Chi Chapter of the Omega Psi Phi Fraternity since 1961.","Bobby married Iola Daniels on August 16, 1964 in Ormond Beach, Florida. They had three children: Stephna, Jeffrey, and Marquita. He died on November 19, 2023 in Fort Lauderdale, Florida.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The collection is comprised of Bobby G. Glenn's correspondence, awards and honors, newspaper clippings, Lieutenant uniform and hat,  funeral program, and one photograph. Glenn served as Fort Lauderdale's first Black firefighter.","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2024.3","/repositories/2/resources/272"],"normalized_date_ssm":["Circa 1970-2023"],"normalized_title_ssm":["Bobby G. Glenn Collection, Circa 1970-2023"],"collection_title_tesim":["Bobby G. Glenn Collection, Circa 1970-2023"],"collection_ssim":["Bobby G. 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Glenn Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Bobby G. Glenn Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://cdm16146.contentdm.oclc.org/digital/collection/bobbyglenn\"\u003eThe Bobby G. Glenn Collection is digitized and available on the Broward County Library Digital Archives\u003c/a\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["The Bobby G. Glenn Collection is digitized and available on the Broward County Library Digital Archives ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series: Series I. Correspondence, Series II. Awards and Honors, Series III. Personal Papers, and Series IV. Objects.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four series: Series I. Correspondence, Series II. Awards and Honors, Series III. Personal Papers, and Series IV. Objects."],"bioghist_html_tesm":["\u003cp\u003eLieutenant Robert \"Bobby\" G. Glenn was born in Milledgeville, Georgia on December 29, 1941 to parents Stutson and Rosie Lee Glenn. He graduated from Blanche Ely High School in Pompano Beach, Florida and attended Fort Valley State College in Georgia. He ran track in college and came in second place to Olympian Bob Hayes in the 100 and 200-yard race. He received his Bachelor of Arts degree in Business Administration from Fort Lauderdale University.\u003c/p\u003e\n","\u003cp\u003eBobby began his professional career as a Meter Reader for the City of Fort Lauderdale. On September 20, 1970, he became the first Black firefighter for the City of Fort Lauderdale and Broward County. He was promoted to Driver Engineer and then later Lieutenant. He retired from the Fort Lauderdale Fire Department in 1992 and rejoined the workforce in 1993 as a Fire Inspector with the City of Tamarac. In 1994, Bobby worked as the Loss Prevention Coordinator for Broward County Public Schools. He held this position for 25 years and retired in June 2019. Throughout his life, Bobby Glenn served his community and coached girls' basketball teams, particularly in the Amateur Athletic Union (AAU) from 1972 to 1996 and at Broward College Central Campus in 1979. He was a member of Welcome Baptist Church, Mount Nebo Baptist Church, and the Liberal Black Firefighters Association. Bobby was an active member of the Zeta Chi Chapter of the Omega Psi Phi Fraternity since 1961.\u003c/p\u003e\n","\u003cp\u003eBobby married Iola Daniels on August 16, 1964 in Ormond Beach, Florida. They had three children: Stephna, Jeffrey, and Marquita. He died on November 19, 2023 in Fort Lauderdale, Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Lieutenant Robert \"Bobby\" G. Glenn was born in Milledgeville, Georgia on December 29, 1941 to parents Stutson and Rosie Lee Glenn. He graduated from Blanche Ely High School in Pompano Beach, Florida and attended Fort Valley State College in Georgia. He ran track in college and came in second place to Olympian Bob Hayes in the 100 and 200-yard race. He received his Bachelor of Arts degree in Business Administration from Fort Lauderdale University.","Bobby began his professional career as a Meter Reader for the City of Fort Lauderdale. On September 20, 1970, he became the first Black firefighter for the City of Fort Lauderdale and Broward County. He was promoted to Driver Engineer and then later Lieutenant. He retired from the Fort Lauderdale Fire Department in 1992 and rejoined the workforce in 1993 as a Fire Inspector with the City of Tamarac. In 1994, Bobby worked as the Loss Prevention Coordinator for Broward County Public Schools. He held this position for 25 years and retired in June 2019. Throughout his life, Bobby Glenn served his community and coached girls' basketball teams, particularly in the Amateur Athletic Union (AAU) from 1972 to 1996 and at Broward College Central Campus in 1979. He was a member of Welcome Baptist Church, Mount Nebo Baptist Church, and the Liberal Black Firefighters Association. Bobby was an active member of the Zeta Chi Chapter of the Omega Psi Phi Fraternity since 1961.","Bobby married Iola Daniels on August 16, 1964 in Ormond Beach, Florida. They had three children: Stephna, Jeffrey, and Marquita. He died on November 19, 2023 in Fort Lauderdale, Florida."],"prefercite_html_tesm":["\u003cp\u003eBobby G. Glenn Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Bobby G. Glenn Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is comprised of Bobby G. Glenn's correspondence, awards and honors, newspaper clippings, Lieutenant uniform and hat,  funeral program, and one photograph. Glenn served as Fort Lauderdale's first Black firefighter.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is comprised of Bobby G. Glenn's correspondence, awards and honors, newspaper clippings, Lieutenant uniform and hat,  funeral program, and one photograph. Glenn served as Fort Lauderdale's first Black firefighter."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":25,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"6dc93a5e1f7df314e4f7e51e","timestamp":"2026-04-21T01:43:57.243Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6dc93a5e1f7df314e4f7e51e","title_filing_ssi":"Glenn, Bobby G. Collection","title_ssm":["Bobby G. Glenn Collection"],"title_tesim":["Bobby G. Glenn Collection"],"ead_ssi":"6dc93a5e1f7df314e4f7e51e","unitdate_ssm":["Circa 1970-2023"],"unitdate_inclusive_ssm":["Circa 1970-2023"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2024.3","/repositories/2/resources/272"],"text":["AARLCC.2024.3","/repositories/2/resources/272","Bobby G. Glenn Collection, Circa 1970-2023","Fort Lauderdale (Fla.)","Broward County (Fla.)","African American fire fighters","Uniforms","Funeral rites and ceremonies","Correspondence","Photographs","Proclamations","Certificates","Bobby G. Glenn Collection is open for research.","The Bobby G. Glenn Collection is digitized and available on the Broward County Library Digital Archives .","The collection is arranged into four series: Series I. Correspondence, Series II. Awards and Honors, Series III. Personal Papers, and Series IV. Objects.","Lieutenant Robert \"Bobby\" G. Glenn was born in Milledgeville, Georgia on December 29, 1941 to parents Stutson and Rosie Lee Glenn. He graduated from Blanche Ely High School in Pompano Beach, Florida and attended Fort Valley State College in Georgia. He ran track in college and came in second place to Olympian Bob Hayes in the 100 and 200-yard race. He received his Bachelor of Arts degree in Business Administration from Fort Lauderdale University.","Bobby began his professional career as a Meter Reader for the City of Fort Lauderdale. On September 20, 1970, he became the first Black firefighter for the City of Fort Lauderdale and Broward County. He was promoted to Driver Engineer and then later Lieutenant. He retired from the Fort Lauderdale Fire Department in 1992 and rejoined the workforce in 1993 as a Fire Inspector with the City of Tamarac. In 1994, Bobby worked as the Loss Prevention Coordinator for Broward County Public Schools. He held this position for 25 years and retired in June 2019. Throughout his life, Bobby Glenn served his community and coached girls' basketball teams, particularly in the Amateur Athletic Union (AAU) from 1972 to 1996 and at Broward College Central Campus in 1979. He was a member of Welcome Baptist Church, Mount Nebo Baptist Church, and the Liberal Black Firefighters Association. Bobby was an active member of the Zeta Chi Chapter of the Omega Psi Phi Fraternity since 1961.","Bobby married Iola Daniels on August 16, 1964 in Ormond Beach, Florida. They had three children: Stephna, Jeffrey, and Marquita. He died on November 19, 2023 in Fort Lauderdale, Florida.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The collection is comprised of Bobby G. Glenn's correspondence, awards and honors, newspaper clippings, Lieutenant uniform and hat,  funeral program, and one photograph. Glenn served as Fort Lauderdale's first Black firefighter.","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2024.3","/repositories/2/resources/272"],"normalized_date_ssm":["Circa 1970-2023"],"normalized_title_ssm":["Bobby G. Glenn Collection, Circa 1970-2023"],"collection_title_tesim":["Bobby G. Glenn Collection, Circa 1970-2023"],"collection_ssim":["Bobby G. Glenn Collection, Circa 1970-2023"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"geogname_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"places_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"access_subjects_ssim":["African American fire fighters","Uniforms","Funeral rites and ceremonies","Correspondence","Photographs","Proclamations","Certificates"],"access_subjects_ssm":["African American fire fighters","Uniforms","Funeral rites and ceremonies","Correspondence","Photographs","Proclamations","Certificates"],"has_online_content_ssim":["false"],"extent_ssm":["4 Hollinger Boxes"],"extent_tesim":["4 Hollinger Boxes"],"genreform_ssim":["Correspondence","Photographs","Proclamations","Certificates"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eBobby G. Glenn Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Bobby G. Glenn Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://cdm16146.contentdm.oclc.org/digital/collection/bobbyglenn\"\u003eThe Bobby G. Glenn Collection is digitized and available on the Broward County Library Digital Archives\u003c/a\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["The Bobby G. Glenn Collection is digitized and available on the Broward County Library Digital Archives ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series: Series I. Correspondence, Series II. Awards and Honors, Series III. Personal Papers, and Series IV. Objects.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four series: Series I. Correspondence, Series II. Awards and Honors, Series III. Personal Papers, and Series IV. Objects."],"bioghist_html_tesm":["\u003cp\u003eLieutenant Robert \"Bobby\" G. Glenn was born in Milledgeville, Georgia on December 29, 1941 to parents Stutson and Rosie Lee Glenn. He graduated from Blanche Ely High School in Pompano Beach, Florida and attended Fort Valley State College in Georgia. He ran track in college and came in second place to Olympian Bob Hayes in the 100 and 200-yard race. He received his Bachelor of Arts degree in Business Administration from Fort Lauderdale University.\u003c/p\u003e\n","\u003cp\u003eBobby began his professional career as a Meter Reader for the City of Fort Lauderdale. On September 20, 1970, he became the first Black firefighter for the City of Fort Lauderdale and Broward County. He was promoted to Driver Engineer and then later Lieutenant. He retired from the Fort Lauderdale Fire Department in 1992 and rejoined the workforce in 1993 as a Fire Inspector with the City of Tamarac. In 1994, Bobby worked as the Loss Prevention Coordinator for Broward County Public Schools. He held this position for 25 years and retired in June 2019. Throughout his life, Bobby Glenn served his community and coached girls' basketball teams, particularly in the Amateur Athletic Union (AAU) from 1972 to 1996 and at Broward College Central Campus in 1979. He was a member of Welcome Baptist Church, Mount Nebo Baptist Church, and the Liberal Black Firefighters Association. Bobby was an active member of the Zeta Chi Chapter of the Omega Psi Phi Fraternity since 1961.\u003c/p\u003e\n","\u003cp\u003eBobby married Iola Daniels on August 16, 1964 in Ormond Beach, Florida. They had three children: Stephna, Jeffrey, and Marquita. He died on November 19, 2023 in Fort Lauderdale, Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Lieutenant Robert \"Bobby\" G. Glenn was born in Milledgeville, Georgia on December 29, 1941 to parents Stutson and Rosie Lee Glenn. He graduated from Blanche Ely High School in Pompano Beach, Florida and attended Fort Valley State College in Georgia. He ran track in college and came in second place to Olympian Bob Hayes in the 100 and 200-yard race. He received his Bachelor of Arts degree in Business Administration from Fort Lauderdale University.","Bobby began his professional career as a Meter Reader for the City of Fort Lauderdale. On September 20, 1970, he became the first Black firefighter for the City of Fort Lauderdale and Broward County. He was promoted to Driver Engineer and then later Lieutenant. He retired from the Fort Lauderdale Fire Department in 1992 and rejoined the workforce in 1993 as a Fire Inspector with the City of Tamarac. In 1994, Bobby worked as the Loss Prevention Coordinator for Broward County Public Schools. He held this position for 25 years and retired in June 2019. Throughout his life, Bobby Glenn served his community and coached girls' basketball teams, particularly in the Amateur Athletic Union (AAU) from 1972 to 1996 and at Broward College Central Campus in 1979. He was a member of Welcome Baptist Church, Mount Nebo Baptist Church, and the Liberal Black Firefighters Association. Bobby was an active member of the Zeta Chi Chapter of the Omega Psi Phi Fraternity since 1961.","Bobby married Iola Daniels on August 16, 1964 in Ormond Beach, Florida. They had three children: Stephna, Jeffrey, and Marquita. He died on November 19, 2023 in Fort Lauderdale, Florida."],"prefercite_html_tesm":["\u003cp\u003eBobby G. Glenn Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Bobby G. Glenn Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is comprised of Bobby G. Glenn's correspondence, awards and honors, newspaper clippings, Lieutenant uniform and hat,  funeral program, and one photograph. Glenn served as Fort Lauderdale's first Black firefighter.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is comprised of Bobby G. Glenn's correspondence, awards and honors, newspaper clippings, Lieutenant uniform and hat,  funeral program, and one photograph. Glenn served as Fort Lauderdale's first Black firefighter."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":25,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"6dc93a5e1f7df314e4f7e51e","timestamp":"2026-04-21T01:43:57.243Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6dc93a5e1f7df314e4f7e51e"}},{"id":"4e52588c70f468f91119432f","type":"collection","attributes":{"title":"Charles E. Barnes Collection, 1979-2007","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/4e52588c70f468f91119432f#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Charles E. Barnes Collection contains personal papers, certificates, photographic reproductions, and a fireman's helmet belonging to Charles E. Barnes of Fort Lauderdale, Florida.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4e52588c70f468f91119432f#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"4e52588c70f468f91119432f","title_filing_ssi":"Barnes, Charles E. Collection","title_ssm":["Charles E. Barnes Collection"],"title_tesim":["Charles E. Barnes Collection"],"ead_ssi":"4e52588c70f468f91119432f","unitdate_ssm":["1979-2007"],"unitdate_inclusive_ssm":["1979-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2021.9","/repositories/2/resources/141"],"text":["AARLCC.2021.9","/repositories/2/resources/141","Charles E. Barnes Collection, 1979-2007","Fort Lauderdale (Fla.)","African American fire fighters","Fire helmets","Certificates","Photographs","Programs","Clippings","The Charles E. Barnes Collection is open for research.","The collection is arranged into three series: Series I. Personal Papers, Series II. Certificates, and Series III. Objects.","Charles Edward Barnes, Sr. was born on September 4, 1952 to parents Willie Mack and Lula Barnes in Leary, Georgia. Shortly after his birth, the family of seven moved to Fort Lauderdale, Florida. Charles E. Barnes attended Dillard Elementary, Everglades Junior High, and Dillard High schools. He married Carrie Roper on June 19, 1971 and they have four children. In February 1972, Charles served as a paratrooper in the United States Army 101st Airborne Division. In June 1975, Charles returned to Fort Lauderdale, Florida to work as a water meter reader for the City of Fort Lauderdale.","Charles entered the firefighter training academy and he was the only black student in the class. On January 8, 1979, Charles became a certified firefighter and worked in the Fire Prevention Bureau. He was the first black certified Fire Inspector. Charles later became the first black arson investigator. He was certified by the Broward County Courts as an expert witness in a GE fire case in October 1985. Charles E. Barnes and fellow firefighter Rodney Coleman were recognized as the first black \"Firefighter of the Year\" in 1985. Charles advanced in his career to Lieutenant on April 5, 1987. He was the first black fire Lieutenant in Fort Lauderdale, Florida. ","In addition to his firefighter career, Charles E. Barnes coached little league sports such as football, baseball, and basketball for 18 years in Broward County, Florida. He served as Football Commissioner for five years in Lauderdale Lakes, Florida. Charles also helped develop a program called JASP (Juvenile Alternative Service Program) which provides juvenile delinquents the option to complete community service as an alternative to incarceration. On January 5, 2001, Lieutenant Charles E. Barnes retired.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Charles E. Barnes Collection in the Broward County Library Digital Archives.","The Charles E. Barnes Collection contains personal papers, certificates, photographic reproductions, and a fireman's helmet belonging to Charles E. Barnes of Fort Lauderdale, Florida.","AARLCC Special Collections","Barnes, Charles E., Sr.","English"],"unitid_tesim":["AARLCC.2021.9","/repositories/2/resources/141"],"normalized_date_ssm":["1979-2007"],"normalized_title_ssm":["Charles E. Barnes Collection, 1979-2007"],"collection_title_tesim":["Charles E. Barnes Collection, 1979-2007"],"collection_ssim":["Charles E. Barnes Collection, 1979-2007"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Fort Lauderdale (Fla.)"],"geogname_ssim":["Fort Lauderdale (Fla.)"],"places_ssim":["Fort Lauderdale (Fla.)"],"access_subjects_ssim":["African American fire fighters","Fire helmets","Certificates","Photographs","Programs","Clippings"],"access_subjects_ssm":["African American fire fighters","Fire helmets","Certificates","Photographs","Programs","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Hollinger Boxes"],"extent_tesim":["1.5 Hollinger Boxes"],"genreform_ssim":["Certificates","Photographs","Programs","Clippings"],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThe Charles E. Barnes Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Charles E. Barnes Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series: Series I. Personal Papers, Series II. Certificates, and Series III. Objects.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into three series: Series I. Personal Papers, Series II. Certificates, and Series III. Objects."],"bioghist_html_tesm":["\u003cp\u003eCharles Edward Barnes, Sr. was born on September 4, 1952 to parents Willie Mack and Lula Barnes in Leary, Georgia. Shortly after his birth, the family of seven moved to Fort Lauderdale, Florida. Charles E. Barnes attended Dillard Elementary, Everglades Junior High, and Dillard High schools. He married Carrie Roper on June 19, 1971 and they have four children. In February 1972, Charles served as a paratrooper in the United States Army 101st Airborne Division. In June 1975, Charles returned to Fort Lauderdale, Florida to work as a water meter reader for the City of Fort Lauderdale.\u003c/p\u003e\n","\u003cp\u003eCharles entered the firefighter training academy and he was the only black student in the class. On January 8, 1979, Charles became a certified firefighter and worked in the Fire Prevention Bureau. He was the first black certified Fire Inspector. Charles later became the first black arson investigator. He was certified by the Broward County Courts as an expert witness in a GE fire case in October 1985. Charles E. Barnes and fellow firefighter Rodney Coleman were recognized as the first black \"Firefighter of the Year\" in 1985. Charles advanced in his career to Lieutenant on April 5, 1987. He was the first black fire Lieutenant in Fort Lauderdale, Florida. \u003c/p\u003e\n","\u003cp\u003eIn addition to his firefighter career, Charles E. Barnes coached little league sports such as football, baseball, and basketball for 18 years in Broward County, Florida. He served as Football Commissioner for five years in Lauderdale Lakes, Florida. Charles also helped develop a program called JASP (Juvenile Alternative Service Program) which provides juvenile delinquents the option to complete community service as an alternative to incarceration. On January 5, 2001, Lieutenant Charles E. Barnes retired.