{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographs\u0026f%5Bdate_range%5D%5B%5D=1981","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographs\u0026f%5Bdate_range%5D%5B%5D=1981\u0026page=2","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographs\u0026f%5Bdate_range%5D%5B%5D=1981\u0026page=8"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":8,"limit_value":10,"offset_value":0,"total_count":78,"first_page?":true,"last_page?":false}},"data":[{"id":"d331ed22985bd548fd56cca6","type":"collection","attributes":{"title":"Abril Lamarque Collection, 1883-2001","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6#creator","type":"document_value","attributes":{"value":["Lamarque Sarno, Martha"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip \u003cem\u003eMonguito. \u003c/em\u003e\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"d331ed22985bd548fd56cca6","title_ssm":["Abril Lamarque Collection"],"title_tesim":["Abril Lamarque Collection"],"ead_ssi":"d331ed22985bd548fd56cca6","unitdate_ssm":["1883-2001"],"unitdate_inclusive_ssm":["1883-2001"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["SPC6045","/repositories/2/resources/71"],"text":["SPC6045","/repositories/2/resources/71","Abril Lamarque Collection, 1883-2001","Cuba","Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs","The collection is open for research.","The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.","Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art","Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more","The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society.","Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999","English Spanish; Castilian"],"unitid_tesim":["SPC6045","/repositories/2/resources/71"],"normalized_date_ssm":["1883-2001"],"normalized_title_ssm":["Abril Lamarque Collection, 1883-2001"],"collection_title_tesim":["Abril Lamarque Collection, 1883-2001"],"collection_ssim":["Abril Lamarque Collection, 1883-2001"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"creator_ssm":["Lamarque Sarno, Martha"],"creator_ssim":["Lamarque Sarno, Martha"],"creator_persname_ssim":["Lamarque Sarno, Martha"],"creators_ssim":["Lamarque Sarno, Martha"],"places_ssim":["Cuba"],"access_terms_ssm":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"acqinfo_ssim":["Martha Lamarque Sarno donated her father's papers to Special Collections at Florida International University."],"access_subjects_ssim":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"access_subjects_ssm":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 boxes"],"extent_tesim":["2.00 boxes"],"genreform_ssim":["Works of art","Sketches","Photographs"],"date_range_isim":[1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2.\u0026#xA0;Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs."],"bioghist_html_tesm":["\u003cp\u003eEduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the \u003cemph render=\"italic\"\u003eNew York World-Telegram and Evening Mail\u003c/emph\u003e at age 15. Four years later he created \u003cemph render=\"italic\"\u003eBla-Bla\u003c/emph\u003e, a comic strip that appeared regularly in the \u003cemph render=\"italic\"\u003eNew York Daily News\u003c/emph\u003e. He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character, \u003cemph render=\"italic\"\u003eMonguito\u003c/emph\u003e, was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.\u003c/p\u003e\n","\u003cp\u003eWhen he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e. He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the \u003cemph render=\"italic\"\u003eNew York World Telegram and Evening Mail\u003c/emph\u003e as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.\u003c/p\u003e\n","\u003cp\u003eIn 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included \u003cemph render=\"italic\"\u003eFilm Fun\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eI Confess\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eWar Stories\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eModern Screen\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Song\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eSpotlight\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRadio Stars\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eTheatrical Page\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eBallyhoo\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eModern Romances\u003c/emph\u003e. He continued working there for 14 years.\u003c/p\u003e\n","\u003cp\u003eIn 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.\u003c/p\u003e\n","\u003cp\u003eBetween 1941 and 1946, Lamarque became the first art director for the Sunday edition of the \u003cemph render=\"italic\"\u003eNew York Times\u003c/emph\u003e and redesigned the \u003cemph render=\"italic\"\u003eNew York Times Magazine\u003c/emph\u003e and the \u003cemph render=\"italic\"\u003eNew York Times Book Review\u003c/emph\u003e. Throughout his career, Lamarque designed and redesigned countless magazines and journals, including \u003cemph render=\"italic\"\u003eAmerican Weekly\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eNew York News\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eMetropolitan Life\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Science\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThis Week\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eUS News-World Report\u003c/emph\u003e, and others.\u003c/p\u003e\n","\u003cp\u003eIn 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.\u003c/p\u003e\n","\u003cp\u003eHis success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.\u003c/p\u003e\n","\u003cp\u003eLamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.\u003c/p\u003e\n","\u003cp\u003eLamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art"],"odd_html_tesm":["\u003cp\u003eLanguage from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated material to the collection may be found in the following repository. \u003c/p\u003e\n","\u003cp\u003eArchives of the American Art.\u003c/p\u003e\n","\u003cp\u003ehttp://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more"],"scopecontent_html_tesm":["\u003cp\u003eThe Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito. \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eThe collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito \u003c/emph\u003eand editions of the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e.In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.\u003c/p\u003e\n","\u003cp\u003eThe collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, a segment that included Massaguer's caricatures of prominent members of Cuban high society.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society."],"userestrict_html_tesm":["\u003cp\u003eRights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"names_coll_ssim":["Society of American Magicians","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"names_ssim":["FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"corpname_ssim":["FIU Special Collections","Society of American Magicians"],"persname_ssim":["Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":247,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844705641594880,"_root_":"d331ed22985bd548fd56cca6","timestamp":"2026-07-16T04:35:45.752Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d331ed22985bd548fd56cca6","title_ssm":["Abril Lamarque Collection"],"title_tesim":["Abril Lamarque Collection"],"ead_ssi":"d331ed22985bd548fd56cca6","unitdate_ssm":["1883-2001"],"unitdate_inclusive_ssm":["1883-2001"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["SPC6045","/repositories/2/resources/71"],"text":["SPC6045","/repositories/2/resources/71","Abril Lamarque Collection, 1883-2001","Cuba","Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs","The collection is open for research.","The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.","Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art","Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more","The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society.","Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999","English Spanish; Castilian"],"unitid_tesim":["SPC6045","/repositories/2/resources/71"],"normalized_date_ssm":["1883-2001"],"normalized_title_ssm":["Abril Lamarque Collection, 1883-2001"],"collection_title_tesim":["Abril Lamarque Collection, 1883-2001"],"collection_ssim":["Abril Lamarque Collection, 1883-2001"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"creator_ssm":["Lamarque Sarno, Martha"],"creator_ssim":["Lamarque Sarno, Martha"],"creator_persname_ssim":["Lamarque Sarno, Martha"],"creators_ssim":["Lamarque Sarno, Martha"],"places_ssim":["Cuba"],"access_terms_ssm":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"acqinfo_ssim":["Martha Lamarque Sarno donated her father's papers to Special Collections at Florida International University."],"access_subjects_ssim":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"access_subjects_ssm":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 boxes"],"extent_tesim":["2.00 boxes"],"genreform_ssim":["Works of art","Sketches","Photographs"],"date_range_isim":[1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2.\u0026#xA0;Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs."],"bioghist_html_tesm":["\u003cp\u003eEduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the \u003cemph render=\"italic\"\u003eNew York World-Telegram and Evening Mail\u003c/emph\u003e at age 15. Four years later he created \u003cemph render=\"italic\"\u003eBla-Bla\u003c/emph\u003e, a comic strip that appeared regularly in the \u003cemph render=\"italic\"\u003eNew York Daily News\u003c/emph\u003e. He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character, \u003cemph render=\"italic\"\u003eMonguito\u003c/emph\u003e, was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.\u003c/p\u003e\n","\u003cp\u003eWhen he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e. He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the \u003cemph render=\"italic\"\u003eNew York World Telegram and Evening Mail\u003c/emph\u003e as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.\u003c/p\u003e\n","\u003cp\u003eIn 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included \u003cemph render=\"italic\"\u003eFilm Fun\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eI Confess\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eWar Stories\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eModern Screen\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Song\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eSpotlight\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRadio Stars\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eTheatrical Page\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eBallyhoo\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eModern Romances\u003c/emph\u003e. He continued working there for 14 years.\u003c/p\u003e\n","\u003cp\u003eIn 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.\u003c/p\u003e\n","\u003cp\u003eBetween 1941 and 1946, Lamarque became the first art director for the Sunday edition of the \u003cemph render=\"italic\"\u003eNew York Times\u003c/emph\u003e and redesigned the \u003cemph render=\"italic\"\u003eNew York Times Magazine\u003c/emph\u003e and the \u003cemph render=\"italic\"\u003eNew York Times Book Review\u003c/emph\u003e. Throughout his career, Lamarque designed and redesigned countless magazines and journals, including \u003cemph render=\"italic\"\u003eAmerican Weekly\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eNew York News\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eMetropolitan Life\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Science\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThis Week\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eUS News-World Report\u003c/emph\u003e, and others.\u003c/p\u003e\n","\u003cp\u003eIn 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.\u003c/p\u003e\n","\u003cp\u003eHis success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.\u003c/p\u003e\n","\u003cp\u003eLamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.\u003c/p\u003e\n","\u003cp\u003eLamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art"],"odd_html_tesm":["\u003cp\u003eLanguage from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated material to the collection may be found in the following repository. \u003c/p\u003e\n","\u003cp\u003eArchives of the American Art.\u003c/p\u003e\n","\u003cp\u003ehttp://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more"],"scopecontent_html_tesm":["\u003cp\u003eThe Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito. \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eThe collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito \u003c/emph\u003eand editions of the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e.In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.\u003c/p\u003e\n","\u003cp\u003eThe collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, a segment that included Massaguer's caricatures of prominent members of Cuban high society.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society."],"userestrict_html_tesm":["\u003cp\u003eRights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"names_coll_ssim":["Society of American Magicians","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"names_ssim":["FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"corpname_ssim":["FIU Special Collections","Society of American Magicians"],"persname_ssim":["Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":247,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844705641594880,"_root_":"d331ed22985bd548fd56cca6","timestamp":"2026-07-16T04:35:45.752Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6"}},{"id":"cfe589384758583d08a814b1","type":"collection","attributes":{"title":"Alcee Hastings Collection, 1977-2011","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/cfe589384758583d08a814b1#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Alcee Hastings Collection contains materials that document the career of Broward County lawyer, judge, and U.S. House of Representatives Congressman Alcee L. Hastings, such as photographs, printed materials, books, artwork, plaques, certificates, and award objects. The majority of the materials in the collection came from Congressman Hasting's congressional office.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cfe589384758583d08a814b1#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"cfe589384758583d08a814b1","title_filing_ssi":"Hastings, Alcee Collection","title_ssm":["Alcee Hastings Collection"],"title_tesim":["Alcee Hastings Collection"],"ead_ssi":"cfe589384758583d08a814b1","unitdate_ssm":["1977-2011"],"unitdate_inclusive_ssm":["1977-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2003.10","/repositories/2/resources/95"],"text":["AARLCC.2003.10","/repositories/2/resources/95","Alcee Hastings Collection, 1977-2011","Legislators -- United States","Judges -- Florida -- Broward County","Photographs","Certificates","plaques (flat objects)","Proclamations","The Alcee Hastings Collection is open for research.","View a selection of digitized materials from the Alcee Hastings Collection in the Broward County Library Digital Archives.","Alcee L. (Lamar) Hastings was born on September 5, 1936 in Altamonte Springs, Florida to Mildred and Julius \"J. C.\" Hastings. He received a B.A. degree in Zoology and Botany from Fisk University in 1958. From 1958 to 1960, Hastings attended Howard University School of Law and earned his Juris Doctorate degree in 1963 from Florida A\u0026M University School of Law. ","After practicing law, Hastings became a judge in the circuit court of Broward County, Florida in 1977. He was nominated by President Jimmy Carter to the United States District Court for the Southern District of Florida and held this position from 1979 to 1989. ","In 1992, Alcee L. Hastings was elected to the U.S. House of Representatives, representing Florida's 23rd district (1993-2013) and 20th district (2013-2021). These congressional districts cover Fort Lauderdale and West Palm Beach. Congressman Hastings, Carrie Meek and Corrine Brown were the first black representatives from Florida elected to Congress in 1992.","Congressman Hastings participated in several community and political organizations and events such as the Urban League of Broward County inaugural \"Achievement Matters…Salute to Scholars\", the National Advancement for the Association of Colored People (NAACP), Broward County Young Democrats, Little Haiti Housing Association, Inc., and Kappa Alpha Psi fraternity alumni chapter gatherings. He was a member of Kappa Alpha Psi fraternity and the Congressional Black Caucus. ","Alcee L. Hastings was diagnosed with pancreatic cancer in 2019. He died on April 6, 2021.","This collection received file level processing by Emily Calderon in May 2021. Additional materials were processed at the file level and the finding aid updated by Adam Anderson in March 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Alcee Hastings Collection contains materials that document the career of Broward County lawyer, judge, and U.S. House of Representatives Congressman Alcee L. Hastings, such as photographs, printed materials, books, artwork, plaques, certificates, and award objects. The majority of the materials in the collection came from Congressman Hasting's congressional office.","AARLCC Special Collections","Hastings, Alcee L.","English"],"unitid_tesim":["AARLCC.2003.10","/repositories/2/resources/95"],"normalized_date_ssm":["1977-2011"],"normalized_title_ssm":["Alcee Hastings Collection, 1977-2011"],"collection_title_tesim":["Alcee Hastings Collection, 1977-2011"],"collection_ssim":["Alcee Hastings Collection, 1977-2011"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Art W. Kennedy donated the materials on behalf of Alcee L. Hastings to the AARLCC Special Collections on April 10, 2003 (Accession AARLCC-2003.10). An accrual was donated on April 29 and May 6, 2021 (Accession AARLCC-2021.8). Alcee L. Hastings II donated an accrual on March 8, 2025 (Accession AARLCC-2025.5)."],"access_subjects_ssim":["Legislators -- United States","Judges -- Florida -- Broward County","Photographs","Certificates","plaques (flat objects)","Proclamations"],"access_subjects_ssm":["Legislators -- United States","Judges -- Florida -- Broward County","Photographs","Certificates","plaques (flat objects)","Proclamations"],"has_online_content_ssim":["false"],"extent_ssm":["23 Hollinger Boxes"],"extent_tesim":["23 Hollinger Boxes"],"genreform_ssim":["Photographs","Certificates","plaques (flat objects)","Proclamations"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThe Alcee Hastings Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Alcee Hastings Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll22/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Alcee Hastings Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digital Materials"],"altformavail_tesim":["View a selection of digitized materials from the Alcee Hastings Collection in the Broward County Library Digital Archives."],"bioghist_html_tesm":["\u003cp\u003eAlcee L. (Lamar) Hastings was born on September 5, 1936 in Altamonte Springs, Florida to Mildred and Julius \"J. C.\" Hastings. He received a B.A. degree in Zoology and Botany from Fisk University in 1958. From 1958 to 1960, Hastings attended Howard University School of Law and earned his Juris Doctorate degree in 1963 from Florida A\u0026amp;M University School of Law. \u003c/p\u003e\n","\u003cp\u003eAfter practicing law, Hastings became a judge in the circuit court of Broward County, Florida in 1977. He was nominated by President Jimmy Carter to the United States District Court for the Southern District of Florida and held this position from 1979 to 1989. \u003c/p\u003e\n","\u003cp\u003eIn 1992, Alcee L. Hastings was elected to the U.S. House of Representatives, representing Florida's 23rd district (1993-2013) and 20th district (2013-2021). These congressional districts cover Fort Lauderdale and West Palm Beach. Congressman Hastings, Carrie Meek and Corrine Brown were the first black representatives from Florida elected to Congress in 1992.\u003c/p\u003e\n","\u003cp\u003eCongressman Hastings participated in several community and political organizations and events such as the Urban League of Broward County inaugural \"Achievement Matters\u0026#x2026;Salute to Scholars\", the National Advancement for the Association of Colored People (NAACP), Broward County Young Democrats, Little Haiti Housing Association, Inc., and Kappa Alpha Psi fraternity alumni chapter gatherings. He was a member of Kappa Alpha Psi fraternity and the Congressional Black Caucus. \u003c/p\u003e\n","\u003cp\u003eAlcee L. Hastings was diagnosed with pancreatic cancer in 2019. He died on April 6, 2021.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Alcee L. (Lamar) Hastings was born on September 5, 1936 in Altamonte Springs, Florida to Mildred and Julius \"J. C.\" Hastings. He received a B.A. degree in Zoology and Botany from Fisk University in 1958. From 1958 to 1960, Hastings attended Howard University School of Law and earned his Juris Doctorate degree in 1963 from Florida A\u0026M University School of Law. ","After practicing law, Hastings became a judge in the circuit court of Broward County, Florida in 1977. He was nominated by President Jimmy Carter to the United States District Court for the Southern District of Florida and held this position from 1979 to 1989. ","In 1992, Alcee L. Hastings was elected to the U.S. House of Representatives, representing Florida's 23rd district (1993-2013) and 20th district (2013-2021). These congressional districts cover Fort Lauderdale and West Palm Beach. Congressman Hastings, Carrie Meek and Corrine Brown were the first black representatives from Florida elected to Congress in 1992.","Congressman Hastings participated in several community and political organizations and events such as the Urban League of Broward County inaugural \"Achievement Matters…Salute to Scholars\", the National Advancement for the Association of Colored People (NAACP), Broward County Young Democrats, Little Haiti Housing Association, Inc., and Kappa Alpha Psi fraternity alumni chapter gatherings. He was a member of Kappa Alpha Psi fraternity and the Congressional Black Caucus. ","Alcee L. Hastings was diagnosed with pancreatic cancer in 2019. He died on April 6, 2021."],"prefercite_html_tesm":["\u003cp\u003eAlcee Hastings Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Alcee Hastings Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing by Emily Calderon in May 2021. Additional materials were processed at the file level and the finding aid updated by Adam Anderson in March 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing by Emily Calderon in May 2021. Additional materials were processed at the file level and the finding aid updated by Adam Anderson in March 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Alcee Hastings Collection contains materials that document the career of Broward County lawyer, judge, and U.S. House of Representatives Congressman Alcee L. Hastings, such as photographs, printed materials, books, artwork, plaques, certificates, and award objects. The majority of the materials in the collection came from Congressman Hasting's congressional office.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Alcee Hastings Collection contains materials that document the career of Broward County lawyer, judge, and U.S. House of Representatives Congressman Alcee L. Hastings, such as photographs, printed materials, books, artwork, plaques, certificates, and award objects. The majority of the materials in the collection came from Congressman Hasting's congressional office."],"names_ssim":["AARLCC Special Collections","Hastings, Alcee L."],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Hastings, Alcee L."],"persname_ssim":["Hastings, Alcee L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":315,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"cfe589384758583d08a814b1","timestamp":"2026-05-03T01:31:27.177Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cfe589384758583d08a814b1","title_filing_ssi":"Hastings, Alcee Collection","title_ssm":["Alcee Hastings Collection"],"title_tesim":["Alcee Hastings Collection"],"ead_ssi":"cfe589384758583d08a814b1","unitdate_ssm":["1977-2011"],"unitdate_inclusive_ssm":["1977-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2003.10","/repositories/2/resources/95"],"text":["AARLCC.2003.10","/repositories/2/resources/95","Alcee Hastings Collection, 1977-2011","Legislators -- United States","Judges -- Florida -- Broward County","Photographs","Certificates","plaques (flat objects)","Proclamations","The Alcee Hastings Collection is open for research.","View a selection of digitized materials from the Alcee Hastings Collection in the Broward County Library Digital Archives.","Alcee L. (Lamar) Hastings was born on September 5, 1936 in Altamonte Springs, Florida to Mildred and Julius \"J. C.