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Charles Edward Barnes, Sr. was born on September 4, 1952 to parents Willie Mack and Lula Barnes in Leary, Georgia. Shortly after his birth, the family of seven moved to Fort Lauderdale, Florida. Charles E. Barnes attended Dillard Elementary, Everglades Junior High, and Dillard High schools. He married Carrie Roper on June 19, 1971 and they have four children. In February 1972, Charles served as a paratrooper in the United States Army 101st Airborne Division. In June 1975, Charles returned to Fort Lauderdale, Florida to work as a water meter reader for the City of Fort Lauderdale.","Charles entered the firefighter training academy and he was the only black student in the class. On January 8, 1979, Charles became a certified firefighter and worked in the Fire Prevention Bureau. He was the first black certified Fire Inspector. Charles later became the first black arson investigator. He was certified by the Broward County Courts as an expert witness in a GE fire case in October 1985. Charles E. Barnes and fellow firefighter Rodney Coleman were recognized as the first black \"Firefighter of the Year\" in 1985. Charles advanced in his career to Lieutenant on April 5, 1987. He was the first black fire Lieutenant in Fort Lauderdale, Florida. ","In addition to his firefighter career, Charles E. Barnes coached little league sports such as football, baseball, and basketball for 18 years in Broward County, Florida. He served as Football Commissioner for five years in Lauderdale Lakes, Florida. Charles also helped develop a program called JASP (Juvenile Alternative Service Program) which provides juvenile delinquents the option to complete community service as an alternative to incarceration. On January 5, 2001, Lieutenant Charles E. Barnes retired."],"prefercite_html_tesm":["\u003cp\u003eCharles E. Barnes Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Charles E. Barnes Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll28/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Charles E. Barnes Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Charles E. Barnes Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles E. Barnes Collection contains personal papers, certificates, photographic reproductions, and a fireman's helmet belonging to Charles E. Barnes of Fort Lauderdale, Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Charles E. Barnes Collection contains personal papers, certificates, photographic reproductions, and a fireman's helmet belonging to Charles E. 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He married Carrie Roper on June 19, 1971 and they have four children. In February 1972, Charles served as a paratrooper in the United States Army 101st Airborne Division. In June 1975, Charles returned to Fort Lauderdale, Florida to work as a water meter reader for the City of Fort Lauderdale.","Charles entered the firefighter training academy and he was the only black student in the class. On January 8, 1979, Charles became a certified firefighter and worked in the Fire Prevention Bureau. He was the first black certified Fire Inspector. Charles later became the first black arson investigator. He was certified by the Broward County Courts as an expert witness in a GE fire case in October 1985. Charles E. Barnes and fellow firefighter Rodney Coleman were recognized as the first black \"Firefighter of the Year\" in 1985. Charles advanced in his career to Lieutenant on April 5, 1987. He was the first black fire Lieutenant in Fort Lauderdale, Florida. ","In addition to his firefighter career, Charles E. Barnes coached little league sports such as football, baseball, and basketball for 18 years in Broward County, Florida. He served as Football Commissioner for five years in Lauderdale Lakes, Florida. Charles also helped develop a program called JASP (Juvenile Alternative Service Program) which provides juvenile delinquents the option to complete community service as an alternative to incarceration. On January 5, 2001, Lieutenant Charles E. Barnes retired.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Charles E. Barnes Collection in the Broward County Library Digital Archives.","The Charles E. Barnes Collection contains personal papers, certificates, photographic reproductions, and a fireman's helmet belonging to Charles E. Barnes of Fort Lauderdale, Florida.","AARLCC Special Collections","Barnes, Charles E., Sr.","English"],"unitid_tesim":["AARLCC.2021.9","/repositories/2/resources/141"],"normalized_date_ssm":["1979-2007"],"normalized_title_ssm":["Charles E. Barnes Collection, 1979-2007"],"collection_title_tesim":["Charles E. Barnes Collection, 1979-2007"],"collection_ssim":["Charles E. Barnes Collection, 1979-2007"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Fort Lauderdale (Fla.)"],"geogname_ssim":["Fort Lauderdale (Fla.)"],"places_ssim":["Fort Lauderdale (Fla.)"],"access_subjects_ssim":["African American fire fighters","Fire helmets","Certificates","Photographs","Programs","Clippings"],"access_subjects_ssm":["African American fire fighters","Fire helmets","Certificates","Photographs","Programs","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Hollinger Boxes"],"extent_tesim":["1.5 Hollinger Boxes"],"genreform_ssim":["Certificates","Photographs","Programs","Clippings"],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThe Charles E. Barnes Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Charles E. Barnes Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series: Series I. Personal Papers, Series II. Certificates, and Series III. Objects.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into three series: Series I. Personal Papers, Series II. Certificates, and Series III. Objects."],"bioghist_html_tesm":["\u003cp\u003eCharles Edward Barnes, Sr. was born on September 4, 1952 to parents Willie Mack and Lula Barnes in Leary, Georgia. Shortly after his birth, the family of seven moved to Fort Lauderdale, Florida. Charles E. Barnes attended Dillard Elementary, Everglades Junior High, and Dillard High schools. He married Carrie Roper on June 19, 1971 and they have four children. In February 1972, Charles served as a paratrooper in the United States Army 101st Airborne Division. In June 1975, Charles returned to Fort Lauderdale, Florida to work as a water meter reader for the City of Fort Lauderdale.\u003c/p\u003e\n","\u003cp\u003eCharles entered the firefighter training academy and he was the only black student in the class. On January 8, 1979, Charles became a certified firefighter and worked in the Fire Prevention Bureau. He was the first black certified Fire Inspector. Charles later became the first black arson investigator. He was certified by the Broward County Courts as an expert witness in a GE fire case in October 1985. Charles E. Barnes and fellow firefighter Rodney Coleman were recognized as the first black \"Firefighter of the Year\" in 1985. Charles advanced in his career to Lieutenant on April 5, 1987. He was the first black fire Lieutenant in Fort Lauderdale, Florida. \u003c/p\u003e\n","\u003cp\u003eIn addition to his firefighter career, Charles E. Barnes coached little league sports such as football, baseball, and basketball for 18 years in Broward County, Florida. He served as Football Commissioner for five years in Lauderdale Lakes, Florida. Charles also helped develop a program called JASP (Juvenile Alternative Service Program) which provides juvenile delinquents the option to complete community service as an alternative to incarceration. On January 5, 2001, Lieutenant Charles E. Barnes retired.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Charles Edward Barnes, Sr. was born on September 4, 1952 to parents Willie Mack and Lula Barnes in Leary, Georgia. Shortly after his birth, the family of seven moved to Fort Lauderdale, Florida. Charles E. Barnes attended Dillard Elementary, Everglades Junior High, and Dillard High schools. He married Carrie Roper on June 19, 1971 and they have four children. In February 1972, Charles served as a paratrooper in the United States Army 101st Airborne Division. In June 1975, Charles returned to Fort Lauderdale, Florida to work as a water meter reader for the City of Fort Lauderdale.","Charles entered the firefighter training academy and he was the only black student in the class. On January 8, 1979, Charles became a certified firefighter and worked in the Fire Prevention Bureau. He was the first black certified Fire Inspector. Charles later became the first black arson investigator. He was certified by the Broward County Courts as an expert witness in a GE fire case in October 1985. Charles E. Barnes and fellow firefighter Rodney Coleman were recognized as the first black \"Firefighter of the Year\" in 1985. Charles advanced in his career to Lieutenant on April 5, 1987. He was the first black fire Lieutenant in Fort Lauderdale, Florida. ","In addition to his firefighter career, Charles E. Barnes coached little league sports such as football, baseball, and basketball for 18 years in Broward County, Florida. He served as Football Commissioner for five years in Lauderdale Lakes, Florida. Charles also helped develop a program called JASP (Juvenile Alternative Service Program) which provides juvenile delinquents the option to complete community service as an alternative to incarceration. On January 5, 2001, Lieutenant Charles E. Barnes retired."],"prefercite_html_tesm":["\u003cp\u003eCharles E. Barnes Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Charles E. Barnes Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll28/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Charles E. Barnes Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Charles E. Barnes Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles E. Barnes Collection contains personal papers, certificates, photographic reproductions, and a fireman's helmet belonging to Charles E. Barnes of Fort Lauderdale, Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Charles E. Barnes Collection contains personal papers, certificates, photographic reproductions, and a fireman's helmet belonging to Charles E. Barnes of Fort Lauderdale, Florida."],"names_ssim":["AARLCC Special Collections","Barnes, Charles E., Sr."],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Barnes, Charles E., Sr."],"persname_ssim":["Barnes, Charles E., Sr."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":23,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455801579634688,"_root_":"4e52588c70f468f91119432f","timestamp":"2026-09-16T03:01:43.837Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4e52588c70f468f91119432f"}},{"id":"5c1d3cacb20af4c5d0f16be1","type":"collection","attributes":{"title":"Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/5c1d3cacb20af4c5d0f16be1#creator","type":"document_value","attributes":{"value":["Mansfield, Charlotte D."],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/5c1d3cacb20af4c5d0f16be1#abstract_or_scope","type":"document_value","attributes":{"value":["Charlotte Mansfield enlisted in the Women's Army Auxiliary Corps (W.A.A.C.) in 1942 to pursue work in photograph processing for the military. She was part of the first all-women graduating class from Lowry Field Photo School in Colorado, where she was trained to be a photo technician that developed primarily aerial shots in photography labs. Mansfield was stationed at various locations throughout the United States before being transferred to lab work overseas in England and Germany. By this time, W.A.A.C. had transitioned to Women's Army Corps (W.A.C.). Throughout her military service, Mansfield took numerous personal photographs that featured her friends and surroundings. They provide an unparalleled amount of insight into the private lives of W.A.C.s as they negotiated what it meant to serve in World War II. Mansfield reenlisted after the war, eventually becoming part of the Women in the Air Force (W.A.F.), and retired in 1973. Photography remained her passion until her death in 2007."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5c1d3cacb20af4c5d0f16be1#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"5c1d3cacb20af4c5d0f16be1","title_filing_ssi":"Mansfield, Charlotte D. collection","title_ssm":["Charlotte D. Mansfield collection"],"title_tesim":["Charlotte D. Mansfield collection"],"ead_ssi":"5c1d3cacb20af4c5d0f16be1","unitdate_ssm":["1915-2017","1942-1957","Date acquired: 09/10/2008","Date accessioned: 2020-06-07"],"unitdate_bulk_ssim":["1942-1957"],"unitdate_inclusive_ssm":["1915-2017"],"unitdate_other_ssim":["Date acquired: 09/10/2008","Date accessioned: 2020-06-07"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["08.0158","/repositories/10/resources/362"],"text":["08.0158","/repositories/10/resources/362","Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957","Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)","World War, 1939-1945--Great Britain","World War, 1939-1945--Germany","World War, 1939-1945--Personal narratives, American","World War, 1939-1945--Women","Photography, Military","World War, 1939-1945--England--London","Europe--Description and Travel","World War, 1939-1945--Europe","Sports for women","Military sports","Friendship","Meritorious Service Medal","United States, Oklahoma--Military records","Oktoberfest","Military Discharge--United States","United States. Army Air Forces--Military life","Sexism","Retirement","V-E Day, 1945","Dogs","Awards","United States. Army Air Forces. Medals, badges, decorations, etc","Photojournalism","World War, 1939-1945--Photography","Basic training (Military education)","Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques","This collection is open to all researchers.","Early Life - Charlotte Dee Mansfield was born in Hanford, CA, August 31, 1915, and moved to Oklahoma when she was eight years old. She had been an avid photographer ever since her father took her to the darkroom of an old Army buddy, and she saw strips of film hanging on a line. She graduated from Garber High School in 1934, and then went on to Tonkawa College before receiving her Bachelor's degree in English from the University of Central Oklahoma in 1941. Mansfield was a reporter, writer, and editor for the college newspaper, which demonstrated how her fascination for photography followed her throughout her educational years. It was an article in  Popular Photography  Magazine about British military women photographers and their work in aerial photography that inspired her to enlist in the Women's Army Auxiliary Corps (W.A.A.C.) when World War II began.\n          World War II Service - Mansfield enlisted as a W.A.A.C. on October 17, 1942. She attended basic training at Ft. Des Moines, Iowa until February 1943 and then transferred to Lowry Field Photo School in Denver, Colorado. She was one of fifty who made up the first all-women class to be trained as aerial photo technicians. The women did better academically than the men who doubted them, as well as handled the cameras and darkroom work well. After graduating in April 1943, Mansfield went to Felts Field in Spokane, Washington for further training. While there, W.A.A.C. was converted to full status as a branch of the United States Army and became the Women's Army Corps (W.A.C.) in July 1943. Mansfield was also stationed at Peterson Field, Colorado Springs, Colorado and Fort Oglethorpe, Georgia before being assigned overseas work in May 1944. Throughout her service, Mansfield kept her Graflex 4x5 Pacemaker Speed Graphic camera and a supply of personal film provided by her father, who was incredibly supportive of her photographic endeavors throughout her life. She used these to document her experience at each location in the states, photographing her friends and surroundings. The pictures Mansfield took feature the women training, completing their work, and socializing.","      Mansfield was assigned to the 8 th  Air Force under James Doolittle stationed in High Wycombe, England. The codename for the camp was \"Pinetree,\" with Mansfield interchanging between the two location names in documents and on her pictures. The majority of the correspondence in the collection is from her time in England, where she described to her parents her visit to London and conditions at the camp. Food was a common topic for Mansfield, as well as conditions in the lab. Mansfield continued to take personal photographs, documenting the English countryside and life in the military huts where the women were housed. She celebrated Victory in Europe Day at this station, and there are numerous pictures of the service members rejoicing. Though the war on the western front was over, Mansfield stated in a letter to her parents that W.A.C.s were essential for the army of occupation and were scheduled to transfer to Germany.","      Mansfield was then transferred to the 9 th  Air Force stationed in Bad Kissingen, Germany to work with the 13 th  Photo Tech Unit. This resort town was occupied by the United States Army, and Mansfield noted the barbed wire and boarded up shops in letters. The lab was in a large, empty house and took considerable time to construct. Before it was finished, Mansfield worked mainly in the contact printing room or other labs in the region that needed assistance. She mentioned in letters that she and her peers often had to prove they could do the work, as many officers seemed doubtful. This testified to the sexism the W.A.C.s experienced, and that they did their job, and did it well, regardless of the obstacles. Mansfield continued her routine of taking personal photographs, which included several pictures of local Germans that accompanied the usual shots of friends and surroundings. She remained in Germany from July to November 1945, then returned to the United States after being honorably discharged from the military.","Post-War U.S. Air Force Service - After being discharged, Mansfield remained a civilian for fifteen months. Most of that time was spent helping a friend, Bertha Brownback. The two had become very close friends while in the military together but towards the end of their service, Bertha found herself pregnant without a husband. This meant she was automatically discharged from the military. When Mansfield returned to the United States, she moved with Bertha and the baby to Philadelphia where she worked for a short while with a photofinishing company. They then moved to Oklahoma because Mansfield wanted to be near family again. Soon after, Bertha died in a car accident, leaving Mansfield guardian of her child. She arranged for a couple related to her to adopt the baby, which freed her to reenlist in the military. This entire situation served as a testament to Mansfield's character; she was willing to put her career on hold to help a friend in need. It is this quality of love and friendship that stood out most strongly in her photography.","      In September 1946, Mansfield re-enlisted in the W.A.C. where she worked in Photo Labs at U.S. Bases and in Germany. When the U.S. Air Force became a separate service, she became part of the Women in the Air Force. Mansfield was stationed in Erding, Germany from 1952 to 1955. While there, she toured Europe, visiting Berlin, Paris, and Rome as well as the scenic countryside of Germany and Austria. She took numerous photographs and assembled them into a scrapbook, accompanied with historical commentary and descriptions of events. Mansfield was even able to revisit Bad Kissingen, Germany, where she had been stationed during the war, and commented on its marked difference in appearance.","      Mansfield remained in the U.S. Air Force until her retirement in 1973, after thirty years of military service where she earned the rank of Senior Master Sergeant(E-8). Throughout her military documents, Mansfield received numerous letters of praise and strong recommendations based on her work ethic. Because of her strong record, Mansfield was awarded the Meritorious Service Medal upon retirement, which is the highest award for military service during peacetime. This demonstrated to Mansfield that her hard work was appreciated, and she was very proud of it.","Retirement - Shortly before retirement, in 1970, Mansfield met Lorraine Caddy and the two became best friends. They decided that they liked each other enough to live together, and while Caddy was still in the military, they moved wherever she was stationed until her retirement in 1977. They decided to settle in Oklahoma outside Oklahoma City due to Mansfield's familial connection to the area. Mansfield returned to the University of Central Oklahoma in 1981 to complete a Bachelor of Science in Photo Journalism and a Master's Degree in Journalism in 1983. Photography remained her first love throughout her life, and she was an active member of the Oklahoma Camera Club since 1963. Mansfield passed away Sunday, December 30, 2007, at the age of 92. She is survived by her companion of 37 years, Lorraine Caddy.","This collection was donated by Lorraine A. Caddy. The collection was acquired by the Institute on World War II and the Human Experience on September 10, 2008.