\" Hastings. He received a B.A. degree in Zoology and Botany from Fisk University in 1958. From 1958 to 1960, Hastings attended Howard University School of Law and earned his Juris Doctorate degree in 1963 from Florida A\u0026M University School of Law. ","After practicing law, Hastings became a judge in the circuit court of Broward County, Florida in 1977. He was nominated by President Jimmy Carter to the United States District Court for the Southern District of Florida and held this position from 1979 to 1989. ","In 1992, Alcee L. Hastings was elected to the U.S. House of Representatives, representing Florida's 23rd district (1993-2013) and 20th district (2013-2021). These congressional districts cover Fort Lauderdale and West Palm Beach. Congressman Hastings, Carrie Meek and Corrine Brown were the first black representatives from Florida elected to Congress in 1992.","Congressman Hastings participated in several community and political organizations and events such as the Urban League of Broward County inaugural \"Achievement Matters…Salute to Scholars\", the National Advancement for the Association of Colored People (NAACP), Broward County Young Democrats, Little Haiti Housing Association, Inc., and Kappa Alpha Psi fraternity alumni chapter gatherings. He was a member of Kappa Alpha Psi fraternity and the Congressional Black Caucus. ","Alcee L. Hastings was diagnosed with pancreatic cancer in 2019. He died on April 6, 2021.","This collection received file level processing by Emily Calderon in May 2021. Additional materials were processed at the file level and the finding aid updated by Adam Anderson in March 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Alcee Hastings Collection contains materials that document the career of Broward County lawyer, judge, and U.S. House of Representatives Congressman Alcee L. Hastings, such as photographs, printed materials, books, artwork, plaques, certificates, and award objects. The majority of the materials in the collection came from Congressman Hasting's congressional office.","AARLCC Special Collections","Hastings, Alcee L.","English"],"unitid_tesim":["AARLCC.2003.10","/repositories/2/resources/95"],"normalized_date_ssm":["1977-2011"],"normalized_title_ssm":["Alcee Hastings Collection, 1977-2011"],"collection_title_tesim":["Alcee Hastings Collection, 1977-2011"],"collection_ssim":["Alcee Hastings Collection, 1977-2011"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Art W. Kennedy donated the materials on behalf of Alcee L. Hastings to the AARLCC Special Collections on April 10, 2003 (Accession AARLCC-2003.10). An accrual was donated on April 29 and May 6, 2021 (Accession AARLCC-2021.8). Alcee L. Hastings II donated an accrual on March 8, 2025 (Accession AARLCC-2025.5)."],"access_subjects_ssim":["Legislators -- United States","Judges -- Florida -- Broward County","Photographs","Certificates","plaques (flat objects)","Proclamations"],"access_subjects_ssm":["Legislators -- United States","Judges -- Florida -- Broward County","Photographs","Certificates","plaques (flat objects)","Proclamations"],"has_online_content_ssim":["false"],"extent_ssm":["23 Hollinger Boxes"],"extent_tesim":["23 Hollinger Boxes"],"genreform_ssim":["Photographs","Certificates","plaques (flat objects)","Proclamations"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThe Alcee Hastings Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Alcee Hastings Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll22/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Alcee Hastings Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digital Materials"],"altformavail_tesim":["View a selection of digitized materials from the Alcee Hastings Collection in the Broward County Library Digital Archives."],"bioghist_html_tesm":["\u003cp\u003eAlcee L. (Lamar) Hastings was born on September 5, 1936 in Altamonte Springs, Florida to Mildred and Julius \"J. C.\" Hastings. He received a B.A. degree in Zoology and Botany from Fisk University in 1958. From 1958 to 1960, Hastings attended Howard University School of Law and earned his Juris Doctorate degree in 1963 from Florida A\u0026amp;M University School of Law. \u003c/p\u003e\n","\u003cp\u003eAfter practicing law, Hastings became a judge in the circuit court of Broward County, Florida in 1977. He was nominated by President Jimmy Carter to the United States District Court for the Southern District of Florida and held this position from 1979 to 1989. \u003c/p\u003e\n","\u003cp\u003eIn 1992, Alcee L. Hastings was elected to the U.S. House of Representatives, representing Florida's 23rd district (1993-2013) and 20th district (2013-2021). These congressional districts cover Fort Lauderdale and West Palm Beach. Congressman Hastings, Carrie Meek and Corrine Brown were the first black representatives from Florida elected to Congress in 1992.\u003c/p\u003e\n","\u003cp\u003eCongressman Hastings participated in several community and political organizations and events such as the Urban League of Broward County inaugural \"Achievement Matters\u0026#x2026;Salute to Scholars\", the National Advancement for the Association of Colored People (NAACP), Broward County Young Democrats, Little Haiti Housing Association, Inc., and Kappa Alpha Psi fraternity alumni chapter gatherings. He was a member of Kappa Alpha Psi fraternity and the Congressional Black Caucus. \u003c/p\u003e\n","\u003cp\u003eAlcee L. Hastings was diagnosed with pancreatic cancer in 2019. He died on April 6, 2021.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Alcee L. (Lamar) Hastings was born on September 5, 1936 in Altamonte Springs, Florida to Mildred and Julius \"J. C.\" Hastings. He received a B.A. degree in Zoology and Botany from Fisk University in 1958. From 1958 to 1960, Hastings attended Howard University School of Law and earned his Juris Doctorate degree in 1963 from Florida A\u0026M University School of Law. ","After practicing law, Hastings became a judge in the circuit court of Broward County, Florida in 1977. He was nominated by President Jimmy Carter to the United States District Court for the Southern District of Florida and held this position from 1979 to 1989. ","In 1992, Alcee L. Hastings was elected to the U.S. House of Representatives, representing Florida's 23rd district (1993-2013) and 20th district (2013-2021). These congressional districts cover Fort Lauderdale and West Palm Beach. Congressman Hastings, Carrie Meek and Corrine Brown were the first black representatives from Florida elected to Congress in 1992.","Congressman Hastings participated in several community and political organizations and events such as the Urban League of Broward County inaugural \"Achievement Matters…Salute to Scholars\", the National Advancement for the Association of Colored People (NAACP), Broward County Young Democrats, Little Haiti Housing Association, Inc., and Kappa Alpha Psi fraternity alumni chapter gatherings. He was a member of Kappa Alpha Psi fraternity and the Congressional Black Caucus. ","Alcee L. Hastings was diagnosed with pancreatic cancer in 2019. He died on April 6, 2021."],"prefercite_html_tesm":["\u003cp\u003eAlcee Hastings Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Alcee Hastings Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing by Emily Calderon in May 2021. Additional materials were processed at the file level and the finding aid updated by Adam Anderson in March 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing by Emily Calderon in May 2021. Additional materials were processed at the file level and the finding aid updated by Adam Anderson in March 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Alcee Hastings Collection contains materials that document the career of Broward County lawyer, judge, and U.S. House of Representatives Congressman Alcee L. Hastings, such as photographs, printed materials, books, artwork, plaques, certificates, and award objects. The majority of the materials in the collection came from Congressman Hasting's congressional office.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Alcee Hastings Collection contains materials that document the career of Broward County lawyer, judge, and U.S. House of Representatives Congressman Alcee L. Hastings, such as photographs, printed materials, books, artwork, plaques, certificates, and award objects. The majority of the materials in the collection came from Congressman Hasting's congressional office."],"names_ssim":["AARLCC Special Collections","Hastings, Alcee L."],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Hastings, Alcee L."],"persname_ssim":["Hastings, Alcee L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":315,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"cfe589384758583d08a814b1","timestamp":"2026-05-03T01:31:27.177Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cfe589384758583d08a814b1"}},{"id":"d708aa3104bd5d4ccbcc4efd","type":"collection","attributes":{"title":"Alex Haley Papers, Circa 1937-1993","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/d708aa3104bd5d4ccbcc4efd#creator","type":"document_value","attributes":{"value":["Haley, Alex"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d708aa3104bd5d4ccbcc4efd#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d708aa3104bd5d4ccbcc4efd#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"d708aa3104bd5d4ccbcc4efd","title_filing_ssi":"Haley, Alex Papers","title_ssm":["Alex Haley Papers"],"title_tesim":["Alex Haley Papers"],"ead_ssi":"d708aa3104bd5d4ccbcc4efd","unitdate_ssm":["Circa 1937-1993"],"unitdate_inclusive_ssm":["Circa 1937-1993"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.3","/repositories/2/resources/46"],"text":["AARLCC.2004.3","/repositories/2/resources/46","Alex Haley Papers, Circa 1937-1993","Gambia","African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings","The Alex Haley Papers are open for research.","The collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards.","Alex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.","After his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.","While growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.","Haley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n Books and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\".","Select materials from the Alex Haley Papers are available on the Broward County Library Digital Archives.","The Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia.","AARLCC Special Collections","United States. Coast Guard","Haley, Alex","Haley, Alex. 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The Heritage Bindery acquired the papers from the Alex Haley estate auction in 1992."],"access_subjects_ssim":["African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings"],"access_subjects_ssm":["African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["45 Hollinger Boxes","17 Books","2 Vinyl records"],"extent_tesim":["45 Hollinger Boxes","17 Books","2 Vinyl records"],"genreform_ssim":["Correspondence","Photographs","Programs","Clippings","Sound recordings"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eThe Alex Haley Papers are open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Alex Haley Papers are open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards."],"bioghist_html_tesm":["\u003cp\u003eAlex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.\u003c/p\u003e\n","\u003cp\u003eAfter his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.\u003c/p\u003e\n","\u003cp\u003eWhile growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.\u003c/p\u003e\n","\u003cp\u003eHaley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Alex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.","After his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.","While growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.","Haley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States."],"prefercite_html_tesm":["\u003cp\u003eAlex Haley Papers, African-American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Alex Haley Papers, African-American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default\" target=\"_blank\"\u003eBooks and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\".\u003c/a\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n Books and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\"."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/alexhaley\"\u003eSelect materials from the Alex Haley Papers are available on the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["Select materials from the Alex Haley Papers are available on the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia."],"names_coll_ssim":["United States. Coast Guard","Haley, Alex. Roots","Wonder, Stevie"],"names_ssim":["AARLCC Special Collections","United States. Coast Guard","Haley, Alex","Haley, Alex. Roots","Wonder, Stevie"],"corpname_ssim":["AARLCC Special Collections","United States. Coast Guard"],"persname_ssim":["Haley, Alex","Haley, Alex. Roots","Wonder, Stevie"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":647,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455837540548608,"_root_":"d708aa3104bd5d4ccbcc4efd","timestamp":"2026-09-16T03:02:18.127Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d708aa3104bd5d4ccbcc4efd","title_filing_ssi":"Haley, Alex Papers","title_ssm":["Alex Haley Papers"],"title_tesim":["Alex Haley Papers"],"ead_ssi":"d708aa3104bd5d4ccbcc4efd","unitdate_ssm":["Circa 1937-1993"],"unitdate_inclusive_ssm":["Circa 1937-1993"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.3","/repositories/2/resources/46"],"text":["AARLCC.2004.3","/repositories/2/resources/46","Alex Haley Papers, Circa 1937-1993","Gambia","African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings","The Alex Haley Papers are open for research.","The collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards.","Alex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.","After his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.","While growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.","Haley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n Books and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\".","Select materials from the Alex Haley Papers are available on the Broward County Library Digital Archives.","The Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia.","AARLCC Special Collections","United States. Coast Guard","Haley, Alex","Haley, Alex. Roots","Wonder, Stevie","English"],"unitid_tesim":["AARLCC.2004.3","/repositories/2/resources/46"],"normalized_date_ssm":["Circa 1937-1993"],"normalized_title_ssm":["Alex Haley Papers, Circa 1937-1993"],"collection_title_tesim":["Alex Haley Papers, Circa 1937-1993"],"collection_ssim":["Alex Haley Papers, Circa 1937-1993"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Gambia"],"geogname_ssim":["Gambia"],"creator_ssm":["Haley, Alex"],"creator_ssim":["Haley, Alex"],"creator_persname_ssim":["Haley, Alex"],"creators_ssim":["Haley, Alex"],"places_ssim":["Gambia"],"acqinfo_ssim":["The Alex Haley Papers was purchased by Broward County Library on September 26, 2001 from the Heritage Book Shop Inc. The Heritage Bindery acquired the papers from the Alex Haley estate auction in 1992."],"access_subjects_ssim":["African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings"],"access_subjects_ssm":["African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["45 Hollinger Boxes","17 Books","2 Vinyl records"],"extent_tesim":["45 Hollinger Boxes","17 Books","2 Vinyl records"],"genreform_ssim":["Correspondence","Photographs","Programs","Clippings","Sound recordings"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eThe Alex Haley Papers are open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Alex Haley Papers are open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards."],"bioghist_html_tesm":["\u003cp\u003eAlex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.\u003c/p\u003e\n","\u003cp\u003eAfter his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.\u003c/p\u003e\n","\u003cp\u003eWhile growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.\u003c/p\u003e\n","\u003cp\u003eHaley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Alex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.","After his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.","While growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.","Haley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States."],"prefercite_html_tesm":["\u003cp\u003eAlex Haley Papers, African-American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Alex Haley Papers, African-American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default\" target=\"_blank\"\u003eBooks and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\".\u003c/a\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n Books and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\"."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/alexhaley\"\u003eSelect materials from the Alex Haley Papers are available on the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["Select materials from the Alex Haley Papers are available on the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia."],"names_coll_ssim":["United States. Coast Guard","Haley, Alex. Roots","Wonder, Stevie"],"names_ssim":["AARLCC Special Collections","United States. Coast Guard","Haley, Alex","Haley, Alex. Roots","Wonder, Stevie"],"corpname_ssim":["AARLCC Special Collections","United States. Coast Guard"],"persname_ssim":["Haley, Alex","Haley, Alex. Roots","Wonder, Stevie"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":647,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455837540548608,"_root_":"d708aa3104bd5d4ccbcc4efd","timestamp":"2026-09-16T03:02:18.127Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d708aa3104bd5d4ccbcc4efd"}},{"id":"342e9831a5c555bbd5892857","type":"collection","attributes":{"title":"Beth Moor Papers, 1918-1986","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/342e9831a5c555bbd5892857#creator","type":"document_value","attributes":{"value":["Moor, Beth Walton, 1897-1986"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/342e9831a5c555bbd5892857#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe collection includes general correspondence of Beth Moor, newsclippings, photographs, and memorabilia of and about Beth Moor. A large part of this collection concerns former Florida Governor Spessard Holland as well as the Florida State College for Women (FSCW) and The Florida State University (FSU). Included in the papers are correspondence about Governor Holland, the FSU Alumni Association, and Alpha Delta Pi. Also includes photographs and memorabilia concerning Governor Holland, Beth Moor, and both FSCW and FSU.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/342e9831a5c555bbd5892857#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"342e9831a5c555bbd5892857","title_ssm":["Beth Moor Papers"],"title_tesim":["Beth Moor Papers"],"ead_ssi":"342e9831a5c555bbd5892857","unitdate_ssm":["1918-1986"],"unitdate_inclusive_ssm":["1918-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 1986-023","/repositories/10/resources/1293"],"text":["MSS 1986-023","/repositories/10/resources/1293","Beth Moor Papers, 1918-1986","Rowena Longmire Building (Tallahassee, Fla.)","Florida State College for Women--History","Tallahassee Garden Club","Tallahassee (Fla.)--History","Clippings (Books, newspapers, etc.)","Correspondence","Photographs","Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Beth Walton Moor was born April 3, 1897 in Pensacola, Florida and attended Florida State College for Women (FSCW) on an Alumni Association scholarship. She graduated in 1918 with degrees in mathematics and home economics. She taught these courses at Pensacola High School and in summer school at FSCW until she married Frank D. Moor in 1926.\n She immediately became active in local women's groups. With her husband Frank, they organized the Tallahassee Garden Club in 1927. She received the Blanche Covington Leadership Award, the highest award bestowed by the Florida Federation of Garden Clubs. She was president of the Tallahassee Garden Club during World War II, when most of its activities supported the war effort including planting victory gardens, rolling bandages, and entertaining service men.\n Mrs. Moor was a charter member of the Board of Trustees of the Florida State University Foundation, the first life member of the Foundation, and was one of the first 10 recipients of Friends of Florida State University, an honor bestowed on her in 1966 by the student body. She held every elective position in the Florida State Alumni Association, served twice as state and national president of that organization, and was the primary organizer for fund-raising efforts for the construction of the Longmire Alumni Building on the FSU campus. The building's main lounge was renamed the Beth Walton Moor Lounge in 1984. Moreover, Tallahassee named Moor \"Woman of the Year\" in 1967, and a \"Beth Moor Day\" was also held in her honor. In 1983, she received a Doctorate of Humane Letters from Florida State University.\n Beth Moor was a creative artist. She arranged flowers for many local functions and weddings, and decorated the Governor's Mansion for the inaugural receptions of many Florida governors. For many years, she was considered Tallahassee's unofficial hostess, entertaining house guests such as Eleanor Roosevelt and author Marjorie Kinnan Rawlings.\n Beth Moor died June 17, 1986. Many of her activities, particularly her association with former Florida governors and work with the Florida State University Alumni Association, are documented in the collection.","The collection includes general correspondence of Beth Moor, newsclippings, photographs, and memorabilia of and about Beth Moor. A large part of this collection concerns former Florida Governor Spessard Holland as well as the Florida State College for Women (FSCW) and The Florida State University (FSU). Included in the papers are correspondence about Governor Holland, the FSU Alumni Association, and Alpha Delta Pi. Also includes photographs and memorabilia concerning Governor Holland, Beth Moor, and both FSCW and FSU.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","FSU Special Collections \u0026 Archives","Florida. Governor","Florida State College for Women. Alumnae Association","Alpha Delta Pi Sorority","Air Force Association","Moor, Beth Walton, 1897-1986","Holland, Spessard L. (Spessard Lindsey), 1892-1971","Blackwell, Gordon W. (Gordon Williams), 1911-2004","English"],"unitid_tesim":["MSS 1986-023","/repositories/10/resources/1293"],"normalized_date_ssm":["1918-1986"],"normalized_title_ssm":["Beth Moor Papers, 1918-1986"],"collection_title_tesim":["Beth Moor Papers, 1918-1986"],"collection_ssim":["Beth Moor Papers, 1918-1986"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Rowena Longmire Building (Tallahassee, Fla.)"],"geogname_ssim":["Rowena Longmire Building (Tallahassee, Fla.)"],"creator_ssm":["Moor, Beth Walton, 1897-1986"],"creator_ssim":["Moor, Beth Walton, 1897-1986"],"creator_persname_ssim":["Moor, Beth Walton, 1897-1986"],"creators_ssim":["Moor, Beth Walton, 1897-1986"],"places_ssim":["Rowena Longmire Building (Tallahassee, Fla.)"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"acqinfo_ssim":["Given by Beth Bedell."],"access_subjects_ssim":["Florida State College for Women--History","Tallahassee Garden Club","Tallahassee (Fla.)--History","Clippings (Books, newspapers, etc.)","Correspondence","Photographs"],"access_subjects_ssm":["Florida State College for Women--History","Tallahassee Garden Club","Tallahassee (Fla.)--History","Clippings (Books, newspapers, etc.)","Correspondence","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["4.25 Linear Feet"],"extent_tesim":["4.25 Linear Feet"],"genreform_ssim":["Clippings (Books, newspapers, etc.)","Correspondence","Photographs"],"date_range_isim":[1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eBeth Walton Moor was born April 3, 1897 in Pensacola, Florida and attended Florida State College for Women (FSCW) on an Alumni Association scholarship. She graduated in 1918 with degrees in mathematics and home economics. She taught these courses at Pensacola High School and in summer school at FSCW until she married Frank D. Moor in 1926.\n\u003cbr\u003e\u003cbr\u003eShe immediately became active in local women's groups. With her husband Frank, they organized the Tallahassee Garden Club in 1927. She received the Blanche Covington Leadership Award, the highest award bestowed by the Florida Federation of Garden Clubs. She was president of the Tallahassee Garden Club during World War II, when most of its activities supported the war effort including planting victory gardens, rolling bandages, and entertaining service men.\n\u003cbr\u003e\u003cbr\u003eMrs. Moor was a charter member of the Board of Trustees of the Florida State University Foundation, the first life member of the Foundation, and was one of the first 10 recipients of Friends of Florida State University, an honor bestowed on her in 1966 by the student body. She held every elective position in the Florida State Alumni Association, served twice as state and national president of that organization, and was the primary organizer for fund-raising efforts for the construction of the Longmire Alumni Building on the FSU campus. The building's main lounge was renamed the Beth Walton Moor Lounge in 1984. Moreover, Tallahassee named Moor \"Woman of the Year\" in 1967, and a \"Beth Moor Day\" was also held in her honor. In 1983, she received a Doctorate of Humane Letters from Florida State University.\n\u003cbr\u003e\u003cbr\u003eBeth Moor was a creative artist. She arranged flowers for many local functions and weddings, and decorated the Governor's Mansion for the inaugural receptions of many Florida governors. For many years, she was considered Tallahassee's unofficial hostess, entertaining house guests such as Eleanor Roosevelt and author Marjorie Kinnan Rawlings.\n\u003cbr\u003e\u003cbr\u003eBeth Moor died June 17, 1986. Many of her activities, particularly her association with former Florida governors and work with the Florida State University Alumni Association, are documented in the collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Beth Walton Moor was born April 3, 1897 in Pensacola, Florida and attended Florida State College for Women (FSCW) on an Alumni Association scholarship. She graduated in 1918 with degrees in mathematics and home economics. She taught these courses at Pensacola High School and in summer school at FSCW until she married Frank D. Moor in 1926.\n She immediately became active in local women's groups. With her husband Frank, they organized the Tallahassee Garden Club in 1927. She received the Blanche Covington Leadership Award, the highest award bestowed by the Florida Federation of Garden Clubs. She was president of the Tallahassee Garden Club during World War II, when most of its activities supported the war effort including planting victory gardens, rolling bandages, and entertaining service men.\n Mrs. Moor was a charter member of the Board of Trustees of the Florida State University Foundation, the first life member of the Foundation, and was one of the first 10 recipients of Friends of Florida State University, an honor bestowed on her in 1966 by the student body. She held every elective position in the Florida State Alumni Association, served twice as state and national president of that organization, and was the primary organizer for fund-raising efforts for the construction of the Longmire Alumni Building on the FSU campus. The building's main lounge was renamed the Beth Walton Moor Lounge in 1984. Moreover, Tallahassee named Moor \"Woman of the Year\" in 1967, and a \"Beth Moor Day\" was also held in her honor. In 1983, she received a Doctorate of Humane Letters from Florida State University.\n Beth Moor was a creative artist. She arranged flowers for many local functions and weddings, and decorated the Governor's Mansion for the inaugural receptions of many Florida governors. For many years, she was considered Tallahassee's unofficial hostess, entertaining house guests such as Eleanor Roosevelt and author Marjorie Kinnan Rawlings.\n Beth Moor died June 17, 1986. Many of her activities, particularly her association with former Florida governors and work with the Florida State University Alumni Association, are documented in the collection."],"prefercite_html_tesm":["\u003cp\u003eBeth Moor Papers, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida.https://purl.lib.fsu.edu/fa/MSS-1986-023\u003c/p\u003e"],"prefercite_tesim":["Beth Moor Papers, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida.https://purl.lib.fsu.edu/fa/MSS-1986-023"],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes general correspondence of Beth Moor, newsclippings, photographs, and memorabilia of and about Beth Moor. A large part of this collection concerns former Florida Governor Spessard Holland as well as the Florida State College for Women (FSCW) and The Florida State University (FSU). Included in the papers are correspondence about Governor Holland, the FSU Alumni Association, and Alpha Delta Pi. Also includes photographs and memorabilia concerning Governor Holland, Beth Moor, and both FSCW and FSU.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes general correspondence of Beth Moor, newsclippings, photographs, and memorabilia of and about Beth Moor. A large part of this collection concerns former Florida Governor Spessard Holland as well as the Florida State College for Women (FSCW) and The Florida State University (FSU). Included in the papers are correspondence about Governor Holland, the FSU Alumni Association, and Alpha Delta Pi. Also includes photographs and memorabilia concerning Governor Holland, Beth Moor, and both FSCW and FSU."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"names_coll_ssim":["Florida. Governor","Florida State College for Women. Alumnae Association","Alpha Delta Pi Sorority","Air Force Association","Holland, Spessard L. (Spessard Lindsey), 1892-1971","Moor, Beth Walton, 1897-1986","Blackwell, Gordon W. (Gordon Williams), 1911-2004"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida. Governor","Florida State College for Women. Alumnae Association","Alpha Delta Pi Sorority","Air Force Association","Moor, Beth Walton, 1897-1986","Holland, Spessard L. (Spessard Lindsey), 1892-1971","Blackwell, Gordon W. (Gordon Williams), 1911-2004"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida. Governor","Florida State College for Women. Alumnae Association","Alpha Delta Pi Sorority","Air Force Association"],"persname_ssim":["Moor, Beth Walton, 1897-1986","Holland, Spessard L. (Spessard Lindsey), 1892-1971","Blackwell, Gordon W. (Gordon Williams), 1911-2004"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":89,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857190628130816,"_root_":"342e9831a5c555bbd5892857","timestamp":"2026-07-16T07:54:12.365Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"342e9831a5c555bbd5892857","title_ssm":["Beth Moor Papers"],"title_tesim":["Beth Moor Papers"],"ead_ssi":"342e9831a5c555bbd5892857","unitdate_ssm":["1918-1986"],"unitdate_inclusive_ssm":["1918-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 1986-023","/repositories/10/resources/1293"],"text":["MSS 1986-023","/repositories/10/resources/1293","Beth Moor Papers, 1918-1986","Rowena Longmire Building (Tallahassee, Fla.)","Florida State College for Women--History","Tallahassee Garden Club","Tallahassee (Fla.)--History","Clippings (Books, newspapers, etc.)","Correspondence","Photographs","Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Beth Walton Moor was born April 3, 1897 in Pensacola, Florida and attended Florida State College for Women (FSCW) on an Alumni Association scholarship. She graduated in 1918 with degrees in mathematics and home economics. She taught these courses at Pensacola High School and in summer school at FSCW until she married Frank D. Moor in 1926.\n She immediately became active in local women's groups. With her husband Frank, they organized the Tallahassee Garden Club in 1927. She received the Blanche Covington Leadership Award, the highest award bestowed by the Florida Federation of Garden Clubs. She was president of the Tallahassee Garden Club during World War II, when most of its activities supported the war effort including planting victory gardens, rolling bandages, and entertaining service men.\n Mrs. Moor was a charter member of the Board of Trustees of the Florida State University Foundation, the first life member of the Foundation, and was one of the first 10 recipients of Friends of Florida State University, an honor bestowed on her in 1966 by the student body. She held every elective position in the Florida State Alumni Association, served twice as state and national president of that organization, and was the primary organizer for fund-raising efforts for the construction of the Longmire Alumni Building on the FSU campus. The building's main lounge was renamed the Beth Walton Moor Lounge in 1984. Moreover, Tallahassee named Moor \"Woman of the Year\" in 1967, and a \"Beth Moor Day\" was also held in her honor. In 1983, she received a Doctorate of Humane Letters from Florida State University.\n Beth Moor was a creative artist. She arranged flowers for many local functions and weddings, and decorated the Governor's Mansion for the inaugural receptions of many Florida governors. For many years, she was considered Tallahassee's unofficial hostess, entertaining house guests such as Eleanor Roosevelt and author Marjorie Kinnan Rawlings.\n Beth Moor died June 17, 1986. Many of her activities, particularly her association with former Florida governors and work with the Florida State University Alumni Association, are documented in the collection.","The collection includes general correspondence of Beth Moor, newsclippings, photographs, and memorabilia of and about Beth Moor. A large part of this collection concerns former Florida Governor Spessard Holland as well as the Florida State College for Women (FSCW) and The Florida State University (FSU). Included in the papers are correspondence about Governor Holland, the FSU Alumni Association, and Alpha Delta Pi. Also includes photographs and memorabilia concerning Governor Holland, Beth Moor, and both FSCW and FSU.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","FSU Special Collections \u0026 Archives","Florida. Governor","Florida State College for Women. Alumnae Association","Alpha Delta Pi Sorority","Air Force Association","Moor, Beth Walton, 1897-1986","Holland, Spessard L. (Spessard Lindsey), 1892-1971","Blackwell, Gordon W. (Gordon Williams), 1911-2004","English"],"unitid_tesim":["MSS 1986-023","/repositories/10/resources/1293"],"normalized_date_ssm":["1918-1986"],"normalized_title_ssm":["Beth Moor Papers, 1918-1986"],"collection_title_tesim":["Beth Moor Papers, 1918-1986"],"collection_ssim":["Beth Moor Papers, 1918-1986"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Rowena Longmire Building (Tallahassee, Fla.)"],"geogname_ssim":["Rowena Longmire Building (Tallahassee, Fla.)"],"creator_ssm":["Moor, Beth Walton, 1897-1986"],"creator_ssim":["Moor, Beth Walton, 1897-1986"],"creator_persname_ssim":["Moor, Beth Walton, 1897-1986"],"creators_ssim":["Moor, Beth Walton, 1897-1986"],"places_ssim":["Rowena Longmire Building (Tallahassee, Fla.)"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"acqinfo_ssim":["Given by Beth Bedell."],"access_subjects_ssim":["Florida State College for Women--History","Tallahassee Garden Club","Tallahassee (Fla.)--History","Clippings (Books, newspapers, etc.)","Correspondence","Photographs"],"access_subjects_ssm":["Florida State College for Women--History","Tallahassee Garden Club","Tallahassee (Fla.)--History","Clippings (Books, newspapers, etc.)","Correspondence","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["4.25 Linear Feet"],"extent_tesim":["4.25 Linear Feet"],"genreform_ssim":["Clippings (Books, newspapers, etc.)","Correspondence","Photographs"],"date_range_isim":[1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eBeth Walton Moor was born April 3, 1897 in Pensacola, Florida and attended Florida State College for Women (FSCW) on an Alumni Association scholarship. She graduated in 1918 with degrees in mathematics and home economics. She taught these courses at Pensacola High School and in summer school at FSCW until she married Frank D. Moor in 1926.\n\u003cbr\u003e\u003cbr\u003eShe immediately became active in local women's groups. With her husband Frank, they organized the Tallahassee Garden Club in 1927. She received the Blanche Covington Leadership Award, the highest award bestowed by the Florida Federation of Garden Clubs. She was president of the Tallahassee Garden Club during World War II, when most of its activities supported the war effort including planting victory gardens, rolling bandages, and entertaining service men.\n\u003cbr\u003e\u003cbr\u003eMrs. Moor was a charter member of the Board of Trustees of the Florida State University Foundation, the first life member of the Foundation, and was one of the first 10 recipients of Friends of Florida State University, an honor bestowed on her in 1966 by the student body. She held every elective position in the Florida State Alumni Association, served twice as state and national president of that organization, and was the primary organizer for fund-raising efforts for the construction of the Longmire Alumni Building on the FSU campus. The building's main lounge was renamed the Beth Walton Moor Lounge in 1984. Moreover, Tallahassee named Moor \"Woman of the Year\" in 1967, and a \"Beth Moor Day\" was also held in her honor. In 1983, she received a Doctorate of Humane Letters from Florida State University.\n\u003cbr\u003e\u003cbr\u003eBeth Moor was a creative artist. She arranged flowers for many local functions and weddings, and decorated the Governor's Mansion for the inaugural receptions of many Florida governors. For many years, she was considered Tallahassee's unofficial hostess, entertaining house guests such as Eleanor Roosevelt and author Marjorie Kinnan Rawlings.\n\u003cbr\u003e\u003cbr\u003eBeth Moor died June 17, 1986. Many of her activities, particularly her association with former Florida governors and work with the Florida State University Alumni Association, are documented in the collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Beth Walton Moor was born April 3, 1897 in Pensacola, Florida and attended Florida State College for Women (FSCW) on an Alumni Association scholarship. She graduated in 1918 with degrees in mathematics and home economics. She taught these courses at Pensacola High School and in summer school at FSCW until she married Frank D. Moor in 1926.\n She immediately became active in local women's groups. With her husband Frank, they organized the Tallahassee Garden Club in 1927. She received the Blanche Covington Leadership Award, the highest award bestowed by the Florida Federation of Garden Clubs. She was president of the Tallahassee Garden Club during World War II, when most of its activities supported the war effort including planting victory gardens, rolling bandages, and entertaining service men.\n Mrs. Moor was a charter member of the Board of Trustees of the Florida State University Foundation, the first life member of the Foundation, and was one of the first 10 recipients of Friends of Florida State University, an honor bestowed on her in 1966 by the student body. She held every elective position in the Florida State Alumni Association, served twice as state and national president of that organization, and was the primary organizer for fund-raising efforts for the construction of the Longmire Alumni Building on the FSU campus. The building's main lounge was renamed the Beth Walton Moor Lounge in 1984. Moreover, Tallahassee named Moor \"Woman of the Year\" in 1967, and a \"Beth Moor Day\" was also held in her honor. In 1983, she received a Doctorate of Humane Letters from Florida State University.\n Beth Moor was a creative artist. She arranged flowers for many local functions and weddings, and decorated the Governor's Mansion for the inaugural receptions of many Florida governors. For many years, she was considered Tallahassee's unofficial hostess, entertaining house guests such as Eleanor Roosevelt and author Marjorie Kinnan Rawlings.\n Beth Moor died June 17, 1986. Many of her activities, particularly her association with former Florida governors and work with the Florida State University Alumni Association, are documented in the collection."],"prefercite_html_tesm":["\u003cp\u003eBeth Moor Papers, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida.https://purl.lib.fsu.edu/fa/MSS-1986-023\u003c/p\u003e"],"prefercite_tesim":["Beth Moor Papers, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida.https://purl.lib.fsu.edu/fa/MSS-1986-023"],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes general correspondence of Beth Moor, newsclippings, photographs, and memorabilia of and about Beth Moor. A large part of this collection concerns former Florida Governor Spessard Holland as well as the Florida State College for Women (FSCW) and The Florida State University (FSU). Included in the papers are correspondence about Governor Holland, the FSU Alumni Association, and Alpha Delta Pi. Also includes photographs and memorabilia concerning Governor Holland, Beth Moor, and both FSCW and FSU.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes general correspondence of Beth Moor, newsclippings, photographs, and memorabilia of and about Beth Moor. A large part of this collection concerns former Florida Governor Spessard Holland as well as the Florida State College for Women (FSCW) and The Florida State University (FSU). Included in the papers are correspondence about Governor Holland, the FSU Alumni Association, and Alpha Delta Pi. Also includes photographs and memorabilia concerning Governor Holland, Beth Moor, and both FSCW and FSU."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"names_coll_ssim":["Florida. Governor","Florida State College for Women. Alumnae Association","Alpha Delta Pi Sorority","Air Force Association","Holland, Spessard L. (Spessard Lindsey), 1892-1971","Moor, Beth Walton, 1897-1986","Blackwell, Gordon W. (Gordon Williams), 1911-2004"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida. Governor","Florida State College for Women. Alumnae Association","Alpha Delta Pi Sorority","Air Force Association","Moor, Beth Walton, 1897-1986","Holland, Spessard L. (Spessard Lindsey), 1892-1971","Blackwell, Gordon W. (Gordon Williams), 1911-2004"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida. Governor","Florida State College for Women. Alumnae Association","Alpha Delta Pi Sorority","Air Force Association"],"persname_ssim":["Moor, Beth Walton, 1897-1986","Holland, Spessard L. (Spessard Lindsey), 1892-1971","Blackwell, Gordon W. (Gordon Williams), 1911-2004"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":89,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857190628130816,"_root_":"342e9831a5c555bbd5892857","timestamp":"2026-07-16T07:54:12.365Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/342e9831a5c555bbd5892857"}},{"id":"6dc93a5e1f7df314e4f7e51e","type":"collection","attributes":{"title":"Bobby G. Glenn Collection, Circa 1970-2023","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/6dc93a5e1f7df314e4f7e51e#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe collection is comprised of Bobby G. Glenn's correspondence, awards and honors, newspaper clippings, Lieutenant uniform and hat, funeral program, and one photograph. Glenn served as Fort Lauderdale's first Black firefighter.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6dc93a5e1f7df314e4f7e51e#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"6dc93a5e1f7df314e4f7e51e","title_filing_ssi":"Glenn, Bobby G. Collection","title_ssm":["Bobby G. Glenn Collection"],"title_tesim":["Bobby G. Glenn Collection"],"ead_ssi":"6dc93a5e1f7df314e4f7e51e","unitdate_ssm":["Circa 1970-2023"],"unitdate_inclusive_ssm":["Circa 1970-2023"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2024.3","/repositories/2/resources/272"],"text":["AARLCC.2024.3","/repositories/2/resources/272","Bobby G. Glenn Collection, Circa 1970-2023","Fort Lauderdale (Fla.)","Broward County (Fla.)","African American fire fighters","Uniforms","Funeral rites and ceremonies","Correspondence","Photographs","Proclamations","Certificates","Bobby G. Glenn Collection is open for research.","The Bobby G. Glenn Collection is digitized and available on the Broward County Library Digital Archives .","The collection is arranged into four series: Series I. Correspondence, Series II. Awards and Honors, Series III. Personal Papers, and Series IV. Objects.","Lieutenant Robert \"Bobby\" G. Glenn was born in Milledgeville, Georgia on December 29, 1941 to parents Stutson and Rosie Lee Glenn. He graduated from Blanche Ely High School in Pompano Beach, Florida and attended Fort Valley State College in Georgia. He ran track in college and came in second place to Olympian Bob Hayes in the 100 and 200-yard race. He received his Bachelor of Arts degree in Business Administration from Fort Lauderdale University.","Bobby began his professional career as a Meter Reader for the City of Fort Lauderdale. On September 20, 1970, he became the first Black firefighter for the City of Fort Lauderdale and Broward County. He was promoted to Driver Engineer and then later Lieutenant. He retired from the Fort Lauderdale Fire Department in 1992 and rejoined the workforce in 1993 as a Fire Inspector with the City of Tamarac. In 1994, Bobby worked as the Loss Prevention Coordinator for Broward County Public Schools. He held this position for 25 years and retired in June 2019. Throughout his life, Bobby Glenn served his community and coached girls' basketball teams, particularly in the Amateur Athletic Union (AAU) from 1972 to 1996 and at Broward College Central Campus in 1979. He was a member of Welcome Baptist Church, Mount Nebo Baptist Church, and the Liberal Black Firefighters Association. Bobby was an active member of the Zeta Chi Chapter of the Omega Psi Phi Fraternity since 1961.","Bobby married Iola Daniels on August 16, 1964 in Ormond Beach, Florida. They had three children: Stephna, Jeffrey, and Marquita. He died on November 19, 2023 in Fort Lauderdale, Florida.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The collection is comprised of Bobby G. Glenn's correspondence, awards and honors, newspaper clippings, Lieutenant uniform and hat,  funeral program, and one photograph. Glenn served as Fort Lauderdale's first Black firefighter.","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2024.3","/repositories/2/resources/272"],"normalized_date_ssm":["Circa 1970-2023"],"normalized_title_ssm":["Bobby G. Glenn Collection, Circa 1970-2023"],"collection_title_tesim":["Bobby G. Glenn Collection, Circa 1970-2023"],"collection_ssim":["Bobby G. Glenn Collection, Circa 1970-2023"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"geogname_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"places_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"access_subjects_ssim":["African American fire fighters","Uniforms","Funeral rites and ceremonies","Correspondence","Photographs","Proclamations","Certificates"],"access_subjects_ssm":["African American fire fighters","Uniforms","Funeral rites and ceremonies","Correspondence","Photographs","Proclamations","Certificates"],"has_online_content_ssim":["false"],"extent_ssm":["4 Hollinger Boxes"],"extent_tesim":["4 Hollinger Boxes"],"genreform_ssim":["Correspondence","Photographs","Proclamations","Certificates"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eBobby G. Glenn Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Bobby G. Glenn Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://cdm16146.contentdm.oclc.org/digital/collection/bobbyglenn\"\u003eThe Bobby G. Glenn Collection is digitized and available on the Broward County Library Digital Archives\u003c/a\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["The Bobby G. Glenn Collection is digitized and available on the Broward County Library Digital Archives ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series: Series I. Correspondence, Series II. Awards and Honors, Series III. Personal Papers, and Series IV. Objects.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four series: Series I. Correspondence, Series II. Awards and Honors, Series III. Personal Papers, and Series IV. Objects."],"bioghist_html_tesm":["\u003cp\u003eLieutenant Robert \"Bobby\" G. Glenn was born in Milledgeville, Georgia on December 29, 1941 to parents Stutson and Rosie Lee Glenn. He graduated from Blanche Ely High School in Pompano Beach, Florida and attended Fort Valley State College in Georgia. He ran track in college and came in second place to Olympian Bob Hayes in the 100 and 200-yard race. He received his Bachelor of Arts degree in Business Administration from Fort Lauderdale University.\u003c/p\u003e\n","\u003cp\u003eBobby began his professional career as a Meter Reader for the City of Fort Lauderdale. On September 20, 1970, he became the first Black firefighter for the City of Fort Lauderdale and Broward County. He was promoted to Driver Engineer and then later Lieutenant. He retired from the Fort Lauderdale Fire Department in 1992 and rejoined the workforce in 1993 as a Fire Inspector with the City of Tamarac. In 1994, Bobby worked as the Loss Prevention Coordinator for Broward County Public Schools. He held this position for 25 years and retired in June 2019. Throughout his life, Bobby Glenn served his community and coached girls' basketball teams, particularly in the Amateur Athletic Union (AAU) from 1972 to 1996 and at Broward College Central Campus in 1979. He was a member of Welcome Baptist Church, Mount Nebo Baptist Church, and the Liberal Black Firefighters Association. Bobby was an active member of the Zeta Chi Chapter of the Omega Psi Phi Fraternity since 1961.\u003c/p\u003e\n","\u003cp\u003eBobby married Iola Daniels on August 16, 1964 in Ormond Beach, Florida. They had three children: Stephna, Jeffrey, and Marquita. He died on November 19, 2023 in Fort Lauderdale, Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Lieutenant Robert \"Bobby\" G. Glenn was born in Milledgeville, Georgia on December 29, 1941 to parents Stutson and Rosie Lee Glenn. He graduated from Blanche Ely High School in Pompano Beach, Florida and attended Fort Valley State College in Georgia. He ran track in college and came in second place to Olympian Bob Hayes in the 100 and 200-yard race. He received his Bachelor of Arts degree in Business Administration from Fort Lauderdale University.","Bobby began his professional career as a Meter Reader for the City of Fort Lauderdale. On September 20, 1970, he became the first Black firefighter for the City of Fort Lauderdale and Broward County. He was promoted to Driver Engineer and then later Lieutenant. He retired from the Fort Lauderdale Fire Department in 1992 and rejoined the workforce in 1993 as a Fire Inspector with the City of Tamarac. In 1994, Bobby worked as the Loss Prevention Coordinator for Broward County Public Schools. He held this position for 25 years and retired in June 2019. Throughout his life, Bobby Glenn served his community and coached girls' basketball teams, particularly in the Amateur Athletic Union (AAU) from 1972 to 1996 and at Broward College Central Campus in 1979. He was a member of Welcome Baptist Church, Mount Nebo Baptist Church, and the Liberal Black Firefighters Association. Bobby was an active member of the Zeta Chi Chapter of the Omega Psi Phi Fraternity since 1961.","Bobby married Iola Daniels on August 16, 1964 in Ormond Beach, Florida. They had three children: Stephna, Jeffrey, and Marquita. He died on November 19, 2023 in Fort Lauderdale, Florida."],"prefercite_html_tesm":["\u003cp\u003eBobby G. Glenn Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Bobby G. Glenn Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is comprised of Bobby G. Glenn's correspondence, awards and honors, newspaper clippings, Lieutenant uniform and hat,  funeral program, and one photograph. Glenn served as Fort Lauderdale's first Black firefighter.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is comprised of Bobby G. Glenn's correspondence, awards and honors, newspaper clippings, Lieutenant uniform and hat,  funeral program, and one photograph. Glenn served as Fort Lauderdale's first Black firefighter."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":25,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"6dc93a5e1f7df314e4f7e51e","timestamp":"2026-04-21T01:43:57.243Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6dc93a5e1f7df314e4f7e51e","title_filing_ssi":"Glenn, Bobby G. Collection","title_ssm":["Bobby G. Glenn Collection"],"title_tesim":["Bobby G. Glenn Collection"],"ead_ssi":"6dc93a5e1f7df314e4f7e51e","unitdate_ssm":["Circa 1970-2023"],"unitdate_inclusive_ssm":["Circa 1970-2023"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2024.3","/repositories/2/resources/272"],"text":["AARLCC.2024.3","/repositories/2/resources/272","Bobby G. Glenn Collection, Circa 1970-2023","Fort Lauderdale (Fla.)","Broward County (Fla.)","African American fire fighters","Uniforms","Funeral rites and ceremonies","Correspondence","Photographs","Proclamations","Certificates","Bobby G. Glenn Collection is open for research.","The Bobby G. Glenn Collection is digitized and available on the Broward County Library Digital Archives .","The collection is arranged into four series: Series I. Correspondence, Series II. Awards and Honors, Series III. Personal Papers, and Series IV. Objects.","Lieutenant Robert \"Bobby\" G. Glenn was born in Milledgeville, Georgia on December 29, 1941 to parents Stutson and Rosie Lee Glenn. He graduated from Blanche Ely High School in Pompano Beach, Florida and attended Fort Valley State College in Georgia. He ran track in college and came in second place to Olympian Bob Hayes in the 100 and 200-yard race. He received his Bachelor of Arts degree in Business Administration from Fort Lauderdale University.","Bobby began his professional career as a Meter Reader for the City of Fort Lauderdale. On September 20, 1970, he became the first Black firefighter for the City of Fort Lauderdale and Broward County. He was promoted to Driver Engineer and then later Lieutenant. He retired from the Fort Lauderdale Fire Department in 1992 and rejoined the workforce in 1993 as a Fire Inspector with the City of Tamarac. In 1994, Bobby worked as the Loss Prevention Coordinator for Broward County Public Schools. He held this position for 25 years and retired in June 2019. Throughout his life, Bobby Glenn served his community and coached girls' basketball teams, particularly in the Amateur Athletic Union (AAU) from 1972 to 1996 and at Broward College Central Campus in 1979. He was a member of Welcome Baptist Church, Mount Nebo Baptist Church, and the Liberal Black Firefighters Association. Bobby was an active member of the Zeta Chi Chapter of the Omega Psi Phi Fraternity since 1961.","Bobby married Iola Daniels on August 16, 1964 in Ormond Beach, Florida. They had three children: Stephna, Jeffrey, and Marquita. He died on November 19, 2023 in Fort Lauderdale, Florida.