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Processed Summer and Fall 2017","This collection relates to Charlotte D. Mansfield who served in the Women's Army Corps during World War II in the European Theater as a photographer and photograph processor. She subsequently retired from the U.S. Air Force. This collection contains documents, photographs, scrapbooks, and artifacts. The documents include personal correspondence, military records, newspaper clippings, newsletters, magazines, and certificates for military service. Various military medals and patches, mugs from U.S. Air Force service, and Graflex 4x5 Pacemaker Speed Graphic camera make up the artifacts. There are eight scrapbooks that Mansfield assembled documenting her military service, primarily overseas, both during World War II and after. Photographs make up the majority of the collection, with one box of loose photographs in separate folders and five archival scrapbooks filled with pictures. There are also four enlarged portraits of Mansfield.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","Charlotte Mansfield enlisted in the Women's Army Auxiliary Corps (W.A.A.C.) in 1942 to pursue work in photograph processing for the military. She was part of the first all-women graduating class from Lowry Field Photo School in Colorado, where she was trained to be a photo technician that developed primarily aerial shots in photography labs. Mansfield was stationed at various locations throughout the United States before being transferred to lab work overseas in England and Germany. By this time, W.A.A.C. had transitioned to Women's Army Corps (W.A.C.). Throughout her military service, Mansfield took numerous personal photographs that featured her friends and surroundings. They provide an unparalleled amount of insight into the private lives of W.A.C.s as they negotiated what it meant to serve in World War II. Mansfield reenlisted after the war, eventually becoming part of the Women in the Air Force (W.A.F.), and retired in 1973. Photography remained her passion until her death in 2007.","FSU Special Collections \u0026 Archives","United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government","Mansfield, Charlotte D.","Doolittle, James Harold, 1896-1993","English"],"unitid_tesim":["08.0158","/repositories/10/resources/362"],"normalized_date_ssm":["1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"normalized_title_ssm":["Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"collection_title_tesim":["Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"collection_ssim":["Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)"],"geogname_ssim":["Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)"],"creator_ssm":["Mansfield, Charlotte D."],"creator_ssim":["Mansfield, Charlotte D."],"creator_persname_ssim":["Mansfield, Charlotte D."],"creators_ssim":["Mansfield, Charlotte D."],"places_ssim":["Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["World War, 1939-1945--Great Britain","World War, 1939-1945--Germany","World War, 1939-1945--Personal narratives, American","World War, 1939-1945--Women","Photography, Military","World War, 1939-1945--England--London","Europe--Description and Travel","World War, 1939-1945--Europe","Sports for women","Military sports","Friendship","Meritorious Service Medal","United States, Oklahoma--Military records","Oktoberfest","Military Discharge--United States","United States. Army Air Forces--Military life","Sexism","Retirement","V-E Day, 1945","Dogs","Awards","United States. Army Air Forces. Medals, badges, decorations, etc","Photojournalism","World War, 1939-1945--Photography","Basic training (Military education)","Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques"],"access_subjects_ssm":["World War, 1939-1945--Great Britain","World War, 1939-1945--Germany","World War, 1939-1945--Personal narratives, American","World War, 1939-1945--Women","Photography, Military","World War, 1939-1945--England--London","Europe--Description and Travel","World War, 1939-1945--Europe","Sports for women","Military sports","Friendship","Meritorious Service Medal","United States, Oklahoma--Military records","Oktoberfest","Military Discharge--United States","United States. Army Air Forces--Military life","Sexism","Retirement","V-E Day, 1945","Dogs","Awards","United States. Army Air Forces. Medals, badges, decorations, etc","Photojournalism","World War, 1939-1945--Photography","Basic training (Military education)","Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques"],"has_online_content_ssim":["false"],"extent_ssm":["14 Linear Feet","1 items 1 camera case"],"extent_tesim":["14 Linear Feet","1 items 1 camera case"],"dimensions_tesim":["21x9.75"],"genreform_ssim":["Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003e\u003ctitle\u003eEarly Life\u003c/title\u003e- Charlotte Dee Mansfield was born in Hanford, CA, August 31, 1915, and moved to Oklahoma when she was eight years old. She had been an avid photographer ever since her father took her to the darkroom of an old Army buddy, and she saw strips of film hanging on a line. She graduated from Garber High School in 1934, and then went on to Tonkawa College before receiving her Bachelor's degree in English from the University of Central Oklahoma in 1941. Mansfield was a reporter, writer, and editor for the college newspaper, which demonstrated how her fascination for photography followed her throughout her educational years. It was an article in \u003cemph render=\"italic\"\u003ePopular Photography\u003c/emph\u003e Magazine about British military women photographers and their work in aerial photography that inspired her to enlist in the Women's Army Auxiliary Corps (W.A.A.C.) when World War II began.\n         \u003cbr\u003e\u003cbr\u003e\u003ctitle\u003eWorld War II Service\u003c/title\u003e- Mansfield enlisted as a W.A.A.C. on October 17, 1942. She attended basic training at Ft. Des Moines, Iowa until February 1943 and then transferred to Lowry Field Photo School in Denver, Colorado. She was one of fifty who made up the first all-women class to be trained as aerial photo technicians. The women did better academically than the men who doubted them, as well as handled the cameras and darkroom work well. After graduating in April 1943, Mansfield went to Felts Field in Spokane, Washington for further training. While there, W.A.A.C. was converted to full status as a branch of the United States Army and became the Women's Army Corps (W.A.C.) in July 1943. Mansfield was also stationed at Peterson Field, Colorado Springs, Colorado and Fort Oglethorpe, Georgia before being assigned overseas work in May 1944. Throughout her service, Mansfield kept her Graflex 4x5 Pacemaker Speed Graphic camera and a supply of personal film provided by her father, who was incredibly supportive of her photographic endeavors throughout her life. She used these to document her experience at each location in the states, photographing her friends and surroundings. The pictures Mansfield took feature the women training, completing their work, and socializing.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eMansfield was assigned to the 8\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Air Force under James Doolittle stationed in High Wycombe, England. The codename for the camp was \"Pinetree,\" with Mansfield interchanging between the two location names in documents and on her pictures. The majority of the correspondence in the collection is from her time in England, where she described to her parents her visit to London and conditions at the camp. Food was a common topic for Mansfield, as well as conditions in the lab. Mansfield continued to take personal photographs, documenting the English countryside and life in the military huts where the women were housed. She celebrated Victory in Europe Day at this station, and there are numerous pictures of the service members rejoicing. Though the war on the western front was over, Mansfield stated in a letter to her parents that W.A.C.s were essential for the army of occupation and were scheduled to transfer to Germany.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eMansfield was then transferred to the 9\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Air Force stationed in Bad Kissingen, Germany to work with the 13\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Photo Tech Unit. This resort town was occupied by the United States Army, and Mansfield noted the barbed wire and boarded up shops in letters. The lab was in a large, empty house and took considerable time to construct. Before it was finished, Mansfield worked mainly in the contact printing room or other labs in the region that needed assistance. She mentioned in letters that she and her peers often had to prove they could do the work, as many officers seemed doubtful. This testified to the sexism the W.A.C.s experienced, and that they did their job, and did it well, regardless of the obstacles. Mansfield continued her routine of taking personal photographs, which included several pictures of local Germans that accompanied the usual shots of friends and surroundings. She remained in Germany from July to November 1945, then returned to the United States after being honorably discharged from the military.\u003c/p\u003e\n","\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003ctitle\u003ePost-War U.S. Air Force Service\u003c/title\u003e- After being discharged, Mansfield remained a civilian for fifteen months. Most of that time was spent helping a friend, Bertha Brownback. The two had become very close friends while in the military together but towards the end of their service, Bertha found herself pregnant without a husband. This meant she was automatically discharged from the military. When Mansfield returned to the United States, she moved with Bertha and the baby to Philadelphia where she worked for a short while with a photofinishing company. They then moved to Oklahoma because Mansfield wanted to be near family again. Soon after, Bertha died in a car accident, leaving Mansfield guardian of her child. She arranged for a couple related to her to adopt the baby, which freed her to reenlist in the military. This entire situation served as a testament to Mansfield's character; she was willing to put her career on hold to help a friend in need. It is this quality of love and friendship that stood out most strongly in her photography.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eIn September 1946, Mansfield re-enlisted in the W.A.C. where she worked in Photo Labs at U.S. Bases and in Germany. When the U.S. Air Force became a separate service, she became part of the Women in the Air Force. Mansfield was stationed in Erding, Germany from 1952 to 1955. While there, she toured Europe, visiting Berlin, Paris, and Rome as well as the scenic countryside of Germany and Austria. She took numerous photographs and assembled them into a scrapbook, accompanied with historical commentary and descriptions of events. Mansfield was even able to revisit Bad Kissingen, Germany, where she had been stationed during the war, and commented on its marked difference in appearance.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eMansfield remained in the U.S. Air Force until her retirement in 1973, after thirty years of military service where she earned the rank of Senior Master Sergeant(E-8). Throughout her military documents, Mansfield received numerous letters of praise and strong recommendations based on her work ethic. Because of her strong record, Mansfield was awarded the Meritorious Service Medal upon retirement, which is the highest award for military service during peacetime. This demonstrated to Mansfield that her hard work was appreciated, and she was very proud of it.\u003c/p\u003e\n","\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003ctitle\u003eRetirement\u003c/title\u003e- Shortly before retirement, in 1970, Mansfield met Lorraine Caddy and the two became best friends. They decided that they liked each other enough to live together, and while Caddy was still in the military, they moved wherever she was stationed until her retirement in 1977. They decided to settle in Oklahoma outside Oklahoma City due to Mansfield's familial connection to the area. Mansfield returned to the University of Central Oklahoma in 1981 to complete a Bachelor of Science in Photo Journalism and a Master's Degree in Journalism in 1983. Photography remained her first love throughout her life, and she was an active member of the Oklahoma Camera Club since 1963. Mansfield passed away Sunday, December 30, 2007, at the age of 92. She is survived by her companion of 37 years, Lorraine Caddy.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Early Life - Charlotte Dee Mansfield was born in Hanford, CA, August 31, 1915, and moved to Oklahoma when she was eight years old. She had been an avid photographer ever since her father took her to the darkroom of an old Army buddy, and she saw strips of film hanging on a line. She graduated from Garber High School in 1934, and then went on to Tonkawa College before receiving her Bachelor's degree in English from the University of Central Oklahoma in 1941. Mansfield was a reporter, writer, and editor for the college newspaper, which demonstrated how her fascination for photography followed her throughout her educational years. It was an article in  Popular Photography  Magazine about British military women photographers and their work in aerial photography that inspired her to enlist in the Women's Army Auxiliary Corps (W.A.A.C.) when World War II began.\n          World War II Service - Mansfield enlisted as a W.A.A.C. on October 17, 1942. She attended basic training at Ft. Des Moines, Iowa until February 1943 and then transferred to Lowry Field Photo School in Denver, Colorado. She was one of fifty who made up the first all-women class to be trained as aerial photo technicians. The women did better academically than the men who doubted them, as well as handled the cameras and darkroom work well. After graduating in April 1943, Mansfield went to Felts Field in Spokane, Washington for further training. While there, W.A.A.C. was converted to full status as a branch of the United States Army and became the Women's Army Corps (W.A.C.) in July 1943. Mansfield was also stationed at Peterson Field, Colorado Springs, Colorado and Fort Oglethorpe, Georgia before being assigned overseas work in May 1944. Throughout her service, Mansfield kept her Graflex 4x5 Pacemaker Speed Graphic camera and a supply of personal film provided by her father, who was incredibly supportive of her photographic endeavors throughout her life. She used these to document her experience at each location in the states, photographing her friends and surroundings. The pictures Mansfield took feature the women training, completing their work, and socializing.","      Mansfield was assigned to the 8 th  Air Force under James Doolittle stationed in High Wycombe, England. The codename for the camp was \"Pinetree,\" with Mansfield interchanging between the two location names in documents and on her pictures. The majority of the correspondence in the collection is from her time in England, where she described to her parents her visit to London and conditions at the camp. Food was a common topic for Mansfield, as well as conditions in the lab. Mansfield continued to take personal photographs, documenting the English countryside and life in the military huts where the women were housed. She celebrated Victory in Europe Day at this station, and there are numerous pictures of the service members rejoicing. Though the war on the western front was over, Mansfield stated in a letter to her parents that W.A.C.s were essential for the army of occupation and were scheduled to transfer to Germany.","      Mansfield was then transferred to the 9 th  Air Force stationed in Bad Kissingen, Germany to work with the 13 th  Photo Tech Unit. This resort town was occupied by the United States Army, and Mansfield noted the barbed wire and boarded up shops in letters. The lab was in a large, empty house and took considerable time to construct. Before it was finished, Mansfield worked mainly in the contact printing room or other labs in the region that needed assistance. She mentioned in letters that she and her peers often had to prove they could do the work, as many officers seemed doubtful. This testified to the sexism the W.A.C.s experienced, and that they did their job, and did it well, regardless of the obstacles. Mansfield continued her routine of taking personal photographs, which included several pictures of local Germans that accompanied the usual shots of friends and surroundings. She remained in Germany from July to November 1945, then returned to the United States after being honorably discharged from the military.","Post-War U.S. Air Force Service - After being discharged, Mansfield remained a civilian for fifteen months. Most of that time was spent helping a friend, Bertha Brownback. The two had become very close friends while in the military together but towards the end of their service, Bertha found herself pregnant without a husband. This meant she was automatically discharged from the military. When Mansfield returned to the United States, she moved with Bertha and the baby to Philadelphia where she worked for a short while with a photofinishing company. They then moved to Oklahoma because Mansfield wanted to be near family again. Soon after, Bertha died in a car accident, leaving Mansfield guardian of her child. She arranged for a couple related to her to adopt the baby, which freed her to reenlist in the military. This entire situation served as a testament to Mansfield's character; she was willing to put her career on hold to help a friend in need. It is this quality of love and friendship that stood out most strongly in her photography.","      In September 1946, Mansfield re-enlisted in the W.A.C. where she worked in Photo Labs at U.S. Bases and in Germany. When the U.S. Air Force became a separate service, she became part of the Women in the Air Force. Mansfield was stationed in Erding, Germany from 1952 to 1955. While there, she toured Europe, visiting Berlin, Paris, and Rome as well as the scenic countryside of Germany and Austria. She took numerous photographs and assembled them into a scrapbook, accompanied with historical commentary and descriptions of events. Mansfield was even able to revisit Bad Kissingen, Germany, where she had been stationed during the war, and commented on its marked difference in appearance.","      Mansfield remained in the U.S. Air Force until her retirement in 1973, after thirty years of military service where she earned the rank of Senior Master Sergeant(E-8). Throughout her military documents, Mansfield received numerous letters of praise and strong recommendations based on her work ethic. Because of her strong record, Mansfield was awarded the Meritorious Service Medal upon retirement, which is the highest award for military service during peacetime. This demonstrated to Mansfield that her hard work was appreciated, and she was very proud of it.","Retirement - Shortly before retirement, in 1970, Mansfield met Lorraine Caddy and the two became best friends. They decided that they liked each other enough to live together, and while Caddy was still in the military, they moved wherever she was stationed until her retirement in 1977. They decided to settle in Oklahoma outside Oklahoma City due to Mansfield's familial connection to the area. Mansfield returned to the University of Central Oklahoma in 1981 to complete a Bachelor of Science in Photo Journalism and a Master's Degree in Journalism in 1983. Photography remained her first love throughout her life, and she was an active member of the Oklahoma Camera Club since 1963. Mansfield passed away Sunday, December 30, 2007, at the age of 92. She is survived by her companion of 37 years, Lorraine Caddy."],"custodhist_html_tesm":["\u003cp\u003eThis collection was donated by Lorraine A. Caddy. The collection was acquired by the Institute on World War II and the Human Experience on September 10, 2008.\u003c/p\u003e","\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History","Custodial History"],"custodhist_tesim":["This collection was donated by Lorraine A. Caddy. The collection was acquired by the Institute on World War II and the Human Experience on September 10, 2008.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Charlotte D. Mansfield collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_08_0158\"\u003ehttp://purl.fcla.edu/fsu/WWII_08_0158\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Charlotte D. Mansfield collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_08_0158 ."],"processinfo_html_tesm":["\u003cp\u003eProcessed Summer and Fall 2017\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed Summer and Fall 2017"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Charlotte D. Mansfield who served in the Women's Army Corps during World War II in the European Theater as a photographer and photograph processor. She subsequently retired from the U.S. Air Force. This collection contains documents, photographs, scrapbooks, and artifacts. The documents include personal correspondence, military records, newspaper clippings, newsletters, magazines, and certificates for military service. Various military medals and patches, mugs from U.S. Air Force service, and Graflex 4x5 Pacemaker Speed Graphic camera make up the artifacts. There are eight scrapbooks that Mansfield assembled documenting her military service, primarily overseas, both during World War II and after. Photographs make up the majority of the collection, with one box of loose photographs in separate folders and five archival scrapbooks filled with pictures. There are also four enlarged portraits of Mansfield.