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The collection is comprised of Bobby G. Glenn's correspondence, awards and honors, newspaper clippings, Lieutenant uniform and hat,  funeral program, and one photograph. Glenn served as Fort Lauderdale's first Black firefighter.","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2024.3","/repositories/2/resources/272"],"normalized_date_ssm":["Circa 1970-2023"],"normalized_title_ssm":["Bobby G. Glenn Collection, Circa 1970-2023"],"collection_title_tesim":["Bobby G. Glenn Collection, Circa 1970-2023"],"collection_ssim":["Bobby G. Glenn Collection, Circa 1970-2023"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"geogname_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"places_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"access_subjects_ssim":["African American fire fighters","Uniforms","Funeral rites and ceremonies","Correspondence","Photographs","Proclamations","Certificates"],"access_subjects_ssm":["African American fire fighters","Uniforms","Funeral rites and ceremonies","Correspondence","Photographs","Proclamations","Certificates"],"has_online_content_ssim":["false"],"extent_ssm":["4 Hollinger Boxes"],"extent_tesim":["4 Hollinger Boxes"],"genreform_ssim":["Correspondence","Photographs","Proclamations","Certificates"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eBobby G. Glenn Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Bobby G. Glenn Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://cdm16146.contentdm.oclc.org/digital/collection/bobbyglenn\"\u003eThe Bobby G. Glenn Collection is digitized and available on the Broward County Library Digital Archives\u003c/a\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["The Bobby G. Glenn Collection is digitized and available on the Broward County Library Digital Archives ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series: Series I. Correspondence, Series II. Awards and Honors, Series III. Personal Papers, and Series IV. Objects.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four series: Series I. Correspondence, Series II. Awards and Honors, Series III. Personal Papers, and Series IV. Objects."],"bioghist_html_tesm":["\u003cp\u003eLieutenant Robert \"Bobby\" G. Glenn was born in Milledgeville, Georgia on December 29, 1941 to parents Stutson and Rosie Lee Glenn. He graduated from Blanche Ely High School in Pompano Beach, Florida and attended Fort Valley State College in Georgia. He ran track in college and came in second place to Olympian Bob Hayes in the 100 and 200-yard race. He received his Bachelor of Arts degree in Business Administration from Fort Lauderdale University.\u003c/p\u003e\n","\u003cp\u003eBobby began his professional career as a Meter Reader for the City of Fort Lauderdale. On September 20, 1970, he became the first Black firefighter for the City of Fort Lauderdale and Broward County. He was promoted to Driver Engineer and then later Lieutenant. He retired from the Fort Lauderdale Fire Department in 1992 and rejoined the workforce in 1993 as a Fire Inspector with the City of Tamarac. In 1994, Bobby worked as the Loss Prevention Coordinator for Broward County Public Schools. He held this position for 25 years and retired in June 2019. Throughout his life, Bobby Glenn served his community and coached girls' basketball teams, particularly in the Amateur Athletic Union (AAU) from 1972 to 1996 and at Broward College Central Campus in 1979. He was a member of Welcome Baptist Church, Mount Nebo Baptist Church, and the Liberal Black Firefighters Association. Bobby was an active member of the Zeta Chi Chapter of the Omega Psi Phi Fraternity since 1961.\u003c/p\u003e\n","\u003cp\u003eBobby married Iola Daniels on August 16, 1964 in Ormond Beach, Florida. They had three children: Stephna, Jeffrey, and Marquita. He died on November 19, 2023 in Fort Lauderdale, Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Lieutenant Robert \"Bobby\" G. Glenn was born in Milledgeville, Georgia on December 29, 1941 to parents Stutson and Rosie Lee Glenn. He graduated from Blanche Ely High School in Pompano Beach, Florida and attended Fort Valley State College in Georgia. He ran track in college and came in second place to Olympian Bob Hayes in the 100 and 200-yard race. He received his Bachelor of Arts degree in Business Administration from Fort Lauderdale University.","Bobby began his professional career as a Meter Reader for the City of Fort Lauderdale. On September 20, 1970, he became the first Black firefighter for the City of Fort Lauderdale and Broward County. He was promoted to Driver Engineer and then later Lieutenant. He retired from the Fort Lauderdale Fire Department in 1992 and rejoined the workforce in 1993 as a Fire Inspector with the City of Tamarac. In 1994, Bobby worked as the Loss Prevention Coordinator for Broward County Public Schools. He held this position for 25 years and retired in June 2019. Throughout his life, Bobby Glenn served his community and coached girls' basketball teams, particularly in the Amateur Athletic Union (AAU) from 1972 to 1996 and at Broward College Central Campus in 1979. He was a member of Welcome Baptist Church, Mount Nebo Baptist Church, and the Liberal Black Firefighters Association. Bobby was an active member of the Zeta Chi Chapter of the Omega Psi Phi Fraternity since 1961.","Bobby married Iola Daniels on August 16, 1964 in Ormond Beach, Florida. They had three children: Stephna, Jeffrey, and Marquita. He died on November 19, 2023 in Fort Lauderdale, Florida."],"prefercite_html_tesm":["\u003cp\u003eBobby G. Glenn Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Bobby G. Glenn Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is comprised of Bobby G. Glenn's correspondence, awards and honors, newspaper clippings, Lieutenant uniform and hat,  funeral program, and one photograph. Glenn served as Fort Lauderdale's first Black firefighter.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is comprised of Bobby G. Glenn's correspondence, awards and honors, newspaper clippings, Lieutenant uniform and hat,  funeral program, and one photograph. Glenn served as Fort Lauderdale's first Black firefighter."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":25,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"6dc93a5e1f7df314e4f7e51e","timestamp":"2026-04-21T01:43:57.243Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6dc93a5e1f7df314e4f7e51e"}},{"id":"4e52588c70f468f91119432f","type":"collection","attributes":{"title":"Charles E. Barnes Collection, 1979-2007","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/4e52588c70f468f91119432f#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Charles E. Barnes Collection contains personal papers, certificates, photographic reproductions, and a fireman's helmet belonging to Charles E. Barnes of Fort Lauderdale, Florida.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4e52588c70f468f91119432f#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"4e52588c70f468f91119432f","title_filing_ssi":"Barnes, Charles E. Collection","title_ssm":["Charles E. Barnes Collection"],"title_tesim":["Charles E. Barnes Collection"],"ead_ssi":"4e52588c70f468f91119432f","unitdate_ssm":["1979-2007"],"unitdate_inclusive_ssm":["1979-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2021.9","/repositories/2/resources/141"],"text":["AARLCC.2021.9","/repositories/2/resources/141","Charles E. Barnes Collection, 1979-2007","Fort Lauderdale (Fla.)","African American fire fighters","Fire helmets","Certificates","Photographs","Programs","Clippings","The Charles E. Barnes Collection is open for research.","The collection is arranged into three series: Series I. Personal Papers, Series II. Certificates, and Series III. Objects.","Charles Edward Barnes, Sr. was born on September 4, 1952 to parents Willie Mack and Lula Barnes in Leary, Georgia. Shortly after his birth, the family of seven moved to Fort Lauderdale, Florida. Charles E. Barnes attended Dillard Elementary, Everglades Junior High, and Dillard High schools. He married Carrie Roper on June 19, 1971 and they have four children. In February 1972, Charles served as a paratrooper in the United States Army 101st Airborne Division. In June 1975, Charles returned to Fort Lauderdale, Florida to work as a water meter reader for the City of Fort Lauderdale.","Charles entered the firefighter training academy and he was the only black student in the class. On January 8, 1979, Charles became a certified firefighter and worked in the Fire Prevention Bureau. He was the first black certified Fire Inspector. Charles later became the first black arson investigator. He was certified by the Broward County Courts as an expert witness in a GE fire case in October 1985. Charles E. Barnes and fellow firefighter Rodney Coleman were recognized as the first black \"Firefighter of the Year\" in 1985. Charles advanced in his career to Lieutenant on April 5, 1987. He was the first black fire Lieutenant in Fort Lauderdale, Florida. ","In addition to his firefighter career, Charles E. Barnes coached little league sports such as football, baseball, and basketball for 18 years in Broward County, Florida. He served as Football Commissioner for five years in Lauderdale Lakes, Florida. Charles also helped develop a program called JASP (Juvenile Alternative Service Program) which provides juvenile delinquents the option to complete community service as an alternative to incarceration. On January 5, 2001, Lieutenant Charles E. Barnes retired.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Charles E. Barnes Collection in the Broward County Library Digital Archives.","The Charles E. Barnes Collection contains personal papers, certificates, photographic reproductions, and a fireman's helmet belonging to Charles E. Barnes of Fort Lauderdale, Florida.","AARLCC Special Collections","Barnes, Charles E., Sr.","English"],"unitid_tesim":["AARLCC.2021.9","/repositories/2/resources/141"],"normalized_date_ssm":["1979-2007"],"normalized_title_ssm":["Charles E. Barnes Collection, 1979-2007"],"collection_title_tesim":["Charles E. Barnes Collection, 1979-2007"],"collection_ssim":["Charles E. Barnes Collection, 1979-2007"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Fort Lauderdale (Fla.)"],"geogname_ssim":["Fort Lauderdale (Fla.)"],"places_ssim":["Fort Lauderdale (Fla.)"],"access_subjects_ssim":["African American fire fighters","Fire helmets","Certificates","Photographs","Programs","Clippings"],"access_subjects_ssm":["African American fire fighters","Fire helmets","Certificates","Photographs","Programs","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Hollinger Boxes"],"extent_tesim":["1.5 Hollinger Boxes"],"genreform_ssim":["Certificates","Photographs","Programs","Clippings"],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThe Charles E. Barnes Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Charles E. Barnes Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series: Series I. Personal Papers, Series II. Certificates, and Series III. Objects.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into three series: Series I. Personal Papers, Series II. Certificates, and Series III. Objects."],"bioghist_html_tesm":["\u003cp\u003eCharles Edward Barnes, Sr. was born on September 4, 1952 to parents Willie Mack and Lula Barnes in Leary, Georgia. Shortly after his birth, the family of seven moved to Fort Lauderdale, Florida. Charles E. Barnes attended Dillard Elementary, Everglades Junior High, and Dillard High schools. He married Carrie Roper on June 19, 1971 and they have four children. In February 1972, Charles served as a paratrooper in the United States Army 101st Airborne Division. In June 1975, Charles returned to Fort Lauderdale, Florida to work as a water meter reader for the City of Fort Lauderdale.\u003c/p\u003e\n","\u003cp\u003eCharles entered the firefighter training academy and he was the only black student in the class. On January 8, 1979, Charles became a certified firefighter and worked in the Fire Prevention Bureau. He was the first black certified Fire Inspector. Charles later became the first black arson investigator. He was certified by the Broward County Courts as an expert witness in a GE fire case in October 1985. Charles E. Barnes and fellow firefighter Rodney Coleman were recognized as the first black \"Firefighter of the Year\" in 1985. Charles advanced in his career to Lieutenant on April 5, 1987. He was the first black fire Lieutenant in Fort Lauderdale, Florida. \u003c/p\u003e\n","\u003cp\u003eIn addition to his firefighter career, Charles E. Barnes coached little league sports such as football, baseball, and basketball for 18 years in Broward County, Florida. He served as Football Commissioner for five years in Lauderdale Lakes, Florida. Charles also helped develop a program called JASP (Juvenile Alternative Service Program) which provides juvenile delinquents the option to complete community service as an alternative to incarceration. On January 5, 2001, Lieutenant Charles E. Barnes retired.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Charles Edward Barnes, Sr. was born on September 4, 1952 to parents Willie Mack and Lula Barnes in Leary, Georgia. Shortly after his birth, the family of seven moved to Fort Lauderdale, Florida. Charles E. Barnes attended Dillard Elementary, Everglades Junior High, and Dillard High schools. He married Carrie Roper on June 19, 1971 and they have four children. In February 1972, Charles served as a paratrooper in the United States Army 101st Airborne Division. In June 1975, Charles returned to Fort Lauderdale, Florida to work as a water meter reader for the City of Fort Lauderdale.","Charles entered the firefighter training academy and he was the only black student in the class. On January 8, 1979, Charles became a certified firefighter and worked in the Fire Prevention Bureau. He was the first black certified Fire Inspector. Charles later became the first black arson investigator. He was certified by the Broward County Courts as an expert witness in a GE fire case in October 1985. Charles E. Barnes and fellow firefighter Rodney Coleman were recognized as the first black \"Firefighter of the Year\" in 1985. Charles advanced in his career to Lieutenant on April 5, 1987. He was the first black fire Lieutenant in Fort Lauderdale, Florida. ","In addition to his firefighter career, Charles E. Barnes coached little league sports such as football, baseball, and basketball for 18 years in Broward County, Florida. He served as Football Commissioner for five years in Lauderdale Lakes, Florida. Charles also helped develop a program called JASP (Juvenile Alternative Service Program) which provides juvenile delinquents the option to complete community service as an alternative to incarceration. On January 5, 2001, Lieutenant Charles E. Barnes retired."],"prefercite_html_tesm":["\u003cp\u003eCharles E. Barnes Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Charles E. Barnes Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll28/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Charles E. Barnes Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Charles E. Barnes Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles E. Barnes Collection contains personal papers, certificates, photographic reproductions, and a fireman's helmet belonging to Charles E. Barnes of Fort Lauderdale, Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Charles E. Barnes Collection contains personal papers, certificates, photographic reproductions, and a fireman's helmet belonging to Charles E. 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He married Carrie Roper on June 19, 1971 and they have four children. In February 1972, Charles served as a paratrooper in the United States Army 101st Airborne Division. In June 1975, Charles returned to Fort Lauderdale, Florida to work as a water meter reader for the City of Fort Lauderdale.","Charles entered the firefighter training academy and he was the only black student in the class. On January 8, 1979, Charles became a certified firefighter and worked in the Fire Prevention Bureau. He was the first black certified Fire Inspector. Charles later became the first black arson investigator. He was certified by the Broward County Courts as an expert witness in a GE fire case in October 1985. Charles E. Barnes and fellow firefighter Rodney Coleman were recognized as the first black \"Firefighter of the Year\" in 1985. Charles advanced in his career to Lieutenant on April 5, 1987. He was the first black fire Lieutenant in Fort Lauderdale, Florida. ","In addition to his firefighter career, Charles E. Barnes coached little league sports such as football, baseball, and basketball for 18 years in Broward County, Florida. He served as Football Commissioner for five years in Lauderdale Lakes, Florida. Charles also helped develop a program called JASP (Juvenile Alternative Service Program) which provides juvenile delinquents the option to complete community service as an alternative to incarceration. On January 5, 2001, Lieutenant Charles E. Barnes retired.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Charles E. Barnes Collection in the Broward County Library Digital Archives.","The Charles E. Barnes Collection contains personal papers, certificates, photographic reproductions, and a fireman's helmet belonging to Charles E. Barnes of Fort Lauderdale, Florida.","AARLCC Special Collections","Barnes, Charles E., Sr.","English"],"unitid_tesim":["AARLCC.2021.9","/repositories/2/resources/141"],"normalized_date_ssm":["1979-2007"],"normalized_title_ssm":["Charles E. Barnes Collection, 1979-2007"],"collection_title_tesim":["Charles E. Barnes Collection, 1979-2007"],"collection_ssim":["Charles E. Barnes Collection, 1979-2007"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Fort Lauderdale (Fla.)"],"geogname_ssim":["Fort Lauderdale (Fla.)"],"places_ssim":["Fort Lauderdale (Fla.)"],"access_subjects_ssim":["African American fire fighters","Fire helmets","Certificates","Photographs","Programs","Clippings"],"access_subjects_ssm":["African American fire fighters","Fire helmets","Certificates","Photographs","Programs","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Hollinger Boxes"],"extent_tesim":["1.5 Hollinger Boxes"],"genreform_ssim":["Certificates","Photographs","Programs","Clippings"],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThe Charles E. Barnes Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Charles E. Barnes Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series: Series I. Personal Papers, Series II. Certificates, and Series III. Objects.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into three series: Series I. Personal Papers, Series II. Certificates, and Series III. Objects."],"bioghist_html_tesm":["\u003cp\u003eCharles Edward Barnes, Sr. was born on September 4, 1952 to parents Willie Mack and Lula Barnes in Leary, Georgia. Shortly after his birth, the family of seven moved to Fort Lauderdale, Florida. Charles E. Barnes attended Dillard Elementary, Everglades Junior High, and Dillard High schools. He married Carrie Roper on June 19, 1971 and they have four children. In February 1972, Charles served as a paratrooper in the United States Army 101st Airborne Division. In June 1975, Charles returned to Fort Lauderdale, Florida to work as a water meter reader for the City of Fort Lauderdale.\u003c/p\u003e\n","\u003cp\u003eCharles entered the firefighter training academy and he was the only black student in the class. On January 8, 1979, Charles became a certified firefighter and worked in the Fire Prevention Bureau. He was the first black certified Fire Inspector. Charles later became the first black arson investigator. He was certified by the Broward County Courts as an expert witness in a GE fire case in October 1985. Charles E. Barnes and fellow firefighter Rodney Coleman were recognized as the first black \"Firefighter of the Year\" in 1985. Charles advanced in his career to Lieutenant on April 5, 1987. He was the first black fire Lieutenant in Fort Lauderdale, Florida. \u003c/p\u003e\n","\u003cp\u003eIn addition to his firefighter career, Charles E. Barnes coached little league sports such as football, baseball, and basketball for 18 years in Broward County, Florida. He served as Football Commissioner for five years in Lauderdale Lakes, Florida. Charles also helped develop a program called JASP (Juvenile Alternative Service Program) which provides juvenile delinquents the option to complete community service as an alternative to incarceration. On January 5, 2001, Lieutenant Charles E. Barnes retired.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Charles Edward Barnes, Sr. was born on September 4, 1952 to parents Willie Mack and Lula Barnes in Leary, Georgia. Shortly after his birth, the family of seven moved to Fort Lauderdale, Florida. Charles E. Barnes attended Dillard Elementary, Everglades Junior High, and Dillard High schools. He married Carrie Roper on June 19, 1971 and they have four children. In February 1972, Charles served as a paratrooper in the United States Army 101st Airborne Division. In June 1975, Charles returned to Fort Lauderdale, Florida to work as a water meter reader for the City of Fort Lauderdale.","Charles entered the firefighter training academy and he was the only black student in the class. On January 8, 1979, Charles became a certified firefighter and worked in the Fire Prevention Bureau. He was the first black certified Fire Inspector. Charles later became the first black arson investigator. He was certified by the Broward County Courts as an expert witness in a GE fire case in October 1985. Charles E. Barnes and fellow firefighter Rodney Coleman were recognized as the first black \"Firefighter of the Year\" in 1985. Charles advanced in his career to Lieutenant on April 5, 1987. He was the first black fire Lieutenant in Fort Lauderdale, Florida. ","In addition to his firefighter career, Charles E. Barnes coached little league sports such as football, baseball, and basketball for 18 years in Broward County, Florida. He served as Football Commissioner for five years in Lauderdale Lakes, Florida. Charles also helped develop a program called JASP (Juvenile Alternative Service Program) which provides juvenile delinquents the option to complete community service as an alternative to incarceration. On January 5, 2001, Lieutenant Charles E. Barnes retired."],"prefercite_html_tesm":["\u003cp\u003eCharles E. Barnes Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Charles E. Barnes Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll28/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Charles E. Barnes Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Charles E. Barnes Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles E. Barnes Collection contains personal papers, certificates, photographic reproductions, and a fireman's helmet belonging to Charles E. Barnes of Fort Lauderdale, Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Charles E. Barnes Collection contains personal papers, certificates, photographic reproductions, and a fireman's helmet belonging to Charles E. Barnes of Fort Lauderdale, Florida."],"names_ssim":["AARLCC Special Collections","Barnes, Charles E., Sr."],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Barnes, Charles E., Sr."],"persname_ssim":["Barnes, Charles E., Sr."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":23,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455801579634688,"_root_":"4e52588c70f468f91119432f","timestamp":"2026-09-16T03:01:43.837Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4e52588c70f468f91119432f"}},{"id":"5c1d3cacb20af4c5d0f16be1","type":"collection","attributes":{"title":"Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/5c1d3cacb20af4c5d0f16be1#creator","type":"document_value","attributes":{"value":["Mansfield, Charlotte D."],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/5c1d3cacb20af4c5d0f16be1#abstract_or_scope","type":"document_value","attributes":{"value":["Charlotte Mansfield enlisted in the Women's Army Auxiliary Corps (W.A.A.C.) in 1942 to pursue work in photograph processing for the military. She was part of the first all-women graduating class from Lowry Field Photo School in Colorado, where she was trained to be a photo technician that developed primarily aerial shots in photography labs. Mansfield was stationed at various locations throughout the United States before being transferred to lab work overseas in England and Germany. By this time, W.A.A.C. had transitioned to Women's Army Corps (W.A.C.). Throughout her military service, Mansfield took numerous personal photographs that featured her friends and surroundings. They provide an unparalleled amount of insight into the private lives of W.A.C.s as they negotiated what it meant to serve in World War II. Mansfield reenlisted after the war, eventually becoming part of the Women in the Air Force (W.A.F.), and retired in 1973. Photography remained her passion until her death in 2007."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5c1d3cacb20af4c5d0f16be1#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"5c1d3cacb20af4c5d0f16be1","title_filing_ssi":"Mansfield, Charlotte D. collection","title_ssm":["Charlotte D. Mansfield collection"],"title_tesim":["Charlotte D. Mansfield collection"],"ead_ssi":"5c1d3cacb20af4c5d0f16be1","unitdate_ssm":["1915-2017","1942-1957","Date acquired: 09/10/2008","Date accessioned: 2020-06-07"],"unitdate_bulk_ssim":["1942-1957"],"unitdate_inclusive_ssm":["1915-2017"],"unitdate_other_ssim":["Date acquired: 09/10/2008","Date accessioned: 2020-06-07"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["08.0158","/repositories/10/resources/362"],"text":["08.0158","/repositories/10/resources/362","Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957","Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)","World War, 1939-1945--Great Britain","World War, 1939-1945--Germany","World War, 1939-1945--Personal narratives, American","World War, 1939-1945--Women","Photography, Military","World War, 1939-1945--England--London","Europe--Description and Travel","World War, 1939-1945--Europe","Sports for women","Military sports","Friendship","Meritorious Service Medal","United States, Oklahoma--Military records","Oktoberfest","Military Discharge--United States","United States. Army Air Forces--Military life","Sexism","Retirement","V-E Day, 1945","Dogs","Awards","United States. Army Air Forces. Medals, badges, decorations, etc","Photojournalism","World War, 1939-1945--Photography","Basic training (Military education)","Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques","This collection is open to all researchers.","Early Life - Charlotte Dee Mansfield was born in Hanford, CA, August 31, 1915, and moved to Oklahoma when she was eight years old. She had been an avid photographer ever since her father took her to the darkroom of an old Army buddy, and she saw strips of film hanging on a line. She graduated from Garber High School in 1934, and then went on to Tonkawa College before receiving her Bachelor's degree in English from the University of Central Oklahoma in 1941. Mansfield was a reporter, writer, and editor for the college newspaper, which demonstrated how her fascination for photography followed her throughout her educational years. It was an article in  Popular Photography  Magazine about British military women photographers and their work in aerial photography that inspired her to enlist in the Women's Army Auxiliary Corps (W.A.A.C.) when World War II began.\n          World War II Service - Mansfield enlisted as a W.A.A.C. on October 17, 1942. She attended basic training at Ft. Des Moines, Iowa until February 1943 and then transferred to Lowry Field Photo School in Denver, Colorado. She was one of fifty who made up the first all-women class to be trained as aerial photo technicians. The women did better academically than the men who doubted them, as well as handled the cameras and darkroom work well. After graduating in April 1943, Mansfield went to Felts Field in Spokane, Washington for further training. While there, W.A.A.C. was converted to full status as a branch of the United States Army and became the Women's Army Corps (W.A.C.) in July 1943. Mansfield was also stationed at Peterson Field, Colorado Springs, Colorado and Fort Oglethorpe, Georgia before being assigned overseas work in May 1944. Throughout her service, Mansfield kept her Graflex 4x5 Pacemaker Speed Graphic camera and a supply of personal film provided by her father, who was incredibly supportive of her photographic endeavors throughout her life. She used these to document her experience at each location in the states, photographing her friends and surroundings. The pictures Mansfield took feature the women training, completing their work, and socializing.","      Mansfield was assigned to the 8 th  Air Force under James Doolittle stationed in High Wycombe, England. The codename for the camp was \"Pinetree,\" with Mansfield interchanging between the two location names in documents and on her pictures. The majority of the correspondence in the collection is from her time in England, where she described to her parents her visit to London and conditions at the camp. Food was a common topic for Mansfield, as well as conditions in the lab. Mansfield continued to take personal photographs, documenting the English countryside and life in the military huts where the women were housed. She celebrated Victory in Europe Day at this station, and there are numerous pictures of the service members rejoicing. Though the war on the western front was over, Mansfield stated in a letter to her parents that W.A.C.s were essential for the army of occupation and were scheduled to transfer to Germany.","      Mansfield was then transferred to the 9 th  Air Force stationed in Bad Kissingen, Germany to work with the 13 th  Photo Tech Unit. This resort town was occupied by the United States Army, and Mansfield noted the barbed wire and boarded up shops in letters. The lab was in a large, empty house and took considerable time to construct. Before it was finished, Mansfield worked mainly in the contact printing room or other labs in the region that needed assistance. She mentioned in letters that she and her peers often had to prove they could do the work, as many officers seemed doubtful. This testified to the sexism the W.A.C.s experienced, and that they did their job, and did it well, regardless of the obstacles. Mansfield continued her routine of taking personal photographs, which included several pictures of local Germans that accompanied the usual shots of friends and surroundings. She remained in Germany from July to November 1945, then returned to the United States after being honorably discharged from the military.","Post-War U.S. Air Force Service - After being discharged, Mansfield remained a civilian for fifteen months. Most of that time was spent helping a friend, Bertha Brownback. The two had become very close friends while in the military together but towards the end of their service, Bertha found herself pregnant without a husband. This meant she was automatically discharged from the military. When Mansfield returned to the United States, she moved with Bertha and the baby to Philadelphia where she worked for a short while with a photofinishing company. They then moved to Oklahoma because Mansfield wanted to be near family again. Soon after, Bertha died in a car accident, leaving Mansfield guardian of her child. She arranged for a couple related to her to adopt the baby, which freed her to reenlist in the military. This entire situation served as a testament to Mansfield's character; she was willing to put her career on hold to help a friend in need. It is this quality of love and friendship that stood out most strongly in her photography.","      In September 1946, Mansfield re-enlisted in the W.A.C. where she worked in Photo Labs at U.S. Bases and in Germany. When the U.S. Air Force became a separate service, she became part of the Women in the Air Force. Mansfield was stationed in Erding, Germany from 1952 to 1955. While there, she toured Europe, visiting Berlin, Paris, and Rome as well as the scenic countryside of Germany and Austria. She took numerous photographs and assembled them into a scrapbook, accompanied with historical commentary and descriptions of events. Mansfield was even able to revisit Bad Kissingen, Germany, where she had been stationed during the war, and commented on its marked difference in appearance.","      Mansfield remained in the U.S. Air Force until her retirement in 1973, after thirty years of military service where she earned the rank of Senior Master Sergeant(E-8). Throughout her military documents, Mansfield received numerous letters of praise and strong recommendations based on her work ethic. Because of her strong record, Mansfield was awarded the Meritorious Service Medal upon retirement, which is the highest award for military service during peacetime. This demonstrated to Mansfield that her hard work was appreciated, and she was very proud of it.","Retirement - Shortly before retirement, in 1970, Mansfield met Lorraine Caddy and the two became best friends. They decided that they liked each other enough to live together, and while Caddy was still in the military, they moved wherever she was stationed until her retirement in 1977. They decided to settle in Oklahoma outside Oklahoma City due to Mansfield's familial connection to the area. Mansfield returned to the University of Central Oklahoma in 1981 to complete a Bachelor of Science in Photo Journalism and a Master's Degree in Journalism in 1983. Photography remained her first love throughout her life, and she was an active member of the Oklahoma Camera Club since 1963. Mansfield passed away Sunday, December 30, 2007, at the age of 92. She is survived by her companion of 37 years, Lorraine Caddy.","This collection was donated by Lorraine A. Caddy. The collection was acquired by the Institute on World War II and the Human Experience on September 10, 2008.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Processed Summer and Fall 2017","This collection relates to Charlotte D. Mansfield who served in the Women's Army Corps during World War II in the European Theater as a photographer and photograph processor. She subsequently retired from the U.S. Air Force. This collection contains documents, photographs, scrapbooks, and artifacts. The documents include personal correspondence, military records, newspaper clippings, newsletters, magazines, and certificates for military service. Various military medals and patches, mugs from U.S. Air Force service, and Graflex 4x5 Pacemaker Speed Graphic camera make up the artifacts. There are eight scrapbooks that Mansfield assembled documenting her military service, primarily overseas, both during World War II and after. Photographs make up the majority of the collection, with one box of loose photographs in separate folders and five archival scrapbooks filled with pictures. There are also four enlarged portraits of Mansfield.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","Charlotte Mansfield enlisted in the Women's Army Auxiliary Corps (W.A.A.C.) in 1942 to pursue work in photograph processing for the military. She was part of the first all-women graduating class from Lowry Field Photo School in Colorado, where she was trained to be a photo technician that developed primarily aerial shots in photography labs. Mansfield was stationed at various locations throughout the United States before being transferred to lab work overseas in England and Germany. By this time, W.A.A.C. had transitioned to Women's Army Corps (W.A.C.). Throughout her military service, Mansfield took numerous personal photographs that featured her friends and surroundings. They provide an unparalleled amount of insight into the private lives of W.A.C.s as they negotiated what it meant to serve in World War II. Mansfield reenlisted after the war, eventually becoming part of the Women in the Air Force (W.A.F.), and retired in 1973. Photography remained her passion until her death in 2007.","FSU Special Collections \u0026 Archives","United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government","Mansfield, Charlotte D.","Doolittle, James Harold, 1896-1993","English"],"unitid_tesim":["08.0158","/repositories/10/resources/362"],"normalized_date_ssm":["1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"normalized_title_ssm":["Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"collection_title_tesim":["Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"collection_ssim":["Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)"],"geogname_ssim":["Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)"],"creator_ssm":["Mansfield, Charlotte D."],"creator_ssim":["Mansfield, Charlotte D."],"creator_persname_ssim":["Mansfield, Charlotte D."],"creators_ssim":["Mansfield, Charlotte D."],"places_ssim":["Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["World War, 1939-1945--Great Britain","World War, 1939-1945--Germany","World War, 1939-1945--Personal narratives, American","World War, 1939-1945--Women","Photography, Military","World War, 1939-1945--England--London","Europe--Description and Travel","World War, 1939-1945--Europe","Sports for women","Military sports","Friendship","Meritorious Service Medal","United States, Oklahoma--Military records","Oktoberfest","Military Discharge--United States","United States. Army Air Forces--Military life","Sexism","Retirement","V-E Day, 1945","Dogs","Awards","United States. Army Air Forces. Medals, badges, decorations, etc","Photojournalism","World War, 1939-1945--Photography","Basic training (Military education)","Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques"],"access_subjects_ssm":["World War, 1939-1945--Great Britain","World War, 1939-1945--Germany","World War, 1939-1945--Personal narratives, American","World War, 1939-1945--Women","Photography, Military","World War, 1939-1945--England--London","Europe--Description and Travel","World War, 1939-1945--Europe","Sports for women","Military sports","Friendship","Meritorious Service Medal","United States, Oklahoma--Military records","Oktoberfest","Military Discharge--United States","United States. Army Air Forces--Military life","Sexism","Retirement","V-E Day, 1945","Dogs","Awards","United States. Army Air Forces. Medals, badges, decorations, etc","Photojournalism","World War, 1939-1945--Photography","Basic training (Military education)","Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques"],"has_online_content_ssim":["false"],"extent_ssm":["14 Linear Feet","1 items 1 camera case"],"extent_tesim":["14 Linear Feet","1 items 1 camera case"],"dimensions_tesim":["21x9.75"],"genreform_ssim":["Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003e\u003ctitle\u003eEarly Life\u003c/title\u003e- Charlotte Dee Mansfield was born in Hanford, CA, August 31, 1915, and moved to Oklahoma when she was eight years old. She had been an avid photographer ever since her father took her to the darkroom of an old Army buddy, and she saw strips of film hanging on a line. She graduated from Garber High School in 1934, and then went on to Tonkawa College before receiving her Bachelor's degree in English from the University of Central Oklahoma in 1941. Mansfield was a reporter, writer, and editor for the college newspaper, which demonstrated how her fascination for photography followed her throughout her educational years. It was an article in \u003cemph render=\"italic\"\u003ePopular Photography\u003c/emph\u003e Magazine about British military women photographers and their work in aerial photography that inspired her to enlist in the Women's Army Auxiliary Corps (W.A.A.C.) when World War II began.\n         \u003cbr\u003e\u003cbr\u003e\u003ctitle\u003eWorld War II Service\u003c/title\u003e- Mansfield enlisted as a W.A.A.C. on October 17, 1942. She attended basic training at Ft. Des Moines, Iowa until February 1943 and then transferred to Lowry Field Photo School in Denver, Colorado. She was one of fifty who made up the first all-women class to be trained as aerial photo technicians. The women did better academically than the men who doubted them, as well as handled the cameras and darkroom work well. After graduating in April 1943, Mansfield went to Felts Field in Spokane, Washington for further training. While there, W.A.A.C. was converted to full status as a branch of the United States Army and became the Women's Army Corps (W.A.C.) in July 1943. Mansfield was also stationed at Peterson Field, Colorado Springs, Colorado and Fort Oglethorpe, Georgia before being assigned overseas work in May 1944. Throughout her service, Mansfield kept her Graflex 4x5 Pacemaker Speed Graphic camera and a supply of personal film provided by her father, who was incredibly supportive of her photographic endeavors throughout her life. She used these to document her experience at each location in the states, photographing her friends and surroundings. The pictures Mansfield took feature the women training, completing their work, and socializing.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eMansfield was assigned to the 8\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Air Force under James Doolittle stationed in High Wycombe, England. The codename for the camp was \"Pinetree,\" with Mansfield interchanging between the two location names in documents and on her pictures. The majority of the correspondence in the collection is from her time in England, where she described to her parents her visit to London and conditions at the camp. Food was a common topic for Mansfield, as well as conditions in the lab. Mansfield continued to take personal photographs, documenting the English countryside and life in the military huts where the women were housed. She celebrated Victory in Europe Day at this station, and there are numerous pictures of the service members rejoicing. Though the war on the western front was over, Mansfield stated in a letter to her parents that W.A.C.s were essential for the army of occupation and were scheduled to transfer to Germany.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eMansfield was then transferred to the 9\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Air Force stationed in Bad Kissingen, Germany to work with the 13\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Photo Tech Unit. This resort town was occupied by the United States Army, and Mansfield noted the barbed wire and boarded up shops in letters. The lab was in a large, empty house and took considerable time to construct. Before it was finished, Mansfield worked mainly in the contact printing room or other labs in the region that needed assistance. She mentioned in letters that she and her peers often had to prove they could do the work, as many officers seemed doubtful. This testified to the sexism the W.A.C.s experienced, and that they did their job, and did it well, regardless of the obstacles. Mansfield continued her routine of taking personal photographs, which included several pictures of local Germans that accompanied the usual shots of friends and surroundings. She remained in Germany from July to November 1945, then returned to the United States after being honorably discharged from the military.\u003c/p\u003e\n","\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003ctitle\u003ePost-War U.S. Air Force Service\u003c/title\u003e- After being discharged, Mansfield remained a civilian for fifteen months. Most of that time was spent helping a friend, Bertha Brownback. The two had become very close friends while in the military together but towards the end of their service, Bertha found herself pregnant without a husband. This meant she was automatically discharged from the military. When Mansfield returned to the United States, she moved with Bertha and the baby to Philadelphia where she worked for a short while with a photofinishing company. They then moved to Oklahoma because Mansfield wanted to be near family again. Soon after, Bertha died in a car accident, leaving Mansfield guardian of her child. She arranged for a couple related to her to adopt the baby, which freed her to reenlist in the military. This entire situation served as a testament to Mansfield's character; she was willing to put her career on hold to help a friend in need. It is this quality of love and friendship that stood out most strongly in her photography.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eIn September 1946, Mansfield re-enlisted in the W.A.C. where she worked in Photo Labs at U.S. Bases and in Germany. When the U.S. Air Force became a separate service, she became part of the Women in the Air Force. Mansfield was stationed in Erding, Germany from 1952 to 1955. While there, she toured Europe, visiting Berlin, Paris, and Rome as well as the scenic countryside of Germany and Austria. She took numerous photographs and assembled them into a scrapbook, accompanied with historical commentary and descriptions of events. Mansfield was even able to revisit Bad Kissingen, Germany, where she had been stationed during the war, and commented on its marked difference in appearance.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eMansfield remained in the U.S. Air Force until her retirement in 1973, after thirty years of military service where she earned the rank of Senior Master Sergeant(E-8). Throughout her military documents, Mansfield received numerous letters of praise and strong recommendations based on her work ethic. Because of her strong record, Mansfield was awarded the Meritorious Service Medal upon retirement, which is the highest award for military service during peacetime. This demonstrated to Mansfield that her hard work was appreciated, and she was very proud of it.\u003c/p\u003e\n","\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003ctitle\u003eRetirement\u003c/title\u003e- Shortly before retirement, in 1970, Mansfield met Lorraine Caddy and the two became best friends. They decided that they liked each other enough to live together, and while Caddy was still in the military, they moved wherever she was stationed until her retirement in 1977. They decided to settle in Oklahoma outside Oklahoma City due to Mansfield's familial connection to the area. Mansfield returned to the University of Central Oklahoma in 1981 to complete a Bachelor of Science in Photo Journalism and a Master's Degree in Journalism in 1983. Photography remained her first love throughout her life, and she was an active member of the Oklahoma Camera Club since 1963. Mansfield passed away Sunday, December 30, 2007, at the age of 92. She is survived by her companion of 37 years, Lorraine Caddy.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Early Life - Charlotte Dee Mansfield was born in Hanford, CA, August 31, 1915, and moved to Oklahoma when she was eight years old. She had been an avid photographer ever since her father took her to the darkroom of an old Army buddy, and she saw strips of film hanging on a line. She graduated from Garber High School in 1934, and then went on to Tonkawa College before receiving her Bachelor's degree in English from the University of Central Oklahoma in 1941. Mansfield was a reporter, writer, and editor for the college newspaper, which demonstrated how her fascination for photography followed her throughout her educational years. It was an article in  Popular Photography  Magazine about British military women photographers and their work in aerial photography that inspired her to enlist in the Women's Army Auxiliary Corps (W.A.A.C.) when World War II began.\n          World War II Service - Mansfield enlisted as a W.A.A.C. on October 17, 1942. She attended basic training at Ft. Des Moines, Iowa until February 1943 and then transferred to Lowry Field Photo School in Denver, Colorado. She was one of fifty who made up the first all-women class to be trained as aerial photo technicians. The women did better academically than the men who doubted them, as well as handled the cameras and darkroom work well. After graduating in April 1943, Mansfield went to Felts Field in Spokane, Washington for further training. While there, W.A.A.C. was converted to full status as a branch of the United States Army and became the Women's Army Corps (W.A.C.) in July 1943. Mansfield was also stationed at Peterson Field, Colorado Springs, Colorado and Fort Oglethorpe, Georgia before being assigned overseas work in May 1944. Throughout her service, Mansfield kept her Graflex 4x5 Pacemaker Speed Graphic camera and a supply of personal film provided by her father, who was incredibly supportive of her photographic endeavors throughout her life. She used these to document her experience at each location in the states, photographing her friends and surroundings. The pictures Mansfield took feature the women training, completing their work, and socializing.","      Mansfield was assigned to the 8 th  Air Force under James Doolittle stationed in High Wycombe, England. The codename for the camp was \"Pinetree,\" with Mansfield interchanging between the two location names in documents and on her pictures. The majority of the correspondence in the collection is from her time in England, where she described to her parents her visit to London and conditions at the camp. Food was a common topic for Mansfield, as well as conditions in the lab. Mansfield continued to take personal photographs, documenting the English countryside and life in the military huts where the women were housed. She celebrated Victory in Europe Day at this station, and there are numerous pictures of the service members rejoicing. Though the war on the western front was over, Mansfield stated in a letter to her parents that W.A.C.s were essential for the army of occupation and were scheduled to transfer to Germany.","      Mansfield was then transferred to the 9 th  Air Force stationed in Bad Kissingen, Germany to work with the 13 th  Photo Tech Unit. This resort town was occupied by the United States Army, and Mansfield noted the barbed wire and boarded up shops in letters. The lab was in a large, empty house and took considerable time to construct. Before it was finished, Mansfield worked mainly in the contact printing room or other labs in the region that needed assistance. She mentioned in letters that she and her peers often had to prove they could do the work, as many officers seemed doubtful. This testified to the sexism the W.A.C.s experienced, and that they did their job, and did it well, regardless of the obstacles. Mansfield continued her routine of taking personal photographs, which included several pictures of local Germans that accompanied the usual shots of friends and surroundings. She remained in Germany from July to November 1945, then returned to the United States after being honorably discharged from the military.","Post-War U.S. Air Force Service - After being discharged, Mansfield remained a civilian for fifteen months. Most of that time was spent helping a friend, Bertha Brownback. The two had become very close friends while in the military together but towards the end of their service, Bertha found herself pregnant without a husband. This meant she was automatically discharged from the military. When Mansfield returned to the United States, she moved with Bertha and the baby to Philadelphia where she worked for a short while with a photofinishing company. They then moved to Oklahoma because Mansfield wanted to be near family again. Soon after, Bertha died in a car accident, leaving Mansfield guardian of her child. She arranged for a couple related to her to adopt the baby, which freed her to reenlist in the military. This entire situation served as a testament to Mansfield's character; she was willing to put her career on hold to help a friend in need. It is this quality of love and friendship that stood out most strongly in her photography.","      In September 1946, Mansfield re-enlisted in the W.A.C. where she worked in Photo Labs at U.S. Bases and in Germany. When the U.S. Air Force became a separate service, she became part of the Women in the Air Force. Mansfield was stationed in Erding, Germany from 1952 to 1955. While there, she toured Europe, visiting Berlin, Paris, and Rome as well as the scenic countryside of Germany and Austria. She took numerous photographs and assembled them into a scrapbook, accompanied with historical commentary and descriptions of events. Mansfield was even able to revisit Bad Kissingen, Germany, where she had been stationed during the war, and commented on its marked difference in appearance.","      Mansfield remained in the U.S. Air Force until her retirement in 1973, after thirty years of military service where she earned the rank of Senior Master Sergeant(E-8). Throughout her military documents, Mansfield received numerous letters of praise and strong recommendations based on her work ethic. Because of her strong record, Mansfield was awarded the Meritorious Service Medal upon retirement, which is the highest award for military service during peacetime. This demonstrated to Mansfield that her hard work was appreciated, and she was very proud of it.","Retirement - Shortly before retirement, in 1970, Mansfield met Lorraine Caddy and the two became best friends. They decided that they liked each other enough to live together, and while Caddy was still in the military, they moved wherever she was stationed until her retirement in 1977. They decided to settle in Oklahoma outside Oklahoma City due to Mansfield's familial connection to the area. Mansfield returned to the University of Central Oklahoma in 1981 to complete a Bachelor of Science in Photo Journalism and a Master's Degree in Journalism in 1983. Photography remained her first love throughout her life, and she was an active member of the Oklahoma Camera Club since 1963. Mansfield passed away Sunday, December 30, 2007, at the age of 92. She is survived by her companion of 37 years, Lorraine Caddy."],"custodhist_html_tesm":["\u003cp\u003eThis collection was donated by Lorraine A. Caddy. The collection was acquired by the Institute on World War II and the Human Experience on September 10, 2008.