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection relates to Charlotte D. Mansfield who served in the Women's Army Corps during World War II in the European Theater as a photographer and photograph processor. She subsequently retired from the U.S. Air Force. This collection contains documents, photographs, scrapbooks, and artifacts. The documents include personal correspondence, military records, newspaper clippings, newsletters, magazines, and certificates for military service. Various military medals and patches, mugs from U.S. Air Force service, and Graflex 4x5 Pacemaker Speed Graphic camera make up the artifacts. There are eight scrapbooks that Mansfield assembled documenting her military service, primarily overseas, both during World War II and after. Photographs make up the majority of the collection, with one box of loose photographs in separate folders and five archival scrapbooks filled with pictures. There are also four enlarged portraits of Mansfield."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4c0fe496351ee46fff18977354e86118\" label=\"Abstract\"\u003eCharlotte Mansfield enlisted in the Women's Army Auxiliary Corps (W.A.A.C.) in 1942 to pursue work in photograph processing for the military. She was part of the first all-women graduating class from Lowry Field Photo School in Colorado, where she was trained to be a photo technician that developed primarily aerial shots in photography labs. Mansfield was stationed at various locations throughout the United States before being transferred to lab work overseas in England and Germany. By this time, W.A.A.C. had transitioned to Women's Army Corps (W.A.C.). Throughout her military service, Mansfield took numerous personal photographs that featured her friends and surroundings. They provide an unparalleled amount of insight into the private lives of W.A.C.s as they negotiated what it meant to serve in World War II. Mansfield reenlisted after the war, eventually becoming part of the Women in the Air Force (W.A.F.), and retired in 1973. Photography remained her passion until her death in 2007.\u003c/abstract\u003e"],"abstract_tesim":["Charlotte Mansfield enlisted in the Women's Army Auxiliary Corps (W.A.A.C.) in 1942 to pursue work in photograph processing for the military. She was part of the first all-women graduating class from Lowry Field Photo School in Colorado, where she was trained to be a photo technician that developed primarily aerial shots in photography labs. Mansfield was stationed at various locations throughout the United States before being transferred to lab work overseas in England and Germany. By this time, W.A.A.C. had transitioned to Women's Army Corps (W.A.C.). Throughout her military service, Mansfield took numerous personal photographs that featured her friends and surroundings. They provide an unparalleled amount of insight into the private lives of W.A.C.s as they negotiated what it meant to serve in World War II. Mansfield reenlisted after the war, eventually becoming part of the Women in the Air Force (W.A.F.), and retired in 1973. Photography remained her passion until her death in 2007."],"names_coll_ssim":["United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government","Doolittle, James Harold, 1896-1993"],"names_ssim":["FSU Special Collections \u0026 Archives","United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government","Mansfield, Charlotte D.","Doolittle, James Harold, 1896-1993"],"corpname_ssim":["FSU Special Collections \u0026 Archives","United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government"],"persname_ssim":["Mansfield, Charlotte D.","Doolittle, James Harold, 1896-1993"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":86,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"5c1d3cacb20af4c5d0f16be1","timestamp":"2026-07-09T08:47:20.226Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5c1d3cacb20af4c5d0f16be1","title_filing_ssi":"Mansfield, Charlotte D. collection","title_ssm":["Charlotte D. Mansfield collection"],"title_tesim":["Charlotte D. Mansfield collection"],"ead_ssi":"5c1d3cacb20af4c5d0f16be1","unitdate_ssm":["1915-2017","1942-1957","Date acquired: 09/10/2008","Date accessioned: 2020-06-07"],"unitdate_bulk_ssim":["1942-1957"],"unitdate_inclusive_ssm":["1915-2017"],"unitdate_other_ssim":["Date acquired: 09/10/2008","Date accessioned: 2020-06-07"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["08.0158","/repositories/10/resources/362"],"text":["08.0158","/repositories/10/resources/362","Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957","Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)","World War, 1939-1945--Great Britain","World War, 1939-1945--Germany","World War, 1939-1945--Personal narratives, American","World War, 1939-1945--Women","Photography, Military","World War, 1939-1945--England--London","Europe--Description and Travel","World War, 1939-1945--Europe","Sports for women","Military sports","Friendship","Meritorious Service Medal","United States, Oklahoma--Military records","Oktoberfest","Military Discharge--United States","United States. Army Air Forces--Military life","Sexism","Retirement","V-E Day, 1945","Dogs","Awards","United States. Army Air Forces. Medals, badges, decorations, etc","Photojournalism","World War, 1939-1945--Photography","Basic training (Military education)","Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques","This collection is open to all researchers.","Early Life - Charlotte Dee Mansfield was born in Hanford, CA, August 31, 1915, and moved to Oklahoma when she was eight years old. She had been an avid photographer ever since her father took her to the darkroom of an old Army buddy, and she saw strips of film hanging on a line. She graduated from Garber High School in 1934, and then went on to Tonkawa College before receiving her Bachelor's degree in English from the University of Central Oklahoma in 1941. Mansfield was a reporter, writer, and editor for the college newspaper, which demonstrated how her fascination for photography followed her throughout her educational years. It was an article in  Popular Photography  Magazine about British military women photographers and their work in aerial photography that inspired her to enlist in the Women's Army Auxiliary Corps (W.A.A.C.) when World War II began.\n          World War II Service - Mansfield enlisted as a W.A.A.C. on October 17, 1942. She attended basic training at Ft. Des Moines, Iowa until February 1943 and then transferred to Lowry Field Photo School in Denver, Colorado. She was one of fifty who made up the first all-women class to be trained as aerial photo technicians. The women did better academically than the men who doubted them, as well as handled the cameras and darkroom work well. After graduating in April 1943, Mansfield went to Felts Field in Spokane, Washington for further training. While there, W.A.A.C. was converted to full status as a branch of the United States Army and became the Women's Army Corps (W.A.C.) in July 1943. Mansfield was also stationed at Peterson Field, Colorado Springs, Colorado and Fort Oglethorpe, Georgia before being assigned overseas work in May 1944. Throughout her service, Mansfield kept her Graflex 4x5 Pacemaker Speed Graphic camera and a supply of personal film provided by her father, who was incredibly supportive of her photographic endeavors throughout her life. She used these to document her experience at each location in the states, photographing her friends and surroundings. The pictures Mansfield took feature the women training, completing their work, and socializing.","      Mansfield was assigned to the 8 th  Air Force under James Doolittle stationed in High Wycombe, England. The codename for the camp was \"Pinetree,\" with Mansfield interchanging between the two location names in documents and on her pictures. The majority of the correspondence in the collection is from her time in England, where she described to her parents her visit to London and conditions at the camp. Food was a common topic for Mansfield, as well as conditions in the lab. Mansfield continued to take personal photographs, documenting the English countryside and life in the military huts where the women were housed. She celebrated Victory in Europe Day at this station, and there are numerous pictures of the service members rejoicing. Though the war on the western front was over, Mansfield stated in a letter to her parents that W.A.C.s were essential for the army of occupation and were scheduled to transfer to Germany.","      Mansfield was then transferred to the 9 th  Air Force stationed in Bad Kissingen, Germany to work with the 13 th  Photo Tech Unit. This resort town was occupied by the United States Army, and Mansfield noted the barbed wire and boarded up shops in letters. The lab was in a large, empty house and took considerable time to construct. Before it was finished, Mansfield worked mainly in the contact printing room or other labs in the region that needed assistance. She mentioned in letters that she and her peers often had to prove they could do the work, as many officers seemed doubtful. This testified to the sexism the W.A.C.s experienced, and that they did their job, and did it well, regardless of the obstacles. Mansfield continued her routine of taking personal photographs, which included several pictures of local Germans that accompanied the usual shots of friends and surroundings. She remained in Germany from July to November 1945, then returned to the United States after being honorably discharged from the military.","Post-War U.S. Air Force Service - After being discharged, Mansfield remained a civilian for fifteen months. Most of that time was spent helping a friend, Bertha Brownback. The two had become very close friends while in the military together but towards the end of their service, Bertha found herself pregnant without a husband. This meant she was automatically discharged from the military. When Mansfield returned to the United States, she moved with Bertha and the baby to Philadelphia where she worked for a short while with a photofinishing company. They then moved to Oklahoma because Mansfield wanted to be near family again. Soon after, Bertha died in a car accident, leaving Mansfield guardian of her child. She arranged for a couple related to her to adopt the baby, which freed her to reenlist in the military. This entire situation served as a testament to Mansfield's character; she was willing to put her career on hold to help a friend in need. It is this quality of love and friendship that stood out most strongly in her photography.","      In September 1946, Mansfield re-enlisted in the W.A.C. where she worked in Photo Labs at U.S. Bases and in Germany. When the U.S. Air Force became a separate service, she became part of the Women in the Air Force. Mansfield was stationed in Erding, Germany from 1952 to 1955. While there, she toured Europe, visiting Berlin, Paris, and Rome as well as the scenic countryside of Germany and Austria. She took numerous photographs and assembled them into a scrapbook, accompanied with historical commentary and descriptions of events. Mansfield was even able to revisit Bad Kissingen, Germany, where she had been stationed during the war, and commented on its marked difference in appearance.","      Mansfield remained in the U.S. Air Force until her retirement in 1973, after thirty years of military service where she earned the rank of Senior Master Sergeant(E-8). Throughout her military documents, Mansfield received numerous letters of praise and strong recommendations based on her work ethic. Because of her strong record, Mansfield was awarded the Meritorious Service Medal upon retirement, which is the highest award for military service during peacetime. This demonstrated to Mansfield that her hard work was appreciated, and she was very proud of it.","Retirement - Shortly before retirement, in 1970, Mansfield met Lorraine Caddy and the two became best friends. They decided that they liked each other enough to live together, and while Caddy was still in the military, they moved wherever she was stationed until her retirement in 1977. They decided to settle in Oklahoma outside Oklahoma City due to Mansfield's familial connection to the area. Mansfield returned to the University of Central Oklahoma in 1981 to complete a Bachelor of Science in Photo Journalism and a Master's Degree in Journalism in 1983. Photography remained her first love throughout her life, and she was an active member of the Oklahoma Camera Club since 1963. Mansfield passed away Sunday, December 30, 2007, at the age of 92. She is survived by her companion of 37 years, Lorraine Caddy.","This collection was donated by Lorraine A. Caddy. The collection was acquired by the Institute on World War II and the Human Experience on September 10, 2008.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Processed Summer and Fall 2017","This collection relates to Charlotte D. Mansfield who served in the Women's Army Corps during World War II in the European Theater as a photographer and photograph processor. She subsequently retired from the U.S. Air Force. This collection contains documents, photographs, scrapbooks, and artifacts. The documents include personal correspondence, military records, newspaper clippings, newsletters, magazines, and certificates for military service. Various military medals and patches, mugs from U.S. Air Force service, and Graflex 4x5 Pacemaker Speed Graphic camera make up the artifacts. There are eight scrapbooks that Mansfield assembled documenting her military service, primarily overseas, both during World War II and after. Photographs make up the majority of the collection, with one box of loose photographs in separate folders and five archival scrapbooks filled with pictures. There are also four enlarged portraits of Mansfield.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","Charlotte Mansfield enlisted in the Women's Army Auxiliary Corps (W.A.A.C.) in 1942 to pursue work in photograph processing for the military. She was part of the first all-women graduating class from Lowry Field Photo School in Colorado, where she was trained to be a photo technician that developed primarily aerial shots in photography labs. Mansfield was stationed at various locations throughout the United States before being transferred to lab work overseas in England and Germany. By this time, W.A.A.C. had transitioned to Women's Army Corps (W.A.C.). Throughout her military service, Mansfield took numerous personal photographs that featured her friends and surroundings. They provide an unparalleled amount of insight into the private lives of W.A.C.s as they negotiated what it meant to serve in World War II. Mansfield reenlisted after the war, eventually becoming part of the Women in the Air Force (W.A.F.), and retired in 1973. Photography remained her passion until her death in 2007.","FSU Special Collections \u0026 Archives","United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government","Mansfield, Charlotte D.","Doolittle, James Harold, 1896-1993","English"],"unitid_tesim":["08.0158","/repositories/10/resources/362"],"normalized_date_ssm":["1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"normalized_title_ssm":["Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"collection_title_tesim":["Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"collection_ssim":["Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)"],"geogname_ssim":["Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)"],"creator_ssm":["Mansfield, Charlotte D."],"creator_ssim":["Mansfield, Charlotte D."],"creator_persname_ssim":["Mansfield, Charlotte D."],"creators_ssim":["Mansfield, Charlotte D."],"places_ssim":["Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["World War, 1939-1945--Great Britain","World War, 1939-1945--Germany","World War, 1939-1945--Personal narratives, American","World War, 1939-1945--Women","Photography, Military","World War, 1939-1945--England--London","Europe--Description and Travel","World War, 1939-1945--Europe","Sports for women","Military sports","Friendship","Meritorious Service Medal","United States, Oklahoma--Military records","Oktoberfest","Military Discharge--United States","United States. Army Air Forces--Military life","Sexism","Retirement","V-E Day, 1945","Dogs","Awards","United States. Army Air Forces. Medals, badges, decorations, etc","Photojournalism","World War, 1939-1945--Photography","Basic training (Military education)","Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques"],"access_subjects_ssm":["World War, 1939-1945--Great Britain","World War, 1939-1945--Germany","World War, 1939-1945--Personal narratives, American","World War, 1939-1945--Women","Photography, Military","World War, 1939-1945--England--London","Europe--Description and Travel","World War, 1939-1945--Europe","Sports for women","Military sports","Friendship","Meritorious Service Medal","United States, Oklahoma--Military records","Oktoberfest","Military Discharge--United States","United States. Army Air Forces--Military life","Sexism","Retirement","V-E Day, 1945","Dogs","Awards","United States. Army Air Forces. Medals, badges, decorations, etc","Photojournalism","World War, 1939-1945--Photography","Basic training (Military education)","Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques"],"has_online_content_ssim":["false"],"extent_ssm":["14 Linear Feet","1 items 1 camera case"],"extent_tesim":["14 Linear Feet","1 items 1 camera case"],"dimensions_tesim":["21x9.75"],"genreform_ssim":["Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003e\u003ctitle\u003eEarly Life\u003c/title\u003e- Charlotte Dee Mansfield was born in Hanford, CA, August 31, 1915, and moved to Oklahoma when she was eight years old. She had been an avid photographer ever since her father took her to the darkroom of an old Army buddy, and she saw strips of film hanging on a line. She graduated from Garber High School in 1934, and then went on to Tonkawa College before receiving her Bachelor's degree in English from the University of Central Oklahoma in 1941. Mansfield was a reporter, writer, and editor for the college newspaper, which demonstrated how her fascination for photography followed her throughout her educational years. It was an article in \u003cemph render=\"italic\"\u003ePopular Photography\u003c/emph\u003e Magazine about British military women photographers and their work in aerial photography that inspired her to enlist in the Women's Army Auxiliary Corps (W.A.A.C.) when World War II began.\n         \u003cbr\u003e\u003cbr\u003e\u003ctitle\u003eWorld War II Service\u003c/title\u003e- Mansfield enlisted as a W.A.A.C. on October 17, 1942. She attended basic training at Ft. Des Moines, Iowa until February 1943 and then transferred to Lowry Field Photo School in Denver, Colorado. She was one of fifty who made up the first all-women class to be trained as aerial photo technicians. The women did better academically than the men who doubted them, as well as handled the cameras and darkroom work well. After graduating in April 1943, Mansfield went to Felts Field in Spokane, Washington for further training. While there, W.A.A.C. was converted to full status as a branch of the United States Army and became the Women's Army Corps (W.A.C.) in July 1943. Mansfield was also stationed at Peterson Field, Colorado Springs, Colorado and Fort Oglethorpe, Georgia before being assigned overseas work in May 1944. Throughout her service, Mansfield kept her Graflex 4x5 Pacemaker Speed Graphic camera and a supply of personal film provided by her father, who was incredibly supportive of her photographic endeavors throughout her life. She used these to document her experience at each location in the states, photographing her friends and surroundings. The pictures Mansfield took feature the women training, completing their work, and socializing.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eMansfield was assigned to the 8\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Air Force under James Doolittle stationed in High Wycombe, England. The codename for the camp was \"Pinetree,\" with Mansfield interchanging between the two location names in documents and on her pictures. The majority of the correspondence in the collection is from her time in England, where she described to her parents her visit to London and conditions at the camp. Food was a common topic for Mansfield, as well as conditions in the lab. Mansfield continued to take personal photographs, documenting the English countryside and life in the military huts where the women were housed. She celebrated Victory in Europe Day at this station, and there are numerous pictures of the service members rejoicing. Though the war on the western front was over, Mansfield stated in a letter to her parents that W.A.C.s were essential for the army of occupation and were scheduled to transfer to Germany.