\u003c/p\u003e","\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History","Custodial History"],"custodhist_tesim":["This collection was donated by Lorraine A. Caddy. The collection was acquired by the Institute on World War II and the Human Experience on September 10, 2008.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Charlotte D. Mansfield collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_08_0158\"\u003ehttp://purl.fcla.edu/fsu/WWII_08_0158\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Charlotte D. Mansfield collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_08_0158 ."],"processinfo_html_tesm":["\u003cp\u003eProcessed Summer and Fall 2017\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed Summer and Fall 2017"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Charlotte D. Mansfield who served in the Women's Army Corps during World War II in the European Theater as a photographer and photograph processor. She subsequently retired from the U.S. Air Force. This collection contains documents, photographs, scrapbooks, and artifacts. The documents include personal correspondence, military records, newspaper clippings, newsletters, magazines, and certificates for military service. Various military medals and patches, mugs from U.S. Air Force service, and Graflex 4x5 Pacemaker Speed Graphic camera make up the artifacts. There are eight scrapbooks that Mansfield assembled documenting her military service, primarily overseas, both during World War II and after. Photographs make up the majority of the collection, with one box of loose photographs in separate folders and five archival scrapbooks filled with pictures. There are also four enlarged portraits of Mansfield.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection relates to Charlotte D. Mansfield who served in the Women's Army Corps during World War II in the European Theater as a photographer and photograph processor. She subsequently retired from the U.S. Air Force. This collection contains documents, photographs, scrapbooks, and artifacts. The documents include personal correspondence, military records, newspaper clippings, newsletters, magazines, and certificates for military service. Various military medals and patches, mugs from U.S. Air Force service, and Graflex 4x5 Pacemaker Speed Graphic camera make up the artifacts. There are eight scrapbooks that Mansfield assembled documenting her military service, primarily overseas, both during World War II and after. Photographs make up the majority of the collection, with one box of loose photographs in separate folders and five archival scrapbooks filled with pictures. There are also four enlarged portraits of Mansfield."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4c0fe496351ee46fff18977354e86118\" label=\"Abstract\"\u003eCharlotte Mansfield enlisted in the Women's Army Auxiliary Corps (W.A.A.C.) in 1942 to pursue work in photograph processing for the military. She was part of the first all-women graduating class from Lowry Field Photo School in Colorado, where she was trained to be a photo technician that developed primarily aerial shots in photography labs. Mansfield was stationed at various locations throughout the United States before being transferred to lab work overseas in England and Germany. By this time, W.A.A.C. had transitioned to Women's Army Corps (W.A.C.). Throughout her military service, Mansfield took numerous personal photographs that featured her friends and surroundings. They provide an unparalleled amount of insight into the private lives of W.A.C.s as they negotiated what it meant to serve in World War II. Mansfield reenlisted after the war, eventually becoming part of the Women in the Air Force (W.A.F.), and retired in 1973. Photography remained her passion until her death in 2007.\u003c/abstract\u003e"],"abstract_tesim":["Charlotte Mansfield enlisted in the Women's Army Auxiliary Corps (W.A.A.C.) in 1942 to pursue work in photograph processing for the military. She was part of the first all-women graduating class from Lowry Field Photo School in Colorado, where she was trained to be a photo technician that developed primarily aerial shots in photography labs. Mansfield was stationed at various locations throughout the United States before being transferred to lab work overseas in England and Germany. By this time, W.A.A.C. had transitioned to Women's Army Corps (W.A.C.). Throughout her military service, Mansfield took numerous personal photographs that featured her friends and surroundings. They provide an unparalleled amount of insight into the private lives of W.A.C.s as they negotiated what it meant to serve in World War II. Mansfield reenlisted after the war, eventually becoming part of the Women in the Air Force (W.A.F.), and retired in 1973. Photography remained her passion until her death in 2007."],"names_coll_ssim":["United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government","Doolittle, James Harold, 1896-1993"],"names_ssim":["FSU Special Collections \u0026 Archives","United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government","Mansfield, Charlotte D.","Doolittle, James Harold, 1896-1993"],"corpname_ssim":["FSU Special Collections \u0026 Archives","United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government"],"persname_ssim":["Mansfield, Charlotte D.","Doolittle, James Harold, 1896-1993"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":86,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"5c1d3cacb20af4c5d0f16be1","timestamp":"2026-07-09T08:47:20.226Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5c1d3cacb20af4c5d0f16be1","title_filing_ssi":"Mansfield, Charlotte D. collection","title_ssm":["Charlotte D. Mansfield collection"],"title_tesim":["Charlotte D. Mansfield collection"],"ead_ssi":"5c1d3cacb20af4c5d0f16be1","unitdate_ssm":["1915-2017","1942-1957","Date acquired: 09/10/2008","Date accessioned: 2020-06-07"],"unitdate_bulk_ssim":["1942-1957"],"unitdate_inclusive_ssm":["1915-2017"],"unitdate_other_ssim":["Date acquired: 09/10/2008","Date accessioned: 2020-06-07"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["08.0158","/repositories/10/resources/362"],"text":["08.0158","/repositories/10/resources/362","Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957","Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)","World War, 1939-1945--Great Britain","World War, 1939-1945--Germany","World War, 1939-1945--Personal narratives, American","World War, 1939-1945--Women","Photography, Military","World War, 1939-1945--England--London","Europe--Description and Travel","World War, 1939-1945--Europe","Sports for women","Military sports","Friendship","Meritorious Service Medal","United States, Oklahoma--Military records","Oktoberfest","Military Discharge--United States","United States. Army Air Forces--Military life","Sexism","Retirement","V-E Day, 1945","Dogs","Awards","United States. Army Air Forces. Medals, badges, decorations, etc","Photojournalism","World War, 1939-1945--Photography","Basic training (Military education)","Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques","This collection is open to all researchers.","Early Life - Charlotte Dee Mansfield was born in Hanford, CA, August 31, 1915, and moved to Oklahoma when she was eight years old. She had been an avid photographer ever since her father took her to the darkroom of an old Army buddy, and she saw strips of film hanging on a line. She graduated from Garber High School in 1934, and then went on to Tonkawa College before receiving her Bachelor's degree in English from the University of Central Oklahoma in 1941. Mansfield was a reporter, writer, and editor for the college newspaper, which demonstrated how her fascination for photography followed her throughout her educational years. It was an article in  Popular Photography  Magazine about British military women photographers and their work in aerial photography that inspired her to enlist in the Women's Army Auxiliary Corps (W.A.A.C.) when World War II began.\n          World War II Service - Mansfield enlisted as a W.A.A.C. on October 17, 1942. She attended basic training at Ft. Des Moines, Iowa until February 1943 and then transferred to Lowry Field Photo School in Denver, Colorado. She was one of fifty who made up the first all-women class to be trained as aerial photo technicians. The women did better academically than the men who doubted them, as well as handled the cameras and darkroom work well. After graduating in April 1943, Mansfield went to Felts Field in Spokane, Washington for further training. While there, W.A.A.C. was converted to full status as a branch of the United States Army and became the Women's Army Corps (W.A.C.) in July 1943. Mansfield was also stationed at Peterson Field, Colorado Springs, Colorado and Fort Oglethorpe, Georgia before being assigned overseas work in May 1944. Throughout her service, Mansfield kept her Graflex 4x5 Pacemaker Speed Graphic camera and a supply of personal film provided by her father, who was incredibly supportive of her photographic endeavors throughout her life. She used these to document her experience at each location in the states, photographing her friends and surroundings. The pictures Mansfield took feature the women training, completing their work, and socializing.","      Mansfield was assigned to the 8 th  Air Force under James Doolittle stationed in High Wycombe, England. The codename for the camp was \"Pinetree,\" with Mansfield interchanging between the two location names in documents and on her pictures. The majority of the correspondence in the collection is from her time in England, where she described to her parents her visit to London and conditions at the camp. Food was a common topic for Mansfield, as well as conditions in the lab. Mansfield continued to take personal photographs, documenting the English countryside and life in the military huts where the women were housed. She celebrated Victory in Europe Day at this station, and there are numerous pictures of the service members rejoicing. Though the war on the western front was over, Mansfield stated in a letter to her parents that W.A.C.s were essential for the army of occupation and were scheduled to transfer to Germany.","      Mansfield was then transferred to the 9 th  Air Force stationed in Bad Kissingen, Germany to work with the 13 th  Photo Tech Unit. This resort town was occupied by the United States Army, and Mansfield noted the barbed wire and boarded up shops in letters. The lab was in a large, empty house and took considerable time to construct. Before it was finished, Mansfield worked mainly in the contact printing room or other labs in the region that needed assistance. She mentioned in letters that she and her peers often had to prove they could do the work, as many officers seemed doubtful. This testified to the sexism the W.A.C.s experienced, and that they did their job, and did it well, regardless of the obstacles. Mansfield continued her routine of taking personal photographs, which included several pictures of local Germans that accompanied the usual shots of friends and surroundings. She remained in Germany from July to November 1945, then returned to the United States after being honorably discharged from the military.","Post-War U.S. Air Force Service - After being discharged, Mansfield remained a civilian for fifteen months. Most of that time was spent helping a friend, Bertha Brownback. The two had become very close friends while in the military together but towards the end of their service, Bertha found herself pregnant without a husband. This meant she was automatically discharged from the military. When Mansfield returned to the United States, she moved with Bertha and the baby to Philadelphia where she worked for a short while with a photofinishing company. They then moved to Oklahoma because Mansfield wanted to be near family again. Soon after, Bertha died in a car accident, leaving Mansfield guardian of her child. She arranged for a couple related to her to adopt the baby, which freed her to reenlist in the military. This entire situation served as a testament to Mansfield's character; she was willing to put her career on hold to help a friend in need. It is this quality of love and friendship that stood out most strongly in her photography.","      In September 1946, Mansfield re-enlisted in the W.A.C. where she worked in Photo Labs at U.S. Bases and in Germany. When the U.S. Air Force became a separate service, she became part of the Women in the Air Force. Mansfield was stationed in Erding, Germany from 1952 to 1955. While there, she toured Europe, visiting Berlin, Paris, and Rome as well as the scenic countryside of Germany and Austria. She took numerous photographs and assembled them into a scrapbook, accompanied with historical commentary and descriptions of events. Mansfield was even able to revisit Bad Kissingen, Germany, where she had been stationed during the war, and commented on its marked difference in appearance.","      Mansfield remained in the U.S. Air Force until her retirement in 1973, after thirty years of military service where she earned the rank of Senior Master Sergeant(E-8). Throughout her military documents, Mansfield received numerous letters of praise and strong recommendations based on her work ethic. Because of her strong record, Mansfield was awarded the Meritorious Service Medal upon retirement, which is the highest award for military service during peacetime. This demonstrated to Mansfield that her hard work was appreciated, and she was very proud of it.","Retirement - Shortly before retirement, in 1970, Mansfield met Lorraine Caddy and the two became best friends. They decided that they liked each other enough to live together, and while Caddy was still in the military, they moved wherever she was stationed until her retirement in 1977. They decided to settle in Oklahoma outside Oklahoma City due to Mansfield's familial connection to the area. Mansfield returned to the University of Central Oklahoma in 1981 to complete a Bachelor of Science in Photo Journalism and a Master's Degree in Journalism in 1983. Photography remained her first love throughout her life, and she was an active member of the Oklahoma Camera Club since 1963. Mansfield passed away Sunday, December 30, 2007, at the age of 92. She is survived by her companion of 37 years, Lorraine Caddy.","This collection was donated by Lorraine A. Caddy. The collection was acquired by the Institute on World War II and the Human Experience on September 10, 2008.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Processed Summer and Fall 2017","This collection relates to Charlotte D. Mansfield who served in the Women's Army Corps during World War II in the European Theater as a photographer and photograph processor. She subsequently retired from the U.S. Air Force. This collection contains documents, photographs, scrapbooks, and artifacts. The documents include personal correspondence, military records, newspaper clippings, newsletters, magazines, and certificates for military service. Various military medals and patches, mugs from U.S. Air Force service, and Graflex 4x5 Pacemaker Speed Graphic camera make up the artifacts. There are eight scrapbooks that Mansfield assembled documenting her military service, primarily overseas, both during World War II and after. Photographs make up the majority of the collection, with one box of loose photographs in separate folders and five archival scrapbooks filled with pictures. There are also four enlarged portraits of Mansfield.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","Charlotte Mansfield enlisted in the Women's Army Auxiliary Corps (W.A.A.C.) in 1942 to pursue work in photograph processing for the military. She was part of the first all-women graduating class from Lowry Field Photo School in Colorado, where she was trained to be a photo technician that developed primarily aerial shots in photography labs. Mansfield was stationed at various locations throughout the United States before being transferred to lab work overseas in England and Germany. By this time, W.A.A.C. had transitioned to Women's Army Corps (W.A.C.). Throughout her military service, Mansfield took numerous personal photographs that featured her friends and surroundings. They provide an unparalleled amount of insight into the private lives of W.A.C.s as they negotiated what it meant to serve in World War II. Mansfield reenlisted after the war, eventually becoming part of the Women in the Air Force (W.A.F.), and retired in 1973. Photography remained her passion until her death in 2007.","FSU Special Collections \u0026 Archives","United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government","Mansfield, Charlotte D.","Doolittle, James Harold, 1896-1993","English"],"unitid_tesim":["08.0158","/repositories/10/resources/362"],"normalized_date_ssm":["1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"normalized_title_ssm":["Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"collection_title_tesim":["Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"collection_ssim":["Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)"],"geogname_ssim":["Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)"],"creator_ssm":["Mansfield, Charlotte D."],"creator_ssim":["Mansfield, Charlotte D."],"creator_persname_ssim":["Mansfield, Charlotte D."],"creators_ssim":["Mansfield, Charlotte D."],"places_ssim":["Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["World War, 1939-1945--Great Britain","World War, 1939-1945--Germany","World War, 1939-1945--Personal narratives, American","World War, 1939-1945--Women","Photography, Military","World War, 1939-1945--England--London","Europe--Description and Travel","World War, 1939-1945--Europe","Sports for women","Military sports","Friendship","Meritorious Service Medal","United States, Oklahoma--Military records","Oktoberfest","Military Discharge--United States","United States. Army Air Forces--Military life","Sexism","Retirement","V-E Day, 1945","Dogs","Awards","United States. Army Air Forces. Medals, badges, decorations, etc","Photojournalism","World War, 1939-1945--Photography","Basic training (Military education)","Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques"],"access_subjects_ssm":["World War, 1939-1945--Great Britain","World War, 1939-1945--Germany","World War, 1939-1945--Personal narratives, American","World War, 1939-1945--Women","Photography, Military","World War, 1939-1945--England--London","Europe--Description and Travel","World War, 1939-1945--Europe","Sports for women","Military sports","Friendship","Meritorious Service Medal","United States, Oklahoma--Military records","Oktoberfest","Military Discharge--United States","United States. Army Air Forces--Military life","Sexism","Retirement","V-E Day, 1945","Dogs","Awards","United States. Army Air Forces. Medals, badges, decorations, etc","Photojournalism","World War, 1939-1945--Photography","Basic training (Military education)","Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques"],"has_online_content_ssim":["false"],"extent_ssm":["14 Linear Feet","1 items 1 camera case"],"extent_tesim":["14 Linear Feet","1 items 1 camera case"],"dimensions_tesim":["21x9.75"],"genreform_ssim":["Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003e\u003ctitle\u003eEarly Life\u003c/title\u003e- Charlotte Dee Mansfield was born in Hanford, CA, August 31, 1915, and moved to Oklahoma when she was eight years old. She had been an avid photographer ever since her father took her to the darkroom of an old Army buddy, and she saw strips of film hanging on a line. She graduated from Garber High School in 1934, and then went on to Tonkawa College before receiving her Bachelor's degree in English from the University of Central Oklahoma in 1941. Mansfield was a reporter, writer, and editor for the college newspaper, which demonstrated how her fascination for photography followed her throughout her educational years. It was an article in \u003cemph render=\"italic\"\u003ePopular Photography\u003c/emph\u003e Magazine about British military women photographers and their work in aerial photography that inspired her to enlist in the Women's Army Auxiliary Corps (W.A.A.C.) when World War II began.\n         \u003cbr\u003e\u003cbr\u003e\u003ctitle\u003eWorld War II Service\u003c/title\u003e- Mansfield enlisted as a W.A.A.C. on October 17, 1942. She attended basic training at Ft. Des Moines, Iowa until February 1943 and then transferred to Lowry Field Photo School in Denver, Colorado. She was one of fifty who made up the first all-women class to be trained as aerial photo technicians. The women did better academically than the men who doubted them, as well as handled the cameras and darkroom work well. After graduating in April 1943, Mansfield went to Felts Field in Spokane, Washington for further training. While there, W.A.A.C. was converted to full status as a branch of the United States Army and became the Women's Army Corps (W.A.C.) in July 1943. Mansfield was also stationed at Peterson Field, Colorado Springs, Colorado and Fort Oglethorpe, Georgia before being assigned overseas work in May 1944. Throughout her service, Mansfield kept her Graflex 4x5 Pacemaker Speed Graphic camera and a supply of personal film provided by her father, who was incredibly supportive of her photographic endeavors throughout her life. She used these to document her experience at each location in the states, photographing her friends and surroundings. The pictures Mansfield took feature the women training, completing their work, and socializing.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eMansfield was assigned to the 8\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Air Force under James Doolittle stationed in High Wycombe, England. The codename for the camp was \"Pinetree,\" with Mansfield interchanging between the two location names in documents and on her pictures. The majority of the correspondence in the collection is from her time in England, where she described to her parents her visit to London and conditions at the camp. Food was a common topic for Mansfield, as well as conditions in the lab. Mansfield continued to take personal photographs, documenting the English countryside and life in the military huts where the women were housed. She celebrated Victory in Europe Day at this station, and there are numerous pictures of the service members rejoicing. Though the war on the western front was over, Mansfield stated in a letter to her parents that W.A.C.s were essential for the army of occupation and were scheduled to transfer to Germany.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eMansfield was then transferred to the 9\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Air Force stationed in Bad Kissingen, Germany to work with the 13\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Photo Tech Unit. This resort town was occupied by the United States Army, and Mansfield noted the barbed wire and boarded up shops in letters. The lab was in a large, empty house and took considerable time to construct. Before it was finished, Mansfield worked mainly in the contact printing room or other labs in the region that needed assistance. She mentioned in letters that she and her peers often had to prove they could do the work, as many officers seemed doubtful. This testified to the sexism the W.A.C.s experienced, and that they did their job, and did it well, regardless of the obstacles. Mansfield continued her routine of taking personal photographs, which included several pictures of local Germans that accompanied the usual shots of friends and surroundings. She remained in Germany from July to November 1945, then returned to the United States after being honorably discharged from the military.\u003c/p\u003e\n","\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003ctitle\u003ePost-War U.S. Air Force Service\u003c/title\u003e- After being discharged, Mansfield remained a civilian for fifteen months. Most of that time was spent helping a friend, Bertha Brownback. The two had become very close friends while in the military together but towards the end of their service, Bertha found herself pregnant without a husband. This meant she was automatically discharged from the military. When Mansfield returned to the United States, she moved with Bertha and the baby to Philadelphia where she worked for a short while with a photofinishing company. They then moved to Oklahoma because Mansfield wanted to be near family again. Soon after, Bertha died in a car accident, leaving Mansfield guardian of her child. She arranged for a couple related to her to adopt the baby, which freed her to reenlist in the military. This entire situation served as a testament to Mansfield's character; she was willing to put her career on hold to help a friend in need. It is this quality of love and friendship that stood out most strongly in her photography.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eIn September 1946, Mansfield re-enlisted in the W.A.C. where she worked in Photo Labs at U.S. Bases and in Germany. When the U.S. Air Force became a separate service, she became part of the Women in the Air Force. Mansfield was stationed in Erding, Germany from 1952 to 1955. While there, she toured Europe, visiting Berlin, Paris, and Rome as well as the scenic countryside of Germany and Austria. She took numerous photographs and assembled them into a scrapbook, accompanied with historical commentary and descriptions of events. Mansfield was even able to revisit Bad Kissingen, Germany, where she had been stationed during the war, and commented on its marked difference in appearance.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eMansfield remained in the U.S. Air Force until her retirement in 1973, after thirty years of military service where she earned the rank of Senior Master Sergeant(E-8). Throughout her military documents, Mansfield received numerous letters of praise and strong recommendations based on her work ethic. Because of her strong record, Mansfield was awarded the Meritorious Service Medal upon retirement, which is the highest award for military service during peacetime. This demonstrated to Mansfield that her hard work was appreciated, and she was very proud of it.\u003c/p\u003e\n","\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003ctitle\u003eRetirement\u003c/title\u003e- Shortly before retirement, in 1970, Mansfield met Lorraine Caddy and the two became best friends. They decided that they liked each other enough to live together, and while Caddy was still in the military, they moved wherever she was stationed until her retirement in 1977. They decided to settle in Oklahoma outside Oklahoma City due to Mansfield's familial connection to the area. Mansfield returned to the University of Central Oklahoma in 1981 to complete a Bachelor of Science in Photo Journalism and a Master's Degree in Journalism in 1983. Photography remained her first love throughout her life, and she was an active member of the Oklahoma Camera Club since 1963. Mansfield passed away Sunday, December 30, 2007, at the age of 92. She is survived by her companion of 37 years, Lorraine Caddy.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Early Life - Charlotte Dee Mansfield was born in Hanford, CA, August 31, 1915, and moved to Oklahoma when she was eight years old. She had been an avid photographer ever since her father took her to the darkroom of an old Army buddy, and she saw strips of film hanging on a line. She graduated from Garber High School in 1934, and then went on to Tonkawa College before receiving her Bachelor's degree in English from the University of Central Oklahoma in 1941. Mansfield was a reporter, writer, and editor for the college newspaper, which demonstrated how her fascination for photography followed her throughout her educational years. It was an article in  Popular Photography  Magazine about British military women photographers and their work in aerial photography that inspired her to enlist in the Women's Army Auxiliary Corps (W.A.A.C.) when World War II began.\n          World War II Service - Mansfield enlisted as a W.A.A.C. on October 17, 1942. She attended basic training at Ft. Des Moines, Iowa until February 1943 and then transferred to Lowry Field Photo School in Denver, Colorado. She was one of fifty who made up the first all-women class to be trained as aerial photo technicians. The women did better academically than the men who doubted them, as well as handled the cameras and darkroom work well. After graduating in April 1943, Mansfield went to Felts Field in Spokane, Washington for further training. While there, W.A.A.C. was converted to full status as a branch of the United States Army and became the Women's Army Corps (W.A.C.) in July 1943. Mansfield was also stationed at Peterson Field, Colorado Springs, Colorado and Fort Oglethorpe, Georgia before being assigned overseas work in May 1944. Throughout her service, Mansfield kept her Graflex 4x5 Pacemaker Speed Graphic camera and a supply of personal film provided by her father, who was incredibly supportive of her photographic endeavors throughout her life. She used these to document her experience at each location in the states, photographing her friends and surroundings. The pictures Mansfield took feature the women training, completing their work, and socializing.","      Mansfield was assigned to the 8 th  Air Force under James Doolittle stationed in High Wycombe, England. The codename for the camp was \"Pinetree,\" with Mansfield interchanging between the two location names in documents and on her pictures. The majority of the correspondence in the collection is from her time in England, where she described to her parents her visit to London and conditions at the camp. Food was a common topic for Mansfield, as well as conditions in the lab. Mansfield continued to take personal photographs, documenting the English countryside and life in the military huts where the women were housed. She celebrated Victory in Europe Day at this station, and there are numerous pictures of the service members rejoicing. Though the war on the western front was over, Mansfield stated in a letter to her parents that W.A.C.s were essential for the army of occupation and were scheduled to transfer to Germany.","      Mansfield was then transferred to the 9 th  Air Force stationed in Bad Kissingen, Germany to work with the 13 th  Photo Tech Unit. This resort town was occupied by the United States Army, and Mansfield noted the barbed wire and boarded up shops in letters. The lab was in a large, empty house and took considerable time to construct. Before it was finished, Mansfield worked mainly in the contact printing room or other labs in the region that needed assistance. She mentioned in letters that she and her peers often had to prove they could do the work, as many officers seemed doubtful. This testified to the sexism the W.A.C.s experienced, and that they did their job, and did it well, regardless of the obstacles. Mansfield continued her routine of taking personal photographs, which included several pictures of local Germans that accompanied the usual shots of friends and surroundings. She remained in Germany from July to November 1945, then returned to the United States after being honorably discharged from the military.","Post-War U.S. Air Force Service - After being discharged, Mansfield remained a civilian for fifteen months. Most of that time was spent helping a friend, Bertha Brownback. The two had become very close friends while in the military together but towards the end of their service, Bertha found herself pregnant without a husband. This meant she was automatically discharged from the military. When Mansfield returned to the United States, she moved with Bertha and the baby to Philadelphia where she worked for a short while with a photofinishing company. They then moved to Oklahoma because Mansfield wanted to be near family again. Soon after, Bertha died in a car accident, leaving Mansfield guardian of her child. She arranged for a couple related to her to adopt the baby, which freed her to reenlist in the military. This entire situation served as a testament to Mansfield's character; she was willing to put her career on hold to help a friend in need. It is this quality of love and friendship that stood out most strongly in her photography.","      In September 1946, Mansfield re-enlisted in the W.A.C. where she worked in Photo Labs at U.S. Bases and in Germany. When the U.S. Air Force became a separate service, she became part of the Women in the Air Force. Mansfield was stationed in Erding, Germany from 1952 to 1955. While there, she toured Europe, visiting Berlin, Paris, and Rome as well as the scenic countryside of Germany and Austria. She took numerous photographs and assembled them into a scrapbook, accompanied with historical commentary and descriptions of events. Mansfield was even able to revisit Bad Kissingen, Germany, where she had been stationed during the war, and commented on its marked difference in appearance.","      Mansfield remained in the U.S. Air Force until her retirement in 1973, after thirty years of military service where she earned the rank of Senior Master Sergeant(E-8). Throughout her military documents, Mansfield received numerous letters of praise and strong recommendations based on her work ethic. Because of her strong record, Mansfield was awarded the Meritorious Service Medal upon retirement, which is the highest award for military service during peacetime. This demonstrated to Mansfield that her hard work was appreciated, and she was very proud of it.","Retirement - Shortly before retirement, in 1970, Mansfield met Lorraine Caddy and the two became best friends. They decided that they liked each other enough to live together, and while Caddy was still in the military, they moved wherever she was stationed until her retirement in 1977. They decided to settle in Oklahoma outside Oklahoma City due to Mansfield's familial connection to the area. Mansfield returned to the University of Central Oklahoma in 1981 to complete a Bachelor of Science in Photo Journalism and a Master's Degree in Journalism in 1983. Photography remained her first love throughout her life, and she was an active member of the Oklahoma Camera Club since 1963. Mansfield passed away Sunday, December 30, 2007, at the age of 92. She is survived by her companion of 37 years, Lorraine Caddy."],"custodhist_html_tesm":["\u003cp\u003eThis collection was donated by Lorraine A. Caddy. The collection was acquired by the Institute on World War II and the Human Experience on September 10, 2008.\u003c/p\u003e","\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History","Custodial History"],"custodhist_tesim":["This collection was donated by Lorraine A. Caddy. The collection was acquired by the Institute on World War II and the Human Experience on September 10, 2008.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Charlotte D. Mansfield collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_08_0158\"\u003ehttp://purl.fcla.edu/fsu/WWII_08_0158\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Charlotte D. Mansfield collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_08_0158 ."],"processinfo_html_tesm":["\u003cp\u003eProcessed Summer and Fall 2017\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed Summer and Fall 2017"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Charlotte D. Mansfield who served in the Women's Army Corps during World War II in the European Theater as a photographer and photograph processor. She subsequently retired from the U.S. Air Force. This collection contains documents, photographs, scrapbooks, and artifacts. The documents include personal correspondence, military records, newspaper clippings, newsletters, magazines, and certificates for military service. Various military medals and patches, mugs from U.S. Air Force service, and Graflex 4x5 Pacemaker Speed Graphic camera make up the artifacts. There are eight scrapbooks that Mansfield assembled documenting her military service, primarily overseas, both during World War II and after. Photographs make up the majority of the collection, with one box of loose photographs in separate folders and five archival scrapbooks filled with pictures. There are also four enlarged portraits of Mansfield.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection relates to Charlotte D. Mansfield who served in the Women's Army Corps during World War II in the European Theater as a photographer and photograph processor. She subsequently retired from the U.S. Air Force. This collection contains documents, photographs, scrapbooks, and artifacts. The documents include personal correspondence, military records, newspaper clippings, newsletters, magazines, and certificates for military service. Various military medals and patches, mugs from U.S. Air Force service, and Graflex 4x5 Pacemaker Speed Graphic camera make up the artifacts. There are eight scrapbooks that Mansfield assembled documenting her military service, primarily overseas, both during World War II and after. Photographs make up the majority of the collection, with one box of loose photographs in separate folders and five archival scrapbooks filled with pictures. There are also four enlarged portraits of Mansfield."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4c0fe496351ee46fff18977354e86118\" label=\"Abstract\"\u003eCharlotte Mansfield enlisted in the Women's Army Auxiliary Corps (W.A.A.C.) in 1942 to pursue work in photograph processing for the military. She was part of the first all-women graduating class from Lowry Field Photo School in Colorado, where she was trained to be a photo technician that developed primarily aerial shots in photography labs. Mansfield was stationed at various locations throughout the United States before being transferred to lab work overseas in England and Germany. By this time, W.A.A.C. had transitioned to Women's Army Corps (W.A.C.). Throughout her military service, Mansfield took numerous personal photographs that featured her friends and surroundings. They provide an unparalleled amount of insight into the private lives of W.A.C.s as they negotiated what it meant to serve in World War II. Mansfield reenlisted after the war, eventually becoming part of the Women in the Air Force (W.A.F.), and retired in 1973. Photography remained her passion until her death in 2007.\u003c/abstract\u003e"],"abstract_tesim":["Charlotte Mansfield enlisted in the Women's Army Auxiliary Corps (W.A.A.C.) in 1942 to pursue work in photograph processing for the military. She was part of the first all-women graduating class from Lowry Field Photo School in Colorado, where she was trained to be a photo technician that developed primarily aerial shots in photography labs. Mansfield was stationed at various locations throughout the United States before being transferred to lab work overseas in England and Germany. By this time, W.A.A.C. had transitioned to Women's Army Corps (W.A.C.). Throughout her military service, Mansfield took numerous personal photographs that featured her friends and surroundings. They provide an unparalleled amount of insight into the private lives of W.A.C.s as they negotiated what it meant to serve in World War II. Mansfield reenlisted after the war, eventually becoming part of the Women in the Air Force (W.A.F.), and retired in 1973. Photography remained her passion until her death in 2007."],"names_coll_ssim":["United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government","Doolittle, James Harold, 1896-1993"],"names_ssim":["FSU Special Collections \u0026 Archives","United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government","Mansfield, Charlotte D.","Doolittle, James Harold, 1896-1993"],"corpname_ssim":["FSU Special Collections \u0026 Archives","United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government"],"persname_ssim":["Mansfield, Charlotte D.","Doolittle, James Harold, 1896-1993"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":86,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"5c1d3cacb20af4c5d0f16be1","timestamp":"2026-07-09T08:47:20.226Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5c1d3cacb20af4c5d0f16be1"}},{"id":"df5f33ab57ee6e767c26a104","type":"collection","attributes":{"title":"Cienfuegos Collection, 1819-1991","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/df5f33ab57ee6e767c26a104#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe materials in this collection gather resources to aid in the research of the commercial, eclesiastical, economic, and geographical history of Cienfuegos, Cuba, as well as featuring texts on important figures and locations. It includes full texts and editions of regional newspapers, as well as the more intimate look at sketches, blueprints, seals, and correspondence, postcards, and business cards.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/df5f33ab57ee6e767c26a104#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"df5f33ab57ee6e767c26a104","title_ssm":["Cienfuegos Collection"],"title_tesim":["Cienfuegos Collection"],"ead_ssi":"df5f33ab57ee6e767c26a104","unitdate_ssm":["1819-1991"],"unitdate_inclusive_ssm":["1819-1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9010","/repositories/2/resources/115"],"text":["SPC9010","/repositories/2/resources/115","Cienfuegos Collection, 1819-1991","Cuba","postcards","Newspaper","Maps","Magazine","Photographs","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","Cienfuegos, Cuba was founded in 1819 by French colonists, then deemed Fernandina de Jagua for King Ferdinand VII of Spain and Chief Jagua by early Spanish conquistadors. Cienfuegos, being a port city, became a center of the growing trade of crops such as coffee, sugarcane, and tobacco, as well as serving as a hub for Cuba's shrimp industry. The city's commercial success coincided with Cuba's sugar boom, making Cienfuegos one of the country's most economically important cities. The city later became a key industrial center in the mid-20th century, following the city's revolt against Fulgencio Batista y Zaldivar, former elected president of Cuba and military dictator who was overthrown during the Cuban Revolution. The aftermath of the Revolution ushered forth a new age of development in Cienfuegos. It now houses a UNESCO World Heritage Site in its city center, designated so in 2005 for its model of mordern Spanish American urbanism, and the integrity with which the original historical structures have been preserved and further maintained in newer developments.","The materials in this collection gather resources to aid in the research of the commercial, eclesiastical, economic, and geographical history of Cienfuegos, Cuba, as well as featuring texts on important figures and locations. It includes full texts and editions of regional newspapers, as well as the more intimate look at sketches, blueprints, seals, and correspondence, postcards, and business cards.","The Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9010","/repositories/2/resources/115"],"normalized_date_ssm":["1819-1991"],"normalized_title_ssm":["Cienfuegos Collection, 1819-1991"],"collection_title_tesim":["Cienfuegos Collection, 1819-1991"],"collection_ssim":["Cienfuegos Collection, 1819-1991"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"places_ssim":["Cuba"],"access_terms_ssm":["The Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were acquired through a private donor."],"access_subjects_ssim":["postcards","Newspaper","Maps","Magazine","Photographs"],"access_subjects_ssm":["postcards","Newspaper","Maps","Magazine","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes 3 archival storage cartons"],"extent_tesim":["3 boxes 3 archival storage cartons"],"dimensions_tesim":["3.25 linear feet"],"genreform_ssim":["Newspaper","Maps","Magazine","Photographs"],"date_range_isim":[1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eCienfuegos, Cuba was founded in 1819 by French colonists, then deemed Fernandina de Jagua for King Ferdinand VII of Spain and Chief Jagua by early Spanish conquistadors. Cienfuegos, being a port city, became a center of the growing trade of crops such as coffee, sugarcane, and tobacco, as well as serving as a hub for Cuba's shrimp industry. The city's commercial success coincided with Cuba's sugar boom, making Cienfuegos one of the country's most economically important cities. The city later became a key industrial center in the mid-20th century, following the city's revolt against Fulgencio Batista y Zaldivar, former elected president of Cuba and military dictator who was overthrown during the Cuban Revolution. The aftermath of the Revolution ushered forth a new age of development in Cienfuegos. It now houses a UNESCO World Heritage Site in its city center, designated so in 2005 for its model of mordern Spanish American urbanism, and the integrity with which the original historical structures have been preserved and further maintained in newer developments.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Cienfuegos, Cuba was founded in 1819 by French colonists, then deemed Fernandina de Jagua for King Ferdinand VII of Spain and Chief Jagua by early Spanish conquistadors. Cienfuegos, being a port city, became a center of the growing trade of crops such as coffee, sugarcane, and tobacco, as well as serving as a hub for Cuba's shrimp industry. The city's commercial success coincided with Cuba's sugar boom, making Cienfuegos one of the country's most economically important cities. The city later became a key industrial center in the mid-20th century, following the city's revolt against Fulgencio Batista y Zaldivar, former elected president of Cuba and military dictator who was overthrown during the Cuban Revolution. The aftermath of the Revolution ushered forth a new age of development in Cienfuegos. It now houses a UNESCO World Heritage Site in its city center, designated so in 2005 for its model of mordern Spanish American urbanism, and the integrity with which the original historical structures have been preserved and further maintained in newer developments."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection gather resources to aid in the research of the commercial, eclesiastical, economic, and geographical history of Cienfuegos, Cuba, as well as featuring texts on important figures and locations. It includes full texts and editions of regional newspapers, as well as the more intimate look at sketches, blueprints, seals, and correspondence, postcards, and business cards.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection gather resources to aid in the research of the commercial, eclesiastical, economic, and geographical history of Cienfuegos, Cuba, as well as featuring texts on important figures and locations. It includes full texts and editions of regional newspapers, as well as the more intimate look at sketches, blueprints, seals, and correspondence, postcards, and business cards."],"userestrict_html_tesm":["\u003cp\u003eThe Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":36,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844445591601152,"_root_":"df5f33ab57ee6e767c26a104","timestamp":"2026-07-16T04:31:37.751Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"df5f33ab57ee6e767c26a104","title_ssm":["Cienfuegos Collection"],"title_tesim":["Cienfuegos Collection"],"ead_ssi":"df5f33ab57ee6e767c26a104","unitdate_ssm":["1819-1991"],"unitdate_inclusive_ssm":["1819-1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9010","/repositories/2/resources/115"],"text":["SPC9010","/repositories/2/resources/115","Cienfuegos Collection, 1819-1991","Cuba","postcards","Newspaper","Maps","Magazine","Photographs","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","Cienfuegos, Cuba was founded in 1819 by French colonists, then deemed Fernandina de Jagua for King Ferdinand VII of Spain and Chief Jagua by early Spanish conquistadors. Cienfuegos, being a port city, became a center of the growing trade of crops such as coffee, sugarcane, and tobacco, as well as serving as a hub for Cuba's shrimp industry. The city's commercial success coincided with Cuba's sugar boom, making Cienfuegos one of the country's most economically important cities. The city later became a key industrial center in the mid-20th century, following the city's revolt against Fulgencio Batista y Zaldivar, former elected president of Cuba and military dictator who was overthrown during the Cuban Revolution. The aftermath of the Revolution ushered forth a new age of development in Cienfuegos. It now houses a UNESCO World Heritage Site in its city center, designated so in 2005 for its model of mordern Spanish American urbanism, and the integrity with which the original historical structures have been preserved and further maintained in newer developments.","The materials in this collection gather resources to aid in the research of the commercial, eclesiastical, economic, and geographical history of Cienfuegos, Cuba, as well as featuring texts on important figures and locations. It includes full texts and editions of regional newspapers, as well as the more intimate look at sketches, blueprints, seals, and correspondence, postcards, and business cards.","The Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9010","/repositories/2/resources/115"],"normalized_date_ssm":["1819-1991"],"normalized_title_ssm":["Cienfuegos Collection, 1819-1991"],"collection_title_tesim":["Cienfuegos Collection, 1819-1991"],"collection_ssim":["Cienfuegos Collection, 1819-1991"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"places_ssim":["Cuba"],"access_terms_ssm":["The Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were acquired through a private donor."],"access_subjects_ssim":["postcards","Newspaper","Maps","Magazine","Photographs"],"access_subjects_ssm":["postcards","Newspaper","Maps","Magazine","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes 3 archival storage cartons"],"extent_tesim":["3 boxes 3 archival storage cartons"],"dimensions_tesim":["3.25 linear feet"],"genreform_ssim":["Newspaper","Maps","Magazine","Photographs"],"date_range_isim":[1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eCienfuegos, Cuba was founded in 1819 by French colonists, then deemed Fernandina de Jagua for King Ferdinand VII of Spain and Chief Jagua by early Spanish conquistadors. Cienfuegos, being a port city, became a center of the growing trade of crops such as coffee, sugarcane, and tobacco, as well as serving as a hub for Cuba's shrimp industry. The city's commercial success coincided with Cuba's sugar boom, making Cienfuegos one of the country's most economically important cities. The city later became a key industrial center in the mid-20th century, following the city's revolt against Fulgencio Batista y Zaldivar, former elected president of Cuba and military dictator who was overthrown during the Cuban Revolution. The aftermath of the Revolution ushered forth a new age of development in Cienfuegos. It now houses a UNESCO World Heritage Site in its city center, designated so in 2005 for its model of mordern Spanish American urbanism, and the integrity with which the original historical structures have been preserved and further maintained in newer developments.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Cienfuegos, Cuba was founded in 1819 by French colonists, then deemed Fernandina de Jagua for King Ferdinand VII of Spain and Chief Jagua by early Spanish conquistadors. Cienfuegos, being a port city, became a center of the growing trade of crops such as coffee, sugarcane, and tobacco, as well as serving as a hub for Cuba's shrimp industry. The city's commercial success coincided with Cuba's sugar boom, making Cienfuegos one of the country's most economically important cities. The city later became a key industrial center in the mid-20th century, following the city's revolt against Fulgencio Batista y Zaldivar, former elected president of Cuba and military dictator who was overthrown during the Cuban Revolution. The aftermath of the Revolution ushered forth a new age of development in Cienfuegos. It now houses a UNESCO World Heritage Site in its city center, designated so in 2005 for its model of mordern Spanish American urbanism, and the integrity with which the original historical structures have been preserved and further maintained in newer developments."