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eMansfield was then transferred to the 9\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Air Force stationed in Bad Kissingen, Germany to work with the 13\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Photo Tech Unit. This resort town was occupied by the United States Army, and Mansfield noted the barbed wire and boarded up shops in letters. The lab was in a large, empty house and took considerable time to construct. Before it was finished, Mansfield worked mainly in the contact printing room or other labs in the region that needed assistance. She mentioned in letters that she and her peers often had to prove they could do the work, as many officers seemed doubtful. This testified to the sexism the W.A.C.s experienced, and that they did their job, and did it well, regardless of the obstacles. Mansfield continued her routine of taking personal photographs, which included several pictures of local Germans that accompanied the usual shots of friends and surroundings. She remained in Germany from July to November 1945, then returned to the United States after being honorably discharged from the military.\u003c/p\u003e\n","\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003ctitle\u003ePost-War U.S. Air Force Service\u003c/title\u003e- After being discharged, Mansfield remained a civilian for fifteen months. Most of that time was spent helping a friend, Bertha Brownback. The two had become very close friends while in the military together but towards the end of their service, Bertha found herself pregnant without a husband. This meant she was automatically discharged from the military. When Mansfield returned to the United States, she moved with Bertha and the baby to Philadelphia where she worked for a short while with a photofinishing company. They then moved to Oklahoma because Mansfield wanted to be near family again. Soon after, Bertha died in a car accident, leaving Mansfield guardian of her child. She arranged for a couple related to her to adopt the baby, which freed her to reenlist in the military. This entire situation served as a testament to Mansfield's character; she was willing to put her career on hold to help a friend in need. It is this quality of love and friendship that stood out most strongly in her photography.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eIn September 1946, Mansfield re-enlisted in the W.A.C. where she worked in Photo Labs at U.S. Bases and in Germany. When the U.S. Air Force became a separate service, she became part of the Women in the Air Force. Mansfield was stationed in Erding, Germany from 1952 to 1955. While there, she toured Europe, visiting Berlin, Paris, and Rome as well as the scenic countryside of Germany and Austria. She took numerous photographs and assembled them into a scrapbook, accompanied with historical commentary and descriptions of events. Mansfield was even able to revisit Bad Kissingen, Germany, where she had been stationed during the war, and commented on its marked difference in appearance.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eMansfield remained in the U.S. Air Force until her retirement in 1973, after thirty years of military service where she earned the rank of Senior Master Sergeant(E-8). Throughout her military documents, Mansfield received numerous letters of praise and strong recommendations based on her work ethic. Because of her strong record, Mansfield was awarded the Meritorious Service Medal upon retirement, which is the highest award for military service during peacetime. This demonstrated to Mansfield that her hard work was appreciated, and she was very proud of it.\u003c/p\u003e\n","\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003ctitle\u003eRetirement\u003c/title\u003e- Shortly before retirement, in 1970, Mansfield met Lorraine Caddy and the two became best friends. They decided that they liked each other enough to live together, and while Caddy was still in the military, they moved wherever she was stationed until her retirement in 1977. They decided to settle in Oklahoma outside Oklahoma City due to Mansfield's familial connection to the area. Mansfield returned to the University of Central Oklahoma in 1981 to complete a Bachelor of Science in Photo Journalism and a Master's Degree in Journalism in 1983. Photography remained her first love throughout her life, and she was an active member of the Oklahoma Camera Club since 1963. Mansfield passed away Sunday, December 30, 2007, at the age of 92. She is survived by her companion of 37 years, Lorraine Caddy.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Early Life - Charlotte Dee Mansfield was born in Hanford, CA, August 31, 1915, and moved to Oklahoma when she was eight years old. She had been an avid photographer ever since her father took her to the darkroom of an old Army buddy, and she saw strips of film hanging on a line. She graduated from Garber High School in 1934, and then went on to Tonkawa College before receiving her Bachelor's degree in English from the University of Central Oklahoma in 1941. Mansfield was a reporter, writer, and editor for the college newspaper, which demonstrated how her fascination for photography followed her throughout her educational years. It was an article in  Popular Photography  Magazine about British military women photographers and their work in aerial photography that inspired her to enlist in the Women's Army Auxiliary Corps (W.A.A.C.) when World War II began.\n          World War II Service - Mansfield enlisted as a W.A.A.C. on October 17, 1942. She attended basic training at Ft. Des Moines, Iowa until February 1943 and then transferred to Lowry Field Photo School in Denver, Colorado. She was one of fifty who made up the first all-women class to be trained as aerial photo technicians. The women did better academically than the men who doubted them, as well as handled the cameras and darkroom work well. After graduating in April 1943, Mansfield went to Felts Field in Spokane, Washington for further training. While there, W.A.A.C. was converted to full status as a branch of the United States Army and became the Women's Army Corps (W.A.C.) in July 1943. Mansfield was also stationed at Peterson Field, Colorado Springs, Colorado and Fort Oglethorpe, Georgia before being assigned overseas work in May 1944. Throughout her service, Mansfield kept her Graflex 4x5 Pacemaker Speed Graphic camera and a supply of personal film provided by her father, who was incredibly supportive of her photographic endeavors throughout her life. She used these to document her experience at each location in the states, photographing her friends and surroundings. The pictures Mansfield took feature the women training, completing their work, and socializing.","      Mansfield was assigned to the 8 th  Air Force under James Doolittle stationed in High Wycombe, England. The codename for the camp was \"Pinetree,\" with Mansfield interchanging between the two location names in documents and on her pictures. The majority of the correspondence in the collection is from her time in England, where she described to her parents her visit to London and conditions at the camp. Food was a common topic for Mansfield, as well as conditions in the lab. Mansfield continued to take personal photographs, documenting the English countryside and life in the military huts where the women were housed. She celebrated Victory in Europe Day at this station, and there are numerous pictures of the service members rejoicing. Though the war on the western front was over, Mansfield stated in a letter to her parents that W.A.C.s were essential for the army of occupation and were scheduled to transfer to Germany.","      Mansfield was then transferred to the 9 th  Air Force stationed in Bad Kissingen, Germany to work with the 13 th  Photo Tech Unit. This resort town was occupied by the United States Army, and Mansfield noted the barbed wire and boarded up shops in letters. The lab was in a large, empty house and took considerable time to construct. Before it was finished, Mansfield worked mainly in the contact printing room or other labs in the region that needed assistance. She mentioned in letters that she and her peers often had to prove they could do the work, as many officers seemed doubtful. This testified to the sexism the W.A.C.s experienced, and that they did their job, and did it well, regardless of the obstacles. Mansfield continued her routine of taking personal photographs, which included several pictures of local Germans that accompanied the usual shots of friends and surroundings. She remained in Germany from July to November 1945, then returned to the United States after being honorably discharged from the military.","Post-War U.S. Air Force Service - After being discharged, Mansfield remained a civilian for fifteen months. Most of that time was spent helping a friend, Bertha Brownback. The two had become very close friends while in the military together but towards the end of their service, Bertha found herself pregnant without a husband. This meant she was automatically discharged from the military. When Mansfield returned to the United States, she moved with Bertha and the baby to Philadelphia where she worked for a short while with a photofinishing company. They then moved to Oklahoma because Mansfield wanted to be near family again. Soon after, Bertha died in a car accident, leaving Mansfield guardian of her child. She arranged for a couple related to her to adopt the baby, which freed her to reenlist in the military. This entire situation served as a testament to Mansfield's character; she was willing to put her career on hold to help a friend in need. It is this quality of love and friendship that stood out most strongly in her photography.","      In September 1946, Mansfield re-enlisted in the W.A.C. where she worked in Photo Labs at U.S. Bases and in Germany. When the U.S. Air Force became a separate service, she became part of the Women in the Air Force. Mansfield was stationed in Erding, Germany from 1952 to 1955. While there, she toured Europe, visiting Berlin, Paris, and Rome as well as the scenic countryside of Germany and Austria. She took numerous photographs and assembled them into a scrapbook, accompanied with historical commentary and descriptions of events. Mansfield was even able to revisit Bad Kissingen, Germany, where she had been stationed during the war, and commented on its marked difference in appearance.","      Mansfield remained in the U.S. Air Force until her retirement in 1973, after thirty years of military service where she earned the rank of Senior Master Sergeant(E-8). Throughout her military documents, Mansfield received numerous letters of praise and strong recommendations based on her work ethic. Because of her strong record, Mansfield was awarded the Meritorious Service Medal upon retirement, which is the highest award for military service during peacetime. This demonstrated to Mansfield that her hard work was appreciated, and she was very proud of it.","Retirement - Shortly before retirement, in 1970, Mansfield met Lorraine Caddy and the two became best friends. They decided that they liked each other enough to live together, and while Caddy was still in the military, they moved wherever she was stationed until her retirement in 1977. They decided to settle in Oklahoma outside Oklahoma City due to Mansfield's familial connection to the area. Mansfield returned to the University of Central Oklahoma in 1981 to complete a Bachelor of Science in Photo Journalism and a Master's Degree in Journalism in 1983. Photography remained her first love throughout her life, and she was an active member of the Oklahoma Camera Club since 1963. Mansfield passed away Sunday, December 30, 2007, at the age of 92. She is survived by her companion of 37 years, Lorraine Caddy."],"custodhist_html_tesm":["\u003cp\u003eThis collection was donated by Lorraine A. Caddy. The collection was acquired by the Institute on World War II and the Human Experience on September 10, 2008.\u003c/p\u003e","\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History","Custodial History"],"custodhist_tesim":["This collection was donated by Lorraine A. Caddy. The collection was acquired by the Institute on World War II and the Human Experience on September 10, 2008.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Charlotte D. Mansfield collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_08_0158\"\u003ehttp://purl.fcla.edu/fsu/WWII_08_0158\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Charlotte D. Mansfield collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_08_0158 ."],"processinfo_html_tesm":["\u003cp\u003eProcessed Summer and Fall 2017\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed Summer and Fall 2017"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Charlotte D. Mansfield who served in the Women's Army Corps during World War II in the European Theater as a photographer and photograph processor. She subsequently retired from the U.S. Air Force. This collection contains documents, photographs, scrapbooks, and artifacts. The documents include personal correspondence, military records, newspaper clippings, newsletters, magazines, and certificates for military service. Various military medals and patches, mugs from U.S. Air Force service, and Graflex 4x5 Pacemaker Speed Graphic camera make up the artifacts. There are eight scrapbooks that Mansfield assembled documenting her military service, primarily overseas, both during World War II and after. Photographs make up the majority of the collection, with one box of loose photographs in separate folders and five archival scrapbooks filled with pictures. There are also four enlarged portraits of Mansfield.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection relates to Charlotte D. Mansfield who served in the Women's Army Corps during World War II in the European Theater as a photographer and photograph processor. She subsequently retired from the U.S. Air Force. This collection contains documents, photographs, scrapbooks, and artifacts. The documents include personal correspondence, military records, newspaper clippings, newsletters, magazines, and certificates for military service. Various military medals and patches, mugs from U.S. Air Force service, and Graflex 4x5 Pacemaker Speed Graphic camera make up the artifacts. There are eight scrapbooks that Mansfield assembled documenting her military service, primarily overseas, both during World War II and after. Photographs make up the majority of the collection, with one box of loose photographs in separate folders and five archival scrapbooks filled with pictures. There are also four enlarged portraits of Mansfield."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4c0fe496351ee46fff18977354e86118\" label=\"Abstract\"\u003eCharlotte Mansfield enlisted in the Women's Army Auxiliary Corps (W.A.A.C.) in 1942 to pursue work in photograph processing for the military. She was part of the first all-women graduating class from Lowry Field Photo School in Colorado, where she was trained to be a photo technician that developed primarily aerial shots in photography labs. Mansfield was stationed at various locations throughout the United States before being transferred to lab work overseas in England and Germany. By this time, W.A.A.C. had transitioned to Women's Army Corps (W.A.C.). Throughout her military service, Mansfield took numerous personal photographs that featured her friends and surroundings. They provide an unparalleled amount of insight into the private lives of W.A.C.s as they negotiated what it meant to serve in World War II. Mansfield reenlisted after the war, eventually becoming part of the Women in the Air Force (W.A.F.), and retired in 1973. Photography remained her passion until her death in 2007.\u003c/abstract\u003e"],"abstract_tesim":["Charlotte Mansfield enlisted in the Women's Army Auxiliary Corps (W.A.A.C.) in 1942 to pursue work in photograph processing for the military. She was part of the first all-women graduating class from Lowry Field Photo School in Colorado, where she was trained to be a photo technician that developed primarily aerial shots in photography labs. Mansfield was stationed at various locations throughout the United States before being transferred to lab work overseas in England and Germany. By this time, W.A.A.C. had transitioned to Women's Army Corps (W.A.C.). Throughout her military service, Mansfield took numerous personal photographs that featured her friends and surroundings. They provide an unparalleled amount of insight into the private lives of W.A.C.s as they negotiated what it meant to serve in World War II. Mansfield reenlisted after the war, eventually becoming part of the Women in the Air Force (W.A.F.), and retired in 1973. Photography remained her passion until her death in 2007."],"names_coll_ssim":["United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government","Doolittle, James Harold, 1896-1993"],"names_ssim":["FSU Special Collections \u0026 Archives","United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government","Mansfield, Charlotte D.","Doolittle, James Harold, 1896-1993"],"corpname_ssim":["FSU Special Collections \u0026 Archives","United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government"],"persname_ssim":["Mansfield, Charlotte D.","Doolittle, James Harold, 1896-1993"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":86,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"5c1d3cacb20af4c5d0f16be1","timestamp":"2026-07-09T08:47:20.226Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5c1d3cacb20af4c5d0f16be1"}},{"id":"2641523b6fc63fa221ef9b16","type":"collection","attributes":{"title":"Child of the Sun Jazz Festival, 1988-2007","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/2641523b6fc63fa221ef9b16#creator","type":"document_value","attributes":{"value":["Florida Southern College"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2641523b6fc63fa221ef9b16#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection contains materials related to the production of the Child of the Sun Jazz Festival. Included are performer bios and promotional material, programs, schedules, photographs, and newspaper articles.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2641523b6fc63fa221ef9b16#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"2641523b6fc63fa221ef9b16","title_ssm":["Child of the Sun Jazz Festival"],"title_tesim":["Child of the Sun Jazz Festival"],"ead_ssi":"2641523b6fc63fa221ef9b16","unitdate_ssm":["1988-2007"],"unitdate_inclusive_ssm":["1988-2007"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["CA8005","/repositories/4/resources/48"],"text":["CA8005","/repositories/4/resources/48","Child of the Sun Jazz Festival, 1988-2007","Jazz festivals—Florida—Lakeland.","Photographs—Florida—Lakeland.","Newspaper clippings—Florida—Lakeland.","Florida Southern College--History.","Adderley, Nat, 1931-2000—Archives.","Concert programs—Florida—Lakeland.","Photographs","Newspaper clippings","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials","The materials are arranged in ascending date order","The Child of the Sun Jazz Festival was a free concert series open to the general public and sponsered by Florida Southern College. It was held each spring in conjunction with the Festival of Fine Arts. Child of the Sun — named for the architectural theme of the Frank Lloyd Wright buildings on campus — was closely associated for many years with the late cornetist Nat Adderley, who lived in Lakeland. Adderley helped professor Larry Burke organize the festivals and performed at them with his quintet until 1998. He died in 2000. The festival was discontinued by the college in 2008 due to costs. (historical material courtesy of the Lakeland Ledger)","This collection contains materials related to the production of the Child of the Sun Jazz Festival. Included are performer bios and promotional material, programs, schedules, photographs, and newspaper articles.","The Child of the Sun Jazz Festival records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","The Florida Southern College Archives","Florida Southern College","English"],"unitid_tesim":["CA8005","/repositories/4/resources/48"],"normalized_date_ssm":["1988-2007"],"normalized_title_ssm":["Child of the Sun Jazz Festival, 1988-2007"],"collection_title_tesim":["Child of the Sun Jazz Festival, 1988-2007"],"collection_ssim":["Child of the Sun Jazz Festival, 1988-2007"],"repository_ssm":["The Florida Southern College Archives"],"repository_ssim":["The Florida Southern College Archives"],"geogname_ssm":["Jazz festivals—Florida—Lakeland.","Photographs—Florida—Lakeland.","Newspaper clippings—Florida—Lakeland."],"geogname_ssim":["Jazz festivals—Florida—Lakeland.","Photographs—Florida—Lakeland.","Newspaper clippings—Florida—Lakeland."],"creator_ssm":["Florida Southern College"],"creator_ssim":["Florida Southern College"],"creator_corpname_ssim":["Florida Southern College"],"creators_ssim":["Florida Southern College"],"places_ssim":["Jazz festivals—Florida—Lakeland.","Photographs—Florida—Lakeland.","Newspaper clippings—Florida—Lakeland."],"access_terms_ssm":["The Child of the Sun Jazz Festival records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["These materials were donated to the college by Professor Larry Burke"],"access_subjects_ssim":["Florida Southern College--History.","Adderley, Nat, 1931-2000—Archives.","Concert programs—Florida—Lakeland.","Photographs","Newspaper clippings"],"access_subjects_ssm":["Florida Southern College--History.","Adderley, Nat, 1931-2000—Archives.","Concert programs—Florida—Lakeland.","Photographs","Newspaper clippings"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 2 five inch legal standard archival boxes and one 12\"x18\" Flat Box"],"extent_tesim":["2 Linear Feet 2 five inch legal standard archival boxes and one 12\"x18\" Flat Box"],"genreform_ssim":["Concert programs—Florida—Lakeland.","Photographs","Newspaper clippings"],"date_range_isim":[1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged in ascending date order\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged in ascending date order"],"bioghist_html_tesm":["\u003cp\u003eThe Child of the Sun Jazz Festival was a free concert series open to the general public and sponsered by Florida Southern College. It was held each spring in conjunction with the Festival of Fine Arts. Child of the Sun \u0026#x2014; named for the architectural theme of the Frank Lloyd Wright buildings on campus \u0026#x2014; was closely associated for many years with the late cornetist Nat Adderley, who lived in Lakeland. Adderley helped professor Larry Burke organize the festivals and performed at them with his quintet until 1998. He died in 2000. The festival was discontinued by the college in 2008 due to costs. (historical material courtesy of the Lakeland Ledger)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Child of the Sun Jazz Festival was a free concert series open to the general public and sponsered by Florida Southern College. It was held each spring in conjunction with the Festival of Fine Arts. Child of the Sun — named for the architectural theme of the Frank Lloyd Wright buildings on campus — was closely associated for many years with the late cornetist Nat Adderley, who lived in Lakeland. Adderley helped professor Larry Burke organize the festivals and performed at them with his quintet until 1998. He died in 2000. The festival was discontinued by the college in 2008 due to costs. (historical material courtesy of the Lakeland Ledger)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials related to the production of the Child of the Sun Jazz Festival. Included are performer bios and promotional material, programs, schedules, photographs, and newspaper articles.