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection gather resources to aid in the research of the commercial, eclesiastical, economic, and geographical history of Cienfuegos, Cuba, as well as featuring texts on important figures and locations. It includes full texts and editions of regional newspapers, as well as the more intimate look at sketches, blueprints, seals, and correspondence, postcards, and business cards.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection gather resources to aid in the research of the commercial, eclesiastical, economic, and geographical history of Cienfuegos, Cuba, as well as featuring texts on important figures and locations. It includes full texts and editions of regional newspapers, as well as the more intimate look at sketches, blueprints, seals, and correspondence, postcards, and business cards."],"userestrict_html_tesm":["\u003cp\u003eThe Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":36,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844445591601152,"_root_":"df5f33ab57ee6e767c26a104","timestamp":"2026-07-16T04:31:37.751Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/df5f33ab57ee6e767c26a104"}},{"id":"02e6768c8de9bbedcf989f55","type":"collection","attributes":{"title":"Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/02e6768c8de9bbedcf989f55#abstract_or_scope","type":"document_value","attributes":{"value":["The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/02e6768c8de9bbedcf989f55#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"02e6768c8de9bbedcf989f55","title_ssm":["Cinema Corporation of America Collection"],"title_tesim":["Cinema Corporation of America Collection"],"ead_ssi":"02e6768c8de9bbedcf989f55","unitdate_ssm":["1925-1981","1925-1932"],"unitdate_bulk_ssim":["1925-1932"],"unitdate_inclusive_ssm":["1925-1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2004-008","/repositories/10/resources/515"],"text":["MSS 2004-008","/repositories/10/resources/515","Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932","Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters.","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.","Portions of collection available online?: No","This collection was processed from December 2004-January 2005 by Burt Altman.","The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.","Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.","FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F.","English"],"unitid_tesim":["MSS 2004-008","/repositories/10/resources/515"],"normalized_date_ssm":["1925-1981, bulk 1925-1932"],"normalized_title_ssm":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_title_tesim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_ssim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["The Cinema Corporation of America Collection was given to Special Collections by Mr. Robert Martin in July 2004."],"access_subjects_ssim":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"access_subjects_ssm":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"has_online_content_ssim":["false"],"extent_ssm":["5.70 Linear Feet"],"extent_tesim":["5.70 Linear Feet"],"genreform_ssim":["Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eIn 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n\u003cbr\u003e\u003cbr\u003eFrom 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n\u003cbr\u003e\u003cbr\u003eIn 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n\u003cbr\u003e\u003cbr\u003eDeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n\u003cbr\u003e\u003cbr\u003eThrough the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures."],"originalsloc_html_tesm":["\u003cp\u003ePortions of collection available online?: No\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Portions of collection available online?: No"],"prefercite_html_tesm":["\u003cp\u003eCinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008\u003c/p\u003e"],"prefercite_tesim":["Cinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008"],"processinfo_html_tesm":["\u003cp\u003eThis collection was processed from December 2004-January 2005 by Burt Altman.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was processed from December 2004-January 2005 by Burt Altman."],"scopecontent_html_tesm":["\u003cp\u003eThe Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s."],"userestrict_html_tesm":["\u003cp\u003eCopyright has not been assigned to the Florida State University Libraries.\n\u003cbr\u003e\u003cbr\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_55d7c421357e27123341549dc34b5103\" label=\"Abstract\"\u003eThe Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.\u003c/abstract\u003e"],"abstract_tesim":["The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding."],"names_coll_ssim":["DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"names_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"corpname_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America"],"persname_ssim":["DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":76,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"02e6768c8de9bbedcf989f55","timestamp":"2026-07-08T11:19:32.323Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"02e6768c8de9bbedcf989f55","title_ssm":["Cinema Corporation of America Collection"],"title_tesim":["Cinema Corporation of America Collection"],"ead_ssi":"02e6768c8de9bbedcf989f55","unitdate_ssm":["1925-1981","1925-1932"],"unitdate_bulk_ssim":["1925-1932"],"unitdate_inclusive_ssm":["1925-1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2004-008","/repositories/10/resources/515"],"text":["MSS 2004-008","/repositories/10/resources/515","Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932","Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters.","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.","Portions of collection available online?: No","This collection was processed from December 2004-January 2005 by Burt Altman.","The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.","Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.","FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F.","English"],"unitid_tesim":["MSS 2004-008","/repositories/10/resources/515"],"normalized_date_ssm":["1925-1981, bulk 1925-1932"],"normalized_title_ssm":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_title_tesim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_ssim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["The Cinema Corporation of America Collection was given to Special Collections by Mr. Robert Martin in July 2004."],"access_subjects_ssim":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"access_subjects_ssm":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"has_online_content_ssim":["false"],"extent_ssm":["5.70 Linear Feet"],"extent_tesim":["5.70 Linear Feet"],"genreform_ssim":["Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eIn 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n\u003cbr\u003e\u003cbr\u003eFrom 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n\u003cbr\u003e\u003cbr\u003eIn 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n\u003cbr\u003e\u003cbr\u003eDeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n\u003cbr\u003e\u003cbr\u003eThrough the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures."],"originalsloc_html_tesm":["\u003cp\u003ePortions of collection available online?: No\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Portions of collection available online?: No"],"prefercite_html_tesm":["\u003cp\u003eCinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008\u003c/p\u003e"],"prefercite_tesim":["Cinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008"],"processinfo_html_tesm":["\u003cp\u003eThis collection was processed from December 2004-January 2005 by Burt Altman.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was processed from December 2004-January 2005 by Burt Altman."],"scopecontent_html_tesm":["\u003cp\u003eThe Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s."],"userestrict_html_tesm":["\u003cp\u003eCopyright has not been assigned to the Florida State University Libraries.\n\u003cbr\u003e\u003cbr\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_55d7c421357e27123341549dc34b5103\" label=\"Abstract\"\u003eThe Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.\u003c/abstract\u003e"],"abstract_tesim":["The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding."],"names_coll_ssim":["DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"names_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"corpname_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America"],"persname_ssim":["DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":76,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"02e6768c8de9bbedcf989f55","timestamp":"2026-07-08T11:19:32.323Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/02e6768c8de9bbedcf989f55"}},{"id":"9a8fa419ac11c3e324eabb52","type":"collection","attributes":{"title":"Clinton Mack Jr. Collection, Circa 1920-1960, 1998","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/9a8fa419ac11c3e324eabb52#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Clinton Mack Collection contains more than 290 images of the Black community in Pompano Beach taken during the 1930s. The photographs are primarily portraits of African-American and Bahamian men, women, children, and families, but there are also group photographs, images of parades, Masons, and church groups. The original negatives from the 1930s form the bulk of the collection, along with the original box they were stored in. The collection also includes materials from Bob Pool Jewelry and Photo, and materials documenting Kurt Mulder's efforts to preserve the images and identify the people in them.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9a8fa419ac11c3e324eabb52#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"9a8fa419ac11c3e324eabb52","title_filing_ssi":"Mack, Clinton Collection","title_ssm":["Clinton Mack Jr. Collection"],"title_tesim":["Clinton Mack Jr. Collection"],"ead_ssi":"9a8fa419ac11c3e324eabb52","unitdate_ssm":["Circa 1920-1960, 1998"],"unitdate_inclusive_ssm":["Circa 1920-1960, 1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.1998.1","/repositories/2/resources/276"],"text":["AARLCC.1998.1","/repositories/2/resources/276","Clinton Mack Jr. Collection, Circa 1920-1960, 1998","Pompano Beach (Fla.)","African Americans","Black people--United States","Bahamian Americans","Photographs","Good","The Clinton Mack Collection is open for research.","The Reverend Clinton Mack Photograph Collection is digitized and available on the  Broward County Library Digital Archives .","In Pompano, Clinton Mack Jr. worked as a shoeshine and had a stand outside of Bob Poole's photograph business. He borrowed a camera from R. A. \"Bob\" Pool and took numerous photographs of people in Pompano. Pool was owned a jewelry and photograph business at 35 NE First Street from the 1930s through the 1990s.","Clinton Mack Jr.'s father, Reverend Clinton Mack Sr. was born in 1897 Georgia. He began his ministerial career in Augusta, georgia. In 1828 he moved to Pompano Beach, Florida with his wife Leola and children circa 1930s. In 1943, Mack purchased land and helped to found Mount Zion Missionary Baptist Church in Pompano Beach. On January 1, 1977 he retired as pastor of Mount Zion Missionary Baptist Church. Reverend Mack passed away in 1981 and is buried in the Pompano Beach Cemetery.","In 1998 Bob Pool's friend and colleague Kurt Mulder, owner of Royal Photo, made contact prints of Mack's negatives and sought help identifying the people in the photographs from the local community. Mulder and Pamela DeVelder donated the materials to the African American Research Library and Cultural Center in 1998.","This collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Clinton Mack Collection contains more than 290 images of the Black community in Pompano Beach taken during the 1930s. The photographs are primarily portraits of African-American and Bahamian men, women, children, and families, but there are also group photographs, images of parades, Masons, and church groups. The original negatives from the 1930s form the bulk of the collection, along with the original box they were stored in. The collection also includes materials from Bob Pool Jewelry and Photo, and materials documenting Kurt Mulder's efforts to preserve the images and identify the people in them.","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.1998.1","/repositories/2/resources/276"],"normalized_date_ssm":["Circa 1920-1960, 1998"],"normalized_title_ssm":["Clinton Mack Jr. Collection, Circa 1920-1960, 1998"],"collection_title_tesim":["Clinton Mack Jr. Collection, Circa 1920-1960, 1998"],"collection_ssim":["Clinton Mack Jr. Collection, Circa 1920-1960, 1998"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Pompano Beach (Fla.)"],"geogname_ssim":["Pompano Beach (Fla.)"],"places_ssim":["Pompano Beach (Fla.)"],"acqinfo_ssim":["Kurt Mulder and Pamela DeVelder donated the materials to the AARLCC Special Collections in 1998 (Accession AARLCC-1998.1)."],"access_subjects_ssim":["African Americans","Black people--United States","Bahamian Americans","Photographs"],"access_subjects_ssm":["African Americans","Black people--United States","Bahamian Americans","Photographs"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good"],"extent_ssm":["1 Hollinger Box","4 Photograph Binder Boxes","4.59 Linear Feet (5 containers)"],"extent_tesim":["1 Hollinger Box","4 Photograph Binder Boxes","4.59 Linear Feet (5 containers)"],"genreform_ssim":["Photographs"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eThe Clinton Mack Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Clinton Mack Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003eThe Reverend Clinton Mack Photograph Collection is digitized and available on the \u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll11/search\"\u003eBroward County Library Digital Archives\u003c/a\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["The Reverend Clinton Mack Photograph Collection is digitized and available on the  Broward County Library Digital Archives ."],"bioghist_html_tesm":["\u003cp\u003eIn Pompano, Clinton Mack Jr. worked as a shoeshine and had a stand outside of Bob Poole's photograph business. He borrowed a camera from R. A. \"Bob\" Pool and took numerous photographs of people in Pompano. Pool was owned a jewelry and photograph business at 35 NE First Street from the 1930s through the 1990s.\u003c/p\u003e\n","\u003cp\u003eClinton Mack Jr.'s father, Reverend Clinton Mack Sr. was born in 1897 Georgia. He began his ministerial career in Augusta, georgia. In 1828 he moved to Pompano Beach, Florida with his wife Leola and children circa 1930s. In 1943, Mack purchased land and helped to found Mount Zion Missionary Baptist Church in Pompano Beach. On January 1, 1977 he retired as pastor of Mount Zion Missionary Baptist Church. Reverend Mack passed away in 1981 and is buried in the Pompano Beach Cemetery.\u003c/p\u003e\n","\u003cp\u003eIn 1998 Bob Pool's friend and colleague Kurt Mulder, owner of Royal Photo, made contact prints of Mack's negatives and sought help identifying the people in the photographs from the local community. Mulder and Pamela DeVelder donated the materials to the African American Research Library and Cultural Center in 1998.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["In Pompano, Clinton Mack Jr. worked as a shoeshine and had a stand outside of Bob Poole's photograph business. He borrowed a camera from R. A. \"Bob\" Pool and took numerous photographs of people in Pompano. Pool was owned a jewelry and photograph business at 35 NE First Street from the 1930s through the 1990s.","Clinton Mack Jr.'s father, Reverend Clinton Mack Sr. was born in 1897 Georgia. He began his ministerial career in Augusta, georgia. In 1828 he moved to Pompano Beach, Florida with his wife Leola and children circa 1930s. In 1943, Mack purchased land and helped to found Mount Zion Missionary Baptist Church in Pompano Beach. On January 1, 1977 he retired as pastor of Mount Zion Missionary Baptist Church. Reverend Mack passed away in 1981 and is buried in the Pompano Beach Cemetery.","In 1998 Bob Pool's friend and colleague Kurt Mulder, owner of Royal Photo, made contact prints of Mack's negatives and sought help identifying the people in the photographs from the local community. Mulder and Pamela DeVelder donated the materials to the African American Research Library and Cultural Center in 1998."],"prefercite_html_tesm":["\u003cp\u003eClinton Mack Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Clinton Mack Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Clinton Mack Collection contains more than 290 images of the Black community in Pompano Beach taken during the 1930s. The photographs are primarily portraits of African-American and Bahamian men, women, children, and families, but there are also group photographs, images of parades, Masons, and church groups. The original negatives from the 1930s form the bulk of the collection, along with the original box they were stored in. The collection also includes materials from Bob Pool Jewelry and Photo, and materials documenting Kurt Mulder's efforts to preserve the images and identify the people in them.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Clinton Mack Collection contains more than 290 images of the Black community in Pompano Beach taken during the 1930s. The photographs are primarily portraits of African-American and Bahamian men, women, children, and families, but there are also group photographs, images of parades, Masons, and church groups. The original negatives from the 1930s form the bulk of the collection, along with the original box they were stored in. The collection also includes materials from Bob Pool Jewelry and Photo, and materials documenting Kurt Mulder's efforts to preserve the images and identify the people in them."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":16,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"9a8fa419ac11c3e324eabb52","timestamp":"2026-04-21T01:43:56.934Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9a8fa419ac11c3e324eabb52","title_filing_ssi":"Mack, Clinton Collection","title_ssm":["Clinton Mack Jr. Collection"],"title_tesim":["Clinton Mack Jr. Collection"],"ead_ssi":"9a8fa419ac11c3e324eabb52","unitdate_ssm":["Circa 1920-1960, 1998"],"unitdate_inclusive_ssm":["Circa 1920-1960, 1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.1998.1","/repositories/2/resources/276"],"text":["AARLCC.1998.1","/repositories/2/resources/276","Clinton Mack Jr. Collection, Circa 1920-1960, 1998","Pompano Beach (Fla.)","African Americans","Black people--United States","Bahamian Americans","Photographs","Good","The Clinton Mack Collection is open for research.","The Reverend Clinton Mack Photograph Collection is digitized and available on the  Broward County Library Digital Archives .","In Pompano, Clinton Mack Jr. worked as a shoeshine and had a stand outside of Bob Poole's photograph business. He borrowed a camera from R. A. \"Bob\" Pool and took numerous photographs of people in Pompano. Pool was owned a jewelry and photograph business at 35 NE First Street from the 1930s through the 1990s.","Clinton Mack Jr.'s father, Reverend Clinton Mack Sr. was born in 1897 Georgia. He began his ministerial career in Augusta, georgia. In 1828 he moved to Pompano Beach, Florida with his wife Leola and children circa 1930s. In 1943, Mack purchased land and helped to found Mount Zion Missionary Baptist Church in Pompano Beach. On January 1, 1977 he retired as pastor of Mount Zion Missionary Baptist Church. Reverend Mack passed away in 1981 and is buried in the Pompano Beach Cemetery.","In 1998 Bob Pool's friend and colleague Kurt Mulder, owner of Royal Photo, made contact prints of Mack's negatives and sought help identifying the people in the photographs from the local community. Mulder and Pamela DeVelder donated the materials to the African American Research Library and Cultural Center in 1998.","This collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Clinton Mack Collection contains more than 290 images of the Black community in Pompano Beach taken during the 1930s. The photographs are primarily portraits of African-American and Bahamian men, women, children, and families, but there are also group photographs, images of parades, Masons, and church groups. The original negatives from the 1930s form the bulk of the collection, along with the original box they were stored in. The collection also includes materials from Bob Pool Jewelry and Photo, and materials documenting Kurt Mulder's efforts to preserve the images and identify the people in them.","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.1998.1","/repositories/2/resources/276"],"normalized_date_ssm":["Circa 1920-1960, 1998"],"normalized_title_ssm":["Clinton Mack Jr. Collection, Circa 1920-1960, 1998"],"collection_title_tesim":["Clinton Mack Jr. Collection, Circa 1920-1960, 1998"],"collection_ssim":["Clinton Mack Jr. Collection, Circa 1920-1960, 1998"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Pompano Beach (Fla.)"],"geogname_ssim":["Pompano Beach (Fla.)"],"places_ssim":["Pompano Beach (Fla.)"],"acqinfo_ssim":["Kurt Mulder and Pamela DeVelder donated the materials to the AARLCC Special Collections in 1998 (Accession AARLCC-1998.1)."],"access_subjects_ssim":["African Americans","Black people--United States","Bahamian Americans","Photographs"],"access_subjects_ssm":["African Americans","Black people--United States","Bahamian Americans","Photographs"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good"],"extent_ssm":["1 Hollinger Box","4 Photograph Binder Boxes","4.59 Linear Feet (5 containers)"],"extent_tesim":["1 Hollinger Box","4 Photograph Binder Boxes","4.59 Linear Feet (5 containers)"],"genreform_ssim":["Photographs"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eThe Clinton Mack Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Clinton Mack Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003eThe Reverend Clinton Mack Photograph Collection is digitized and available on the \u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll11/search\"\u003eBroward County Library Digital Archives\u003c/a\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["The Reverend Clinton Mack Photograph Collection is digitized and available on the  Broward County Library Digital Archives ."],"bioghist_html_tesm":["\u003cp\u003eIn Pompano, Clinton Mack Jr. worked as a shoeshine and had a stand outside of Bob Poole's photograph business. He borrowed a camera from R. A. \"Bob\" Pool and took numerous photographs of people in Pompano. Pool was owned a jewelry and photograph business at 35 NE First Street from the 1930s through the 1990s.\u003c/p\u003e\n","\u003cp\u003eClinton Mack Jr.'s father, Reverend Clinton Mack Sr. was born in 1897 Georgia. He began his ministerial career in Augusta, georgia. In 1828 he moved to Pompano Beach, Florida with his wife Leola and children circa 1930s. In 1943, Mack purchased land and helped to found Mount Zion Missionary Baptist Church in Pompano Beach. On January 1, 1977 he retired as pastor of Mount Zion Missionary Baptist Church. Reverend Mack passed away in 1981 and is buried in the Pompano Beach Cemetery.\u003c/p\u003e\n","\u003cp\u003eIn 1998 Bob Pool's friend and colleague Kurt Mulder, owner of Royal Photo, made contact prints of Mack's negatives and sought help identifying the people in the photographs from the local community. Mulder and Pamela DeVelder donated the materials to the African American Research Library and Cultural Center in 1998.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["In Pompano, Clinton Mack Jr. worked as a shoeshine and had a stand outside of Bob Poole's photograph business. He borrowed a camera from R. A. \"Bob\" Pool and took numerous photographs of people in Pompano. Pool was owned a jewelry and photograph business at 35 NE First Street from the 1930s through the 1990s.","Clinton Mack Jr.'s father, Reverend Clinton Mack Sr. was born in 1897 Georgia. He began his ministerial career in Augusta, georgia. In 1828 he moved to Pompano Beach, Florida with his wife Leola and children circa 1930s. In 1943, Mack purchased land and helped to found Mount Zion Missionary Baptist Church in Pompano Beach. On January 1, 1977 he retired as pastor of Mount Zion Missionary Baptist Church. Reverend Mack passed away in 1981 and is buried in the Pompano Beach Cemetery.","In 1998 Bob Pool's friend and colleague Kurt Mulder, owner of Royal Photo, made contact prints of Mack's negatives and sought help identifying the people in the photographs from the local community. Mulder and Pamela DeVelder donated the materials to the African American Research Library and Cultural Center in 1998."],"prefercite_html_tesm":["\u003cp\u003eClinton Mack Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Clinton Mack Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Clinton Mack Collection contains more than 290 images of the Black community in Pompano Beach taken during the 1930s. The photographs are primarily portraits of African-American and Bahamian men, women, children, and families, but there are also group photographs, images of parades, Masons, and church groups. The original negatives from the 1930s form the bulk of the collection, along with the original box they were stored in. The collection also includes materials from Bob Pool Jewelry and Photo, and materials documenting Kurt Mulder's efforts to preserve the images and identify the people in them.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Clinton Mack Collection contains more than 290 images of the Black community in Pompano Beach taken during the 1930s. The photographs are primarily portraits of African-American and Bahamian men, women, children, and families, but there are also group photographs, images of parades, Masons, and church groups. The original negatives from the 1930s form the bulk of the collection, along with the original box they were stored in. 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