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains materials related to the production of the Child of the Sun Jazz Festival. Included are performer bios and promotional material, programs, schedules, photographs, and newspaper articles."],"userestrict_html_tesm":["\u003cp\u003eThe Child of the Sun Jazz Festival records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Child of the Sun Jazz Festival records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["The Florida Southern College Archives","Florida Southern College"],"corpname_ssim":["The Florida Southern College Archives","Florida Southern College"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":47,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"2641523b6fc63fa221ef9b16","timestamp":"2026-07-09T02:17:10.321Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2641523b6fc63fa221ef9b16","title_ssm":["Child of the Sun Jazz Festival"],"title_tesim":["Child of the Sun Jazz Festival"],"ead_ssi":"2641523b6fc63fa221ef9b16","unitdate_ssm":["1988-2007"],"unitdate_inclusive_ssm":["1988-2007"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["CA8005","/repositories/4/resources/48"],"text":["CA8005","/repositories/4/resources/48","Child of the Sun Jazz Festival, 1988-2007","Jazz festivals—Florida—Lakeland.","Photographs—Florida—Lakeland.","Newspaper clippings—Florida—Lakeland.","Florida Southern College--History.","Adderley, Nat, 1931-2000—Archives.","Concert programs—Florida—Lakeland.","Photographs","Newspaper clippings","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials","The materials are arranged in ascending date order","The Child of the Sun Jazz Festival was a free concert series open to the general public and sponsered by Florida Southern College. It was held each spring in conjunction with the Festival of Fine Arts. Child of the Sun — named for the architectural theme of the Frank Lloyd Wright buildings on campus — was closely associated for many years with the late cornetist Nat Adderley, who lived in Lakeland. Adderley helped professor Larry Burke organize the festivals and performed at them with his quintet until 1998. He died in 2000. The festival was discontinued by the college in 2008 due to costs. (historical material courtesy of the Lakeland Ledger)","This collection contains materials related to the production of the Child of the Sun Jazz Festival. Included are performer bios and promotional material, programs, schedules, photographs, and newspaper articles.","The Child of the Sun Jazz Festival records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","The Florida Southern College Archives","Florida Southern College","English"],"unitid_tesim":["CA8005","/repositories/4/resources/48"],"normalized_date_ssm":["1988-2007"],"normalized_title_ssm":["Child of the Sun Jazz Festival, 1988-2007"],"collection_title_tesim":["Child of the Sun Jazz Festival, 1988-2007"],"collection_ssim":["Child of the Sun Jazz Festival, 1988-2007"],"repository_ssm":["The Florida Southern College Archives"],"repository_ssim":["The Florida Southern College Archives"],"geogname_ssm":["Jazz festivals—Florida—Lakeland.","Photographs—Florida—Lakeland.","Newspaper clippings—Florida—Lakeland."],"geogname_ssim":["Jazz festivals—Florida—Lakeland.","Photographs—Florida—Lakeland.","Newspaper clippings—Florida—Lakeland."],"creator_ssm":["Florida Southern College"],"creator_ssim":["Florida Southern College"],"creator_corpname_ssim":["Florida Southern College"],"creators_ssim":["Florida Southern College"],"places_ssim":["Jazz festivals—Florida—Lakeland.","Photographs—Florida—Lakeland.","Newspaper clippings—Florida—Lakeland."],"access_terms_ssm":["The Child of the Sun Jazz Festival records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["These materials were donated to the college by Professor Larry Burke"],"access_subjects_ssim":["Florida Southern College--History.","Adderley, Nat, 1931-2000—Archives.","Concert programs—Florida—Lakeland.","Photographs","Newspaper clippings"],"access_subjects_ssm":["Florida Southern College--History.","Adderley, Nat, 1931-2000—Archives.","Concert programs—Florida—Lakeland.","Photographs","Newspaper clippings"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 2 five inch legal standard archival boxes and one 12\"x18\" Flat Box"],"extent_tesim":["2 Linear Feet 2 five inch legal standard archival boxes and one 12\"x18\" Flat Box"],"genreform_ssim":["Concert programs—Florida—Lakeland.","Photographs","Newspaper clippings"],"date_range_isim":[1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged in ascending date order\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged in ascending date order"],"bioghist_html_tesm":["\u003cp\u003eThe Child of the Sun Jazz Festival was a free concert series open to the general public and sponsered by Florida Southern College. It was held each spring in conjunction with the Festival of Fine Arts. Child of the Sun \u0026#x2014; named for the architectural theme of the Frank Lloyd Wright buildings on campus \u0026#x2014; was closely associated for many years with the late cornetist Nat Adderley, who lived in Lakeland. Adderley helped professor Larry Burke organize the festivals and performed at them with his quintet until 1998. He died in 2000. The festival was discontinued by the college in 2008 due to costs. (historical material courtesy of the Lakeland Ledger)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Child of the Sun Jazz Festival was a free concert series open to the general public and sponsered by Florida Southern College. It was held each spring in conjunction with the Festival of Fine Arts. Child of the Sun — named for the architectural theme of the Frank Lloyd Wright buildings on campus — was closely associated for many years with the late cornetist Nat Adderley, who lived in Lakeland. Adderley helped professor Larry Burke organize the festivals and performed at them with his quintet until 1998. He died in 2000. The festival was discontinued by the college in 2008 due to costs. (historical material courtesy of the Lakeland Ledger)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials related to the production of the Child of the Sun Jazz Festival. Included are performer bios and promotional material, programs, schedules, photographs, and newspaper articles.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains materials related to the production of the Child of the Sun Jazz Festival. Included are performer bios and promotional material, programs, schedules, photographs, and newspaper articles."],"userestrict_html_tesm":["\u003cp\u003eThe Child of the Sun Jazz Festival records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Child of the Sun Jazz Festival records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["The Florida Southern College Archives","Florida Southern College"],"corpname_ssim":["The Florida Southern College Archives","Florida Southern College"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":47,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"2641523b6fc63fa221ef9b16","timestamp":"2026-07-09T02:17:10.321Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2641523b6fc63fa221ef9b16"}},{"id":"9a8fa419ac11c3e324eabb52","type":"collection","attributes":{"title":"Clinton Mack Jr. Collection, Circa 1920-1960, 1998","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/9a8fa419ac11c3e324eabb52#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Clinton Mack Collection contains more than 290 images of the Black community in Pompano Beach taken during the 1930s. The photographs are primarily portraits of African-American and Bahamian men, women, children, and families, but there are also group photographs, images of parades, Masons, and church groups. The original negatives from the 1930s form the bulk of the collection, along with the original box they were stored in. The collection also includes materials from Bob Pool Jewelry and Photo, and materials documenting Kurt Mulder's efforts to preserve the images and identify the people in them.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9a8fa419ac11c3e324eabb52#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"9a8fa419ac11c3e324eabb52","title_filing_ssi":"Mack, Clinton Collection","title_ssm":["Clinton Mack Jr. Collection"],"title_tesim":["Clinton Mack Jr. Collection"],"ead_ssi":"9a8fa419ac11c3e324eabb52","unitdate_ssm":["Circa 1920-1960, 1998"],"unitdate_inclusive_ssm":["Circa 1920-1960, 1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.1998.1","/repositories/2/resources/276"],"text":["AARLCC.1998.1","/repositories/2/resources/276","Clinton Mack Jr. Collection, Circa 1920-1960, 1998","Pompano Beach (Fla.)","African Americans","Black people--United States","Bahamian Americans","Photographs","Good","The Clinton Mack Collection is open for research.","The Reverend Clinton Mack Photograph Collection is digitized and available on the  Broward County Library Digital Archives .","In Pompano, Clinton Mack Jr. worked as a shoeshine and had a stand outside of Bob Poole's photograph business. He borrowed a camera from R. A. \"Bob\" Pool and took numerous photographs of people in Pompano. Pool was owned a jewelry and photograph business at 35 NE First Street from the 1930s through the 1990s.","Clinton Mack Jr.'s father, Reverend Clinton Mack Sr. was born in 1897 Georgia. He began his ministerial career in Augusta, georgia. In 1828 he moved to Pompano Beach, Florida with his wife Leola and children circa 1930s. In 1943, Mack purchased land and helped to found Mount Zion Missionary Baptist Church in Pompano Beach. On January 1, 1977 he retired as pastor of Mount Zion Missionary Baptist Church. Reverend Mack passed away in 1981 and is buried in the Pompano Beach Cemetery.","In 1998 Bob Pool's friend and colleague Kurt Mulder, owner of Royal Photo, made contact prints of Mack's negatives and sought help identifying the people in the photographs from the local community. Mulder and Pamela DeVelder donated the materials to the African American Research Library and Cultural Center in 1998.","This collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Clinton Mack Collection contains more than 290 images of the Black community in Pompano Beach taken during the 1930s. The photographs are primarily portraits of African-American and Bahamian men, women, children, and families, but there are also group photographs, images of parades, Masons, and church groups. The original negatives from the 1930s form the bulk of the collection, along with the original box they were stored in. The collection also includes materials from Bob Pool Jewelry and Photo, and materials documenting Kurt Mulder's efforts to preserve the images and identify the people in them.","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.1998.1","/repositories/2/resources/276"],"normalized_date_ssm":["Circa 1920-1960, 1998"],"normalized_title_ssm":["Clinton Mack Jr. Collection, Circa 1920-1960, 1998"],"collection_title_tesim":["Clinton Mack Jr. Collection, Circa 1920-1960, 1998"],"collection_ssim":["Clinton Mack Jr. Collection, Circa 1920-1960, 1998"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Pompano Beach (Fla.)"],"geogname_ssim":["Pompano Beach (Fla.)"],"places_ssim":["Pompano Beach (Fla.)"],"acqinfo_ssim":["Kurt Mulder and Pamela DeVelder donated the materials to the AARLCC Special Collections in 1998 (Accession AARLCC-1998.1)."],"access_subjects_ssim":["African Americans","Black people--United States","Bahamian Americans","Photographs"],"access_subjects_ssm":["African Americans","Black people--United States","Bahamian Americans","Photographs"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good"],"extent_ssm":["1 Hollinger Box","4 Photograph Binder Boxes","4.59 Linear Feet (5 containers)"],"extent_tesim":["1 Hollinger Box","4 Photograph Binder Boxes","4.59 Linear Feet (5 containers)"],"genreform_ssim":["Photographs"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eThe Clinton Mack Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Clinton Mack Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003eThe Reverend Clinton Mack Photograph Collection is digitized and available on the \u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll11/search\"\u003eBroward County Library Digital Archives\u003c/a\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["The Reverend Clinton Mack Photograph Collection is digitized and available on the  Broward County Library Digital Archives ."],"bioghist_html_tesm":["\u003cp\u003eIn Pompano, Clinton Mack Jr. worked as a shoeshine and had a stand outside of Bob Poole's photograph business. He borrowed a camera from R. A. \"Bob\" Pool and took numerous photographs of people in Pompano. Pool was owned a jewelry and photograph business at 35 NE First Street from the 1930s through the 1990s.\u003c/p\u003e\n","\u003cp\u003eClinton Mack Jr.'s father, Reverend Clinton Mack Sr. was born in 1897 Georgia. He began his ministerial career in Augusta, georgia. In 1828 he moved to Pompano Beach, Florida with his wife Leola and children circa 1930s. In 1943, Mack purchased land and helped to found Mount Zion Missionary Baptist Church in Pompano Beach. On January 1, 1977 he retired as pastor of Mount Zion Missionary Baptist Church. Reverend Mack passed away in 1981 and is buried in the Pompano Beach Cemetery.\u003c/p\u003e\n","\u003cp\u003eIn 1998 Bob Pool's friend and colleague Kurt Mulder, owner of Royal Photo, made contact prints of Mack's negatives and sought help identifying the people in the photographs from the local community. Mulder and Pamela DeVelder donated the materials to the African American Research Library and Cultural Center in 1998.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["In Pompano, Clinton Mack Jr. worked as a shoeshine and had a stand outside of Bob Poole's photograph business. He borrowed a camera from R. A. \"Bob\" Pool and took numerous photographs of people in Pompano. Pool was owned a jewelry and photograph business at 35 NE First Street from the 1930s through the 1990s.","Clinton Mack Jr.'s father, Reverend Clinton Mack Sr. was born in 1897 Georgia. He began his ministerial career in Augusta, georgia. In 1828 he moved to Pompano Beach, Florida with his wife Leola and children circa 1930s. In 1943, Mack purchased land and helped to found Mount Zion Missionary Baptist Church in Pompano Beach. On January 1, 1977 he retired as pastor of Mount Zion Missionary Baptist Church. Reverend Mack passed away in 1981 and is buried in the Pompano Beach Cemetery.","In 1998 Bob Pool's friend and colleague Kurt Mulder, owner of Royal Photo, made contact prints of Mack's negatives and sought help identifying the people in the photographs from the local community. Mulder and Pamela DeVelder donated the materials to the African American Research Library and Cultural Center in 1998."],"prefercite_html_tesm":["\u003cp\u003eClinton Mack Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Clinton Mack Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Clinton Mack Collection contains more than 290 images of the Black community in Pompano Beach taken during the 1930s. The photographs are primarily portraits of African-American and Bahamian men, women, children, and families, but there are also group photographs, images of parades, Masons, and church groups. The original negatives from the 1930s form the bulk of the collection, along with the original box they were stored in. The collection also includes materials from Bob Pool Jewelry and Photo, and materials documenting Kurt Mulder's efforts to preserve the images and identify the people in them.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Clinton Mack Collection contains more than 290 images of the Black community in Pompano Beach taken during the 1930s. The photographs are primarily portraits of African-American and Bahamian men, women, children, and families, but there are also group photographs, images of parades, Masons, and church groups. The original negatives from the 1930s form the bulk of the collection, along with the original box they were stored in. The collection also includes materials from Bob Pool Jewelry and Photo, and materials documenting Kurt Mulder's efforts to preserve the images and identify the people in them."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":16,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"9a8fa419ac11c3e324eabb52","timestamp":"2026-04-21T01:43:56.934Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9a8fa419ac11c3e324eabb52","title_filing_ssi":"Mack, Clinton Collection","title_ssm":["Clinton Mack Jr. Collection"],"title_tesim":["Clinton Mack Jr. Collection"],"ead_ssi":"9a8fa419ac11c3e324eabb52","unitdate_ssm":["Circa 1920-1960, 1998"],"unitdate_inclusive_ssm":["Circa 1920-1960, 1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.1998.1","/repositories/2/resources/276"],"text":["AARLCC.1998.1","/repositories/2/resources/276","Clinton Mack Jr. Collection, Circa 1920-1960, 1998","Pompano Beach (Fla.)","African Americans","Black people--United States","Bahamian Americans","Photographs","Good","The Clinton Mack Collection is open for research.","The Reverend Clinton Mack Photograph Collection is digitized and available on the  Broward County Library Digital Archives .","In Pompano, Clinton Mack Jr. worked as a shoeshine and had a stand outside of Bob Poole's photograph business. He borrowed a camera from R. A. \"Bob\" Pool and took numerous photographs of people in Pompano. Pool was owned a jewelry and photograph business at 35 NE First Street from the 1930s through the 1990s.","Clinton Mack Jr.'s father, Reverend Clinton Mack Sr. was born in 1897 Georgia. He began his ministerial career in Augusta, georgia. In 1828 he moved to Pompano Beach, Florida with his wife Leola and children circa 1930s. In 1943, Mack purchased land and helped to found Mount Zion Missionary Baptist Church in Pompano Beach. On January 1, 1977 he retired as pastor of Mount Zion Missionary Baptist Church. Reverend Mack passed away in 1981 and is buried in the Pompano Beach Cemetery.","In 1998 Bob Pool's friend and colleague Kurt Mulder, owner of Royal Photo, made contact prints of Mack's negatives and sought help identifying the people in the photographs from the local community. Mulder and Pamela DeVelder donated the materials to the African American Research Library and Cultural Center in 1998.","This collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Clinton Mack Collection contains more than 290 images of the Black community in Pompano Beach taken during the 1930s. The photographs are primarily portraits of African-American and Bahamian men, women, children, and families, but there are also group photographs, images of parades, Masons, and church groups. The original negatives from the 1930s form the bulk of the collection, along with the original box they were stored in. The collection also includes materials from Bob Pool Jewelry and Photo, and materials documenting Kurt Mulder's efforts to preserve the images and identify the people in them.","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.1998.1","/repositories/2/resources/276"],"normalized_date_ssm":["Circa 1920-1960, 1998"],"normalized_title_ssm":["Clinton Mack Jr. Collection, Circa 1920-1960, 1998"],"collection_title_tesim":["Clinton Mack Jr. Collection, Circa 1920-1960, 1998"],"collection_ssim":["Clinton Mack Jr. Collection, Circa 1920-1960, 1998"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Pompano Beach (Fla.)"],"geogname_ssim":["Pompano Beach (Fla.)"],"places_ssim":["Pompano Beach (Fla.)"],"acqinfo_ssim":["Kurt Mulder and Pamela DeVelder donated the materials to the AARLCC Special Collections in 1998 (Accession AARLCC-1998.1)."],"access_subjects_ssim":["African Americans","Black people--United States","Bahamian Americans","Photographs"],"access_subjects_ssm":["African Americans","Black people--United States","Bahamian Americans","Photographs"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good"],"extent_ssm":["1 Hollinger Box","4 Photograph Binder Boxes","4.59 Linear Feet (5 containers)"],"extent_tesim":["1 Hollinger Box","4 Photograph Binder Boxes","4.59 Linear Feet (5 containers)"],"genreform_ssim":["Photographs"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eThe Clinton Mack Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Clinton Mack Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003eThe Reverend Clinton Mack Photograph Collection is digitized and available on the \u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll11/search\"\u003eBroward County Library Digital Archives\u003c/a\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["The Reverend Clinton Mack Photograph Collection is digitized and available on the  Broward County Library Digital Archives ."],"bioghist_html_tesm":["\u003cp\u003eIn Pompano, Clinton Mack Jr. worked as a shoeshine and had a stand outside of Bob Poole's photograph business. He borrowed a camera from R. A. \"Bob\" Pool and took numerous photographs of people in Pompano. Pool was owned a jewelry and photograph business at 35 NE First Street from the 1930s through the 1990s.\u003c/p\u003e\n","\u003cp\u003eClinton Mack Jr.'s father, Reverend Clinton Mack Sr. was born in 1897 Georgia. He began his ministerial career in Augusta, georgia. In 1828 he moved to Pompano Beach, Florida with his wife Leola and children circa 1930s. In 1943, Mack purchased land and helped to found Mount Zion Missionary Baptist Church in Pompano Beach. On January 1, 1977 he retired as pastor of Mount Zion Missionary Baptist Church. Reverend Mack passed away in 1981 and is buried in the Pompano Beach Cemetery.\u003c/p\u003e\n","\u003cp\u003eIn 1998 Bob Pool's friend and colleague Kurt Mulder, owner of Royal Photo, made contact prints of Mack's negatives and sought help identifying the people in the photographs from the local community. Mulder and Pamela DeVelder donated the materials to the African American Research Library and Cultural Center in 1998.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["In Pompano, Clinton Mack Jr. worked as a shoeshine and had a stand outside of Bob Poole's photograph business. He borrowed a camera from R. A. \"Bob\" Pool and took numerous photographs of people in Pompano. Pool was owned a jewelry and photograph business at 35 NE First Street from the 1930s through the 1990s.","Clinton Mack Jr.'s father, Reverend Clinton Mack Sr. was born in 1897 Georgia. He began his ministerial career in Augusta, georgia. In 1828 he moved to Pompano Beach, Florida with his wife Leola and children circa 1930s. In 1943, Mack purchased land and helped to found Mount Zion Missionary Baptist Church in Pompano Beach. On January 1, 1977 he retired as pastor of Mount Zion Missionary Baptist Church. Reverend Mack passed away in 1981 and is buried in the Pompano Beach Cemetery.","In 1998 Bob Pool's friend and colleague Kurt Mulder, owner of Royal Photo, made contact prints of Mack's negatives and sought help identifying the people in the photographs from the local community. Mulder and Pamela DeVelder donated the materials to the African American Research Library and Cultural Center in 1998."],"prefercite_html_tesm":["\u003cp\u003eClinton Mack Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Clinton Mack Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Clinton Mack Collection contains more than 290 images of the Black community in Pompano Beach taken during the 1930s. The photographs are primarily portraits of African-American and Bahamian men, women, children, and families, but there are also group photographs, images of parades, Masons, and church groups. The original negatives from the 1930s form the bulk of the collection, along with the original box they were stored in. The collection also includes materials from Bob Pool Jewelry and Photo, and materials documenting Kurt Mulder's efforts to preserve the images and identify the people in them.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Clinton Mack Collection contains more than 290 images of the Black community in Pompano Beach taken during the 1930s. The photographs are primarily portraits of African-American and Bahamian men, women, children, and families, but there are also group photographs, images of parades, Masons, and church groups. The original negatives from the 1930s form the bulk of the collection, along with the original box they were stored in. The collection also includes materials from Bob Pool Jewelry and Photo, and materials documenting Kurt Mulder's efforts to preserve the images and identify the people in them."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":16,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"9a8fa419ac11c3e324eabb52","timestamp":"2026-04-21T01:43:56.934Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9a8fa419ac11c3e324eabb52"}},{"id":"3574dbfb2eaa0487e5083bae","type":"collection","attributes":{"title":"Cuban Living History Project, 1990-1998, bulk 1993-1995","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/3574dbfb2eaa0487e5083bae#creator","type":"document_value","attributes":{"value":["González-Pando, Miguel"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/3574dbfb2eaa0487e5083bae#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Cuban Living History Project includes three documentaries and 114 personal interviews. The documentaries are named: Y los Quiero Conocer (And I Want to Meet Them) recounting the era of the Cuban Republic, Calle Ocho: Cuban Exiles Look at Themselves, an Emmy Award-winner, based on the Cuban American exile community and Ni Patria Ni Amo (Neither Motherland Nor Master) which focuses on the exile opposition to Fidel Castro's regime and is based on testimonies of exile leaders. The documentaries were created based on the personal interviews. The interviewees on the personal interviews were Cuban exiles that played very important roles in the creation of Cuban Miami. Most of the interviewees, now deceased, were well-known figures in the cultural, political and intellectual life of the Cuban Republic. The interviews were conducted by Dr. Miguel González-Pando, between the years 1990 and 1997. A number of other items also included in the collection are press articles by Miguel Gonzalez-Pando, personal photos and posters, in addition to articles about him.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3574dbfb2eaa0487e5083bae#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"3574dbfb2eaa0487e5083bae","title_ssm":["Cuban Living History Project"],"title_tesim":["Cuban Living History Project"],"ead_ssi":"3574dbfb2eaa0487e5083bae","unitdate_ssm":["1990-1998","1993-1995"],"unitdate_bulk_ssim":["1993-1995"],"unitdate_inclusive_ssm":["1990-1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC2001","/repositories/2/resources/43"],"text":["SPC2001","/repositories/2/resources/43","Cuban Living History Project, 1990-1998, bulk 1993-1995","Cuba -- Exiles","Cuba -- Exiles -- Florida","Cuba -- History -- 1895-1906","Cuba -- History -- 1909-1933","Cuba -- History -- 1933-1959","Cuba -- History -- 1959-1990","Oral history","Cubans -- Florida.","Newspaper Clippings","Tapes","Photographs","Posters","There are No Restrictions on this Collection","Special Collections kept the order in which the material was received. The personal interviews are organized in alphabetical order by interviewee and the press kits are arranged in chronological order.","There are No Physical Restrictions on this collection","Patrons will need to use our audio visual equipment","The Cuban Living History Project includes three documentaries and 114 personal interviews. The documentaries are named:  Y los Quiero Conocer (And I Want to Meet Them) recounting the era of the Cuban Republic, Calle Ocho: Cuban Exiles Look at Themselves, an Emmy Award-winner, based on the Cuban American exile community and Ni Patria Ni Amo (Neither Motherland Nor Master) which focuses on the exile opposition to Fidel Castro's regime and is based on testimonies of exile leaders.  The documentaries were created based on the personal interviews.\nThe interviewees on the personal interviews were Cuban exiles that played very important roles in the creation of Cuban Miami. Most of the interviewees, now deceased, were well-known figures in the cultural, political and intellectual life of the Cuban Republic. The interviews were conducted by Dr. Miguel González-Pando, between the years 1990 and 1997. A number of other items also included in the collection are press articles by Miguel Gonzalez-Pando, personal photos and posters, in addition to articles about him.","The personal interviews from this collection are in the process of being digitized. Sound clips (demo and full length) for recordings are available online. The access to full length sound files is limited to on-campus users only. Please use the \"Online access Cuban Living History Project\" link on this page to be directed to the digitized material.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)","González-Pando, Miguel","English Spanish; Castilian"],"unitid_tesim":["SPC2001","/repositories/2/resources/43"],"normalized_date_ssm":["1990-1998, bulk 1993-1995"],"normalized_title_ssm":["Cuban Living History Project, 1990-1998, bulk 1993-1995"],"collection_title_tesim":["Cuban Living History Project, 1990-1998, bulk 1993-1995"],"collection_ssim":["Cuban Living History Project, 1990-1998, bulk 1993-1995"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba -- Exiles"],"geogname_ssim":["Cuba -- Exiles"],"creator_ssm":["González-Pando, Miguel","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"creator_ssim":["González-Pando, Miguel","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"creator_persname_ssim":["González-Pando, Miguel"],"creator_corpname_ssim":["Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"creators_ssim":["González-Pando, Miguel","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"places_ssim":["Cuba -- Exiles"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donated by Miguel González-Pando's widow"],"access_subjects_ssim":["Cuba -- Exiles -- Florida","Cuba -- History -- 1895-1906","Cuba -- History -- 1909-1933","Cuba -- History -- 1933-1959","Cuba -- History -- 1959-1990","Oral history","Cubans -- Florida.","Newspaper Clippings","Tapes","Photographs","Posters"],"access_subjects_ssm":["Cuba -- Exiles -- Florida","Cuba -- History -- 1895-1906","Cuba -- History -- 1909-1933","Cuba -- History -- 1933-1959","Cuba -- History -- 1959-1990","Oral history","Cubans -- Florida.","Newspaper Clippings","Tapes","Photographs","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["1.00 boxes"],"extent_tesim":["1.00 boxes"],"genreform_ssim":["Newspaper Clippings","Tapes","Photographs","Posters"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eThere are No Restrictions on this Collection\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are No Restrictions on this Collection"],"arrangement_html_tesm":["\u003cp\u003eSpecial Collections kept the order in which the material was received. The personal interviews are organized in alphabetical order by interviewee and the press kits are arranged in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Special Collections kept the order in which the material was received. The personal interviews are organized in alphabetical order by interviewee and the press kits are arranged in chronological order."],"phystech_html_tesm":["\u003cp\u003eThere are No Physical Restrictions on this collection\u003c/p\u003e","\u003cp\u003ePatrons will need to use our audio visual equipment\u003c/p\u003e"],"phystech_heading_ssm":["Physical Access Requirements","Technical Access Requirements"],"phystech_tesim":["There are No Physical Restrictions on this collection","Patrons will need to use our audio visual equipment"],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Living History Project includes three documentaries and 114 personal interviews. The documentaries are named:  Y los Quiero Conocer (And I Want to Meet Them) recounting the era of the Cuban Republic, Calle Ocho: Cuban Exiles Look at Themselves, an Emmy Award-winner, based on the Cuban American exile community and Ni Patria Ni Amo (Neither Motherland Nor Master) which focuses on the exile opposition to Fidel Castro's regime and is based on testimonies of exile leaders.  The documentaries were created based on the personal interviews.\nThe interviewees on the personal interviews were Cuban exiles that played very important roles in the creation of Cuban Miami. Most of the interviewees, now deceased, were well-known figures in the cultural, political and intellectual life of the Cuban Republic. The interviews were conducted by Dr. Miguel Gonz\u0026#xE1;lez-Pando, between the years 1990 and 1997. A number of other items also included in the collection are press articles by Miguel Gonzalez-Pando, personal photos and posters, in addition to articles about him.\u003c/p\u003e\n","\u003cp\u003eThe personal interviews from this collection are in the process of being digitized. Sound clips (demo and full length) for recordings are available online. The access to full length sound files is limited to on-campus users only. Please use the \"Online access Cuban Living History Project\" link on this page to be directed to the digitized material.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuban Living History Project includes three documentaries and 114 personal interviews. The documentaries are named:  Y los Quiero Conocer (And I Want to Meet Them) recounting the era of the Cuban Republic, Calle Ocho: Cuban Exiles Look at Themselves, an Emmy Award-winner, based on the Cuban American exile community and Ni Patria Ni Amo (Neither Motherland Nor Master) which focuses on the exile opposition to Fidel Castro's regime and is based on testimonies of exile leaders.  The documentaries were created based on the personal interviews.\nThe interviewees on the personal interviews were Cuban exiles that played very important roles in the creation of Cuban Miami. Most of the interviewees, now deceased, were well-known figures in the cultural, political and intellectual life of the Cuban Republic. The interviews were conducted by Dr. Miguel González-Pando, between the years 1990 and 1997. A number of other items also included in the collection are press articles by Miguel Gonzalez-Pando, personal photos and posters, in addition to articles about him.","The personal interviews from this collection are in the process of being digitized. Sound clips (demo and full length) for recordings are available online. The access to full length sound files is limited to on-campus users only. Please use the \"Online access Cuban Living History Project\" link on this page to be directed to the digitized material."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)","González-Pando, Miguel"],"corpname_ssim":["FIU Special Collections","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"persname_ssim":["González-Pando, Miguel"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":443,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844607502221312,"_root_":"3574dbfb2eaa0487e5083bae","timestamp":"2026-07-16T04:34:12.153Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3574dbfb2eaa0487e5083bae","title_ssm":["Cuban Living History Project"],"title_tesim":["Cuban Living History Project"],"ead_ssi":"3574dbfb2eaa0487e5083bae","unitdate_ssm":["1990-1998","1993-1995"],"unitdate_bulk_ssim":["1993-1995"],"unitdate_inclusive_ssm":["1990-1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC2001","/repositories/2/resources/43"],"text":["SPC2001","/repositories/2/resources/43","Cuban Living History Project, 1990-1998, bulk 1993-1995","Cuba -- Exiles","Cuba -- Exiles -- Florida","Cuba -- History -- 1895-1906","Cuba -- History -- 1909-1933","Cuba -- History -- 1933-1959","Cuba -- History -- 1959-1990","Oral history","Cubans -- Florida.","Newspaper Clippings","Tapes","Photographs","Posters","There are No Restrictions on this Collection","Special Collections kept the order in which the material was received. The personal interviews are organized in alphabetical order by interviewee and the press kits are arranged in chronological order.","There are No Physical Restrictions on this collection","Patrons will need to use our audio visual equipment","The Cuban Living History Project includes three documentaries and 114 personal interviews. The documentaries are named:  Y los Quiero Conocer (And I Want to Meet Them) recounting the era of the Cuban Republic, Calle Ocho: Cuban Exiles Look at Themselves, an Emmy Award-winner, based on the Cuban American exile community and Ni Patria Ni Amo (Neither Motherland Nor Master) which focuses on the exile opposition to Fidel Castro's regime and is based on testimonies of exile leaders.  The documentaries were created based on the personal interviews.\nThe interviewees on the personal interviews were Cuban exiles that played very important roles in the creation of Cuban Miami. Most of the interviewees, now deceased, were well-known figures in the cultural, political and intellectual life of the Cuban Republic. The interviews were conducted by Dr. Miguel González-Pando, between the years 1990 and 1997. A number of other items also included in the collection are press articles by Miguel Gonzalez-Pando, personal photos and posters, in addition to articles about him.","The personal interviews from this collection are in the process of being digitized. Sound clips (demo and full length) for recordings are available online. The access to full length sound files is limited to on-campus users only. Please use the \"Online access Cuban Living History Project\" link on this page to be directed to the digitized material.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)","González-Pando, Miguel","English Spanish; Castilian"],"unitid_tesim":["SPC2001","/repositories/2/resources/43"],"normalized_date_ssm":["1990-1998, bulk 1993-1995"],"normalized_title_ssm":["Cuban Living History Project, 1990-1998, bulk 1993-1995"],"collection_title_tesim":["Cuban Living History Project, 1990-1998, bulk 1993-1995"],"collection_ssim":["Cuban Living History Project, 1990-1998, bulk 1993-1995"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba -- Exiles"],"geogname_ssim":["Cuba -- Exiles"],"creator_ssm":["González-Pando, Miguel","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"creator_ssim":["González-Pando, Miguel","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"creator_persname_ssim":["González-Pando, Miguel"],"creator_corpname_ssim":["Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"creators_ssim":["González-Pando, Miguel","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"places_ssim":["Cuba -- Exiles"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donated by Miguel González-Pando's widow"],"access_subjects_ssim":["Cuba -- Exiles -- Florida","Cuba -- History -- 1895-1906","Cuba -- History -- 1909-1933","Cuba -- History -- 1933-1959","Cuba -- History -- 1959-1990","Oral history","Cubans -- Florida.","Newspaper Clippings","Tapes","Photographs","Posters"],"access_subjects_ssm":["Cuba -- Exiles -- Florida","Cuba -- History -- 1895-1906","Cuba -- History -- 1909-1933","Cuba -- History -- 1933-1959","Cuba -- History -- 1959-1990","Oral history","Cubans -- Florida.","Newspaper Clippings","Tapes","Photographs","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["1.00 boxes"],"extent_tesim":["1.00 boxes"],"genreform_ssim":["Newspaper Clippings","Tapes","Photographs","Posters"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eThere are No Restrictions on this Collection\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are No Restrictions on this Collection"],"arrangement_html_tesm":["\u003cp\u003eSpecial Collections kept the order in which the material was received. The personal interviews are organized in alphabetical order by interviewee and the press kits are arranged in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Special Collections kept the order in which the material was received. The personal interviews are organized in alphabetical order by interviewee and the press kits are arranged in chronological order."],"phystech_html_tesm":["\u003cp\u003eThere are No Physical Restrictions on this collection\u003c/p\u003e","\u003cp\u003ePatrons will need to use our audio visual equipment\u003c/p\u003e"],"phystech_heading_ssm":["Physical Access Requirements","Technical Access Requirements"],"phystech_tesim":["There are No Physical Restrictions on this collection","Patrons will need to use our audio visual equipment"],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Living History Project includes three documentaries and 114 personal interviews. The documentaries are named:  Y los Quiero Conocer (And I Want to Meet Them) recounting the era of the Cuban Republic, Calle Ocho: Cuban Exiles Look at Themselves, an Emmy Award-winner, based on the Cuban American exile community and Ni Patria Ni Amo (Neither Motherland Nor Master) which focuses on the exile opposition to Fidel Castro's regime and is based on testimonies of exile leaders.  The documentaries were created based on the personal interviews.\nThe interviewees on the personal interviews were Cuban exiles that played very important roles in the creation of Cuban Miami. Most of the interviewees, now deceased, were well-known figures in the cultural, political and intellectual life of the Cuban Republic. The interviews were conducted by Dr. Miguel Gonz\u0026#xE1;lez-Pando, between the years 1990 and 1997. A number of other items also included in the collection are press articles by Miguel Gonzalez-Pando, personal photos and posters, in addition to articles about him.\u003c/p\u003e\n","\u003cp\u003eThe personal interviews from this collection are in the process of being digitized. Sound clips (demo and full length) for recordings are available online. The access to full length sound files is limited to on-campus users only. Please use the \"Online access Cuban Living History Project\" link on this page to be directed to the digitized material.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuban Living History Project includes three documentaries and 114 personal interviews. The documentaries are named:  Y los Quiero Conocer (And I Want to Meet Them) recounting the era of the Cuban Republic, Calle Ocho: Cuban Exiles Look at Themselves, an Emmy Award-winner, based on the Cuban American exile community and Ni Patria Ni Amo (Neither Motherland Nor Master) which focuses on the exile opposition to Fidel Castro's regime and is based on testimonies of exile leaders.  The documentaries were created based on the personal interviews.\nThe interviewees on the personal interviews were Cuban exiles that played very important roles in the creation of Cuban Miami. Most of the interviewees, now deceased, were well-known figures in the cultural, political and intellectual life of the Cuban Republic. The interviews were conducted by Dr. Miguel González-Pando, between the years 1990 and 1997. A number of other items also included in the collection are press articles by Miguel Gonzalez-Pando, personal photos and posters, in addition to articles about him.","The personal interviews from this collection are in the process of being digitized. Sound clips (demo and full length) for recordings are available online. The access to full length sound files is limited to on-campus users only. Please use the \"Online access Cuban Living History Project\" link on this page to be directed to the digitized material."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)","González-Pando, Miguel"],"corpname_ssim":["FIU Special Collections","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"persname_ssim":["González-Pando, Miguel"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":443,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844607502221312,"_root_":"3574dbfb2eaa0487e5083bae","timestamp":"2026-07-16T04:34:12.153Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3574dbfb2eaa0487e5083bae"}},{"id":"5a03f9926f976fc0a6c09f17","type":"collection","attributes":{"title":"Degen Set Designs, 1970-2009","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/5a03f9926f976fc0a6c09f17#creator","type":"document_value","attributes":{"value":["Klausen, Ray"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/5a03f9926f976fc0a6c09f17#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Degen Resource Room holds a large collection of blueprints of shop construction drawings and stage designs. This collection encompasses stage designs for Broadway and off-Broadway productions, touring theatrical productions, prestigious awards shows and television set designs. Currently, over 750 set designs have been cataloged with an estimated 500-750 more to be assessed.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5a03f9926f976fc0a6c09f17#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"5a03f9926f976fc0a6c09f17","title_ssm":["Degen Set Designs"],"title_tesim":["Degen Set Designs"],"ead_ssi":"5a03f9926f976fc0a6c09f17","unitdate_ssm":["1970-2009"],"unitdate_inclusive_ssm":["1970-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["05.DEGEN002","/repositories/8/resources/165"],"text":["05.DEGEN002","/repositories/8/resources/165","Degen Set Designs, 1970-2009","Theater.","Theater--History.","Theaters--Designs and plans","Television--Production and direction","Plays.","Photographs","The John A. Degen Resource Room collection is only open to Florida State University School of Theatre Faculty, Staff and Students.","The Degen Resource Room holds a large collection of blueprints of shop construction drawings and stage designs. This collection encompasses stage designs for Broadway and off-Broadway productions, touring theatrical productions, prestigious awards shows and television set designs. Currently, over 750 set designs have been cataloged with an estimated 500-750 more to be assessed.","The John A. Degen Resource Room at FSU","Klausen, Ray","Range, Robert W.","English"],"unitid_tesim":["05.DEGEN002","/repositories/8/resources/165"],"normalized_date_ssm":["1970-2009"],"normalized_title_ssm":["Degen Set Designs, 1970-2009"],"collection_title_tesim":["Degen Set Designs, 1970-2009"],"collection_ssim":["Degen Set Designs, 1970-2009"],"repository_ssm":["The John A. Degen Resource Room at FSU"],"repository_ssim":["The John A. 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Degen Resource Room collection is only open to Florida State University School of Theatre Faculty, Staff and Students.","The Degen Resource Room holds a large collection of blueprints of shop construction drawings and stage designs. This collection encompasses stage designs for Broadway and off-Broadway productions, touring theatrical productions, prestigious awards shows and television set designs. Currently, over 750 set designs have been cataloged with an estimated 500-750 more to be assessed.","The John A. Degen Resource Room at FSU","Klausen, Ray","Range, Robert W.","English"],"unitid_tesim":["05.DEGEN002","/repositories/8/resources/165"],"normalized_date_ssm":["1970-2009"],"normalized_title_ssm":["Degen Set Designs, 1970-2009"],"collection_title_tesim":["Degen Set Designs, 1970-2009"],"collection_ssim":["Degen Set Designs, 1970-2009"],"repository_ssm":["The John A. Degen Resource Room at FSU"],"repository_ssim":["The John A. 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It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"5e17dda97e7549e9d9b40539","title_filing_ssi":"Wesley, Dorothy Porter Collection","title_ssm":["Dorothy Porter Wesley Collection"],"title_tesim":["Dorothy Porter Wesley Collection"],"ead_ssi":"5e17dda97e7549e9d9b40539","unitdate_ssm":["Circa 1788-2012"],"unitdate_inclusive_ssm":["Circa 1788-2012"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2003.6","/repositories/2/resources/20"],"text":["AARLCC.2003.6","/repositories/2/resources/20","Dorothy Porter Wesley Collection, Circa 1788-2012","Africa -- Research","Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art","The Dorothy Porter Wesley Collection is open for research.","View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.","The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets","Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.","The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.","Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".","The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.","AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970","English Portuguese German"],"unitid_tesim":["AARLCC.2003.6","/repositories/2/resources/20"],"normalized_date_ssm":["Circa 1788-2012"],"normalized_title_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_title_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Africa -- Research"],"geogname_ssim":["Africa -- Research"],"places_ssim":["Africa -- Research"],"acqinfo_ssim":["Broward County Library purchased the materials from Constance Porter Uzelac (daughter of Dorothy Porter Wesley) in December 2002 (Accession AARLCC-2003.6). Milan Uzelac donated accruals to AARLCC Special Collections on June 29, 2012 (Accession AARLCC-2012.12) and on May 12, 2022 (Accession AARLCC-2022.7)."],"access_subjects_ssim":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"access_subjects_ssm":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes","2800 Books"],"extent_tesim":["67 Hollinger Boxes","2800 Books"],"genreform_ssim":["Photographs","Sound recordings","Correspondence","Art"],"date_range_isim":[1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Dorothy Porter Wesley Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll37/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series and sub-series:\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries I. Correspondence\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. General Correspondence\u003c/p\u003e","\u003cp\u003eSub-series II. Family Correspondence\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries II. Professional Papers\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley professional papers\u003c/p\u003e","\u003cp\u003eSub-series II. Constance Porter Uzelac professional papers \u003c/p\u003e","\u003cp\u003eSub-series III. Charles Harris Wesley professional papers \u003c/p\u003e","\u003cp\u003eSub-series IV. Writings by Dorothy Porter Wesley\u003c/p\u003e","\u003cp\u003eSub-series V. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VI. Writings by James A. Porter\u003c/p\u003e","\u003cp\u003eSub-series VII. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VIII. Writings by Charles Harris Wesley \u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries III. Research Files\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley general research files\u003c/p\u003e","\u003cp\u003eSub-series II. Dorothy Porter Wesley Brazil research files\u003c/p\u003e","\u003cp\u003eSub-series III. Dorothy Porter Wesley illustrations\u003c/p\u003e","\u003cp\u003eSub-series IV. Constance Porter Uzelac research files\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries IV. Personal Papers\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries V. Photographs\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries VI. Printed Materials\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Calendars and Datebooks\u003c/p\u003e","\u003cp\u003eSub-series II. Catalogs\u003c/p\u003e","\u003cp\u003eSub-series III. General\u003c/p\u003e","\u003cp\u003eSub-series IV. Magazines\u003c/p\u003e","\u003cp\u003eSub-series V. Maps\u003c/p\u003e","\u003cp\u003eSub-series VI. Newspaper Clippings\u003c/p\u003e","\u003cp\u003eSub-series VII. Sheet Music\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries VII. Ephemera and Artwork\u003c/p\u003e\u003c/b\u003e","\u003cp\u003e\u003cb\u003eSeries VIII. Books and Pamphlets\u003c/b\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets"],"bioghist_html_tesm":["\u003cp\u003eDorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. \u003c/p\u003e\n","\u003cp\u003eIn 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work, \u003cemph\u003eModern Negro Art\u003c/emph\u003e, proved to be one of the most informative sources to date on the creativity of the Black artists.\u003c/p\u003e\n","\u003cp\u003eIn 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.\u003c/p\u003e\n","\u003cp\u003eJames Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. \u003c/p\u003e\n","\u003cp\u003eCharles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.\u003c/p\u003e\n","\u003cp\u003eIn 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.\u003c/p\u003e\n","\u003cp\u003eThe book \u003ci\u003eWilliam Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874\u003c/i\u003e (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.\u003c/p\u003e\n","\u003cp\u003eIn 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012."],"prefercite_html_tesm":["\u003cp\u003eDorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Dorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\n\u003ca href=\"https://archives.yale.edu/repositories/11/resources/994\" target=\"_blank\"\u003ePart of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.\u003c/a\u003e\n\u003c/p\u003e","\u003cp\u003e\n\u003ca href=\"https://archives.libraries.emory.edu/repositories/7/resources/3255\" target=\"_blank\"\u003eDorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.\u003c/a\u003e\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.\u003c/p\u003e\n","\u003cp\u003eCorrespondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.\u003c/p\u003e\n","\u003cp\u003eProfessional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.\u003c/p\u003e\n","\u003cp\u003eConstance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". \u003c/p\u003e\n","\u003cp\u003eThe collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.\u003c/p\u003e\n","\u003cp\u003eResearch files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.\u003c/p\u003e\n","\u003cp\u003ePrinted Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=DPW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_559c404160acc20bdc75d09cde3325a4\"\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets."],"names_ssim":["AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Wesley, Dorothy Porter, 1905-1995"],"persname_ssim":["Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"language_ssim":["English Portuguese German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1539,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563605913108480,"_root_":"5e17dda97e7549e9d9b40539","timestamp":"2026-07-24T03:02:22.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5e17dda97e7549e9d9b40539","title_filing_ssi":"Wesley, Dorothy Porter Collection","title_ssm":["Dorothy Porter Wesley Collection"],"title_tesim":["Dorothy Porter Wesley Collection"],"ead_ssi":"5e17dda97e7549e9d9b40539","unitdate_ssm":["Circa 1788-2012"],"unitdate_inclusive_ssm":["Circa 1788-2012"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2003.6","/repositories/2/resources/20"],"text":["AARLCC.2003.6","/repositories/2/resources/20","Dorothy Porter Wesley Collection, Circa 1788-2012","Africa -- Research","Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art","The Dorothy Porter Wesley Collection is open for research.","View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.","The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets","Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.","The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.","Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".","The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.","AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970","English Portuguese German"],"unitid_tesim":["AARLCC.2003.6","/repositories/2/resources/20"],"normalized_date_ssm":["Circa 1788-2012"],"normalized_title_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_title_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Africa -- Research"],"geogname_ssim":["Africa -- Research"],"places_ssim":["Africa -- Research"],"acqinfo_ssim":["Broward County Library purchased the materials from Constance Porter Uzelac (daughter of Dorothy Porter Wesley) in December 2002 (Accession AARLCC-2003.6). Milan Uzelac donated accruals to AARLCC Special Collections on June 29, 2012 (Accession AARLCC-2012.12) and on May 12, 2022 (Accession AARLCC-2022.7)."],"access_subjects_ssim":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"access_subjects_ssm":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes","2800 Books"],"extent_tesim":["67 Hollinger Boxes","2800 Books"],"genreform_ssim":["Photographs","Sound recordings","Correspondence","Art"],"date_range_isim":[1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Dorothy Porter Wesley Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll37/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series and sub-series:\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries I. Correspondence\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. General Correspondence\u003c/p\u003e","\u003cp\u003eSub-series II. Family Correspondence\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries II. Professional Papers\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley professional papers\u003c/p\u003e","\u003cp\u003eSub-series II. Constance Porter Uzelac professional papers \u003c/p\u003e","\u003cp\u003eSub-series III. Charles Harris Wesley professional papers \u003c/p\u003e","\u003cp\u003eSub-series IV. Writings by Dorothy Porter Wesley\u003c/p\u003e","\u003cp\u003eSub-series V. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VI. Writings by James A. Porter\u003c/p\u003e","\u003cp\u003eSub-series VII. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VIII. Writings by Charles Harris Wesley \u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries III. Research Files\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley general research files\u003c/p\u003e","\u003cp\u003eSub-series II. Dorothy Porter Wesley Brazil research files\u003c/p\u003e","\u003cp\u003eSub-series III. Dorothy Porter Wesley illustrations\u003c/p\u003e","\u003cp\u003eSub-series IV. Constance Porter Uzelac research files\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries IV. Personal Papers\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries V. Photographs\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries VI. Printed Materials\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Calendars and Datebooks\u003c/p\u003e","\u003cp\u003eSub-series II. Catalogs\u003c/p\u003e","\u003cp\u003eSub-series III. General\u003c/p\u003e","\u003cp\u003eSub-series IV. Magazines\u003c/p\u003e","\u003cp\u003eSub-series V. Maps\u003c/p\u003e","\u003cp\u003eSub-series VI. Newspaper Clippings\u003c/p\u003e","\u003cp\u003eSub-series VII. Sheet Music\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries VII. Ephemera and Artwork\u003c/p\u003e\u003c/b\u003e","\u003cp\u003e\u003cb\u003eSeries VIII. Books and Pamphlets\u003c/b\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets"],"bioghist_html_tesm":["\u003cp\u003eDorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. \u003c/p\u003e\n","\u003cp\u003eIn 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work, \u003cemph\u003eModern Negro Art\u003c/emph\u003e, proved to be one of the most informative sources to date on the creativity of the Black artists.\u003c/p\u003e\n","\u003cp\u003eIn 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.\u003c/p\u003e\n","\u003cp\u003eJames Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. \u003c/p\u003e\n","\u003cp\u003eCharles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.\u003c/p\u003e\n","\u003cp\u003eIn 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.\u003c/p\u003e\n","\u003cp\u003eThe book \u003ci\u003eWilliam Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874\u003c/i\u003e (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.\u003c/p\u003e\n","\u003cp\u003eIn 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012."],"prefercite_html_tesm":["\u003cp\u003eDorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Dorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\n\u003ca href=\"https://archives.yale.edu/repositories/11/resources/994\" target=\"_blank\"\u003ePart of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.\u003c/a\u003e\n\u003c/p\u003e","\u003cp\u003e\n\u003ca href=\"https://archives.libraries.emory.edu/repositories/7/resources/3255\" target=\"_blank\"\u003eDorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.\u003c/a\u003e\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.\u003c/p\u003e\n","\u003cp\u003eCorrespondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.\u003c/p\u003e\n","\u003cp\u003eProfessional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.\u003c/p\u003e\n","\u003cp\u003eConstance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". \u003c/p\u003e\n","\u003cp\u003eThe collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.\u003c/p\u003e\n","\u003cp\u003eResearch files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.\u003c/p\u003e\n","\u003cp\u003ePrinted Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=DPW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_559c404160acc20bdc75d09cde3325a4\"\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets."],"names_ssim":["AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Wesley, Dorothy Porter, 1905-1995"],"persname_ssim":["Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"language_ssim":["English Portuguese German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1539,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563605913108480,"_root_":"5e17dda97e7549e9d9b40539","timestamp":"2026-07-24T03:02:22.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Abril Lamarque Collection, 1883-2001","value":"Abril Lamarque Collection, 1883-2001","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographs\u0026f%5Bcollection%5D%5B%5D=Abril+Lamarque+Collection%2C+1883-2001\u0026f%5Bdate_range%5D%5B%5D=1994\u0026view=compact"}},{"attributes":{"label":"Alcee Hastings Collection, 1977-2011","value":"Alcee Hastings Collection, 1977-2011","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographs\u0026f%5Bcollection%5D%5B%5D=Alcee+Hastings+Collection%2C+1977-2011\u0026f%5Bdate_range%5D%5B%5D=1994\u0026view=compact"}},{"attributes":{"label":"Bobby G. 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